Latest / What's Your (Least) Favorite Scary Movie? / #143: The Loved Ones (2009)

Transcript

#143: The Loved Ones (2009) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello. What's your least favorite scary
• 0:08
  movie? You know what, your least,
• 0:15
  favorite scary movie, the podcast, where we talked about
• 0:17
  the good, the bad, the ugly, and the Absurd, and all of our
• 0:20
  favorite least, favorite, scary movies, because we believe every
• 0:23
  horror movie rightfully, has its fanbase, even if we don't always
• 0:27
  get it? My name is Travis.
• 0:29
  My name is Jessie. See, and welcome to prom
• 0:31
  everybody. That's right.
• 0:34
  You guys have decided to join us for our.
• 0:38
  What's your least favorite scary movie prom?
• 0:41
  And if you haven't decided to join us, then you're very much,
• 0:44
  like, Brent in this movie. That what are you talking about?
• 0:48
  I guess your will. That's okay.
• 0:50
  I'm ready to drag people in here if they're not ready, Kicking
• 0:53
  and Screaming. Something about this problem
• 0:55
  though. Is it last for a whole month?
• 0:57
  Yeah, we have another theme month for you.
• 1:00
  As we are doing prompting movies, this month, except for
• 1:03
  screen for except for screen for, but even then that's a very
• 1:06
  high school movie. Yes.
• 1:08
  It's so use more High School than the first one somehow.
• 1:11
  Instead of prom we take a little break and do stabbed Athan.
• 1:16
  So that's cool. Yeah.
• 1:17
  It there's still a event that happens either way.
• 1:21
  So yeah. The first movie that we're going
• 1:23
  to be talking about this month is the loved ones.
• 1:26
  This is a fucked-up little movie.
• 1:29
  At Jesse. And I watched a while back and
• 1:31
  it's just kind of stuck with us ever since.
• 1:34
  Yep. So we felt like it would be a
• 1:36
  good one to open things up with this month.
• 1:39
  But before we get into our movie talk, Jesse, do you have any
• 1:42
  announcements? Just that, if you are a budget
• 1:46
  level Patron, then you have access to our most recent bonus
• 1:51
  episode from this past Sunday, where we did were trivia, yep,
• 1:57
  played a little rapid-fire game of Were Trivial Pursuit?
• 2:02
  Yeah, it was a fun time. Lots of spoiler alert.
• 2:06
  One of us won by a lot compared to the other.
• 2:12
  Well, every to say, it wasn't until one pulled away.
• 2:16
  Yeah. We all say, but obviously, from
• 2:19
  the tone of this conversation, you can tell who me who's a
• 2:21
  little bit defensive versus who's a little bit, hey Mackey.
• 2:27
  Just listen to find out. It was a on time, wasn't that
• 2:31
  good information there? Okay.
• 2:32
  Well, is that all you got? Because I got our poll results
• 2:36
  for last week's movie. Okay.
• 2:38
  So last week, we talked about Scream 3.
• 2:42
  Yeah a 33 and we wanted to know which of Maureen Prescott films
• 2:48
  that she filmed at her one year in Hollywood, would you guys
• 2:52
  rather watch so the three films are Amazon.
• 2:56
  B's space psychos. And From the San Andreas fault.
• 3:02
  So on Twitter, 67% would watch Amazon bees. 33% would watch
• 3:08
  space. Psychos. 0% creatures from the
• 3:12
  San Andreas fault. Gotta agree.
• 3:14
  That one's the week is sounding one to me.
• 3:15
  Also, yeah, Instagram, 20%. Amazon bees 73%, space.
• 3:22
  Psychos 7% creatures, from the San Andreas fault.
• 3:27
  I went to, I'm going to agree with Instagram on this.
• 3:29
  One. Yep, I'm thinking space Acres.
• 3:32
  Space Echo. Sounds, awesome.
• 3:33
  Yeah, sci-fi horror slasher. I'm just making it now.
• 3:37
  This is Roger Corman movie. Yeah, definitely.
• 3:39
  Absolutely already confirmed that in our episodes.
• 3:42
  Okay. All right.
• 3:43
  That's our 4-pole. Okay.
• 3:45
  Okay, so let's talk about the loved ones.
• 3:47
  Yeah, another little tidbit for our patrons, you can see from
• 3:53
  our show notes on this week, we ran out of our preparation
• 3:58
  sheets here. So I had to scribble.
• 4:00
  All this stuff down on a blank sheet of paper.
• 4:02
  Yep, so going a little bit Uncharted territories today but
• 4:06
  it's okay. This is back to the way it used
• 4:08
  to be, okay? So the loved ones, this
• 4:11
  premiered. September 13th, 2009 at the
• 4:14
  Toronto International Film Festival, okay?
• 4:17
  That it's at wide release on IMDb, it says January 4th 2010.
• 4:24
  However, I was reading that there was originally DVDs.
• 4:29
  Booted back on November 9th, or November 2009?
• 4:34
  Yeah, I have 2009. As this may be his year.
• 4:37
  Well, I mean, that's when it premiered at the festival but,
• 4:40
  you know, at wide 2009, it has there is a source that says,
• 4:46
  came out in November, okay? Fun, little thing about this.
• 4:49
  There's not been a Blu-ray of this released.
• 4:51
  Apparently, it's only DVD, which is what we have, that's what we
• 4:55
  watched for this right here. Indeed.
• 4:58
  However, if you want to It, you have two options, you have
• 5:02
  Paramount plus which you pay for and then there's also Pluto TV,
• 5:06
  which is free. Yeah so you can watch it for
• 5:08
  free or you can watch it through paid options, whatever.
• 5:12
  This was written by Sean burn. This was his very first movie.
• 5:16
  It was also directed by him music by Ali Olsen.
• 5:21
  There's also a wide range of Indie band, say he had to
• 5:25
  provide the soundtrack. Also for, I guess songs that go
• 5:29
  on during Being a little jam session the car that they go
• 5:32
  through. Yeah.
• 5:33
  Stuff like that. Well also Lola's favorite song.
• 5:37
  Am I not pretty enough? Yeah, which I was singing in
• 5:39
  really is this even a real song and as if I haven't looked it up
• 5:43
  yes it surprised you don't have it saved in your Spotify like
• 5:47
  this. The baby came out back in the
• 5:49
  days of like YouTube in on my favorite music.
• 5:52
  Oh yeah, way back then. Did we did you watch this
• 5:57
  before? We watched it together?
• 5:59
  No. So, we watched it together for
• 6:01
  the first time. Yeah, okay.
• 6:03
  Yeah. Got you okay, special effects
• 6:06
  was done by Angelo. Sahin Olivier, Duval Justin,
• 6:10
  dicks, and lay Marsh. Okay, cast on this Xavier,
• 6:16
  Samuel plays, Brent, Robin, McAuley V plays, she's credited
• 6:20
  as Princess but possible. In this movie, John Brompton
• 6:26
  plays, daddy who I credited in the the notes as father because
• 6:31
  he strikes me more as a father rather than daddy.
• 6:34
  Also just know. Yeah, we can go into this.
• 6:39
  He will not go into that Richard Wilson.
• 6:43
  Please, Jamie Victoria Thane, Place, Holly.
• 6:47
  Jessica McNamee, plays Mia, and Jetta plays dog.
• 6:52
  I'm sad, that dog doesn't get a name especially because spoiler,
• 6:56
  sad. Spoiler duck, dog dies.
• 6:59
  Yeah. I'm kind of shocked.
• 7:01
  The dog doesn't get a name either.
• 7:02
  I wonder if they even knew. Oh, God, it's stuck.
• 7:05
  Maybe it was just called Dog. I've known people to just name
• 7:08
  their dogs, dog. I mean, we had a dog named puppy
• 7:12
  for a long time. We caught Talia puppy all the
• 7:14
  time. Yeah.
• 7:15
  You know, to be fair though, she did end up getting renamed
• 7:18
  Nelson, but for a long time and feel like somebody would have
• 7:21
  dumped her and then for your back and let somebody else go to
• 7:23
  doctor for your back. So yeah, she just like, just
• 7:26
  poppy was just puppy for a really long time was fine.
• 7:30
  Okay, Jesse but her Buck Ted bug.
• 7:33
  Ted bug, Ted, yeah, okay, this is a bug Ted movie.
• 7:36
  However, this is more of a bug Ted than I would have ever
• 7:39
  guessed. It has a bug Ted of four million
• 7:42
  dollars. Okay.
• 7:44
  That's, you know, that's about where I was thinking around like
• 7:47
  5 million. I think that's kind of
• 7:49
  surprising. Honestly, considering this movie
• 7:52
  doesn't really have, it doesn't look like it would need four
• 7:55
  million dollars to be made, you know, like it's mostly at her.
• 7:59
  House and in a car, you know what I mean?
• 8:04
  And a road, a few points and the still and the school, but the
• 8:09
  school is another car. Okay, there's another car.
• 8:12
  There are multiple scenes and settings, it's just like not a
• 8:15
  whole lot. Yeah, box office on this thing.
• 8:19
  It made three hundred fifty, eight thousand and three hundred
• 8:22
  ninety nine dollars. Yeah, it didn't, it didn't do
• 8:28
  super, I mean at the end of the day this is still like a little
• 8:33
  Indie movie. A guy like that Film Fest but
• 8:36
  then it never really gotten at wide release.
• 8:38
  So I think yeah even if it's not I think that's pretty good for a
• 8:42
  not wide release personally, IMDb score, six point six That's
• 8:48
  pretty. You know what?
• 8:49
  Yeah, considering this isn't like a is an incredibly
• 8:52
  well-known movie to people that aren't like these on roof.
• 8:57
  And yeah, people who are in the were probably are aware of this.
• 9:01
  I feel like a lot of people are, but then again, we're very much
• 9:05
  in that community. So yeah, it's really hard to
• 9:07
  have a gauge on, what is like a woman who?
• 9:10
  Well, obviously everybody knows the loved ones.
• 9:12
  Yeah. Okay.
• 9:16
  Got three movies cat. No.
• 9:17
  No real team. Other than some of them are
• 9:21
  there more bug? Ted.
• 9:23
  But and some of them are okay. Actually originally I was going
• 9:27
  for fucked up fuck this but ended on a different note but
• 9:33
  I'll start off with the the fucked up.
• 9:35
  Okay? Human Centipede okay okay yeah
• 9:39
  out August 30th 2009 that's definitely not an accessible
• 9:43
  movie but it is what everybody knows about.
• 9:45
  That is a movie that I Its reputation is way more harsh
• 9:52
  than it actually is because if you watch that movie, it's not
• 9:55
  that bad. The sequel's, however are super
• 10:00
  fucked up. We turned off to watching it.
• 10:03
  Well, Paul says, moving out, the South Park Treatment to so I
• 10:07
  think that they made it more like more people aware.
• 10:10
  Yeah, I think a lot of people were already aware, like, this
• 10:14
  thing kind of spread because it's just so absurd.
• 10:18
  It has a budget of 1.5 million pounds.
• 10:22
  Okay. Gross of 325 thousand dollars.
• 10:26
  Okay, so around the same as the loved ones here, IMDb score,
• 10:31
  4.4, interesting movie, number two Antichrist.
• 10:36
  Oh boy. Yes, another movie that came
• 10:41
  out, May 20th 2009 with a budget of 11 million dollars, okay?
