Latest / Sherlock Holmes / Sherlock Holmes Radio The Guileless Gypsy Basil Rathbone, Nigel Bruce, Tom

Transcript

Sherlock Holmes Radio The Guileless Gypsy Basil Rathbone, Nigel Bruce, Tom · Sherlock Holmes

• 0:00
  Speaker 1: Well, we are once again keeping our weekly date with
• 0:02
  Speaker 1: doctor Watson. Good evening, Doctor, good evening, mister Boutells, come
• 0:06
  Speaker 1: in and join me.
• 0:07
  Speaker 2: As you see, the puppies have been keeping your chair
• 0:09
  Speaker 2: warm for you.
• 0:10
  Speaker 1: Shove them off, No, Doctor, I don't want to disturb them.
• 0:13
  Speaker 1: They look much too comfortable. I'll sit over here. Thanks
• 0:15
  Speaker 1: mis to Becca and the.
• 0:16
  Speaker 3: Job beside your cigarettes in the box. It's an excellent
• 0:18
  Speaker 3: port on the sideboard, so make yourself a tom.
• 0:21
  Speaker 1: Thanks doctor. Hi you already with the night's new Sherlock
• 0:24
  Speaker 1: Homs adventure, Yes.
• 0:25
  Speaker 3: Mister Botel, though I'm afraid after all these years, it's
• 0:27
  Speaker 3: going to be a little hard for me to recapture
• 0:29
  Speaker 3: for your the spirit of the story.
• 0:33
  Speaker 1: Last week you told us that a band of gypsies
• 0:35
  Speaker 1: played a prominent part in the adventure.
• 0:37
  Speaker 2: Yes they did, indeed, and it was amid.
• 0:39
  Speaker 3: That colorful atmosphere that my story begins.
• 0:42
  Speaker 4: In the autumn of eighteen hundred and ninety, my old
• 0:45
  Speaker 4: friend Sherlock Holmes have persuaded me to leave the comforts
• 0:47
  Speaker 4: of my domestic farside for a few days and to
• 0:50
  Speaker 4: accompany him to the tiny village of Bragston on the Marsh.
• 0:53
  Speaker 3: In the heart of the Norfolk fen district.
• 0:55
  Speaker 4: What took Sherlock holmbs up there?
• 0:57
  Speaker 2: Doctor?
• 0:57
  Speaker 3: I'm afraid that at the time we left London, mister
• 0:59
  Speaker 3: bout he concealed his true purpose from me, saying only
• 1:03
  Speaker 3: that he wanted friendly companionship in a strong right arm
• 1:06
  Speaker 3: up until later did I learn that he was then
• 1:08
  Speaker 3: on the track of one of the last clues that
• 1:10
  Speaker 3: led to the confining of money out again. But to
• 1:13
  Speaker 3: get on with my story. He arrived at Bragston on
• 1:16
  Speaker 3: the Marsh and settled assos in the village inn, and
• 1:19
  Speaker 3: after an early dinner, we strolled across the fields with
• 1:22
  Speaker 3: the gypsy fair that was in Kemp nearby. It was
• 1:24
  Speaker 3: a colorful sight. Mister Bartell napped the flares lighted, a
• 1:28
  Speaker 3: group of tents and caravans dotted round the edge of
• 1:31
  Speaker 3: the marsh, and as gold earing gypsy girls told fortunes
• 1:34
  Speaker 3: and danced swot their gypsy men played on their violins
• 1:38
  Speaker 3: for haunting melodies of their ancestors. We watched the side
• 1:42
  Speaker 3: shows for a few moments, and then strolled towards the
• 1:44
  Speaker 3: center of the gypsy and captain it seems only like yesterday,
• 1:48
  Speaker 3: mister Bartell, as Holmes turned to me and.
• 1:51
  Speaker 4: Said, ar crived from big the street, isn't it, Watson.
• 1:56
  Speaker 3: Yes, indeed it's the same homes. I'm convinced that you're
• 1:59
  Speaker 3: not here purely for holiday. You're on the trail of
• 2:02
  Speaker 3: some criminal. No chair, I'm on the trailer of a crew.
• 2:05
  Speaker 4: The clue, if I find it, may lead to the
• 2:07
  Speaker 4: confounding of the Mariati gangs.
• 2:09
  Speaker 3: Coach, you'll be a little more explicit, after all, I
• 2:12
  Speaker 3: left my wife and my practice. I'd ask you any questions, surely,
• 2:15
  Speaker 3: and I we're up here even let me know what's
• 2:16
  Speaker 3: the foot Very well awful up.
• 2:18
  Speaker 4: I'm searching for a young gypsy by the name of
• 2:20
  Speaker 4: Primus Hearne. He disappeared recently from London and it's vital
• 2:23
  Speaker 4: that I find him. I know that he can give
• 2:25
  Speaker 4: me some essential information on our old enemy, Professor Mariati.
