Latest / The Breakfast Club / Classic Breakfast Club Interviews Pt 3

Transcript

Classic Breakfast Club Interviews Pt 3 · The Breakfast Club

• 0:00
  Speaker 1: One thing. This is a girl with me My and
• 0:03
  Speaker 1: you're listening to the best of the breakfast club. That
• 0:07
  Speaker 1: was Jeremy with Weed Morning. Everybody is DJ MG, Angela Yee,
• 0:11
  Speaker 1: Charlomagne and guy, we are to breakfast club. Everybody already drunk,
• 0:14
  Speaker 1: while they are already kicking drinks over, spending over. You know,
• 0:17
  Speaker 1: we got a special guest in the building. You didn't
• 0:19
  Speaker 1: even get me that. He's not even a guest. You're
• 0:21
  Speaker 1: greeting this is a friend into the room, friend to
• 0:23
  Speaker 1: the friends to the room with Charlomagne. Charlomagne barely remember
• 0:26
  Speaker 1: that I've been here this year. I'm not memorable enough. No,
• 0:29
  Speaker 1: I couldn't remember. I didn't say that. There's something that
• 0:32
  Speaker 1: needs to be done. There's something that's some type of
• 0:34
  Speaker 1: season and that that needs to be put on my name,
• 0:38
  Speaker 1: respect his name back ladies. We need a better presentation
• 0:44
  Speaker 1: for wild ladies. Plastic cuts. I mean, they don't have
• 0:48
  Speaker 1: any they don't have any acknowledgement of my handle. While
• 0:54
  Speaker 1: again with good music. You got the record p YT right,
• 0:58
  Speaker 1: but he all got no gimmicks, no story, he's no scandals.
• 1:01
  Speaker 1: You know, what are you? You can't just go by
• 1:03
  Speaker 1: the record almost scares me. I'm truthfully scared. Somebody saying
• 1:07
  Speaker 1: on Twitter, man, this p y Wile record is a
• 1:10
  Speaker 1: little key hard as hell, like they didn't want to
• 1:12
  Speaker 1: let anyone give it up, like you want. You want't
• 1:19
  Speaker 1: like to be a Cloud fan or something. Though, good,
• 1:22
  Speaker 1: I like this one because now DJ could play. He
• 1:25
  Speaker 1: just told me he never played my stuff. Now, it
• 1:28
  Speaker 1: was very difficult to got slow temples. You got a
• 1:31
  Speaker 1: temple now that I appreciate them. Put in the mix
• 1:34
  Speaker 1: and now we're gonna see. Though I ain't know you
• 1:35
  Speaker 1: had Sam Sneak on the record. I thought it was Tiger,
• 1:37
  Speaker 1: and I said, why did you do a record called
• 1:39
  Speaker 1: p yt with Tiger? Sam Sneak does look like Tiger
• 1:42
  Speaker 1: a little bit? Playing Tiger one of the best young
• 1:49
  Speaker 1: businessmen in the game. Though playing Walle I saw you, Tweeter.
• 1:53
  Speaker 1: Don't let your fascination with the Stag cloud your perception
• 1:56
  Speaker 1: for the present time. What you mean by that, I mean,
• 1:59
  Speaker 1: I just think a lot of people be like, it'd
• 2:01
  Speaker 1: be very easy for me to come in and Joe
• 2:02
  Speaker 1: be like, yo, if you remember, you know what I'm saying,
• 2:05
  Speaker 1: Why don't you go back to like when you did
• 2:06
  Speaker 1: the Beanie Seguel dis jount like you know what I'm saying,
• 2:09
  Speaker 1: the jaded disco, Like I could easily come in and
• 2:12
  Speaker 1: be like, yo, the what're the verse that I can't
• 2:14
  Speaker 1: play the rest of the verse, you know what I'm saying, Like,
• 2:16
  Speaker 1: but that's where I was when that joint came out,
• 2:19
  Speaker 1: You know what I'm saying. I was in high school
• 2:20
  Speaker 1: or our first meeting callege around that time when I
• 2:23
  Speaker 1: came out like like my appreciation for what he'd do.
• 2:27
  Speaker 1: It's not about like that moment, and a lot of
• 2:29
  Speaker 1: people get caught up like where they was when they're
• 2:30
  Speaker 1: her lotus A lot of me like I had a
• 2:33
  Speaker 1: girlfriend that I used to love and des was our song.
• 2:36
  Speaker 1: We're not to govern them or bring it back, and
• 2:38
  Speaker 1: they think that like tell him, Walley, bring back the
• 2:41
  Speaker 1: old wallet. It's gonna bring back that person subconsciously, and
• 2:44
  Speaker 1: that's a that's a fixation that a lot of people got,
• 2:47
  Speaker 1: you know what I'm saying, And that's why I do
• 2:48
  Speaker 1: get offended, like, yo, I ain't making this for me.
• 2:51
  Speaker 1: I'm making for me every once in a while about
• 2:53
  Speaker 1: nothing was for me. Shine is for the world. For
• 2:55
  Speaker 1: the first time in my career, like I designed the
• 2:57
  Speaker 1: songs like to make an array of different women feel good.
• 3:01
  Speaker 1: So it scrictly for the woman. I mean for them,
• 3:05
  Speaker 1: the champion. It initially absolutely like not not for them.
• 3:09
  Speaker 1: But I just know my setupw my career set up,
• 3:12
  Speaker 1: like everybody up. You know what I'm saying. Let me
• 3:19
  Speaker 1: get the junk from me and mc guru because you
• 3:21
  Speaker 1: make the girl June. Actually I made the whole album
• 3:23
  Speaker 1: of other Junes. But you know the crazy thing about music.
• 3:25
  Speaker 1: Music is like a drug. It's like crack. But the
• 3:27
  Speaker 1: problem is if you sell crack, crackheads always chasing that
• 3:30
  Speaker 1: first high, but they'll come by the same crack from you.
• 3:32
  Speaker 1: They don't do that with music. I don't know, but
• 3:35
  Speaker 1: I don't know anything about I know what I'm talking about.
• 3:38
  Speaker 1: Don't they love our brother? Our brother is under some
• 3:44
  Speaker 1: serious allegations. Man, we don't know nothing about any of that. Walla.
• 3:47
  Speaker 1: That's what halla, what we call. They love that first
• 3:50
  Speaker 1: high when it comes to the music, but you gotta
• 3:51
  Speaker 1: keep giving them new drugs. That's the nostalgia. Though. One
• 3:54
  Speaker 1: of my mentors always talks about when Bob Jellan when
• 3:56
  Speaker 1: the Electric and I was like a big like uproar.
• 3:59
  Speaker 1: I don't know if we allow our pioneers to Dude,
• 4:01
  Speaker 1: I understand Michael Jackson didn't New Jack swing, he didn't
• 4:05
  Speaker 1: spearhead that movement. He's like, I'm gonna do Michael Jackson
• 4:09
  Speaker 1: on this Teddy Riley vibe. M Rico Love told me
• 4:12
  Speaker 1: this long time ago. He was like, yo, Like you
• 4:13
  Speaker 1: know why you're gonna win. He's like, cause you're a
• 4:15
  Speaker 1: fly that could wrap all types of ways. It's like
• 4:19
  Speaker 1: anything the way the game go, you could just jump
• 4:21
  Speaker 1: right in. And that always stuck with me because it's
• 4:23
  Speaker 1: just like all of y'all in in a way in
• 4:25
  Speaker 1: your own fields, it's been a slow bill. Ain't nobody.
• 4:28
  Speaker 1: You ain't getting no. You didn't get no block and
• 4:30
  Speaker 1: yellow first at the beginning of your career. You didn't
• 4:32
  Speaker 1: ben getting under that. You ain't getting no best to
• 4:34
  Speaker 1: haven had in the beginning of your career. You know
• 4:36
  Speaker 1: what I'm saying, You ain't getting no as as as
• 4:39
  Speaker 1: at the beginning of your career, it all grew, you
• 4:41
  Speaker 1: know what I'm saying. And I just feel like what
• 4:43
  Speaker 1: I represent or what I want to rep I try
• 4:45
  Speaker 1: to represent is the person that, like you might not
• 4:48
  Speaker 1: get employee of a month for your first two years
• 4:51
  Speaker 1: of your job. But maybe you might be the first
• 4:53
  Speaker 1: one to get a promotion. You might be the first
• 4:55
  Speaker 1: one because one thing that they kenathanize my ticket sale.
• 4:58
  Speaker 1: Anybody who goes skeptically leaves like, holy I forgot this
• 5:01
  Speaker 1: boy had this many hits. Yeah, you know what I'm saying.
• 5:03
  Speaker 1: And Old is a great example of that too. That's who.
• 5:06
  Speaker 1: That's who Rico and Fat Joe. You haven't been a
• 5:11
  Speaker 1: Fat Joe showing yoo. You know what too like and
• 5:16
  Speaker 1: not to go back. But that was the time where
• 5:17
  Speaker 1: you I think people love music more Now it's so fast.
• 5:21
  Speaker 1: I don't know if they like they don't love it,
• 5:22
  Speaker 1: it's less. It's just like it's like what's next. It's
• 5:24
  Speaker 1: just like if somebody make a bomb, ask pie and
• 5:27
  Speaker 1: it's like four stores that sell pot, like you don't
• 5:29
  Speaker 1: you probably like Poe all time high right now, but
• 5:32
  Speaker 1: because it's just so much, it's so many pies, like
• 5:36
  Speaker 1: you don't know, like like it's like everybody want to
• 5:38
  Speaker 1: make pie now, you know what I'm saying. So it's
• 5:39
  Speaker 1: like we don't know. That's the only plight of the
• 5:43
  Speaker 1: artists of today, Like we won't never know how hot
• 5:47
  Speaker 1: we are. I try to get on set it in
• 5:48
  Speaker 1: their life seven times last, I want me and Jerry
• 5:51
  Speaker 1: what happened? What they say? I leave that up for speculation,
• 5:54
  Speaker 1: but I wanted to go. But how did they say no?
• 5:59
  Speaker 1: Like I'm saying, why, why would you think that? You
• 6:03
  Speaker 1: know why because you come and you grew up in
• 6:04
  Speaker 1: the urban environment. You know why them girls and them
• 6:07
  Speaker 1: girls is out there? Buyd Demi Levado, who has really
• 6:10
  Speaker 1: like my curved my advances to write her music. I
• 6:14
  Speaker 1: won't go on reckon and say that, like like she
• 6:16
  Speaker 1: don't give a about until wallet is on the top
• 6:19
  Speaker 1: forty then her And I was like, Yo, this is
• 6:21
  Speaker 1: kid named well, like you should work with him? Hawtry
• 6:24
  Speaker 1: here was this dread like a crazy, like a fool?
• 6:27
  Speaker 1: She would pull the interview with us, doesn't who we were?
• 6:30
  Speaker 1: And you gave dunkey today right before. But my thing
• 6:36
  Speaker 1: is I didn't give her nothing but love. You know
• 6:37
  Speaker 1: what I'm saying. I just think she could sing, just
• 6:39
  Speaker 1: like Early on the Ground, Like I think they could sing.
• 6:41
  Speaker 1: And I'm a big fan of Whitney Houston, like women Beyonce,
• 6:44
  Speaker 1: women that sold it and could sing and Unfortunately right now,
• 6:49
  Speaker 1: there ain't no really no sisters. That's doing what I
• 6:52
  Speaker 1: feel like a nineteen twenty one year old Whitney would do.
• 6:55
  Speaker 1: I mean, in my opinion, but I write as if
• 6:58
  Speaker 1: Whitney was twenty years old. So I have these records
• 7:01
  Speaker 1: that I can't even get into her hands because of
• 7:05
  Speaker 1: like like, I mean, let's just be on the show.
• 7:08
  Speaker 1: But I'm gonna be I'm gonna be completely honest. I
• 7:10
  Speaker 1: think Christina aguiler On a grandde and Demi. I'm not
• 7:14
  Speaker 1: saying anybody DEMI could sing like like when I want
• 7:17
  Speaker 1: to say I wanted to because if you come to
• 7:19
  Speaker 1: my parties at DJ, I'll play I'm your baby Tonight,
• 7:22
  Speaker 1: I'll play you get good Love like I'll play I
• 7:24
  Speaker 1: want to Dance with Mine, I play. He just takes
• 7:28
  Speaker 1: over the money to envy, not prayer. Got more money
• 7:36
  Speaker 1: than you are looking at you pray. No, you don't
• 7:41
  Speaker 1: think your co workers all over Instagram the right and rank.
• 7:45
  Speaker 1: His wife is like the like the muse of all
• 7:48
  Speaker 1: the like one girls trying to be fly for the
• 7:50
  Speaker 1: all right, I'm just saying that's a nice gin you
• 7:58
  Speaker 1: got on. Don't get a wrong. I'm uncomfortable dog, I'm uncomfortable. Dog.
• 8:07
  Speaker 1: All right, we got more with wilet when we come back.
