Latest / What More Can I Say? / B2K Reunited, The Carter 6 Album Review, R.Kelly's New Claims & More!

Transcript

B2K Reunited, The Carter 6 Album Review, R.Kelly's New Claims & More! · What More Can I Say?

• 0:00
  Speaker 1: Right, y'all, welcome to it? And what more can I say? Podcast?
• 0:02
  Speaker 1: Episode what number are we on? Rider to two eight?
• 0:06
  Speaker 1: That came after two two seven? Man shout out to
• 0:09
  Speaker 1: two seven. I liked the episode two two seven. I
• 0:12
  Speaker 1: want your host soul, Paul. Let's go ahead and find out.
• 0:14
  Speaker 1: I'm gonna like to too.
• 0:15
  Speaker 2: Eight.
• 0:15
  Speaker 1: She is the first lady pod, the only lady out
• 0:18
  Speaker 1: of the pod, and one of the traders that went
• 0:21
  Speaker 1: to lunch today without me?
• 0:23
  Speaker 2: Keith Key, what's up?
• 0:24
  Speaker 1: Hey, Hey ki KEI?
• 0:26
  Speaker 3: Where am I a trader?
• 0:28
  Speaker 1: Y'all?
• 0:29
  Speaker 2: I would have told y'all I was going to lunch,
• 0:30
  Speaker 2: but it's okay.
• 0:32
  Speaker 3: Do you know that we eat lunch every day together?
• 0:36
  Speaker 3: We might tell you right now.
• 0:39
  Speaker 2: So y'all eat lunch every day and I ain't never
• 0:41
  Speaker 2: been included.
• 0:41
  Speaker 1: You know what happens?
• 0:43
  Speaker 4: Let me say something. What happens is we work different shifts.
• 0:45
  Speaker 4: Don't tell the truth. We work different shifts. We work
• 0:48
  Speaker 4: the mornings. After the morning we'd be like, hey, going
• 0:50
  Speaker 4: to get food? We do that at least two three
• 0:52
  Speaker 4: times a week. Yeah, we go downstairs. Usually we go downstairs,
• 0:55
  Speaker 4: get something that's here, come back up here and eat.
• 0:58
  Speaker 4: Usually when you come in. Every day you come in,
• 1:00
  Speaker 4: we're eating together. Yes, the only difference is today we
• 1:04
  Speaker 4: was like, it's a nice day.
• 1:06
  Speaker 2: We don't want the food. This's here. Tied to that,
• 1:08
  Speaker 2: Kiki was like, I want something good, and then she
• 1:11
  Speaker 2: did some type of row.
• 1:12
  Speaker 4: She was like she did he said, she said I
• 1:16
  Speaker 4: want something, dude, and then I was like okay. So
• 1:21
  Speaker 4: we was trying to figure it out. He was like,
• 1:22
  Speaker 4: what do we want to eat? And then we was
• 1:24
  Speaker 4: looking around. Didn't nobody want nothing that we have all
• 1:26
  Speaker 4: the time? Nice day outside? All right, well let's go outside.
• 1:30
  Speaker 4: Maybe we can get something across the street.
• 1:32
  Speaker 1: Yep.
• 1:32
  Speaker 4: So then we got to walk in and then we
• 1:34
  Speaker 4: went to We were gonna go to sweet Water, but
• 1:36
  Speaker 4: Sweetwater on open till eleven. Were there at ten thirty,
• 1:39
  Speaker 4: So what do we do? We rode bikes for thirty
• 1:41
  Speaker 4: minutes the past time. Then we went back eight and
• 1:45
  Speaker 4: then you pull it up on us like you always do,
• 1:48
  Speaker 4: and you walked up on us eating like you always do.
• 1:50
  Speaker 2: Around eleven o'clock.
• 1:52
  Speaker 1: Well, you know what did we do? Even time for
• 1:54
  Speaker 1: your what even time for your intro? And I even said,
• 1:58
  Speaker 1: you god damn name yet how about that, you little trading.
• 2:01
  Speaker 1: I'm like, that long ass explanation about nothing was a
• 2:05
  Speaker 1: funny man at the pod Zach, next time, give me
• 2:10
  Speaker 1: the cliff notes.
• 2:12
  Speaker 2: That's what happened.
• 2:13
  Speaker 1: Give me the cliff note to that. He was like,
• 2:15
  Speaker 1: and I stopped listening out to ride bikes. I won't
• 2:19
  Speaker 1: let you know. Well, there wasn't much after that.
• 2:22
  Speaker 2: It wasn't.
• 2:23
  Speaker 3: It's just so funny how you can't really go nowhere
• 2:26
  Speaker 3: in Chicago and not see somebody in no tone, you
• 2:28
  Speaker 3: know what I'm saying. I was getting my hair done
• 2:30
  Speaker 3: week off, my whole ceiling missing, and this man is
• 2:33
  Speaker 3: in here talking to me about how he know talk
• 2:35
  Speaker 3: upon and I'm like, sir, please right now, And that's
• 2:39
  Speaker 3: a lie. He was getting his locks done and I
• 2:41
  Speaker 3: mean not getting my wig put on, and he is.
• 2:44
  Speaker 3: He had to tell me that he know talkaupone. We
• 2:47
  Speaker 3: had lunch today. Man and I business sitting outside and
• 2:50
  Speaker 3: his man walked past and he just said, he looked.
• 2:53
  Speaker 3: He said, hey, y'all, he said, I'm on the phone
• 2:55
  Speaker 3: with tone right now, And next thing you know, here
• 2:57
  Speaker 3: comes Tone up the street.
• 2:59
  Speaker 1: By city out of day.
• 3:00
  Speaker 2: That's crazy.
• 3:01
  Speaker 3: Yeah, why no, you're not safe from ike in the city. Okay,
• 3:05
  Speaker 3: he will find he gonna find you.
• 3:07
  Speaker 2: I'm gonna find you. I'm gonna find you. Shout outa shot.
• 3:11
  Speaker 1: They all traders, and our producer Ryan is also included
• 3:14
  Speaker 1: in the trader. Yes righting Rider. Rider got off the bus, like,
• 3:20
  Speaker 1: what's up?
• 3:22
  Speaker 4: I don't know if you've ever seen anybody get off
• 3:24
  Speaker 4: a bus. There's so much confidence, Like he got off
• 3:27
  Speaker 4: the bus like a private jet.
• 3:37
  Speaker 2: What up, y'all?
• 3:40
  Speaker 3: I ain't never seen nobody on the C T A
• 3:42
  Speaker 3: that fresh, fresh, fresh fresh.
• 3:45
  Speaker 1: That is so funny.
• 3:46
  Speaker 2: And the bus didn't even stop at the corner. It
• 3:48
  Speaker 2: just kind of.
• 3:49
  Speaker 1: Stopped in the street. Rider hopped off. They closed the
• 3:51
  Speaker 1: door and kept going. That's it.
• 3:53
  Speaker 3: He got eating on the sidewalk. Were literally eating at
• 3:57
  Speaker 3: a restaurant outside and Rider just pulled up next our table.
• 4:00
  Speaker 3: It hopped off a C T A bus.
• 4:02
  Speaker 2: It was like an uber but it was crazy.
• 4:04
  Speaker 1: And I'm mad. I'm mad at. I'm more mad I
• 4:07
  Speaker 1: think Ryan because Ryan's Ryan's will considerate than you too,
• 4:10
  Speaker 1: and he forgot about me.
• 4:12
  Speaker 2: Mm hmm right, that's crazy. Ryan mean is here.
• 4:16
  Speaker 1: It's crazy man to talk about this, so.
• 4:19
  Speaker 2: We don't really talk about enough.
• 4:21
  Speaker 3: Please people don't because I can't say it.
• 4:24
  Speaker 2: Ryan Mean is here, Ryan Nice.
• 4:32
  Speaker 3: I feel vindicated.
• 4:33
  Speaker 2: Mean Ryan Mean. It's crazy. He's sensitive.
• 4:38
  Speaker 4: He's sensitive, but he mean I just ad ship else.
• 4:43
  Speaker 2: Sensitive bully a sensitive all around.
• 4:48
  Speaker 1: Why I can't do Oh?
• 4:58
  Speaker 3: I feel so vindicated?
• 4:59
  Speaker 1: Thank you?
• 5:01
  Speaker 3: WHOA like toy Lane with new evidence not the new
• 5:08
  Speaker 3: evidences dropping, I might think I'm so mean.
• 5:15
  Speaker 1: Yeah they did. I know they did.
• 5:18
  Speaker 2: I know they did. It's all right. I feel like R.
• 5:21
  Speaker 1: Kelly Man like A lawyers they founded an emergency motion
• 5:24
  Speaker 1: demanded his release. I'm the man at my release from
• 5:32
  Speaker 1: this pot I plan to They are trying to kill
• 5:35
  Speaker 1: me the fan Bob fam. They trying to kill me
• 5:39
  Speaker 1: like they're trying to kill R. Kelly in in prison.
• 5:43
  Speaker 1: Uh So, when you think you think this is gonna work,
• 5:46
  Speaker 1: Kells is gonna get out. Actually A lawyers are actually
• 5:49
  Speaker 1: asking President Trump to get Kills out of jail because
• 5:52
  Speaker 1: of potential death.
• 5:54
  Speaker 4: Threats on his life. Get him out of that, man,
• 5:58
  Speaker 4: get him out of there, Get him out of that.
• 5:59
  Speaker 4: I say, Kills out of that. However, you can get
• 6:02
  Speaker 4: Kills out of there. We need Kaills out him making
• 6:03
  Speaker 4: I know his kill has been in jail, it got
• 6:06
  Speaker 4: to be Oh no, it's been a while, big, a
• 6:08
  Speaker 4: five piece. No longer than that, right, No, he ain't
• 6:12
  Speaker 4: been in jail, it ain't been longer than five. But
• 6:15
  Speaker 4: I think he should just like get house arrests where
• 6:17
  Speaker 4: nobody can come. You know, you got to be at
• 6:20
  Speaker 4: least thirty to come to his house and twenty nineteen.
• 6:23
  Speaker 2: Yeah, let him have a studio.
• 6:26
  Speaker 1: Damn. He's been in jail since twenty ninth.
• 6:28
  Speaker 3: Yep, since year.
• 6:30
  Speaker 2: Do you remember when he first got locked up. There
• 6:31
  Speaker 2: was trying to get him out for.
• 6:32
  Speaker 4: COVID We got a six pieces already done, a six
• 6:36
  Speaker 4: piece and he got fifty years because he got sentenced
• 6:40
  Speaker 4: to thirty years in prison for racketeering and sex trafficking
• 6:44
  Speaker 4: in New York.
• 6:45
  Speaker 3: Then he got an additional twenty year sentence for child
• 6:48
  Speaker 3: sex abuse convictions in Chicago.
• 6:52
  Speaker 2: Damn, that's crazy.
• 6:56
  Speaker 1: Wooh yeah, well you hear those numbers, you were like, God, damn, Yeah,
• 7:02
  Speaker 1: it's tough, that's tough.
• 7:04
  Speaker 2: We'll see, we'll see what happens.
• 7:05
  Speaker 3: Man.
• 7:05
  Speaker 1: You know, President Trump, you never know what's gonna happen
• 7:08
  Speaker 1: with him.
• 7:10
  Speaker 2: I mean, he ain't partner r Kelly. You know, I
• 7:12
  Speaker 2: think something He ain't.
• 7:13
  Speaker 4: Partner r Kelly, how many telling you think Trump listened
• 7:16
  Speaker 4: to bump and grind? But I ain't never heard when
• 7:19
  Speaker 4: a woman's feed up. He ain't got no connection, got
• 7:23
  Speaker 4: no connection?
• 7:24
  Speaker 2: See him? And did he got the money? Connection?
• 7:27
  Speaker 1: You know?
• 7:27
  Speaker 2: We rich in New York.
• 7:29
  Speaker 4: That's true. Rich guys in New York. We see each
• 7:31
  Speaker 4: other all the time. Connection. Yeah, that's what I'm saying.
• 7:33
  Speaker 4: What connection?
• 7:34
  Speaker 2: Does Trump really got to kails?
• 7:36
  Speaker 1: That's true?
• 7:37
  Speaker 2: I don't know.
