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Transcript

From R&B Gold to Golden State · The Breakfast Club

• 0:03
  Speaker 1: Anywhere. So your friend fright hoop that the world from
• 0:08
  Speaker 1: stagers want to shout the camera the mother. I agree,
• 0:12
  Speaker 1: he is still listen city so dry. The captain of
• 0:18
  Speaker 1: this usually the only one who can keep these guys in. Charlomagne,
• 0:22
  Speaker 1: the guard is the preference. Good morning Usa, YoY yo
• 0:39
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:40
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:42
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:44
  Speaker 1: yo yo yo. Good morning nagally ye, good money, Charlomagne.
• 0:48
  Speaker 1: The guy insted the planet this Thursday. Yes, it's Thursday. Yeah.
• 0:54
  Speaker 1: I woke up this morning and I took a shower
• 0:56
  Speaker 1: with and took a shower the little tiny pieces of soap.
• 1:00
  Speaker 1: You know what I'm saying. Because I didn't have any
• 1:01
  Speaker 1: I didn't have any more bars and stuff, because you know,
• 1:04
  Speaker 1: you've been gone. E've been gone for like the past
• 1:06
  Speaker 1: ten fifteen days. I never used soap. So I used
• 1:10
  Speaker 1: little tiny pieces of soap, you know what I mean,
• 1:12
  Speaker 1: Just to not just so I don't forget where I
• 1:14
  Speaker 1: come from. You don't use liquid soap, Yeah, most people
• 1:16
  Speaker 1: use liquid soap. Now. I don't like liquid soap. I
• 1:19
  Speaker 1: like the bass. That's interesting. I like the Irish Spring
• 1:21
  Speaker 1: and set of Phil Boss. I used to liquid soap.
• 1:25
  Speaker 1: It works a lot better. Well, today is Throwback Thursday,
• 1:29
  Speaker 1: and you know who's stopping by, Oh my god, the
• 1:32
  Speaker 1: Triple Og. I guarantee you had sex with your mama
• 1:37
  Speaker 1: or your grandma and your Auntie's dim. Keith Sweat will
• 1:40
  Speaker 1: be hit as he'll be here to throw Back Thursday.
• 1:42
  Speaker 1: But we got balanced too, we got we got, we
• 1:45
  Speaker 1: got current, even though Keith current in an adult urban
• 1:49
  Speaker 1: ac type of way. We got Andre Aguadolla coming here
• 1:53
  Speaker 1: from the Golden State Warriors. Yeah, they lost this year.
• 1:57
  Speaker 1: If you don't know who he is, I know, you
• 1:58
  Speaker 1: know highlights. Remember when he was about to go up
• 2:00
  Speaker 1: for the layup and Lebron came out of nowhere. And
• 2:02
  Speaker 1: if you're a sport, if you're a sports fan, you
• 2:05
  Speaker 1: know who might not. But they know the highlights for it.
• 2:08
  Speaker 1: I doubt it. They know. They know Lebron blocked somebody.
• 2:11
  Speaker 1: They don't blast the dude he blocks. It's like, oh, yeah,
• 2:13
  Speaker 1: Lebron had an amazing block to win the game. Yeah
• 2:16
  Speaker 1: that's the dutey blocked. Yeah it wasn't Steph Curry. It
• 2:18
  Speaker 1: wasn't Clay Thompson. It wasn't Draymond Green. It was all right,
• 2:22
  Speaker 1: but he was the NBA Finals MVP last year. Let's
• 2:25
  Speaker 1: be clear. He was. Yeah, so we'll kick it with
• 2:27
  Speaker 1: him to smoke the most famous iggy before. Now. We
• 2:30
  Speaker 1: didn't talk about this yesterday, but I was reading about
• 2:33
  Speaker 1: these thirty three people that overdosed on K two. They
• 2:35
  Speaker 1: had a bad batch of K two. You know, that's
• 2:37
  Speaker 1: right by my house in Brooklyn. They look after what
• 2:39
  Speaker 1: the hell is K too? Is the synthetic type of
• 2:41
  Speaker 1: we What is K too? I don't know what it is.
• 2:42
  Speaker 1: Ye had synthetic marijuana, but they make the marijuana. They
• 2:45
  Speaker 1: don't grow up from trees. They just don't what it is.
• 2:48
  Speaker 1: Clearly it's not good for you. But they said it
• 2:49
  Speaker 1: was like the Walking Dead over there. Bro. The same
• 2:51
  Speaker 1: way you shouldn't wear fake Jordan, you shouldn't smoke fake wheed.
• 2:54
  Speaker 1: If you can't afford the real weed, just don't smoke
• 2:56
  Speaker 1: it at all. Bro. I don't know if you saw
• 2:58
  Speaker 1: the video, but there's one guy yelling, my effing throat
• 3:01
  Speaker 1: is on fire, get it out, get it out. Brooklyn
• 3:04
  Speaker 1: looks crazy. The other day, I mean, people were just
• 3:07
  Speaker 1: leaning on fire hydrants. They were shaking, they were just
• 3:09
  Speaker 1: walking in the middle of the street, looked disgusted up
• 3:11
  Speaker 1: in Brooklyn. Now shout out to Paris, because that's right
• 3:13
  Speaker 1: about the train stop that Paris has to take that
• 3:15
  Speaker 1: um that works with me every single morning. So she said,
• 3:18
  Speaker 1: that's right at the train station. And seeing if you
• 3:19
  Speaker 1: always said it's always liked that over there, And if
• 3:21
  Speaker 1: you over there in one of them zombies trying to
• 3:23
  Speaker 1: attack you, you gotta you gotta kill him. You gotta
• 3:25
  Speaker 1: take them down. This ain't a movie. You ain't gotta
• 3:28
  Speaker 1: kill him. You gotta kill them, but you gotta take
• 3:29
  Speaker 1: them down through their heart. One immediately hurried up. You
• 3:33
  Speaker 1: don't know what's on their mind. They are they on drugs.
• 3:36
  Speaker 1: They they gonna hurt you. You gotta take them down. Absolutely,
• 3:39
  Speaker 1: let's gem I'm in La just so you guys know,
• 3:41
  Speaker 1: I don't know if you notice I'm not in there. No,
• 3:43
  Speaker 1: we didn't even know. I look over there. All right. Well,
• 3:47
  Speaker 1: front page Knews, what we're talking about, well, speaking about
• 3:49
  Speaker 1: you know the SP's happened here yesterday. So we'll tell
• 3:52
  Speaker 1: you about the statement that Carmela, Chris, Paul d. Wade
• 3:55
  Speaker 1: and Lebron Maide at the SPS was very powerful. All right,
• 3:58
  Speaker 1: we'll get to that when we come back. Keep the locked.
• 4:00
  Speaker 1: It's the breakfast club of the morning, pointing everybody is
• 4:04
  Speaker 1: DJ M, v Angela, Yee, Charlomagne the God. We are
• 4:07
  Speaker 1: the breakfast club that's getting some front page news. Now.
• 4:10
  Speaker 1: Last night was the Spy Awards. Yes, mellow Way, Lebron,
• 4:14
  Speaker 1: they made a bold statement opening up the show and
• 4:16
  Speaker 1: Chris Paul Yes, they actually started up the show it
• 4:19
  Speaker 1: that they were talking about how professional athletes need to
• 4:22
  Speaker 1: be involved in pushing for a social change after everything
• 4:26
  Speaker 1: that's been happening when police brutality. Check out how Carmelo
• 4:30
  Speaker 1: set it off in this moment of celebration. We actually
• 4:33
  Speaker 1: start the show tonight this way, the four of us
• 4:35
  Speaker 1: talking to our fellow athletes with the country watching, because
• 4:39
  Speaker 1: we cannot ignore the realities of the current state of America,
• 4:42
  Speaker 1: the events of the past week. I put a spotlight
• 4:44
  Speaker 1: on the injustice, distrust, and anger that plagued so many
• 4:48
  Speaker 1: of us. The system is broken, The problems are not new,
• 4:52
  Speaker 1: the violence is not new, and the ratio divide definitely
• 4:56
  Speaker 1: is not new. But the urgency to great change is
• 5:00
  Speaker 1: that an all time high. I'm mad I missed that
• 5:02
  Speaker 1: in real time. It was I had a hot game
• 5:05
  Speaker 1: of candy Land going my daughter, so I didn't. I
• 5:07
  Speaker 1: didn't watch that. You did. I went. I won the
• 5:10
  Speaker 1: first game, she won the second game. You beat her
• 5:12
  Speaker 1: at candy Land. Why would you not let her? Paul?
• 5:17
  Speaker 1: Here's what Chris Paul had to say on stage. We
• 5:20
  Speaker 1: stand here tonight accepting our role in uniting communities to
• 5:23
  Speaker 1: be the change we need to see. We stand before
• 5:27
  Speaker 1: you as fathers, sons, husbands, brothers, uncles, and in my case,
• 5:34
  Speaker 1: as an African American man and the nephew of a
• 5:37
  Speaker 1: police officer who was one of the hundreds of thousands
• 5:40
  Speaker 1: of great officers serving this country. But Trey Vaughn, Martin,
• 5:45
  Speaker 1: Michael Brown, Tamir Rice, Eric Gardner, Lakwa McDonald, Alton Sterling,
• 5:53
  Speaker 1: Philando Castile, this is also our reality, absolutely right. I
• 5:59
  Speaker 1: love that. But to play an action so as far
• 6:01
  Speaker 1: as d Wade and Lebron WO played that during rumor reply,
• 6:04
  Speaker 1: what Lebron said was pretty dope. He was like, you know,
• 6:06
  Speaker 1: after we leave here, we have to go into our
• 6:08
  Speaker 1: communities and start talking to police officers and start talking
• 6:10
  Speaker 1: to people to try to make a change, because that
• 6:12
  Speaker 1: was pretty dope. I thought that was pretty dope. And
• 6:15
  Speaker 1: you know what's so crazy, We lose so many African
• 6:17
  Speaker 1: American people. We forget I see the picture of Sean
• 6:20
  Speaker 1: Bell and I was like, damn, Like that's what I said,
• 6:23
  Speaker 1: is not we forget about the people that were killed
• 6:25
  Speaker 1: and shot? Absolutely, like, this isn't a problem that's been
• 6:27
  Speaker 1: going on for the past week. This is the problem
• 6:29
  Speaker 1: that's been going on for years, decades really four hundred
• 6:32
  Speaker 1: plus years of oppression and murder. Okay, but you know
• 6:35
  Speaker 1: when you say that, people be like, oh, you're you're
• 6:38
  Speaker 1: you're you're race baiting. No, I'm just speaking the truth. Now,
• 6:41
  Speaker 1: police release another video. Ye, yes, the police and Fresno
• 6:44
  Speaker 1: did release the video. This is from June twenty fifth,
• 6:47
  Speaker 1: that shows officers pulling over Dylan Noble. Now, they shot
• 6:50
  Speaker 1: this nineteen year old man and according to this video,
• 6:54
  Speaker 1: if you see it, as shows that Dylan Noble did
• 6:57
  Speaker 1: ignore repeated commands to stand still and show its hands.
• 7:01
  Speaker 1: And according to the chief police, he said it was
• 7:04
  Speaker 1: important for the public to see, said he prais it
• 7:06
  Speaker 1: won't spark violence. With all of the anti police sentiment
• 7:09
  Speaker 1: in Fresno and elsewhere. His attentions are high, but it
• 7:13
  Speaker 1: does show that he did not comply with commands. And
• 7:15
  Speaker 1: then he is heard saying that he hates his life.
• 7:18
  Speaker 1: Then one officer fired twice. Noble felon and we shot
• 7:21
  Speaker 1: two more times while on the ground moving his arms.
• 7:24
  Speaker 1: Said they believed, according to the police chief, that he
• 7:27
  Speaker 1: was reaching for a weapon, though, but it turned out
• 7:31
  Speaker 1: he was just holding a small plastic box. Now, of
• 7:35
  Speaker 1: course Dylan Noble's mother is trying to make them is
• 7:39
  Speaker 1: actually suing for this. And by the way, Dylan Noble
• 7:41
  Speaker 1: was an unarmed white man. So once again, I keep
• 7:43
  Speaker 1: trying to tell y'all, this is an American issue. So
• 7:46
  Speaker 1: I don't understand why more Americans aren't outraged, because you know,
• 7:49
  Speaker 1: a lot of guys like to throw out that statin
• 7:51
  Speaker 1: the status more white Americans get killed by the police. Okay,
• 7:54
  Speaker 1: we know it's more white people out here, so that's probable,
• 7:57
  Speaker 1: but that doesn't matter. The issue is why isn't all
• 8:00
  Speaker 1: of America outraged that so many unarmed people are getting
• 8:03
  Speaker 1: killed at the hands of the police, whether they're white,
• 8:05
  Speaker 1: oh they're black, right, all right? Well, that's front page news.
• 8:09
  Speaker 1: Now tell them why you're mad. Eight hundred five eighty
• 8:11
  Speaker 1: five one oh five one. If you're upset, you need
• 8:13
  Speaker 1: to vent. Call us right now. Maybe somebody pissed you off,
• 8:15
  Speaker 1: you had a bad night or bad morning. You just
• 8:17
  Speaker 1: need to vent, get things off your chest so you
• 8:19
  Speaker 1: can have a great day. Call us up right now.
• 8:21
  Speaker 1: Eight on drink five eighty five, one oh five one.
• 8:24
  Speaker 1: It's the breakfast lolole morning the Breakfast Club. Hey, hey, hey,
• 8:30
  Speaker 1: ya hey yoaka morning y'all. This is the Mad Rapper.
• 8:32
  Speaker 1: Something real. I'm mad and I stay mad. I stay angry,
• 8:35
  Speaker 1: I stay heated, I stay fist of filling. Why you mad?
• 8:37
  Speaker 1: Breakfast Club? Let's go. This is Maverick. What's up, Maverick?
• 8:40
  Speaker 1: Tell them why you man? Bro Well, I'm kind of
• 8:42
  Speaker 1: man at Charlemagne's comment the other day. What happened was
• 8:47
  Speaker 1: a lot of my friends were listening in on the
• 8:49
  Speaker 1: Black Lives Matter movement that you were hosting, and you
• 8:52
  Speaker 1: kind of said that, you know, it was a cause
• 8:54
  Speaker 1: and effect issue, and they were agreeing with that. But
• 8:56
  Speaker 1: I kind of disagree with you. And the reason why
• 8:58
  Speaker 1: I say that is because it may be an effect
• 9:01
  Speaker 1: of what had happened. But that doesn't necessarily make it right.
• 9:04
  Speaker 1: We don't fight fire with fire. You put all time
• 9:06
  Speaker 1: about my brother. I never said it was right. I
• 9:08
  Speaker 1: just simply said it was a cause and effect situation.
