Latest / The Gaston Leroux Library / The Mystery of the Yellow Room Chapter 9 - Reporter and Detective
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- 0:01Speaker 1: Chapter nine of the Mystery of the Yellow Room. This
- 0:06Speaker 1: is a LibriVox recording. All LibriVox recordings are in the
- 0:10Speaker 1: public domain. For more free audio books or to volunteer,
- 0:16Speaker 1: please visit LibriVox dot org. Recording by Gloria Zublicky. The
- 0:24Speaker 1: Mystery of the Yellow Room by Gueston LaRue, Chapter nine.
- 0:30Speaker 1: Reporter and detective. The three of us went back towards
- 0:35Speaker 1: the pavilion, at some distance from the building. The reporter
- 0:39Speaker 1: made us stop, and, pointing to a small clump of
- 0:42Speaker 1: trees to the right of us, said that's where the
- 0:45Speaker 1: murderer came from to get into the pavilion. As there
- 0:49Speaker 1: were other patches of trees of the same sort between
- 0:52Speaker 1: the great oaks. I asked why the murderer had chosen
- 0:54Speaker 1: that one rather than any of the others. Rouletabille answered
- 0:58Speaker 1: me by pointing to the which ran quite close to
- 1:01Speaker 1: the thicket to the door of the pavilion. That path is,
- 1:05Speaker 1: as you see, topped with gravel. He said, the man
- 1:08Speaker 1: must have passed along it going to the pavilion, since
- 1:11Speaker 1: no traces of his steps have been found on the
- 1:13Speaker 1: soft ground. The man didn't have wings. He walked, but
- 1:17Speaker 1: he walked on the gravel, which left no impression of
- 1:20Speaker 1: his tread. The gravel has in fact been trodden by
- 1:23Speaker 1: many other feet. Since the path is the most direct
- 1:26Speaker 1: way between the pavilion and the chateau. As to the
- 1:30Speaker 1: thicket made of the sort of shrubs that don't flourish
- 1:33Speaker 1: in the rough season, laurels and fuches, it offered the
- 1:37Speaker 1: murderer a sufficient hiding place until it was time for
- 1:39Speaker 1: him to make his way to the pavilion. It was
- 1:43Speaker 1: while hiding in that clump of trees that he saw
- 1:45Speaker 1: Monsieur and Mademoiselle Stangerson, and then Daddy Jacques leave the pavilion.
- 1:51Speaker 1: Gravel has been spread nearly, very nearly up to the
- 1:54Speaker 1: window of the pavilion. The footprints of a man, parallel
- 1:58Speaker 1: with the wall marks which we will exams, and presently
- 2:00Speaker 1: in which I have already seen, prove that he only
- 2:04Speaker 1: needed to make one stride to find himself in front
- 2:07Speaker 1: of the vestibule window left open by Daddy Jacques. The
- 2:10Speaker 1: man drew himself up by his hands and entered the vestibule.
- 2:15Speaker 1: After all, it is very possible, I said, after all, what,
- 2:20Speaker 1: after all, what cried Rouletabille. I begged of him not
- 2:24Speaker 1: to be angry, but he was too much irritated to
- 2:27Speaker 1: listen to me, and declared ironically that he admired the
- 2:30Speaker 1: prudent doubt with which certain people approached the most simple problems,
- 2:35Speaker 1: risking nothing by saying that is so or that is
- 2:38Speaker 1: not so. Their intelligence would have produced about the same
- 2:42Speaker 1: result if nature had forgotten to furnish their brain pan
- 2:45Speaker 1: with a little gray matter. As I appeared vexed, my
- 2:49Speaker 1: young friend took me by the arm and admitted that
- 2:51Speaker 1: he had not meant that for me. He thought more
- 2:54Speaker 1: of me than that if I did not reason as
- 2:58Speaker 1: I do in regard to this gravel, he went on,
- 3:00Speaker 1: I should have to assume a balloon, My dear fellow,
- 3:04Speaker 1: The science of the aero station of dirigible balloons is
- 3:07Speaker 1: not yet developed enough for me to consider it and
- 3:09Speaker 1: suppose that a murderer would drop from the clouds. So
- 3:12Speaker 1: don't say a thing is possible when it could not
- 3:15Speaker 1: be otherwise. We know now how the man entered by
- 3:20Speaker 1: the window, and we also know the moment at which
- 3:22Speaker 1: he entered During the five o'clock walk of the professor
- 3:25Speaker 1: and his daughter. The fact of the presence of the
- 3:28Speaker 1: chambermaid who had come to clean up the yellow room
- 3:31Speaker 1: in the laboratory when Monsieur Stangerson and his daughter returned
- 3:35Speaker 1: from their walk at half past one. Permits us to
- 3:38Speaker 1: affirm that at half past one the murderer was not
- 3:41Speaker 1: in the chamber under the bed, unless he was in
- 3:44Speaker 1: collusion with the chambermaid. What do you say, Monsieur Darzac.
