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Breitbart's Jerome Hudson Chatted With Preston · Conversations: Special Guests with Preston Scott

• 0:05
  Speaker 1: And here we are already the third hour of the
• 0:07
  Speaker 1: program known as The Morning Show with Preston Scott Common
• 0:11
  Speaker 1: Sense Amplified Show fifty four hundred. Huh, how about that?
• 0:16
  Speaker 1: That's hose can you see in Studio one A? And
• 0:19
  Speaker 1: I am here in Studio one B joined by on
• 0:21
  Speaker 1: the phone line, the entertainment editor with Brightbard dot com.
• 0:25
  Speaker 1: He's the author of the fifty Things books. He is
• 0:27
  Speaker 1: our dear friend, my dear friend, Jerome Hudson.
• 0:30
  Speaker 2: High, Good morning to you, sir.
• 0:34
  Speaker 1: Did you hear Trump dropped drop an F bomb on
• 0:37
  Speaker 1: Fox this morning?
• 0:38
  Speaker 2: All right? We are so simpatico because I was just
• 0:41
  Speaker 2: going to inform you that I will not be dropping
• 0:44
  Speaker 2: any poems with any condo.
• 0:47
  Speaker 1: I was shot.
• 0:48
  Speaker 2: I just played it.
• 0:50
  Speaker 1: I couldn't believe. I mean, aren't there aren't they facing
• 0:53
  Speaker 1: rep I mean, seriously, aren't they facing repercussions for playing that?
• 0:57
  Speaker 2: No audience warning? Thankful my cat Oreo is old enough
• 1:02
  Speaker 2: to hear such language.
• 1:04
  Speaker 1: I'm not.
• 1:06
  Speaker 2: I was surprised at you. I long standing over the
• 1:10
  Speaker 2: air broadcast language rules. I think there's a fine every
• 1:14
  Speaker 2: time one of the Big four is uttered. But you
• 1:17
  Speaker 2: know the president is angry. I will say that there
• 1:22
  Speaker 2: there is a debate at the highest levels of even
• 1:26
  Speaker 2: in the bright part newsroom, ceasefires are only sought by
• 1:31
  Speaker 2: the side that's losing. This would be Iran. But this
• 1:35
  Speaker 2: maniacal regime obviously intended to break the ceasefire. The President's
• 1:42
  Speaker 2: just he's beyond belief, angry, He risks, you know us
• 1:47
  Speaker 2: service members lives with the B two bombs a few
• 1:51
  Speaker 2: days ago. He just wants it to be over. And
• 1:59
  Speaker 2: you certainly don't that every day, or I should say
• 2:01
  Speaker 2: hear that every day from the city president.
• 2:04
  Speaker 1: Yeah, there's a part I know of America that's like, yeah,
• 2:08
  Speaker 1: there you go. That's why we love the guy, right,
• 2:11
  Speaker 1: I mean, that's that's part of the Trump factor, is
• 2:14
  Speaker 1: that they love that about him, that he.
• 2:16
  Speaker 2: Just I'm laughing because I'm trying to imagine Kamala Harris
• 2:19
  Speaker 2: using the same language under similar situation.
• 2:22
  Speaker 1: Well, I was going to ask you how bad would
• 2:26
  Speaker 1: things be watching the capitulation that historically Democrats have offered
• 2:31
  Speaker 1: Iran over the years. Ever since the shaw of Iran
• 2:36
  Speaker 1: in the late seventies, Democrat presidents have largely been funding
• 2:43
  Speaker 1: Iran in one form or another for their terrorism. We've
• 2:46
  Speaker 1: been paying hostages for hostages, We've been doing all kinds
• 2:49
  Speaker 1: of things. How bad would things be if Kamala had
• 2:52
  Speaker 1: been in the Oval office, callous.