• 9:10
  Speaker 1: So why are you adding on that I said it
• 9:12
  Speaker 1: was right? No, no, no no, I didn't say that you
• 9:14
  Speaker 1: said it was right. I'm saying that what you said
• 9:16
  Speaker 1: was the cause and effect, and that people were saying
• 9:18
  Speaker 1: that it was right, and I don't believe that. What
• 9:20
  Speaker 1: I'm saying is that I agree that it isn't effect
• 9:23
  Speaker 1: of what had happened. But what I want our black
• 9:25
  Speaker 1: people to understand is that we don't fight fire with fire,
• 9:28
  Speaker 1: get them with water. But what you need to understand
• 9:30
  Speaker 1: is for every action, there's an equal opposite reaction period,
• 9:34
  Speaker 1: Like you can't expect to continue to push your people
• 9:36
  Speaker 1: and not expect them to push back. Hello, who's this
• 9:38
  Speaker 1: a black African American law enforcement officers? I'm not mad,
• 9:42
  Speaker 1: I'm more so upset. Talk about what are we going
• 9:44
  Speaker 1: to do about the change? If if we want change,
• 9:47
  Speaker 1: you got to be the change. Become a cop. And
• 9:50
  Speaker 1: that's what I'm saying. I've been saying we need more
• 9:52
  Speaker 1: of our selves, more or more of our faces in
• 9:55
  Speaker 1: police department. But that's that's a small part of a
• 9:59
  Speaker 1: long term everybody can't be police officers. Certain guess what,
• 10:02
  Speaker 1: even if more of us all police officers, it's still
• 10:04
  Speaker 1: going to be people in the police department who have
• 10:06
  Speaker 1: this mentality of shoot first, ask questions later. And we
• 10:09
  Speaker 1: have to start initiating changed now. And that's what's going
• 10:11
  Speaker 1: to help initiate change for our kids, our grandchildren and
• 10:15
  Speaker 1: every everybody in the future. Economic empowerment. We all know
• 10:18
  Speaker 1: that's an important thing because people listen when it comes
• 10:21
  Speaker 1: to at the time, and you gotta take one step
• 10:23
  Speaker 1: at a time, brothers, you know, And if more of
• 10:26
  Speaker 1: us is out there, all of us all relax, more
• 10:29
  Speaker 1: of us here a cop. You gotta stop teaching our
• 10:32
  Speaker 1: kids too, stop fearing the cops. We gotta stop teaching them.
• 10:35
  Speaker 1: That's all to do. Cops running, that's hard to doing.
• 10:37
  Speaker 1: Cops are shooting us, man, that's very hard to do.
• 10:39
  Speaker 1: I ain't gotta tell my kid. I ain't gotta teach
• 10:40
  Speaker 1: my kid. He sees it on television. Yeah, and we
• 10:42
  Speaker 1: act like we're not out there now and all these
• 10:44
  Speaker 1: different talking points about economic empowerment, and we got to
• 10:47
  Speaker 1: do better. We don't have to do better. We're not
• 10:49
  Speaker 1: the ones killing us. Hello, who's this? This is Lenoki
• 10:54
  Speaker 1: telling them? Are you mad? I am upset because I
• 10:58
  Speaker 1: should like actor. By the way, I'm not. Somebody caught
• 11:03
  Speaker 1: you in Starbucks yesterday every morning, so don't be to me.
• 11:07
  Speaker 1: Go ahead, go ahead, we're listening. But I'm upset because
• 11:11
  Speaker 1: I feel like, you know, we have no Martin Luther
• 11:14
  Speaker 1: Kane of our of our generation. You know, everybody's afraid
• 11:18
  Speaker 1: to actually step up. Everybody's just trying to protest, but
• 11:21
  Speaker 1: we need some type of action. By the way, y'all
• 11:23
  Speaker 1: would have hated Martin Luther King Jr. And is Aaron
• 11:25
  Speaker 1: Martin Luviking was very all lives matter. Y'all wouldn't want
• 11:27
  Speaker 1: to hear that right now. Well, I do think we
• 11:29
  Speaker 1: do definitely need more leaders. Tell them why you're mad.
• 11:31
  Speaker 1: I don't forget Keith Sweat be joining us in a
• 11:32
  Speaker 1: little bit. Don't go anywhere. It's the breakfast Club. Good morning,
• 11:36
  Speaker 1: the breakfast club that was designed to pinning the morning.
• 11:43
  Speaker 1: Everybody is DJ mvy Angela Yee Charlomagne, the guy we
• 11:46
  Speaker 1: all the breakfast club. I'm really upset. I missed the
• 11:49
  Speaker 1: espes last night, man, But like I said, last night
• 11:51
  Speaker 1: was board game night in the crib, so we had
• 11:53
  Speaker 1: a hot game of candy Land going and then Hello,
• 11:55
  Speaker 1: Kitty Bingo. You missed the entire spe I definitely mis
• 12:00
  Speaker 1: late they were. It was, it was late and it
• 12:02
  Speaker 1: was long. And I want to tell parents out there,
• 12:04
  Speaker 1: and not only parents, if you have brothers, sisters, niece's nephews,
• 12:07
  Speaker 1: put them in swimming lessons. I've seen an incident over
• 12:10
  Speaker 1: the weekend where a young girl, she was like three
• 12:13
  Speaker 1: years old, she drowned. The mom was had two kids.
• 12:16
  Speaker 1: You watched one kid grabbed the other kid. The other
• 12:18
  Speaker 1: kid fell in the pool and drowned. Teach your kids
• 12:20
  Speaker 1: at a young age to learn how to swim. The
• 12:23
  Speaker 1: YMCA has cheap classes and sometimes free classes to teach
• 12:27
  Speaker 1: kids how to swim. So definitely, if you can teach
• 12:29
  Speaker 1: your kids how to swim, yea, you know how to swim,
• 12:31
  Speaker 1: and you know I don't know how to swim, oh boy,
• 12:33
  Speaker 1: but my brother does because my brother did take swimming
• 12:35
  Speaker 1: lessons at the y Y. Yeah, my daughter age, she'd
• 12:38
  Speaker 1: been swimming and she's been like three. But I'm still paranoid.
• 12:41
  Speaker 1: Get me too, But still be right there on her ass,
• 12:43
  Speaker 1: even though she can swim back and forth to a
• 12:45
  Speaker 1: pool like it's nothing, but it gives her a chance
• 12:47
  Speaker 1: if she does fall into a water or something, that
• 12:49
  Speaker 1: something does happen. Now is that where that My brother
• 12:51
  Speaker 1: got swimming lessons and I didn't a lot of things
• 12:53
  Speaker 1: you didn't get to the child. Ye, your parents didn't
• 12:54
  Speaker 1: really love you. Explains a lot. Now you're out in La.
• 12:58
  Speaker 1: What are you doing in La? So I'm out here?
• 13:00
  Speaker 1: Actually we have a Hennessy event tonight. But the reason
• 13:03
  Speaker 1: I was I was out yesterday. I saw my girls
• 13:05
  Speaker 1: seven seventh Street and we went out to eat and
• 13:07
  Speaker 1: we had a weird incident. So the SP's were on
• 13:10
  Speaker 1: in the restaurant where we were eating, and there was
• 13:12
  Speaker 1: a table next to us. It was three older white
• 13:15
  Speaker 1: ladies sn with venus. You know, did so one of
• 13:20
  Speaker 1: the ladies came over to the table and she's like,
• 13:23
  Speaker 1: you people look so nice, you people, you people are
• 13:27
  Speaker 1: so great. You ladies must be sitting here. You girls
• 13:30
  Speaker 1: must be sitting here waiting for some of the guys
• 13:33
  Speaker 1: from the Spies to come in, aren't you. I'm not
• 13:37
  Speaker 1: gonna lie. We were very offended. First of all. First
• 13:43
  Speaker 1: of all, it's very weird to call say you people
• 13:47
  Speaker 1: like that, because that always feels weird. You people, like,
• 13:49
  Speaker 1: what is you people? And then she called us girls, hey, girls,
• 13:52
  Speaker 1: and then she kept calling girls, come on, come on girls.
• 13:55
  Speaker 1: We were like, what is she talking about? And then
• 13:57
  Speaker 1: when she said we were sitting there waiting for the
• 13:59
  Speaker 1: s pas to be over so we could meet some guys,
• 14:02
  Speaker 1: you weren't check it, or you should have checked out me.
• 14:03
  Speaker 1: I'm offended. I'm offended that she thought the flames would
• 14:06
  Speaker 1: be checking for y'all. You should have checked it over. Yeah,
• 14:09
  Speaker 1: you should have checked it. You should have said. Look,
• 14:11
  Speaker 1: you should have said, I'm an African. Well you're not, fully,
• 14:13
  Speaker 1: but I'm half African American. I'm educated and I got
• 14:17
  Speaker 1: a good job. I think it could. We all looked
• 14:19
  Speaker 1: at her like she was crazy. And then when we
• 14:21
  Speaker 1: looked at her like that, when she said the sp
• 14:23
  Speaker 1: she thought we didn't even know. Oh, bless your hearts,
• 14:25
  Speaker 1: y'all don't even know what the sps are. Joe, why
• 14:31
  Speaker 1: was y'all so passive last night? Oh no, no it didn't.
• 14:34
  Speaker 1: I mean we had some words exchange. It didn't get
• 14:36
  Speaker 1: too crazy, but she was an older lady. She was
• 14:39
  Speaker 1: like sixty something years old, and I think she was drunk,
• 14:41
  Speaker 1: and then they spilled a drink. What do you mean,
• 14:44
  Speaker 1: you people? Yeah, I said you people, and then I
• 14:47
  Speaker 1: would have said, what are you doing for the Black
• 14:49
  Speaker 1: Lives Matter movement? I bet she should have paid for
• 14:51
  Speaker 1: your food after that. Now we got rumors on the way. Yes,
• 14:55
  Speaker 1: we are going to talk about Foxy Brown. She has
• 14:58
  Speaker 1: responded to being left out of the V to one
• 15:00
  Speaker 1: Hip Hop Honors and speaking of the SPS, will give
• 15:02
  Speaker 1: you what Dwyane Wade had to say last night at
• 15:05
  Speaker 1: the SPS along with Lebron. And there's some more news
• 15:09
  Speaker 1: about Memphis Bleek, so you might need to hit him
• 15:11
  Speaker 1: up again and being asking if this next story is true?
• 15:13
  Speaker 1: Oh boy, all right, we'll get into all that when
• 15:15
  Speaker 1: we come back. Keep it locked at the Breakfast Club morning,
• 15:18
  Speaker 1: the Breakfast Club List just got with Angela Angela ut
• 15:30
  Speaker 1: Breakfast Club. Well, earlier in Front Page News, we played
• 15:34
  Speaker 1: for you what Carmelo and Chris Paul said at the
• 15:36
  Speaker 1: SP's last night. Well, Dwyane Wade and Lebron also helped
• 15:40
  Speaker 1: open up the show and they were talking about police
• 15:42
  Speaker 1: brutality and violence. Against the police as well. Here is
• 15:46
  Speaker 1: what d Wade had to say. The racial profiling has
• 15:50
  Speaker 1: to stop, the shoot to kill mentality has to stop,
• 15:55
  Speaker 1: not sending the value of black and brown bodies has
• 15:59
  Speaker 1: to stop. But also the retaliation has to stop. The
• 16:03
  Speaker 1: endless gun violence in places like Chicago, Dallas, not to
• 16:08
  Speaker 1: Mission Orlando. It has to stop. Enough, enough is enough
• 16:13
  Speaker 1: now as athletes is on us to challenge each other
• 16:18
  Speaker 1: to do even more than what we already do in
• 16:21
  Speaker 1: our own communities. And the conversation cannot as our schedules
• 16:25
  Speaker 1: get busy again. It won't always be convenient, it won't
• 16:29
  Speaker 1: always be comfortable, but it is necessary. I agree with
• 16:33
  Speaker 1: all of that. But what's the plan of action? And
• 16:35
  Speaker 1: here is Lebron. We all feel helpless and frustrated by
• 16:39
  Speaker 1: the violence we do. That's not acceptable. It's time to
• 16:43
  Speaker 1: look in the mirror and ask ourselves what are we
• 16:46
  Speaker 1: doing to create change. It's not about being a role model.
• 16:49
  Speaker 1: It's not about our responsibility or the tradition of activism.
• 16:53
  Speaker 1: I know tonight we're oor Muhammad Ali the Goat, But
• 16:57
  Speaker 1: to do his legacy any justice, let use this moment
• 17:00
  Speaker 1: as a call to action for all professional athletes. To
• 17:04
  Speaker 1: educate ourselves, explore these issues, speak up, use our influence
• 17:09
  Speaker 1: and renounce all violence, and most importantly, go back to
• 17:13
  Speaker 1: our communities. Invest our time, our resources, help rebuild them,
• 17:20
  Speaker 1: help strengthen them, help change them. We all have to
• 17:24
  Speaker 1: do better. Thank you. I agree with all that, But
• 17:28
  Speaker 1: once again, what's the plan of action? I mean, I
• 17:31
  Speaker 1: think it's not just one plan of action. There's a
• 17:33
  Speaker 1: lot of things that people need to do. I think
• 17:34
  Speaker 1: that we just be putting too much responsibility on ourselves
• 17:37
  Speaker 1: and we're not the ones out here killing us. Like,
• 17:38
  Speaker 1: I just don't understand that that way of thinking at all.
• 17:41
  Speaker 1: But part of the way to make change happen is
• 17:43
  Speaker 1: financial empowerment is by boycotting. That's why they say boycott,
• 17:47
  Speaker 1: because that's what makes people listen when you have that
• 17:49
  Speaker 1: type of power own businesses and being more powerful keeping
• 17:56
  Speaker 1: things in our community. There's a lot of communities of
• 17:58
  Speaker 1: people that the police don't like where I live at,
• 18:00
  Speaker 1: there are certain communities the police don't mess with you
• 18:02
  Speaker 1: at all periods because they have all their own businesses
• 18:06
  Speaker 1: that they own in their community. So you're saying that
• 18:08
  Speaker 1: police will not treat us a certain way based off
• 18:12
  Speaker 1: our financial staff. I don't agree the police. I'm saying
• 18:16
  Speaker 1: financial empowerment is important if you want to make real
• 18:18
  Speaker 1: changes in government policies which could lead to changes, and
• 18:21
  Speaker 1: what happens with the police is being involved in what's
• 18:24
  Speaker 1: going on to make those changes. I don't necessarily you
• 18:27
  Speaker 1: got to penalize when when cops shoot somebody and they
• 18:30
  Speaker 1: get life in prison, then the next time a copple
• 18:33
  Speaker 1: somebody over there, really thuzz. I mean, see what you're saying.
• 18:38
  Speaker 1: You're saying something. You got to have power to press
• 18:40
  Speaker 1: the government in order for the government to make those
• 18:42
  Speaker 1: kinds and that's how you have that power. You have
• 18:44
  Speaker 1: to be able to make those changes and demand changes.
• 18:46
  Speaker 1: In part of demanding changes is hitting people in the
• 18:49
  Speaker 1: pockets so you can get hurt and have some power.
• 18:51
  Speaker 1: That's just say, that's part of it. I don't think
• 18:53
  Speaker 1: that's all done. Economic protests. I don't know if for
• 18:56
  Speaker 1: the work, but I don't mind that. I don't think
• 18:57
  Speaker 1: we have a tribe. I don't think we have enough
• 18:58
  Speaker 1: businesses to do that. Like you know that is you know,
• 19:03
  Speaker 1: if I say I'm not gonna go to I'm not
• 19:05
  Speaker 1: gonna shop at this dog because I don't have no
• 19:07
  Speaker 1: black grocery store to go to some other little you know,
• 19:09
  Speaker 1: if I'm not gonna go to this gas station. But
• 19:10
  Speaker 1: that's why. But that's why it's an American issue. And
• 19:13
  Speaker 1: like Martin Luther King Jr. Said, an injustice anywhere, the
• 19:15
  Speaker 1: threatened justice everywhere. That's why all Americans need to be
• 19:19
  Speaker 1: upset about what's going on out here. Can't just be
• 19:22
  Speaker 1: an isolated black incidents. Barkley had some things to say
• 19:25
  Speaker 1: as well. Now he called into the Dan Lebottard Show,
• 19:28
  Speaker 1: and here's what he said. There's a lot of people
• 19:30
  Speaker 1: at fault. The cops have made some mistakes. Black people
• 19:34
  Speaker 1: have made some mistakes. We have to sit back and
• 19:38
  Speaker 1: be honest with each other. The cops have made some
• 19:41
  Speaker 1: mistakes that don't give us the right the riot and
• 19:44
  Speaker 1: shoot cops. We need the cops, especially in the black community.
