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Gunsmoke — Dodge Podge [episode 270], Broadcast 6/9/1957 (Western Radio Drama) · Gunsmoke | Old Time Radio

• 0:11
  Speaker 1: Around Dodge City and in the territory on West, there
• 0:14
  Speaker 1: is just one way to handle the killers and the spoilers.
• 0:17
  Speaker 1: And that's where the US Marshall and The Smell of
• 0:20
  Speaker 1: Guns Smoke Gun, starring William Conrad, the story of the
• 0:44
  Speaker 1: violence that moved west with young America, and the story
• 0:48
  Speaker 1: of a man who moved with it.
• 0:50
  Speaker 2: I'm that man, Matt Dillon, United States Marshall, the first
• 0:54
  Speaker 2: man they look for and the last they want to meet.
• 0:58
  Speaker 2: It's a chance, a job. It make a man watchful
• 1:03
  Speaker 2: and a little lonely.
• 1:34
  Speaker 3: Yes, surday's times it can be real nice, mister dyn
• 1:38
  Speaker 3: Oh what can be real nice? Dodge City can take
• 1:42
  Speaker 3: a week like this last one, with fine weather and
• 1:45
  Speaker 3: the prairie all green, for the June sun's corches it
• 1:48
  Speaker 3: and people staying out of trouble.
• 1:49
  Speaker 2: Well, I won't last long, Chester, the trailerhers that's starting
• 1:52
  Speaker 2: to roll in.
• 1:55
  Speaker 3: I'm gone at all, mister Dynan. You just won't never
• 1:57
  Speaker 3: let a person pleasure hisself at all. I'm sorry, Chester,
• 2:01
  Speaker 3: I didn't say.
• 2:02
  Speaker 4: It was always nice. I said right now.
• 2:06
  Speaker 2: It's all right. Chester. I do I mean to bust
• 2:08
  Speaker 2: your balloon? Are you sure?
• 2:10
  Speaker 4: Noney? Look at there, there's young Packy.
• 2:14
  Speaker 2: Sayah, let's go see what it's all about.
• 2:22
  Speaker 3: My goodness, Sleave's gonna push that boy's arm right off.
• 2:25
  Speaker 2: If he ain't carefully. We've got no thanks for poking
• 2:28
  Speaker 2: our noses into a family row with him. Boy, I
• 2:32
  Speaker 2: can't see nothing wrong in that. Maybe I'll learn you
• 2:34
  Speaker 2: to see a little different. Please, late, you're a oh
• 2:41
  Speaker 2: you marshall. That boy's getting pretty near as big as
• 2:44
  Speaker 2: you leave. You're not careful. One of these days he's
• 2:47
  Speaker 2: gonna turn on you. And you lift a hand to
• 2:48
  Speaker 2: me just once, I'll take a horse whip cut him
• 2:51
  Speaker 2: to ribbons. Were all done, mister ride into town with
• 2:54
  Speaker 2: mister Roy You mean Chason roll Packy.
• 2:57
  Speaker 5: Yes, sir, I met him on the trail south of
• 2:59
  Speaker 5: the hut.
• 3:00
  Speaker 2: Your mouth, boy, get on over the livery's table and
• 3:03
  Speaker 2: wait for me. And whenever I'm ready to go home,
• 3:06
  Speaker 2: you better be setting that wagon seat you hear me?
• 3:09
  Speaker 6: Yes?
• 3:09
  Speaker 4: All right?
• 3:13
  Speaker 2: Do what behind the ears and back talking like you
• 3:16
  Speaker 2: had grown him? Why he so works up against Jason
• 3:20
  Speaker 2: roll If because he's no good. That's why I told
• 3:25
  Speaker 2: that boy of mine two dozen times stay shy. He's
• 3:29
  Speaker 2: gonna learn to do it if I have to beat
• 3:31
  Speaker 2: him to death. If that's what you're figuring on, you
• 3:34
  Speaker 2: better do it outside of dodge. You button into a
• 3:38
  Speaker 2: man's right to teach his family. Discipline disciplines one thing,
• 3:42
  Speaker 2: but a grown man beating a boy with his fist
• 3:44
  Speaker 2: or something else. And that's what you were doing when
• 3:46
  Speaker 2: way walking. He knowed what to expect. He's been told
• 3:48
  Speaker 2: and told what Jason Rolls pretty well liked as far
• 3:52
  Speaker 2: as I've ever heard. Listen. I aim to raise packing
• 3:55
  Speaker 2: up to be a cattleman, to take over the ranch someday,
• 3:58
  Speaker 2: to run it with his own two hands. I aim
• 4:00
  Speaker 2: to be proud, all right, say. I ain't raising him
• 4:03
  Speaker 2: up to be no no good book reading poet, just
• 4:07
  Speaker 2: enough sense to plant a bean patch and live off.
