Latest / Frightmares / Ep. 144 - A Fantastic Fear Of Everything (2012)

Transcript

Ep. 144 - A Fantastic Fear Of Everything (2012) · Frightmares

• 0:48
  Speaker 1: Is that old smoker's cough coming back?
• 0:51
  Speaker 2: Holy ship, I'm here scientific fact that the wild Strawberry water,
• 0:56
  Speaker 2: like Crystal Light flavor packet and water will make you
• 0:59
  Speaker 2: cough exponentially more if you accidentally swallows you are I
• 1:03
  Speaker 2: don't know what it is. I could like literally choke
• 1:06
  Speaker 2: on any other drink a couple of coughs that one.
• 1:07
  Speaker 3: I'll be coughing for like ten minutes.
• 1:09
  Speaker 1: I thought you were gonna go completely different way with
• 1:11
  Speaker 1: that science.
• 1:12
  Speaker 2: It's also the best flavor, so it's worth it. I
• 1:16
  Speaker 2: guess it's the only flavor I drink.
• 1:18
  Speaker 3: I don't mean yeah, and it occasionally tries to kill me.
• 1:21
  Speaker 1: The fruit punch is pretty good, but it's like very
• 1:24
  Speaker 1: fruit punchy. It's like too much of a punch, maybe
• 1:27
  Speaker 1: more fruit. You know.
• 1:28
  Speaker 3: I haven't liked fruit punch till I was like since
• 1:30
  Speaker 3: I was like seven.
• 1:31
  Speaker 1: I haven't liked it until I was like since I.
• 1:34
  Speaker 3: Was like seven.
• 1:35
  Speaker 1: Okay, you know, what do you? What are you? What
• 1:38
  Speaker 1: are you so distracted with? Over there? Nothing? Oh? Looking
• 1:41
  Speaker 1: at your phone?
• 1:42
  Speaker 3: I know that.
• 1:43
  Speaker 1: Oh okay, well.
• 1:46
  Speaker 2: God uh it's like it's like, yeah, I know, it
• 1:51
  Speaker 2: lives there for minutes you're gonna.
• 1:53
  Speaker 3: Make it worse.
• 1:57
  Speaker 1: This is episode one. We're back. We did it, and
• 2:01
  Speaker 1: I'm laughing at kunt again because I saw that again.
• 2:03
  Speaker 1: Since we didn't actually review this movie, we're.
• 2:06
  Speaker 3: Gonna try this time, no promises.
• 2:08
  Speaker 1: Yeah, we're gonna do our best to actually get to
• 2:10
  Speaker 1: this movie and review it because we watched it a
• 2:13
  Speaker 1: week ago and then last week we just decided to
• 2:15
  Speaker 1: ship on some movies. Typically don't do that, but we
• 2:20
  Speaker 1: did it. So I.
• 2:23
  Speaker 3: Chopped up to Scott Teams.
• 2:26
  Speaker 1: Yeah, pretty much, sorry to him for saying that, but.
• 2:31
  Speaker 3: Also keep that on a T shirt and wear it.
• 2:33
  Speaker 1: People like who's Scott Teams? Look him up on IMDb.
• 2:36
  Speaker 3: You'll you'll hate him.
• 2:38
  Speaker 1: We'll just start a chanting instead of Halloween Die or
• 2:41
  Speaker 1: evil Guys. Taking a very very like hard stand is.
• 2:48
  Speaker 2: A hard, hard stance against Scott Teams. Sorry, dude, you
• 2:53
  Speaker 2: know what you did.
• 2:54
  Speaker 3: You're gonna reflect on this and you're gonna live in regret.
• 2:56
  Speaker 1: Probably not so Yeah, that we're actually going to tried
• 3:00
  Speaker 1: our best to get to a fantastic fear of everything,
• 3:02
  Speaker 1: as long as we don't get distracted with seventeen other movies.
• 3:06
  Speaker 1: But yeah, So that's the plan today. We have a
• 3:08
  Speaker 1: few things up top we'll talk about. But you know,
• 3:11
  Speaker 1: looking around the podcast room, it's something's different. It's just
• 3:14
  Speaker 1: it's so much more homie in here.
• 3:18
  Speaker 3: Is it because you hung artwork?
• 3:20
  Speaker 1: Yeah, I went I was hanging crazy. That's a weird
• 3:25
  Speaker 1: phrase or sentence. Let's not say that I went crazy
• 3:29
  Speaker 1: with hanging pictures. And I hung up my Friday the
• 3:31
  Speaker 1: Thirteenth Picture, My a movie that doesn't exist, that's not
• 3:34
  Speaker 1: a real movie. It was something from Sick Remember those,
• 3:38
  Speaker 1: uh those boxes? I got the horror boxes. What the
• 3:42
  Speaker 1: fuck were those called? Spook box, spook bag? Remember loot
• 3:46
  Speaker 1: fright crate. Yeah, it came in one of those, and
• 3:49
  Speaker 1: I was like, oh, that's cool. And then I looked
• 3:50
  Speaker 1: up the movie to see if it was not real.
• 3:52
  Speaker 1: I'm like, I mean, it's a cool poster, but I
• 3:53
  Speaker 1: wish it was real. But anyways, and then I got
• 3:55
  Speaker 1: my watch it. I mean, if it was real, I
• 3:57
  Speaker 1: would Alligator, the Howling g Ship, and House of Wax
• 4:00
  Speaker 1: Scream Factory posters up. And then My Doctor Sleep and
• 4:04
  Speaker 1: It Chapter two official movie posters from the actual theater
• 4:08
  Speaker 1: courtesy to Spencer Laugherman because he worked there for like
• 4:12
  Speaker 1: so many years, like over a decade. So it's looking.
• 4:16
  Speaker 1: And then I got all the hgen ones up there
• 4:17
  Speaker 1: in the corner behind Sam and it's looking it's looking
• 4:20
  Speaker 1: hell of fresh in here now. It's like it's it's
• 4:23
  Speaker 1: such a different feel now because the walls aren't blank.
• 4:25
  Speaker 1: And once we get those hung up over there and
• 4:27
  Speaker 1: that wall is full, it's like it just feels it
• 4:30
  Speaker 1: feels good in here. It's nice energy. I love it.
• 4:33
  Speaker 1: So that's exciting. Finally, it only took me almost ten
• 4:37
  Speaker 1: months of being actually exactly ten months because we moved
• 4:39
  Speaker 1: in last August. It's about nine ten months to actually
• 4:42
  Speaker 1: hang all this shit up. Yep, good for me. But
• 4:46
  Speaker 1: let's talk about some some news here. We have news.
• 4:49
  Speaker 1: I mean we don't have news.
• 4:51
  Speaker 3: We don't have.
• 4:54
  Speaker 1: H Jen has news and we have not we have
• 4:57
  Speaker 1: not talked about that yet, so they have all. It's crazy.
• 5:01
  Speaker 1: It is June twenty second, by the way, Happy birthday
• 5:05
  Speaker 1: at Bruce Campbell. It's his birthday today, shout out Bruce Campbell.
• 5:08
  Speaker 3: That explains why I hadn't drawing of Bruce Campbell in.
• 5:10
  Speaker 1: My time up Hail to the King baby, so happy
• 5:14
  Speaker 1: birthday to him, shout out him and fucking ye, it's
• 5:18
  Speaker 1: June twenty second and we have two houses, no scare zones,
• 5:21
  Speaker 1: eight houses left, some shows left that they still need
• 5:25
  Speaker 1: to announce, and we don't even have the frequent Fear
• 5:28
  Speaker 1: passes yet.
• 5:30
  Speaker 2: It's very un going on because like, yeah, about a
• 5:34
  Speaker 2: few weeks ago we were like, oh, we bought our
• 5:36
  Speaker 2: tickets at this point for frequent fear because we know
• 5:39
  Speaker 2: we try to go at least once a week minimum.
• 5:43
  Speaker 3: Yeah, we try to go twice a week, but you.
• 5:45
  Speaker 2: Know, obviously it's spooky time. There's a lot of other
• 5:48
  Speaker 2: stuff going on, and we're not twenty five.
• 5:51
  Speaker 3: We get sleepy. You get sleepy, I get sleepy.
• 5:54
  Speaker 2: We are exhausted from the work week. Sometimes sometimes it's not.
• 5:57
  Speaker 3: There, but we still try to make it at least
• 5:59
  Speaker 3: once a week, and.
• 6:01
  Speaker 2: So we have to wait for our tickets to come out.
• 6:03
  Speaker 2: They haven't come out yet, and it's weird because they've
• 6:05
  Speaker 2: also normally they've announced more houses by now, and for
• 6:09
  Speaker 2: them to have announced two two two, like I also
• 6:13
  Speaker 2: will just be like popping them off like each week
• 6:16
  Speaker 2: before it starts, like will we not know because they
• 6:18
  Speaker 2: eventually they set out.
• 6:19
  Speaker 1: The merch before it starts, well, it's kind of like
• 6:24
  Speaker 1: what they did last year, but last year, well no,
• 6:26
  Speaker 1: it's like it's almost like what happened in twenty twenty
• 6:29
  Speaker 1: because they didn't announce anything, didn't announce anything, and they're like, oh,
• 6:33
  Speaker 1: we can't do it. But last year I remember it
• 6:35
  Speaker 1: being more consistent with announcements. So I am not sure
• 6:38
  Speaker 1: why they're hiding everything from us. I don't think they're
• 6:44
  Speaker 1: going to cancel on us this year. They had it
• 6:46
  Speaker 1: last year. There's no reason to cancel this year. So
• 6:49
  Speaker 1: I don't know what's going on. But we have two houses,
• 6:52
  Speaker 1: one of which is another Universal Monster's house, And not
• 6:56
  Speaker 1: that I don't appreciate those houses because they're super and
• 7:00
  Speaker 1: gorgeous and they look great, but it's like third year
• 7:03
  Speaker 1: in a row.
• 7:04
  Speaker 3: I was gonna say, in three years, come on, guys.
• 7:06
  Speaker 1: First it was Universal Monsters, so it was Frankenstein, Dracula, Wolfman,
• 7:13
  Speaker 1: I think there was other It.
• 7:14
  Speaker 3: Was pretty much a hodgepodge, like Phantom was in there.
• 7:17
  Speaker 3: It was everybody.
• 7:17
  Speaker 1: It was like everyone that was cool, and then last
• 7:19
  Speaker 1: year it was specifically the Brides of Frankenstein. Yep, okay cool,
• 7:24
  Speaker 1: And now it's like Wolfman Dracula and uh shiit, what's
• 7:29
  Speaker 1: the other one?
• 7:29
  Speaker 3: Mummy?
• 7:29
  Speaker 1: Mummy? This is like it's cool, but like, come on.
• 7:34
  Speaker 2: I mean and consider this though. It's also three years
• 7:38
  Speaker 2: with heavy, heavy Dracula themes. Because the first year they
• 7:43
  Speaker 2: had a whole section for Dracula and his brides.
• 7:47
  Speaker 3: Yeah, because remember the house.
• 7:50
  Speaker 1: Yeah, oh sorry, I thought you meant like a scarzone.
• 7:52
  Speaker 3: I was like, I had all section in the house.
• 7:55
  Speaker 3: Then the next then the next year.
• 7:59
  Speaker 1: That was the trash camp.
• 8:00
  Speaker 3: Oh.
• 8:01
  Speaker 2: The next year, like I know, it was the Bride
• 8:03
  Speaker 2: of Frankenstein, but also all of Dracula's brides.
• 8:07
  Speaker 3: Were in there.
• 8:08
  Speaker 2: Yeah, so that was like a heavy theme. And then
• 8:11
  Speaker 2: this year again like we get we get it, guys,
• 8:14
  Speaker 2: you really like vampires.
• 8:15
  Speaker 3: I don't think i've been. I can't think of the
• 8:17
  Speaker 3: year I've gone that there wasn't a vampire though.
• 8:20
  Speaker 1: Yeah, because even the scare zone from twenty eight I
• 8:22
  Speaker 1: think was the uh Am baby five Vay five and
• 8:26
  Speaker 1: twenty sixteen was VAM fifty five. You weren't there for sixteen.
• 8:30
  Speaker 2: No, I'm thinking of the house with all the vampires
• 8:33
  Speaker 2: in it.
• 8:34
  Speaker 1: Call the hive. The hive, yeah, the host that someone
• 8:38
  Speaker 1: someone actually posted about that the other day in one
• 8:40
  Speaker 1: of the groups I'm in, They're like, oh, it was
• 8:41
  Speaker 1: my favorite house from that year. And I looked at
• 8:43
  Speaker 1: my rankings of them, because I keep track of that shit,
• 8:46
  Speaker 1: and it was the lowest on the totem pole for me,
• 8:48
  Speaker 1: and I was like, that's right. Yeah, I didn't like
• 8:49
  Speaker 1: that one at all. I mean, I mean, whatever, everyone's
• 8:52
  Speaker 1: gonna have different opinions, but I just thought it was
• 8:53
  Speaker 1: kind of interesting that year because there was so much
• 8:55
  Speaker 1: other better shit than the Hive. So yeah, the high Yeah. Yeah,
• 9:00
  Speaker 1: vampires every year, man, I.
• 9:02
  Speaker 2: Mean they are popular. I mean I know, I'm a
• 9:05
  Speaker 2: big vampire like fan. I love vampire lore. I'm currently
• 9:10
  Speaker 2: subjecting myself to Vampire diarysa Kit.
• 9:13
  Speaker 3: It's such a show. I can't stop watching.
• 9:16
  Speaker 1: Well, and speaking of vampires, on the subject of that,
• 9:19
  Speaker 1: we just started watching What We Do in the.
• 9:20
  Speaker 3: Shadows, such a better show.
• 9:22
  Speaker 1: Oh my god, there's kur what is there? There's three
• 9:27
  Speaker 1: out four is on the way and they got renewed
• 9:29
  Speaker 1: for five and six. Yeah, and we're like halfway through two.
• 9:33
  Speaker 1: And I was the reason I never wanted to start
• 9:36
  Speaker 1: is because I was kind of resistant to it because
• 9:37
  Speaker 1: it's not tak it's not Jermaine Clemens and whatever the
• 9:41
  Speaker 1: other guy is, I can't I don't know his name.
• 9:43
  Speaker 1: But they are all producers and I believe writers on
• 9:46
  Speaker 1: the show. They're involved in some way, shape or form
• 9:49
  Speaker 1: incapacity of the show. Yep. But the people in the
• 9:52
  Speaker 1: show are essentially the same same exact character as almost
• 9:56
  Speaker 1: you know what I mean.
• 9:57
  Speaker 2: Like they're the same but the same like kind of dynamics.
• 10:01
  Speaker 3: Yeah, so it still works.
