Latest / Movie Meltdown / 114: Little Red Ricci and the Twilight of the Hood

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114: Little Red Ricci and the Twilight of the Hood · Movie Meltdown

• 0:01
  Speaker 1: The following program is a proud member of the Palover
• 0:04
  Speaker 1: family of podcasts. Check out all the shows over at palover.com.
• 0:08
  Speaker 2: That's P-A-L-A-V-E-R dot com.
• 0:12
  Speaker 1: The following feature has been rated R by the Motion
• 0:15
  Speaker 1: Picture Association of America.
• 0:16
  Speaker 3: It is intended for mature audiences and parental discretion is advised.
• 0:21
  Speaker 4: Our nuclear reactor pumping out one million kilowatts of power.
• 1:02
  Speaker 5: What's up and welcome to Movie Meltdown.
• 1:04
  Speaker 6: I am Brian.
• 1:05
  Speaker 1: And I am Misty.
• 1:06
  Speaker 5: This week we're doing a nice little split up. For now,
• 1:10
  Speaker 5: we're doing it in portions.
• 1:12
  Speaker 7: It's, you know, always a challenge to get people together
• 1:15
  Speaker 7: in one spot. So now I've decided sometimes we don't
• 1:17
  Speaker 7: even have to.
• 1:18
  Speaker 1: Jay's off doing manly stuff. He's a thought like, car
• 1:22
  Speaker 1: parts store or something.
• 1:24
  Speaker 7: There's nothing manlier than looking at hot girls in little
• 1:27
  Speaker 7: red skirts.
• 1:28
  Speaker 1: He's been building implements of doom all.
• 1:30
  Speaker 7: Week that part is awesome and I still want to
• 1:32
  Speaker 7: put my order in for a zombie head basher.
• 1:35
  Speaker 1: After you posted your thing about the what was the
• 1:38
  Speaker 1: thing you posted with this fucking Star Wars guy oh.
• 1:43
  Speaker 7: The Tusken Raider yeah he's like why didn't I build
• 1:45
  Speaker 7: one of those can I get one of those I
• 1:47
  Speaker 7: want to put my order in now for a gaffy
• 1:49
  Speaker 7: stick alright that's all I'm saying I don't know what
• 1:52
  Speaker 7: I need to give him or bribe him or however
• 1:55
  Speaker 7: I need to go about it, but I definitely need
• 1:57
  Speaker 7: a gaffy stick, and odds are Greg will be right
• 1:59
  Speaker 7: behind me on that.
• 2:01
  Speaker 1: Well, the first one he built, he decided it was
• 2:03
  Speaker 1: too heavy, so he had to go.
• 2:04
  Speaker 8: Back to the drawing board, because he wasn't even done yet, and, like,
• 2:07
  Speaker 8: it was fucking massive.
• 2:09
  Speaker 1: It's like, I could barely pick it up with two hands,
• 2:11
  Speaker 1: and I've been throwing boxes for 13 years, so it's like,
• 2:14
  Speaker 1: that's going to be a fucking fortune to ship, so
• 2:17
  Speaker 1: it was another option, so.
• 2:18
  Speaker 5: I still don't know why I didn't think Randy could
• 2:20
  Speaker 5: just fly home on the plane with this battle mace.
• 2:22
  Speaker 6: Yeah.
• 2:24
  Speaker 1: I didn't think it would go over very well, but whatever.
• 2:27
  Speaker 7: Can't he just explain to the airline it's only for zombies?
• 2:31
  Speaker 7: Unless this is that flight of the dead where it
• 2:33
  Speaker 7: breaks out, I'm not going to use it on anybody
• 2:36
  Speaker 7: on the plane. I'm sure they're fine with the honor
• 2:38
  Speaker 7: system at this point.
• 2:39
  Speaker 1: Yeah, uh-huh.
• 2:41
  Speaker 8: You can't even take fucking shampoo on a plane.
• 2:42
  Speaker 1: I mean, if I think of mace.
• 2:44
  Speaker 5: I might kill people with shampoo.
• 2:46
  Speaker 1: Oh, God.
• 2:47
  Speaker 7: So, yeah, we're doing a broken up into segments this week.
• 2:50
  Speaker 7: So we've roped Misty into this half.
• 2:53
  Speaker 1: Drug me out of big lots for this.
• 2:54
  Speaker 6: It's not my fault you were in there.
• 2:57
  Speaker 1: Didn't even make it to the pots and pans section
• 2:59
  Speaker 1: where I was hidden. So I need a new cookie sheet.
• 3:03
  Speaker 6: Oh, a little red writing.
• 3:05
  Speaker 5: It's more important.
• 3:06
  Speaker 1: Yes, it is.
• 3:06
  Speaker 6: But before that, we can do a abbreviated geek week.
• 3:11
  Speaker 7: Actually, this, well, kind of this morning, I had something,
• 3:15
  Speaker 7: and it's not our normal Geek Week, but it's a
• 3:18
  Speaker 7: weird reaction, and it's directly from the show.
• 3:22
  Speaker 6: It's directly related to the show.
• 3:25
  Speaker 7: I'm sitting there, and the news comes on when I
• 3:27
  Speaker 7: wake up, and it's showing footage, and you know, this,
• 3:31
  Speaker 7: as of yesterday, Japan is like ravaged by an earthquake
• 3:35
  Speaker 7: and a tsunami, and all this stuff's going on and
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  Speaker 7: I hadn't really paid attention because I don't watch the news.
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  Speaker 6: That involves being conscious and paying attention to the world
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  Speaker 6: around me.
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  Speaker 7: I don't really do that normally, but it just happened
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  Speaker 7: to come on and I saw the footage of it
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  Speaker 7: and my first thought was, oh man, I hope Sanae's okay.
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  Speaker 6: I was like, it was really weird. It was like
• 3:57
  Speaker 6: all of a sudden, and.
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  Speaker 7: You know, if you've been listening, she's a listener we
• 4:00
  Speaker 7: found in the last six, eight months or so.
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  Speaker 5: She wrote us an email and.
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  Speaker 7: I've talked to her online a couple of times and
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  Speaker 7: I just still kind of barely know her. But there
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  Speaker 7: was that second of, like, all of a sudden I was, like,
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  Speaker 7: personally attached to this catastrophe going on halfway around the world.
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  Speaker 5: And it's kind of weird.
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  Speaker 1: I was worried about Maru, the cat, who has a
• 4:20
  Speaker 1: lot of YouTube videos. But from the posts I saw today,
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  Speaker 1: he's okay. So he likes boxes. Lord.
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  Speaker 6: Does he live in Japan?
• 4:29
  Speaker 1: I'm pretty sure he does.
• 4:31
  Speaker 6: Those bunnies in a cup were in Japan, too.
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  Speaker 5: I hope they're okay.
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  Speaker 8: I hope so.
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  Speaker 5: No, I don't know.
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  Speaker 6: I mean, it's not to make.
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  Speaker 7: Light of any of it because it really is like
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  Speaker 7: a tragedy. There's hundreds of people dead at this point,
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  Speaker 7: I believe. So she did email me back. That was
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  Speaker 7: my first thing. And I emailed her and was like, hey, actually,
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  Speaker 7: she'd already posted on there that they made it through.
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  Speaker 7: So I sent her a letter that was like, glad
• 4:51
  Speaker 7: to know you're OK. And so, I mean, she she
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  Speaker 7: wrote back and seems like genuinely touched that I was concerned.
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  Speaker 7: But I was like, it's it's weird. I mean, it really,
• 5:00
  Speaker 7: you know, up until recently, we could have never had that.
• 5:03
  Speaker 7: connection really unless you like met someone and knew them
• 5:07
  Speaker 7: and wrote letters i guess but in the last like
• 5:09
  Speaker 7: 20 years like the world has changed so phenomenally that
• 5:12
  Speaker 7: you can have a personal connection to someone halfway around
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  Speaker 7: the world that you've never physically met before i.
• 5:18
  Speaker 8: Don't want to have physical connections people that.
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  Speaker 7: Fear me normally that's true too i that's what's kind
• 5:24
  Speaker 7: of awesome i guess about this you know opening up
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  Speaker 7: your your group of people to the world and It
• 5:30
  Speaker 7: gives you a lot more to choose from. So you
• 5:32
  Speaker 7: can weed through the losers and you can actually find
• 5:34
  Speaker 7: the cool people. People are cool in the further away
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  Speaker 7: they are.
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  Speaker 5: Kind of.
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  Speaker 7: It's like then you can find the cool people in
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  Speaker 7: Japan or the cool people in Indonesia or, you know, Boston.
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  Speaker 7: So it's like you can pick and choose. You've got
• 5:45
  Speaker 7: a much wider group of people because the people that
• 5:48
  Speaker 7: I come in contact with around here, there's only a
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  Speaker 7: handful of them that don't suck.
• 5:51
  Speaker 6: Yeah, pretty much.
• 5:53
  Speaker 5: Yeah, but I don't know.
• 5:54
  Speaker 7: That was kind of weird. And I went through this
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  Speaker 7: whole thing of, Basically, I guess that's how we as
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  Speaker 7: people should respond. Like we probably should be personally affected
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  Speaker 7: by the fact that there's all these people getting killed,
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  Speaker 7: but we've disconnected ourselves so much over the years that like,
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  Speaker 7: I don't know, it's weird, especially in this country.
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  Speaker 6: If it doesn't happen here, we don't care about it.
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  Speaker 7: So it's, I think that's almost the only way that
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  Speaker 7: you have a connect to something like that is, is
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  Speaker 7: knowing someone who's, you know, in danger or, you.
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  Speaker 6: Know, affected by it. So it's, I don't know. It
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  Speaker 6: was just really weird. It was a weird reaction this morning.
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  Speaker 6: It was just like.
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  Speaker 7: That was the first thing I thought of, that all
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  Speaker 7: of a sudden I had a face to put with
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  Speaker 7: this tragedy. And so it was just good to find
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  Speaker 7: out that her, you know, her family's OK.
• 6:39
  Speaker 6: She's OK. They're kind of dealing with aftershocks.
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  Speaker 7: Now there's, you know, the extra one, two and three
• 6:46
  Speaker 7: punch now of a meltdown potentially happening. Which is, yeah,
• 6:51
  Speaker 7: it's knocked out the power at the power plant, and
• 6:53
  Speaker 7: they've had.
• 6:54
  Speaker 6: Some sort of horrible disaster and explosion there. So it's like, Jesus,
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  Speaker 6: lay off these people for a little while, okay?
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  Speaker 1: But at least Maru still has his box.
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  Speaker 6: There you go.
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  Speaker 5: So, yeah, if nothing else, you know, just, you know,
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  Speaker 5: our thoughts go out to you, Sanai.
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  Speaker 6: We're glad you made it through.
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  Speaker 7: And to anybody else actually dealing with that right now,
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  Speaker 7: our thoughts are with you. I don't know what else
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  Speaker 7: we can do, but it's, yeah, it kind of sucks, so.
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  Speaker 5: Yeah, that was weird this morning.
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  Speaker 1: That's the one good thing about not living that close
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  Speaker 1: to the ocean.
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  Speaker 6: Well, I mean, we still had a hurricane here, technically.
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  Speaker 8: Yeah, but we don't get, like, washed away.
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  Speaker 7: We don't normally, but, you know, I'm still waiting for
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  Speaker 7: the massive earthquake to hit us.
• 7:32
  Speaker 1: We still get tornadoes. We can get floods, you know.
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  Speaker 6: We're also, we don't get all the.
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  Speaker 1: We don't get an earthquake.
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  Speaker 7: We don't get all the publicity of, like, the San
• 7:40
  Speaker 7: Andreas Fault, but we're also sitting on the largest fault
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  Speaker 7: in this part.
• 7:44
  Speaker 6: Of the world.
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  Speaker 7: It's just been dormant for a while, but when it
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  Speaker 7: goes off again, it's going to take out... This entire
• 7:50
  Speaker 7: part of the world. So, yeah, it's just a matter
• 7:52
  Speaker 7: of time for us, too, guys.
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  Speaker 1: That's why I try not to talk too much shit
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  Speaker 1: about those disasters, because it's karma.
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  Speaker 8: I figure as soon as I say something bad.
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  Speaker 1: About Japan or Haiti or any of those places that
• 8:01
  Speaker 1: got struck horribly or... Make fun of them like I
• 8:04
  Speaker 1: would normally do any other, you know, situation. Yeah.
• 8:07
  Speaker 6: That's normally how we operate.
• 8:08
  Speaker 1: Yeah, I ain't going to make fun of this shit
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  Speaker 1: because it's serious. It's fucking tragic. And I don't want
• 8:13
  Speaker 1: that shit happening to me.
• 8:14
  Speaker 8: So, you know, I'm glad.
• 8:16
  Speaker 1: We're blessed. Nothing that bad has happened to us in
• 8:18
  Speaker 1: our lifetime.
• 8:19
  Speaker 8: Knock on, I'm assuming your table's real wooden.
• 8:21
  Speaker 5: Sure it is. This is fancy.
• 8:22
  Speaker 1: Yeah, I can see the scratches in it.
• 8:24
  Speaker 6: That was where Roger's at.
• 8:26
  Speaker 1: Roger's an ass.
• 8:28
  Speaker 5: Nice.
• 8:29
  Speaker 1: You know, listen, he's not here or whatever.
• 8:30
  Speaker 6: He has disappeared.
• 8:32
  Speaker 1: Maybe he fell in an earthquake hole. Fell in a sinkhole.
• 8:36
  Speaker 7: He's down there right now working on the fault. Trying
• 8:38
  Speaker 7: to make it go off.
• 8:40
  Speaker 1: He's kicking it.
• 8:41
  Speaker 8: That's something he would do.
• 8:42
  Speaker 1: But I'm just joking. Roger's not much of an ass. Usually. But,
• 8:48
  Speaker 1: you know, it's serious.
• 8:49
  Speaker 8: And, you know, I wouldn't wish that on.
• 8:51
  Speaker 1: Actually, I would wish that on my worst enemies.
• 8:53
  Speaker 6: Yeah, I probably would too. I'm a jerk.
• 8:56
  Speaker 9: But.
• 8:57
  Speaker 7: Yeah, I mean, it's just kind of weird, and it's,
• 8:59
  Speaker 7: I think, how we've come to deal with things. Like,
• 9:02
  Speaker 7: for the most part, like I was saying, the disconnect.
• 9:04
  Speaker 7: I think, again, I don't know if human minds are
• 9:06
  Speaker 7: made to deal with that much. I mean, you went,
• 9:10
  Speaker 7: you know, go back hundreds of years, all you had
• 9:11
  Speaker 7: to deal with was your little neighborhood, you know? And
• 9:13
  Speaker 7: unless something horrible happened there, you only dealt with, you know,
• 9:17
  Speaker 7: people dying one at a time, or, you know, that's
• 9:19
  Speaker 7: all you ever dealt with as a human being. And
• 9:22
  Speaker 7: then now, we've opened up this entire, like, now you...
• 9:25
  Speaker 7: not only know what's going on around the world, but
• 9:28
  Speaker 7: you can experience it almost firsthand. I mean, you've got
• 9:30
  Speaker 7: people taking videos from the tragedy. So it's like you
• 9:34
  Speaker 7: really almost do have to disconnect to some point because
• 9:37
  Speaker 7: I don't know if the human brain is meant to
• 9:39
  Speaker 7: deal with that much horror and trauma that goes on
• 9:42
  Speaker 7: in the world at any given moment. Right now, horrible
• 9:45
  Speaker 7: things are happening around the world. And it's like if
• 9:47
  Speaker 7: you have to experience all of that at once, it's overwhelming.
• 9:51
  Speaker 7: I think that's kind of why we– distance ourselves mentally
• 9:54
  Speaker 7: from that sort of thing I.
• 9:56
  Speaker 1: Don't know all I can say is at least at
• 9:58
  Speaker 1: least with the thing in Japan, there's not quite so
• 10:01
  Speaker 1: much coverage on Charlie Sheen.
• 10:04
  Speaker 7: If there's a blessing in disguise, it's that for a
• 10:08
  Speaker 7: few minutes, we stopped talking about Charlie Sheen.
• 10:10
  Speaker 5: So there you go.
• 10:12
  Speaker 6: That's all we have. So it's good to know you're okay.
• 10:14
  Speaker 7: And I, and I hope everything else goes as well
• 10:17
  Speaker 7: as it can from this point on for you guys. Cause, Yeah,
• 10:20
  Speaker 7: that whole country has kind of been screwed this week, so, yeah.
• 10:24
  Speaker 1: Yeah, but that's something that always happens. There's always countries
• 10:27
  Speaker 1: getting screwed, and it's like, how long will this play
• 10:28
  Speaker 1: in our media? How long until the next thing that,
• 10:31
  Speaker 1: you know.
• 10:32
  Speaker 6: Until another celebrity gets busted.
• 10:34
  Speaker 7: I mean, that's usually how it really works, is what
• 10:37
  Speaker 7: comes along to take it out, and it's usually not
• 10:39
  Speaker 7: even something of equal importance. it's usually something stupid and
• 10:44
  Speaker 7: Lindsay O'Hannell get arrested again.
• 10:45
  Speaker 1: Not even like shock value. It's just entertainment at some point,
• 10:49
  Speaker 1: you know?
• 10:49
  Speaker 5: Yeah.
• 10:50
  Speaker 7: Well, I mean, news is definitely entertainment on many levels
• 10:53
  Speaker 7: now and is addressed that way. So it's a different
• 10:57
  Speaker 7: world than it used to be.
• 11:00
  Speaker 5: So with the.
• 11:01
  Speaker 1: I don't think I heard anything about this until Olivia
• 11:03
  Speaker 1: Munn posted something about it on Facebook.
• 11:06
  Speaker 8: That's how I got this news. Olivia Munn.
• 11:09
  Speaker 5: Oh, she should deliver all the news. Then I would
• 11:12
  Speaker 5: actually want to watch the news.
• 11:14
  Speaker 6: That would, yeah.
• 11:16
  Speaker 1: I'm so oblivious. I live in my own little misty bubble.
• 11:18
  Speaker 1: I don't hear about most things.
• 11:20
  Speaker 6: I'm like that too.
• 11:21
  Speaker 7: I mean, it had happened hours and hours before. And I, yeah,
• 11:25
  Speaker 7: I just, I kind of heard that something happened. I
• 11:27
  Speaker 7: still didn't know it was of that scale. I mean,
• 11:29
  Speaker 7: there's always earthquakes going on everywhere.
• 11:31
  Speaker 6: I didn't realize that. the epic scale that it had
• 11:33
  Speaker 6: kind of hit there.
• 11:34
  Speaker 1: That's sad that that's where I'm getting my main, my
• 11:37
  Speaker 1: main information is from Facebook. Cause I hadn't, I hadn't,
• 11:40
  Speaker 1: I hadn't heard nothing about it. And then Olivia Munn
• 11:42
  Speaker 1: posted something. I, all my prayers go out to people
• 11:44
  Speaker 1: in Japan. I'm like, the fuck happened in Japan?
• 11:46
  Speaker 5: Yeah.
• 11:47
  Speaker 1: I didn't know.
• 11:48
  Speaker 7: I think that's how I've always operated. I mean, even
• 11:51
  Speaker 7: in my younger years, it's like I never watched the news.
• 11:53
  Speaker 5: The only way I ever heard about current events was
• 11:55
  Speaker 5: whatever Letterman was making.
• 11:56
  Speaker 6: Fun of that night. Like, that was my newscast for me.
• 11:59
  Speaker 8: The news is too damn depressing. I don't watch that shit.
• 12:01
  Speaker 6: I'm telling you.
• 12:04
  Speaker 7: So, on that cheery note, to go into the other
• 12:08
  Speaker 7: fun activities this week. The only other thing I've watched,
• 12:11
  Speaker 7: you know, pretty much this weekend. Actually, that's not true.
• 12:14
  Speaker 7: And I'll go ahead and mention the first one since
• 12:15
  Speaker 7: you're here because you'll want to bitch about it. Last night,
• 12:18
  Speaker 7: I watched the Sorority Row remake.
• 12:21
  Speaker 10: Oh, Lord.
• 12:23
  Speaker 6: I almost messaged you midway into the movie.
• 12:25
  Speaker 1: Potato Head.
• 12:26
  Speaker 6: Which one is Ceiling Eyes?
• 12:28
  Speaker 8: That's Audrina.
• 12:29
  Speaker 5: Is it the blonde chick?
• 12:30
  Speaker 1: She's the one who always looks like this.
• 12:32
  Speaker 7: I know that, but I was trying to pick her
• 12:34
  Speaker 7: out of the lineup. Which of the bitchy crew of
• 12:37
  Speaker 7: girls was she?
• 12:38
  Speaker 11: I don't know.
• 12:38
  Speaker 1: I've never seen the movie.
• 12:40
  Speaker 5: I thought you watched that one.
• 12:41
  Speaker 1: No, I bitched about it, but I haven't watched it
• 12:43
  Speaker 1: because it had Ceiling Eyes and Potato Head in it,
• 12:45
  Speaker 1: so I haven't seen it, but.
• 12:47
  Speaker 8: She was the one who.
• 12:47
  Speaker 1: Was on the hills.
• 12:49
  Speaker 5: I know, but I don't watch the hills. Her eyes look.
• 12:51
  Speaker 1: Like this all the time. She's always looking up, no
• 12:54
  Speaker 1: matter what.
• 12:54
  Speaker 5: But she's not the girl that was in, because then
• 12:57
  Speaker 5: I went looking.
• 12:57
  Speaker 7: As the other main girl comes in, I was like, wait,
• 13:00
  Speaker 7: isn't that the chick from Es Darko, who I actually
• 13:02
  Speaker 7: kind of like, or is one of the few redeeming
• 13:04
  Speaker 7: things in Es Darko?
• 13:05
  Speaker 8: I'm assuming that's not Celina.
• 13:08
  Speaker 6: Is she the girl in Burning Bright?
• 13:11
  Speaker 11: No.
• 13:11
  Speaker 5: Because that's the other main... You might want to watch
• 13:14
  Speaker 5: it just for her.
• 13:15
  Speaker 6: I love Burning Bright.
• 13:16
  Speaker 7: The other main girl is then I went to look
• 13:18
  Speaker 7: and make sure she was the girl in Estarco. And
• 13:19
  Speaker 7: then since then, she's done Burning Bright.
• 13:21
  Speaker 6: She's the main girl in that. So now I kind
• 13:22
  Speaker 6: of want to watch.
• 13:23
  Speaker 5: I almost bought Burning Bright.
• 13:24
  Speaker 1: For $ 5 because they had it on sale at Blockbuster
• 13:27
  Speaker 1: because they're going out of business because.
• 13:28
  Speaker 6: It's... Because they suck and their time has passed.
• 13:31
  Speaker 1: Then I realized I wanted to pay $ 5 for it.
• 13:34
  Speaker 1: I would, but I was only going to do it
• 13:35
  Speaker 1: if I was paying $ 5 for Eclipse too.
• 13:40
  Speaker 8: And I wasn't sure if it was... Full frame.
• 13:42
  Speaker 1: Because it said standard on the DVD case.
• 13:44
  Speaker 6: I get worried. Yeah, that's not good. I wouldn't go
• 13:47
  Speaker 6: with that one. Or Eclipse.
• 13:49
  Speaker 1: The only reason I buy the Twilight movies is so
• 13:51
  Speaker 1: that we can watch the Rift Tracks.
• 13:53
  Speaker 6: Sadly, I knew why you were buying it.
• 13:55
  Speaker 1: That's fucking hilarious.
• 13:56
  Speaker 6: Just to clarify for everyone else.
• 13:58
  Speaker 1: Rift Tracks.
• 13:58
  Speaker 8: Fucking awesome.
• 13:59
  Speaker 1: It's like Mystery Science Theater, but you can put it
• 14:01
  Speaker 1: with new movies. You go to it at RiftTracks.com. I'm
• 14:03
  Speaker 1: pretty sure.
• 14:03
  Speaker 8: I'm not getting any.
• 14:04
  Speaker 1: Money for this.
• 14:05
  Speaker 5: I'm pretty sure you are.
• 14:06
  Speaker 6: But they should sponsor us.
• 14:07
  Speaker 8: Fucking awesome. Research tracks with an X, too, because they're cool.
• 14:11
  Speaker 5: Tracks. I think.
• 14:12
  Speaker 1: So, yeah. That's really nice.
• 14:14
  Speaker 7: I watched that, yeah, I watched that last night. You know,
• 14:16
  Speaker 7: I didn't hate it as much as, I mean, that's
• 14:19
  Speaker 7: the thing, it's just, it's dumb. I mean, it's just
• 14:22
  Speaker 7: a dumb horror movie, but I'm watching it like, you know,
• 14:25
  Speaker 7: it's kind of like all of these remakes and all
• 14:27
  Speaker 7: of the, like.
• 14:27
  Speaker 5: Did you watch the original? I don't even know if I've.
• 14:30
  Speaker 6: Watched the original. Maybe that's the one you were talking about.
• 14:32
  Speaker 6: I watched the original.
• 14:33
  Speaker 1: Yeah.
• 14:34
  Speaker 7: I have not watched that in my recent memory. I
• 14:37
  Speaker 7: may have seen it years ago and forgotten about it, but.
• 14:39
  Speaker 1: I don't remember it all that well, but I remember
• 14:40
  Speaker 1: sort of liking it.
• 14:41
  Speaker 5: Yeah.
• 14:42
  Speaker 7: This, I mean, this one is just, it's like all
• 14:43
  Speaker 7: of the new shiny, glossy people from the hills.
• 14:46
  Speaker 5: Kind of horror movies. And I'm watching it.
• 14:48
  Speaker 7: I'm like, I don't, I'm sort of enjoying the experience,
• 14:51
  Speaker 7: but it really, if ever you can use the term
• 14:53
  Speaker 7: brain candy, I mean, it's like, that's what it was.
• 14:55
  Speaker 6: It's dumb and shiny. And I'm watching people get killed.
• 14:58
  Speaker 7: It's, it's like, All of these genre-type movies, it's like
• 15:01
  Speaker 7: you can have good ones and you can have ones
• 15:03
  Speaker 7: that just play the lowest common denominator.
• 15:06
  Speaker 1: I kind of like... Oh, it depends on what mood
• 15:07
  Speaker 1: I'm in. I kind of like stuff like that.
• 15:09
  Speaker 12: Yeah.
• 15:09
  Speaker 1: It's brainless fun.
• 15:11
  Speaker 5: You know, you can go.
• 15:11
  Speaker 1: Into it and not get a life lesson.
• 15:14
  Speaker 5: I mean, that's what this was.
• 15:15
  Speaker 7: It's like there's nothing really redeeming in it. Other than,
• 15:18
  Speaker 7: you know, that girl is okay.
• 15:20
  Speaker 6: Again, she doesn't do anything amazing, but.
• 15:21
  Speaker 8: Hot potato head, dude. You know.
• 15:25
  Speaker 6: I haven't watched her in much stuff.
• 15:27
  Speaker 7: I think I've seen, again, on Letterman, I think I
• 15:29
  Speaker 7: saw her one night, and that's the only reason I
• 15:31
  Speaker 7: probably would know what she looks like anymore.
• 15:32
  Speaker 6: But in this movie, I almost couldn't watch her.
• 15:37
  Speaker 5: Like, she, her head really.
• 15:38
  Speaker 1: Is shaped odd. I'm sorry. It's like, how do you
• 15:42
  Speaker 1: have someone, I mean... Demi Moore back in the day,
• 15:44
  Speaker 1: she was an attractive young lady.
• 15:45
  Speaker 5: Even now, I mean, she's held up relatively well for
• 15:48
  Speaker 5: her age. Yeah, that too.
• 15:50
  Speaker 1: Bruce Willis has never been a pretty man, but he's,
• 15:51
  Speaker 1: you know, somewhat, I'm sure somebody would consider him a
• 15:54
  Speaker 1: somewhat handsome man, possibly.
• 15:57
  Speaker 5: I think, you know, even back in the day.
• 15:58
  Speaker 8: How the hell did Potato Head come out of that?
• 16:01
  Speaker 5: I don't know. Because that's the thing, it's like, and
• 16:02
  Speaker 5: I'm not going to talk smack about your kid, because
• 16:05
  Speaker 5: Bruce is awesome. I'd like to hang out with Bruce.
• 16:07
  Speaker 6: He seems like a really good guy.
• 16:09
  Speaker 7: But she just looks strange the entire time. I was
• 16:12
  Speaker 7: just like something odd about her i don't know what
• 16:15
  Speaker 7: it is and and she her acting is just kind
• 16:18
  Speaker 7: of it's like all the girls on there i mean
• 16:20
  Speaker 7: none of them do anything amazing they just sort of
• 16:22
  Speaker 7: stand there and she's actually the more hysterical one of
• 16:25
  Speaker 7: the bunch so she just gets to like scream and
• 16:27
  Speaker 7: run around and be have enough fit most of the
• 16:29
  Speaker 7: movie so i'm sure also that i'll.
• 16:31
  Speaker 1: Watch it at some point is it like did it
• 16:33
  Speaker 1: fronted or was it on.