• 2:28
  Speaker 2: Can you're expecting the partner gypsy here.
• 2:30
  Speaker 4: I hope to get news of him. At least his father,
• 2:32
  Speaker 4: Jasper hern is heard of this particular encampment.
• 2:35
  Speaker 2: Why don't you ask if you can see here.
• 2:36
  Speaker 4: That's what I'm about to do. My diploge here comes in.
• 2:38
  Speaker 2: Just wow, ask him, all right?
• 2:40
  Speaker 4: Excuse me, you speak to me? God, John, can you
• 2:43
  Speaker 4: tell me where I might signed? Mister jasper Hearn, what
• 2:46
  Speaker 4: you want for chessper Her, I have a message for
• 2:48
  Speaker 4: his son Piramus.
• 2:49
  Speaker 3: That is different.
• 2:51
  Speaker 1: Jessper Hearn stands into boot Yonder. He is the Timber
• 2:53
  Speaker 1: Lanka Timber.
• 2:55
  Speaker 4: He's a gentleman engaged in an interesting exhibition of skill
• 2:58
  Speaker 4: involving three thimbles and a p what our American cousins
• 3:01
  Speaker 4: referred to I understand as the old show game. Let's
• 3:04
  Speaker 4: stroll over the show we ought. I would wish to
• 3:06
  Speaker 4: talk to Jasper.
• 3:06
  Speaker 1: WO would be better to wait until he is finished.
• 3:09
  Speaker 1: The timber anger needs all his wits about.
• 3:11
  Speaker 2: But y'all look at that stunning girl and the tent
• 3:13
  Speaker 2: over there?
• 3:13
  Speaker 3: Who who she hurt?
• 3:14
  Speaker 1: There is penning their eyes stuckering.
• 3:16
  Speaker 4: That is lydia, lydia pentelengro.
• 3:19
  Speaker 1: Excuse me, I shall tell Jasper to expect you late.
• 3:22
  Speaker 2: I can't understand the word they say home.
• 3:24
  Speaker 4: I'm felling them at last, my dear fellow, you can
• 3:28
  Speaker 4: appreciate how I have felt at times, But at least
• 3:31
  Speaker 4: their words are clear, even even if the senses not
• 3:35
  Speaker 4: to someone who is unfamiliar with the Romney language.
• 3:37
  Speaker 3: I don't know why you keep thinking that. I am
• 3:39
  Speaker 3: hard to understand. No one else ever complains of it.
• 3:42
  Speaker 3: In any case, what does penning the fami mean?
• 3:45
  Speaker 4: Well, if I remember rightly Penning Ducarin is telling fortunes,
• 3:49
  Speaker 4: and from the sound of things, Lydia Penelanngro is not
• 3:52
  Speaker 4: greatly pleased with the duck, and she pen no more.
• 3:55
  Speaker 2: Lydia can tell no more fortune.
• 3:56
  Speaker 4: Come on, Watson, let's see what the trouble is.
• 3:59
  Speaker 5: What do you mean you must finish it alive, my dear.
• 4:01
  Speaker 6: If the young lady doesn't want to tell my fault,
• 4:03
  Speaker 6: you're rubbish.
• 4:04
  Speaker 5: You cross her palm with silver.
• 4:05
  Speaker 6: She's taking money on the false pretensive.
• 4:07
  Speaker 7: Here I give your silver back.
• 4:09
  Speaker 8: Liddy has never taken money under false pretenses, nor has
• 4:12
  Speaker 8: she told the future, and she does not wish.
• 4:13
  Speaker 5: To goodbye to you.
• 4:14
  Speaker 6: The insolence of these gypsus is intolerable.
• 4:17
  Speaker 5: If I had my.
• 4:18
  Speaker 4: Way, they'd been run out.
• 4:18
  Speaker 3: Of the county.
• 4:19
  Speaker 4: Now, my dear, don't get so excited. The Bourgo's probably
• 4:23
  Speaker 4: major tread gold, isn't it her.
• 4:25
  Speaker 3: I don't think I have the pleasure of your Oh,
• 4:27
  Speaker 3: dear me, it's mister Sherlock Holmes.
• 4:29
  Speaker 4: Yes, sir, well, bless my soul.
• 4:31
  Speaker 6: Haven't seen you since that last meeting of the Geographical Society.
• 4:34
  Speaker 3: I'd like you to meet my wife.
• 4:35
  Speaker 4: How do you do, missus? Fredgold, how do you do?
• 4:37
  Speaker 4: And this is my friend, doctor Boson, And what brings
• 4:40
  Speaker 4: you up to.
• 4:40
  Speaker 3: This part of England?
• 4:42
  Speaker 2: Holmes?
• 4:42
  Speaker 3: Are you hot on the trail of some desperate criminal?