• 10:02
  Speaker 1: Like I don't know their fucking names. The oh hello,
• 10:07
  Speaker 1: oh oh, what are you doing computer? Sorry, it's it's
• 10:13
  Speaker 1: a brand new show. I can't remember their names.
• 10:15
  Speaker 3: Laslow.
• 10:17
  Speaker 1: Yeah, he gives me Jermaine Clement vibe okay, and then
• 10:20
  Speaker 1: Nandor gives me Taikawa t t vibes. So they give
• 10:23
  Speaker 1: you like the similar vibes and they're completely different. Oh
• 10:25
  Speaker 1: my god, what happened? I kind of need this?
• 10:28
  Speaker 3: Hello, what you need that? I need them? I have
• 10:30
  Speaker 3: to be able to read what happened my ship?
• 10:34
  Speaker 1: My computer dime?
• 10:36
  Speaker 2: Okay, So I guess we'll get back to that in
• 10:38
  Speaker 2: a minute while you're shorting ship out.
• 10:39
  Speaker 1: Okay, we're got just plugging, so yeah, there it goes.
• 10:47
  Speaker 1: But yeah, that's on Where are we watching that Hulu?
• 10:50
  Speaker 3: Yes, on Hulu.
• 10:50
  Speaker 1: Yeah, so it's a great show. What do you tell
• 10:53
  Speaker 1: me what you like about it?
• 10:55
  Speaker 3: What do I like?
• 10:56
  Speaker 1: Yeah?
• 10:56
  Speaker 2: I love that kind of comedy. It's a dark humor.
• 11:02
  Speaker 2: Uh naughty is extremely funny. I like that they have
• 11:04
  Speaker 2: a female in the mix.
• 11:06
  Speaker 1: Yeah, because they didn't have well, no, they didn't have
• 11:09
  Speaker 1: on in the movie. Yeah they didn't. Yeah, they did not.
• 11:11
  Speaker 3: Have a female.
• 11:11
  Speaker 2: They have fantastic cameos in there, just like amazing guest
• 11:15
  Speaker 2: spots on that show.
• 11:17
  Speaker 1: Doug Jones definitely my favorite so far.
• 11:19
  Speaker 2: Yeah, that was really cool. But yeah, it's just a
• 11:22
  Speaker 2: fun show. And if you like horror and you like
• 11:26
  Speaker 2: Gore but you don't like jump scares, like this is
• 11:30
  Speaker 2: a great show to watch.
• 11:31
  Speaker 1: I mean there's some moments though where you get like
• 11:33
  Speaker 1: whoa not that I can think of, Oh, well, finally whatever.
• 11:38
  Speaker 1: I think. The funniest ongoing joke of the like running
• 11:42
  Speaker 1: gag that they do is definitely when las Losa's bat
• 11:45
  Speaker 1: every time he turns into a bat, does not get old,
• 11:48
  Speaker 1: hasn't gotten old yet.
• 11:49
  Speaker 2: Literally explains it at one point He's like, yeah, when
• 11:51
  Speaker 2: I want to turn into a bat, I just yell
• 11:54
  Speaker 2: bat that he flies.
• 11:56
  Speaker 1: Up into the night and then, uh, Guillermo is Nandor's familiar, right,
• 12:00
  Speaker 1: it's his name Girmo, And I love his whole story
• 12:03
  Speaker 1: right now, with the whole.
• 12:04
  Speaker 2: Don't spoil it, mare what because if you haven't, if
• 12:07
  Speaker 2: you don't know what's going on, it's like something that
• 12:09
  Speaker 2: leads in on season two, So don't.
• 12:10
  Speaker 1: Oh yeah, I guess that's true. Anyways, Well, I just
• 12:12
  Speaker 1: like what's going on with familiar.
• 12:14
  Speaker 3: Of ten years of dealing with his own stuff.
• 12:17
  Speaker 1: I love the scene too. There's a scene where he's like,
• 12:19
  Speaker 1: you've been my familiar for like what two years? Like ten? Oh,
• 12:21
  Speaker 1: he's like ten. Holy shit, Like, yeah, I'm kind of
• 12:24
  Speaker 1: waiting for you to, you know, get started on that
• 12:26
  Speaker 1: whole turning me into a vampire process. That'd be cool.
• 12:29
  Speaker 3: Yeah.
• 12:30
  Speaker 1: But yeah, that's a freaking hilarious show, and I'm super
• 12:33
  Speaker 1: excited that they got renewed for two more seasons. And
• 12:36
  Speaker 1: it's like a super easy show to watch because it's
• 12:37
  Speaker 1: you know, twenty three minutes. It's not like an hour long,
• 12:40
  Speaker 1: you know, forty five minute show, so you can Benjamin quick.
• 12:42
  Speaker 1: There's like tennis season and yeah, they're just super funny
• 12:45
  Speaker 1: if you want to just have some mindless fun. I
• 12:48
  Speaker 1: highly suggest that we need to actually get back on
• 12:50
  Speaker 1: watching that because we stopped for a while. Yeah yeah,
• 12:54
  Speaker 1: so but anyways, yeah hhm going back to that, I mean,
• 12:57
  Speaker 1: I'm still excited for the Universal Monster's House, but yeah,
• 13:01
  Speaker 1: I feel like they're just getting a tad repetitive, just
• 13:04
  Speaker 1: a little bit.
• 13:06
  Speaker 2: I think they're trying to keep interest too, because they're
• 13:09
  Speaker 2: building that epic park and they're.
• 13:10
  Speaker 3: Supposed to be a yeah yeah monsters.
• 13:13
  Speaker 2: Section, so they want to keep the hype up on
• 13:16
  Speaker 2: those and keep the interest into those, and keep the
• 13:19
  Speaker 2: merchandise kind of rolling out for those.
• 13:21
  Speaker 3: So that way, they're really building like a background.
• 13:25
  Speaker 2: For that, because a lot of those other sections they
• 13:28
  Speaker 2: really can't, I will say. Thinking of this though, tragically
• 13:35
  Speaker 2: they did close the Monster Cafe.
• 13:39
  Speaker 3: For anyone who's been to Universal.
• 13:42
  Speaker 1: There the whole time.
• 13:45
  Speaker 2: There are some really good restaurants there, and there are
• 13:48
  Speaker 2: some we'd really like to try out an Islands of Adventure,
• 13:51
  Speaker 2: but like Monster Cafe easily the most fun themed like
• 13:56
  Speaker 2: restaurant in there, like all the different props and different
• 13:59
  Speaker 2: old movies.
• 14:00
  Speaker 3: They had stuff for the Delicious Rotisserie chicken you and
• 14:05
  Speaker 3: not chicken man.
• 14:07
  Speaker 2: I think I like it better over by the veloci
• 14:09
  Speaker 2: Velosa coaster. No, by the falls was it something falls
• 14:13
  Speaker 2: raptor falls or whatever. The dining place is over there
• 14:16
  Speaker 2: because they got the potatoes. But I'm actually kind of
• 14:20
  Speaker 2: curious because Monster Cafe is where they do the dining
• 14:24
  Speaker 2: thing with the characters during Halloween harmite.
• 14:27
  Speaker 3: Is that gonna be?
• 14:28
  Speaker 2: Yeah, hopefully somewhere where you can stand in the shade
• 14:31
  Speaker 2: and not the searing hot sun beforehand.
• 14:33
  Speaker 1: Yeah. I mean, I know they didn't do it last year,
• 14:37
  Speaker 1: but that was because you know, COVID, you know shit,
• 14:39
  Speaker 1: So that's fine. But yeah, this year, it's like, okay, well,
• 14:42
  Speaker 1: are they gonna just like decorate up a existing restaurant
• 14:46
  Speaker 1: for spooky times or are we gonna have it at
• 14:49
  Speaker 1: fucking lose or whatever? Like where's that gonna be? Are
• 14:51
  Speaker 1: they even gonna do it anymore?
• 14:53
  Speaker 2: Maybe they won't because they have the They have two
• 14:58
  Speaker 2: restaurants that don't get used during Halloween hornits, but those
• 15:01
  Speaker 2: get used for the rip tours, so where they have
• 15:05
  Speaker 2: the private bars and stuff, and then the other main
• 15:09
  Speaker 2: restaurants are too big.
• 15:11
  Speaker 3: Those are like your two main seating areas for food.
• 15:14
  Speaker 2: They're not going to eliminate one of the large restaurants
• 15:16
  Speaker 2: that people go to eat food in because you need
• 15:18
  Speaker 2: people to stop and take breaks to alleviate foot traffic
• 15:22
  Speaker 2: and lines.
• 15:23
  Speaker 3: So they might not have it anymore.
• 15:25
  Speaker 2: Maybe it's not performing as well either, because I remember
• 15:28
  Speaker 2: when we went there weren't a butt.
• 15:29
  Speaker 3: There were there were some people in there, but there
• 15:31
  Speaker 3: weren't a bunch of people, but I.
• 15:35
  Speaker 1: Did not it's sounding like butt. I mean, I guess, yeah,
• 15:38
  Speaker 1: but that was always just something cool to do. I mean,
• 15:40
  Speaker 1: we did it for the first time in twenty nineteen,
• 15:42
  Speaker 1: and we're like, let's do this next year, and then
• 15:44
  Speaker 1: next year didn't happen, and then it didn't happen in
• 15:46
  Speaker 1: twenty twenty one. So I guess at least we got
• 15:48
  Speaker 1: to do it the one time and got the cool pictures. Yeah,
• 15:50
  Speaker 1: there's something, but yeah, they better move it to I'm
• 15:54
  Speaker 1: assuming they're gonna move it because there's literally been there
• 15:56
  Speaker 1: since the to my knowledge, since the park opened in whenever.
• 15:59
  Speaker 1: The I'm pretty sure. Yeah, well I've been there for
• 16:03
  Speaker 1: a hot damn minute.
• 16:04
  Speaker 2: And the big speculation we're all deeply afraid because they
• 16:08
  Speaker 2: also closed you know Shrek forty is that they've been
• 16:11
  Speaker 2: putting up these walls around them. And right across from
• 16:14
  Speaker 2: Shrek forty is the Minion's ride and all of these
• 16:19
  Speaker 2: fences that are going around the structure because Monster Cafe
• 16:22
  Speaker 2: and Shrek forty are like right there, one building, aren't they.
• 16:27
  Speaker 1: No, there's a there's a there's a street because you
• 16:29
  Speaker 1: have you have Shrek forty, and then you have the street,
• 16:32
  Speaker 1: and then you have strip.
• 16:34
  Speaker 3: I'm thinking of where Donkeys thing.
• 16:35
  Speaker 1: Yeah, you have Donkey thing here and then around that
• 16:38
  Speaker 1: side is the Monster Cafe. Yeah.
• 16:40
  Speaker 2: So I think everyone's a little bit afraid that they're
• 16:42
  Speaker 2: going to turn it into a big minion thing and
• 16:44
  Speaker 2: it's like oof. It's not that I don't like the minions.
• 16:49
  Speaker 2: I mean I like them in context of the Despicable
• 16:52
  Speaker 2: Me movies. Yeah, but I didn't really need like a
• 16:56
  Speaker 2: whole section of park.
• 16:57
  Speaker 1: Well. I also think that the little walls they put
• 17:01
  Speaker 1: up or just you know, the minions are working on things,
• 17:03
  Speaker 1: like you know, I don't think it's necessarily it's gonna
• 17:05
  Speaker 1: be minions. I mean I'm not I'm assuming it is
• 17:08
  Speaker 1: it probably, I mean, at least the restaurant's probably gonna
• 17:11
  Speaker 1: be minionized.
• 17:11
  Speaker 2: There's something mean, there is a Minion one at Menion
• 17:15
  Speaker 2: California and California.
• 17:16
  Speaker 1: So I don't think Shreks, I don't. I hope Shrek
• 17:19
  Speaker 1: isn't going to turn into something minions. I assume the
• 17:22
  Speaker 1: cafe is, but they better do something other than minions
• 17:25
  Speaker 1: because people are gonna get tired of that shit eventually.
• 17:28
  Speaker 2: I will say though, from what I've seen though, the
• 17:30
  Speaker 2: Minion cafe that they have in Hollywood has apparently got
• 17:34
  Speaker 2: some good food in it.
• 17:35
  Speaker 1: Oh. I mean, I'm sure the food's gonna be delicious,
• 17:37
  Speaker 1: but I don't.
• 17:37
  Speaker 3: Need you know, when we go in a couple of
• 17:39
  Speaker 3: years and the lines died down.
• 17:40
  Speaker 1: I don't Yeah, I don't need an entire street of
• 17:43
  Speaker 1: fucking minions. I'm good, they're funny, but it's like it's
• 17:47
  Speaker 1: like that's gonna be that park's identity at this point.
• 17:49
  Speaker 1: It's like, you have so many other cool things you
• 17:51
  Speaker 1: could do, like Monster cafe, but just move it to
• 17:54
  Speaker 1: the new park, you know. Just move it to the
• 17:55
  Speaker 1: new park, make it bigger, make it better, make it
• 17:57
  Speaker 1: more awesome, and who knows, and mean, maybe Hhen will
• 18:01
  Speaker 1: have a new home at that park. Like, we don't
• 18:03
  Speaker 1: need we have no idea. It's totally possible that they
• 18:05
  Speaker 1: could open that park because it's going to be like
• 18:08
  Speaker 1: it is literally supposed to be. I saw the map
• 18:10
  Speaker 1: of it. It's almost like two times bigger than everything
• 18:13
  Speaker 1: that we have Universal and Hoa Ioway combined, So it's
• 18:19
  Speaker 1: supposed to be a massive park.
• 18:22
  Speaker 2: Well, my only thing is because the thing with Universal,
• 18:26
  Speaker 2: because I remember they did Islands of Adventure for a while,
• 18:29
  Speaker 2: but then they I guess they ended up having problems
• 18:30
  Speaker 2: so they just put it back.
• 18:31
  Speaker 1: At the one park that was also dual park though.
• 18:34
  Speaker 3: Yeah, so.
• 18:36
  Speaker 2: I think that the only issue they would have with
• 18:39
  Speaker 2: moving into the bigger park is they have this nice
• 18:41
  Speaker 2: setup in Universal where it all looks like different cities.