• 10:45
  Had a gross of 7.4 million You okay, Willem Dafoe did bring in
• 10:50
  bring in the Bucks. Some, yeah, I think I'm sure the
• 10:55
  other person in the movie is famous, do, I can't remember, I
• 10:59
  never watched it just hearing about this movie, I've read
• 11:02
  about it and that's about as much as I want to examine.
• 11:05
  Maybe one day, I'll be like, you know, I went to ruin my day.
• 11:09
  Yeah, but not not anytime soon. I don't think I remember our
• 11:14
  Pals at seventh Circle Fillmore like, you guys want to cover.
• 11:17
  Von Trier and I was like, I don't think I do exhibit all of
• 11:28
  those movies and then spend all of that time talking about them,
• 11:31
  that just sounds like a bummer of a weekend.
• 11:33
  Yeah, that's a, that's a rough way to spin a week for sure that
• 11:38
  has an IMDb of 6.5. So it's a pretty, I'm sure it's
• 11:43
  a good movie. But, you know, it's kind of
• 11:45
  like, Requiem for a Dream. Yeah, we one of those ones you
• 11:48
  watch Once. OK.
• 11:50
  And then the 3rd movie. I'm really interested to hear
• 11:52
  what this change is wrong. Turn three.
• 11:57
  Oh my God. Boom got shit with it.
• 12:01
  Cannibals, the fucked up. This is cons convicts.
• 12:06
  This is the one where the beginning, right?
• 12:08
  The prequel know that's that's for this one, then this is the
• 12:13
  one where the convicts? Oh.
• 12:18
  Prison bus wrecks and they're out there in the woods.
• 12:24
  Hooting and hollering House movie has made, absolutely no
• 12:28
  impression on me. Because every time you bring it
• 12:31
  up and like, I do not know what you're talking.
• 12:33
  I always you've watched it like five times a couple of times.
• 12:36
  I remember it because I just remember first time watching it
• 12:40
  thinking God, this shitty, but then watching the others in the
• 12:44
  series and then coming back to me like, wow, this is that good.
• 12:48
  Wow, I remember really not liking this at first but wow,
• 12:50
  it's just, I mean, once you watch six, the rest are all just
• 12:54
  kind of like, you know what? It's okay and great and the
• 12:58
  reboot That's just, I don't even think it should be called Wrong
• 13:02
  Turn. No, I don't think.
• 13:04
  I don't think we would have been as upset by the movie if it
• 13:07
  wasn't called Wrong Turn. Hmm.
• 13:09
  No, I would have been more accepting.
• 13:11
  Yeah, I would have been like, this is a weird movie but it's
• 13:12
  okay. But you go in expecting hootin
• 13:15
  and hollerin. And there was no who'd and and
• 13:18
  less than o'halloran's. It would have been hollering,
• 13:20
  maybe but not the type of holler and then we want, okay, that
• 13:24
  came out October 20th, 2009, okay, had a budget three million
• 13:28
  dollars. Don't know how that happened,
• 13:32
  don't have a gross on it because that baby went straight to DVD
• 13:37
  and IMDb score. 4.6, that's one of those franchises that you're
• 13:41
  like, there's how many of us? Yeah.
• 13:44
  Just you know what? They're pretty okay, it's a fun
• 13:51
  series. Okay, even the bad ones except
• 13:54
  for 6 and the last one I can watch them.
• 13:58
  Five of them has fucking Pinhead in.
• 14:00
  In it, that one's pretty upsetting.
• 14:02
  That one's very that. One's a very upsetting one.
• 14:06
  Yeah, it's very mean. They're all very mean movies,
• 14:11
  that that wouldn't feel is the meanest kind of the cool thing
• 14:15
  about those those they still. I think that's the one that you
• 14:18
  have that that same director that's stuck with them.
• 14:21
  For like three of them, he started with this one, the third
• 14:24
  one. And I remember he was actually
• 14:27
  pretty big with practical effects.
• 14:30
  Remember like oh yeah that's how we got into the kill count.
• 14:32
  And I remember like seeing him break it down and it was the
• 14:34
  same dude and showing how they did.
• 14:37
  All the Kill Zone that was like, you know what, I'll give him
• 14:39
  some respects like ya doing. That is nice to see these days,
• 14:43
  okay? Those are my three movies.
• 14:45
  Okay, got some taglines, multiple surprisingly.
• 14:49
  Wow, I would have pictured. This is a one tag line to I was
• 14:52
  shocked to see that. Good Calipari one in bed.
• 14:55
  Yeah. Okay, first one, you don't have
• 14:59
  to die to go to. Oh, hell.
• 15:01
  You know what? That's not bad.
• 15:03
  Yeah, because they're its kind of hell.
• 15:06
  Yeah, their house for sure. Spoiler alert.
• 15:07
  This is kind of a zombie movie. Yeah.
• 15:10
  I mean in a lot of ways. Yeah it kind of goes into the
• 15:13
  zombie territory there for a second.
• 15:16
  Okay second one don't break her heart.
• 15:19
  Yeah that's why. Yeah, that's it.
• 15:22
  That's a good. That's a good tagline honestly.
• 15:25
  Yeah I think it is. Yeah, the loved ones.
• 15:26
  Don't break her heart. The original in said, yeah,
• 15:32
  okay. Third, one prom night can be
• 15:34
  torture. I kind of like that.
• 15:37
  I like it, but I also don't know this movie feels less generic
• 15:43
  than that tag light it is, but like, it's prom night and he's
• 15:46
  getting tortured. Yeah, I know.
• 15:49
  I agree with the tagline. I just think it's not special
• 15:52
  enough. Okay.
• 15:53
  That's not pretty enough for it. Okay, very nice.
• 15:56
  Yeah, fourth and Animal. Hell hath.
• 15:59
  No, fury Dots Dots Dots. Yes, like a prom queen scorned.
• 16:06
  I would have been fine like stopping at the dot dot dot.
• 16:09
  But I'm okay with that, too. I guess you did cut it off.
• 16:11
  Like. Yeah.
• 16:13
  Right there. No.
• 16:15
  Hell hath. No.
• 16:16
  Fury like a prom queen scorned. Okay.
• 16:19
  That was okay, too. Yeah, these are all pretty good.
• 16:22
  Yeah. I like them.
• 16:22
  They're pretty solid honestly. Yeah.
• 16:25
  Okay. Fun, facts.
• 16:26
  Okay, got it. Couple here.
• 16:28
  No, no, I'm for this one. So first off, this was
• 16:32
  originally rated as are 18 plus by the Australia Australian
• 16:37
  classification board which I'm assuming is like their MP a type
• 16:41
  of that and I'm sure 18 Quest is like they're in C-17.
• 16:46
  Okay? I would imagine but an appeal
• 16:49
  was made and the review board guided to ma 15 plus The reason
• 16:55
  that it got this new rating, they made an argument that due
• 16:58
  to the comedic aspects. Mitigating both the sadistic
• 17:01
  aspect and the impact on violence the old scream argh.
• 17:07
  Yeah. So like we got we injected some
• 17:10
  comic relief. So and she does say, that the pp
• 17:15
  is crying whenever he's peeing at one point.
• 17:18
  So there's a little bit of humor injected here so it's okay if
• 17:21
  she drill some people in the school and make some Is and, you
• 17:25
  know, does it all kinds of other fucked-up shit?
• 17:28
  I think that's funny, though, that they made that and they're
• 17:30
  like, you know what? Sure, yeah, I liked it laughter.
• 17:34
  I chuckled at that. Some of the Inspirations for
• 17:40
  this movie were Texas, Chainsaw Massacre.
• 17:42
  Hmm, I see that Kari, which apparently the whole purple
• 17:46
  dress was inspired purely from Carrie.
• 17:49
  Okay, my purple pink. There you go, she's pink.
• 17:52
  Yeah, isn't her. Addressing Carrie White?
• 17:55
  Yes it is. Well that's also her name,
• 17:58
  Carrie. White Ice.
• 17:59
  Yeah I saw you kind of go Carrie White.
• 18:03
  Yeah. But then you know the pig's
• 18:04
  blood. Yes.
• 18:05
  Exact sound. Okay.
• 18:06
  So that's why this one. Yeah comes in.
• 18:08
  Okay misery was another one. Yeah, absolutely.
• 18:11
  See that audition. Okay.
• 18:14
  Another one I can definitely see.
• 18:16
  So those all served as inspiration.
• 18:18
  However Sean burn gave princess Robin the Qui Vive Extra
• 18:25
  instructions to study Jeffrey Dahmer.
• 18:28
  Okay? Because this is very much
• 18:31
  Jeffrey Dahmer's whole Mo thing here.
• 18:33
  Drilling. This whole pouring, his whole
• 18:36
  thing was pouring acid into the school.
• 18:38
  I think there's is boiling boiling water, and pouring into
• 18:42
  the skull, to melt the brain. Also told her to watch.
• 18:47
  Natural, Born Killers. Hmm.
• 18:49
  And Quentin Tarantino films. Yep.
• 18:52
  So, I don't understand And why Tarantino necessarily needs to
• 18:56
  be there. She's got very, she makes me
• 18:59
  think of Honey Bunny in Pulp Fiction.
• 19:03
  The girl that gets up on the listen up here.
• 19:06
  Every last one of you motherfuckers ain't you got that
• 19:09
  Vibe a little bit. Yeah some points get that.
• 19:11
  I get that. I get.
• 19:14
  I definitely got any Wilkes, I get any for sure.
• 19:17
  Big time. I've never seen Natural Born
• 19:19
  Killers but I just got kind of that like gleeful, statism that
• 19:24
  We associate with a lot of Tarantino films, I guess I could
• 19:27
  see ya. Yeah, sure.
• 19:30
  He obviously knew it was soon. Yeah, no question.
• 19:34
  I feel like I remember saying that after we watch this where I
• 19:37
  was like, it feels very misery meets Tarantino and then I
• 19:40
  looked up some stuff on IMDb and it said that she had that
• 19:44
  homework assignment. Yeah, work, the character does a
• 19:48
  good job. Yang in settling, John Jarrett.
• 19:51
  If you're familiar with that, oh my God.
• 19:54
  Wolf Creek, he turned down the role of daddy because he didn't
• 19:58
  want to be Typecast. All right, John I've already
• 20:04
  done one fucked-up movie probably about to do to and a TV
• 20:09
  series. Yeah, do need to have that.
• 20:11
  I don't want to be Daddy. I remember he wasn't some movie
• 20:15
  that they showed on the last drive in and he wasn't in a like
• 20:18
  sadistic row. I know what it is, fuck, what
• 20:21
  was that? Fucking because that's one job.
• 20:23
  I was talking about how he didn't want.
• 20:24
  Typecast and we laughed about it then to ya shit.
• 20:27
  What was that movie called? I can't remember.
• 20:31
  Fuck man. Whatever.
• 20:32
  Yeah. It's like a another Australian
• 20:34
  movie but like it's a slow burn for sure.
• 20:38
  Yeah. I remember that.
• 20:39
  Yeah. Okay.
• 20:41
  Final thing Prince character has no lines of dialogue after the
• 20:45
  twenty seven minute Mark. Yeah.
• 20:47
  Once he gets the bleach injected.
