Latest / Man in America Podcast / LIVE: The 1800s Mass Depopulation Mystery & the World’s Fairs Cover-Up | Sunday w/ Seth

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LIVE: The 1800s Mass Depopulation Mystery & the World’s Fairs Cover-Up | Sunday w/ Seth · Man in America Podcast

• 3:18
  Speaker 1: Have you ever missed a world you never lived in? I know that sounds strange, but look at this. Really look at it. Have you ever wondered why images like these can make you feel something that's almost impossible to put into words? It can't really be called nostalgia and you weren't there.
• 3:44
  Maybe you've walked some of these streets, maybe you've stood beneath these cathedrals and you've watched sunlight pour through the stained glass, but you never knew this world as it was then. You never experienced the culture that created it and yet somehow something inside of you misses it. You look at these buildings, these paintings, sculptures, these cities and there's almost like a sense of loss, like you're looking at something that mankind once possessed and somehow forgot or maybe something you're looking at it was taken from us. Because I feel something when I look at this, something deep in my soul moves and I don't think that I'm alone. Maybe though what we're feeling isn't nostalgia at all, maybe it's recognition.
• 4:35
  Maybe some part of us understands that human beings were made for more than fluorescent lights and concrete boxes and strip malls and screens and debt. Because this wasn't simply architecture, it wasn't simply art, It was a civilization that placed the highest emphasis on God and beauty and virtue. And then when I look at the world that we've inherited, something doesn't feel right. Somewhere between that world and this one, something happened. Something changed.
• 5:10
  And lately, I keep asking myself the same question. What have they taken from me? What have they taken from us? Because the more I watch the world around us just spiral into chaos, the more it drives me to figure out how in the world did we get here. This isn't supposed to be what life is like.
• 5:33
  Like, look around us. Look at the architecture, giant gray rectangles devoid of even an ounce of beauty, strip malls in every town across the country, decaying roads and infrastructure everywhere you drive, Houses built from cheap lumber with plastic nailed to the outside. And the architecture is just the easiest thing to see. The decay is everywhere. Look at the culture.
• 6:00
  Modern art that just destroys the human spirit. Paintings that look like they were done by the town drunk stepping on a ketchup bottle full of paint. Sculptures that look like some twisted creature that crawled out of the depths of hell. Music topping the charts that looks and sounds like it came from the prison yard of the worst inner city slums, glorifying murder, drugs, prostitution, sex, violence, even Satan himself. And underneath all of it is a system that seems to be built to protect the wolves and slaughter the sheep.
• 6:35
  The masses are convinced that the politicians will save us from this evil, while the politicians themselves are just marionettes dancing to the jerks of their own strings. Strings held by people that we never voted for that we may not even know. Strings made of these dense fibers woven with blackmail and greed and ego and perversion and lust for power. A system that protects and empowers evil while feeding off the righteous. Powerful global churches that will stop at nothing to protect the religious leaders that they know are raping and pillaging the innocent.
• 7:12
  The very men that people trusted to keep them safe from evil. A global medical system that hides and demonizes the cures while profiting from the suffering and the ailments that it helps create. A financial system built on usury and debt from the day it was born, trapping ordinary people in a lifelong struggle just to keep their heads above the water. Parents working multiple jobs just to pay for the cheap house wrapped in plastic that they'll never truly own anyway. They stop paying property taxes and the state just steals it like a thief in the night.
• 7:44
  Parents so busy trying to survive that they barely have time to raise their own children, so they end up handing them over to the state for education. And what's the education teach them? It erases their history. It tells them they didn't come from divine creation, but from some random accident in an accidental universe, and that their closest relatives are monkeys at the zoo throwing feces at each other. Sit down.
• 8:06
  Shut up. Raise your hand. Get in line. Don't question. So they can question their own gender that God gave them, but they better not question their textbook.
• 8:15
  They better not question their history. They better not question science or the doctor or the government. And if they work really, really hard and follow all the rules and go into massive college debt, maybe they can get a good job working for the very corporations that built the prison that they live inside. And if they're really lucky, maybe they can retire with a decade or two of freedom before wasting away in a nursing home, oftentimes alone because their own children are too busy working three or four jobs trying to afford their own plastic wrapped house, staring at their big screen TV with whatever little free time they have left, tuned into the bread and circus programming designed to make sure they never stop long enough to ask the most dangerous question of all, why? Why is the world like this?
• 9:06
  And God forbid, they actually start looking for an answer. Question the medical system and you're an anti vaxx terrorist. Question nine eleven or mass shootings or the world wars, and you're instantly labeled a conspiracy theorist. Suggest to your friends or family that there might be a small chance that our whole world is influenced or controlled by powerful secret societies or Luciferian bloodlines, and they're programmed to look at you like you belong in a padded room pumped full of antipsychotic drugs. And so the people who see it, the people who feel something is deeply wrong and refuse to stop asking questions, end up ostracized and mocked and ultimately alone, trying to process evil so dark and so disturbing that sometimes it feels like a thousand pound weight pressing down on your soul.
• 9:56
  And eventually that weight becomes so heavy that sometimes the only thing you can just do is cry. I mean, cry for the pain inflicted on mankind, cry for the innocent, cry for the children, cry for everything beautiful that's been corrupted, cry for an innocence that hasn't just been taken, but destroyed and devoured. But eventually, stop crying and something else takes its place. You get angry. Not this pointless anger they want us all trapped inside, something different.
• 10:31
  It's like a righteous indignation rises in your heart and deep inside your soul, and you decide that you're not gonna just sit quietly and watch this world be consumed by evil. You're gonna do something about it. You're gonna fight in whatever way you can with whatever means that you have. And maybe that strange feeling we started with, that feeling of missing a world that we never lived in, maybe it's not there so we can sit around mourning the past. Maybe it's trying to tell us something.
• 11:01
  Maybe it's reminding us that this is not all that mankind is capable of, that ugliness is not inevitable, that decay is not inevitable, living our lives in debt, distraction, isolation, and fear is not inevitable. That human beings have created extraordinary beauty, that we've made art that lifts the soul towards heaven, music that stirs every cell in your body with a sense of just divinity and purpose. We've built cathedrals that make you feel like you're stepping into a castle in heaven. So what happened? How did we get from that world to this one?
• 11:44
  And what if understanding that question requires us to look somewhere that we've been conditioned never to look? Backwards, into our own past. Because if you want to control where people are going, you first have to control what they believe about where they came from. And I think that's exactly what they did. And that's why I believe that our history matters so much.
• 12:11
  That's why I can't stop digging into it. It's become an obsession. Because maybe we'll never understand what was taken from us until we understand what we once had. And maybe before we can figure out where we're going, we have to finally discover out where we actually came from. And this is exactly what I've set out to do.
• 12:33
  So welcome to Man in America. I'm your host, Seth Hulghouse. So this is the next episode of my hidden history series where together, we're gonna go on a journey to uncover the truth of our history, the lies that we've been taught since birth, and ultimately, who's behind this, what their true motives are. And in tonight's journey, which we'll be doing live, so thank you for being here live. We'll do the comments in the second half.
• 12:58
  But... So tonight, we're gonna be taking a look at the World's Fairs again. I've already done a few shows on the Fairs, but I only focused on The Americas before. But they were just the tip of the iceberg. And around the world from Russia to France, massive exhibitions were held in the exact same time period.
• 13:17
  And magically, they followed the exact same script. Colossal cities more extravagant than anything we've ever built, you know, seen standing and built in one or two years and then erased from memory. But also be looking at some of the the supposed photographic proof that these structures were simply built with wood, nails, and plaster. And if you talk to any mainstream experts about these fairs, the photos are the first place that they point to disprove this conspiracy theory we have. So instead of ignoring the photos, we're gonna be looking at them with a critical eye.
• 13:51
  Because when you start to look closely at them, you start seeing some very strange and suspicious anomalies, and we're gonna get into that. I'm also gonna try to help you understand the scale of these structures, the, what they would have been like to walk through and explore. And we have some more photos from the eighteen hundreds as well. And the more I look at these photos, the more questions I have. So we're told that as civilizations grew and developed, huge amounts of construction happened in the eighteen hundreds to support this booming population.
• 14:22
  You know, massive cities, towering structures that just grew from the dust. And these photos are the proof that were always shown, but there's also many things that just don't make sense. The photos not only show cathedrals and neoclassical giants standing in barren fields with the occasional horse and buggy, but they show something else that might be a major clue in understanding the true history, a clue that points towards some sort of major depopulation event. And it's plain as day once you know what you're looking for. And then once we start venturing down the depopulation rabbit hole, we come across something even stranger and, in many ways, more disturbing, which is the depopulation postcard campaign and the Cabbage Patch Kids.
• 15:02
  So tonight's show is gonna be a wild ride. We're gonna have fun. Again, I'll be having the comments up later in the second half of the show. So if you have any questions or comments during it, I'll do a better job this week than last week of, you know, addressing those in the second half of the show. So, anyway, also, you have to be forgiving of me, because I, I've got a lot of notes and things, but I might have to pause occasionally to pull something up, because I...
• 15:31
  In all... In all... Honestly, I was up until almost 6AM last night working on this, and then worked on it a good chunk of the day today and just finished literally at 10:00. So, so there's a few loose ends I might have to tie up during the show because it was a pretty massive show to put together. But, anyway, let's just go ahead and get started, though, with the...
• 15:54
  Just the basic premise of the World's Fairs. Because on the surface, you know, none of this sounds particularly strange. Right? So the story that we're told is that beginning in the mid eighteen hundreds, countries around the world began hosting these enormous international exhibitions. Nations would come together and show off their latest inventions, machinery, art, architecture, agriculture, the...
• 16:21
  All their achievements. So it's basically... If you imagine, there's, like, the Olympics crossed with, like, the CES consumer electronics show, right, in that one giant state fair. Okay. I could potentially buy that.
• 16:32
  But here's where the story gets kinda crazy is because when you tell someone, oh, the world's fair, you know, it's easy to get the image of your local county fairgrounds. Right? Okay. You're thinking, okay. Tents and livestock barns and grandstands and, you know, Ferris wheel.
• 16:53
  They were supposedly, you know you know... But anyway... Sorry. But, basically, you had that image, but, actually, that's not that's not what it was it... That's not what it was at all.
• 17:03
  The story is that they literally built these entire cities. Like, I mean, here's an example. So, also, what's kinda cool I did for you tonight is I actually colorized a lot of images. So this as an example, this is in Chicago. This is the electricity building that was part of the Chicago, World's Fair.
• 17:25
  So you can see, you know, this is the colorized version of it, which I'll leave up there for you. And so... Yeah. I guess... Well, yeah, I guess we'll start here with with the Chicago World's Fair.
• 17:38
  And so, basically... Well, actually, I'll get I'll I'll get to that in a second here. I wanna kinda just kinda go over just the overall. Right? So the first official World's Fair was in 1876.
• 17:50
  It was in Philadelphia. And so it covered around 285 acres, and it contained more than 200 buildings. Its main exhibition building alone covered about 35 acres and was at that time the largest building ever constructed. So then Chicago comes along in 1893 and basically says, hold my beer. So Chicago called theirs the Columbian ex...
• 18:13
  Exhibition. And I've got a I've got a handful of photos from the... This this is Chicago right here. This is one particular scene in Chicago. And, I mean, you can see...
• 18:25
  I'll get into some details in showing you what buildings there are, but look at the scale of this. Like, look at the absolute scale. Here's a colorized version for you just to imagine. Like, look at the people at the bottom of these these columns. So this was...
• 18:41
  This is the entire, kind of an overhead bird's eye view map of the Chicago World's Fair. Actually, here, this is a great photo. I colorized it for you, but this was original... A black and white photo. This is a woman sitting up on the balcony looking out over this.
• 18:59
  I mean, if you just zoom in, look at this. Look at the scale of this. Now, the building... Oops. Let's see.
• 19:10
  Okay. Sorry, one second, let me just fix that crop there. There we go. Okay. So, if you look at the architecture here...
• 19:25
  So, the building that we're looking at right here, okay, this is the the Grand Arch Of, Perry Style in Chicago. Look at how large that is. That building is just... If you can follow my mouse, is just this tiny little building right here. Look at the scale of it.
• 19:45
  Like, it's almost it's almost hard to imagine just from these photographs how massive these fairs were. And again, you can see here, her looking from up up top, that little building, the arch is just this little thing back in the corner there. And so that was the that was the Chicago's, Chicago World's Fair. And actually, I'm gonna pull up a I'm gonna pull up a video for you. One second.
• 20:11
  Let me find this because I've got a a really, really good video in my notes where basically it was someone had, someone put together... I think what they're doing is that they actually used AI and they animated the videos. They took different pictures of these World's Fairs and they animated a walkthrough. So sorry, let me see here. Here we go.
• 20:35
  Is this it? No, that's not it. So I told you, I told you how it's working up until the very, very, very, very last minute. So let me see where I have that saved real quick because this is gonna... This is mind blowing actually, in terms...
• 20:49
  I put some of it in my introduction, some of the videos. So here, let me pull this up. There, I promise. Thank you for being so patient with me. I mean, I'm not joking.
• 21:04
  Tonight's show probably took... It probably took me a solid twenty hours, to put together. So it was, yeah. I might have missed a a couple of things here, but let's see. Sorry.
• 21:19
  I'm just looking through my notes. I I don't like to do this on screen, but this is the beauty of being live. Okay. Let's see here. Almost there.
• 21:44
  Okay. Well, I'll pull it up in a in a... I'll I'll pull it up at a later point. I don't wanna... Maybe I'll do it in our, afterward...
• 21:55
  After discussion. We can talk about it because I don't wanna take more of your time with this. But, anyway, so you have this these... The the scale of what they built was absolutely massive. And so let me pull back up this, my little slideshow, as you can see here.
• 22:14
  So this was this was the Chicago's, World's Fair. There were... I mean, they had giant palaces, you know, domes, colonnades, bridges, lagoons, canals, islands, statues, fountains, gardens, huge trees, you know, entire monumental landscapes that look... You know, made... They'll think it was like an imperial castle.
• 22:37
  Right? And they had the buffalo. Right? Buffalo World's Fairs in nineteen o one, which is the Pan American Exposition, around 350 acres. Then Saint Louis dwarfed even those fairs.
• 22:48
  So Saint Louis is in nineteen o four, and it was over 1,200 acres. Right? So that's nearly two square miles that was that was dedicated to this. So absolutely massive. And here's actually...
• 23:01
  Here's an example. This shows you... So this is the San Francisco World's Fair. So this is an interesting image because this is showing... This is San Francisco on the bottom in 2023.
• 23:10
  On top is showing you what the World's Fair fairgrounds were in 1915. Now there was an earthquake, and then... So a lot of buildings they destroyed, but I'll I'll get into that in a second here, like the... How this worked and the timing of everything, and how they would build these massive cities and then destroy them afterwards. But I found this image to be particularly helpful because it shows you compared to, you know, again, modern San Francisco, you can see that this was literally an an entire city.
• 23:44
  It wasn't just a fairgrounds. They built entire cities. And and so then... But you get over into the international ones. And this this this building right here, so this was the Palace Of Electricity in Paris.
• 23:58
  And so you didn't just have, and this was in 1889, and then there's a second one. So, basically, it was a kind of a two stage one. But it wasn't just this isolated event that happened in America. So around the world, you know, Russia, Paris, I think London, there's, you know, major cities around the world, major countries were having these world's fairs all around the same time. So there's some sort of global coordination, going there.
• 24:26
  And so... Yeah. So the first Paris one was in... It was in 1889, and then the second one was in 1900. And so this image right here is...