- 3:49Speaker 1: Monsieur Darzac shook his head and said he was sure
- 3:51Speaker 1: of the chambermaid's fidelity, and that she was a thoroughly
- 3:54Speaker 1: honest and devoted servant. Besides, he added, at five o'clock,
- 3:59Speaker 1: Monsieur standers and went into the room to fetch his
- 4:01Speaker 1: daughter's hat. There is that, also said Rouletabille, that the
- 4:06Speaker 1: man entered by the window at the time. You say,
- 4:09Speaker 1: I admit, I said, But why did he shut the window?
- 4:12Speaker 1: It was an act which would necessarily draw the attention
- 4:14Speaker 1: of those who had left it open. It may be
- 4:18Speaker 1: the window was not shut at once, replied the young reporter.
- 4:22Speaker 1: But if he did shut the window, it was because
- 4:24Speaker 1: of the bend in the gravel path a dozen yards
- 4:27Speaker 1: from the pavilion, and on account of the three oaks
- 4:31Speaker 1: that are growing at that spot. What do you mean
- 4:34Speaker 1: by that, asked Monsieur Darzac, who had followed us and
- 4:37Speaker 1: listened with almost breathless attention to all that Rouletabille had said.
- 4:41Speaker 1: I'll explain all to you, lady, monsieur, when I think
- 4:44Speaker 1: the moment to be ripe for doing so. But I
- 4:47Speaker 1: don't think I have anything of more importance to say
- 4:49Speaker 1: on this affair. If my hypothesis is justified, And what
- 4:53Speaker 1: is your hypothesis? You will never know if it does
- 4:57Speaker 1: not turn out to be the truth. It of much
- 5:00Speaker 1: too grave a nature to speak of it, so long
- 5:02Speaker 1: as it continues to be only a hypothesis. Have you
- 5:06Speaker 1: at least some idea as to who the murderer is? No, Monsieur,
- 5:11Speaker 1: I don't know who the murderer is, but don't be afraid,
- 5:14Speaker 1: Monsieur Robert Darzac, I shall know. I could not but
- 5:19Speaker 1: observe that Monsieur Darzac was deeply moved, and I suspected
- 5:23Speaker 1: that Rouletabille's confident assertion was not pleasing to him. Why,
- 5:27Speaker 1: I asked myself, if he was really afraid that the
- 5:30Speaker 1: murderer should be discovered, was he helping the reporter to
- 5:33Speaker 1: find him? My young friend seemed to have received the
- 5:36Speaker 1: same impression, for he said bluntly, Monsieur Darzac, don't you
- 5:41Speaker 1: want me to find out who the murderer was? Oh?
- 5:45Speaker 1: I should like to kill him with my own hand,
- 5:47Speaker 1: cried Mademoiselle Stangerson's fiancee, with a vehemence that amazed me.