• 4:45
  Speaker 4: Yeah me no, Doctor Watson and I are taking into
• 4:47
  Speaker 4: holiday and you and your wife we live here in
• 4:50
  Speaker 4: the manor house.
• 4:51
  Speaker 2: You're very lucky. It's a beautiful part of the county.
• 4:53
  Speaker 4: I hate it.
• 4:54
  Speaker 5: I was born and brought up in London.
• 4:55
  Speaker 7: I'm never really happy outside the city.
• 4:57
  Speaker 6: Yes, Ali does not run for the peace of the countryside.
• 4:59
  Speaker 2: I'm afraid.
• 5:00
  Speaker 6: Well, well, perhaps we'll get back there. It's a little
• 5:03
  Speaker 6: difficult these days, you know. We've got the boy to
• 5:05
  Speaker 6: consider boy your son, my dead brother's son.
• 5:08
  Speaker 4: Doctor.
• 5:09
  Speaker 3: We have no children.
• 5:10
  Speaker 6: My little nephew's only four years old, you see, and
• 5:12
  Speaker 6: i'm his guardian as well as being executive. If his
• 5:15
  Speaker 6: estates are so, you can understand it would be difficult
• 5:17
  Speaker 6: for us to get back to London.
• 5:19
  Speaker 8: It's only difficult because you've got the child's happiness before mine.
• 5:21
  Speaker 6: I thought, oh no, no, if you know, I have
• 5:23
  Speaker 6: to watch his interest up here. After all, when he
• 5:26
  Speaker 6: comes of age, he'll be one of the richest chairmen
• 5:28
  Speaker 6: in Norfolk. Yes, and with money that should have come
• 5:30
  Speaker 6: to us.
• 5:31
  Speaker 8: In any case, Arthur, if we do have to live
• 5:33
  Speaker 8: up here, I'd find it more tolerable if you'd keep this.
• 5:35
  Speaker 6: Gypsies come up the estates you seem.
• 5:37
  Speaker 4: To have taken them a balance is like to the gypsies,
• 5:39
  Speaker 4: missus tripgold May I ask why they persecute us? They
• 5:43
  Speaker 4: steal our sheep, they break.
• 5:44
  Speaker 5: Our windows, and just the other day they once only.
• 5:46
  Speaker 6: Let our price pick into the backstone Quagmar and let
• 5:49
  Speaker 6: the beast perros.
• 5:50
  Speaker 3: Why should they single you out for persecution like this,
• 5:52
  Speaker 3: juse Burd.
• 5:53
  Speaker 2: I can't imagine.
• 5:54
  Speaker 6: I've always tried to be nice to them, too nice, Arthur,
• 5:56
  Speaker 6: that's your trouble.
• 5:57
  Speaker 4: I have a very good reason for humoring them, my dear.
• 6:00
  Speaker 6: You see, Holmes, I've always been afraid they may carry
• 6:02
  Speaker 6: this feud so far that they'll even hurt the baby Olive,
• 6:06
  Speaker 6: My dear, I wonder if you'd go ahead and wait
• 6:08
  Speaker 6: for me in the carriage.
• 6:08
  Speaker 4: It's getting rather chilly.
• 6:10
  Speaker 2: I'll join you in a moment.
• 6:11
  Speaker 4: Very well after, but don't keep me waiting long.
• 6:13
  Speaker 9: Good evening, Good evening.
• 6:17
  Speaker 6: Let's stroll away from the camp, shall we. I got
• 6:19
  Speaker 6: something very important to tell you, something I didn't.
• 6:22
  Speaker 4: Like to say in front of Olive.
• 6:25
  Speaker 6: The Gypsies have threatened to kidnap our boys.
• 6:28
  Speaker 2: Shocking.
• 6:29
  Speaker 4: What form did their threat take her?
• 6:32
  Speaker 3: This letter?
• 6:33
  Speaker 4: I found it pinned on the frame of my dressing
• 6:34
  Speaker 4: room mirror when I went up after dinner to night.
• 6:36
  Speaker 4: Let me see it, will you please?
• 6:38
  Speaker 3: What did you?
• 6:38
  Speaker 2: Says?
• 6:39
  Speaker 4: A romany Rye? A romeny Raye won't take your insults forever?
• 6:47
  Speaker 4: Major and missus high and mighty, watch out for the
• 6:50
  Speaker 4: tread gold air. The bragstone quagmire would make a nice
• 6:55
  Speaker 4: finishing school for him.
• 6:56
  Speaker 2: Romeny Rae.
• 6:57
  Speaker 4: What that means?
• 6:58
  Speaker 6: Well, it's their own term meaning, mister Holmes, what shall
• 7:02
  Speaker 6: I do?
• 7:02
  Speaker 4: Make you fed?
• 7:02
  Speaker 2: Gold?