• 24:36
  This is the Palace Of Electricity, which is from 1900. And so in 1900, it was almost 300 acres across the main site and then another 250 acres at a different site. And so... And then, you know, London came in at nineteen o eight. But, anyway, so I wanna show you this picture because I colorized this.
• 24:53
  Because you look at these old pictures, it's hard to make sense of what that is, but this is a this is a colorized image of what the Palace Of Electricity would have looked like. And if you can see... And I apologize for those that are listening to the show instead of, you know, being able to participate in the video. I recommend you watch the video if you can. There's just tiny little people here.
• 25:16
  Like, the scale of this is absolutely massive, and this thing was... You see these tears right here, these steps, those are all cascading waterfalls. So this wasn't some simple thing. Like, this was a very, very, very complex construction. And that's also...
• 25:36
  I think part of that is what gets into the idea of, like, for me, it's like there's no way that these things were just what they told us. Like, you know, they had artificial lakes. They had, a lot of these, they had electricity. So these things were fully lit up. So at night, even the late eighteen hundreds, they'd have these huge electrical shows of electricity.
• 25:56
  And we're told that these were powered by steam engines, steam engine generators. And so, okay, so, you know, if we're... Stop looking at these as just old photographs and actually think about what we're seeing. Right? So, again, according to the conventional history, you know, these enormous grounds were developed on remarkably compressed schedules.
• 26:19
  Right? So literally, if you look into these different fairs, most of them were built in between one and two years. So between one and two years. So even this one in Paris, this was just a small portion of what went up for that Paris Expo. Let's go back and just look at this, this San Francisco World's Fair.
• 26:39
  The story that they have told us, the... His story, the history is that this would have take... They would have built this entire thing in about two years. Same with this. So they're telling us that they built this entire fairgrounds within about two years.
• 26:58
  I think it's about closer to eighteen months before, for Chicago when they broke ground to completion. Now, again, that's our... That... That's just... That's insane.
• 27:10
  Right? I mean... But the thing is... Think about this. You know, we're not just talking about, you know, putting up some walls and some roofs on buildings.
• 27:17
  Like, before the doors even opened, someone had to survey the land. They had to grade the land. They had to move enormous quantities of earth. They had to, you know, drive foundations. They had to build roads and walkways, install water and sewage run electrical infrastructure, build bridges, dig lagoons and canals, piping systems.
• 27:35
  You know, they had to create waterfalls and fountains. They had to landscape hundreds of acres. They had to plant huge trees. You see in these things that, you know, there's there's massive trees, not just a bunch of small trees. They had to, allegedly, had to bring in, and transplant existing large trees.
• 27:50
  They built enormous exhibition halls and palaces, right, with glass and roofing and stairs and doors and windows and plumbing. And the exhibitors also from all over the world had to ship in machinery, artwork, animals, furniture displays, and somehow get that all installed before opening day. And remember, we're talking about the late eighteen hundreds. There's no modern excavators. There's no diesel bulldozers.
• 28:14
  There's no semi trucks. There's no cordless power tools or any computer controlled fabrication. So, again, now whatever people think about the official story, the scale of the logistical operation is absolutely staggering. So according to the official narrative, you know, the one shortcut that they say makes all this possible is that most of the buildings weren't actually built out of solid marble or granite. Right?
• 28:41
  Even though that's exactly what they look like in the photographs. So many of them, again, according to the official story, were essentially just temporary structures built around timber, iron, or steel framing, and then covered with something called staff. So staff is is kinda fascinating. It's basically a lightweight architectural plaster. It's kinda...
• 29:00
  You know, it's made from plaster of Paris, and it has cement and reinforced with fiber such as hemp or jute or any vegetable fibers. And so instead of having stonemasons spend years carving every column... Actually, again, if you look at this right here, so the story is that this actually is not stone. The story is that this is basically plaster that is put over top of wood structures. This is literally the official story.
• 29:27
  You go to Smithsonian or you go to any kind of guy... You know, person that's specialized, especially in architectural history, they'll say, oh, yeah. This is exactly what this was. And so that's the story is that they made all these molds, they they cast these elaborate architectural pieces and staff, and then they attached them to the underlying structure. But then then they they...
• 29:46
  Literally, they say they spray painted them. So that's actually the story, and that's why Chicago earned the nickname the White City. That... That's what they called this, you know, Chicago's fairgrounds, what we're looking at right here, was called the White City. Because, again, the official story is that they spray painted everything white.
• 30:07
  And so... But even even with that story, okay, you look at the non colorized version, if you look in and you look at the the base of these columns, you look at the the the gradation. You know, I've done a lot of painting. I've done a lot of spray painting. Like, to me, this is not just spray painted white.
• 30:24
  If anything, you'd have to maybe do a base coat of white, and you'd to go in there with other colors, you know, colors of ivory and brown, And you'd have to use those other colors to put patina and you'd put an aging look on this. And so they're telling us that they literally, in in eighteen months... Taking Chicago as an example. So in eighteen months, they somehow, in a marsh swampland, they built this entire structure, this entire thing. Was over 600 acres.
• 30:52
  Like, I mean, when you look at this stuff objectively, you look at it even if you're... If you don't believe in the the idea of Tartaria or whatever, you look at it objectively and you think, I don't believe that story that they did that in the 1800s, the late 1800s, in eighteen months. I don't believe it. It's like if you've got a... Just a rational thinking logical mind, I don't see how you could even believe that's possible.
• 31:22
  Right? And so, again, that's the story. Now... So because, you know, now we're supposed to believe that they built hundreds of acres of these enormous unbelievably detailed structures largely out of wood, metal framing, and this reinforced plaster, and then painted them to look like marble, surrounded them with lagoons and canals and fountains, exposed them to months of rain, to wind, heat, cold, and then welcomed millions and millions of people allegedly to walk through them, walk over bridges, temporary bridges over waterways, up staircases. And so, again, some of them look so convincing in the photographs that if no one told you that they were temporary structures, you might assume that you're looking at real buildings that have been standing there for hundreds of years.
• 32:07
  Well, because maybe we were. And so, also, in a little bit, I'll be going into, you know, some of the, like, construction photograph theory. Right? This is something that we'll get into, because whenever someone wants to, kinda poke holes in the theory of this, it's always about the construction photographs. We're gonna talk about that, because I don't wanna ignore that.
• 32:26
  But, you know, the thing is is that after doing all of this... Right? And this this is what makes it even more just strange, is that after doing all of this work, you know, building these fairs, they were open for about six months. Okay? They were open for six months.
• 32:46
  So Philadelphia ran from May to November. Chicago went from May to October. Paris was... In '89 was from May to October, and then in 1900 it was, April to November. So again, they did all that work for a six month run time.
• 33:03
  That's it. Okay? And then you're thinking about all the things that went into... Not just not just the actual work of building this, the logistics. Right?
• 33:13
  The railroads that had to haul anything... Everything in and out of this area, the horses and wagons moving everything around the site, the housing and the feeding of the work force itself. Right? They they say Chicago, I think, was... It took around 40,000 people working nonstop to do this.
• 33:28
  Like, that's a huge, huge project. Anybody in construction, you know, I'm sure that you look at this and it just... You immediately say, there's no way. Right? Even with today's modern equipment, there's no way we could do this.
• 33:41
  And so all of that beauty for a fair that lasts for six months, and then comes the part that's probably the strangest of all is that when the fair was over, huge, huge portions of these magnificent cities were either dismantled or demolished. So, like, literally, they just knocked them over supposedly, and just sold, you know, part of them out like you just pay... You know, put... Piecing a car out. And so, basically...
• 34:07
  So if... Okay. This is what we're being asked to accept here with the official narrative, that they're taking hundreds, sometimes more than a thousand acres of land, and they're transforming it into something that literally resembles the capital city of an empire. They build palaces and domes and colonnades and bridges and canals and all these things. And then they populate these places with the art and technology, you know, gathered from across the planet.
• 34:35
  Millions of people supposedly go through them. The party ends, and then much of it just gets torn apart. That's it. And they just do... They do it again.
• 34:44
  They do it... They go to San Francisco. They go to, you know, Saint Louis. They go out to Paris. You know, this.
• 34:50
  Right? So they'd spend all that time building this after after a couple of months, just take it down. And this was happening across the world. Right? This is happening at the...
• 35:01
  You know? Now maybe maybe I'm missing something, and maybe in the late eighteen hundreds, there's this amazing period when governments and the private industry could actually work together and mobilize massive armies of workers and craftsmen to create these temporary cities on a scale that's almost impossible for us to comprehend today. I I don't believe it, but maybe. I don't know. But the thing is is that whenever you talk about this, you know, people always go to the construction photographs.
• 35:32
  Right? So you mentioned this. And again, if you if you go look on YouTube or you look at people that are covering this, you look in the comments, and you'll see all these people commenting like, you you idiot. Right? What about the construction photographs?
• 35:44
  So, anyway, which I'll be getting to that. So the thing is is that before getting into construction photographs, right, this is this is kind of the the big question with this, the big question behind these fairs. Right? So if you're thinking that these... You know, when you stop seeing these images as as fairs and you start seeing the photographs as cities, then the question that I'm interested in tonight is very simple.
• 36:12
  Right? Did they really build all of this for a six month fair only to tear it down, or are we looking at the remains of something that was already here? And this is where we get into the alternative theory, which to me makes a lot more sense. And it's actually quite interesting because, you know, what if these magnificent buildings that we see scattered across these photographs from the eighteen hundreds weren't actually built by the people that history credits with building them? What if they were inherited?
• 36:38
  What if we're looking at the surviving remnants of an earlier civilization that existed across enormous portions of the world before suffering some kind of catastrophic collapse. Right? And this is this is the general idea. So there's some researchers that kind of point to civilization as being called Tartaria, you know, pointing to, you know, those maps from the sixteen hundreds, '14 and fifteen hundreds that have this enormous regions labeled Tartary or Tartaria on the different maps. But that's just...
• 37:08
  I'm not sure if Tartaria is the actual, like, precise answer. I mean, it could be one of the, you know, one piece of something larger. But there's also people who believe that what we're looking at are actually the remnants of civilizations that we currently call Greek or Roman, except that those civilizations existed far more recently than our textbooks tell us. This is an interest... Interesting theory is that, and this brings us to this guy named Antoli Fomenko, in the new chronology theory, which I covered in last week's live show.
• 37:36
  So Famenco's work is... It's really complicated, but the basic thesis is that our accepted historical chronology, contains massive duplications. And I've got I've got a couple of his books, and you can see all the charts in there. Right? So he maps out that there's literally the same wars, the same rulers, dynasties, historical events that look like they're just copied, like copied and pasted, basically, and then renamed, which then pushes backward in time, right, the the original events.
• 38:05
  So it artificially stretches out the historical timeline by roughly a thousand years. So in other words, according to his his theory, that something that we think happened, say, a 500 years ago may have actually only happened five hundred years ago. And so if you entertain that possibility just for a moment, suddenly some of the strangest things about the old world start looking really different. Why did people in the eighteen hundreds seem absolutely obsessed with constructing the... You know, building these buildings that looked Roman and Greek.
• 38:37
  Why are these enormous classical buildings everywhere? Right? Courthouses, train stations, banks, post offices, state capitals, libraries, museums, churches, entire sections of modern cities. Now we're just told that, oh, that was the architectural fashion of the period. Well, maybe.
• 38:56
  But maybe some of what we call Roman architecture was never as ancient and we... As we've been told. Maybe these people weren't copying the old world. Maybe they were living inside the remains of that old world. And so from there, we get into one of the biggest pieces of this entire theory.
• 39:14
  It's okay. So what happened? And this is the idea of this... Some sort of event so that something happens. So somewhere around the seventeen hundreds or the eighteen hundreds, there appears to have been some kind of massive disruption.
• 39:27
  Maybe it was war, disease, famine, some kind of natural catastrophe, some sort of man made catastrophe. There's, the idea of the mud floods. Maybe several events happened altogether, but the theory is that enormous portions of the population that had built and lived in these structures disappeared, leaving cities, infrastructure, technology that the surviving population either inherited or just rediscovered. And whoever ultimately emerged in control, they didn't simply inherit some abandoned buildings. They inherited an entire civilization.
• 40:05
  And I think this is where the... Where motive becomes really, really, really important for us. Because according to this theory, the civilization that came before us may have had possessed these technologies that operated on completely different principles from the technologies that we use today. So not computers and microchips, something entirely different. Right?
• 40:27
  Frequency, resonance, sound, water, atmospheric energy, the natural electrical properties of the earth itself. And if you look at the architecture, through that lens and suddenly some, you know, some strange questions emerge. Right? And I'll pull up... Let me actually pull up some, photos really quick for you, to illustrate this.
• 40:51
  So if you look at, for instance, the... And I've I've hit on this a handful of times. You look at the the domes. Right? So there's there's a lot of ideas about this.
• 41:00
  And I'll I'll do a show at a later point just kinda specifically focusing on the technology. But if you look at these, a lot of the old world, buildings, they had these very intricate spires on top. Now the ones that ended up becoming, you know, Christian churches, often they they replace this with a cross, which actually I think a lot of the... What we think to be the the big major Christian churches or chapels or cathedrals, I think were old world buildings that were then taken over by the church, and they just... They changed that out.
• 41:29
  So if you look again at these these domes, you look at the... What's sitting on top of them, you know, that's... Again, that's part of the idea that they they had access to a different form of energy. Right? If you look at the roofs and the spires, you look at these metal rods protruding from the buildings, there's also the obelisks.
• 41:49
  Right? Why is it that, you know, so many obelisks are existing ever as people believe actually the obelisks were actually, basically devices. They were technology for harvesting energy. The pyramids similarly were built for harvesting energy, which actually, if you looked at my... If you watched my interview last night with, Weston Warren, that's exactly what he said they were, that the pyramids and the obelisk were actually for basically capturing atmospheric energy.
• 42:14
  And so... But you also look about the amount of water. Right? So, even getting into the old, Star Forts. Right?
• 42:21
  So so many of these old buildings, which Star Forts is is... I've covered a little bit. I'll I'll do some more episodes on it. I've already got a couple in in the works. Again, Star Forts are these old world buildings that exist that no one can make sense of.
• 42:35
  They appear all over the world, but they have very, very intricate shapes, but also very intricate water shapes around them. You can see a lot of these. They've got very specific canals and everything. And so, you know, again, there's people that believe that this... It wasn't just decoration.
• 42:51
  It wasn't their, you know, building moats to keep the invading Mongols out or, you know, whatever they're fighting off, you know, T Rexes or, you know, whatever the history tells us. Right? But actually that these... The water was part of the technology. And so...
• 43:06
  But again, though, we see that this similar architectural form, they're appearing across supposedly disconnected parts of the world. Right? You look at this and you see these same structures, these same kinds of buildings with the the large columns and the large domes. You find those same structures all over the world. They're in South America.
• 43:25
  They're in India. They're in in different parts of Africa, all over Europe. And it's like, America magically didn't have any here because it was all the native Americans living there. Well, no. Maybe we did have a bunch of them, but then we destroyed them all.
• 43:39
  Right? Whatever happened left these things empty. Whoever came in after that, had to get rid of them. Right? So...
• 43:46
  Or the thing is is that it's hard to say, but there are researchers that actually believe that these civilizations understood how to harvest atmospheric energy, right, and potentially providing usable energy without centralized electrical grid that controls virtually every aspect of our lives. And then you have Nikola Tesla who appears at precisely this transition point in history, experimenting with high frequency electricity, resonance, wireless power transmission, and using the Earth itself as an electrical system. And so, you know, one of the ideas is what if Tesla wasn't discovering the future? What if he was just actually rediscovering the past? And then there's even the airships.