- 5:52Speaker 1: I believe you, said Rouletabille, gravely, but you have not
- 5:55Speaker 1: answered my question. We were passing by the thicket of
- 6:00Speaker 1: which the young reporter had spoken to us a minute
- 6:02Speaker 1: before I entered it and pointed out evident traces of
- 6:06Speaker 1: a man who had been hidden there. Rouletabille once more
- 6:10Speaker 1: was right, Yes, yes, he said. We have to do
- 6:13Speaker 1: with a thing of flesh and blood who uses the
- 6:15Speaker 1: same means that we do. It'll all come out on
- 6:18Speaker 1: those lines. Having said this, he asked me for the
- 6:21Speaker 1: paper pattern of the footprint, which he had given me
- 6:24Speaker 1: to take care of, and applied it to a very
- 6:26Speaker 1: clear footmark behind the thicket. Aha, he said, rising. I
- 6:31Speaker 1: thought he was now going to trace back the track
- 6:33Speaker 1: of the murderer's footmarks to the vestibule window, but he
- 6:37Speaker 1: led us instead far to the left, saying that it
- 6:39Speaker 1: was useless ferreting in the mud, and that he was
- 6:42Speaker 1: sure now of the road taken by the murderer. He
- 6:45Speaker 1: went along the wall to the hedge and dry ditch
- 6:48Speaker 1: over which he jumped, see just in front of the
- 6:51Speaker 1: little path leading to the lake. That was his nearest
- 6:53Speaker 1: way to get out. How do you know he went
- 6:56Speaker 1: to the lake because Frederic Larsan has not quitted the
- 7:00Speaker 1: borders of it since this morning. There must be some
- 7:02Speaker 1: important marks there. A few minutes later we reached the lake.
- 7:08Speaker 1: It was a little sheet of marshy water, surrounded by reeds,
- 7:12Speaker 1: on which floated some dead water lily leaves. The Great
- 7:16Speaker 1: fred may have seen us approaching, but we probably interested
- 7:19Speaker 1: him very little, for he took hardly any notice of us,
- 7:22Speaker 1: and continued to be stirring with his cane something which
- 7:25Speaker 1: we could not see. Look, said Rouletabille. Here again are
- 7:29Speaker 1: the footmarks of the escaping man. They skirt the lake
- 7:32Speaker 1: here and finally disappeared just before this path, which leads
- 7:36Speaker 1: to the high road to Epinay. The man continued his
- 7:39Speaker 1: flight to Paris. What makes you think that, i asked,
- 7:42Speaker 1: Since these footmarks are not continued on the path, What
- 7:46Speaker 1: makes me think that? Why these footprints which I expected
- 7:50Speaker 1: to find? He cried, pointing to the sharply outlined imprint
- 7:53Speaker 1: of a neat boot. See and he called to Frederic Lawson,
- 7:58Speaker 1: Monsieur Fred, these neat footprint and seemed to have been
- 8:00Speaker 1: made since the discovery of the crime. Yes, young man,
- 8:05Speaker 1: Yes they have been carefully made, replied fred without raising
- 8:09Speaker 1: his head. You see there are steps that come and
- 8:12Speaker 1: steps that go back. And the man had a bicycle,
- 8:17Speaker 1: cried the reporter. Here, after looking at the marks of
- 8:20Speaker 1: the bicycle which followed going and coming the neat footprints,
- 8:24Speaker 1: I thought I might intervene. The bicycle explains the disappearance
- 8:29Speaker 1: of the murderer's big footprints, I said. The murderer, with
- 8:33Speaker 1: his rough boots, mounted a bicycle. His accomplice, the wearer
- 8:37Speaker 1: of the neat boots, had come to wait for him
- 8:39Speaker 1: on the edge of the lake. With the bicycle. It
- 8:42Speaker 1: might be supposed that the murderer was working for the other. No, no,
- 8:47Speaker 1: replied Rouletabille, with a strange smile. I have expected to
- 8:50Speaker 1: find these footmarks from the very beginning. These are not
- 8:53Speaker 1: the footmarks of the murderer. Then there were two, No,
- 8:57Speaker 1: there was but one, and he had no accomplice. Very good,
- 9:02Speaker 1: very good, cried Frederic Larsan look, continued the young reporter,
- 9:07Speaker 1: showing us the ground where it had been disturbed by
- 9:09Speaker 1: the big and heavy heels. The man seated himself there
- 9:13Speaker 1: and took off his hobnailed boots, which he had worn
- 9:15Speaker 1: only for the purpose of misleading detection, and then, no
- 9:19Speaker 1: doubt taking them away with him. He stood up in
- 9:22Speaker 1: his own boots and quietly and slowly regained the high road,
- 9:25Speaker 1: holding his bicycle in his hand, for he could not
- 9:28Speaker 1: venture to ride it on this rough path. That accounts
- 9:31Speaker 1: for the lightness of the impression made by the wheels
- 9:33Speaker 1: along it, in spite of the softness of the ground.
