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Singing Waiters (with Chanse McCrary) · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to artists on artists on artists.
• 0:07
  Speaker 2: Oh, here's your food.
• 0:08
  Speaker 1: That's right. Today we're talking to singing waiters.
• 0:11
  Speaker 3: Singing waiters are a very specific group of people. They
• 0:15
  Speaker 3: are people that are incredible at singing, whether they be
• 0:19
  Speaker 3: musical theater stars or pop artists in their own right.
• 0:22
  Speaker 3: And they also work in places where they, at the
• 0:25
  Speaker 3: same time have to serve food. This is a real
• 0:28
  Speaker 3: thing in many places, including Times Square. We sat down
• 0:32
  Speaker 3: with five singing waiters from the restaurant Wish Chapon a burger.
• 0:37
  Speaker 4: Let's listen in.
• 0:41
  Speaker 5: And then I was like, we only carry that gluten free.
• 0:45
  Speaker 5: And then she goes, yeah, she goes, I want a
• 0:47
  Speaker 5: gluten filed And I had never heard of that phrase before.
• 0:50
  Speaker 4: The gluten filed gluten film.
• 0:52
  Speaker 6: Oh, some of these stars are on this diet, this
• 0:55
  Speaker 6: gluten filled diet.
• 0:57
  Speaker 7: It's gone back around again now because.
• 1:00
  Speaker 2: It's actually good for you. Literally, gluten is actually good
• 1:03
  Speaker 2: for you.
• 1:03
  Speaker 8: Wait, how it circles back your intestines like your track. Yes,
• 1:09
  Speaker 8: it clears things outreak, it clears things out.
• 1:11
  Speaker 9: Yes, breakchack, break check for your body?
• 1:14
  Speaker 10: Wait? What no way, break check. I'm literally florid. I'm
• 1:19
  Speaker 10: literally Florid.
• 1:19
  Speaker 9: Right now, you have Floriad closing tonight.
• 1:22
  Speaker 10: I'm closing tonight. Oh my god, I'm floor tonight.
• 1:25
  Speaker 1: I am closing.
• 1:26
  Speaker 11: So it's so crazy. We're sitting next together. We're sitting
• 1:29
  Speaker 11: next together. I'm I'm your closer. Literally, that's Have you
• 1:34
  Speaker 11: guys seen all those tiktoks about how the openers never
• 1:37
  Speaker 11: talked to the closers.
• 1:38
  Speaker 4: Openers do everything, closers do nothing.
• 1:40
  Speaker 1: Oh my god, that's a lie.
• 1:41
  Speaker 2: We have to deal with all the musical theater people.
• 1:45
  Speaker 9: Meanwhile, the bunch.
• 1:46
  Speaker 6: Army, brunch army, we open and close the shift in
• 1:53
  Speaker 6: the it's one act, it's long. It's people are the
• 1:58
  Speaker 6: meanest at brunch then they will ever be in their lives.
• 2:01
  Speaker 2: Well, they're hung over, their tired, and they want their.
• 2:04
  Speaker 7: Food and they want it now.
• 2:07
  Speaker 8: We don't have a gluten free menu at brunch, no way,
• 2:10
  Speaker 8: it's all gluten.
• 2:11
  Speaker 9: What yeah, just at night?
• 2:14
  Speaker 10: Well yeah, we introduced the gluten free menu at Wow
• 2:17
  Speaker 10: because like that's when a lot of people, like the
• 2:18
  Speaker 10: tourists kind of come in and they are usually the
• 2:21
  Speaker 10: ones that have the allergies or the sensitivity.
• 2:23
  Speaker 2: Yes, so are we're going to talk about our set
• 2:26
  Speaker 2: ye the next season.
• 2:27
  Speaker 10: Yes, okay, yes, they have to know who we are.
• 2:29
  Speaker 4: I mean, this is.
• 2:30
  Speaker 2: Oh my god, I literally forgot this. I literally forgot
• 2:33
  Speaker 2: it's fun.
• 2:34
  Speaker 3: They're going to be clipping this when we hit it big,
• 2:36
  Speaker 3: They're going to be clipping these.
• 2:37
  Speaker 1: They're gonna literally be clipping us.