• 18:46
  Speaker 2: It's all set up to look like different places, so
• 18:48
  Speaker 2: it's really easy to add set pieces to those places
• 18:53
  Speaker 2: and make them blend. Whereas like think about when they
• 18:59
  Speaker 2: did Lamett Island of Adventure and they were kind of
• 19:01
  Speaker 2: just had to go with what was there, because you know,
• 19:05
  Speaker 2: you got to put the nature stuff near Jurassic Park
• 19:07
  Speaker 2: because where the hell else are you gonna put the
• 19:09
  Speaker 2: greenery stuff? And you gotta put like the fun clowny
• 19:14
  Speaker 2: stuff over by the cartoon section, because it would look
• 19:17
  Speaker 2: weird anywhere else, like the having the Universal section be
• 19:21
  Speaker 2: more like the Universal towns be more you can recognize
• 19:26
  Speaker 2: the city, but they're they're more of a blank slate
• 19:28
  Speaker 2: to work off of, I know, And if they have
• 19:30
  Speaker 2: all these really specific sections in the Epic Park, then
• 19:34
  Speaker 2: it's gonna be really hard to work in a variety
• 19:36
  Speaker 2: of you know, scare zones.
• 19:39
  Speaker 1: Yeah, I just it's also definitely hard at Universal too,
• 19:42
  Speaker 1: because it's more superhero themed than anything. You know, you
• 19:45
  Speaker 1: have all the superheroes and yeah, then you have Jurassic Park,
• 19:47
  Speaker 1: then you have you know, Poseidon, and then you and
• 19:49
  Speaker 1: then you have Harry Potter. Well now you do. Of course,
• 19:52
  Speaker 1: when it was at Iowa, there was no Harry Potter
• 19:55
  Speaker 1: land at or Town or hogsmet or whatever. Yeah, I
• 19:57
  Speaker 1: don't think so that's probably why they definitely can't do
• 19:59
  Speaker 1: it there. But I don't know, I'm just I'm just
• 20:01
  Speaker 1: trying because I don't I can't remember all the lands
• 20:03
  Speaker 1: that they have. I know they're gonna have like a
• 20:04
  Speaker 1: Monster Land and other lands, but I mean, they would
• 20:07
  Speaker 1: have more space to do more houses. It would be
• 20:10
  Speaker 1: bigger could hold more people. So I mean, I'm not
• 20:12
  Speaker 1: ruling it out as a possibility. Do I think it'll happen, No,
• 20:15
  Speaker 1: but it's it's entirely possible that they could potentially move
• 20:18
  Speaker 1: it to a bigger space where they could do more houses,
• 20:21
  Speaker 1: because it's getting more packed and more packed every fucking year.
• 20:25
  Speaker 2: Yeah.
• 20:26
  Speaker 1: Remember that one what was that twenty twenty nineteen when
• 20:30
  Speaker 1: that wound that famous you know, like the infamous picture
• 20:32
  Speaker 1: of like the line over the bridge and it's just
• 20:34
  Speaker 1: a fucking sea of people. That was an insane night.
• 20:37
  Speaker 1: Too many people. So oh, we gotta talk about the
• 20:40
  Speaker 1: other house too real quick. So yeah, that's uh, I
• 20:43
  Speaker 1: totally forgot about that house. So yeah, I mean, definitely
• 20:46
  Speaker 1: still excited for this year. Obviously, I'm gonna go through
• 20:48
  Speaker 1: the Monster's House and maybe that'll you know, I don't
• 20:51
  Speaker 1: think they've done the Mummy yet, though, I think that is.
• 20:53
  Speaker 1: I think that is.
• 20:54
  Speaker 2: There was a small mummy section, I believe, but there
• 20:58
  Speaker 2: was that like whole cursed Mummy house thing right.
• 21:01
  Speaker 3: A few years back.
• 21:02
  Speaker 1: Oh Two of the Ancients there you go. Yeah, that
• 21:04
  Speaker 1: was twenty sixteen.
• 21:05
  Speaker 3: Yeah, so that's been a while.
• 21:06
  Speaker 1: Yeah. Two of the Ancients was fucking awesome. So that's
• 21:09
  Speaker 1: the first house in the second house, which is really
• 21:11
  Speaker 1: not a shocker, but I'm surprised they're redoing this one. Specifically,
• 21:15
  Speaker 1: it's the nineteen seventy eight Halloween and so far at
• 21:19
  Speaker 1: this part that I to my knowledge, they've done Halloween,
• 21:21
  Speaker 1: Halloween two. Obviously they can't do Halloween three because no
• 21:23
  Speaker 1: Mike Myers. I mean, they could, but it would be different.
• 21:26
  Speaker 1: They did Halloween four, and now they're just like, fuck it,
• 21:29
  Speaker 1: We're going back to nineteen seventy eight, which is weird
• 21:32
  Speaker 1: because it's like, yeah, I mean that it is a
• 21:34
  Speaker 1: great movie, but it's like, why don't you do the
• 21:36
  Speaker 1: new one from twenty eighteen? Don't do kills, but why
• 21:39
  Speaker 1: don't you do the new one? Or I was not like,
• 21:41
  Speaker 1: you know what I mean, it's weird that they're repeating
• 21:43
  Speaker 1: a house from nineteen seventy eight. I mean, I don't care,
• 21:45
  Speaker 1: it's gonna be The Halloween houses are always my favorite.
• 21:49
  Speaker 1: They're it's always a good time to go through, and
• 21:51
  Speaker 1: it's always nice to see, you know, Myers come back
• 21:54
  Speaker 1: and you know, throw his blade up in your face.
• 21:56
  Speaker 2: Maybe it's more cost effective to keep going back to
• 21:58
  Speaker 2: these ips.
• 22:00
  Speaker 3: That they already have.
• 22:01
  Speaker 2: Uh yeah, I mean long reputations with Maybe there isn't
• 22:04
  Speaker 2: as much current hype for like, there aren't a lot
• 22:08
  Speaker 2: of franchises going on right now, Like there's been some
• 22:12
  Speaker 2: like there's been like a new Conjuring movie, But how
• 22:14
  Speaker 2: the hell are you going to do a Conjuring house?
• 22:16
  Speaker 2: You know, there haven't been a lot of large franchises
• 22:19
  Speaker 2: that have been pumped out movies where they would fit
• 22:22
  Speaker 2: in houses, and uh so maybe they're just trying to
• 22:27
  Speaker 2: fill in with what they have.
• 22:29
  Speaker 1: No, that's entirely possible. And I know they do Halloween
• 22:31
  Speaker 1: because obviously it's I mean I think it's this.
• 22:34
  Speaker 3: It's a crowd pleaser.
• 22:35
  Speaker 1: Well it's a crowd pleaser. And I'm pretty sure at
• 22:37
  Speaker 1: this point aren't the new ones universal, right, I know,
• 22:42
  Speaker 1: I can't remember. I don't know, but it's obviously it's
• 22:44
  Speaker 1: an easy property for them to obtain. And according to
• 22:48
  Speaker 1: the spec map too, which has changed as you if
• 22:51
  Speaker 1: you follow the spec maps, you know they changed. So
• 22:54
  Speaker 1: the spec map now obviously Halloween confirmed, Legends Collide, which
• 23:02
  Speaker 1: original the Blumhouse of Horrors is supposed to be back.
• 23:05
  Speaker 1: The Black Phone and Freaky are the two mashups. Uh
• 23:10
  Speaker 1: that I'd be so down for that evil dead bug house,
• 23:13
  Speaker 1: Seeds of Extinction, two l Choopercabra dead dead Man's Wharf,
• 23:16
  Speaker 1: which was a scare zone back in twenty sixteen, I believe.
• 23:20
  Speaker 1: And then the Weekend. I don't give a shit how
• 23:22
  Speaker 1: many people want to fucking dump all over the weekend house.
• 23:25
  Speaker 1: I'm here for it. I don't care. I will always,
• 23:28
  Speaker 1: I will always, like you know, I want to see
• 23:31
  Speaker 1: something new and different. So I don't know why people
• 23:33
  Speaker 1: are like, oh, the Weekend isn't horror. I don't care
• 23:35
  Speaker 1: if he's not. I just want to see a cool house,
• 23:37
  Speaker 1: like a cool music house. I was so on board
• 23:39
  Speaker 1: for Billie Eilish when they or when they were talking
• 23:41
  Speaker 1: about doing that, and remember.
• 23:42
  Speaker 3: It didn't happen. So like, Chilli, you tits, yeah, everyone
• 23:45
  Speaker 3: else so don't know what it's going to look like.
• 23:47
  Speaker 1: So again, Chi, everyone sees this and they're like, Dud,
• 23:50
  Speaker 1: just bullshit, Bud. I'm like, it's a spec map, guys,
• 23:53
  Speaker 1: calm it down. We have no idea the validity of this.
• 23:56
  Speaker 1: I mean, they are about seventy five percent accurate, i'd say,
• 24:00
  Speaker 1: but uh, fuck yeah, dude, I'm so down for a
• 24:02
  Speaker 1: weekend house. It'll be the music will be good. Yeah,
• 24:05
  Speaker 1: it'll be thump and bass and I don't you know whatever.
• 24:08
  Speaker 1: I'm sure they'll find a way to make it spooky.
• 24:10
  Speaker 1: I've also saw someone tweeted about the weekend not being
• 24:13
  Speaker 1: horror and someone posted two pictures from like his music
• 24:16
  Speaker 1: videos looks spooky as shit.
• 24:18
  Speaker 2: Yeah, Like, I don't know what's gonna happen, so why
• 24:21
  Speaker 2: don't you chill out.
• 24:22
  Speaker 1: I will always give things, like you know, like, uh,
• 24:25
  Speaker 1: I'll try everything once, you know what I mean.
• 24:28
  Speaker 2: Yeah, Like there's some that we were just like like, uh,
• 24:34
  Speaker 2: there were some houses where I know that we had
• 24:36
  Speaker 2: discussed them and they're like, oh, it could be fine.
• 24:38
  Speaker 2: But then like we read the premise, We're like that
• 24:40
  Speaker 2: sounds weird, but I mean, let's find out.
• 24:42
  Speaker 3: And then like we ended up loving them, like great
• 24:45
  Speaker 3: yard games.
• 24:45
  Speaker 2: We were like that doesn't make any sense, but sure,
• 24:48
  Speaker 2: and then we got in there and we loved that house.
• 24:51
  Speaker 3: Everybody loved that house. It was such a great house.
• 24:53
  Speaker 1: That was one of the best from that year. Yeah,
• 24:54
  Speaker 1: because the story, the story behind it was fucking stupid.
• 24:57
  Speaker 1: But then we saw it and I was like em.
• 25:01
  Speaker 2: Just because you've read a blurb or seen a picture.
• 25:03
  Speaker 2: A lot of the art for it.
• 25:06
  Speaker 3: Not even in the inside of the house.
• 25:08
  Speaker 1: Ye art.
• 25:09
  Speaker 3: You don't know how the house is gonna play out. Yeah,
• 25:11
  Speaker 3: give it a chance.
• 25:12
  Speaker 1: Give it. Yeah, that's what I'm saying. I'll always give
• 25:14
  Speaker 1: it a chance. If I don't like it, I'm still
• 25:16
  Speaker 1: gonna go through it because we're gonna get expressed.
• 25:18
  Speaker 2: But you know, feel free to have all the opinions
• 25:20
  Speaker 2: you want after you've done it.
• 25:22
  Speaker 1: Yeah, that's why I you know, I don't I mean, yes,
• 25:24
  Speaker 1: did I have an opinion of the monsters Collide? Yeah,
• 25:26
  Speaker 1: because it's like it just feels it feels a little lazy.
• 25:29
  Speaker 1: It feels a little too easy.
• 25:30
  Speaker 3: But they have been fun.
• 25:31
  Speaker 1: But they've been fun, and they look they look fantastic.
• 25:34
  Speaker 1: You know. I'm just kind of tired of like, all right,
• 25:36
  Speaker 1: you know, even Halloween. I'm like all right, but you know,
• 25:38
  Speaker 1: I love the Halloween houses and at this point, I
• 25:41
  Speaker 1: don't care what they do. I'm just gonna go and
• 25:43
  Speaker 1: have fun and go through hunted houses. I really hope though,
• 25:45
  Speaker 1: that this Evil Dead is either well, it only can
• 25:49
  Speaker 1: only be too because it doesn't say evil Dead too.
• 25:51
  Speaker 1: I'm kind of hoping into the remake, you know what
• 25:53
  Speaker 1: I mean. I mean, of course i'd like to see
• 25:54
  Speaker 1: you know, a Bruce Campbell's you know, ash in there somewhere,
• 25:58
  Speaker 1: But the remake was so bloody and gorgon and there's
• 26:00
  Speaker 1: so many things i'd like to see come to life.
• 26:02
  Speaker 1: Probably gonna be the original, that's gonna be. That's still fine.
• 26:05
  Speaker 1: Probably not gonna be that's still fine. That's still fine.
• 26:07
  Speaker 1: I don't care. Or it could just be a fucking
• 26:09
  Speaker 1: evil dad just mash up house. Who knows.
• 26:12
  Speaker 2: Also, for real, though, if you go to Halloween Horn,
• 26:14
  Speaker 2: it's more than once, every house will get repetitive, So
• 26:18
  Speaker 2: simmer down because you're gonna go through all the houses
• 26:21
  Speaker 2: several times. So like, it's not gonna be new every time. Yeah,
• 26:26
  Speaker 2: I mean, they do like to change stuff to confuse
• 26:28
  Speaker 2: the shit out of you.
• 26:29
  Speaker 1: But you know that's what I love about Halloween Hornits
• 26:31
  Speaker 1: you're like, oh, you're you're new there. Oh hello. The
• 26:35
  Speaker 1: one I can remember the most was uh oh man.
• 26:38
  Speaker 1: I don't remember the name of the house, but it
• 26:39
  Speaker 1: was from twenty sixteen. It was like the Western that's
• 26:43
  Speaker 1: my gold house, and it might be profe in my pocket,
• 26:47
  Speaker 1: and the whole entire season there was this this scare.
• 26:51
  Speaker 1: Actor was not there last night I went, which was
• 26:54
  Speaker 1: I think closing night or maybe you know, maybe I
• 26:56
  Speaker 1: just missed them. But their last night someone like they
• 26:59
  Speaker 1: added a stroke and someone reached down from the roof
• 27:01
  Speaker 1: and I almost fell over because I had never seen that,
• 27:04
  Speaker 1: been through that house like twelve times, and it freaked
• 27:06
  Speaker 1: me out. Of course, you know, I had been me.
• 27:08
  Speaker 1: It was me and Scott. We had been drinking and
• 27:09
  Speaker 1: we both that he got both of us. We like,
• 27:12
  Speaker 1: we're so taken back. So I love that they constantly
• 27:14
  Speaker 1: add new scares and try to work in different things
• 27:17
  Speaker 1: like that guy crawling on the ground and graveyard games.
• 27:20
  Speaker 2: Oh my god, so nervous every time in that house
• 27:23
  Speaker 2: because they're like, is it castor And he's just.
• 27:27
  Speaker 3: Reaching out and crawling on the ground and you cannot
• 27:29
  Speaker 3: be at ankle heightened.