• 19:49
  Speaker 1: We as black people, we've got to do better. We
• 19:52
  Speaker 1: never get mad when black people kill each other. You
• 19:55
  Speaker 1: can't demand respect from white people and the cops that
• 19:58
  Speaker 1: we don't respect each other. All right. I don't agree
• 20:03
  Speaker 1: with all of that at all period. That's not necessarily true.
• 20:09
  Speaker 1: We do have to clean up a lot of things
• 20:11
  Speaker 1: in our community. We build a two different total situations. Mistakes. Yeah,
• 20:17
  Speaker 1: black on black police brutality are two different things. Okay,
• 20:20
  Speaker 1: let's just hypothetically say we don't know no better, so
• 20:23
  Speaker 1: we kill each other. I expect the police to know better. Okay, period.
• 20:27
  Speaker 1: All right, Now, let's discuss Foxy Brown. We discussed on
• 20:31
  Speaker 1: the show. Why wasn't Foxy Brown at the VH one
• 20:33
  Speaker 1: Hip Hop Honors tribute for women the queens of hip hop?
• 20:37
  Speaker 1: Why wasn't Lauren Hill there? You said, why wasn't Iggy
• 20:40
  Speaker 1: Azilia there? Say nothing? But who said I was being funny?
• 20:44
  Speaker 1: Nobody even understand sarcasm. Now you were looking for Iggy Iggy? Okay, yeah, sure,
• 20:50
  Speaker 1: but but these are things that were said. Okay, now
• 20:54
  Speaker 1: here is how Foxy Brown. Foxy Brown responded. She said,
• 20:57
  Speaker 1: thank you, beloved, and be clear, guys, this is ownly
• 21:00
  Speaker 1: in response to the overwhelming outcry from fans everywhere. I
• 21:04
  Speaker 1: awoke this morning to our fans across the world's trending
• 21:07
  Speaker 1: outrage at reality show network VH one's non inclusion of
• 21:10
  Speaker 1: Lauren Hill and myself, Foxy Brown. Anyone recognized, whether the
• 21:14
  Speaker 1: contribution big or small, I applaud personally. I prefer being
• 21:17
  Speaker 1: held to a much higher standard in my walk, but
• 21:20
  Speaker 1: fans went ballistic. The people have spoken, We've been blessed
• 21:24
  Speaker 1: to set the bar at its highest heights, most notably
• 21:26
  Speaker 1: receiving the twenty sixteen historic key to my city of Brooklyn.
• 21:30
  Speaker 1: And she said, that's this is a VH one after all,
• 21:34
  Speaker 1: and the only accolade that matters to me is of
• 21:36
  Speaker 1: the most high. All right, that's how that's God bless
• 21:39
  Speaker 1: its clear. Foxy Brown is not a first ballot VH
• 21:42
  Speaker 1: one Hip Hop honor read not first not first ballot.
• 21:46
  Speaker 1: She might get in next year or the next time
• 21:48
  Speaker 1: they do it, but she's not part of that first
• 21:50
  Speaker 1: We should have added she's in the studio perfecting her
• 21:55
  Speaker 1: incredible return. I would have added even mc light over
• 21:58
  Speaker 1: both for them, and even over both of them. Lauren
• 22:00
  Speaker 1: Hill got one album, We're Gonna We're gonna stop acting
• 22:02
  Speaker 1: like Miss Education, and Lauren Hill that one. That one
• 22:06
  Speaker 1: album pals and compares, Okay, Old fujis her career with
• 22:09
  Speaker 1: the Fooji's in that one album, mis Education pals and
• 22:11
  Speaker 1: Comparison's career, Queen Latifa's career, his career, the Firm album,
• 22:17
  Speaker 1: if you want to say that, and she had countless
• 22:19
  Speaker 1: verses on Jay Z's album. If you want to say
• 22:20
  Speaker 1: Lauren Hill, but you should have added to added Foxy
• 22:22
  Speaker 1: Eve and Lauren Hill. I agree, I don't know about
• 22:25
  Speaker 1: Lauren and Foxy right, all right, well that is your
• 22:27
  Speaker 1: rumor report. I'm Angela ye and mc light. All right,
• 22:29
  Speaker 1: thank you, miss Light. Now when we come back Throwback Thursday, Boy,
• 22:33
  Speaker 1: tell your mama. Your mama gonna be moving around in
• 22:36
  Speaker 1: the car this morning. She's gonna be shaking a little booty,
• 22:39
  Speaker 1: you know thing. She's gonna be looking like she got
• 22:41
  Speaker 1: a little dampness in the draws, little moist. Okay, your mama,
• 22:43
  Speaker 1: your grandma, your auntie, them, because it's Throwback Thursday. In
• 22:47
  Speaker 1: the Triple Og, Keith Sweat is hell. That's right, all right.
• 22:50
  Speaker 1: We're gonna get keep sweating to build it and also
• 22:52
  Speaker 1: we'll do a keep Sweat mini mix. So let me
• 22:54
  Speaker 1: know your favorite Keith Sweat joint. I at dj n
• 22:58
  Speaker 1: VS the Breakfast slogal Morning that was James Don't und Morning.
• 23:01
  Speaker 1: Everybody is dj m V Angela, Yee, Sharlomagne, the guy,
• 23:04
  Speaker 1: We all the Breakfast Club. We got a special guest
• 23:07
  Speaker 1: and Og Triple Og I guarantee. This man has had
• 23:10
  Speaker 1: sex with your mama, probably your grandma, probably both together.
• 23:16
  Speaker 1: What up? What up? What up? How you? Because I
• 23:18
  Speaker 1: know women my agent Keith has had sex with thoughts though,
• 23:21
  Speaker 1: I mean, all right, come on, I don't want money.
• 23:29
  Speaker 1: You say you don't want nothing but money. That's that's true.
• 23:35
  Speaker 1: Though you still get a lot of young girls coming
• 23:36
  Speaker 1: at your Keith all the time. Baby, he said all
• 23:38
  Speaker 1: the time. That you started off as a stockbroker. Explain
• 23:41
  Speaker 1: that a little bit. How are you gett into the
• 23:42
  Speaker 1: stockbroker business and didn't go to music? Well, you know, basically,
• 23:45
  Speaker 1: you know, we all got to pay them bills. So
• 23:47
  Speaker 1: I mean it was something that I enjoyed, something that
• 23:49
  Speaker 1: I like. But you know, my true, true first love
• 23:51
  Speaker 1: was music. So you know, once I got the opportunity
• 23:54
  Speaker 1: to do the music thing, I tell straight on into
• 23:56
  Speaker 1: it with strictly business about your life because I just
• 23:59
  Speaker 1: remember now when I'm thinking about we've been the movie
• 24:01
  Speaker 1: yeah with Timmer Davis, he was st the same time.
• 24:06
  Speaker 1: Yeah he set. Yeah, I mean that was part of
• 24:08
  Speaker 1: my life. You know, I was in there doing you know, uh, medals.
• 24:11
  Speaker 1: I was in medals copper, silver, you know, gold, so
• 24:14
  Speaker 1: you know, once I would get out of that, you know,
• 24:16
  Speaker 1: which those hours was crazy at the time because you
• 24:18
  Speaker 1: know what I'm saying, Stock of Shame is going crazy,
• 24:21
  Speaker 1: right And after that, I would get out of there
• 24:22
  Speaker 1: and go into studio and try to, you know, make
• 24:25
  Speaker 1: these hit records. Now what you singing on the floor
• 24:27
  Speaker 1: the New York stock Hell yeah, that was to the
• 24:31
  Speaker 1: point where they was a man, I was the dude,
• 24:33
  Speaker 1: shut up, you know what I'm saying. But I wasn't
• 24:35
  Speaker 1: paying them no mind. Man. It was like, yo, man, yo,
• 24:37
  Speaker 1: just take this and let's do what we do, and
• 24:40
  Speaker 1: let me do what I do. When the great break
• 24:42
  Speaker 1: happened that you knew you could quit the stock market,
• 24:44
  Speaker 1: Oh man, this is what it was crazy because I
• 24:46
  Speaker 1: went in the studio and I cut Don't Stop Your
• 24:49
  Speaker 1: Love with Vincent Davis Don't Stop Your Love. Yeah, yeah,
• 24:52
  Speaker 1: and which everybody don't don't know. That was the red
• 24:55
  Speaker 1: kid that got me to deal. Before I knew it,
• 24:57
  Speaker 1: I had a album went with Teddy Riley called Teddy Yo, man,
• 25:01
  Speaker 1: I got this album deal. You know, let's do this
• 25:03
  Speaker 1: album together, and you know we're in this going the
• 25:06
  Speaker 1: studio knocking it out and uh. His history now, he
• 25:09
  Speaker 1: was one of the first innovators of what they called
• 25:11
  Speaker 1: the new Jack's swing sign. Yeah, yeah, you know, mix
• 25:13
  Speaker 1: that hip hop with that R and B and that
• 25:15
  Speaker 1: was it. That's it without the playing back in the
• 25:17
  Speaker 1: day to day. That was the playing back in the
• 25:19
  Speaker 1: day becausein you know, I grew up listening to the
• 25:21
  Speaker 1: old Jay's Laverte and all of them, and you know,
• 25:24
  Speaker 1: baby facing, you know I wanted, you know, being from HALLM,
• 25:28
  Speaker 1: I wanted a little something more edgier. Yeah, you know,
• 25:30
  Speaker 1: so that's why I said, Man, if we mixed these
• 25:32
  Speaker 1: hip hop beats with that R and B, it's gonna
• 25:35
  Speaker 1: be a little more edgy, and it's gonna be a
• 25:37
  Speaker 1: little more street. You know. We did it in that one.
• 25:39
  Speaker 1: I'm sure the influence of the street was huge back
• 25:41
  Speaker 1: then because HALLM was at that time it was all
• 25:44
  Speaker 1: about hustling and drugs. Like he got that whole R
• 25:50
  Speaker 1: and B putsna We kicked it with KIV. Yes, my
• 25:55
  Speaker 1: reception of who Keith Sweat was before that was completely different. Yeah.
• 25:59
  Speaker 1: I up around Guy Fisher and all them brothers, you
• 26:02
  Speaker 1: know what I'm saying, and uh, you know those wore
• 26:05
  Speaker 1: brothers who was talking about cutting people's legs offen and
• 26:08
  Speaker 1: doing certain things other people. I was like, a man,
• 26:11
  Speaker 1: I need to get up bout of here. So that whole,
• 26:15
  Speaker 1: that whole year, I'm from that whole, that whole era,
• 26:18
  Speaker 1: you know what I'm saying with you know, it was
• 26:20
  Speaker 1: really going down back then, you know, but it was cool.
• 26:23
  Speaker 1: Its cool that came in handy later on in the
• 26:25
  Speaker 1: musical industry when people probably try to jernk you for money.
• 26:28
  Speaker 1: It came in handy because you know, I knew who
• 26:30
  Speaker 1: to mess with it and people knew not to mess
• 26:32
  Speaker 1: with me for certain reason because of my associations and
• 26:35
  Speaker 1: because of the people that you know, It's like back
• 26:37
  Speaker 1: into like now you know, people knew who know who
• 26:40
  Speaker 1: to mess with it. Now I know who not the
• 26:41
  Speaker 1: best with it. How was your first contract? My first
• 26:44
  Speaker 1: contract was like everybody else was whack. You know what
• 26:49
  Speaker 1: I'm saying. But you know, I've quickly learned, you know,
• 26:52
  Speaker 1: after my first steal to go ahead and take on
• 26:54
  Speaker 1: my own thing. I was. I think I was one
• 26:56
  Speaker 1: of the first people to have my own label because
• 26:58
  Speaker 1: I went and got my own label, put self on
• 27:00
  Speaker 1: the label, cut close on the label one and I
• 27:03
  Speaker 1: never been in the red I was. You know, first
• 27:05
  Speaker 1: album did five million, you know, second album did three
• 27:08
  Speaker 1: or four. But I was fortunately for me, unlike most artists,
• 27:11
  Speaker 1: I had written all my stuff and produced all my stuff,
• 27:14
  Speaker 1: me and Teddy, so all that publishing was mine, all
• 27:17
  Speaker 1: the producer money was mine. So the second album, you know,
• 27:21
  Speaker 1: then I built a studio in my house. I was
• 27:22
  Speaker 1: the first one to build an SSL board in my
• 27:24
  Speaker 1: house because I was like, yo, I'm not going to no.
• 27:28
  Speaker 1: I built it in Atlanta for everybody started moving to Atlanta.
• 27:31
  Speaker 1: Why did you get out of hollow touring? Once I
• 27:33
  Speaker 1: did my tour and I started touring the country, I'm like, yo, man,
• 27:36
  Speaker 1: I can make the same kind of money, have a
• 27:38
  Speaker 1: just as bigger house or bigger house cost living and
• 27:41
  Speaker 1: the cost of living. So what I did I cut
• 27:43
  Speaker 1: my cost of living real low. And that's why I
• 27:45
  Speaker 1: was able to outlast a lot of people because you
• 27:48
  Speaker 1: know nothing. I was the first wanted to look at
• 27:49
  Speaker 1: their own you know, run my own business, and because
• 27:52
  Speaker 1: of my background, I knew what to do and how
• 27:54
  Speaker 1: to do it. The ladies asses is fat in Atlanta too.
• 27:56
  Speaker 1: Now let's be k you crazy. I mean, you know,
• 28:00
  Speaker 1: I'm a new Yorker. I'm a New Yorker one hundred
• 28:04
  Speaker 1: but saying you know what I'm saying. I mean, honestly,
• 28:06
  Speaker 1: I'm everybody running to ETL. But I'm still you know,
• 28:10
  Speaker 1: New York. You wrote a lot of hits people don't
• 28:12
  Speaker 1: know about, like hit hit hits, record hit records. You know,
• 28:17
  Speaker 1: when you when he tells you in your hand, you'd
• 28:18
  Speaker 1: be like, you know, just got paid with Teddy? You know,
• 28:22
  Speaker 1: I wrote that less Chill with Teddy. I wrote that, Uh,
• 28:27
  Speaker 1: freaked me, freaked me. I wrote that for self, the
• 28:29
  Speaker 1: whole Silk first album Albums Classic album. Yeah, I wrote
• 28:33
  Speaker 1: my whole first album with Teddy, half of the LSG album,
• 28:37
  Speaker 1: wrote for Ron Osley, immature Shoot. I'll just wrote for everybody.
• 28:43
  Speaker 1: Oh was it hard to get those records away? Let's
• 28:47
  Speaker 1: chillause that was that? You knew? That was well, Let's chill.
• 28:51
  Speaker 1: What happened with Let's Chill less? You know? I actually
• 28:54
  Speaker 1: was supposed to do Less Chill than the New Jack
• 28:56
  Speaker 1: City movie. I was in the studio, we cut Less Chill,
• 28:59
  Speaker 1: and then all of a sudden, guy was gonna do
• 29:02
  Speaker 1: the song. You know. All what happened is I didn't.
• 29:04
  Speaker 1: It just was not my song anymore. After me and
• 29:06
  Speaker 1: Tay wrote it all right link a long story short.
• 29:09
  Speaker 1: So I had one day to do another song, and
• 29:11
  Speaker 1: I ran in the studio and wrote there you go
• 29:13
  Speaker 1: telling me no again in about two hours. And that's
• 29:15
  Speaker 1: how that song end up being in the movie because
• 29:17
  Speaker 1: that song don't have nothing to do about no wedding scene.