• 16:34
  Speaker 7: Netflix um watch it on tv it was on tv
• 16:36
  Speaker 7: it's on cable it's on i don't.
• 16:38
  Speaker 1: Have cable i can't i have this channel now.
• 16:41
  Speaker 7: That This is awesome. As we've said many a time,
• 16:44
  Speaker 7: this is pretty damn awesome. Yeah, I got distracted. Other
• 16:49
  Speaker 7: than that, I did watch.
• 16:51
  Speaker 5: I finally caught up with the rest of the world, what, nine,
• 16:54
  Speaker 5: ten months later.
• 16:54
  Speaker 6: I watched Inception.
• 16:55
  Speaker 1: I have no real desire to see that movie.
• 16:58
  Speaker 7: I just put it off. I kind of wanted to initially,
• 17:02
  Speaker 7: and then I just... Again, I hardly ever get to
• 17:04
  Speaker 7: the theater, so I just hadn't gotten around to it,
• 17:06
  Speaker 7: and I finally sat down and watched it.
• 17:08
  Speaker 1: It.
• 17:10
  Speaker 6: kind of deserves a lot of the attention that it's gotten. It's,
• 17:13
  Speaker 6: it's impressive.
• 17:14
  Speaker 7: And I mean, it, again, almost for the Christopher Nolan element,
• 17:17
  Speaker 7: it's like, you've got to be on board with him. I,
• 17:20
  Speaker 7: I so wanted, you know, again, it's way too late,
• 17:22
  Speaker 7: I suppose, but in general, like my personal feelings, I
• 17:25
  Speaker 7: feel like we really need to support this kind of
• 17:27
  Speaker 7: stuff because it's, it's written and directed by him. He
• 17:31
  Speaker 7: came up with this concept. It's an original movie. It's them,
• 17:33
  Speaker 7: you know, the studios, not only backing this idea, granted,
• 17:37
  Speaker 7: because he made them a ton of money the year before, but, Still,
• 17:40
  Speaker 7: it's like studios got behind him and let him do
• 17:42
  Speaker 7: his own thing. It's not a comic book movie. It's
• 17:45
  Speaker 7: not a sequel. It's not a remake of another terrible
• 17:48
  Speaker 7: horror movie.
• 17:49
  Speaker 5: It looks like it.
• 17:49
  Speaker 1: Would make my head hurt, and I don't know.
• 17:52
  Speaker 7: That's the other thing I have to give it credit for,
• 17:54
  Speaker 7: and it deserved, like, all the attention it got on
• 17:56
  Speaker 7: the technical end.
• 17:57
  Speaker 5: I mean, it won cinematography. I can't remember if it won.
• 17:59
  Speaker 7: Editing, but it deserves it for editing because editing is
• 18:03
  Speaker 7: amazing because it really does have, like, three or four
• 18:07
  Speaker 7: at times storylines sort of going simultaneously and it finds
• 18:11
  Speaker 7: a way to edit them together like amazingly well. Like
• 18:14
  Speaker 7: it really is not confusing. And something like that, I
• 18:18
  Speaker 7: was like going in knowing what it was about. I
• 18:20
  Speaker 7: was like, this is going to be such a muddled
• 18:22
  Speaker 7: mess that you're just... Most people, even if the people
• 18:26
  Speaker 7: who listen to us are probably a little more skilled
• 18:28
  Speaker 7: at paying attention to movies and watching.
• 18:30
  Speaker 1: Are they more sophisticated than us?
• 18:33
  Speaker 5: As film watchers, yes.
• 18:34
  Speaker 6: I'm sure not on all levels because they listen to us.
• 18:37
  Speaker 5: So obviously they have a guttural sense of humor based
• 18:40
  Speaker 5: on many of our comments.
• 18:42
  Speaker 1: It's called taste.
• 18:43
  Speaker 5: But I think just people who pay attention to movies more,
• 18:48
  Speaker 5: I can see maybe getting on board. But I was like,
• 18:49
  Speaker 5: this made a ton of money.
• 18:51
  Speaker 7: This did good across the board with even mainstream people.
• 18:54
  Speaker 7: So how is it that they followed this story? And
• 18:57
  Speaker 7: now watching it, I'm like, it's because they... Again, writing-wise,
• 19:01
  Speaker 7: it found a way to... Explain it without totally beating
• 19:06
  Speaker 7: you over the head with the rules. Granted, I know
• 19:08
  Speaker 7: it's gotten called out for making all these rules and
• 19:10
  Speaker 7: then breaking them midway through. That's an issue that I
• 19:12
  Speaker 7: didn't have as much problem with going in. I think
• 19:15
  Speaker 7: more impressively is that once you get to that last
• 19:17
  Speaker 7: half of the movie, it finds a way to keep
• 19:19
  Speaker 7: it from getting massively confusing. It's... It just keeps everything straight.
• 19:23
  Speaker 7: It edits it and sets everything up so that it's
• 19:26
  Speaker 7: not overall... I mean, granted, it's still a lot of crazy,
• 19:29
  Speaker 7: heady thinking involved if you want to, but... I don't
• 19:32
  Speaker 7: like one of their things.
• 19:33
  Speaker 6: That's what I figured. So, if you don't want to
• 19:35
  Speaker 6: do that, you can kind of just watch it.
• 19:36
  Speaker 1: I like my brainless fun.
• 19:37
  Speaker 7: And watch the basic little stories and follow those and
• 19:41
  Speaker 7: not think about it too much.
• 19:42
  Speaker 1: Is DiCaprio tolerable in this movie?
• 19:44
  Speaker 5: Again, I think I liked him better. Maybe he's coming
• 19:47
  Speaker 5: into his own.
• 19:48
  Speaker 12: I don't know.
• 19:48
  Speaker 8: He's finally fitting into his big old head. He's got
• 19:50
  Speaker 8: a big old swollen ass head.
• 19:51
  Speaker 6: He still kind of looks like a kid. Actually, Joseph
• 19:53
  Speaker 6: Gordon-Levitt is awesome.
• 19:54
  Speaker 11: Oh, he's adorable.
• 19:55
  Speaker 1: I love him.
• 19:55
  Speaker 7: He almost doesn't have enough screen time is my complaint.
• 19:58
  Speaker 7: It's like tons of Leo, but I'm just like, man,
• 20:01
  Speaker 7: he's just so good in that. And he actually is
• 20:03
  Speaker 7: starting to look a little... Again, they're both wearing grown-up
• 20:07
  Speaker 7: clothes the whole time, so... I didn't have much faith in.
• 20:09
  Speaker 1: Him when he was about to do third rock from
• 20:10
  Speaker 1: the song he was on.
• 20:11
  Speaker 6: Well, I did, but he was good at that. I
• 20:13
  Speaker 6: was afraid he was never.
• 20:14
  Speaker 1: Goofy looking kid.
• 20:15
  Speaker 7: I figured he was never going to be anything but
• 20:17
  Speaker 7: that long haired, goofy looking kid. And he was just,
• 20:20
  Speaker 7: I mean, he was so good at delivering those lines
• 20:21
  Speaker 7: that I was afraid that was all he was ever
• 20:23
  Speaker 7: going to do.
• 20:23
  Speaker 6: So I'm, again, impressed that he's broken out of that.
• 20:26
  Speaker 6: He is one hell of a singer.
• 20:28
  Speaker 7: He's now turning in amazing performances in all these movies.
• 20:35
  Speaker 7: There's a reason they keep giving him all these properties
• 20:37
  Speaker 7: in the last couple of years. It's because he's freaking talented.
• 20:41
  Speaker 7: It's worth watching it for him.
• 20:42
  Speaker 5: But yeah, just direction-wise and editing and writing, it's all impressive.
• 20:48
  Speaker 7: Granted, I realize a lot of people still have issues
• 20:49
  Speaker 7: with it. I'm not going to say it's my favorite
• 20:51
  Speaker 7: movie ever, but it's an impressive movie.
• 20:53
  Speaker 6: I think it kind of did deserve.
• 20:56
  Speaker 7: to be up there with, with the big movies of
• 20:58
  Speaker 7: last year, especially, you know, it got sort of snubbed
• 21:01
  Speaker 7: on everything at the Oscars because people acted like it
• 21:03
  Speaker 7: was just a big dumb action type movie, which it's
• 21:07
  Speaker 7: not that much action really.
• 21:09
  Speaker 1: It's so, I quit listening. I'm still picturing him singing.
• 21:13
  Speaker 1: You make me feel like a natural.
• 21:14
  Speaker 6: Woman, whatever it takes for you to get through the day.
• 21:19
  Speaker 11: Yeah, that's it.
• 21:20
  Speaker 1: All right.
• 21:21
  Speaker 6: So yeah, that was about all I've watched this week. So, um,
• 21:24
  Speaker 6: What have you been up to?
• 21:25
  Speaker 8: Not a goddamn thing.
• 21:27
  Speaker 1: I watched a boyfriend spend hours upon hours of playing Castlevania,
• 21:31
  Speaker 1: which is fucking awesome.
• 21:33
  Speaker 6: He's obsessed with this now, isn't he?
• 21:34
  Speaker 1: Dude, for serious. If he hadn't had to have been
• 21:37
  Speaker 1: at work at like 5 o'clock this morning, he probably
• 21:39
  Speaker 1: would have been up all night last night. I'm sure
• 21:40
  Speaker 1: that's what he'll probably do tonight.
• 21:41
  Speaker 9: Nice.
• 21:42
  Speaker 1: But, yeah, we watched The Lost Boys, which me, him,
• 21:47
  Speaker 1: and the kid watched The Lost Boys because she'd never
• 21:49
  Speaker 1: seen it, and I don't really think she gave her access.
• 21:51
  Speaker 5: You got to pass these classics on to that next generation.
• 21:54
  Speaker 1: I don't think she cared. I think she would have,
• 21:56
  Speaker 1: you know, she was like, I like Monster School.
• 21:59
  Speaker 6: Okay, that's fun, too. But I'm a little, I've always
• 22:02
  Speaker 6: been a little more partial to the Lost Boys.
• 22:04
  Speaker 1: It's fucking awesome. It's probably still one of my favorite
• 22:06
  Speaker 1: movies of all time, but I don't care what anybody says.
• 22:08
  Speaker 6: Because it kicks ass.
• 22:09
  Speaker 11: It really is.
• 22:09
  Speaker 6: It's fucking awesome. It's just damn entertaining, and it's fun
• 22:13
  Speaker 6: as a horror movie.
• 22:15
  Speaker 1: And got the hottest damn vampires. I mean, Kiefer Sutherland,
• 22:17
  Speaker 1: I don't give a shit about him now. He's kind
• 22:18
  Speaker 1: of weird looking, but goddamn, he was handsome in that movie.
• 22:21
  Speaker 6: Alex Winter.
• 22:22
  Speaker 1: He was the only un-hot vampire in that movie.
• 22:25
  Speaker 7: Well, if it helps to him, you know, because he's
• 22:28
  Speaker 7: kind of awesome now, and the other ones got old
• 22:31
  Speaker 7: and are not hot anymore.
• 22:32
  Speaker 1: And his mullet in that movie, that fucking curly mullet,
• 22:35
  Speaker 1: that's the worst fucking hair I've ever seen.
• 22:37
  Speaker 6: Yeah, mullets are bad, but curly mullets are the worst.
• 22:40
  Speaker 1: That was horrible. But yeah, the other guys, I don't
• 22:43
  Speaker 1: know their names because.
• 22:44
  Speaker 6: They're all pretty boys. You know one, Billy Worth?
• 22:46
  Speaker 1: Yeah, he's a dark hair one. Yeah. And the other
• 22:48
  Speaker 1: one's something, something, something.
• 22:50
  Speaker 6: The blonde dude.
• 22:51
  Speaker 12: Yeah.
• 22:51
  Speaker 1: Brooke McC... Not Brooke McC... I don't know. Dude, he's hot.
• 22:56
  Speaker 1: But yeah, the dark hair guy was fucking hot.
• 22:58
  Speaker 6: But now they just got old, and old guys aren't
• 23:00
  Speaker 6: hot anymore.
• 23:00
  Speaker 1: Yeah, not so much.
• 23:02
  Speaker 6: Alex Winter, you're awesomer. So there, take that.
• 23:04
  Speaker 9: Yeah.
• 23:05
  Speaker 1: But then... Because when they put the Lost Boys, the first,
• 23:10
  Speaker 1: which I think is the third movie... I told boyfriend
• 23:13
  Speaker 1: that I wanted to watch it. You know, he's like, okay, well,
• 23:16
  Speaker 1: I watched the second one first.
• 23:17
  Speaker 8: Cause I haven't watched the tribe.
• 23:19
  Speaker 6: You don't want to be lost.
• 23:20
  Speaker 1: Yeah.
• 23:21
  Speaker 6: You know, complicated plot.
• 23:22
  Speaker 1: Yeah. I was like, dude, it's going to be, it's horrible.
• 23:25
  Speaker 1: As I watched it before. It's, it's, it's fucking bad.
• 23:29
  Speaker 1: So we got maybe 20 minutes into it, and I
• 23:31
  Speaker 1: looked over, and he has just this look of dumbfounded,
• 23:34
  Speaker 1: just fucking boredom. I was like, can we turn this
• 23:37
  Speaker 1: off so we can play some Castlevania? He's like, yes,
• 23:40
  Speaker 1: for the love of God, please turn this off. So yeah,
• 23:42
  Speaker 1: we got about 20 minutes in. He hadn't even gotten
• 23:45
  Speaker 1: to the Felden part of it yet, and he was
• 23:47
  Speaker 1: ready to turn this shit off.
• 23:48
  Speaker 6: That's further than I've gotten so far. I haven't even attempted.
• 23:50
  Speaker 7: I kind of want to, I feel like, just as
• 23:52
  Speaker 7: a geek, as a horror fan, I'm going to have
• 23:55
  Speaker 7: to watch them just to cross them off the list, but.
• 23:58
  Speaker 6: I know they're going.
• 23:58
  Speaker 5: To be bad.
• 23:59
  Speaker 1: He got through the Tom Savini part of the movie,
• 24:01
  Speaker 1: and that's pretty much it.
• 24:05
  Speaker 5: Well, that's all he wanted.
• 24:06
  Speaker 6: He loves him some Tom Savini.
• 24:07
  Speaker 8: He loves him some Feldman, too, and he didn't even
• 24:09
  Speaker 8: get to the Feldman part, you know.
• 24:11
  Speaker 1: And Feldman is just atrocious in this movie because he
• 24:13
  Speaker 1: talks like he knows what's going on.
• 24:15
  Speaker 5: Well, he kind of did that in the first one, too.
• 24:17
  Speaker 1: This is horrible erg. Wow. This is horrible.
• 24:20
  Speaker 8: It's horrendous. It's just, it's laughable is what it is.
• 24:23
  Speaker 1: It's regot damn diculous.
• 24:25
  Speaker 6: Is he going to grab him and shake him when
• 24:26
  Speaker 6: he sees him next time?
• 24:27
  Speaker 1: Maybe.
• 24:28
  Speaker 6: That's only like a couple weeks off.
• 24:29
  Speaker 1: No, he's pretty excited about seeing Feldman though.
• 24:31
  Speaker 5: I told you. I'm putting him in charge of talking
• 24:33
  Speaker 5: to Feldman. He's going to hang in the mic and
• 24:35
  Speaker 5: be like, go have some Feldman time.
• 24:37
  Speaker 1: He'll only want to talk about his favorite Feldman movie
• 24:39
  Speaker 1: and that's all it'll be. It'll just be an hour
• 24:40
  Speaker 1: long discussion on the burbs.
• 24:42
  Speaker 7: I'm fine with that actually. We already did one of
• 24:45
  Speaker 7: those but we can return to it. We can get
• 24:46
  Speaker 7: Feldman's take on the burbs so. That's one of his
• 24:51
  Speaker 7: more entertaining performances in his life, as far as I'm concerned.
• 24:54
  Speaker 1: I never gave a rat's ass about Feldman. I was
• 24:56
  Speaker 1: always a Haim fan.
• 24:57
  Speaker 5: It was good for me.
• 24:59
  Speaker 6: I was never, you know, that big either way.
• 25:01
  Speaker 7: But, yeah, if I was going to pick one, I think,
• 25:04
  Speaker 7: you know, you had more promise with young Haim. Even
• 25:07
  Speaker 7: young Feldman was kind of cheesy and pretty over. I mean,
• 25:10
  Speaker 7: he's in some good movies when he's young.
• 25:13
  Speaker 1: The best Feldman movies, to me, still stand by me.
• 25:17
  Speaker 5: It's a good movie.
• 25:18
  Speaker 7: And he's not overwhelmingly Feldman-y. But, I mean, some of
• 25:22
  Speaker 7: the other ones he gets cheesy. Well, he definitely, as
• 25:24
  Speaker 7: he gets older, gets cheesier. But that's a pretty decent performance,
• 25:27
  Speaker 7: and it's very reined in. Again, maybe Rob Reiner kind
• 25:30
  Speaker 7: of kept him under control.
• 25:31
  Speaker 1: I think it's his mouth that bothers me the most.
• 25:33
  Speaker 1: He has no lips. I don't like lipless dudes. It's weird.
• 25:37
  Speaker 1: He's like a lizard. Oh, God. He does. Is that
• 25:41
  Speaker 1: going to offend our lizard listeners?
• 25:43
  Speaker 6: Oh, sorry, lizards. There goes our Geico commercials. We've totally
• 25:50
  Speaker 6: lost our geico.
• 25:52
  Speaker 1: My brain's dead. The green thing from Star Trek. You know.
• 26:00
  Speaker 1: I should know what it's called.
• 26:01
  Speaker 7: I don't remember what it's called. Randy's going to call
• 26:03
  Speaker 7: you out for not knowing that you know.
• 26:06
  Speaker 1: Damn you, Brandy.
• 26:07
  Speaker 5: Yeah, because we saw that guy, actually. He was in
• 26:12
  Speaker 5: Chicago last year.
• 26:13
  Speaker 1: It's like right in my head. I can picture it.
• 26:14
  Speaker 8: I know what the hell it's called.
• 26:16
  Speaker 1: Like a gorn or something.
• 26:18
  Speaker 6: I guess it's just gorn.
• 26:20
  Speaker 8: Did I get it right?
• 26:21
  Speaker 6: I don't know.
• 26:22
  Speaker 13: Huh?
• 26:23
  Speaker 14: I don't know.
• 26:23
  Speaker 5: What did you say?
• 26:24
  Speaker 6: I said gorn.
• 26:25
  Speaker 5: Okay, it says gorn green lizard alien.
• 26:27
  Speaker 13: Oh, hell yeah.
• 26:28
  Speaker 1: I got that shit right.
• 26:29
  Speaker 5: Whatever.
• 26:29
  Speaker 8: I'm awesome.
• 26:30
  Speaker 1: Whatever.
• 26:31
  Speaker 7: So, if there's any gorn-like creatures out there listening, you know.
• 26:35
  Speaker 7: She's totally comfortable.
• 26:36
  Speaker 1: Are we transmitting into space? Is that what we're doing?
• 26:38
  Speaker 6: I believe so.
• 26:39
  Speaker 1: Awesome.
• 26:40
  Speaker 8: But yeah, Feldman always.
• 26:41
  Speaker 1: Rubbed me the wrong way and not in a good way.
• 26:42
  Speaker 1: He just creeped me.
• 26:44
  Speaker 6: Haim rubs you in a good way.
• 26:46
  Speaker 1: Yes. I love, I've always been, I love me some Haim.
• 26:50
  Speaker 1: And Jay's like, so are you going to show Feldman
• 26:52
  Speaker 1: your Haim tattoo? And I'm like, nope.
• 26:55
  Speaker 6: You should, and then point and laugh at him.
• 26:57
  Speaker 1: Be like, you know what? Screw you guys. You are
• 27:00
  Speaker 1: nowhere on me. Haim's right there. Ha ha.
• 27:03
  Speaker 6: Yeah, I think you should, actually. Just to taunt him.
• 27:08
  Speaker 1: He's got a Haim tattoo, but it's nowhere near as
• 27:10
  Speaker 1: cool as mine. He's just got, like, a number 22 something,
• 27:13
  Speaker 1: or 222, or something that makes no fucking sense. Mine's
• 27:17
  Speaker 1: way more awesomer.
• 27:18
  Speaker 6: Many things he does fall on that cat car.
• 27:19
  Speaker 1: Jay's waiting for fake Feldman to be at the convention.
• 27:21
  Speaker 1: He wants to get a picture of him together.
• 27:22
  Speaker 5: It's gonna be so awesome.
• 27:23
  Speaker 1: It's gonna be, like, divided by zero. Like, the world's
• 27:25
  Speaker 1: gonna collapse on itself.
• 27:26
  Speaker 6: Hit very mild line, actually.
• 27:29
  Speaker 1: He saw him at the hill. There was another spotting.
• 27:30
  Speaker 8: He saw him in the neighborhood the other day walking through.
• 27:32
  Speaker 1: Jay was working on his motorcycle out in the driveway.
• 27:35
  Speaker 1: He was trying to call me.
• 27:36
  Speaker 6: He's like the Bigfoot of your neighborhood.
• 27:37
  Speaker 1: He is, dude.
• 27:39
  Speaker 8: He's our local Sasquatch.
• 27:40
  Speaker 6: Jay's going to have blurry 8mm footage.
• 27:43
  Speaker 1: He saw the picture. Did you see the picture?
• 27:46
  Speaker 7: I think he posted it, yeah. Once again, like Sasquatch,
• 27:49
  Speaker 7: you can't see what the hell it is.
• 27:51
  Speaker 1: He walked by the other day. Jay was trying to
• 27:53
  Speaker 1: call me. He couldn't get his phone out fast enough.
• 27:55
  Speaker 1: By the time he got his phone out, he was
• 27:56
  Speaker 1: already gone. I'm like, dude, why don't you just fucking
• 27:59
  Speaker 1: talk to him? He's like, dude, come here.
• 28:01
  Speaker 6: Just give him a flyer for horn. You're like, dude,
• 28:03
  Speaker 6: you have to be there.
• 28:04
  Speaker 1: I'm like, this time he was wearing his hat and
• 28:07
  Speaker 1: a letterman's jacket, which I'm not sure which era of
• 28:09
  Speaker 1: Feldman that would have been.
• 28:11
  Speaker 7: Well, that's more of like an early part of Thriller
• 28:14
  Speaker 7: for Michael since he's ripping off Michael. That's what he's
• 28:17
  Speaker 7: wearing in the opening part of Thriller, isn't it?
• 28:19
  Speaker 1: Yeah, I've only seen this guy once. I'm beginning to think,
• 28:21
  Speaker 1: you know, that maybe Jay just got this weird thing
• 28:23
  Speaker 1: in his head. I don't know. I've only seen him
• 28:25
  Speaker 1: once and I saw him in a Target and I'm like,
• 28:27
  Speaker 1: I think it's when we saw.
• 28:28
  Speaker 8: Him in his full-on outfit. We saw him, like, the
• 28:31
  Speaker 8: whole outfit. We saw him. We could walk right past him.
• 28:33
  Speaker 8: We followed him around Target. I think I went to
• 28:35
  Speaker 8: the toy department. And through every other department.
• 28:38
  Speaker 1: I don't know why we didn't.
• 28:39
  Speaker 8: Get a picture then. So I think it's become, like,
• 28:41
  Speaker 8: an obsession with Jay.
• 28:42
  Speaker 5: It really has, actually.
• 28:44
  Speaker 1: I'm wondering if he's just making it up.
• 28:46
  Speaker 8: If I hadn't seen, like, a blurry picture, which.
• 28:48
  Speaker 6: Doesn't put him in anybody for all I know. Once again,
• 28:50
  Speaker 6: this could be a hoax.
• 28:51
  Speaker 8: I'm beginning to wonder.
• 28:52
  Speaker 5: He's the new.
• 28:54
  Speaker 8: It's a figment of Jay's imagination.
• 28:56
  Speaker 6: He's the new cryptid that's thrown into our mix here.
• 28:58
  Speaker 8: It's like he's Fred or something.
• 29:02
  Speaker 6: Hold on, drop dead Fred, our imaginary friend. I was like,
• 29:04
  Speaker 6: our occasional co-host?
• 29:06
  Speaker 8: No, drop dead Fred, our imaginary friend.
• 29:09
  Speaker 1: Except for him to be Jason's imaginary friend, they might
• 29:12
  Speaker 1: actually have to talk or something.
• 29:14
  Speaker 6: Maybe he does talk to you. Maybe he just doesn't
• 29:17
  Speaker 6: tell you that part.
• 29:19
  Speaker 8: Maybe he keeps him locked in the garage. That's why
• 29:22
  Speaker 8: I don't ever go out there.
• 29:24
  Speaker 5: Could be.
• 29:25
  Speaker 8: Alright, what else?
• 29:26
  Speaker 1: I didn't do anything. I bought some pop-up books used,
• 29:32
  Speaker 1: which means I had to spend a lot of time
• 29:33
  Speaker 1: fixing pop-up books. Motherfuckers don't try to fix pop-up books
• 29:38
  Speaker 1: by taping them down to the goddamn page that's not
• 29:40
  Speaker 1: gonna fix a fucking pop-up book and it's going to
• 29:43
  Speaker 1: make it worse moron so I bought my book it's
• 29:47
  Speaker 1: movies I forget what the exact title of it but
• 29:49
  Speaker 1: it's got different pages for movies and I get to
• 29:51
  Speaker 1: the page this is the Casablanca page and I fold
• 29:53
  Speaker 1: it up and everything pops up except for the piano
• 29:56
  Speaker 1: player and his piano which is taped to the fucking.
• 29:59
  Speaker 6: Page believe that would be Sam.
• 30:01
  Speaker 1: Anyways, I had to get some tape and some super
• 30:04
  Speaker 1: glue and I had to fix that shit. I do
• 30:05
  Speaker 1: not like broke-ass pop-up books. That's the second one that
• 30:09
  Speaker 1: I bought that I had to... That's the third one
• 30:11
  Speaker 1: that I bought that I had to fucking fix. My
• 30:13
  Speaker 1: Star Trek one, I had to fix that shit. I
• 30:15
  Speaker 1: bought my Hitchcock one, which was fucking new. I shouldn't
• 30:18
  Speaker 1: have had to fucking fix that shit. People will fucking
• 30:22
  Speaker 1: abuse their pop-up books. There's something wrong with America. You
• 30:25
  Speaker 1: can't take care of a goddamn pop-up book. What?
• 30:28
  Speaker 11: What?
• 30:29
  Speaker 5: Jay's not here this week, so your rant is, what's
• 30:32
  Speaker 5: wrong with the world?
• 30:34
  Speaker 8: People that abuse pop-up books. Fuckers. If anybody out there
• 30:38
  Speaker 8: has any.
• 30:38
  Speaker 1: Suggestions for good pop-up books, I'm looking for some awesome ones.
• 30:42
  Speaker 6: Misty's Pop-Up Book Club.
• 30:43
  Speaker 1: I'm telling you. First one I remember having was my
• 30:46
  Speaker 1: pop-up book of nightmares, which is fucking awesome.
• 30:48
  Speaker 8: I need the phobias. I don't have the phobia one yet.
• 30:51
  Speaker 6: I have a fold-out book of skeletons.
• 30:54
  Speaker 8: I forget which ones I have.
• 30:55
  Speaker 1: I have some of the Nightmare ones, but I don't
• 30:56
  Speaker 1: remember what they were. But they're fucking on some skeletons,
• 30:59
  Speaker 1: and there's a monster. I don't have the Mommy one either.
• 31:00
  Speaker 1: That one's pretty awesome. I want the Mommy one. You
• 31:03
  Speaker 1: know what I'm talking about?
• 31:04
  Speaker 8: There's Dracula, and there's Frankenstein. It's fucking awesome.
• 31:07
  Speaker 1: That's all they did, I think. All right. That's all
• 31:11
  Speaker 1: the new Conan the Barbarian trailer. It looks fucking stupid.
• 31:14
  Speaker 5: I think I'm glad I haven't seen it, but now
• 31:16
  Speaker 5: I'm going to have to watch it.
• 31:17
  Speaker 1: I'm retarded.
• 31:18
  Speaker 7: Everything we heard about it last year made it sound
• 31:20
  Speaker 7: worse and worse as it went on.
• 31:22
  Speaker 8: This ain't helping.
• 31:23
  Speaker 6: Yeah, I'm not surprised. It looks really bad.
• 31:26
  Speaker 7: So, if nothing else, we can use this as a
• 31:30
  Speaker 7: good time to tell people about a new development with
• 31:32
  Speaker 7: the show.
• 31:33
  Speaker 5: We are now.
• 31:33
  Speaker 8: What about pop-ups?
• 31:35
  Speaker 6: I don't know. Do you have, like, audio pop-ups?
• 31:37
  Speaker 1: That would be awesome.
• 31:40
  Speaker 6: That popped into your ears.
• 31:41
  Speaker 1: That might hurt.
• 31:43
  Speaker 6: Probably.