• 8:09
  Speaker 1: Keeping locked as to breakfast Cloak, Good morning, the breakfast
• 8:12
  Speaker 1: Club that was Drake with Controller Morning. Everybody's DJ M
• 8:18
  Speaker 1: v Angela, yee shawl me the guy. We are the
• 8:21
  Speaker 1: breakfast club. Wile is in the building. So meet y'all,
• 8:24
  Speaker 1: good n we go. We always gonna be good like
• 8:26
  Speaker 1: we did you do congratulations because you had but y'all
• 8:31
  Speaker 1: making it God wording it how y'all. I'm gonna be cleared.
• 8:37
  Speaker 1: I'm gonna be clear. I mean I don't want to
• 8:39
  Speaker 1: be clear like me. We like real life. Do you
• 8:42
  Speaker 1: know we have a big family and just do two
• 8:44
  Speaker 1: brothers that's closer age. That's like us, like we're always
• 8:48
  Speaker 1: trying to I'll do it like it's just like a like.
• 8:50
  Speaker 1: But if it's something go down. Me gonna be like, yo,
• 8:52
  Speaker 1: you're good, like you need anything? You know what I'm saying?
• 8:55
  Speaker 1: Or did I get a call and talk or Dean
• 8:57
  Speaker 1: or Mally whatever like or even like did we after
• 9:00
  Speaker 1: the three days after that jump me and Molly did
• 9:04
  Speaker 1: the record like it ain't no thing, like I just
• 9:05
  Speaker 1: know I know what it is like that's my brother
• 9:07
  Speaker 1: like whatever, like at the end of the day, like
• 9:10
  Speaker 1: we don't even talk. That's my nick and so made
• 9:13
  Speaker 1: for like it's records that we like going at each
• 9:15
  Speaker 1: other like, but that's the regulation because I ain't fake
• 9:19
  Speaker 1: a lot of you coming here. They come through a
• 9:20
  Speaker 1: game plan in the elevator and be like that's how
• 9:22
  Speaker 1: we're gonna act. The MMG for real, dog Ross getting
• 9:26
  Speaker 1: our when we started doing that part, like like it's real.
• 9:29
  Speaker 1: Sam McCall us say, he hold meek down the club,
• 9:31
  Speaker 1: He don't me me me down the club, Rocky Fresh
• 9:34
  Speaker 1: O Marion, like quietly, I'm just gonna say this, like quietly,
• 9:37
  Speaker 1: MMG be putting our hits all the time. I mean
• 9:41
  Speaker 1: Marion John one under the Radar and that John One Go,
• 9:43
  Speaker 1: and there's almost platinum. You know what I'm saying, Like
• 9:46
  Speaker 1: they don't, they don't. It's just it ain't even that
• 9:48
  Speaker 1: record changed the whole you know what you like to do.
• 9:51
  Speaker 1: It changed it because we wi she said and the
• 9:53
  Speaker 1: groceries party, but Michael commercialized it. By the way. Marion
• 9:57
  Speaker 1: got on that record because I think I could exactly
• 10:00
  Speaker 1: what you said. I said, O Marion, if you're like
• 10:02
  Speaker 1: the label ain't behind them the way they need to
• 10:04
  Speaker 1: be like that that I can't. I can't, I can't,
• 10:07
  Speaker 1: I can't speak, can't. Let me can't speak on the
• 10:09
  Speaker 1: major major they owed him that one because they owed
• 10:11
  Speaker 1: him that one, because Mario'll put out two records before that.
• 10:13
  Speaker 1: I should have been The record with ghost Face was crazy.
• 10:16
  Speaker 1: The record them on that was hot, and huh you
• 10:24
  Speaker 1: had a verse on that. The DJ is always cut it,
• 10:27
  Speaker 1: I know, because you do so so many records for
• 10:33
  Speaker 1: the ladies in the R and B type record that,
• 10:34
  Speaker 1: But I don't really person nationally but and that's the
• 10:38
  Speaker 1: people see. But what is nationally released? Because sometimes I
• 10:41
  Speaker 1: put out a record and if y'all don't react fast enough,
• 10:44
  Speaker 1: like the label will be like you know, if y'all
• 10:46
  Speaker 1: don't react fast enough. Um, I remember that night. But
• 10:50
  Speaker 1: I don't think people see that because I mean, I'm
• 10:52
  Speaker 1: a hassate sky him. Now I'm just playing. Let me
• 10:56
  Speaker 1: ask you a question, Sam. It's act like why not hire?
• 10:59
  Speaker 1: What do you think it's missing from wile a situation?
• 11:03
  Speaker 1: As far as what what do you mean when you're
• 11:05
  Speaker 1: a general? Because for me, I think he's in a
• 11:08
  Speaker 1: good space and I think it's missing for what though,
• 11:11
  Speaker 1: like missing to do As far as him being on
• 11:13
  Speaker 1: that next level of artists right now, I don't think
• 11:16
  Speaker 1: it's anything. I just think it's because for one, he's
• 11:19
  Speaker 1: an artist that's like you know, difficult to understand. So
• 11:22
  Speaker 1: I think with that it takes time to understand him
• 11:25
  Speaker 1: with everything, regardless of with the hits he making, everything,
• 11:28
  Speaker 1: it takes time. And they're around this time. I think
• 11:31
  Speaker 1: people are gonna really get them with Shine, you know
• 11:33
  Speaker 1: what I mean, with the album with Self Made Fault.
• 11:35
  Speaker 1: You know they're gonna understand. They're gonna get on. That's
• 11:38
  Speaker 1: what I tell them all the time. It's only a
• 11:39
  Speaker 1: matter of time. Yeah, And that's all it is. They
• 11:41
  Speaker 1: just don't understand them and once they get it. Man,
• 11:44
  Speaker 1: And what you think about that question, because I mean
• 11:46
  Speaker 1: we we we flirt with the questions sometimes, but like
• 11:49
  Speaker 1: at this point in my career, like ide, I just
• 11:51
  Speaker 1: want to know, I hate compared. But I think, like
• 11:56
  Speaker 1: I said before, I just think a lot of people
• 11:58
  Speaker 1: don't respect you as a lyricis because they don't hear
• 12:00
  Speaker 1: us lyrics is. And the reason I say that it's
• 12:01
  Speaker 1: like nunciation is a technical thing. Now you think like
• 12:04
  Speaker 1: you look at fabulous Ballance puts out a female record
• 12:07
  Speaker 1: every time for his care but there's so much other
• 12:10
  Speaker 1: music in there that you forget about. I remember when
• 12:12
  Speaker 1: he did the Friday Freestyle, and I remember Meek, I
• 12:15
  Speaker 1: remember Nicki Minajs. I remember a bunch of artists being like, yo,
• 12:18
  Speaker 1: Fabis dead nice, like you forgot he was always that
• 12:21
  Speaker 1: nice records about that? I think, man, I mean because
• 12:26
  Speaker 1: I don't know, because my thing, when you say it
• 12:28
  Speaker 1: like that, it seems like it's contrived and like fab
• 12:30
  Speaker 1: like I'm gonna make a chick record, Like I don't know,
• 12:32
  Speaker 1: because me and Fabris good friends and makes chick that's
• 12:35
  Speaker 1: what he does. That's his call he does. And then
• 12:37
  Speaker 1: you know it's to us a likability factor because people
• 12:39
  Speaker 1: don't want to like wallet. Yeah, I don't know. I
• 12:41
  Speaker 1: always hated that, Like NB always talked to like about Janine,
• 12:45
  Speaker 1: like he feels the consensus, not even trolls, like like
• 12:49
  Speaker 1: the thing when United their line if that was a
• 12:51
  Speaker 1: Kendrick or Cold, they'd have sympathy for me. Yeah, yeah,
• 12:54
  Speaker 1: they're for you. It's like, why are you doing after
• 12:56
  Speaker 1: the United? Lady? See what you know what they probably
• 12:59
  Speaker 1: got like something like within the past week when they
• 13:01
  Speaker 1: went bad on the same people like this for being honest,
• 13:05
  Speaker 1: seeing first, I ain't like WII, but not because I
• 13:08
  Speaker 1: knew him, because I just looked at him, like, he
• 13:10
  Speaker 1: looks sadkin you we just admit it's Christopher brother. He
• 13:18
  Speaker 1: admitted he looks sad and miserable and always mad. I'm like,
• 13:21
  Speaker 1: what's wrong with wil I got the little vibe when
• 13:23
  Speaker 1: you know what I'm saying, dead when you need it,
• 13:25
  Speaker 1: when you need when you want to drink, Man, you
• 13:28
  Speaker 1: gonna tell him man he is. I don't think he's
• 13:34
  Speaker 1: not likable. I think you see he's not understood because
• 13:36
  Speaker 1: if when you sit around him and just have a conversation, right,
• 13:38
  Speaker 1: but if somebody who doesn't sit around him and meets
• 13:40
  Speaker 1: him for the first time a season for the playing
• 13:43
  Speaker 1: the politics, they go off they go off here, say
• 13:45
  Speaker 1: though you go off here and saying everybody coming with
• 13:47
  Speaker 1: a notion like you and then so if you see
• 13:49
  Speaker 1: a little bit yeah, yeah, they're right complex bro. That
• 13:56
  Speaker 1: was a passionate discussion. But but we heard the rap
• 13:58
  Speaker 1: rate on podcast where you cursed out y N and
• 14:01
  Speaker 1: b Dot even though they did deserve because it was
• 14:03
  Speaker 1: the attacking. Yeah, curs, Mama, set a narrative get gets
• 14:09
  Speaker 1: gets finessed, a little bit of finish you see. Oh
• 14:11
  Speaker 1: he's not like when the narrative gets finessed, the finish
• 14:14
  Speaker 1: line it oftentimes, you know, you know, has repercussions to
• 14:17
  Speaker 1: the protagonists. I'm not I'm not, I'm not the villain.
• 14:21
  Speaker 1: You know. Sometimes the narrative gets get kiss strewed, and
• 14:23
  Speaker 1: then people run with it. All right, we got more
• 14:25
  Speaker 1: with wilet when we come back. Keep it locked as
• 14:27
  Speaker 1: the breakfast close. Good morning, the breakfast club I was
• 14:33
  Speaker 1: designed up in the morning. Everybody is CJ M vi
• 14:36
  Speaker 1: Agela Year, Charlemagne, the god. We are the breakfast club.
• 14:39
  Speaker 1: Wilet is in the building. Now what does it take
• 14:42
  Speaker 1: for you to say? Okay, now I feel like I
• 14:44
  Speaker 1: recent success. Ask me that every time run the same time.
• 14:46
  Speaker 1: It's not my cute you going. It seems like there's
• 14:51
  Speaker 1: a lot of things that I always discussed this. Oh no, man,
• 14:54
  Speaker 1: I think I'm getting closer to I think I'm getting
• 14:56
  Speaker 1: closer to me. I am scared for the day I
• 14:59
  Speaker 1: but my foot. You find you find a girl that
• 15:01
  Speaker 1: I told him you would say you were looking for
• 15:02
  Speaker 1: love because I look into you. How the narrative you
• 15:06
  Speaker 1: girl like exploring the option of finding like, I love
• 15:11
  Speaker 1: like what love can do. Like you know what I'm saying,
• 15:13
  Speaker 1: have you failed that person? Um? I think so pretty young,
• 15:18
  Speaker 1: I think so I love what love can do. I
• 15:21
  Speaker 1: love No, I love what it can do, like it
• 15:23
  Speaker 1: like to be honest with you, like um you um,
• 15:26
  Speaker 1: you get certain energies around you, and then you you
• 15:28
  Speaker 1: let you, let you know, you let God in, like
• 15:30
  Speaker 1: what Quincy And I'm saying, right when you feel something
• 15:32
  Speaker 1: for somebody like easy When I wrote that way, it
• 15:35
  Speaker 1: was so easy. I was just having a conversation that round.
• 15:38
  Speaker 1: You know what I'm saying the same thing with yt.
• 15:40
  Speaker 1: You know, it's inspiration for everything, some girls for decoration,
• 15:45
  Speaker 1: some girls for inspiration. Yeah, definitely, Yes, you have found love,
• 15:50
  Speaker 1: you said, I think so. Yeah, I think so. I
• 15:52
  Speaker 1: mean if I say I know, then I feel like
• 15:54
  Speaker 1: I'm like if I've lose it, I'm gonna be heartbroken
• 15:57
  Speaker 1: every time I watched this. But I mean, like, you know, um,
• 16:01
  Speaker 1: she likes she likes getting us would be a good
• 16:04
  Speaker 1: place for wallet focused on your love and less up
• 16:08
  Speaker 1: the trolls. And she likes getting it ain't about it,
• 16:10
  Speaker 1: ain't about the trolls though, never that you didn't give
• 16:19
  Speaker 1: me my drink. She must be white man. You see
• 16:22
  Speaker 1: how the narrative gets juggle. The narrative gets juggle. Why
• 16:26
  Speaker 1: don't the video bollow me? Allow the people to be
• 16:28
  Speaker 1: on the journey with me as I pursue normalcy like that.
• 16:32
  Speaker 1: That's what I'm journey with me, on the journey with me.