- 9:36Speaker 1: If there had been a man on the bicycle, the
- 9:38Speaker 1: wheels would have sunk deeply into the soil. No, No,
- 9:42Speaker 1: there was but one man there, the murderer on foot. Bravo, bravo,
- 9:48Speaker 1: cried fred again, and coming suddenly towards us, and planting
- 9:51Speaker 1: himself in front of Monsieur Robert Darzac, he said to him,
- 9:55Speaker 1: if we had a bicycle here, we might demonstrate the
- 9:58Speaker 1: correctness of the young man's reason. Monsieur Robert Darzac, do
- 10:02Speaker 1: you know whether there is one at the chateau, No,
- 10:04Speaker 1: replied Monsieur Darzac, there is not. I took mine four
- 10:08Speaker 1: days ago to Paris, the last time I came to
- 10:10Speaker 1: the chateau before the crime. That's a pity, replied Fred,
- 10:15Speaker 1: very coldly, and then turning to Rouletabille, he said, if
- 10:19Speaker 1: we go on at this rate, we'll both come to
- 10:21Speaker 1: the same conclusion. Have you any idea as to how
- 10:24Speaker 1: the murderer got away from the Yellow room? Yes, said
- 10:28Speaker 1: my young friend. I have an idea. So have I
- 10:31Speaker 1: said Fred, and it must be the same as yours.
- 10:34Speaker 1: There are no two ways of reasoning in this affair.
- 10:37Speaker 1: I am waiting for the arrival of my chief before
- 10:39Speaker 1: offering any explanation to the examining magistrate. Ah is the
- 10:44Speaker 1: chief of the Seurte coming, Yes, this afternoon. He is
- 10:48Speaker 1: going to a summon before the magistrate in the laboratory,
- 10:52Speaker 1: all those who have played any part in this tragedy.
- 10:54Speaker 1: It will be very interesting. It is a pity you
- 10:57Speaker 1: won't be able to be present. I shall be present,
- 11:01Speaker 1: said Rouletabille confidently. Really, you are an extraordinary fellow for
- 11:08Speaker 1: your age, replied the detective, in a tone not wholly
- 11:11Speaker 1: free from irony. You'd make a wonderful detective, if you
- 11:15Speaker 1: had a little more method, if you didn't follow your instincts,
- 11:19Speaker 1: and that bump on your forehead, as I have already
- 11:22Speaker 1: several times observed, Monsieur Rouletabille, you reason too much. You
- 11:26Speaker 1: do not allow yourself to be guided by what you
- 11:28Speaker 1: have seen. What do you say to the handkerchief full
- 11:31Speaker 1: of blood and the red mark of the hand on
- 11:33Speaker 1: the wall. You have seen the stain on the wall,
- 11:36Speaker 1: but I have only seen the handkerchief, bah, cried Rouletabille.
- 11:40Speaker 1: The murderer was wounded in the hand by Mademoiselle Stangerson's revolver.
- 11:44Speaker 1: Ah A simply instinctive observation. Take care. You are becoming
- 11:49Speaker 1: too strictly logical, Monsieur Rouletabille. Logic will upset you if
- 11:53Speaker 1: you use it indiscriminately. You are right when you say
- 11:57Speaker 1: that Mademoiselle Stangerson fired her revolver, but you are wrong
- 12:01Speaker 1: when you say that she wounded the murderer in the hand.
- 12:03Speaker 1: I am sure of it, cried Rouletabille. Fred imperturbable interrupted him.
- 12:09Speaker 1: Defective observation. Defective observation. The examination of the handkerchief, the
- 12:14Speaker 1: numberless little round scarlet stains the impression of drops, which
- 12:18Speaker 1: I found in the tracks of the footprints at the
- 12:20Speaker 1: moment when they were made on the floor, proved to
- 12:22Speaker 1: me that the murderer was not wounded at all, Monsieur Rouletabille.