• 27:30
  Speaker 1: No, that scares the fuck, especially for me being so tall.
• 27:33
  Speaker 1: I don't like things that are on the ground because
• 27:35
  Speaker 1: I don't know, I don't freaks me out. Well, I'm
• 27:37
  Speaker 1: not a fan of that.
• 27:38
  Speaker 2: Someone at arm's length you can defend yourself from, but
• 27:41
  Speaker 2: your brain goes oh, there's someone down here.
• 27:44
  Speaker 3: I'm standing on my feet available and someone reaches out
• 27:48
  Speaker 3: at you. You like, I don't know where to go.
• 27:50
  Speaker 1: I don't know what. Yeah, yeah, so very excited. September
• 27:55
  Speaker 1: second through October thirty first this year to really it's
• 28:00
  Speaker 1: really weird that they're ending on a Tuesday, but I
• 28:03
  Speaker 1: mean or a Monday, but you know whatever. So in
• 28:07
  Speaker 1: their strat's the earliest they started to the second. That
• 28:10
  Speaker 1: is so early, so that'll be a lot of fun
• 28:12
  Speaker 1: this freakin' spooky time, spooky season. But let's talk about
• 28:16
  Speaker 1: two movies real quick before we go on to this
• 28:18
  Speaker 1: movie that we saw recently. Well I say recently, but
• 28:22
  Speaker 1: it's the two we didn't get to talk about the
• 28:24
  Speaker 1: last episode because we were too busy shitting on other movies,
• 28:29
  Speaker 1: So I said, should have just called a fire starter,
• 28:33
  Speaker 1: son of a bitch? We did dash Can we did Firestarter?
• 28:37
  Speaker 1: Did we talk about Oh, you haven't seen the Sadness yet? Okay,
• 28:40
  Speaker 1: Sadness is amazing, But yeah, real quick. The Curse is
• 28:44
  Speaker 1: a New is a new werewolf movie for this year?
• 28:47
  Speaker 1: Came out a while back in theaters, and then I
• 28:49
  Speaker 1: just bought the Blu ray because I heard good things.
• 28:52
  Speaker 1: I quite enjoyed it. I liked the setting. I I
• 28:57
  Speaker 1: liked how the vampire, not the vamp, the werewolves came
• 29:02
  Speaker 1: to be. It was a completely different like origin story.
• 29:04
  Speaker 1: It wasn't like, oh I got bit, I'm a werewolf.
• 29:07
  Speaker 1: They kind of made it a little different, you know,
• 29:10
  Speaker 1: with the teeth and stuff like that. I thought that
• 29:12
  Speaker 1: was a pretty cool thing. And then how you became
• 29:15
  Speaker 1: the werewolf was completely different with all those weird strands
• 29:19
  Speaker 1: coming off of you. And then like the it was.
• 29:22
  Speaker 1: It was very creative in a way. But the biggest
• 29:25
  Speaker 1: drawback for me was the CG when you actually saw
• 29:27
  Speaker 1: the werewolf. It was quite bad, Yeah, quite bad. But
• 29:31
  Speaker 1: everything else about it I thought was pretty smart. You know,
• 29:35
  Speaker 1: it's something new in the terms of werewolves that I
• 29:38
  Speaker 1: that you know, they they they took it in a
• 29:40
  Speaker 1: different direction, so I had to give them props for that.
• 29:43
  Speaker 3: Yeah.
• 29:43
  Speaker 2: I like the way they did the transformation. I was
• 29:47
  Speaker 2: kind of just about the movie in general. I mean, like,
• 29:54
  Speaker 2: there was plenty of gore. Uh, there was plenty, like
• 29:57
  Speaker 2: what's gonna happen? But for me, I think the problem
• 30:00
  Speaker 2: as like the storyline was a little too vague because
• 30:03
  Speaker 2: they were like We're kind of wondering through most of
• 30:05
  Speaker 2: the movie, what the hell the part the point of
• 30:07
  Speaker 2: the first part is, And then when we get to
• 30:09
  Speaker 2: find out what it is, you're like, I'm still not
• 30:12
  Speaker 2: entirely sure why they needed to do the first part
• 30:15
  Speaker 2: of the film, like the intro in because it just
• 30:17
  Speaker 2: felt like weird and unnecessary. Yeah, and also, of course, uh,
• 30:23
  Speaker 2: we've discussed this on other episodes.
• 30:27
  Speaker 3: Offensive depiction of Gypsies again.
• 30:30
  Speaker 2: Oh yeah, it was like, oh, as we all know
• 30:32
  Speaker 2: Gypsy's curse people. I feel like, uh, these Gypsies just
• 30:39
  Speaker 2: wanted their land and not to get massacred, and uh,
• 30:44
  Speaker 2: everybody got what was coming to them. I mean, sucks
• 30:48
  Speaker 2: to be the kids of those people. But you know,
• 30:51
  Speaker 2: uh yeah, it would be nice if we could stop
• 30:53
  Speaker 2: using gypsy curses the explanation for everything. There are other
• 30:57
  Speaker 2: ways to get curses. It could be a nondescript curse,
• 31:00
  Speaker 2: also an option.
• 31:01
  Speaker 1: I thought they were they Native Americans though.
• 31:03
  Speaker 3: Or no, those were Gypsies.
• 31:05
  Speaker 1: When there were Native Americans that cursed the people for
• 31:08
  Speaker 1: being on their land.
• 31:09
  Speaker 3: Uh not in this film.
• 31:10
  Speaker 2: This film was Gypsies because it was European, okay, and
• 31:14
  Speaker 2: Native Americans wouldn't be in Europe.
• 31:16
  Speaker 1: Oh yeah, it was European.
• 31:17
  Speaker 2: Sorry, yeah, sorry, and uh, frankly, who's a graphic brutalization
• 31:26
  Speaker 2: of gypsy people? But yeah, I mean, but the visuals
• 31:31
  Speaker 2: were cool and they did not shy aways from some
• 31:34
  Speaker 2: of the more violent stuff.
• 31:36
  Speaker 3: Was hard to look at.
• 31:38
  Speaker 2: I just felt like it could have been like it
• 31:40
  Speaker 2: wanted to go for artsy, but didn't quite go all
• 31:43
  Speaker 2: the way to artsy, so you're just like, I.
• 31:45
  Speaker 3: Don't know where you want to be.
• 31:47
  Speaker 1: I've also been trying to take into consideration on my
• 31:50
  Speaker 1: ratings how it looks, how it sounds, and this. You know,
• 31:54
  Speaker 1: the cinematography in this was very well done. I mean, yeah,
• 31:57
  Speaker 1: the score as well. So I'm trying to take that
• 31:59
  Speaker 1: and include those into my ratings more and more, because yeah,
• 32:03
  Speaker 1: I did really enjoy this, and it was a little
• 32:05
  Speaker 1: it was it was a tad on the long side too.
• 32:07
  Speaker 1: It's about an a about an hour and fifty so,
• 32:10
  Speaker 1: you know, one forty five without you know, without credits,
• 32:12
  Speaker 1: so it's a tad been on the long side. But yeah,
• 32:15
  Speaker 1: I just I really, I don't know, I really enjoyed it.
• 32:18
  Speaker 1: I would definitely watch that again. You know, there are
• 32:20
  Speaker 1: some things that you know, like you said, the whole
• 32:21
  Speaker 1: gypsy thing, there are other ways to explain, you know, curses. Yeah,
• 32:26
  Speaker 1: I agree with you.
• 32:27
  Speaker 2: I mean I get the weird correlation between gypsies and werewolves.
• 32:31
  Speaker 3: It's like a long.
• 32:33
  Speaker 2: Ass thing, yeah, with gypsies and supernatural creatures.
• 32:37
  Speaker 3: Oh boy, what's that about?
• 32:39
  Speaker 2: Somebody explained it to me, because like, I get it
• 32:41
  Speaker 2: in the sense that I know it's a thing that
• 32:43
  Speaker 2: people like to do, but I don't understand why like
• 32:47
  Speaker 2: it does it? Werewolves do not always equal a gypsy curse.
• 32:50
  Speaker 1: That's true, No, I understand. Yeah, I don't know. I
• 32:53
  Speaker 1: obviously think I enjoyed this much more than you did.
• 32:56
  Speaker 1: You did, Okay, Well, I guess that's just me. I
• 33:00
  Speaker 1: had a two point nine out of five on the
• 33:02
  Speaker 1: Letterbox and I don't think it's streaming anywhere. But I
• 33:05
  Speaker 1: picked up the Blu ray for like nineteen ninety nine,
• 33:07
  Speaker 1: So that's the curse from this year. Don't be confused
• 33:10
  Speaker 1: on Letterbocks because it says it was from twenty twenty one,
• 33:12
  Speaker 1: but it was not available to us in the US
• 33:14
  Speaker 1: since it is a European film until this year. Next up,
• 33:19
  Speaker 1: do we talk about Blackwell Goes six. No, we did not.
• 33:23
  Speaker 2: Well.
• 33:23
  Speaker 1: I'm not gonna say much about it because it's kind
• 33:25
  Speaker 1: of hard to talk about it without immediately giving away spoilers.
• 33:27
  Speaker 1: But if you know anything about the Blackwell Ghost series,
• 33:32
  Speaker 1: Clay Turner, Clay, He's done this whole thing where you know,
• 33:38
  Speaker 1: it really blurs the line between fiction and reality, Like
• 33:41
  Speaker 1: especially with like four and five, it's like, I know
• 33:44
  Speaker 1: these are probably all fake, but honestly, he's so convincing
• 33:48
  Speaker 1: that making it feel real that I really don't know
• 33:52
  Speaker 1: what to believe. And this one guy the other day
• 33:54
  Speaker 1: was like, it's all fake, blah blah blah. Okay, that's great.
• 33:56
  Speaker 1: Let me like, let me enjoy it how I want
• 33:58
  Speaker 1: to enjoy it. But he just did six one for
• 34:00
  Speaker 1: this year, and it was I don't know how it's
• 34:02
  Speaker 1: somehow for me, at least, it was the best one. Like,
• 34:05
  Speaker 1: it's insane how these movies have just increasingly got better
• 34:08
  Speaker 1: and better and better. You didn't like it at all?
• 34:10
  Speaker 3: Apparently, no, it thought that I didn't like it.
• 34:12
  Speaker 1: I saw your rating. I was like, wow, oh shit.
• 34:16
  Speaker 3: I didn't read it that low, did I?
• 34:17
  Speaker 1: Yeah? It was. I mean it's pretty low for me.
• 34:20
  Speaker 3: See I it's not that I didn't like it.
• 34:23
  Speaker 2: It still had the good scares in it, which is
• 34:26
  Speaker 2: what I really appreciate about that is like I didn't
• 34:29
  Speaker 2: read it that low.
• 34:29
  Speaker 1: It's pretty well compared to mine at least.
• 34:32
  Speaker 2: So yeah, Well, my issue for me it was that
• 34:36
  Speaker 2: in without giving too much away, obviously though, the whole
• 34:39
  Speaker 2: concept of and it's in the blurb like it's this one,
• 34:41
  Speaker 2: this haunting hits closer to home. Yeah, and for me,
• 34:45
  Speaker 2: the introduction of his children and.
• 34:49
  Speaker 3: His own house into the story.
• 34:52
  Speaker 2: And like how closely it started to feel a little
• 34:55
  Speaker 2: too convenient for me, And like that's where it kind
• 34:59
  Speaker 2: of lost me, because the other ones, it's like, yeah,
• 35:01
  Speaker 2: he totally could have stumbled onto a house with a
• 35:04
  Speaker 2: haunting and stumbled onto this other house. He totally could
• 35:06
  Speaker 2: have done that. That's a real thing that people do.
• 35:09
  Speaker 2: But what doesn't usually happen is someone just is in
• 35:12
  Speaker 2: their house and suddenly they're dealing with their own ghost problem.
• 35:15
  Speaker 2: And so for me, it felt like too convenient a
• 35:18
  Speaker 2: way to interject or inject his own life into it
• 35:24
  Speaker 2: and to tie him more closely to the other stories
• 35:28
  Speaker 2: or really the most recent haunting he had done in
• 35:30
  Speaker 2: the previous films, and I was like, it's harder to
• 35:35
  Speaker 2: buy when you when you're putting too much of yourself.
• 35:38
  Speaker 2: It worked better for me when he was more of
• 35:40
  Speaker 2: a guy that was outside looking in that kind of
• 35:44
  Speaker 2: accidentally brought this upon himself by getting too curious.
• 35:47
  Speaker 1: You know, I see, I'm completely the opposite way. I
• 35:50
  Speaker 1: thought it was perfect that he did because it's always
• 35:52
  Speaker 1: been about other things, and now due to certain events
• 35:55
  Speaker 1: that happened to him, that's why it's happening to him,
• 35:58
  Speaker 1: you know what I mean. It's not like a game.
• 35:59
  Speaker 1: It's the reason for me is it's not like it's oh,
• 36:02
  Speaker 1: because he got too close to doing the investigation, it
• 36:05
  Speaker 1: latched onto him. It's what happens in the first five
• 36:07
  Speaker 1: seconds of the movie that is like, oh, okay, so
• 36:09
  Speaker 1: I guess I don't know. It made sense to me.
• 36:11
  Speaker 1: It'sought's a very emotional I cried the first time I
• 36:13
  Speaker 1: watched it, so that was fun. But if you're a
• 36:16
  Speaker 1: fan of fan of fan footage fane, if you're a
• 36:21
  Speaker 1: fan of found footage and you haven't even seen any
• 36:24
  Speaker 1: of them, check out the first one. It's for free
• 36:26
  Speaker 1: on Amazon. Then all the other ones are rented I
• 36:29
  Speaker 1: just bought them all because I love them so much.
• 36:30
  Speaker 1: But yeah, Blackwell goes six. I assume he's gonna make
• 36:33
  Speaker 1: a seventh one because he does not pick up the
• 36:36
  Speaker 1: story from five again due to something that happened in
• 36:39
  Speaker 1: his life. I don't think he had a means of
• 36:42
  Speaker 1: continuing the story from five. But I believe he's making
• 36:44
  Speaker 1: a seventh one to pick up that story because he
• 36:47
  Speaker 1: leaves us on a cliffhanger in five with the map.
• 36:50
  Speaker 1: So yeah, so yeah, that's a great one. And then
• 36:53
  Speaker 1: we also watched the new Cronenberg joint called Crimes of
• 36:57
  Speaker 1: the Future. We'll make this quick because I don't want
• 37:00
  Speaker 1: to talk too much about it. It's just I just
• 37:02
  Speaker 1: want to say it was fucking awesome.
• 37:04
  Speaker 3: Yeah that was a wild movie.
