Latest / Ryder Lee / Caddo Lake Decode

Transcript

Caddo Lake Decode · Ryder Lee

• 0:00
  Speaker 1: I usually these members. I just rolled into it, dude,
• 0:02
  Speaker 1: so it really doesn't matter. So it's uprighter, dude, Can
• 0:06
  Speaker 1: you play your stuff for my people over on my
• 0:08
  Speaker 1: member's side. Shout out to all the Patreon members, all
• 0:11
  Speaker 1: the YouTube members. Where can people find you? Dude?
• 0:14
  Speaker 2: What's up?
• 0:15
  Speaker 1: Brother?
• 0:15
  Speaker 2: Thanks for having me on. You can find me on
• 0:17
  Speaker 2: Raised by Giants, on YouTube, Rock fan Odyssey, Rumble. I
• 0:23
  Speaker 2: guess I think that there's a weird thing with like Rumble,
• 0:26
  Speaker 2: Like I have like a typo in the title of
• 0:28
  Speaker 2: the name, and like it's making it difficult for people
• 0:31
  Speaker 2: to surgery. But I've had a Rumble account for like
• 0:32
  Speaker 2: three years now. So but and if you want to
• 0:36
  Speaker 2: reach out to me personally, I'm on Instagram at Raised
• 0:39
  Speaker 2: by Giants pod x x Twitter. I don't know what
• 0:42
  Speaker 2: to call it anymore x. I guess this is a
• 0:44
  Speaker 2: new thing x at Raised by Giants eight. So thanks
• 0:48
  Speaker 2: for having me on, appreciate it.
• 0:49
  Speaker 1: Yeah, this is a little bit like of a member's
• 0:52
  Speaker 1: episode collaboration because yeah, a recent one on your show.
• 0:56
  Speaker 1: And people can find me at www dot TJOJP dot
• 0:59
  Speaker 1: com on my links around there. I stream every week
• 1:02
  Speaker 1: on Tuesday nights over on twitch dot tv, Slash one
• 1:05
  Speaker 1: on podcast also over on the one on one Media
• 1:10
  Speaker 1: YouTube channel, So make sure check that out if you're
• 1:12
  Speaker 1: into that kind of stuff. And you, I was resealing
• 1:15
  Speaker 1: your show. We talked about Homlenculus, the movie Homunculus, We
• 1:18
  Speaker 1: talked about Trump Nation, and we just went down a
• 1:21
  Speaker 1: few different rabbit holes, and you mentioned to me a
• 1:24
  Speaker 1: movie that had just aired on HBO Max that was
• 1:28
  Speaker 1: a straight to stream movie, which I think it would
• 1:33
  Speaker 1: have done well if it went to theaters because I
• 1:36
  Speaker 1: watched it and I'm still confused, but I did a
• 1:44
  Speaker 1: little bit of research and I'm a little bit better
• 1:47
  Speaker 1: versed in the lore of the movie. And also I
• 1:51
  Speaker 1: feel like this movie answers a lot of questions when
• 1:56
  Speaker 1: it comes to like the missing forward one and then
• 1:59
  Speaker 1: it ties in I don't want to say schizophrenia, but
• 2:04
  Speaker 1: epileptic seizure disorders with time travel. Like it, dude, it's a.
• 2:13
  Speaker 2: Wild movie, bro. I was so taken back by it,
• 2:15
  Speaker 2: and I was like, this is the filmmaking that I like,
• 2:19
  Speaker 2: you know, and it's really subtle in the beginning, because
• 2:22
  Speaker 2: if you're not paying attention, it's a slow basion. Yeah,
• 2:25
  Speaker 2: you don't notice little details and then when you realize
• 2:29
  Speaker 2: that there's two different things going on at the same time.
• 2:33
  Speaker 2: But the way that it's cut, they do it like seamlessly,
• 2:37
  Speaker 2: right to the point that you don't even notice until
• 2:40
  Speaker 2: the end, and even at the end, you're still puzzled
• 2:42
  Speaker 2: as to what's going on. But I really appreciate this
• 2:46
  Speaker 2: style of filmmaking because it's very cubric esque. And I'm
• 2:53
  Speaker 2: making a documentary that's going to be released here really
• 2:55
  Speaker 2: soon on Stanley Kubrick and the Shining and.
• 2:58
  Speaker 3: The Clockwork Orange called a Clockwork Shine.
• 3:00
  Speaker 2: But this movie, well what we're talking about is a
• 3:03
  Speaker 2: movie called cat Lake c add Oh Lake. I like
• 3:09
  Speaker 2: k E, but it's not Cubrick asking the way.
• 3:12
  Speaker 1: That it's really quickly right before we get deeper into it,
• 3:16
  Speaker 1: we're only three minutes in. There will be spoilers. So
• 3:19
  Speaker 1: if you want to watch the movie and then come
• 3:22
  Speaker 1: back to this, do that if you don't want to
• 3:24
  Speaker 1: spoil them. I feel like people should go in and
• 3:26
  Speaker 1: the movie is not gonna tell you anything you have.
• 3:30
  Speaker 1: It's how you said, bro. I was kind of losing
• 3:32
  Speaker 1: sleep too, because you're like, I thought about it until
• 3:34
  Speaker 1: I went to sleep, and then it finally I'm still
• 3:37
  Speaker 1: trying to figure it out, and I watched it a
• 3:38
  Speaker 1: few days ago. So just in case there will be spoilers,
• 3:42
  Speaker 1: just the heads up for those that I want to
• 3:43
  Speaker 1: check the movie out. It's free on HBO Max. Check
• 3:46
  Speaker 1: it out, then come back here and watch this because
• 3:49
  Speaker 1: so I just so we don't spoil it for people.
• 3:52
  Speaker 2: Absolutely definitely go and watch the movie and then come
• 3:55
  Speaker 2: back and hear us talk about it, because you have to.
• 3:59
  Speaker 2: We can't really explain it to you. It's very difficult
• 4:02
  Speaker 2: to explain without you having seen it.
• 4:06
  Speaker 3: And what I was.
• 4:09
  Speaker 2: Mentioning like with with like Cubriic and it being like
• 4:13
  Speaker 2: very cubric esk. It's not that it's cubric esque in
• 4:16
  Speaker 2: the way that it was filmed or even the storyline,
• 4:21
  Speaker 2: but in the way that everything isn't explained to you, right.
• 4:25
  Speaker 2: Cubriic always wanted the audience to kind of put two
• 4:29
  Speaker 2: and two together for themselves. And let me tell you
• 4:32
  Speaker 2: this movie, Caddo Lake is you have to put two
• 4:34
  Speaker 2: and two together. You got to be thinking on your toes.
• 4:38
  Speaker 2: Cubriic wanted the audience to think for themselves and tell
• 4:43
  Speaker 2: the story with the actual camera, you know, like show
• 4:47
  Speaker 2: you visuals of the story, not through exposition, which has
• 4:54
  Speaker 2: ruined many films in the past three decades. Right, they
• 4:59
  Speaker 2: just give the entire story. They spoon feed you the
• 5:02
  Speaker 2: entire story. Sometimes, yeah, they give it away in the
• 5:06
  Speaker 2: entire trailer you watch her the three trailers that come
• 5:08
  Speaker 2: out for a movie, you know, the entire story. But
• 5:10
  Speaker 2: within the movies themselves, they normally they give you the
• 5:16
  Speaker 2: entire storyline within the dialogue between the characters. Did you
• 5:21
  Speaker 2: see Long Legs?
• 5:23
  Speaker 1: I did?
• 5:23
  Speaker 2: Yeah, okay, I thought Long Legs was an amazing movie
• 5:29
  Speaker 2: until that last, uh, you know, twenty minutes of the
• 5:33
  Speaker 2: movie because whenever her mom is out there and she
• 5:38
  Speaker 2: shoots the doll in the back of the head and
• 5:39
  Speaker 2: the essence gets released out of her. Right then she
• 5:42
  Speaker 2: ends up in bed and then she's in like this
• 5:44
  Speaker 2: hallucinogenic dream state and her mom explains everything to her.
• 5:49
  Speaker 2: They did not need to do that. That's what I
• 5:51
  Speaker 2: mean by exposition. They give away the entire movie. They
• 5:55
  Speaker 2: tell you everything that's going on within the movie, and
• 5:57
  Speaker 2: it within the dialogue between the characters, to the point
• 6:01
  Speaker 2: that it just ruins the entire movie, Like why would
• 6:04
  Speaker 2: I need to watch that? They could have turned that
• 6:07
  Speaker 2: entire movie into a thirty minute short film, and it
• 6:11
  Speaker 2: would have been the exact same thing. You know, a
• 6:14
  Speaker 2: lot of Hollywood thinks that people are stupid and that yeah,
• 6:20
  Speaker 2: in a lot of cases they are, but they like
• 6:22
  Speaker 2: to just spoon feed this stuff to people and not
• 6:25
  Speaker 2: let them use their brain and use their mind to
• 6:28
  Speaker 2: try and put everything together. But Qubriic, he wanted the
• 6:34
  Speaker 2: audience to come up with their own interpretation of his movies.
• 6:39
  Speaker 2: And to me, that is the greatest way to make
• 6:44
  Speaker 2: a movie, right, like the movie that we're discussing today,
• 6:48
  Speaker 2: you know, Kindadu Lake. And it's also what made Stanley
• 6:52
  Speaker 2: Kubrick great and this movie great as well.
• 6:58
  Speaker 1: Yeah, so it's like, you know, mega make movies great
• 7:03
  Speaker 1: again by letting people figure it out themselves. But I
• 7:06
  Speaker 1: think that we're in this in this society that is
• 7:11
  Speaker 1: so burnt out how you and I talked about on
• 7:13
  Speaker 1: your show, and they want this short clip TLDR, you know,
• 7:18
  Speaker 1: and I'm I'm I've been there because I don't read
• 7:20
  Speaker 1: super long comments of people bashing my work or anything else,
• 7:23
  Speaker 1: Like I don't spend the time to read them. It's like, listen, dude,
• 7:27
  Speaker 1: whatever you didn't like it. I don't care what you
• 7:28
  Speaker 1: have to say. You didn't like it, and like I
• 7:30
  Speaker 1: said what I said, and that's that right. So this
• 7:34
  Speaker 1: particular movie, it's what I really liked. I thought it
• 7:39
  Speaker 1: was going to be more of a horror movie. So
• 7:41
  Speaker 1: I was expectause I think I saw that it was
• 7:43
  Speaker 1: like a I think on Max it said it was
• 7:46
  Speaker 1: like horror something. Let me double check what it says.
• 7:50
  Speaker 2: It was produced by m Night Shyamalan Shamala Nice Shamalan,
• 7:56
  Speaker 2: and he also had another new movie come out as well, Trapped.
• 8:01
  Speaker 2: I'll Trap. It's really good. It's about this serial killer
• 8:04
  Speaker 2: that's inside of this concert and the FBI set up
• 8:07
  Speaker 2: this entire ruse of a pop concert to try and
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  Speaker 2: catch him. So acually a pretty pretty good movie.
• 8:13
  Speaker 1: If you check this out. Says horror, mystery, and suspense.
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  Speaker 1: So I thought that it was gonna be more horror,
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  Speaker 1: and so I was like, Okay, you know, I'm gonna
• 8:24
  Speaker 1: be kind of scared whatever, But it really wasn't. It
• 8:27
  Speaker 1: was more mystery and more thriller than anything. Because you know,
• 8:32
  Speaker 1: towards the end of the movie, you're you're vowed. You know,
• 8:35
  Speaker 1: you're you're rooting for this guy to get back to
• 8:37
  Speaker 1: his time, and we'll we'll break everything down the way
• 8:39
  Speaker 1: the movie goes. But I feel like it answered a
• 8:42
  Speaker 1: lot of questions when it comes to and tied some
• 8:45
  Speaker 1: some other things together that you wouldn't otherwise think about.
• 8:48
  Speaker 1: And it's just making me movies like this that are
• 8:53
  Speaker 1: in my opinion, I'll say this, I think that their
• 8:55
  Speaker 1: conspiracy inspired or conspiracult inspired in some sort of way
• 9:00
  Speaker 1: because it takes all these major conspiracies and then puts
• 9:03
  Speaker 1: it on the silver screen and gives it like like
• 9:06
  Speaker 1: something right. For example, one of the main themes in
• 9:08
  Speaker 1: this in this movie is time travel but also portals,
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  Speaker 1: and it turns out right. So I want to read
• 9:16
  Speaker 1: here a little bit of the So Cattle Lake or
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  Speaker 1: Caddo Lake is an actual place. It's an actual lake
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  Speaker 1: between Louisiana and Texas, and just quickly looking up here,
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  Speaker 1: there are legends regarding this actual lake. And in the
• 9:35
  Speaker 1: movie when they're searching for the girl, you know, towards
• 9:39
  Speaker 1: towards the first half middle of the movie, they're searching
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  Speaker 1: for this girl, and I remember telling my wife, I'm like, man,
• 9:46
  Speaker 1: how big is this lake? Like how big is it
• 9:49
  Speaker 1: and literally as there as I said that that they
• 9:52
  Speaker 1: had zoomed in. The camera pans out and you can
• 9:55
  Speaker 1: see all the little ways in the woods and it's
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  Speaker 1: a giant lake. So the actual lake itself is let
• 10:02
  Speaker 1: me see how many acres it is.
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  Speaker 2: I think it's like twenty five thousand lake acres or.
• 10:07
  Speaker 1: Something like five thousand, four hundred acres. Bro that is massive. Okay,
• 10:18
  Speaker 1: so Cattle Lake. Let me pull up my screen here
• 10:21
  Speaker 1: so people can see what we're talking about. Stop screen, sure,
• 10:27
  Speaker 1: and you get the right screen here.
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  Speaker 3: Yeah.
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  Speaker 2: I believe that it's one of the largest freshwater lakes
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  Speaker 2: in the South.
• 10:37
  Speaker 1: I didn't even know about it, but so we have
• 10:40
  Speaker 1: here the call massive. This is nineteen thirty five. It's ginormous, right,
• 10:46
  Speaker 1: So I think it's this one up here. Yeah, so
• 10:49
  Speaker 1: it's that one up there. It's got a weird little
• 10:51
  Speaker 1: shape to it. If you look at it kind of
• 10:53
  Speaker 1: looks like a like a like a monster or a
• 10:56
  Speaker 1: man with like two hands here, like a sloth. It
• 10:58
  Speaker 1: looks like a slough from like a tree or something.