• 2:56
  Speaker 2: Of palace of cash and Obama years as part of
• 2:59
  Speaker 2: the twenty fifteen I ran deal subsidizing suicide bomber's families
• 3:06
  Speaker 2: pension fees. Basically, yeah, I Kamala Harris. I mean, she
• 3:12
  Speaker 2: can't even decide if she wants to get into a
• 3:16
  Speaker 2: California governor's race that I have to imagine she would
• 3:20
  Speaker 2: win pretty easily just on aim recognition alone, say for
• 3:24
  Speaker 2: the fact that you know, Democrat primary voters ranked her
• 3:29
  Speaker 2: at about one percent favorability when she ran for Pression
• 3:33
  Speaker 2: at twenty nineteen.
• 3:35
  Speaker 1: Well, and then there's the fact that she's a flaming idiot.
• 3:40
  Speaker 2: Oh really, do people say that about her? I haven't.
• 3:44
  Speaker 3: I haven't heard or noticed even Democrats admit that point.
• 3:49
  Speaker 2: Yeah, she can't, she can't make hard decisions. And you know,
• 3:53
  Speaker 2: maybe she doesn't want to be governor of California, but
• 3:55
  Speaker 2: I have to imagine that Kamala Harris want to be
• 3:59
  Speaker 2: I don't know, the governor chief of the fourth largest,
• 4:03
  Speaker 2: fifth largest economy on the planet. You know, relevant certainly
• 4:08
  Speaker 2: she's young and from a governor's mansion, she'd have a
• 4:12
  Speaker 2: platform maybe to springboard back in the presidential politics. So no,
• 4:17
  Speaker 2: I can't I honestly can't begin to think what Kamala
• 4:22
  Speaker 2: Harris's decision try would be if she was commander in chief,
• 4:29
  Speaker 2: because you know, I'm just thinking about what Iran might
• 4:32
  Speaker 2: be thinking. I'm thinking about what adamir Putin in Russia
• 4:36
  Speaker 2: might be thinking, or she in China. The calculation, to
• 4:42
  Speaker 2: me is quite simple when it comes to vision and
• 4:45
  Speaker 2: Prime Minister of Israel and the President of Israel and
• 4:48
  Speaker 2: their Armed Service, the IDEF like they don't want to
• 4:52
  Speaker 2: have to make the decision about what to do with
• 4:54
  Speaker 2: Iran when Iran finally has the nuclear gun to their head.
• 4:59
  Speaker 2: Kamalahara under those states, I don't even want to think
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  Speaker 2: about it.
• 5:08
  Speaker 3: All.
• 5:08
  Speaker 1: We're going to talk about some other things here this
• 5:10
  Speaker 1: morning with Jerome Hudson, our dear friend from the entertainment
• 5:13
  Speaker 1: editor's room of Breitbart dot Com. Jerome, a singer named
• 5:18
  Speaker 1: Nesa Vanessa Hernandez, decided against the wishes of the Los
• 5:23
  Speaker 1: Angeles Dodgers, which that in and of itself is shocking,
• 5:28
  Speaker 1: decided to perform the national anthem lately in Spanish, basically
• 5:33
  Speaker 1: flipping a middle bird a finger to the Americans, the vets,
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  Speaker 1: the people that served our country that are maybe in
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  Speaker 1: the audience at a Dodgers game. No repercussions other than
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  Speaker 1: you shouldn't have done that.
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  Speaker 2: Well, they asked not to sing in Spanish and did
• 5:55
  Speaker 2: it anyway.
• 5:56
  Speaker 1: Why didn't they just pull the plug?
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  Speaker 2: Point? Look, Dodgers are worth I don't know, seven billion dollars.