• 7:38
  Speaker 1: We'll see all right, bow Wow speaks up and we'll
• 7:42
  Speaker 1: probably be read all of this, man, bow Wow Sierra,
• 7:46
  Speaker 1: like me, Kei Ki, you are tied into all things millennium,
• 7:50
  Speaker 1: this generation. What do you think about this bow Wow performing?
• 7:54
  Speaker 1: You know, like, is it like me?
• 7:56
  Speaker 3: Like you?
• 7:58
  Speaker 1: Like you? Yeah?
• 7:59
  Speaker 2: Like you?
• 8:00
  Speaker 1: And then the B two K get back together, a
• 8:03
  Speaker 1: tour being announced? Is what's going on with all of this?
• 8:05
  Speaker 3: I think it's what the world needs?
• 8:07
  Speaker 2: Of course you do.
• 8:08
  Speaker 3: I think, yes, I think it's what the world needs,
• 8:11
  Speaker 3: especially at this time. You know, this is a time
• 8:15
  Speaker 3: where all all of our new Millennium acts are trying
• 8:18
  Speaker 3: to transition the next phase of their careers, and that
• 8:22
  Speaker 3: we need to appreciate the times and the art that
• 8:24
  Speaker 3: they gave us, and I think this is the perfect opportunity.
• 8:29
  Speaker 3: B two K just announce the tour, so.
• 8:32
  Speaker 4: That ain't gonna happen. To tell the truth, this tour
• 8:35
  Speaker 4: is not gonna happen. Why B two K don't like
• 8:37
  Speaker 4: each other? Okay, we are just acting like little fears.
• 8:42
  Speaker 4: Didn't try to try to steal O Marion's baby mama publicly,
• 8:48
  Speaker 4: not on the low, publicly for the world to know.
• 8:51
  Speaker 4: O Marion literally became this whole calm person and this
• 8:56
  Speaker 4: whole image of being a calm I don't care about
• 8:58
  Speaker 4: what's going on because of the mess the B two
• 9:00
  Speaker 4: k's dragged him through.
• 9:02
  Speaker 3: Yes, okay, RASB was just going off talking about you
• 9:04
  Speaker 3: get me and O Mario and they did this to us.
• 9:06
  Speaker 3: They doing they can't wait. They always talking about on Mario.
• 9:09
  Speaker 4: So I saw the flyer it said spring twenty twenty six.
• 9:13
  Speaker 4: So you mean tell me they're gonna rehearse for a
• 9:15
  Speaker 4: year then go on tour without nothing popping off.
• 9:18
  Speaker 1: This tour ain't happening, Yes it is. I want to
• 9:21
  Speaker 1: let you know what that new audition has stuff like this,
• 9:24
  Speaker 1: not maybe not this public because it was it was
• 9:27
  Speaker 1: back then and things more public now. But I'm sure
• 9:31
  Speaker 1: New Addition has some real issues there groups that had
• 9:34
  Speaker 1: real issues.
• 9:35
  Speaker 2: Difference between you know, I'm gonna tell I'm gonna tell.
• 9:37
  Speaker 3: You she had a baby mama. Yeah, to the cousins,
• 9:42
  Speaker 3: they got one burn brother.
• 9:44
  Speaker 2: Gout us what Mike never might never went back on
• 9:47
  Speaker 2: to it.
• 9:48
  Speaker 1: Yes he did when, yes he did. Michael Jackson did
• 9:51
  Speaker 1: a reunion cho with his brother. Guess what them it's
• 9:53
  Speaker 1: his real brothers. That's that's different. That's the fact.
• 9:55
  Speaker 4: You know, the difference between New Addition, New Addition is
• 9:58
  Speaker 4: all talented.
• 10:00
  Speaker 2: They need each other. They can all sing. Zach, I'm
• 10:03
  Speaker 2: gonna tell you what.
• 10:05
  Speaker 1: I don't need this, but no, but look, Zach, A
• 10:11
  Speaker 1: Marian is a smart business person. He understands that A
• 10:15
  Speaker 1: Marion I already did that. A Marion, by myself, think
• 10:19
  Speaker 1: it was good. But I also know everybody was always
• 10:24
  Speaker 1: like man saying this. I wish B two K would
• 10:26
  Speaker 1: get back together and guess what the B two K
• 10:29
  Speaker 1: members was probably doing. Man, I wish I was on
• 10:31
  Speaker 1: that tour with them. I need this check little Fizz,
• 10:34
  Speaker 1: Little Fizz, and rast be no shade to them. But
• 10:37
  Speaker 1: I'm sure they could use a B two k check.
• 10:40
  Speaker 1: They forty years old. Money and need will make people
• 10:45
  Speaker 1: be like, you know what, I'm cool. It was the same.
• 10:48
  Speaker 1: It's the same reason why they stayed together when they
• 10:50
  Speaker 1: was out when they were younger. They were having issues
• 10:53
  Speaker 1: when they were younger. What do they I'm not feinna pack.
• 10:56
  Speaker 1: Are you crazy? I'm not finna give up on his
• 10:58
  Speaker 1: money and I'm not gonna get his fame, So I'm
• 11:01
  Speaker 1: gonna be cool. All the bs happened once they cooled down.
• 11:05
  Speaker 1: They now they they need that money. Bro, I'm telling
• 11:09
  Speaker 1: you this is gonna work out.
• 11:10
  Speaker 3: Yes, it's a great need dog needs. It's gonna work out. O.
• 11:14
  Speaker 3: Marian is doing this because he is a man for
• 11:17
  Speaker 3: his fans and he wants us to be happy. You know,
• 11:22
  Speaker 3: everybody wants to say he, oh Marion, think he bigger
• 11:24
  Speaker 3: than the program, O Marion. Think he is a Marion?
• 11:27
  Speaker 3: Think he that? And he is. But he's being humble
• 11:30
  Speaker 3: and giving the fans what they deserve. So I think
• 11:34
  Speaker 3: it's gonna work out. I'm gonna be there and we're
• 11:37
  Speaker 3: gonna have a great time and everybody. All I want
• 11:40
  Speaker 3: to let the guys know is watch your mouth. You know,
• 11:44
  Speaker 3: watch how you deal with a man because he's throwing
• 11:47
  Speaker 3: y'all a bone, and whether y'all want to acknowledge that
• 11:50
  Speaker 3: he is.
• 11:52
  Speaker 1: Yes, Now, some people like we, just like Zach named
• 11:56
  Speaker 1: his Gary Indiana homie. Michael Jackson was bigger than that program,
• 12:01
  Speaker 1: one hundred percent, didn't need the program. Destiny's Child Beyonce
• 12:05
  Speaker 1: is bigger than the program. Yes, but there's some people
• 12:08
  Speaker 1: that you need the program. S w V. Everybody knew
• 12:13
  Speaker 1: Coco sang everything, but without without the other.
• 12:17
  Speaker 2: It wasn't the same.
• 12:18
  Speaker 3: That's a good point.
• 12:20
  Speaker 2: One one twelve Slim tried to go by himself.
• 12:23
  Speaker 1: Every Slim slang a lot of the songs, but guess
• 12:26
  Speaker 1: what it was better to guess.
• 12:28
  Speaker 3: That's a good point you make. But all those people
• 12:30
  Speaker 3: you just named who were not able to succeed, they
• 12:33
  Speaker 3: don't have solo hit records, and we're not gonna sit
• 12:35
  Speaker 3: here and act like a Mario Ishmail Grandberry don't have
• 12:37
  Speaker 3: hit records that he can go out and perform and
• 12:39
  Speaker 3: has been performing for the last two years.
• 12:41
  Speaker 1: Coc Gotta had a hit record where it was one.
• 12:44
  Speaker 1: What was she had one?
• 12:46
  Speaker 2: She had one?
• 12:47
  Speaker 1: You know?
• 12:48
  Speaker 3: Okay, Well, he has way more than one, how many?
• 12:50
  Speaker 3: He has several enough to do a set and a
• 12:53
  Speaker 3: tour alone. The only thing on Mariani's is somebody to
• 12:56
  Speaker 3: craft his show. That's it. He needs a stage what
• 13:00
  Speaker 3: do they call him? Not manager, but like a No,
• 13:04
  Speaker 3: he needs somebody. He needs somebody to put the heats
• 13:08
  Speaker 3: in the order.
• 13:09
  Speaker 2: That's so he needs a don't.
• 13:15
  Speaker 3: Yeah, y'all see that's what y'all like to do. But
• 13:18
  Speaker 3: let me tell you something. If the proof is already there,
• 13:20
  Speaker 3: he men on tour alone. They can't alone, they can't.
• 13:28
  Speaker 1: He needs the two other dudes.
• 13:33
  Speaker 3: First of all, there's three other dudes.
• 13:35
  Speaker 2: But yeah, all the three other dudes.
• 13:37
  Speaker 3: Sorry that was that was But yeah, he just needs.
• 13:44
  Speaker 1: Y'all. B K.
• 13:45
  Speaker 2: No, what is that called a stage manager?
• 13:48
  Speaker 1: A producer?
• 13:50
  Speaker 2: You know, the same who's the guy? It's like a
• 13:51
  Speaker 2: music director, a ranger.
• 13:54
  Speaker 3: Yeah, like that's it.
• 13:55
  Speaker 1: That is not that is the music arranger.
• 14:00
  Speaker 3: It's great on tour, he don't. He's already tour without them.
• 14:04
  Speaker 3: None of them can tour without him. That's that's true.
• 14:08
  Speaker 1: Without that.
• 14:09
  Speaker 3: So that's when you talk about bigger than the program. Yes,
• 14:11
  Speaker 3: he's bigger than the program.
• 14:12
  Speaker 2: He needs a program. Okay, okay, answer to this.
• 14:16
  Speaker 1: And because I wasn't ass tapped in, I played the record,
• 14:20
  Speaker 1: but I wasn't going to but he'll be two K
• 14:22
  Speaker 1: show who had bigger hits A Marion or a Marion.
• 14:27
  Speaker 2: When he was with B two K, which had the
• 14:28
  Speaker 2: bigger hit.
• 14:29
  Speaker 3: We went over this a couple of pots ago, and
• 14:31
  Speaker 3: we pulled up the list and it was equal. Almost.
• 14:38
  Speaker 5: I ain't missed no pods. I see all the pods.
• 14:53
  Speaker 1: Reported for.
• 14:57
  Speaker 2: I must have missed that. Well, no, we did this
• 14:59
  Speaker 2: too positive.
• 15:00
  Speaker 3: Yeah, y'all try to argue me, and I said, oh, Mario,
• 15:03
  Speaker 3: I got more hits than B two K. You specifically
• 15:06
  Speaker 3: pulled up the damn list of B two K songs
• 15:09
  Speaker 3: and I pulled up with Mario songs and it was
• 15:11
  Speaker 3: them the neck and neck. That's what I'm saying. You
• 15:13
  Speaker 3: guys act as if he hasn't had success outside of
• 15:15
  Speaker 3: this group. You have to ever be two K as
• 15:17
  Speaker 3: a group hasn't dropped an album or a single since
• 15:20
  Speaker 3: I was fifteen, So it's you look at fifteen years
• 15:23
  Speaker 3: later and this man has hit hit songs that still ring.
• 15:27
  Speaker 2: Off their places.
• 15:28
  Speaker 1: So let's not act like he.
• 15:29
  Speaker 3: Doesn't like he's not able to what O Marian is
• 15:32
  Speaker 3: doing is doing something for his fans and saying, hey,
• 15:35
  Speaker 3: y'all all everybody on the blogs, everybody want to say.
• 15:38
  Speaker 3: He think he better than that, he think he need
• 15:40
  Speaker 3: be two K. He like, you know what I'm gonna
• 15:42
  Speaker 3: get y'all be two K and I'm gonna show y'all
• 15:44
  Speaker 3: on this tour why B two K don't work when
• 15:48
  Speaker 3: they all get to doing what they normally do.
• 15:50
  Speaker 4: AWA's saying, I'm not taking anything for away from Marian hits.
• 15:53
  Speaker 4: I think all we're saying is O Marian needs be
• 15:55
  Speaker 4: two K two that's it. I'm just I know, I
• 15:59
  Speaker 4: know he saw the oh oh did just come off
• 16:02
  Speaker 4: of to it O Marian and it was criticized a lot.
• 16:04
  Speaker 4: People were saying he was screaming at people to get up,
• 16:07
  Speaker 4: stand up for us, please all that. When B two
• 16:09
  Speaker 4: K come out and they do that little you ain't
• 16:12
  Speaker 4: gotta worry about nobody sitting down.