• 31:44
  Speaker 5: So don't do that. But instead, we are now sponsored
• 31:48
  Speaker 5: by Tweaked Audio.
• 31:50
  Speaker 8: Hell yeah!
• 31:51
  Speaker 7: And we've now got a nice, cool little setup going
• 31:55
  Speaker 7: with them. And we not only are going to tell
• 31:58
  Speaker 7: you about Tweaked Audio, but we can actually give you.
• 32:00
  Speaker 5: A special deal because you're Movie Meltdown listeners.
• 32:04
  Speaker 1: I like deals. He'll jail.
• 32:05
  Speaker 7: So, I mean, this is just sort of the basic kickoff.
• 32:07
  Speaker 7: We'll continue to pass the word as we go on.
• 32:10
  Speaker 7: But just their rundown, you know, go to tweakedaudio.com. They
• 32:15
  Speaker 7: have at least three different styles. They're varying colors. And yeah,
• 32:21
  Speaker 7: it's actually I mean, looking at them, the quality on
• 32:25
  Speaker 7: them is I'm still getting mine.
• 32:27
  Speaker 6: I just kind of came across them and we set
• 32:29
  Speaker 6: this up. So I'm getting my pair as we speak.
• 32:31
  Speaker 5: But it's just like the price wise is about the
• 32:36
  Speaker 5: same as what I bought at cheesy stores over the years.
• 32:38
  Speaker 5: And certainly once you use the discount, it will be.
• 32:42
  Speaker 5: And just quality-wise, it's, you know, supposedly a lot better.
• 32:46
  Speaker 7: It comes with a warranty, which good luck getting that
• 32:49
  Speaker 7: for most of the crappy ones that I just threw
• 32:50
  Speaker 7: away on a regular basis.
• 32:53
  Speaker 6: And, yeah, if nothing else, free shipping around the world.
• 32:56
  Speaker 5: I love free shipping.
• 32:58
  Speaker 7: And, you know, even to our friends in other countries
• 33:00
  Speaker 7: who are going through horrible, horrible situations.
• 33:03
  Speaker 5: Free shipping. So, I mean, can that brighten your day?
• 33:06
  Speaker 12: Anyways.
• 33:07
  Speaker 7: So, yeah, if nothing else, we do have a new
• 33:10
  Speaker 7: setup going with them now. So go to tweakedaudio.com, and
• 33:14
  Speaker 7: if you enter in the special code, we have our
• 33:17
  Speaker 7: own code. So when it asks you for the discount code,
• 33:20
  Speaker 7: put Meltdown.
• 33:22
  Speaker 1: Oh, hell yeah. We are so fucking awesome.
• 33:24
  Speaker 5: You will get a 33% discount. Oh, hell yeah.
• 33:28
  Speaker 7: Knocking a third off of the price of these just
• 33:30
  Speaker 7: because you are an awesome movie meltdown listener.
• 33:32
  Speaker 1: Are you spitting numerologies at me?
• 33:34
  Speaker 5: Yes, I am.
• 33:34
  Speaker 7: I have numbers and shit.
• 33:38
  Speaker 5: Yep, 33% off. So, I mean, the more I thought
• 33:41
  Speaker 5: about it, I mean, I threw it out there to
• 33:43
  Speaker 5: them and was talking to them about it, and I
• 33:44
  Speaker 5: was like, is there any better tie-in for a podcast?
• 33:48
  Speaker 6: I mean, short of the player itself, it's like, what
• 33:50
  Speaker 6: else do you use?
• 33:52
  Speaker 5: And in my case, I'm assuming you guys go through
• 33:54
  Speaker 5: the same thing, I end up buying them.
• 33:56
  Speaker 6: Pretty regularly because they're usually crappy and I don't. The
• 34:01
  Speaker 6: ones that you get at the stores are kind of cheap.
• 34:03
  Speaker 7: And so as often as I go through them, it
• 34:06
  Speaker 7: would be nice to have a good pair and, you know,
• 34:08
  Speaker 7: not have that issue.
• 34:09
  Speaker 1: So hopefully you won't have that problem with our sponsor's
• 34:12
  Speaker 1: product and it will be awesome and last you forever.
• 34:15
  Speaker 5: Oh, you'll find out when you go to tweakedaudio.com.
• 34:18
  Speaker 1: Tweet. Tweet.
• 34:21
  Speaker 7: So, yep, go to Tweaked Audio, enter the discount code Meltdown,
• 34:24
  Speaker 7: and get a third off of the price and free shipping.
• 34:27
  Speaker 1: You can't beat that with a goddamn stick.
• 34:29
  Speaker 5: That's what I'm saying.
• 34:30
  Speaker 6: All right, on that little advertisement, we'll take our.
• 34:32
  Speaker 1: Tweaked is fun to say.
• 34:35
  Speaker 6: It is pretty fun to say. Go ahead, one more time.
• 34:37
  Speaker 1: Tweaked. Tweaked, tweaked.
• 34:40
  Speaker 6: Say that to yourself as you're ordering your pair.
• 34:43
  Speaker 7: So, we will take a break and be back with
• 34:46
  Speaker 7: the first stage here in our little special tribute this week.
• 34:51
  Speaker 1: I don't know. This has already stretched out kind of
• 34:52
  Speaker 1: long enough to be almost a whole episode.
• 34:53
  Speaker 6: Yeah, it kind of is.
• 34:55
  Speaker 8: I ramble and rant about pop-up books.
• 34:58
  Speaker 1: Still, I'm serious. If anybody has any suggestions, I want
• 35:00
  Speaker 1: to know of good pop-up books because I'm fucking running
• 35:02
  Speaker 1: into a wall. I'm going to watch a fucking kiddie-fat shit.
• 35:05
  Speaker 1: I want something fucking awesome. I don't want the pop-up
• 35:07
  Speaker 1: book of sex because that just seems kind of creepy.
• 35:09
  Speaker 6: It's out there.
• 35:10
  Speaker 11: No, really, dude.
• 35:11
  Speaker 1: It's out there. I've seen pictures. Yikes. I don't want
• 35:14
  Speaker 1: that shit coming at me in 3D.
• 35:17
  Speaker 5: That's what the real world's for.
• 35:18
  Speaker 8: That's what she's for.
• 35:20
  Speaker 1: It's pretty bad to do my own that's what she
• 35:21
  Speaker 1: said once but whatever there's nobody else here and if
• 35:23
  Speaker 1: I can do it Marlena would have.
• 35:25
  Speaker 7: Said it yes she probably somewhere right now just said
• 35:27
  Speaker 7: it anyway about god knows what Marlena.
• 35:29
  Speaker 1: Should have been too busy texting on her phone and
• 35:31
  Speaker 1: noticed I said it.
• 35:34
  Speaker 5: Hello, little red riding hood. I heard about you, and
• 35:39
  Speaker 5: it's all been good. I want to meet you, so I'm.
• 35:41
  Speaker 15: Standing at your door. I better knock until my knuckles
• 35:45
  Speaker 15: are sore.
• 35:46
  Speaker 5: Baby, let me in.
• 35:47
  Speaker 15: I want to be your friend. Bang, bang, biddly-bang, baby,
• 35:50
  Speaker 15: let me in. I better talk into the three little pigs.
• 35:56
  Speaker 15: I heard they saw your man and flipped their wings.
• 35:59
  Speaker 15: Said you're the swinginest, and that's no lie. I dig you, baby,
• 36:03
  Speaker 15: for for you I got a Please replace the speaker
• 36:06
  Speaker 15: on its rack when you're ready to leave. Failure to
• 36:09
  Speaker 15: do so will damage.
• 36:11
  Speaker 5: Both the speaker and your car.
• 36:13
  Speaker 15: We'll be grateful and so will the patrons who follow you.
• 36:38
  Speaker 3: A family pet. A bedtime story. The familiar landscape of childhood.
• 36:45
  Speaker 1: You have to come out sometime.
• 36:46
  Speaker 11: You can't sulk in there forever.
• 36:54
  Speaker 3: Where witches and wolves are the forces of evil. Where
• 36:58
  Speaker 3: good will triumph and all will end happily.
• 37:01
  Speaker 1: Your granny spoils you. She makes you think you're something special.
• 37:05
  Speaker 1: That red show.
• 37:06
  Speaker 3: But this is no fairy tale. This is where legend
• 37:15
  Speaker 3: ends and survival begins. Where the dreams of childhood hold
• 37:19
  Speaker 3: no promise of a happy ending.
• 37:21
  Speaker 11: Big eyes you have.
• 37:23
  Speaker 1: The worst kind of wolves are hairy on the inside.
• 37:27
  Speaker 11: And when they bite you, they drag you with them
• 37:29
  Speaker 11: to hell.
• 37:38
  Speaker 5: When I killed it, it was a wolf.
• 37:40
  Speaker 1: And then before my very eyes....
• 37:47
  Speaker 3: Neither child nor adult.
• 37:48
  Speaker 1: Wolf nor human.
• 37:51
  Speaker 3: This is the twilight world, which lies between the pages
• 37:55
  Speaker 3: of any fairy tale.
• 37:56
  Speaker 11: My, what big arms do you have?
• 37:58
  Speaker 5: To deny it.
• 37:59
  Speaker 3: Is to kill the child that lives within us all.
• 38:02
  Speaker 3: To enter it. is to kill the dreams of childhood.
• 38:06
  Speaker 1: Jesus, what big teeth you have! No! Where did.
• 38:12
  Speaker 5: You hear a story like that?
• 38:14
  Speaker 11: Not a story, but God's honest truth. Granny told.
• 38:24
  Speaker 6: Me.
• 38:25
  Speaker 3: The company of wolves. They are all the company we keep,
• 38:29
  Speaker 3: even in our dreams.
• 38:36
  Speaker 11: But I have proof, and tonight I'm going to show
• 38:41
  Speaker 11: you something.
• 38:44
  Speaker 5: Make you believe. Hi, I'm Dee Wallace, and you're listening
• 38:55
  Speaker 5: to Movie Meltdown.
• 38:56
  Speaker 16: Movie Meltdown Wow.
• 39:02
  Speaker 11: What are you kids watching? The newsletters turned into a werewolf.
• 39:06
  Speaker 1: It's time for Sofa Theater.
• 39:12
  Speaker 3: Once there was a girl who went to take some
• 39:14
  Speaker 3: bread and milk to her granny.
• 39:19
  Speaker 1: Who's that I see walking in these woods?
• 39:25
  Speaker 5: Why is it a red riding hood?
• 39:32
  Speaker 12: Hey there little red riding hood You sure are looking.
• 39:39
  Speaker 17: Good Everything a big bad wolf could want Now listen to.
• 39:47
  Speaker 5: Me Are we ready? I'm ready and I'm not going
• 39:51
  Speaker 5: to be.
• 39:51
  Speaker 6: Me too.
• 39:54
  Speaker 5: All right, well. That was an experience.
• 39:57
  Speaker 7: Yeah, we just watched our feature. I guess this would
• 40:00
  Speaker 7: be the sofa theater feature. It's a short film, the
• 40:04
  Speaker 7: sofa theater feature.
• 40:05
  Speaker 6: But, yeah, we... Short?
• 40:07
  Speaker 1: Clocked in at, what, 11 minutes or so?
• 40:09
  Speaker 6: It's a little over 11 minutes, but... 11.
• 40:12
  Speaker 1: Minutes of what the fuck just happened?
• 40:14
  Speaker 5: We'll get to that.
• 40:15
  Speaker 7: For a long time now, and I guess I've been
• 40:18
  Speaker 7: slightly obsessed with the little red theme over the years.
• 40:22
  Speaker 7: I'd say it definitely kicked off with Freeway.
• 40:25
  Speaker 1: It was fucking awesome.
• 40:26
  Speaker 7: And I think we both watched Freeway together. We both
• 40:30
  Speaker 7: were really sold on that one. If there's any reason
• 40:34
  Speaker 7: we both liked Reese for a couple years there, it's
• 40:36
  Speaker 7: because she's so fucking awesome.
• 40:38
  Speaker 1: You shot a whole bunch of times.
• 40:39
  Speaker 6: She's awesome in that movie. So that sort of kicked
• 40:43
  Speaker 6: off a weird fascination.
• 40:44
  Speaker 7: And then since then, I've been watching all these, like,
• 40:47
  Speaker 7: you can almost trace it going through other movies. And
• 40:50
  Speaker 7: the Little Red Riding Hood theme is just a weird
• 40:53
  Speaker 7: thing that keeps popping up. And now, you know, so
• 40:56
  Speaker 7: I've wanted to track down a lot of different versions
• 40:59
  Speaker 7: of it and just sort of look at them all.
• 41:01
  Speaker 7: So I thought it would be an interesting series to
• 41:04
  Speaker 7: go through here. Our Little Red series that just kind
• 41:07
  Speaker 7: of looks at all the different Little Red Riding Hood movies.
• 41:10
  Speaker 7: variations and adaptions and all this stuff.
• 41:13
  Speaker 1: And I found this one.
• 41:15
  Speaker 7: Yeah, this was one that did, you know, the new
• 41:17
  Speaker 7: movie coming out, it sort of put it back on
• 41:20
  Speaker 7: the list of stuff I wanted to do.
• 41:21
  Speaker 5: But then Misty, this past week, brought up this film
• 41:26
  Speaker 5: that she had heard of.
• 41:27
  Speaker 7: And I don't think I'd heard of it. So I thought, okay, well,
• 41:31
  Speaker 7: let's see if we can track it down. So this
• 41:34
  Speaker 7: week's short film stuff we need to feature is.
• 41:37
  Speaker 6: Is it 1997 movie?
• 41:39
  Speaker 5: It is just entitled Little Red Riding Hood.
• 41:42
  Speaker 7: It is 1997. The director is David Kaplan, also the
• 41:47
  Speaker 7: writer on this one, so now we.
• 41:48
  Speaker 6: Know who to blame.
• 41:51
  Speaker 5: Spoiler alert, go seek this out.
• 41:54
  Speaker 6: It's fucked up.
• 41:57
  Speaker 7: I feel like you need to see it to fully
• 42:00
  Speaker 7: appreciate what we're about to ruin, so full-on spoiler alert.
• 42:03
  Speaker 1: Mm-hmm.
• 42:05
  Speaker 5: All right.
• 42:06
  Speaker 7: The main reason I wanted to see it when she
• 42:08
  Speaker 7: told me about it, other than the Little Red theme,
• 42:10
  Speaker 7: was the fact that Little Red is played by Christina Ricci.
• 42:14
  Speaker 5: A 16-year-old Christina Ricci. A 16-year-old.
• 42:17
  Speaker 6: Wait, maybe I shouldn't say that in that fashion.
• 42:20
  Speaker 5: I can't help it.
• 42:21
  Speaker 6: Even at 16, she was hot.
• 42:22
  Speaker 1: And she got big old boobies.
• 42:24
  Speaker 5: Yeah, they kicked in early and quite hard. Because, you know,
• 42:27
  Speaker 5: you go back and look at, you know, Casper.
• 42:29
  Speaker 6: She's a normal girl.
• 42:30
  Speaker 5: Even the Addams Family stuff.
• 42:33
  Speaker 6: She's still a kid.
• 42:34
  Speaker 5: But, like, she hit 16.
• 42:36
  Speaker 12: Damn.
• 42:38
  Speaker 7: She became womanly very quickly. So, yeah, the plot, according
• 42:43
  Speaker 7: to this.
• 42:44
  Speaker 1: Is a.
• 42:45
  Speaker 5: There was a plot to this piece of shit? Well,
• 42:47
  Speaker 5: it doesn't even give a plot synopsis. It says, a
• 42:50
  Speaker 5: black comedy version of this classic tale. which I disagree
• 42:54
  Speaker 5: with on several levels. I will say it's a version
• 42:57
  Speaker 5: of the classic tale.
• 42:58
  Speaker 1: And it's black as in it's black and white.
• 43:00
  Speaker 6: Black as in the way, yeah, it's jacked up.
• 43:03
  Speaker 5: I don't know, whatever.
• 43:04
  Speaker 6: So, all right, where would you like to begin with this?
• 43:07
  Speaker 8: I don't even know where to fucking start. It's such
• 43:09
  Speaker 8: a big old mess.
• 43:10
  Speaker 1: Let's start with the wolf.
• 43:11
  Speaker 5: All right. The wolf.
• 43:12
  Speaker 1: His ballerina moves. He's like a fucking cast member.
• 43:17
  Speaker 5: Yeah, I did not.
• 43:18
  Speaker 7: Of all this stuff, granted, I didn't even watch the
• 43:20
  Speaker 7: trailer going into it. I just saw some stills from it,
• 43:23
  Speaker 7: and from that, I really wanted to see it because
• 43:25
  Speaker 7: it's shot in black and white. It's got Christina Ricci
• 43:28
  Speaker 7: in the outfit and doing the full little red thing, so.
• 43:33
  Speaker 5: I kind of took it a very different way. I
• 43:34
  Speaker 5: expected it to be.
• 43:35
  Speaker 7: You know, a cool indie short film and have like
• 43:39
  Speaker 7: really cool visuals and be like kind of creepy because
• 43:42
  Speaker 7: they're playing on the classic Little Red Story.
• 43:45
  Speaker 8: It was more what the fuck than creepy.
• 43:47
  Speaker 6: Yeah, it was a lot what the fuck.
• 43:49
  Speaker 1: I think it was like 11 minutes and I think
• 43:51
  Speaker 1: I said what the fuck like 12 times.
• 43:53
  Speaker 6: I think I just kind of.
• 43:54
  Speaker 1: Went what the fuck.
• 43:57
  Speaker 6: Yeah, there was a lot of just throwing my hands
• 43:59
  Speaker 6: over my eyes and Oh, the goat.
• 44:01
  Speaker 8: We forgot the goat.
• 44:02
  Speaker 5: Oh, yeah, we start off.
• 44:04
  Speaker 6: Our first image is Christina Ricci.
• 44:06
  Speaker 1: By the river.
• 44:07
  Speaker 5: And a goat.
• 44:08
  Speaker 11: And a goat.
• 44:09
  Speaker 1: Sometimes, not often, but sometimes. I like the idea of
• 44:12
  Speaker 1: a girl and a goat.
• 44:14
  Speaker 8: It's not like she's just sitting there petting a goat.
• 44:16
  Speaker 1: There's nothing going on with a goat.
• 44:18
  Speaker 5: Yeah, it doesn't get creepy.
• 44:19
  Speaker 1: There's nothing weird about the goat.
• 44:20
  Speaker 6: It doesn't get creepy in that way until a few
• 44:22
  Speaker 6: minutes later.
• 44:23
  Speaker 1: Yeah, I think it's even creepier.
• 44:25
  Speaker 6: It gets way creepier. So, yeah, you get the shot
• 44:28
  Speaker 6: of her with the goat.
• 44:29
  Speaker 5: And again, at this point, it's promising.
• 44:30
  Speaker 7: It's well shot visually. It's got cool black and white
• 44:35
  Speaker 7: action going on. It's Christina Ricci in the outfit. Everything's
• 44:38
  Speaker 7: good at that point.
• 44:39
  Speaker 8: And then you get the wolf.
• 44:40
  Speaker 6: Enter the wolf. Now, once again.
• 44:42
  Speaker 1: It manages to be even less manly than any character
• 44:45
  Speaker 1: in Twilight.
• 44:45
  Speaker 7: I expected it to be... Again, I didn't expect it
• 44:49
  Speaker 7: to even be an actor. I thought at best it
• 44:51
  Speaker 7: would be sort of like... either well i was hoping
• 44:54
  Speaker 7: like originally i think i thought more of like an
• 44:56
  Speaker 7: actual wolf and they were going to work in like
• 44:58
  Speaker 7: you know.
• 44:59
  Speaker 6: Maybe not make it so fairy tale.
• 45:01
  Speaker 7: Like but make it more of a realistic version and
• 45:04
  Speaker 7: then i thought maybe it would be more like costumed
• 45:06
  Speaker 7: you know more like a a special effects filled you
• 45:10
  Speaker 7: know sam winston version of the.
• 45:12
  Speaker 5: Wolf but no no no this is the most Swan
• 45:17
  Speaker 5: Lake version of a wolf.
• 45:18
  Speaker 1: He looks like a reject from fucking the Cats.
• 45:20
  Speaker 5: Kind of.
• 45:21
  Speaker 7: But, I mean, his moves are more Swan Lake. Like,
• 45:23
  Speaker 7: the whole thing takes on this very... Now, granted, the
• 45:26
  Speaker 7: wolf is played by.
• 45:28
  Speaker 5: Well, I'll go with.
• 45:29
  Speaker 7: My visual is we just made fun of this last week,
• 45:31
  Speaker 7: but I was like, what is that, Russell.
• 45:32
  Speaker 6: Brand playing the wolf?
• 45:35
  Speaker 5: He had that, like, dark Tiny Tim look that we
• 45:37
  Speaker 5: made fun of Russell Brand for having last week. That's
• 45:40
  Speaker 5: kind of what he looks like.
• 45:41
  Speaker 6: Only in a furry suit. If he wasn't wearing, like,
• 45:43
  Speaker 6: a bad suit. Ballerina.
• 45:45
  Speaker 1: I went out with a ballerina once. Once. He took
• 45:48
  Speaker 1: me to see Kenny Rogers.
• 45:51
  Speaker 6: This is a weird story all.
• 45:52
  Speaker 8: On its own.
• 45:54
  Speaker 1: I would not go see Kenny Rogers with the ballerina
• 45:57
  Speaker 1: wolf from this movie. He freaks me the fuck out.
• 45:59
  Speaker 6: Yeah, he really does.
• 46:00
  Speaker 1: And not in a good way. It's in a ugh
• 46:02
  Speaker 1: kind of way. Yes.
• 46:04
  Speaker 6: His name is Timber... Timber? Timbor... Bortek.
• 46:10
  Speaker 5: Bortesinkov. I'm going to take a wild guess that he's Russian.
• 46:17
  Speaker 5: Are you okay?
• 46:21
  Speaker 6: Are you turning into an animal.
• 46:22
  Speaker 1: Of some sort?
• 46:29
  Speaker 5: Here's a surprise. He's an international dancer.
• 46:31
  Speaker 1: What the hell are you saying?
• 46:33
  Speaker 5: Oh, yeah.
• 46:33
  Speaker 8: I wonder if he likes Kenny Rogers.
• 46:35
  Speaker 7: Once again, he began his career and education at the
• 46:39
  Speaker 7: Moldovan Opera House in the Burshkov Ballet.
• 46:43
  Speaker 6: Yeah, so I'd say a whole lot of Russian going
• 46:45
  Speaker 6: on in this guy.
• 46:46
  Speaker 1: Yeah, whatever. He's fucking weird.
• 46:47
  Speaker 6: He's pretty fucking weird.
• 46:49
  Speaker 5: And his filmography entails Little Red Riding Hood, and that's it.
• 46:55
  Speaker 5: So his career didn't pan out after this.
• 46:59
  Speaker 1: Oh, God. What else weird was there?
• 47:01
  Speaker 5: Only on film.
• 47:01
  Speaker 7: Maybe he is a phenomenal star on stage.
• 47:04
  Speaker 4: I don't know.
• 47:05
  Speaker 7: I'm not going to knock you as your stage performance.
• 47:07
  Speaker 7: Haven't seen it and don't really care to. But as
• 47:11
  Speaker 7: a film actor, let me just say, dude is creepy
• 47:15
  Speaker 7: in a bad way, and I don't understand why. It's
• 47:19
  Speaker 7: just a weird mixture. It's like I don't understand. Again,
• 47:21
  Speaker 7: I went in expecting a cool, creepy take on Little Red.
• 47:24
  Speaker 1: Me too. I'm sorry, dude.
• 47:26
  Speaker 5: And it doesn't... Well, no, I'm glad I've seen it.
• 47:28
  Speaker 7: Like, I wanted to see this, but I didn't expect
• 47:30
  Speaker 7: this because it doesn't match. Like, if the entire thing
• 47:33
  Speaker 7: was done as, like, a Swan Lake version of Little
• 47:36
  Speaker 7: Red Riding Hood, I think I'd be okay with that.
• 47:39
  Speaker 7: It probably wouldn't be, like, top of my list of
• 47:41
  Speaker 7: favorite versions, but.
• 47:42
  Speaker 5: What about just, like, with.
• 47:42
  Speaker 1: The creepy factor, which there was some creepy.
• 47:44
  Speaker 6: It's like one or the other.
• 47:45
  Speaker 7: It's like if it went with the cool, gothy, dark,
• 47:48
  Speaker 7: you know, black and white version of, you know, just
• 47:50
  Speaker 7: doing a creepy version of Little Red, that would be awesome. Or, again,
• 47:54
  Speaker 7: if they wanted to take it as an entire ballet
• 47:57
  Speaker 7: version of it, again, I'm sure that's out there. That's
• 47:59
  Speaker 7: not that unheard of for them to do that sort
• 48:01
  Speaker 7: of take on something.
• 48:02
  Speaker 1: Don't throw that shit together.
• 48:04
  Speaker 5: Yeah, you don't make a mashup out of it.
• 48:06
  Speaker 7: You don't take a weird indie film and jam in
• 48:09
  Speaker 7: ballet and then expect it to come out okay because
• 48:12
  Speaker 7: it doesn't.
• 48:13
  Speaker 1: Or a damn bit of sense because it doesn't.
• 48:15
  Speaker 7: So, I mean, that right off the bat, when you
• 48:17
  Speaker 7: get this two-minute intro of him like, swirling around and
• 48:21
  Speaker 7: doing flips and spinning in circles.
• 48:25
  Speaker 5: But this is just his introduction.
• 48:26
  Speaker 7: This is him, like when we, the reveal of the
• 48:28
  Speaker 7: wolf is him in a meadow dancing around and doing all.
• 48:32
  Speaker 6: These crazy moves.
• 48:33
  Speaker 7: And all of a sudden I'm already like, okay, this
• 48:35
  Speaker 7: movie's taking a weird turn. And then, I don't know,
• 48:40
  Speaker 7: do we want to get to anything before we get
• 48:42
  Speaker 7: to the house? I mean, then he just prances off
• 48:44
  Speaker 7: down a different... A lot of prancing. I mean, at
• 48:46
  Speaker 7: that point, it doesn't veer too far from the original story.
• 48:49
  Speaker 7: It's which path are you going to take, and he
• 48:51
  Speaker 7: takes the other one to get ahead of her and
• 48:53
  Speaker 7: get to grandmother's house first.
• 48:54
  Speaker 1: There's the path of pins and the path of needles,
• 48:55
  Speaker 1: which is.
• 48:56
  Speaker 7: Which is all pretty standard, I suppose. So, do we
• 49:00
  Speaker 7: even get the grandmother? I mean, then he enters them
• 49:03
  Speaker 7: and the grandmother's there, but we don't even see the.
• 49:06
  Speaker 5: Attack.
• 49:06
  Speaker 6: We don't see him take out Grandma.
• 49:08
  Speaker 1: No, we just see him putting her bloods in a
• 49:10
  Speaker 1: bottle and then her flesh in a bowl.
• 49:13
  Speaker 7: Yeah, that's pretty much it. And we assume she's gone.
• 49:16
  Speaker 7: I like him like the disneyer versions they like he
• 49:19
  Speaker 7: like ties her up and puts her in the cellar
• 49:21
  Speaker 7: or something but no this one we he definitely takes
• 49:24
  Speaker 7: her out but we don't see any of that once
• 49:26
  Speaker 7: again you miss you miss the horror end of it
• 49:28
  Speaker 7: if you were gonna do a creepy gothic version of
• 49:30
  Speaker 7: this you know let's see a big bloody version of
• 49:33
  Speaker 7: him taking out grandma but no we don't get that
• 49:35
  Speaker 7: either But.
• 49:36
  Speaker 1: You get to the house, which looks just like a
• 49:38
  Speaker 1: fucking prop out of the cabinet of Dr. Caligari. Yes.
• 49:42
  Speaker 1: I'm probably saying that shit wrong.
• 49:43
  Speaker 6: I mean, it very much does.
• 49:45
  Speaker 7: The entire interior, once again, most people of this generation
• 49:50
  Speaker 7: would be like, wow, it looks just like they ripped off.
• 49:52
  Speaker 6: Tim Burton, but.
• 49:53
  Speaker 7: Anybody who knows, Tim Burton ripped it all off from
• 49:56
  Speaker 7: German Expressionism.
• 49:57
  Speaker 1: Once they were in the house, I'm like, hey, is
• 49:58
  Speaker 1: that the same fucking fireplace from Beetlejuice? Yep.
• 50:02
  Speaker 7: Once again, Tim Burton has been ripping that stuff off
• 50:04
  Speaker 7: for years. So, again, I like that visual. And it
• 50:08
  Speaker 7: also looks very cheap. Like, from the outside, it felt
• 50:11
  Speaker 7: like it was a prop.
• 50:11
  Speaker 11: A cardboard box.
• 50:12
  Speaker 6: It looked, yeah, it looked like it was just a
• 50:14
  Speaker 6: scene from a.
• 50:15
  Speaker 5: Stage play almost. And again, I'm like, that's fine.