• 4:09
  Speaker 2: And I hurt his crawny sheep. And I told that
• 4:12
  Speaker 2: boy to stop hanging around that no good role. So live,
• 4:17
  Speaker 2: mister Sutter, How are you, Jason a share? It wasn't
• 4:24
  Speaker 2: because I don't enjoy his company that I told him
• 4:26
  Speaker 2: to stay away, but because I knew it was making
• 4:28
  Speaker 2: trouble for him with you. I had no intention of
• 4:31
  Speaker 2: trying to convince him by beating him to a pope,
• 4:35
  Speaker 2: I ain't sure you're man enough. I am sure, though,
• 4:40
  Speaker 2: That's why I don't have to go around proving it
• 4:42
  Speaker 2: twenty four hours a day. You trying to start something
• 4:46
  Speaker 2: with me, I think has already started. The Sutter as
• 4:50
  Speaker 2: long as you can find your attack on me to talk.
• 4:52
  Speaker 2: I wasn't greatly concerned, but I don't like being shot
• 4:56
  Speaker 2: at from ambush. What do you mean shot at? When
• 4:58
  Speaker 2: was this last week? Marshall? Maybe Sutter can tell you
• 5:01
  Speaker 2: more about it. You claiming I tried to shoot you
• 5:03
  Speaker 2: in the back. As a matter of fact, my back
• 5:06
  Speaker 2: was turned odd that you need I never even been
• 5:10
  Speaker 2: near that shack of yours. I think you're a liar. Sutter.
• 5:18
  Speaker 2: Too bad you ain't wearing a gun when you say that,
• 5:22
  Speaker 2: I suppose you take years off. You outweigh me twenty pounds.
• 5:26
  Speaker 2: That ought to be fair. Maybe you're scared of guns?
• 5:29
  Speaker 2: Is that it all right? I am scared of guns.
• 5:31
  Speaker 2: I've seen too many of them. Not the black guys,
• 5:33
  Speaker 2: said Marshall, Just a sheepherder that likes to read books.
• 5:39
  Speaker 2: Roll you keep away from my boy, you hear me.
• 5:44
  Speaker 2: Any friend who comes to my door is welcome, and
• 5:46
  Speaker 2: that includes packing and another thing sutter. From tonight on,
• 5:52
  Speaker 2: I'll be wearing a gun. I'm mighty glad to hear that.
• 5:57
  Speaker 2: Mighty glad. I'll believe it when I see it. Oh,
• 6:06
  Speaker 2: you better get somebody to learn you how to load it, Marshall.
• 6:13
  Speaker 2: Let foil to be taken away from him. That'd be
• 6:15
  Speaker 2: pretty hard to do, Jason. The Lord gives him out
• 6:18
  Speaker 2: a lot of leeway where his own family is concerned. Fact,
• 6:21
  Speaker 2: he's a good youngster, but his father is killing the.
• 6:24
  Speaker 4: Spirit in him.
• 6:27
  Speaker 2: He may do more killing than that, Jason. If you
• 6:29
  Speaker 2: give him a chance by wearing a gun, you mean no, Marshall.
• 6:34
  Speaker 2: I'm afraid he's worked himself up to a point now
• 6:36
  Speaker 2: where he'll try whether I'm armed or not. Let's start
• 6:39
  Speaker 2: at all this anyway. Pack he happens to like me
• 6:41
  Speaker 2: when I've talked to him and given him books to read.
• 6:45
  Speaker 2: Life's a cattle man and I run a few sheep.