• 11:02
  Speaker 1: And that's it there. So it's absolutely massive. And if
• 11:07
  Speaker 1: you look at the really quickly, So this came out
• 11:11
  Speaker 1: October tenth, so it came out recently. It came out
• 11:15
  Speaker 1: on ten ten, twenty four, right, And it was directed
• 11:18
  Speaker 1: by Selene hell Logan George and it was produced by
• 11:24
  Speaker 1: it says. It stars and serve with him under his
• 11:31
  Speaker 1: Blinding Edge Picture company. Interesting name.
• 11:35
  Speaker 2: Huh, that's an interesting artwork too.
• 11:38
  Speaker 1: It's like an angel or something and so and we know, Bro,
• 11:45
  Speaker 1: we know that he's into the occult and all that stuff.
• 11:48
  Speaker 1: The latest movie, The Watchers that his daughter produced, like
• 11:52
  Speaker 1: the first movie that she produced.
• 11:54
  Speaker 2: Did you like that?
• 11:56
  Speaker 1: I'll be honest, I haven't finished it. Oh, I started it,
• 12:01
  Speaker 1: and I haven't finished it. I think I have an
• 12:03
  Speaker 1: hour left because sometimes, you know, you have life and everything,
• 12:07
  Speaker 1: you don't really get to sometimes I watch movies and pieces, right,
• 12:12
  Speaker 1: so I won't. I'm trying to figure this damn thing out.
• 12:19
  Speaker 2: It's not wanting. That goes the Curse of Lake, Bro.
• 12:22
  Speaker 1: Yeah, the curse whatever. Hurt man, all right, whatever? Well
• 12:30
  Speaker 1: now I'm a big baby dude. Anyways, who cares? Who cares?
• 12:41
  Speaker 1: Here we go, all right, I got finally got it,
• 12:45
  Speaker 1: all right? So uh yeah, in that movie they have
• 12:49
  Speaker 1: the Watchers, they have six fingers, so you know the
• 12:52
  Speaker 1: whole Nephilim connection everything. So you know that they're in
• 12:54
  Speaker 1: the know when it comes to the occult and the esoteric.
• 12:58
  Speaker 1: And so in this part particular movie, so you have
• 13:01
  Speaker 1: this twenty five thousand, four hundred acre lake and Bayou
• 13:06
  Speaker 1: Wetland between border of Texas and Louisiana and the northern
• 13:10
  Speaker 1: Harrison County. And if you look up here some right,
• 13:15
  Speaker 1: this is some of the lore and some of the
• 13:17
  Speaker 1: create how the lake was formed. The first legend about
• 13:20
  Speaker 1: Caddo or Caddu Lake references to how it was formed.
• 13:23
  Speaker 1: One theory is that three New Madrid earthquakes from December
• 13:26
  Speaker 1: eighteen eleven to eighteen twelve created the lake. The New
• 13:31
  Speaker 1: Madrid seismic zone is located in southeastern Missouri, northeastern Arkansas,
• 13:37
  Speaker 1: Western Tennessee, western Kentucky, and southern Illinois. Seismic seismolologists is
• 13:43
  Speaker 1: how you say that estimate that these earthquakes reached seven
• 13:46
  Speaker 1: point zero magnitude or possibly large. That's pretty big, right
• 13:50
  Speaker 1: from my understanding of magnitude seven point zero. There is
• 13:54
  Speaker 1: scientific evidence that the New Madrid earthquakes created Tennessee's Real
• 13:57
  Speaker 1: Roof Lake. However, this is not a prevalentaion. Most geologists
• 14:01
  Speaker 1: follow theory that the Great Raft was eventually responsible for
• 14:05
  Speaker 1: cattle lakes creation. The evidence that primarily supports the Great
• 14:09
  Speaker 1: Raft theories the discovery of present day cypress trees with
• 14:14
  Speaker 1: growth rings of four hundred and six hundre years. And
• 14:17
  Speaker 1: the cypress tree is interesting because right only grows in
• 14:19
  Speaker 1: certain certain places in certain areas, and right is a
• 14:24
  Speaker 1: species of cypress native to the eastern Mediterranean region. Let's
• 14:28
  Speaker 1: see here, So Texas.
• 14:33
  Speaker 2: Yeah, I think that it's the largest cypress tree forests
• 14:38
  Speaker 2: in the world according to Google.
• 14:40
  Speaker 1: Really, so it's a native to states swamps and rivers.
• 14:43
  Speaker 1: So if it goes back at least four hundred years, right,
• 14:47
  Speaker 1: the four hundred to six hundred years, then the eighteen
• 14:50
  Speaker 1: eleven to eighteen twelve earthquake wouldn't fall in line obviously, right,
• 14:54
  Speaker 1: unless the dating of trees is fake and gay, which
• 14:59
  Speaker 1: again I don't know. I wouldn't say trees are faking gay,
• 15:02
  Speaker 1: but I think that maybe the dating of them could
• 15:05
  Speaker 1: be who knows.
• 15:07
  Speaker 2: Gage trees are definitely faking gay.
• 15:10
  Speaker 1: Yeah, and the five G Tower trees are also faking gay.
• 15:15
  Speaker 1: Cypress tree seeds will not root in dry soil, So
• 15:17
  Speaker 1: these trees suggest that Cattle Lake is much older. The
• 15:20
  Speaker 1: Great Raft was estimated one hundred and sixty miles long
• 15:24
  Speaker 1: natural log jam on the Red River, et cetera, et cetera.
• 15:30
  Speaker 1: The Freeman Curtis Expedition, commissioned by President Thomas Jefferson in
• 15:34
  Speaker 1: eighteen oh six, discovered the Great Raft, which was cleared
• 15:38
  Speaker 1: by the eighteen nineties. And then what is the great raft?
• 15:44
  Speaker 1: See the great rafts? Look that up.
• 15:49
  Speaker 2: Sounds like some kind of flood.
• 15:51
  Speaker 1: And what the an enormous log jam or a series
• 15:55
  Speaker 1: of rafts that clogged the Red and Atchafalaya rivers North America?
• 16:02
  Speaker 1: What hmmm?
• 16:06
  Speaker 2: So all of the trees and like something must have
• 16:09
  Speaker 2: happened where like logs and things got stuck and trammed
• 16:13
  Speaker 2: up the streams.
• 16:15
  Speaker 1: Yeah, I've never heard of this.
• 16:18
  Speaker 2: Bro that's wild, because that's kind of what it looked
• 16:23
  Speaker 2: like in the movie. Whenever the water was low kind
• 16:26
  Speaker 2: of looked like.
• 16:27
  Speaker 1: This, and that's what activated the portal. Right, So dude,
• 16:32
  Speaker 1: I've never heard of it. No, Why why didn't we
• 16:35
  Speaker 1: ever talk about this in school? Because this falls in
• 16:38
  Speaker 1: line with like the tart Terrier. It was a great mudfluck,
• 16:40
  Speaker 1: because that's what it sounds like, the whole all the
• 16:42
  Speaker 1: tree what knocked the trees down. It wasn't an earthquake,
• 16:47
  Speaker 1: right how they say, But damn, what a hell of
• 16:49
  Speaker 1: an earthquake to shake all those trees loose to then
• 16:52
  Speaker 1: send them down river to clog the river up. That's crazy, dude.
• 16:58
  Speaker 1: I never knew about that. So the Native American cattle legends,
• 17:05
  Speaker 1: this is where it gets interesting. Before European discovered the cattle,
• 17:07
  Speaker 1: Indians living in the Red River Sas Cattle Lake region
• 17:10
  Speaker 1: dominated the log jams there as denominated the logjams there
• 17:15
  Speaker 1: as sacred. The cattles centered their lives around the spring
• 17:19
  Speaker 1: floods and the logjam deposits of soil and nutrients. The
• 17:23
  Speaker 1: Great Raft was a living ecosystem and constantly changing when
• 17:27
  Speaker 1: logs drifted away and newer debris replaced them. That is
• 17:30
  Speaker 1: so wild. As the rafts of logjams shifted around, it
• 17:34
  Speaker 1: cleared fertile fields for cadoan crops. During floods, nutrients filled
• 17:40
  Speaker 1: settled on either side of the river banks. The cattles
• 17:42
  Speaker 1: grew their crops around the seasons and state of the
• 17:45
  Speaker 1: log jams. The Great Raft provided protection from enemy tribes.
• 17:50
  Speaker 1: The Cattles hold a spiritual belief that a great flood
• 17:53
  Speaker 1: clogged the Red River and created the Great Raft. A
• 17:56
  Speaker 1: cattle legend tells us that a cattle chief did not
• 17:58
  Speaker 1: obey the Great Spirit who caused it earthquake that resulted
• 18:02
  Speaker 1: in a flood that formed Cadillac around eighteen twelve. So
• 18:05
  Speaker 1: we have this Native American legend of this chief that
• 18:10
  Speaker 1: didn't obey the Great Spirit and then they were cursed. Right,
• 18:15
  Speaker 1: So I find that true because when I first learned
• 18:19
  Speaker 1: that Cadillac is an actual place, you gotta look up
• 18:23
  Speaker 1: the lore of it. You gotta look up the myths
• 18:25
  Speaker 1: and everything like that. So there's also there's a.
• 18:28
  Speaker 2: Lot of Native American miss and legends like that. It
• 18:33
  Speaker 2: seems like any place that had a large amount of
• 18:37
  Speaker 2: Native American settlement there there there they always have some
• 18:41
  Speaker 2: like with the moth Man. I'm sure you're familiar with
• 18:44
  Speaker 2: the moth Man and the legend of Chief Cornstock, like well,
• 18:48
  Speaker 2: Chief Cornstock supposedly cursed the talent of Point Pleasant and
• 18:53
  Speaker 2: supposedly calls the moth Man.
• 18:56
  Speaker 1: So I mean, yeah, well that's yeah, I know that part.
• 19:00
  Speaker 1: That's interesting because maybe a form of technology where they're
• 19:03
  Speaker 1: able to summon these ultra terrestrials into this dimension as
• 19:05
  Speaker 1: some sort of watcher right over the people for screwing
• 19:09
  Speaker 1: them over something.
• 19:11
  Speaker 2: That's what the movie Watchers kind of reminded me of.
• 19:14
  Speaker 2: They kind of reminded me of like Mothman's like without wings,
• 19:20
  Speaker 2: and I like the beginning of the movie. I thought
• 19:22
  Speaker 2: that it was really great, and then it just kind
• 19:25
  Speaker 2: of goes off the rails. They turned the Watchers, like
• 19:29
  Speaker 2: you know from the Book of Emach into what you're
• 19:31
  Speaker 2: supposed to be, falling angels. They came down to meete
• 19:34
  Speaker 2: with humans and create like angel human hybrids, but they
• 19:40
  Speaker 2: turn them in the fairies.
• 19:42
  Speaker 1: So well, maybe it's the same thing, dude. Yeah, but
• 19:46
  Speaker 1: I see that whole mythology differently, dude, because maybe we
• 19:51
  Speaker 1: can do a show on the Watchers movie.
• 19:55
  Speaker 2: Yeah, that would be cool, because there's a lot I
• 19:57
  Speaker 2: think they got a lot of the myth all g correct,
• 20:01
  Speaker 2: but in good Hollywood fashion, they kind of just Yeah,
• 20:07
  Speaker 2: they threw in their own little thing there and kind
• 20:10
  Speaker 2: of turned them into like pussy asked fairies. But that
• 20:15
  Speaker 2: might just be because our idea of what a fairy
• 20:19
  Speaker 2: is we think of like a fairy as something like
• 20:21
  Speaker 2: tinker Bell, like something super small, no bigger, yeah, no
• 20:26
  Speaker 2: bigger than a foot, like maybe they were these giant, scary,
• 20:30
  Speaker 2: weird creatures more like in the movie Who Knows.
• 20:35
  Speaker 1: So here, I'll say this about that. I look at
• 20:38
  Speaker 1: that story of the Book of Genesis and even maybe
• 20:41
  Speaker 1: the Book of Enoch, Right, we can lump that in
• 20:44
  Speaker 1: there a little bit. I will attribute that when they
• 20:49
  Speaker 1: entered the daughters of men or daughters of men, whatever,
• 20:54
  Speaker 1: that it was, wasn't actual physical like interactions sexually, right,
• 21:00
  Speaker 1: What if it was more of a possession or parasitic
• 21:04
  Speaker 1: nature where they entered their bodies and then they altered
• 21:07
  Speaker 1: them to be able to give birth to these things.
• 21:09
  Speaker 1: And if you look, if you zoom into parasites, bro
• 21:13
  Speaker 1: or any germs, they look like demons. You know, I
• 21:15
  Speaker 1: don't know if you've talked about that on your show.
• 21:17
  Speaker 1: I'm sure there's a couple of people out there who
• 21:18
  Speaker 1: have link parasites and germs and stuff like that. When
• 21:22
  Speaker 1: you zoom into their face, like the into the actual
• 21:25
  Speaker 1: the microscope, right, that that is, it looks like a
• 21:28
  Speaker 1: freaking demon, looks demonic. Right, So let's look this up here,
• 21:31
  Speaker 1: real quick.
• 21:32
  Speaker 2: Yeah, that would make a lot more sense than like
• 21:36
  Speaker 2: a physical group of entities coming down, Like, yeah.
• 21:42
  Speaker 1: Look at this, this is demonic.
• 21:43
  Speaker 3: Bro.
• 21:43
  Speaker 1: Have you ever if you saw this at night? Look
• 21:46
  Speaker 1: at that? Bro? Forget that, dude, Bro, if you saw
• 21:50
  Speaker 1: if you saw this at night, Tait was probably ai,
• 21:52
  Speaker 1: But if you saw this at night, look you'd be
• 21:58
  Speaker 1: yourself like this is this is what things of nightmares
• 22:01
  Speaker 1: are made out of me that that'd be a freaking
• 22:03
  Speaker 1: crazy looking thing, you know, I'd be scared.
• 22:06
  Speaker 2: He does stop on that so quick, dude.