• 50:18
  Speaker 7: Like, if you can kind of make that the overall
• 50:20
  Speaker 7: theme and make it, you know, that's how you're doing
• 50:23
  Speaker 7: this is just a very minimal version of it, that's fine.
• 50:26
  Speaker 6: But no, then he goes inside and it becomes an
• 50:27
  Speaker 6: actual house.
• 50:28
  Speaker 5: It becomes a set again. So I'm like, nothing matches
• 50:31
  Speaker 5: in this. Like, nothing goes together. And then we have
• 50:34
  Speaker 5: it right off the bat when he, when she goes
• 50:35
  Speaker 5: in the house, we have a.
• 50:38
  Speaker 1: It sounds like, is that Miss Henrietta?
• 50:40
  Speaker 6: It kind of looked like Tootsies.
• 50:42
  Speaker 5: I was like, what?
• 50:43
  Speaker 1: Henrietta Pussycat, what are you talking about?
• 50:45
  Speaker 5: I was like, what?
• 50:46
  Speaker 6: Why is there a puppet all of a sudden?
• 50:48
  Speaker 5: Once again.
• 50:49
  Speaker 1: There's got to be a puppet. They're thinking it's time
• 50:51
  Speaker 1: that sluts eat the flesh of their grandparents.
• 50:54
  Speaker 6: Yeah, as soon as she walks in the door, the
• 50:56
  Speaker 6: puppet calls her a slut.
• 50:57
  Speaker 1: I'm like, what?
• 50:58
  Speaker 6: And I actually said out loud, oh, so you've seen
• 51:00
  Speaker 6: Black Snake Moan.
• 51:02
  Speaker 5: So, yeah, I.
• 51:06
  Speaker 1: Yeah.
• 51:07
  Speaker 6: It's so weird.
• 51:08
  Speaker 7: There's a weird puppet talking to her. She sits down
• 51:10
  Speaker 7: and starts eating the flesh of her grandmother.
• 51:11
  Speaker 1: Which makes her a slut.
• 51:12
  Speaker 5: Which makes her a slut, which I'm sure, you know,
• 51:15
  Speaker 5: you've seen her outfit. I'm sure it would happen anyway.
• 51:18
  Speaker 6: And it does kind of immediately.
• 51:20
  Speaker 5: So then.
• 51:23
  Speaker 5: I guess the next weird thing is Grandma tells her
• 51:25
  Speaker 5: to take her clothes off.
• 51:26
  Speaker 1: And throw them in the fireplace.
• 51:28
  Speaker 5: And she's okay with this.
• 51:29
  Speaker 1: I'm sorry, but if my grandmother ever told me to
• 51:31
  Speaker 1: take my clothes off and get in bed with her,
• 51:33
  Speaker 1: that's not what I'm going to be doing.
• 51:34
  Speaker 7: Yeah, I like your grandma, but I would be massively
• 51:36
  Speaker 7: creeped out if she asked you to do that.
• 51:38
  Speaker 5: Dude, seriously.
• 51:39
  Speaker 1: Why?
• 51:40
  Speaker 5: Is it okay? And again, she's still supposed to be
• 51:43
  Speaker 5: a little girl. Which doesn't make it any better. Well,
• 51:46
  Speaker 5: I mean, is Little Red supposed to be 16?
• 51:48
  Speaker 15: I don't know.
• 51:48
  Speaker 7: I mean, I don't know what take they're doing on this.
• 51:51
  Speaker 7: But either way, if it's a little girl, it's creepy.
• 51:53
  Speaker 1: I don't know the look she was giving her grandma.
• 51:54
  Speaker 1: I'm assuming that she was at least supposed to be 16.
• 51:56
  Speaker 7: That's the part that's really weird is that the Christina
• 51:59
  Speaker 7: Ricci version of this Little Red, she doesn't have a
• 52:03
  Speaker 7: problem with this. She kind of alluringly starts taking it.
• 52:06
  Speaker 7: Where do I put these clothes then? And, you know,
• 52:09
  Speaker 7: so you're already kind of creeped out by the fact
• 52:12
  Speaker 7: that she's okay with this. Then Grandma slash Wolf tells
• 52:15
  Speaker 7: her to throw her clothes in the fire.
• 52:17
  Speaker 6: You're not going to need them anymore. Wouldn't you be
• 52:20
  Speaker 6: weirded out by that, too?
• 52:21
  Speaker 1: I do not like my clothes.
• 52:23
  Speaker 5: I think it's like I'm burning myself.
• 52:24
  Speaker 7: Yeah, and you won't need them anymore? Like, isn't that weird?
• 52:28
  Speaker 7: Where am I? A, if I'm going home later, I'm
• 52:32
  Speaker 7: going to be naked. Or B, you're going to kill me.
• 52:34
  Speaker 7: There's no good angle there. There's no upside to this plan.
• 52:39
  Speaker 7: Creepy as fuck. Then she gets in bed.
• 52:43
  Speaker 1: And the look she's giving her grandma as she gets
• 52:45
  Speaker 1: into bed, that's because she pulls like a little scream,
• 52:47
  Speaker 1: Courtney thing.
• 52:48
  Speaker 7: And the worst part, I guess, if there's a worst part,
• 52:51
  Speaker 7: is this, the narrator. We don't even have any, I mean,
• 52:54
  Speaker 7: you don't even get Christina delivering these lines. It's all
• 52:58
  Speaker 7: done with narration and the narrator saying Little Red's lines instead.
• 53:03
  Speaker 7: And it's done very cheesily. I guess this is the
• 53:06
  Speaker 7: angle that they're pretending like it's a comedy is that the.
• 53:10
  Speaker 1: He's narrating any kid's story.
• 53:12
  Speaker 7: Quentin Crisp is the narrator on this one, and I
• 53:15
  Speaker 7: think he does a really hammy job of it. I'm like,
• 53:17
  Speaker 7: once again, it's butting heads with what this wants to be,
• 53:21
  Speaker 7: because it's coming off like it wants to be kind
• 53:23
  Speaker 7: of creepy, but then his narration is really just, it
• 53:27
  Speaker 7: is playing it kind of like it's a kiddie story.
• 53:29
  Speaker 7: And I'm like, well, that doesn't match what we're looking at,
• 53:31
  Speaker 7: because She looks like she's ready to get it on.
• 53:33
  Speaker 1: With her grandmother.
• 53:34
  Speaker 7: And, you know, we've got creepy visuals here, but now
• 53:39
  Speaker 7: we're going to get into a weird comedy angle.
• 53:42
  Speaker 6: In a second that makes no damn sense.
• 53:44
  Speaker 5: So, yeah, at this point she's still just getting naked,
• 53:47
  Speaker 5: which here's the real downside.
• 53:49
  Speaker 6: We don't see any of this.
• 53:50
  Speaker 1: You see her feet. Granted, I guess. If you've got
• 53:52
  Speaker 1: a foot fetish.
• 53:53
  Speaker 5: She was 16.
• 53:53
  Speaker 6: I guess we shouldn't have seen anything.
• 53:55
  Speaker 5: But still.
• 53:56
  Speaker 1: You don't see her 16-year-old naked feet.
• 53:59
  Speaker 5: I don't know.
• 54:00
  Speaker 7: That's, you know, kind of a letdown. I was pretty
• 54:02
  Speaker 7: sure that wasn't going to happen. But still, you know,
• 54:05
  Speaker 7: Christina Ricci starts getting naked. You know, you want to
• 54:07
  Speaker 7: see that action.
• 54:08
  Speaker 6: But no, we don't get that either. So then, okay.
• 54:13
  Speaker 1: I don't even know if I want to talk about
• 54:14
  Speaker 1: the next part.
• 54:14
  Speaker 5: It's so fucking weird. It's so fucking weird.
• 54:17
  Speaker 6: That was the part where I just kind of started
• 54:18
  Speaker 6: screaming to myself because I.
• 54:20
  Speaker 8: We were sitting there together screaming.
• 54:22
  Speaker 5: Ah, what? No, no, no. What? So she gets in
• 54:28
  Speaker 5: bed naked with Grandma. And.
• 54:31
  Speaker 8: Notice how hairy she is.
• 54:32
  Speaker 6: Yeah, she immediately says, how hairy you are.
• 54:35
  Speaker 5: And I'm just like, oh, the jokes don't stop. I
• 54:39
  Speaker 5: don't even feel like making them.
• 54:40
  Speaker 1: I kept waiting for worse things for her to say.
• 54:42
  Speaker 5: Yeah, I kind of did too. Really, and again, if
• 54:43
  Speaker 5: you're going to do this, like, either do it, like,
• 54:46
  Speaker 5: a legitimately cool way, or if you're going to take
• 54:49
  Speaker 5: this down that road, because that's kind of what I
• 54:51
  Speaker 5: went to, you know, sort of examine in this series,
• 54:55
  Speaker 5: is just how sexualized this fairy tale is.
• 54:58
  Speaker 6: I mean, it's a massively... Not even very veiled sexual story.
• 55:04
  Speaker 7: Especially as a lot of the other versions that go along,
• 55:07
  Speaker 7: there's a very sexual aspect to this fairy tale. So
• 55:11
  Speaker 7: I'm like, if you want to take it down that road,
• 55:12
  Speaker 7: then go ahead and grandma what big you have and
• 55:15
  Speaker 7: just go ahead and do it and take it down
• 55:17
  Speaker 7: that road and make it a very.
• 55:19
  Speaker 6: Weird sexual story.
• 55:20
  Speaker 5: But they don't do that either.
• 55:21
  Speaker 7: They pull that punch, and they stop at the usual,
• 55:23
  Speaker 7: what big teeth you have, what a big mouth you have.
• 55:26
  Speaker 1: There was no teeth mentioned.
• 55:27
  Speaker 6: The better to eat you with.
• 55:29
  Speaker 5: Yeah, there's your joke.
• 55:29
  Speaker 1: I was waiting for that one, too. I'm like, oh,
• 55:31
  Speaker 1: it's going to be that kind.
• 55:32
  Speaker 6: Oh, no. But no, we don't get it. Once again,
• 55:35
  Speaker 6: kind of a letdown. We don't get that.
• 55:37
  Speaker 1: No, what we do get, in fact, is.
• 55:39
  Speaker 5: Ten times weirder. Okay, what does she say next?
• 55:43
  Speaker 1: I need to go pee-pee.
• 55:46
  Speaker 6: That's weird enough. I was really not expecting his answer,
• 55:50
  Speaker 6: which is.
• 55:51
  Speaker 5: Go pee-pee here.
• 55:52
  Speaker 1: Go pee-pee in the bed.
• 55:55
  Speaker 5: And her response is, I gotta go caca.
• 55:58
  Speaker 6: I have to go caca.
• 56:00
  Speaker 5: And even weirder, he continues with, just go caca here.
• 56:04
  Speaker 1: Ew.
• 56:06
  Speaker 6: We were just, we're screaming at this point.
• 56:08
  Speaker 5: What?
• 56:09
  Speaker 11: What?
• 56:10
  Speaker 1: What? She's like, no, it'll be smelly.
• 56:14
  Speaker 5: Yeah, it will smell.
• 56:15
  Speaker 7: Okay, well, at least she's got common sense, unlike the wolf.
• 56:19
  Speaker 7: Or maybe he's just into some scat action.
• 56:21
  Speaker 5: I don't know.
• 56:22
  Speaker 1: Gross!
• 56:23
  Speaker 5: Maybe he wanted some golden showers going on. But, well, no, again,
• 56:28
  Speaker 5: what else makes sense? Why would you tell her to
• 56:30
  Speaker 5: just do it here? You freak.
• 56:33
  Speaker 1: I guess he realizes that if she leaves, she's going
• 56:35
  Speaker 1: to fucking get away.
• 56:36
  Speaker 6: I guess, but at that point, just eat her now.
• 56:38
  Speaker 6: Quit delivering fucking dialogue.
• 56:41
  Speaker 1: I don't want to eat her when she's full of shit.
• 56:44
  Speaker 5: Is that really what's holding them back?
• 56:48
  Speaker 8: I don't know.
• 56:49
  Speaker 5: I don't know. This makes no sense at this point.
• 56:52
  Speaker 5: So then he lets her go outside.
• 56:55
  Speaker 1: She's tied with a rope.
• 56:57
  Speaker 7: He ties a little piece of string to her and then,
• 57:00
  Speaker 7: you know, keeps a line on her like it's Cool
• 57:02
  Speaker 7: Hand Luke.
• 57:03
  Speaker 6: I was going to say, yeah, she.
• 57:04
  Speaker 1: Throws Cool Hand Luke on his ass.
• 57:07
  Speaker 5: Going caca here, boss. Going caca.
• 57:10
  Speaker 17: So.
• 57:11
  Speaker 6: It's pretty much that same thing.
• 57:12
  Speaker 7: He lets her go out the door, and then he
• 57:14
  Speaker 7: keeps pulling it to make sure she's there, and eventually realizes, hey, it's.
• 57:17
  Speaker 5: Been a while.
• 57:18
  Speaker 6: I think Luke done run off on me.
• 57:20
  Speaker 1: No, it wasn't young. The pigeon off a loaf out there. Oh, God. Then, yeah.
• 57:27
  Speaker 7: As if it couldn't get dumber, he says, like, What
• 57:29
  Speaker 7: are you, dropping a big load? Yeah, I mean, he says, like,
• 57:33
  Speaker 7: both of those lines.
• 57:34
  Speaker 1: Squeezing out a deuce or something.
• 57:35
  Speaker 11: I was like, yeah.
• 57:36
  Speaker 1: This is actually in this fucking movie.
• 57:38
  Speaker 6: Yeah, we're not making jokes on that part. These lines
• 57:41
  Speaker 6: are actually in.
• 57:41
  Speaker 5: The narrator says them as the wolf.
• 57:44
  Speaker 1: Pinching off a loaf.
• 57:45
  Speaker 5: Oh, my God.
• 57:47
  Speaker 1: From the ballerina wolf.
• 57:48
  Speaker 6: Yeah, from ballerina wolf. I'm like, this movie is weird.
• 57:53
  Speaker 5: So then he... He prances outside and, like, looks at
• 57:58
  Speaker 5: the tree.
• 57:58
  Speaker 1: For, like, half the movie, he's staring at the tree.
• 58:01
  Speaker 5: She, yeah, the entire second half of the movie is
• 58:04
  Speaker 5: him deciding that, wait, I think she's untied it and
• 58:08
  Speaker 5: tied it to a plum tree.
• 58:09
  Speaker 1: And then he sits and stares at the damn tree.
• 58:11
  Speaker 5: So he swan lakes his way up to the tree. Like,
• 58:14
  Speaker 5: it's the most slow, drawn out, and then, like... expressive
• 58:20
  Speaker 5: way of looking at the tree with his hands and
• 58:23
  Speaker 5: his face and his dancing and it's yeah it's a
• 58:26
  Speaker 5: very swan licky way to look at the tree and
• 58:29
  Speaker 5: go just look out the door and go oh my
• 58:31
  Speaker 5: god she screwed me over she ran away just realize
• 58:33
  Speaker 5: that so yeah he does this and the entire rest
• 58:38
  Speaker 5: of the movie christina ricci's naked but once again we
• 58:40
  Speaker 5: don't get to see anything because she's got a sheet
• 58:42
  Speaker 5: on once again what version of the story is little
• 58:45
  Speaker 5: red naked half of the story Half of the running.
• 58:48
  Speaker 6: Time of the movie is Little Red Naked.
• 58:50
  Speaker 7: Not enough, I suppose. That one that I saw, but
• 58:53
  Speaker 7: I had to rent that one in the special room. So, again,
• 58:56
  Speaker 7: we don't get any of that, though.
• 58:58
  Speaker 5: So then it's just her running through the woods naked
• 59:01
  Speaker 5: in a sheet.
• 59:01
  Speaker 1: Well, she's taunting him first.
• 59:02
  Speaker 8: She's sitting there watching him.
• 59:04
  Speaker 6: She's looking at him.
• 59:05
  Speaker 1: She's watching him by the tree.
• 59:06
  Speaker 5: I'm like, really?
• 59:07
  Speaker 1: This is your whole point?
• 59:09
  Speaker 5: I like your question.
• 59:09
  Speaker 6: Is she actually going poop? She was just like looking
• 59:12
  Speaker 6: at him from behind a tree. I'm like, what is
• 59:15
  Speaker 6: she doing over there?
• 59:16
  Speaker 1: You could have made it home by now by the
• 59:17
  Speaker 1: time it took him to look at this fucking tree.
• 59:18
  Speaker 5: I know.
• 59:19
  Speaker 7: I'm like, if you're going to trick him, then go
• 59:21
  Speaker 7: home in this time that he's still waiting for. That's
• 59:23
  Speaker 7: the whole point of like tricking him is to be
• 59:26
  Speaker 7: making a break for it while he's still inside thinking
• 59:28
  Speaker 7: you're Making a douche. So instead, she sits there and
• 59:33
  Speaker 7: watches him the whole time.
• 59:34
  Speaker 1: And she gets his attention.
• 59:36
  Speaker 5: That defeats the purpose of this.
• 59:38
  Speaker 6: It makes no sense at all.
• 59:40
  Speaker 5: So then she runs home. The inn?
• 59:44
  Speaker 6: That's not how any of the stories I've ever heard
• 59:47
  Speaker 6: have gone.
• 59:47
  Speaker 1: There's no woodsman.
• 59:49
  Speaker 5: There's no woodsman. There's no taking care of the wolf.
• 59:52
  Speaker 7: There's no eating of anybody, which many versions of this
• 59:56
  Speaker 7: have entailed.
• 59:57
  Speaker 5: But no, in this one, she runs home to her house,
• 1:00:00
  Speaker 5: and she closes the door just as he gets to
• 1:00:03
  Speaker 5: the door.
• 1:00:05
  Speaker 6: The inn.
• 1:00:07
  Speaker 2: What?
• 1:00:07
  Speaker 1: What?
• 1:00:09
  Speaker 5: How is that a story? How is that the rest
• 1:00:11
  Speaker 5: of the story?
• 1:00:12
  Speaker 11: Well, except for the.
• 1:00:12
  Speaker 1: Brief glimpse of his claw going down her face and
• 1:00:15
  Speaker 1: their sensual grandma wolf action.
• 1:00:18
  Speaker 7: Again, that's like the arty part of it. I mean,
• 1:00:21
  Speaker 7: it wants to be an arty movie, but it doesn't
• 1:00:24
  Speaker 7: know how to because it's busy talking about pooping.
• 1:00:28
  Speaker 1: Like a two-year-old. Yeah.
• 1:00:30
  Speaker 5: I mean, we have.
• 1:00:32
  Speaker 7: A juvenile sense of humor on this show, but... Even
• 1:00:35
  Speaker 7: I'm just like, really?
• 1:00:36
  Speaker 5: This is just dumb.
• 1:00:38
  Speaker 1: Like, I'm just like, this is.
• 1:00:39
  Speaker 5: Just so taking you down the few notches you had
• 1:00:43
  Speaker 5: with the, you know, the cool black and white shots
• 1:00:45
  Speaker 5: and the, you know, the basic idea.
• 1:00:47
  Speaker 7: Of doing this is what seemed cool for a minute.
• 1:00:50
  Speaker 7: And then the goat left and it all went downhill.
• 1:00:53
  Speaker 1: I would have rather just watched a movie about the goat.
• 1:00:55
  Speaker 6: I think so.
• 1:00:56
  Speaker 7: Just like her and the goat playing in a field
• 1:01:00
  Speaker 7: for 11 minutes. That would have been awesome compared to
• 1:01:03
  Speaker 7: the Swan Lake wolf that we get here.
• 1:01:06
  Speaker 1: Her and the goat pooping together.
• 1:01:08
  Speaker 6: That would have been more entertaining than this wolf.
• 1:01:12
  Speaker 1: It's all a bunch of caca.
• 1:01:13
  Speaker 5: Yeah, it kind of is. Where's shirtless Taylor Loudon when
• 1:01:17
  Speaker 5: you need him?
• 1:01:18
  Speaker 1: Dude, I would have rather had him.
• 1:01:19
  Speaker 7: I would have, too, is the sad part. At least
• 1:01:22
  Speaker 7: he doesn't dance around. He just takes his shirt off
• 1:01:24
  Speaker 7: at every chance he gets. But, yeah, he doesn't dance
• 1:01:28
  Speaker 7: and swan lake his way up to a tree when
• 1:01:31
  Speaker 7: he knows she's not even there anymore.
• 1:01:32
  Speaker 1: He's not wetting his ass about.
• 1:01:34
  Speaker 6: Oh, God, it's so ridiculous.
• 1:01:36
  Speaker 1: So, yeah.
• 1:01:38
  Speaker 5: Yeah, this one, not really a full....
• 1:01:42
  Speaker 8: We've talked about it like three times longer.
• 1:01:44
  Speaker 5: Yeah, pretty much. But again, you still have to go
• 1:01:47
  Speaker 5: watch it. You can't fully experience it without sitting there.
• 1:01:50
  Speaker 5: Just so you realize, we didn't fucking make this shit up.
• 1:01:52
  Speaker 6: Yeah, I would have assumed we were just lying about
• 1:01:54
  Speaker 6: most of this.
• 1:01:54
  Speaker 7: But no, it's equally as ridiculous and a little more
• 1:01:58
  Speaker 7: when you actually have to see it.
• 1:01:59
  Speaker 1: We could make up something and have it make more
• 1:02:01
  Speaker 1: sense than this did.
• 1:02:02
  Speaker 6: I couldn't have made up.
• 1:02:03
  Speaker 5: I would have never.
• 1:02:05
  Speaker 7: ever been able to make up i need to go
• 1:02:07
  Speaker 7: caca i did not see that coming nor did i
• 1:02:12
  Speaker 7: expect it to be said in this movie so yeah
• 1:02:17
  Speaker 7: this is an odd entry into this series you're.
• 1:02:21
  Speaker 5: Welcome Didn't know... Wait, again? I totally appreciate the 16-year-old
• 1:02:26
  Speaker 5: version of Christina Ricci.
• 1:02:27
  Speaker 6: That I got to see.
• 1:02:28
  Speaker 1: My eyes are bleeding.
• 1:02:29
  Speaker 6: But it doesn't make up for the fact that I
• 1:02:31
  Speaker 6: had to deal with the.
• 1:02:33
  Speaker 5: The rest of this movie?
• 1:02:34
  Speaker 7: The rest of the caca in this movie, because it
• 1:02:36
  Speaker 7: makes no sense. It doesn't know what it wants to be.
• 1:02:40
  Speaker 5: It's just badly thrown together in the rest of it.
• 1:02:44
  Speaker 7: I'm like, if you were going to bother to not
• 1:02:46
  Speaker 7: only do a version of this, but to get Christina
• 1:02:49
  Speaker 7: Ricci involved and get, I guess, this... talented ballet performer
• 1:02:55
  Speaker 7: I mean if you're gonna go to all this trouble
• 1:02:56
  Speaker 7: at least do something cool with it and Not just
• 1:02:59
  Speaker 7: do something dumb.
• 1:03:00
  Speaker 6: Not just do this. Not just take it down to the.
• 1:03:04
  Speaker 1: Caca level.
• 1:03:05
  Speaker 6: Yeah. It becomes potty humor in the last half of it.
• 1:03:09
  Speaker 1: I was just blown away. I'm like, really?
• 1:03:11
  Speaker 8: They just said that?
• 1:03:12
  Speaker 1: Wow.
• 1:03:13
  Speaker 5: Yeah.
• 1:03:13
  Speaker 7: I was like, at least make it a bad sexual overtones.
• 1:03:16
  Speaker 7: But no, it doesn't even go there after the look
• 1:03:19
  Speaker 7: she gives her grandmother. Then it just becomes potty humor.
• 1:03:22
  Speaker 6: And I'm like, yeah. I don't get it. I just
• 1:03:25
  Speaker 6: don't get it.
• 1:03:26
  Speaker 5: So.
• 1:03:28
  Speaker 1: See, I had assumed the movie was like a series
• 1:03:31
  Speaker 1: of short stories, because from what I heard, it was
• 1:03:33
  Speaker 1: Little Red Riding Hood and other tales.
• 1:03:34
  Speaker 7: Well, that's, I mean, that's even how it's billed if
• 1:03:36
  Speaker 7: you bring up the visual on it. Little Red Riding
• 1:03:39
  Speaker 7: Hood and other stories is what it's credited.
• 1:03:41
  Speaker 1: So have they planned on making a series of this shit?
• 1:03:43
  Speaker 6: Maybe there are other stories out there, and, you know,
• 1:03:46
  Speaker 6: we just watched this.
• 1:03:47
  Speaker 5: I don't know.
• 1:03:47
  Speaker 7: We just narrowed it down and found this version, and
• 1:03:49
  Speaker 7: that's all we've watched. I don't know if there are
• 1:03:51
  Speaker 7: other versions that go along with this.
• 1:03:54
  Speaker 6: Let's see.
• 1:03:55
  Speaker 1: Is there like a Cinderella where instead of midnight, she
• 1:03:59
  Speaker 1: has to go poop? That's why she leaves the castle.
• 1:04:01
  Speaker 6: She poops in a glass slipper.
• 1:04:05
  Speaker 5: Oh, wow.
• 1:04:06
  Speaker 1: Is there like Goldilocks where one toilet's too soft and
• 1:04:10
  Speaker 1: one toilet's too hard?
• 1:04:11
  Speaker 5: This toilet seat's too hard.
• 1:04:13
  Speaker 1: I can't use this one. Or her poop is too hard.
• 1:04:18
  Speaker 5: Oh, I was trying to look up the director and
• 1:04:20
  Speaker 5: see if maybe he did other things in this series.
• 1:04:24
  Speaker 6: Now, right before this, he does The Frog King.
• 1:04:27
  Speaker 1: Oh, God.
• 1:04:29
  Speaker 5: But it's not a short.
• 1:04:30
  Speaker 7: And it's 94, so I'm assuming this is just a
• 1:04:33
  Speaker 7: pre-existing thing that he did. Afterwards, he did a short
• 1:04:39
  Speaker 7: called Love Death. I don't know exactly what any of
• 1:04:42
  Speaker 7: these are, but... Can't be as bad as this.
• 1:04:45
  Speaker 5: Yeah, I mean, he does.
• 1:04:47
  Speaker 6: Again, this is listed as a dark and provocative adaptation
• 1:04:50
  Speaker 6: of the classic tale.
• 1:04:52
  Speaker 1: It was dark in that you couldn't see what was
• 1:04:53
  Speaker 1: going on.
• 1:04:54
  Speaker 6: Half the time.
• 1:04:55
  Speaker 7: It was dark in the fact that it became potty humor. That's...
• 1:04:59
  Speaker 7: Dark and burn.
• 1:05:00
  Speaker 6: But, yeah, so I guess it either was.
• 1:05:03
  Speaker 5: An unfinished idea or other directors may have took it over.
• 1:05:08
  Speaker 1: I hope that it was unfinished.
• 1:05:10
  Speaker 7: I hope, yeah, I really kind of hope that it
• 1:05:12
  Speaker 7: didn't go any further if this is what they were
• 1:05:14
  Speaker 7: going to do with all.
• 1:05:14
  Speaker 5: Of them, so.
• 1:05:16
  Speaker 7: Yeah, I'm just kind of discussing this one as a standalone,
• 1:05:20
  Speaker 7: and as a standalone epic fail, dude.
• 1:05:24
  Speaker 4: Seriously.
• 1:05:26
  Speaker 7: I have issues with David Kaplan, because not only did
• 1:05:30
  Speaker 7: you shoot this and decide to take it down that road,
• 1:05:33
  Speaker 7: but you wrote that dialogue, or that narrator-log.
• 1:05:38
  Speaker 1: Wowzers.
• 1:05:39
  Speaker 8: I've got nothing else to say about this.
• 1:05:40
  Speaker 6: I'm done with this movie. I'm kind of done with
• 1:05:43
  Speaker 6: it myself. I got to pee-pee.
• 1:05:46
  Speaker 5: I'm not going to ask you to do it here.
• 1:05:49
  Speaker 5: That's what bathrooms are for, damn it. Or at least
• 1:05:51
  Speaker 5: go outside with a string attached to you.
• 1:05:54
  Speaker 7: Yeah, go out with the dogs in the yard. At
• 1:05:56
  Speaker 7: least they have sense enough to not do it here.
• 1:05:59
  Speaker 6: Dumbass wolf.
• 1:06:03
  Speaker 5: So yeah we will wrap up this first installment of
• 1:06:08
  Speaker 5: our little.
• 1:06:08
  Speaker 6: Red series and.
• 1:06:11
  Speaker 5: Hopefully the second keep it straight hopefully the next entry
• 1:06:17
  Speaker 5: will at least be a little better a little more
• 1:06:19
  Speaker 5: entertaining because outside of seeing Christina Ricci in black and
• 1:06:23
  Speaker 5: white and her in the.
• 1:06:24
  Speaker 6: Little costume that's pretty much all you have to go
• 1:06:26
  Speaker 6: on this.
• 1:06:27
  Speaker 8: Black and white so it wasn't even a red costume.