• 6:04
  Speaker 2: I would vent my performers just to protect my property,
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  Speaker 2: my brand. The Dodgers owner just talked to just talk
• 6:14
  Speaker 2: the lakes. I ney to put it alone. Let's just
• 6:19
  Speaker 2: say he's not with us on politics. And so I
• 6:21
  Speaker 2: think that's sort of the culture. But I just happened
• 6:25
  Speaker 2: to know that there are players on the team. I
• 6:28
  Speaker 2: think there are even so people in management that they
• 6:33
  Speaker 2: just don't want anything to do with the culture wars, right,
• 6:36
  Speaker 2: they just want to win titles. But the culture wars
• 6:40
  Speaker 2: are there, and they're kind of the heart at the
• 6:43
  Speaker 2: heartbeat of society in Los Angeles. And so this is
• 6:47
  Speaker 2: what you get. It's embarrassing, and it became a story
• 6:52
  Speaker 2: that usually I don't know I've been doing this for
• 6:55
  Speaker 2: almost twenty years. They kind of flame out after twenty
• 6:58
  Speaker 2: four hours. But this one I accept the signing stories
• 7:02
  Speaker 2: because Mesa, the singer, put up a fearful a sort
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  Speaker 2: of It wasn't even apology. She said she was proud
• 7:09
  Speaker 2: that she violated I guess what the terms of a
• 7:12
  Speaker 2: contract that she signed. I'm pretty sure she got paid.
• 7:16
  Speaker 2: The going rate is at least ten thousand dollars to
• 7:18
  Speaker 2: perform the national anthem, that major, a major sporting event.
• 7:23
  Speaker 2: And she said she was proud. And so, you know,
• 7:26
  Speaker 2: the video I thought was just worth the millions of
• 7:29
  Speaker 2: brank Art readers to see because the arrogance there, it's just,
• 7:34
  Speaker 2: I was gonna say, stunning, but certainly not surprising. And
• 7:37
  Speaker 2: then the Dodgers came out and said, well, you know,
• 7:40
  Speaker 2: we asked her to do it. She didn't do it anyway,
• 7:42
  Speaker 2: and then she says Nessa says she's banned from ever
• 7:46
  Speaker 2: performing again at Dodger Stadium, and Dodgers said, no, that's
• 7:50
  Speaker 2: not true. So it's it's it's a mess, and it's
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  Speaker 2: a freak show. And you know, this is the United
• 7:59
  Speaker 2: States of America. I believe that our anthem was written
• 8:01
  Speaker 2: in English. It's for the last time I checked, and
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  Speaker 2: it just really gets to the unseiousness of the American
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  Speaker 2: left today and the rules of rules right laws or laws,
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  Speaker 2: but they just seem to have contempt and not really
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  Speaker 2: care for any of it.
• 8:19
  Speaker 1: Well, let's end on a good note. We got less
• 8:22
  Speaker 1: than sixty seconds. We mentioned this last week. Clayton Kershaw
• 8:25
  Speaker 1: put Genesis eleven with a little arrow pointing at the
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  Speaker 1: rainbow on that I loved it. I loved it. He
• 8:33
  Speaker 1: wore the Dodgers cap, they put the rainbow colors on
• 8:37
  Speaker 1: the LA on the cap and he wrote hand wrote
• 8:39
  Speaker 1: in a white sharpie Genesis eleven.
• 8:43
  Speaker 2: Yeah. And again, I won't say too much, but Clayton
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  Speaker 2: Hurst was one of those players who doesn't really care
• 8:48
  Speaker 2: about the culture wars, and to him, his faith isn't
• 8:52
  Speaker 2: it's in the marrow of his bone, right. And so
• 8:55
  Speaker 2: many of the headlines I saw was reporting on him
• 8:58
  Speaker 2: having that verse on his as they called it, controversy.
• 9:02
  Speaker 2: What are we talking about? I'm rere too sure that
• 9:07
  Speaker 2: there is a gay player playing for the Dodgers right now,
• 9:11
  Speaker 2: or in management or in the front office.
• 9:13
  Speaker 1: Sure, and.
• 9:15
  Speaker 2: You don't have to wear your sexuality on your sleeve.