• 20:48
  Yeah. So our main character does not
• 20:51
  talk for like most of the movie. I feel like that's kind of
• 20:55
  diminishing his delivery of line such as he does kill that
• 21:03
  Nelson. That's probably that was his
• 21:05
  audition. Like, all right, I don't need
• 21:07
  you to read any of these lines. Give me a good scream, like your
• 21:11
  vocal cord. Has been permanently damaged.
• 21:15
  Oh my God, we got it. All right, that's it.
• 21:19
  That's our Brent right there. Okay, that's my fun facts.
• 21:22
  Let's go ahead and get into our good bad ugly and absurd
• 21:25
  discussion of this. So give me your good Jessie.
• 21:29
  What do you like about this thing?
• 21:31
  I think it's a really well-done story.
• 21:34
  I think all of the pieces we've in well with one another.
• 21:39
  I think it came out at exactly the right time in terms of where
• 21:43
  the world was and accepting essentially torture porn.
• 21:47
  Yeah, quote, unquote, I've talked on the show about my
• 21:51
  About that as a overarching sub-genre name.
• 21:56
  You don't like the name title. Without I think it just is used
• 21:59
  to write off. A lot of movies is like, oh,
• 22:02
  it's just torture porn when there is kind of weird.
• 22:04
  Lot of times, there's more, like, story than that.
• 22:07
  People are getting off on a torture, like, no man.
• 22:09
  Like, people are getting off on like the killing and just move.
• 22:11
  It's like, you're even getting off as it's just like you're
• 22:13
  enjoying that aspect. It's that it's the movie isn't
• 22:17
  shying away from the brutality aspects of her.
• 22:20
  Or yeah, it's like leaning into it.
• 22:23
  But this has like a lot of other things going on with it too.
• 22:26
  There's a lot of heart to it's real sad.
• 22:29
  It's a real turd. Tearjerker turd trick.
• 22:32
  I just I think it's good and also Sean burn is I mean he's a
• 22:39
  music fan. He did Devil's candy after this
• 22:42
  and that was man, that's an intense movie is amazing.
• 22:48
  I don't think he's done a third movie that I can think of But
• 22:51
  now where she would. Yeah, his I wish he would do
• 22:54
  that. He has done have been amazing.
• 22:56
  Yeah. I mean I think that this movie
• 22:58
  is super unsettling, the whole dynamic of her and her family,
• 23:05
  and like the dad, just like her, controlling everything, and it's
• 23:11
  just super unsettling. But then, like you do have those
• 23:14
  moments of why hardness with Jamie and his whole date to
• 23:19
  prom. But then again, it also still
• 23:20
  Ties into the overall story. Yeah.
• 23:23
  Which I think that's actually really nice because like yeah,
• 23:26
  you are giving us this like white bit of story but I like
• 23:30
  ultimately it's still really dark.
• 23:32
  Yeah, it's really light but also like the reason Mia is so fucked
• 23:35
  up is because she's dealing with the trauma of her brother being
• 23:38
  missing. Yeah, and you don't realize that
• 23:40
  until the annual oh shit. Okay, that explains this whole
• 23:43
  thing. This is actually been backed up.
• 23:45
  Yeah. Okay.
• 23:47
  So the bad, the dog does The dog dies is always the bad.
• 23:53
  It's not necessary. Yeah it really doesn't die like
• 23:57
  it dies, a slow death which is fucked up.
• 24:00
  Fuck you. Sean for that.
• 24:01
  Yeah. Yeah ugly.
• 24:07
  Can I just can I just let's get the incest elephant out of the
• 24:13
  room. Yeah.
• 24:15
  Yeah. I mean yeah that's pretty fucked
• 24:17
  up. I think the whole aspect of
• 24:20
  killing somebody's skull and turning them into a fucking
• 24:23
  zombie is really ugly. And really gnarly though like
• 24:27
  the I think the original whole thing about that though was like
• 24:31
  he was trying to going back to Jeffrey Dahmer, like the
• 24:33
  inspiration. He was trying to make like sex
• 24:35
  on bees which I don't think that that's what they're doing.
• 24:38
  They're just making zombies. I don't understand why they're
• 24:40
  making zombies. There's no there's not a why of
• 24:45
  Reasoning. There is sadistic their
• 24:47
  sadistic. Yeah but you don't get it.
• 24:50
  You don't really know but it is ugly.
• 24:52
  The Absurd the Absurd I think it's got to be.
• 24:57
  I want to say the amount of sex happening in cars in the school
• 25:00
  parking lot. Yeah, you're right.
• 25:02
  It's just like non-stop. Yeah.
• 25:05
  That's where you go to fuck in Australia.
• 25:08
  Yeah. You were in a small Australian
• 25:10
  Town. We've seen that there's miles
• 25:11
  and miles of road like just pull over the school.
• 25:15
  On the side of the road. Get away from your principal.
• 25:19
  Get away from Lola standing. Right?
• 25:21
  Next to the car. Yeah, like she's just standing
• 25:24
  there watching it. Yeah.
• 25:26
  That the whole thing is absurd. I mean, my whole absurd thing
• 25:29
  is, like, the ultimate P shyness scene, which I feel like I would
• 25:35
  be able to pee on command, like, I don't know, the man, I'd be
• 25:38
  like, okay, this mise at that point.
• 25:41
  Like, all bets are off. Like, it doesn't matter.
• 25:43
  Like you can maybe do it, but At the same time, that amount of
• 25:46
  pressure counting down 10 seconds to pee or else.
• 25:49
  I'm gonna know your dick to the chair and then when he finally
• 25:53
  does p, it's so dramatic. And she's like, it's crying.
• 25:58
  Come on this. Like it's just so weird, but I
• 26:01
  love it, I love it because of that.
• 26:04
  Okay, so what do you rate this thing?
• 26:08
  I'm going to give it an eight, giving it a.
• 26:10
  Yes. Okay.
• 26:13
  You know what? Going with the old seven.
• 26:17
  Okay, I think this is a really good movie.
• 26:20
  So we're starting with us 7.5 in 7.5.
• 26:23
  Same pain already. Let's get on into it.
• 26:26
  All right, we start off and we hear a radio changing stations
• 26:30
  and I just kind of like this little detail, is the production
• 26:33
  logos or flashing across the screen.
• 26:36
  Oh, hey speaking. Have sex in cars.
• 26:38
  It's him and his dad and his dad's like we can see what you
• 26:42
  back here in the back seat. Yeah like.
• 26:44
  Okay cool. So we're getting that started
• 26:46
  right away. So yeah, that's where conception
• 26:49
  begins. Yeah.
• 26:52
  Life begins at conception. Haha.
• 26:54
  Just kidding. There's a joke there somewhere.
• 26:58
  I wanted to put it together but yeah.
• 27:01
  He Brent and his dad are driving and Friends making fun of how
• 27:05
  old his dad's car is And they're just like, having normal like
• 27:09
  father-son stuff where they're like, teasing each other for
• 27:13
  being old / young. Yeah, it's good.
• 27:16
  Man sir. Yeah.
• 27:17
  It feels very likely. True to life.
• 27:19
  Yeah, definitely. And then all of a sudden, you
• 27:21
  see the shrillest person covered in blood, walking down the
• 27:24
  middle of the road, which surprises to them causes Brent
• 27:27
  to Swerve, but in the process of swerving, he ends up running
• 27:31
  into a tree, I think and ultimately killing his dad in
• 27:35
  the process. Yeah.
• 27:37
  So And later we see Brent in the hallway at its Locker his hair
• 27:40
  is longer and in a space. So you know he said yeah I mean
• 27:44
  it's like the same one. He looks like to me doesn't have
• 27:46
  to occur. It's a little bit more messy I
• 27:48
  would say and he's talking to his friend.
• 27:51
  Jamie he's like are you coming to the after party?
• 27:53
  Because now I'm probably just going to chill and smoke and he
• 27:55
  was like Holly is parents are out of town though, which all
• 27:58
  the more reason not to come to the after party after party is
• 28:02
  the parking lot. Come on apparently.
• 28:04
  Yeah. He's like you gotta run.
• 28:07
  Rain coat which I don't. I don't like referring to
• 28:11
  condoms as raincoats because I picture like a little yellow.
• 28:14
  Raincoat on a penis. Yeah, exactly.
• 28:19
  I can't, I can't with it. I'm like picturing.
• 28:21
  Like, there's the arms on the raincoat and they're flopping.
• 28:25
  Yeah, come on, man. You don't, you don't want that.
• 28:28
  That sounds awesome. Actually, this is like a good
• 28:30
  way to defuse. The whole is that do you think
• 28:35
  that's like actual Australians? Playing for.
• 28:38
  No. I mean, I heard it as you are,
• 28:40
  but do you think that that's Jamie, making that up on the
• 28:42
  spot? Or do you think that's like,
• 28:44
  Australians actually call it raincoats?
• 28:46
  I think it's just like a mixture of slaying different slang is
• 28:51
  more popular, different countries and also Jamie is has
• 28:56
  never had sex before. So he's just throwing whatever
• 28:59
  term out there. It's like, no, I don't have any
• 29:00
  rain coats and stop calling them ring.
• 29:03
  We're in a drought. So he sees the Jamie sees this
• 29:10
  girl Mia walk up and he goes and asks her to the dance that
• 29:15
  night. The dance is that night by the
• 29:17
  way? Yes.
• 29:19
  Is very last minute. It's probably one of my least
• 29:21
  favorite tropes in movies is like asking to the dance night
• 29:25
  of because you have to prepare for that.
• 29:28
  I mean normally people like, you know try and yeah coordinate an
• 29:34
  outfit together. Yeah.
• 29:35
  Like if you don't know if you're going to go to the dance.
• 29:37
  Um Even have a dress ready. Like Jamie is just like the type
• 29:40
  of dude, it's not super put together right now.
• 29:42
  Yeah, so Lola pops up and she asked Brent to go to dances
• 29:50
  Arrhenius, like sorry. I'm going with Holly, which is
• 29:53
  his girlfriend as we've already established in this conversation
• 29:56
  is like sorry. Like he's not a dick about it.
• 29:59
  He's about as nice as you could expect a 17 year old boy to be
• 30:02
  in that situation. Yeah I mean he could hit him
• 30:05
  like Hey everybody You asked me to the prom ha ha ha.
• 30:10
  I mean, it's like a the hallways empty, but it would still be
• 30:13
  interesting to have him screaming.
• 30:16
  So Holly's waiting for Brent, outside of school.
• 30:20
  She passed her driver's test. If she's going to drive him
• 30:22
  home, and he's like, gasps, you asked me to the dance and she's
• 30:26
  like, who and he won't tell her using this as a way to coerce XX
• 30:32
  /. Yeah.
• 30:33
  So they're, they're having some sex in the car Well, it was just
• 30:38
  an exact fucking a little psychos like just watching them.
• 30:42
  Yeah, nobody notices, I think would be hilarious.
• 30:45
  If there was like five other people.
• 30:47
  Like what? What if on the other side of the
• 30:49
  car? There's like five other people.
• 30:51
  Yeah. Generate they're like somebody
• 30:53
  like locked their keys in the car and like, people are trying
• 30:55
  to help them get the keys out and then they just like all like
• 30:58
  stop, and they're just kind of watching as Holly is dropping
• 31:05
  front off. She's like, I love you and he
• 31:08
  just kisses her. And then he gets out of the car
• 31:13
  and he says Lola Stone, which is not the response you want.