• 22:08
  Speaker 1: So I think it's more of that, But we can, maybe,
• 22:10
  Speaker 1: maybe we can do an episode on that particular movie,
• 22:14
  Speaker 1: the twenty foot Cattle Lake Monster. At the beginning of
• 22:17
  Speaker 1: this movie, we have an an alligator, right, and this
• 22:22
  Speaker 1: also ties into the cattle mutilations because the alligator in
• 22:26
  Speaker 1: the movie was cut. His bottom half was cut perfectly,
• 22:32
  Speaker 1: and you have the kids poking at the alligator. They're like, look,
• 22:35
  Speaker 1: it was almost like I think they say it was
• 22:37
  Speaker 1: done with lasers or like surgically done. And how many
• 22:40
  Speaker 1: times haven't we talked about cattle emulations where it's like
• 22:43
  Speaker 1: only a surgeon could have done this, Like it's so
• 22:46
  Speaker 1: perfectly cut that they were so meticulous. And it turns
• 22:50
  Speaker 1: out again when we learned that when the when the
• 22:53
  Speaker 1: water goes up, it deactivates the portal and everything that's
• 22:57
  Speaker 1: in the way of the portal, boom gets cut. Right.
• 23:02
  Speaker 1: So this poor alligator was probably just chilling on the bank,
• 23:06
  Speaker 1: the water comes in and he just gets chopped in
• 23:08
  Speaker 1: aweg boom, you know, he just gets you know, cut
• 23:11
  Speaker 1: in half.
• 23:12
  Speaker 2: Yeah, that was probably like a prehistoric not a prehistoric,
• 23:15
  Speaker 2: but a really old alligator from like the fifties or something,
• 23:19
  Speaker 2: because he would have had to have been on the
• 23:20
  Speaker 2: other side of the portal whenever it shut, whenever the
• 23:23
  Speaker 2: water drain traveling. Yeah.
• 23:27
  Speaker 1: And so dude, that's a good observation because think about
• 23:29
  Speaker 1: how many things maybe don't exist in our timeline. They
• 23:32
  Speaker 1: have come through. Our animals don't know any better just
• 23:35
  Speaker 1: walking through. They're not going to know if they're in
• 23:37
  Speaker 1: two thousand and three or twenty twenty three, and the
• 23:40
  Speaker 1: movie was two thousand and three and twenty twenty three.
• 23:42
  Speaker 1: I believe the two timelines. And right off the bat,
• 23:46
  Speaker 1: when they were switching over from the main character of
• 23:48
  Speaker 1: the girl right which is the daughter essentially.
• 23:55
  Speaker 2: Ellie Ellie.
• 23:56
  Speaker 1: Yeah, Ellie, the daughter of what's the main guy's name,
• 24:00
  Speaker 1: Paris Paris. And when they were switching back and forth,
• 24:06
  Speaker 1: I kind of already had gotten the the all were
• 24:09
  Speaker 1: in two different timelines, right, we're jumping back and forth.
• 24:13
  Speaker 1: There's a significance between the two when the girl is
• 24:16
  Speaker 1: talking about, Oh, none of these people are related to me.
• 24:19
  Speaker 1: You know, I don't like these family gatherings that that
• 24:22
  Speaker 1: click for me after the fact, because it turns out
• 24:25
  Speaker 1: that they were related the whole time. Right, Her stepsister
• 24:30
  Speaker 1: was actually her grandma, right, because she was the mother
• 24:34
  Speaker 1: of Paris, her dad, and then she had met her,
• 24:40
  Speaker 1: you know, her grandma made her great grandpa, I guess, right,
• 24:45
  Speaker 1: And they no no their grandpa, which was the guy
• 24:47
  Speaker 1: on the bed towards the end of the movie.
• 24:52
  Speaker 2: Yeah, But what I'm trying to figure out is was
• 24:54
  Speaker 2: an Anna the girl the wind missing? Is that the
• 25:01
  Speaker 2: is that mom's But is that Ellie's mom's kid or
• 25:08
  Speaker 2: is that Ellie's mom's husband's kid, Because if it's it
• 25:16
  Speaker 2: makes a difference if it's her half sister or if
• 25:18
  Speaker 2: it's her stepsister.
• 25:22
  Speaker 1: Here and I'm gonna pull up the video that I
• 25:24
  Speaker 1: saw it on because they do like a little like
• 25:27
  Speaker 1: a little diagram, which really broke it down for me
• 25:29
  Speaker 1: because I was very confused about this too and like
• 25:31
  Speaker 1: what it meant. Right, So we have here, I believe
• 25:36
  Speaker 1: it's this one. He needs to play it, but he here
• 25:40
  Speaker 1: we go, so he does the breakdown the family tree. Okay,
• 25:42
  Speaker 1: So we have Paris, one of the main characters. The
• 25:46
  Speaker 1: mom saw. They're linked together, and you got Paris who
• 25:50
  Speaker 1: was obviously with the mom. So he's both of their kids.
• 25:53
  Speaker 1: Now this guy, his wife is an unknown woman okay.
• 25:57
  Speaker 1: And then in the.
• 25:58
  Speaker 2: Movie, and then Anna is his daughter.
• 26:01
  Speaker 1: Anna is his yeah, his daughter in this timeline.
• 26:05
  Speaker 2: So it doesn't have anything to do with always. It's
• 26:09
  Speaker 2: not always Mom's no, no, her and him did not
• 26:14
  Speaker 2: have Anna.
• 26:16
  Speaker 1: No, this this is a stepchild here.
• 26:18
  Speaker 2: Okay. Well that that's change the entire dynamic of the movie,
• 26:23
  Speaker 2: because I thought that Anna was always Mom's daughter along
• 26:29
  Speaker 2: with this new guy.
• 26:31
  Speaker 1: But here's here's the thing. Technically, technically she's her her
• 26:37
  Speaker 1: mother in law because remember after the fact, which he
• 26:41
  Speaker 1: speeds it up here, she met the grandpa, which is
• 26:45
  Speaker 1: her grandpa, right, So she's her mother in law. Bro
• 26:49
  Speaker 1: It's wild, right, like it's it's like, what, like, what
• 26:52
  Speaker 1: is happening? Okay? So and the the the reason we
• 26:58
  Speaker 1: got here, the reason we got I hear, the movie
• 27:00
  Speaker 1: right off the bat starts off with Paris. Yeah, it
• 27:06
  Speaker 1: starts off with Paris and his mom, which would be
• 27:10
  Speaker 1: the sister. What's the sister's name, the sister the Yeah, Anna,
• 27:18
  Speaker 1: Anna is the one that goes missing.
• 27:19
  Speaker 2: Missing. Ella Is is Paris's.
• 27:23
  Speaker 1: Daughter exactly, so she doesn't know where her dad is.
• 27:25
  Speaker 1: But at the beginning of the movie, you have an
• 27:27
  Speaker 1: old Anna, like an older Anna in a car accident
• 27:31
  Speaker 1: that goes off a bridge. She's having a seizure. If
• 27:34
  Speaker 1: you notice their hands right, So throughout the movie, their
• 27:36
  Speaker 1: hands start to twitch because they're in the wrong timeline.
• 27:38
  Speaker 1: Because when you're in the wrong timeline and the wrong dimension,
• 27:42
  Speaker 1: you get sick, and it shows itself with the bleeding
• 27:46
  Speaker 1: of the ears, the seizures. So all her life, Anna
• 27:50
  Speaker 1: had seizures because she was in the wrong dimension the
• 27:53
  Speaker 1: whole time.
• 27:55
  Speaker 2: Yeah.
• 27:56
  Speaker 1: So, uh, they crash off a bridge and then he
• 27:59
  Speaker 1: goes off his life wondering what was actually wrong with
• 28:02
  Speaker 1: my mom? So he confronts the doctor at the beginning
• 28:04
  Speaker 1: of the movie, like, hey, she doesn't have the disease
• 28:07
  Speaker 1: that you're saying that she had, because she wouldn't be
• 28:10
  Speaker 1: bleeding from her ears. Now, mind you, the dad, right,
• 28:15
  Speaker 1: they have kind of this strained relationship because he's so
• 28:18
  Speaker 1: obsessed with his like why his mom was sick? Right,
• 28:22
  Speaker 1: Like what was it really happening to her? So I'm
• 28:24
  Speaker 1: sure that the entire time that they were growing up together,
• 28:27
  Speaker 1: you got the mom probably telling him like stories of
• 28:30
  Speaker 1: like hey, I remember having another family. I'm having these seizures.
• 28:34
  Speaker 1: I feel like I've come from another area, which ties
• 28:36
  Speaker 1: into like the mythology of today of like hey, I
• 28:42
  Speaker 1: remember a past life. I have a birthmark that corresponds
• 28:48
  Speaker 1: with the same other person in history or whatever. You
• 28:50
  Speaker 1: know what I'm saying, like these past life regressions or
• 28:53
  Speaker 1: past life memories. And it turns out that he had
• 28:57
  Speaker 1: saved Anna when she goes missing a well not accidentally
• 29:01
  Speaker 1: but dropped or off with those people. And then in
• 29:03
  Speaker 1: nineteen fifty two, I believe so he saved his own mom.
• 29:08
  Speaker 1: And then when he goes back into the dimension where
• 29:11
  Speaker 1: he takes the car towards the end of the movie,
• 29:13
  Speaker 1: that she recognized. She's in shock. She recognizes like that's
• 29:18
  Speaker 1: my missing husband. But he's so locked in he wants
• 29:23
  Speaker 1: to get back to his time because he's timing the
• 29:25
  Speaker 1: floods that he drives away and then obviously he jumps
• 29:28
  Speaker 1: off the bridge, the damn breaks and then it takes
• 29:34
  Speaker 1: him out. So he had committed, you know, the unaliving
• 29:39
  Speaker 1: of oneself, when in reality, he was trying to get
• 29:42
  Speaker 1: back to his dimension. Again, very complex, So if you're
• 29:47
  Speaker 1: watching it for the first time, you're like, what is happening,
• 29:51
  Speaker 1: Like I don't understand what's happening, because it's not.
• 29:57
  Speaker 2: I don't understand what's happening.
• 30:01
  Speaker 1: Oh listen, just if you're listening to this on the
• 30:05
  Speaker 1: RSS feed or wherever, go to the video. There's a diagram.
• 30:09
  Speaker 1: You're still gonna be confused. Okay, I don't even know
• 30:12
  Speaker 1: what I'm saying right now, but no, no, But for
• 30:15
  Speaker 1: this is her son, this is her dad, they're married.
• 30:21
  Speaker 1: This guy has nothing to do with her. There's it's
• 30:23
  Speaker 1: literally said that he had this child with an unknown woman.
• 30:26
  Speaker 1: But did that woman ever exist when she was dropped off?
• 30:31
  Speaker 1: It doesn't, it doesn't matter whatever who cares. She was
• 30:33
  Speaker 1: dropped off in another dimension because he gave her to
• 30:35
  Speaker 1: those people. To save and Ellie confirms this when she
• 30:40
  Speaker 1: looks her up on the computer that she's looking up
• 30:42
  Speaker 1: her yearbook pictures and she sees kind of her life
• 30:46
  Speaker 1: throughout the years. And then I don't know if you
• 30:49
  Speaker 1: saw the prompt on the on the when she's running
• 30:53
  Speaker 1: out of time, it's like, your time is your your
• 30:55
  Speaker 1: session has almost expired. You need more time. That's like
• 30:58
  Speaker 1: almost like you know, we're all let her know.
• 31:00
  Speaker 2: That she needs to get back to her timeline. Yeah.
• 31:04
  Speaker 2: The thing that I really liked too is like in
• 31:07
  Speaker 2: the beginning of the movie, Paris is kind of starting
• 31:09
  Speaker 2: to put all this together. And Paris is as a
• 31:12
  Speaker 2: lake worker. He works like on the lake, he like
• 31:17
  Speaker 2: on the dam and everything, and he's trying to put
• 31:21
  Speaker 2: this together to his girlfriend because they kind of separated
• 31:24
  Speaker 2: after him and his mom drove off of the bridge
• 31:27
  Speaker 2: because his mom was having these seizures and she was driving,
• 31:30
  Speaker 2: she drove off the bridge. And that's kind of the
• 31:32
  Speaker 2: opening scene that we get with this movie is his mom,
• 31:35
  Speaker 2: him not being able to save his mom in the
• 31:38
  Speaker 2: lake because he can't get her out and also save himself.
• 31:43
  Speaker 2: So Paris right here is trying to explain to his
• 31:47
  Speaker 2: girlfriend all the things that he's found, and he went
• 31:51
  Speaker 2: like super conspiratorial with it, especially with the way that
• 31:55
  Speaker 2: his girlfriend kind of blows him off about it, and
• 31:58
  Speaker 2: it's like, how long have you been re searching this?
• 32:00
  Speaker 2: And I felt that I felt that hard for Paris.
• 32:03
  Speaker 2: You know, a little in this community is kind of
• 32:06
  Speaker 2: like that. But he was like, listen, there's some kind
• 32:10
  Speaker 2: of connection here between the water lowering and like my
• 32:16
  Speaker 2: mom seizures during this time. And he is putting together
• 32:21
  Speaker 2: all the dates and he's doing all this stuff, and
• 32:24
  Speaker 2: his girlfriend just thinks that he's crazy. She's just kind
• 32:27
  Speaker 2: of like, bro, like what are you talking about? I
• 32:29
  Speaker 2: don't think that your mom would want you doing this.
• 32:31
  Speaker 2: But whenever he was out on the lake working, he
• 32:34
  Speaker 2: realized he found a necklace while he was working. And
• 32:39
  Speaker 2: the necklace is like two sixes, kind of like intersecting.
• 32:44
  Speaker 3: I don't know if you can find a picture of
• 32:46
  Speaker 3: a necklace, but.
• 32:48
  Speaker 2: Like two sixes, yeah, yeah, it's really close. But he
• 32:54
  Speaker 2: finds a necklace, and then he goes to his dad's
• 32:56
  Speaker 2: house and searches through his mom's stuff realizes that she
• 33:01
  Speaker 2: had the exact same necklace. So he's, yeah, that's.
• 33:05
  Speaker 1: The one and it's the it's the sixth nine bro.
• 33:07
  Speaker 1: It's the cornerstone. It's the portal. So whenever you look
• 33:11
  Speaker 1: at like Royal arc freemasonry, they have always the the
• 33:18
  Speaker 1: six ' nine at the top of the of the arches,
• 33:20
  Speaker 1: which is the portal. It signifies the Again, it's the cornerstone.
• 33:26
  Speaker 1: The portal is six ' nine. It's also I believe
• 33:29
  Speaker 1: I want to say, is it Gemini. No, it's astrology chart.