• 7:04
  Speaker 3: Wait?
• 7:05
  Speaker 5: Heaven?
• 7:06
  Speaker 3: That shot just missed me. Where the bleass has come from?
• 7:08
  Speaker 3: I can't see a.
• 7:09
  Speaker 4: Thus they have come from behind any one of those
• 7:11
  Speaker 4: caravans ahead of us.
• 7:11
  Speaker 6: If you wanted to direct evidence, gentlemen, this is it.
• 7:14
  Speaker 6: That is the first open attempt on my life. Poles,
• 7:17
  Speaker 6: what extraordinary luck for me that you're in the neighborhood.
• 7:20
  Speaker 6: I'll pay you any fee you name to handle this.
• 7:23
  Speaker 4: It seems to me that this is a job for
• 7:24
  Speaker 4: the police.
• 7:25
  Speaker 2: I don't want to go to them. Oh why not?
• 7:27
  Speaker 9: So?
• 7:27
  Speaker 6: I'm afraid that these attacks may stem from some injustice
• 7:30
  Speaker 6: to the Gypsies committed.
• 7:31
  Speaker 3: By my late brother.
• 7:32
  Speaker 6: If that were so, I wouldn't wish to expose the fact.
• 7:35
  Speaker 6: I want this kept private. What do you say, mister Holmes?
• 7:39
  Speaker 4: Huh, I'll accept the case. It shall be kept private,
• 7:42
  Speaker 4: and I promised to do everything in my part protect
• 7:44
  Speaker 4: the safety of the fed Gold air that we are
• 7:46
  Speaker 4: staying at the Rose and Crown in the village. Please
• 7:48
  Speaker 4: get in touch with me if there should be further developments.
• 8:05
  Speaker 2: The first seems to be close down for the night.
• 8:08
  Speaker 2: Now homes they're turning.
• 8:09
  Speaker 4: Up and that's a fair Yes, let's stroll over to
• 8:11
  Speaker 4: Jasper Hern's calavan way. He should be free now.
• 8:13
  Speaker 3: If he's head of this tribe, you ought to be
• 8:15
  Speaker 3: able to tell you something about this tread gold business.
• 8:17
  Speaker 4: Yes, now, I still first ask him about his son Piramis,
• 8:20
  Speaker 4: and then I'm looking for I think the fact that
• 8:22
  Speaker 4: I know his son will inspire confidence. Here we are,
• 8:25
  Speaker 4: this is the caravan.
• 8:26
  Speaker 3: Girls, the dear Petrol Aingel are sitting outside, and one
• 8:28
  Speaker 3: that was telling fortun.
• 8:29
  Speaker 4: Yes, good evening, cool, are what you want? I wish
• 8:32
  Speaker 4: to speak to Jasper hearn.
• 8:34
  Speaker 7: He is not here.
• 8:35
  Speaker 5: He's gone to the marsh.
• 8:35
  Speaker 4: When will he be back?
• 8:36
  Speaker 5: I do not know?
• 8:39
  Speaker 3: Jah No, No, my dear, this is a personal visit.
• 8:42
  Speaker 4: We're not after him for being a simple ngrol or
• 8:45
  Speaker 4: for betting Ducaran.
• 8:46
  Speaker 5: Who for a gorjo? You speak our omney?
• 8:48
  Speaker 3: Well?
• 8:49
  Speaker 7: Brother, Oh you are a truel of ingral, master of words.
• 8:53
  Speaker 4: Who did you learn from justper sons?
• 8:55
  Speaker 9: Ah?
• 8:56
  Speaker 4: You know if they're understand a fine boy.
• 8:58
  Speaker 5: Sit down on the grass, my.
• 8:59
  Speaker 7: Friend, and you may wait here for Chester.
• 9:01
  Speaker 9: He will be back, so thank you.
• 9:03
  Speaker 2: Is that your violin lying on the steps? Young?
• 9:05
  Speaker 4: Readly?
• 9:05
  Speaker 8: No, that is Jasper's bolshov. That is a Romedic word
• 9:10
  Speaker 8: for violin. You play, sir, but my friend does so
• 9:14
  Speaker 8: who can take it? Brother?
• 9:15
  Speaker 5: The stars are bright, the night is warm, music will
• 9:18
  Speaker 5: be sweet.
• 9:21
  Speaker 3: Chi.
• 9:21
  Speaker 4: I'm afraid that my violin playing was not rather posed.
• 9:24
  Speaker 8: Up mm hmmm, play on, brother, so brother, you play well,
• 9:51
  Speaker 8: But that is that he's the going of ice.
• 9:53
  Speaker 7: And it's not the true gypsy music.
• 9:55
  Speaker 5: I've heard it in London and in.
• 9:57
  Speaker 7: Budapest they call it gypsy.