• 31:16
  When you tell your boyfriend that you love them, this is the
• 31:19
  girl that asked me out. So you got competition.
• 31:22
  Yeah, I got options, babe. Yeah, I don't love you.
• 31:26
  I've got options. So, his mom asks, how they're
• 31:31
  getting to the dance and she's like, Brent's, like, oh, Holly
• 31:36
  got her. Driver's license.
• 31:39
  And she's like, I'll give you money for a cab and he goes a
• 31:41
  still a car, it's still the car. Like you can tell that there's
• 31:45
  been he's feeling a lot of guilt because he was driving the car.
• 31:48
  When his dad died. His mom is probably just like,
• 31:51
  terrified of losing him, but he's taking it as him blaming
• 31:55
  her as her blaming him. Whoa.
• 31:57
  Yeah. I mean, I wonder who made the
• 32:00
  decision to stop driving, do you think that she is asking him to
• 32:04
  no longer drive or do you think that he doesn't?
• 32:07
  Want to drive after that anymore.
• 32:09
  Both, you think both are and her whole argument with that which I
• 32:14
  think that she has a cutting point a point because somebody
• 32:18
  just got their drivers license and now they're going to be
• 32:21
  driving. Yeah that person son experienced
• 32:22
  her a point was like oh but these people that drive cabs
• 32:25
  have experience they know what they're doing.
• 32:27
  And my mom has absolutely said that same type of thing to me
• 32:30
  when I was that age. Yeah, I mean, like, yes sense,
• 32:33
  you know, but to him he's an angsty teenager.
• 32:37
  Well, he's not an easy change it.
• 32:38
  He's a traumatized person. I saw this is minx.
• 32:42
  Well, yeah, I mean angst because he's a teenager but like, this
• 32:45
  is mostly just trauma. Yeah, it is, trauma, it's heavy
• 32:48
  stuff. I get it and I'm sets him that
• 32:50
  she doesn't have faith in him or his girlfriend and he just
• 32:55
  storms out because he's mad. He takes dog with him.
• 32:59
  Yeah. Or dog just designate some self
• 33:01
  emotional. Support creature?
• 33:03
  Yeah. Dogs.
• 33:03
  Like you. You're going to need like, I'm
• 33:05
  coming with you. You got a lot of Ins right now
• 33:07
  and I'm good at dealing with this also you suck at rock
• 33:10
  climbing. Yeah.
• 33:12
  My God. So they get to this fucking rock
• 33:15
  wall and he's like, okay, I'm climbing vertical, like a gym
• 33:19
  rock wall like an actual like vertical.
• 33:21
  Is that nice face? Yeah.
• 33:23
  In nature and he starts it. The dog gives them a head.
• 33:26
  Start as like, okay go ahead, go ahead.
• 33:29
  Yeah, you all what you get started in mountain goat like it
• 33:32
  just goes beep blip. And at the top of the guys, they
• 33:36
  probably my A theory is exactly my theory.
• 33:41
  Is they brought the dog there? Because okay, the dog is
• 33:44
  supposed to be in the scene and join him.
• 33:45
  For whatever reason fucking will have a dog here and then the dog
• 33:48
  starts jumping up the side of this mountain and they're like
• 33:51
  point the camera at that, get that shit on film.
• 33:53
  That's what the dog doesn't have a name in The Script because
• 33:56
  like shit job. Yeah, it just joined Brent.
• 33:59
  Well yeah. Okay, we got a dog now.
• 34:02
  Okay we only got one shot right here.
• 34:05
  We gotta get this shot right here so you have to walk an And
• 34:07
  then a dog just starts walking and right beside my God.
• 34:09
  Okay. And dogs are now.
• 34:11
  Yeah, go. We're going to kill this dog.
• 34:13
  Then it showed us up. Made him look like a fucking
• 34:16
  weenie. Yeah.
• 34:18
  Which this is. So he gets to the top after.
• 34:21
  He has his dramatic, angsty moment, flake hanging off, the
• 34:24
  rock face and almost dropping. This is something that bothered
• 34:29
  me last night because I'm like, are you just trying to draw out
• 34:32
  the time here? Because he's, I feel like he's
• 34:35
  also kind of He's tempted fate. He's yeah, it's a rock.
• 34:39
  He's like okay, I can sleep. I can just end it here and they
• 34:42
  starts to slip, but then whenever he starts to fall he
• 34:44
  realizes he doesn't want to fall.
• 34:45
  And it's crabs back, which I think, you know, they're showing
• 34:49
  one but he can climb. It's important.
• 34:51
  It's important that later. Maybe climb I have to climb is
• 34:55
  good as dogs, but he can't climb to.
• 34:58
  Like he doesn't truly want to die.
• 35:00
  He's just dealing with a lot of intense psychological shit.
• 35:04
  Yeah, I guess. So gets up top and it starts to
• 35:08
  smoke weed with dog. Yeah.
• 35:10
  He like, lays back the dog lays on his shoulder throw.
• 35:13
  Sweet the sweet. Yeah.
• 35:14
  And then he smokes, and he's listening to music.
• 35:18
  So he doesn't hear the dog barking, his mom calls and he
• 35:23
  ignores the call and then he's grabbed from behind.
• 35:26
  Yeah, some a sky, like the core form just like knocks him out
• 35:29
  with that. We see Jamie going to pick me up
• 35:32
  and my dude is wearing Sport coat with a tuxedo t-shirt on
• 35:38
  you. I think this is fucking
• 35:41
  ridiculous. This fucking guy, but it's, it's
• 35:44
  a somewhat. It's like perfect
• 35:46
  characterization for him, though.
• 35:47
  A plus to the word room, okay? Let's set this up here.
• 35:51
  All right, so he's picking up his prom date.
• 35:53
  He's got that outfit. All right?
• 35:54
  He's already won. The sport coat is the exact same
• 35:57
  color as his pants and if you're thinking, oh, black dress pants,
• 36:00
  black sport coat. They this man is unblocked With
• 36:06
  khaki with a black tuxedo shirt underneath.
• 36:10
  You want me to tell you something?
• 36:11
  This is me, this is me at that age right there.
• 36:14
  I had the same hairstyle. I was a little chubbier.
• 36:18
  This was me right here. So not only that.
• 36:21
  All right, so this guy is day, her dad is I'm guessing.
• 36:28
  At least she asleep. Yeah, yeah.
• 36:30
  He's a big-time policeman and he goes over there to pick her up
• 36:34
  with weed. He spoke in weed in the parking
• 36:37
  lot dum-dum. Just to say, I do like smoke a
• 36:39
  whole joint. Then he takes body spray and
• 36:42
  just swam. Yeah.
• 36:44
  He just smells like weed and acts.
• 36:48
  Yep, gets out of the car rings. The doorbell got flowers though.
• 36:52
  He's doing good. He's got that going for him, but
• 36:55
  then the door opens and then, the dog comes out and starts
• 36:58
  sniffing his nuts. Yeah.
• 37:00
  And the reason the dog sniff is no, this is because he still has
• 37:02
  weed in his pocket which he tries to explain to me in the
• 37:05
  car. Yes, yeah.
• 37:06
  I've We'd, it's not a hygiene issue and she goes, why you
• 37:09
  think I'm going to suck your dick?
• 37:11
  And he's like, no, he gave it away.
• 37:18
  Give it away to Brent. She's like I do you drink Coke.
• 37:21
  Go pull out. So yeah, the this guy's
• 37:27
  obviously these, you knows it. She's doing well prom, nice
• 37:31
  going. Great for him so far, so Carla.
• 37:36
  It's Brent's mom. She goes to look for Brent,
• 37:38
  can't see him anywhere and this is when Holly shows up and she's
• 37:43
  like, have you seen him? And it's like, oh this is a
• 37:46
  problem. So they're trying to figure out
• 37:50
  what they need to do. Like whether first step is going
• 37:52
  to be where they're going to look and then they here, we
• 37:55
  bring my God, this fucking scene right here and then they open up
• 37:59
  the front door and the dog is crying to the door.
• 38:04
  Yeah, I don't want to talk about the hole.
• 38:06
  Except too much. So yeah, they got the dog, they
• 38:08
  try and take it to the vet and the dog dies.
• 38:10
  On the way, there is really sad and it sucks.
• 38:12
  I hate this. So yeah, that's done that.
• 38:16
  So they know that something's up and they call me a Jamie's
• 38:20
  dates, Dad, and tell him that Brent's gone.
• 38:25
  Don't know where he's not or where he's at.
• 38:26
  He's like, well, he's run away before and she has willed, they
• 38:29
  got the dog yet. He's like, what do you mean?
• 38:31
  They got the dog? The dog was stabbed, is what
• 38:33
  they tell him, so he's going to Go look for him and goes out
• 38:37
  there to investigate, Whoever has abducted.
• 38:42
  Brent stops for chicken, which we, we watch Texas Chainsaw
• 38:49
  next-generation last night, which it was very that.
• 38:52
  Like she's got Renee Zellweger in her trunk and she's just goes
• 38:58
  and gets pizza from the drive-thru on her way home.
• 39:01
  Yeah. Except that whole scene was so
• 39:02
  much more ridiculous because they like stop and like get out
• 39:05
  of the car and Being at that here you gets chicken and he
• 39:08
  goes home. Yeah, and he stops to pick up a
• 39:11
  dead possum. Oh yes.
• 39:13
  End of the Road. Some roadkill.
• 39:15
  When he pulls up Lala's like is he dead?
• 39:19
  And then they hear his heart beating just like, Okay, cool.
• 39:22
  So in her room, she's got a scrapbook of for various
• 39:26
  victims, over the year. Her dad brings in a dress and
• 39:29
  she's like, wait, tell me how it looks and she just changes in
• 39:32
  front of her dad. And this is a very like male
• 39:35
  gaze a shot. But Not in a like gratuitous
• 39:37
  kind of way. It's showing how inappropriate
• 39:40
  the relationship is and okay. Here's the thing which I think
• 39:44
  that I mean you get this any time, anything like this happens
• 39:49
  with the dad. The dad is super uncomfortable.
• 39:51
  He doesn't want any of this. However, she has twins it, but
• 39:55
  he doesn't want to want it. I don't think that he wants it.
• 39:58
  I don't know. He seems super uncomfortable.
• 40:00
  I think he just wants his daughter to be happy and she
• 40:03
  just fucking runs the show there.
• 40:05
  She's such. Such a psychopath.
• 40:07
  She has him. Mike wrapped around her finger.
• 40:10
  She's got her song playing. I'm not pretty enough.
• 40:14
  Pretty also I had the same shoes but in Black.
• 40:19
  Yeah. Say yeah.
• 40:20
  Charlie is a little satin heels with a little bow on the back.
• 40:23
  So I was dressing like, Jamie, you're dressing like a little.
• 40:25
  Yeah, pretty much couple of winners right there.
• 40:29
  So Brent wakes up and he is tied to a chair and he is in somehow
• 40:33
  a nicer outfit than Jamie who is free and of his own, volition
• 40:39
  out in public. How did they get his
• 40:41
  measurements just? Right?
• 40:43
  He's looking pretty nice. Well, was Gotta Type, you know
• 40:46
  what I mean? Like, all of the dudes in the
• 40:48
  pictures have a very similar like that's true.
• 40:51
  They are the same. I think this is like the most
• 40:54
  grungy. Well, I got so far though.
• 40:56
  I wish they'd have like a little detail of like young.