• 6:47
  Speaker 2: Maybe that's the reason enough in itself. Yeah, maybe, mostly
• 6:51
  Speaker 2: though I think it's because he's scared. That's why he's
• 6:53
  Speaker 2: always blustering, trying to cover up, and he knows I
• 6:56
  Speaker 2: see it. So he hates me, and deep inside he's
• 7:00
  Speaker 2: scared of me too, as possible. The worst enemy you
• 7:03
  Speaker 2: can have in the world is a man who's scared
• 7:05
  Speaker 2: of you. Yeah. I know that, Jason, but I wasn't
• 7:11
  Speaker 2: sure you knew it.
• 7:37
  Speaker 1: Yeah.
• 7:38
  Speaker 5: Hm, By guys, it mighty strange looking cadaver a right? Oh?
• 7:46
  Speaker 2: How mad that scalp? Uh? Will you man play?
• 7:50
  Speaker 1: Uh?
• 7:51
  Speaker 2: Is this the one you made?
• 7:51
  Speaker 5: Doctor?
• 7:53
  Speaker 6: Oh?
• 7:53
  Speaker 1: Yes, girls, thank you, thank you.
• 7:57
  Speaker 3: Hm.
• 7:58
  Speaker 2: You know, it's a fine way for a grown to
• 8:00
  Speaker 2: be spending his time poking around on the inside of
• 8:03
  Speaker 2: a dead prairie dog. A rare opportunity, mat rare opportunity. Now,
• 8:08
  Speaker 2: the Hawkins kids brought me.
• 8:10
  Speaker 5: Three of them this morning, found them outs of the town.
• 8:13
  Speaker 1: Rare opportunity for what, Matt, how many.
• 8:16
  Speaker 2: Dead prairie dogs did you ever see? Come to think
• 8:23
  Speaker 2: of it, Ah, that's just what I mean. A prairie
• 8:25
  Speaker 2: dog is a tough little.
• 8:26
  Speaker 5: Animal, only get killed by hawks and snakes coyotes. But
• 8:30
  Speaker 5: they don't just up and die.
• 8:32
  Speaker 2: I guess not.
• 8:34
  Speaker 5: Yeah, come on in doors and are.
• 8:40
  Speaker 2: Oh well pack you.
• 8:44
  Speaker 5: I was looking for you, Marshall, huh, Chester said you
• 8:48
  Speaker 5: might be up here.
• 8:49
  Speaker 2: What can I do for you, sir? Well, nothing much,
• 8:53
  Speaker 2: I reckon I just.
• 8:56
  Speaker 3: Wanted to talk.
• 8:57
  Speaker 1: I guess I go right ahead.
• 8:58
  Speaker 5: I'm through here. Why don't you talk out there in
• 9:01
  Speaker 5: the front room? My life kind of clean up at me?
• 9:03
  Speaker 2: All right?
• 9:12
  Speaker 5: You know, Marshall, Paul just wailed the daylight side of me.
• 9:16
  Speaker 5: He was maddering to wet him.
• 9:21
  Speaker 2: Well, maybe there won't be much more of that. I
• 9:23
  Speaker 2: can hear about growing up now.
• 9:26
  Speaker 5: Paul keeps saying he aims to be proud of me,
• 9:29
  Speaker 5: make a man out of me.
• 9:30
  Speaker 2: Maybe he just wants you to them to be everything
• 9:32
  Speaker 2: he missed being.
• 9:34
  Speaker 5: Or Paul talk to me aloud for real, brable, But
• 9:38
  Speaker 5: I don't think he is a tall Well.
• 9:42
  Speaker 4: Why does he hate mister Raoul so much? I don't
• 9:46
  Speaker 4: see nothing wrong with him.
• 9:47
  Speaker 2: I like him so.
• 9:50
  Speaker 4: He knows things.
• 9:50
  Speaker 5: He most of anything you think of. Mister Rowland knows
• 9:55
  Speaker 5: about and he tells you so you know too. Sure's
• 10:01
  Speaker 5: mighty big world the way he tells about it.
• 10:05
  Speaker 2: Yeah, I guess it is.
• 10:07
  Speaker 5: DoD City, ain't all of it or the prairie bigger
• 10:10
  Speaker 5: than that? I ain't see for myself learn all about it.
• 10:15
  Speaker 2: I don't want your growing up. I guess you can
• 10:17
  Speaker 2: do about anything you want to package.
• 10:22
  Speaker 4: Growing up's kind of hard to do sometimes, Marshall.