• 9:59
  Speaker 5: But what can a gorge or know the true heart of.
• 10:02
  Speaker 7: Romany quit here?
• 10:03
  Speaker 5: I will get my own violin.
• 10:06
  Speaker 2: Charming?
• 10:06
  Speaker 3: Why should you keep on talking about Gorgia?
• 10:09
  Speaker 2: Is that more they're confounded?
• 10:10
  Speaker 4: Gibbs, I got here, chaps than they use for anyone
• 10:14
  Speaker 4: who is not a true gypsy.
• 10:15
  Speaker 5: No, I will play for you the real gypsy.
• 10:17
  Speaker 2: Thank you.
• 10:17
  Speaker 4: I shul appreciate it very much. But before you begin,
• 10:20
  Speaker 4: I wonder if I might ask you a question.
• 10:22
  Speaker 7: A friend of theremus may ask me any questions.
• 10:24
  Speaker 4: What is it? I observed you telling fortunes earlier on
• 10:28
  Speaker 4: tonight You refuse to keep a certain gentleman's hand and
• 10:30
  Speaker 4: gave the money back. Did you know who the gentleman was?
• 10:33
  Speaker 5: No brother, nor the noisy woman with him.
• 10:35
  Speaker 8: I refused to kind a doctrin because I saw blood
• 10:38
  Speaker 8: and vite the jets in his hand.
• 10:40
  Speaker 9: Silent test. It is soon to come.
• 10:43
  Speaker 4: What's not hollow? I want you to do me a favor.
• 10:45
  Speaker 4: I must remain here until Jasper hearn comes back. I
• 10:48
  Speaker 4: should like you to return to the inn. It's more
• 10:50
  Speaker 4: than possible that we may have news from our our
• 10:53
  Speaker 4: client before the night is out. I'll be back later.
• 10:57
  Speaker 2: Well, nice to you to give me the best job.
• 10:58
  Speaker 4: Good night, miss, good night, and now please stay for me,
• 11:04
  Speaker 4: a true rabir.
• 11:06
  Speaker 7: Very well, my friends, listen, now you was play brother.
• 11:29
  Speaker 8: I shall make a true bush of manger of you.
• 11:31
  Speaker 8: Come see if you can follow.
• 11:32
  Speaker 4: Me with JOm. You have taught him well, you have
• 12:22
  Speaker 4: made a true butcherman girl of him.
• 12:23
  Speaker 9: He is a pupil.
• 12:24
  Speaker 4: Jester is such a teacher. It's hard to be otherwise,
• 12:26
  Speaker 4: mister Herne, that is if one has a spark at
• 12:29
  Speaker 4: music and one soul called me. Jasper, brother, you have
• 12:32
  Speaker 4: spoken well, my son. You have talked piosely to me
• 12:35
  Speaker 4: of things that I have not understood. We shuddering fine
• 12:39
  Speaker 4: together underneath the stars. I shall get bosses.
• 12:42
  Speaker 5: And it's like Jasper has taken a great fancy to.
• 12:44
  Speaker 4: Your brother, and I to him. He's a fine man.
• 12:47
  Speaker 10: Chula, yes, Lydian married your hand, brother, Oh yes, of course,
• 12:52
  Speaker 10: a strange hand and a beautiful one. A long life, silent,
• 12:58
  Speaker 10: yet I see sudden death. In the violence surrounding you. No,
• 13:02
  Speaker 10: it's this moment, and in the future I see a
• 13:06
  Speaker 10: journey for you across the seas. Within a year, the
• 13:10
  Speaker 10: pair of water that runs in the mountains mere death
• 13:13
  Speaker 10: will be for you. There, more travels, more dangers.
• 13:18
  Speaker 9: Oh, you must be careful, brother.
• 13:21
  Speaker 4: Oh what is it?
• 13:22
  Speaker 2: Oh?
• 13:23
  Speaker 10: Past are destined, of course, good ones. We shall not
• 13:26
  Speaker 10: meet after this night.
• 13:28
  Speaker 4: Death makes me say, oh, but we shall meet again.
• 13:30
  Speaker 4: I shall be here some days.
• 13:31
  Speaker 8: Yet No, it says in your hand that we shall
• 13:34
  Speaker 8: not meet again. And the hand cannot lie.
• 13:38
  Speaker 5: Who is this that comes toward us through the moonlight, My.
• 13:40
  Speaker 4: Friend, doctor Watsonnding, Yes, hello Watson? What's wrong?
• 13:43
  Speaker 3: Wrong?
• 13:43
  Speaker 2: Well, Heavern, that's wrong.
• 13:44
  Speaker 3: Missus Treedgirld's waiting in the carriage.
• 13:46
  Speaker 4: She wants you to come at once. Indeed, why the
• 13:48
  Speaker 4: child has been kidnapped.