• 1:06:28
  Speaker 6: Yeah we don't even know if it was red it
• 1:06:30
  Speaker 6: might have been.
• 1:06:30
  Speaker 7: Blue hell if we know so Yeah, I think that
• 1:06:35
  Speaker 7: will be it for Misty this episode, so you can
• 1:06:37
  Speaker 7: tell them goodbye.
• 1:06:39
  Speaker 4: Bye.
• 1:06:39
  Speaker 5: I will be back with the rest of the show.
• 1:06:43
  Speaker 1: Lady y'all.
• 1:06:44
  Speaker 5: Oh, what the fuck? Caca.
• 1:06:47
  Speaker 6: This is a bunch of caca.
• 1:06:48
  Speaker 11: Yo, yo, yo, check it.
• 1:06:51
  Speaker 19: This is a story you might remember.
• 1:06:53
  Speaker 14: From your childhood.
• 1:06:55
  Speaker 19: A little story called Little Red Riding Hood.
• 1:07:00
  Speaker 5: Yo, yo, yo.
• 1:07:03
  Speaker 19: I was walking through the woods to go to see
• 1:07:05
  Speaker 19: my granny. Wasn't gonna see my boyfriend or my teacher.
• 1:07:07
  Speaker 1: Or my nanny. For my granny, I had cookies. I
• 1:07:09
  Speaker 1: was bringing chicken soup.
• 1:07:10
  Speaker 19: But when I walked through the door, I was thrown
• 1:07:12
  Speaker 19: for a loop.
• 1:07:12
  Speaker 1: Because my granny wasn't looking right.
• 1:07:13
  Speaker 19: She was looking kind of scary with her big teeth
• 1:07:15
  Speaker 19: and glasses.
• 1:07:15
  Speaker 5: She was really very hairy. But oh no, no, it was.
• 1:07:18
  Speaker 1: The woman granny's bed.
• 1:07:19
  Speaker 6: I said, oh, beep.
• 1:07:20
  Speaker 19: And the big wolf said, hey there little girl, come
• 1:07:22
  Speaker 19: on closer to me. Show me some lovin' cause I'm
• 1:07:24
  Speaker 19: feeling kinda hungry. So he swallowed me whole to his
• 1:07:26
  Speaker 19: stomach I fell. It was ooey and gooey, it was
• 1:07:29
  Speaker 19: hot as hell. I was shocked to see Granny was
• 1:07:31
  Speaker 19: there too. So I said to my Granny, I'm gonna
• 1:07:33
  Speaker 19: see you. So I got out my lunch, I got
• 1:07:35
  Speaker 19: out my knife. Wasn't gonna be his mother or his
• 1:07:37
  Speaker 19: lover or his wife. So I stabbed him good and
• 1:07:39
  Speaker 19: I set us free. And there was the woodsman waiting
• 1:07:42
  Speaker 19: for me.
• 1:07:43
  Speaker 5: I killed a wolf, but you know it's a shame.
• 1:07:45
  Speaker 19: It was a silly woodsman that got all the fame.
• 1:07:47
  Speaker 19: Now he is living the life of the rich, but
• 1:07:49
  Speaker 19: you know I'm always going to be the little red bitch.
• 1:07:51
  Speaker 17: Yeah.
• 1:07:52
  Speaker 10: Peace out.
• 1:07:52
  Speaker 5: Word to your mother. GGTNC Live.
• 1:07:53
  Speaker 12: For you, fresh air.
• 1:08:09
  Speaker 2: Big Willie and the Samurai are at your service, breaking
• 1:08:12
  Speaker 2: films down and turning them around, giving recommendations that are
• 1:08:16
  Speaker 2: always on point. Visit ggtmc.com for more information. The Gentleman's
• 1:08:22
  Speaker 2: Guide to Midnight Cinema, bringing class to the trash since 1977.
• 1:08:35
  Speaker 5: It's part of your problem, you know.
• 1:08:36
  Speaker 4: You haven't seen enough movies.
• 1:08:38
  Speaker 5: All of life's riddles are answered in the movies.
• 1:08:41
  Speaker 1: And now, on with the show. We can't do this anymore.
• 1:08:51
  Speaker 5: They've arranged for you to marry Henry Lazar. What do
• 1:08:55
  Speaker 5: we do now?
• 1:08:57
  Speaker 11: I'd do anything to be with you.
• 1:09:01
  Speaker 1: You.
• 1:09:02
  Speaker 5: It killed again.
• 1:09:03
  Speaker 1: The wolf.
• 1:09:06
  Speaker 5: In daytime, the werewolf returns to its human form.
• 1:09:09
  Speaker 1: The wolf is someone in this village.
• 1:09:23
  Speaker 12: I'm wrong for you.
• 1:09:30
  Speaker 1: I don't care.
• 1:09:34
  Speaker 11: You will be happy again.
• 1:09:36
  Speaker 1: Come away with me.
• 1:09:43
  Speaker 4: You better watch yourself.
• 1:09:52
  Speaker 11: The wolf is coming.
• 1:09:54
  Speaker 4: You're going to get where you deserve.
• 1:09:58
  Speaker 6: And now it's time for a parking lot review.
• 1:10:02
  Speaker 4: I love the kids going to this showing of SLC
• 1:10:05
  Speaker 4: Punk getting out of their parents' Beamer car. SUV.
• 1:10:09
  Speaker 16: Wow.
• 1:10:10
  Speaker 5: Really, I mean, that shouldn't surprise me. Isn't that kind
• 1:10:12
  Speaker 5: of how punk always was?
• 1:10:14
  Speaker 4: You're right.
• 1:10:14
  Speaker 5: That's sort of how it became.
• 1:10:17
  Speaker 4: Mom, I need some Doc Martens.
• 1:10:19
  Speaker 14: I mean, I'm, you know, like, the punkest person I know,
• 1:10:22
  Speaker 14: his parents are millionaires for.
• 1:10:25
  Speaker 11: Sure, so.
• 1:10:26
  Speaker 5: Yeah, fuck off.
• 1:10:27
  Speaker 12: I mean.
• 1:10:28
  Speaker 11: punk is but in his.
• 1:10:31
  Speaker 4: You're not really punk unless you pick up some random
• 1:10:34
  Speaker 4: british accent like this you know.
• 1:10:37
  Speaker 5: Like madonna madonna is so punk no i'm talking.
• 1:10:41
  Speaker 4: About the i'm talking about the you know the trash
• 1:10:45
  Speaker 4: british british accent not the cockney yeah the cockney.
• 1:10:48
  Speaker 5: Dick van dyke is totally punk That's right. Who is?
• 1:10:53
  Speaker 4: Oh, Mary Poppins. He was the original punk.
• 1:10:56
  Speaker 5: Totally fucking punk. He was.
• 1:10:59
  Speaker 11: I think he started the movement.
• 1:11:00
  Speaker 5: I think so. You saw his shabby-ass clothes and his attitude.
• 1:11:04
  Speaker 5: I know, I know, yeah.
• 1:11:06
  Speaker 4: He was a chimney sweep one day and a street
• 1:11:09
  Speaker 4: hustler the next day and a street artist. Yeah, that's
• 1:11:12
  Speaker 4: what he was. That's it.
• 1:11:13
  Speaker 11: Totally punk.
• 1:11:14
  Speaker 14: I mean, I really think you're onto it. You know,
• 1:11:16
  Speaker 14: they try to trace it back to the exact moment.
• 1:11:20
  Speaker 14: The movement started in, I think you're right, it was
• 1:11:22
  Speaker 14: Dick Van Dyke and Mary Poppins.
• 1:11:24
  Speaker 5: They tried to pin it on all these bands, but really?
• 1:11:26
  Speaker 5: Walt Disney.
• 1:11:27
  Speaker 4: Walt Disney.
• 1:11:28
  Speaker 7: Yeah.
• 1:11:28
  Speaker 1: Yep.
• 1:11:32
  Speaker 5: Oh, Lord.
• 1:11:33
  Speaker 6: Oh, Lord.
• 1:11:34
  Speaker 5: All right.
• 1:11:36
  Speaker 4: By the way, the mother in Mary Poppins, the women's
• 1:11:42
  Speaker 4: suffragist mother, is the best character in that movie. She's hilarious.
• 1:11:47
  Speaker 4: I didn't really get an appreciation for that movie until
• 1:11:49
  Speaker 4: after my kid's. Started watching it.
• 1:11:51
  Speaker 5: I don't know if I've watched it. I don't even
• 1:11:53
  Speaker 5: remember sitting down to watch all of it. I've seen
• 1:11:55
  Speaker 5: so many pieces of it. Again, like so many movies
• 1:11:58
  Speaker 5: at that point.
• 1:11:58
  Speaker 4: Well, it goes on forever.
• 1:11:59
  Speaker 17: Yeah.
• 1:12:00
  Speaker 5: I don't remember the entirety of it. I just remember, like,
• 1:12:03
  Speaker 5: the scenes that you always remember out of those things.
• 1:12:06
  Speaker 14: I think that's one of those movies that I absolutely
• 1:12:09
  Speaker 14: hated as a child.
• 1:12:10
  Speaker 11: I don't know why. Like, Mary Poppins.
• 1:12:12
  Speaker 5: I was never big on it even as a kid.
• 1:12:13
  Speaker 5: Charlotte's Web.
• 1:12:14
  Speaker 1: I really.
• 1:12:14
  Speaker 11: I like Charlotte's Web.
• 1:12:16
  Speaker 5: I hate... I.
• 1:12:18
  Speaker 11: violently hated charlotte's web i.
• 1:12:20
  Speaker 4: Remember once it's because it has to do with pigs.
• 1:12:25
  Speaker 11: I think that i think that might be what it is.
• 1:12:26
  Speaker 5: But but you know the rat was awesome the.
• 1:12:29
  Speaker 14: Rat templeton is awesome um but uh that may have
• 1:12:35
  Speaker 14: even been before my my pig phobia that may have
• 1:12:38
  Speaker 14: been before that potbelly pig attacked me.
• 1:12:42
  Speaker 4: But it planted the seeds of pig phobia it did
• 1:12:44
  Speaker 4: oh wow.
• 1:12:47
  Speaker 5: Yeah.
• 1:12:48
  Speaker 11: I mean, I don't know why. I just always hated it.
• 1:12:50
  Speaker 11: I always hated it. My aunt got me a.
• 1:12:54
  Speaker 14: VHS copy of it when I was younger, and I
• 1:12:57
  Speaker 14: was really mad at her for that for.
• 1:12:58
  Speaker 11: Like a week, which is a really dumb thing.
• 1:13:02
  Speaker 14: But then, you know, once for Easter, someone got me
• 1:13:03
  Speaker 14: a John Mellencamp CD, and I was also mad about
• 1:13:06
  Speaker 14: that for like several months.
• 1:13:07
  Speaker 1: Why?
• 1:13:07
  Speaker 4: Well, if it's John Mellencamp instead of John Cougar.
• 1:13:10
  Speaker 11: It wasn't John Cougar Mellencamp?
• 1:13:11
  Speaker 1: Yeah.
• 1:13:12
  Speaker 11: Anyway, I was like seven years old.
• 1:13:14
  Speaker 5: And you should have been loving that.
• 1:13:17
  Speaker 14: They're like, you know that song. It was the Dance
• 1:13:19
  Speaker 14: Naked album, actually.
• 1:13:21
  Speaker 5: Well, that was sort of a turning point.
• 1:13:23
  Speaker 14: Which is like, I mean, I can't explain to you
• 1:13:26
  Speaker 14: how extremely strange it was to get John Mellencamp's Dance
• 1:13:30
  Speaker 14: Naked in my Easter basket when I was a small child.
• 1:13:35
  Speaker 5: Hey, that's what the Easter Bunny wanted you to do,
• 1:13:39
  Speaker 5: and you don't argue with the Easter Bunny.
• 1:13:41
  Speaker 14: I mean, it would be understandable if, as a child,
• 1:13:43
  Speaker 14: I was a huge John Mellencamp fan.
• 1:13:45
  Speaker 11: You know, I wasn't.
• 1:13:47
  Speaker 14: You know, I like that song Jack and Diane, Don't
• 1:13:50
  Speaker 14: Get Me Wrong. But, you know, it's not like every
• 1:13:53
  Speaker 14: day I was like.
• 1:13:55
  Speaker 11: Oh, John Mellencamp. Mom, Mom, buy me this John Mellencamp CD.
• 1:13:59
  Speaker 11: It just randomly appeared in my Easter basket.
• 1:14:02
  Speaker 4: They're probably like, we got this John Mellencamp CD.
• 1:14:05
  Speaker 11: Yeah.
• 1:14:06
  Speaker 5: I gave this to me free at work. What do
• 1:14:08
  Speaker 5: I do with it? I don't know where.
• 1:14:11
  Speaker 11: It came from. I don't know why I received it.
• 1:14:13
  Speaker 5: Was it still wrapped in cellophane? It was. Okay, just checking.
• 1:14:17
  Speaker 11: Yeah, it was new.
• 1:14:18
  Speaker 5: Sounded like a re-gift to me.
• 1:14:20
  Speaker 11: I'm sure it was, but it was just the weirdest.
• 1:14:23
  Speaker 14: Of all the things my family's ever given me that
• 1:14:25
  Speaker 14: were inappropriate and just stupid and, like, thanks for giving
• 1:14:29
  Speaker 14: me this big bag full of garbage that I'm going
• 1:14:32
  Speaker 14: to have to, like, not throw away in front of you.
• 1:14:35
  Speaker 5: This and this every holiday.
• 1:14:37
  Speaker 9: Yeah.
• 1:14:38
  Speaker 5: It is.
• 1:14:39
  Speaker 1: It is.
• 1:14:40
  Speaker 11: But, yeah, that's sidetracked, but anyway.
• 1:14:44
  Speaker 4: Sidetracked? We haven't even started the track yet. Sidetracked the sidetrack.
• 1:14:50
  Speaker 5: Alright, so we are back, and not only this time
• 1:14:52
  Speaker 5: did we go out on the town, but it's time
• 1:14:55
  Speaker 5: for another parking lot review. Once again, I am Brian.
• 1:14:59
  Speaker 14: I'm Marlena.
• 1:15:01
  Speaker 4: I'm Greg.
• 1:15:02
  Speaker 5: And, yeah, we're ready to attack this movie, I suppose.
• 1:15:07
  Speaker 5: This week's feature, or at least the second in the
• 1:15:11
  Speaker 5: Little Red series we've got going here, is Red Riding Hood.
• 1:15:15
  Speaker 5: The year, since we're sitting in the parking lot of
• 1:15:17
  Speaker 5: the theater, is 2011. They direct in Catherine Hardwick. They
• 1:15:22
  Speaker 5: plot according to IMDb. And once again, worded perfectly as
• 1:15:27
  Speaker 5: IMDb always does. Set in a medieval village that is
• 1:15:31
  Speaker 5: haunted by a werewolf.
• 1:15:34
  Speaker 4: Haunted?
• 1:15:34
  Speaker 11: Haunted.
• 1:15:36
  Speaker 5: A young girl falls for an orphan woodcutter.
• 1:15:38
  Speaker 4: Did they even get into that?
• 1:15:41
  Speaker 5: I know, I was like, did they get into his
• 1:15:44
  Speaker 5: parents at all? Much to her family's displeasure. So with that,
• 1:15:50
  Speaker 5: spoiler alert, obviously this is a brand new movie and
• 1:15:54
  Speaker 5: we don't want to ruin it for you.
• 1:15:55
  Speaker 4: Ruin it.
• 1:15:57
  Speaker 5: Anyway, so, yeah, we're about to get into it. Where
• 1:16:02
  Speaker 5: would you like to begin? Other than this is a
• 1:16:04
  Speaker 5: tale set in spiky town.
• 1:16:07
  Speaker 4: Right, right.
• 1:16:09
  Speaker 11: Yeah, that was strange.
• 1:16:10
  Speaker 4: Everything had spikes.
• 1:16:11
  Speaker 5: Everything is spiky at this point, so... Yeah, I don't
• 1:16:17
  Speaker 5: know what else to do with that.
• 1:16:18
  Speaker 4: I will say, I even thought to myself, I want
• 1:16:21
  Speaker 4: to remember to say something about the spiky trees on
• 1:16:23
  Speaker 4: the way to Grandma's house. You could actually see the
• 1:16:27
  Speaker 4: tar that the spikes were held on with, you know,
• 1:16:30
  Speaker 4: around the spikes. These are massive, you know... 18 inch
• 1:16:36
  Speaker 4: long spikes growing thorns growing yeah they're like giant thorns
• 1:16:40
  Speaker 4: you have you know you'll have like a an oak
• 1:16:43
  Speaker 4: tree next to a a beech tree and they both
• 1:16:46
  Speaker 4: have the same spikes growing out of them you can
• 1:16:49
  Speaker 4: just see this like well let's go stick these cones
• 1:16:51
  Speaker 4: all over with.
• 1:16:53
  Speaker 7: And when he was, like, chopping down trees, none of
• 1:16:55
  Speaker 7: those had spikes, right? Like, that whole first part of
• 1:16:58
  Speaker 7: them running around in the woods, it was just woods.
• 1:17:00
  Speaker 4: Well, they take those spikes off first. That's the trade.
• 1:17:03
  Speaker 5: That's stage one. I'm just not a woodcutter. I don't
• 1:17:06
  Speaker 5: understand the methods involved.
• 1:17:08
  Speaker 4: Maybe that's why they were cutting those down. They didn't
• 1:17:10
  Speaker 4: want none.
• 1:17:10
  Speaker 5: Yeah, these are defective trees. They don't grow thorns. Fuck
• 1:17:13
  Speaker 5: these trees.
• 1:17:14
  Speaker 11: These trees are broken. I mean, it would have just
• 1:17:16
  Speaker 11: made more sense for the.
• 1:17:18
  Speaker 14: spikes to not have been made to look like they
• 1:17:20
  Speaker 14: grew from the trees, like they were put there intentionally.
• 1:17:23
  Speaker 5: At first I thought that's what, because they almost didn't,
• 1:17:25
  Speaker 5: because they were almost badly stuck on there, as you said.
• 1:17:28
  Speaker 5: So I thought maybe they were actually like metal spikes
• 1:17:31
  Speaker 5: that they put in there to like keep out giant wolves.
• 1:17:34
  Speaker 5: I thought maybe they had some sort of protection value
• 1:17:37
  Speaker 5: to them, but no, it just grows giant spikes and
• 1:17:41
  Speaker 5: then you get into the village and everything is spiky
• 1:17:43
  Speaker 5: and it's like they were almost going for some sort
• 1:17:45
  Speaker 5: of look. And I don't know if it was like, again,
• 1:17:49
  Speaker 5: it's sad that I constantly use this as a visual reference,
• 1:17:52
  Speaker 5: but a Tim Burton-y look.
• 1:17:54
  Speaker 1: Right.
• 1:17:54
  Speaker 5: Like, was it trying to be like, look at everything
• 1:17:57
  Speaker 5: has this crazy look to it. And I don't know.
• 1:18:01
  Speaker 5: It just looked like they purposefully almost forced spikes into everything.
• 1:18:07
  Speaker 1: Right.
• 1:18:08
  Speaker 4: I think they were going, it's that we want to
• 1:18:11
  Speaker 4: go for a look, but we don't know what it
• 1:18:13
  Speaker 4: is and we don't know how to pull it off.
• 1:18:16
  Speaker 5: That's part of what it is, I think. I mean,
• 1:18:18
  Speaker 5: I think it is one of those that they want
• 1:18:20
  Speaker 5: to go for this. I mean, at least, you know,
• 1:18:23
  Speaker 5: as hacky as Tim Burton has gotten over the years,
• 1:18:25
  Speaker 5: he still, and a lot of this is probably because
• 1:18:26
  Speaker 5: now he has, like, a visual team that does all this, really.
• 1:18:29
  Speaker 1: Yeah.
• 1:18:30
  Speaker 5: But I'm sure he sketches something out and gives it
• 1:18:32
  Speaker 5: to him and says, here, something like this. So, I mean,
• 1:18:34
  Speaker 5: there's still sort of a, like, flow to what he does.
• 1:18:38
  Speaker 5: There is sort of an organic feel to the way
• 1:18:40
  Speaker 5: his stuff is. It doesn't feel near as forced as
• 1:18:43
  Speaker 5: what this seems like it was going for. I think
• 1:18:46
  Speaker 5: it was also just, I guess they were trying to
• 1:18:48
  Speaker 5: establish this, this is a fairy tale world. Like it's
• 1:18:52
  Speaker 5: not regular world. Look at these giant spikes on trees.
• 1:18:57
  Speaker 13: Right.
• 1:18:57
  Speaker 4: A fairy tale world where it's snowing all the time.
• 1:19:02
  Speaker 4: But everyone goes around in short sleeves and their shirts open.
• 1:19:05
  Speaker 11: It's not that cold.
• 1:19:06
  Speaker 5: The fact that you said that.
• 1:19:07
  Speaker 11: It's not that cold.
• 1:19:08
  Speaker 7: I could not laugh at that the rest of the movie.
• 1:19:11
  Speaker 7: That was like 10 minutes in you said that. And
• 1:19:14
  Speaker 7: by the end, and this is no spoiler, she just
• 1:19:17
  Speaker 7: delivers a line like, that was the coldest winter ever.
• 1:19:20
  Speaker 7: And our character is standing there in a shawl with giant.
• 1:19:27
  Speaker 5: Half dollar size openings in this thing.
• 1:19:30
  Speaker 1: Right.
• 1:19:31
  Speaker 5: I'm just like, oh.
• 1:19:33
  Speaker 7: Actually, I wanted to finish the line of, it's the
• 1:19:35
  Speaker 7: coldest winter ever. It's a shame I didn't have a
• 1:19:38
  Speaker 7: fucking coat.
• 1:19:39
  Speaker 5: Right.
• 1:19:40
  Speaker 4: They're climbing out the manor on the hunt for the wolf,
• 1:19:43
  Speaker 4: and they're climbing up on the mountain, and you've got
• 1:19:45
  Speaker 4: the bald guy with basically a t-shirt on, no hat,
• 1:19:50
  Speaker 4: no gloves, supposedly dead of winter, winds howling, but he's
• 1:19:56
  Speaker 4: not even showing signs of cold.
• 1:19:58
  Speaker 14: I think people were just a lot tougher back then.
• 1:20:01
  Speaker 5: I guess so. But, I mean, that was the thing.
• 1:20:04
  Speaker 5: They were all walking around like that.
• 1:20:05
  Speaker 7: And I was just like, if you live in that
• 1:20:07
  Speaker 7: part of the world, like, you should have in your
• 1:20:11
  Speaker 7: wardrobe wintry clothing. Like, nobody even had coats at all. Like,
• 1:20:16
  Speaker 7: most they had was, you know, they were wearing the cloaks.
• 1:20:18
  Speaker 7: And I'm like, yeah, those look cool and all, but
• 1:20:21
  Speaker 7: they still don't really keep you warm.
• 1:20:22
  Speaker 4: Right.
• 1:20:22
  Speaker 5: They're on your back and flowing off of you. Yeah,
• 1:20:26
  Speaker 5: I was like, most of their stuff. I was like,
• 1:20:28
  Speaker 5: this is just bad design for warmth purposes. Right.
• 1:20:31
  Speaker 11: Yeah.
• 1:20:32
  Speaker 14: I couldn't get over the fact that the scenery was
• 1:20:36
  Speaker 14: just so, I mean, I couldn't get past the fact
• 1:20:42
  Speaker 14: like knowing that it was fake I think that bothered
• 1:20:44
  Speaker 14: me right that really hindered me a little bit in
• 1:20:47
  Speaker 14: watching the movie or in enjoying it not that that
• 1:20:50
  Speaker 14: was really possible but.
• 1:20:51
  Speaker 4: It clearly looked like the city clearly looked like a
• 1:20:54
  Speaker 4: set yeah it did not look like a natural place.
• 1:20:59
  Speaker 14: And it's weird I mean I don't normally have that
• 1:21:01
  Speaker 14: problem with scenery you know because I mean I watch
• 1:21:05
  Speaker 14: a lot of plays and of course plays the set
• 1:21:09
  Speaker 14: is always terrible but it was just like Watching a
• 1:21:12
  Speaker 14: Leonardo DiCaprio movie where he's trying to have an accent
• 1:21:15
  Speaker 14: or something like that. I just didn't buy it. And
• 1:21:17
  Speaker 14: it made it really hard for me.
• 1:21:20
  Speaker 11: To get into it.
• 1:21:20
  Speaker 1: Wow.
• 1:21:21
  Speaker 5: A slam on Leonardo out of the blue.
• 1:21:23
  Speaker 1: I know.
• 1:21:24
  Speaker 5: He's not even in this movie.
• 1:21:25
  Speaker 11: Right.
• 1:21:26
  Speaker 4: What did he do today to deserve that?
• 1:21:29
  Speaker 5: I was trying to defend him earlier. Never mind. You
• 1:21:31
  Speaker 5: know what he did?
• 1:21:32
  Speaker 14: I went to the Redbox the other day to get
• 1:21:34
  Speaker 14: a movie, and he was in.
• 1:21:35
  Speaker 11: Like, five movies.
• 1:21:36
  Speaker 5: That's his job, man. See how many movies I can
• 1:21:38
  Speaker 5: be in this year.
• 1:21:39
  Speaker 11: And my friend was like, you want to get this movie?
• 1:21:41
  Speaker 11: I'm like, eh, Leonardo DiCaprio.
• 1:21:43
  Speaker 14: He's like, oh, look at, no, Leonardo DiCaprio's in this one.
• 1:21:48
  Speaker 5: Kick-ass. Ah, no, they inserted Leonardo DiCaprio.
• 1:21:52
  Speaker 11: I did watch it.
• 1:21:53
  Speaker 5: Dammit.
• 1:21:55
  Speaker 7: So, I don't know. I mean, the other visuals, like,
• 1:21:58
  Speaker 7: went back and forth. Like, there were times when I
• 1:22:01
  Speaker 7: was like, that actually looked good. You know, like some
• 1:22:04
  Speaker 7: of the weird dreamy shots of the countryside or whatever.
• 1:22:08
  Speaker 5: I don't know. There were times when I was like, okay, that,
• 1:22:11
  Speaker 5: that's kind of making use of this weird fictional world and,
• 1:22:15
  Speaker 5: and giving it this very like fairytale look to it,
• 1:22:17
  Speaker 5: but it actually is shot.
• 1:22:19
  Speaker 4: Okay.
• 1:22:20
  Speaker 5: And then there are other times that I'm like, Oh
• 1:22:21
  Speaker 5: my God, what was that? Right. It was, it was consistent.
• 1:22:25
  Speaker 4: The, um, the shot at the beginning, you know, where
• 1:22:29
  Speaker 4: you're setting up the place, um, Uh, they show, you know,
• 1:22:33
  Speaker 4: buildings and town, you know, the town and all that
• 1:22:35
  Speaker 4: kind of stuff, which the town was never anywhere as
• 1:22:38
  Speaker 4: big to the scale that they showed. That's beside the point,
• 1:22:41
  Speaker 4: but they showed a mill, uh, and the wheel next
• 1:22:45
  Speaker 4: to the mill. And this wheel was, you know, one
• 1:22:48
  Speaker 4: of those gargantuan Ferris wheel sizes and, and it just
• 1:22:52
  Speaker 4: looked so out of place. The scale was off and it,
• 1:22:54
  Speaker 4: it really took, took me off guard. I was like, wow.
• 1:22:58
  Speaker 4: that looks like crap you know i'm like that's a
• 1:23:01
  Speaker 4: very important shot when you're showing when you're establishing where
• 1:23:04
  Speaker 4: you are and you're getting you know you're gonna zoom
• 1:23:07
  Speaker 4: in and get the the viewer the feel of where
• 1:23:11
  Speaker 4: you are and then all of a sudden this massive
• 1:23:13
  Speaker 4: almost cartoonish looking uh wheel wheel is there that you
• 1:23:18
  Speaker 4: know they never could build and probably was you know
• 1:23:21
  Speaker 4: incapable of Of handling, well, that's beside the point. I'm
• 1:23:25
  Speaker 4: not going to talk about that.
• 1:23:27
  Speaker 5: Well, I kind of think that with most of that town, really.
• 1:23:29
  Speaker 5: I was like, truthfully, it was all more impressive than
• 1:23:32
  Speaker 5: I give these people. Even though you said it looked shoddy,
• 1:23:34
  Speaker 5: I still think it looked more impressive. These seem like
• 1:23:36
  Speaker 5: the dumbest group of people I've ever seen.
• 1:23:41
  Speaker 4: They were dumb for townsfolk.
• 1:23:43
  Speaker 5: Even for... In medieval times? What did they refer to
• 1:23:47
  Speaker 5: it in that little synopsis there?
• 1:23:48
  Speaker 11: I think it was medieval times.
• 1:23:50
  Speaker 5: Yeah, even for those types, they were pretty dumb.
