Latest / The Radio From Hell Show - Best Of / Sean Means Movie Reviews For February 24th, 2025
Transcript
- 0:00Speaker 1: Well, here he is. Sean means he's an editor and
- 0:05Speaker 1: reporter at the Salt Lake Tribune. Sltrib dot com is
- 0:10Speaker 1: where you can go and find all of that stuff.
- 0:12Speaker 1: And if you want to find Sean's movie criticisms, and
- 0:15Speaker 1: there are many of them, you can go to movie
- 0:17Speaker 1: cricket dot net. Good morning, mister means.
- 0:19Speaker 2: Good morning. What do we got?
- 0:21Speaker 3: We have two art house movies and two mainstream movies
- 0:24Speaker 3: this week to talk about. We'll start on the art
- 0:25Speaker 3: house side. We have Parthenopy. I used to think it
- 0:29Speaker 3: was Parthenope, but I was corrected.
- 0:32Speaker 2: It looks like it.
- 0:33Speaker 3: Yes, this is from the Italian director Pallas Sorrentino, who
- 0:36Speaker 3: could not shoot a non beautiful movie if you paid
- 0:39Speaker 3: him to. He's very central, very gorgeous, set on the
- 0:43Speaker 3: Italian sea side, and that's beautiful. And the young woman
- 0:46Speaker 3: who's the title character is amazingly beautiful as well. Parthapy
- 0:51Speaker 3: is figuring out the effect her beauty has on the
- 0:53Speaker 3: men around her. She has an interesting relationship with her
- 0:56Speaker 3: melancholy brother and his classmate, sort of a threesome thing
- 1:00Speaker 3: happening there and the romance with the classmate, but she
- 1:04Speaker 3: wants something more out of life. She tried first, at
- 1:07Speaker 3: one point tries being an actress because somebody tells her
- 1:09Speaker 3: she's beautiful and she could be an actress. But then
- 1:12Speaker 3: which gets her off track from what she really wants
- 1:14Speaker 3: to do, which has learned, which is to study anthropology.
- 1:18Speaker 3: Very beautiful, like I said, this actress Celeste della Porto.
- 1:21Speaker 2: Oh wow, Yeah, she's amazing and she's also really good.
- 1:25Speaker 3: But the problem here is, says not a lot to
- 1:27Speaker 3: hold this movie together, Sorrentino. He did The Great Beauty
- 1:30Speaker 3: a few years ago, won the Oscar for International Film.
- 1:34Speaker 3: So the issue is that it's all it's all the
- 1:38Speaker 3: visuals and all the beauty of it, and it's it's
- 1:41Speaker 3: not really coherent. I gave it two and a half stars.
- 1:44Speaker 3: Parthetopy is playing at the Broadway and the Century sixteen.
- 1:47Speaker 3: So all right, okay, all right. The next one is
- 1:49Speaker 3: No Other Land. This is a documentary. It's actually nominated
- 1:52Speaker 3: for the Oscar. Filmed in the occupied territories of the
- 1:56Speaker 3: West Bank. The four directors there's two Palestinian filmmakers and
- 1:59Speaker 3: two israel filmmakers who made this movie and they capture
- 2:03Speaker 3: what's happening in a group of villages where Palestinians have
- 2:05Speaker 3: been living for more than a century, but the Israelis
- 2:08Speaker 3: claim they need the land to practice driving their tanks,
- 2:12Speaker 3: and the courts are on the Israeli side here. So
- 2:13Speaker 3: the Israeli military comes in destroy someone's house and they
- 2:17Speaker 3: leads them to pick up their belongings to go somewhere else,
- 2:19Speaker 3: and they keep doing this over and over again. One
- 2:21Speaker 3: of the filmmakers, one of the Palistini filmmakers, is also
- 2:24Speaker 3: an activist, these leading protests against the destruction, and one
- 2:27Speaker 3: of the Israeli filmmakers is a journalist who's trying to
- 2:30Speaker 3: cover these demolitions for the readers back in Israel, to
- 2:33Speaker 3: make them care about this stuff, and they're kind of
- 2:36Speaker 3: the two main characters of the story. One of the
- 2:38Speaker 3: interesting things is, like I said, this movie is you know,
- 2:41Speaker 3: been at film festivals, one awards at festivals, and it's
- 2:43Speaker 3: nominated for an Oscar.