• 44:25
  Right? Which again, this is another episode. I've got so many episodes on playing. There's just so much good content on this. Right?
• 44:32
  So we have the airships. And, you know, I'm not talking about a little balloon. Right? Actually, let me pull up, some images for you of the airships because, again, this is this is a really important part. So the airships we commonly think of as like a zeppelin.
• 44:46
  You you think, oh, the Goodyear blimp. No. There's a lot of old photos of these, these airships, right, back in the 1800s. These huge ships, right, that, again, were also allegedly... They would dock on top of these towers, and that's how they would actually, you know, gain...
• 45:05
  You know, basically recharge themselves. And there's a lot of interesting old, you know, drawings and documentation on this. Again, that's gonna be a whole different, you know, show. And, but there's lot of research that believe that these, you know, weren't fantasies. Right?
• 45:17
  That they were actually, the memories of this, that these are actually fading memories of technology that already existed. There's even... You know, people talk about floating cities. Right? Basically, enormous airships capable of transporting people and material, like, mass amounts.
• 45:33
  I've even heard theories of, and I wanna do some more research on it, but that literally they had the almost like floating cities where the airships would dock into these floating cities, and people could, you know, move around without highways or airports or the... All the infrastructure that we have. And then you... Again, you have the cathedrals. Right?
• 45:50
  And that rabbit hole goes even deeper when you get into the bells weighing thousands of pounds, the massive, you know, pipe organs, the vaulted stone chambers. You know, that's... Again, there's people even... Again, Western Warren, who's explaining how these weren't originally even, you know, cathedrals, religious cathedrals as we as we think of it. They were actually healing centers.
• 46:11
  And so that the the technology built into the structures with the stained glass, the sacred geometry in the windows, the shape of the inside of these, in in combination with the bells, the pipe organs, the resonance, they're actually healing centers. And so... But again, if you... The the the key point here is that if you put all these ideas together, you begin to understand why somebody seeking centralized control might desperately wanna get rid of that civilization. They want that civilization to be forgotten because we look at the people that are ruling the world now, the cabal, whatever you wanna refer to them, they're looking for every single way they have to control this.
• 46:56
  But imagine trying to build the world that we live in today if the ordinary people remembered a civilization where energy could be harvested from the environment. You can't put a meter on that. You can't put a monthly bill on atmospheric electricity. You can shut someone's power off because they didn't pay you. You can't build an energy empire around scarcity if people know how to access the energy without you.
• 47:20
  And the same thing goes to medical supplies and medicine. Right? Look at the medical system we have today. One of the most profitable industries on earth depends upon people remaining customers. Chronic disease is extraordinarily profitable.
• 47:33
  A cure, makes money once, but a lifelong patient makes money every month for decades. And so we have this enormous system where these massive pharmaceutical companies are patenting drugs. They're controlling treatments. They're influencing controlling medical education. They're funding regular...
• 47:51
  You know, regulators in the media, and they're making just insane amounts of money off of managing sickness. And then many of the drugs they're using to manage one condition are creating side effects that require another drug, which creates another problem requiring another treatment. So if an earlier civilization understood ways of healing the body through frequency, sound, light, resonance, nutrition, or the other methods, that civilization could not be controlled. Those those methods couldn't be patented and monopolized. Like, that knowledge would represent enormous threat to the medical empire that eventually replaced it.
• 48:28
  The same applies to transportation. Right? Same applies to food, to banking, education. Right? Centralized power depends upon dependency.
• 48:38
  And so the more things that I can do for myself, the more things you can do for yourself, the less control those institutions have over you. And if you're trying to replace one civilization with another, destroying the technology isn't gonna be enough. You have to destroy the memory of it. And this is where this gets so fascinating, this whole idea of this hidden history, as I I outlined in the beginning of the show, is that I genuinely believe that when I look at those, when I look at some of those images, I look at these cathedrals and this old architecture and these ideas, it's like there's something that stirs inside of me that's like, that's what this is supposed to be. Right?
• 49:20
  But they they have done such a successful job of just erasing that, like completely erasing that. And it's so far erased that if you mentioned Tartaria or if you mentioned, you know, free atmospheric energy or airships or starforts to the average person or let alone the world's fairs, they just think you're a complete nutcase. They think, like, what's wrong with you? Yet you might be the person that is, like, the only guy in the room or the only guy in that in that whole area that's actually has some vague memory of what used to exist on here because you've researched it and you've followed your intuition. And so you...
• 49:59
  But then you have to make the next generation. If you're trying to control this you have to make the next generation believe that nothing came before the system that you've built. So you, you know, speaking if you're the cabal, right, you rewrite the timeline. You rename the civilizations. You rewrite the textbooks.
• 50:16
  You take the inherited buildings and give them new origin stories. You remove the machinery that nobody's supposed to understand. You turn the functional technology into these decorations, and you tell people that the strange towers were ornamental, that all those spires were ornamental, the domes were ornamental, the bells were just bells, they made sounds, the fountains were just fountains, the architecture was just simply architecture. But then within a few generations, nobody remembers enough to question it. Right?
• 50:46
  And that brings us back to the World's Fairs because within this alternative theory, the fairs suddenly serve an incredibly important purpose. Right? Imagine... Let me pull that up again real quick. I'm gonna pull up the Chicago one.
• 51:01
  Because I like this this picture to be up when talking about these things, right? Like that to me is this this kind of highlight of of the civilization. Oops. There we go. Anyway, I don't know.
• 51:14
  What's it doing there? But... Oh, there we go. So again, imagine inheriting this enormous number of these monumental buildings from a civilization you're trying to erase. Right?
• 51:28
  You you can't just blow them all up overnight, though they they kinda did. You know, they had huge fires and all that. It's a whole different story. But, you know, people can see them. Right?
• 51:38
  People that live around them, they can ask questions about them. Now if there was some sort of mass depopulation of it, you've got a great advantage there, which makes me think that maybe that whatever happened was caused by these people as part of this overall agenda to seize control of the whole world's people and resources and and everything. But, you know, these things still have a memory to them. And so you need to create an explanation of where they came from, and eventually, you need an explanation for why they disappeared. And so the World's Fairs, it solves both those problems beautifully.
• 52:10
  So first, you tell the population that these enormous palaces and these monumental complexes are just brand new temporary exhibition buildings. You create an official construction story. You photograph portions of them being worked on. You cover and repair the old structures. You add temporary facades and staff ornamentations.
• 52:31
  You repaint everything. You populate the buildings with machinery, art, and exhibits, you invite millions of people to come see them from around the world. And now something that may have been inherited from a previous civilization has been given an entirely new identity. It's not an ancient city anymore. It's the world's fair.
• 52:51
  And because everyone has been told from the beginning that these buildings are temporary, you now have the perfect excuse to do what comes next, which is to tear them down, to destroy them, to burn them, to dismantle them, to strip out anything useful, to remove whatever technology remains. And then if anyone asks, you know, why these extraordinary structures were destroyed, the answer is already built into the story. And so that they're never, you know, supposed to remain. And if anybody remembers or anybody is really questioning, hey. You know what?
• 53:24
  Let's just build these massive insane asylums and we'll shove people into insane asylums, which I covered extensively on one of my previous shows on this. So they had these huge, you know, 18 hundreds. They built these massive insane asylums. Well, I think they actually... They discovered these buildings.
• 53:39
  They turned into massive insane asylums. And so I think that what they did is anybody that remembered the old world or was questioning this overall narrative. Sorry. Sorry, Bill. Nope.
• 53:50
  You're going over to the... We're gonna put you in a nice little padded room over there with a window overlooking the garden, and you're gonna shut up, and we're gonna zap your head and make your brain turn into mush, or we're gonna give you a lobotomy or or both. Right? But then also, at the same time as these fairs, same moments in history, we had enormous fires ripping through major American cities, Boston, Chicago, Seattle, Spokane, Jacksonville, San Francisco, and entire sections of cities disappear. The buildings are gone.
• 54:20
  You know, the streets are raised. The old ground floor has become basements. New infrastructure's installed. The fires just so happened to burn all the important records that show the building records and the earlier plans and all that, a lot of the population records. They just kind of burn everything up and just erase it even further.
• 54:38
  And then, you know, the children being shipped across the country on the orphan trains by tens of thousands, you know, about close to a quarter million children over the course of twenty or thirty years, late eighteen hundreds, early eighteen hundreds, shipped across the country, okay, building enormous orphanages in these insane asylums, populations moving around, children don't remember, you know, where they came from. You you tell the children what they are, what their history is, and they think that's the truth. Okay? Identities are being redesigned. A new generation is being educated inside a rapidly expanding centralized school system.
• 55:10
  The old technologies disappear while central electricity, centralized medicine, centralized banking, centralized government, these things take control. And right in the middle of all this, these spectacular old world cities are open to the public as fairs, displayed for a few months, and then systematically erased from the landscape. And maybe those things have nothing to do with one another. I don't think so, though. I don't think it's unreasonable to put them on the table and ask whether we're looking at pieces of the same story.
• 55:40
  Because if this theory is even remotely correct that the... Then the World Fairs weren't simply celebrations announcing the arrival of a modern age, they may have been part of the demolition process that made the modern age possible. It's a way to explain away the old civilization, display its remnants one final time, strip away whatever could still be used, and destroy the evidence. And that completely changes the questions that we're asking. Right?
• 56:05
  The question is no longer how they build the World's Fairs. The question is what if they didn't build them? What if they inherited them? And what if the purpose of the World's Fairs was to give them an excuse to tear down the old world? Okay?
• 56:19
  But now we get into the photographs. Right? And I only have... I think I've only made one or two to show you because this... I'm making a principle out of this.
• 56:26
  Right? Because as I mentioned, whenever you go to anybody, you say, hey. Look at this picture. You say, this was an old world city. They...
• 56:32
  They're like, you're an idiot. They say, Seth, we have the photographs. Right? There's literally... There's tons of photographs of them building the World's Fairs.
• 56:40
  Like, what more proof could you possibly... What more proof could you possibly need? And this is important. So I understand why people think that way. Right?
• 56:49
  So this is where it gets really interesting. So, you know, we've been we've been trained to look at old... An old photograph, especially a photograph from the eighteen hundreds. Like, we've been trained to think, oh, that's basically absolute proof. Right?
• 57:04
  It's a camera. The camera captured it. Therefore, it happened. Right? There's no Photoshop.
• 57:09
  There's no fancy lab stuff that they were doing. Case closed. But hold on a second. Right? What if we're invest...
• 57:16
  What we're investigating right here was some kind... I mean, if it's true that what we're investigating is some sort of massive massive historical deception. If somebody really did rewrite portions of our history and create an entirely new narrative about what existed before us, then wouldn't photographs be one of the most important things that you would need to control? So the obvious question is, could they fake photographs back then? And actually, before researching this, I didn't know this.
• 57:43
  Right? That this is a question. Like, could they actually fake a photograph taken in the eighteen hundreds? And I don't mean producing one now that looks old. I mean, that if you went back in time and you took a picture in the eighteen hundreds, could they actually falsify that photograph to create false photographic evidence of what happened?
• 58:02
  And the answer is actually absolutely yes. And I'm not referring to some theoretical technique that maybe somebody could have could have pulled off. Right? There's actually well documented examples of people doing exactly this decades before the World's Fairs. Now I'll pull up a picture for you.
• 58:21
  This is really interesting. It's a little bit of a... There's, like, there's some kind of naked ladies in it. It's from the 1800s, so I apologize. I I don't really like to show this stuff anyway, but, you know, it's it's not.
• 58:31
  It's pretty harmless. So this photograph right here. This is a very, very famous photograph that was taken in 1857. It's called The Two Ways of Life. And the photographer was Oscar Rolander, I think is how pronounce his name.
• 58:47
  Alright. So look at this photograph here. It's a very, very elaborate image. There's dozens of people. There's different poses.
• 58:53
  There's different lightings. It's an enormous scene that looks like someone set up the camera and photographed what was standing in front of them, except that what you're seeing in the scene never happened. This photograph... Again, keep in mind, in 1857, this photograph is actually 30 different negatives combined together to create one photograph in 1857. So they were literally photoshopping pictures before your great great grandparents were even born.
• 59:24
  They could mask out portions of the negatives. They could combine exposures. They could paint directly on the negatives. They would even use pencils to add in or sharpen details or to remove things or to blend two different negatives together. They could replace backgrounds.
• 59:39
  They could take separate photographs and combine them into an image that is something that never actually existed in history. And so if you think it was just the artists that were screwing around and making these, you know, artistic images, let me show you another example. Right? So this is really interesting. So this is a very famous photograph right here of Ulysses s Grant during the civil war, you know, sitting on his horse in front of the confederate prisoners at City Point, Virginia.
• 1:00:08
  So, you know, imagine someone showed you this photograph, you'd say, oh, okay, yeah, that makes sense. That's, you know, Ulysses Grant, and he's sitting at some base, and there's obviously Indians and soldiers and teepees and stuff. Okay? But here's the thing, is that this photograph, right, which was taken in nineteen o two, this photograph is fake. This photograph from nineteen o two is fake.
• 1:00:33
  And so, again, the people that tell you how... You know, you're an idiot for thinking that these World's Fairs were actually real buildings. There's photographs of people working on them and building them. Ask them, well say, well, do you think this photographs could have been faked? They'll say, no, they didn't have Photoshop back then.
• 1:00:49
  Well, show them this example. So this photograph, kind of fun example to play with here. This is Grant. This photograph is actually composed of three different images. Okay?
• 1:00:59
  So, so there's Grant. Okay. There's on his horse. Let's scroll down, excuse those stupid ads. Okay.
• 1:01:07
  So, this is actually the head that they used. Okay. So Grant's head came from this photograph. The horse in the body came from this photograph, right, which is a picture of major general Alexander McCook. And in the background with the prisoners came from another photograph.
• 1:01:32
  So right here, this is the background this is the background they used in that photograph. So they literally stitched together this background, this horse and body, and this head to make this picture right here. Right there. So, again, if someone says that, well, you know, the photos prove you wrong, well, no. Right?
• 1:02:03
  They could manipulate photographs. Therefore, every photograph, you know, again, I'm not saying that every photograph of the World's Fair is fake. Right? I'm not saying that because they could do it. What I'm saying, the point is that every photograph is not necessarily real.
• 1:02:22
  And so this is something we just have to be have to be aware of. We have to be kind of cautious with this. So, you know, scenes could be staged. Right? Images could be composited.
• 1:02:33
  Things can be added and removed. And so, you know, all this technology existed long before these fairs were supposedly built. And so if you look at, for instance, you know, I see there's one picture I want to show you. Oops. Let me see.
• 1:02:46
  Let me see. I might have... Oh, this one up here. So like this photo right here, for instance, that they're saying, this is a photograph of the first building I showed you, right. So this is the peristyle arch.
• 1:03:03
  So scroll up real quick. So this image right here, so this image we're looking at, right, the Grand Arch Of The Peristyle in Chicago. So this right here, they're saying, if go into the records, I went into the records, like the actual records on the Chicago, the different kind of state records that this is in the files as being one of the construction photographs for that. And so this is one of the first things that people will do to disprove this idea. But when I look at this, there's a few things.
• 1:03:33
  The funny thing is is that the more photographs you look at, the more things just don't make sense. For one, the photographs rarely have many people in them. So there's supposedly... There's supposed to be 40,000 people working on this exhibit, building these these these fairs. Yet, in almost every photograph I've found, there's no people.