• 37:05
  Speaker 1: Okay, but sorry. I don't know if anyone else saw
• 37:09
  Speaker 1: this on the internet like I did. But there was
• 37:14
  Speaker 1: this thing, it was like a Twitter thing that was
• 37:16
  Speaker 1: like a tweet that was posted around It said the
• 37:18
  Speaker 1: last twenty minutes of Crimes of the Future are going
• 37:21
  Speaker 1: to cause panic attacks and walk outs and like making
• 37:24
  Speaker 1: people nas Just that did not happen for me, so
• 37:28
  Speaker 1: or or any of us. Me, you and Spencer were
• 37:31
  Speaker 1: like we were all waiting for the last twenty minutes
• 37:33
  Speaker 1: because we thought it was going to be absolute, raw
• 37:35
  Speaker 1: insanity and we didn't get that. Not that it wasn't
• 37:38
  Speaker 1: a good ending, but I was expecting so much more
• 37:42
  Speaker 1: than I got, so some you know, it weirdly got
• 37:45
  Speaker 1: hyped up for me and did not meet my expectations,
• 37:48
  Speaker 1: and I was kind of upset that someone put that
• 37:51
  Speaker 1: out on the internet when it wasn't true. I mean,
• 37:53
  Speaker 1: I've seen so much like when you watch The Sadness
• 37:57
  Speaker 1: that you'll see what like what that. I think that
• 38:00
  Speaker 1: was talking about the Sadness, not Grahams in the Future.
• 38:03
  Speaker 1: So yeah, it was kind of weird to see that
• 38:05
  Speaker 1: because I was totally fine throughout that. I mean, yeah,
• 38:08
  Speaker 1: there was some pretty fucking crazy parts, but overall, the
• 38:11
  Speaker 1: last twenty minutes weren't anything that made me want to
• 38:13
  Speaker 1: throw up, faint or walk outs. So I don't know
• 38:16
  Speaker 1: who wrote that, but falsitudes. So if you saw that,
• 38:20
  Speaker 1: go into it expecting that to not probably that to
• 38:23
  Speaker 1: probably be not a thing.
• 38:24
  Speaker 2: So I mean it really the whole movie's a metaphor,
• 38:27
  Speaker 2: so oh, I know, yeah, it's really not like.
• 38:29
  Speaker 3: It's very Cronenberg it's very Cronenberg.
• 38:32
  Speaker 2: It's very like a message of like trying to control
• 38:37
  Speaker 2: things you can't control.
• 38:39
  Speaker 1: Yeah, uh, in you know, body horror of course, because yeah, Croningberg.
• 38:43
  Speaker 2: Well, because that's usually a really good way to depict
• 38:46
  Speaker 2: that kind of thing, because if it's happening directly to you.
• 38:50
  Speaker 3: But uh yeah, I.
• 38:53
  Speaker 2: Mean if you're going in, if you're going in for like, ah,
• 38:56
  Speaker 2: this is gory nightmare horror, it was not near as
• 39:00
  Speaker 2: like gory as I thought it was gonna.
• 39:02
  Speaker 1: Be like video Drome or fly.
• 39:05
  Speaker 2: Yeah, frankly it was was way more tame uh than that.
• 39:11
  Speaker 3: But yeah, if you just if.
• 39:13
  Speaker 2: You're going in for like actual scares, this is not
• 39:16
  Speaker 2: that kind of horror movie. It is literally one big
• 39:18
  Speaker 2: artistic metaphor, so like is there gross stuff in it? Yeah,
• 39:22
  Speaker 2: but you're looking for jump scares, this ain't it.
• 39:24
  Speaker 1: Yeah.
• 39:25
  Speaker 3: It was really cool though.
• 39:26
  Speaker 1: It was very good, very well done. It was nice
• 39:28
  Speaker 1: to see Cronenberg return, and he's doing another movie that's
• 39:31
  Speaker 1: gonna be out next year, I think too. So it's
• 39:33
  Speaker 1: nice to see him come back to his roots because
• 39:34
  Speaker 1: he kind of, you know, did other things like History
• 39:38
  Speaker 1: of Violence, Eastern Promises, stuff that weren't really horror. They
• 39:41
  Speaker 1: were more I don't know, kind of like I guess, drama, thriller,
• 39:44
  Speaker 1: you know, stuff like that. But when there was gory
• 39:47
  Speaker 1: in thriller. Yeah, but when there was like gory moments what.
• 39:50
  Speaker 3: I can't hear me?
• 39:51
  Speaker 1: Well, I turned you down.
• 39:52
  Speaker 3: Sorry, thank you.
• 39:54
  Speaker 1: There are when there are gory moments in those movies.
• 39:57
  Speaker 1: He goes all the way with it. So it's nice
• 39:58
  Speaker 1: to see him return to form. Can't wait to see
• 40:01
  Speaker 1: what he does next. Let's get into this fucking movie.
• 40:03
  Speaker 1: We got to talk about this movie. Go for it.
• 40:05
  Speaker 1: It's time fantastic Fear of Everything. All right, let's do this.
• 40:09
  Speaker 1: This is from twenty twelve, released on June eighth in
• 40:12
  Speaker 1: the UK of that year. I'd had a limited run
• 40:15
  Speaker 1: in the US starting February seventh of twenty fourteen, and
• 40:18
  Speaker 1: then Shout Factory did a shout select of this on
• 40:22
  Speaker 1: May ninth, twenty seventeen, with you know, Simon Peg looking
• 40:26
  Speaker 1: like an insane person as he you know, is throughout
• 40:28
  Speaker 1: the movie. But yeah, I went ahead and bought that.
• 40:30
  Speaker 1: I don't even remember how I how I think you
• 40:33
  Speaker 1: came to me with this movie, and I.
• 40:34
  Speaker 2: Was like, oh, shuit is me trying to select movies
• 40:37
  Speaker 2: for the podcast, and I literally went through like streaming
• 40:40
  Speaker 2: services and saved movies that were available, and I always
• 40:44
  Speaker 2: like Simon Peg.
• 40:44
  Speaker 1: So yeah, I and I happen to see that not
• 40:47
  Speaker 1: only was there a Blu ray, but Shout Factory did it,
• 40:49
  Speaker 1: and I was like, yeah, so I bought that. This
• 40:53
  Speaker 1: is rated R four, No sex and nudity, mild violence
• 40:56
  Speaker 1: and gore, moderate profanity, thirty two fucks in one cunt,
• 41:00
  Speaker 1: mild alcohol, dougs and smoking, drugs and smoking and god
• 41:06
  Speaker 1: damn dugs and and and smoke, and mild frightening and
• 41:10
  Speaker 1: intense scenes. This has a runtime of an hour and
• 41:12
  Speaker 1: forty minutes. Listed as a comedy whore. This was directed
• 41:17
  Speaker 1: by a man named Crispin Mills Where's My Mouse Who's
• 41:21
  Speaker 1: only directed two things and also did a movie called
• 41:24
  Speaker 1: Slaughterhouse Rules, also directed by a man named Chris Hopewell
• 41:28
  Speaker 1: who only has twelve directing credits and has done music
• 41:31
  Speaker 1: videos and shorts, so there you go. Also written by
• 41:35
  Speaker 1: Crispin Mills who only has two writing credits. The other
• 41:38
  Speaker 1: was four Slaughterhouse Rules whatever. That is composed by a
• 41:42
  Speaker 1: man named Michael Price who is composed, who has fifty
• 41:45
  Speaker 1: eight composer credits and has done things like The Sherlock
• 41:47
  Speaker 1: Show and the Dracula mini series. Cinematography by Shiman Simon
• 41:54
  Speaker 1: shout Chaudoir. That's a French name. I think, sorry if
• 41:57
  Speaker 1: I butchered that. He has forty three cinematographer credits and
• 42:01
  Speaker 1: has done mainly music videos and shorts. So a lot
• 42:04
  Speaker 1: of people that you know this is like they're big thing.
• 42:08
  Speaker 1: I guess, very weird. Uh starring Simon Pegg. He only
• 42:14
  Speaker 1: has as Jack. He only has one hundred and eleven
• 42:16
  Speaker 1: acting credits. No big deal. You should probably know him
• 42:19
  Speaker 1: from Sean of the Dead and Hot Fuzz, Pitchhiker's Guide
• 42:21
  Speaker 1: to the Galaxy Worlds, and you know, many many things.
• 42:26
  Speaker 1: The man acts what.
• 42:29
  Speaker 3: I can't remember who he was in Hitchhikers. Huck he's
• 42:33
  Speaker 3: the main guy in Hitchhikers.
• 42:34
  Speaker 1: Oh no, he's not sure he's not. That's Martin Short. Wait,
• 42:39
  Speaker 1: maybe I'm maybe I'm mistaken. Then maybe I was taking
• 42:41
  Speaker 1: of Martin Short.
• 42:42
  Speaker 2: Okay, so he's not in that film. I'm like, I
• 42:44
  Speaker 2: don't recall him being in that film. He is currently
• 42:47
  Speaker 2: in the Boys.
• 42:49
  Speaker 1: On a second, did I that upshot.
• 42:55
  Speaker 2: And for some reason, he has been in a ship
• 42:58
  Speaker 2: ton of the Mission Impossible movies, which is the only
• 43:02
  Speaker 2: reason I'd think of watching those, But unfortunately there's still
• 43:06
  Speaker 2: Mission Impossible movies, and therefore I have no interest.
• 43:10
  Speaker 1: I think I fucked that up.
• 43:12
  Speaker 3: I think they don't even look alike man chinge your hair.
• 43:17
  Speaker 3: That's about where that ends.
• 43:19
  Speaker 1: Oh my god, why did I okay, not Hitchhikers go?
• 43:23
  Speaker 1: What the fuck was I was I drunk when I
• 43:25
  Speaker 1: did this, because like I always go to their page
• 43:27
  Speaker 1: and just take the top movies. I guess I must
• 43:29
  Speaker 1: have been. I don't know, Okay, moving on, moving on,
• 43:32
  Speaker 1: not Hitchhiker's Guide to the Galaxy.
• 43:34
  Speaker 2: Uh.
• 43:34
  Speaker 1: Then we have Paul Friedman. Paul Freeman is doctor fried Kin,
• 43:39
  Speaker 1: who has one hundred and thirty four acting credits. Was
• 43:41
  Speaker 1: in Raiders of the Lost Ark as Bellick. You might
• 43:44
  Speaker 1: know him from that movie, and he was also in
• 43:45
  Speaker 1: Hot Fuzz as well. It's funny because you were like,
• 43:47
  Speaker 1: I know that guy, I'm like, come on, you know,
• 43:49
  Speaker 1: and then he looked it up and yeah, right to
• 43:51
  Speaker 1: the Lost Ark. He looks much much different in this movie.
• 43:54
  Speaker 1: Same accent though, Yeah, that I guess.
• 43:56
  Speaker 3: It's just his accent that reason.
• 43:59
  Speaker 1: I don't know he was playing a Nazi in that movie,
• 44:01
  Speaker 1: so I thought he was just doing a thing. We
• 44:04
  Speaker 1: got Amara Karen as san Jeete, who has twenty four
• 44:07
  Speaker 1: acting credits and was in the Darje Dealing Limited as Rita.
• 44:11
  Speaker 3: And she's also in Doctor Who.
• 44:13
  Speaker 1: There You Go. And then Claire Higgins as Claire to Grenwald,
• 44:17
  Speaker 1: who has seventy nine acting credits and was in hell
• 44:19
  Speaker 1: Raiser one and two is Julia. She was the mom
• 44:21
  Speaker 1: and hell Raiser one in two liked her a lot
• 44:24
  Speaker 1: more in this yeh estimated budget of one point five
• 44:28
  Speaker 1: pounds and an estimated box office gross of ninety seven thousand.
• 44:32
  Speaker 1: So this is what you would call a fucking flop.
• 44:35
  Speaker 1: I don't know how accurate these are, but this is
• 44:36
  Speaker 1: what IMDb is giving me, so we're gonna go with that.
• 44:40
  Speaker 1: Filmed in Shepperton Studios in Shepperton, England, in London, England
• 44:44
  Speaker 1: as well. You can watch us on Stars Shout Factory
• 44:47
  Speaker 1: TV free with ads on Amazon, or buy the Shout
• 44:50
  Speaker 1: Select Blu ray for twenty two on Amazon, or you
• 44:52
  Speaker 1: can get it directly through their website. Movies that came
• 44:56
  Speaker 1: out around the same time. Going by the UK release,
• 44:59
  Speaker 1: we've got Dark sh Shadows, Moon Right's Kingdom, Pirana three,
• 45:03
  Speaker 1: Double D, Men in Black three, Prometheus, Madagascar three, Europe's
• 45:08
  Speaker 1: Most Wanted. It was a big year for Threes, Brave,
• 45:12
  Speaker 1: The Amazing Spider Man, and Ice Age, Continental Drift. Oh
• 45:16
  Speaker 1: and Ted.
• 45:17
  Speaker 2: I saw all of these except for Parana three D
• 45:22
  Speaker 2: I saw, though. I saw Continental Drift with you and
• 45:24
  Speaker 2: we both agreed it was bad.
• 45:26
  Speaker 1: Was that the bad one?
• 45:27
  Speaker 3: Yeah?
• 45:27
  Speaker 1: I can't remember. Oh, yeah, that was bad. Specific horror moments,
• 45:32
  Speaker 1: there's not a lot of them, and we watched it
• 45:34
  Speaker 1: a week ago, so I can't remember mine.
• 45:39
  Speaker 2: I wouldn't say okay, but like, okay. The thing is
• 45:43
  Speaker 2: that this is, yes, it's a horror in the sense,
• 45:45
  Speaker 2: but more the horrores happening to Simon Pegg or like
• 45:49
  Speaker 2: happening from his perspective. So it's not in this sense
• 45:52
  Speaker 2: like a scary movie. It's more like he's so fucking
• 45:57
  Speaker 2: scared that it's a horror movie. I like, if you
• 46:01
  Speaker 2: are not good with horror movies, this is a great
• 46:04
  Speaker 2: movie to watch.
• 46:04
  Speaker 1: It's great. Yeah if you don't, Yeah, what you said,
• 46:07
  Speaker 1: I'm not going to try and say that better. I
• 46:08
  Speaker 1: don't know why I was strong favorite kill. I don't.
• 46:10
  Speaker 1: I don't think there's any kills. Pretty sure there are
• 46:13
  Speaker 1: actually zero. Oh wait, no, technically there's one. Day, technically
• 46:17
  Speaker 1: there's one. But I don't think there's actually any kills
• 46:19
  Speaker 1: on screen. No. Oh, did I have a favor I
• 46:22
  Speaker 1: had a favorite line? Hold on, I had a favorite line?
• 46:24
  Speaker 3: Oh, yes you did, and it involves.
• 46:26
  Speaker 1: The one sea word? Where the fuck did I go?