• 16:14
  Speaker 2: The whole ruin is gonna.
• 16:20
  Speaker 1: By hisself. They said, put your shirt on, you got
• 16:23
  Speaker 1: big titties. They said titties top of everywhere. You know why,
• 16:27
  Speaker 1: because they only focused on him With B two K there.
• 16:31
  Speaker 4: Was I guess what I'm saying is like you said,
• 16:32
  Speaker 4: they haven't put out an ounsince fifteen. But the pandemonium,
• 16:34
  Speaker 4: the millennials who are gonna buy these tickets, loved other people.
• 16:38
  Speaker 3: In that group other than on Maria and without any talent.
• 16:41
  Speaker 3: It's people who it's women who loved Little Fizz. He
• 16:44
  Speaker 3: had two verses on maybe one song. They loved jay
• 16:48
  Speaker 3: Bug jay Bug ain'ty nothing but talk in the beginning.
• 16:51
  Speaker 3: So when you bring all that together, you can't act
• 16:53
  Speaker 3: like that. Doesn't that don't you bring it together? O'Mara
• 16:57
  Speaker 3: needs that to do, but you cannot. You just said
• 17:00
  Speaker 3: here and said Jay Bull had two lass little fears
• 17:03
  Speaker 3: ain't got no talent, and then sit around and tell
• 17:05
  Speaker 3: me that O. Marian ain't bigger than the program. He
• 17:07
  Speaker 3: is the goddamn program musically he is overall. He is
• 17:11
  Speaker 3: for what but byan tigkets purchase power. You want to
• 17:14
  Speaker 3: see be kout him. There are no suns without him.
• 17:18
  Speaker 3: Everybody's at home, everybody's at home without that. But without them,
• 17:23
  Speaker 3: we at the wind.
• 17:23
  Speaker 4: Trust fifty percent gone though, But we at the wind truck, no,
• 17:26
  Speaker 4: we at the genes we have no.
• 17:29
  Speaker 1: No, it wasn't just him. It was everybody. Now bow
• 17:32
  Speaker 1: Wow was on that tour two do and Ray James, Oh,
• 17:35
  Speaker 1: Marian ain't selling up centerbou himself, he to be you
• 17:39
  Speaker 1: and thirty people that niggas Ei though I'm saying O.
• 17:43
  Speaker 1: Marion O'Mara went on a he went on a tour
• 17:46
  Speaker 1: with twelve with twenty acts, like he went on the
• 17:50
  Speaker 1: world to himself with the it was.
• 17:55
  Speaker 2: Forty niggas he did. They came to see what that
• 18:10
  Speaker 2: would have a lot today.
• 18:11
  Speaker 1: That's a festival line up. They took a festivalund.
• 18:14
  Speaker 3: But guess what if you would have put the same
• 18:17
  Speaker 3: three on the lineup. Guess who it would have been.
• 18:21
  Speaker 3: Nobody come to.
• 18:21
  Speaker 1: See them around them show up now one person.
• 18:26
  Speaker 3: They can't. They can't do the millennium to it without him.
• 18:29
  Speaker 2: Okay, okay, that's.
• 18:30
  Speaker 3: When you know you're bigger than the program.
• 18:32
  Speaker 1: Now he is here is here is an integral part
• 18:35
  Speaker 1: of that of that era. He is he is He
• 18:38
  Speaker 1: is definitely bow Wow like you couldn't do it, like
• 18:40
  Speaker 1: if Marion went out without bow Wow. That's why they
• 18:43
  Speaker 1: even though they don't like each other, they know well
• 18:45
  Speaker 1: now they made up.
• 18:47
  Speaker 2: They know they're powerful together.
• 18:49
  Speaker 1: They smart enough to know business wise, because if Marion
• 18:52
  Speaker 1: went out with them same acts, the power not gonna
• 18:54
  Speaker 1: be the same. If you got bow wow with him,
• 18:57
  Speaker 1: it's a whole nother situation now shout out to like.
• 19:00
  Speaker 1: I think there was somebody that asked, I don't want
• 19:02
  Speaker 1: to put them on the spot. They asked about Sierra
• 19:04
  Speaker 1: being a part of the Millennium Tour, and I guess
• 19:07
  Speaker 1: she didn't.
• 19:08
  Speaker 2: She didn't feel feel she felt a way about that.
• 19:11
  Speaker 1: But if to me, to me, you asked Sierra to
• 19:14
  Speaker 1: the Millennium Tour, it changes it.
• 19:16
  Speaker 3: It increases the brand of the Millennium too. She's definitely
• 19:20
  Speaker 3: it would be a positive asset to add to the
• 19:22
  Speaker 3: Millennium Tour. I don't know if that would be the
• 19:24
  Speaker 3: same she would get the same thing in response for
• 19:26
  Speaker 3: her personal brand. We sat across with cerfra.
• 19:28
  Speaker 2: Is very rich.
• 19:30
  Speaker 1: Oh he's very rich.
• 19:31
  Speaker 3: She's very wealthy. So you know, I could I don't
• 19:34
  Speaker 3: know if I if I'm if I'm on her team,
• 19:36
  Speaker 3: I would advise her to take that opportunity because what
• 19:40
  Speaker 3: does it truly do for her? Because what it is,
• 19:43
  Speaker 3: it is a lot for the fans. I would love
• 19:45
  Speaker 3: to see it. I think her music is definitely a
• 19:47
  Speaker 3: part of that era. To me, it would heighten her music,
• 19:49
  Speaker 3: but her as an overall entity at the Met Gala,
• 19:52
  Speaker 3: at the Millennium Tour, I don't think that.
• 19:55
  Speaker 2: I don't think it changed.
• 19:56
  Speaker 1: I don't think it changed. I don't think it cheapens it. Honestly,
• 19:59
  Speaker 1: I don't think it because she's so solid, right, She's
• 20:03
  Speaker 1: so solid. The the whole image is, it's been crafted.
• 20:08
  Speaker 2: It's solid. I don't think Sierra.
• 20:11
  Speaker 1: I always had to say, her jersey already in the rafters,
• 20:13
  Speaker 1: it's up there, it's done. She's nothing she could do
• 20:16
  Speaker 1: to mess it up. It's nothing she could do to
• 20:19
  Speaker 1: increase it, increase the value of it. What it does
• 20:21
  Speaker 1: is allow her fans to celebrate her. I don't think.
• 20:24
  Speaker 1: I guess should because she didn't get celebrated, But I
• 20:28
  Speaker 1: don't think celebrate Hold on second, I don't think she
• 20:31
  Speaker 1: got celebrated with Buster and miss I don't think so.
• 20:36
  Speaker 2: You're right about that.
• 20:37
  Speaker 4: But it shouldn't be the It shouldn't be under that
• 20:39
  Speaker 4: brand of Millennium to it. It shouldn't be under it
• 20:41
  Speaker 4: should be under a different brand. It needs to be
• 20:43
  Speaker 4: like Sierra and then at them or something around Sierra's
• 20:47
  Speaker 4: where her level is now, and I think it was
• 20:49
  Speaker 4: it would work.
• 20:50
  Speaker 2: It needs to be rebranding Sierra the biggest artist from
• 20:52
  Speaker 2: that time.
• 20:52
  Speaker 4: Period as not not musically I don't know how to
• 20:56
  Speaker 4: explain it, but like lifestyle brand, like her personal brand.
• 20:59
  Speaker 1: That they were talking about music though right music.
• 21:02
  Speaker 3: I think it would work for her, of course she
• 21:05
  Speaker 3: would fit right in, but she.
• 21:08
  Speaker 2: Elevates it though. I like that changes it.
• 21:14
  Speaker 1: And I honestly think adding a person like a Sierra
• 21:17
  Speaker 1: now it may sound crazy, even though he's getting to
• 21:20
  Speaker 1: do his own thing, do his own thing, but add
• 21:23
  Speaker 1: a Sierra, it's like adding like a T Pain to that,
• 21:26
  Speaker 1: to that now that to it becomes something different.
• 21:29
  Speaker 2: It becomes something.
• 21:30
  Speaker 1: When you add a name like Sierra now you can
• 21:32
  Speaker 1: start plugging in some some other names from that time period.
• 21:35
  Speaker 1: They're just and make that thing crazy.
• 21:38
  Speaker 3: Yeah, I think, I mean, I think T Pain could
• 21:40
  Speaker 3: do it tomorrow. I still would if I'm Sierra's team
• 21:44
  Speaker 3: would have to think about it and be thought just
• 21:46
  Speaker 3: because and it's not because of the bow Wows and
• 21:48
  Speaker 3: the Marios, because they they all they were that era.
• 21:51
  Speaker 3: It's just that you have you know, you gotta look
• 21:54
  Speaker 3: at it. Like I'm open, I'm closing, and no, I
• 21:57
  Speaker 3: don't want to call nobody name.
• 21:58
  Speaker 2: But you know, I get with.
• 21:59
  Speaker 1: You, you get what I'm saying.
• 22:02
  Speaker 2: I don't know, man, I don't know. I get what
• 22:04
  Speaker 2: y'all saying what Sierra is.
• 22:05
  Speaker 1: But maybe I'm just looking at it football wife.
• 22:10
  Speaker 3: If I'm sier, I'm not going. If I'm I'm not
• 22:13
  Speaker 3: going on tour RAYJ.
• 22:15
  Speaker 1: You know what I'm saying.
• 22:16
  Speaker 3: That's the type stuff I would have to like God
• 22:17
  Speaker 3: would have to pick the lineup, like, I'm not not
• 22:20
  Speaker 3: going on tour RAYJ. It's certain people. I love ray J,
• 22:25
  Speaker 3: but I'm a person. I just want better for Rag
• 22:27
  Speaker 3: and I think we talked about it yesterday.
• 22:28
  Speaker 1: We did.
• 22:29
  Speaker 3: Yeah, it's like a family member that I know no
• 22:31
  Speaker 3: better and just won't do better.
• 22:32
  Speaker 1: Yeah, all right, let's go ahead, keep it moving. Wayne's
• 22:36
  Speaker 1: album Card is six thoughts on.
• 22:37
  Speaker 3: It amazing a body of work, ten out of ten.
• 22:40
  Speaker 1: Uh.
• 22:40
  Speaker 3: He reminded everybody he is the goat and he's the
• 22:43
  Speaker 3: diverse king and everybody needs to give him his flowers.
• 22:46
  Speaker 3: And if y'all don't appreciate this project, I'm starting to
• 22:49
  Speaker 3: think you don't know good music. And I wish that
• 22:52
  Speaker 3: you could sit with it for a while. I know
• 22:54
  Speaker 3: you're used to microwave and popcorn and quick and fast,
• 22:57
  Speaker 3: and you know the same beat, the same cadence, the
• 23:00
  Speaker 3: same features. I know that's what y'all used to. But
• 23:02
  Speaker 3: I would tap you out into y'all to go deeper
• 23:05
  Speaker 3: into a truly appreciated.
• 23:07
  Speaker 2: What rap nigga have you been listening to?
• 23:12
  Speaker 1: What extra hip hop ass blog read?
• 23:16
  Speaker 2: Come with I?
• 23:17
  Speaker 1: This is?
• 23:18
  Speaker 2: This is?
• 23:20
  Speaker 1: I don't want to do it to put like this
• 23:23
  Speaker 1: Wayne another person in the raptors.
• 23:26
  Speaker 2: This project would never.
• 23:27
  Speaker 1: Make me judge Wayne and thinking that he's not what
• 23:30
  Speaker 1: he was or whatever.
• 23:31
  Speaker 2: I just say, this just wasn't to me.
• 23:33
  Speaker 1: It didn't. This project didn't grab me.
• 23:36
  Speaker 3: Really now, I would like to ask how much time
• 23:40
  Speaker 3: have you spent with the project?
• 23:41
  Speaker 1: I listened to it back and forth on my way
• 23:45
  Speaker 1: to LA, and then I gave it another chance on
• 23:47
  Speaker 1: my way back to LA. So it got four good spins,
• 23:51
  Speaker 1: and I listened to it in the room just to see. Now.
• 23:53
  Speaker 1: I do like like Zach said, I like the first
• 23:56
  Speaker 1: half of it. The first it just some stuff just
• 23:59
  Speaker 1: didn't get it, you know what I mean. I was
• 24:00
  Speaker 1: excited for it. I don't think it. I wouldn't say
• 24:03
  Speaker 1: ten out of ten. I wouldn't say five out of ten.