• 33:42
  Speaker 1: It's the it's an astrological sign as well. So okay,
• 33:49
  Speaker 1: so it's for cancer, so cancer astrology, so it's also
• 33:57
  Speaker 1: the sign for cancer. The crab right now, Again, I
• 34:01
  Speaker 1: don't I think astrology there's something to it. I don't
• 34:04
  Speaker 1: understand any enough, so I can't tell you what exactly things,
• 34:06
  Speaker 1: but that's that sign there. But I do know of
• 34:08
  Speaker 1: it from again to cancer the astrology, and that this
• 34:14
  Speaker 1: this crab nebula that people see a nebula super No,
• 34:21
  Speaker 1: let's see here, if there's a portal there or something
• 34:23
  Speaker 1: like that, let me see where the supervoid is that.
• 34:26
  Speaker 1: I don't think the supervoid is near there. But anyways,
• 34:30
  Speaker 1: I've heard it talked about it being a portal and
• 34:33
  Speaker 1: that kind of sort of when I when I first
• 34:35
  Speaker 1: saw that in the movie. So this is actually Ellie
• 34:38
  Speaker 1: and her mom, a younger version of her mom. And
• 34:42
  Speaker 1: when she goes back to two thousand and three after
• 34:44
  Speaker 1: she had just gotten off the computer, she essentially meets
• 34:48
  Speaker 1: herself as a younger version and a younger version of
• 34:51
  Speaker 1: her mom, and she's the mom thinks that she's involved
• 34:54
  Speaker 1: with Paris, like hey, tell him to come back, like whatever,
• 34:56
  Speaker 1: we need him, blah blah blah. But we know what
• 34:59
  Speaker 1: happened to him. He had actually tripped into that other
• 35:01
  Speaker 1: realm in the future and he had died in that dimension,
• 35:05
  Speaker 1: so obviously he was never gonna come back, right, So
• 35:09
  Speaker 1: that and then I want to show what you're talking about.
• 35:12
  Speaker 1: Where he was documenting all the time. So he looks
• 35:16
  Speaker 1: at the he looks at the at the at the
• 35:22
  Speaker 1: screen here and it's showing rain and he knows that
• 35:26
  Speaker 1: when the rain comes, that's when the portal's activated. So Hit,
• 35:30
  Speaker 1: I can't play it because we might get ping. But
• 35:32
  Speaker 1: in here he sees on the TV that it's going
• 35:35
  Speaker 1: to rain. He goes, Damn, the portal's not gonna work
• 35:38
  Speaker 1: if there's water there. So this is when he chooses
• 35:41
  Speaker 1: to escape to be able to go back to his
• 35:43
  Speaker 1: timeline before the portal shuts off, because we see that
• 35:47
  Speaker 1: when the lake was flooded, that's when the portals deactivated,
• 35:50
  Speaker 1: and then we know that they're like, where the hell's
• 35:52
  Speaker 1: all the water coming from? Where the hell's all this
• 35:55
  Speaker 1: stuff coming from. It's literally traveling from the rising tides
• 35:59
  Speaker 1: and everything thing from dimension to dimension, right, which we
• 36:03
  Speaker 1: see that when Ellie's trying to get back to her
• 36:06
  Speaker 1: main dimension and the water starts to cut off the portals,
• 36:09
  Speaker 1: so we see it flooding kind of in and filling
• 36:12
  Speaker 1: everything up. Now, I don't know the specifics of portals.
• 36:19
  Speaker 1: I don't know the anatomy of portals and how they work,
• 36:22
  Speaker 1: but it would make sense that they use some sort
• 36:24
  Speaker 1: of water source. Maybe that's why the pyramids are built
• 36:28
  Speaker 1: over a water source. Maybe that's why Florida is so special,
• 36:33
  Speaker 1: because we literally have water all under us because we
• 36:37
  Speaker 1: have very you know, we have limestone and all these
• 36:41
  Speaker 1: very porous rocks where the water table is able to
• 36:43
  Speaker 1: freely move up and down. So again, that's just one
• 36:49
  Speaker 1: of the mechanics that we're probably not gonna know of
• 36:51
  Speaker 1: in this movie as to how the portal is it
• 36:56
  Speaker 1: something in the ground that's activating the portal, because it
• 36:58
  Speaker 1: can't just be the is it the cypress trees? Like
• 37:01
  Speaker 1: is the cypress tree?
• 37:05
  Speaker 2: To me, it kind of seems like that it's a
• 37:09
  Speaker 2: predetermined type of timeline. So whenever this happens.
• 37:17
  Speaker 1: Like.
• 37:19
  Speaker 2: Her Anna has to go back like no matter what,
• 37:25
  Speaker 2: because she creates Paris in the future. So therefore the
• 37:33
  Speaker 2: events of the future in the past are ultimately connected
• 37:37
  Speaker 2: and no matter what, these types of events have to happen.
• 37:40
  Speaker 2: So there's a certain period every I don't know, certain
• 37:45
  Speaker 2: amount of years where the lake has to dry up
• 37:48
  Speaker 2: in order for these events in the portal to be unlocked.
• 37:53
  Speaker 2: And then who knows how many other times this might
• 37:57
  Speaker 2: happen in the future past twenty twenty three or the
• 38:01
  Speaker 2: current timeline that the movie has taken place, and who
• 38:04
  Speaker 2: knows what happens after that, Like they can make a
• 38:07
  Speaker 2: sequel to this movie and have it completely unrelated to
• 38:12
  Speaker 2: this current movie and do an identical type of thing.
• 38:18
  Speaker 2: It could probably go on forever into the future, or
• 38:22
  Speaker 2: they could even take it back further in the past
• 38:24
  Speaker 2: and do the same thing with different types of events.
• 38:27
  Speaker 2: But it makes it seem like that it's a predetermined
• 38:32
  Speaker 2: situation that no matter what, these types of events has
• 38:37
  Speaker 2: to happen. And we kind of see that throughout the
• 38:39
  Speaker 2: movie whenever Ellie first shows up, whenever her mom calls
• 38:45
  Speaker 2: her at her friend's house and was like, hey, Anna's missing,
• 38:48
  Speaker 2: And then she goes and she shows up at the
• 38:50
  Speaker 2: house and her step dad comes and says, did you
• 38:54
  Speaker 2: come in on a skiff? And she said, yeah, how
• 38:56
  Speaker 2: el's what I've gotten here, and then he goes out
• 38:58
  Speaker 2: to the dock and the boat is missed, saying the
• 39:00
  Speaker 2: skiff is missing, and the audience and on the first
• 39:03
  Speaker 2: time run through you're thinking, well, she just showed up
• 39:06
  Speaker 2: on the skiff, like who took the skiff? Like there's
• 39:10
  Speaker 2: nobody else there to take it. But then it turns
• 39:12
  Speaker 2: out later on in the movie that it was her
• 39:15
  Speaker 2: herself that took the skiff. Bro So waking time.
• 39:19
  Speaker 1: Yeah, so well, I'm like, what is ham? I'm like, oh,
• 39:23
  Speaker 1: everything's teleporting right, so and by the way, it was
• 39:26
  Speaker 1: twenty twenty two, twenty twenty three, so here it kind
• 39:29
  Speaker 1: of explains. In the twenty twenty four movie Cattle Lake,
• 39:32
  Speaker 1: a time portal appears at the lake when it's experiencing
• 39:35
  Speaker 1: a drought. So when the water goes down, how the
• 39:38
  Speaker 1: portal appears? The portals a natural phenomenon that opens when
• 39:41
  Speaker 1: the lake is low on water. Paris discovers the port
• 39:44
  Speaker 1: after noticing that his mother seizers coincide with the drought
• 39:46
  Speaker 1: because he was writing it just down. He was riding
• 39:48
  Speaker 1: down every day that his mom would have a seizure
• 39:53
  Speaker 1: and then he would he coins. You know, he connected
• 39:56
  Speaker 1: it to like, oh, every time a drought happened, they
• 39:59
  Speaker 1: you know, they or she was experiencing this thing. So
• 40:02
  Speaker 1: how the portal closed. The portal closed when the lake
• 40:04
  Speaker 1: fills back up with water. Again, it doesn't tell us
• 40:06
  Speaker 1: like the trees are magical. But if you look at
• 40:08
  Speaker 1: the mythology of the cypress tree in Greek mythology, it's mourning, right,
• 40:13
  Speaker 1: So the cyperstree is the symbol of mourning and loss,
• 40:15
  Speaker 1: which kind of connects this movie in a way where
• 40:18
  Speaker 1: it's a lot of mourning and loss. Right, they lost
• 40:21
  Speaker 1: people that they love, but not really because there were
• 40:24
  Speaker 1: in another dimension a one did. Paris did perish, but
• 40:28
  Speaker 1: associated with the story of Cypeer Cyaesus, a youth who
• 40:34
  Speaker 1: accudally killed his favorite stag was transformed to a cypress tree.
• 40:38
  Speaker 1: The trees of the trees, tears of sap that drip
• 40:41
  Speaker 1: down its trunk are set to represent the grief of Cypersis.
• 40:45
  Speaker 1: And then interesting here a transition between life and death,
• 40:49
  Speaker 1: and many cultures of cyperstree symbolizes the transition between life
• 40:52
  Speaker 1: and death and the possibility of eternal life. So that's
• 40:54
  Speaker 1: kind of like if you travel to another I wouldn't
• 40:57
  Speaker 1: say that you'd have maternal effect by traveling to another
• 41:02
  Speaker 1: dimension or another timeline, because you'd still be mortal on
• 41:05
  Speaker 1: that timeline. So I don't know if I connect that,
• 41:08
  Speaker 1: But immortality and Zoroastrianism, the cyperstree is a symbol of immortality,
• 41:13
  Speaker 1: and cutting down a cyperstree is believed to be bad luck.
• 41:17
  Speaker 1: The Zoroastrian word for tree is the same as the
• 41:19
  Speaker 1: word immortality. That's interesting. Sacred to deities, the cyperstree was
• 41:24
  Speaker 1: sacred to the Greek god's Apollo and Artemis and to
• 41:28
  Speaker 1: the Roman rulers of the underworld. The god Asclepius's staff
• 41:32
  Speaker 1: was made of cypress wood. So it makes you think, right, Hollywood,
• 41:36
  Speaker 1: the holly tree tree and all that stuff and It's like,
• 41:40
  Speaker 1: that's why I love alchemy so much, because that all
• 41:42
  Speaker 1: ties into using materials in the material realm to achieve
• 41:48
  Speaker 1: a change that is beyond you. Right, So when you're
• 41:51
  Speaker 1: working in the Great Work, you're working on multiple dimensions
• 41:55
  Speaker 1: at once. But you do that by aligning things in
• 41:58
  Speaker 1: this material world, matter in this world, purifying it, et cetera,
• 42:03
  Speaker 1: et cetera, to be able to achieve the magnum opus,
• 42:05
  Speaker 1: which is right, the Great Work funerary practices. The cybertree
• 42:09
  Speaker 1: is often planted in cemeteries and used to shade graves
• 42:11
  Speaker 1: of people of religious importance. The cyperstree is also one
• 42:15
  Speaker 1: of the oldest plants in the world, with fossil records
• 42:19
  Speaker 1: dating back to the most Mesozoic era. Now that's probably
• 42:25
  Speaker 1: fake and gay and there's no such thing as that,
• 42:27
  Speaker 1: but again, this is the way that they have stuff
• 42:30
  Speaker 1: to date it, right, you gotta That's why, Like, if
• 42:33
  Speaker 1: you're so blackpilled that you don't believe history is real,
• 42:37
  Speaker 1: then don't talk about anything because you can't believe anything
• 42:41
  Speaker 1: you're even saying. You get what I mean, Like, you
• 42:43
  Speaker 1: need a system in order to date things, even if
• 42:47
  Speaker 1: it is corrupt, But you still need a marker.
• 42:50
  Speaker 2: Yeah, you need a basis of reality to work from,
• 42:53
  Speaker 2: because if not, then you're just lost. You're lost in history.
• 42:58
  Speaker 2: And that's kind of like the theme of this movie
• 43:01
  Speaker 2: is people getting lost and in time basically and trying
• 43:07
  Speaker 2: to get back to their own timeline, and so kind
• 43:13
  Speaker 2: of what happens is Ellie decides to go out and
• 43:17
  Speaker 2: look for her sister on her own. She stops her boat.
• 43:20
  Speaker 2: She because they called the police whenever Anna goes missing,
• 43:23
  Speaker 2: and the police kind of come and they don't really
• 43:25
  Speaker 2: they're not really doing much kind of outlooking, but Ellie's
• 43:28
  Speaker 2: kind of like, well, you know, there's places that you
• 43:31
  Speaker 2: don't even know about because the lake is super dry.
• 43:33
  Speaker 2: Right now, there's land there that there wasn't any previous land.
• 43:37
  Speaker 2: So I'm going to go out and look for on
• 43:38
  Speaker 2: our own. And she's passing. She ends up going to
• 43:42
  Speaker 2: this one spot that's under this like.
• 43:44
  Speaker 3: Broken down.
• 43:46
  Speaker 2: Railroad trustle type of thing, and she passes through the
• 43:53
  Speaker 2: like this invisible type of.
• 43:56
  Speaker 1: Sheen type of thing that was broken. Was that just
• 44:00
  Speaker 1: a bridge because now I'm I think.
• 44:03
  Speaker 2: That was just a bridge. That was just a bridge
• 44:05
  Speaker 2: because whenever Paris goes through and finds his mom, which
• 44:09
  Speaker 2: is Anna, the girl that's missing. In the distance, you
• 44:13
  Speaker 2: see the the dam that's being built in I think
• 44:16
  Speaker 2: nineteen fifty two, which would have to be the most
• 44:20
  Speaker 2: disorienting thing to possibly happen to you. And that's another
• 44:24
  Speaker 2: thing about these portals and these these other dimensions of
• 44:28
  Speaker 2: reality and possibly other timelines. I had another I had
• 44:31
  Speaker 2: a gentleman on my show, which his name is Trey Hudson,
• 44:35
  Speaker 2: and he's like, a oh, he's kind of like a
• 44:39
  Speaker 2: paranormal investigator type of.
• 44:42
  Speaker 1: That looks like a damn though, Bro, is this that's Paris? Though, Yeah,
• 44:47
  Speaker 1: it's Paris when he jumps off, but then the damn
• 44:49
  Speaker 1: burst I believe it's the it's the damn bursting that
• 44:53
  Speaker 1: made him get knocked out.
• 44:55
  Speaker 2: And yeah, but I'm talking about whenever where the portal is.
• 44:59
  Speaker 2: The portal is like on the other side of that
• 45:01
  Speaker 2: little broken down slash bridge where where she has to
• 45:06
  Speaker 2: go under because of the and grab her hands on
• 45:09
  Speaker 2: the bottom of the bridge because it's collapsed in just to.