• 29:19
  Speaker 1: It's like I'm saying, there you go telling me no again.
• 29:22
  Speaker 1: But let's chill was the song I was supposed to
• 29:24
  Speaker 1: initially sing. We got more with Keith Sweat when we
• 29:27
  Speaker 1: come back and throw Back Thursday. It's the breakfast Club,
• 29:29
  Speaker 1: Good Morning, the breakfast Club that was Dope Bryce until
• 29:36
  Speaker 1: Morning Everybody. It's TJ Mvy Angela Yee, Charlomagne the guy.
• 29:40
  Speaker 1: We are the breakfast clubs. It's throw Back Thursday. We
• 29:43
  Speaker 1: got a special guest, Keith Sweat hanging out with us.
• 29:46
  Speaker 1: That you made love songs, you made party souls. What
• 29:49
  Speaker 1: do you think about R and B? Now? I was
• 29:51
  Speaker 1: the other day. I'm listening. I'm driving and listening to
• 29:53
  Speaker 1: radio and I'm listening to some of the classic Army.
• 29:55
  Speaker 1: I'm like, the songs don't have that feeling. It's no more.
• 29:58
  Speaker 1: I want it ain't no for playing them nothing. You
• 30:01
  Speaker 1: want to take the condom? Are yeah? Nah, definitely not no, no,
• 30:07
  Speaker 1: sometimes you know, but not not. I mean, it's not
• 30:10
  Speaker 1: what it used to be. You know what I'm saying.
• 30:11
  Speaker 1: It's like it's not saying nothing. You know, you know
• 30:14
  Speaker 1: you listen to it, be like, man, what you know why?
• 30:17
  Speaker 1: You know that's the question you ask, why why is
• 30:19
  Speaker 1: that people are still making love? I mean, well, the
• 30:23
  Speaker 1: point of the matter is, you know, I mean, it
• 30:25
  Speaker 1: might be the production, it might be who's producing, it
• 30:27
  Speaker 1: might be you know what I'm saying. They haven't experienced anything,
• 30:30
  Speaker 1: so it could be a number of reasons. From when
• 30:32
  Speaker 1: I grew up. You know what I'm saying, I knew
• 30:34
  Speaker 1: what it was to romance with women, you know, so
• 30:37
  Speaker 1: you know, I know you know the women backing them days. No,
• 30:41
  Speaker 1: you know what I'm saying. Women back in them day
• 30:44
  Speaker 1: you know, they wanted to be realmans now saying it
• 30:45
  Speaker 1: was harder to back then Keith. Oh yeah, they wanted
• 30:48
  Speaker 1: to be romance back in them valrous yea. Now now
• 30:52
  Speaker 1: now they women you know, no, no point, they just like, man,
• 30:56
  Speaker 1: you know what you got, what you're gonna give me
• 30:58
  Speaker 1: to get some of this, you know what I'm saying,
• 31:00
  Speaker 1: That's basically what it is. What you got, you know
• 31:02
  Speaker 1: you can get something also has short attention spans now,
• 31:05
  Speaker 1: I feel like some because I feel like social media
• 31:08
  Speaker 1: has changed a lot of that moment access to everything
• 31:11
  Speaker 1: almost definitely, most definitely if you ain't easy, get your
• 31:14
  Speaker 1: Facebook popping, keep and you know it's good. You look
• 31:21
  Speaker 1: at girls that you smashed before and you look at
• 31:23
  Speaker 1: them now and be like, damn that I really smash
• 31:25
  Speaker 1: huh a few something. I mean, it's true, it's real.
• 31:31
  Speaker 1: You know. Sometimes you know, you gotta keep a game up,
• 31:33
  Speaker 1: you know what. You know what I'm saying. I mean
• 31:34
  Speaker 1: sometimes you'd be like, I know, life has been hard,
• 31:37
  Speaker 1: but babe, sometimes you do that, you really do that.
• 31:41
  Speaker 1: And then sometimes you met that girl you you you
• 31:44
  Speaker 1: kept yourself up real well, you know so. I mean
• 31:46
  Speaker 1: it's just like a sister that might be dating brother
• 31:50
  Speaker 1: and be like, man, I remember back in the days,
• 31:52
  Speaker 1: like man, what happened to you? You know, you gotta
• 31:53
  Speaker 1: keep you. You gotta just keep it up right, you
• 31:55
  Speaker 1: gotta make it right. Now. What about artists today? Nobody
• 31:57
  Speaker 1: ever asked you like, hey, it'd be great if you
• 31:59
  Speaker 1: could write some songs for I would think because you
• 32:02
  Speaker 1: wrote so many huge hit songs that you would kind
• 32:04
  Speaker 1: of be a go to person to get it, you know,
• 32:07
  Speaker 1: well the songs. I mean, I get asked to do
• 32:09
  Speaker 1: a lot of remakes, like I did that Chris Brown
• 32:12
  Speaker 1: remake Nobody Uh with Chris Uh, the Supreme Record at Ross.
• 32:16
  Speaker 1: So you know, I basically people come and ask me
• 32:19
  Speaker 1: just get on their record nowadays, you know, in terms
• 32:21
  Speaker 1: of they baxed me to write. But sometimes people don't
• 32:23
  Speaker 1: think I want, I'm interested in doing that, and I
• 32:25
  Speaker 1: have they they they have this thing, man, sweat ain't
• 32:28
  Speaker 1: gonna be interested in doing that, or sweat ain't gonna
• 32:30
  Speaker 1: be interested in getting on my record, which you know,
• 32:32
  Speaker 1: which I'll get on somebody record. Won't even charge them,
• 32:35
  Speaker 1: you know what I mean though, Well, you know because
• 32:39
  Speaker 1: they feel like, you know, because I'm an old ge
• 32:41
  Speaker 1: for some reason, they have the feeling like, yo, I'm
• 32:44
  Speaker 1: gonna have to pay them a lot of money to
• 32:45
  Speaker 1: get on the record or you know whatever. You know,
• 32:48
  Speaker 1: you know, sometimes I'd be like, man, I come in
• 32:49
  Speaker 1: there and just do it on the strength because it yeah, yeah,
• 32:52
  Speaker 1: that's the thing. They ain't a bad reputation to have
• 32:54
  Speaker 1: when people knew you're still out here getting bred, you know,
• 32:56
  Speaker 1: still making money. Yeah, it ain't a bad reputation to have.
• 32:58
  Speaker 1: It's it's a good utation to half. So. But you know,
• 33:01
  Speaker 1: like I said, I don't mind getting on somebody, you know,
• 33:04
  Speaker 1: Joe Ain't because you know what I'm saying, that's what
• 33:05
  Speaker 1: I love to do. I love doing music. I love
• 33:08
  Speaker 1: you know a lot I like you know a lot
• 33:10
  Speaker 1: of artists that's out here. You know what I'm saying.
• 33:12
  Speaker 1: You know, I love that new trap trap so that
• 33:14
  Speaker 1: that people doing right now. You know what I'm saying.
• 33:16
  Speaker 1: I stay up on them all that. Oh that's you know,
• 33:20
  Speaker 1: he dope. I think he dope. You know what I'm saying.
• 33:22
  Speaker 1: You show it's face enough though. Yeah, he seemed like
• 33:25
  Speaker 1: he's a little shot. But buddy, buddy dope. You know
• 33:28
  Speaker 1: what I'm saying. And that might be good, right, you
• 33:30
  Speaker 1: know what I'm saying, because you don't want anybody to
• 33:32
  Speaker 1: be acting the fool out here, you know what I'm saying.
• 33:34
  Speaker 1: You know, like he seemed like he's standers like ain't
• 33:35
  Speaker 1: do what he gotta doing, Standards like he's the artist
• 33:38
  Speaker 1: to do his music and he's not interested in just
• 33:39
  Speaker 1: being in the spotlight, but at least on stage. Back
• 33:42
  Speaker 1: in the day, y'all used to like take your shirts off,
• 33:44
  Speaker 1: do pelvic thrusted the girls. I used to I used
• 33:48
  Speaker 1: to hump the stay. But I'm too old. I'm too
• 33:50
  Speaker 1: old to be humping the stage now, you know what
• 33:52
  Speaker 1: I'm saying. We see I still see. I still see
• 33:55
  Speaker 1: some of my groups that I put out, they like
• 33:57
  Speaker 1: to still hump the stage. I'll be like, man, you
• 33:58
  Speaker 1: too old to be humping the stage. Man, you know
• 34:01
  Speaker 1: what I'm saying. You're too old to be doing that. Man,
• 34:03
  Speaker 1: why don't you just keep your shirt on? And you
• 34:05
  Speaker 1: know you're growing in sexy now, man, just keep it
• 34:07
  Speaker 1: growing and sexy. Let them young boys do all the
• 34:09
  Speaker 1: humping and the grinding on the stay. You know what
• 34:11
  Speaker 1: I'm saying. Can you see me laying on the floor humping.
• 34:19
  Speaker 1: I might not be able to get my ass up,
• 34:21
  Speaker 1: Like hold up, don't help me up, But you're still
• 34:25
  Speaker 1: in good shape. Yeah, I'm in good shape. I can
• 34:27
  Speaker 1: hump the state and get hope. Young girl, you got
• 34:32
  Speaker 1: home the stage and get up and I'm good Now.
• 34:34
  Speaker 1: I wanted to ask you Bobby Brown put out his autobiography,
• 34:38
  Speaker 1: Being Bobby Brown, and he told a lot of things
• 34:41
  Speaker 1: in that book. Did you read any of it or
• 34:43
  Speaker 1: read about it? I heard something things that I've seen,
• 34:46
  Speaker 1: you know. Man. He talked about sleeping with Janet Jackson.
• 34:50
  Speaker 1: He talks about of course it's a relationship with Whitney.
• 34:52
  Speaker 1: He talks about Madonna smashing Madonna in the bathroom. He
• 34:57
  Speaker 1: gets a lot of explicit details. Can I do you ask?
• 35:00
  Speaker 1: Because I do that, that's when she's asking, Yes, I'm
• 35:08
  Speaker 1: gonna ask you. People were very critical of him though,
• 35:10
  Speaker 1: putting certain things out there like that, Do you think
• 35:13
  Speaker 1: it was tacky? And then then I was gonna say,
• 35:15
  Speaker 1: would you ever do since Bob is my boy, I'm
• 35:19
  Speaker 1: gonna say it. I couldn't do it. I couldn't, honestly.
• 35:22
  Speaker 1: I mean certain things to each his own. I always
• 35:25
  Speaker 1: say that to each his own. That's my man. And
• 35:27
  Speaker 1: I'm never going to you know, I don't care what
• 35:29
  Speaker 1: you know, putting them out to drop you know what
• 35:31
  Speaker 1: I'm saying, because that's my man. Like that. So on
• 35:34
  Speaker 1: that note, I couldn't do that. I couldn't put certain
• 35:37
  Speaker 1: things or I wouldn't put certain things out about certain people,
• 35:40
  Speaker 1: about certain women. I don't care what nobody paid me
• 35:44
  Speaker 1: or because that's just the person I am. You know
• 35:46
  Speaker 1: what I mean. I think when you do things behind
• 35:48
  Speaker 1: closed doors, it should be kept behind closed doors. Firstly,
• 35:52
  Speaker 1: especially when it comes to when a woman feels like
• 35:56
  Speaker 1: she's basically sharing herself, which you and the thing that
• 36:01
  Speaker 1: you're doing intimately and privately for y'all too, only y'all two.
• 36:06
  Speaker 1: I just want you to a line. You just gonna
• 36:07
  Speaker 1: get you so much your facebow, you know. So I
• 36:14
  Speaker 1: think certain things should be kept behind closed doors. Now
• 36:18
  Speaker 1: for me, that's how I feel. But everybody is not
• 36:20
  Speaker 1: like me, So I mean, I'm good. You know what
• 36:22
  Speaker 1: I'm saying. What's your craziest tool story, because I mean,
• 36:25
  Speaker 1: you've knocked done a lot of them. I had a
• 36:28
  Speaker 1: few of them. I remember one time, like I was
• 36:31
  Speaker 1: humping the stage back in the day when I was younger,
• 36:35
  Speaker 1: humping the stage back in the day, and my crew
• 36:38
  Speaker 1: set me up so you know, they knew I would
• 36:41
  Speaker 1: hump the stage and turn around and go hump up,
• 36:43
  Speaker 1: you know what I'm saying. So when I was humping,
• 36:46
  Speaker 1: I turned around and there was a girl standing over
• 36:48
  Speaker 1: me with nothing no on top of me. You know
• 36:51
  Speaker 1: that she had the legs open them and I looked up.
• 36:53
  Speaker 1: I crawled from under because my crew had set me up.
• 36:56
  Speaker 1: That's somebody Mama to day. I just want y'all to nobody. Definitely,
• 36:59
  Speaker 1: said definitely. And then you know, this girl through this
• 37:01
  Speaker 1: big brown my stage and I threw it back at
• 37:04
  Speaker 1: I say, yo, that's too big for me. All right,
• 37:08
  Speaker 1: we got Keith Sweat in the building. Let's get into
• 37:10
  Speaker 1: a Keith Sweat mini mix. Let me know your favorite
• 37:13
  Speaker 1: Keith Sweat joint eight hundred five eight five one on
• 37:16
  Speaker 1: five one or at DJ Envy. Keith Sweat in the building.
• 37:19
  Speaker 1: It's the Breakfast Lolocal Morning. That was a Keith Sweat
• 37:23
  Speaker 1: mini mix. Morning everybody, It's the Breakfast Club's throw Back Thursday,
• 37:27
  Speaker 1: and Keith Sweat is in the building. Now, Charlemagne, Now
• 37:30
  Speaker 1: you said back in the day, women were harder to
• 37:31
  Speaker 1: have sex with it. That was like the begging style
• 37:33
  Speaker 1: came from in your music, because that's what people are
• 37:36
  Speaker 1: used to say. You sound like you're begging in your record. Yeah,
• 37:38
  Speaker 1: they used to talk about begging, but rich begging. Now
• 37:42
  Speaker 1: you know, I'm glad I started begging. A lot of
• 37:46
  Speaker 1: people started begging when I You know, they didn't beg
• 37:48
  Speaker 1: when I was begging. But you know, I'm sorry they
• 37:50
  Speaker 1: should have been baging. I'm gonna get him something, you know.
• 37:52
  Speaker 1: But anyway, and Fellers used to always say to mean, yo, man,
• 37:55
  Speaker 1: thank you for last night? So hell are you talking
• 37:58
  Speaker 1: about thank you for last night? What you mean? Said? Man?
• 38:01
  Speaker 1: I put your joint on and it worked, and I
• 38:03
  Speaker 1: thought they were you know, people just want to tell
• 38:05
  Speaker 1: you things. You know what I'm saying. I'm like, man, dude,
• 38:08
  Speaker 1: my joint really work like that. So I went overseas
• 38:11
  Speaker 1: for real, for real. I was trying to hit this girl.
• 38:14
  Speaker 1: She wouldn't get me nothing, nothing. She's gonna be like, baby,
• 38:17
  Speaker 1: come on, I need you, I need you now. I'm leaving,
• 38:19
  Speaker 1: going back to I'm America. To man. No no, this
• 38:22
  Speaker 1: was in London. No no, no, no no again, no no, no,
• 38:25
  Speaker 1: no no. I started singing that nobody you said yes, yes, yes, yes, yes,
• 38:36
  Speaker 1: you started singing. I started hold up, hey, hold on,
• 38:39
  Speaker 1: did you ask it? Let me put the tip in first?