• 24:06
  Speaker 1: I would give it like a six ish seven ish
• 24:09
  Speaker 1: seven seven seven.
• 24:10
  Speaker 4: If you're giving it a seven, I think that's solid
• 24:12
  Speaker 4: for the stage of Lil Wayne or what career stage
• 24:15
  Speaker 4: of his career he's in right there, you know what
• 24:16
  Speaker 4: I'm saying. And when people were trashing it, I thought
• 24:19
  Speaker 4: I was getting ready to hear some disgusting things that
• 24:21
  Speaker 4: I couldn't stomach. I can stomach that album, okay, And
• 24:25
  Speaker 4: the first and the first the first four songs are
• 24:30
  Speaker 4: fire the way it comes on, And you know that
• 24:32
  Speaker 4: matters a lot because sometimes we listen to albums and
• 24:35
  Speaker 4: we'll listen to the first few songs and you listen
• 24:37
  Speaker 4: to the end. I like that record with Many Fresh,
• 24:39
  Speaker 4: Oh yeah record crazy. So I'm just trying to figure
• 24:44
  Speaker 4: out why is it so much bad? When I when
• 24:46
  Speaker 4: I talk to people about it, they tell me this
• 24:48
  Speaker 4: is what I've been hearing. The beginning hard, and then
• 24:52
  Speaker 4: I'll point out the Many Fresh record. Yeah, that one
• 24:53
  Speaker 4: good too. We done talked about seven eight good records exactly,
• 24:57
  Speaker 4: so what but then when it then we talk about
• 25:00
  Speaker 4: but in the same breath. They'll say it's seven eight
• 25:02
  Speaker 4: good records, and they'll say it's it's so trash.
• 25:05
  Speaker 2: Which one is it?
• 25:06
  Speaker 1: People?
• 25:07
  Speaker 4: Just ain't nobody gonna like every song on every album
• 25:10
  Speaker 4: of no album, you know what I'm saying, especially as
• 25:13
  Speaker 4: a person like Lil Wayne at the stage he is
• 25:15
  Speaker 4: in his career, So I'm just trying to figure out
• 25:17
  Speaker 4: what scale are we graining him on?
• 25:20
  Speaker 1: Yeah, I mean everybody, it's music, So it's all opinions.
• 25:26
  Speaker 1: Kiki things a ten out of ten. Why, I don't know, but.
• 25:29
  Speaker 3: Okay, it's a great body of work. He starts it
• 25:32
  Speaker 3: off with this strong intro which I can just picture
• 25:34
  Speaker 3: him coming out at the tour, you know, welcome to
• 25:36
  Speaker 3: the car to Then he comes in and he tell
• 25:38
  Speaker 3: y'all straight on the second line of the song is
• 25:40
  Speaker 3: y'all get on my nerves? He literally said that, like
• 25:42
  Speaker 3: y'all get on my nerves. And I understand him. I
• 25:44
  Speaker 3: get everything he's saying. He's given the culture so much
• 25:47
  Speaker 3: at this point and still delivering, and it's not appreciated
• 25:52
  Speaker 3: when you when you get when when Lil Wayne dropped
• 25:55
  Speaker 3: an album on Friday and on Saturday, you're telling me
• 25:59
  Speaker 3: it's trash. You don't appreciate it because you ain't even
• 26:02
  Speaker 3: sat with it on that's you know what I'm saying.
• 26:04
  Speaker 3: So to people that were so quick to get on
• 26:06
  Speaker 3: the internet, this is garbage you. I don't even respect
• 26:09
  Speaker 3: your take on it because you haven't even sat with
• 26:10
  Speaker 3: the project. It's so diverse that you have to sit
• 26:13
  Speaker 3: with it because when you start at the first track
• 26:16
  Speaker 3: doesn't sound like number four, doesn't sound like number eight.
• 26:19
  Speaker 3: They all sound different, So you have to be in
• 26:21
  Speaker 3: a mold to kind of listen and appreciate what he
• 26:23
  Speaker 3: giving you. The production to me is fire. The features
• 26:27
  Speaker 3: on every feature, I could feel and hear the chemistry
• 26:29
  Speaker 3: that he had with the person on the track. He
• 26:31
  Speaker 3: had jelly Roll, Big Sean, he had got Damn Bono
• 26:34
  Speaker 3: and Andrea Bocelli. Nobody else in hip hop can give
• 26:37
  Speaker 3: you that type of diversity like that other than Wayne
• 26:40
  Speaker 3: and I just love it and it was great. My
• 26:44
  Speaker 3: favorite song is Sharks with Jelly Roll, and after that
• 26:47
  Speaker 3: the one with Big X. I if you have if
• 26:50
  Speaker 3: you just want to take a peek at the album,
• 26:52
  Speaker 3: I would say, pe get those two records.
• 26:53
  Speaker 2: What made Big X want to go on there and
• 26:55
  Speaker 2: wrap his ass.
• 26:55
  Speaker 3: Off like that, because you on track with the big
• 26:59
  Speaker 3: X in that mug and I'm about to He've been
• 27:02
  Speaker 3: Big Sean. People don't want to get Big Sean what
• 27:05
  Speaker 3: he do. Big Sean got on this.
• 27:07
  Speaker 4: He wanted them, he snapped, Big Sean one of the
• 27:09
  Speaker 4: most underrated rappers.
• 27:10
  Speaker 3: Underrated.
• 27:10
  Speaker 1: Oh yeah, he one of them. That's one of my favorite.
• 27:13
  Speaker 3: Big Sean got on there and rapped his ass off.
• 27:16
  Speaker 3: And when you listen to what they're saying, snakes ain't
• 27:21
  Speaker 3: always Here's.
• 27:23
  Speaker 2: What I'm so tired of listening the album.
• 27:28
  Speaker 3: You gotta sleep with one out.
• 27:30
  Speaker 4: Ever since she has been ever since Kendrick, she been woke.
• 27:34
  Speaker 4: So you got to understand what Keiki you dealing with
• 27:36
  Speaker 4: right now. I want to know what.
• 27:40
  Speaker 1: Look you listen to? What the first word y'all them
• 27:46
  Speaker 1: O cool rap.
• 27:51
  Speaker 3: Let's be clear. I don't like No, don't come in
• 27:53
  Speaker 3: here doing all that breakdance and then won't think I
• 27:56
  Speaker 3: don't like that. But what I like is when people
• 27:59
  Speaker 3: can people do make it make sense. Little ain't said
• 28:03
  Speaker 3: I just talked to he.
• 28:05
  Speaker 2: Said what he said?
• 28:09
  Speaker 3: I just talked to Hole. He said that he sees me.
• 28:12
  Speaker 3: He said, that's the same thing. That happened. When I
• 28:15
  Speaker 3: talked to Stevie, y'all better put that together. Y'all better
• 28:28
  Speaker 3: put that together. He said, hof you say you see me?
• 28:33
  Speaker 3: Said see me?
• 28:35
  Speaker 1: I know.
• 28:36
  Speaker 3: When I talked to Stevie, and y'all know Stevie, he saying,
• 28:41
  Speaker 3: hope you don't see me. Bo you you say you
• 28:43
  Speaker 3: see me, but you don't see me. Another track, he said,
• 28:46
  Speaker 3: don't act like you my nigga today and act like
• 28:48
  Speaker 3: the man Nama.
• 28:52
  Speaker 2: Oh my god, I cannot tell you. I could.
• 29:03
  Speaker 1: I could not.
• 29:05
  Speaker 3: He's don't play with me.
• 29:06
  Speaker 1: He's don't play the way I can't. I couldnot. Is
• 29:11
  Speaker 1: telling all of these notes because he can make um
• 29:14
  Speaker 1: captures on the Instagram, like I.
• 29:18
  Speaker 2: Ain't gonna like that second line, ship.
• 29:26
  Speaker 1: I start you got it here?
• 29:28
  Speaker 3: I love jelly Roll, got on there like in jelly Roll,
• 29:32
  Speaker 3: he giving you country, Wayne gave you. Don't forget. Wayne
• 29:36
  Speaker 3: was doing collass with all these rock people back in
• 29:38
  Speaker 3: the day.
• 29:39
  Speaker 1: People didn't like that, and I did before the rock
• 29:41
  Speaker 1: album was Fire you mean I love I love that
• 29:45
  Speaker 1: rock album and people were like, man, you told you
• 29:47
  Speaker 1: talking about the rock album.
• 29:48
  Speaker 2: That rock album. If you go back and listen to
• 29:50
  Speaker 2: it was nice dog.
• 29:52
  Speaker 1: It was nice. I mean, I don't know, I just
• 29:54
  Speaker 1: thought he did a great Nobody doing it like.
• 29:56
  Speaker 3: Wayne Bron Wayne always in the grass.
• 30:00
  Speaker 1: Wayne is Wayne is probably my second or third, second
• 30:03
  Speaker 1: or third.
• 30:03
  Speaker 2: My goat is a little different. I mean, you know, you.
• 30:07
  Speaker 3: Go do the yo.
• 30:08
  Speaker 2: Your goat is retired. Your go this done.
• 30:12
  Speaker 1: My goals last album was a ten out of ten.
• 30:14
  Speaker 1: Four four four is a ten out of ten. Your
• 30:15
  Speaker 1: last it came out ten years ago to Don't Matter,
• 30:19
  Speaker 1: You'll go down, you go, you can't Nobody, Jersey and
• 30:23
  Speaker 1: the Raptors.
• 30:24
  Speaker 2: Your go is done, Your rafters.
• 30:27
  Speaker 1: The Raptors, you go to j Mouth cool, it's Rafts.
• 30:34
  Speaker 2: Go man, your goat is done. What do you mean, hop.
• 30:39
  Speaker 1: Nobody has never done anything like Hope has done Nobody
• 30:43
  Speaker 1: And that's just a fact, bro. Some of these are
• 30:46
  Speaker 1: come on, man.
• 30:47
  Speaker 2: Yo yo, yo, goad your god.
• 30:51
  Speaker 4: Your goal has never been the biggest rapper in the world,
• 30:55
  Speaker 4: the hottest rapper in the world ever. Every every error, shoot,
• 31:01
  Speaker 4: every era, every era, there was a nigga hotter than him.
• 31:04
  Speaker 1: The police, right, I'll say this, I say this, I'm
• 31:10
  Speaker 1: gonna keep it. I'm gonna just keep it. A buck
• 31:13
  Speaker 1: jay Z changed the way culture dressed well. He said,
• 31:16
  Speaker 1: we putting the Cameron, but that all the time that
• 31:20
  Speaker 1: I following choice, I wore the.
• 31:32
  Speaker 3: Way to go, tap me up.
• 31:34
  Speaker 1: I would no, No, it was closed. It was it
• 31:38
  Speaker 1: was closed. Everybody had everything. He said, Bro, he moved
• 31:43
  Speaker 1: the culture. Anytime jay Z said a word, it shifted everything.
• 31:48
  Speaker 3: He killed him.
• 31:49
  Speaker 1: He said, he shifted it. I'm telling you.
• 31:51
  Speaker 2: He was the highest selling artist.
• 31:54
  Speaker 1: Bro, You're in the highest selling. He released ten summers
• 31:59
  Speaker 1: all platinum, ten sellers in a row, all platinum. But
• 32:02
  Speaker 1: I guarantee.
• 32:07
  Speaker 3: Here we got.
• 32:11
  Speaker 1: All platinum. End of the road, ten summers. I come out,
• 32:14
  Speaker 1: but it's like it was the number one album. It
• 32:16
  Speaker 1: was times when he saw more records, and I know
• 32:20
  Speaker 1: who saw more records, Nati. It was time every time
• 32:23
  Speaker 1: he came another nigga. That was the toughest era to
• 32:26
  Speaker 1: come out. He had your ghats, ain't got nobody to
• 32:28
  Speaker 1: compete with. He was going against the best. He had
• 32:31
  Speaker 1: to go against Navs, he had to go against Nelly,
• 32:34
  Speaker 1: and it was good. It was good coming in second.
• 32:38
  Speaker 1: That is the toughest era to ever come out. Y'all
• 32:41
  Speaker 1: got to deal with dudes that saying, wait.
• 32:46
  Speaker 3: Are you kidding me?
• 32:47
  Speaker 1: Are you kidding me? Like Future? Can you your go?