• 40:59
  Her pictures of her, dad up and see that.
• 41:01
  He looks like all of her victims so far.
• 41:04
  Yeah, that would have been because I guarantee he's like
• 41:07
  tall and slender and yeah just like all of them.
• 41:10
  Okay so basically What's Happening Here is she's they've
• 41:14
  set up their own prom and okay let me ask you this.
• 41:17
  Do you think if he had said yes to her at the school?
• 41:22
  Do you think that they would have went to the normal prompt?
• 41:24
  Or do you think that everything like this would have still
• 41:26
  played out? I think I would have still
• 41:27
  played out this. You think so?
• 41:29
  Yes, I think the getting him there would have been different
• 41:33
  because it would just been like oh he comes to pick her up.
• 41:35
  That's what I was thinking. It was just like a ploy to get
• 41:37
  her it was gonna end up this way.
• 41:38
  Anyway, okay. I was kind of thinking the same
• 41:41
  but then that yeah because I mean at the same time and you
• 41:44
  know how I know Because they're evil and you know how I know
• 41:47
  they're evil. They're drinking milk.
• 41:52
  Yes. Jesse's milk Theory proves true
• 41:55
  once again because at the dinner table here there's milk and so
• 42:00
  much milk, so much milk. There's fried chicken and also a
• 42:04
  character that they refer to as bright eyes but is consistently
• 42:09
  in my notes as mombi mom, be zombie Mom.
• 42:13
  Oh nice, thank you, I like Bright Eyes.
• 42:16
  Guys, I think it's like, I think it's kind of funny that they
• 42:19
  named her Bright Eyes. Where did that?
• 42:21
  Cause I'm so cute. When was she turned into a
• 42:23
  zombie? Why do they call her Bright
• 42:24
  Eyes? Do they remember her real name?
• 42:26
  My, my theory is, I think that that was the dad's pet name for
• 42:31
  her back whenever they were still together, because I don't
• 42:34
  think she ever refers to her that way.
• 42:36
  I think she's like, I think she does say it a couple times.
• 42:41
  Maybe. I don't know, either way, she's
• 42:43
  not a fan of her so I don't think that's That name is too
• 42:46
  nice for when that she would come up for her.
• 42:49
  Yeah, they put bleach in to Brent's throat.
• 42:52
  So he can't scream. Yeah.
• 42:55
  Like a fuckin syringe and just shoot it right into his neck and
• 42:58
  he got no longer talk to us, which is the thing I never knew
• 43:01
  I needed to be afraid of in life, but there we go.
• 43:03
  Yep, it's a thing. They take end of school.
• 43:06
  Dance photos. Yeah.
• 43:08
  And dad makes her take a picture with bright eyes.
• 43:13
  Yeah. And you see like Louis Like
• 43:16
  super jealous of her. Like there's like little moments
• 43:18
  because like she pulls her hair. Yeah.
• 43:20
  Stuff like that. Even though she's a zombie.
• 43:21
  Apparently it still hurts. Like yeah.
• 43:25
  I feel like she's like less of a zombie but probably because
• 43:28
  she's been domesticated. Zombie is a domestic?
• 43:31
  A zombie yet? It's like a pet.
• 43:32
  Yeah, so meanwhile Jamie and Mia are in the parking lot.
• 43:36
  They're smoking drinking and head-banging in their car.
• 43:39
  That's yep. That's this.
• 43:41
  We just get little moments of levity with the Judaism and till
• 43:44
  until me has started. Being like oh yeah, by the way,
• 43:47
  I have PTSD. Yeah.
• 43:51
  Okay. So then they're eating cuts back
• 43:53
  to whoa and Brent and the dad they're eating chicken.
• 43:57
  Whoaa gets the little Wishbone and she split with her dad and
• 44:03
  he's like, well my wish is for you anyway and she goes yeah
• 44:07
  it's so fucking weird. Yeah, there's a there's an
• 44:10
  uncomfortable tension between them uncomfortable like as
• 44:14
  audience members there too comfortable.
• 44:16
  All in, this is one of the weirdest things and it makes me
• 44:20
  uncomfortable for like a stupid reason.
• 44:21
  But like it's whenever she's trying to feed Brent the chicken
• 44:26
  and she takes like the chicken wing and she just Swagger's it
• 44:30
  all over his face. So greasy.
• 44:32
  Yes, exactly. I think about that.
• 44:34
  I'm like, oh my God, that's just grease all over your face.
• 44:37
  And, you know, this got all, he's smelling right now is like
• 44:40
  that. Like he's like on top of
• 44:42
  everything else. I smell like a fryer.
• 44:44
  Yeah, and you guys have Fucking milk here again, the shit's
• 44:48
  nasty, so she makes him look her finger because she's like, is it
• 44:54
  finger-licking good? Which is who it was so
• 44:58
  uncomfortable. And then he like in like you
• 45:01
  like and then she's like once or to switch you can hack old when
• 45:09
  she said that last night. I get it.
• 45:11
  This is why I got that 15 plus 1s or 2's.
• 45:14
  Come on. Like yeah.
• 45:16
  Yeah, I want to say that the Italian next time I'm like okay
• 45:18
  so once or to the button to go out ones or twos and he you know
• 45:24
  gestures that he just needs to pee.
• 45:26
  And so she fucking chugs a whole glass of milk and tips.
• 45:31
  His pants, and puts his penis in this Milky cup and says, go and
• 45:38
  ultimate P shyness kicks in. And then she says, Daddy get the
• 45:42
  hammer and a nail and she goes, if you don't go in 10 seconds,
• 45:46
  He's going to nail it to the chair.
• 45:47
  What is it that she says? Like, what are you telling
• 45:50
  porkies? Are you telling Porky pies,
• 45:53
  which lies while eyes? I have no idea Porky pies.
• 45:57
  I like that, though. That's such a cute.
• 45:59
  It's such a cute way to refer to lies, but like, I mean, are you
• 46:03
  telling Porky pies? And that's like, I'm getting the
• 46:05
  hammer, no Porky pies in here, so no getting the hammer.
• 46:09
  So he gets a hammer slams it on the table, and then he goes and
• 46:13
  grabs a nail. And then the countdown I'm Tim,
• 46:16
  he stands behind them. What the hammer and then now
• 46:19
  getting ready to pin it to the chair, right at the tenth
• 46:22
  second. He starts to pee.
• 46:24
  Yeah, and then she's like, oh, he's crying.
• 46:28
  And then she basically threatens to bite it off and then he kicks
• 46:31
  her, he has gotten his hands untied somehow, because they
• 46:36
  these people suck at tying ropes because this is like, the first
• 46:39
  of, I think three separate times.
• 46:41
  He manages to untie himself. Yeah.
• 46:46
  He goes hopping out and the dad, is it first concern?
• 46:51
  Because Lola, got kicked backwards into a table and then
• 46:53
  he goes running after, Brent doesn't see him Brent's hiding
• 46:56
  underneath the car. So once he gets into the car and
• 47:00
  searched the driveway to look for him, he sees Brent, Brent,
• 47:03
  climbs up a tree and then they throw stones at him until he
• 47:07
  falls. I get it.
• 47:10
  But like, come on man. You get in the tree.
• 47:13
  It's over. What are you doing?
• 47:14
  You can't go anywhere. You're just stuck.
• 47:17
  You was really like You can't talk.
• 47:23
  It's even worse because like he gets knocked down from the tree
• 47:27
  and he falls onto the car. Yeah they re time and then this
• 47:31
  time they nail his feet to the floor.
• 47:33
  Using steak Knife. Yes.
• 47:36
  So fucked up and then lol is like screaming at him to cry and
• 47:41
  he just basically refuses. I respect.
• 47:44
  Yeah, I do, too. It's very like walking away from
• 47:46
  the explosion without Yang accepts.
• 47:48
  Like, he's like, yeah. Okay, so Cuts back to me is Dad.
• 47:54
  He's investigating The Disappearance and he's going
• 47:57
  over to where he was last known to be.
• 47:59
  So it's hangout spot where he poorly climbed up the rock wall.
• 48:03
  Yeah and he finds his pot and what I wrote is an iPod but is
• 48:09
  realistically probably more like the Zoom or something.
• 48:12
  The Zune is that something where yeah Suze were this era?
• 48:17
  They were, but they were already kind of on their way out.
• 48:21
  I forget what I had. Mine wasn't a name brand
• 48:23
  anything but it was pretty cool. It had it had decent memory.
• 48:26
  Yeah. That a lot of music on mine.
• 48:28
  Good. Ol MP3 players man.
• 48:30
  Yeah it was a time where that was necessary.
• 48:35
  Okay, so me as Dad, yay, he brings the stuff back to the mom
• 48:41
  to show. Okay, he's something happens.
• 48:42
  Somebody's kidnapped them is shits gone.
• 48:44
  Yeah. And Holly and Carla kind of
• 48:46
  having a heart-to-heart moment like Way too, mature of a
• 48:50
  conversation, anything for the fact that Holly is 17.
• 48:55
  Yeah, but she, you know, she's straight up to because Carlos
• 48:58
  like she thinks I blame him for his death death, and she was
• 49:00
  well day you because she's obviously heard Brent side of
• 49:02
  things where he feels the brunt of the burden for it.
• 49:08
  She doesn't answer. She is.
• 49:09
  Yeah, she gets interrupted to be fair, but she doesn't, it was a
• 49:13
  pause there for a while, so I don't know.
• 49:14
  It's possible that she does blame them, either, that whole
• 49:18
  dynamic. To be so complicated.
• 49:20
  I can't even imagine what the two of them were going through.
• 49:23
  Yeah. I mean, I'm sure I mean, I don't
• 49:25
  know. Yeah it's fucked up.
• 49:28
  So Lola shows, Brent, her scrapbook.
• 49:31
  It goes back to when she was in fucking preschool, man.
• 49:35
  Yeah. What the fuck who?
• 49:38
  Um, and it's all like you said, it's all people that kind of
• 49:41
  look like Brent and Lola and her dad are laughing over.
• 49:46
  This thing they sound Like me and you showing people pictures
• 49:51
  of our pets. Yeah.
• 49:52
  It's like they, yeah. They like, they talk about the
• 49:55
  one kid that would himself. It's like a sign that Talia like
• 49:59
  pooping on the couch and her sleep, after her first road trip
• 50:02
  link and then they end up getting to one that was Timmy
• 50:06
  Valentine, The One That Got Away which you see him and you know
• 50:10
  should that's the guy from the opening of the movie that they
• 50:12
  had to swerve around and just in case we don't get the message.
• 50:15
  We see Brent's POV flashbacks. Yeah, swerving.
• 50:19
  Timmy Valentine Valentine. If you're wondering yes, same
• 50:22
  Valentine as Mia. Valentine at the dance with
• 50:25
  Jamie and chief of police, mr. Valentine who's currently
• 50:30
  examining this? Disappearance.
• 50:31
  Yes. All tied together.
• 50:34
  So, well, decides, she wants to do a drawing, and to her
• 50:39
  drawings are taking a fork and carving out something on
• 50:45
  somebody's chest Halloween. Echo Lantern.
• 50:49
  Carving must be really interesting in the stone
• 50:52
  household. The thing that really fucks me
• 50:54
  up with this is It's a fork. It's not even a knife but like
• 50:58
  that makes it even worse because you just know she's like, going
• 51:01
  over it again, exactly against. So fucked up.