• 38:41
  Speaker 1: You just went around and saying no. I stopped singing.
• 38:44
  Speaker 1: I ain't gonna just put the tip in. I wanted
• 38:46
  Speaker 1: the whole thing your boys gonna get it no tip.
• 38:49
  Speaker 1: I was leaving the next thing, I'm gonna get a tip.
• 38:52
  Speaker 1: That wasn't gonna do nothing for me. Man, I to
• 38:56
  Speaker 1: how about happening to a lot o man imaging the
• 39:00
  Speaker 1: day that once I found out it really worked? Hold on,
• 39:03
  Speaker 1: so you didn't know your own song man any man?
• 39:06
  Speaker 1: I didn't know. Man, keep they work now, they work now.
• 39:10
  Speaker 1: But you know, mag in the day, I was just
• 39:12
  Speaker 1: trying to get money. I didn't even care about you
• 39:14
  Speaker 1: know what I mean. I wasn't even thinking about that
• 39:16
  Speaker 1: like that. But when I realized it working out, it
• 39:19
  Speaker 1: knew I didn't have to like really do nothing but
• 39:22
  Speaker 1: play nothing. I was y'all and play. I didn't have
• 39:25
  Speaker 1: to play baby Face, I didn't have to play Johnny.
• 39:27
  Speaker 1: I had to play none of them. I don't put
• 39:30
  Speaker 1: my own joining on or either just sing one line.
• 39:33
  Speaker 1: I went to work, baby if it weird having sex
• 39:36
  Speaker 1: toy on? Hell no, hell no. You know why? Because
• 39:42
  Speaker 1: I didn't feel like there was just me. It was
• 39:44
  Speaker 1: nobody in the road but me and maybe and maybe
• 39:47
  Speaker 1: my voice. I didn't have to say it work. Can
• 39:49
  Speaker 1: you imagine you don't have to say nothing? And the
• 39:52
  Speaker 1: song doing all the talking for you, You're just looking
• 39:54
  Speaker 1: at them. And at the time, you know, I like
• 39:57
  Speaker 1: to do it. Yeah baby, yeah, you know on the song.
• 40:00
  Speaker 1: You know I ain't had to say a word. Now,
• 40:02
  Speaker 1: the harder you thought, because you R and B singers,
• 40:03
  Speaker 1: So you make these records that are so big sexually,
• 40:06
  Speaker 1: girls expect for you to be the best they ever had.
• 40:10
  Speaker 1: You gotta do. You can never have a bad everything.
• 40:17
  Speaker 1: I'll be like I was tired girl, Like I was
• 40:20
  Speaker 1: in the studio laughing, I catch you under day, I
• 40:23
  Speaker 1: cat you next time. I mean, you know, I mean
• 40:28
  Speaker 1: my fellas, come on sometime. We just had those moments.
• 40:30
  Speaker 1: Come one, ain't gonna lie. You know, we're not gonna
• 40:33
  Speaker 1: talk about the blind girl. And like we was in Atlanta,
• 40:38
  Speaker 1: I keep thinking about that situation. You know what I'm saying.
• 40:42
  Speaker 1: I gotta tell them now, girl, let me tell you know.
• 40:50
  Speaker 1: Everybody watching this man when we was in Atlanta, that's
• 40:52
  Speaker 1: your boy. Yeah, Wax was talking about the best the
• 40:58
  Speaker 1: best sexy ever had that was with a blind girl. Yeah,
• 41:02
  Speaker 1: because he said, because all the senses go to the
• 41:07
  Speaker 1: one spot. And I like, man, you out your mind
• 41:12
  Speaker 1: and he said, for real, for real, it just go
• 41:15
  Speaker 1: to the one spot, and I'm like, man, are you crazy?
• 41:19
  Speaker 1: You said, Man, you gotta try. No, I'm not gonna try.
• 41:22
  Speaker 1: I ain't try yet. No, No, I let it. I
• 41:24
  Speaker 1: could take his word for it. No, LSG they started
• 41:28
  Speaker 1: the trend of artists coming together to form supergroups or
• 41:31
  Speaker 1: you know, I mean, everybody didn't think it was gonna work.
• 41:34
  Speaker 1: I'm the one to put the LSG project together. I
• 41:37
  Speaker 1: was cursed out by the record company. Honestly when I
• 41:40
  Speaker 1: thought about doing LSG. Why because you know, I had
• 41:44
  Speaker 1: just came off to Nobody album, you know what I'm saying.
• 41:47
  Speaker 1: That's so for me, and so Labor just wanted me
• 41:49
  Speaker 1: to go ahead and do another key Sweat record. And
• 41:51
  Speaker 1: you know, me and Jael Abert was boys, and you know,
• 41:54
  Speaker 1: me and Johnny was boys. And actually all Kelly was
• 41:56
  Speaker 1: supposed to be in through the LSG project as well.
• 41:58
  Speaker 1: Really yeah, ro l K. It was supposed to be
• 42:01
  Speaker 1: a call something like that, LSGK something like that, And
• 42:04
  Speaker 1: it was just supposed to be four you know, m
• 42:07
  Speaker 1: B artists getting together. You know, we were just gonna
• 42:10
  Speaker 1: you know, it was a power move, you know, and
• 42:13
  Speaker 1: at the last minute he chose not to do it.
• 42:15
  Speaker 1: You know, his manager, you know, told him he didn't
• 42:17
  Speaker 1: need to do it whatever, So he pulled out and
• 42:20
  Speaker 1: I told him it was still work because you know,
• 42:21
  Speaker 1: at the time, you know, my, my, that album I
• 42:23
  Speaker 1: had did Nobody Twisted, I'm did four million. I said,
• 42:26
  Speaker 1: we can just go ahead in and you know, and
• 42:29
  Speaker 1: capitalize off the sets off off that album. So I'm
• 42:32
  Speaker 1: on some business tip now and I'm saying, Yo, if
• 42:34
  Speaker 1: I do LSG, that's a check. Then I can come
• 42:36
  Speaker 1: back and do another Key Sweat album. That's another check.
• 42:39
  Speaker 1: So I'm thinking like that, you're glad you didn't do
• 42:41
  Speaker 1: especially almost definitely, most definitely because you know, Jerald had
• 42:45
  Speaker 1: never gone platinum. That was his first platinum album ever.
• 42:49
  Speaker 1: So you know, he used to always thank me because
• 42:51
  Speaker 1: he used to say, man, you know, without you, he
• 42:54
  Speaker 1: had never got MTV because at the time, MTV was
• 42:56
  Speaker 1: that thing. You know what I'm saying, You want you
• 42:58
  Speaker 1: hit the MTV and got on MTV was that man,
• 43:01
  Speaker 1: And then you know what I'm saying, So he had
• 43:03
  Speaker 1: never got on MTV. And they thanked me for that
• 43:06
  Speaker 1: and go on platinum because that was a platinum fresh
• 43:08
  Speaker 1: platinum album. Never damn, I never thought about that. That's
• 43:10
  Speaker 1: kind of like when players get together now to get
• 43:11
  Speaker 1: a ring. There you go, So we thought about it
• 43:14
  Speaker 1: like that. That's the same you bad boy, you know.
• 43:18
  Speaker 1: I'm like, yeah, yeah, you know, I have to watch y'all.
• 43:22
  Speaker 1: Sometimes you have a lot of streams in income because touring.
• 43:25
  Speaker 1: Then of course you have your annual event that you do,
• 43:27
  Speaker 1: and you have the nationally syndicated show. Yeah yeah, Hotel Sweat. Baby,
• 43:32
  Speaker 1: how you get the radio? What got you in the radio?
• 43:34
  Speaker 1: You know? Dot Winners, man, you know Dot Winners never
• 43:37
  Speaker 1: heard of ya? Yeah, yeah, you know what happened is
• 43:46
  Speaker 1: you know, God called me, or Be said, man, you
• 43:48
  Speaker 1: know I was you know, yeah, you ever thought about
• 43:51
  Speaker 1: doing radio? I said, Man, I think about it all
• 43:54
  Speaker 1: the time. How those checks looking, he said, man, they
• 43:57
  Speaker 1: look good. You can make it a lot of money.
• 43:59
  Speaker 1: I'll say, well, need to be readio. So basically I
• 44:02
  Speaker 1: started the eight markets, you know, as a trial run started.
• 44:06
  Speaker 1: That's crazy, it just started picking up from now now
• 44:09
  Speaker 1: now I'm in about sixty yeah, and saying so you
• 44:12
  Speaker 1: know at night number one syndicated nighttime radio show, baby
• 44:16
  Speaker 1: you got a new album coming out on your birthday? Yeah,
• 44:17
  Speaker 1: don't ask me how I am and none of that. Yeah,
• 44:20
  Speaker 1: we got wikipedia right here. Oh no, man, come on, man,
• 44:26
  Speaker 1: come on man, I wasn't ye, No, I'll do that now, man,
• 44:31
  Speaker 1: come on, man, come on album then you know what
• 44:35
  Speaker 1: I see? I knew, y'all school stop sooner or later.
• 44:38
  Speaker 1: You know what, I'm playing respect on your stop just
• 44:41
  Speaker 1: saying that I changed my mind. Come on back, come
• 44:48
  Speaker 1: on down twenty second right, Oh yeah, yeah, y'all, y'all, y'all, y'all,
• 44:57
  Speaker 1: y'all see see this is what y'all do. You know
• 45:00
  Speaker 1: what I'm saying. Y'all. Don't need no ratings on me,
• 45:06
  Speaker 1: but I'll just keep this to myself, keeps some respect
• 45:08
  Speaker 1: on my name and let me make me some T
• 45:11
  Speaker 1: shirts that say that this can't be right because I
• 45:14
  Speaker 1: already know his salary alone is See they got me
• 45:18
  Speaker 1: down there, dolls, all right, that's what they That's why
• 45:23
  Speaker 1: I laughed. You know you can't relate none of that.
• 45:27
  Speaker 1: He got that on it here right now? Thank you.
• 45:29
  Speaker 1: I mean, you know, in my syndicated show, I make
• 45:31
  Speaker 1: more than that. You're still tall, I know better, but anyway,
• 45:38
  Speaker 1: but anyway, but yeah, I'm worth only that arrest might
• 45:41
  Speaker 1: be watching anyone. Yeah, that's what I'm saying. Keep me
• 45:43
  Speaker 1: at two fifty all day long. Tax on two fifty,
• 45:47
  Speaker 1: it's maybe fifty thousand. You know what I'm saying, keep
• 45:51
  Speaker 1: me back at that. But anyway, let's talk about this
• 45:54
  Speaker 1: problem dress too. I'm friends. You know, y'all got to it.
• 46:01
  Speaker 1: Called me motitude to do the dress different press out man. Anyway,
• 46:05
  Speaker 1: now you got me like, man, I don't even know
• 46:07
  Speaker 1: what to say. No, I'm mad. Is here who we
• 46:12
  Speaker 1: called it? Change that fine og has joined us, triple
• 46:24
  Speaker 1: og Keith swap. I feel like we did way more time.
• 46:27
  Speaker 1: Next time you come back up. Thank you, thank you,
• 46:29
  Speaker 1: And I'm glad you'll put me through the ranger like
• 46:31
  Speaker 1: I'll be seeing y'all people. Thank you. I'm glad y'all
• 46:35
  Speaker 1: like me. Man, you know what I'm saying. I don't
• 46:37
  Speaker 1: want ya to love me. It's like, yeah, after we
• 46:39
  Speaker 1: met you, we were talking about you like Atlanta was
• 46:42
  Speaker 1: a great night man, just not even what we anticipated.
• 46:46
  Speaker 1: Thank you, thank you. I'm going to talk about all
• 46:47
  Speaker 1: the people you told me you beat up and and
• 46:50
  Speaker 1: don't worry about it. We're good. We're good. And the
• 46:54
  Speaker 1: army things you pull guns on like that, we're good.
• 46:58
  Speaker 1: We're good. See the start stop y'all, y'all, I'm looking around.
• 47:07
  Speaker 1: The breast club is key, the breakfast club. Charle Mayne
• 51:28
  Speaker 1: say the game, don't get out the shape man you are,
• 51:34
  Speaker 1: It's time donkey Today does not discriminate. I might not
• 51:39
  Speaker 1: have the song of today, but I got the donkey that.
• 51:41
  Speaker 1: So if you ever feel I need to be a
• 51:42
  Speaker 1: donkey man, give it with the the practice club. Bitches
• 51:47
  Speaker 1: who just don't give today today? All right? I just
• 51:51
  Speaker 1: got reminded that it's National Nudity Day courtesy of Elvis
• 51:54
  Speaker 1: Duran and the Elvis Duran Show. I should not know
• 51:57
  Speaker 1: what Greg T's penis looks like. So wow from last year,
• 52:02
  Speaker 1: remember it? Yeah? All right, don't you Today? For Thursday
• 52:07
  Speaker 1: July fourteen goes to Charles Sir. Contradiction Barkley. Now, we
• 52:11
  Speaker 1: all contradict ourselves at times. It's life. It happens some
• 52:15
  Speaker 1: of us change our minds and stances on things and
• 52:17
  Speaker 1: don't tell anybody. So it looks like we contradicted ourselves
• 52:20
  Speaker 1: when actually we just had to change your heart. But
• 52:23
  Speaker 1: Charles Barkley is not one of those people. Now, Charles
• 52:25
  Speaker 1: Barkley was on Dan Levitards show the other day, and
• 52:28
  Speaker 1: in response to last week shootings of black men by
• 52:30
  Speaker 1: police and the attack that left five officers dead in Dallas,
• 52:34
  Speaker 1: Charles Barkley decided to victim blame and say that black
• 52:37
  Speaker 1: people gotta do better. Let's hear it. There's a lot
• 52:39
  Speaker 1: of people at fault. The cops have made some mistakes.
• 52:43
  Speaker 1: Black people have made some mistakes. We have to sit
• 52:46
  Speaker 1: back and be honest with each other. The cops have
• 52:50
  Speaker 1: made some mistakes that don't give us the right the
• 52:53
  Speaker 1: riot and shoot cops. We need the cops, especially in
• 52:57
  Speaker 1: the black community, we as black people, but we've got
• 53:00
  Speaker 1: to do better. We never get mad when black people
• 53:03
  Speaker 1: kill each other. You can't demand respect from white people
• 53:07
  Speaker 1: and the cops that we don't respect each other. Okay,
• 53:11
  Speaker 1: now I do agree, me speaking, have kind of accepted,
• 53:16
  Speaker 1: you know, us killing each other as the norm. But
• 53:19
  Speaker 1: that doesn't mean I don't care. Of course I care.
• 53:21
  Speaker 1: Of course, of course I'm vocal about it. We may
• 53:24
  Speaker 1: not come off as outrage as when cops kill civilians
• 53:26
  Speaker 1: because once again, it is something I have become numb too,
• 53:30
  Speaker 1: because it's kind of the norm. I'm only speaking for me,
• 53:33
  Speaker 1: you know, I am desensitized to us killing us, But
• 53:36
  Speaker 1: to say we don't get mad when blacks kill each
• 53:38
  Speaker 1: other is just absolutely untrue. Okay. Furthermore, if somebody got
• 53:42
  Speaker 1: on TV and said that we can't complain about ISIS
• 53:45
  Speaker 1: killing Americans because Americans kill each other, they would be fired. Okay,
• 53:50
  Speaker 1: they would get so black balled and slanted in the media.