• 45:12
  Speaker 3: Grab the bridge to.
• 45:14
  Speaker 2: Navigate the dinghy skiff and through the bridge. But whenever
• 45:19
  Speaker 2: Paris goes, because it's further back in time, he just
• 45:23
  Speaker 2: goes right underneath it because it's not broken, and that's
• 45:25
  Speaker 2: how they get to the portal.
• 45:28
  Speaker 1: That bridge yet there that bridge right there yet Okay, so.
• 45:32
  Speaker 2: That bridge is the uh is on the other side
• 45:36
  Speaker 2: of that bridge is where.
• 45:37
  Speaker 1: The portal literally a bridge to dimension exactly.
• 45:42
  Speaker 2: Wow, that's freaking they symbolize out of that. And so
• 45:48
  Speaker 2: whenever she goes through the first time, she she sees
• 45:52
  Speaker 2: that everything is kind of like it's daylight, and her
• 45:57
  Speaker 2: her skiff is gone, and she flags down a man
• 46:01
  Speaker 2: to pick her up, and that's on the lake out
• 46:03
  Speaker 2: there doing whatever, fishing or whatever to take her home.
• 46:06
  Speaker 2: And when she gets back to her mom, she realizes
• 46:08
  Speaker 2: that she went back in time. But when she went
• 46:11
  Speaker 2: back in time, she went right back before her sister,
• 46:15
  Speaker 2: well her stepsister went missing and find her. And well,
• 46:23
  Speaker 2: the first the first time that she goes back, she
• 46:25
  Speaker 2: that doesn't that she doesn't find her yet. It's the
• 46:27
  Speaker 2: second time that she goes that that she that she
• 46:30
  Speaker 2: finds her. But the second time that she finds her
• 46:33
  Speaker 2: isn't the right timeline, the right timeline, it's a different timeline.
• 46:37
  Speaker 2: It's one of the times that Anna went after her
• 46:41
  Speaker 2: back to her friend's house and got lost in like
• 46:44
  Speaker 2: I think she said a month.
• 46:45
  Speaker 1: Ago she was fighting with the family with the plate
• 46:48
  Speaker 1: and yeah, no, it's clicking. Yeah, bro, it's so much.
• 46:53
  Speaker 2: So Yeah, that was Anna from a month prior when
• 46:57
  Speaker 2: she also left to follow Ellie to friend's house. But
• 47:02
  Speaker 2: whenever she leaves again at this point, Paris as is
• 47:06
  Speaker 2: at the same spot at the lake and also goes
• 47:09
  Speaker 2: through the same area Ellie is in, but they're in
• 47:12
  Speaker 2: two different timelines. And then on the first watch through,
• 47:15
  Speaker 2: I didn't realize that these two things were because I
• 47:18
  Speaker 2: didn't think that anything was going to be the smart
• 47:20
  Speaker 2: you know, I didn't really think I was going to
• 47:22
  Speaker 2: have to sit down and actually analyze this movie, and
• 47:28
  Speaker 2: so I really wasn't like thinking that it was two
• 47:30
  Speaker 2: different timelines. But Anna, Ellie, and Paris are at the
• 47:35
  Speaker 2: exact same spot. Paris is in what two thousand and three,
• 47:39
  Speaker 2: somewhere around there in the early two thousand two, and
• 47:44
  Speaker 2: Ellie is in twenty two.
• 47:47
  Speaker 1: Yep.
• 47:48
  Speaker 2: So Paris finds Anna, but she's hurt. She has like
• 47:52
  Speaker 2: a branch or something. She's been like stabbed by some
• 47:55
  Speaker 2: kind of branch or something in her back. Yeah, he
• 47:58
  Speaker 2: picks her up and he carries her to men that
• 48:00
  Speaker 2: are working out on the dam. But that would be
• 48:04
  Speaker 2: the most shocking moment. One was when whenever you go
• 48:08
  Speaker 2: out to the to the thing and you see that
• 48:11
  Speaker 2: there's like no water at this lake where there's supposed
• 48:13
  Speaker 2: to be all this water. And then the dam is
• 48:16
  Speaker 2: being in construction, you know, so it's still in the
• 48:19
  Speaker 2: process of being built. And he asked the men that
• 48:22
  Speaker 2: he gave Anna twud to like help out, and they
• 48:24
  Speaker 2: told him it's in that the year is nineteen fifty two.
• 48:28
  Speaker 2: Did you imagine how disorienting that would be, bro Like
• 48:31
  Speaker 2: you would be.
• 48:31
  Speaker 1: So say he did something to her, like what you
• 48:33
  Speaker 1: do to her? You know what you do to her?
• 48:35
  Speaker 1: And then he just like runs away. But one of
• 48:38
  Speaker 1: the interesting parts that I want to play this sound
• 48:41
  Speaker 1: because when I first heard the sound in the movie,
• 48:44
  Speaker 1: it's very eerie, very scary, like it's like what was that?
• 48:48
  Speaker 1: And it's the sound that they hear. It's actually the
• 48:50
  Speaker 1: explosions of the sound of the explosion going off or
• 48:55
  Speaker 1: when they're building the dam and it's ringing in their dimension.
• 48:58
  Speaker 1: I'm gonna play this hero real quick. You might not
• 49:01
  Speaker 1: be able to hear it though. Let me let me
• 49:06
  Speaker 1: double check to make sure that you can hear the sound.
• 49:10
  Speaker 1: You're also a system sound sure, okay, so I'm gonna
• 49:14
  Speaker 1: play this here real quick. The dog knows what's up
• 49:21
  Speaker 1: when she is in her timeline and Parison is at
• 49:27
  Speaker 1: his time. Yea that have I heard that in the
• 49:38
  Speaker 1: middle of the night, Like what was that? And I
• 49:43
  Speaker 1: related this particular sound to when people talk about Bigfoot
• 49:49
  Speaker 1: or any missing for when one that they hear doors
• 49:54
  Speaker 1: shutting and metallic sound shutting whenever this portaling activity is
• 49:59
  Speaker 1: going on. When I saw this in this movie, I
• 50:02
  Speaker 1: immediately related to that, like, oh, now a metal door
• 50:08
  Speaker 1: right in another dimension, you're hearing it in this dimension?
• 50:12
  Speaker 1: Is that indicative of a portal? Why is that door opening?
• 50:15
  Speaker 1: Like what's going on on that door to make it
• 50:18
  Speaker 1: be a poor Like? There's so many other questions, but
• 50:21
  Speaker 1: they always speak about a metallic sound like a metal
• 50:25
  Speaker 1: door shutting or something of that nature. And when I
• 50:28
  Speaker 1: heard this, I was like, damn yeah.
• 50:31
  Speaker 2: Like I've heard people describe it as like the sound
• 50:35
  Speaker 2: of a transformer, like in the movie Transformers, like the
• 50:39
  Speaker 2: way that they like transform Like it sounds like that.
• 50:43
  Speaker 2: But I've heard several people describe that type of sound
• 50:47
  Speaker 2: in like in supposed areas or houses or buildings that
• 50:53
  Speaker 2: are that have some sort of demonic activity, like some
• 50:56
  Speaker 2: sort of demonic quote unquote portal that they hear these
• 51:01
  Speaker 2: like weird transformer like sounds.
• 51:03
  Speaker 3: Yeah.
• 51:03
  Speaker 2: So that's uh, pretty accurate according to people's testimony. So
• 51:09
  Speaker 2: we got Elie basically back in back to the spot
• 51:13
  Speaker 2: of the lake she after she took Anna back to
• 51:15
  Speaker 2: her parents the month prior and the other dimension once
• 51:18
  Speaker 2: she tried time traveled back through the portal thirty days.
• 51:22
  Speaker 2: So then she goes back to.
• 51:25
  Speaker 1: Bro to transform too far.
• 51:28
  Speaker 4: Che up the Moon Pride Break. The Pride Break.
• 52:03
  Speaker 1: I said, I heard, Oh that's so funny, dude, that
• 52:07
  Speaker 1: guy is so funny. Okay, I wanted to play that
• 52:12
  Speaker 1: because you were speaking about the Transformers sound, and just
• 52:15
  Speaker 1: I immediately thought of this. Oh okay, I'm sorry, Okay,
• 52:21
  Speaker 1: let's get serious.
• 52:22
  Speaker 2: Freaking classic. Have you seen the one guy on h
• 52:25
  Speaker 2: on YouTube that makes siren noises with his mouth. He's
• 52:29
  Speaker 2: just out there, He's like, this is a tornado siren?
• 52:34
  Speaker 1: What look? Duty is freaking hilarious sirens sound?
• 52:41
  Speaker 2: Man?
• 52:42
  Speaker 1: Oh? Is it the guy with the white looking teeth?
• 52:45
  Speaker 2: I think so bring it up real quickly. Let me
• 52:49
  Speaker 2: see if it's him. I forget what his name is.
• 52:51
  Speaker 2: I subscribe to him on this guy. Yes, yes, that guy.
• 52:54
  Speaker 2: Me doing a tornado siren? Play the first.
• 53:02
  Speaker 3: Okay, guys, let's do a super tornado siren.
• 53:13
  Speaker 1: I feel so bad laughing at this, Bro, I can't
• 53:15
  Speaker 1: laugh at this. I can't do this. I can't do this.
• 53:22
  Speaker 2: No, he has hundreds of videos. Bro, he's like, he's
• 53:25
  Speaker 2: really popular.
• 53:26
  Speaker 3: Bro.
• 53:26
  Speaker 2: Look at how many subscribers he has. He has.
• 53:28
  Speaker 1: This is so bad. One hundred and.
• 53:30
  Speaker 2: Forty thousand, a thousand subscribers.
• 53:33
  Speaker 1: Bro, he's le j he's real. Okay, we can't do this.
• 53:42
  Speaker 1: We're not here to do this, okay, Bro. Oh man,
• 53:52
  Speaker 1: Oh they can't do this anymore. Dude, I can't. Okay.
• 53:57
  Speaker 1: I wish I never saw it. Always never. I wish
• 54:05
  Speaker 1: you'd never showed me that, dude.
• 54:08
  Speaker 5: Oh man, super tornado surn Oh oh my god, dude.
• 54:19
  Speaker 2: The first time I saw that, I died. Bro. I
• 54:22
  Speaker 2: swear to god, I died.
• 54:24
  Speaker 3: I'm not even alive.
• 54:25
  Speaker 1: Bro, it's good. So your cameras there, it goes, there,
• 54:35
  Speaker 1: it goes.
• 54:36
  Speaker 2: I'm not gonna focus, okay, So pretty much what happens
• 54:40
  Speaker 2: is which I think is a really interesting way to
• 54:43
  Speaker 2: do it, because it's a it's a way that I
• 54:45
  Speaker 2: would do it as well. You know, like whenever you're
• 54:47
  Speaker 2: trying to go down like a well or something in
• 54:50
  Speaker 2: a movie or whatever, you would like tie a rope
• 54:52
  Speaker 2: around you. So Elliet decides to go back to the
• 54:56
  Speaker 2: portal after she returns uh Anna a month prior. She
• 54:59
  Speaker 2: goes back to the portal and she takes a rope
• 55:02
  Speaker 2: and ties it around her waist so that she doesn't
• 55:04
  Speaker 2: get lost in time going through all the different timelines.
• 55:08
  Speaker 2: So at this time, Paris is back in nineteen fifty two,
• 55:15
  Speaker 2: so he goes back through the portals and he finds
• 55:20
  Speaker 2: Ellie's rope.
• 55:22
  Speaker 3: The rope is just like through all of the portals.
• 55:25
  Speaker 2: Because Ellie is like someplace else, She's way.
• 55:28
  Speaker 3: Further in time. So Paris grabs.
• 55:31
  Speaker 2: The rope and hangs onto the rope and goes back. Well,
• 55:35
  Speaker 2: he actually goes forward. He goes to twenty twenty two
• 55:38
  Speaker 2: and finds Ellie's boat that is like right by the
• 55:45
  Speaker 2: skiff that she, you know, took to get to the
• 55:49
  Speaker 2: portal is right there. And then he he gets on
• 55:53
  Speaker 2: the boat hops on the back of the boat. He
• 55:55
  Speaker 2: has no idea that he's in twenty twenty two and
• 55:59
  Speaker 2: the police show up because Ellie had called I think
• 56:03
  Speaker 2: her stepdad before going back into the portal to come
• 56:10
  Speaker 2: to where she is, and so the police.
• 56:15
  Speaker 1: I think found herd or something like that or heard
• 56:17
  Speaker 1: found its, like the name of the section that she's in,
• 56:20
  Speaker 1: And if you think about that name, it's like they
• 56:22
  Speaker 1: probably found a herd of like animals that weren't supposed
• 56:25
  Speaker 1: to be there, Like how similar to how she found
• 56:27
  Speaker 1: those little mosses that had gone extinct. She's like, yeah,
• 56:30
  Speaker 1: I just found them over on I think it was
• 56:32
  Speaker 1: heard found or something like that, you know they were there.
• 56:34
  Speaker 1: He's like, these are actually they've been extinct for you know,
• 56:37
  Speaker 1: two hundred years or something like that. And so if
• 56:39
  Speaker 1: you think about that area that she was in, it,
• 56:41
  Speaker 1: I think it's like a nod to like people back
• 56:44
  Speaker 1: then found these animals that weren't even supposed to be here,
• 56:46
  Speaker 1: like the wolves that she sees, and it was because
• 56:49
  Speaker 1: of this time rift, this portal.
• 56:52
  Speaker 2: Yeah, that's another interesting part of it, is because the
• 56:54
  Speaker 2: wolves they keep showing up throughout periodically throughout the movie,
• 57:00
  Speaker 2: and it's kind of like they're like, well, should wolves
• 57:02
  Speaker 2: even really be here? Like what are they doing here?
• 57:05
  Speaker 2: So it's kind of implied that the wolves came through
• 57:09
  Speaker 2: the portal and they're kind of like of significance to
• 57:12
  Speaker 2: kind of let people know that there's something strange that's
• 57:16
  Speaker 2: going on at the lake. So Paris is on the boat,
• 57:21
  Speaker 2: the cops show up. He tries to get away from
• 57:23
  Speaker 2: the cops. They're like, you know, whose boat is this?