• 16:36
  Speaker 1: And if in the fifth and if I did have one,
• 16:39
  Speaker 1: and if I did that and if I did that one,
• 16:41
  Speaker 1: maybe I'm waiting for the right time to tell you
• 16:43
  Speaker 1: in a way that you make you understand the way
• 16:44
  Speaker 1: that I maybe I just don't want to be on
• 16:47
  Speaker 1: a new sitcom right here, while and snick, you get
• 16:49
  Speaker 1: two more dudes, be the male version of living single,
• 16:52
  Speaker 1: four bachelors kind of good. Hi, we can keep you,
• 17:04
  Speaker 1: keep you, that's whatever. That's why the funding about blue,
• 17:11
  Speaker 1: that's why you like any kind of world. Say what,
• 17:19
  Speaker 1: I'm glad hi all right? While when we come back,
• 17:25
  Speaker 1: keep it locked as the breakfast club, Good morning, the
• 17:27
  Speaker 1: breakfast club that one's needed me Rihanna morning. Everybody is
• 17:34
  Speaker 1: DJ M de Angela Yee Charlomagne, the gud we are
• 17:37
  Speaker 1: the breakfast club wilets in the building now the albums dropping?
• 17:42
  Speaker 1: Doing anything else? Drapping? Still trying let make me leave
• 17:44
  Speaker 1: here when I'm just getting started, man, anything else drapping?
• 17:47
  Speaker 1: We should know besides this the album you know what
• 17:50
  Speaker 1: I mean? Boys? Probably all with Meet one album wasn't
• 17:56
  Speaker 1: because the album dope. You heard that. I think it's dope.
• 17:58
  Speaker 1: Do with your next be surprised, did you know when
• 18:01
  Speaker 1: it comes to the politics of the business, if anything,
• 18:03
  Speaker 1: if anything, anything, if anything, we were surprised that the
• 18:05
  Speaker 1: game just was fair. It was Drake who open the
• 18:12
  Speaker 1: who wasn't in that category. It's Billboard giving an award.
• 18:17
  Speaker 1: So it's not like that, it's numbers. It's there's right,
• 18:20
  Speaker 1: you know what it was though people think it's all
• 18:22
  Speaker 1: hollow attached to that job. The true factors when the
• 18:25
  Speaker 1: album dropped, like eight records started number one two weeks
• 18:28
  Speaker 1: in a row. They put in work though, promising for
• 18:30
  Speaker 1: you though I don't know, man, I just think I'm
• 18:32
  Speaker 1: just I'm trying to pursue that and I want to.
• 18:34
  Speaker 1: I love the art, and I write all my reps.
• 18:36
  Speaker 1: I write every note, what, every everything, So it's like
• 18:38
  Speaker 1: it's all it's important to me to be knowing it's
• 18:40
  Speaker 1: somebody that's doing it. I put a lot of time
• 18:42
  Speaker 1: on this show. Maybe sometimes I'm overheads, but I just
• 18:45
  Speaker 1: expect that I grew up in at that time when
• 18:47
  Speaker 1: you listening to Jay and here verse three months later
• 18:51
  Speaker 1: and then catch something and I just try to design
• 18:53
  Speaker 1: myself the same way. Whatever happened to your management, then
• 18:56
  Speaker 1: you're supposed to get new management. I mean, Leonard, is
• 19:00
  Speaker 1: there n right there? But I thought it was the
• 19:02
  Speaker 1: rumor you were signing like a real big manager. Yeah,
• 19:08
  Speaker 1: well I ain't a man. What listen, man, listen, I
• 19:11
  Speaker 1: had h did did an agreement with Scooter bron I did?
• 19:15
  Speaker 1: Did did a deal with Scooter? Uh, the story could
• 19:18
  Speaker 1: probably be told to a different way. They're stronger than
• 19:20
  Speaker 1: I am. So if suitor make a statement right now,
• 19:23
  Speaker 1: it'll be what he say, you know what I mean,
• 19:24
  Speaker 1: because we haven't disagreement on what exactly happened. At the
• 19:28
  Speaker 1: end of the day, I'm like, I'm a grown man.
• 19:30
  Speaker 1: I'm thirty one, so I'm not stupid. Like I know
• 19:33
  Speaker 1: you're gonna do what's right for you and your family.
• 19:35
  Speaker 1: The stakes is high with you. If going to run
• 19:37
  Speaker 1: behind you is what's best for you in your profile
• 19:40
  Speaker 1: and rap? Why wouldn't you do that? Or Justin Bieber
• 19:43
  Speaker 1: just dropped the number one album and got five number
• 19:46
  Speaker 1: ones on there and the biggest why not you got
• 19:48
  Speaker 1: Tori Kelly and and and Justin Arianna Grandy like you
• 19:51
  Speaker 1: know what I mean? Like like I said, I'm not
• 19:53
  Speaker 1: gonna hide when the people like that's happening. I heard
• 19:56
  Speaker 1: Scooter didn't want you because you can't have two artists
• 19:57
  Speaker 1: with dreads. So it's either you were Justin. It might
• 20:02
  Speaker 1: have been everybody, it might have been, but Justin cut Is.
• 20:04
  Speaker 1: I'm still winning on the convent, but I don't want
• 20:06
  Speaker 1: to be y'all like black person. You didn't do this
• 20:11
  Speaker 1: for me like we could do it. You know what
• 20:13
  Speaker 1: I'm saying, I just gotta have more faith for my
• 20:15
  Speaker 1: people like y'all holding me down and just getting back
• 20:18
  Speaker 1: to where I got. But but understand this, My success
• 20:22
  Speaker 1: is everybody that's ever been told like you're not gonna
• 20:26
  Speaker 1: be able to do this, You're not gonna be able
• 20:27
  Speaker 1: to people like to do that fake SOB story like
• 20:29
  Speaker 1: when they get on like nobody believed in me. My
• 20:33
  Speaker 1: Jona is for real, like y'all saw it. You're witnessing
• 20:36
  Speaker 1: it right now with some aspects. My pyt that what
• 20:40
  Speaker 1: you learned. We learned that he bothered as he was before,
• 20:44
  Speaker 1: he might have found that that love or that that
• 20:47
  Speaker 1: that person he was looking for. He seemed in a
• 20:49
  Speaker 1: better space the last time. He seemed very disgruntled. I
• 20:53
  Speaker 1: just got some reasons to shine. I got reasons to shine.
• 20:56
  Speaker 1: Let's just put it, let's leave it. And Plus, you
• 20:58
  Speaker 1: gotta appreciate your bleussed. You are a holid artists out here,
• 21:01
  Speaker 1: bron No, that's what be diff solid. Just why I
• 21:03
  Speaker 1: defer you got gold. People have People have made me
• 21:06
  Speaker 1: believe differently and and and that's that's driving me to
• 21:08
  Speaker 1: a place that I go harder and harder and harder
• 21:11
  Speaker 1: and try to think where I go wrong on that note. Yeah,
• 21:15
  Speaker 1: ending it, you're ending it. It's the Breakfast Club in
• 21:23
  Speaker 1: La Morning, y'all. This is J Cole Cole. Well, you're
• 21:27
  Speaker 1: listening to the best of the Breakfast Club. Wake years's up.
• 21:31
  Speaker 1: That was J Cole No role models morning. Everybody is
• 21:34
  Speaker 1: DJ m vy Angela Yee Shalamne the guy. We are
• 21:37
  Speaker 1: the Breakfast Club. We have some special guests. That was
• 21:40
  Speaker 1: supposed to be are but one. It came on time. Yeah,
• 21:42
  Speaker 1: he came early. He came actually an hour early. This
• 21:45
  Speaker 1: empty chat is supposed to be for Remy Martin, right,
• 21:47
  Speaker 1: but that remys o here but Fat Joe is come
• 21:50
  Speaker 1: on this up he yo shop or so up. Now
• 21:52
  Speaker 1: y'all got to join album coming? Is this what you're
• 21:54
  Speaker 1: gonna have to deal with now? I told y'all behind
• 21:58
  Speaker 1: the scenes that she actually been real, real professional and
• 22:02
  Speaker 1: showing up in time. I'm actually really really praising that
• 22:05
  Speaker 1: and really impressed. You know how she's been moving as
• 22:08
  Speaker 1: a businesswoman. But you know she got caught up in traffic.
• 22:11
  Speaker 1: You know what I'm saying. I know the importance. You
• 22:13
  Speaker 1: know what I'm saying of being to the breakfast club
• 22:16
  Speaker 1: on time. You know what I'm saying. Like I was
• 22:19
  Speaker 1: on an emerhage flight to Dubai and one of the
• 22:22
  Speaker 1: Arab chicks. That is the flight with the with the
• 22:25
  Speaker 1: bar inside your bedroom and all that. To see, the
• 22:31
  Speaker 1: point is they have a section where the employees, like
• 22:36
  Speaker 1: the stewardess, you know, they chilled and brass or whatever.
• 22:39
  Speaker 1: I'm passing out the curtains open. I'm a little no
• 22:41
  Speaker 1: nosy and I look and the chick is watching y'all
• 22:45
  Speaker 1: show on a computer. I'm going to Dubai. I'm like, yo,
• 22:48
  Speaker 1: this gets lit. The average gonna Dubai flight with the
• 22:55
  Speaker 1: with the computer on. I was like, yo, serious club
• 23:01
  Speaker 1: on the flight. You know what I'm saying, that's crazy, bro,
• 23:05
  Speaker 1: that was crazy. That was that was shocking for me,
• 23:07
  Speaker 1: like because you know, it's real, conserved, conservative and all
• 23:10
  Speaker 1: that shocking to me is how you and Rimmy Moore
• 23:12
  Speaker 1: got back together because it was a nasty split. Yeah.
• 23:15
  Speaker 1: I remember, I remember you saying you would never forgive
• 23:17
  Speaker 1: Rimy Martin because she hurt your feelings. But she hurt
• 23:20
  Speaker 1: me bad though I possibly never been hurt more. Really, Yeah,
• 23:26
  Speaker 1: you mean just wars in the streets? Was it was?
• 23:29
  Speaker 1: Because there's some wars, there's some mores that's not physical. Yeah,
• 23:33
  Speaker 1: you know what I'm saying that it's like when you
• 23:35
  Speaker 1: when you wear your heart, when you bring your heart
• 23:38
  Speaker 1: to it, Like she's my little sister. So she lived
• 23:41
  Speaker 1: with me for three years, sleeping on the tall bus,
• 23:44
  Speaker 1: going everywhere with us. Nobody really really knew who she
• 23:47
  Speaker 1: was like that, And when that went happened and that
• 23:50
  Speaker 1: went down, you know, that was like the straw that
• 23:53
  Speaker 1: broke the camel's back or whatever I have you where
• 23:56
  Speaker 1: I was just hurt and then because of my my
• 23:58
  Speaker 1: my breakup with her, I couldn't signed Rick Ross. I
• 24:00
  Speaker 1: could have signed pitt Boll, like really right, like you
• 24:03
  Speaker 1: know what I mean. I was just so turned off
• 24:05
  Speaker 1: by what had happened that I was like, Yo, you
• 24:08
  Speaker 1: know why I'm never messing with artists again. You didn't
• 24:12
  Speaker 1: messed that pit Bull because you see pitt Boll. You
• 24:14
  Speaker 1: know the thing about you right now, you don't get
• 24:18
  Speaker 1: the credit for like your scouting abilities when it comes
• 24:21
  Speaker 1: to talent. I'm a serious scouter man, because my thing
• 24:24
  Speaker 1: is all about bringing pillars to the community. You know
• 24:27
  Speaker 1: what I'm saying. If I discover Cool and Dre, they
• 24:30
  Speaker 1: do all them game albums that they legends. You know
• 24:33
  Speaker 1: Kalid Callid my little brother, he's a beatle right now,
• 24:38
  Speaker 1: Beats you know what I'm saying, or LV super producer
• 24:43
  Speaker 1: or Remy Ma. You know, she she's still competing. She's
• 24:46
  Speaker 1: back with this album right here. She's definitely in a
• 24:50
  Speaker 1: heavy conversation of female rapper the year male or female.
• 24:54
  Speaker 1: You got Remmy, you got Big Pond. You know, I
• 24:56
  Speaker 1: discovered them outside of a boat, dagger, a fatter port
• 25:00
  Speaker 1: we can do. You know what I'm saying. Who would
• 25:02
  Speaker 1: have thought that that dude would have been? You know?
• 25:04
  Speaker 1: You know he's on my top five. You know what
• 25:06
  Speaker 1: I'm saying. So you turned down them and them six times?
• 25:09
  Speaker 1: I heard, Yeah, man, that's crazy, Joe, you named about
• 25:13
  Speaker 1: three dollars. I messed up bad. How do you think
• 25:18
  Speaker 1: Pitt Bull would have been Pitt Bull if you signed
• 25:20
  Speaker 1: with you? Because people wasn't the Poles? Yeah? Yeah, I listened.
• 25:25
  Speaker 1: First of all, Please, I had an opportunity. That's all
• 25:28
  Speaker 1: I'm saying. Pitbull is a genius. He created his own lane.
• 25:32
  Speaker 1: I can't take no response. But like I don't know,
• 25:35
  Speaker 1: you know, Pitt Bull, he's the man, you know what
• 25:37
  Speaker 1: I'm saying. And in fact, he told me one time,
• 25:40
  Speaker 1: one time I sat down with him as a brother
• 25:42
  Speaker 1: and he was just like I was like, yo, Pitt Man,
• 25:45
  Speaker 1: I see you're so smart. He said, yeah, I learned
• 25:47
  Speaker 1: off for all your mistakes. Damn it, man, nah, real talk.