• 1:23:52
  Speaker 4: You know, nothing was dirty. You know, everything was clean
• 1:23:56
  Speaker 4: and brand new. Again, very fairytale-y, I suppose. Yeah, and,
• 1:24:02
  Speaker 4: you know, it wasn't a lived-in world. It was like, okay,
• 1:24:05
  Speaker 4: we all just bought this brand new, and now we're
• 1:24:07
  Speaker 4: going to start this tale. Everything looked, like I said,
• 1:24:12
  Speaker 4: brand new, and You know, they're dancing around in this
• 1:24:14
  Speaker 4: snow next to fires in town, and the snow is
• 1:24:20
  Speaker 4: still pristine white and thick.
• 1:24:23
  Speaker 5: And there's no footprints in a town center.
• 1:24:26
  Speaker 4: It's clearly like this fake sand type, white sand material
• 1:24:31
  Speaker 4: and not snow. It just didn't have an authentic... You know,
• 1:24:34
  Speaker 4: those people lived in mud. Everyone lived in mud. You
• 1:24:40
  Speaker 4: know that's the case, and if you have that much... Precipitation,
• 1:24:43
  Speaker 4: it's not going to be that clean. I'm sorry. And
• 1:24:47
  Speaker 4: I know you're going for a fairy tale theme, but
• 1:24:50
  Speaker 4: I've got to believe somehow it's somewhat realistic. Virginia Madsen
• 1:24:55
  Speaker 4: wearing more makeup than she would nowadays.
• 1:24:58
  Speaker 5: I know.
• 1:25:00
  Speaker 4: I didn't know they had eyeliner back then, but apparently
• 1:25:03
  Speaker 4: they did.
• 1:25:03
  Speaker 11: That's what I was thinking.
• 1:25:06
  Speaker 14: I'm like, oh, I'm pretty sure women didn't wear eyeliner.
• 1:25:08
  Speaker 14: That much eyeliner and mascara in medieval times.
• 1:25:12
  Speaker 5: If we're going to get on that one, then before
• 1:25:15
  Speaker 5: I even saw her, almost my very first thought as
• 1:25:18
  Speaker 5: the people came into frame and started talking is, what
• 1:25:22
  Speaker 5: year did they make her, Joe?
• 1:25:23
  Speaker 14: Right.
• 1:25:24
  Speaker 7: Because Peter, our semi-male co-lead, whatever you want to call
• 1:25:29
  Speaker 7: these guys, has so much fucking hair gel in, it's ridiculous.
• 1:25:34
  Speaker 5: Like, if he worked at the mall now, I'd still
• 1:25:36
  Speaker 5: be like, dude, back off.
• 1:25:38
  Speaker 14: He just used goat semen.
• 1:25:39
  Speaker 11: That's what they used.
• 1:25:42
  Speaker 5: That's what he was doing with that goat in that
• 1:25:44
  Speaker 5: one scene. I thought I just really liked him.
• 1:25:47
  Speaker 14: You proposed a question, and I gave you a completely
• 1:25:50
  Speaker 14: logical answer.
• 1:25:52
  Speaker 4: When they tied up the pigs and the goats, that's
• 1:25:55
  Speaker 4: what really was happening.
• 1:25:57
  Speaker 5: And that also explains where moose comes from.
• 1:26:00
  Speaker 7: I always kind of wondered why they called it that,
• 1:26:03
  Speaker 7: but wow.
• 1:26:05
  Speaker 5: I'm so glad I don't.
• 1:26:06
  Speaker 1: Use that now.
• 1:26:09
  Speaker 4: I'm never going to be able to see a jar
• 1:26:12
  Speaker 4: of moose and not think of that. And that's why
• 1:26:17
  Speaker 4: something about Mary, why everything held.
• 1:26:19
  Speaker 5: Yeah, see? That stuff has a purpose.
• 1:26:21
  Speaker 1: Oh, man.
• 1:26:24
  Speaker 16: Oh, wow.
• 1:26:25
  Speaker 5: Okay.
• 1:26:27
  Speaker 7: So, yeah, while we're on those two, I mean, Amanda
• 1:26:31
  Speaker 7: Seyfried's fun. You've got to like her. She's likable, if
• 1:26:34
  Speaker 7: nothing else. I don't know that I buy her in
• 1:26:36
  Speaker 7: this or most roles, really.
• 1:26:38
  Speaker 4: Right.
• 1:26:39
  Speaker 11: I loved her in Mean Girls.
• 1:26:40
  Speaker 5: Yeah, I mean, she's fun in Mean Girls, and she's,
• 1:26:42
  Speaker 5: you know, she was actually really good on Veronica. On
• 1:26:45
  Speaker 5: Veronica Mars, she's... Barely on it. But she also plays
• 1:26:48
  Speaker 5: somebody that I never expected from her. Like, she's so, like,
• 1:26:51
  Speaker 5: ditzy and nice and everything else, and, like, Veronica Mars,
• 1:26:54
  Speaker 5: she's kind of a bitch, like, almost all the time,
• 1:26:57
  Speaker 5: and I'm totally, like, buying into it. Like, she plays
• 1:27:00
  Speaker 5: something that I never saw coming from her. So, once again,
• 1:27:03
  Speaker 5: I kind of think... She's got a little more range
• 1:27:05
  Speaker 5: than they ever give her credit in these stupid romance comedy,
• 1:27:09
  Speaker 5: you know, any of those stupid things that they keep
• 1:27:12
  Speaker 5: jamming her into. I think she's got more potential than that.
• 1:27:15
  Speaker 5: She doesn't make use of a lot of it in
• 1:27:17
  Speaker 5: this movie.
• 1:27:17
  Speaker 4: They didn't offer her any room for range in this movie.
• 1:27:22
  Speaker 4: That was not her fault or anyone else's. Well, maybe
• 1:27:26
  Speaker 4: Virginia Madsen. She couldn't act her way out of a
• 1:27:29
  Speaker 4: paper bag in this film.
• 1:27:33
  Speaker 5: But again, all of these people we were mentioning are
• 1:27:35
  Speaker 5: just head and shoulders better than either of the two
• 1:27:38
  Speaker 5: male leads. Both of her suitors, if you'd like to
• 1:27:42
  Speaker 5: call them that, just... dumb as a post.
• 1:27:47
  Speaker 7: Seriously, I can't look at either of them without just
• 1:27:50
  Speaker 7: hearing duh.
• 1:27:52
  Speaker 4: I mean, really.
• 1:27:55
  Speaker 5: I just cannot. I couldn't even look at them after
• 1:27:59
  Speaker 5: a while. Especially Peter. Peter just reeked of UPN.
• 1:28:05
  Speaker 7: He had bad UPN 9 o'clock TV show written.
• 1:28:10
  Speaker 5: All over him.
• 1:28:11
  Speaker 11: Were you on One Tree Hill?
• 1:28:13
  Speaker 1: Yeah.
• 1:28:13
  Speaker 5: The later years when it really started to suck.
• 1:28:15
  Speaker 4: Right.
• 1:28:17
  Speaker 5: Either way. Yeah, he just, or maybe he's the lead
• 1:28:20
  Speaker 5: in Vampire Diary. I don't know. I'm like, he seems
• 1:28:22
  Speaker 5: like he could be in any one of these shows.
• 1:28:25
  Speaker 5: Those guys wear a lot of hair gel, too.
• 1:28:28
  Speaker 4: But, you know, speaking of vampires, they definitely show that
• 1:28:34
  Speaker 4: at least the actors in Twilight can act somewhat.
• 1:28:38
  Speaker 5: I guess.
• 1:28:39
  Speaker 12: Yeah.
• 1:28:40
  Speaker 5: Better than yeah at some point i was like yeah
• 1:28:43
  Speaker 5: even the even the guys in twilight are better than these.
• 1:28:45
  Speaker 18: Two yeah i could really watch twilight after that i
• 1:28:48
  Speaker 18: know and well and you definitely can tell that someone
• 1:28:52
  Speaker 18: was sitting around a boardroom and said okay We've got
• 1:28:55
  Speaker 18: to have something like Twilight.
• 1:28:58
  Speaker 4: What are we going to do?
• 1:28:59
  Speaker 5: Well, I mean, the first time I saw the trailer,
• 1:29:01
  Speaker 5: I believe my comment was, man, they're really twilighting this
• 1:29:04
  Speaker 5: bitch up. And the thing is, I was just playing
• 1:29:08
  Speaker 5: on the fact that I thought they were sort of
• 1:29:10
  Speaker 5: ripping it off and trying to tap into that market.
• 1:29:12
  Speaker 5: It wasn't until today. It was this morning that I
• 1:29:15
  Speaker 5: found out that Hardwick directed this. She's the director of Twilight.
• 1:29:20
  Speaker 5: I mean, yeah, I was like, I did not know that.
• 1:29:23
  Speaker 5: I'd just been making that because it looks like they're
• 1:29:25
  Speaker 5: ripping it off. I didn't know they went so far
• 1:29:27
  Speaker 5: as to get the same director.
• 1:29:29
  Speaker 14: And I mean, like, I thought, I've only seen the
• 1:29:31
  Speaker 14: first Twilight movie, and I thought it was awful and
• 1:29:33
  Speaker 14: plotless and just terrible.
• 1:29:35
  Speaker 11: But, um.
• 1:29:37
  Speaker 14: God damn, she did a much better job with Twilight
• 1:29:39
  Speaker 14: than she did with this.
• 1:29:40
  Speaker 5: Piece of shit. Now, here's the thing I will say
• 1:29:43
  Speaker 5: between the two, and I know that's the thing. The
• 1:29:46
  Speaker 5: people behind this movie are just, from what little I've
• 1:29:49
  Speaker 5: seen today, are already just bitching because nobody will address
• 1:29:53
  Speaker 5: it as anything, but let's compare it to Twilight. Well,
• 1:29:56
  Speaker 5: you know, I mean, it's pretty obvious that's what you're doing,
• 1:29:58
  Speaker 5: and you brought in the same director, so what do
• 1:30:00
  Speaker 5: you expect? It's your own fault. But between the.
• 1:30:03
  Speaker 7: Two, watching these, I at least can say, like, Amanda
• 1:30:07
  Speaker 7: Seyfried at least has some character to her. She is
• 1:30:11
  Speaker 7: almost like a real person, and she's sort of her
• 1:30:14
  Speaker 7: own woman, if you want to call her that. Whereas
• 1:30:16
  Speaker 7: our female lead in Twilight, at least the one that
• 1:30:20
  Speaker 7: I've seen, she's the most devoid of personality, and she
• 1:30:24
  Speaker 7: doesn't really do anything on her own, it seems. She
• 1:30:27
  Speaker 7: just sort of is led through the plot, where at
• 1:30:29
  Speaker 7: least there's times in this where she's like, No, fuck it,
• 1:30:32
  Speaker 7: here's what I'm going to do, you know? So, I mean,
• 1:30:34
  Speaker 7: at least I feel like this has a little more
• 1:30:35
  Speaker 7: of a useful female role model, if you want to
• 1:30:39
  Speaker 7: call it that. Not much of one, but certainly better
• 1:30:42
  Speaker 7: than Twilight.
• 1:30:43
  Speaker 4: Is the father from Twilight the same father from this movie?
• 1:30:48
  Speaker 5: I don't think so, is it?
• 1:30:50
  Speaker 13: I don't know.
• 1:30:50
  Speaker 11: What is that guy from?
• 1:30:52
  Speaker 4: They sure do look an awful lot alike.
• 1:30:53
  Speaker 5: I don't know. I don't know. Yeah, I know the
• 1:30:59
  Speaker 5: dad's name. Let's see. Billy Burke is the dad.
• 1:31:04
  Speaker 4: Yeah, I just kind of got that feel all of
• 1:31:07
  Speaker 4: a sudden.
• 1:31:08
  Speaker 5: Yeah, I mean, I blocked out most of what I
• 1:31:10
  Speaker 5: remember of Twilight. No, he is. Is it?
• 1:31:13
  Speaker 1: Yep.
• 1:31:14
  Speaker 5: That's just weird.
• 1:31:16
  Speaker 4: Why would you do that?
• 1:31:19
  Speaker 7: Again, and how can they be complaining that people won't
• 1:31:21
  Speaker 7: give this a fair break?
• 1:31:23
  Speaker 4: There's two male love interest, the same dad, the same look,
• 1:31:28
  Speaker 4: the same director. Yeah, talk about a formula. And even
• 1:31:33
  Speaker 4: the music had that....
• 1:31:36
  Speaker 5: I was going to bring that up, what your thoughts
• 1:31:40
  Speaker 5: were on the music, because it is a very... Modern
• 1:31:43
  Speaker 5: soundtrack jammed in the middle of this medieval tale.
• 1:31:47
  Speaker 4: Like Knight's Tale?
• 1:31:48
  Speaker 5: Kind of, but at least Knight's Tale did it almost tongue-in-cheek.
• 1:31:52
  Speaker 1: Right.
• 1:31:53
  Speaker 4: We will rock you at a joust.
• 1:31:55
  Speaker 5: I didn't mind. Well, with the exception of the one
• 1:31:57
  Speaker 5: or two shots of them singing along to We Will
• 1:32:00
  Speaker 5: Rock You, that was ridiculous, and they should have edited
• 1:32:02
  Speaker 5: that out.
• 1:32:03
  Speaker 7: But with the exception of that, the rest of it
• 1:32:05
  Speaker 7: was all very background, and it could have just been
• 1:32:08
  Speaker 7: placed in, and everything about A Knight's Tale was sort of,
• 1:32:11
  Speaker 7: you know, tongue in cheek. Anyway, it was kind of
• 1:32:13
  Speaker 7: winking at the camera going, you know.
• 1:32:15
  Speaker 5: We realize this isn't really the medieval times, you know,
• 1:32:18
  Speaker 5: we're just playing with this whole thing where here it's
• 1:32:21
  Speaker 5: like they were playing it straight, but then they like
• 1:32:23
  Speaker 5: very heavy handedly, like layered this like, look how modern
• 1:32:28
  Speaker 5: this music is, kids.
• 1:32:30
  Speaker 1: Right.
• 1:32:30
  Speaker 5: You can dance around to this. It's got a good
• 1:32:32
  Speaker 5: beat and you can dance to it. All the teenagers
• 1:32:35
  Speaker 5: love this stuff. I don't know. It was just like
• 1:32:37
  Speaker 5: they were trying so hard to be like, look, we're cool.
• 1:32:40
  Speaker 5: We're still cool. I know this is medieval times, but look,
• 1:32:42
  Speaker 5: we're cool. We're playing music.
• 1:32:44
  Speaker 14: Yeah.
• 1:32:45
  Speaker 5: I don't know. It just seemed very forced.
• 1:32:46
  Speaker 4: Yeah, the dancing, the choreography during that, you know, the
• 1:32:53
  Speaker 4: festival or whatever they were.
• 1:32:54
  Speaker 5: Having it went back and forth like they started out
• 1:32:56
  Speaker 5: kind of grinding on each other oh yeah I'm like
• 1:32:58
  Speaker 5: okay now you're just doing random like you know hip
• 1:33:01
  Speaker 5: hop dancing right and then they opted off to do
• 1:33:04
  Speaker 5: weird like voguing that was I guess tied to some
• 1:33:07
  Speaker 5: sort of medieval dance sort.
• 1:33:10
  Speaker 4: Of that whatever maybe square.
• 1:33:13
  Speaker 7: Dance yeah whatever they used to do I mean but
• 1:33:16
  Speaker 7: it went back and forth again like they do they
• 1:33:18
  Speaker 7: couldn't really make up their mind what the hell was
• 1:33:20
  Speaker 7: going on in this movie.
• 1:33:21
  Speaker 4: No No, but they sure had spikes and snow that
• 1:33:25
  Speaker 4: didn't melt.
• 1:33:26
  Speaker 5: And, okay, here's another question.
• 1:33:28
  Speaker 7: At what point did the tale of the three little
• 1:33:30
  Speaker 7: pigs happen?
• 1:33:31
  Speaker 5: Because they're referencing it.
• 1:33:35
  Speaker 7: Like, they're delivering specific lines from the story.
• 1:33:39
  Speaker 1: Right.
• 1:33:39
  Speaker 11: Oh, yeah.
• 1:33:40
  Speaker 5: The three little pigs. What'd they say?
• 1:33:42
  Speaker 4: They're acting out the three little pigs during the festival.
• 1:33:45
  Speaker 5: Yeah, in play form, basically. I'm just like... I didn't
• 1:33:47
  Speaker 5: even notice that. At first, you know, I thought if
• 1:33:49
  Speaker 5: you just worked in the visual, I'd be like, okay,
• 1:33:51
  Speaker 5: that's clever. That's the joke. Again, a wink to the
• 1:33:54
  Speaker 5: audience there going, ha ha, look, big bad wolf. See this?
• 1:33:56
  Speaker 5: Look what we're doing.
• 1:33:57
  Speaker 7: But when he starts screaming out, all huff and puff
• 1:34:00
  Speaker 7: and blow your.
• 1:34:01
  Speaker 5: I was just like... I think.
• 1:34:02
  Speaker 4: He even says, little pig, let me in.
• 1:34:04
  Speaker 5: Yeah, I'm just like, it's not subtle anymore. Thanks for
• 1:34:08
  Speaker 5: assuming that every kid watching this is dumb, and you
• 1:34:11
  Speaker 5: just had to hit them over the head with it.
• 1:34:12
  Speaker 4: The thing is, is they really are marketing this towards
• 1:34:15
  Speaker 4: the teenagers.
• 1:34:16
  Speaker 5: Towards dumb teenagers?
• 1:34:18
  Speaker 4: You know, there's some of those you're going to have
• 1:34:19
  Speaker 4: to bash it over their head to get any kind
• 1:34:21
  Speaker 4: of symbolism.
• 1:34:22
  Speaker 7: But I'm pretty sure those stories probably came about a
• 1:34:25
  Speaker 7: little later than this.
• 1:34:27
  Speaker 5: I could be wrong. You know what? I don't know.
• 1:34:29
  Speaker 1: Um....
• 1:34:31
  Speaker 4: There's a lot of stuff that was out of time
• 1:34:34
  Speaker 4: that they were referencing technologies.
• 1:34:37
  Speaker 14: Yeah, those iPods that.
• 1:34:39
  Speaker 11: They all had.
• 1:34:40
  Speaker 5: No, no. According to Apple, they've been there since the
• 1:34:43
  Speaker 5: dawn of time. Right. On the eighth day, they created Apple.
• 1:34:50
  Speaker 4: I loved how the blacksmith was making that fine jewelry.
• 1:34:55
  Speaker 4: He wasn't just pounding metal to use for axes or,
• 1:34:59
  Speaker 4: you know... Whatever, but he was making fine jewelry.
• 1:35:03
  Speaker 11: Here's what I don't understand.
• 1:35:05
  Speaker 14: So Peter is a lumberjack, and Henry is like a blacksmith.
• 1:35:12
  Speaker 11: What's the difference in pay?
• 1:35:14
  Speaker 14: Like, they're acting like Henry's like this loaded dude. I mean, like,
• 1:35:18
  Speaker 14: he's a blacksmith. I mean, how much more can a
• 1:35:20
  Speaker 14: blacksmith make than a lumberjack?
• 1:35:22
  Speaker 5: That was the thing. Like, at the beginning, I was like,
• 1:35:23
  Speaker 5: all right. He's a woodchopper. He's not making anything. I
• 1:35:27
  Speaker 5: can see her mom wanting her to get out of
• 1:35:29
  Speaker 5: that and get off. And they bring that guy in
• 1:35:31
  Speaker 5: and I'm like, okay, he's like, you know, from a
• 1:35:33
  Speaker 5: rich family. He really is like, maybe he's royalty or something.
• 1:35:36
  Speaker 4: A merchant or something.
• 1:35:37
  Speaker 12: Yeah.
• 1:35:38
  Speaker 5: And, you know, then all of a sudden he's hammering
• 1:35:40
  Speaker 5: on Shin. I was just like, really?
• 1:35:42
  Speaker 9: Right.
• 1:35:43
  Speaker 5: It's like, okay, you.
• 1:35:44
  Speaker 7: Probably should have given him a little more high class
• 1:35:47
  Speaker 7: job than that.
• 1:35:48
  Speaker 18: I agree.
• 1:35:48
  Speaker 4: Job yeah a sweating nasty yeah yeah.
• 1:35:51
  Speaker 5: Just sitting next to a fire for 12 hours a day.
• 1:35:55
  Speaker 4: A man and also both of both of these kids
• 1:35:57
  Speaker 4: a wood chopper and a blacksmith by trade are gonna
• 1:36:01
  Speaker 4: be massive strong men not scrawny you being pretty boys
• 1:36:07
  Speaker 4: motherfuckers i i have no well yeah.
• 1:36:13
  Speaker 5: All right, we've done a lot of talking smack. I
• 1:36:16
  Speaker 5: will say, if I'm going to like anything in this, hey,
• 1:36:20
  Speaker 5: I like the wolf. There's a surprise.
• 1:36:21
  Speaker 1: Yeah.
• 1:36:22
  Speaker 11: I didn't like the wolf at all. I thought it
• 1:36:23
  Speaker 11: looked terrible.
• 1:36:24
  Speaker 5: Well, I mean, it's bad CGI.
• 1:36:26
  Speaker 12: Right.
• 1:36:26
  Speaker 5: But, I mean, the scene where he attacks in the
• 1:36:29
  Speaker 5: village square, whatever the hell that is, during the little
• 1:36:32
  Speaker 5: festival there is kind of cool.
• 1:36:34
  Speaker 7: Maybe it's just because I didn't like any of those people,
• 1:36:36
  Speaker 7: so I was glad when he was tearing the hell
• 1:36:38
  Speaker 7: out of them.
• 1:36:40
  Speaker 5: Right.
• 1:36:41
  Speaker 1: I don't know.
• 1:36:41
  Speaker 5: I kind of like the idea of them bringing him
• 1:36:43
  Speaker 5: in and having it not just be... I don't know.
• 1:36:46
  Speaker 5: The fact that he was just a badass and, like,
• 1:36:48
  Speaker 5: they couldn't do anything to him for a good majority
• 1:36:50
  Speaker 5: of the movie. Right. And then they sort of enter
• 1:36:54
  Speaker 5: into the weird, I guess, again, more fairytale-like, the fact
• 1:36:58
  Speaker 5: that she can talk to him.
• 1:36:59
  Speaker 1: Right.
• 1:36:59
  Speaker 5: Now, I decided it's because she has ESPN.
• 1:37:03
  Speaker 4: ESPN? Okay.
• 1:37:04
  Speaker 11: I have ESPN.
• 1:37:07
  Speaker 5: She can also tell the weather. But, I don't know,
• 1:37:10
  Speaker 5: what to.
• 1:37:11
  Speaker 11: I thought that.
• 1:37:12
  Speaker 14: When he was, like, unlacing her corset, and I was like, oh.
• 1:37:15
  Speaker 11: Oh, is it going to tell the weather?
• 1:37:16
  Speaker 5: It's going to rain now. There goes the snow.
• 1:37:23
  Speaker 11: Forecast, snow.
• 1:37:25
  Speaker 5: Tomorrow, snow. Somebody must be feeling Amanda up again. So.
• 1:37:32
  Speaker 4: Wow.
• 1:37:33
  Speaker 5: I don't know, what was your take on the wolf?
• 1:37:35
  Speaker 5: You were not a fan then at all?
• 1:37:37
  Speaker 14: I thought it looked ridiculous, and I was kind of like...
• 1:37:40
  Speaker 14: I mean, I guess by the end it made a
• 1:37:42
  Speaker 14: little bit more sense, but when he started talking, I'm
• 1:37:44
  Speaker 14: just like, oh, God, it just got worse.
• 1:37:47
  Speaker 1: Yeah.
• 1:37:48
  Speaker 5: I thought that was at least interesting. Again, they could
• 1:37:50
  Speaker 5: have done it.
• 1:37:51
  Speaker 4: I don't know.
• 1:37:52
  Speaker 5: I'm not really sure what they could have done with
• 1:37:54
  Speaker 5: that middle part of the story that would have made
• 1:37:56
  Speaker 5: it work. The end I'll get back around to, but... They.
• 1:38:00
  Speaker 4: Needed a reason for her to be... Red Riding Hood.
• 1:38:04
  Speaker 5: Yeah.
• 1:38:04
  Speaker 4: It wasn't, you know, there wasn't anything that she was different.
• 1:38:07
  Speaker 4: There wasn't any, it did move it along. It did,
• 1:38:10
  Speaker 4: you know, the whole play of, you know, yes, she
• 1:38:14
  Speaker 4: could be a witch kind of thing. That, that, that's realistic.
• 1:38:17
  Speaker 4: I mean, realistic for what would have, probably the most
• 1:38:20
  Speaker 4: realistic thing from it is if somebody did something weird,
• 1:38:24
  Speaker 4: she instantly was a witch.
• 1:38:26
  Speaker 1: Yeah.
• 1:38:26
  Speaker 4: So.
• 1:38:27
  Speaker 7: And they do bring in what, I mean, I guess
• 1:38:29
  Speaker 7: in a lot, of, a lot of movies in general,
• 1:38:31
  Speaker 7: I was thinking as this went on, but especially in,
• 1:38:34
  Speaker 7: in these type of movies that the, I mean, the
• 1:38:37
  Speaker 7: most evil character you can have isn't even like the
• 1:38:40
  Speaker 7: beast of It's the religious, all-powerful leader.
• 1:38:43
  Speaker 4: Right, right.
• 1:38:44
  Speaker 5: And that's what usually comes into play in these kind
• 1:38:46
  Speaker 5: of movies. There's always a cardinal or a bishop or
• 1:38:50
  Speaker 5: just a priest that comes in and is just drunk
• 1:38:53
  Speaker 5: with power and does whatever the fuck he wants.
• 1:38:55
  Speaker 11: Here's my problem with that. I'm just like, that's not
• 1:38:57
  Speaker 11: his town. Like, make him get the fuck out.
• 1:38:59
  Speaker 1: That's like.
• 1:39:00
  Speaker 14: calling an exterminator. And then the exterminator's just like, oh,
• 1:39:05
  Speaker 14: you know what? I can't get rid of this problem,
• 1:39:06
  Speaker 14: but I'm just going to trash your house and fuck.
• 1:39:08
  Speaker 11: Your wife and slap your kids. And you're just going
• 1:39:11
  Speaker 11: to be okay with it.
• 1:39:12
  Speaker 4: They roll up pointing crossbows at you.
• 1:39:15
  Speaker 1: Yeah.
• 1:39:15
  Speaker 4: We're welcoming you to town. And we're pointing crossbows at you.
• 1:39:19
  Speaker 5: And that guy seemed like he was on coke. Like
• 1:39:22
  Speaker 5: he was just snapping back and forth.
• 1:39:23
  Speaker 4: Like, don't you fucking move.
• 1:39:24
  Speaker 5: What are you looking at?
• 1:39:25
  Speaker 4: He seemed like he was in like some kind of,
• 1:39:27
  Speaker 4: you know, Mexican.
• 1:39:28
  Speaker 5: Yeah. And I was like, it's a bunch of boring
• 1:39:31
  Speaker 5: townspeople who don't even have coats. Calm down.
• 1:39:35
  Speaker 4: They don't even have a pitchfork.
• 1:39:36
  Speaker 1: Yeah.
• 1:39:36
  Speaker 5: I mean, even their knives look like they made it
• 1:39:38
  Speaker 5: out of a rock. They sharpened a fucking rock.
• 1:39:42
  Speaker 1: Yeah.
• 1:39:43
  Speaker 5: And they ride up in a big elephant.
• 1:39:45
  Speaker 14: Right.
• 1:39:46
  Speaker 15: What the hell was that?
• 1:39:47
  Speaker 11: I was like, what? That's stupid.
• 1:39:50
  Speaker 5: Yeah.
• 1:39:51
  Speaker 4: Somebody had that elephant sitting around going, man, I got
• 1:39:53
  Speaker 4: to get this in a movie somehow.
• 1:39:55
  Speaker 5: Yeah, I think you're right.
• 1:39:56
  Speaker 4: That thing.
• 1:39:57
  Speaker 14: And everything in this movie was on fire. There were
• 1:40:00
  Speaker 14: just random fires everywhere.
• 1:40:02
  Speaker 4: In buildings. In a town made of wood.
• 1:40:05
  Speaker 14: Yeah.
• 1:40:06
  Speaker 5: Pointy wood.
• 1:40:07
  Speaker 20: Right.
• 1:40:07
  Speaker 7: Let's set fires as often as possible and then leave
• 1:40:11
  Speaker 7: them unchecked.
• 1:40:11
  Speaker 11: There's just fires in the middle of the floor, inside buildings,
• 1:40:15
  Speaker 11: like everywhere.
• 1:40:15
  Speaker 7: That's so you can see when you're making out with
• 1:40:17
  Speaker 7: your hot woodsman friends.
• 1:40:19
  Speaker 4: Well, that's the thing. They go off to go fool
• 1:40:21
  Speaker 4: around in the hay and five feet from them is
• 1:40:24
  Speaker 4: a fire on the ground. No one's attending to it,
• 1:40:28
  Speaker 4: you know, in a town made of wood next to
• 1:40:30
  Speaker 4: hay that can burn. And they don't think a second
• 1:40:35
  Speaker 4: thought about it.