• 13:49
  Speaker 3: Major Treadgill has gone for the police, and Missus Treadgull
• 13:51
  Speaker 3: is threatening to rouse the local inhabitants and come out
• 13:53
  Speaker 3: here and turn this camp to the ground.
• 13:55
  Speaker 2: If you don't find the.
• 13:56
  Speaker 4: Trut tell Missus tread Goes will return home. She can
• 13:58
  Speaker 4: do nobody here but home, shall chap that I have
• 14:00
  Speaker 4: the case well in hand.
• 14:01
  Speaker 3: But how can you have You've been out here all
• 14:03
  Speaker 3: the time playing your valet faith and.
• 14:05
  Speaker 4: My pleas or fello William and deliver the message. Then
• 14:08
  Speaker 4: come back here and join me, and I'll explain everything
• 14:10
  Speaker 4: to you.
• 14:10
  Speaker 2: Well, you know what you're up.
• 14:13
  Speaker 9: Violence and trouble brought her. It is all there in
• 14:16
  Speaker 9: your hand.
• 14:16
  Speaker 4: Well, what must be shall be. And I wouldn't have
• 14:20
  Speaker 4: it otherwise, but for the moment, the sky is starlet,
• 14:24
  Speaker 4: the air is till, and the melody who played haunts me.
• 14:27
  Speaker 4: Let's play it together again, shall we?
• 14:29
  Speaker 9: I should like that. I should like that very much.
• 14:59
  Speaker 1: Doctor Watson Wilton tinue his story in just a few seconds,
• 15:02
  Speaker 1: during which time I'd like to talk specifically to the ladies,
• 15:05
  Speaker 1: if I may, and tell you about Petrie California muscatell.
• 15:09
  Speaker 1: Just as Petrie California port has long been known as
• 15:12
  Speaker 1: the wine of gentlemen, Petrie muscatel has been known as
• 15:15
  Speaker 1: the favorite of the ladies. That's because Petrie muscatel is
• 15:19
  Speaker 1: a golden colored wine that looks like captured sunshine and
• 15:23
  Speaker 1: tastes well, did you ever taste big plump muscat grapes
• 15:28
  Speaker 1: picked when they're still misty? And dew covered. If you have,
• 15:32
  Speaker 1: you know what to expect when you taste petree muscatell.
• 15:35
  Speaker 1: The flavor of Petrie muscatel comes right from the very
• 15:38
  Speaker 1: heart of luscious, hand picked muscat grapes. You couldn't ask
• 15:42
  Speaker 1: for a more delicious wine than muscatel Petree muscatel. Well,
• 15:48
  Speaker 1: doctor Watson, and I I must say, this is a
• 15:50
  Speaker 1: strange story you're telling us. You mean to say that
• 15:53
  Speaker 1: the air to the tread gold estates had been kidnapped,
• 15:55
  Speaker 1: and yet Sherlock Holmes paid no attention.
• 15:57
  Speaker 3: It seemed like this about tell I couldn't understand him.
• 16:01
  Speaker 3: I've never known him to be so indifferent to it.
• 16:03
  Speaker 3: Case there he sat until the early hours of the morning.
• 16:06
  Speaker 3: Has he and that girl scraped away at their violins
• 16:09
  Speaker 3: and never said a word about the kidnapped baby. Finally,
• 16:12
  Speaker 3: as we walked home across the field a few hours
• 16:15
  Speaker 3: before dawn, his mind seemed to return to the mattered hand.
• 16:18
  Speaker 3: He spoke quietly, and yet there was a note of
• 16:21
  Speaker 3: suppressed excitement in his voice.
• 16:24
  Speaker 4: My dear, Hello, you're angry with me, aren't you.
• 16:26
  Speaker 3: Oh? No, homes, I must say, but I'm I'm confused.
• 16:29
  Speaker 3: That girl seems to bewitch her. Have you forgotten that
• 16:32
  Speaker 3: you accepted the jug of guarding the tread girl there?
• 16:34
  Speaker 3: And if the child was kidnapped tonight?
• 16:36
  Speaker 4: Oh, I'm fully aware of fact.
• 16:38
  Speaker 3: I haven't said stoppeding to in finally, matter of fact,
• 16:40
  Speaker 3: what's coming?
• 16:41
  Speaker 1: Oh?
• 16:41
  Speaker 4: Possibly it's the mood of this mild autumn night. It
• 16:44
  Speaker 4: is indeed there since Martin summer, so much so I've
• 16:49
  Speaker 4: I've left my coat and garstot a cat behind me
• 16:50
  Speaker 4: at the encampment. Let's go back shop in And incidentally,
• 16:53
  Speaker 4: when we get there, I can set your mind at
• 16:55
  Speaker 4: rest by showing you the kidnapped child.
• 16:58
  Speaker 3: I mean you know where it is.