• 2:39
  Speaker 4: This is the first time you see me, but it's
• 2:40
  Speaker 4: not gonna be the last time.
• 2:42
  Speaker 5: I also think there's a lot of wishmona Burger, like
• 2:45
  Speaker 5: fans you wish I think there's so many fans of
• 2:52
  Speaker 5: our restaurant that are gonna want to Like they asked
• 2:55
  Speaker 5: me questions like what's it like back there?
• 2:57
  Speaker 9: Do you guys party or guys friends?
• 2:59
  Speaker 5: And now we we finally get to dish what's it
• 3:02
  Speaker 5: like to work at the most famous singing restaurant?
• 3:06
  Speaker 8: Can I just say it is like this cast of
• 3:09
  Speaker 8: When You Wish upon a Burger is like the best
• 3:11
  Speaker 8: cast in a while.
• 3:12
  Speaker 1: I think, so it's like the best while.
• 3:14
  Speaker 10: Calling it like the newer casts the renaissance, it's like
• 3:17
  Speaker 10: the renaissance at Burger.
• 3:18
  Speaker 7: I can speak to this.
• 3:19
  Speaker 6: I've been at this restaurant forever, and I can say
• 3:22
  Speaker 6: this cast is really really solid. There are dug years.
• 3:26
  Speaker 6: There are rebuilding years. There are years where it is
• 3:30
  Speaker 6: not there. This year we are there.
• 3:33
  Speaker 1: Introduce yourself to your name.
• 3:34
  Speaker 2: You're like literally a living legend.
• 3:36
  Speaker 7: Oh hello, well, thank you so much.
• 3:39
  Speaker 6: My name is Dina Fry and I have been working
• 3:45
  Speaker 6: at make a Wish upon a Burger.
• 3:48
  Speaker 7: Sorry, that's just a.
• 3:51
  Speaker 1: Song, properly make Burger.
• 3:56
  Speaker 2: We get sickets to come and we sing to them.
• 3:58
  Speaker 9: Believe the name first, the nonprofit game Sack.
• 4:03
  Speaker 3: You get about twenty kids a year who there make
• 4:05
  Speaker 3: a wish was is to come to our restaurant. And
• 4:07
  Speaker 3: I'm like, no judging, that's we could you could get more,
• 4:10
  Speaker 3: but you're more than welcome. You're more than welcome to
• 4:14
  Speaker 3: your wish.
• 4:14
  Speaker 4: You're more than welcome for this to be your wish.
• 4:16
  Speaker 10: And they usually just have the flu and it's the worst.
• 4:19
  Speaker 10: It's like they're not really like they're not that sick. Yeah,
• 4:21
  Speaker 10: we're not like they take.
• 4:23
  Speaker 2: A like your make a.
• 4:25
  Speaker 1: Wish because getting us sick is what I keep saying about.
• 4:29
  Speaker 11: And how are you singing Book of Mormon sick? You're
• 4:31
  Speaker 11: not so and we're not judging. Make a witch you guys?
• 4:36
  Speaker 11: Do you it's weird you guys are now including the flu.
• 4:38
  Speaker 11: It's weird and exema.
• 4:40
  Speaker 5: I don't get it anyway, It's you went destined to
• 4:43
  Speaker 5: work in this industry.
• 4:44
  Speaker 7: Oh, thank you so much. And you know I've had
• 4:47
  Speaker 7: my my skirts with Broadway.
• 4:49
  Speaker 6: But I really really wanted to be here, and I
• 4:54
  Speaker 6: have been in this kitchen for fifty five years. I
• 5:00
  Speaker 6: come out once a night, I sing my song and
• 5:03
  Speaker 6: I go back. I have a bowl of chicken noodle soup,
• 5:08
  Speaker 6: and I have the happiest life.
• 5:11
  Speaker 7: In the world.
• 5:12
  Speaker 3: And can I mention by the way Dinah, I mean,
• 5:15
  Speaker 3: I love you so much. When you sing your big
• 5:18
  Speaker 3: song Shy from What's upon a Mattress, you bring the
• 5:21
  Speaker 3: house down.
• 5:22
  Speaker 4: You love that.