- 2:44Speaker 2: It does not have a US distributor.
- 2:46Speaker 3: Really it got here because the filmmakers themselves are distributing
- 2:49Speaker 3: into twenty three cities around the country, including them, so
- 2:53Speaker 3: like it's.
- 2:53Speaker 2: One of them. It's at the Broadway.
- 2:55Speaker 3: It's really eye opening, and it's really a more complicated
- 2:59Speaker 3: picture of what's happening on the West Bank than the
- 3:01Speaker 3: most Americans know about it. They they finished shooting it
- 3:07Speaker 3: just before October seventh, twenty twenty three, just before then
- 3:10Speaker 3: the moss attacks, which I think, which which which makes
- 3:15Speaker 3: it hard to parse and separate out all the different
- 3:19Speaker 3: issues of that very complicated place.
- 3:23Speaker 2: But it is worth it to sort.
- 3:26Speaker 3: Of know what's going on and get it, get it,
- 3:28Speaker 3: get a view of what's going on that you don't
- 3:30Speaker 3: necessarily I always see three and a half Stars or
- 3:33Speaker 3: no other land. It's at the Broadway, right, It's really
- 3:35Speaker 3: it's really worth watching eve And and we're thinking.
- 3:39Speaker 2: About the whole issue.
- 3:40Speaker 3: So right next to the mainstream we have The Unbreakable Boy.
- 3:45Speaker 1: I like, what did you write this? Alcoholism with a
- 3:48Speaker 1: side with autism on the side.
- 3:50Speaker 2: Yeah.
- 3:51Speaker 3: This is advertised as the true story of an inspirational
- 3:54Speaker 3: thirteen year old kid named Austin who has who has
- 3:56Speaker 3: brittle bone disease, so he's had dozens of broad factors
- 4:00Speaker 3: for his young life, and he has autism. So a
- 4:03Speaker 3: good chunk of the movie is about this kid's awkwardness
- 4:05Speaker 3: around the kids and how optimistic and resilient he is.
- 4:07Speaker 3: He's like always happy, always positive. But that's the half
- 4:11Speaker 3: that's in the ads. The other half is about the
- 4:13Speaker 3: boy's dad and how the dad has trouble coping with
- 4:16Speaker 3: his son's issues, and then soon he's got a different
- 4:19Speaker 3: problem is that he drinks too much. And we've all
- 4:21Speaker 3: seen movies about alcoholism that handle this one hundred times
- 4:24Speaker 3: better than this movie does, because none of those movies
- 4:27Speaker 3: have Zachary Levi.
- 4:28Speaker 2: In the lead. Ooh, he's bad, he's you.
- 4:31Speaker 3: Know, he's that manchild thing got old after the second
- 4:34Speaker 3: Hizam movie, let alone, after Harold in the Purple Crayon
- 4:38Speaker 3: being a jerk father. Nobody needs this. The kid who
- 4:43Speaker 3: plays Austin is good. His name is Jacob Leaval.
- 4:45Speaker 4: Is he a local?
- 4:46Speaker 2: No, no, no, this is all this is.
- 4:48Speaker 3: I think they filmed this in Oklahoma, so there's no
- 4:50Speaker 3: local connection here.
- 4:52Speaker 2: One and a half stars and a half. This is
- 4:54Speaker 2: just not all right. Let's get to the one that
- 4:56Speaker 2: everyone's talking about. The monkey. The monkey.
- 5:00Speaker 3: This is loosely based on a Stephen King short story
- 5:02Speaker 3: about one of those wind up monkey toys with the
- 5:05Speaker 3: with the drum and so on, and every time someone
- 5:08Speaker 3: winds up the toy, somebody somewhere dies and.
- 5:12Speaker 2: Oh, somebody somewhere It doesn't have to be in the
- 5:13Speaker 2: same room as the monkey.