• 53:53
  Speaker 1: But that's what this whole logic about black on black
• 53:55
  Speaker 1: crime is. We can't complain about cops killing us because
• 53:58
  Speaker 1: we kill each other. Like no nobody in America says
• 54:01
  Speaker 1: we need to fix ourselves, so ISIS doesn't bom us,
• 54:04
  Speaker 1: Like the logic makes no sense. Okay, Black on black crime,
• 54:07
  Speaker 1: police killing civilians two completely different issues, and we can
• 54:10
  Speaker 1: talk about them separately, all we can talk about them
• 54:12
  Speaker 1: all at once. Just don't talk like one justifies the other. Now,
• 54:17
  Speaker 1: child Barkley also made some comments on Dan Levitards show
• 54:20
  Speaker 1: about Draymond Green see see Draymond Green of the Golden
• 54:23
  Speaker 1: State Warriors The Dark Skins. Flask Cousin was arrested and
• 54:27
  Speaker 1: charged with misdemeanor assault and battery after allegedly slapping Jermaine Edmondson,
• 54:32
  Speaker 1: a senior cornerback right he plays cornerback right for the
• 54:35
  Speaker 1: Michigan State Spartans. Let's hear what Chad Barkley had to
• 54:37
  Speaker 1: say about that situation. When you heard the story about
• 54:40
  Speaker 1: Draymond Green being arrested outside of a bar two twenty
• 54:43
  Speaker 1: in the morning for slapping heckling fan, what did you
• 54:46
  Speaker 1: think good for Draymond Green? These people, y'all, you and
• 54:51
  Speaker 1: these other idiots to depress a gift, have given these
• 54:55
  Speaker 1: foods powers to tweet say anything they want to about
• 54:58
  Speaker 1: these professional players. You know, I don't do any social
• 55:02
  Speaker 1: media whatsoever, but you're ilk Dan, You reporters, y'all read
• 55:06
  Speaker 1: these foods tweets. Y'all make them feel like their opion
• 55:09
  Speaker 1: is important. The opinion is important. It's just not important
• 55:12
  Speaker 1: to me. But y'all have given these fans of voice
• 55:15
  Speaker 1: what they think they can disrespect these players because of
• 55:18
  Speaker 1: about of money they make and things like that. So
• 55:21
  Speaker 1: more power to Draymond for slapping the hell out of
• 55:23
  Speaker 1: that kid, whoever he was. Now, Charles Charles Surf contraption,
• 55:29
  Speaker 1: you just said on the same show that black people
• 55:31
  Speaker 1: need to do better, that we can't expect no one
• 55:33
  Speaker 1: to respect us until we start respecting ourselves. You just
• 55:36
  Speaker 1: condemned black on black crime and said nobody gets mad
• 55:39
  Speaker 1: about it. But in the same breath, you are praising
• 55:42
  Speaker 1: Draymond Green for slapping the hell out of another black man.
• 55:45
  Speaker 1: You specifically said, more power to Draymond for slapping the
• 55:47
  Speaker 1: hell out of that kid. I'm confused, is that black
• 55:50
  Speaker 1: people need to do better challs or black athletes need
• 55:52
  Speaker 1: to slap the hell out of people. This selective humanity
• 55:55
  Speaker 1: in America is disgusting. Okay, I'm all for freedoms speech.
• 56:00
  Speaker 1: Everybody's entitled to their opinion, even if I think what
• 56:02
  Speaker 1: that person is saying it's complete BS. But let's at
• 56:05
  Speaker 1: least be consistent with the BS. I can respect the
• 56:08
  Speaker 1: person that is consistent with their BS. But you know,
• 56:11
  Speaker 1: Charles totally contradicted himself in the span of one phone call.
• 56:15
  Speaker 1: Selective humanity is at an all time high in America.
• 56:18
  Speaker 1: Ladies and gentlemen. Please give Charles Sir contradiction Barkley the
• 56:21
  Speaker 1: biggest he hall. They just don't understand, man, why people
• 56:28
  Speaker 1: have such selective humanity. Man, I don't get it. You
• 56:32
  Speaker 1: just condemned black on black crime, man, but in the
• 56:34
  Speaker 1: same breath you gave Draymond Green props with slapping the
• 56:37
  Speaker 1: hell out of another black man. I don't even than
• 56:43
  Speaker 1: the logic here makes no sense. I don't know. All right, now,
• 56:46
  Speaker 1: when we come back, we have a special guest job.
• 56:48
  Speaker 1: I don't want to know my special guest today. Last
• 56:50
  Speaker 1: special ain't got naked. It's national nudity. No, but he's big.
• 56:55
  Speaker 1: Oh all right, emmy, you better jump on that. I'm married,
• 57:00
  Speaker 1: too bad you are Charlomagne. He's from married, sir, He's
• 57:03
  Speaker 1: from the Golden State Warriors. Okay, Andre about to trap
• 57:09
  Speaker 1: one now. I don't want to say his name. His
• 57:11
  Speaker 1: last name Andrea Eggy. It would say Iggy Andre Iggy
• 57:17
  Speaker 1: from the g I think it's an insult to call
• 57:19
  Speaker 1: another grown man iggy at this point, and maybe it
• 57:21
  Speaker 1: is that he's from the Golden State Warriors. Now, Lebron
• 57:24
  Speaker 1: James did an amazing block on a player. He was
• 57:27
  Speaker 1: the player, he was the one that got blocked. I
• 57:29
  Speaker 1: think it was game one six or game five. It
• 57:31
  Speaker 1: was game seven was wrong with you because he did
• 57:33
  Speaker 1: a dope block and that was against Steph Covers. Game
• 57:36
  Speaker 1: seven was Game seven block. That wasn't a game for them.
• 57:39
  Speaker 1: I mean Kyrie's three one the game. But the Barris
• 57:40
  Speaker 1: three one started the block was the cause. Right, Well,
• 57:43
  Speaker 1: we'll kick it with him when we come back. Keep
• 57:44
  Speaker 1: it locked as the Breakfast Club go Morning, the Breakfast Club.
• 57:51
  Speaker 1: That was Drake, control of Morning, Everybody. It's DJ m
• 57:55
  Speaker 1: vy angela Ye Charlomagne, the guy. We are the Breakfast Club.
• 57:58
  Speaker 1: We got a special guest in the building, the man
• 58:00
  Speaker 1: who cast the Golden State War is the second Championship.
• 58:02
  Speaker 1: If you'd just dumped the ball instead of trying to
• 58:04
  Speaker 1: lay it up, y'all to won that game. It's always
• 58:07
  Speaker 1: somebody who don't play ball, think nothing. I had no
• 58:13
  Speaker 1: back that game. But first of all, I tell him
• 58:15
  Speaker 1: who's here. I can't pronounce his last hendre Igua dollar, dollar,
• 58:19
  Speaker 1: Igua dollar. They said the same thing my mom says
• 58:22
  Speaker 1: one way, my dad he would say it different another way.
• 58:25
  Speaker 1: My dad's his name, So I wouldn't call you iggy.
• 58:29
  Speaker 1: But I don't know if that's an insult. Now. I
• 58:30
  Speaker 1: don't like that, but I mean, he used to be
• 58:33
  Speaker 1: the most famous. Eggie tell ze came, I don't know.
• 58:36
  Speaker 1: I don't want to call you iggy. I don't know.
• 58:38
  Speaker 1: You don't know you don't like Iggy. I never liked that.
• 58:40
  Speaker 1: I've been called that since a kid. Oh he said,
• 58:44
  Speaker 1: I don't like Eggy Azelia When you said you don't
• 58:46
  Speaker 1: like Eggy, No, no, no, I just I just don't
• 58:48
  Speaker 1: like that name. I've just been getting called that. Of course,
• 58:50
  Speaker 1: you played for the Golden State Warriors, right lost this
• 58:53
  Speaker 1: year to the to the Cleveland Cavaliers. Your back hurt,
• 58:55
  Speaker 1: that's why you didn't dunk my mind. I was all right,
• 58:57
  Speaker 1: that's cool. Now, Charlemagne, believe y'all the win. I don't
• 59:00
  Speaker 1: know if you listened to the show five. He picked
• 59:02
  Speaker 1: y'all in five, hold a series. I had Cleveland and seven,
• 59:05
  Speaker 1: and when y'all was up three one, I was talking
• 59:08
  Speaker 1: match and it was a turn of It was a
• 59:11
  Speaker 1: turn of events. So what turn? What happened? Bamba's rig
• 59:15
  Speaker 1: I used to Curry said, it feed my family. I
• 59:20
  Speaker 1: mean they just they got the momentum um. Everything happened
• 59:24
  Speaker 1: for a reason. They deserve to win. I was happy
• 59:25
  Speaker 1: for him. Whatever, you know, you tweeted immediately you win,
• 59:28
  Speaker 1: for your time to win. You can't do nothing different.
• 59:30
  Speaker 1: You know, you live and learn it. Make some moves,
• 59:32
  Speaker 1: make some great moves. So try to get one next year,
• 59:35
  Speaker 1: did some great moves this year. How did it feel
• 59:37
  Speaker 1: when Lebron blocked your shot? Though? Because that last two
• 59:40
  Speaker 1: minutes it look like a heavyweight fight with both players.
• 59:42
  Speaker 1: Everybody was tired and whoever scored first, we're gonna win.
• 59:45
  Speaker 1: And I'm like, oh, shoot, he got an easy lay up.
• 59:48
  Speaker 1: That's what he does a lot. Though. It was like,
• 59:51
  Speaker 1: like you can get mad at a certain place, like, man,
• 59:53
  Speaker 1: I should have turned it over or I could have
• 59:55
  Speaker 1: made this when you just got unbelievable human beings doing
• 59:59
  Speaker 1: some crazy free that was stuff what you gonna do.
• 1:00:03
  Speaker 1: But that's by the game's great. You know, Lebron's getting
• 1:00:06
  Speaker 1: calls in the game. I joked with him and say,
• 1:00:07
  Speaker 1: it's cool, you know, and you pay a lot of
• 1:00:09
  Speaker 1: our bills, so appreciate your No. I didn't cry, actually
• 1:00:13
  Speaker 1: I was. I was upset at our team for letting
• 1:00:16
  Speaker 1: it get to game seven. So you know, Uh, Kyrie,
• 1:00:19
  Speaker 1: y'all take a lot of credit away from Kyrie. Kyrie, Irvan,
• 1:00:21
  Speaker 1: y'all take a lot of credit. Kye. Don't win that
• 1:00:25
  Speaker 1: a lot of credit away from Kyrie. I mean, Lebron
• 1:00:27
  Speaker 1: top five greatest players of all time? Uh, nobody's near
• 1:00:30
  Speaker 1: Michael Jordan stopped arguing about that. There you go, time, Andre.
• 1:00:37
  Speaker 1: But but Kyrie was a monster Krie. I mean, now,
• 1:00:41
  Speaker 1: Steph Curry, you're now explain this shot is jumping. You played.
• 1:00:44
  Speaker 1: I'm sure you played basketball every level. That's a bad shot.
• 1:00:48
  Speaker 1: If it misses the way he shoots, it's not natural.
• 1:00:50
  Speaker 1: That shot just looks crazy. But MJ's had a fadeaway
• 1:00:53
  Speaker 1: that nobody could stop. And you can say that's a
• 1:00:55
  Speaker 1: bad shot because if anybody shoots it. Besides Michael Jordan,
• 1:00:58
  Speaker 1: every coach I've ever been in said stopped shoting a fadal.
• 1:01:00
  Speaker 1: You had to go to move the way he shoots.
• 1:01:02
  Speaker 1: He like, because they teach you to shoot your shoot
• 1:01:04
  Speaker 1: at your art right, you shoot at at your highest point.
• 1:01:06
  Speaker 1: He's kind of got a push shot, but he pushes
• 1:01:08
  Speaker 1: as he's going, I gotta push out. But I mean
• 1:01:11
  Speaker 1: he's been watching professional shooting. He's shooting with a professional
• 1:01:14
  Speaker 1: from age two earlier. Hey man Clay, Yeah, Clay has
• 1:01:19
  Speaker 1: Clay has a like a different type of shot. Clay
• 1:01:21
  Speaker 1: has a real jump shot. Right. Steph just has something
• 1:01:24
  Speaker 1: that it's freakishly just phenomenal, Like he just he could
• 1:01:26
  Speaker 1: shoot off the dribble, he shoot off the run, shoot
• 1:01:28
  Speaker 1: off the move. Is just hurt. In the finals, he
• 1:01:30
  Speaker 1: was hurt. It wasn't he everybody's hurt. I can't use
• 1:01:34
  Speaker 1: that excuse. You know, everybody's got bruised up a little bit.
• 1:01:36
  Speaker 1: He's gotta played through it. When he shoots some of
• 1:01:38
  Speaker 1: those shots, do you'll have a look at him a
• 1:01:39
  Speaker 1: little crazy, because it seems like you'll look a him
• 1:01:40
  Speaker 1: a little crazy sometimes. Then when he goes in and and
• 1:01:42
  Speaker 1: be like all right, even even the coach look at
• 1:01:44
  Speaker 1: him sometimes like what is he doing? Yeah, it's kind
• 1:01:46
  Speaker 1: of like you get used to it, you know. But
• 1:01:48
  Speaker 1: he's maturing. That's what I learned about certain guys. They
• 1:01:50
  Speaker 1: got him mature. When he's maturing, and if he's shooting,
• 1:01:52
  Speaker 1: shoot a bad shot he misses, it'll be like my bad,
• 1:01:55
  Speaker 1: whereas before he's just so oblivious that he's just in
• 1:01:58
  Speaker 1: his own world. Here keep shooting. But that shows to
• 1:02:01
  Speaker 1: sign a maturity. And that's why we wanted here. Before
• 1:02:03
  Speaker 1: this year we got, you know, one shot away, and
• 1:02:05
  Speaker 1: this year y'all cheated and got Kevin Durant. Y'all added
• 1:02:08
  Speaker 1: a performance enhancing drug to the roster. A weapon of
• 1:02:12
  Speaker 1: mass destruction. Tell us about that, because that that might
• 1:02:14
  Speaker 1: hurt your playing time a little. No, I ain't hurt
• 1:02:16
  Speaker 1: my playing time at all. He comes off the bench,
• 1:02:19
  Speaker 1: he's a six many They keep my minutes down for
• 1:02:22
  Speaker 1: just for longevity purposes. So I'm good. I played with
• 1:02:26
  Speaker 1: Katie in two thousand and twelve Olympics, two thousand and
• 1:02:28
  Speaker 1: ten World Championships. We started together, play a lot of
• 1:02:30
  Speaker 1: men together. I'm a basketball player, so don't matter. I'm
• 1:02:33
  Speaker 1: gonna be out there. I'm gonna do what I need
• 1:02:34
  Speaker 1: to do. Now, I know this may be a strange
• 1:02:36
  Speaker 1: question and you probably can't answer it, but do you
• 1:02:38
  Speaker 1: think it's overkilled? You're like, all right, come on now,
• 1:02:41
  Speaker 1: we don't need Kate d who's your competition, who's your
• 1:02:44
  Speaker 1: guys competition? We don't really have any, But if it was,
• 1:02:47
  Speaker 1: it was like, why not. Merge is just cornered the market?
• 1:02:49
  Speaker 1: You know, we kind of did that when we got
• 1:02:51
  Speaker 1: to Angie martin In. Yeah, yeah, absolutely right, So you
• 1:02:54
  Speaker 1: would never turn that down. So it's crazy. That's just
• 1:02:57
  Speaker 1: the best talent, the most talented person, one of the
• 1:02:59
  Speaker 1: most times to human beings in the world. Right now,
• 1:03:01
  Speaker 1: when you take why why did you put together the
• 1:03:04
  Speaker 1: best team that you could pass leave because people always
• 1:03:06
  Speaker 1: upset like like why would you go join them? And
• 1:03:08
  Speaker 1: it's like, why wouldn't you? Because they almost beat y'all.