• 32:50
  Speaker 1: Future came out with six nigs sound like him. It's
• 32:54
  Speaker 1: it's it's it's literally six dudes that got record contracts
• 32:58
  Speaker 1: that sound just like Future. How hard is that to be.
• 33:00
  Speaker 3: The best bird there?
• 33:03
  Speaker 1: His best song, his highest selling anything, how to get
• 33:06
  Speaker 1: with a light skinned dude from Canada? He ain't never
• 33:10
  Speaker 1: sold more than when he got with Drake. So what
• 33:13
  Speaker 1: jay Z ain't never had the team up with nobody.
• 33:16
  Speaker 1: He's standing there by hisself.
• 33:17
  Speaker 2: Set out James the man all I.
• 33:21
  Speaker 1: Said he was united. I never said selling out. I
• 33:30
  Speaker 1: never said. And then he got with it, and then
• 33:34
  Speaker 1: he got with his wife.
• 33:35
  Speaker 2: He got and he married, he married. He ain't getting
• 33:38
  Speaker 2: no thoughts pregnant Nigga. My goal see on Beyonce and
• 33:42
  Speaker 2: got her back and got her back is you cannot
• 33:49
  Speaker 2: say nothing about jay Z. It's not it's nothing.
• 33:52
  Speaker 1: He has sold out. Future couldn't fill up the corner
• 33:55
  Speaker 1: of Soldier Field, the corner of it.
• 33:58
  Speaker 2: Michael and he also side Rick Ross, Rihanna listen probably
• 34:03
  Speaker 2: the West, Yeah, like bro, yes, yo go now can
• 34:09
  Speaker 2: I go?
• 34:09
  Speaker 1: Can I talk?
• 34:10
  Speaker 3: You did that?
• 34:13
  Speaker 4: First of all? Future cannot compare to the jay Z
• 34:16
  Speaker 4: future is my goat. I'm not trying to compare that,
• 34:18
  Speaker 4: so don't. Okay, that's not what we're gonna do. But
• 34:22
  Speaker 4: your goat went up. I listened to watch The Throne
• 34:25
  Speaker 4: where I listened to your goat, and I listened to
• 34:27
  Speaker 4: Kanye West, a producer, and I saw that nigga get
• 34:30
  Speaker 4: out wrapped on on a lot of them tracks.
• 34:33
  Speaker 1: We know who helped out. You don't think somebody help
• 34:35
  Speaker 1: out Kanye. They wrapped back Nicki, Minajo, Monster. Y'all don't
• 34:42
  Speaker 1: think who help him right their wraps. You don't think
• 34:46
  Speaker 1: you think you stop playing? You think you think, Oh
• 34:49
  Speaker 1: my god, y'all are y'all telling me? Are you your
• 34:54
  Speaker 1: mouth to say that Kanye West? You can, you can
• 34:59
  Speaker 1: drop better.
• 34:59
  Speaker 2: Than your lost the rap bat, you your go lost? No,
• 35:04
  Speaker 2: he lost better than everybody you named.
• 35:07
  Speaker 1: What are you? He beat him saying you act like
• 35:10
  Speaker 1: you go. They got no blemishes. He lost, he lost,
• 35:14
  Speaker 1: It doesn't matter, That's what I'm saying. He he lost,
• 35:17
  Speaker 1: He does bro like he lost the fucking he got somebody,
• 35:21
  Speaker 1: but he got a verb. I mean, whoever lose if
• 35:23
  Speaker 1: a good rapper lose good if a good rapper lose
• 35:26
  Speaker 1: and something more.
• 35:27
  Speaker 2: Dude when I talked, So I'm not going to just
• 35:29
  Speaker 2: yell you out though. Okay, you have a conversation.
• 35:32
  Speaker 1: One Mike saying on the podcast, if a great a
• 35:36
  Speaker 1: great team, or a great person is gonna lose to
• 35:39
  Speaker 1: somebody else, great, All I'm saying is you act like
• 35:41
  Speaker 1: the man is unblemished and I'm sitting here. He went
• 35:44
  Speaker 1: into a rap battle against another rapping ass nigga from
• 35:46
  Speaker 1: the same city as him and got it.
• 35:48
  Speaker 3: Took an l but okay, but can he got a
• 35:51
  Speaker 3: verd say why jay Z is the biggest rapper in
• 35:55
  Speaker 3: the world.
• 35:55
  Speaker 1: He is, I'm not. I'm not denying.
• 35:56
  Speaker 3: That's where then argument started. You said he's not just
• 36:00
  Speaker 3: because he always jay Z understood that the money in
• 36:06
  Speaker 3: the longevity is not in the music when it's hip hop, right,
• 36:10
  Speaker 3: because the other genres are not gonna allow that for us. Okay,
• 36:14
  Speaker 3: So what he has always been smart enough to do
• 36:16
  Speaker 3: is put hisself in positions of power to shape the culture.
• 36:20
  Speaker 3: That is why he is always going to be the
• 36:23
  Speaker 3: most powerful in the biggest and what he does not
• 36:26
  Speaker 3: do when you look at people like the other people
• 36:27
  Speaker 3: y'all name, even when we talk about Lil Wayne. Lil
• 36:30
  Speaker 3: Wayne is a rapper's he's just now getting his business bag.
• 36:34
  Speaker 3: He's a rapper. Jay Z is a businessman. Jay Z
• 36:37
  Speaker 3: only comes out and raps when he wants to when
• 36:40
  Speaker 3: it is beneficial for him. That is it to keep
• 36:43
  Speaker 3: him relevant. He don't drop a whole bunch of albums.
• 36:45
  Speaker 3: He ain't doing a whole bunch of features. So he's
• 36:49
  Speaker 3: smarter than that way to understand, I'm always gonna be
• 36:52
  Speaker 3: the top of everything because I control it. You know
• 36:55
  Speaker 3: what I'm saying. He has put itself in position to
• 36:57
  Speaker 3: always control it. So no, he may not, he may
• 37:00
  Speaker 3: not sell the most records out of the people you name,
• 37:02
  Speaker 3: because but he also is not supplying music to the
• 37:04
  Speaker 3: market like the other people you name, because he's bigger
• 37:07
  Speaker 3: than that. He's controlling the market. He not even trying
• 37:10
  Speaker 3: to sell the ship he owned the store. Is that
• 37:12
  Speaker 3: what I'm trying to get you all to see. So
• 37:14
  Speaker 3: that's why he always But when I come.
• 37:17
  Speaker 1: To what you're saying out of your mouth, and the
• 37:20
  Speaker 1: jay Z success comes from what he was saying, all
• 37:25
  Speaker 1: of that stuff happened. All of the store that you
• 37:27
  Speaker 1: say that he owned was built off of the words
• 37:30
  Speaker 1: that he.
• 37:30
  Speaker 3: Was absolutely built off the worst and hit records. It
• 37:33
  Speaker 3: was absolutely built. But we're not gonna sit here and
• 37:35
  Speaker 3: act like jay Z did not become the president of
• 37:37
  Speaker 3: Death Jaim As a rapper, when you put yourself in
• 37:42
  Speaker 3: those type of positions, you are controlling the budget of
• 37:45
  Speaker 3: your competition. You are controlling drop dates of your competition.
• 37:49
  Speaker 3: So if if we're gonna talk, you know what I'm saying,
• 37:53
  Speaker 3: I'm gonna always be I'm gonna always put myself in
• 37:56
  Speaker 3: the heart.
• 38:00
  Speaker 1: Because because I'm gonna tell you just from a simple pack,
• 38:04
  Speaker 1: simple as this. Whatever you that's like somebody saying, that's
• 38:08
  Speaker 1: like somebody saying like, oh okay, Kiki. The only reason
• 38:12
  Speaker 1: you good, and the only reason you good is because
• 38:16
  Speaker 1: it's because you are working for iHeart. It's because of
• 38:19
  Speaker 1: it's because you're doing this. No, it's the talent that
• 38:22
  Speaker 1: you put on the flow. That's what gets you in
• 38:25
  Speaker 1: the rooms. And ain't got nothing to do if you
• 38:27
  Speaker 1: the president of the Death Jam, it doesn't. It was
• 38:30
  Speaker 1: a lot of great artists over there at Death Jam.
• 38:32
  Speaker 1: They put you because they know you know what you're doing,
• 38:35
  Speaker 1: they know what's happening. Everything Jay got was because of
• 38:39
  Speaker 1: the amount of sales and what he was saying out
• 38:43
  Speaker 1: of his mouth. The brother just can rap, it's just
• 38:46
  Speaker 1: what it is.
• 38:47
  Speaker 3: Care about He's not. His focus was not just rap.
• 38:51
  Speaker 3: So niggas who just rap all the time, that's not
• 38:56
  Speaker 3: fair because jay Z ain't. He don't care about that.
• 38:59
  Speaker 3: He is so his his mindset is so much bigger
• 39:02
  Speaker 3: than that. And that's why I'm saying he's always going
• 39:04
  Speaker 3: to be the top rapper. He's always going to be
• 39:06
  Speaker 3: the biggest name in hip hop because he has put
• 39:08
  Speaker 3: himself in position to always be that, whether he dropped
• 39:10
  Speaker 3: music or not. So to compare him.
• 39:13
  Speaker 1: To people, I get what you're saying. He just was.
• 39:17
  Speaker 1: I just every time he dropped, every time he dropped,
• 39:21
  Speaker 1: understand you, every time he dropped. These are just this
• 39:24
  Speaker 1: is a fact.
• 39:25
  Speaker 4: And the fact is every time, every time, every summer
• 39:29
  Speaker 4: dropped and every and every time I'm just making that up,
• 39:33
  Speaker 4: and every summer he drops, he wasn't the highest hip
• 39:36
  Speaker 4: hop artist rapper of that summer.
• 39:39
  Speaker 1: The most impactful records This again again what y'all say
• 39:43
  Speaker 1: not Like was his highest selling record six million copies.
• 39:47
  Speaker 1: Marshall Mathews came out the same year thirteen million, one
• 39:50
  Speaker 1: of your white man they could rap.
• 39:52
  Speaker 3: Now he can wrap this up.
• 39:55
  Speaker 2: Lauren Hill came out to that same year.
• 39:56
  Speaker 3: Years you could wrap this up because now you just now,
• 39:59
  Speaker 3: y'all just say.
• 40:00
  Speaker 1: Yeah, you just trying to you try to third third
• 40:02
  Speaker 1: is good consistently. My thought, my thought is this my thing?
• 40:08
  Speaker 1: You get?
• 40:08
  Speaker 4: You get controlling, trolling. I'm trolling.
• 40:14
  Speaker 2: We know he to go.
• 40:16
  Speaker 3: I'm trying to go. I'm talking say my goat to go. No,
• 40:19
  Speaker 3: I just when it's time to go.
• 40:22
  Speaker 1: We know jay Z used to go. We just im trolling.
• 40:25
  Speaker 1: Y'all got my presh up. He was about to pass out.
• 40:29
  Speaker 2: I'm going crazy.
• 40:33
  Speaker 1: I am going. I just wanted him to say that
• 40:36
  Speaker 1: one more like Okay, Now that y'all pissed me, Back
• 40:43
  Speaker 1: to our regular schedule program Air. Pierre Tianna Taylor break
• 40:47
  Speaker 1: the internet as they confirm their relationship at bt uh
• 40:51
  Speaker 1: surprise birthday party, them kissing.
• 40:54
  Speaker 2: I don't know why this is a big deal. We
• 40:55
  Speaker 2: all knew it.
• 40:56
  Speaker 1: They go together.
• 40:57
  Speaker 3: Yeah. I like this for her. I like this for him.
• 41:00
  Speaker 3: I mean it's dope. They I like to see them
• 41:05
  Speaker 3: and I love to see Tiana getting back into music.
• 41:07
  Speaker 3: I really hope we support her this round, like, like,
• 41:10
  Speaker 3: I really hope she gets all the things she needs.
• 41:12
  Speaker 3: That last album to be successful because she's so dope.
• 41:15
  Speaker 1: They did her dirty on that last album. The one
• 41:17
  Speaker 1: I liked. The last album she did before this one
• 41:21
  Speaker 1: was good. The song that we heard and the BT
• 41:24
  Speaker 1: Awards was fire.
• 41:25
  Speaker 4: So I don't know what the issue is with because
• 41:28
  Speaker 4: it seemed like people want to see her win. I
• 41:29
  Speaker 4: don't know see the issue. I think is it a label?
• 41:33
  Speaker 1: First?