• 17:00
  Speaker 4: Certainly it's in the camp.
• 17:02
  Speaker 2: Then the gypsies did steal it.
• 17:04
  Speaker 3: No, my dear fellow, I did what This is one
• 17:07
  Speaker 3: of those occasions when you absolutely furiate me homes you
• 17:10
  Speaker 3: must keep me up half a night while you have
• 17:12
  Speaker 3: a fitting comfort with a gypsy girl. At least of
• 17:14
  Speaker 3: all you can do is tell me what's going on?
• 17:16
  Speaker 3: You still child yourself?
• 17:17
  Speaker 2: Heaven's name?
• 17:18
  Speaker 4: Why because the threatening note to Major tread Gold was
• 17:21
  Speaker 4: so obviously afore why do you say that you will
• 17:23
  Speaker 4: remember that the letter began a romany rye will not
• 17:26
  Speaker 4: take your insults forever. Now, a romedy rye, despite what
• 17:29
  Speaker 4: Meda when fred Gold said, does not mean a gypsy.
• 17:33
  Speaker 4: That a man who knows about gypsy law. It is
• 17:36
  Speaker 4: a term no true gypsy would apply to himself. He
• 17:38
  Speaker 4: would use the expression for romedy child. And it was
• 17:41
  Speaker 4: obvious from the beginning that no gypsy threatened the child.
• 17:44
  Speaker 4: Now who else had a motive for harming it?
• 17:47
  Speaker 3: Well made a tread Gold because he stood to inherit
• 17:50
  Speaker 3: the estate, Yes, or his wife.
• 17:53
  Speaker 4: It's quite obvious she has no liking for her present
• 17:56
  Speaker 4: life and the child. There is an obstacles when you
• 17:58
  Speaker 4: won with the child, kidnapped them later and made away
• 18:01
  Speaker 4: with Obviously they both stood to gain a great many
• 18:03
  Speaker 4: of the things they wanted.
• 18:05
  Speaker 2: You're you're right.
• 18:07
  Speaker 3: Whoever the coup it is, took the precaution of pilling
• 18:09
  Speaker 3: the blame in advance on the unfortunate gypsies by writing
• 18:12
  Speaker 3: the false kidnapping note.
• 18:14
  Speaker 4: Wait a minute, but how about the shot that was
• 18:17
  Speaker 4: fired at us tonight as we walked with major treadg
• 18:19
  Speaker 4: probably found by a cup as to the plot, in
• 18:21
  Speaker 4: order to give authenticity to the supposed danger and the
• 18:24
  Speaker 4: child is now in the gypsy encampment. I promised that
• 18:27
  Speaker 4: I would protect the tread gold air, and so I
• 18:30
  Speaker 4: arranged with Jasper hand to have the boy kidnapped for
• 18:32
  Speaker 4: his own safety.
• 18:33
  Speaker 3: But if anyone should find the child, they'll say the
• 18:35
  Speaker 3: Gypsies deliberately stole him.
• 18:37
  Speaker 4: I'm quite certain that before that occasion arises old Chaff,
• 18:40
  Speaker 4: the criminal would have shown his or her hands. Come
• 18:42
  Speaker 4: on off, up, but your best foot forward. It's a
• 18:44
  Speaker 4: long way back to the camp yet, and it's nearly dawn.
• 19:00
  Speaker 4: Have come back but home you wish to spend the
• 19:02
  Speaker 4: remainder of the night, and didn't happen. No, thank you, Jasper.
• 19:04
  Speaker 4: I just came back my cap and coat. It was
• 19:07
  Speaker 4: so warm to night, and I forgot about them and
• 19:09
  Speaker 4: I started to walk home without them. I will find
• 19:10
  Speaker 4: them for you. Oh. We found this message for you
• 19:14
  Speaker 4: soon after you had left. It was pinned to the
• 19:16
  Speaker 4: door of the car. M I do not know how
• 19:18
  Speaker 4: it got there. I will search for your coat.
• 19:21
  Speaker 3: And have another message. Wants it say home?
• 19:25
  Speaker 4: Never trust the romany rye uh huh, the same mistake again, Watson.
• 19:31
  Speaker 4: Your plans have been betrayed. For proof, meet me at
• 19:34
  Speaker 4: the bragstone quagmire at dawn. If the trap home, obviously
• 19:38
  Speaker 4: we must spring it with caution. I cannot find your
• 19:41
  Speaker 4: coat or your cap rutter. It has vanished. Spanish. May
• 19:43
  Speaker 4: I speak to Lydia that the strange thing too. Lydia
• 19:47
  Speaker 4: has gone also, she's gone. Tell me, Jasper, did you
• 19:51
  Speaker 4: read this note? Yes she did, She could not help
• 19:53
  Speaker 4: reading it. Then she too realized it was a trap.