- 12:27Speaker 1: The murderer bled at the nose. The Great Fred spoke
- 12:31Speaker 1: quite seriously. However, I could not refrain from uttering an exclamation.
- 12:36Speaker 1: The reporter looked gravely at Fred, who looked gravely at him,
- 12:40Speaker 1: and Fred immediately concluded. The man allowed the blood to
- 12:44Speaker 1: flow into his hand and handkerchief and dried his hand
- 12:46Speaker 1: on the wall. The fact is highly important, he added,
- 12:49Speaker 1: because there is no need of his being wounded in
- 12:52Speaker 1: the hand for him to be the murderer. Rouletabille seemed
- 12:56Speaker 1: to be thinking deeply. After a moment, he said, there
- 13:00Speaker 1: is something, a something, Monsieur Frederic laws in much graver
- 13:05Speaker 1: than the misuse of logic, the disposition of mind in
- 13:08Speaker 1: some detectives which makes them in perfect could faith twist
- 13:12Speaker 1: logic to the necessities of their preconceived ideas. You already
- 13:17Speaker 1: have your idea about the murderer, Monsieur Fred. Don't deny it,
- 13:21Speaker 1: and your theory demands that the murderer should not have
- 13:23Speaker 1: been wounded in the hand. Otherwise it comes to nothing,
- 13:28Speaker 1: and you have searched and have found something else. It's dangerous,
- 13:32Speaker 1: very dangerous, Monsieur Fred, to go from a preconceived idea
- 13:35Speaker 1: to find the proofs to fit it. That method may
- 13:38Speaker 1: leave you far astray. Beware of judicial error, Monsieur Fred,
- 13:42Speaker 1: it will trip you up. And laughing a little in
- 13:45Speaker 1: a slightly bantering tone, his hands in his pockets, Rouletabille
- 13:49Speaker 1: fixed his cunning eyes on the great Fred. Frederic Larsan
- 13:53Speaker 1: silently contemplated the young reporter who pretended to be as
- 13:57Speaker 1: wise as himself. Shrugging his showl, he bowed to us
- 14:01Speaker 1: and moved quickly away, hitting the stones on his path
- 14:04Speaker 1: with his stout cane. Rouletabille watched his retreat and then
- 14:08Speaker 1: turned towards us, his face joyous and triumphant. I shall
- 14:12Speaker 1: beat him, he cried, I shall beat the great Fred,
- 14:15Speaker 1: clever as he is, I shall beat them all, and
- 14:18Speaker 1: he danced a double shuffle. Suddenly he stopped. My eyes
- 14:22Speaker 1: followed his gaze. They were fixed on Monsieur Robert Darzac,
- 14:26Speaker 1: who was looking anxiously at the impression left by his feet.
- 14:29Speaker 1: Side by side with the elegant footmarks. There was not
- 14:33Speaker 1: a particle of difference between them. We thought he was
- 14:37Speaker 1: about to faint. His eyes, bulging with terror, avoided us,
- 14:41Speaker 1: while his right hand, with a spasmodic movement, twitched at
- 14:44Speaker 1: the beard that covered his honest, gentle and now despairing face.
- 14:49Speaker 1: At length, regaining his self possession, he bowed to us,
- 14:52Speaker 1: and remarking in a changed voice, that he was obliged
- 14:55Speaker 1: to return to the chateau, and left us. The deuce,
- 15:00Speaker 1: exclaimed Rouletabille. He also appeared to be deeply concerned. From
- 15:04Speaker 1: his pocket book, he took a piece of white paper,
- 15:07Speaker 1: as I had seen him do before, and with his
- 15:09Speaker 1: scissors cut out the shape of the neat boot marks
- 15:12Speaker 1: that were on the ground. Then he fitted the new
- 15:14Speaker 1: paper pattern with the one he had previously made. The
- 15:18Speaker 1: two were exactly alike, rising, Rouletabille exclaimed again the Deuce presently,
- 15:26Speaker 1: he added, Yet I believe Monsieur Robert Darzac to be
- 15:30Speaker 1: an honest man. He then led me on the road
- 15:33Speaker 1: to the Donjon Inn, which we could see on the
- 15:36Speaker 1: highway by the side of a small clump of trees.
- 15:40Speaker 1: End of chapter nine