• 10:26
  Speaker 2: M Yeah, yeah, it's pretty hard. A lot of people
• 10:32
  Speaker 2: never make it.
• 10:33
  Speaker 4: Pecky ain't no much, Dylon.
• 10:55
  Speaker 3: It just ain't nothing like a half dozen fried eggs
• 10:58
  Speaker 3: to start a man off right in the morning.
• 11:01
  Speaker 2: Yeah, imagine how hog wakes up pretty much the same feelings.
• 11:06
  Speaker 3: A good appetite is a sign of good health.
• 11:08
  Speaker 2: Then I'd say you're about the healthiest man west of
• 11:10
  Speaker 2: Saint Lloyd.
• 11:12
  Speaker 3: Sticks and stones can break my bone, but words.
• 11:15
  Speaker 2: If I join you, Marshall, Jason, glad to have you. Sure,
• 11:19
  Speaker 2: So morning Chester. You're upping around early today. I'm just
• 11:24
  Speaker 2: going through thom As a matter of fact, I got
• 11:26
  Speaker 2: a timber cabin up a new cheer was the snow
• 11:28
  Speaker 2: is during the winter, damaged at some I'm going to
• 11:30
  Speaker 2: spend a week putting it back in shape. Now I am.
• 11:35
  Speaker 2: So you're wearing a gun. I meant what I said.
• 11:39
  Speaker 3: Motion Well, no, mister, wearing a gun is one thing,
• 11:43
  Speaker 3: but knowing how to use it when the time comes
• 11:46
  Speaker 3: is another.
• 11:47
  Speaker 2: I'm familiar with guns. Just tell me something, Jason. You've
• 11:51
  Speaker 2: led troops, haven't you. Why do you ask that? I'm
• 11:55
  Speaker 2: not asking exactly it's or matter of guessing. During the
• 12:00
  Speaker 2: war the Rebellion, I served as a captain twenty ninth
• 12:03
  Speaker 2: New York Volunteers assigned to the Seventh Cavern. Do me
• 12:08
  Speaker 2: a favorite with you, Jason, if I can. Marshall's stay clearest, Setter.
• 12:11
  Speaker 2: Let me talk to him. Let me see if I
• 12:14
  Speaker 2: can knock some sense and do his head. I have
• 12:17
  Speaker 2: no intention of looking him up and calling him, but
• 12:20
  Speaker 2: I doubt that'll make any difference. Marshall. He's like a blind,
• 12:23
  Speaker 2: mad bull, ready to charge anything to move. Yeah, you're right, Marshall.
• 12:28
  Speaker 2: I want to know what's happened to Packy. I ain't
• 12:31
  Speaker 2: seen him morning, Setter, you're behind this, You sneaking red.
• 12:39
  Speaker 2: It's just about them time, all right? Hold that night
• 12:41
  Speaker 2: and get your hand away, deliver all right, settle down.
• 12:51
  Speaker 2: I'll come out with you anyway, Becky. Becky's gone run
• 12:56
  Speaker 2: away during the night when I rolled. He knows he
• 13:00
  Speaker 2: put him up to it. Have you seen package, Jason,
• 13:03
  Speaker 2: not since yesterday out there in the street when Sutter
• 13:05
  Speaker 2: was trying to beat him. After death you're lying. You're
• 13:07
  Speaker 2: hiding him out somewhere, Sutter. Sutter, since you seem determined
• 13:14
  Speaker 2: to force this watch what my goodness that? But that
• 13:24
  Speaker 2: was the fastest draw I ever seen, My gracious Marshall.
• 13:30
  Speaker 2: I think I'll push on. I'll eat breakfast on the trail.
• 13:33
  Speaker 2: I'll see you in about a week. I have a
• 13:36
  Speaker 2: good trip, Jason. All right, leafe as your gun. If
• 13:45
  Speaker 2: you know what's good for you, you'll keep it in
• 13:47
  Speaker 2: its holstered. You might well keep a cell ready, Marshall,
• 13:51
  Speaker 2: I'll kill him no matter how fast he is. I
• 13:54
  Speaker 2: don't think i'll bother with a cell life. If you
• 13:56
  Speaker 2: do try it, what you're gonna needs a grave.
• 14:26
  Speaker 6: Man?
• 14:28
  Speaker 5: All right, Sam, marsha, how about having a drink with me?