• 19:56
  Speaker 4: She went out in my coat and dearth talking hat
• 19:58
  Speaker 4: to keep the apartment for me.
• 20:00
  Speaker 2: Who's gone off?
• 20:00
  Speaker 3: For Jasper?
• 20:01
  Speaker 4: Call out the romedy childs. There's that devil waiting to
• 20:03
  Speaker 4: be caught in the blackstone quigmar imhammuch funet and the quagmile, Jasper,
• 20:19
  Speaker 4: two hundred yards no more. Yes, Vidia, Yes she is.
• 20:22
  Speaker 4: And she's dressed in my dear stalking heaven coat, watching
• 20:25
  Speaker 4: into the track.
• 20:25
  Speaker 3: That was said for me, Lydia, Lydia, they gotta look. Look,
• 20:30
  Speaker 3: she's stumbled, she's fallen.
• 20:31
  Speaker 4: How God robertson, Jasper, get that devil who stakes this
• 20:34
  Speaker 4: fiendish park. I'm a score to settle with him. Do
• 20:36
  Speaker 4: not worry, brothers, the score will be settled. Follow me
• 20:39
  Speaker 4: if you have to find you, Lydia, Lydia, Jila coms
• 20:47
  Speaker 4: I was wrong.
• 20:49
  Speaker 9: We do meet again. Her hands lied too.
• 20:52
  Speaker 4: Oh, Lydia, you're wounded. What can I do for you?
• 20:55
  Speaker 9: There is nothing you can do.
• 20:56
  Speaker 10: Brother, No one can help me now that this little pain,
• 21:01
  Speaker 10: there is little time.
• 21:03
  Speaker 9: Please hold my hand.
• 21:06
  Speaker 4: Ah tell me, Lydia. Did you see who fired the shot? Yes?
• 21:11
  Speaker 10: It was the man whose fortune I told today, the
• 21:15
  Speaker 10: man with the nosy wife. There is one thing I
• 21:21
  Speaker 10: wish to tell you, brother, Yes, I wishort meeting has
• 21:26
  Speaker 10: brought me happiness.
• 21:27
  Speaker 9: I should like to think I can leave you something
• 21:30
  Speaker 9: so that you will not forget me.
• 21:32
  Speaker 4: I will always remember you, Lydia. Always. You gave your
• 21:37
  Speaker 4: life for mine.
• 21:39
  Speaker 9: There is one thing of mine that I wish you
• 21:41
  Speaker 9: to have. It will remind you of me. What is it?
• 21:45
  Speaker 9: My violins? It brought us together. I should let you do.
• 21:49
  Speaker 7: Healthy brother, media, do not be said.
• 21:54
  Speaker 9: It is good my life for yours. You will give
• 21:58
  Speaker 9: help too many people? Did you see your hand? Good sight.
• 22:05
  Speaker 5: Push him in.
• 22:22
  Speaker 2: Homes? It was dreadful, dreadful. The gypsy surrounded made the
• 22:26
  Speaker 2: dread go.
• 22:27
  Speaker 3: They forced him back into the bracks and Quagma I
• 22:29
  Speaker 3: tried to pull him out, but I couldn't do a single.
• 22:32
  Speaker 4: Hand I'm not Sally Watson, he asked. But you know
• 22:36
  Speaker 4: that Lydia is dead. Yes, I know it. The gypsies
• 22:40
  Speaker 4: knew it too. That is why you were a single
• 22:42
  Speaker 4: handed doctor in your attempts to say it the murderer,
• 22:46
  Speaker 4: no romany child would raise a finger to help him.
• 22:48
  Speaker 2: I can understand that.
• 22:49
  Speaker 3: But great scott Man, if you'd seen his face as
• 22:51
  Speaker 3: the quaking mud sucked him.
• 22:53
  Speaker 4: Under, Lydia's death was less dramatic but equally moving, I
• 22:57
  Speaker 4: assure you, Sheila Cooms, I am it's less than five
• 23:00
  Speaker 4: hours ago. You have saved my tribe from a devilish
• 23:03
  Speaker 4: plot that would have blackened their names, a plot that
• 23:06
  Speaker 4: would have driven them from the countryside. What can I
• 23:09
  Speaker 4: do in return? Two things? First, tell me where I
• 23:12
  Speaker 4: may reach your sons. His address is in the sealed
• 23:15
  Speaker 4: envelop grata. Thank you. What else may I do for you?
• 23:19
  Speaker 4: If Lydia died, she will be one gift for remembrance.
• 23:22
  Speaker 4: And what was that gift? Father? A violin? Of course, here.
• 23:30
  Speaker 2: Here it is.
• 23:32
  Speaker 4: He told me I might become a true bham Grove.
• 23:36
  Speaker 4: Let's see if I can recapture the melody once more.
• 24:00
  Speaker 5: Then sist day the chans of the