• 41:34
  Speaker 2: What's the problem? That was the problem?
• 41:37
  Speaker 1: And that album that she gave that came out on
• 41:40
  Speaker 1: that I thought that was good. I mean, I've never
• 41:43
  Speaker 1: thought that that Tianna Taylor project has been trash. Ever, No,
• 41:46
  Speaker 1: I think she's always had solid, solid stuff. I'm glad
• 41:51
  Speaker 1: to see her back acting. Though. If I to be
• 41:53
  Speaker 1: honest with you, if I had to pick what I
• 41:54
  Speaker 1: wanted to hear for Tianna Taylor to be acting, I
• 41:56
  Speaker 1: think she's a powerful actress.
• 41:59
  Speaker 4: One thing you're gonna do is get somebody's script. You
• 42:02
  Speaker 4: always want somebody to ask. I don't know why you
• 42:04
  Speaker 4: always try to put people on doing what she needs
• 42:09
  Speaker 4: to that'll be good for her. She needs to act
• 42:13
  Speaker 4: in her own drama.
• 42:15
  Speaker 2: Who shot me? See that music that she needs? You
• 42:21
  Speaker 2: can do a stage play?
• 42:22
  Speaker 3: That's crazy. How y'all am laughing at the black woman
• 42:25
  Speaker 3: a getting.
• 42:26
  Speaker 2: I just can't handle while we just can't. I gotta
• 42:29
  Speaker 2: be a black one.
• 42:31
  Speaker 4: Because you turn it into a different thing when you
• 42:33
  Speaker 4: say that what it is? It's okay anywhou.
• 42:40
  Speaker 3: Yanna Taylor gets all her things in this lifetime. She's
• 42:43
  Speaker 3: a creative genius, and I feel like she deserves everything good.
• 42:49
  Speaker 3: I don't know that, lady, but that's how I feel. Yeah,
• 42:52
  Speaker 3: I don't know a person that just that's how I feel.
• 42:54
  Speaker 3: I'm rooting for her.
• 42:55
  Speaker 4: I'm rooting for the other dude too. What's the Aaron
• 42:58
  Speaker 4: pr Yeah, hopefully he gets some good little rolls or something,
• 43:03
  Speaker 4: because we don't.
• 43:03
  Speaker 2: Know what he walked down. He walked down that hallway
• 43:07
  Speaker 2: and got on with That's it.
• 43:08
  Speaker 3: That's it.
• 43:09
  Speaker 1: It was moved Foss.
• 43:11
  Speaker 4: But we didn't see him, you know what I'm saying,
• 43:13
  Speaker 4: Like we just heard his voice. I didn't know he
• 43:14
  Speaker 4: was moved Foster until I saw the hallway.
• 43:18
  Speaker 3: He is in Marvel? Is that Marvel?
• 43:20
  Speaker 2: Is that out already?
• 43:22
  Speaker 1: Oh?
• 43:22
  Speaker 2: Okay?
• 43:23
  Speaker 1: What do you say? Rider?
• 43:25
  Speaker 2: Rider City Green that's DC.
• 43:28
  Speaker 1: That ain't Marvel. Okay, So d c Hes gonna be
• 43:32
  Speaker 1: the black green ladder. Now I'm with that. Hopefully he
• 43:36
  Speaker 1: could do if he can't act, is that effective relationship
• 43:40
  Speaker 1: with the movie goes the movie goes.
• 43:43
  Speaker 4: Bad, like, oh, let me tell y'all something when when
• 43:46
  Speaker 4: women think you fine, it don't matter if you can't.
• 43:49
  Speaker 4: That's so true because you know how he had my
• 43:52
  Speaker 4: pressure get up for the right. They don't care. They
• 43:55
  Speaker 4: don't care, they don't care. Let me tell you, More's
• 43:58
  Speaker 4: chestnut play the same role and every movie he put
• 44:01
  Speaker 4: on a suit, he.
• 44:02
  Speaker 2: Oh my god, ches play the same man in every movie.
• 44:06
  Speaker 2: They love him.
• 44:07
  Speaker 1: You don't think more chess.
• 44:08
  Speaker 2: Look at I didn't say that.
• 44:11
  Speaker 3: I didn't say that.
• 44:12
  Speaker 2: I didn't say that. You see how tone do you?
• 44:17
  Speaker 4: I said, it doesn't matter if you if women like you,
• 44:20
  Speaker 4: And then I said more No, I said, he plays
• 44:25
  Speaker 4: the same role in every movie. He's the same guy.
• 44:28
  Speaker 4: He's the handsome black dude in the suit love interest
• 44:31
  Speaker 4: in every movie, even when he was the doctor in
• 44:33
  Speaker 4: the new series here, he just he just plays More's chestnut. Yeah,
• 44:37
  Speaker 4: He's just More's chest nut in every movie.
• 44:42
  Speaker 1: First of all, do not ever put me more Chester
• 44:46
  Speaker 1: the same, y'all.
• 44:48
  Speaker 3: Just walk in the room, cut and ball like, yes, great, y'all,
• 44:54
  Speaker 3: he's brilliant, disrespectful.
• 45:07
  Speaker 2: Time I spent in learning radio, that's about Rady.
• 45:15
  Speaker 3: I'm about acting acting radio. When you started, they couldn't
• 45:19
  Speaker 3: see you. So I believe that you put in you
• 45:21
  Speaker 3: earn everything you got in radio. They couldn't see you
• 45:23
  Speaker 3: back then. Your look skinned to do it. But that
• 45:26
  Speaker 3: actor you walked on that Monique said yes, get it
• 45:32
  Speaker 3: the wrong absolutely, give it to his brother too. Audition,
• 45:41
  Speaker 3: just walking the room, ball and cute.
• 45:48
  Speaker 1: All right. Judge denies Diddy's lawyer request for another mistrial.
• 45:52
  Speaker 1: This is the second time it's been denied. They are
• 45:55
  Speaker 1: trying to get Diddy out. A lot of people think
• 45:57
  Speaker 1: that Diddy. Uh, they will whisper there her. You know
• 46:00
  Speaker 1: people were talking about, you know, at BT about Diddy's case.
• 46:04
  Speaker 1: You heard people.
• 46:04
  Speaker 2: Talking about a lot of people think Diddy's gonna get off.
• 46:10
  Speaker 1: No comment.
• 46:12
  Speaker 3: I'm nervous because.
• 46:14
  Speaker 1: Here's the thing.
• 46:15
  Speaker 3: I don't have any faith in our justice system. So
• 46:19
  Speaker 3: if you get off, I don't want to come look
• 46:21
  Speaker 3: for me. So I don't have I don't really too much.
• 46:24
  Speaker 3: I just want to watch this case play out, and
• 46:26
  Speaker 3: I don't want to keep comment on it.
• 46:31
  Speaker 4: He I don't know what's gonna happen. This case confused
• 46:33
  Speaker 4: me so much and it quit. They now they interviewing
• 46:37
  Speaker 4: his girlfriend. They're gonna interview this person, and I mean
• 46:39
  Speaker 4: not interview, they gonna whatever it's called when you put
• 46:42
  Speaker 4: them on the stands.
• 46:43
  Speaker 2: It's just a lot.
• 46:44
  Speaker 3: It's a lot.
• 46:45
  Speaker 4: And we fast forward to the end, right, I just
• 46:47
  Speaker 4: want to fast forward to the Like if this was
• 46:50
  Speaker 4: a series, I would go to the end and see
• 46:52
  Speaker 4: what he was.
• 46:54
  Speaker 1: It's dragging out. I mean I only think I didn't know.
• 46:57
  Speaker 1: I just didn't.
• 46:58
  Speaker 2: I found out.
• 46:59
  Speaker 1: People are like there, you ain't know that he was
• 47:00
  Speaker 1: with fifty six baby Mama, Like I didn't that I
• 47:03
  Speaker 1: didn't know. And I always wondered why fifty cent hated
• 47:07
  Speaker 1: him so bad, like I hated him before that. Yeah,
• 47:10
  Speaker 1: but it was it got it got bad. It got bad.
• 47:14
  Speaker 1: The first part was because I remember when he would
• 47:16
  Speaker 1: be talking stuff about it, it was more like it
• 47:18
  Speaker 1: was like a troll, like yo, this I'm messing with you.
• 47:21
  Speaker 1: But now it's like, you know over these past couple
• 47:24
  Speaker 1: of years, but of course you didn't mess with my
• 47:26
  Speaker 1: baby mama and got her doing some m that money, boy,
• 47:31
  Speaker 1: I tell you.
• 47:32
  Speaker 3: Which is crazy. Ladies come home just do anything for
• 47:35
  Speaker 3: the money.
• 47:36
  Speaker 1: Got like, how do you like in my mind is.
• 47:39
  Speaker 3: Watch me dude, choke me in? How do you tell.
• 47:42
  Speaker 1: Somebody like you know what, I'm gonna pay for you?
• 47:44
  Speaker 1: I got you, I like, I got her house, but
• 47:47
  Speaker 1: you gotta have I just want to watch you have
• 47:48
  Speaker 1: sex with another dude four times.
• 47:51
  Speaker 2: That's weird.
• 47:52
  Speaker 3: That's happened you weird, bro.
• 47:54
  Speaker 1: I I you gotta go knock down another dude and
• 47:58
  Speaker 1: I'm gonna pay. But that's again what we are seeing
• 48:02
  Speaker 1: is what and and people don't know. And these are
• 48:06
  Speaker 1: these examples when people think there's actually somebody that's gonna
• 48:09
  Speaker 1: sell your ask you to sign your soul over, but
• 48:11
  Speaker 1: this is selling your soul. This is all examples of
• 48:14
  Speaker 1: when you see people selling their soul. That is true,
• 48:17
  Speaker 1: they do what they If you do anything that you
• 48:21
  Speaker 1: don't want to do, you're selling your soul. And money
• 48:24
  Speaker 1: and money can make people do some weird stuff.
• 48:28
  Speaker 2: Let's get to this.
• 48:28
  Speaker 4: I sold my sould the ups then when I had
• 48:31
  Speaker 4: when they had got me for them seven dollars, when
• 48:34
  Speaker 4: I was doing them, and I was stocking the back
• 48:37
  Speaker 4: of them trucks.
• 48:38
  Speaker 2: What I didn't want to do it?
• 48:40
  Speaker 1: What happened?
• 48:41
  Speaker 4: And they was paying me seven dollars hours. I didn't
• 48:42
  Speaker 4: sell it for Ups. Yeah, I used to work for ups.
• 48:45
  Speaker 4: What did Brown do for you?
• 48:46
  Speaker 1: They make them?
• 48:48
  Speaker 2: You work for ups, you better stop it. I wouldn't.
• 48:51
  Speaker 4: I didn't have an outfit because I wasn't. I wasn't
• 48:53
  Speaker 4: delivering your SAC and US outfit exact.
• 48:58
  Speaker 1: No, I didn't.
• 49:00
  Speaker 2: I was loading trucks, so they still kept you in
• 49:03
  Speaker 2: like a brown joint.
• 49:04
  Speaker 1: I didn't. I hadn't worked my way up to a driver.
• 49:07
  Speaker 1: They're the only people that wear the brown joint.
• 49:09
  Speaker 4: Yeah, just the drivers. You can wear whatever you wanted
• 49:11
  Speaker 4: when you loading that truck and you just you just
• 49:14
  Speaker 4: loaded it up. I was eighteen and I was loading trucks,
• 49:18
  Speaker 4: trying to make a little money. Then I realized that's
• 49:20
  Speaker 4: when minimum way was seven dollars and twenty five cents,
• 49:23
  Speaker 4: and that's what I was making.
• 49:24
  Speaker 2: When my check came.
• 49:25
  Speaker 4: After two weeks, I'll never forget, it was one hundred
• 49:28
  Speaker 4: and seven. It was something crazy low. And I said,
• 49:33
  Speaker 4: as hard as I just slay, I can beg for
• 49:36
  Speaker 4: this and I quit. I walked off on the shift.
• 49:41
  Speaker 5: The he.
• 49:43
  Speaker 3: I sold my soul once too to KFC. So I
• 49:46
  Speaker 3: had got an opportunity to sell knives.
• 49:54
  Speaker 2: Cut coke I did.
• 50:02
  Speaker 3: I was so excited.
• 50:04
  Speaker 1: Don't tell me you bought the knives.
• 50:14
  Speaker 3: They said. I had an interview, and I was so excited.