• 51:05
  What did she write on him? I can't remember.
• 51:07
  It's like a harder and it says LS.
• 51:10
  All right. Okay for Lola.
• 51:11
  Stone and then to throw salt in the wound.
• 51:15
  They throw salt, he's salting multiple times.
• 51:19
  She's like, they uncork the salt bottle and it's like a big
• 51:23
  fucking think of salt and she just, yeah, it's, it's very
• 51:28
  upsetting to watch. Meanwhile, we're gonna come back
• 51:31
  to me and Jamie, and he's like, you want to go inside.
• 51:36
  Maybe we should get some food. Just like what you're sick of
• 51:38
  me. Already has.
• 51:38
  No, no, it's just, you know, we're here and so she climbs out
• 51:42
  of the car and immediately Falls because she is, but yes, she is
• 51:48
  not dealing with Her stuff very well.
• 51:50
  Yeah, that's that's the theme of this movie is family is not
• 51:54
  processing their trauma. So yeah, they're walking in Cuts
• 52:00
  back to she's now. Been crowned queen of the dance.
• 52:05
  Father, I love her like shaky. Like, pulling her hands up to
• 52:10
  her face, like crying. Yeah.
• 52:13
  It's a very deranged version of Sandra Bullock in Miss
• 52:18
  Congeniality. What are you were?
• 52:19
  She's watching the Crowder's that Crowder's the winners
• 52:22
  getting Crown. Yes America yeah.
• 52:28
  So she's Queen Brisbane Crown. King already.
• 52:31
  Funny thing though is the dad is still wearing a crown.
• 52:34
  I like to think that he was made prints.
• 52:36
  I like that. They're playing the song.
• 52:41
  It's the song again and she's like, I always wanted this to be
• 52:44
  my wedding song. What that's a song about not
• 52:48
  being. I'm good enough.
• 52:50
  That's weird. Yeah.
• 52:53
  But like they're dancing which they're not really because
• 52:56
  France nailed to the floor and that's just like sprinkling pink
• 53:01
  glitter over the president's head.
• 53:03
  So this man is bloody beaten wearing, a tissue paper crown
• 53:10
  and now he's got pink glitter in all of his hair.
• 53:13
  Yeah. Yeah.
• 53:15
  It's a it's quite a scene man. They have A nice little dance
• 53:19
  card. Meanwhile, it cuts back to the
• 53:21
  actual prom and me and Jamie are dancing and Mia starts, just
• 53:26
  straight up grabbing his dick right there in the middle of the
• 53:29
  Dance Floor. Everybody's looking she snaps.
• 53:32
  I one of the girls that what are you looking at?
• 53:36
  Ya. And then I'm guessing.
• 53:39
  I'm gonna say the principal. Think it's the principal.
• 53:41
  He's got principle of. I arrived.
• 53:42
  He does. And he's like, okay, if you want
• 53:44
  to do this, you got to go somewhere else.
• 53:46
  Yeah. So they leave.
• 53:48
  Yeah, they were leave Lola. Tell us.
• 53:50
  Brent that he is not hurt Prince.
• 53:53
  This is why I think the dad is Crown Prince because she's like,
• 53:56
  you daddy, you are. And then they are.
• 54:00
  I this is the best directing decision.
• 54:02
  Sean bring Academy because they are about to kiss when they look
• 54:06
  over at Brent and realize that he's up to something.
• 54:09
  Okay so brilliant by the way, has this necklace and on the
• 54:12
  necklace As a Razor. Yeah.
• 54:14
  Because earlier arming yeah. When he was having sex with
• 54:17
  hallway before you got, He he had been cutting himself so he
• 54:22
  has managed to get that loose while they're dancing and he's
• 54:25
  like, cutting through the ropes. Yeah.
• 54:28
  We see Holly and she calls her mom and she doesn't get an
• 54:31
  answer and she's just sad and she's alone and you feel bad for
• 54:35
  her. You don't know what her family
• 54:36
  Dynamic is but yet those are she's not very supported either.
• 54:39
  Yeah, there's something there's something, there's something you
• 54:41
  don't even gonna go there. But yeah, she's even got like,
• 54:44
  she's not even like hey having a bad day.
• 54:47
  Call me back when you get this just like her.
• 54:48
  Right. Well hope you're enjoying your
• 54:50
  trip. Sorry it's a different time
• 54:52
  zone. Where you're at.
• 54:53
  Love you. Yeah.
• 54:54
  Okay. All right.
• 54:57
  Lola and her dad open this for this trap door in the floor and
• 55:03
  they feed and water, the zombie horde.
• 55:06
  They the possum that they picked up on the way.
• 55:08
  Yeah. Yeah.
• 55:10
  Just some zombies down in their basement so I'm like, so yeah.
• 55:12
  Now we have zombie. Yeah now this is a this is
• 55:15
  officially a zombie movie more so than it was with bright eyes.
• 55:18
  Because with bread, as your kind of like, what is going on with
• 55:20
  that, it's confirmed. Now back to the prom parking lot
• 55:26
  at school, parking lots x is being had, Jamie and me are
• 55:29
  going at it. But again, the principle knocks
• 55:32
  on the window and he's like, um, I didn't mean yeah parking.
• 55:35
  Yeah. Get off of school property.
• 55:37
  Yeah, they do. At least have the wherewithal to
• 55:40
  look embarrassed. Yes, they might have actually
• 55:44
  sobered up a little bit in this moment, which is probably good
• 55:47
  considering Jamie's driving. I would imagine he's so drunk
• 55:50
  and high smoke. A lot of weed, drink a lot,
• 55:53
  they're pretty fucked. No business operating a vehicle.
• 55:56
  So Lola says that this is her first Drilling and her dad's
• 56:02
  giving her pointers, but she still like kind of Skips off his
• 56:05
  forehead. The first try and he's like, two
• 56:07
  hands lean into it. I mean, it's like you don't even
• 56:10
  know what's happening here. It's they just grab the drill
• 56:12
  and she's like, all right, it's my first time and the dad just
• 56:14
  hold him down. He's like, okay, they're about
• 56:16
  to drill his head. I'm going to say this is one of
• 56:18
  The most upsetting effects I've ever seen in a movie and it's
• 56:21
  because we see we don't actually see the drill going into school
• 56:24
  or anything, we see it from behind and we just see this
• 56:28
  white dust coming off of his. It's, I mean that's what would
• 56:31
  happen. So, it's just, it's so up, sit
• 56:33
  there, something about that imagery.
• 56:35
  That is so upsetting to me, and it's so effective here.
• 56:39
  Yeah, it's see. This is the thing, like,
• 56:42
  normally in a movie like this, you'd be like, okay, our weed
• 56:44
  guy, he's not going to get drilled ahead.
• 56:45
  They're not gonna actually do it.
• 56:47
  No, she drills. A hole in his head and they're
• 56:50
  boiling water now. Yeah.
• 56:51
  So they go to get the water and she misses and ends up burning
• 56:55
  her dad and she's like, can you make the hole bigger?
• 56:58
  I need it to be bigger and she like, puts on this very little
• 57:01
  girl voice because it's open again now.
• 57:02
  Can you make it bigger? All right, fine.
• 57:06
  You can tell like you see frustration.
• 57:08
  He's like fine. I'll make a bigger Jesus Christ.
• 57:10
  Well to be fair he's got like second-degree burns on his arm
• 57:13
  right now. That's that water was meant to
• 57:15
  boil a brain. It definitely could just get a
• 57:17
  little bit. That's true.
• 57:18
  Here. So Brent takes the moment as the
• 57:23
  Dad starts work towards him and he slashes out of them and he
• 57:26
  ends up slashing his face and he gets up and he's pulling the
• 57:30
  knives out of his feet and they're fighting.
• 57:32
  And then he takes one of the knives and he stabs him in the
• 57:35
  neck a lot. A whole lot which, you know what
• 57:41
  Fair do it at it compared. Yeah.
• 57:43
  Very Cell Block Tango. He had it via the Cellar.
• 57:47
  Door is still open. Open.
• 57:49
  And then he just pushes him in there and then the zombie swarm
• 57:52
  and start eating him. Yeah.
• 57:54
  And Brenton will learn now fighting because they're like,
• 57:57
  she's upset about it. And so she pushes Brenton now,
• 58:00
  he's like he pushes him over there and he's just like in
• 58:03
  display be like holy shit, this actually zombies and so he
• 58:06
  didn't see what was so yeah for yeah, he didn't know what was
• 58:08
  happening. That's guy him in shocks or she
• 58:11
  just likes takes that opportunity to just push him
• 58:13
  down there too. So now he's in there with the
• 58:15
  zombies. Yeah, but she's like also pissed
• 58:18
  so she's like In various things down there like the bucket,
• 58:22
  flashlight random stuff because she's just like crashing out.
• 58:25
  Yeah so Brent gets closed in there and he's fighting off the
• 58:30
  zombies. It is convenient here.
• 58:31
  I'm not really mad and throw all of the tools you're going to
• 58:34
  need to survive. It's she's not thinking
• 58:37
  straight. She's she's never had.
• 58:39
  She's never had a zombie climb out of there.
• 58:41
  I'm talking mostly from like a script writing perspective, like
• 58:44
  okay, here. All of his tools.
• 58:45
  I mean, it works, I get it, I believe it.
• 58:48
  But at the same, Same time saying okay how can we Jamie
• 58:51
  drops me off at her house and she kind of like hugs them and
• 58:55
  she's got his sport jacket on and the dad checks in on her and
• 58:59
  she's like sobbing and she's like why haven't you found him
• 59:02
  yet? And she's talking about her
• 59:04
  brother. Yeah and yeah.
• 59:07
  So now you realize I wish. Okay.
• 59:08
  That's that was her brother. Yeah.
• 59:10
  Yeah. She's just not handling that.
• 59:12
  Well yeah. Lola.
• 59:15
  Kills her mom P. She's A reason to keep she only
• 59:19
  kept her around because she thought it made her dad happy
• 59:22
  before. That's you kind of really get
• 59:24
  the impression of that and she's like, well I don't have any need
• 59:26
  for her anymore, so I'm just mad.
• 59:28
  Yeah, kill something Now. Yep, this is where Holly
• 59:32
  remembers what Brent said about what was down.
• 59:34
  So she calls mr. Valentine who has no problem
• 59:37
  with his phone, ringing of the night because nobody in this
• 59:39
  house sleeves because they are all traumatized.
• 59:44
  I cannot emphasize enough how much trauma is going through all
• 59:48
  of the Well, in this movie, except for Jamie, who now
• 59:51
  probably also has trauma because he got groped against his will
• 59:53
  at the school dance. I think that he was into the, I
• 59:57
  think that was at the timer place that he wouldn't know.
• 1:00:00
  He was super uncomfortable. Yeah, no, it's still that wasn't
• 1:00:03
  consenting. What happened afterwards was
• 1:00:06
  concerned? Oh yeah.
• 1:00:09
  Yeah so it's just it's just feel around.
• 1:00:11
  Yeah so she yeah so she calls them so he was like all right
• 1:00:15
  cool. That's a lead.
• 1:00:17
  I will go there so he was yeah he we lose he peeks in and he's
• 1:00:22
  like hum. There's a handmade Banner
• 1:00:27
  balloons and a lot of blood. So we're just going to go ahead
• 1:00:30
  and bust open the store real quick.