• 1:03:11
  Speaker 1: They had y'all, what are you talking about? Now that
• 1:03:13
  Speaker 1: we got Katie, I can say it. They were the
• 1:03:15
  Speaker 1: best team last year in the playoffs. They had better enough.
• 1:03:18
  Speaker 1: They were better than Cleveland in the playoffs and the
• 1:03:20
  Speaker 1: playoffs they had not regular season. They were the best
• 1:03:22
  Speaker 1: team in the playoffs. Yeah, they should have won a championship.
• 1:03:25
  Speaker 1: So why didn't they? I mean we just hawked them down.
• 1:03:28
  Speaker 1: But they were better than us. They played us better
• 1:03:29
  Speaker 1: than anybody. They played us better than Cleveland. They played
• 1:03:31
  Speaker 1: us like they had our number. Some of the stuff
• 1:03:34
  Speaker 1: they were doing. It was like, oh man, we gotta
• 1:03:35
  Speaker 1: play perfectly beat them. You know, y'all can't lose a game.
• 1:03:38
  Speaker 1: Next year, y'all went seventy three and nine. Every time
• 1:03:40
  Speaker 1: y'all lose a game, you're get Michael Jordan crying face
• 1:03:42
  Speaker 1: memes the whole team for sure. But that's what's gonna
• 1:03:45
  Speaker 1: help us win. Like I hope we lose a little bit,
• 1:03:47
  Speaker 1: you know, the humble us to keep us where we
• 1:03:50
  Speaker 1: need to be because you can kind of get ahead
• 1:03:51
  Speaker 1: of you so, especially to day and age social media,
• 1:03:53
  Speaker 1: different type of players than it was when in the nineties,
• 1:03:56
  Speaker 1: more fragile. So it's good to have. Did y'all take
• 1:03:59
  Speaker 1: it serious because y'all were lowing teams by thirty forty
• 1:04:01
  Speaker 1: by half like it was disrespectful, No, because it's funny.
• 1:04:04
  Speaker 1: The teams that we were supposed to beat, or the
• 1:04:06
  Speaker 1: teams that were like good match ups with us, we
• 1:04:08
  Speaker 1: were bowing them out. But like Milwaukee almost beat us twice,
• 1:04:11
  Speaker 1: Philly almost beat us twice. Philly almost beat this twice.
• 1:04:14
  Speaker 1: Even don't know that the NBA is you got a
• 1:04:17
  Speaker 1: lot of good players, you got a lot of talent,
• 1:04:18
  Speaker 1: and everybody's coming in trying to beat this every single night.
• 1:04:21
  Speaker 1: So guys are just like that's the only game they
• 1:04:23
  Speaker 1: market on their calendar, you know, like this, this one
• 1:04:25
  Speaker 1: guy killed us every time he played them. I want
• 1:04:27
  Speaker 1: to say his name. Every time he played them. He
• 1:04:30
  Speaker 1: killed us. The player, this player he had like twenty
• 1:04:33
  Speaker 1: one you gotta ring already and a finals MVP. But
• 1:04:36
  Speaker 1: he was terrible the other games, you know what I mean,
• 1:04:41
  Speaker 1: Like somebody on Milwaukee, Milwaukee, the other seventy eight games.
• 1:04:47
  Speaker 1: It was horrible. It was in the West because we
• 1:04:49
  Speaker 1: played the four times. But that's just how the NBA works.
• 1:04:51
  Speaker 1: Like you got guys who they showed they like the
• 1:04:54
  Speaker 1: very talented, and they'll show it against you. But then
• 1:04:56
  Speaker 1: they just who are you talking about? Q No, he
• 1:04:58
  Speaker 1: won't know. Nobody knows. There's about the New York Knicks.
• 1:05:01
  Speaker 1: Mon Man, shut up. I like the Knicks moves though.
• 1:05:04
  Speaker 1: I like their everybody's healthy. They could be a problem.
• 1:05:07
  Speaker 1: I like their Groves because he gets a fresh start,
• 1:05:09
  Speaker 1: you just play ball, very talented, big fan of prozingis.
• 1:05:12
  Speaker 1: And then Mello's mellow Mellows one of the hardest guys
• 1:05:14
  Speaker 1: of guards. I think Melion will have a good year too.
• 1:05:17
  Speaker 1: All we got more with andre Iguadala when we come
• 1:05:19
  Speaker 1: back from the Golden State Warriors. Keep it locked. This
• 1:05:22
  Speaker 1: to Breakfast Club the Morning that was Miss Elliott with
• 1:05:26
  Speaker 1: Worry Kip Morning. Everybody is dj M d Angela Yee,
• 1:05:30
  Speaker 1: Charlomagne the guy. We are the Breakfast Club from the
• 1:05:32
  Speaker 1: Golden State Warriors. We have andre Iguadala in the building.
• 1:05:35
  Speaker 1: I heard you invest in like tech stocks a lot.
• 1:05:37
  Speaker 1: Obviously I'm in that space. Silicon Valley. It's funny because
• 1:05:40
  Speaker 1: I'm having a Tech Summer next week with the NBA
• 1:05:42
  Speaker 1: Players Association, So all current and former NBA players are
• 1:05:45
  Speaker 1: coming to the Silicon Valley and we're going to look
• 1:05:47
  Speaker 1: at a couple companies. We're going to visit a couple
• 1:05:49
  Speaker 1: of venture capolists crash course, and you know, how to
• 1:05:51
  Speaker 1: invest in tech companies, no matter if it's early round
• 1:05:54
  Speaker 1: stages or later after IPOs. And you know, you can
• 1:05:56
  Speaker 1: hear a lot of horror stories about athletes and blowing
• 1:05:59
  Speaker 1: a lot of their money. They say, blowing a lot
• 1:06:01
  Speaker 1: of money, and it's funny. I was on CNBC yesterday
• 1:06:03
  Speaker 1: own Squawk Boxing, so that he was like, you know,
• 1:06:05
  Speaker 1: these guys are blowing their money, and I had the corrector,
• 1:06:08
  Speaker 1: and it's not blowing your money if you never had
• 1:06:10
  Speaker 1: any financial literacy or you never had any education on
• 1:06:13
  Speaker 1: how to actually have money. As an union, I'm on
• 1:06:16
  Speaker 1: the board and that's something we were focusing on. You know,
• 1:06:18
  Speaker 1: how do we get guys to really understand how to
• 1:06:21
  Speaker 1: handle their finances and how to not to squander it.
• 1:06:23
  Speaker 1: And I let people take advantage of you. But it
• 1:06:25
  Speaker 1: sounds easy. I guess I had to take it there.
• 1:06:28
  Speaker 1: If anybody watched this Game of Thrones, who's who's got
• 1:06:33
  Speaker 1: there on? Or they cut they cut the stuff off,
• 1:06:35
  Speaker 1: and then they had his brain messed up. Penis he
• 1:06:38
  Speaker 1: was on, he was messed up for about two years. Right.
• 1:06:40
  Speaker 1: That happens if you get your penis cut off. Right.
• 1:06:41
  Speaker 1: So I was having this conversation with a good friend
• 1:06:43
  Speaker 1: of mine and we're just discussing what about getting penis?
• 1:06:45
  Speaker 1: Not not that, but we're having a discussion about African
• 1:06:48
  Speaker 1: Americans and where our brains have gone and how we've
• 1:06:50
  Speaker 1: kind of lost touch with our original selves because of
• 1:06:53
  Speaker 1: the systems that were in true and then we see
• 1:06:55
  Speaker 1: some of the shootings and we see how we're reacting
• 1:06:58
  Speaker 1: to them, and it's like we're telling our people don't
• 1:07:01
  Speaker 1: react with violence, because I really believe that's what they want.
• 1:07:03
  Speaker 1: But that's human nature, human nature. But right, but if
• 1:07:07
  Speaker 1: you look at some other cultures, what do they do?
• 1:07:09
  Speaker 1: They unite and they hit them wear it hurts, which
• 1:07:11
  Speaker 1: is in the pockets and the wealth, and we got
• 1:07:13
  Speaker 1: to take our wealth back, but we don't know how
• 1:07:14
  Speaker 1: to do that because we've been in this system for
• 1:07:16
  Speaker 1: four hundred years. We've been impressed them and we don't
• 1:07:19
  Speaker 1: own anything. Knowing it's easy for Jewish people Asian people
• 1:07:22
  Speaker 1: to say we're gonna boycott other people because we got
• 1:07:23
  Speaker 1: our own stuff in our community and we don't own
• 1:07:26
  Speaker 1: as much, we know as much. But it's up to
• 1:07:27
  Speaker 1: us to take our owner ship back. Our generation has
• 1:07:29
  Speaker 1: to make us sacrifice for the next generation. And that's
• 1:07:32
  Speaker 1: the hardest part because that we're sacrifice, meaning we got
• 1:07:35
  Speaker 1: to do without and we know we like doing with.
• 1:07:37
  Speaker 1: You know, you got a ap on, I got a
• 1:07:38
  Speaker 1: apon We like doing with you know what you want
• 1:07:40
  Speaker 1: to say? What I'm saying, so huge large community of
• 1:07:42
  Speaker 1: fans look up to us. We have a little bit
• 1:07:45
  Speaker 1: of I shouldn't say power, but we have an influence. Yeah,
• 1:07:47
  Speaker 1: and if we can put our influence together in the
• 1:07:50
  Speaker 1: right areas and tech as the area where I want
• 1:07:51
  Speaker 1: to have a major influence, or all athletes, not just
• 1:07:53
  Speaker 1: basketball players, I think we can. We can make a
• 1:07:55
  Speaker 1: huge difference. We can disrupt, which is what technology is.
• 1:07:59
  Speaker 1: And so basically you want to discract people with another
• 1:08:01
  Speaker 1: Pokemon Go app is what you're telling I just find
• 1:08:04
  Speaker 1: out what there was yesterday. They always say that if
• 1:08:06
  Speaker 1: you want to be rich, it is the best thing
• 1:08:07
  Speaker 1: to do is to get involved with tech because that's
• 1:08:09
  Speaker 1: always something that a lot of the richest people in
• 1:08:11
  Speaker 1: the world. The reason that they're rich is because of technology, agriculture.
• 1:08:15
  Speaker 1: All the new billionaire are coming from tech. Yeah, but
• 1:08:17
  Speaker 1: it's disruption and it's basically taking out the mental man.
• 1:08:20
  Speaker 1: It's funny. I did distinct for Verizon and verising as
• 1:08:23
  Speaker 1: this new thing where they're trying to get kids, especially
• 1:08:25
  Speaker 1: urban kids, black kids, African American kids into tech, trying
• 1:08:28
  Speaker 1: to get them out of a lot of the fields
• 1:08:29
  Speaker 1: because it's not too many of us. And Google's doing
• 1:08:31
  Speaker 1: that as well. Verizon is doing that heavy or what
• 1:08:34
  Speaker 1: I meant to ask you. You talked about sacrificing people
• 1:08:36
  Speaker 1: who have been talking about what's been going on in
• 1:08:38
  Speaker 1: the community and having athletes possibly protest and boycott the
• 1:08:43
  Speaker 1: NBA and boycott playing. Did you ever did y'all ever
• 1:08:45
  Speaker 1: think about doing that or is that something that you
• 1:08:47
  Speaker 1: think about it at all. I've had discussions where a
• 1:08:52
  Speaker 1: certain people movie directors with some influence from the Bay
• 1:08:56
  Speaker 1: I'm really close with, and we've had those discussions and
• 1:09:00
  Speaker 1: a tough situation because, um, you don't know everyone's take
• 1:09:04
  Speaker 1: on it. You still want to provide for your family.
• 1:09:07
  Speaker 1: So if you're gonna try to do something, first of all,
• 1:09:10
  Speaker 1: think you gotta have everybody involved. You know, you can't
• 1:09:12
  Speaker 1: just be one guy and you know you're trying to
• 1:09:14
  Speaker 1: make a stance and you know they just get rid
• 1:09:16
  Speaker 1: of you and beca Dallas boycotting. Okay, yeah, you know
• 1:09:20
  Speaker 1: what I mean. So I think there's other ways to
• 1:09:22
  Speaker 1: doing it. Besides you know, boy kind of basketball game.
• 1:09:25
  Speaker 1: You know, I believe not every athlete is obligated to
• 1:09:28
  Speaker 1: make a stance or have a say on something, you know,
• 1:09:30
  Speaker 1: just because of their popularity. You know, they try to
• 1:09:32
  Speaker 1: put pressure on the superstars, like you know, Steph Lebron,
• 1:09:35
  Speaker 1: like you have to make a stance on this, like
• 1:09:37
  Speaker 1: steps from Charlotte, and they try to make him make
• 1:09:40
  Speaker 1: a statement about the trans laws where he's from his
• 1:09:43
  Speaker 1: home and it's like, you know, why, why should he
• 1:09:45
  Speaker 1: have to have an opinion about that, because it's a
• 1:09:47
  Speaker 1: lose lose situation for him, you know, no matter which
• 1:09:49
  Speaker 1: way he goes. Now, according to TMZ, you said you
• 1:09:52
  Speaker 1: didn't want your daughter to play basketball. I'm I'm like,
• 1:09:58
  Speaker 1: what is he gonna ask me? That's gonna try to
• 1:10:00
  Speaker 1: get me, But I never said that. That's what's funny,
• 1:10:02
  Speaker 1: you know, with the media, Um Charles Cooke, he said
• 1:10:06
  Speaker 1: the media would take the truth out of anything to
• 1:10:09
  Speaker 1: make a story. Nobody cares about the truth from the live.
• 1:10:11
  Speaker 1: So you didn't say you don't want your daughter in
• 1:10:13
  Speaker 1: a w NBA because she'll be a lesbian. Yeah, I
• 1:10:14
  Speaker 1: would never say that. My friends with a lot of
• 1:10:16
  Speaker 1: w NBA players. It's funny because my son watches the
• 1:10:19
  Speaker 1: w NBA, right, really shout out to our girls swing cat. Yeah. Yeah,
• 1:10:22
  Speaker 1: my son watches WNBA, so he knows all the girls.
• 1:10:24
  Speaker 1: He knows. Mine more friends with Angel mccotree players in Atlanta,
• 1:10:28
  Speaker 1: so I know I know all those girls. Safe Simone Augustus,
• 1:10:31
  Speaker 1: I'm safe to say that a lot of w NBA
• 1:10:33
  Speaker 1: players all lesbians. I'm gonna tell what the w NBA
• 1:10:35
  Speaker 1: player told me once. She said, w NBA player, it's
• 1:10:38
  Speaker 1: like to be lesbians. Then they like to get straight
• 1:10:40
  Speaker 1: and find Jesus. I wouldn't know that, And that's a
• 1:10:44
  Speaker 1: very broad blanket. They're not all. That's not say all.
• 1:10:49
  Speaker 1: I said a good plant because it's like saying that
• 1:10:50
  Speaker 1: all athletes going money buying cars, buying big houses take
• 1:10:54
  Speaker 1: to me. But if my daughter wanted to play basketball,
• 1:11:00
  Speaker 1: she'd be really good at basketball. She's girly though she
• 1:11:02
  Speaker 1: doesn't like sports at all. Trying to get her to
• 1:11:04
  Speaker 1: play golf. But and you know, she could be a
• 1:11:06
  Speaker 1: lesbian regardless of what points like. Yeah, yeah, it's mean
• 1:11:09
  Speaker 1: as golfers who are a lesbians? So really, I read
• 1:11:13
  Speaker 1: that an article from a female. If anybody wants to
• 1:11:16
  Speaker 1: find that Golf digest, it's the last issue about Caddy's
• 1:11:20
  Speaker 1: dating golfers. So now, what's this money philosophy? You got
• 1:11:23
  Speaker 1: that that you summed up with an analogy of a
• 1:11:25
  Speaker 1: crack phone. It's gotta a last question because you gotta go. Yeah,
• 1:11:28
  Speaker 1: I got um, well, you gotta go in your basketball season.