• 50:16
  Speaker 3: I dressed up. It was an office building with no
• 50:20
  Speaker 3: no address on it, and I went in. There was
• 50:22
  Speaker 3: a little couch and they set me down and they said,
• 50:24
  Speaker 3: you got invest in yourself.
• 50:26
  Speaker 1: And so.
• 50:28
  Speaker 3: I have no money to buy the night I was
• 50:30
  Speaker 3: gonna buy the knives. I have no money, so I
• 50:33
  Speaker 3: called my sister, like you know, they said that. I said,
• 50:36
  Speaker 3: it has been great.
• 50:36
  Speaker 1: They get that.
• 50:37
  Speaker 3: They offered me the job.
• 50:39
  Speaker 1: I just got to pay for my quitnes. You don't
• 50:45
  Speaker 1: get you.
• 50:57
  Speaker 3: I was so sad. I cried, I.
• 51:01
  Speaker 1: Want to let me be great.
• 51:04
  Speaker 3: She don't want to invest in me. I don't believe
• 51:08
  Speaker 3: in me.
• 51:17
  Speaker 1: You don't believe in me.
• 51:19
  Speaker 3: You don't get yours.
• 51:23
  Speaker 1: Somebody told you you got a job. You gotta buy
• 51:27
  Speaker 1: product seller. Oh my god, Oh yeah, you know.
• 51:34
  Speaker 2: I ain't gonna lie, I did. I try. I try
• 51:36
  Speaker 2: to do it too. I try to do it too.
• 51:38
  Speaker 1: I try to do we all feel for I fail
• 51:40
  Speaker 1: for it. I said, I got a bye what I NAHM.
• 51:45
  Speaker 2: Like, No, you guys was expensive too, I said, I
• 51:47
  Speaker 2: can't buy that.
• 51:48
  Speaker 3: Make sure you it cut a penny. Yeah, I got this.
• 51:53
  Speaker 3: I'm gonna sell that hell out these starts Y'allut she
• 51:57
  Speaker 3: did not believe in me. She did not invest my god.
• 52:01
  Speaker 2: So look, I'm gonna tell you. I worked.
• 52:04
  Speaker 1: I for a day.
• 52:06
  Speaker 2: Oh you did well.
• 52:07
  Speaker 1: I was good.
• 52:07
  Speaker 2: I was good for walking out of jobs back then.
• 52:10
  Speaker 1: I was. I was.
• 52:11
  Speaker 2: I was a walkout. I was never I do.
• 52:13
  Speaker 1: I wouldn't walk out in the middle, but I definitely
• 52:16
  Speaker 1: would do a day. And if it was some bullshit,
• 52:18
  Speaker 1: I just I just stopped. I worked at now. I
• 52:21
  Speaker 1: like McDonald's. The McDonald's was cool. I had a great
• 52:24
  Speaker 1: time at McDonald's.
• 52:25
  Speaker 3: What was your position? Was you over the fries?
• 52:28
  Speaker 1: Mcdond cook?
• 52:29
  Speaker 2: I was a cook every time.
• 52:32
  Speaker 1: McDonald's was cool because the McDonald's I worked with had
• 52:34
  Speaker 1: bad chicks head So I just dated the chicks at
• 52:37
  Speaker 1: the McDonald's and then I had to quit to play football.
• 52:40
  Speaker 1: Then I went and I tried to work at Burger King.
• 52:42
  Speaker 1: Today I hated Burger King. I hated the people that
• 52:45
  Speaker 1: was working at They were fun. They was too serious.
• 52:48
  Speaker 1: So I quit that. I worked at Taco Bell for
• 52:50
  Speaker 1: a day that I hated that.
• 52:53
  Speaker 2: That was just too it was too they were too mean.
• 52:56
  Speaker 2: It was too mean. People was mean to me. I
• 52:59
  Speaker 2: was gone because I knew.
• 53:01
  Speaker 1: I remember that the worst one was like the worst
• 53:04
  Speaker 1: one was like was I hot?
• 53:07
  Speaker 3: I hot?
• 53:07
  Speaker 1: Was cool? But the lady was training me and I
• 53:10
  Speaker 1: had like, you know, they making they get you. You
• 53:12
  Speaker 1: get the dude fixing the plate to do all of
• 53:14
  Speaker 1: that stuff. And I gave a lady some you know
• 53:18
  Speaker 1: how bacon stick together? You know how, I kind of
• 53:21
  Speaker 1: you kind of like you know what I mean? So
• 53:23
  Speaker 1: I get they have a certain amount of banking bacon
• 53:25
  Speaker 1: and I gave her.
• 53:26
  Speaker 2: I just it was like two pieces of stuff to it.
• 53:28
  Speaker 2: I was like, and gave it to it.
• 53:30
  Speaker 1: The lady let me have it over two pieces of
• 53:33
  Speaker 1: over two pieces of bacon.
• 53:35
  Speaker 2: I was like, nope, I ain't coming back.
• 53:37
  Speaker 1: But their funny parties when they called me and was
• 53:39
  Speaker 1: telling me, they was like, yo, we need our shirt back,
• 53:42
  Speaker 1: we need our shirt back, and you go, you know
• 53:44
  Speaker 1: we're gonna take it out your check. I was like,
• 53:47
  Speaker 1: I ain't make nothing, I ain't giving you nothing back.
• 53:50
  Speaker 1: I like this shirt.
• 53:51
  Speaker 3: Actually yeah, them jobs didn't play about them uniforms by.
• 53:55
  Speaker 1: Yeah.
• 53:55
  Speaker 3: I got my too. I got my KFC stuff, my
• 53:57
  Speaker 3: name tags.
• 53:58
  Speaker 4: Everything, Zach, what was you gonna say when I quit
• 54:02
  Speaker 4: a couple of jobs? I walked out. I walked out
• 54:04
  Speaker 4: on Hollister. Once you worked at Hollister, I worked at
• 54:07
  Speaker 4: Hollister that's white and very white, and they don't let
• 54:10
  Speaker 4: black people. They didn't let me in the front, so
• 54:14
  Speaker 4: I had to like fold close. I didn't realize how
• 54:16
  Speaker 4: racist was too, but they never let me in the front.
• 54:18
  Speaker 4: So I worked there for about two weeks and I
• 54:19
  Speaker 4: was folding closed. I was a freshman, so I was
• 54:22
  Speaker 4: trying to sow the sigmas at our at TSU through
• 54:26
  Speaker 4: a party called the Damn Near Naked Party. This was
• 54:29
  Speaker 4: a legendary party from which you heard you know what
• 54:31
  Speaker 4: I'm saying, Especially as a freshman, you'd be like, man,
• 54:33
  Speaker 4: everybody in the naked and I never forget. I got
• 54:36
  Speaker 4: off at eleven o'clock. They said, if you don't get
• 54:38
  Speaker 4: to the Damn Near Naked Party by ten, your ass
• 54:41
  Speaker 4: is going to be outside. I said, f this job.
• 54:44
  Speaker 4: I left at nine thirty, went to the naked party
• 54:48
  Speaker 4: and they called me. She said, you'll never be able
• 54:50
  Speaker 4: to work at Hollister again.
• 54:51
  Speaker 3: I said, everybody Mau's naked man, everybody's I don't care
• 55:00
  Speaker 3: where I work.
• 55:02
  Speaker 1: I am twenty years old, I was.
• 55:05
  Speaker 2: That's my freshman year. I was eighteen. That was my
• 55:09
  Speaker 2: freshman year.
• 55:10
  Speaker 1: I didn't care.
• 55:10
  Speaker 3: I wish I was, like y'all, I took my first
• 55:12
  Speaker 3: job way too serious. I take all my jobs way
• 55:15
  Speaker 3: too serious. That's been my problem my whole life. I
• 55:18
  Speaker 3: take it way too serious. Like I started at KFC
• 55:22
  Speaker 3: and I had that job until I go's the radio
• 55:24
  Speaker 3: because I was serious. I was a manager.
• 55:27
  Speaker 4: You always say that she was a manager, and you're
• 55:29
  Speaker 4: so proud I had that job.
• 55:32
  Speaker 1: You know I was.
• 55:33
  Speaker 2: I was the manager. You know you know what I mean,
• 55:35
  Speaker 2: I'm the manager.
• 55:36
  Speaker 4: You know how like that old niggas be telling you
• 55:39
  Speaker 4: about when they hooped, that's how you talk about KMC,
• 55:44
  Speaker 4: you know, back in the day.
• 55:45
  Speaker 1: You know what I'm saying, It was me and I'm
• 55:52
  Speaker 1: the manager.
• 55:53
  Speaker 2: Yeah, good days. Yeah, but that's true.
• 55:57
  Speaker 3: Like how y'all could be Like I walked out a
• 55:59
  Speaker 3: job I walked up.
• 56:00
  Speaker 1: Is I want?
• 56:00
  Speaker 3: I was like, I take everything too serious, like I
• 56:04
  Speaker 3: need to start living Like this.
• 56:06
  Speaker 2: Made me leave, So you're mean to me once I
• 56:08
  Speaker 2: had to.
• 56:09
  Speaker 3: Go, And that's crazy. I get hazed on every job
• 56:12
  Speaker 3: that I say.
• 56:13
  Speaker 1: You know what I'm saying.
• 56:14
  Speaker 3: I work my way up to the top. I'm tired
• 56:16
  Speaker 3: of that. I need to do, like y'all, y'all walking
• 56:19
  Speaker 3: out telling people going to naked parties. You know what
• 56:21
  Speaker 3: I mean, naked parties. I missed to go to work.
• 56:24
  Speaker 1: Oh man, that's crazy, that's crazy. A last one, how
• 56:31
  Speaker 1: about this? It was something that went viral on threads.
• 56:35
  Speaker 1: What are some of the disadvantages of dating? You me disadvantage, Kiki.
• 56:43
  Speaker 1: We know there's no disadvanced dating. Well, you better tell
• 56:47
  Speaker 1: him you can't wear heels.
• 56:48
  Speaker 3: Who can't with you?
• 56:54
  Speaker 1: So you gotta get ready to catch it with long skirts?
• 56:57
  Speaker 1: Like help you like flats?
• 57:00
  Speaker 3: No, you ain't like that.
• 57:02
  Speaker 1: No, I don't care.
• 57:03
  Speaker 2: I don't care.
• 57:05
  Speaker 3: Keep shrinking. Though his wife got something going on, I said,
• 57:10
  Speaker 3: God damn, she either got taller or Kevin that got shorter.
• 57:13
  Speaker 2: No, it's just they just take a lot of Kevin.
• 57:16
  Speaker 1: Kevin Hart is a short guy, like, he's really short, taller.
• 57:23
  Speaker 1: He comes up to my shoulder. He really, I swear
• 57:26
  Speaker 1: Kevin Hart is a short guy.
• 57:31
  Speaker 2: No, you are, Ryan. I remember.
• 57:33
  Speaker 4: I'll never forget this day ever in my life. I
• 57:36
  Speaker 4: was at my This was a cracking every Thursday, my
• 57:39
  Speaker 4: cracking that it was the party, okay, Kevin Hart was performing,
• 57:44
  Speaker 4: was in the city doing stand up. I will never forget.
• 57:47
  Speaker 4: I was walking to the v P. I was turning
• 57:49
  Speaker 4: away talking and I turned around and I bumped into somebody.
• 57:52
  Speaker 4: I said, I'm looking up because I'm so it's me.
• 57:54
  Speaker 4: I always look up to people excuse me. And I
• 57:57
  Speaker 4: looked at it.
• 57:59
  Speaker 2: And I swear it was Kevin Hart.
• 58:00
  Speaker 4: He was right here. He was right here. I'm five seven.
• 58:06
  Speaker 4: Kevin Hart has to be about five to two five three.
• 58:10
  Speaker 2: Kevin, You sure got r teed, Sure guy all that time.
• 58:16
  Speaker 3: Sure, but my money loan.
• 58:17
  Speaker 2: But it don't matter.
• 58:19
  Speaker 1: He's rich as hell and talented. Yeah, he got your favorites.
• 58:24
  Speaker 1: They got him listed as disadvantage. Come on, Zack, come on,
• 58:28
  Speaker 1: other than you say you think being being short as
• 58:30
  Speaker 1: a disadvanta. They got him listed as five You say,
• 58:33
  Speaker 1: you said, well, I said, disadvantage ain't no disadvantage.