• 46:31
  Speaker 2: I said it earlier a couple of times, and now
• 46:33
  Speaker 2: you're saying seaword?
• 46:35
  Speaker 1: Well, okay. In regards to talking about the Hedgehog Book,
• 46:40
  Speaker 1: he was writing, quote, he ruined my marriage, that prickly cunt.
• 46:45
  Speaker 3: Yeah, that's pretty good.
• 46:46
  Speaker 1: It was a great Would you agree that you were
• 46:49
  Speaker 1: that was was probably your favorite? Yeah? It was a
• 46:55
  Speaker 1: good one. Yeah. Favorite character. My favorite character was the
• 46:58
  Speaker 1: random cop that Jack keeps bumping into you throughout the film.
• 47:02
  Speaker 1: I thought that was hilarious because the entire like even
• 47:04
  Speaker 1: the entire movie, he just keeps bumping into this random
• 47:07
  Speaker 1: cop and he's like so suspicious of the cop and
• 47:10
  Speaker 1: thinks he's gonna, you know, like arrest or some shit.
• 47:12
  Speaker 1: It was just such a little funny interaction. So yeah.
• 47:16
  Speaker 2: Yeah, my favorite character was Jack.
• 47:20
  Speaker 1: Well, yeah, he is a He's a fucking looney tune
• 47:22
  Speaker 1: in this.
• 47:23
  Speaker 3: I didn't really have a least favorite character.
• 47:25
  Speaker 1: I didn't either. It was a very limited cast. I
• 47:26
  Speaker 1: mean it was like three people. Yeah, liked everyone, Yeah,
• 47:30
  Speaker 1: even the bad guy. I was like, I like you,
• 47:31
  Speaker 1: You're you're cool. Yeah. I guess maybe maybe his mom
• 47:36
  Speaker 1: I don't really like the mom kind of you know,
• 47:38
  Speaker 1: left him.
• 47:39
  Speaker 3: Well spoilers, we're gonna talk about it.
• 47:42
  Speaker 1: Okay, it's literally he mentions it pretty soon. Off, all right,
• 47:46
  Speaker 1: So then we got the IMDb summary right here. A
• 47:49
  Speaker 1: crime novelist whose research on Victorian serial killers has turned
• 47:53
  Speaker 1: him into a paranoid wreck must confront his worst fears
• 47:56
  Speaker 1: when a film executive takes a sudden interest in his
• 47:59
  Speaker 1: movie script. Boom bang go, oh you're ready for me?
• 48:03
  Speaker 1: Now I'm ready.
• 48:04
  Speaker 3: Okay.
• 48:06
  Speaker 2: So Jack is a writer, he used to be a
• 48:09
  Speaker 2: children's book writer. But it starts out with him discussing
• 48:12
  Speaker 2: how he's been really heavily into research of Victorian serial killers,
• 48:18
  Speaker 2: and he's gotten so deep into this research that it
• 48:21
  Speaker 2: is made him totally paranoid. He sees his demise everywhere,
• 48:28
  Speaker 2: literally everywhere. A gust of wind. This is it thinks
• 48:32
  Speaker 2: he's seeing people in his bed. He literally walks all
• 48:35
  Speaker 2: over his house with a knife. It's actually not going
• 48:40
  Speaker 2: to take that long to talk about this one, just
• 48:42
  Speaker 2: because so much of the time is like so much
• 48:44
  Speaker 2: of the beginning of the movie is him wandering around
• 48:47
  Speaker 2: thinking he's going to die. He kind of explains it
• 48:57
  Speaker 2: as when he's thinking out doing something, he can hear
• 49:02
  Speaker 2: the writing in his own head about like this is
• 49:05
  Speaker 2: how someone will write about me when I'm when I die,
• 49:08
  Speaker 2: Like the phone will ring and he goes to answer it,
• 49:11
  Speaker 2: and he will then he'll start writing out his own
• 49:13
  Speaker 2: death like.
• 49:14
  Speaker 3: He did not know.
• 49:16
  Speaker 2: What he didn't know was that this phone call would
• 49:20
  Speaker 2: set off a series of events that would lead to
• 49:22
  Speaker 2: his demise. And this is what he thinks every time
• 49:24
  Speaker 2: he tries to answer the phone. And he kind of
• 49:27
  Speaker 2: goes through describing different serial killers and how like they
• 49:33
  Speaker 2: act and how this has made him so paranoid, like
• 49:38
  Speaker 2: how he imagines these deaths is what's going to happen
• 49:41
  Speaker 2: to him. And he sees on TV that.
• 49:44
  Speaker 3: There is a.
• 49:47
  Speaker 2: There is a recent murder in the neighborhood near him,
• 49:49
  Speaker 2: and I can't remember who like which Asian gang that
• 49:55
  Speaker 2: he says is at fault for this, but it's someone
• 50:00
  Speaker 2: they're like, ah, yes, the calling card of this random
• 50:02
  Speaker 2: Asian gang is they cut off all your fingers and
• 50:05
  Speaker 2: it's you know, talking about it on the news.
• 50:07
  Speaker 3: Well, then he gets a call.
• 50:10
  Speaker 2: From his uh publicist who tells him that they have
• 50:14
  Speaker 2: to meet for lunch, which he hates. Like he's pretty
• 50:19
  Speaker 2: much become a total gooraphobic, Like he doesn't want to
• 50:21
  Speaker 2: leave the house, he doesn't want to go to your people,
• 50:24
  Speaker 2: and so like his wife has left him. At this point,
• 50:29
  Speaker 2: he's gotten so out of hand.
• 50:30
  Speaker 1: Uh.
• 50:31
  Speaker 3: So he's just by himself, living in filth.
• 50:34
  Speaker 1: The hedgehog ruined his marriage, you know.
• 50:36
  Speaker 2: Yeah, So he goes out to lunch, except he's like
• 50:42
  Speaker 2: struggling the whole way there, like everything is upsetting, everything
• 50:47
  Speaker 2: could be bad.
• 50:48
  Speaker 3: Uh, this could be the end for him.
• 50:50
  Speaker 2: He gets even when he gets into the restaurant, he's
• 50:53
  Speaker 2: talking to the may to d while he's waiting for
• 50:56
  Speaker 2: his publicist to come in, and she is uh or like,
• 51:01
  Speaker 2: well he's talking to him, he starts talking about uh
• 51:04
  Speaker 2: killer eyes is it murder eyes?
• 51:07
  Speaker 1: Yeah? You can tell because he's in his research. He
• 51:09
  Speaker 1: reads about how you can tell who a killer is
• 51:12
  Speaker 1: based on the their eyes, and they have a certain
• 51:14
  Speaker 1: stare that they after you've killed someone, you just yeah,
• 51:18
  Speaker 1: you have these killer eyes. And I think they when
• 51:20
  Speaker 1: he noticed them on someone, they kind of glowed like
• 51:22
  Speaker 1: a yellow Yeah, and he's just like, h, I know,
• 51:25
  Speaker 1: he gets all scared. Yeah, very Jack Sparrow esque, I
• 51:28
  Speaker 1: would say, with how he was very frightened.
• 51:30
  Speaker 2: Yeah, very jumpy, very skittish, very jumpy, and he ends
• 51:34
  Speaker 2: up scaring himself right out of his seat and knocking
• 51:37
  Speaker 2: a bunch of shit over as his publicist shows up.
• 51:41
  Speaker 2: And later, yeah, well he's supposed to be because you're
• 51:47
  Speaker 2: pretty much like some of this stuff, you're not even
• 51:49
  Speaker 2: sure if any of it's happening because you're seeing his fantasies.
• 51:52
  Speaker 2: And that was what was really cool about this is
• 51:54
  Speaker 2: it had this kind of storybook quality to it, and
• 51:58
  Speaker 2: also this like you're seeing things from both the real
• 52:02
  Speaker 2: perspective and his perspective, so you don't actually know what's
• 52:06
  Speaker 2: going on.
• 52:06
  Speaker 3: Is that person actually being.
• 52:08
  Speaker 2: Creepy or does he just think they're being creepy and
• 52:11
  Speaker 2: they're being totally normal?
• 52:12
  Speaker 1: Well, and that's yeah, that's what's really cool about this
• 52:15
  Speaker 1: is because typically there is a you know, there's you
• 52:18
  Speaker 1: slowly slip into the madness and it becomes crazier and crazier.
• 52:22
  Speaker 1: At this you're thrown into the madness at the beginning
• 52:24
  Speaker 1: and have no idea what's happening, and then it slowly
• 52:27
  Speaker 1: unravels itself and starts making more sense as it goes along.
• 52:30
  Speaker 1: So it's really interesting. It was a really interesting take on,
• 52:34
  Speaker 1: you know, a story progression, because to me, that was
• 52:37
  Speaker 1: like completely backwards because the whole time I'm like, what's happening.
• 52:39
  Speaker 1: I don't understand this, what's going on? And then by
• 52:41
  Speaker 1: the end of the movie you're like, oh, okay, that
• 52:44
  Speaker 1: was like that was really interesting. So I liked how
• 52:46
  Speaker 1: you're just thrown into his world of complete chaos and
• 52:48
  Speaker 1: you just have to be like, this is the world
• 52:50
  Speaker 1: we live in. I guess, yeah, very well done.
• 52:52
  Speaker 2: So he's talking to his publicist, and his publicist alludes
• 52:56
  Speaker 2: to the fact that he used to be a children's
• 52:58
  Speaker 2: book writer and he to write stories about a porcupine.
• 53:02
  Speaker 1: Wasn't it Harvey the Hedgehog or a hedgehog? I think
• 53:05
  Speaker 1: I think it was Harvey the Hedgehog.
• 53:07
  Speaker 3: One of those.
• 53:09
  Speaker 2: And he used to write children's book stories and he's
• 53:12
  Speaker 2: absolutely over and he wants nothing to do with it,
• 53:14
  Speaker 2: like they just make him angry, Like he just he
• 53:19
  Speaker 2: refuses because he wants to write his book, and she's
• 53:23
  Speaker 2: kind of like, well, I don't know who we're gonna
• 53:25
  Speaker 2: sell that to, but like, okay, you're working on it,
• 53:28
  Speaker 2: Like I'll see what I can do. We'll see if
• 53:30
  Speaker 2: we can put some feelers out of like who's gonna
• 53:33
  Speaker 2: want to buy the book?
• 53:34
  Speaker 3: Yeah, And.
• 53:37
  Speaker 2: But she basically gives him shit and tells him that
• 53:39
  Speaker 2: he needs to start writing the children's books again, which
• 53:42
  Speaker 2: he just does not want to do, and then he
• 53:46
  Speaker 2: goes home to continue being paranoid about things, which he
• 53:50
  Speaker 2: also gets startled at one point by a group of
• 53:52
  Speaker 2: children who are trying to sing Christmas carols because this
• 53:54
  Speaker 2: takes place during Christmas time.
• 53:56
  Speaker 3: Randomly. Yeah, it's a very u in a very vague
• 53:59
  Speaker 3: sort of very it's.
• 54:00
  Speaker 1: Just like Christmas is happening like in the background. Yeah,
• 54:03
  Speaker 1: very very subtly.
• 54:05
  Speaker 2: And in nowhere does this affect him except for these
• 54:07
  Speaker 2: kids singing Christmas carols, And he ends up scaring these
• 54:12
  Speaker 2: children because they're trying to raise money, and he tries
• 54:16
  Speaker 2: to give them money in a sock through the door,
• 54:21
  Speaker 2: like through the mail slot of the door to his
• 54:23
  Speaker 2: building because he refuses to come outside, probably because he
• 54:27
  Speaker 2: wasn't wearing pants.
• 54:29
  Speaker 1: He's underwear for like seventy five percent of this movie,
• 54:32
  Speaker 1: really old underwear, discussing dirty.
• 54:35
  Speaker 2: Dingh that weird, Like you know they're old because they're
• 54:38
  Speaker 2: kind of tan, Yeah all over You're like, why are
• 54:41
  Speaker 2: they tan?
• 54:41
  Speaker 1: You let your boxers get that bad? Or you're uh,
• 54:44
  Speaker 1: you know, you're tidy whities get that bad. It's time
• 54:46
  Speaker 1: for new underwear.
• 54:47
  Speaker 3: Yeah, which we'll get into in a minute.
• 54:51
  Speaker 2: So he tries to slip that, but someone keeps calling
• 54:55
  Speaker 2: him and it really, as we've discussed, it really freaks
• 54:58
  Speaker 2: him out when people call him on the phone, so
• 54:59
  Speaker 2: he starts screaming at his telephone to leave him alone,
• 55:03
  Speaker 2: except it sounds like he's screaming at these children.
• 55:07
  Speaker 3: So when they take the sock, he wants the sock back,
• 55:11
  Speaker 3: but he's scared the children, so they run off with
• 55:13
  Speaker 3: his sock.
• 55:15
  Speaker 1: Uh.
• 55:15
  Speaker 2: And then he goes to get on the phone and
• 55:17
  Speaker 2: his publicist is calling and she's got great news that
• 55:22
  Speaker 2: there's a guy he's from America. He wants he's very
• 55:26
  Speaker 2: interested in this book, really wants to look at it,
• 55:29
  Speaker 2: very interested in.
• 55:30
  Speaker 3: Buying the book.
• 55:31
  Speaker 1: And I thought it was a movie.
• 55:34
  Speaker 3: Script, buying the rights. I don't remember.
• 55:38
  Speaker 2: It's okay, movie script to make it into a movie.
• 55:43
  Speaker 3: And so.
• 55:47
  Speaker 2: This leads him into an entire spiral because somehow, Yeah,
• 55:55
  Speaker 2: because this guy has a name that's extremely similar to
• 55:59
  Speaker 2: the name of this other killer, this guy who was
• 56:02
  Speaker 2: a killer and used to kill people and dismember him them,
• 56:05
  Speaker 2: but he wasn't caught because he went overseas to America.
• 56:09
  Speaker 2: And we're talking like this guy doesn't have the same
• 56:11
  Speaker 2: last name they have. He has a middle name that's
• 56:14
  Speaker 2: the same as this guy's last name. Like it it's
• 56:17
  Speaker 2: like a it's highly unlikely they're related. This is such
• 56:21
  Speaker 2: a paper thin reasonable explanation.
• 56:24
  Speaker 1: You know, this vibe gave off what Charlie when he's
• 56:27
  Speaker 1: from a American horse right from always soun in Philadelphia,
• 56:30
  Speaker 1: when he's when him and Mack are working at that place,
• 56:32
  Speaker 1: and he's got the whole conspiracy theory thing on the board.
• 56:35
  Speaker 1: That's what it reminded me of. Because he's making all
• 56:37
  Speaker 1: these connections that make zero. Stanton you're like, huh huhu, buddy,
• 56:40
  Speaker 1: are you doing okay?