• 1:00:33
  So he goes in there and Brent hears him and so he starts
• 1:00:38
  throwing One stuff up at the trapdoor, to get the to get mr.
• 1:00:42
  Valentine's attention. And so, he opens up the chapter
• 1:00:44
  and he goes Brett. And then at that, exact moment
• 1:00:47
  close behind him. Bam.
• 1:00:49
  Yeah. And bring can't see anything to
• 1:00:51
  warn him, because he can't ya, because he's like, yeah, so
• 1:00:56
  little is like, I'm going to go stab your mommy in the neck,
• 1:01:01
  like, you did to my daddy and then I'm going to go stab Holly
• 1:01:04
  in the hot like, you did to me, you You.
• 1:01:09
  You said he wasn't your prints Lola?
• 1:01:11
  Yeah, bitches it, which is it? You broke up with him first?
• 1:01:16
  Yes, he was always gonna die. I'm just gonna say, it wasn't a
• 1:01:19
  very amicable breakup either. She didn't handle it materially.
• 1:01:23
  No, she did not. So Lola is walking down the
• 1:01:29
  road. I think it's funny by the way
• 1:01:31
  that she's doesn't even drive. She's like I'm gonna cry.
• 1:01:34
  I've just walk down the road and seeing I'm not but I've got my
• 1:01:37
  own radio. It's a nice carry, her heels.
• 1:01:39
  In her hand, which means up until this point, she's been
• 1:01:41
  wearing the heels and then at some point down the road, she's
• 1:01:44
  like I kick these suckers off and Holly at this point is like,
• 1:01:51
  well, it's weird that I've never heard back from mr.
• 1:01:53
  Valentine. So maybe I'll go do some of my
• 1:01:55
  own investigating and she drives up and Lola sneaks off to the
• 1:01:59
  side of the road and when Holly's car gets close enough,
• 1:02:01
  she does the Scrapbook at it. This is a cool scene.
• 1:02:04
  So, I mean, it's like a long shot of whoaa walking down the
• 1:02:08
  road. And then, in the Background.
• 1:02:09
  You can see her car slowly come down, which I always like this
• 1:02:12
  types of scenes. It reminds me of Jeepers,
• 1:02:16
  Creepers, the opening of that. And then while Holly's going,
• 1:02:21
  what the fuck just happened? Lola opens the door and like the
• 1:02:24
  music. All of a sudden just cuts and
• 1:02:26
  it's just them like fighting and struggling.
• 1:02:29
  And I mean, she's got a knife. Yeah.
• 1:02:30
  Trying to like stabber and it turns into way more of a fight
• 1:02:34
  than it should have been. And what I like about this is
• 1:02:36
  like that setting cut in the music like I feel like in a
• 1:02:39
  different show or movie it would have been like a comedic cut
• 1:02:42
  almost. Yeah, definitely.
• 1:02:44
  Yeah. I could see that.
• 1:02:45
  But here, it just feels like this is what I would actually
• 1:02:49
  sound like if you were fighting for your life In This Moment.
• 1:02:51
  Oh yeah. Yeah.
• 1:02:51
  The actual sounds. You would hear and that's a bit
• 1:02:53
  chilling. Yeah.
• 1:02:55
  Yeah. It works for you.
• 1:02:56
  Yeah. So Brent has taken the
• 1:02:58
  opportunity because whoa, just kept sin and embodies the stack
• 1:03:02
  and he killed all of us. All killed, all the zombies.
• 1:03:04
  I'm going to say it. I know it was self-preservation,
• 1:03:07
  but I'm also going to call these Mercy.
• 1:03:09
  Eels. I two birds, one stone.
• 1:03:10
  Yeah, definitely. They're like really, they're
• 1:03:13
  super skinny and, like, they've just been in darkness, which,
• 1:03:17
  you know, I just think of the distant, there aren't those?
• 1:03:21
  And they've got like, matted hair his.
• 1:03:23
  They've just been there all filthy, and it's just, yeah, so
• 1:03:27
  yeah, he's stacked. The bodies high enough to climb
• 1:03:30
  up on them and think he's got the bucket and he puts it on
• 1:03:33
  top. And that's enough friend that
• 1:03:34
  jump up there and he's climbed out.
• 1:03:36
  Yeah, it's in the cop car. Yep.
• 1:03:38
  And he drives off. The road as he's doing that.
• 1:03:41
  He makes it to where they are. Holly jumps in the car.
• 1:03:45
  Yeah, he almost hits Holly swerves.
• 1:03:48
  Doesn't go off the road. Yeah.
• 1:03:51
  And then she gets in the car and then he does hit Lola.
• 1:03:55
  Yes, straight up runs a little over.
• 1:03:56
  Yeah, they have a moment, Holly's crying.
• 1:03:59
  They hug each other. And then we see Lola's crawling.
• 1:04:04
  Her hand is like, like a Anton Yelich.
• 1:04:08
  And Green room where it's like, barely hanging on and she's just
• 1:04:12
  like crawling and then he just like backs up crawling about as
• 1:04:18
  well as Brent climbed up that rock wall like yeah.
• 1:04:22
  Yeah, yes. So yeah.
• 1:04:24
  He and I forgot that actually showed her head hit the car.
• 1:04:29
  Yeah. Because like it's it's just
• 1:04:31
  like, you think it's going to cut away before anything happens
• 1:04:33
  but then it cuts the Blackness and there's like JK here.
• 1:04:37
  Yeah. Anyways.
• 1:04:39
  And then we do end on kind of a nice note, because they drive
• 1:04:43
  home and Carlos there. And she's just so excited to see
• 1:04:46
  him and she pulls Holly in for the hug too.
• 1:04:49
  Yeah, they are. There's something so nice about
• 1:04:51
  that where you can't tell necessarily what the dynamic is
• 1:04:55
  between all three of them and between Carl and Holly and we
• 1:04:59
  know all these Mom and Dad aren't Arendt like so her just
• 1:05:03
  like pulling her in that moment to they've all gone through hell
• 1:05:06
  and they're coming out the other side together.
• 1:05:08
  The only person that had a good time in this movie is Jamie.
• 1:05:11
  Yeah. Like I mean at the end of this
• 1:05:14
  yeah me has been morning and her brother.
• 1:05:17
  Her dad fucking died too. Yeah.
• 1:05:19
  I don't even want to think about the Valentine family and this
• 1:05:21
  moment. Yeah, that's just.
• 1:05:22
  That's too much to deal with always her trauma.
• 1:05:25
  And never got brought up or resolved.
• 1:05:28
  So she's so. And I mean, Brent, once again,
• 1:05:32
  cut behind the wheel and ended up ultimately running somebody
• 1:05:35
  over again or go to killing somebody.
• 1:05:37
  So, Just a fucked-up ending of a movie except if you Jamie.
• 1:05:42
  Yeah, you had a pretty Kick-Ass prom.
• 1:05:45
  He's like I got high, I got drunk, I had six.
• 1:05:50
  Okay, you know what? I'm gonna bump it up to an eight
• 1:05:53
  point. Two, five eight point zero.
• 1:05:55
  Yeah. Okay.
• 1:05:57
  I just think it's a really, like, solid on movie.
• 1:06:00
  It doesn't go on any longer than it needs you.
• 1:06:02
  Some of the shots linger a bit, but I'm okay with it.
• 1:06:04
  Yeah, it's artistic and it's in its choices.
• 1:06:07
  It's unsettling. Saying I don't feel like it's
• 1:06:11
  ever. I guess things may be drawn out
• 1:06:14
  but I don't feel like anything's ever gone too long or you know I
• 1:06:19
  got I think it's perfectly fine. It is a very upsetting movie but
• 1:06:23
  that's definitely what they were going for.
• 1:06:25
  So I'm not going to fault it for them.
• 1:06:27
  I'm keeping -7 though. Okay, so then we're going up to
• 1:06:30
  a seven point six six, two five 7.65.
• 1:06:37
  All right. Okay, I've got a review course.
• 1:06:41
  Hold on. Oh, Talia.
• 1:06:43
  Oh yeah, was asleep in this movie started and she will sleep
• 1:06:47
  barking, and she got like, these massive Shivers, right?
• 1:06:51
  One dog joint. It was bad.
• 1:06:53
  She was having bad nightmares and then we had to pause halfway
• 1:06:56
  through because it was their dinner time.
• 1:06:58
  And then after that, she was checking on you and she was just
• 1:07:01
  like licking you a lot. Making sure you were.
• 1:07:02
  Okay. So I think she respects that
• 1:07:05
  this movie was intense, but it's always an automatic point.
• 1:07:08
  Action for Talia. When a dog dies me too.
• 1:07:12
  It's a 66. Zoe was wandering around.
• 1:07:19
  She was very hangry. She only came into the living
• 1:07:23
  room to yell at us about feeding her.
• 1:07:26
  She was very upset. She was.
• 1:07:27
  Yeah, she was upset and like, she's like, oh, and there's no
• 1:07:30
  explosion. Yeah, fuck you guys.
• 1:07:32
  Yeah. So, she did, she didn't watch
• 1:07:33
  this movie didn't know, I guess she did not.
• 1:07:36
  Didn't care for it. Hmm.
• 1:07:38
  Okay. Oh now I will oh, you know, we
• 1:07:40
  still have so much fucking shit to talk about before we get to
• 1:07:42
  reviews. Travis, what would you change
• 1:07:44
  that? Was going to say, we need to
• 1:07:45
  change something that I would change from this.
• 1:07:52
  Hmm, do you? I guess it depends.
• 1:07:55
  It's your preference. I kind of want an explanation
• 1:07:58
  for why they're doing these zombies, why?
• 1:08:00
  They only have 3 zombies. When they've had so many victims
• 1:08:04
  in the past, if this thing has been going since preschool, To
• 1:08:07
  imagine that. The zombies have also been
• 1:08:09
  cannibalizing each other. I feel like you would see that
• 1:08:12
  though down there, I don't, and I feel like, is there a process
• 1:08:17
  to them being so selective of who they want to keep?
• 1:08:21
  I'm I'm okay with the amount of explanation we get.
• 1:08:25
  I guess is kind of and I think especially where we're coming
• 1:08:30
  from Brent's POV with it. This is as much explanation as
• 1:08:33
  he got and I think that's one of the great things about them,
• 1:08:36
  basically taking away. Away his speech.
• 1:08:38
  So early on is it's not him, just going.
• 1:08:41
  Why are you doing this? Like we get exactly as much
• 1:08:43
  information as Lola. Feels like sharing to him and
• 1:08:47
  you know that's true. That's right.
• 1:08:48
  I like it. I do like that.
• 1:08:50
  If you think of it like that, like yeah, he they take that
• 1:08:52
  away. So he can't you can't have that.
• 1:08:54
  You just have to watch the events.
• 1:08:55
  Yeah, you just see them being exactly a sadistic as they feel
• 1:08:59
  like being. Yeah.
• 1:09:00
  And it doesn't feel like that. Very contrived, like, why are
• 1:09:02
  you doing this? Okay.
• 1:09:07
  All right. No.
• 1:09:08
  Okay. That's that's a who did you
• 1:09:10
  relate to Jamie? Yeah, I mean I kind of looked
• 1:09:13
  like him. Yeah, I'm going to relate to Mia
• 1:09:19
  because I am occasionally. Sad Drinker.