• 25:51
  Speaker 1: And he told me said, you should have signed me.
• 25:53
  Speaker 1: You should have signed bro, she should have signed that.
• 25:55
  Speaker 1: You shouldn't sign that. You ain't want to? How about it?
• 26:00
  Speaker 1: A little bit you had Miami like you had Miami
• 26:04
  Speaker 1: by anybody moved out there. Yeah, like, don't remind me.
• 26:11
  Speaker 1: How was you REMI is that initial conversation of that
• 26:13
  Speaker 1: beef squash? And how was that conversation? I mean, because
• 26:15
  Speaker 1: it was stick. Well what happened is right. I was
• 26:18
  Speaker 1: in Miami a couple of blocks from my house, so
• 26:20
  Speaker 1: it picks up and it was like, all right, you
• 26:22
  Speaker 1: got a call and then it was like she was
• 26:23
  Speaker 1: like yo, and I was like yo. I knew the
• 26:27
  Speaker 1: voice immediately. I was like yo. And she was like
• 26:30
  Speaker 1: what's up? And I'm like what's up? And I'm like
• 26:33
  Speaker 1: and your ram like what you want? You calling me? About?
• 26:38
  Speaker 1: You calling me? Get to it? Like what's going on? Nah?
• 26:42
  Speaker 1: I think that we should be family again. I was,
• 26:46
  Speaker 1: and I was just like yo. I was just like,
• 26:48
  Speaker 1: come on, man, you know I love you. My dad
• 26:51
  Speaker 1: was head. She broke down on the phone and it
• 26:53
  Speaker 1: just felt great. I was just like, you know, and
• 26:55
  Speaker 1: I was just like wow, like I didn't ever think
• 26:58
  Speaker 1: that was gonna happen. You know what I'm saying. I
• 26:59
  Speaker 1: pray for her all the time, though, still like you
• 27:02
  Speaker 1: know what I'm saying. And she said Pat Poos really
• 27:04
  Speaker 1: wanted you guys back together again. Pat Poo's the greatest
• 27:08
  Speaker 1: husband on the earth without questions. You make all those
• 27:10
  Speaker 1: look by man. Please stop stop bro Blacklow killing me,
• 27:21
  Speaker 1: you know, like you killed the whole Peter called Peter
• 27:27
  Speaker 1: y'all all the way up. I could not stunning right
• 27:37
  Speaker 1: she does. I'm almost not mad at you no more.
• 27:40
  Speaker 1: Never we asked Joe this, We heard joe side of
• 27:42
  Speaker 1: the story. How did y'all get here? Because it was
• 27:44
  Speaker 1: the time when Joe said he never forgive you. Ever,
• 27:48
  Speaker 1: he didn't mean that. What he said that he didn't mean. Um.
• 27:54
  Speaker 1: The thing is, we should have never got where we were.
• 27:57
  Speaker 1: Let's just start with that, and should have never went
• 28:00
  Speaker 1: that way. Ever in a million years, it took me
• 28:03
  Speaker 1: to be away from everything that I love and that
• 28:05
  Speaker 1: I wanted to be within that I cherished to really
• 28:08
  Speaker 1: sit down and think about the people that I felt
• 28:10
  Speaker 1: were important to my life, not that I thought were
• 28:13
  Speaker 1: important to that that really made an impact on my
• 28:15
  Speaker 1: life and that I loved and I cared about. And
• 28:17
  Speaker 1: when it was time for me to start coming home,
• 28:20
  Speaker 1: I just I just really didn't want to come home.
• 28:22
  Speaker 1: And still not being cool with him and still like
• 28:25
  Speaker 1: have any type of ill feelings for bad decisions that
• 28:30
  Speaker 1: I made prior to you know, the person that I
• 28:32
  Speaker 1: am now, Like, I made a lot of bad decisions,
• 28:35
  Speaker 1: and the beef with me and Joe was definitely one
• 28:37
  Speaker 1: of them. And I didn't want to come home and
• 28:39
  Speaker 1: still have that. Like I felt like I fixed every
• 28:42
  Speaker 1: other bad decision and that really need needed to be fixed.
• 28:45
  Speaker 1: And I'm happy that we were able to do that
• 28:47
  Speaker 1: because it's like we didn't miss b at all. Was
• 28:50
  Speaker 1: the intent to just fix it or was the intent to, Okay,
• 28:53
  Speaker 1: we gotta get back in the studio. I didn't. I
• 28:55
  Speaker 1: never never even crossed my mind about music. It wasn't
• 28:57
  Speaker 1: even about music. I don't prey it. It was deeper
• 29:00
  Speaker 1: than that. It was just like I want to hit
• 29:01
  Speaker 1: my brother back, all right. We got more with Fat
• 29:03
  Speaker 1: Joe and Remy more when we come back, keeping a
• 29:05
  Speaker 1: lot just to breakfast club, Good Morning, the breakfast club
• 29:11
  Speaker 1: that was Bryson Tiller would exchange Morning. Everybody's DJ, Envy
• 29:15
  Speaker 1: Angela Yee, Charlomane, the guy we are the breakfast club,
• 29:18
  Speaker 1: Fat Joe, Remy Mars in the building, he yo, Pat Post,
• 29:21
  Speaker 1: what's up man? Pap? Man. You know, he ain't never
• 29:25
  Speaker 1: been shot at cameras. Now, speaking the path, did you
• 29:28
  Speaker 1: make the men sit down and nine things out, because
• 29:30
  Speaker 1: it was a little situation between Joe and no One
• 29:33
  Speaker 1: was so crazy. I don't It wasn't even necessarily like
• 29:35
  Speaker 1: O offish you sit down, Okay, you say you're a
• 29:37
  Speaker 1: piece you say. It was just like I think they
• 29:38
  Speaker 1: both realized how much each other loves me, Like Joe like,
• 29:42
  Speaker 1: can't nobody in front like this, this guy loves me
• 29:44
  Speaker 1: like I had my sister with me for the first time.
• 29:46
  Speaker 1: He say she met her. She was like, he really
• 29:48
  Speaker 1: loves you like she She's like she sees it, sees
• 29:51
  Speaker 1: he sees it. And this was like my biggest hater
• 29:54
  Speaker 1: in the world, Like I couldn't do nothing alto Like
• 29:56
  Speaker 1: then he hits his mind, was like no one came
• 29:59
  Speaker 1: my girl rapper like it was. It was like blocking
• 30:02
  Speaker 1: all day. So for him to actually meet somebody and
• 30:05
  Speaker 1: feel like he's like, rim, he's the perfect guy for you,
• 30:07
  Speaker 1: like he loves you. So I think both of them
• 30:10
  Speaker 1: were there the feelings that they have for me that
• 30:13
  Speaker 1: them put aside anything, and then they both expressed how
• 30:16
  Speaker 1: they wish like none of that ever happened and it
• 30:18
  Speaker 1: was that was not fault too. It's like when you
• 30:19
  Speaker 1: want to beat up your little sister but you can't,
• 30:21
  Speaker 1: so you want to fight your boyfriend like like one
• 30:24
  Speaker 1: of those situations. It's like, y all want to kill him,
• 30:28
  Speaker 1: but I can't know what she likes him. That's it
• 30:31
  Speaker 1: so like, and it was like stupid, Like I feel
• 30:33
  Speaker 1: like if I was there, it would never happen. Do
• 30:35
  Speaker 1: you do you regret Remy's first album? Because Remy had
• 30:38
  Speaker 1: everything lined up, the singles, the street records, like everything
• 30:41
  Speaker 1: was there, but it didn't perform. The only issue like
• 30:44
  Speaker 1: now that I'm older, like I was, like I tells
• 30:46
  Speaker 1: you all the time, like I was. I was mad
• 30:47
  Speaker 1: because I felt like he would like he was the top,
• 30:50
  Speaker 1: Like I felt like he had the power to make
• 30:52
  Speaker 1: them do what I wanted to whether them to do,
• 30:54
  Speaker 1: and they pretty much was jesting him to death like
• 30:56
  Speaker 1: they were doing it. Like I literally got being from
• 30:58
  Speaker 1: the office step I was, my wife got shoon because
• 31:03
  Speaker 1: washed the chicken the record. It was like people was
• 31:09
  Speaker 1: like chilling, like it was. It wasn't like I didn't
• 31:12
  Speaker 1: feel like people believed in me. They didn't send out
• 31:16
  Speaker 1: enough copies that I guess they didn't believe that people
• 31:18
  Speaker 1: were gonna buy him, so they didn't press them up.
• 31:20
  Speaker 1: Like I literally had people bombard him, like I went
• 31:22
  Speaker 1: to fifty different stores and it's not there. Like whatever
• 31:26
  Speaker 1: still rings off to this day because he did still
• 31:29
  Speaker 1: does what it does? The feel So Good with record
• 31:31
  Speaker 1: with Neil, like that was a video, No, but see
• 31:34
  Speaker 1: now the Feels So Good a video with Neil. That
• 31:36
  Speaker 1: was a different story. Neil. When we did the record,
• 31:38
  Speaker 1: he didn't he wasn't signed yet. Really, Oh, Joe were
• 31:42
  Speaker 1: into a big argument, me and Joe. Joe actually he
• 31:46
  Speaker 1: went and got married. I was like he went. I
• 31:55
  Speaker 1: was like, he was like believe me. I told his face,
• 31:59
  Speaker 1: I get I'm the worst, and he stayed on the record.
• 32:05
  Speaker 1: Joe actually went behind my back book. The whole session
• 32:07
  Speaker 1: with Mario had him sing the record over everything we did.
• 32:10
  Speaker 1: I found this out at a listening to session for
• 32:11
  Speaker 1: my album the song because I'm like, he's like, oh yeah,
• 32:16
  Speaker 1: surprised I when the guy like she was right. But
• 32:25
  Speaker 1: my argument was, this is the guy that's writing Mario songs,
• 32:28
  Speaker 1: but neither here nor there. Moving on the I wanted
• 32:31
  Speaker 1: to shoot the video. Yeah, and he's really a good friend,
• 32:36
  Speaker 1: so he reaches out all the time, like he had
• 32:46
  Speaker 1: a deal. By time he was time for me to
• 32:47
  Speaker 1: shoot my video on and through Jeff Jam. Jeff Jam
• 32:51
  Speaker 1: was putting out the ghost Face record the back like
• 32:53
  Speaker 1: that rightly had they didn't want to allow him to
• 32:56
  Speaker 1: do my video because both of the records was out
• 32:58
  Speaker 1: at the same time, and and I put out the
• 33:00
  Speaker 1: remix version with Mario I'm never I was just so
• 33:03
  Speaker 1: pissed off. It was. I was crushed. I tell people
• 33:05
  Speaker 1: something like my favorite rappers jay Z and he was
• 33:07
  Speaker 1: in charge of Deaf Jam at the time, so I
• 33:09
  Speaker 1: felt like he handily. I was like, does he know
• 33:12
  Speaker 1: that I know all his if he wouldn't clear to
• 33:19
  Speaker 1: night that like that's I kind of felt like about
• 33:21
  Speaker 1: I heard that. I just felt like, remember you don't
• 33:28
  Speaker 1: start like I just felt like not like when you're
• 33:35
  Speaker 1: a fan of somebody, you feel like they know you
• 33:36
  Speaker 1: and that they should know how much you love them.
• 33:38
  Speaker 1: I'm like just over that, like he's supposed to be like, nah,
• 33:41
  Speaker 1: let's let it rock. So we never even shot it.
• 33:43
  Speaker 1: But um, like I said, a lot of people have
• 33:46
  Speaker 1: you know, other artists that was out at the time,
• 33:48
  Speaker 1: and they're like, oh, my album did this much and
• 33:49
  Speaker 1: I sold this much, but then they can't get a
• 33:52
  Speaker 1: book and to save their life today this these records
• 33:54
  Speaker 1: don't play at all period. Like I'll tell him to
• 33:56
  Speaker 1: their face, like, you know, your last hit in there
• 34:00
  Speaker 1: pop We were talking about that coming this way. That
• 34:03
  Speaker 1: hip hop is almost like an unfortunate genre of music.
• 34:07
  Speaker 1: Like you could still see Patty LaBelle getting eighty thousand.
• 34:10
  Speaker 1: The shows don't appreciate, you know, people who put in
• 34:18
  Speaker 1: that work, and it's almost sad man because they leaves
• 34:22
  Speaker 1: somebody for that. If you ain't a hustler entrepreneur knowing
• 34:25
  Speaker 1: how to get money or whatever the case may be,
• 34:28
  Speaker 1: you could really get caught up in the game with
• 34:30
  Speaker 1: this hip hop thing. So it's like the thing we're
• 34:32
  Speaker 1: hustler's entrepreneurs know how to get We got the highest
• 34:36
  Speaker 1: about the new album. Now, now, how was recording? Didn't
• 34:39
  Speaker 1: want you in the studio done? It wasn't that he
• 34:41
  Speaker 1: didn't want me. I was trying to explain him, like, look, babe,
• 34:43
  Speaker 1: I'll be back in a list. He's her husband. Her husband,
• 34:54
  Speaker 1: he didn't want her with guys. You know he knows Joe,
• 34:57
  Speaker 1: but he don't want that. And then when he Pap
• 35:02
  Speaker 1: because I heard you apologize to George. All right, oh man, listen,
• 35:05
  Speaker 1: this is what happened. She came out of nowhere spontaneously like, yo,
• 35:09
  Speaker 1: listen man. My brother called me, I gotta go down
• 35:11
  Speaker 1: here and do this album. I'm going for a week.