• 14:32
  Speaker 7: Yeah?
• 14:32
  Speaker 2: Good, use a beer? Good Sam, shuffle over a picture?
• 14:36
  Speaker 2: Bill We sure key? Yeah, sit down man, Thank you?
• 14:48
  Speaker 1: You got quite a crowd of that.
• 14:49
  Speaker 6: Yeah circle b Barr heard came in about dark with
• 14:52
  Speaker 6: forty riders and the Curent of Verde. About an hour later.
• 14:56
  Speaker 6: I guess we'll be open all night. Thank you.
• 15:00
  Speaker 2: Thanks having put it on the house. Haven't you sure
• 15:04
  Speaker 2: you know? I can't figure these trail drivers, kiddy. They
• 15:06
  Speaker 2: work all winter along, make up fifteen hundred mile cattle
• 15:10
  Speaker 2: drive and then blow their whole wages.
• 15:12
  Speaker 4: Three nights one night, I love him.
• 15:15
  Speaker 6: Then they have to borrow money to eat until they
• 15:17
  Speaker 6: head back to Texas. But I guess that's the way
• 15:20
  Speaker 6: they like it.
• 15:20
  Speaker 2: Yeah, they saw my boy yet Marshall, No, not yet. Leaf.
• 15:28
  Speaker 2: Are you even trying as much as I know how to?
• 15:32
  Speaker 2: He hasn't been seen on any of the trails out
• 15:34
  Speaker 2: of town. I check with everybody I can. Why don't
• 15:38
  Speaker 2: you check with Jason Rolled? That's who he's gone with.
• 15:42
  Speaker 2: He heard what Jason said this morning. He was going
• 15:44
  Speaker 2: into the Chiro was be gone a weaker more, and
• 15:47
  Speaker 2: he took back. You would I talked to the driver
• 15:50
  Speaker 2: of the Pueblo Stag this afternoon. He saw Jason Roll
• 15:53
  Speaker 2: at rylight pass and it is alone. You're letting your
• 15:58
  Speaker 2: hate twist your thinking life. I wouldn't trust that Jason
• 16:02
  Speaker 2: Roll no further. And I can see you, well, that's
• 16:05
  Speaker 2: up to you. That seems to me. Your main concern
• 16:08
  Speaker 2: not to be your son, not your feud with Jason.
• 16:11
  Speaker 2: It is anything happened to that boy, Marshall. You find Peck,
• 16:22
  Speaker 2: You find him and fetch him back home. You hear me,
• 16:24
  Speaker 2: I'll do what I can live. You find him and
• 16:27
  Speaker 2: fetch him.
• 16:28
  Speaker 6: Back funny Matt personal let of hate get hold of
• 16:38
  Speaker 6: him without any real reason that it's riding.
• 16:41
  Speaker 2: That way, Yeah, and rid him right under the ground
• 16:45
  Speaker 2: more than offer match.
• 16:47
  Speaker 6: You think Jason did help Packy run away?
• 16:50
  Speaker 2: No, I think the boy just got tired of being
• 16:53
  Speaker 2: cuffed a arm and s.
• 16:55
  Speaker 6: But still Lafe worships that kid.
• 16:58
  Speaker 2: YEA suppose he does?
• 16:59
  Speaker 1: Is wait?
• 17:01
  Speaker 6: I could jealousy almost Lake wants the boy to look
• 17:05
  Speaker 6: up to him like he does a Jason.
• 17:07
  Speaker 2: I never got him to do it by slapping him
• 17:09
  Speaker 2: in my head.
• 17:12
  Speaker 6: Well, I guess we can't solve everybody's problems, man.
• 17:18
  Speaker 2: No, I gave that up a long time ago.
• 17:22
  Speaker 1: Oh what is it?
• 17:23
  Speaker 3: Chester looks like maybe we kindly got took in.
• 17:26
  Speaker 2: But Jason roll, Oh what do you mean? Golden appears
• 17:29
  Speaker 2: like he didn't go to the chair was after all?
• 17:31
  Speaker 2: I reckon he might to circle back. Huh.
• 17:34
  Speaker 7: Well, the homesteader just came in from out that way
• 17:36
  Speaker 7: and said.
• 17:36
  Speaker 2: There's a light in Jason's cabin.
• 17:38
  Speaker 4: He lied us, mister Jones.