• 57:28
  Speaker 2: And he's trying to get away and he ends up
• 57:31
  Speaker 2: you know, wrecking the boat and he wakes up in
• 57:35
  Speaker 2: the hospital. But Ellie ends up where does she is
• 57:41
  Speaker 2: it two thousand and five or two thousand and three,
• 57:43
  Speaker 2: two thousand and three, So she ends up traveling back
• 57:45
  Speaker 2: to two thousand and three and she's at the library
• 57:50
  Speaker 2: and she's researching all this stuff on Anna, which I
• 57:53
  Speaker 2: didn't really understand why she needed to be in two
• 57:56
  Speaker 2: thousand and three to research all this stuff on Well, that's.
• 58:00
  Speaker 1: When it clicked, like, you know, I'm looking for my sister,
• 58:05
  Speaker 1: and then you know, she's just like Okay, when she
• 58:09
  Speaker 1: found the necklace was when everything clicked for her, and
• 58:13
  Speaker 1: that was like that's what prompted her like, hey, where'd
• 58:15
  Speaker 1: you get this? And then she, you know, her mom
• 58:17
  Speaker 1: calls the baby her Ellie, and then she's like, what
• 58:21
  Speaker 1: did you just call her? And that's when she's like,
• 58:23
  Speaker 1: wait a minute, something more is going on here. And
• 58:25
  Speaker 1: that's when she runs to use the computer to try
• 58:28
  Speaker 1: and find She looks her sister up and it's like
• 58:32
  Speaker 1: or you know, her stepsister, which is actually her grandmother,
• 58:35
  Speaker 1: and she looks her up and that's when she's able
• 58:37
  Speaker 1: to find everything, and she gets to scratch on her
• 58:39
  Speaker 1: face right that then her mom, when she goes back
• 58:42
  Speaker 1: in her timeline, sees from that day that she interacted
• 58:46
  Speaker 1: with her, So that was like confirmation for her. And
• 58:48
  Speaker 1: when she's also telling me that, like, hey, you know,
• 58:51
  Speaker 1: Anna's okay, and he kind of knew, like because he
• 58:54
  Speaker 1: tells her like, oh, we've been family this whole time,
• 58:56
  Speaker 1: He's like, no, no, we are family. Like we are family, bro,
• 59:01
  Speaker 1: you know, like literally like she's my grandma and then
• 59:04
  Speaker 1: my dad is all tied up in that. So yeah,
• 59:06
  Speaker 1: but that's what prompted her to do that. The necklace
• 59:09
  Speaker 1: the six nine, which is a present of the portal, and.
• 59:12
  Speaker 2: That's what I really liked about that whole section of
• 59:16
  Speaker 2: the film when she's in two thousand and three and
• 59:18
  Speaker 2: she's on the computer and she's looking up all this
• 59:21
  Speaker 2: stuff about Anna, like there's no exposition there, like you
• 59:27
  Speaker 2: were seeing it as she's seen it, and you're trying
• 59:31
  Speaker 2: to put it together what it means she's seen it,
• 59:33
  Speaker 2: Like she's not sitting there explaining it like, oh, this
• 59:38
  Speaker 2: is this is my grandma, you know what I mean?
• 59:42
  Speaker 2: Like what's going on here? Blah blah blah blah blah,
• 59:44
  Speaker 2: Like you have to like watch what she's watching and
• 59:48
  Speaker 2: like kind of put it together for your selfish. But
• 59:50
  Speaker 2: she ends up printing out a picture from the library
• 59:54
  Speaker 2: in two thousand and three, and then she takes that
• 59:58
  Speaker 2: with her back to her original timeline, which is in
• 1:00:02
  Speaker 2: twenty twenty two, and ends up showing it to her mom.
• 1:00:06
  Speaker 2: But Paris at this time is in the hospital. Well
• 1:00:11
  Speaker 2: let's let's talk about whenever he sees his dad.
• 1:00:15
  Speaker 1: So towards the beginning of the movie, they kind of
• 1:00:18
  Speaker 1: hint at right, I believe he was on oxygen when
• 1:00:21
  Speaker 1: they were talking in the house that he was telling
• 1:00:23
  Speaker 1: him like, you know, what'd you do with all the
• 1:00:24
  Speaker 1: evidence stuff? He's like, Oh, I threw it all out
• 1:00:26
  Speaker 1: because he's been obsessed with this thing his whole life.
• 1:00:29
  Speaker 1: Kind of kind of skitz in a little way, but
• 1:00:32
  Speaker 1: with reason right, because it was off and whatever he
• 1:00:36
  Speaker 1: was being told by the doctors wasn't what he was
• 1:00:38
  Speaker 1: going to accept, so they kind of foreshadowed that his
• 1:00:41
  Speaker 1: dad was sick in some sort of way. Fast forward
• 1:00:44
  Speaker 1: to twenty twenty two, which would be what however many
• 1:00:49
  Speaker 1: years I'm bad at math, you know, in the future
• 1:00:52
  Speaker 1: where his dad is essentially on his deathbed, and he
• 1:00:55
  Speaker 1: overhears some of the nurses like, oh, we have that
• 1:00:58
  Speaker 1: laying guy. You know, he is in the in such
• 1:01:01
  Speaker 1: and such room. So he visits the room and I
• 1:01:05
  Speaker 1: think he literally sees his dad on his deathbed, and
• 1:01:08
  Speaker 1: I think that maybe his dad for one second believe
• 1:01:11
  Speaker 1: that it was his time to go, because I'm seeing
• 1:01:15
  Speaker 1: my son, you know, a younger a younger version of
• 1:01:19
  Speaker 1: my sonhow I remember him in two thousand and three
• 1:01:22
  Speaker 1: X amount of years later, Like I'm hallucinating. So the
• 1:01:25
  Speaker 1: dude's like kind of like he's all intubated and everything.
• 1:01:28
  Speaker 1: He's like, you know, kind of going crazy, I'm sure,
• 1:01:31
  Speaker 1: and he starts to explain to him, like, hey, mom,
• 1:01:34
  Speaker 1: you know she you know, he tells her about the
• 1:01:36
  Speaker 1: mom and he tells him about the lake and how
• 1:01:37
  Speaker 1: they're you know, how you can travel between times. So
• 1:01:40
  Speaker 1: I'm sure seeing his son. And then there's something his
• 1:01:43
  Speaker 1: son me like I'm a time traveler, like telling him
• 1:01:45
  Speaker 1: about time travel. This dude is just I'm done for,
• 1:01:49
  Speaker 1: you know, like this is it.
• 1:01:52
  Speaker 2: Right there?
• 1:01:53
  Speaker 1: Like this is my angel coming to pick me up?
• 1:01:56
  Speaker 1: Like this is you know, the light blah blah blah,
• 1:01:58
  Speaker 1: and then right there, obviously they're onto him, so he
• 1:02:02
  Speaker 1: runs out of there. But yeah, he does meet his dad,
• 1:02:05
  Speaker 1: who would be an older version of his dad, but
• 1:02:08
  Speaker 1: he knows it's him because of the name on the door.
• 1:02:10
  Speaker 1: He goes in and you know, starts talking. I don't know,
• 1:02:12
  Speaker 1: I don't remember exactly what he said, but anyways, he
• 1:02:15
  Speaker 1: does me and I'm sure it's more of a shock
• 1:02:17
  Speaker 1: to his dad than it is to him. And what
• 1:02:21
  Speaker 1: he would have gone Well, he was already missing, right,
• 1:02:25
  Speaker 1: so his dad would have remembered him going missing, and
• 1:02:27
  Speaker 1: now he comes back after all these years and dude
• 1:02:31
  Speaker 1: is just like laying up and to be like, oh my,
• 1:02:33
  Speaker 1: what you know, what is going on here? So I'm
• 1:02:37
  Speaker 1: sure that was a shock but think about that, dude.
• 1:02:39
  Speaker 1: How many people throughout history have probably done the same.
• 1:02:43
  Speaker 1: How many people who suffer from schizophrenia or some neurological disorder,
• 1:02:48
  Speaker 1: who have seizures, or who have whatever. This all ties
• 1:02:53
  Speaker 1: all that up, Like maybe they've tripped into the wrong
• 1:02:57
  Speaker 1: dimension one day in the middle of nowhere. And I
• 1:03:00
  Speaker 1: think it'd be more prominent in later times, right, I'm sorry,
• 1:03:04
  Speaker 1: earlier times where things weren't as developed. You got these
• 1:03:07
  Speaker 1: people wandering out into the wilderness, jumping into twenty fifty.
• 1:03:12
  Speaker 1: Are there other poor are there other wormholes that transfer
• 1:03:14
  Speaker 1: you to some you know, other place? Like how many
• 1:03:16
  Speaker 1: other places and other timelines are from earlier time, from
• 1:03:20
  Speaker 1: the nineteen hundreds tripping into the two thousands?
• 1:03:23
  Speaker 2: Like, well, I think that from listening from watching the movie,
• 1:03:27
  Speaker 2: and it seems like that they can only go to
• 1:03:32
  Speaker 2: specific times, so they would only be able to go.
• 1:03:38
  Speaker 1: To like that acres bro And then the people in
• 1:03:42
  Speaker 1: the movie were also talking about weird stuff going on
• 1:03:45
  Speaker 1: in the lake, so it already had that connotation. And
• 1:03:48
  Speaker 1: the dad even tells him like it all started when
• 1:03:51
  Speaker 1: they started messing with that. Damn, you know, they should
• 1:03:53
  Speaker 1: have left it alone. Blah, blah blah.
• 1:03:55
  Speaker 2: So so the map that Paris has it where he's
• 1:03:59
  Speaker 2: written out all the times that his mom had a
• 1:04:01
  Speaker 2: seizure according to whenever the lake was dry. So the portal,
• 1:04:06
  Speaker 2: according to the movie, the portal only works whenever the
• 1:04:08
  Speaker 2: lake is dry and there's not a lot of water
• 1:04:11
  Speaker 2: in there, so you could only time travel to a
• 1:04:17
  Speaker 2: period of time when the lake was dry. So all
• 1:04:20
  Speaker 2: those times, that all the timeline that Paris has written
• 1:04:25
  Speaker 2: out with the dates, because whenever he makes it to
• 1:04:28
  Speaker 2: nineteen fifty two, he brings out the chart and he
• 1:04:33
  Speaker 2: shows a nineteen fifty two he has underlined where the
• 1:04:37
  Speaker 2: lake was dry and is well, he doesn't really know
• 1:04:41
  Speaker 2: if his mom had a seizure or not because he
• 1:04:43
  Speaker 2: wasn't born, but he's guessing that's when it could have
• 1:04:47
  Speaker 2: been something with having a seizure. I mean, she's just
• 1:04:49
  Speaker 2: gotten there, so that kind of makes sense for it
• 1:04:51
  Speaker 2: to be nineteen fifty two. So it seems like that
• 1:04:55
  Speaker 2: you can only go as far back as periods of
• 1:04:59
  Speaker 2: time is when the lake was draped.
• 1:05:01
  Speaker 1: And that would make sense with time travel because I
• 1:05:03
  Speaker 1: heard Terrence Pokeno on Time talking about time travel. He's like,
• 1:05:06
  Speaker 1: you could only go as far back in time that
• 1:05:11
  Speaker 1: had the tele you know, the portaling tech technology. You
• 1:05:16
  Speaker 1: couldn't travel back in time before that because there wouldn't
• 1:05:18
  Speaker 1: be any way, right, It's like this weird paradoxical thing. Well,
• 1:05:22
  Speaker 1: technically you can't travel to the Stone Age because they
• 1:05:24
  Speaker 1: didn't have, you know, a portaling machine there. You could
• 1:05:27
  Speaker 1: travel right up into that point that they that they
• 1:05:30
  Speaker 1: invented it, right, So right, if they invented it on
• 1:05:33
  Speaker 1: November first to twenty twenty four at two on nine,
• 1:05:37
  Speaker 1: well you could get you know, right up to there.
• 1:05:39
  Speaker 1: You couldn't go beyond that, right, And then that's the
• 1:05:41
  Speaker 1: way he broke it down. So it makes sense that
• 1:05:43
  Speaker 1: you're saying that it only happened when the lake was dry,
• 1:05:48
  Speaker 1: So when they built the dam is when they would
• 1:05:53
  Speaker 1: be able to go, which is nineteen fifty two. So
• 1:05:55
  Speaker 1: you couldn't go back, But then how far forward could
• 1:05:58
  Speaker 1: you jump?
• 1:05:59
  Speaker 2: You go?
• 1:05:59
  Speaker 1: What I'm saying like essentially endless, because there's other times
• 1:06:03
  Speaker 1: in that history of the dryness you could you could
• 1:06:09
  Speaker 1: travel there. Where would you have to go to connect
• 1:06:12
  Speaker 1: that node? We don't know? You know.
• 1:06:14
  Speaker 2: That's why I hope they actually do make a sequel
• 1:06:18
  Speaker 2: and make it just as intriguing and cryptic and mysterious
• 1:06:22
  Speaker 2: as this one, and make it that thriller aspect, because,
• 1:06:25
  Speaker 2: like we talked about in the beginning, it kind of
• 1:06:27
  Speaker 2: seemed like the because I didn't know anything about this movie.
• 1:06:31
  Speaker 2: I'd literally just seen the like a minute of the
• 1:06:34
  Speaker 2: trailer on HBO and I seen The m Night. Shyamalan
• 1:06:38
  Speaker 2: Shamala m ding Dong produced it, and I was like, oh, well,
• 1:06:41
  Speaker 2: I'm gonna watch it because I like all of his movies.
• 1:06:44
  Speaker 2: Besides The Happening, I thought the freaking Happening was complete
• 1:06:47
  Speaker 2: and utter garbage Inure the movie with Mark Wahlberg, The Happening,
• 1:06:52
  Speaker 2: where it's the wind, the wind is the enemy at
• 1:06:57
  Speaker 2: the end of the movie, it's so ridicul But in
• 1:07:01
  Speaker 2: this video, I was like, I'm just gonna watch it.
• 1:07:03
  Speaker 2: I didn't know anything about it, and I thought that
• 1:07:05
  Speaker 2: maybe I was gonna go in the like the the
• 1:07:08
  Speaker 2: kind of creature ask type of way, because again, like
• 1:07:12
  Speaker 2: you were talking about, the alligator in the beginning, was
• 1:07:15
  Speaker 2: been precision cut. I was like, maybe they're gonna go
• 1:07:19
  Speaker 2: you know it's there, Yeah, it's.