• 1:40:35
  Speaker 1: It was, yeah.
• 1:40:36
  Speaker 5: Why would you?
• 1:40:37
  Speaker 11: It's a fairy tale.
• 1:40:38
  Speaker 5: Yeah, it's a fairy tale where fire only burns in
• 1:40:41
  Speaker 5: that one little spot or in torches. And it only
• 1:40:42
  Speaker 5: does what you want it to do.
• 1:40:43
  Speaker 4: Well, it might be that magic snow that probably keeps
• 1:40:46
  Speaker 4: it from spreading.
• 1:40:47
  Speaker 5: Magic fire, magic snow. This is, yeah, they have their
• 1:40:50
  Speaker 5: own set of rules here.
• 1:40:52
  Speaker 4: I have a major bone to pick before we go
• 1:40:55
  Speaker 4: too far into this with this movie. First of all,
• 1:40:58
  Speaker 4: it definitely felt a whole hell of a lot like
• 1:41:02
  Speaker 4: The Village.
• 1:41:03
  Speaker 11: I thought that too.
• 1:41:04
  Speaker 4: You can't get around that. There's the fairy tale. There's
• 1:41:07
  Speaker 4: the we've got a pact with it. It's not going
• 1:41:09
  Speaker 4: to come get us. It can't cross into this lines.
• 1:41:12
  Speaker 4: You know, we've been doing it for years. But then
• 1:41:15
  Speaker 4: you throw in the Adrian Brody retard.
• 1:41:18
  Speaker 11: Yes, yes, I thought that too.
• 1:41:21
  Speaker 4: And it could be him. He's going to have to die.
• 1:41:24
  Speaker 4: We're going to play. What the fuck? You did not
• 1:41:26
  Speaker 4: need that in this film. It's like, well, this worked
• 1:41:30
  Speaker 4: in the village, so we're just going to rip it
• 1:41:32
  Speaker 4: right out of this. And why did they get that
• 1:41:34
  Speaker 4: Ron Weasley looking kid?
• 1:41:37
  Speaker 5: Well, and then his sister with the red hair kind
• 1:41:41
  Speaker 5: of had the, it's like she was trying to steal from.
• 1:41:43
  Speaker 4: The Howard, what's her name? Bryce Dallas Howard.
• 1:41:46
  Speaker 5: She kind of looked like Bryce, yeah.
• 1:41:47
  Speaker 1: Absolutely.
• 1:41:47
  Speaker 7: She looked like a not as cute version of Bryce.
• 1:41:49
  Speaker 11: I was going to say, no way Bryce Dallas Howard
• 1:41:51
  Speaker 11: is that big.
• 1:41:51
  Speaker 5: She's not near as cute, but she was, I mean,
• 1:41:53
  Speaker 5: it was kind of playing on the same look for
• 1:41:55
  Speaker 5: all of these people.
• 1:41:55
  Speaker 4: Right. So either it was, I mean, you can say
• 1:41:58
  Speaker 4: it was an homage, but good God.
• 1:42:00
  Speaker 14: No, I thought that too.
• 1:42:02
  Speaker 11: I'm just like, oh, look, it's Adrian Brody, but it's.
• 1:42:05
  Speaker 11: Ron Weasley.
• 1:42:05
  Speaker 4: It's Ron Weasley.
• 1:42:06
  Speaker 7: And why would you do an homage to a movie
• 1:42:08
  Speaker 7: everyone hated except the.
• 1:42:10
  Speaker 5: People in this car right now? We just a week
• 1:42:14
  Speaker 5: ago decided we all liked it. But other than that,
• 1:42:16
  Speaker 5: it was like everyone I know hates that movie. So
• 1:42:19
  Speaker 5: I don't know that anybody with a brain would do
• 1:42:21
  Speaker 5: an homage to.
• 1:42:24
  Speaker 4: It.
• 1:42:24
  Speaker 1: Yeah.
• 1:42:25
  Speaker 11: Right.
• 1:42:25
  Speaker 4: But it definitely was straight out of the village.
• 1:42:28
  Speaker 5: Next I'm going to do an homage to The Happening.
• 1:42:30
  Speaker 1: Yeah.
• 1:42:31
  Speaker 14: Didn't he do card tricks or something or magic tricks
• 1:42:34
  Speaker 14: or something like that?
• 1:42:35
  Speaker 4: I think you're right.
• 1:42:36
  Speaker 5: He does do it. Look, I pulled a card out
• 1:42:38
  Speaker 5: of your hair. I don't know.
• 1:42:40
  Speaker 11: A coin. I think it was a coin. He pulled
• 1:42:43
  Speaker 11: a coin.
• 1:42:43
  Speaker 7: And then he found the card when he got there
• 1:42:44
  Speaker 7: because that's how he knew he was up to the
• 1:42:46
  Speaker 7: devil's business.
• 1:42:47
  Speaker 5: He had a magical card.
• 1:42:49
  Speaker 11: I mean, in the village, Adrian Brody had a card.
• 1:42:51
  Speaker 4: Yeah, I was talking about this one. He's got cards. Well,
• 1:42:54
  Speaker 4: both of them are playing tricks. Well, that's because magic
• 1:42:57
  Speaker 4: is retarded.
• 1:42:58
  Speaker 14: Yeah.
• 1:43:00
  Speaker 5: As we previously stated. Touche. Touche. Issues with magic.
• 1:43:09
  Speaker 14: That's the most beautiful and highest truth I've ever come
• 1:43:14
  Speaker 14: to know.
• 1:43:15
  Speaker 4: We've got two movies that prove it. Magic is retarded
• 1:43:19
  Speaker 4: and should be killed.
• 1:43:28
  Speaker 11: Oh, God. Composure.
• 1:43:33
  Speaker 5: Okay, so my question is... Who did Gary Oldman lose
• 1:43:39
  Speaker 5: a bet to that he had to be in this movie?
• 1:43:42
  Speaker 4: Right, right.
• 1:43:43
  Speaker 5: Because I'm like, Gary Oldman is a phenomenal actor.
• 1:43:47
  Speaker 6: Right.
• 1:43:48
  Speaker 5: How the hell did he end up in this?
• 1:43:50
  Speaker 4: And what kind of... dialect was he supposed to have
• 1:43:54
  Speaker 4: in this i mean uh gary oldman ish right it
• 1:43:58
  Speaker 4: was like it was probably the worst gary oldman he's
• 1:44:01
  Speaker 4: ever done he could have just i don't know what
• 1:44:04
  Speaker 4: he was doing i don't know what he was thinking
• 1:44:05
  Speaker 4: maybe he thought i'm gonna give them the worst thing
• 1:44:08
  Speaker 4: i've got because i don't you know i know.
• 1:44:10
  Speaker 5: This is this is gonna suck right so am i
• 1:44:14
  Speaker 5: I mean, they actually pulled it. Yeah, it's Julie Christie
• 1:44:17
  Speaker 5: is the grandmother and Virginia Madsen. I mean, they're bringing it.
• 1:44:20
  Speaker 5: Even Lucas Haas is a real actor.
• 1:44:22
  Speaker 1: Right.
• 1:44:23
  Speaker 7: Not in this movie. But I'm just like, they bring
• 1:44:25
  Speaker 7: in some pretty big names. I'm like, is it just
• 1:44:28
  Speaker 7: the Hardwick?
• 1:44:29
  Speaker 5: I mean, was it just because she opened with a
• 1:44:31
  Speaker 5: huge movie and now she has a little bit of power?
• 1:44:34
  Speaker 5: But still, I'm just like. This movie is pretty low budget.
• 1:44:38
  Speaker 5: I'm like, did they spend it all on just those
• 1:44:41
  Speaker 5: names and that was it?
• 1:44:42
  Speaker 11: Yeah.
• 1:44:43
  Speaker 5: I guess.
• 1:44:43
  Speaker 4: They didn't spend it on the set.
• 1:44:45
  Speaker 5: Yeah, it doesn't look like the set and the bad
• 1:44:46
  Speaker 5: CGI wolf.
• 1:44:47
  Speaker 14: And I mean, their craft food person was also their
• 1:44:50
  Speaker 14: first agent.
• 1:44:51
  Speaker 5: That's true, actually. That was the funniest thing that we
• 1:44:54
  Speaker 5: decided on the credits was the... The craft service person
• 1:44:58
  Speaker 5: was also in charge of first aid.
• 1:44:59
  Speaker 7: I was like, that's a bad sign for one or
• 1:45:03
  Speaker 7: the other of those. I don't know which, but it
• 1:45:07
  Speaker 7: can't be good.
• 1:45:08
  Speaker 4: Either you know the food's bad or you're going to die.
• 1:45:14
  Speaker 5: Oh, wow.
• 1:45:16
  Speaker 14: You know, I kept thinking that the grandma looked like
• 1:45:21
  Speaker 14: Amy Sedaris a lot.
• 1:45:23
  Speaker 4: Playing an old person, yeah.
• 1:45:26
  Speaker 5: Oh.
• 1:45:27
  Speaker 11: And I just kept, like, expecting her to do something wacky.
• 1:45:29
  Speaker 11: I mean, like.
• 1:45:32
  Speaker 4: I loved the obvious. They were obviously trying to make
• 1:45:36
  Speaker 4: you think it was for the grandma from earlier.
• 1:45:38
  Speaker 1: Yeah.
• 1:45:38
  Speaker 4: And it was like, well, I know it's not her.
• 1:45:40
  Speaker 5: Well, and then they worked in the... Once she sat
• 1:45:43
  Speaker 5: there and talked to the wolf... Then they worked in
• 1:45:46
  Speaker 5: the whole brown eyes thing and like, okay, well, here's
• 1:45:48
  Speaker 5: how we keep people guessing. Cast nothing but people with
• 1:45:52
  Speaker 5: brown eyes. The entire rest of the cast has brown eyes.
• 1:45:56
  Speaker 5: It's like, so yeah, that kind of screwed over anybody else.
• 1:46:00
  Speaker 4: And the dad's eyes weren't that color.
• 1:46:02
  Speaker 5: Yeah, well, they changed as he did, I suppose.
• 1:46:07
  Speaker 1: Yeah.
• 1:46:08
  Speaker 4: Well, and I know the woodcutter was too stupid to
• 1:46:10
  Speaker 4: be there.
• 1:46:11
  Speaker 5: Yeah, really?
• 1:46:12
  Speaker 4: That was the other thing.
• 1:46:12
  Speaker 5: It's like he would not have covered his tracks very
• 1:46:14
  Speaker 5: well because he's an idiot. As is the blacksmith. They're
• 1:46:18
  Speaker 5: both dumb.
• 1:46:19
  Speaker 4: Right.
• 1:46:20
  Speaker 5: Oh, God.
• 1:46:22
  Speaker 1: Yeah.
• 1:46:23
  Speaker 14: And the guy that plays the dad, what did we
• 1:46:27
  Speaker 14: decide his name is?
• 1:46:28
  Speaker 4: Burke. Billy Burke.
• 1:46:29
  Speaker 11: Billy Burke.
• 1:46:31
  Speaker 5: Yeah, Billy Burke.
• 1:46:32
  Speaker 14: He was drunk through most of the movie. And he
• 1:46:35
  Speaker 14: just looks like someone who's... He just looks drunk. Like,
• 1:46:38
  Speaker 14: he just looks like he'd be drunk all the time.
• 1:46:40
  Speaker 14: I don't... Just something about his face. It's like fetal
• 1:46:43
  Speaker 14: alcohol syndrome or something.
• 1:46:44
  Speaker 5: He kind of looked like a pedophile to me, too.
• 1:46:46
  Speaker 4: He looked a little bit like a pedophile.
• 1:46:49
  Speaker 1: Nice.
• 1:46:49
  Speaker 5: So... I mean.
• 1:46:51
  Speaker 11: Well.
• 1:46:52
  Speaker 5: All right. Keep your kids away. From the big bad wolf.
• 1:46:56
  Speaker 4: Maybe that was acting. Maybe he did a fantastic job.
• 1:47:00
  Speaker 11: At looking like an alcoholic.
• 1:47:01
  Speaker 14: He's such a great actor. He made himself be born
• 1:47:05
  Speaker 14: to look like an alcoholic pedophile.
• 1:47:08
  Speaker 4: How did Virginia Madsen's face heal? She had deep gashes
• 1:47:14
  Speaker 4: in her face. And then the next day it seemed like,
• 1:47:17
  Speaker 4: I know it was supposed to be maybe that winter.
• 1:47:20
  Speaker 4: But those were deep scars.
• 1:47:22
  Speaker 5: I don't think it's... I mean, to me, none of
• 1:47:24
  Speaker 5: it felt like time moved very far. It all seemed
• 1:47:26
  Speaker 5: like it happened in about a week, really.
• 1:47:29
  Speaker 4: And Red Riding Hood miraculously went from about ankle length
• 1:47:35
  Speaker 4: to about... the longest train you've ever seen when they're
• 1:47:39
  Speaker 4: up on the mountain.
• 1:47:40
  Speaker 5: I don't know what happened there. It's like Spawn's cape
• 1:47:43
  Speaker 5: is what it is.
• 1:47:45
  Speaker 11: Well, you start with knitting needles.
• 1:47:46
  Speaker 14: She wasn't actually knitting, but she was holding them, so
• 1:47:48
  Speaker 14: maybe she just threw out the wintertime.
• 1:47:50
  Speaker 5: Those were kind of dream sequence-y. I assumed those were
• 1:47:56
  Speaker 5: not in reality. Not that anything is based in reality
• 1:47:59
  Speaker 5: in this movie.
• 1:47:59
  Speaker 4: It looked like a Depeche Mode video.
• 1:48:02
  Speaker 5: I'm telling you, she was Spawn for a second. Well, yeah. So, yeah,
• 1:48:06
  Speaker 5: that's a whole other issue. But, again, I was giving,
• 1:48:09
  Speaker 5: you know, again, they were going for a very dreamy,
• 1:48:12
  Speaker 5: gothy romance thing, so most of those were those cutaways
• 1:48:16
  Speaker 5: into her dreaminess.
• 1:48:17
  Speaker 16: I guess.
• 1:48:18
  Speaker 4: I suppose.
• 1:48:19
  Speaker 1: Um.
• 1:48:20
  Speaker 4: Were they seriously setting that up for a sequel?
• 1:48:25
  Speaker 5: Oh, I'm sure.
• 1:48:26
  Speaker 4: I mean, you know, it definitely... He's going to go
• 1:48:29
  Speaker 4: off until he figures out how to... Sorry, I'm spoiling this.
• 1:48:34
  Speaker 5: Well, we're going to get to the rest of the
• 1:48:35
  Speaker 5: end here in a minute. But, I mean, well, I mean,
• 1:48:38
  Speaker 5: look at the last time out. I mean, the last
• 1:48:40
  Speaker 5: time she directed the first in a series, it's now
• 1:48:43
  Speaker 5: gone on to make billions of dollars. And they're doing
• 1:48:47
  Speaker 5: five movies in the series. Five? Yeah. There's four books,
• 1:48:51
  Speaker 5: and they're breaking the last book up into two movies.
• 1:48:53
  Speaker 20: Why?
• 1:48:54
  Speaker 5: Thank you. Yeah, so.
• 1:48:56
  Speaker 4: Blaming it on Harry Potter.
• 1:48:57
  Speaker 5: Yeah, I'm blaming it on Harry Potter, too. And I'm
• 1:49:00
  Speaker 5: blaming it on the fact that they realized they ran
• 1:49:02
  Speaker 5: out of books. Like, shit, we can't make another movie. Oh,
• 1:49:05
  Speaker 5: what if we just drag this one out for two movies?
• 1:49:07
  Speaker 11: I'm just glad they didn't do that.
• 1:49:08
  Speaker 14: They didn't decide that when Lord of the Rings was
• 1:49:11
  Speaker 14: being made.
• 1:49:11
  Speaker 16: Oh, wow.
• 1:49:12
  Speaker 5: That would have gone on forever.
• 1:49:12
  Speaker 4: They made eight movies for that.
• 1:49:14
  Speaker 5: Yeah, they kind of did if you buy the box set.
• 1:49:17
  Speaker 5: He had sense enough to cut it down a little bit.
• 1:49:19
  Speaker 5: Not that much. Could have cut out the second movie.
• 1:49:22
  Speaker 5: But those were good books. Yeah, and those were good movies.
• 1:49:26
  Speaker 5: That's an entirely different thing than what we saw today.
• 1:49:30
  Speaker 4: Yeah, why did we say this?
• 1:49:32
  Speaker 5: Well, then we'll go to that. Okay, what is your
• 1:49:34
  Speaker 5: thoughts on the little red angle?
• 1:49:37
  Speaker 7: Because, I mean, they definitely work all that in, but
• 1:49:40
  Speaker 7: for the most part, it mostly just feels like a
• 1:49:43
  Speaker 7: werewolf movie.
• 1:49:44
  Speaker 4: Yeah.
• 1:49:44
  Speaker 7: I mean, by the end, and I guess we can
• 1:49:47
  Speaker 7: get into that final wrap-up, but I mean... It definitely,
• 1:49:50
  Speaker 7: it's not just like in the beginning, I thought they
• 1:49:52
  Speaker 7: were just sort of like once they give her the
• 1:49:54
  Speaker 7: cloak and it's like, okay, they're using the visuals. They've
• 1:49:57
  Speaker 7: got her as the little red, you know, they've got
• 1:49:59
  Speaker 7: a grandmother, they've got the wolf image.
• 1:50:00
  Speaker 4: They give you a recognizable name to get you in
• 1:50:02
  Speaker 4: the theater.
• 1:50:03
  Speaker 5: So, I mean, well, I mean, there's plenty of other
• 1:50:06
  Speaker 5: movies that, you know, somewhere down the line we may
• 1:50:08
  Speaker 5: address that just kind of play with the basic setup
• 1:50:12
  Speaker 5: of that. And they use the visuals, but they don't
• 1:50:14
  Speaker 5: ever get like super, you know, specific about it.
• 1:50:17
  Speaker 1: Yeah.
• 1:50:17
  Speaker 5: But when she has the, once again, dream sequence where
• 1:50:21
  Speaker 5: she delivers the lines, the big eyes you have, I mean,
• 1:50:25
  Speaker 5: they actually, like, specifically give you the lines.
• 1:50:29
  Speaker 4: That was well done because it's cheesy if it really
• 1:50:33
  Speaker 4: happens in the movie.
• 1:50:34
  Speaker 1: Yeah.
• 1:50:35
  Speaker 4: But since it's a dream sequence, she, you know, it
• 1:50:37
  Speaker 4: pulls it off. that you can really get that in
• 1:50:39
  Speaker 4: the tail without actually getting it.
• 1:50:42
  Speaker 5: See, I thought it was a cop-out. I kind of
• 1:50:43
  Speaker 5: went the other way. I was like, you know, if
• 1:50:45
  Speaker 5: you're not going to work it in for real, just
• 1:50:48
  Speaker 5: don't bother putting it in. That was my take. It
• 1:50:51
  Speaker 5: just felt like, okay, how can we cram this in there,
• 1:50:54
  Speaker 5: even though it's going to be stupid if we do
• 1:50:55
  Speaker 5: it in the real world. Oh, dream sequence. It just
• 1:50:57
  Speaker 5: felt like an easy way to hammer in what we
• 1:51:01
  Speaker 5: have to do for this to be a, Little red story,
• 1:51:04
  Speaker 5: but at the same time, it really would be awkward
• 1:51:07
  Speaker 5: if it really happened like that, and it would screw
• 1:51:09
  Speaker 5: up the way the end of the movie is, so... Oh, yeah. Hmm,
• 1:51:12
  Speaker 5: what is... I don't know, I just.
• 1:51:14
  Speaker 20: It just seemed like a cheap way to go about it, but...
• 1:51:16
  Speaker 20: I did like the scene where they were using the
• 1:51:21
  Speaker 20: stones and sewing... You know, that's straight out of the book.
• 1:51:25
  Speaker 17: Yeah.
• 1:51:25
  Speaker 5: That's what I was going to give them credit. Even
• 1:51:28
  Speaker 5: in the story. I'm not sure what the hell was
• 1:51:30
  Speaker 5: the reason. Like in the original, in this movie, I
• 1:51:32
  Speaker 5: understand why they do it. And the original story, why
• 1:51:35
  Speaker 5: the hell did they do that? I don't know. It
• 1:51:37
  Speaker 5: makes no sense. It's just creepy.
• 1:51:39
  Speaker 1: Yeah. Yeah.
• 1:51:40
  Speaker 4: That's exactly what they do in the story.
• 1:51:42
  Speaker 5: Yeah, I'll give them that. By the time it got
• 1:51:45
  Speaker 5: to the end wrap up and she's like, okay, I'm
• 1:51:47
  Speaker 5: going to grandmother's house.
• 1:51:48
  Speaker 7: I'm like, all right, here's the cheesy finale. So she
• 1:51:51
  Speaker 7: goes to grandmother's house and they work in all of it.
• 1:51:53
  Speaker 7: It's like the wolf is there and it just killed grandmother.
• 1:51:57
  Speaker 1: Right.
• 1:51:57
  Speaker 5: Then you've got the woodsman shows up to save her.
• 1:52:01
  Speaker 5: They did at least semi-modernize it and made her kind
• 1:52:04
  Speaker 5: of save herself and finish the job.
• 1:52:07
  Speaker 4: Her, the feminist.
• 1:52:08
  Speaker 5: Yeah.
• 1:52:08
  Speaker 7: So, I mean, it gives a little modernization to it,
• 1:52:11
  Speaker 7: I guess. But, I mean, for the most part, the
• 1:52:13
  Speaker 7: woodsman comes up to save her.
• 1:52:14
  Speaker 5: You know, I mean, it still follows very much the
• 1:52:18
  Speaker 5: basic story of Little Red.
• 1:52:19
  Speaker 11: But only at the end.
• 1:52:23
  Speaker 4: It did work in the necessity to sink the body
• 1:52:27
  Speaker 4: and fill it with stones and sink the body. That was,
• 1:52:31
  Speaker 4: oh yeah, she does have to get rid of him
• 1:52:34
  Speaker 4: or else they will kill her. So that's actually pretty good. Again,
• 1:52:39
  Speaker 4: within this movie, that part actually makes sense.
• 1:52:41
  Speaker 1: Right.
• 1:52:42
  Speaker 5: I remember hearing that in the fairy tale and going, God,
• 1:52:45
  Speaker 5: that's creepy.
• 1:52:46
  Speaker 1: Right.
• 1:52:46
  Speaker 5: And what's the point of that?
• 1:52:47
  Speaker 4: But now they took something that was awkward and made
• 1:52:49
  Speaker 4: it a plot point.
• 1:52:50
  Speaker 5: Yeah. So if there's a plus here and there in
• 1:52:53
  Speaker 5: this movie, that's one. They actually did take something legitimately
• 1:52:57
  Speaker 5: in the story and find an interesting and good way
• 1:53:00
  Speaker 5: to work it into this movie.
• 1:53:01
  Speaker 4: Yeah.
• 1:53:02
  Speaker 5: If only there was more of that.
• 1:53:04
  Speaker 1: Right.
• 1:53:04
  Speaker 11: I like that.
• 1:53:06
  Speaker 14: She decided that she could never forgive her father for
• 1:53:09
  Speaker 14: what he's done, and she doesn't want anything to do
• 1:53:12
  Speaker 14: with him because he's a beast. But it's okay when
• 1:53:15
  Speaker 14: it happens to her boyfriend.
• 1:53:16
  Speaker 5: Well, he's hot, so that makes it all right. Yeah,
• 1:53:20
  Speaker 5: I thought that, too.
• 1:53:21
  Speaker 7: I was like, she went very quickly from, I love you, Dad.
• 1:53:24
  Speaker 7: Thanks for looking out for us, to, oh, I've got
• 1:53:26
  Speaker 7: to kill this motherfucker.
• 1:53:27
  Speaker 1: Right.
• 1:53:28
  Speaker 5: And then, you know, a few minutes later, it's just like,
• 1:53:30
  Speaker 5: don't leave.
• 1:53:31
  Speaker 11: I'll wait for you.
• 1:53:33
  Speaker 14: And then, like, Gary Oldman's severed hand stabbed through him.
• 1:53:37
  Speaker 11: Like, really? Really?
• 1:53:39
  Speaker 4: That's retarded.
• 1:53:40
  Speaker 5: Silver.
• 1:53:41
  Speaker 4: The silver-tipped fingernails.
• 1:53:44
  Speaker 11: Yeah.
• 1:53:45
  Speaker 5: I'm getting me some of those. What are you talking about?
• 1:53:47
  Speaker 4: Those are sporty.
• 1:53:47
  Speaker 14: Got some silver nail polish, I think, somewhere in this car.
• 1:53:50
  Speaker 5: No. More than cheesy. You gotta have Lee Press on
• 1:53:52
  Speaker 5: silver nails.
• 1:53:56
  Speaker 12: Yeah.
• 1:53:56
  Speaker 11: I don't know. It was just kind of like.
• 1:53:59
  Speaker 5: I mean, here was... There were two things I want
• 1:54:02
  Speaker 5: to say. Number one, I was like halfway away from
• 1:54:06
  Speaker 5: a snicker through about half of this movie. Like I
• 1:54:08
  Speaker 5: could never take it seriously. And I don't even know
• 1:54:11
  Speaker 5: what it was sometimes. Sometimes it was just the look
• 1:54:13
  Speaker 5: of it. Anytime that Peter was on the screen, I
• 1:54:16
  Speaker 5: couldn't help but almost snicker. Everything was just one shade
• 1:54:20
  Speaker 5: away from, God, this is funny. But it wasn't. I mean,
• 1:54:24
  Speaker 5: it wasn't a comedy. It wasn't made to be funny.
• 1:54:26
  Speaker 5: It was just something about it was just you could
• 1:54:29
  Speaker 5: not take it seriously. And I don't know what it
• 1:54:31
  Speaker 5: was exactly.
• 1:54:33
  Speaker 11: There was a.
• 1:54:33
  Speaker 14: Total lack of comedy in this movie. There wasn't really
• 1:54:35
  Speaker 14: anything that was funny, like intentionally funny.
• 1:54:38
  Speaker 5: Sometimes they shove that into stuff that it doesn't need
• 1:54:42
  Speaker 5: to be, so I don't really have to have that, but...
• 1:54:45
  Speaker 5: In this, that already is, I mean, a pretty cheesy story.
• 1:54:49
  Speaker 5: You almost could have lightened it up a little bit
• 1:54:52
  Speaker 5: because it takes itself so seriously. And we're not is
• 1:54:56
  Speaker 5: the downside of that. It's like if we were buying
• 1:54:58
  Speaker 5: into it, and I'm pretty sure nobody in that theater
• 1:55:01
  Speaker 5: bought into it. So, yeah, I don't know.
• 1:55:04
  Speaker 4: There was never really anything at stake. I mean, it
• 1:55:07
  Speaker 4: never felt like you were, she was in peril.
• 1:55:11
  Speaker 1: No.
• 1:55:12
  Speaker 4: It never felt like, because, well, it wasn't going to
• 1:55:14
  Speaker 4: kill her.
• 1:55:15
  Speaker 5: You know what I mean?
• 1:55:16
  Speaker 4: It wasn't, no. So she was never, ever really in danger.
• 1:55:20
  Speaker 4: And the rest of the people you didn't give a
• 1:55:23
  Speaker 4: shit about.
• 1:55:23
  Speaker 5: No, not really.
• 1:55:24
  Speaker 4: So what's, you know, she's your protagonist. Why do we
• 1:55:27
  Speaker 4: care anymore? You know, the wolf's not going to get her. Oh,
• 1:55:30
  Speaker 4: fuck it. When's Gary Oldman going to die? That's pretty
• 1:55:32
  Speaker 4: much all that's going to happen.
• 1:55:34
  Speaker 5: Well, from the beginning, it was kind of like that. Well,
• 1:55:36
  Speaker 5: like in the very first couple of scenes there together,
• 1:55:39
  Speaker 5: it's just like, that's it, let's run away. And I
• 1:55:41
  Speaker 5: was just like, okay. I'm like, go ahead. I was like,
• 1:55:44
  Speaker 5: what do you have in this town? It's not like now,
• 1:55:47
  Speaker 5: you know, what do you, bought a house, you know,
• 1:55:49
  Speaker 5: you got a car, you got to deal with. It's like,
• 1:55:51
  Speaker 5: in that town, you probably had a knapsack full of
• 1:55:54
  Speaker 5: crap and you could be gone and you could set
• 1:55:56
  Speaker 5: up shop in a whole new area and be right
• 1:55:59
  Speaker 5: where you were when you left. I was like, it really,
• 1:56:01
  Speaker 5: you don't have to cut anywhere. Aside from her family,
• 1:56:04
  Speaker 5: you know, that's her roots, I suppose. But other than that,
• 1:56:06
  Speaker 5: what roots do you have in those kind of lives?