• 58:37
  Speaker 4: If you date me, you're gonna be loved, You're gonna
• 58:40
  Speaker 4: get respected, you're gonna get treated right. Uh, you know
• 58:43
  Speaker 4: what I'm saying. A lot comes with that. You know,
• 58:46
  Speaker 4: you're gonna you're gonna cuddle, you know, napdates. Take a
• 58:52
  Speaker 4: nap date, naupdates.
• 58:57
  Speaker 2: You know you're gonna get it. Ain't nothing, it ain't nothing.
• 59:03
  Speaker 2: It ain't nothing. It's nothing bad. Mine's time.
• 59:07
  Speaker 1: Mhmm. Mind style.
• 59:09
  Speaker 2: You think it's you don't have time today.
• 59:12
  Speaker 1: No, it's just I don't have a lot of time,
• 59:14
  Speaker 1: a lot of free time.
• 59:15
  Speaker 2: I don't have a lot of free time.
• 59:16
  Speaker 1: And I don't think people like like to they get
• 59:19
  Speaker 1: in it, they see all of the stuff that I'm doing,
• 59:21
  Speaker 1: and then when they like it's cool, like yeah, and
• 59:24
  Speaker 1: then when when they in it, they like, oh, like
• 59:28
  Speaker 1: like you realize I do got three kids, realize you know, like.
• 59:33
  Speaker 2: An tell you not to come with me or you
• 59:36
  Speaker 2: know what I'm saying.
• 59:37
  Speaker 1: No, it's when it's kids like especially for me, because
• 59:41
  Speaker 1: I don't get I don't get off of with my kids.
• 59:43
  Speaker 1: I don't mix it ming on my kids with with
• 59:46
  Speaker 1: my dating at all. I try not to, you know,
• 59:48
  Speaker 1: what I mean, unless it's a babysitter, I need to
• 59:50
  Speaker 1: hold me down for a minute while I go do
• 59:53
  Speaker 1: something else to make money.
• 59:54
  Speaker 4: Now I'm gonna come with me, or I mean to
• 59:57
  Speaker 4: like work stuff, Like if I gotta do something somewhere
• 59:59
  Speaker 4: and it's not like, you know, somewhere, she can enjoy
• 1:00:02
  Speaker 4: herself too, I'll be like, just come with work or
• 1:00:04
  Speaker 4: conscience concerts, hosting things.
• 1:00:07
  Speaker 2: You know what I'm saying. I would. I used to
• 1:00:10
  Speaker 2: always be like, just come with me, and so you
• 1:00:13
  Speaker 2: would bring you were bringing the person was dating to
• 1:00:15
  Speaker 2: like a big jam.
• 1:00:17
  Speaker 4: Not not big big jams, a little too much going
• 1:00:19
  Speaker 4: on in the back for that.
• 1:00:22
  Speaker 2: But like, let's say I was hosting.
• 1:00:24
  Speaker 4: Uh talent show somewhere or something at a high school
• 1:00:29
  Speaker 4: or something, I would bring her.
• 1:00:32
  Speaker 1: I can't. I did had.
• 1:00:33
  Speaker 4: If I'm doing a comedy show somewhere, you can bring
• 1:00:37
  Speaker 4: the comedy shows, yeah, you cold with me?
• 1:00:40
  Speaker 1: No, I just can't because it's just I've had it
• 1:00:43
  Speaker 1: just go wrong. I get that too.
• 1:00:46
  Speaker 4: I think I'm turning more into that of what you're
• 1:00:48
  Speaker 4: saying because I've seen I've seen the era in that
• 1:00:50
  Speaker 4: in those ways people around, especially if they if they're
• 1:00:55
  Speaker 4: not secure. They can't they can't handle it. And you'd
• 1:00:57
  Speaker 4: be like, you know what, everybody needs to stay home.
• 1:01:00
  Speaker 4: Everybody staying home because you got relationships. I remember, like
• 1:01:03
  Speaker 4: especially when I was in my host and club era,
• 1:01:05
  Speaker 4: like a lot of whole era, and you know, you
• 1:01:08
  Speaker 4: know the bartenders, you know all of the you know
• 1:01:10
  Speaker 4: the girls that come on a regular you, Hey, what
• 1:01:12
  Speaker 4: up y'all?
• 1:01:13
  Speaker 1: You having real conversation, But they just people you're cool with.
• 1:01:16
  Speaker 1: Oh I saw you talking to that bartender for a
• 1:01:19
  Speaker 1: long time. They know what y'all got going on. She
• 1:01:21
  Speaker 1: was smiling and she was giving you drinks. I was like, uh,
• 1:01:26
  Speaker 1: I've been knowing her for like six months and we've
• 1:01:28
  Speaker 1: been cool. Ain't nothing happened with me and her? And
• 1:01:33
  Speaker 1: you tripping about you? You hear one day making a
• 1:01:36
  Speaker 1: judgment on six month friendship. So those times that for me,
• 1:01:40
  Speaker 1: it's just time. Though, it's just time.
• 1:01:41
  Speaker 3: Yea, there's a million disadvantages today me So made the
• 1:01:46
  Speaker 3: strongest man win what, Yeah, made the strongest life. Because
• 1:01:51
  Speaker 3: that's like I'm locked in because ain't nobody gonna deal
• 1:01:55
  Speaker 3: with that your mouth, you know what I'm saying? Your
• 1:01:59
  Speaker 3: career on.
• 1:02:00
  Speaker 1: That, you know, wigs, your wigs.
• 1:02:04
  Speaker 3: Yea, I lashes all over the house. You know what
• 1:02:07
  Speaker 3: I'm saying. I don't know. I'm a good woman, I
• 1:02:10
  Speaker 3: got a good heart, but I don't know if I
• 1:02:13
  Speaker 3: would even date me. Yeah, you know what I'm saying.
• 1:02:16
  Speaker 3: I just moved to be my own drum. I make
• 1:02:19
  Speaker 3: plans and then tell you what we're gonna do.
• 1:02:23
  Speaker 1: But the same time, that got you never You gotta
• 1:02:28
  Speaker 1: be careful for women that gott brothers. Those those are dangerous.
• 1:02:33
  Speaker 1: Those are some of the dangerous, most dangerous women on
• 1:02:36
  Speaker 1: the They got brothers, sisters. Yeah, it's cool, but the brothers,
• 1:02:42
  Speaker 1: especially if they older than.
• 1:02:44
  Speaker 2: Her, tough.
• 1:02:45
  Speaker 1: Why because your brothers then gamed you up. And your
• 1:02:50
  Speaker 1: brothers then gamed you up. And you have always the.
• 1:02:53
  Speaker 3: Brothers And I'm the only girl. I was the only
• 1:02:55
  Speaker 3: girl in now.
• 1:02:55
  Speaker 1: Right, So there your brother So that's who you play with,
• 1:02:59
  Speaker 1: that's who you hate out with. So you got they
• 1:03:01
  Speaker 1: gotta they got ways in the city.
• 1:03:04
  Speaker 3: But a good man will soften you up. A good man,
• 1:03:08
  Speaker 3: Okay with that, I can't but for real, and it's
• 1:03:13
  Speaker 3: so true, y'all see me with my man, I'm not.
• 1:03:17
  Speaker 2: A real that's because that's who you are.
• 1:03:19
  Speaker 3: I love being a girl, but that's who you are.
• 1:03:22
  Speaker 1: Kiky.
• 1:03:22
  Speaker 2: Ain't no man softening you. I hate when women say.
• 1:03:25
  Speaker 4: That a good man will make you a change you
• 1:03:29
  Speaker 4: either you are or you ain't.
• 1:03:32
  Speaker 2: Ain't no good woman making me more.
• 1:03:33
  Speaker 3: Mask bring you, it'll bring it, It will bring it
• 1:03:37
  Speaker 3: out of you.
• 1:03:37
  Speaker 2: You think you should be consciously try to turn it off.
• 1:03:41
  Speaker 3: But see if you're not doing your job as a man.
• 1:03:43
  Speaker 3: I can't turn it off.
• 1:03:44
  Speaker 2: What is your job as a man?
• 1:03:45
  Speaker 3: Because it's the thing on Graham now where girls like
• 1:03:47
  Speaker 3: who gonna be the boys? Because y'all want the same thing.
• 1:03:50
  Speaker 3: We won't at this point treated dwine and dying doors open.
• 1:03:55
  Speaker 1: Uh, you know the saying that's what.
• 1:04:02
  Speaker 2: I don't know what.
• 1:04:04
  Speaker 3: Y'all want us to bring the same thing to the
• 1:04:06
  Speaker 3: table that y'all bring. Y'all want us to do work
• 1:04:10
  Speaker 3: like y'all work. It's just unbalanced, and so you gotta
• 1:04:14
  Speaker 3: find a partner that will.
• 1:04:15
  Speaker 2: Help you bring y'all selected feminism.
• 1:04:17
  Speaker 1: No, we don't, y'all have select y'all y'all want to.
• 1:04:22
  Speaker 1: I want to be treated like but no, I'm a boss.
• 1:04:25
  Speaker 1: I wanted to do that, but but at the end
• 1:04:28
  Speaker 1: of the day. Look what y'all have led us. But no,
• 1:04:31
  Speaker 1: the thing of it is, it's not It's not that
• 1:04:34
  Speaker 1: I said all the time about regular life.
• 1:04:37
  Speaker 2: Don't be dramatic.
• 1:04:38
  Speaker 1: It's economic. I'm gonna get to she don't say anything,
• 1:04:42
  Speaker 1: she said she.
• 1:04:44
  Speaker 2: When she started doing this. None, So she said, look
• 1:04:47
  Speaker 2: where you have led us. Don't fall board, don't but y'all.
• 1:04:52
  Speaker 1: Have led us to me to movement. Look at out
• 1:05:00
  Speaker 1: we wrap us up. We got an hour five minutes.
• 1:05:05
  Speaker 1: I'm not doing that now.
• 1:05:06
  Speaker 3: Don't stand talking about I named Jane. Do we let
• 1:05:10
  Speaker 3: y'all be in power. That's the problem. So we need
• 1:05:12
  Speaker 3: women executives. I gotta, I gotta. We're gonna speak for
• 1:05:16
  Speaker 3: the women in radio. If I don't, y'all got to
• 1:05:23
  Speaker 3: having to Wendy Wendy Williams.
• 1:05:25
  Speaker 1: I gotta.
• 1:05:27
  Speaker 3: I gotta be the girl. I gotta step up and
• 1:05:30
  Speaker 3: pave the way to take the women. And I don't
• 1:05:33
  Speaker 3: want to have to be real, but I got to.
• 1:05:35
  Speaker 1: She did all drugs and you trying to blame dudes me.
• 1:05:39
  Speaker 1: She had that powder, all right, man, Look gotta do
• 1:05:42
  Speaker 1: it for no final thoughts today, Okay.
• 1:05:46
  Speaker 3: No, No, I want to apologize to Pat Poofs. I
• 1:05:51
  Speaker 3: want to apologize, Pat Pools. I'll be playing a lot
• 1:05:53
  Speaker 3: with Pat Poofs, and he don't deserve that. He liked
• 1:05:57
  Speaker 3: my picture on Instagram, so I know.
• 1:05:58
  Speaker 1: He you got apologize. I told you we're good.
• 1:06:03
  Speaker 3: I'm sorry you are.
• 1:06:06
  Speaker 2: You saying he don't look like he wear the same outfit.
• 1:06:08
  Speaker 3: That I'm not. That's why I'm not trying.
• 1:06:22
  Speaker 1: I'm not listening to no more of these conversations.
• 1:06:28
  Speaker 2: Apologize, all right, Zach, no final thought?
• 1:06:32
  Speaker 1: Good night?
• 1:06:33
  Speaker 2: Can I read him? You get mad? I get mad? Y'all?
• 1:06:38
  Speaker 2: You maybe mad one time? It's fine, knob over it.
• 1:06:41
  Speaker 1: You said something about jay Z that you was trolling,
• 1:06:43
  Speaker 1: all right, physical sales bastard. Yeah, all right, don't forget
• 1:06:50
  Speaker 1: to check us out. If you missed any episodes, go
• 1:06:53
  Speaker 1: watch him back. Also, you know T s R Live
• 1:06:56
  Speaker 1: we will be on tomorrow. Check that out stream stream
• 1:06:59
  Speaker 1: stream and also remember what more can we say?
• 1:07:04
  Speaker 2: Hey, g C I