• 1:03:53
  Or maybe there's, like, five or six people, but even the people that are put in there, they look like they're cheaply photo... Photoshopped in there. They're just kinda standing there, kinda looking at the camera. So you look at this, and a few questions I have is that, you know, before there, they had these beautiful structures on top. Right?
• 1:04:10
  They had these beautiful sculptures and everything on top of the on top of this. Actually, see if I'll show you a few more pictures of, the, Paris style. Let me find some other images to show you. Okay. Yep.
• 1:04:31
  So, okay. So here, actually, this is a good one. Let me see. Yeah. So here's kind of a similar angle.
• 1:04:39
  Right? So, you know, if again, if this was the original building and and someone says, oh, well, look at that photograph. I'm so sorry. Long... Wrong thing.
• 1:04:51
  They say, look at the photograph. I mean, it it would be very easy for them. A, they could have had some guys come in here and put up some scaffolding around the existing building. They could have very... And this is actually very common.
• 1:05:03
  You'll notice a lot of these old photographs, the skies are actually blown out. And you can even see... Because I I I went to I went to art school and did a lot of Photoshop, still do a lot of Photoshop and creative work. And you can see when someone removes an image, there's still kind of a image... There's, like, tracing around something.
• 1:05:19
  You say, hey. There's supposed to be a sky there. So there's ideas that a lot... That actually... That people believe that Eli's old photographs used to have pictures of airships in them and different things happening, different technology in the sky that they actually just, you know, in essence photoshopped out.
• 1:05:34
  So if you look at the, again, the original building, I mean, how easy would it have been for them to just, you know, adjust the photograph and remove remove some of these structures? They could have, you know, simplified, some of the decorations. These things could all be done with with photograph, with the picture. And so, you know, again, in in all these photos, interestingly enough, you know, the photos and the original photos, they're all controlled by the government. So you can't actually go in there and look at the negatives.
• 1:06:09
  Right? That's how you would see what the original photograph is, if you could actually go in and examine the negative. But you know what? You know who holds the negatives is like the city of Chicago, you know, the the you know, the governments basically are the ones that control all these photographs. Imagine that.
• 1:06:24
  Right? Imagine that. And again, there's... I I only have this photograph to show, but there's... There are so many different photographs that we could be looking at here.
• 1:06:34
  But, you know, the thing is is that, you know, whether every... You know, whether those photographs are authentic or not or everyone's a fake, it doesn't really make or break the theory for me. Right? Because this is this is the idea. Because people point to these things and say, well, these pictures are scaffolding.
• 1:06:47
  It's like, so... Okay. You're gonna... It's like, okay. You're gonna ignore everything I just told you about the scale of these cities.
• 1:06:53
  The fact that they're telling us that these massive cities were built in this tiny little window with all these workers with, you know, very, very printed technology compared to what they have now, and you're gonna try to disprove it with the photograph. Right? Like, the the thing is is that that doesn't make or break that... Break this whole idea for me because I'm not really interested in finding the one magical photograph that proves everything. That's not how I approach this.
• 1:07:15
  Like, I'm looking at the patterns. Right? And the pattern here is what I can't get past. It's the share... It's the sheer scale of these fairs.
• 1:07:24
  Right? Hundreds or or over a thousand acres, monumental buildings that look like they're ripped straight out of ancient Rome, huge domes, you know, Corinthians columns, statues everywhere, in... Intricate ornamentation that would take an army of skilled, highly skilled craftsman to produce, artificial lakes. I mean, you know, I I feel like I'm beating a dead horse here because, like... And then them saying that these entire cities, like, literally, like, that's the idea.
• 1:07:48
  They're they're saying that these entire cities, like, these buildings. Right, and then I'll show you again the the San Francisco. They're saying that these entire cities appeared, you know, between... In between one and two years, and they operate for five or six months, and they're destroyed. Like, not once, not twice, over and over and over again, Chicago, Saint Louis, Philadelphia, Buffalo, Paris, London, Russia, different countries, different governments, same general period, same monumental architectures, same incredible construction timelines, and again and again, the same bizarre ending of just tearing it down and destroying it.
• 1:08:23
  Right? That's what I can't get past with this. Right? And then I start putting that, you know, I start putting that beside everything else that we've uncovered. Right?
• 1:08:31
  Old maps showing civilizations that disappear from history. Fomenko and the possibility that our chronology has been artificially stretched by a thousand years. Beautiful cities appearing in photographs with almost no one living in, which we'll get to. Buildings with windows and doors buried below the current ground level, enormous fires ripping through city after city, orphan trains moving hundreds of thousands of kids across the country, huge orphanages, huge insane asylums, old technology disappearing, architecture becoming dramatically simpler and uglier, right? Centralized electricity taking over, centralized medicine taking over, banking, education, right?
• 1:09:07
  And all this is happening right in the middle of this transition. So if you look at... Again, if you look at the world that we live in, and you look at the systems that establish whether it's the Federal Reserve, the education system, the medical system, all of these things happen right around the turn of the century of late eighteen hundreds to early nineteen hundreds. And so you look at all of that lining up, and that's also when there's these massive fires, these these old... These world's fairs torn down at the same time that you have these oil tycoons and electricity tycoons or railroad tycoons moving in, people like Tesla being just completely bankrupted, right, all at the same time.
• 1:09:47
  Right? That's what makes me think that there is such an important thing that's happening here. Okay? And so... And that's what I'm trying to do with this series.
• 1:09:57
  Like, I'm I'm... I've been so, I'm so excited to see the response that I've had in doing these these hidden history series. Like, it's it's kind of blown up, and it's really exciting to... For me because because, like, you know, I'm I'm kind of done. I mean, I'm not saying dunk entirely, I don't wanna talk about current politics and and scandals and and what this influencer is doing and all that.
• 1:10:23
  I I feel like that, yes, those things have their place. I'm I'm not just saying that it's it's absolutely worthless, but, like, I'm looking at what the heck happened to us. Like, where did we come from? How did we end up living in this system where there's just strip malls and Walmarts everywhere and and just horrible, ugly art everywhere where we have no connection to our history? Like, that's what I'm trying to figure out here.
• 1:10:49
  And so, you know, trying to put all these pieces back together. And and, again, that's the goal of this hidden history, you know, series that I'm doing. And the the fun thing about this is that there's probably... I mean, I can probably do a 100 episodes on it and still not run out of information. And it's it's almost like...
• 1:11:05
  Because I've got more of a little bit of an ADD brain, whatever you wanna call that. You know, I was an art kid growing up. Like, I'm always... Like, my brain's always going to, like, 30 different things at once. So I'm having a hard time containing myself, which is why I was up until, you know, six in the morning last night working on this show because I was so excited to put this information together and and share it with you.
• 1:11:28
  And so, you know, when I kinda put it all together, but then we zoom out and we look at the pattern, instead of obsessing over one individual piece, I keep coming back to the same conclusion that the official story is a lie. And then I think that we're missing an enormous chapter of human history. And I think that something happened to the civilization that existed before us, and before the world that we recognize today. And I think the world's fairs are a really, really important point in that overall process. And, look, I don't know exactly who did it.
• 1:11:59
  I don't know what exactly the civilization was. Was it Tartaria? Was it Rome? Was it, you know, the millennial kingdom of Christ? Was it Greece?
• 1:12:07
  Was it something else entirely? I'm still trying to figure that out, but I no longer believe that we're looking at a bunch of quirky historical coincidences. I think that we're looking at fragments of something enormous. And the more fragments that we find, the harder it becomes to believe the story that we're giving as the truth. And so another thing...
• 1:12:24
  So looking at the photographs, and I should have warned you, it's gonna be a long show tonight. I've I've still probably got another forty minutes of just a material before we even get into the q and a at the end. So if you're still with me... Actually, let's let's do a quick check real quick and see. Oh, cool.
• 1:12:40
  Have over 5,000 people on Rumble. Awesome. Wonderful. And, God, cool. Over 1,200 on YouTube.
• 1:12:46
  So I I promise I will pull up the chats. I I can't I can't wait to talk to you. I... I'm I'm so excited to hear your thoughts on this show. And, I promise that if you're asking questions, you know, Kay, my producer, is is collecting them.
• 1:13:00
  So I promise that we're gonna be getting to those together. But I've got... I I haven't touched the Cabbage Patch Kids and repopulation campaigns in empty cities. So there's still a lot of good stuff to get through. So this will probably be closer to a three hour show, which is kind of amazing because I only slept, like, two and a half hours last night.
• 1:13:18
  But it's it's great. I'm I'm I'm excited. So, anyway, continuing, continuing. The... You know, that if we if we look at these pictures, right, we look at the photographs.
• 1:13:31
  And and I kinda discovered this in the in the process of researching this, that there's just so much there. Right? There's so much part of this this larger theory, but there's also the idea of that sometime in the late seventeen hundreds or eighteen hundreds that something happened. Right? That some sort of massive catastrophe.
• 1:13:48
  Right? Whether it's war, disease, famine, natural disaster, maybe some sort of, you know, technology that was used to exterminate. I I don't know. You know, mud floods that... I believe that something happened that resulted in a massive reduction of the population.
• 1:14:04
  And some of these... And I believe that some of these incredible cities that we're seeing in photographs that they say were the eighteen hundreds, that I... They... I don't think they were built from, you know, from scratch by people. I think that they were discovered.
• 1:14:16
  I think that the people just inherited them in the same way that, say, you moved into a disaster zone, everything's empty. You go pick your house. It's like, well, no one's here. Like, I wanna go live in that nice house over on the hill with the pool in the backyard. So I think that people moved into them.
• 1:14:33
  They repaired them. They repurposed them, and eventually created a new history explaining where everything came from. And once you start entertaining that possibility, you start noticing all kinds of strange little things. Right? How, How how many times have you walked past an enormous building and seen a plaque that says something like founded 1858 or established 1872?
• 1:14:56
  And I never really thought about that language before, but founded. Right? Why does it say the building was founded in 1872? Was that the building... Was that the year it was constructed?
• 1:15:09
  Right? Was that the institution that founded it that year? Did someone acquire the building that year? I mean, obviously, every building is gonna have its own history. And that's a whole other kind of rabbit hole of shows I can't wait to do.
• 1:15:23
  My Lunch Break does a great job covering that, where he goes in and looks at the actual dates these buildings were supposed to be built. And he looks at the architects, and he'll say, look, there's supposedly one architect that was responsible for building, like, 13 massive stone cathedrals over the course of two years. So that's a whole different thing. But anyway, you know, if it says established or founded, what does it mean? Right?
• 1:15:47
  Is it that someone just discovered this abandoned building? And... But when you start to explore the possibility that people inherited parts of an earlier civilization, words like founded or established suddenly catch your attention. So what happens when we stop reading the plaques and and just look at the photographs? Because this is where it gets kinda creepy.
• 1:16:04
  Because there are tons of photographs from the eighteen hundreds showing supposedly major densely populated cities filled with enormous buildings and developed infrastructure, and there's almost no people. And this is where it gets really weird. I've I've got a a a handful of photos to show you here for this. So again, think about this. I'll start with this picture.
• 1:16:32
  Right here. This is a picture of Chicago in 1939. There's a little boy standing. He looks like he was photoshopped in there, to be honest. He doesn't even look like he really belongs in that picture.
• 1:16:45
  So this is Chicago in 1930s. Where is everybody? Like, where? Like, where are the kids on bicycles? Where are the, you know, the horses in carriages?
• 1:16:57
  Like, forget everything I've just told you and just look at the photograph. Right? Just look at the photograph. Where are the families? Where are the workers coming and going?
• 1:17:06
  Where are the guys standing around talking? Where are the women shopping? Where are the street vendors? Where are the horses and wagons that supposedly filled all these streets and helped build these structures? Right?
• 1:17:18
  You have these enormous buildings, these developed streets, these entire city blocks stretching in the distance. It looks like somebody rang a bell and said, everyone go inside because the photographer's coming. Right? And this is the... I got a handful of these these pictures from Chicago, and here's another one.
• 1:17:34
  This is Chicago in 1910. I see one, maybe two or three horse and buggies. Where where are all the people that are that belong to these houses? Are they all at the office working? Like, they all at the local data center that just got built and they're all busy working?
• 1:17:52
  I mean, even in a neighborhood in modern America where, know, people are commuting, right, people are commuting. The housewives aren't, especially back then. The housewives, they weren't going and working in the factories or working where jobs the men were doing. So where are they at? I don't know.
• 1:18:11
  Here's another one. Chicago, 1916. Where are all the people? And here's a good one. This is Paris in the 1860s.
• 1:18:29
  Where is everybody? Where is everybody? Here's another image. This is again, Paris, 1860s. Right?
• 1:18:39
  This this, you know, magnificent architecture, huge monumental building, you know, giant boulevards. And photograph after photograph can look bizarrely empty like this. Right? There's another one, actually this is this is probably the most interesting of this. Let me pull up this other one of, Saint Petersburg, Russia.
• 1:19:03
  Here we go. This is kinda cool. Okay. So, on this site... Okay, right here.
• 1:19:12
  This is on saintpetersburg.com. This is what we're looking at, you know, the mid to late eighteen hundreds. It's kind of showing. Here's where it gets interesting. So, basically, I think this is taken in 1879.
• 1:19:30
  Let's see. So this right here, someone took a... It's like a 13 frame panoramic image. So if you look, someone... This is this is Saint Petersburg.
• 1:19:48
  Where is everybody? Like, look at this. Like, this is, this is, I forget the name of this particular square. This is actually 1861, I think this was. Where is everybody?
• 1:20:08
  Where are all the people at? Like, how could you how could you make this happen? Now there's people that, you know, again, like, I've... As I mentioned, I've had a more of a creative background. I went to art school.
• 1:20:21
  I always worked more creative, you know, fields. I was a professional photographer at some point. I did a lot of kind of fun stuff like that. There's people that will say, oh, it was a long exposure time. Right?
• 1:20:31
  So, you know, these these early cameras required long exposures, basically meaning that, because they had really not very good sensors or actually they weren't sensors back then. It's different technology, but either way, they had to have the aperture open for quite some time to allow all the light to come in to, capture the image. And so if you if you, say, took a picture of a... Say, even today, you took... And iPhones do this.
• 1:20:56
  You can say a long exposure setting. If you do a long exposure setting of a football game, after... Say, do, like, a, you know, five minute exposure, you don't see people. You're gonna see a bunch of just moving lines everywhere because it's just capturing all that movement. And so...
• 1:21:09
  Okay. That's... Again, it's the same way people will say, oh, well, the construction photos, they prove the World's Fairs, you know, were built by people because there's a couple construction photos of, like, three workers strangely posed on a pile of wood next to one of these buildings. Like, okay. Okay.
• 1:21:25
  But again, even if there's a long exposure, you're still gonna have, where's the horse and buggy that was parked? Like, don't see it. Where's the horse and buggy that was parked for half an hour during the during the exposure? Where is the street vendor that the same guy is sitting at his little street stand? I mean, if you look at how, you know, real picture of square in modern era, it's packed with people everywhere.
• 1:21:52
  And so this is the interesting thing is is, so this is Saint Petersburg. And if you keep going, okay? Where is everybody? Now you could say maybe that some of these little blurry streaks might have been like a horse and carriage passing. But where's the guy sitting on the steps of the of the, you know, whatever building that was to them?
• 1:22:18
  Again, another old world building. Right? And again, even that's strange. Right? How is it that in Saint Petersburg, Russia, you have buildings that are the exact same architectural style as what you see over in America or what you see in Egypt?