• 1:56:08
  Speaker 5: I mean, you could pick up and move and do
• 1:56:11
  Speaker 5: whatever you want. So, you know, they really should have
• 1:56:13
  Speaker 5: just gotten the hell out of there in the beginning
• 1:56:15
  Speaker 5: and gotten away from this whole story.
• 1:56:16
  Speaker 14: I don't know if it was the acting or just
• 1:56:18
  Speaker 14: because I only touched on these subjects briefly, but nothing
• 1:56:21
  Speaker 14: seemed serious. Her sister died, and everyone was kind of
• 1:56:25
  Speaker 14: sad for a minute, but it wasn't, like, a huge deal,
• 1:56:27
  Speaker 14: you know? Like, her mother admitted to her that her
• 1:56:31
  Speaker 14: sister was only her half-sister, that she'd been banging her
• 1:56:35
  Speaker 14: fiancé' s dad. And it wasn't a huge deal. It was
• 1:56:40
  Speaker 14: just kind of like, I'm going to go to the
• 1:56:43
  Speaker 14: grocery store and buy some bananas.
• 1:56:45
  Speaker 11: Not like someone... Something serious happened.
• 1:56:50
  Speaker 4: She comes upon mom and dad standing over the body
• 1:56:53
  Speaker 4: of their sister, and they're just like, hey, how's it going?
• 1:56:56
  Speaker 4: And she goes over and cries, but they're just like, yeah,
• 1:56:58
  Speaker 4: it sucks, doesn't it?
• 1:56:59
  Speaker 5: Well, and that's what I thought. I was like, let's
• 1:57:01
  Speaker 5: all just stand around the body and stare at it
• 1:57:04
  Speaker 5: like the whole town was, but especially mom and dad
• 1:57:06
  Speaker 5: just kind of looking at it like it was fireworks
• 1:57:09
  Speaker 5: or something. Oh, look at that. Hey, look at that.
• 1:57:12
  Speaker 5: It's a dead person. I was like, what are you doing?
• 1:57:16
  Speaker 5: it's like go put a sheet over and drag her
• 1:57:20
  Speaker 5: away and go bury her don't stand there for hours
• 1:57:22
  Speaker 5: and stare at her you weirdos yeah.
• 1:57:27
  Speaker 4: Yeah and I love I love how when a when
• 1:57:29
  Speaker 4: a A wolf scratches you across the chest, you're dead.
• 1:57:33
  Speaker 1: It does. Yeah.
• 1:57:35
  Speaker 4: You know, I mean, a wolf is going to rip
• 1:57:37
  Speaker 4: the shit out of you, but if it scratches you
• 1:57:39
  Speaker 4: across the chest, you're dead.
• 1:57:41
  Speaker 5: That's it.
• 1:57:43
  Speaker 14: I would think you might get, like, a staph infection
• 1:57:45
  Speaker 14: and eventually die from it after a couple of months.
• 1:57:48
  Speaker 5: Not there, because everything there is clean. There are no germs.
• 1:57:52
  Speaker 4: But if it scratches you on the face like it
• 1:57:54
  Speaker 4: does with Virginia Madsen, it heals in, like, three days. Oh,
• 1:57:56
  Speaker 4: it heals instantly.
• 1:57:57
  Speaker 5: Yeah. I think that's because she was a vampire. That's
• 1:58:04
  Speaker 5: a whole different spinoff movie they're working on.
• 1:58:06
  Speaker 4: It was the makeup that helped her.
• 1:58:07
  Speaker 5: Well, that too. She had like four pounds of makeup.
• 1:58:10
  Speaker 5: it couldn't get through.
• 1:58:11
  Speaker 4: Yeah, that wasn't scars. That was just concealer.
• 1:58:17
  Speaker 5: Once I chiseled off the rest of my makeup, I
• 1:58:19
  Speaker 5: was fine.
• 1:58:21
  Speaker 4: Oh, wow.
• 1:58:23
  Speaker 1: Wow.
• 1:58:24
  Speaker 14: If you want to watch this movie, don't. Watch Twilight
• 1:58:28
  Speaker 14: and The Village.
• 1:58:30
  Speaker 5: Right.
• 1:58:30
  Speaker 4: They're both good movies.
• 1:58:32
  Speaker 11: And get drunk.
• 1:58:32
  Speaker 5: Get drunk. I don't know if I can get behind
• 1:58:35
  Speaker 5: Twilight being a good movie, but.
• 1:58:37
  Speaker 4: At least you got vampire baseball.
• 1:58:39
  Speaker 5: I know I bring it up a lot.
• 1:58:41
  Speaker 4: I don't like that either. Oh, come on. You gotta
• 1:58:44
  Speaker 4: love vampire baseball.
• 1:58:45
  Speaker 5: No, I don't.
• 1:58:47
  Speaker 11: I mean.
• 1:58:51
  Speaker 14: At least in Twilight they lived in a really cool house.
• 1:58:55
  Speaker 14: Like all the vampires lived in a really cool house.
• 1:58:58
  Speaker 11: I mean.
• 1:58:59
  Speaker 4: And why would you have beds if you're vampires that
• 1:59:01
  Speaker 4: never sleeped? Just pointing that out.
• 1:59:02
  Speaker 11: I don't think they did have beds, did they?
• 1:59:04
  Speaker 4: I don't know. I thought she had a bed in
• 1:59:06
  Speaker 4: his room. Maybe I'm wrong. I ain't going back to
• 1:59:09
  Speaker 4: watch it.
• 1:59:10
  Speaker 5: How do they make that baby then?
• 1:59:12
  Speaker 4: Yeah, really.
• 1:59:13
  Speaker 11: How is that even possible? You're dead.
• 1:59:15
  Speaker 14: I mean, do vampires still have sperm?
• 1:59:18
  Speaker 5: Do they sparkle? I mean, there's a lot of loopholes
• 1:59:22
  Speaker 5: in this plot line.
• 1:59:23
  Speaker 11: I just know in True Blood, when vampires cry, they
• 1:59:25
  Speaker 11: cry blood.
• 1:59:26
  Speaker 5: Alright, that's hot then. Hot, bloody sperm.
• 1:59:32
  Speaker 14: Yeah, so that's what we were trying to decide when
• 1:59:35
  Speaker 14: we were watching it.
• 1:59:36
  Speaker 11: We're like, so... Because that's all.
• 1:59:38
  Speaker 14: They do in True Blood is bang each other. It's
• 1:59:40
  Speaker 14: just like, so do, you know, is it like blood too?
• 1:59:43
  Speaker 11: I mean.
• 1:59:44
  Speaker 5: I'm going to blood all over you, honey. Gross. Gross. So,
• 1:59:49
  Speaker 5: you brought it up. Don't start it if you don't
• 1:59:51
  Speaker 5: want me to finish it.
• 1:59:52
  Speaker 4: Maybe it's sparkle spur.
• 1:59:53
  Speaker 5: There you go. Wait, doesn't that kind of.
• 1:59:57
  Speaker 11: It's sparkles.
• 1:59:58
  Speaker 5: You just kind of, yeah, you got to give it
• 2:00:00
  Speaker 5: a few hours. So, all right. And that was it.
• 2:00:06
  Speaker 5: The other thing I was going to say, the other
• 2:00:07
  Speaker 5: main thing that I. I was thinking in the middle
• 2:00:10
  Speaker 5: of this movie, and it's funny because as soon as
• 2:00:12
  Speaker 5: you got to the car, I think you kind of
• 2:00:14
  Speaker 5: were probably thinking the same thing. I was maybe 20
• 2:00:18
  Speaker 5: minutes into this movie, and I was like, okay, this
• 2:00:20
  Speaker 5: needs to hurry up and end because I got things
• 2:00:21
  Speaker 5: I want to talk about.
• 2:00:23
  Speaker 4: Right.
• 2:00:24
  Speaker 7: That's a bad sign in a movie when you can't
• 2:00:26
  Speaker 7: wait until it's over so you can talk shit about it.
• 2:00:29
  Speaker 4: Talk shit about it, yeah.
• 2:00:30
  Speaker 5: I was like, oh, hurry up. I've got to make
• 2:00:32
  Speaker 5: fun of Peter's face. Come on.
• 2:00:34
  Speaker 4: I was just praying that for some reason one of
• 2:00:36
  Speaker 4: you two didn't like it. I was like, what? It
• 2:00:38
  Speaker 4: was good. I might have to just quit the show altogether.
• 2:00:43
  Speaker 14: I mean, I just don't think they should... it just
• 2:00:47
  Speaker 14: felt like a sci-fi.
• 2:00:48
  Speaker 13: Channel movie oh no it's like it's better than that
• 2:00:52
  Speaker 13: i won't go so far as to say that because
• 2:00:54
  Speaker 13: those are those are pretty bad yeah but those aren't
• 2:00:57
  Speaker 13: even trying but like this one they were trying and
• 2:01:00
  Speaker 13: they just failed but they.
• 2:01:02
  Speaker 5: At least put effort into this one where they don't
• 2:01:04
  Speaker 5: even do that with sci-fi anymore it's just a joke
• 2:01:07
  Speaker 5: and they know it's a joke this one it's like
• 2:01:09
  Speaker 5: they weren't even in on the joke in this movie
• 2:01:12
  Speaker 5: They were just like showing up and thinking this was like,
• 2:01:14
  Speaker 5: you know, Oscar caliber work. But sadly, we all disagree.
• 2:01:18
  Speaker 4: What religion was Gary Oldman supposed to be?
• 2:01:23
  Speaker 5: A father, but he can knock out a couple of kids.
• 2:01:26
  Speaker 4: Right.
• 2:01:27
  Speaker 5: Maybe the rules were different back then in fairytale times.
• 2:01:30
  Speaker 4: And Lucas Haas looked and acted nothing like clergy.
• 2:01:34
  Speaker 5: Was he clergy? Yeah. I thought he was just like
• 2:01:36
  Speaker 5: a religious fanboy. He was just ready to blow.
• 2:01:39
  Speaker 4: I think he was supposed to be the priest.
• 2:01:42
  Speaker 5: Was he? I had no idea that's what he.
• 2:01:44
  Speaker 4: Was supposed to be. He was the only one that
• 2:01:45
  Speaker 4: had the cross on. He always looked like he was
• 2:01:48
  Speaker 4: living or going back into the church.
• 2:01:51
  Speaker 5: You know, once again, they didn't really make that quite
• 2:01:55
  Speaker 5: evident in the story enough because... He.
• 2:01:58
  Speaker 14: Played an excellent Amish person, so we know he has
• 2:02:01
  Speaker 14: the talent to play someone with religious conviction.
• 2:02:04
  Speaker 5: I mean, again, that one's another letdown because, I mean,
• 2:02:07
  Speaker 5: he's actually a really good actor now, but he has
• 2:02:10
  Speaker 5: nothing to do in this. He just stands there looking
• 2:02:12
  Speaker 5: at Gary Oldman the whole time going, oh, my God,
• 2:02:15
  Speaker 5: you're so awesome. Oh, like he's just.
• 2:02:17
  Speaker 4: Right.
• 2:02:18
  Speaker 5: Every few seconds they get his voice to crack again.
• 2:02:21
  Speaker 5: And I'm like, you know, he's not 14 anymore. Right.
• 2:02:23
  Speaker 5: He still looks young, but you know what? He's like
• 2:02:26
  Speaker 5: 35 or 40 now. I'm like, quit giving him these roles.
• 2:02:29
  Speaker 4: He played, he played, what was that, in Brick.
• 2:02:32
  Speaker 5: Yeah. He's amazing in that. He's fantastic in that movie.
• 2:02:35
  Speaker 5: And I just, he just saw him in Inception. He
• 2:02:37
  Speaker 5: doesn't have a big role, but he's good in it.
• 2:02:39
  Speaker 5: I'm just like, give him good roles and he can
• 2:02:41
  Speaker 5: do it. But this, he has nothing to do in
• 2:02:44
  Speaker 5: this movie. Absolutely nothing.
• 2:02:45
  Speaker 1: Yeah.
• 2:02:47
  Speaker 5: So, yeah, if you can't wait to get through this
• 2:02:49
  Speaker 5: movie to make fun of it, feel free to watch it.
• 2:02:51
  Speaker 1: Right.
• 2:02:52
  Speaker 4: There's got to be a drinking game hidden in this
• 2:02:54
  Speaker 4: movie somewhere.
• 2:02:57
  Speaker 5: Every time somebody needs a Coke, take a drink. You'll
• 2:03:00
  Speaker 5: be dead by the end of the movie.
• 2:03:02
  Speaker 14: You know what bothered me most about this movie, I think,
• 2:03:05
  Speaker 14: was her little dreamy sequence.
• 2:03:07
  Speaker 11: Like, talking over things, explaining things.
• 2:03:10
  Speaker 14: You know, like, I still have my mother and my father.
• 2:03:14
  Speaker 14: But they're not really that important. Peter's the only one
• 2:03:16
  Speaker 14: I actually care about.
• 2:03:19
  Speaker 5: Because they have to sum things up again for dumb kids.
• 2:03:22
  Speaker 4: Because they can't show emotion. They have to tell you.
• 2:03:25
  Speaker 11: Exactly, yeah. I would do anything for him.
• 2:03:29
  Speaker 4: Right.
• 2:03:29
  Speaker 1: Okay, that's nice.
• 2:03:30
  Speaker 5: Thanks for letting us know about that.
• 2:03:33
  Speaker 4: There's another, there's the drinking game. There are so many
• 2:03:36
  Speaker 4: cliches that are actually spoken in this movie. And you're like, oh, well,
• 2:03:41
  Speaker 4: where'd they get that good line from? Yeah, it's pretty sad.
• 2:03:49
  Speaker 11: Thank you.
• 2:03:49
  Speaker 5: All right. I'm assuming that rounds out Red Riding Hood. Yeah.
• 2:03:57
  Speaker 3: Great.
• 2:03:57
  Speaker 4: Isn't a riding hood supposed to be The hood that
• 2:04:01
  Speaker 4: a woman would wear when she goes riding on a horse.
• 2:04:04
  Speaker 4: Isn't that right?
• 2:04:06
  Speaker 5: I guess that's probably where the title came from.
• 2:04:09
  Speaker 4: In no Red Riding Hood story do they ever mention
• 2:04:11
  Speaker 4: anything about riding.
• 2:04:13
  Speaker 5: It's because she's busy riding the wolf or the woodsman.
• 2:04:17
  Speaker 5: In all of these, it's all very... This is probably
• 2:04:19
  Speaker 5: the least sexual of any Red Riding Hood stories I've seen. So, yeah,
• 2:04:24
  Speaker 5: they really don't deliver on that angle.
• 2:04:25
  Speaker 4: And was Grandma in the pot of soup? At the end.
• 2:04:29
  Speaker 4: Is that what that was supposed to be?
• 2:04:31
  Speaker 14: I think they were just implying that dad's an awful cook.
• 2:04:34
  Speaker 5: I mean, again, in the actual story, that's what happens.
• 2:04:38
  Speaker 11: She gets put in the soup.
• 2:04:40
  Speaker 21: I don't really remember yeah i don't know that's in
• 2:04:43
  Speaker 21: the a bottle of her blood and like a piece
• 2:04:46
  Speaker 21: of her flesh on the plate or that's yeah earlier
• 2:04:49
  Speaker 21: today unfortunately i.
• 2:04:50
  Speaker 5: Watched that the other version yeah so yeah there's they're
• 2:04:54
  Speaker 5: more graphic than again they kind of just didn't deliver
• 2:04:57
  Speaker 5: on that either we don't get a lot of blood
• 2:04:59
  Speaker 5: and gore in this we don't get a lot of
• 2:05:01
  Speaker 5: acting you don't get a lot of things no the.
• 2:05:03
  Speaker 4: Gore is a scratch across your chest and that kills
• 2:05:06
  Speaker 4: you for I.
• 2:05:07
  Speaker 5: Mean the closest thing I guess would be more the
• 2:05:10
  Speaker 5: action I do like you know the wolf running around
• 2:05:12
  Speaker 5: killing people but again you don't see much of it
• 2:05:14
  Speaker 5: it's just a flash a blur of CGI wolf and
• 2:05:17
  Speaker 5: then like he just somebody falls into something so.
• 2:05:21
  Speaker 4: Come to think of it It's PG-13, isn't it?
• 2:05:24
  Speaker 5: Yeah.
• 2:05:24
  Speaker 4: That's why. They're going for.
• 2:05:27
  Speaker 5: 13, 14, 15. That's also why we didn't get to
• 2:05:29
  Speaker 5: see the weathermakers, but, you know, whatever.
• 2:05:31
  Speaker 4: I thought we were going to get to see some weathermakers, too.
• 2:05:35
  Speaker 1: I know.
• 2:05:35
  Speaker 5: Yeah, they PG-13 the hell.
• 2:05:36
  Speaker 1: Out of it.
• 2:05:37
  Speaker 14: I didn't know what you were talking about.
• 2:05:38
  Speaker 11: And then I was like, ah.
• 2:05:40
  Speaker 4: Whatever those kids were doing that they needed help with
• 2:05:43
  Speaker 4: were some cock blockers. That's all I gotta say.
• 2:05:45
  Speaker 5: Yeah, what the hell's that about?
• 2:05:47
  Speaker 4: Come here, we need some help. And he's like, okay.
• 2:05:49
  Speaker 1: Hell no.
• 2:05:50
  Speaker 4: He's not gonna pay for that.
• 2:05:52
  Speaker 5: I'm kinda in the middle of something right now.
• 2:05:54
  Speaker 4: I've been working on this since I was ten. What
• 2:05:55
  Speaker 4: are you doing? I had to kill that bunny for
• 2:05:59
  Speaker 4: this bitch. Oh, wow.
• 2:06:05
  Speaker 5: Alright, so that pretty much rounds out the Red Frighting Hood, so.
• 2:06:10
  Speaker 5: With that, let's see. To round out the rest of
• 2:06:12
  Speaker 5: the episode here, number one, as we mentioned last week,
• 2:06:15
  Speaker 5: we are nominated for a Rondo Award. So while you
• 2:06:18
  Speaker 5: still have time, by the end of this month, it's
• 2:06:20
  Speaker 5: all going to be over. So right now, stop what
• 2:06:22
  Speaker 5: you're doing. If you're driving, pull over to the side
• 2:06:24
  Speaker 5: of the road and start texting away on your phone
• 2:06:27
  Speaker 5: or whatever you need to do. Go to rondoaward.com and
• 2:06:31
  Speaker 5: in category 21, vote for Movie Meltdown for Best Horror Audio.
• 2:06:36
  Speaker 5: I mean, who else would take the bullet of Red
• 2:06:38
  Speaker 5: Riding Hood for you? Come on now.
• 2:06:40
  Speaker 4: Right. That was horror.
• 2:06:42
  Speaker 5: It was horror. It was nothing but a werewolf movie
• 2:06:44
  Speaker 5: if you ask me. So it was horror. So, yep,
• 2:06:48
  Speaker 5: go to rondoaward.com and vote for Movie Mountain.
• 2:06:51
  Speaker 4: And you'll get another Hotmail account or something like that
• 2:06:54
  Speaker 4: and vote again.
• 2:06:55
  Speaker 5: I didn't say that. I don't know anything about that.
• 2:06:59
  Speaker 5: If you do that, I take no responsibility for that. Otherwise,
• 2:07:05
  Speaker 5: once again, as I mentioned earlier, we are now sponsored
• 2:07:10
  Speaker 5: by Tweaked Audio. So go to tweakedaudio.com and put in
• 2:07:13
  Speaker 5: your discount code MELTDOWN and you will get 33% off
• 2:07:18
  Speaker 5: and free shipping. How awesome is that?
• 2:07:21
  Speaker 7: It's awesome.
• 2:07:22
  Speaker 4: They have good products. Great products. Go get them now.
• 2:07:29
  Speaker 5: All right, and to round it out, I played a
• 2:07:32
  Speaker 5: little of it earlier, but this is just going to
• 2:07:34
  Speaker 5: be the running theme for this entire Little Red series here.
• 2:07:38
  Speaker 5: But I thought this first inaugural edition, which we've had
• 2:07:43
  Speaker 5: two classy movies, but since it's the first one, I'm
• 2:07:47
  Speaker 5: going to give you the entire song from one of
• 2:07:49
  Speaker 5: my favorite bands of all time. Marlena, I'm pretty sure
• 2:07:52
  Speaker 5: it's one of yours, too.
• 2:07:53
  Speaker 11: Johnny-O and the Jerks.
• 2:07:54
  Speaker 5: Johnny-O and the Jerks. Little Red Riding Hood. I'm sure
• 2:07:57
  Speaker 5: we'll do many variations of this song, but there's... probably
• 2:08:00
  Speaker 5: my favorite so yep it's sad that they have as
• 2:08:04
  Speaker 5: a band passed on they are no more but their music.
• 2:08:07
  Speaker 11: Lifts on between me and brian and.
• 2:08:10
  Speaker 5: Misty that's about it yeah.
• 2:08:13
  Speaker 14: Jessica although on a side note It is my lifelong
• 2:08:18
  Speaker 14: goal to marry Ryan Koenig, who was not in Johnny
• 2:08:21
  Speaker 14: and the Jerks, but he was good friends with them.
• 2:08:23
  Speaker 5: He sometimes played with them. A good portion of the time, actually.
• 2:08:27
  Speaker 5: He was sort of like the alternate fourth member of
• 2:08:29
  Speaker 5: the band for most of the run.
• 2:08:31
  Speaker 4: Ex-officio.
• 2:08:32
  Speaker 1: Yeah.
• 2:08:33
  Speaker 5: He sat in a good portion of their existence.
• 2:08:35
  Speaker 11: Yeah.
• 2:08:36
  Speaker 14: Not to jinx things, because, I mean, you know, I
• 2:08:40
  Speaker 14: know him and he knows I exist and stuff like that,
• 2:08:43
  Speaker 14: but I'm sure he doesn't. Think of me on a
• 2:08:45
  Speaker 14: regular basis.
• 2:08:46
  Speaker 11: Look at you, man.
• 2:08:47
  Speaker 5: Well, if it'll help get the foot in the door,
• 2:08:50
  Speaker 5: I know his best friend in the world.
• 2:08:54
  Speaker 1: Shut up.
• 2:08:57
  Speaker 5: And I can probably get her to put a good
• 2:08:59
  Speaker 5: word in for you. Nobody else gets that joke, but.
• 2:09:04
  Speaker 11: Yeah, no, it's cool. I'll see him.
• 2:09:06
  Speaker 5: Misty has referenced that before. For some reason, Ryan went
• 2:09:09
  Speaker 5: on a fit one night, I think, because he was
• 2:09:10
  Speaker 5: massively drunk. that Misty was his best friend. And that
• 2:09:14
  Speaker 5: she now, like, anytime she hears about him, will be like,
• 2:09:17
  Speaker 5: you mean my best friend Ryan?
• 2:09:19
  Speaker 1: Yes.
• 2:09:20
  Speaker 7: So I don't know if he realizes that he's her
• 2:09:22
  Speaker 7: best friend anymore, now that he's sober.
• 2:09:24
  Speaker 5: Well, maybe he's not sober that often. I don't really
• 2:09:26
  Speaker 5: know him that well.
• 2:09:28
  Speaker 4: Maybe he gets drunk and tells everybody that Misty's his
• 2:09:30
  Speaker 4: best friend in the world.
• 2:09:32
  Speaker 5: I think he did. He certainly was that night.
• 2:09:34
  Speaker 11: Yeah. He wasn't drunk last time I talked to him.
• 2:09:38
  Speaker 4: Good for him.
• 2:09:38
  Speaker 14: You know.
• 2:09:39
  Speaker 5: But, like I said, I appreciate sober people. I wish
• 2:09:43
  Speaker 5: there were more of them in the world.
• 2:09:45
  Speaker 1: Yeah.
• 2:09:46
  Speaker 5: Oh, but yes. We're going out with their song. I'm
• 2:09:50
  Speaker 5: sure we'll play more because that whole album is phenomenal.
• 2:09:52
  Speaker 5: So I'll work in as many as I can as
• 2:09:54
  Speaker 5: we go on. Otherwise, anything else this week?
• 2:09:56
  Speaker 1: Mm-mm.
• 2:09:58
  Speaker 5: Round out your... Go see Red Riding Hood. Go see
• 2:10:00
  Speaker 5: Red Riding Hood. You're right. Exactly what you said.
• 2:10:03
  Speaker 4: Are we getting paid by them? No, don't see Red
• 2:10:05
  Speaker 4: Riding Hood.
• 2:10:06
  Speaker 5: Damn it. Just trying to sucker these bastards in.
• 2:10:10
  Speaker 16: Yeah, no.
• 2:10:12
  Speaker 11: Don't do it.
• 2:10:13
  Speaker 4: Don't do it. We did it. We took the bullet
• 2:10:15
  Speaker 4: for you.
• 2:10:17
  Speaker 11: Yeah.
• 2:10:18
  Speaker 14: Yeah, my friend, I was talking to her on the
• 2:10:21
  Speaker 14: way into the theater, and she's like, oh, I want
• 2:10:23
  Speaker 14: to see it.
• 2:10:23
  Speaker 11: Let me know how it is. I'm going to tell
• 2:10:25
  Speaker 11: her it was awesome.
• 2:10:26
  Speaker 5: I'm telling you. That's what I was trying to do.
• 2:10:28
  Speaker 5: Let's rope some people in just for the hell of it. Yeah,
• 2:10:31
  Speaker 5: it was great. Go see it.
• 2:10:33
  Speaker 4: Let's help make this movie successful so there's more shit
• 2:10:36
  Speaker 4: like this out there.
• 2:10:37
  Speaker 11: Exactly.
• 2:10:38
  Speaker 5: Okay, maybe not. I'm changing the plan. Otherwise, that about
• 2:10:42
  Speaker 5: does it. We will return next week. Same geek time,
• 2:10:44
  Speaker 5: same geek feed.
• 2:10:45
  Speaker 4: Thanks for listening.
• 2:10:47
  Speaker 5: Bye.
• 2:10:48
  Speaker 11: Bye.
• 2:10:50
  Speaker 4: Holy shit.
• 2:10:51
  Speaker 12: Hey there, little red riding hood.
• 2:10:56
  Speaker 1: You sure are looking good.
• 2:10:59
  Speaker 17: You're everything a big bad wolf could want.
• 2:11:05
  Speaker 16: Now listen to me, little red riding hood.
• 2:11:12
  Speaker 9: I don't think that big girl should go Walking in
• 2:11:18
  Speaker 9: the spooky.
• 2:11:19
  Speaker 1: Old woods alone.
• 2:11:25
  Speaker 17: What big eyes you have, and other eyes that drive old.
• 2:11:32
  Speaker 9: Man So see that you don't get chased, I think
• 2:11:35
  Speaker 9: I ought to walk with you for a ways out What.
• 2:11:41
  Speaker 10: Four lips you have, could sure love some old man
• 2:11:47
  Speaker 10: Build a gate to grandma's place I think I ought
• 2:11:51
  Speaker 10: to walk with.
• 2:11:53
  Speaker 1: You to be saved I'm.
• 2:11:55
  Speaker 9: Gonna keep my sheep suit on.
• 2:11:59
  Speaker 5: Until I'm sure that you've.
• 2:12:01
  Speaker 16: Been shown That I can be just, just one with
• 2:12:06
  Speaker 16: you alone Little Red Riding Hood I'd like.
• 2:12:16
  Speaker 9: To hold you if I could But you might think
• 2:12:20
  Speaker 9: I'm a big bad wolf So I won't What.
• 2:12:25
  Speaker 16: A big heart I have All the.
• 2:12:31
  Speaker 10: Better just to love you with Little.
• 2:12:37
  Speaker 1: Red Riding Hood Even.
• 2:12:39
  Speaker 5: Bad wolves.
• 2:12:46
  Speaker 10: Just walk on by my side.
• 2:12:49
  Speaker 9: Before we get to Grandma's place. You ought to see
• 2:12:54
  Speaker 9: things just my way.
• 2:12:58
  Speaker 17: Little Red Riding Hood. You sure are looking good. You're
• 2:13:06
  Speaker 17: everything a big bad wolf could want.
• 2:13:40
  Speaker 16: Thank you.
• 2:14:04
  Speaker 6: Oh, wow.
• 2:14:05
  Speaker 5: This is so weird.
• 2:14:06
  Speaker 11: Yeah.
• 2:14:07
  Speaker 1: What?
• 2:14:08
  Speaker 5: What?
• 2:14:10
  Speaker 9: What?
• 2:14:10
  Speaker 6: What?
• 2:14:32
  Speaker 1: What?
• 2:14:32
  Speaker 3: So are you attached or are you pinching off a
• 2:14:35
  Speaker 3: big load?
• 2:14:36
  Speaker 9: Are you dropping a big load?
• 2:14:41
  Speaker 1: Oh my God.
• 2:14:43
  Speaker 5: This show is a production of Movie Meltdown, produced and
• 2:14:46
  Speaker 5: edited by Brian Renfro, with opening music performed by The Empires.
• 2:14:50
  Speaker 4: To help support the show, email producer at moviemeltdown.com for
• 2:14:53
  Speaker 4: ways that you can contribute or advertise with us.