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  Speaker 2: I will predict that the Dodgers won't be celebrating Pride
• 9:22
  Speaker 2: Nights here in a few years because it's not the
• 9:26
  Speaker 2: Jews doesn't work to Spleeve.
• 9:27
  Speaker 1: No, not at all. Jerome Hudson at Bridbard dot com.
• 9:30
  Speaker 1: Jerome kiddos parents, grandparents are looking for things to do
• 9:34
  Speaker 1: with the kids, and so surely the new Pixar movie,
• 9:37
  Speaker 1: Disney's pushed past all of its problems and we've got
• 9:40
  Speaker 1: a good one with Elio.
• 9:42
  Speaker 2: Right, you think all the things that you want, schools
• 9:47
  Speaker 2: out right, families at home, if not traveling, and Disney
• 9:52
  Speaker 2: it's just that the brand equity. It's the summertime. They
• 9:56
  Speaker 2: got a family friendly animated film, right, think that would
• 10:01
  Speaker 2: be a recipe for just unadulterated success. And no, Elio,
• 10:08
  Speaker 2: the latest from Pixar did release over the weekend, and
• 10:12
  Speaker 2: it marked the lowest Pixar release in its thirty year existence.
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  Speaker 2: Even worse, it's the fourth bomb of this year for
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  Speaker 2: Disney owned property. Yeah, so I was really I was
• 10:31
  Speaker 2: a little bit more curious in sort of the biology
• 10:36
  Speaker 2: of this box office bomb than others, because you know,
• 10:42
  Speaker 2: sometimes it's just it's kind of obvious. The film has
• 10:46
  Speaker 2: controversy around it, like Rachel Ziegler's snow White, even before
• 10:50
  Speaker 2: the film comes out. This one, I have to tell you,
• 10:54
  Speaker 2: I didn't really know that it was coming out until
• 10:56
  Speaker 2: a few weeks before it released over the over the
• 10:59
  Speaker 2: week weekend, which for a film that costs anywhere between
• 11:03
  Speaker 2: one hundred and fifty to two hundred million dollars to
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  Speaker 2: just produce, and then you tacked on the usual one
• 11:10
  Speaker 2: hundred million dollars to promote the film. Yeah, three hundred
• 11:14
  Speaker 2: million dollars. Usually you know that movie is coming out
• 11:17
  Speaker 2: a year in advance. And what I discovered, Preston, is
• 11:22
  Speaker 2: that there were creative differences, which is usually the case.
• 11:26
  Speaker 2: There were creative differences with snow White. It was creative
• 11:30
  Speaker 2: differences with Solo, the movie that Ron Howard eventually finished,
• 11:35
  Speaker 2: but he was the third director hired on that movie.
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  Speaker 2: That is, I think creative differences is probably the two
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  Speaker 2: worst words in the filmmaking business, because you usually have
• 11:47
  Speaker 2: a director lead, which Elio did, and then you had
• 11:51
  Speaker 2: to hire a new director. You probably have to hire
• 11:54
  Speaker 2: new writers with new ideas to correct the creative difference
• 12:00
  Speaker 2: is and all of that happened with this movie. It
• 12:02
  Speaker 2: was supposed to come out last summer. It did not
• 12:05
  Speaker 2: because it was still being shot.
• 12:07
  Speaker 3: What were the differences about, Well, it's the movie is
• 12:12
  Speaker 3: about a boy who lives on Earth but always dreamed
• 12:15
  Speaker 3: to be sucked off into space, and that actually did happen,
• 12:20
  Speaker 3: and he wounds up.