• 1:22:34
  I mean, literally, you see the exact same buildings built all over the place. And you say, oh, well, no. That's just, was it neoclassical? It was just a... It was a global architectural, you know, trend.
• 1:22:47
  It's like, it's a global architecture. It's what they tell people. That's what they're gonna tell you. They're gonna say, oh, well, in the eighteen hundreds, it was just a trend of architecture that all over the world, whether it's in South America building a post office or in Northern Europe or in America, you know, whatever, that they're following the same global architectural trend. It's like, really?
• 1:23:09
  Is that what you want us to think? Is that the story? Is that why? Because to me, it makes a lot more sense if this... If there was some sort of civilization that was covering a much larger scale of the world that was building these buildings.
• 1:23:25
  Like... And if you if you kinda couple that all together, that's what makes a lot more sense. But... Yeah. I mean, again, like, where are all the people at?
• 1:23:35
  Like this photo right here. Can you zoom in on the streets? I mean, so... Yeah. You know, so what happened?
• 1:23:46
  Right? What happened? Because, again, people, if they say, oh, it it's all this long exposure, people take naps. They sit down. There's vendors.
• 1:23:57
  There's horses that get tied up outside of an area. There's workers unloading and loading things, kids playing, you know, people congregate outside of buildings. And if you've got thousands and thousands of human beings occupying a dense urban environment, a long exposure doesn't just mean that everyone just disappears. Like, these... It's like, take a vacuum, just vacuum out the whole city.
• 1:24:22
  And again, you know, now again, look look back at this again. Look back at these pictures of Paris. Look at these pictures of Chicago. Right? So...
• 1:24:38
  Okay, at least here we've got... There's a carriage there. Look at this. And I mean honestly, to me, this boy looks completely photoshopped into there. Mean, even look at his feet, like they didn't blend his feet very well.
• 1:24:55
  Like this, this, I can tell you, I would say 99% certainty this boy was not even in this photograph when they took the photograph. And again, if you're using the exposure thing, there's no way this kid can stand still for thirty seconds and not look like he's some sort of ghastly apparition when the photograph gets developed. So where is everybody? Right? And again, know, think about, you know, Saint Petersburg.
• 1:25:23
  Let's see. Pull that up for you again. You look at Saint Petersburg. Right? We're talking about the capital of the Russian Empire.
• 1:25:33
  Right? This is the capital of the Russian Empire, and there's no one there. There's no one there. And I've looked through the high resolution photos, and and I've zoomed in. Right?
• 1:25:48
  You see a few horse drawn vehicles, tiny little bits, but it just doesn't make sense. It looks like a ghost town. You have this enormous finished imperial city, right, stretching all the way to the horizon. You have blocks and blocks of these massive buildings with giant avenues and churches and palaces and government buildings and infrastructure everywhere, yet there's no visible population. Where the hell is everybody?
• 1:26:16
  Where is everybody? And so is it... I mean, is it is it that strange? Is that that conspiratorial to think that maybe sometime in maybe the eighteen hundreds, some sort of large depopulation event happened that's been hidden. I mean, something that happens a week ago, the media can already hide it from you.
• 1:26:35
  They can already spin a new narrative. Like, literally, I mean, how many people do you know that just... You know, you you can find 10 people in America that have 10 different opinions of of what happened to nine eleven, and they're all convinced that they know the truth. And that was when, you know, we we had, you know, people recording it. I mean...
• 1:26:52
  And that's just... You know, let alone even things that happened. Like, look at the Charlie Kirk assassination. You know, we have cell phones everywhere, and there's there's 10 different there's 10 different narratives of what actually happened to him. It was a lone shooter.
• 1:27:04
  It was a road mic that shot him. It was a drone. It was someone else. It was a guy in the crowd kinda pulling up on his sleeve, shooting a gun out of his hand. So do you do you really think that they couldn't completely rewrite our history from the eighteen hundreds, especially now that we know that they can actually edit photographs and do whatever they want to?
• 1:27:26
  So, I mean, you know, just you come to your own conclusions on this. But to me, I can't tell you I know what happened. I don't know what happened. But I can tell you that the story they've told us, that is not what happened. Okay?
• 1:27:45
  And so, again, so now... So if if you're entertaining this idea of... That there was some sort of massive depopulation event, then everything we're looking at just takes on an incompletely different character. They start looking less like photographs of cities being built and more like photographs of cities waiting to be filled. Right?
• 1:28:08
  And that's the question I can't get out of my head when I look at them. Like, what if the buildings really did come first? Again, you know, what if some of these incredible cities weren't built for the population we're seeing in the photographs, if at all? But what if they were inherited from a much larger population that was no longer there? And again, an empty photograph doesn't prove absolutely anything.
• 1:28:31
  Right? 10 photographs don't prove a mass extinction event. That's not the point. The point is the pattern because this entire investigation keeps bringing me back to the same thing. I see monumental cities with strangely few people, buildings whose scale seems completely disproportionate to the population supposedly building them.
• 1:28:49
  You know, then you get into the mudflood stuff, you see buried floors, altered street levels, you have enormous fires ripping through cities, hundreds of thousands of children being shipped across the country, right, in the orphanages, all that, you know, even the world's fairs with baby incubators, which is like... It's a whole different rabbit hole that I wish I could talk about, but I'm trying to stay a little more focused for you. Right? And then you see, you know, whether you go from this, okay, you go back to this right here, and you have stuff like this. Right?
• 1:29:23
  Look at this, the original photograph. You have these massive buildings they actually had photographs of. These massive, massive places. This is a real photograph. It's colorized.
• 1:29:34
  This is a real photograph right here. This is a real photograph of structures that were built that were in Chicago. And they're telling us that these things were built in eighteen months. That's what they want us to believe. Yep.
• 1:30:00
  That's what they want us to believe, okay? And now we're gonna get to the final segment. Not about the depopulation, about the repopulation, right? So again, put all these things on that table, and the pattern that I'm seeing increasingly looks like a world that didn't begin in the nineteenth century. It looks like a world being repopulated, reorganized, renamed, and given a new history.
• 1:30:24
  And so getting on the idea of repopulation, things get really, really, really strange. Because there's this bizarre kind of category of images from the late eighteen hundreds and early early nineteen hundreds that I had never heard of until I started going down this rabbit hole. And so they're they're being referred to as repopulation postcards, and this is where it gets really strange. Okay. I'm gonna show you some of these images from these actual postcards that you found all over Europe at this exact same time.
• 1:30:58
  So the same time we have the orphan train, same time we have all this stuff happening. Let me scroll down to my little slideshow here. Yep. Here you go. All of a sudden, had these really, really strange images of babies growing out of cabbage patches, babies being harvested from fields, babies hatching out of eggs, babies hanging out of trees like fruit, Babies being pulled out of water with fishing poles and nets and loaded into baskets, like look at this.
• 1:31:35
  These are images from the 1800s. And there's not just one or two of these things, there's tons of these. Like, it's like these babies are being... There's some sort of agricultural product. Even this image right here.
• 1:31:48
  So this image, forget this, I think late 1800s, it says, basically I think what it's... Roughly, that basically what's saying is that a a repeating a repeater rifle is the best thing for repopulation. So this is a card, it's in French, that again, I took French in high school, but I forgot it was all of it. It doesn't matter. I had someone else translate it for me.
• 1:32:15
  That basically says that a repeater rifle is the best thing for repopulation. That is very, very strange. And you'll see that. You'll see that repopulation. You'll see that imagery.
• 1:32:30
  You'll see that even that... You'll see it written in some of these old postcards, the word repopulation. And so what's going on here? I mean, there's... And there's a lot of theories.
• 1:32:42
  There's a lot of theories of, like, were they cloning babies? Like, did... Was there some sort of repop... Was... Again, what...
• 1:32:49
  If if there was this mass extinction event, did they have to then figure out how to get all the... How to kind of fill the cities back up again? And so were they actually... Is it some sort of cloning? I don't know.
• 1:33:03
  I don't know. It's really, really strange. Right? And so, you know, now the idea that the babies come from, you know, cabbage patches is, you know, is it just old European folklore? Is like, you know, us saying, Oh, babies are delivered by the stork?
• 1:33:20
  Is it... Was it an easy way of explaining sex and childbirth to little kids? So they say, Oh, where do babies come from? And you say, Oh, the babies, they grow in cabbage patches. Okay?
• 1:33:32
  But there's something else going on here. And again, as I mentioned before, even at the World's Fairs, at the exhibits, had incubators, so they actually were... They had babies and incubators on display at these World's Fairs. Really, really strange stuff. And the thing is with these babies is that it's not like they're they're they're being cared for, and it's something that's, like, really beautiful.
• 1:33:54
  It's like they're being harvested. Like, they're being packaged. They're being transported. And actually, there's something even weirder. I'm gonna pull I'm gonna pull it up real quick.
• 1:34:06
  This is is this is gonna... It's gonna take it to a whole new level of weird. Video. Okay. No, that's not it.
• 1:34:29
  Let me see. Sorry, one second. There is a really strange... Oh, this is it right here. Yes.
• 1:34:42
  Okay. Okay. Now, this is really, really, really weird. Okay? It's a silent film.
• 1:34:50
  So the first film ever made in history... I'm I'm not kidding. This is this is the first film that was ever made in history supposedly. It was made in 1896, and it is a film of this woman harvesting live babies from cabbages. Now, I I don't think that they're showing, like, a cloning facility.
• 1:35:13
  I mean, but it could have just been kind of symbolic or metaphorical. But what's also weird is that these... I'll I'll let you watch it. Okay? So again, the same time we have all these Cabbage Patch postcards going over repopulation, empty cities, you've got this.
• 1:35:32
  So just watch this real quick. It's it's a silent film. And look, she's she's picking up real newborns. Like, that's that's a real baby. She just drops it on the ground.
• 1:35:42
  You can see it kicking and screaming. It's it's... This is disturbing. Okay? Sorry.
• 1:35:49
  I'll... Oops. Let me go ahead for that. Okay, I'm serious. Okay, let me zoom in a little bit.
• 1:35:56
  Look at this. In this film, she picks up, like, that's... I'm not sure, the baby's, you know, a couple weeks old, and she just drops on the ground, it's kicking and screaming. Like, what is going on here? This is so weird.
• 1:36:10
  And it only shows a little clip of it, but she picks up all these little babies. So there's something really screwed up. There's something really, really messed up that happened here. Right? And so...
• 1:36:26
  But, again, if if you look at this imagery and how this exact imagery, like the silent film in 1896, all these postcards, turn of the century postcards coming out of Europe. It's the exact same period that we're investigating. This is where this is where my ears perk up because what else is happening in this period? Well, you have enormous numbers of children without conventional families, which is the orphan trains. Right?
• 1:36:51
  You have what's called foundling hospitals. You have these giant orphanages. The orphan trains are transplanting, you know, transporting somewhere between, you know, 200, 250,000 children that... Actually, I'll I'll find a picture of it, the orphan trains. I'll I'll pull it up for you to show you.
• 1:37:08
  So again, same... Again, I I I look at patterns, I look at timing. So you have these orphan trains. K? This is a known thing.
• 1:37:18
  They had trains that literally transported a quarter million children from the East Coast across the nation in America. These are the pictures of them. You see, you can see old newspaper clippings. Wanted homes for children. It says, A company of homeless children from the East will arrive...
• 1:37:43
  Okay, actually, I'm gonna see if I can pull this up higher resolution. Let's see if I can do that. Okay. This is literally an old advertisement. How weird is this?
• 1:37:57
  This is okay. 1910. So again, same timeline, all this crazy stuff is happening. Here's a little ad. Those probably...
• 1:38:04
  This was probably published in a city ahead of the train arriving. So they're literally putting ads. So they're taking these children from the East Coast that that many of them were separated from their families. And they're then taking these children, and they're shipping them across the the nation and just giving them away to people. This is literally documented history that happened the same exact time the world's fairs are being built and destroyed, the same exact time all the fires are ripping through America, the same exact time the Rockefellers and the the Vanderbilts and, you know, the the tycoons are coming in and taking control of America at that exact same time.
• 1:38:42
  The same exact time that Federal Reserve is being founded, the same time that the, you know, the whole medical system is being completely upended with the flexor report coming out around the same time. All this stuff is happening then. And you have this advertisement here, wanted homes for children. It says a company of homeless children from the East will arrive, at Troy, Missouri on Friday, 02/25/1910. It says, it's hard to read this as these children are of various ages and both sexes having been thrown friendless upon the world.
• 1:39:19
  They come under the suspicious of the children's, something of the Children's Aid Society for New York. They must, children as the way it means that the feminists, send them to school church Sabbath, properly clothe them until they're 17 years old. Okay, those are your requirements. Like, we'll give you a kid, but you gotta make sure they have clothes at least till they're 17. He said, The following well known citizens have agreed to act as a committee to, help securing homes.
• 1:39:52
  This is the O. H. Avery, Woolfolk and, you know, cinders, H. F. Cinders.
• 1:39:59
  An address will be made by the agent, Come and see the children and hear the address. Distribution will take place. I mean, how creepy is this? Distribution will take place at the Opera House on Friday, February 25 at 01:30PM. Come get your children.
• 1:40:14
  Come get your orphaned children. Creepy, creepy stuff. Okay. And yet again, also you have the insane asylums. It's like...
• 1:40:27
  So you have these institutions that are housing hundreds and sometimes more than a thousand children at a time, all these orphanages. Okay. And right in the middle of this world, have this incredibly bizarre cultural phenomenon where people are mailing one another images of babies being harvested and distributed. Right? Simultaneously.
• 1:40:44
  So, know, kind of touching back on the Cabbage Patch Kids. Right? So, you know, because I remember, you know, you remember the Cabbage Patch Kids from the eighties, nineteen eighties, like they didn't invent the idea. Right? And so the mythology behind those dolls is basically the children are literally born in a secret Cabbage Patch and then adopted by families.
• 1:41:02
  Right? I'm not sure if you remember Cabbage Patch Kids. Actually, really kind of odd, very strange, coincidence that... I was at I was at a park today with my wife and my and my kids, and some of the parks around us, they have these little kind of libraries, these these little, libraries where you take a book and leave a book type thing. And my daughter June, who just turned six, she she loves looking through there and and drop off an old book or pick up a book.
• 1:41:33
  And she literally picked up a Cabbage Patch Kids book from 1984. And I was like, that's weird. Like, I'm not kidding. This was maybe twelve hours ago. She literally...
• 1:41:44
  She finds... She brings it to me. She goes, dad, I wanna take this book home because I to approve all the books for her. Because all kinds of garbage books in there about to be your true self and, you know, this kind of stuff. And I was like, okay.
• 1:41:55
  It's from the eighties. Right? So so it's not gonna be as bad. And anyway, it was a book on the Cabbage Patch Kids. That's what she want me to read her at bedtime tonight.
• 1:42:02
  And I said, no, we're reading we're reading The Hobbit. Sorry. We're not reading The Cabbage Patch Kids. We're almost done with The Hobbit. Sorry.
• 1:42:10
  My throat's a little scratchy. And so anyway, just a strange side story. Okay? But again, you know, these Cabbage Patch Kids, you look right here, this is... That's the official story.
• 1:42:25
  So in the eighties, they create this toy company where they have these dolls. This is the going home baby coming... Arriving in in some cabbage. So the story is literally that these cab... That these children are being born among the cabbages, and they're waiting to be adopted.
• 1:42:46
  So if you're a little kid, oh, you adopt your little baby, toy baby. And so this is weird idea survives for generations, but you go back even further. Actually, actually, know, I already covered the motion picture, right? Because that's, so that's, again, there's just, I can't say that there's anything that, like, I can point to that says this is exactly what was happening. Right?
