Get in Loser, We’re Committing a Murder
Salutations, my flesh suits!
This week we recap Brandon Cronenberg's brilliant horror sci-film Possessor, discuss the broader implications of a society where murder for hire is big business, and dissect the visual storytelling techniques Cronenberg uses to personify an crisis of identity on film as experienced through the wealth gap and disillusionment with traditional family life and gender roles that can leave irreparable scars on the psyche.
But first we're going to yap for twenty minutes about unrelated shit. Enjoy!
The skinny
The skinny isn't ready yet — notes appear once the transcript is processed.