• 1:07:23
  Speaker 1: It's the aliens are cutting up the they're they're abducting
• 1:07:27
  Speaker 1: the alligators, poor alligators, just like just a freaking chopped
• 1:07:30
  Speaker 1: in half. You know. It's he was just chilling on
• 1:07:33
  Speaker 1: a bank, trying to do his thing. And then but yeah,
• 1:07:37
  Speaker 1: I think that I it wasn't fore I wouldn't watch
• 1:07:41
  Speaker 1: the movie because I didn't even know it wasn't showing
• 1:07:43
  Speaker 1: up like all my main Uh you know, I don't
• 1:07:46
  Speaker 1: really watch Max all that much. I have it because
• 1:07:48
  Speaker 1: of my phone, my phone bill, like I got a
• 1:07:52
  Speaker 1: free account, right whatever, you pay for that in some
• 1:07:55
  Speaker 1: sort of way, and so that's why I'm on there.
• 1:07:57
  Speaker 1: And obviously I've watched Game of Thrones and the How
• 1:08:00
  Speaker 1: to the Dragons and all that stuff.
• 1:08:01
  Speaker 3: So uh, I.
• 1:08:04
  Speaker 1: Wouldn't have watched it if it wasn't for you. So
• 1:08:07
  Speaker 1: I did enjoy it. I would say it's probably and
• 1:08:10
  Speaker 1: I'm hoping because I think that the main character, right Paris,
• 1:08:15
  Speaker 1: or even the other girl. I didn't think that she
• 1:08:17
  Speaker 1: was all that great of an actor. But Paris, I
• 1:08:19
  Speaker 1: think that maybe because he's my wife recognized him from
• 1:08:22
  Speaker 1: another show, from another let's see what he was in?
• 1:08:26
  Speaker 2: So oh, really, I didn't. I normally recognize a lot
• 1:08:30
  Speaker 2: of people. I didn't recognize anybody in.
• 1:08:32
  Speaker 1: This So let's see here. Let me look him up.
• 1:08:36
  Speaker 1: His name is it Stars. I think Dylan O'Brien is
• 1:08:41
  Speaker 1: Paris and he's been in teen Wolf. So she recognized
• 1:08:46
  Speaker 1: him from teen Wolf, which is an MTV.
• 1:08:53
  Speaker 2: I wouldn't never have guessed teen Wolf. That's why I
• 1:08:55
  Speaker 2: didn't recognize me.
• 1:08:56
  Speaker 1: He never was a young werewolf. So he's kind of
• 1:09:00
  Speaker 1: like this, what's the guy from from that one series
• 1:09:04
  Speaker 1: that's based on the book Twilight. He kind of reminds
• 1:09:09
  Speaker 1: me of that guy, the the the wolf guy in
• 1:09:13
  Speaker 1: that right. So he was also and voice title and
• 1:09:18
  Speaker 1: Transformers installment Bumblebee?
• 1:09:20
  Speaker 2: Oh what connection?
• 1:09:22
  Speaker 3: Brown?
• 1:09:22
  Speaker 2: What?
• 1:09:24
  Speaker 1: Who's I can't even see that? Can you see that
• 1:09:26
  Speaker 1: person there?
• 1:09:27
  Speaker 2: Looks like Mark Wahlberg.
• 1:09:29
  Speaker 1: You can't eve it's John Cena, but you can't see him.
• 1:09:32
  Speaker 2: John Cena.
• 1:09:36
  Speaker 1: Deep Water Horizon, that was a great movie. What he
• 1:09:41
  Speaker 1: he played deep as an explosion survivor Caleb Holloway in
• 1:09:45
  Speaker 1: the disaster for that movie was wild. Bro that movie.
• 1:09:51
  Speaker 2: I didn't watch it, dude.
• 1:09:53
  Speaker 1: It's based on a real event. That movie is crazy.
• 1:09:56
  Speaker 1: That's a great movie. American Assassin I've never seen, but
• 1:10:00
  Speaker 1: apparently he played a counter Terrorists. And also, oh, I
• 1:10:05
  Speaker 1: saw him in this on Netflix Loving Monsters.
• 1:10:08
  Speaker 2: I like that movie. I thought it was really good.
• 1:10:10
  Speaker 1: Okay, so he's doing he's doing uh, he's doing his thing,
• 1:10:14
  Speaker 1: you know.
• 1:10:14
  Speaker 2: I mean, he was a cheesy team made movie, but
• 1:10:17
  Speaker 2: it was cool because all the animals and the bugs
• 1:10:19
  Speaker 2: and stuff were like giant.
• 1:10:21
  Speaker 1: Yeah. But again, you know, thirty seventh Saturn Awards. He's
• 1:10:25
  Speaker 1: probably another one of these humunk kids that they put
• 1:10:31
  Speaker 1: up in Hollywood. Right. He was further Lead and Maze Runner.
• 1:10:36
  Speaker 1: So he was a maze Runner.
• 1:10:38
  Speaker 2: Oh that's where That's where I know him from Maze Runner. Yeah,
• 1:10:41
  Speaker 2: he was the league guy in Maze Runner. I only
• 1:10:44
  Speaker 2: watched the first one. I didn't watch the other.
• 1:10:46
  Speaker 1: I think I've only seen the first one too. But anyways,
• 1:10:48
  Speaker 1: he's probably one of these right Disney slash kid actors
• 1:10:55
  Speaker 1: that you know, they do all the stuff. He's he's
• 1:10:57
  Speaker 1: thirty three, right, so Lumini confirmed there and anyways, but
• 1:11:03
  Speaker 1: I think he did great in this movie.
• 1:11:05
  Speaker 2: I thought he did too. I thought it was really good.
• 1:11:07
  Speaker 1: I think a sequel would do well in my opinion.
• 1:11:13
  Speaker 1: I think that there's enough there where they can maybe
• 1:11:15
  Speaker 1: develop the story a little bit further.
• 1:11:18
  Speaker 2: But they don't need to make it a direct sequel,
• 1:11:20
  Speaker 2: like it needs to be like an anthology type of
• 1:11:24
  Speaker 2: movie where it's not the same title, it's not the
• 1:11:28
  Speaker 2: same uh you know, characters, it's it's different, and make
• 1:11:32
  Speaker 2: it almost completely unrelated but just different events. And they're
• 1:11:38
  Speaker 2: trying to tie Yeah, don't try and tie the two
• 1:11:40
  Speaker 2: in together. Make it its own like supper thing, you know,
• 1:11:45
  Speaker 2: Like I think that that would be the best way
• 1:11:47
  Speaker 2: to do it. And that's what I like, you know,
• 1:11:53
  Speaker 2: like Pearl. Did you see X, there's ex Pearl and
• 1:11:56
  Speaker 2: then Maxine, which all was kind of into the has
• 1:12:01
  Speaker 2: the same mean character Pearl. Well, the first movie is
• 1:12:06
  Speaker 2: called X and the second movie is called Pearl, and
• 1:12:08
  Speaker 2: then the third movie is max Scene.
• 1:12:11
  Speaker 1: It's like a horror movie.
• 1:12:12
  Speaker 2: Yeah, but it's a trilogy and they're all connected, but
• 1:12:17
  Speaker 2: they're not really connected. It's it's a really and they
• 1:12:23
  Speaker 2: didn't do the whole thing with you know, making the title.
• 1:12:27
  Speaker 2: Like if they did, like Cado Lake two, you know,
• 1:12:30
  Speaker 2: the Revenge of the Portal or something like that, then
• 1:12:33
  Speaker 2: it's not gonna you know, I wouldn't like that, and
• 1:12:35
  Speaker 2: it's not gonna.
• 1:12:36
  Speaker 1: Go Revenge of the mole people. When the mole people
• 1:12:38
  Speaker 1: discover the Kettle Lake portal, person just like coming out
• 1:12:43
  Speaker 1: of the portal, just.
• 1:12:46
  Speaker 2: Cado Lake to return a sasquatch.
• 1:12:50
  Speaker 1: I was gonna I pulled up here. Let me see,
• 1:12:53
  Speaker 1: I can't find now. But anyways, Yeah, people have also
• 1:12:56
  Speaker 1: talked about seeing Bigfoot on Cattle Lake, So you also
• 1:12:59
  Speaker 1: have Sasquatch, which would make sense because he's usually in
• 1:13:03
  Speaker 1: the woods, wandering around the woods. And I'm sure Sasquatch
• 1:13:07
  Speaker 1: has ventured into a portal too, and you know, gone
• 1:13:10
  Speaker 1: from timeline to timeline. Maybe that's why we don't see
• 1:13:13
  Speaker 1: him all the time and our timeline and every now
• 1:13:15
  Speaker 1: and again when there's a drought, maybe they show up, right.
• 1:13:18
  Speaker 1: So maybe we should do a connection of that drought
• 1:13:22
  Speaker 1: periods and sasquatch sightings.
• 1:13:24
  Speaker 2: Hmmm, that sounds like a good documentary.
• 1:13:26
  Speaker 1: Dun Oh, there you go. I mean, if we can
• 1:13:29
  Speaker 1: make that connection, you heard it here first, ladies and gentlemen,
• 1:13:31
  Speaker 1: the the sasquatch drought portals, and that'll be our whole thing.
• 1:13:37
  Speaker 1: But what would you rate this movief you had? I
• 1:13:39
  Speaker 1: think it's one of the strongest movies, you know, towards
• 1:13:41
  Speaker 1: the End of the year. One of the best movies
• 1:13:43
  Speaker 1: I've seen in a while. That really and I think
• 1:13:45
  Speaker 1: since it engages you and it makes you really think
• 1:13:48
  Speaker 1: because I'm still thinking about it, Like I'm still thinking
• 1:13:51
  Speaker 1: about the movie and I had to look. I had
• 1:13:54
  Speaker 1: to do research because I'm like, wait, I'm so, I'm
• 1:13:56
  Speaker 1: so disor I felt drained after watching it because I'm like,
• 1:14:00
  Speaker 1: it's like how you said you thought about two foase,
• 1:14:02
  Speaker 1: I thought about it. I fell asleep while thinking about it.
• 1:14:04
  Speaker 1: Then I woke home, like I'm driving my kid to school.
• 1:14:07
  Speaker 1: I'm like, so, who the hell is she? And who
• 1:14:11
  Speaker 1: the hell is he?
• 1:14:12
  Speaker 2: Exactly right?
• 1:14:14
  Speaker 1: I thought was he? You know? I was like, what
• 1:14:20
  Speaker 1: what is going on? Like bro? My mind was broken.
• 1:14:26
  Speaker 1: So again, if you're watching this, you probably watched the
• 1:14:29
  Speaker 1: movie because we told you to watch the beginning, but
• 1:14:31
  Speaker 1: of not. Still, I mean, regardless check it out. You're
• 1:14:33
  Speaker 1: still gonna be confused and disoriented because I promise you're
• 1:14:35
  Speaker 1: not probably not gonna get it. You might be able
• 1:14:38
  Speaker 1: to make some connections here and there, But what would
• 1:14:41
  Speaker 1: you rate the movie on a scale from from one
• 1:14:43
  Speaker 1: to ten if you had to rate it, I would rate.
• 1:14:47
  Speaker 2: It a solid nine. I think the especially for movies
• 1:14:52
  Speaker 2: that that have been released this year, it's a It's a.
• 1:14:56
  Speaker 3: Solid nine now of all time.
• 1:15:00
  Speaker 2: Movies, say maybe a seven eight, Maybe I would say
• 1:15:08
  Speaker 2: seven and a half of like all time movies. It
• 1:15:10
  Speaker 2: would I really really like it, and I think that
• 1:15:14
  Speaker 2: it would at least be somewhere in my top fifteen
• 1:15:21
  Speaker 2: best movies that I've ever seen.
• 1:15:22
  Speaker 1: Yeah, I probably wouldn't put it higher than Toy Story four,
• 1:15:25
  Speaker 1: Cars three. I think that Cars three is one of
• 1:15:28
  Speaker 1: the greatest movies ever made, and also Toy Story four.
• 1:15:32
  Speaker 1: I mean Toy Story four to me, dude, I have
• 1:15:36
  Speaker 1: never hated a character so much from the depths of
• 1:15:41
  Speaker 1: my soul as much as I hate four Ky. I
• 1:15:44
  Speaker 1: think four Ky is so stupid and I want to
• 1:15:48
  Speaker 1: punch Forky in his face. And I think that movie
• 1:15:50
  Speaker 1: really drew that from the depths of my being. When
• 1:15:55
  Speaker 1: they were showing this character in the movie, I wanted
• 1:15:59
  Speaker 1: to go through this screen and choke for Ky. I
• 1:16:03
  Speaker 1: want four Ky to die. I hate four Ky okay,
• 1:16:07
  Speaker 1: so but I think it's one of the greatest movies ever.
• 1:16:09
  Speaker 1: It's Toy Story four, Cars three. I actually almost cried CARSTI.
• 1:16:14
  Speaker 1: I had to hold back my tears while watching Cars three,
• 1:16:17
  Speaker 1: so I wouldn't put it up above that. But yeah,
• 1:16:21
  Speaker 1: I agree with your ratings this year definitely nine out
• 1:16:24
  Speaker 1: of ten all time. I probably go to seven, right, Like,
• 1:16:27
  Speaker 1: I think those are the other movies that I would enjoy.
• 1:16:29
  Speaker 1: Are there any other movie similar to Caddo Lake?
• 1:16:35
  Speaker 2: Oooh, well, there's not a movie that I have seen
• 1:16:39
  Speaker 2: recently that is similar to Caddo Lake. But there is
• 1:16:44
  Speaker 2: a TV show that is very similar that is airing
• 1:16:49
  Speaker 2: right now. It's in his third season. It's on MGM Plus,
• 1:16:54
  Speaker 2: and it is probably one of my It is in
• 1:16:57
  Speaker 2: my top ten TV shows of all time. And that
• 1:17:01
  Speaker 2: show is called from f R O M and it
• 1:17:06
  Speaker 2: is very similar to Cado Lake.
• 1:17:12
  Speaker 1: Okay, and have you ever watched what's that one series
• 1:17:18
  Speaker 1: that Isaac is always talking about? It's that one series
• 1:17:27
  Speaker 1: the I always forget the name of the damn series?
• 1:17:32
  Speaker 2: Well from from like Whenever I tell people to watch it,
• 1:17:36
  Speaker 2: I give them the synopsis of it being a mixture
• 1:17:40
  Speaker 2: between Lost and Thirty Days of Night, and that's the
• 1:17:47
  Speaker 2: best prescription. Twin Peaks. I've heard of Twin Peaks, but
• 1:17:51
  Speaker 2: I didn't I haven't watched it.
• 1:17:54
  Speaker 1: Okay, Yeah, that one's kind of like Up in the Air.