• 35:13
  Speaker 1: The entire love and Hip Hop staff from Mona on
• 35:16
  Speaker 1: Dan was calling me like, Pap, please, what's going on?
• 35:18
  Speaker 1: And what does she mean? She leaving for a week.
• 35:21
  Speaker 1: So I'm like, I'm gonna take the hit. I'm like,
• 35:22
  Speaker 1: you can't do it. You know. I had to get
• 35:24
  Speaker 1: cursed out and go through all the she against But
• 35:26
  Speaker 1: I'm like, yo, how can you leave? We got a
• 35:27
  Speaker 1: wedding coming up right here, and we got a film
• 35:30
  Speaker 1: every day this week? How can you leave for a week.
• 35:32
  Speaker 1: That's what happened. But what happened when we got in
• 35:35
  Speaker 1: that studio though, what happened to that man? I witness Yo.
• 35:39
  Speaker 1: I was happy that I got a chance to witness
• 35:40
  Speaker 1: these two in action, real talk. I'm not just saying
• 35:43
  Speaker 1: it or being on New Fakeness. Phenomenal. All right, we
• 35:45
  Speaker 1: got more with Fat Joe and Remy more when we
• 35:47
  Speaker 1: come back. Keep it locked as the breakfast club God Morning. Yeah, yeah, Chris,
• 35:52
  Speaker 1: what's your fantasy morning? Everybody is DJ M v Angela yee,
• 35:55
  Speaker 1: Charlemagne the guy. We are the breakfast club, Fat Joe,
• 35:58
  Speaker 1: Remy Mars in the buildings dropping she has another day
• 36:01
  Speaker 1: for us. Yeah, I'm thinking a little bit more like
• 36:04
  Speaker 1: in October, I'm telling y'all six years I'm telling don't
• 36:16
  Speaker 1: you say that because all you heard was all the
• 36:18
  Speaker 1: way up, right, we have a hit? Like every song
• 36:20
  Speaker 1: when we went in there, we went in with the
• 36:22
  Speaker 1: mindset that every song is going to be crazy, and
• 36:25
  Speaker 1: that's what happened. Like it's the point that we don't
• 36:27
  Speaker 1: know what's so Like it was all the way up
• 36:29
  Speaker 1: it's crazy, and that was like, maybe we shouldn't go
• 36:32
  Speaker 1: with that one. It should be something up. That's how
• 36:33
  Speaker 1: crazy it is. And I want people to understand that
• 36:35
  Speaker 1: we're not one of those people that come out with
• 36:36
  Speaker 1: a high record and that's it and we ride out like, oh,
• 36:39
  Speaker 1: I wonder if they have another one waiting, what's gonna happen.
• 36:41
  Speaker 1: That's not us. I would like to build that. I
• 36:43
  Speaker 1: don't want people to miss this by jumping on ways.
• 36:46
  Speaker 1: It is just like like we need to get money.
• 36:49
  Speaker 1: Get that money. We might get that money. Man, don't
• 36:54
  Speaker 1: even bring it up because I've been getting hit in
• 36:56
  Speaker 1: my heavy Like, yo, so I sat there and watched
• 36:58
  Speaker 1: this whole thing happen, and nobody let me touch that move.
• 37:03
  Speaker 1: I see what's going on. Heever, but what's so crazy?
• 37:06
  Speaker 1: It's really just me and Joe? You like, really just
• 37:11
  Speaker 1: me and Joe. No dollars sign on? No, no, don't.
• 37:19
  Speaker 1: You're gonna do like your own show? You know, so
• 37:22
  Speaker 1: much going on. I feel like I feel like everyone
• 37:25
  Speaker 1: definitely wants to Like a lot of people like, well,
• 37:26
  Speaker 1: why did you do it? You know, because no, I
• 37:28
  Speaker 1: came home doing my shows five figures out the door,
• 37:32
  Speaker 1: like no, if I'm not coming, I'm not making this
• 37:33
  Speaker 1: not happen. Like everybody wants to sign me, everybody wants
• 37:35
  Speaker 1: to do my own show. I need people to understand that. Okay,
• 37:39
  Speaker 1: this is a first of all, I'm different remy altogether.
• 37:41
  Speaker 1: Anybody who's encountering to me like, oh my god, you're
• 37:44
  Speaker 1: so changed. I'm still the same me, but I'm more polished,
• 37:47
  Speaker 1: I'm more you know, I'm more wise, I'm smart, I'm older,
• 37:50
  Speaker 1: and I needed people to see not just remy my
• 37:54
  Speaker 1: walk around the metal detectives that any up, yea, I
• 37:57
  Speaker 1: need them to see me. You know, the businesswoman, re My,
• 38:00
  Speaker 1: the you know, the mother, the wife, somebody that's a
• 38:02
  Speaker 1: real human person that's appreciate touch, and that's like, you know,
• 38:07
  Speaker 1: not crazy, because there are people that I'd be like, Yo,
• 38:09
  Speaker 1: she's a convictive fellow. She went to jail for shooting somebody.
• 38:11
  Speaker 1: I don't want to work with her. I don't want
• 38:12
  Speaker 1: her my venue. I don't want here because before I left,
• 38:15
  Speaker 1: literally right before I left, it was impossible for me
• 38:17
  Speaker 1: to even do anybody. People were scared to have me
• 38:20
  Speaker 1: in their clubs. They like if they thought, if you
• 38:21
  Speaker 1: be here, she's gonna shoot somebody coming, Like that's how
• 38:24
  Speaker 1: people was thinking. So you have to set up almost
• 38:27
  Speaker 1: it's almost is almost like when you're the real ones,
• 38:30
  Speaker 1: you gotta down play it, you know, I mean, I
• 38:32
  Speaker 1: mean I got in the industry. I'm telling them, please
• 38:35
  Speaker 1: don't sign him. He's an extrater, real robber or whatever, right,
• 38:39
  Speaker 1: don't let them in the industry. So I actually used
• 38:42
  Speaker 1: to play like when when I first got in again,
• 38:45
  Speaker 1: because I knew everybody was scared. So I was like hey,
• 38:48
  Speaker 1: you know try And I'm watching the soft wrappers Pete
• 38:51
  Speaker 1: gas Off throwing them down the stairs. I'm like, oh
• 38:53
  Speaker 1: my god, what's going on? Job throughout the started, the dj'
• 39:05
  Speaker 1: is getting thrown in Van Joe you talking about player
• 39:13
  Speaker 1: every way by himself. He did everything I see. And
• 39:15
  Speaker 1: this is why I feel like some of this will
• 39:17
  Speaker 1: happened with my situation is these guys f There was
• 39:20
  Speaker 1: no way that I was supposed to end up with
• 39:22
  Speaker 1: the Rabbits. That's what I was supposed to do. It
• 39:23
  Speaker 1: would have been a little bit better. There was no
• 39:25
  Speaker 1: way they were supposed to put me with. Yeah, and
• 39:30
  Speaker 1: that's terrible because Punning was the same way. From the
• 39:32
  Speaker 1: first day I looked at him, I was like, oh
• 39:35
  Speaker 1: my god, this guy's going is to calm you down, Joe,
• 39:40
  Speaker 1: because we had stored the you calming people, devil who
• 39:42
  Speaker 1: used to calm you down? Because I heard Norion next
• 39:44
  Speaker 1: season podcast and he talked about the Rockefeller terrorist squad fight.
• 39:48
  Speaker 1: I don't know where about. Come on, Charlomagne, now, let
• 39:51
  Speaker 1: me come on. I'm gonna stop Charlomagne. Come on. I
• 39:56
  Speaker 1: think with Joe in a positive once he got into
• 39:59
  Speaker 1: like a different tack bracket and realized being nice get
• 40:01
  Speaker 1: you more money. He sued me. He was like you like,
• 40:04
  Speaker 1: and they sued me ten times in one year. Eighty
• 40:08
  Speaker 1: thousand and sixty thousand and fifty dudes just coming out.
• 40:11
  Speaker 1: It was almost like a gimmick. It was like, yo,
• 40:13
  Speaker 1: go you know, how do you remember how you watch
• 40:15
  Speaker 1: the newspaper every weekend? You see Mike Tyson sued again.
• 40:18
  Speaker 1: It wasn't his fault. They come and say, your mother's
• 40:20
  Speaker 1: a lesbian, you're you're a sucker. I'm like, brother, we're
• 40:25
  Speaker 1: both party your grandmother like I'd be like, oh no,
• 40:30
  Speaker 1: we dancing on him. Sure as I'm dancing him, I'm locked.
• 40:34
  Speaker 1: All his lawyer contacts my lawyer, y'all is set on it.
• 40:38
  Speaker 1: I mean ten times in a row. And I realized,
• 40:41
  Speaker 1: I said, they know him rich. I'm getting baited like
• 40:44
  Speaker 1: I'm getting sucker licking sneakers and extending Ferrari. It's like, yo,
• 40:51
  Speaker 1: this guy's delay. He's guaranteed the swing on us. It's
• 40:55
  Speaker 1: going down. So I just realized, like, oh no, we're
• 40:58
  Speaker 1: not gonna win with this. So I had to calm
• 41:00
  Speaker 1: it down. And then me also bringing up Rammy bringing
• 41:03
  Speaker 1: up Paun bringing up Tony Sun sounds crazier than any
• 41:08
  Speaker 1: He was crazy what sing he was crazy Battery studio.
• 41:13
  Speaker 1: He threw the gun in the engineers. Hey, he was
• 41:16
  Speaker 1: crazy R and B. He had a song my faone fauld,
• 41:21
  Speaker 1: Oh my god. I love my crazy all in them.
• 41:25
  Speaker 1: And I had to deal with these wild wold guys
• 41:27
  Speaker 1: like everybody like it was just wow, all right, we'll
• 41:30
  Speaker 1: keep it lock. We got more with Fat Joe, more
• 41:32
  Speaker 1: with Remy. You don't want to go anywhere. It's the
• 41:33
  Speaker 1: breakfast club of the morning, the breakfast club that was
• 41:40
  Speaker 1: Rihanna with Work Morning. Everybody is DJ mvy Angela Yee, Charlemagne,
• 41:44
  Speaker 1: the guy. We are the breakfast club. Usually the rumors
• 41:46
  Speaker 1: are right here, the Fat Joe, Remy's here. So we're
• 41:48
  Speaker 1: gonna push those backs. A lot of beginners in your life.
• 41:50
  Speaker 1: The joy because the Pat M fifty like you know,
• 41:54
  Speaker 1: you think that comes with with them. Age was nine's
• 41:56
  Speaker 1: never been. I've never been in abuser. I love peace
• 41:59
  Speaker 1: Morning War. I mean, believe me, I came up on violence.
• 42:03
  Speaker 1: And it's sad to say book I enjoyed sometimes, know
• 42:07
  Speaker 1: what I'm saying, nah, And but I'm just saying I
• 42:10
  Speaker 1: prefer peace over war any day. Any day, I prefer peace.
• 42:14
  Speaker 1: If I didn't go to Israel when Palestine and broker
• 42:17
  Speaker 1: that thing, I'll go broker that thing. Like about some
• 42:20
  Speaker 1: of the older people me me paff like these weren't
• 42:23
  Speaker 1: people that like it wasn't like murder one beef, like
• 42:26
  Speaker 1: old you did something to somebody in my family or
• 42:29
  Speaker 1: something crazy like it was. It was things that I
• 42:32
  Speaker 1: think weren't that serious. But being the people that we
• 42:34
  Speaker 1: are that take everything to the butt crack like and
• 42:37
  Speaker 1: there's just no turning back, I think that that's why
• 42:40
  Speaker 1: it was escalated into the situations that they became. But
• 42:43
  Speaker 1: when you really get down to the root of them,
• 42:45
  Speaker 1: it was never no real you never nobody ever strobbed
• 42:48
  Speaker 1: him at gunpoint and did something to family members or
• 42:51
  Speaker 1: something like that. And it's easier once you get older
• 42:54
  Speaker 1: to forgive people and to work things out with people
• 42:56
  Speaker 1: when you realize, like, yo, there that was some I
• 42:58
  Speaker 1: was willing. Like you know what I'm saying. Something times
• 43:00
  Speaker 1: you do that and that does, I believe come with wisdom,
• 43:03
  Speaker 1: And it also comes with it, Like he said, nobody
• 43:05
  Speaker 1: want to be all day, nobody wants to walk out
• 43:08
  Speaker 1: of their crib all day, every day, making sure off
• 43:10
  Speaker 1: I run into this one, I'm gonna have to do that.
• 43:12
  Speaker 1: So it's like, it's cool when you could just walk out.
• 43:14
  Speaker 1: You just good. You know, you don't got no posit
• 43:16
  Speaker 1: with nobody. Nobody don't got no problems with you. It's
• 43:18
  Speaker 1: just a Good's just a different time in hip hop too,
• 43:23
  Speaker 1: Like so, uh, you'll almost don't fit in even though
• 43:26
  Speaker 1: y'all have been here, y'all almost don't fit in the worst.