- 5:15Speaker 3: Not necessarily, although yeah, no, it's although usually it is
- 5:18Speaker 3: tied to somebody that the people who own the monkey know, so.
- 5:22Speaker 2: In some way. Uh.
- 5:24Speaker 3: And the director, the director here is Osgoode Perkins, who
- 5:27Speaker 3: did Long Legs.
- 5:29Speaker 2: Yeah. Uh.
- 5:31Speaker 3: He really leans into the deaths, trying trying to be
- 5:34Speaker 3: as creatively gruesome as possible.
- 5:36Speaker 2: Uh. And and and be funny. Uh.
- 5:40Speaker 3: It's it's like it's a horror It calls it a
- 5:42Speaker 3: horror comedy. And the deaths, I mean, one of them
- 5:45Speaker 3: happens at a tapanaki restaurant, so Beni Hannah, I.
- 5:49Speaker 2: Could see how that had happened.
- 5:50Speaker 4: Yeah, I saw the tattoo shop went online. That's you know,
- 5:54Speaker 4: that's a different movie. That's that's the next that's the next.
- 5:57Speaker 2: Final destination, but similar, similar idea. That's the ideas that
- 6:01Speaker 2: were The problem here is that Perkins can't keep it's consistent.
- 6:06Speaker 3: The main story is about a pair of twins who
- 6:10Speaker 3: wind up with the monkey and they discover it's a curse,
- 6:12Speaker 3: and the curse and so on, and that stuff is
- 6:15Speaker 3: very serious and it doesn't gibe so well with the
- 6:19Speaker 3: weird you know, explode your people who explode on contact
- 6:23Speaker 3: and bleed, you know, blood spattered everywhere and all this.
- 6:28Speaker 3: So two and a half stars, it's it's kind of
- 6:29Speaker 3: it's it's kind of uneven. I was I wish I
- 6:31Speaker 3: was hoping for better.
- 6:32Speaker 1: Did you say, did you say that they wind up
- 6:35Speaker 1: with the monkey on purpose?
- 6:38Speaker 4: I feel lucky because I have one of these monkey toys.
- 6:40Speaker 4: But it's not a wind up, it's battery. So okay,
- 6:43Speaker 4: I'm okay. Is the monkey cursed? The toy curse? Is
- 6:48Speaker 4: that what happened?
- 6:48Speaker 3: There's something there's there's something going and we don't get
- 6:51Speaker 3: a full.
- 6:51Speaker 2: Explanation of the monkey's origins. That will save that for
- 6:53Speaker 2: the sequel.
- 6:54Speaker 3: Was going to say, yeah, there'll be a prequel Monkey
- 6:57Speaker 3: Monkey two origins or something.
- 7:00Speaker 2: So two and a half for that, two and a
- 7:02Speaker 2: half for the monkey. All right, what do we got
- 7:03Speaker 2: next week? Next week we.
- 7:05Speaker 3: Have Last Breath, which is a diving rescue movie with
- 7:07Speaker 3: Woody Harrelson and Simoulu And we have riff Raff, which
- 7:11Speaker 3: is a gangster comedy with Bill Murray and Pete Davidson.
- 7:15Speaker 3: And to my knowledge, they're not going to allow me
- 7:19Speaker 3: to see either of those before they open. So interesting. Yeah,
- 7:22Speaker 3: but the reason, here's the thing next weekend is the Oscars.
- 7:26Speaker 2: Oh that's why. And the and the.
- 7:28Speaker 3: Track record for movies that open on Oscar weekend is
- 7:31Speaker 3: not strong.
- 7:31Speaker 2: Well, maybe we have you in just to do we'll
- 7:33Speaker 2: talk about will we will talking about the Oscars next.
- 7:36Speaker 2: That'll be great. All right, Okay, thank you very much.
- 7:37Speaker 1: Sean means sltrib dot com, movie cricket dot net, go there.
- 7:42Speaker 1: Sean Patrick means.
- 7:43Speaker 4: So the first time that Ed Brass is hearing that
- 7:45Speaker 4: there's another Final Destination movie, he's very exciting to look.
- 7:49Speaker 2: Forward to Bloodlines. I think it's called. Yeah, thank you,