• 5:23
  Speaker 3: And I want to mention skirts with Broadway, your Etsy
• 5:26
  Speaker 3: store where you make skirts that are inspired by Broadway.
• 5:29
  Speaker 4: I love your Phantom of the Opera skirt.
• 5:31
  Speaker 6: Yes, yes, you go to etsy dot com backsplash shop,
• 5:36
  Speaker 6: backsplash results for make a wish.
• 5:43
  Speaker 7: But Broadway skirts.
• 5:45
  Speaker 6: Now you're gonna wanna scroll down, scroll down, scroll down,
• 5:48
  Speaker 6: scroll down. You're gonna get to the Phantom of the
• 5:50
  Speaker 6: Opera skirt, which is it kind of looks like a
• 5:53
  Speaker 6: sort of yin Yang sing symbol, because that is to
• 5:56
  Speaker 6: symbolize the.
• 5:58
  Speaker 7: Masma as.
• 6:02
  Speaker 10: Sing it s design.
• 6:03
  Speaker 6: Okay, the Phantom of the Opper skirt is for the
• 6:08
  Speaker 6: famous mask, and there.
• 6:11
  Speaker 7: Are many others, of course.
• 6:12
  Speaker 6: And I have to get your orders for Christmas this
• 6:15
  Speaker 6: year so that I can send them so that I
• 6:17
  Speaker 6: can get started.
• 6:18
  Speaker 2: Yes, okay, my skirt.
• 6:21
  Speaker 6: Something rotten skirt? Okay, I want to know Mary skirt.
• 6:24
  Speaker 1: Oh, that's so good.
• 6:26
  Speaker 8: I'll take a chess skirt, but not the revival the original.
• 6:30
  Speaker 2: No, you know what.
• 6:34
  Speaker 10: Aunt Juliette for me.
• 6:37
  Speaker 6: Okay, okay, Anguliette for me, Anguliette. Okay, okay, everyone air
• 6:44
  Speaker 6: drop me your measurements.
• 6:45
  Speaker 7: I'll get it in time for Christmas.
• 6:49
  Speaker 8: Twenty seven thirty two whoa wow?
• 6:54
  Speaker 2: Size you shut up?
• 6:58
  Speaker 4: Thirty two inch long score?
• 7:00
  Speaker 2: Yeah?
• 7:02
  Speaker 9: Wait, say your name, say your name and what you do.
• 7:04
  Speaker 2: I'm dragging. Hey, I'm Teagan. I'm the ten or two
• 7:09
  Speaker 2: of the group.
• 7:10
  Speaker 11: Uh we we also answered a tone, So that's his
• 7:16
  Speaker 11: that's that's it's like my ring.
• 7:20
  Speaker 4: You hear that on you have to come run.
• 7:22
  Speaker 10: Yeah.
• 7:23
  Speaker 6: Sometimes the chef gives orders and you know you have to.
• 7:28
  Speaker 10: Go or getting yelled at by a person.
• 7:32
  Speaker 2: Oh, my god, our boss is the worst.
• 7:35
  Speaker 4: We talk about it.
• 7:36
  Speaker 10: Yeah, now we can finally talk about we can You
• 7:38
  Speaker 10: can talk about yourself first.
• 7:39
  Speaker 8: I give you your I went to U of M.
• 7:43
  Speaker 8: I've been in New York for I've been in New
• 7:47
  Speaker 8: York for five years. I have been on tour, but
• 7:52
  Speaker 8: I have never booked anything on actual Broadway yet.
• 7:54
  Speaker 11: Yes, yeah, wait, you're being shy about your tour. It
• 7:57
  Speaker 11: was the military. I never I never saw battle. But
• 8:07
  Speaker 11: I think it's like, I think it's really cool. You
• 8:10
  Speaker 11: keep saying that you've done tour, like you've done tour.
• 8:14
  Speaker 8: Musical theater tour, but like serving I'm serving Broadway, not musicals. Yes,
• 8:25
  Speaker 8: I think I am probably the most well versed in
• 8:27
  Speaker 8: our menu. I helped U the chef, create it. He
• 8:32
  Speaker 8: takes suggestions from other musicals.
• 8:34
  Speaker 10: These parodies that you have come up with in the names,
• 8:41
  Speaker 10: these silly things.