• 1:09:24
  Okay. Only occasionally.
• 1:09:30
  Because just because you're Cedric.
• 1:09:33
  Okay. And then do we have a new
• 1:09:36
  tagline for this new tagline? Mmm, I need a date.
• 1:09:40
  Like I need a hole in the head. Love it.
• 1:09:43
  There we go. All right.
• 1:09:47
  Okay review. Okay so I pulled a review from
• 1:09:53
  IMDb head so 1 out of 10. Oh boy person reviewed.
• 1:09:57
  It May 23. 2011 so pretty Soon, after it came out.
• 1:10:00
  Okay? Okay.
• 1:10:00
  The title is so bad. It compelled me to sign up and
• 1:10:03
  review. Oh boy.
• 1:10:06
  All right. I watched this film because my
• 1:10:09
  parents put it on though, they don't always choose my cup of
• 1:10:12
  tea. This Choice was frankly.
• 1:10:14
  Bizarre, this film was classed as horror but it's just
• 1:10:18
  gratuitous Gore. That doesn't really scare
• 1:10:21
  Psychopathic. Whoa!
• 1:10:22
  Whoa! Is just too ridiculous.
• 1:10:24
  And her supposedly scary taunting gets boring.
• 1:10:26
  Very quickly. There are several scenes Go on
• 1:10:29
  for far too long and are punctuated by a poorly.
• 1:10:32
  Put together alternate story, that is only very Loosely linked
• 1:10:36
  to the rest of the plot. It's, it's pretty densely link
• 1:10:40
  but yeah, but it's kind of loose.
• 1:10:42
  But I mean, it is intense till I get what they're saying.
• 1:10:46
  Speaking of which the scenes just seem to happen with no
• 1:10:49
  build up, suspense or backstory, I'm struggling to think of any
• 1:10:53
  positives, I could probably say that the comic relief isn't to
• 1:10:56
  her in this. I wouldn't advise strongly.
• 1:10:59
  Since this film. Okay, I mean you know and I
• 1:11:02
  think we said that at the beginning of the movie that we
• 1:11:04
  can see this being polarizing for people that don't
• 1:11:06
  necessarily like the torture e, ya, hype of movies and that's
• 1:11:10
  definitely fair. I think that those that stuff
• 1:11:13
  doesn't have a purpose. So me, I feel like there is a
• 1:11:16
  yeah purpose to it. I mean, it's unsettling and I
• 1:11:19
  feel like a lot of times people watch these types of movies
• 1:11:22
  because they want to feel unsettled.
• 1:11:25
  Yeah. And you know, I mean that's the
• 1:11:27
  type of stuff is very good at doing that.
• 1:11:29
  And I like seeing the over-the-top stuff.
• 1:11:31
  It put the thing is like. So we all know that I really
• 1:11:36
  like reading and my, they hassle on Reddit.
• 1:11:39
  Yeah. And a lot of times people are
• 1:11:41
  like, well, this is obviously a troll because nobody could be
• 1:11:43
  this, you know, whatever. But there's always somebody
• 1:11:47
  gonna be like. Well, I do actually know
• 1:11:49
  somebody in a similar situation or I have had a friend or family
• 1:11:52
  member that behaves this way. And you know, you and I have
• 1:11:56
  listened to True Crime podcasts and They've been episodes that
• 1:12:00
  we've had to turn off because the description of course that
• 1:12:03
  the crimes. Yeah like it's just too it feels
• 1:12:08
  too over-the-top and to cartoonishly evil.
• 1:12:10
  So I think what this movie does is it like fictionalize has a
• 1:12:16
  very real type of thing that happens and you are experiencing
• 1:12:20
  the horror of it. But it feels safe because you
• 1:12:24
  know it's not real. Even though you know, some of
• 1:12:28
  their actions are inspired by People.
• 1:12:30
  I mean I don't feel like her stuff is too over-the-top
• 1:12:32
  either. I mean the whole idea of making
• 1:12:34
  some yes base and I really think that happen and you know,
• 1:12:38
  holding people against their will is definitely a think that
• 1:12:42
  thing. Yeah, the whole dynamic with
• 1:12:44
  her, excuse me, and her dad. And her mom though, I mean, I'm
• 1:12:48
  sure that that's the thing but like it's just yeah, I mean this
• 1:12:52
  movie is it's a lot of it's over the top.
• 1:12:56
  But I mean, I wouldn't really say it's like cartoonish we go.
• 1:12:59
  Over the top. I think it's like it's just kind
• 1:13:01
  of unsettling. And yeah, you did say before
• 1:13:04
  that, there are scenes, I do go on a long time.
• 1:13:06
  But like, you know, to this person that's a con, but I feel
• 1:13:11
  like personally, I don't think that this necessarily overstays
• 1:13:17
  its welcome. I think this is the movie
• 1:13:19
  itself, is pretty sure. It's maybe an hour and a half an
• 1:13:21
  hour. Yeah, yeah.
• 1:13:24
  So okay, so, but you know, that's how you feel more power
• 1:13:27
  to you. I got it.
• 1:13:28
  Okay. And I get why this wouldn't be
• 1:13:30
  everybody's cup of tea. Yeah.
• 1:13:32
  So let's see if it's anybody else's cup of milk.
• 1:13:39
  All right, so on our listener of use, we got one instagram review
• 1:13:44
  from Cube saves, says, love this one.
• 1:13:48
  The loved ones. Love this one.
• 1:13:49
  The loved ones. He didn't say any of that.
• 1:13:53
  It is said that last part. He said love this one.
• 1:13:55
  Okay, I think it's funny. It's called the loved ones.
• 1:13:57
  It's like I loved this one. Okay, okay, yeah, okay, over on
• 1:14:03
  Twitter movies for days. Yes, I love this movie.
• 1:14:09
  So it's basically the same thing.
• 1:14:10
  Okay. And Joe was flavors, say the
• 1:14:13
  fear. He says, we can't hear you lives
• 1:14:17
  in my head forever, it really does.
• 1:14:19
  And I feel like sometimes I do that to the pets, that's fucked
• 1:14:22
  up, they say a multiple times and yeah, it is it is kind of
• 1:14:28
  unsettling. Well, and the Is because like,
• 1:14:30
  yeah, Brent can't actually talk, but he is still like, squealing
• 1:14:33
  and making sounds like sometimes Toby barking, maybe.
• 1:14:35
  Like, I can't hear you. Yeah, and that's it.
• 1:14:40
  That's a sort of use. Okay, all right, all right, so
• 1:14:44
  that's it for this weeks episode.
• 1:14:45
  Thank you guys for starting off prom with us with this bummer of
• 1:14:50
  a movie. But don't worry, we got some fun
• 1:14:52
  ones. Coming up next.
• 1:14:53
  Yeah, so normally I wouldn't tell you where to watch because
• 1:14:56
  we are recording this April 30th and This is tend to renew on the
• 1:15:00
  first of the month, however, this next movie tends to be
• 1:15:05
  available. Always everywhere.
• 1:15:07
  And it's Prom Night. 1980, if Jamie Lee classic.
• 1:15:12
  Oh, yes. So you can see it.
• 1:15:14
  I'm pretty sure it's still in shutter.
• 1:15:17
  I don't know if the original problem is prominent to is
• 1:15:19
  definitely on shutter. Why now we've watched both of
• 1:15:22
  them but you can watch it. Here's all the plate.
• 1:15:25
  All the places Pluto TV to be peacock.
• 1:15:28
  Red Box. Voodoo crackle, Prime free V,
• 1:15:31
  FUBU TV in phyllo and the peacock you don't even need the
• 1:15:35
  paid subscription to Peacock. Yeah.
• 1:15:36
  I always forget that. That's like the case, but you
• 1:15:39
  can watch this some of this stuff for free.
• 1:15:41
  So yeah. And it is on shutter.
• 1:15:43
  I see if you do have shuttering, you know, you can watch it
• 1:15:46
  there. You can watch the prom night and
• 1:15:48
  a prom night to double feature which fun fact.
• 1:15:51
  Is what convinced us to keep the shutters of group we like we had
• 1:15:56
  the free trial. Yeah.
• 1:15:57
  And like we watch that. Those two movies back to back
• 1:16:01
  and then we fell asleep watching something.
• 1:16:02
  And I woke up and that fucking downrange downrange.
• 1:16:06
  Yeah, that was on and then I was like, okay, cool.
• 1:16:09
  And now here we are. We're lifers.
• 1:16:12
  So okay. Alright, so yeah, watch that, do
• 1:16:15
  your homework. It's a classic in the meantime,
• 1:16:18
  you can find us on our social media, hmm on Instagram, where
• 1:16:21
  at least favorite scary movie podcast and on Twitter release
• 1:16:24
  Faith pod, you can email us at least favorite scary movie at
• 1:16:27
  gmail.com and you can visit our website at.
• 1:16:28
  What's your least favorite? It's Carrie movie.com if you
• 1:16:31
  want to support us monetarily. So that way we can do things
• 1:16:33
  like buy new furniture. So I'm not constantly falling
• 1:16:37
  through chairs. I've fallen through three chairs
• 1:16:39
  in here, it's just it's portion. We yeah, it's secondhand chair
• 1:16:44
  sometimes. You got these for free we just
• 1:16:46
  grab them. Yeah.
• 1:16:48
  Not like stealing like they were marked for you to again.
• 1:16:51
  Yeah you can do that by going to our patreon and be cool cats
• 1:16:57
  like Aaron can be the if she cannot scare It's Joe faked a
• 1:17:00
  truant. As is his full name Amber or
• 1:17:03
  Michael? Yes.
• 1:17:04
  And you can also listen to our bonus episodes.
• 1:17:07
  Like, we had our trivia when yes past week.
• 1:17:10
  So, lots of cool things. Are.
• 1:17:12
  Lots of cool people there. Thank you guys for being
• 1:17:15
  supporters, you guys are awesome.
• 1:17:16
  However, if that is not your jam, we totally get it.
• 1:17:20
  We're not going to judge. If you want to support us in
• 1:17:23
  other ways, you can do it. Just by writing reviewing and
• 1:17:25
  subscribing to us on Spotify is really easy.
• 1:17:27
  You just click Stars. It's it even have to write
• 1:17:30
  anything fact. All of the podcasts ABS is super
• 1:17:33
  simple. You just re things like that,
• 1:17:35
  you don't even have to type out a review but if you do we always
• 1:17:38
  appreciate it. Oh yeah.
• 1:17:39
  Oh we love reading them and you know just like recommend this to
• 1:17:43
  people like you know, if you got people that are into this type
• 1:17:46
  of shit you know just point us their Direction and yeah it'd be
• 1:17:52
  very cool of you. Yeah, we all you guys are here
• 1:17:55
  so you guys are already cool. But yeah we appreciate you all a
• 1:17:59
  lot. And that that finishes up week
• 1:18:02
  one if problem month. Yeah.
• 1:18:04
  So we'll get you guys back up with round. 2 of prom was prom
• 1:18:08
  night. Yeah.
• 1:18:09
  Prom night is it? Yeah we're going from the
• 1:18:12
  opening to prom night. It's going to just get deeper
• 1:18:15
  from there. Yep don't worry about.
• 1:18:18
  Alright until next time. Bye.
• 1:18:33
  But parking is under right now. Yeah, it's storming here if you
• 1:18:37
  can hear any of that.