• 12:21
  Speaker 2: On a planet in something called the communiverse commune universe,
• 12:27
  Speaker 2: and so he is mistaken as being the leader of
• 12:30
  Speaker 2: planet Earth. Of course he's not, but he and other
• 12:35
  Speaker 2: leaders of other planets come together to beat some big
• 12:39
  Speaker 2: bag sharing experiences from different worlds across the galaxy. It
• 12:45
  Speaker 2: all feels very commune like. But yeah, the original director
• 12:50
  Speaker 2: also directed Coco, which I believe came out twenty eighteen,
• 12:55
  Speaker 2: twenty seventeen. That movie for Disney and Pixar was a
• 12:58
  Speaker 2: major success.
• 12:59
  Speaker 1: Yes, well you give even though it's about a bunch
• 13:02
  Speaker 1: of sadness.
• 13:04
  Speaker 2: Yeah, I believe he just wanted to go in different directions.
• 13:08
  Speaker 2: I haven't been able to find specifics on that, but
• 13:11
  Speaker 2: you know, they brought in the same director who was
• 13:17
  Speaker 2: responsible for Another Bomb a few years ago. It just
• 13:23
  Speaker 2: becomes one of those things where at a certain point
• 13:27
  Speaker 2: you just got to cut your losses. But Disney's never
• 13:30
  Speaker 2: really done that Warner Brothers who's now run by David Zaglow.
• 13:35
  Speaker 2: That guy came in and slashed and burned everything. Preston.
• 13:38
  Speaker 2: I mean, he had a Batgirl movie that was one
• 13:41
  Speaker 2: hundred million dollars in I guess he watched it, hated it,
• 13:44
  Speaker 2: and canceled the release. He did the same thing with
• 13:48
  Speaker 2: some Looney Tunes movies. He's never really done that. I
• 13:53
  Speaker 2: think they're afraid of the pr nightmare. They usually try
• 13:57
  Speaker 2: to keep their creators the directors of producers hat and
• 14:00
  Speaker 2: so they sold it through and it's resulted in just
• 14:05
  Speaker 2: another embarrassing headline for a movie studio that just cannot
• 14:11
  Speaker 2: avoid embarrassing headlines.
• 14:12
  Speaker 1: All right, we got to go in like twenty five
• 14:15
  Speaker 1: seconds here, So give me the short answer. Is this
• 14:18
  Speaker 1: a result of Disney's brand now just simply not being
• 14:22
  Speaker 1: trustworthy and parents just I mean, Elio could have been
• 14:26
  Speaker 1: a great movie, but they're just people aren't going to
• 14:29
  Speaker 1: trust Disney anymore.
• 14:31
  Speaker 2: Absolutely, that's it. I've talked about it with you for
• 14:34
  Speaker 2: years now. Once your brand goes as toxic as it
• 14:37
  Speaker 2: did because Disney wanted to jump into the gay Pride parade,
• 14:42
  Speaker 2: it's hard to get that back. It really is parents
• 14:45
  Speaker 2: don't like to be sucker punchs watching a movie with
• 14:49
  Speaker 2: political views shoved into it with their children.
• 14:54
  Speaker 1: Okay, sidebar question, are guys drinking bud Light yet?
• 14:59
  Speaker 2: I'm not my family and the taphole we're still abstaining.
• 15:05
  Speaker 1: But I mean, from a sales perspective, is it bounced
• 15:07
  Speaker 1: back at all?
• 15:08
  Speaker 2: I will let me run the numbers. I don't want
• 15:11
  Speaker 2: to say. These things do tend to go that way.
• 15:15
  Speaker 2: When we had the Kaepernick Nike collaboration in twenty sixteen,
• 15:19
  Speaker 2: Nike's stock eventually eventually rebounded. That is typically the way
• 15:24
  Speaker 2: it goes. Bud Light was so offensive putting Dylan mulvany
• 15:28
  Speaker 2: on that can and then sort of lying about it.
• 15:34
  Speaker 2: Let me run the numbers.
• 15:35
  Speaker 1: We'll talk about it next time. Thank you, sir, Love you,
• 15:39
  Speaker 1: Love you too, but all right, Jerom Hudson, twenty eight
• 15:41
  Speaker 1: after