• 1:43:15
  Like, does it mean that they were literally growing human babies in cabbage patches? It was not not what I'm suggesting, but I don't I don't know. Sometimes truth is stranger than fiction. Right? But what does a cabbage patch represent?
• 1:43:29
  Cultivation. Let me pull this other images back up again. Right? So what does a cabbage patch represent? Cultivation, planting, growing, harvesting.
• 1:43:39
  You take an empty field, you plant it, you produce a new crop, and you distribute that crop where it's needed. Now replace that crop with children. What are these pictures showing you? They're showing you children somehow being produced in enormous numbers harvested, collected and distributed. Even though we're distributed, right?
• 1:44:00
  Distribution will take place. Okay? And then you couple this with the theory that we've been talking about, this some sort of catastrophic event, dramatically reduce the population leaving behind cities and infrastructure built for far more people that were actually living there, as you've seen through the pictures. You know, followed by a period where populations had to be rebuilt. And that's why the people investigating this theory have started calling this whole thing repopulation postcards, which you even see.
• 1:44:31
  You know? And if you look up, they'll say, oh, that's a that's a... That's just a modern conspiracy to call them repopulation postcards. Well, literally... It literally says that...
• 1:44:40
  And I don't know why... I don't know what they're implying here, but they're saying that repeater rifle is the best for repopulation. That does not make sense. That does not make sense at all. You know, so maybe the cabbage babies are just a joke.
• 1:45:01
  Maybe the orphan trains were just a massive humanitarian response to poverty and abandoned children's. Maybe all the empty photographs are just exposure and early mornings and the giant orphanages are simply what you'd expect from, you know, urban poverty. Right? Maybe every single one of these things we talked about has its own completely reasonable explanation. But at what point do we stop looking at every anomaly through a microscope and start stepping back and seeing the entire picture?
• 1:45:29
  Because if there really was some kind of reset, if an enormous population really did disappear, then one of the biggest problems facing whoever inherited that world would have been incredibly simple. You have cities, you have buildings, you have infrastructure, you need people. And once you start looking at the nineteenth century through that lens, the question of where everybody went becomes inseparable from an even stranger question is where did the new people come from? And maybe that's where I think we should leave things for this portion of the show tonight. Right?
• 1:45:56
  Back where we started with this strange feeling of missing a world that we never lived in. Because after everything that you looked at tonight, I can't tell you exactly what happened. I can't tell you who built these buildings, why so many disappeared, why these cities look strangely empty, or what happened with repopulation. I've got theories and suspicions. And the deeper I go, the more convinced I become that the history that we've been given is hiding something enormous.
• 1:46:28
  But maybe the most important thing isn't having every answer. Maybe it's just being willing to ask the questions because history isn't just a collection of dead people and dates in a textbook. History tells us who we are. It tells us what human beings are capable of. It tells us what kind of world is possible.
• 1:46:49
  And if you can convince a civilization that mankind has always been ignorant and violent and primitive and helpless, then maybe you can also convince them that this ugly centralized artificial world that we've inherited is somehow the pinnacle of human progress. And this is as good as it gets, but I don't believe that. I look at what came before us. I look at the beauty and the architecture and the craftsmanship and the faith and the scale of what human beings were apparently capable of creating, and something inside of me says that we were made for more than this. More than debt and screens and strip malls and concrete boxes.
• 1:47:31
  More than spending our entire lives serving systems that we didn't create and that we don't control. And maybe that's why these images affect us so deeply, because maybe we're not just simply looking back at nostalgia. Like, we're being reminded of something. Maybe the beauty that we see is telling us that another kind of world is possible. So I'm gonna keep digging.
• 1:47:56
  I'm gonna keep asking the uncomfortable questions. I'm gonna keep looking for the photographs, the maps, the buildings, the forgotten books, and all these strange little pieces that don't seem to fit any of the stories that we've been given. And I don't know where the journey leads, but I know this. If something was taken from us, the first step towards getting it back is just remembering that it existed. Right?
• 1:48:21
  And that's that... That's where this all comes down to. I'm not gonna magically figure out how to create, you know, energy harvesting ether domes and and harve... I'm I'm not gonna figure that out. Right?
• 1:48:33
  I might try, but it's not about that. It's like, as I said, if this was taken from us, like, if something was stolen from us, the first step of getting it back is just remembering that it existed, and that's why I'm trying to do these these hidden history shows. I mean, obviously, they're fun, and they're interesting, and they're they're cool topics to get into. But the point is that if we can just believe that these things existed, then, you know, maybe we can't rebuild this old world, but maybe we can build something beautiful again. And maybe we can discover where we really came from.
• 1:49:08
  It is... And how... That process is gonna help us figure out where we're supposed to go from here. Because it's... The world is is is a really crazy upside down world right now.
• 1:49:19
  I don't need to tell you that. You know it. And so I'm I'm not becoming a hermit. I'm not hiding from the world. I mean, trust me, I I spend a lot of time looking at and trying to understand the world.
• 1:49:30
  But I'm also trying to understand the bigger picture of what was taken from us and what we're capable of as human beings. And that's why I'm doing these shows, and that's why I love having you here with me. So that is the... That's the end of just the first part of the show, which that was good. We're almost almost two hours.
• 1:49:48
  That was a pretty that was a pretty, pretty intense. I covered a lot of information. You know, if I repeated certain things, I apologize. There was just... There was...
• 1:49:57
  There's just so much going on. Not an easy thing. Like I said, I I I packed in between Friday and and 10PM tonight. I probably did twenty or twenty four hours or so of getting this show put together. So it was a was a lot of work.
• 1:50:12
  So anyway, now's the fun part. I get to finally have a drink of something because my throat is begging me for that. Let me go and pull up the chats. Let's see. Let me get the chats plugged in here.
• 1:50:25
  Okay. And, also, Kay has been, diligently collecting any questions that you have or any comments that you want me to address. And, yes, I can... There's my YouTube. There's my Rumble chat.
• 1:50:46
  It's actually... I mean, it's pretty amazing. We've got 5,500 people on Rumble watching and about close to 1,500 on YouTube. So, you know, almost... Like, something is striking a chord.
• 1:50:57
  You know, it's almost 7,000 people that are that are watching me at midnight on a Sunday night. So, obviously, this this kind of information is worth your time, we're two hours into a live show. So, you know, this is, yeah, this is this is cool. I love it. I love it.
• 1:51:17
  Okay. Let me get my pop out chat for Rumble. Okay. Here we go. Rumble pop out chat.
• 1:51:22
  I'm get the chats up, and then I'm gonna just take a quick drink of my water. Alright. Okay. Lady Liberty for you says, Seth, you've done an excellent job of getting pictures and info I haven't seen before, and I watch all of the channels that look into the old world. Good job.
• 1:51:42
  Wow. Thank you. I appreciate that. Yeah. Thank you very much.
• 1:51:47
  I really appreciate that. Bobby Adams, you are absolutely worth my time and much more. Thank you. See, travel... Travelogue dog says, oh, Stu Peters did a really good free one called new world order.
• 1:52:03
  I I watched part of it. It didn't... I... It it didn't pull me in. He's done some good work and everything, but yeah, I did did watch.
• 1:52:12
  I was actually really excited to watch it, but, for some reason, it just didn't pull me in. So... Yep. Let's see. Okay.
• 1:52:23
  There's the, yeah, Wild Mountain Doll. Great presentation. Thank you. Big Gaz. Cool to see a channel like this doing well.
• 1:52:30
  Thank you. Actually, that's the YouTube chat somehow. Oh, I think I missed the Rumble. Where's my Rumble chat at? Sorry.
• 1:52:39
  One second. Let me drop in Rumble chat. There we go. Okay. Here we go.
• 1:52:45
  Oh, great. Rumble, folks. Oh, thank you. Thank you. Also...
• 1:52:51
  Oh, yeah. I actually wanna highlight... Yeah. I got it. Someone donated five dollars.
• 1:52:56
  Ryan's Hope Apothecary. Thank you. Excellent work. Ryan's Hope... Ryan, if you have a website I can bring up, let me know.
• 1:53:05
  If you have an apothecary, that's awesome. So thank you. Thank you for that. I really, really appreciate that. And then also SolarV on YouTube, gave a $50 donation, which is amazing.
• 1:53:16
  Thank you. Lake VACM, I really appreciate that. I'm gonna give you a heart right there. Boom. Heart.
• 1:53:25
  Yeah, great show, so informative. That's from, Kim Kirchhoffer. Sorry. If I mispronounce your names, I apologize. I I...
• 1:53:33
  It's hard to... It's hard to, to to kind of understand your name sometimes, your screen name. So if if I miss pronouncing, I apologize. Hey, Shy Guy Adventures. Good to see you.
• 1:53:46
  Thank you. Julie Russell just discovered your channel, so hit the thumbs up and subscribe. Great content. Thank you. Yeah.
• 1:53:53
  Thank you. Thank you. Thank you very much. Yeah. Really appreciate that.
• 1:54:00
  I love seeing the new people on here. I see someone saying that travel, Travel Log Dog says that Kenny from my lunch break was in that documentary. Was excellent. I'll try it again. Maybe it was just the timing.
• 1:54:10
  I'm not sure. You know, it could have been... Sometimes I'm just in the mood for a certain certain kind of film. So... Well, d g Jerome, it's 04:30AM here in The UK.
• 1:54:21
  Man, you are. Yeah. Thank you. You are solid. K.
• 1:54:25
  I'm gonna get some some water real quick. Okay. And I'm gonna pull up, I'm gonna take a look through, if there's any other... I'm gonna pull it real quick. See if there's any, questions or comments.
• 1:54:48
  One second. Let me just pull up my other list. So because Kay reminded me... Hello, Kay. Thank you for being here.
• 1:54:59
  So, yeah, Kay reminded me during my last show that I didn't get to the actual q and a stuff. So... Okay. So we've got here. Actually, I'm just gonna...
• 1:55:22
  Yeah, okay. So I'm just gonna... Actually, I'm just gonna pull this up over there. Let me see if I can do that. So, okay, cool.
• 1:55:29
  Great. Okay. So these are some things that Kay pulled for me, from the show. So... Yeah.
• 1:55:37
  So Lake, VACM, who says that Robert Malone is still making the rounds playing, plying the virus scam. Yeah. One thing also to say about the... About viruses and no viruses. So I've interviewed Tom Cohen a couple of times.
• 1:55:54
  I'm trying to I'm trying to get the author of, I think, Goodbye Germ Theory on. And so, you know... Yeah. My... So my thoughts with viruses is that, yeah, I don't believe that they exist in the way that we're we're told they exist.
• 1:56:10
  But I also don't believe that that means that there's nothing there. Right? Because that... That's the thing is that some people say that, oh, they've never isolated a virus. Therefore, viruses don't exist.
• 1:56:21
  And actually, in a lot of ways, I I agree with that. Right? There's if you get into whole no virus thing, you get into, you know, germ versus terrain, then yeah, there's a lot of validity to that argument. But the but is, is that there could be something else that's still going on. Right?
• 1:56:39
  Maybe it's maybe it's something that actually is deeper than what we even see. Like, maybe it's something that is even smaller and more microscopic. Like, maybe it's like sin. You know, maybe there's some sort of... Oh, there's...
• 1:56:51
  Hello, Kaye. There you go. Yeah. So may... Yeah.
• 1:56:53
  Maybe there's something that that we can't even see, that is that is deeper. But... Yeah. I mean, I I agree. You know, I I...
• 1:56:59
  Yeah. I I do certainly agree with that. So... Alright, Kaye. Thank you for you doing some rearranging for me.
• 1:57:08
  I've got you live on screen to see it. Okay? So... Hello. So good citizen.
• 1:57:14
  Thank you for the donation. Hi again from Australia. My auntie and I love you. Alright. At some point, I'll be visiting Australia.
• 1:57:21
  We might go to Australia next year. We'll see. How about you going to to... Yeah. Might be going over there next year.
• 1:57:26
  We'll see. So Dave, hi. You donated $5. Thank you, Dave. He says, what do you think about the Carrington event in 1859 and how it factors into a period of humanity resets that must have occurred?
• 1:57:37
  I'm not familiar with the Carrington event. I'm looking it up though. I'll I'll research it, Dave. I don't know. Let's see.
• 1:57:47
  Oh, okay. Yeah. So the the geomagnetic storm. Yeah. It says that it was the most intense geomagnetic storm in recorded history triggered by a massive solar flare in a fast moving coronal mass ejection.
• 1:58:00
  Yeah. That's that's an interesting thing. I... I'm gonna look at that because you're right. Because if if there was this this entire society that was built off of ether and built off of this, energy, Yeah.
• 1:58:13
  If there was that kind of a geomagnetic storm, that could have been the... Wiped things out. That's a good point. Good Citizen, thank you for the donation there, Good Citizen. Did you know it was 33 countries and exhibitions?
• 1:58:27
  Of course it was, right? Those Freemasons always, always loved doing that. Then Lake VAC again, thank you very much. And then, Ryan's Hope. Okay.
• 1:58:38
  Then some other comments I just wanna highlight really quickly is this is from Kathy on YouTube, or Kathy Novelli on YouTube says beautiful intro. Thank you. Facto kilo on rumble says great speech. I'm from India and proudly listened to you guys. Awesome.
• 1:58:52
  Great. Oh, very, very cool. Dead fish cheese spread says, I went to the nineteen eighty World's Fair. You know what's funny is that actually I read that as you saying, I went to the eighteen ninety World's Fair. And I was gonna think, I should interview you then.
• 1:59:10
  Yeah. Charlie don't surf on YouTube says, stayed overnight at a World Fair mansion in St. Louis. The craftsmanship was amazing. Yeah.
• 1:59:16
  I'd love to do that. Eric Redd, good to see you back again, Eric, on YouTube. Incredible. Eve and Eve, nice to see you again on Rumble. Says, Your work is truly appreciated, Seth.
• 1:59:27
  Take your time. Thank you. Thank you. I did take my time, and we're we're two hours in, and I'm still going. And somehow, I I feel like sometimes if I sleep less, I have even more energy.
• 1:59:39
  But anyway, so, so Jen x Tomcat, question, did they use Greek fire to burn it all down? Greek fire, have you... Many... How many of you have heard the legends? I've only heard little bits about that, but it's not something I can kinda talk about with confidence.
• 2:00:00
  Interesting. It says, destructive incendiary weapon used by the Byzantine Empire in the seventh century. Could have been. Sounds like it was kind of like a napalm or something. Interesting.
• 2:00:12
  So, Justin Arn on YouTube says, My grandma was at the Omaha World's Fair as a child and talked about the incubator babies. Everyone was mystified by them. Yeah. There you go. Interesting.
• 2:00:24
  I love hearing those little those little snippets. Tisossi on YouTube says, how did they do it? Where did they do it? Why did they do it? Where did all those people go?
• 2:00:34
  Why did they not thoroughly document everything? What a grand time to live in. I know. Yeah. That's the thing is that it's like, well, I mean, you look at, like, the library of Alexandria, which I I believe wasn't actually...
• 2:00:44
  I think it was burned down by the cabal or whatever, you know, the... You know, you think that the the rule... Nephilim or the Anunnaki or whatever. But, yeah, I think that these, I think these things are thoroughly documented, but they're just... They're documents that are not available for us.
• 2:01:00
  Yeah. Yeah. Yeah. Doctor Who says, how come no construction photos that would show evidence of simple plaster and spray paint? Exactly.