• 43:30
  Speaker 1: That's a very good point. I don't think nobody who
• 43:33
  Speaker 1: who came up around my time, and definitely around Rams
• 43:38
  Speaker 1: time still makes music that goes with what's going on today.
• 43:44
  Speaker 1: So it was really really hard to make our fans
• 43:47
  Speaker 1: happy and be like, yeah, they back, they hid, but
• 43:50
  Speaker 1: at the same time, catch this young wave that's going on.
• 43:53
  Speaker 1: Because somebody I'm in strip club, they pick us in
• 43:55
  Speaker 1: books and pickers and books, and I'm like, I'm sitting
• 44:00
  Speaker 1: in there like I gotta grab the hookah. I don't
• 44:03
  Speaker 1: even smoke. I'm like, all right, how are we gonna
• 44:06
  Speaker 1: make a move to us? Right? Like everybody, I want
• 44:09
  Speaker 1: to tell y'all this is syndicated. Everybody who ever supported
• 44:13
  Speaker 1: me ramy pun like I love y'all. I want to
• 44:16
  Speaker 1: see y'all on the road every time I go over there,
• 44:18
  Speaker 1: and so many relationships we grew up with, and we
• 44:21
  Speaker 1: see people floating all over because y'all the only guys really,
• 44:24
  Speaker 1: not y'all, because you're super winning, but the music business
• 44:28
  Speaker 1: the only thing I compared to, like athletes. But they'll
• 44:31
  Speaker 1: come wake a guy up and be like, yo, you're
• 44:34
  Speaker 1: being shipped in Oklahoma today, one of three jams. Oklahoma.
• 44:40
  Speaker 1: I'm the king of Philly. What are you talking about.
• 44:44
  Speaker 1: They'd be like, you wake up, you gonna Philly? You
• 44:46
  Speaker 1: all right, calm them down. I gonna calm them down right,
• 44:49
  Speaker 1: Fat Joe, come through, yo, Yo, calm them down, y'all right, Yo,
• 44:52
  Speaker 1: now it's gonna be all right. Don't worry Boston, don't
• 44:54
  Speaker 1: get that coldest below zero the next you know, Hey,
• 44:57
  Speaker 1: I'm in Miami. Now, Joe, you're like y'all athletes. They
• 45:00
  Speaker 1: didn't come knock on the door. You've been traded. And
• 45:03
  Speaker 1: he always been in New York, New York, God bless us. Right. Well,
• 45:07
  Speaker 1: there you have it. It's fact. It's a breakfast club.
• 45:11
  Speaker 1: Good morning, It's time for Donkey of the day democrat.
• 45:22
  Speaker 1: So being Dunky of the day a little bit of
• 45:24
  Speaker 1: a mix U so like the other day. Now, I've
• 45:32
  Speaker 1: been called a lot of my twenty three years that
• 45:34
  Speaker 1: donkey of the day is a new wife. Yes, Donkey
• 45:38
  Speaker 1: the Day calls the x Ohio state superstar football player
• 45:42
  Speaker 1: Troy Smith now Troy Smith got arrested over the weekend
• 45:44
  Speaker 1: for drunk driving and cops found a little man juana
• 45:47
  Speaker 1: a little weed in it. Cop. Okay, not drunk driving.
• 45:50
  Speaker 1: Driving while on drugs is stupid and selfish, and that
• 45:53
  Speaker 1: by itself is donkey of the day worky. But TMZ
• 45:57
  Speaker 1: Sports obtained the dash cam video shot by the police
• 46:00
  Speaker 1: officers when they pulled over the hiving a trophy winner,
• 46:03
  Speaker 1: and this takes it to a whole nother level. I
• 46:04
  Speaker 1: always find it a musing when people are drunk, because
• 46:07
  Speaker 1: when I'm drunk, I don't think I'm impaired, meaning I
• 46:10
  Speaker 1: know what's going on, I know what I'm saying. When
• 46:13
  Speaker 1: I see people like Troy Smith, I question if I've
• 46:15
  Speaker 1: ever really been drunk? Can we hear this traffic stop? Please,
• 46:18
  Speaker 1: ain't doing good yourself? I'm officers, sir, I'm officer. You're
• 46:23
  Speaker 1: an officer. No, no, no, I'm great. How much alcohol
• 46:26
  Speaker 1: you consume tonight? Fair to say, what's your highest level education?
• 46:30
  Speaker 1: I graduated from Ohio State. My name is Troy Smith. Okay,
• 46:34
  Speaker 1: college degree. I've graduated from Ohio State with the degree
• 46:38
  Speaker 1: in bachelor's fair to say you know the alphabet, sir? Definitely?
• 46:42
  Speaker 1: But okay, that's that's what I'm trying to ask you. What.
• 46:44
  Speaker 1: I just want to make sure you're not in parent, sir,
• 46:46
  Speaker 1: not at all? Okay, can you recite the alphabet for me?
• 46:48
  Speaker 1: Started the letter C and stop at the letter W.
• 46:50
  Speaker 1: I can definitely recite the A, the ABC's from A
• 46:55
  Speaker 1: to Z, from C to W. Can you do that?
• 46:58
  Speaker 1: See key fdh? Okay, where do we start? Right? First
• 47:12
  Speaker 1: of all, he said he had no alcohol by dictive
• 47:16
  Speaker 1: tests determined yes. Second, he said, I'm officer. What does
• 47:20
  Speaker 1: that even mean? What were you trying to say, high officer? Hi,
• 47:25
  Speaker 1: I'm maybe you said it's I am in officer's relative.
• 47:28
  Speaker 1: You had a Fraternal Order of Police card. And as
• 47:30
  Speaker 1: soon as you said i'm officer, the police knew you
• 47:34
  Speaker 1: were drunk. Okay, they were just going along with you
• 47:36
  Speaker 1: to see how good this was gonna get and it
• 47:38
  Speaker 1: got better because what exactly is a degree in bachelor's
• 47:42
  Speaker 1: You have a degree in single min What kind of
• 47:44
  Speaker 1: profession do you start with that degree? Do you get
• 47:46
  Speaker 1: eligible bachelors and hooked him up with women who are
• 47:48
  Speaker 1: looking for them? You have a degree in pampology. Huh,
• 47:52
  Speaker 1: Now it is defense. The police hit him with a
• 47:54
  Speaker 1: trick question with that alphabet thing. Okay, starting that she
• 47:57
  Speaker 1: is a little difficult, but just sounded off in your
• 47:59
  Speaker 1: head a B boom. Then start at C and you
• 48:04
  Speaker 1: wouldn't have any problem. But bro, you got stuck after
• 48:07
  Speaker 1: I can I hear? I need to hear one more time?
• 48:09
  Speaker 1: Can I hear one more time? Can you recite the
• 48:11
  Speaker 1: alphabet form he started the letter C and stop at
• 48:13
  Speaker 1: the letter W. I can definitely recite the A, the
• 48:17
  Speaker 1: ABC's from A to Z, from C to W. Can
• 48:20
  Speaker 1: you do that? C, D, E, F, G H I. Okay,
• 48:31
  Speaker 1: turn around and put your head up in your fact. Now,
• 48:33
  Speaker 1: let's be clear. The cop was trying to be funny
• 48:35
  Speaker 1: when he said recite the alphabet from C to W
• 48:38
  Speaker 1: because the CW was a black network that was the
• 48:40
  Speaker 1: home of Dwayne's brothers girlfriends in the game. Okay, y'all
• 48:43
  Speaker 1: need to stay woke out here, all right. That cop,
• 48:45
  Speaker 1: that cop knew what he was doing. Okay, And you
• 48:48
  Speaker 1: have to give the man Troy a little bit of
• 48:50
  Speaker 1: props because he used the last letter he could remember
• 48:54
  Speaker 1: in the alphabet to form a complete sentence. Play it
• 48:57
  Speaker 1: one more time. Just listen to what he did. This
• 48:58
  Speaker 1: is genius ce D F G H. I just want
• 49:06
  Speaker 1: to go home from Troy, damn it. Okay, he should
• 49:13
  Speaker 1: get some points for that. All right, Please give Tice
• 49:17
  Speaker 1: smith the biggest he hall please. All right, you gotta
• 49:22
  Speaker 1: give him a little bit of props. He failed to
• 49:24
  Speaker 1: feel sobriety tests, but that was a little bit of genius.
• 49:29
  Speaker 1: The last letter you can remember is I, and then
• 49:32
  Speaker 1: you just finished with a complete sentence. I just want
• 49:34
  Speaker 1: to go home. Right of applause to smith Man. Alright,
• 49:38
  Speaker 1: that was amazing the breakfast club and it was something
• 49:42
  Speaker 1: your boy didn't and you're listening to the best of
• 49:43
  Speaker 1: the breakfast club. Let's go b I G more money,
• 49:48
  Speaker 1: more problem this morning, everybody. Jeez, he's in the building
• 49:51
  Speaker 1: past the younger. What means you say now is the
• 49:53
  Speaker 1: time to be more politically charged one spiritual like that?
• 49:55
  Speaker 1: I'm always always been politically and spiritually charged. You know
• 49:59
  Speaker 1: what I'm saying, since jump up the porch, But it
• 50:01
  Speaker 1: was really my incident that happened in m LA. Congratulations
• 50:05
  Speaker 1: on beating that case. Yeah, but by the way, y'all,
• 50:07
  Speaker 1: y'all did not report that. By the way, didn't hear
• 50:09
  Speaker 1: you did? Oh? Yeah, because you called me right? Yeah
• 50:11
  Speaker 1: we did, Yeah, yeah, y'all did. It was it was
• 50:13
  Speaker 1: a couple of yeah, man, they did me dirty, and
• 50:15
  Speaker 1: I was mad as them. I was mad as hell, man,
• 50:18
  Speaker 1: because I just feel like all the respect that I
• 50:20
  Speaker 1: had built and everything that I had built for myself
• 50:22
  Speaker 1: just got took away. I was an executive in Atlantic Building,
• 50:25
  Speaker 1: I was co ownered Avion, I was all these things, executives,
• 50:30
  Speaker 1: the album, I had other artists that I'm telling you, man,
• 50:32
  Speaker 1: y'all gotta walking straight now, you know what I'm telling
• 50:34
  Speaker 1: the why g You know what I mean? You gotta
• 50:35
  Speaker 1: stay yeah, you know what I'm saying. And then I'm
• 50:37
  Speaker 1: locked up for something that I had nothing to do with.
• 50:40
  Speaker 1: So just luckily I had the finances and the resources
• 50:44
  Speaker 1: to get out of it. But if I didn't imagine that, man,
• 50:48
  Speaker 1: could you imagine me sitting in jail at this point
• 50:50
  Speaker 1: of my career, you know, ten twenty years because you
• 50:53
  Speaker 1: charging me with a murder and then assault rivals even
• 50:56
  Speaker 1: waiting for trial like like right film saying, and it's real.
• 51:01
  Speaker 1: So all this time I'm sitting in there, you know
• 51:03
  Speaker 1: what I'm saying, And I didn't get out because the
• 51:05
  Speaker 1: bill was a million dollars a piece and it was
• 51:07
  Speaker 1: six individuals. So it was my drivers, my two bus drivers,
• 51:10
  Speaker 1: my cameraman, my assistant, and I think somebody that was
• 51:13
  Speaker 1: out just you know, helping me move around. And it
• 51:15
  Speaker 1: was like, so it wasn't the homies. So as soon
• 51:17
  Speaker 1: as we hit the county, you know, it's ome right
• 51:20
  Speaker 1: you la, so you know, everybody know where I met
• 51:22
  Speaker 1: with it, so it's it's boot up and set up,
• 51:25
  Speaker 1: you know what I mean. So it was just like
• 51:27
  Speaker 1: it was my first unselfish moment, you know what I'm saying,
• 51:30
  Speaker 1: My first Malcolm XI moment, you will, because I feel
• 51:32
  Speaker 1: like I had to really stay there and protect everybody
• 51:34
  Speaker 1: because I was the only one that could. You could
• 51:37
  Speaker 1: have got out, You could have got by the way.
• 51:40
  Speaker 1: The first thirty minutes I was in there, somebody was
• 51:43
  Speaker 1: there to pay my bill. The first thirty minutes. When
• 51:45
  Speaker 1: I walked in, they said you got you got a visitors.
• 51:48
  Speaker 1: Soon as they put me in the sale it's Bill
• 51:50
  Speaker 1: Bonds and its lawyer. There's like, yo, your people sit
• 51:52
  Speaker 1: us down here to get you. And I was like, okay,
• 51:54
  Speaker 1: So everybody getting out, It's like, no, you gotta get out.
• 51:56
  Speaker 1: You the brand. I'm like, Nick, the brand, Like these
• 51:59
  Speaker 1: are my people, Well, they've been out here the whole tour.
• 52:02
  Speaker 1: Keep in mind, this is the last day of the tour. Right,
• 52:08
  Speaker 1: toy went perfect, not a problem, not a flaw, everything.