• 1:11:30
  Speaker 1: He's got I got a crack phone. And he asked
• 1:11:32
  Speaker 1: me why i'd replace, And I'm like, I'm not buying
• 1:11:35
  Speaker 1: on the phone because phone still work. You could at
• 1:11:37
  Speaker 1: least put a case. And he knows only a hundred
• 1:11:38
  Speaker 1: dollars to go fix to the glass. The phone was
• 1:11:40
  Speaker 1: actually free. I'm not gonna lie, Oh my gosh, okay,
• 1:11:43
  Speaker 1: I'm just I don't want to I'm just not gonna
• 1:11:45
  Speaker 1: give you my money for a phone. It's just some
• 1:11:46
  Speaker 1: things I don't want to pay for, but I like,
• 1:11:48
  Speaker 1: I have advice, like I gotta watch on it. I
• 1:11:50
  Speaker 1: don't need to watch the cost as much tell me
• 1:11:52
  Speaker 1: the time, but I'm watching. I'm really in to watch it.
• 1:11:55
  Speaker 1: I'm into time pieces and the man hours put in it,
• 1:11:58
  Speaker 1: the intricacies the jewels put in it. So but as
• 1:12:01
  Speaker 1: far as the phone goes, you should at least put
• 1:12:03
  Speaker 1: a case on it. That would have never happened. No,
• 1:12:05
  Speaker 1: never would have happened, but just buy a case. Like.
• 1:12:07
  Speaker 1: I don't believe in pay paying for apps either, So
• 1:12:09
  Speaker 1: if the app costs, I won't download that. I'm the same.
• 1:12:10
  Speaker 1: But how are you going to be in tech? But
• 1:12:11
  Speaker 1: you don't. You don't want to pay for app? You
• 1:12:13
  Speaker 1: gonna pay for your apps because you got an app
• 1:12:15
  Speaker 1: purchases right, No, even out if it's an app like
• 1:12:18
  Speaker 1: each Trade where I make trades, okay, I'm obviously gonna
• 1:12:21
  Speaker 1: buy the app. Or if it's app where I can
• 1:12:23
  Speaker 1: take care of my finances. But you're not going to
• 1:12:26
  Speaker 1: pay for pol I'm not going to pay for a
• 1:12:28
  Speaker 1: game gotcha on my phone? That's all right, But we
• 1:12:31
  Speaker 1: appreciate you joining us. I know you gotta go right now.
• 1:12:33
  Speaker 1: You modeling up here, that's what you're doing now. You
• 1:12:36
  Speaker 1: and I do have a collection. I did with a
• 1:12:39
  Speaker 1: with a brand rochan Bro. So you did something like
• 1:12:42
  Speaker 1: some tech inspired NBA dress code inspired on the clothing
• 1:12:45
  Speaker 1: where it's fashion forward but it's also coming. It's an
• 1:12:47
  Speaker 1: address code whack though for the NBA. They didn't you
• 1:12:49
  Speaker 1: miss the days when the obviously used to come with
• 1:12:50
  Speaker 1: thirty two chains on? You love Russell Westbrooks closet. I
• 1:12:55
  Speaker 1: like Russell Russell Restaurants, closet for Russell restaurants. About the way,
• 1:12:58
  Speaker 1: the way where you got a closet too, Ain't wait,
• 1:13:00
  Speaker 1: that's my guy too. Huh. You gotta just join the cowboys.
• 1:13:04
  Speaker 1: He got a closet too, Ezekiel. Yeah, he got a
• 1:13:06
  Speaker 1: closet too, full of half shirts. One last question before
• 1:13:10
  Speaker 1: you go. This tweet that you deleted. It said, um,
• 1:13:12
  Speaker 1: I deleted tweet. I said, I used your courage. Food
• 1:13:15
  Speaker 1: is really trash, and then you deleted it. That's not true.
• 1:13:20
  Speaker 1: I used can really cook. He made that up. I'm
• 1:13:22
  Speaker 1: not allowed to say that. My wife don't like when
• 1:13:24
  Speaker 1: I compliment. Okay, got you there, You have it all right.
• 1:13:28
  Speaker 1: The man who should have dumped but his back was hurt,
• 1:13:30
  Speaker 1: and Lebron James cleaned it up. Definitely cleaned it. At
• 1:13:33
  Speaker 1: least you got blocked by Lebron James. If it was
• 1:13:35
  Speaker 1: Tristan Thompson and somebody, you have to clown you. But
• 1:13:37
  Speaker 1: it was Lebron. You got got before I got pointed
• 1:13:41
  Speaker 1: in the back of the head. Yeah, that is like
• 1:13:42
  Speaker 1: a block shot. Andrea, good dollar, Ladies and gentlemen. It's
• 1:13:52
  Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. Just stand
• 1:14:00
  Speaker 1: Oh gosh, got the U report Breakfast Club. All right, well,
• 1:14:10
  Speaker 1: Memphis Bleak, we told you yesterday there's a story out
• 1:14:14
  Speaker 1: that he had to file for bankruptcy and that he
• 1:14:17
  Speaker 1: only has one hundred dollars. Now you hit up Memphis
• 1:14:20
  Speaker 1: Bleak envy. What did he say? So that story was
• 1:14:22
  Speaker 1: fake and he's trying to figure out where that story
• 1:14:24
  Speaker 1: is coming from. All right, Well, now there's another story.
• 1:14:26
  Speaker 1: I'm bossip and they are saying that his house is
• 1:14:30
  Speaker 1: about to be auctioned off. Now allegedly, they're saying that
• 1:14:33
  Speaker 1: he filed for bankruptcy to try to keep the house.
• 1:14:36
  Speaker 1: The bank adjourn the home auction only works to settle
• 1:14:38
  Speaker 1: the debt's butt. If the bank successfully gets his debt
• 1:14:41
  Speaker 1: repayment plan dismissed, then the home sale will go through.
• 1:14:44
  Speaker 1: So why doesn't Bosom just reach out to Bleak? They
• 1:14:46
  Speaker 1: said they did reach out to him and says, and
• 1:14:48
  Speaker 1: there was no response. I mean, it may not have
• 1:14:50
  Speaker 1: this number. And not only that, you know, Bleak, I
• 1:14:53
  Speaker 1: don't Bleak don't seem to type the acknowledge a lie,
• 1:14:55
  Speaker 1: you know what I mean, If it's not true, why
• 1:14:57
  Speaker 1: acknowledge it? Right? So? Yeah, I mean, you know what,
• 1:15:01
  Speaker 1: And I was talking about this the other day. A
• 1:15:02
  Speaker 1: lot of times people sometimes just let houses go because
• 1:15:05
  Speaker 1: they owe more than it's worth when the house value
• 1:15:07
  Speaker 1: goes down. So we don't know what's really going on
• 1:15:09
  Speaker 1: at all, period. But just because somebody files for bankruptcy
• 1:15:13
  Speaker 1: or whatever happens with their home, we don't know what
• 1:15:15
  Speaker 1: that really means, doesn't mean they broke right. All right,
• 1:15:17
  Speaker 1: Little Wayne he is getting sued. Now. We had told
• 1:15:20
  Speaker 1: you this story previously about a bouncer who says that
• 1:15:23
  Speaker 1: Little Wayne's bouncers attacked him while they were at Hide
• 1:15:26
  Speaker 1: trying to get into the nightclub for a BT Awards
• 1:15:28
  Speaker 1: after party. Well, now that that security guard is suing
• 1:15:32
  Speaker 1: Little Wayne because he says that he was shoved up
• 1:15:35
  Speaker 1: against the wall suffered a dislocated jaw and shoulder injury. Well,
• 1:15:38
  Speaker 1: what if that security guard was trying to get at
• 1:15:41
  Speaker 1: Little Wayne? And Little Wayne security was just doing their job.
• 1:15:44
  Speaker 1: Just because you're a security guard don't mean you can't
• 1:15:46
  Speaker 1: be a groupie. He actually is more like a doorman.
• 1:15:49
  Speaker 1: He was a doorman more than a security guard. So yeah,
• 1:15:51
  Speaker 1: so now he's suing. I guess they wouldn't let all
• 1:15:53
  Speaker 1: his people in or they tried to search them, and
• 1:15:55
  Speaker 1: they had some issues with that. I don't know. Always
• 1:15:58
  Speaker 1: some issues when people collide at the door. Now y'all
• 1:16:00
  Speaker 1: want to hear a nice story, sure, all right, let's
• 1:16:02
  Speaker 1: talk about Rick Ross. Now. I don't know if you
• 1:16:05
  Speaker 1: guys said this video footage, but Rick Ross ran into
• 1:16:08
  Speaker 1: this guy at Venice Beach and artists from Englewood named
• 1:16:12
  Speaker 1: Easa Mohammed. That's the name he goes by, and Easa
• 1:16:14
  Speaker 1: Mohammed started rapping for Rick Ross. And now he has
• 1:16:18
  Speaker 1: MMG in his name on Twitter and he has a
• 1:16:20
  Speaker 1: couple of songs that he's also put out via SoundCloud.
• 1:16:23
  Speaker 1: Now check out what he's what Easa Mohammed sounds like
• 1:16:26
  Speaker 1: no longer my stress solely blessed. After playing poetic pontificating,
• 1:16:30
  Speaker 1: excavating extravagant ways to safely gives day Hagan Inglewood David
• 1:16:33
  Speaker 1: waging like the DVZ next week would be a super Satian.
• 1:16:38
  Speaker 1: I heard word like that, y'all were really worried. He
• 1:16:40
  Speaker 1: wipe of vinelated off the hards of pontis turned trig.
• 1:16:42
  Speaker 1: He's up in the sonics like Oklahoma City, the super sonics,
• 1:16:45
  Speaker 1: like well Olf futuristic reference rather bazade in the present, Yo,
• 1:16:49
  Speaker 1: give me a d for for genius. A gold rapper
• 1:16:50
  Speaker 1: from my penis clutters from the caucas moutains my money
• 1:16:53
  Speaker 1: and then able to be counsel called me the counts
• 1:16:55
  Speaker 1: is my Worfen's compass. He said, give me a white woman.
• 1:16:57
  Speaker 1: He said, Claris from the Caucus Mountains. He wanted the
• 1:17:00
  Speaker 1: white woman. First of all, let's be clear. If he
• 1:17:03
  Speaker 1: wasn't homeless, those balls would be kind of white. It's
• 1:17:05
  Speaker 1: the fact that he's homeless. On it. It was decent,
• 1:17:10
  Speaker 1: but it was like, okay, it's always ugly when people
• 1:17:12
  Speaker 1: come up to you and start rapping. He sound like
• 1:17:14
  Speaker 1: the Uber driver them old wood drivers in La Boy.
• 1:17:16
  Speaker 1: When they get the spitting, they sound like that, all right.
• 1:17:19
  Speaker 1: Well they were impressed by him, so that's nice. You know,
• 1:17:22
  Speaker 1: it's nice that things like this could happen. Fairy tales
• 1:17:24
  Speaker 1: can come true. They buy him a sandwich. Did they
• 1:17:26
  Speaker 1: put some money in his cup? I don't know, but
• 1:17:28
  Speaker 1: he's been at his house. He's got a picture of
• 1:17:30
  Speaker 1: the single. He's got Rick Ross in the picture along
• 1:17:32
  Speaker 1: with other MMG members. So I mean, who knows. I
• 1:17:35
  Speaker 1: can't tell you exactly what happened, but he's getting some
• 1:17:38
  Speaker 1: attention now. And yesterday I told you a story you
• 1:17:40
  Speaker 1: didn't care about till Or Swift versus Calvin Harris. Well,
• 1:17:43
  Speaker 1: now there's a lot more happening. The story was basically
• 1:17:46
  Speaker 1: put out by Tiller Swift's camp about a song this,
• 1:17:50
  Speaker 1: by the way, a huge song, this is what you
• 1:17:51
  Speaker 1: came for that Tiller Swift allegedly wrote for Calvin Harris.
• 1:17:55
  Speaker 1: He did say that she did write it, and things
• 1:17:58
  Speaker 1: got a little crazy because I guess he's offended that
• 1:18:00
  Speaker 1: this story is coming out right now now. He went
• 1:18:03
  Speaker 1: on Twitter and he said, please focus on the positive
• 1:18:06
  Speaker 1: aspects of your life, because you've earned a great one.
• 1:18:08
  Speaker 1: I know you're off tour and you need someone new
• 1:18:10
  Speaker 1: to try and bury like Katie, etc. But I'm not
• 1:18:14
  Speaker 1: that guy. Sorry, I won't allow it. I figure, if
• 1:18:16
  Speaker 1: you're happy in your new relationship, you should focus on
• 1:18:19
  Speaker 1: that instead of trying to tear your ex boyfriend down
• 1:18:21
  Speaker 1: for something to do. Why just don't text each other?
• 1:18:24
  Speaker 1: Why do you have to put that on Twitter? Well?
• 1:18:26
  Speaker 1: I think because she publicly put this story out. Now
• 1:18:29
  Speaker 1: he's publicly defending himself. He said, I wrote the music,
• 1:18:33
  Speaker 1: produced the song, arranged it and cut the vocals, though,
• 1:18:36
  Speaker 1: and initially she wanted it kept a secrets, which is
• 1:18:38
  Speaker 1: why they use the pseudonym. Would I would like to say,
• 1:18:40
  Speaker 1: you know, I know people like to say I like
• 1:18:42
  Speaker 1: to make everything about race, but that's hashtag white people problem. Okay,
• 1:18:46
  Speaker 1: I just want to throw that out there, all right,
• 1:18:47
  Speaker 1: But Rihanna's on a song. She ain't got nothing to
• 1:18:50
  Speaker 1: do with this, all right. Well, that is your room
• 1:18:53
  Speaker 1: and report. I'm angela ye, all right, thank you, miss
• 1:18:55
  Speaker 1: and happy birthday to my manager, my brother, my secure aldy.
• 1:19:00
  Speaker 1: Yeah boo, that's not my boo, my brother June. Won't
• 1:19:05
  Speaker 1: you just say you're everything? No, I'm not gonna say say,
• 1:19:07
  Speaker 1: that's my salute, my man. Now, that's my guy, that's
• 1:19:11
  Speaker 1: my brother, June everything. He sounded like you're everything. That's
• 1:19:15
  Speaker 1: my problem. You named a lot of stuff. Just let
• 1:19:17
  Speaker 1: me make sure you make sure the businesses ran right.
• 1:19:19
  Speaker 1: That's right. Not gonna say ever, gonna say my right
• 1:19:23
  Speaker 1: hand shout the happy get a June, Happy birthday. Yeah,
• 1:19:28
  Speaker 1: June's a great guy. Happy birthday man. All right. Now
• 1:19:31
  Speaker 1: when we come back, of course, we got the People's
• 1:19:32
  Speaker 1: Choice mix and shout to our family at revote. We'll
• 1:19:34
  Speaker 1: see you guys tomorrow. Everybody else hit us up. Let
• 1:19:37
  Speaker 1: me know what you want to hear in the mixes.
• 1:19:38
  Speaker 1: The breakfast Club, Go Morning