• 2:01:08
  Right? So... Oh, interesting. So Iceman on YouTube says the Museum of Science and Industry building in Chicago is the only building remaining from the nineteen eight... Eighteen eighty three World's Fair, but I thought it was all fake, the construction of that stone palace in two years.
• 2:01:24
  Yes. So this is also an interesting point. This is also an interesting thing with these is that, that again, like, is is a strange thing is that the the... As... Like, some buildings survived.
• 2:01:41
  Right? This is this is kind of weird thing is that you have, that's a good example. Right? The museum of science in... Of an industry, which is in Chicago.
• 2:01:48
  But there's a... There's a handful of other ones. There was one of also out in San Francisco that they'd say, oh, well, you know, we built all these fake buildings, but we built these two as real buildings. Therefore, these ones are still standing. Right?
• 2:02:05
  And that's where... Actually, I think it's the, let me see. Let me see real quick. The Nashville Parthenon. This is another one.
• 2:02:17
  Yeah. So here's here's the... Here's an interesting one. So Nashville, Tennessee had a... In 1897 in Nashville, they had a 10...
• 2:02:29
  A Tennessee Centennial Exposition. And so allegedly, I covered this on one of my previous shows, that allegedly, this was one of the buildings that was part of the, you know, the fair that happened in Tennessee, and they just so happened to build a real one that they kept. And so I wanna I wanna go visit this because I think I think that sometimes they decide to keep some of them and for whatever reason, and they say, oh, well, this is the one that we built for real. Anyway, I mean, good good question, though. Yeah.
• 2:03:00
  Very good question. Let's see. Yeah, so, okay, yeah. Doctor Who says, today every building is just a square box, and yet takes just as much time or more to build compared to the... Yeah, that's such a good point, right?
• 2:03:18
  That's such a good point, is that today every building is just a square box. And it's like if if you build... If you do construction, like I've built chicken coops and sheds. Yeah. Like a box is the easiest thing to build.
• 2:03:30
  Yet, you're right. It still takes them years to build these buildings. Yet you look at... Like, you look at... Let's see.
• 2:03:36
  Let me go back to my pictures real quick. Go back to these World's Fairs pictures. Like, look at this. There's nothing square on here. I mean, how incredible is this?
• 2:03:48
  Look at the ironwork. It's like, you're telling me this is all fake? I just don't believe it. Yeah. I don't believe it.
• 2:03:58
  But, yeah, good point though. Yeah. Good point in saying that. Yeah. It's like, yeah, even our current stuff.
• 2:04:06
  Oh, so actually, okay, interesting question. So, Fighteon on YouTube says, I don't get how things so divine were created like the cathedrals, and then they were adorned with evil statuettes, gargoyles, etcetera. What is that all about? Any ideas? Actually, yes.
• 2:04:23
  Let me pull it up for you. I do have some ideas because I went over this, in my last show. So I'm guessing you didn't watch my last show, which is okay. Maybe you're new here, But let me show, I'm gonna pull it up for you. So let's see.
• 2:04:41
  This show right here. Okay. So this is to directly answer the question from, oops, sorry, Faitian, who's who's asking basically why the gargoyles... Or why why these gargoyles are being... Are on the...
• 2:04:57
  All these beautiful chapels and everything. So if you look at this show right here from last week, it's called the, thousand years that never happened in Satan's little season. I go into a potential theory of that. And to give you the really, really quick answer, just cause you asked a question, I'm not saying go watch a two hour long show to find your answer. The really quick answer is basically this idea that there was this period where the righteous, whether it was, you know, the millennial...
• 2:05:26
  The, you know, Christ millennium, whatever it was, But, basically, there's a period when Satan was locked up. And there's about a thousand year period where Satan was not allowed on earth. This could... You get into Revelation, but then he was loosed. He was let loose from his, basically, his cave he was locked to in hell.
• 2:05:43
  He was he was then allowed to be let loose on the world. And so the idea is that, you know, that there's certain people who believe that he was let loose around the kind of eighteen hundreds, '17... You know, around this similar time period. And then what they did is that after he then took control of the world, they took all of these holy sites, and they actually... They then put all these evil creatures on the holy sites.
• 2:06:10
  They put these demonic looking gargoyles and everything on these chapels as way... As a way of saying that, basically, whether it's Christ's, you know, thousand year reign has ended or whatever it was, it was a way of marking the transition into a time period where evil was in control of the world. So, but again, I spent a good hour and a half or so or, you know, a two hour long show, but I I kinda go into that extensively in this show from last week. Okay, so let me just... I'm gonna try to get through these questions really quickly.
• 2:06:48
  Let's see, and then we'll get on to... Okay, that's all I have right here. Then we'll get back to the live chat, so we can have some more back and forth. Okay. So, Susan Westerfield on YouTube says by the mid eighteen hundreds, there were over a 150 huge elaborate lunatic asylums, even though populations were very low during that time.
• 2:07:08
  Who was building them and who was paying for strange times? I I agree. Actually, I did... I'll I'll pull up my channel. So I covered this in...
• 2:07:16
  Let's see. Which show was that? I think it was this one. Yeah. I think it was...
• 2:07:21
  Was this the show? I think it was this one right here. Yeah. That might have been it right here. Anyways, that was almost a three hour show, where I I went into the insane asylums and went to...
• 2:07:34
  Yeah. I mean, like, the one in Napa, California. Actually, I'll pull it up for you real quick. So that... Let's see.
• 2:07:38
  The Napa Asylum. Not... Nope. Not Napa Auto Parts. So, yeah, the Napa Asylum was built...
• 2:07:50
  I think it was discovered, personally. I don't think they built it. Again, one of these weird stories, they built it really fast, and they built... Oops. They built it and, allegedly, they built it in Napa, California in the late eighteen hundreds, this massive, massive asylum.
• 2:08:08
  Like, this thing is huge. Okay? They built this huge asylum in in in Napa, California that housed thousands of people. And the population of Napa at California, when they built it, was, like, 1,800 people. I actually...
• 2:08:22
  I went up and looked up these census records. On the show, I did this. So, yeah, you're right, though. That was all... One of the strange things is they they build these huge...
• 2:08:29
  Supposedly, I think I think, again, think they've discovered these giant buildings, and they then turned them into insane asylums. But you have this massive building that would hold 2,000 people built, allegedly built in a town with a population of like 1,500. So, yeah, good point. Very, very good point. Okay.
• 2:08:52
  Carbon radiotherapy, why can't we have it? Not sure. Actually, yeah, why no toilets in Tartaria? This isn't... I'm gonna...
• 2:09:00
  Yes. This this is a this is a kind of interesting thing, right? Is that, yeah, that there's no... The whole idea, there's no toilets and there's no kitchens in the Tarterian buildings. So I don't have a quick answer for you, but I'll save that for a later show.
• 2:09:19
  I'm gonna just kinda copy that and put it into my notes so that I can remember, because that's an interesting, interesting thing. I love this stuff. You know, as a kid, I always loved treasure hunting and everything. And to me, like, this kind of research, this is this is just treasure hunting. I just love it.
• 2:09:36
  So Stella says, this is cool. Stella says, this is my favorite episode of Seth's in the last five years I've been watching. Fifty minutes in so far. Good job. Thank you.
• 2:09:45
  Yeah. Thank you. That really means a lot. I really appreciate that. Especially when I put so much work into it.
• 2:09:51
  I really appreciate that. MLXV on YouTube says, how come we don't have lightning rods on our houses nowadays? Yeah, it's true. It's a good question. They tell us that all they put on the buildings, that's why these rods are.
• 2:10:08
  Interesting. So bug out Bubba who says, so how did these buildings go unnoticed by early settlers, and why are they never mentioned in Native American traditions? So this is interesting, actually. So bug out Bubba, fun name. You must be a prepper like me.
• 2:10:23
  If you... And again, I'm not trying to tell you to go watch a three hour show to answer your question, but your question is very complex. I went into it extensively in this show. I talked about the Native Americans. I found old Native American, the kind of legends.
• 2:10:38
  I found accounts from the 15 of a guy that traveled across America describing, like, literally, I I showed his writings on the screen talking about massive, like, cities with crystal columns and, you know, gyms and... There's a lot there's a lot there. So, anyway, so, yeah, if you want to get into kind of like, okay. How does this idea of the World's Fairs and these large buildings, how does that fit in with my understanding of history, with America, and why isn't it... You know, what about the revolutionary war?
• 2:11:12
  Where were these buildings at? I get into a lot of that in that in that exact show. And this is on YouTube and Rumble. You can find it. Yeah.
• 2:11:23
  Brussels sprout on YouTube. Says, if those buildings were inherited, residents in those cities lived among them, or how is it supposed to have worked? Yeah. I don't know, actually. I'm not sure.
• 2:11:34
  I mean, because if there was, again, if there was some sort of geophysical event, right, so say we're looking at the idea of the Carrington event, which is an interesting concept, And so say, you know, the Carrington event, let's just say that that happened in 1859. Right? So it may... Maybe if that happened and maybe maybe if all these structures were tapped into this atmospheric energy, then maybe it creates some sort of, like, massive kill off of people. And so, you know, the residents of those cities, maybe a lot of people died, so they literally...
• 2:12:10
  And maybe there's, like, a massive process of clearing out dead bodies? I don't know. I I... It's it's so hard to find this information, but it's a good question. CheekyU Skincare says, I concur with you, Seth, I feel the same way about not caring about all the mind junk spew out daily.
• 2:12:28
  Rather focus on where we came from. Yeah. Yeah. That's a good point. That's just how I feel.
• 2:12:35
  I I I just, you know, everyone's just arguing, and Laura Loomer's arguing with Tucker Carlson over this, and, you know, this person's saying that Candace is a lesbian, and Candace says it's a Mossad thing. And, you know, it's like, I kinda keep an eye on these things because it's part of what I do. I'm... You know, as I'm looking for information that I can help... That I can cover and bring to you.
• 2:12:55
  But I I just don't, I just don't care about it much. It's like, in the grand scheme of things, compared to what we're talking about here, this is far more interesting to me than than just these... Getting focused on these things that just distract you with with something that that doesn't add any value to your life. So and Karen Klein says, what a great show, Seth. Thank you.
• 2:13:17
  I keep hearing that nothing can stop what is coming. Everyone have a great night. I hope so. I I think that is true. Nothing can stop what is coming.
• 2:13:23
  That is true. I agree with that. Whether it's a good thing or a bad thing or whether it's God's hand, you know, and and the the throne of judgment, nothing can stop what's coming. I agree. Okay.
• 2:13:34
  Back to the, the live chats. Excuse me. Okay. Okay. So, yes, I am back to the live chat.
• 2:13:49
  So, I may have missed a few things, But if you if you, wanna have a little back and forth, I'm happy to. I always love seeing you. Who's new here? That's always a question I love asking. So let me know who's new here and and if you just discovered the channel.
• 2:14:08
  Because it's it's actually interesting because my my YouTube channel for the longest time was just dormant, and nothing happened. And it's, it's it's... We... It's, like, it's really, really been activated. It's...
• 2:14:20
  Which is really exciting. It's really exciting because I'm I'm just... There's just... There's so many new people that I'm discovering, and they're discovering me, and, which is just great. There's...
• 2:14:30
  I think there's this this content is really... It's really hitting a... Striking a chord with people. Okay. Rumble.
• 2:14:39
  Let's see. Oh, yeah. So Jogo Beer who says, today I frequently see old classical architecture raised soon after it changes hands. And that's also something that you see as well, is that you'll see that they just, like, they've demolished so much of this old architecture. As soon as someone else comes in, they buy it, they just destroy it.
• 2:14:59
  But also, yeah, you mentioned the dams, and that's another thing. There are, that's a whole other, kind of topic that I'd love to get into, is actually looking at the dams, because there's a lot of information about how basically that they they strategically put dams in places to cover up old civilizations, which that's a cool one. So I wanna dig into that. I'm also gonna be... I'm gonna be doing a show on the Grand Canyon.
• 2:15:27
  There's all kinds of Egyptian artifacts and crazy stuff on the Grand Canyon, which I'm gonna be doing. So... Oh, cool. So new Rumble folks here. This is nice.
• 2:15:36
  So Optimus b, new and now following. Thank you. T f thirteen, new here. Michelle Jude Simon, me. Okay.
• 2:15:45
  Thank you. Welcome. Stone Circle is new. Scro 48 says Jew tube, which is actually accurate. I mean, platform run by by Jews.
• 2:15:57
  So you're being accurate, not being anti Semitic with that comment. So, yeah. Good old Benda rocks. It was good to see you, buddy. About depopulation in old world, mass alien abductions for off world slaves and crazier fed to space lizards.
• 2:16:16
  I don't know, maybe, right? Yeah, I mean, you know, the truth is stranger than fiction, isn't it? You know, go read some of Donald Marshall's stuff, if you wanna really kinda blow your mind. So let's see, Christopher... So Christopher, Allen says, thanks because I found your show the other day and share it out to everyone I know.
• 2:16:39
  Thank you. I love that. Awesome. I love hearing that. Yeah.
• 2:16:48
  Julie Russell Julie Russell says, the new YouTube algorithms AI are enjoying your content, which is true, actually. That... That's the thing is it's it's... Their their algorithm is AI, driven now. So let's see.
• 2:17:00
  The Architectural Heretic, interesting, cool name. Your channel just popped up about fifteen minutes ago for me. That's cool. Okay. Yeah, I like that.
• 2:17:13
  X r pika says, I'm new here, but but we have been studying the same material. Awesome. Well, if you've been studying it, I'd love to hear your feedback. Because, you know, I just, you know, I I like... Yeah.
• 2:17:25
  I like hearing feedback. I'm not... I don't pretend to be an expert on this stuff. I'm just... I'm just kind of walking you through, just my own research that I'm doing.
• 2:17:36
  So, shaman711 says, first time viewer, I really enjoyed your presentation on the topic. Very enjoyable. Thank you. Thank you. Welcome.
• 2:17:45
  A little a little seasoned and spicy. I'm new here. Welcome, spicy person. Let's see. Dave, hi.
• 2:17:53
  It's nineteen seventy one. I'm new. Your show is awesome. Thank you. Awesome.
• 2:17:57
  Good. I love seeing all the new people on here. This is so encouraging. It's just so wonderful. Yeah.
• 2:18:06
  Yeah. Thank you. Yeah. Lots of good new people. My my my stomach is rumbling.
• 2:18:12
  I don't think I ate enough dinner tonight. I... It's also... I guess if I stay up this late and my body's like, I need more fuel. Normally, I I normally, I have, like, a, like, a latte or some nice tea, but I was just...
• 2:18:25
  I was so I was so rushed today to get to get everything done. Yeah. Interesting. Yeah. Low elbow says, Candace says she's going back to investigating Epstein instead of Charlie Kirk now.
• 2:18:41
  Well, that's good. I think that... Yeah. We should we should certainly keep looking into Epstein. I think I'm actually speaking of Epstein, you know, if...
• 2:18:50
  I'm I'm starting back up the survivor series. I think we're working on getting a new guest for that. So... And if you haven't seen it... So...
• 2:19:00
  Cool. Tristan Green, thank you. Same new brand new here five minutes ago. Yeah, so if you haven't seen, my survivor series, which again, like we're starting back up again, because it was very, very well received. If you go to, I'm showing on YouTube because it's easier on YouTube to show you, because I can actually arrange things like this.
• 2:19:20
  But if you go here, these are... This is the survivor stories. And so it is basically, it's a series of interviews with MKUltra or satanic ritual abuse victims. So, yeah, They're they're... It's very, very heavy material.
• 2:19:41
  I I will warn you. It's... Yeah. It's very, very heavy stuff. But I think it's important.