• 52:13
  Speaker 1: And I got to the last day and I'm sitting
• 52:15
  Speaker 1: here watching twenty thousand people screamed my name while they're
• 52:19
  Speaker 1: putting the handcuffs on me and my crew, and then
• 52:21
  Speaker 1: they take us down. So anyway, long story short, we
• 52:24
  Speaker 1: get in there, they try to build me out. I'm like, nah,
• 52:25
  Speaker 1: I don't want to leave everybody. I'm gonna stay here.
• 52:27
  Speaker 1: So I stayed there, and there was just a lot
• 52:28
  Speaker 1: of time to think, man, And it was real because
• 52:31
  Speaker 1: now when I came, I gotta lit my son in
• 52:32
  Speaker 1: the face, you know what I mean. I gotta look
• 52:34
  Speaker 1: my people's in the face, and everybody like, yo, you're out.
• 52:36
  Speaker 1: There bugging, But I did everything right, and I understand
• 52:39
  Speaker 1: that it just made me like, it just made me furious, doll,
• 52:42
  Speaker 1: because it's like I worked hard to get here. Maybe
• 52:46
  Speaker 1: that was God doing that on purpose to give you
• 52:48
  Speaker 1: that one last ten. I said, Man, I'm going hard
• 52:51
  Speaker 1: and I'm telling the truth. This ain't even rap at
• 52:54
  Speaker 1: this point. This ain't about selling the Wrencors. This ain't
• 52:57
  Speaker 1: about getting on new fans. I'm gonna tell you was
• 53:00
  Speaker 1: in my heart, in my mind. If you like it,
• 53:02
  Speaker 1: that's on you. But the only thing that kept me
• 53:04
  Speaker 1: strong and there was religion because you know, my Grandma
• 53:07
  Speaker 1: kept bringing me up in the church. But I had
• 53:08
  Speaker 1: to be strong for everybody else because they ain't never
• 53:10
  Speaker 1: been in them situation. You know, you got people on
• 53:12
  Speaker 1: the phone talking to their parents and like you with
• 53:14
  Speaker 1: the rapper, did you do? They're talking with murder, You're
• 53:16
  Speaker 1: never getting down. I'm like, oh man, they get on
• 53:19
  Speaker 1: the phone like man. I'm like, yo, man, y'a don't
• 53:21
  Speaker 1: got to get no lawyers. I promise you. I'm paying
• 53:23
  Speaker 1: very tast you know what I'm saying. From everybody. They
• 53:27
  Speaker 1: tried to put me in general pop, which I was
• 53:29
  Speaker 1: cool with you know what I'm saying, Like, you know,
• 53:30
  Speaker 1: I had no problem that is within you're in jail,
• 53:32
  Speaker 1: like you don't get no privilege. But you know, I
• 53:34
  Speaker 1: was telling it like y'all they it was like it
• 53:37
  Speaker 1: was like it was like two parts coming through the
• 53:41
  Speaker 1: yo throw it up sets. I'm like, oh man, basis
• 53:45
  Speaker 1: at all? Oh man, this is it. It was weird
• 53:48
  Speaker 1: because it was like I'm thinking, we're just in there
• 53:50
  Speaker 1: for the gun charts. Come to find out everybody thinks
• 53:54
  Speaker 1: we're in there for my murder. You know, when they're
• 53:56
  Speaker 1: coming to get you out of yourself for lunch. It's like,
• 53:58
  Speaker 1: oh yeah, these just got these the guys with the
• 54:00
  Speaker 1: one eighty seven. I'm like, whoa man, what are you
• 54:03
  Speaker 1: speaking of? Hold up, it's innocent into approve me guilty.
• 54:07
  Speaker 1: Do you move differently now because absolutely, a lot lighter,
• 54:10
  Speaker 1: a lot small, even though I was moving light at
• 54:13
  Speaker 1: that time too. It's just real now. And it's just
• 54:15
  Speaker 1: like if they do that to me, they'll do that
• 54:17
  Speaker 1: to you or anybody else. And it's just like, you know,
• 54:19
  Speaker 1: had and I had the resources of financing dog, I
• 54:21
  Speaker 1: probably would have still been in jail man. You know,
• 54:24
  Speaker 1: you know what I'm saying, you know what's so funny
• 54:25
  Speaker 1: when you hear um, Like when we're in a landing,
• 54:27
  Speaker 1: you said you didn't do anything. I'm gonna get clear
• 54:30
  Speaker 1: my mind. I'm like, okay, it was so smart because
• 54:38
  Speaker 1: you know, you know past criminals, so I know how
• 54:40
  Speaker 1: to get out. I told my lawyer, I say, look,
• 54:46
  Speaker 1: somebody in between it was a criminal. So I tell
• 54:49
  Speaker 1: my lawyer, I say, yo, look, I said, they already
• 54:51
  Speaker 1: don't play their cars. They played their hand. They too,
• 54:54
  Speaker 1: They too anxious to get me cool. Let them put
• 54:56
  Speaker 1: everything on me. I ain't touched no chopper since I
• 54:59
  Speaker 1: was inten Great, you understand I'm saying, there's no need.
• 55:01
  Speaker 1: There's too many people that be around. It will do
• 55:04
  Speaker 1: that for me if that's what I need them to do,
• 55:05
  Speaker 1: even though I wouldn't ask that, so they don't place
• 55:08
  Speaker 1: it all on me. And I knew I hadn't touched anything.
• 55:11
  Speaker 1: So when they started doing DNA swabs and all that, yeah,
• 55:15
  Speaker 1: I had them. I had them, and that's how i'd
• 55:17
  Speaker 1: be the case. I told my lawyer and she called,
• 55:18
  Speaker 1: she's likely take something. I've never dealt with a person
• 55:21
  Speaker 1: that's so strategic and knows how to afford think like that.
• 55:24
  Speaker 1: She's like you really, you really played them, and then
• 55:27
  Speaker 1: how they tried to play me. It really pissed me off.
• 55:30
  Speaker 1: Was after I beat them, they kept all my jury
• 55:32
  Speaker 1: and all my money I had on the bus and
• 55:34
  Speaker 1: all my clothes. If you want your stuff back, you
• 55:37
  Speaker 1: gotta play play fair. Not snitch. Let's get that. No snitching,
• 55:41
  Speaker 1: but don't tell the media what really happened. So I
• 55:46
  Speaker 1: didn't even bother to try. Absolutely, man, you know how
• 55:52
  Speaker 1: i'd be rocket man that was happening. Did you have
• 55:57
  Speaker 1: your daughter already? Wish you on the way she was here?
• 56:00
  Speaker 1: Was tough. It was tough. Yeah, yeah, it was tough. Man.
• 56:06
  Speaker 1: It was like, damn, you know, this is it. This
• 56:07
  Speaker 1: is how we're gonna start this off. We got more
• 56:10
  Speaker 1: than Jez when we come back keeping locked. As to
• 56:12
  Speaker 1: breakfast Club the morning, I was designed up paying the morning,
• 56:16
  Speaker 1: everybody is DJ M v Angela, Yee, Charlomagne and the guy.
• 56:19
  Speaker 1: We are the breakfast club. Jez's in the building. Now
• 56:22
  Speaker 1: ye ten your anniversary for one on one. Yeah, I
• 56:25
  Speaker 1: was about bringing the whole city out. Yeah. I wanted
• 56:29
  Speaker 1: to go to that. I think I had no but listen,
• 56:32
  Speaker 1: it was a crazy feeling because I was running around.
• 56:34
  Speaker 1: I just had I hadn't been to Atlanta since I
• 56:37
  Speaker 1: went out to LA to start recording, so I hadn't
• 56:39
  Speaker 1: been in Atlanta all of four months, so nobody had
• 56:41
  Speaker 1: seen me. So it was kind of crazy, you know
• 56:43
  Speaker 1: what I means, just a feeling, just the energy. But
• 56:46
  Speaker 1: that was my old man, you really hit moment, you
• 56:49
  Speaker 1: know what I mean? Just from everybody I called and
• 56:51
  Speaker 1: just how I went down. I called Kanye. I was like, Yo,
• 56:52
  Speaker 1: want need you for the show. He's like, what day?
• 56:54
  Speaker 1: He's like, I'm there, you know what I mean. I
• 56:56
  Speaker 1: called Andre three thousand. You know Andrew. I'll tell people
• 57:00
  Speaker 1: on Andrew three thousand like Unicorn tiars man. You've never
• 57:02
  Speaker 1: seen him. You never see him? And I called him.
• 57:06
  Speaker 1: I was like yo, I was like, yo, three yeard,
• 57:07
  Speaker 1: I need you for this this ten years of rags,
• 57:10
  Speaker 1: like what what should I wear? I'm there? I should
• 57:13
  Speaker 1: I wear? I'm there? You know what I'm saying. People
• 57:15
  Speaker 1: wouldn't expecting him to come out, so people literally stood
• 57:19
  Speaker 1: there for like three seconds like it's good. And it
• 57:25
  Speaker 1: was crazy because it was like it's Atlanta, t I
• 57:29
  Speaker 1: can Scrappy Cane Fable turned up Bun b Manny Fresh
• 57:34
  Speaker 1: Drama Boys in the Hood, which was crazy for me,
• 57:37
  Speaker 1: you know what I'm saying, because we haven't been on
• 57:39
  Speaker 1: the same stage and over ten years and I called
• 57:42
  Speaker 1: him and you know, even with the little friction, it
• 57:44
  Speaker 1: probably happened because you know, it's a group. No we
• 57:47
  Speaker 1: got you man. So when I got there and just
• 57:49
  Speaker 1: saw all that love, I was kind of overwhelmed because
• 57:52
  Speaker 1: it was like it was like a big party and
• 57:54
  Speaker 1: all your friends was there, and it was just like
• 57:56
  Speaker 1: I never seen you know, people smile that much. I'm
• 57:58
  Speaker 1: just gonna be for real, like in the city because
• 58:00
  Speaker 1: you know, everybody always you know what I mean. But
• 58:02
  Speaker 1: it was happy, it was joycet and it was just
• 58:05
  Speaker 1: like man, and then you know, really it was a
• 58:07
  Speaker 1: win win for me because how do you go perform
• 58:09
  Speaker 1: Third Motivation in Atlanta? Who had originated that, you know
• 58:12
  Speaker 1: what I mean. So it was just like from top
• 58:14
  Speaker 1: to bottom, it was like every song was you know
• 58:17
  Speaker 1: what I'm saying, right, It was crazy. He just got
• 58:19
  Speaker 1: he kept going up and up and up. And then
• 58:20
  Speaker 1: when Drake came out and did I do um, I've
• 58:24
  Speaker 1: seen somebody talk about tat somebody else, like yeah, jay
• 58:26
  Speaker 1: Z about to come out too, and right there, yeah,
• 58:30
  Speaker 1: I mean Jay was gonna come like that. That's that's
• 58:32
  Speaker 1: that's the dope thing about Jay may was gonna come.
• 58:34
  Speaker 1: But I was almost like, man, it'd be overkill at
• 58:36
  Speaker 1: this point. You came to this side show. Yeah, yeah,
• 58:39
  Speaker 1: you can't really do dope boys with without holding right
• 58:41
  Speaker 1: right right, But it was it was, it was it
• 58:43
  Speaker 1: would have been overkilled, man, because Kanye was there. It
• 58:46
  Speaker 1: was it was just so much going on. I was like,
• 58:48
  Speaker 1: I ain't gonna, you know, push the issue like that.
• 58:49
  Speaker 1: But even when I called me, it was like, Yo,
• 58:51
  Speaker 1: what's up. I pull up, we got something coming up.
• 58:52
  Speaker 1: We'd love to have you. And not chis soctrategic. Baby's like, yeah,
• 59:04
  Speaker 1: I ain't cool, but what's your relationship like with me?
• 59:09
  Speaker 1: It's good. He's been moving around, you know, a lot.
• 59:11
  Speaker 1: I ain't really spoke to him a lot, but I
• 59:12
  Speaker 1: get messages from I think I got missed from somebody
• 59:15
  Speaker 1: else the other day to Tool, he was like, just
• 59:16
  Speaker 1: keep up with good work. But they're moving around a lot,
• 59:19
  Speaker 1: you know what I'm saying. Like, And at the same time,
• 59:20
  Speaker 1: I think he was in solitary or something for a minute.
• 59:24
  Speaker 1: You know what I mean. And that was pretty much
• 59:26
  Speaker 1: like the last time I really had a chance to
• 59:28
  Speaker 1: like hill at him. But like I've been getting messages
• 59:31
  Speaker 1: like hearing the you know what I'm saying different people
• 59:33
  Speaker 1: because he talks to everybody. Because I noticed even though
• 59:35
  Speaker 1: the statue of limitations of you don't you don't speak
• 59:37
  Speaker 1: about that too much, no, because it's just out of respect,
• 59:40
  Speaker 1: you know what I'm saying, Like, it's just out of respect. Man.
• 59:42
  Speaker 1: It's just like, you know, I don't know what he
• 59:44
  Speaker 1: got going on there. I don't know what he's going through.