• 56:42
  Speaker 3: Yeah?
• 56:42
  Speaker 1: Yeah, so same vibe.
• 56:44
  Speaker 2: He starts going to this whole spiral about this, and
• 56:48
  Speaker 2: his publicist tells him that he's got to get there.
• 56:52
  Speaker 3: They get to this bar at.
• 56:53
  Speaker 2: Eight o'clock to talk to the guy and he's like
• 56:57
  Speaker 2: and she's like, make sure you dress nights. And he's like,
• 56:59
  Speaker 2: I don't have any clean suits. And she's like, we'll
• 57:02
  Speaker 2: wear a nice shirt. And he's like, I don't have
• 57:04
  Speaker 2: any clean.
• 57:05
  Speaker 3: Clothes and underwear and shirt. Yeah, so.
• 57:10
  Speaker 2: He has no clean clothes. He and she's like, all right, well,
• 57:13
  Speaker 2: then just go to the laundry mat, like, it's not hard,
• 57:17
  Speaker 2: just go get go wash your clothes. And this puts
• 57:20
  Speaker 2: him in a whole spiral. He is absolutely losing his mind,
• 57:26
  Speaker 2: and he gets so freaked out by this. He decides
• 57:32
  Speaker 2: he's going to figure out how to wash his clothes
• 57:35
  Speaker 2: in his sink and dry them in his oven. And
• 57:39
  Speaker 2: while he's running around doing this, and keep in mind,
• 57:41
  Speaker 2: he's still got his kitchen knife in his hand because
• 57:43
  Speaker 2: he takes it with him every everywhere. At one point,
• 57:47
  Speaker 2: he forgets it, runs and leaps across the hall to
• 57:51
  Speaker 2: grab it flips around like someone was waiting to stab him.
• 57:54
  Speaker 1: It's just the shot is so funny too, because it's
• 57:56
  Speaker 1: just the hallway with the two doors and you just
• 57:58
  Speaker 1: see him jump from one room to the other room
• 58:01
  Speaker 1: and grab his knife in defence, and it was fucking hilarious. Yes,
• 58:04
  Speaker 1: so funny.
• 58:05
  Speaker 2: After this, he he has this problem with this loose
• 58:08
  Speaker 2: window in his apartment that likes to slide open, which
• 58:11
  Speaker 2: is confusing, but like it blows the curtains and it
• 58:13
  Speaker 2: scares him, so he gets pissed, loses his mind, rips
• 58:16
  Speaker 2: open a bottle like stabs open a bottle of a
• 58:21
  Speaker 2: super glue, pours it all over the window, and then
• 58:24
  Speaker 2: starts running around trying to get all the other stuff done.
• 58:28
  Speaker 1: With the knife in his hand.
• 58:29
  Speaker 2: Still yeah, only to realize when he is going to
• 58:35
  Speaker 2: take a shower while his clothes are trying in the
• 58:37
  Speaker 2: oven that has a fire.
• 58:38
  Speaker 3: In the back of it.
• 58:39
  Speaker 1: Yeah, like a like literally fire is happening again.
• 58:42
  Speaker 2: He's drying his socks and his pants and his underwear
• 58:46
  Speaker 2: and his shirt in the oven.
• 58:48
  Speaker 3: Uh.
• 58:50
  Speaker 2: He realizes he is super glued a full kitchen knife
• 58:54
  Speaker 2: onto his hand, like all five fingers.
• 58:58
  Speaker 1: Oh my god, it's as wild scenario in a horror movie.
• 59:04
  Speaker 1: I've seen it at all. It's so ridiculous. You're like, oh, great,
• 59:07
  Speaker 1: now you have to go out in the public with
• 59:08
  Speaker 1: a super glueden knife on your hand.
• 59:10
  Speaker 3: Yes, So he doesn't know what the hell he's gonna do.
• 59:12
  Speaker 2: He tries to use what are cuticle cutters to pry
• 59:16
  Speaker 2: his hand a part ends up stabbing himself in the
• 59:18
  Speaker 2: hand with those. Yeah, he has a problem because this
• 59:22
  Speaker 2: is like an old, crappy building. So then the door's
• 59:24
  Speaker 2: creaking open for no reason, which it has done multiple
• 59:27
  Speaker 2: times before. He starts stabbing through his own shower curtain
• 59:31
  Speaker 2: and falls over and injures himself. I thought he'd stabbed
• 59:35
  Speaker 2: himself on which, yes, that was a fake out where
• 59:37
  Speaker 2: you think he is maybe stabbed himself, but you.
• 59:40
  Speaker 3: Know he's trying to get ready. He finally gets the
• 59:42
  Speaker 3: shower done, and he's like, what's that smell?
• 59:48
  Speaker 1: Cut too?
• 59:50
  Speaker 2: Him being blown back by his oven because he totally
• 59:54
  Speaker 2: let his clothes catch fire in there.
• 59:56
  Speaker 1: And there's something like he walks out into the hallway,
• 59:58
  Speaker 1: there's this a billowing smoke everywhere. Yeah and yeah, and
• 1:00:01
  Speaker 1: then he gets blown back and it's just like fire
• 1:00:04
  Speaker 1: in his face is a fucking hysterical holy shit.
• 1:00:08
  Speaker 3: So then he uh, he's like full spiral.
• 1:00:11
  Speaker 2: He can't think, he's like just completely destroyed, does not
• 1:00:15
  Speaker 2: know what to do. And then we cut to a
• 1:00:17
  Speaker 2: child's birthday party that is pirate themed, which are like,
• 1:00:21
  Speaker 2: what the hell's happening? Well, the pirates uh themed birthday
• 1:00:25
  Speaker 2: party is actually the home of a therapist. We don't
• 1:00:28
  Speaker 2: really know if specifically this is his therapist or he
• 1:00:31
  Speaker 2: just found a therapist to call, because they don't really specify.
• 1:00:34
  Speaker 2: So he calls the therapist and the therapist and he's
• 1:00:37
  Speaker 2: like I can't move, I can't breathe, I can't do anything.
• 1:00:40
  Speaker 3: I don't know what to do.
• 1:00:41
  Speaker 2: And the therapist is like, all right, well, usually when
• 1:00:45
  Speaker 2: something is affecting you this much, it's because something in
• 1:00:48
  Speaker 2: your past affected you so much.
• 1:00:53
  Speaker 3: That it's creating these other issues now.
• 1:00:56
  Speaker 2: And they have this very cool thing where he's like
• 1:00:58
  Speaker 2: telling him to picture it closes up eyes and picture
• 1:01:00
  Speaker 2: being in his office and you know, just kind of
• 1:01:03
  Speaker 2: reflecting on his childhood and what's happened to him, and
• 1:01:08
  Speaker 2: they think in some way it has to do with
• 1:01:11
  Speaker 2: the fact that he was left as a child by
• 1:01:14
  Speaker 2: his mom when he was five.
• 1:01:16
  Speaker 3: He was just abandoned.
• 1:01:17
  Speaker 1: Yep, you're gonna say where I'm gonna get that, Okay,
• 1:01:20
  Speaker 1: I just want to say it if you're gonna say it.
• 1:01:23
  Speaker 2: And the therapist pretty much talks to him and he's like,
• 1:01:27
  Speaker 2: all right, if you want to get.
• 1:01:28
  Speaker 3: Through this, you have to go do your laundry.
• 1:01:32
  Speaker 1: Yeah.
• 1:01:33
  Speaker 2: So he goes and puts on what clothes he has,
• 1:01:38
  Speaker 2: piles up his one shirt, two socks, and a pair
• 1:01:41
  Speaker 2: of underwear, and puts on a coat because he can't
• 1:01:46
  Speaker 2: get the knife off of his hand.
• 1:01:47
  Speaker 3: So and he has to go out. So he found finds.
• 1:01:49
  Speaker 2: A coat with coat comically deep pockets, and pulls his
• 1:01:56
  Speaker 2: hood up and heads off to the laundromat.
• 1:02:00
  Speaker 3: Which is wildly far away from him. He goes to
• 1:02:03
  Speaker 3: like a really far away.
• 1:02:04
  Speaker 2: Laundromat, so he, you know, cross his paths with a
• 1:02:09
  Speaker 2: lot of people.
• 1:02:10
  Speaker 3: Oh, I apologize, I should say that.
• 1:02:13
  Speaker 2: After he scares those children, a cop does come to
• 1:02:16
  Speaker 2: ask him. It's not a cop, it's like community police.
• 1:02:20
  Speaker 1: I can't remember.
• 1:02:22
  Speaker 2: He's like he comes to check if everything's okay because
• 1:02:26
  Speaker 2: these kids were scared and thought maybe this man needed help.
• 1:02:28
  Speaker 2: And he's like, no, I'm fine. He's like, also, super weird,
• 1:02:31
  Speaker 2: you're suspicious. He's just super suspicious of this guy because
• 1:02:34
  Speaker 2: the guy also tries to look through the mail slot
• 1:02:36
  Speaker 2: when Jack refuses to open the door.
• 1:02:39
  Speaker 1: Yeah, and he sees him in his underwe he's like,
• 1:02:40
  Speaker 1: oh sorry.
• 1:02:41
  Speaker 2: Sorry, yeah, so he uh bumps past that guy again.
• 1:02:48
  Speaker 2: The community cops like, hey, you're doing okay. He's like, yay,
• 1:02:51
  Speaker 2: I am fine and fine and fine. He's like, all right,
• 1:02:53
  Speaker 2: well bye, off you go. Yeah, but you know, trying
• 1:03:00
  Speaker 2: to get to the laundry maat and he's still feeling
• 1:03:02
  Speaker 2: very paranoid. He's trying, he's like hyping himself up to
• 1:03:05
  Speaker 2: go to laundry, like aggressively, trying to just be like
• 1:03:08
  Speaker 2: I can do this, it's not a problem.
• 1:03:10
  Speaker 3: Gonna do it, Like, I gotta get to the laundry mat.
• 1:03:12
  Speaker 2: He gets there and immediately starts by staring in the
• 1:03:16
  Speaker 2: window to see who how many people are in there,
• 1:03:19
  Speaker 2: what they're doing.
• 1:03:19
  Speaker 3: What they look like, I canna lay the land man
• 1:03:22
  Speaker 3: And it's.
• 1:03:23
  Speaker 2: Four women, one of whom is looking directly back through
• 1:03:28
  Speaker 2: the glass at him, and he's like and she's like,
• 1:03:30
  Speaker 2: why are you, Like, what are you doing? He's like, shit,
• 1:03:32
  Speaker 2: I'm not even in and I'm already fucking this up.
• 1:03:35
  Speaker 3: So he finally just does it.
• 1:03:38
  Speaker 2: He goes in there and he starts to use the
• 1:03:41
  Speaker 2: washing machine, and he goes through like this whole thing,
• 1:03:43
  Speaker 2: like he is like he doesn't know what to do.
• 1:03:45
  Speaker 2: There are so many buttons. They didn't used to have
• 1:03:48
  Speaker 2: so many buttons. The rules, he's reading the rules, yeah,
• 1:03:52
  Speaker 2: the instructions for how to do the laundry, and he
• 1:03:55
  Speaker 2: is like trying to figure this out. And he finally
• 1:03:58
  Speaker 2: gets his clothes in the wash and gets it star
• 1:04:02
  Speaker 2: and then he looks over and he kind of just
• 1:04:04
  Speaker 2: sits down and everyone's kind of just staring at him,
• 1:04:06
  Speaker 2: and he's like he's being really creepy. I mean, he's
• 1:04:07
  Speaker 2: a guy in a trench cart with a hood up,
• 1:04:09
  Speaker 2: super creepy.
• 1:04:10
  Speaker 1: And he's got you know, like burns, Like I think
• 1:04:12
  Speaker 1: he has some burns on his face right, like like
• 1:04:14
  Speaker 1: there's like char marks on his face.
• 1:04:16
  Speaker 3: Uh no, oh no, but we'll get into that in
• 1:04:18
  Speaker 3: a minute. Oh okay.
• 1:04:21
  Speaker 2: So he's like doing that and he's kind of watching
• 1:04:23
  Speaker 2: his laundry and just thinking to himself, like totally manic,
• 1:04:28
  Speaker 2: just thinking the whole time about his laundry and how
• 1:04:30
  Speaker 2: it gets done, and once his laundry gets done, he's
• 1:04:32
  Speaker 2: gonna get it over to the dry and once he
• 1:04:33
  Speaker 2: gets to the dryer done, he's just gonna be out
• 1:04:35
  Speaker 2: of here and he will have done it. And then
• 1:04:37
  Speaker 2: he notices the washing machine next to him is sudsy
• 1:04:40
  Speaker 2: and the inside and his isn't suddy, and he starts
• 1:04:43
  Speaker 2: to get upset and worked up, and he starts saying
• 1:04:45
  Speaker 2: to the other women, what's wrong with mine? Why is
• 1:04:47
  Speaker 2: mine different than yours? Why is your sudsy mind?
• 1:04:49
  Speaker 1: Why is yours white? And mind's clear?
• 1:04:51
  Speaker 2: Yeah, And then they explain to him that he geniusly
• 1:04:55
  Speaker 2: did not actually put soap in there, so it's not
• 1:04:57
  Speaker 2: gonna get clean. So one lady who's annoyed because they're
• 1:05:01
  Speaker 2: all annoyed he's being very creepy and strange.
• 1:05:05
  Speaker 3: Goes and buys him soap, hands it to him. Well,
• 1:05:08
  Speaker 3: he starts to put it in and everyone's like, what
• 1:05:10
  Speaker 3: the hell are you doing? You have to wash it again.
• 1:05:11
  Speaker 1: Now, Like, I can't do it in the middle of
• 1:05:13
  Speaker 1: the cycle.
• 1:05:14
  Speaker 2: Yeah, it won't rents outright, you can't do it, And
• 1:05:18
  Speaker 2: so he gets very upset. He's panicking, like an insane
• 1:05:22
  Speaker 2: person about getting this done correctly.
• 1:05:25
  Speaker 3: And then in walks a pretty girl whose name is
• 1:05:29
  Speaker 3: what Agan san Jeet sun Jeep sun Jeet.
• 1:05:33
  Speaker 2: And so he's trying not to look like a spas
• 1:05:37
  Speaker 2: in front of her. Uh.
• 1:05:39
  Speaker 3: He finally gets his clothes out of the washer, gets.
• 1:05:41
  Speaker 2: Them over to the dryer, where the lady next to
• 1:05:45
  Speaker 2: him is being very weird and protective of her own laundry.
• 1:05:49
  Speaker 1: She's like staring at him like a weirdo. What's wrong
• 1:05:52
  Speaker 1: with him? He didn't He's just trying to do his laundry.