• 2:19:48
  I think it's something that needs to be... Like, it needs to really come much more into the public discussion that this stuff is happening and that's our own agencies that are running this stuff. And so, yeah, if if you are new here, I would recommend checking that series out. But, again, it's dark, and it's heavy. I just wanna warn you, that it's...
• 2:20:09
  It... Like, it changes something in you when you start... Actually, doing these interviews. Actually, this one in particular, this, I did a two part series, two part interview for the first one here, the guy named JR Sweet. And that one was really, really difficult for me.
• 2:20:24
  It took me a couple of weeks to come back from that interview. So... But anyway, we're starting it back up again, and I hope to have a, some new some new interview for... Interviews for you with some other MK Ultra, you know, satanic ritual abuse, you know, people coming out of those systems. So let's see.
• 2:20:53
  Sorry, you get a little more throat spray. Also, I wanna remind you to make sure you watch the interview I did. I just finished. I put just... Part two just came out of that, with Weston Warren.
• 2:21:19
  I was always confused whether it's Weston Warren or Warren Weston, but yeah, I think it's, Warren Weston. I'm sorry Warren, if you're watching this. Let me see. Let me just check real quick. Oh, let's see.
• 2:21:33
  Where is the show description? Here we go. Okay. So... Yeah.
• 2:21:39
  West and Warren. Anyway, so if you haven't seen those, and I'm gonna be having him back on. I got great response from these inter... This interview. I did two...
• 2:21:49
  A little over two hour... Two and a half hour interview with, with him. And this this is part one and part two right here. And I'm gonna be doing a lot more interviews with him. So just wanna just kind of make you...
• 2:22:00
  Let you know about that, just so you can just kind of keep in touch with that. Yeah, D, love the Lord. Glad I found your channel. Thank you. I'm glad that you found my channel too.
• 2:22:12
  Thank you. T, tsozi, 4444 says, Man Erica, thank you for all your work. The presentation is awesome. I think I appreciate that. And also I wanna say, and I say...
• 2:22:25
  I think I said this last time, I'll probably say it every time, but I'm really I'm really grateful for all of you that join live like this, because it's just... It's such a it's such a wonderful group of people. It's it's just like I look at these chat rooms. There's no trolls. There's no...
• 2:22:45
  It's just it's just lovely. So I really appreciate you all being here. Actually, so funny. A little seasoned and spicy says, Man in America, have you looked into gait? So I was actually in the gait program as a kid.
• 2:22:59
  No, I didn't... I wasn't, you know, I wasn't kind of MK Ultra and all that kind of stuff. Oops. Because I know that you can, but yeah, I mean, was actually, I was in the, the gate was called the enrichment program is what I was in. I did it from first to third grade.
• 2:23:18
  Was actually, I really enjoyed it, but, now I learned what it is. I think it was a kind of feeder program for, for, you know, agency stuff. But, yeah. Yeah. Funny enough.
• 2:23:29
  I mean, not funny enough, but yeah, I was actually in the gate program. So sorry, one second. I'm gonna reload this chat. And actually, the funny thing about that is that I didn't realize it until it was, until one of the interviews I did. I was actually interviewing one of the women in my survivor series, and she was talking about how the CIA set up set up these basically finding...
• 2:23:59
  Finder programs, in the schools. And she was, like, describing it, and I was like, I think that I was in one of those programs. And I was like, but it was called enrichment. And so anyway, so I, I went in I went in there and I was like, is enrichment? Was like, yeah, enrichment was definitely part of the gate program.
• 2:24:22
  I was like, oh, okay. So, yeah. Yeah. Beauty in her brain. I'm a gate kid.
• 2:24:29
  That's why I'm all wits. That's why I can't, I can't concentrate on one thing. I've got like a gate kid brain, whatever that means. Like my brain is just kind of zigzagging all over the place. And I get like, well, that's really exciting.
• 2:24:40
  Oh, that's really cool. And so, also, Sing Pray Paint says there's a video by Sheila Zelensky called, the Disney deceptions about grooming and subliminal messages in Disney content. Yeah, that's... Yeah. I'll I'll look that up.
• 2:24:57
  I'll look that up. So actually... So one of the other interviews... Actually, the interview I showed you with JR Sweet, he went into Disney specifically, because he was taken to Disney a lot as a kid into the underground stuff there. And so he went into that.
• 2:25:10
  That was some really tough stuff to discuss. Beauty in Her Brain says, Do you remember much of it? Actually, yeah, I remember a lot of it. I remember a lot of what it was, the enrichment program or the gate program. I remember the the kind of games we did.
• 2:25:27
  I remember, you know, all the kids that were in there with me. I remember the teachers really well. I even remember when they tested me for it. I remember I was, I think I was in kindergarten, and this woman kinda... They pulled me out of class, and I remember that I went in this little kind of conference meeting room.
• 2:25:44
  It's funny. It's very vivid memory. I remember exactly what the room was like. I remember sitting down, and she just... We did these, like, logic tests and, maybe something with the headphones I listened to.
• 2:25:57
  And, I didn't know anything about it. And then and then at some point, they put me into this into this kind of program that every Friday, would go to a different school. But it wasn't like some weird government school. It was actually just... I was in...
• 2:26:10
  As an elementary, and every Friday, I would go to the middle school. And there's a teacher at the middle school that would... That was teaching the, enrichment program. But it was actually really nice. It was...
• 2:26:22
  Yeah. Like it was... That's funny. There's a of gate people here. Trish Clark, you were in gate, a little seasoned spicy.
• 2:26:30
  I was also a gate kid in the eighties. I don't remember much of it, but I don't feel like it was a good experience for me. Pretty sure it's the root cause of a lot of my childhood trauma. That's scary. Yeah.
• 2:26:38
  Yeah. That's that's a... There could very well could have been. I think I was lucky that I didn't have any bad issues. Ended dropping out of it.
• 2:26:49
  I think I got to the end of third grade, because I think I didn't wanna do typing, because we were learning typing in it. And I just wanted to play Oregon Trail. I didn't like typing. And I got really behind on my typing, and I was just like, I'm I'm out of here. So I quit because of that.
• 2:27:05
  Yeah. Interesting. Eddie Disorders SquabbleUp on YouTube says, the old architecture is in my city. My parents went to a high school founded in the 1860s. Yeah.
• 2:27:20
  Yeah. It's weird, isn't it? All this building's founded. Founded, founded, founded. Doesn't make any sense.
• 2:27:27
  Yeah, let's see. So Shelley C says back in '98, they wanted my daughter to get in the gait program until they said that she would only have PE once a week versus five days a week. I opted not to do it. Good for you. Yeah.
• 2:27:43
  Good for you. Yeah. Disney was King Pito. Yeah, unfortunately. Talk about killing cockroaches.
• 2:27:55
  Cool. Good. Yep. Yep. D for the Almighty says, Seth is such a kind soul.
• 2:28:03
  Great with everyone. Thank you. Thank you. It's actually kind of funny because I was, I recently had a conversation with my wife, and she told me, she's like, Seth, you've been kind of crotchety lately. And I was like, really?
• 2:28:17
  She's like, yeah, you're always just always happy and everything, and you've just been kind of crotchety. And so was like, oh, okay. I don't wanna be crotchety. So I said, okay. Maybe I've just been working too much or something.
• 2:28:29
  Because I'm also... I'm right... Working on writing my book right now, and we've got the ARC, which which is launched or launching. We're in the early kind of stages of we got our first kind of groups coming into that. And so, anyway.
• 2:28:42
  Yeah. So I don't think I'm gonna last much longer though tonight. Yeah. So a pure blood based Berserker, are we gonna get a full rundown on Tartaria? Yeah.
• 2:28:53
  Eventually, I'll probably do a couple... Like a multi part series on Tartaria. The... Yeah. The the problem for me is too many things to...
• 2:29:04
  I wanna cover. So Bendirock says, Seth in Saint Petersburg, Russia, they're very tall granite columns that are all in one piece. Let me see. Actually, I'm gonna look that up real quick. Bendirock's Granite columns.
• 2:29:20
  Looking at my other computer. Oh, interesting. Wow. So I pull this over real quick into into this, so you can see it. I wasn't aware of these.
• 2:29:39
  This is a whole other actually kind of topic of of research is looking at all these crazy, like, you know, megaliths. And so they're saying that the, Saint Petersburg features a famous grand granite and rostral columns. Most... It'll be the towering Alexander Column. It says the Alexander Column is a a 156 feet tall, and it, it's a single piece of granite weighing around 600 town...
• 2:30:08
  A pound. Sorry. 600 tons. 600 ton granite column. Man, that is crazy.
• 2:30:20
  It's crazy. Let me see, Alexander. Let me look that up. Holy smokes. Yeah.
• 2:30:32
  I wonder what the story is about that. Wow. That's a single piece of granite. Yeah. Yeah.
• 2:30:40
  There's the... Yeah. Like, the... Yeah. Yeah.
• 2:30:42
  They they use horse... Or also this one, the the bathtub. Yeah. This is also crazy. Back in eighteen o one, early eighteen hundreds, this massive granite bathtub made for Alexander of Russia.
• 2:30:58
  Yeah. There's there's there's tons of stuff that you look back at. It's like, there's no way they did that just with the simple things that we perceive. There's simple technologies that we think that they had. Yeah.
• 2:31:11
  Antarctica. Yeah. That's a good one. Sing, pray, paint. Should look into Antarctica deception and the world beyond the ice wall.
• 2:31:17
  Yeah. Antarctica is is... Yeah. That is, it's a whole other stuff. Yep.
• 2:31:23
  Bobby Adams, thank you Seth and crew. You guys are awesome. Thank you, Bobby. Funny. PG Daces, my brother and I were in the gate program.
• 2:31:38
  We were too much for them. Were kicked out. Oh, funny. Yes. Mine was called enrichment.
• 2:31:48
  That's what they called it. They had different names for them. Yeah, yeah. Floppy Chopper says, I bet that donkey was tired after moving 600 tons. That's a good point.
• 2:32:06
  It wasn't a big, a big donkey. Hog with the nuts. I should say that. I will always remember your name. You're a very funny, funny name.
• 2:32:18
  Seth, you should try to get Jeffrey Drum on. Jeffrey Drum. I'll look him up. Oh, okay. Interesting.
• 2:32:32
  Yeah, okay. Cool. That's good to have that on my list. Okay. Just looking at different comments, make sure I'm not missing anything.
• 2:32:54
  Yeah, I am a Gemini. See, talk about Geminis. I am a Gemini. Tomahawk, Seth, how do you... How do we send you pictures of Leto Reuterium buildings in our city?
• 2:33:05
  Just just, hello@maninAmerica.com is an email address that we monitor. So hellomaninamerica dot com. Let's see. I'm not seeing any trolls either. I'm seeing a few people that might be trolls, but it doesn't look like it actually.
• 2:33:27
  They're just maybe a little bit angry. That's alright. Just be kind. Just be kind. Yep.
• 2:33:40
  Okay. Yeah, I think, yeah, I think you're right. There's, thank you for the Almighty. I think there is a, an email. If you go to maninamerica.com.
• 2:33:55
  Yeah, we've got a... Let me show you that. I'm gonna drop it in there. Yeah. So if you go to maninamerica.com, there's also down here, there's a contact form.
• 2:34:10
  So you can send the contact form there. That's another way. Thank you. Okay. Alright.
• 2:34:24
  Alright, well, I think I'm gonna call it a night. I think I've earned a nice sleep. I'm tired. And, yeah, what is the moon? That's a whole...
• 2:34:40
  There's a lot of stuff on the moon. That's a whole other thing. I've got a lot of ideas about the moon. I don't think the moon is what they're telling us it is. That's for one.
• 2:34:48
  I do not think that the moon is what they're telling us. So... Yeah. Well, anyway, yeah. Well, I guess for everyone who's who's here, thank you for being here.
• 2:35:05
  Thank you for joining. Oh, one last thing. So the... I'm not gonna get into details now, but the, we've we've started opening up the ARC. So I've I've been telling you that we're close, we've we've kind of...
• 2:35:19
  We're kinda letting in small groups at a time. So we've got our first batch of people that are already in the ARC and they're using it. It's a small batch of kind of early adopters. So, if you anyway, if you wanna get on the wait list for the ARC, it's buildthearc.com. It's ARC with a K, not with a C.
• 2:35:39
  Right? So Noah's Ark was spelled with a K, not a C. So anyway, I have to update you. I think we're over now 17,000 people on the waitlist for this. So if you want to get on the waitlist to join the Ark, which I don't have the energy to tell you about it right now, aside from just reminding you that if you wanna join the waitlist to get on it, it's buildthearc.com.
• 2:36:01
  And I also found out that, my book, which is coming out, Prep Like Noah, our website is is working. So, oops. Let me see. Let me pull that up real quick. So if you if you wanna get on the waitlist for my book, Prep Like Noah, it's just preplikenoah.com, and you can get on the wait list, for my book on...
• 2:36:29
  Called the nonprepper's guide to prepare... Guide to preparing... To prepare prepping. Sorry. You can tell I'm tired.
• 2:36:34
  Anyway, it's it's kind of like... It's a kind of big overview of just all things preparedness. It's not overly complicated and tactical. It's really kind of written for the common person. It's not like a ex Navy SEAL search and rescue guide or something.
• 2:36:50
  It's covering like everything from energy to water to medicine to community building, home home, you know, home protection. There's a huge... You know, I just finished a big section on how to make your own soap, you know, how to make soap out of wood ash and like animal fat. So anyway, if you want to be on the waitlist for that, it's I think we're aiming to have it come out in December. So it's preplikenoah.com.
• 2:37:16
  And, yeah, make sure that you make sure you subscribe to the channel, make sure you hit the like button, you know, all those things that you always hear me say. And, yeah. Yeah, thank you, everyone. Again, I just I'm so pleased to see such a wonderful turnout. I just it makes me really happy to see everyone here.
• 2:37:38
  And I saw I saw someone mention I just, I missed it. They said, oh, I've always, I look forward to my Sundays with Seth. So it's good. Oh, here you go. Yeah.
• 2:37:47
  Debbie, who says, I look forward to your show, Seth. I can feel so lonely sometimes because not too many people are willing. It's good to deal with like minded people. That's it. Yeah, you nailed it.
• 2:37:57
  That is absolutely it. That's it. That's why I love being able to do this. I love being able to build a community with you all. It's wonderful.
• 2:38:07
  Yep. Okay. Thank you. Okay. Go to bed, Seth.
• 2:38:10
  Bobby Adams. Thank you, Bobby. Okay. I'm gonna take you. I'm gonna take your advice.
• 2:38:13
  I'm gonna go to bed now. So goodbye everyone on YouTube. Goodbye everyone on Rumble. Yep. Goodbye, everybody.
• 2:38:24
  Cool. It said Max... Maxey Trinidad says, Honestly, I'm grateful these are real podcasts. Yeah, thank you. Yes.
• 2:38:33
  Thank you. All right. Okay. Great. Everyone, thank you so much.
• 2:38:37
  Thank you for being here. I'm not sure what I'm covering yet for next week, but it's gonna be something really fun. And, we'll have a good old time. So I'll see you this time next week. For all the new people here, welcome to the channel.
• 2:38:50
  I'm so happy to have you here. Make sure you hit that subscribe button, and you'll get your notifications. And also know that, I, you know, do lots of shows every week, but Sunday at 10PM eastern, this is the this is the Hangout time. This is the live show where we do, you know, two and a half, three hour long shows together sometimes. So...
• 2:39:11
  Alright. Thank you, everyone. Have a good night. I love you all, and I will see you next week.