• 1:17:59
  Speaker 1: I I like it, But the first season it's gonna
• 1:18:05
  Speaker 1: be a it's gonna be a grind. Bro. The first
• 1:18:06
  Speaker 1: season is a grind, and then it really starts to
• 1:18:09
  Speaker 1: pick up second to the third season. But that's into
• 1:18:12
  Speaker 1: one of these supernatural kind of shows where it ties
• 1:18:16
  Speaker 1: in a lot of conspiracies and it's got David Lynch,
• 1:18:19
  Speaker 1: which David Lynch is super occult and all that. So yeah,
• 1:18:25
  Speaker 1: I would, I'll check out. He said, it's called what
• 1:18:29
  Speaker 1: from from? Yeah, MGM, bro?
• 1:18:33
  Speaker 3: What? Yeah?
• 1:18:35
  Speaker 2: I like this. It's the only reason that I have
• 1:18:38
  Speaker 2: MGM and that I pay this seven ninety nine a
• 1:18:41
  Speaker 2: month because it's so freaking good. Really yeah what the
• 1:18:46
  Speaker 2: first season? Dude? Yeah, I couldn't. People still don't know
• 1:18:51
  Speaker 2: what's going on. People are still like, there's whole Facebook
• 1:18:56
  Speaker 2: groups trying to like theorize and figure out what's acts happening.
• 1:19:01
  Speaker 1: Okay, I'll have to check this. I remember seeing this
• 1:19:03
  Speaker 1: guy in a movie. Forget what movie he's in this
• 1:19:08
  Speaker 1: Harold Perry Neal Near He's in uh oh, he's in Lost,
• 1:19:15
  Speaker 1: he's the dad and Lost with the kid. So he's
• 1:19:20
  Speaker 1: also in OZ, which is also another great show as well,
• 1:19:24
  Speaker 1: so I'll check that. I'll take your word for you
• 1:19:25
  Speaker 1: to to go with the first pick, and.
• 1:19:28
  Speaker 2: Dude, you're gonna be oh man, you're gonna be like,
• 1:19:32
  Speaker 2: what is happening with this show? And that's not me
• 1:19:37
  Speaker 2: hyping it up. Like I've just had several people watch
• 1:19:39
  Speaker 2: this and they just instantly fall in love with it
• 1:19:41
  Speaker 2: because it's so freaking good. But I think we should
• 1:19:44
  Speaker 2: kind of wrap up the end of this Caddoo Lake
• 1:19:48
  Speaker 2: thing really quickly. So after Paris wakes up in the hospital,
• 1:19:52
  Speaker 2: he and talks to his dad. He says that he
• 1:19:55
  Speaker 2: found his mom in the past and she was very young,
• 1:19:59
  Speaker 2: and so he leaves his dad and he tries he's
• 1:20:02
  Speaker 2: trying to get back to the back to the portal,
• 1:20:05
  Speaker 2: but it's raining. So he gets outside of the hospital
• 1:20:10
  Speaker 2: and a car pulls up and he opens the door
• 1:20:13
  Speaker 2: and tells him to get out. But it turns out
• 1:20:15
  Speaker 2: that the lady that was in the car is his
• 1:20:18
  Speaker 2: girlfriend from the past. He recognizes him, but he's such
• 1:20:21
  Speaker 2: in his mindset that nothing's going to stop him from
• 1:20:25
  Speaker 2: getting to, you know, back to the portal to get
• 1:20:28
  Speaker 2: back to his timeline. In two thousand and two or
• 1:20:31
  Speaker 2: two thousand and three, whichever one that it is in
• 1:20:34
  Speaker 2: the past. Okay, So then he escapes the hospital. He's driving.
• 1:20:39
  Speaker 2: The cops are following him. He gets on this bridge.
• 1:20:41
  Speaker 2: He's uh, he's in his corner there. He gets out
• 1:20:44
  Speaker 2: of the car. Then he decides to jump off of
• 1:20:46
  Speaker 2: the bridge. He jumps off of the bridge. Yeah the
• 1:20:51
  Speaker 2: dam and yeah that is the damn right, yeah, yeah,
• 1:20:56
  Speaker 2: the damn burst. He ends up drowning and dying. So
• 1:21:00
  Speaker 2: then Ellie gets back to her timeline from when she
• 1:21:05
  Speaker 2: was in the past. She has the picture.
• 1:21:08
  Speaker 3: Of her stepsister.
• 1:21:11
  Speaker 2: And he's talking to her mom and her stepdad says, oh, well,
• 1:21:16
  Speaker 2: your mom seeing somebody that looked suspiciously like your dad,
• 1:21:22
  Speaker 2: and she's like, oh, well, you know it was my dad.
• 1:21:24
  Speaker 2: In essence, she doesn't exactly say that, but she says
• 1:21:27
  Speaker 2: down with her mom shows her the picture that you know,
• 1:21:30
  Speaker 2: Anna had a really good life and then she did
• 1:21:33
  Speaker 2: all this stuff.
• 1:21:33
  Speaker 1: And they see Paris on the screen too, and she goes, oh,
• 1:21:36
  Speaker 1: he was trying to get back.
• 1:21:37
  Speaker 2: Yep, he's trying to get back.
• 1:21:39
  Speaker 1: So that's confirmation that she sees a scar on her
• 1:21:42
  Speaker 1: face of the day that she had confronted her for
• 1:21:45
  Speaker 1: taking the the the necklace, and she's like, where'd you
• 1:21:50
  Speaker 1: get this? You know? So that's confirmation. And then it's
• 1:21:55
  Speaker 1: more of like a story of I appreciate your time
• 1:21:59
  Speaker 1: here because you never know when your loved one is
• 1:22:02
  Speaker 1: gonna fall through a portal and then get rescued in
• 1:22:05
  Speaker 1: another timeline and you're never gonna ever see them again.
• 1:22:08
  Speaker 1: So that's the way I took that. So just make
• 1:22:10
  Speaker 1: sure to kiss your loved ones because you never know,
• 1:22:13
  Speaker 1: and you might trip, dude, go through an interwo dimensional portal.
• 1:22:17
  Speaker 2: Might go through a freaking portal. So it turns out
• 1:22:19
  Speaker 2: that I'm gonna try and explain it the best way
• 1:22:23
  Speaker 2: that I can possibly explain it. So it turns out Anna,
• 1:22:27
  Speaker 2: the missing girl, is Paris's mom from the future that
• 1:22:33
  Speaker 2: goes through a portal in the past. But Anna is
• 1:22:39
  Speaker 2: also the daughter of Paris's girlfriend. Well no, no, that's
• 1:22:42
  Speaker 2: not not right.
• 1:22:44
  Speaker 1: Anna is.
• 1:22:46
  Speaker 2: Paris's girlfriend's husband's.
• 1:22:48
  Speaker 1: Daughter's Hannah is Anna.
• 1:22:55
  Speaker 2: Is Paris's Girlfriend's husbands.
• 1:23:00
  Speaker 1: Her Paris's girlfriend's yeah, his ex girlfriend's daughter. Yeah, So
• 1:23:06
  Speaker 1: she's Anna is uh the mom's step daughter essentially, but
• 1:23:10
  Speaker 1: in actually in actuality, it's her mother in law in
• 1:23:14
  Speaker 1: another timeline.
• 1:23:16
  Speaker 2: Yeah, So it's just it's hard to even freaking explain
• 1:23:20
  Speaker 2: because there's so much stuff going on. So the girl
• 1:23:22
  Speaker 2: that went missing in the future is Paris's mom from
• 1:23:25
  Speaker 2: the future time traveling into the past. Anna wasn't Paris's kid,
• 1:23:32
  Speaker 2: it's his mom. It's his girlfriend's uh step ex girlfriend's
• 1:23:39
  Speaker 2: step daughter that she had that she didn't have with
• 1:23:44
  Speaker 2: another man in the future. And it's just just freaking
• 1:23:46
  Speaker 2: super hard to explain. But I would recommend going to
• 1:23:50
  Speaker 2: watch it.
• 1:23:55
  Speaker 1: Bro you're tripping yourself up even more broll.
• 1:23:58
  Speaker 2: It's so difficulty because after I watched the movie, I
• 1:24:01
  Speaker 2: was like laying down in bed and I was like
• 1:24:03
  Speaker 2: trying to map all this. I should have just written
• 1:24:05
  Speaker 2: it down and start making diagrams, and I damn CIA
• 1:24:10
  Speaker 2: Investigation being on my wall linking all these people together.
• 1:24:14
  Speaker 2: But it's a really good movie. Highly recommended. It is
• 1:24:17
  Speaker 2: definitely on my top ten list of movies of the year,
• 1:24:23
  Speaker 2: and it is definitely in my top fifteen movies of
• 1:24:30
  Speaker 2: all time and one of the best movies that I've
• 1:24:33
  Speaker 2: seen this year. Another really good movie that I watched
• 1:24:35
  Speaker 2: this year that I didn't even know about is. I
• 1:24:38
  Speaker 2: think it is apartment seven.
• 1:24:40
  Speaker 1: B apartments and ever sounds familiar.
• 1:24:46
  Speaker 2: I think it's seven B. It's either seven B or
• 1:24:48
  Speaker 2: seven A seven A apartment seven.
• 1:24:51
  Speaker 1: Ah, I've seen this girl before. She's from Ozark Ozark,
• 1:24:59
  Speaker 1: which is also another great show.
• 1:25:01
  Speaker 2: Yes, but watch that one because it's actually a prequel
• 1:25:07
  Speaker 2: to a really popular horror.
• 1:25:10
  Speaker 1: Movie, Rosemary's Baby. Yes, oh wow, okay, but that's on
• 1:25:17
  Speaker 1: Paramount Plus, which I have, so yeah, make sure to
• 1:25:21
  Speaker 1: check that out. I think this I think this one great, dude.
• 1:25:23
  Speaker 1: I think that we talked. We pretty much covered the
• 1:25:26
  Speaker 1: whole thing. We threw in our we sprinkled in our
• 1:25:28
  Speaker 1: own theories and tied it to some popular theories. And yeah,
• 1:25:34
  Speaker 1: we should do one on the Watchers movie pa X
• 1:25:38
  Speaker 1: or something. I'm gonna check out the show from so
• 1:25:40
  Speaker 1: I'll keep you posted.
• 1:25:42
  Speaker 2: Oh my god, please please watch that movie because I
• 1:25:45
  Speaker 2: need more people to talk with it about. You're gonna
• 1:25:50
  Speaker 2: have to call me on the phone whenever you watched
• 1:25:52
  Speaker 2: the first season so I can talk talk with you
• 1:25:54
  Speaker 2: about it, and then the second season, so pretty probably
• 1:25:58
  Speaker 2: by the time you finished the season. Well, if you
• 1:26:01
  Speaker 2: don't like binge it all at one time, the entire
• 1:26:04
  Speaker 2: third season will have been released because I think Sunday
• 1:26:07
  Speaker 2: is episode seven, so there's only three more episodes after
• 1:26:11
  Speaker 2: this week, so it will only be like another month.
• 1:26:13
  Speaker 2: You'll probably be done with the entire series by the
• 1:26:16
  Speaker 2: before the episode, I mean season three gets fully released.
• 1:26:21
  Speaker 2: But there's six episodes out of the third season already.
• 1:26:26
  Speaker 2: So but yeah, dude, you're gonna you're gonna love it,
• 1:26:29
  Speaker 2: and I highly recommend watching that. And it's literally it's
• 1:26:33
  Speaker 2: worth getting MGM plus. I know it's a really random,
• 1:26:37
  Speaker 2: obscure streaming service, but it's worth paying the I think
• 1:26:42
  Speaker 2: if you have it, do you have Amazon Prime, like
• 1:26:44
  Speaker 2: you pay for Amazon Prime, well you should be able
• 1:26:46
  Speaker 2: to get like a free, like six month trial of
• 1:26:51
  Speaker 2: MGM plus. That's how I got it because I had
• 1:26:53
  Speaker 2: my Amazon fire stick out and they were running this
• 1:26:56
  Speaker 2: promotion that was like three six months of MGM plus.
• 1:27:00
  Speaker 1: So I'll check it out after this and then I'll
• 1:27:02
  Speaker 1: watch it and try and watch it within the six months.
• 1:27:05
  Speaker 1: But plug your stuff again, dude, for my people so
• 1:27:09
  Speaker 1: they can find you. Hopefully they enjoyed this, And yeah,
• 1:27:13
  Speaker 1: where can people find you? Writer?
• 1:27:15
  Speaker 2: Thin can find me on Raised by Giants on YouTube
• 1:27:19
  Speaker 2: and you and all podcast platforms and if you would
• 1:27:21
  Speaker 2: like to reach out to me personally on x and
• 1:27:24
  Speaker 2: on Instagram at raised by a Giants pod and thanks
• 1:27:27
  Speaker 2: so much, really appreciate it. Had a really fun time
• 1:27:30
  Speaker 2: and I'm looking forward to the next one, The Watchers Baby.
• 1:27:33
  Speaker 2: I've always wanted to talk about movies like this, so
• 1:27:36
  Speaker 2: it's uh, yeah, I gotta I gotta finish it because
• 1:27:39
  Speaker 2: i still have an hour left of it, so I'm
• 1:27:42
  Speaker 2: on the half of the movie, but I'll finish it up.
• 1:27:45
  Speaker 1: Make sure to follow me TJ www dot t J
• 1:27:48
  Speaker 1: o j P dot com. Gonna fix that soon so
• 1:27:50
  Speaker 1: you don't have to put the www, which is essentially
• 1:27:52
  Speaker 1: six six six and Jamatria so you're actually hailing Satan
• 1:27:56
  Speaker 1: whenever you're typing in a website that's www. So www
• 1:27:59
  Speaker 1: dot tjo JP dot com, Patreon dot com. You're you
• 1:28:03
  Speaker 1: guys around here where you guys are listening to this
• 1:28:05
  Speaker 1: on Patreon or on the YouTube member's side of things.
• 1:28:08
  Speaker 1: Shout out to all of you for making this possible.
• 1:28:10
  Speaker 1: Appreciate you and see you on the next one, hopefully
• 1:28:13
  Speaker 1: on the same timeline as that. We're in now and
• 1:28:15
  Speaker 1: on a trip in the woods on another timeline and
• 1:28:17
  Speaker 1: then show up somewhere else, and then I have to
• 1:28:19
  Speaker 1: save my myself or my mom or something, and then
• 1:28:23
  Speaker 1: go back in time and then come back, and then
• 1:28:25
  Speaker 1: I'm trying