• 1:05:54
  Speaker 1: I know he's a weirdo, Like, just let him, let
• 1:05:56
  Speaker 1: him be.
• 1:05:57
  Speaker 2: Yeah, he's also staring at her stuff to assess how
• 1:05:59
  Speaker 2: she's buying her clothes, so he knows how to dry
• 1:06:01
  Speaker 2: his clothes. It's a hot mess and he's watching what's happening.
• 1:06:07
  Speaker 3: Well, then he sorry, I breath.
• 1:06:16
  Speaker 2: He starts to think he has to take his stuff
• 1:06:18
  Speaker 2: out a piece at a time like she's done. He
• 1:06:20
  Speaker 2: tries to take the piece out and uh, oh no,
• 1:06:24
  Speaker 2: you know what, I take that back. He is sitting
• 1:06:27
  Speaker 2: against a wall and looking in a mirror, and suddenly
• 1:06:29
  Speaker 2: he realizes the reason everyone's been staring at him.
• 1:06:31
  Speaker 3: Like he's insane? Is it?
• 1:06:33
  Speaker 2: Because when he opened the oven, he burned off all
• 1:06:36
  Speaker 2: the hair on one side of his head, so he
• 1:06:38
  Speaker 2: looks like a crazy burn victim out of nowhere. He
• 1:06:41
  Speaker 2: just looks like he got blasted in the face, and
• 1:06:45
  Speaker 2: he looks deranged all of a sudden, and he doesn't realize,
• 1:06:50
  Speaker 2: which is brilliant though for this movie, because they you
• 1:06:52
  Speaker 2: don't even realize till this happens that you have not
• 1:06:55
  Speaker 2: seen him from that side for the whole, like last
• 1:06:58
  Speaker 2: fifteen minutes. They've done a fantastic job of hiding this.
• 1:07:03
  Speaker 2: So he realizes he looks insane. He doesn't want a
• 1:07:06
  Speaker 2: little crazy in front of the pretty girl, except when
• 1:07:10
  Speaker 2: he goes to try to take out his clothes. He
• 1:07:12
  Speaker 2: tries to take out his underwear, which then snap back
• 1:07:14
  Speaker 2: over his head, fly across the air, and he tries
• 1:07:18
  Speaker 2: to pretend.
• 1:07:20
  Speaker 3: Like he didn't do that.
• 1:07:21
  Speaker 2: He's like, nope, those are gone forever, except the pretty
• 1:07:23
  Speaker 2: girl walks over and says like, like are these And
• 1:07:28
  Speaker 2: he tries to deny it, and then she is like,
• 1:07:31
  Speaker 2: but they've got like your name on him, and and
• 1:07:34
  Speaker 2: he's like, fine, fine, these are mine, and then he
• 1:07:36
  Speaker 2: accidentally takes out the hand with the knife in.
• 1:07:40
  Speaker 3: It, and then this is when all because it's.
• 1:07:43
  Speaker 2: Only women in therese the shit. They start to lose
• 1:07:48
  Speaker 2: their mind because they think he's trying to attack them,
• 1:07:51
  Speaker 2: but he's such a spass he just keeps going, No.
• 1:07:53
  Speaker 3: It's fine, I'm a writer.
• 1:07:55
  Speaker 2: He's like, that's not that's not a great explanation. So
• 1:08:00
  Speaker 2: they all panic, run out of the laundromat, run back in,
• 1:08:06
  Speaker 2: or like he tries to run out with them, uh,
• 1:08:09
  Speaker 2: to explain, but they lock him in and won't let
• 1:08:13
  Speaker 2: him out until the police arrive, where they take a
• 1:08:16
  Speaker 2: total cops approach.
• 1:08:18
  Speaker 3: To it, like they've got a cameraman.
• 1:08:20
  Speaker 2: They are using excessive force on this guy, like it
• 1:08:23
  Speaker 2: is outrageous and.
• 1:08:27
  Speaker 3: Should Yeah, I was gonna leave it there in a second.
• 1:08:31
  Speaker 2: So like they are trying to arrest him there he
• 1:08:34
  Speaker 2: is trying to explain what's going on, and it's just
• 1:08:39
  Speaker 2: like it it starts to go like totally crazy from
• 1:08:42
  Speaker 2: there because you're just like, uh, this guy is absolutely
• 1:08:45
  Speaker 2: insane until you realize maybe he's not so paranoid, and
• 1:08:52
  Speaker 2: it's it's.
• 1:08:52
  Speaker 3: Like a fun movie. You don't even know the directions.
• 1:08:54
  Speaker 3: It's gonna go it's really amusing.
• 1:08:57
  Speaker 1: Yeah, and once he get on, we'll just stop it
• 1:08:59
  Speaker 1: with one season. The back. I think he's in the
• 1:09:00
  Speaker 1: back of an ambulance. Yeah, yeah, because what happens from
• 1:09:04
  Speaker 1: there on is just absolute.
• 1:09:07
  Speaker 2: It's bonkers because you're like, oh, okay, that was weird.
• 1:09:09
  Speaker 2: But then you don't see where the movie's going.
• 1:09:11
  Speaker 1: No, you don't it. Uh, it's it's I I'd consider
• 1:09:14
  Speaker 1: it a hidden little gem. Uh.
• 1:09:16
  Speaker 3: I agree. I think it's underrated.
• 1:09:17
  Speaker 1: I think it's very underrated. I think it's a lot
• 1:09:19
  Speaker 1: of fun. It's wild, it's wacky, it's it's absolutely hysterical too.
• 1:09:24
  Speaker 1: We were like scream laughing. It was so funny.
• 1:09:27
  Speaker 2: Yeah, because we didn't know what he was doing most
• 1:09:29
  Speaker 2: of the time because he was so mannic and all
• 1:09:30
  Speaker 2: over the place.
• 1:09:31
  Speaker 3: But then you're like, you.
• 1:09:32
  Speaker 2: Know, he's doing such a like Simon Pegg killed a performance.
• 1:09:35
  Speaker 2: So you're still enjoying it because you're following.
• 1:09:37
  Speaker 3: Along with him.
• 1:09:38
  Speaker 1: Yeah, exactly, and like you're, like I said, you're thrown
• 1:09:40
  Speaker 1: into this world of like I don't know what's happening,
• 1:09:42
  Speaker 1: and by the end of it all makes sense and
• 1:09:45
  Speaker 1: every like there's some good character arcs and you know everything.
• 1:09:47
  Speaker 1: Everything just it works out. You know. It's very good. Yeah,
• 1:09:51
  Speaker 1: very good movie. I really I really quite enjoyed it,
• 1:09:54
  Speaker 1: and I'm glad I own it on on Blu Ray.
• 1:09:57
  Speaker 1: What did you did you rate it?
• 1:09:59
  Speaker 3: No, but to give like a four oh four?
• 1:10:01
  Speaker 1: Wow, Okay, I gave it three three, five. Yeah, got
• 1:10:04
  Speaker 1: a two point nine on letter Box and then it
• 1:10:06
  Speaker 1: has a five point eight on the IMDb's so pretty
• 1:10:11
  Speaker 1: solid rating, you know, kind of like it could be
• 1:10:13
  Speaker 1: a little higher.
• 1:10:14
  Speaker 3: I feel like it should be a little higher.
• 1:10:15
  Speaker 1: Yeah, It's It's funny because like two point nine's are
• 1:10:18
  Speaker 1: like they can literally go either way for me, because
• 1:10:22
  Speaker 1: I can. It's anywhere from like a two to a
• 1:10:24
  Speaker 1: four just depends. So like the ones that are rated
• 1:10:26
  Speaker 1: two point nine are typically ones that I feel are underrated,
• 1:10:29
  Speaker 1: you know, they I feel like they deserve a little
• 1:10:31
  Speaker 1: bit more, especially because it's Simon peg two and he
• 1:10:34
  Speaker 1: does a fantastic job.
• 1:10:35
  Speaker 3: It's great at comedy.
• 1:10:36
  Speaker 2: He's so good, like he does nanic and serious and
• 1:10:41
  Speaker 2: like determined. He does like such a great range, and
• 1:10:45
  Speaker 2: it all reads really well with.
• 1:10:46
  Speaker 1: Him, really really really well. Yeah, I really think he
• 1:10:51
  Speaker 1: did a great job in this. I'm just I'm also
• 1:10:53
  Speaker 1: surprised that they got him for this movie because it
• 1:10:56
  Speaker 1: was until you and it's ten years old. I had
• 1:10:59
  Speaker 1: not even heard of this until you brought it up,
• 1:11:01
  Speaker 1: and I was like, Simon peg in a horror comedy
• 1:11:04
  Speaker 1: that's not Shot of the Dead, what like, Yeah, everyone
• 1:11:07
  Speaker 1: in this was great. It feels very contained because it's
• 1:11:10
  Speaker 1: you know, it's contained a pretty much a laundromat and
• 1:11:12
  Speaker 1: his house and some various street scenes. So yeah, it's
• 1:11:16
  Speaker 1: a very contained movie. It's very fun, and I didn't
• 1:11:20
  Speaker 1: find any part of it to be dragging or slow,
• 1:11:23
  Speaker 1: especially for an hour and you know, forty minutes. Like
• 1:11:25
  Speaker 1: typically those movies, you know, they can have parts where
• 1:11:28
  Speaker 1: they're slow, but this I felt just was moving the
• 1:11:30
  Speaker 1: whole time. It was. It was a lot of fun.
• 1:11:32
  Speaker 3: Yeah, when you also get to enjoy his inner monologue,
• 1:11:34
  Speaker 3: so you're just like.
• 1:11:37
  Speaker 1: All aboard for real. So uh, I didn't know. I
• 1:11:40
  Speaker 1: didn't check if there was a mitter post credit scene,
• 1:11:43
  Speaker 1: so I can't tell you about that. There was taglines
• 1:11:46
  Speaker 1: We've got Jack's a writer with a dark secret, but
• 1:11:48
  Speaker 1: now his demons are taking over unless one man finds
• 1:11:51
  Speaker 1: the courage to fight back. Trivia. I found one thing
• 1:11:54
  Speaker 1: because there wasn't a lot. This was the first film
• 1:11:56
  Speaker 1: backed by Pinewood Studios initiative to support low budget British filmmaking.
• 1:12:01
  Speaker 1: Oh There's Two Sorry. As a chance to get under
• 1:12:04
  Speaker 1: the skin of an adult feeling trapped by his life choices,
• 1:12:07
  Speaker 1: Simon Pegg and director of Crispin Mills took their children
• 1:12:10
  Speaker 1: to a concert by the Australian children's group The Wiggles.
• 1:12:13
  Speaker 1: They were struck by how in how the enrapture Jesus.
• 1:12:17
  Speaker 1: They were struck by how enrapture the children were by
• 1:12:20
  Speaker 1: their performers, and couldn't wonder help wonder what the men
• 1:12:23
  Speaker 1: playing the Wiggles must actually feel like from a creative
• 1:12:26
  Speaker 1: empowerment point of view, as the opportunities do anything else,
• 1:12:29
  Speaker 1: to do anything else must be severely limited for them. Yeah,
• 1:12:35
  Speaker 1: and then there's one goop I found funny. It was
• 1:12:37
  Speaker 1: during the restaurant scene the African American man sitting behind
• 1:12:40
  Speaker 1: Jack disappears and reappears as as the shot changes, So
• 1:12:43
  Speaker 1: a little continuity there for you. But yeah, I recommend
• 1:12:49
  Speaker 1: this movie. It is. It is a good time if
• 1:12:51
  Speaker 1: you want to laugh and not be grossed out by
• 1:12:54
  Speaker 1: any gore or any jump scares. There are some spooky elements,
• 1:12:57
  Speaker 1: you know.
• 1:12:58
  Speaker 2: Like one quasi jump scares, but it's not like something
• 1:13:01
  Speaker 2: jumps out at you.
• 1:13:02
  Speaker 1: It's just more like, oh yeah, and again you can
• 1:13:05
  Speaker 1: you can stream this on Stars, which we have through Hulu,
• 1:13:08
  Speaker 1: shot Factory TV free with ads on Amazon, or you
• 1:13:11
  Speaker 1: can buy the Blu ray from Amazon or directly through
• 1:13:15
  Speaker 1: shout Factory. So with that being said, we're we're back
• 1:13:19
  Speaker 1: on track to do weekly episodes. It's happening. We actually
• 1:13:23
  Speaker 1: reviewed this movie, did it yay boom.
• 1:13:25
  Speaker 3: We took two episodes.
• 1:13:27
  Speaker 1: We took what two episodes? Yeah? What's next week?
• 1:13:32
  Speaker 3: Next week is somebody else?
• 1:13:34
  Speaker 1: I know? What's hold on? What is next week? Is that?
• 1:13:36
  Speaker 1: Is that the first? Yeah? Okay, so it'll be me
• 1:13:41
  Speaker 1: and Spencer next week because that's uh, you're gone next
• 1:13:45
  Speaker 1: week for like five days. So party end of the week,
• 1:13:48
  Speaker 1: party up in the eezy No I know, yeah, I know,
• 1:13:50
  Speaker 1: but in the thanks, Me and Spencer will be back
• 1:13:52
  Speaker 1: next week doing a movie. Can't remember what it is.
• 1:13:55
  Speaker 1: I'm not going to tell you anyways if I did
• 1:13:57
  Speaker 1: so there and tomorrow I'm getting my too, starting my
• 1:14:01
  Speaker 1: horror legs sleeve tattoo I'm very excited.
• 1:14:03
  Speaker 3: Okay, I won't be got.
• 1:14:05
  Speaker 1: To sit in a chair for six hours like six times.
• 1:14:09
  Speaker 1: It's gonna be fine. No, I know. I'm gonna be
• 1:14:13
  Speaker 1: uploading pictures onto the Facebook page as as to show progress,
• 1:14:17
  Speaker 1: getting five different icons and icons in my opinion from
• 1:14:21
  Speaker 1: the eighties. It's gonna be a lot of fun. So yeah,
• 1:14:24
  Speaker 1: follow us on Facebook speaking of that, at Fright Maares
• 1:14:27
  Speaker 1: and Instagram and slasher rab at Frightmar's podcast, Twitter, at
• 1:14:31
  Speaker 1: Frightmar's Underscore pod. I am Doctor Procter on Letterbox.
• 1:14:35
  Speaker 3: You are wats an l m P ninety.
• 1:14:38
  Speaker 1: It's an LMP ninety. Check out what we're watching, maybe
• 1:14:41
  Speaker 1: get an idea of what we're gonna review on the show,
• 1:14:43
  Speaker 1: and uh, you know, come back next week. Until then,
• 1:14:46
  Speaker 1: stay tuned and stay spooky.
• 1:15:01
  Speaker 2: The