• 59:46
  Speaker 1: And it's like I don't want to set the tone,
• 59:48
  Speaker 1: you know, for nothing, to say nothing that I shouldn't say,
• 59:50
  Speaker 1: because that's my friend. I think that. And I think
• 59:52
  Speaker 1: that's where a lot of people missed because I hit there,
• 59:55
  Speaker 1: Jesus didn't get him aloy, like it's my dude, man,
• 59:58
  Speaker 1: Like you don't even understand the half. You wouldn't even
• 1:00:02
  Speaker 1: understand that conversation if I told it to you, because
• 1:00:04
  Speaker 1: he's a different type of guy. And if that conversation
• 1:00:07
  Speaker 1: was to ever be heard, they'd be like, wow, you
• 1:00:10
  Speaker 1: know what I mean? And and we all did the
• 1:00:12
  Speaker 1: right thing, like and dude, he just was the type
• 1:00:15
  Speaker 1: of person he would give his last and you know,
• 1:00:18
  Speaker 1: he just got caught up in a bad situation. You
• 1:00:20
  Speaker 1: know what I'm saying. It's just like it's so unfortunate
• 1:00:23
  Speaker 1: because he's a great leader, dude, people fall him to
• 1:00:27
  Speaker 1: the end of the world, you know what I'm saying.
• 1:00:29
  Speaker 1: But it's just like, yeah, to this day and even
• 1:00:31
  Speaker 1: while he's in there, and it's just unfortunate. But I
• 1:00:33
  Speaker 1: just think when I hear people talk about our relationship,
• 1:00:36
  Speaker 1: you know, sometimes I feel away in then sometimes like
• 1:00:38
  Speaker 1: you know, these industry people they don't know you know
• 1:00:40
  Speaker 1: what I mean, it's not wrapped. It's deeper than there.
• 1:00:42
  Speaker 1: You know, it's you know, we're talking years at the time.
• 1:00:46
  Speaker 1: Build a relationship with somebody that that was unbreakable and
• 1:00:49
  Speaker 1: the ball was real, and it wasn't based on music,
• 1:00:52
  Speaker 1: money or nothing. It was just based on two individuals.
• 1:00:54
  Speaker 1: It's all things the same, you know what I'm saying.
• 1:00:56
  Speaker 1: If y'all do, if they do a movie, you gotta
• 1:00:58
  Speaker 1: be they working on the movie. I mean, listen, I
• 1:01:02
  Speaker 1: just I just I just hope that enough time has passed.
• 1:01:07
  Speaker 1: I mean, I'd say, let's wait another three just to
• 1:01:10
  Speaker 1: be sure. We got more on Jeez when we come back,
• 1:01:14
  Speaker 1: keeping locked as the breakfast club. Good morning, that one
• 1:01:17
  Speaker 1: needed me, Rihanna Morning. Everybody is DJ and v Angela yee,
• 1:01:21
  Speaker 1: Charlemagne the guy. We are the breakfast club. Now we
• 1:01:24
  Speaker 1: usually do the room is here where you We're not
• 1:01:26
  Speaker 1: gonna do the rooms because Jez's here right well, we
• 1:01:28
  Speaker 1: kind of are. We'll get into some rumors with him, like,
• 1:01:30
  Speaker 1: for instance, Jeez, how did you resolve your issues that
• 1:01:33
  Speaker 1: you had with Def jam? Man? I gotta be honest, man,
• 1:01:35
  Speaker 1: like you know, def Jim has been a great part
• 1:01:37
  Speaker 1: of my career and it's all this, you know what
• 1:01:40
  Speaker 1: I mean? And as men sometimes we can agree to disagree,
• 1:01:43
  Speaker 1: but I think they get it. Why should be like, yo,
• 1:01:45
  Speaker 1: I love it as a single? He's like, I don't
• 1:01:46
  Speaker 1: know if I like that. I'm like, yo, trust me.
• 1:01:49
  Speaker 1: And then when it works, it goes okay, yeah, man,
• 1:01:51
  Speaker 1: that's what's up to me. Go talk to you people.
• 1:01:56
  Speaker 1: And then you was like, somebody need to hire me
• 1:01:58
  Speaker 1: as it ain't and all, but it is it hard
• 1:02:00
  Speaker 1: when artists that felt like you guys are kind of
• 1:02:02
  Speaker 1: in competition, right, you know, for you to try to
• 1:02:05
  Speaker 1: work with them as far as it ain't, well, it
• 1:02:08
  Speaker 1: depends on who it is, if it's somebody that understands.
• 1:02:12
  Speaker 1: Because even a lot of times when I played my
• 1:02:13
  Speaker 1: records for Jay, I just watched his face on certain things,
• 1:02:17
  Speaker 1: and when I see him, he get into his little joint.
• 1:02:18
  Speaker 1: I don't even say nothing. And it happened the same
• 1:02:23
  Speaker 1: thing with me. Kanye calling me. I never forget. I'm
• 1:02:25
  Speaker 1: on the sports sending my mom crip. He's like, um,
• 1:02:29
  Speaker 1: can you come out to Hawaii? I was like, yeah,
• 1:02:34
  Speaker 1: what you So? I just want you to come by here.
• 1:02:36
  Speaker 1: I was like cool. So I get out to Hawaii
• 1:02:39
  Speaker 1: and he called me. It's like, you'll come to the studio.
• 1:02:40
  Speaker 1: So I come to the studio later on that night.
• 1:02:42
  Speaker 1: I get in there and they got this big ass
• 1:02:45
  Speaker 1: board or like a marker board, and it got all
• 1:02:47
  Speaker 1: the songs on it. At the top of the board,
• 1:02:50
  Speaker 1: it got what would Jeez do? So he starts playing
• 1:02:54
  Speaker 1: me these songs. He played me a lot of records
• 1:02:55
  Speaker 1: and I'm listening to him, and the ones that I
• 1:02:57
  Speaker 1: would bob to, I would see him his people that
• 1:03:00
  Speaker 1: would go check him off, and then then the ones
• 1:03:01
  Speaker 1: I was just like standing there kind of like lost
• 1:03:04
  Speaker 1: nobody moved. And then when he got done, you know
• 1:03:06
  Speaker 1: what I mean, I looked on the thing and they
• 1:03:08
  Speaker 1: had all the ones that I kind of saw the light,
• 1:03:11
  Speaker 1: you know what I mean. I was just like, it's
• 1:03:12
  Speaker 1: called ya. He was, you know my opinion right right right.
• 1:03:16
  Speaker 1: He was a small dude though, because he called me.
• 1:03:18
  Speaker 1: He was like, Yo, jeez, can I keep your ad
• 1:03:19
  Speaker 1: libs on this song? We're taking my money, right, you
• 1:03:23
  Speaker 1: can't tell me nothing that was recorded me and t
• 1:03:25
  Speaker 1: I had and I had on my album. I called
• 1:03:27
  Speaker 1: Kanye for a verse and when he sent it back,
• 1:03:29
  Speaker 1: the whole song was different. You know. He went in
• 1:03:32
  Speaker 1: there and changed the whole productives. Oh, I'm like, Yo,
• 1:03:35
  Speaker 1: what the hell? You know what I'm saying. So I
• 1:03:37
  Speaker 1: was like, Yo, this ain't even the same song. So
• 1:03:39
  Speaker 1: I was like, Yo, I can't. I can't rock with this,
• 1:03:41
  Speaker 1: you know what I'm saying. So he was like, you know,
• 1:03:43
  Speaker 1: you know, yeah, he already in his mind's right, cool,
• 1:03:46
  Speaker 1: don't worry about it. Say that. Take it right. So
• 1:03:50
  Speaker 1: he got me for that one. So he called me.
• 1:03:51
  Speaker 1: He was like, you know, can I keep your ad
• 1:03:53
  Speaker 1: libs on it? You know? H yeah? Whatever. So I
• 1:03:55
  Speaker 1: heard on the radio, I'm waiting on me to come here,
• 1:03:59
  Speaker 1: like me, I'm ready, I'm ready, I got my damn
• 1:04:02
  Speaker 1: but never come over. So I was like, I didn't
• 1:04:05
  Speaker 1: all thought that they were waiting for him. Yeah, right right.
• 1:04:08
  Speaker 1: But he was small enough to know my atlas was
• 1:04:10
  Speaker 1: an instrument. He knew that. I didn't know that. One
• 1:04:12
  Speaker 1: day we both in London, we got a show. So
• 1:04:14
  Speaker 1: I go on, I got like twenty thousand people out there.
• 1:04:17
  Speaker 1: He go on, he got eighty thousand people out there?
• 1:04:20
  Speaker 1: Or a song? He does, wait till I get my
• 1:04:22
  Speaker 1: money right on, watching eighty thousand people singing, And I'm like,
• 1:04:29
  Speaker 1: did not. And that's what makes him a musical genius. Absolutely.
• 1:04:34
  Speaker 1: That was a classic golbum too. By the way, the recession.
• 1:04:36
  Speaker 1: Recession marked the moment in time that I think I'm
• 1:04:38
  Speaker 1: not even gonna realize years later, even when my president
• 1:04:41
  Speaker 1: is black, right right, you put that out way before.
• 1:04:43
  Speaker 1: But Robert right right, yeah, shot saw the brock hel
• 1:04:46
  Speaker 1: Me and the dinner. But it's all good men, shout yeah,
• 1:04:52
  Speaker 1: because he knew, he knew. I came back and they
• 1:04:55
  Speaker 1: invited me to the dinner they had in New York.
• 1:04:57
  Speaker 1: I flew all the way in got mere town Ford suit.
• 1:04:59
  Speaker 1: You know what I'm saying, looked spiffy, right, expencive right.
• 1:05:02
  Speaker 1: I had to look my best, you know what I mean.
• 1:05:04
  Speaker 1: And I get there, see Kevin Lyles trade songs everybody,
• 1:05:08
  Speaker 1: you know, everybody happy, smiling, were taking pictures and they
• 1:05:11
  Speaker 1: about to walk in right behind them and they let
• 1:05:14
  Speaker 1: Kevin Lyles and trade songs in. You uh, I've seen
• 1:05:17
  Speaker 1: the Secret Service tap my guy. He said he can't
• 1:05:20
  Speaker 1: come in. I'm like, it was like, no, he can't
• 1:05:25
  Speaker 1: come in. We tried to get him cleared. We can't
• 1:05:27
  Speaker 1: clear And I remember going back to the room. I
• 1:05:30
  Speaker 1: was just like damn. I like, hey, man, I gotta
• 1:05:34
  Speaker 1: wait to my statue. It was crazy because it was
• 1:05:39
  Speaker 1: like it was like damn. Man. So I got on
• 1:05:42
  Speaker 1: the plane and flew back to Atlanta, and the whole
• 1:05:44
  Speaker 1: time on the plane, I was just like damn. I
• 1:05:47
  Speaker 1: was mad, you know what I'm saying, because I did
• 1:05:49
  Speaker 1: the whole My president is black, right. I ran out
• 1:05:53
  Speaker 1: and rented a bus to usher people to the poles.
• 1:05:56
  Speaker 1: I did radio drops and was running around the neighborhood
• 1:06:01
  Speaker 1: telling people, encouraging them that you can vote. Man. I
• 1:06:03
  Speaker 1: got a lawyer, right, here, he's telling me, you know,
• 1:06:05
  Speaker 1: Victor fella, now you can vote. You know what I mean,
• 1:06:07
  Speaker 1: because everybody know they can vote. So I did all
• 1:06:08
  Speaker 1: that and then get the slap in the face and
• 1:06:10
  Speaker 1: I'm like, damn, I wasn't really slapping the f he
• 1:06:12
  Speaker 1: just telling you look to say about certain people right now.
• 1:06:15
  Speaker 1: I got understood that, but I understand on the on
• 1:06:17
  Speaker 1: the on the flight back, I had some bars in
• 1:06:20
  Speaker 1: my head. I'm like, some bars in my head, like,
• 1:06:30
  Speaker 1: but I don't know, No, I don't do that. She
• 1:06:33
  Speaker 1: returned the suit. God, no, not right. So so but
• 1:06:40
  Speaker 1: with what was dope was I'm in London and my
• 1:06:44
  Speaker 1: mom would call me. It's like, the President just shuted you.
• 1:06:46
  Speaker 1: As I said, my mom told you about smoking that weed.
• 1:06:50
  Speaker 1: You know what I say, You can't be calling me
• 1:06:52
  Speaker 1: with this, And she's like, no, I'm serious. You know,
• 1:06:54
  Speaker 1: she don't know how to work on phones, so she
• 1:06:55
  Speaker 1: can't see me the videos on my mom. I call
• 1:06:57
  Speaker 1: you back. I gotta go do this. Nevertheless, I'm sitting
• 1:07:00
  Speaker 1: my phone start blowing up, like yo, man, the President
• 1:07:03
  Speaker 1: shouted at you out, So I'm nick he might have
• 1:07:04
  Speaker 1: just said something somewhere. I'm not knowing it is it
• 1:07:07
  Speaker 1: a correspond Yeah, I'm not knowing that. And then somebody's
• 1:07:10
  Speaker 1: sitting it to me and I'm sitting there, I'm looking.
• 1:07:12
  Speaker 1: I looked at it one hundred time. Ain't in front.
• 1:07:14
  Speaker 1: You know what I'm saying, to get your ad lit? Yeah,
• 1:07:19
  Speaker 1: to the sitting sometimes And and that's when I knew.
• 1:07:21
  Speaker 1: Right there, I was like, Yo, that dude is smart
• 1:07:24
  Speaker 1: and he's black. For real, hour on the low