• 17:40
  Speaker 2: We'd better go out and see him before Sutter finds out.
• 17:43
  Speaker 3: He already had he heard about it the same time
• 17:46
  Speaker 3: I did, and he just this minute took out of
• 17:48
  Speaker 3: here like a big footed bird.
• 17:50
  Speaker 7: All right, let's call Chester, Jason's cabin is just around
• 18:12
  Speaker 7: the Bendam what you're doing?
• 18:14
  Speaker 4: You still ain't no sign of study.
• 18:16
  Speaker 3: Oh, we might have to pass him some words on
• 18:19
  Speaker 3: the way out.
• 18:20
  Speaker 1: I might be.
• 18:25
  Speaker 2: I looked like that homestead. I was telling the truth. Chester,
• 18:27
  Speaker 2: there's a light in the cabin there.
• 18:29
  Speaker 4: Sure, my golly, the shore is well. This ain't the first.
• 18:35
  Speaker 2: Time I've been wrong about a man. Yeah, but Jason's
• 18:38
  Speaker 2: not the kind of lie. Let's live our horses here.
• 18:49
  Speaker 2: You would have.
• 18:50
  Speaker 3: Had many time to circle back, though, even if you.
• 18:53
  Speaker 4: Have seen it, rye light, I.
• 18:55
  Speaker 2: Guess so, alright, let's go.
• 19:00
  Speaker 3: He is kind of disheartening a and you figure a
• 19:03
  Speaker 3: man lied to you there, said, were there in the brush?
• 19:09
  Speaker 5: Come you righting car?
• 19:11
  Speaker 4: Late, hold it look somebody j opening the cabin door.
• 19:15
  Speaker 5: Get out of the light, get away from that car.
• 19:19
  Speaker 3: Shot him, mister Dyllan shot him, Stutter shot him down
• 19:22
  Speaker 3: in cold blood.
• 19:24
  Speaker 7: He isn't that.
• 19:24
  Speaker 2: Let's go see that, Marshall.
• 19:27
  Speaker 1: Tell him, Late, put down that rifle. We're going to
• 19:29
  Speaker 1: the cabin.
• 19:30
  Speaker 2: Mar I got control.
• 19:32
  Speaker 3: You fired and abush without giving him no chance at all.
• 19:40
  Speaker 2: He give me a hand, Chester on me turn him over.
• 19:44
  Speaker 4: Maybe he was a little tense and still open.
• 19:48
  Speaker 2: Oh, mister Neal, And yeah, that's just what I thought.
• 19:55
  Speaker 2: I'll take my medicine, Marshall, but I don't reckon a jury.
• 20:00
  Speaker 2: You'll go too hard on a man for shooting somebody
• 20:02
  Speaker 2: kidnapped his son. I told you that hate was gonna
• 20:07
  Speaker 2: twist your thinking. Jason rolled somewhere on a churrow, was
• 20:12
  Speaker 2: mm hmm are you telling me that this ain't you?
• 20:19
  Speaker 2: Thank you? Was a good shot leaf one bullet right
• 20:28
  Speaker 2: through the heart. Your son never knew who hit.
• 20:33
  Speaker 1: Him, and now ours are William Conrad.
• 21:03
  Speaker 2: You know. The frontier was a great half circle, with
• 21:06
  Speaker 2: one end anchored in the Dakotas and the other in Texas.
• 21:10
  Speaker 2: And through this ran a score of passageways to the west,
• 21:15
  Speaker 2: trails like the Santa Fe, the Overland, the Bozeman, the
• 21:20
  Speaker 2: Good Knight. Well next week, our story centers around a
• 21:24
  Speaker 2: band of people traveling west on one of these trails.
• 22:07
  Speaker 1: Gunsmoke, produced and directed by Norman McDonald, stars William Conrad
• 22:13
  Speaker 1: as Matt Dylan Us Marshall. Featured in the cast were
• 22:16
  Speaker 1: Parley Bear as Chester Howard, mcneer as Doc and Georgia
• 22:21
  Speaker 1: Ellis as Kitty George Walls speaking. Join us again next
• 22:26
  Speaker 1: week for another especially transcribed story on gun smoke. This
• 22:34
  Speaker 1: is the United States Armed Forces Radio and Television Service
• 23:00
  Speaker 2: E