• 8:42
  Speaker 2: This gene, yes, literally Gene.
• 8:45
  Speaker 9: I will never forget the days again. I'm gonna get
• 8:47
  Speaker 9: a little motion. I will never forget the.
• 8:50
  Speaker 5: Day that you walked in and w we're serving a
• 8:52
  Speaker 5: smash burger and we're not calling it smash burger exactly.
• 8:57
  Speaker 5: Featuring Megan Hilty and Catherine McPhee. So now I have
• 9:01
  Speaker 5: pride when I go. Would you like the smash Burger
• 9:03
  Speaker 5: featuring Megan Hilty and Meghan Hilty And it's so good
• 9:07
  Speaker 5: and we.
• 9:07
  Speaker 6: Have to talk about deer eggs and Hamson, Green Witches,
• 9:14
  Speaker 6: the Green Witches salad chicken.
• 9:17
  Speaker 8: And we had a bowl and on the menu and
• 9:19
  Speaker 8: we're not calling it spelling, rolls out the money.
• 9:24
  Speaker 2: It's right there.
• 9:24
  Speaker 5: Soups the musical, and it's Soupsicle the musical of the day,
• 9:29
  Speaker 5: So the soup is different every single time.
• 9:31
  Speaker 2: So yeah, an operation mince meat Pie.
• 9:33
  Speaker 4: That was just yeah, I mean it was just.
• 9:37
  Speaker 9: Literally just like right there anyway.
• 9:39
  Speaker 5: But I remember that when you first walked in, you
• 9:41
  Speaker 5: were like, there are so many things that we can
• 9:43
  Speaker 5: up here.
• 9:44
  Speaker 2: Money on the table, money on the table.
• 9:45
  Speaker 5: I'm not tips literally literally we're in the money in Hi, guys,
• 9:54
  Speaker 5: what's up? My name is Sierra Hoofton, And what's your tone?
• 10:01
  Speaker 9: I'm an alto.
• 10:02
  Speaker 5: When you hear that you know that she has done
• 10:04
  Speaker 5: something wrong, I'm an alto.
• 10:07
  Speaker 9: I'll say I'm a mover, not a dancer. I'd say
• 10:09
  Speaker 9: a mover.
• 10:11
  Speaker 5: Went to Pace University top of my class, meaning I
• 10:14
  Speaker 5: ran it from the top.
• 10:15
  Speaker 9: I always say, can we do it from the top over? Literally,
• 10:19
  Speaker 9: what was your g p A? I think.
• 10:24
  Speaker 1: I was an alto okay great, yeah.
• 10:28
  Speaker 5: Mezzo soprano anyway, So sorry, I'm so like, I was
• 10:32
  Speaker 5: up all night last night because I am doing the
• 10:35
  Speaker 5: open call tomorrow for La La Land too. They're doing
• 10:38
  Speaker 5: the Wow they're doing this, So sorry, I'm like a
• 10:42
  Speaker 5: little like and I had to open this literally like
• 10:46
  Speaker 5: like I was like, you know, when you're like working
• 10:48
  Speaker 5: in an audition and you had to open it's kind of
• 10:50
  Speaker 5: my brain's just like all over.
• 10:51
  Speaker 10: You're like literally always auditioning, like you go out more
• 10:55
  Speaker 10: than anyone.
• 10:55
  Speaker 5: I know, No, thank you, and I think like I
• 10:58
  Speaker 5: think there the job is getting the job, and I
• 11:01
  Speaker 5: love that part of the job.
• 11:03
  Speaker 2: I think it's one of my favorite process.
• 11:04
  Speaker 5: Yes, it's process, it's process, it's rehearsal, it's process.
• 11:07
  Speaker 8: And you know it's not processed our food. No, see
• 11:10
  Speaker 8: look at that.
• 11:11
  Speaker 9: Look the brand integration is like Tigan's like butter.
• 11:15
  Speaker 3: I'd be careful because you really might have a future
• 11:17
  Speaker 3: and restaurant business.
• 11:19
  Speaker 8: Yes, stop, I mean the only restaurant I want to
• 11:22
  Speaker 8: be in is waitress.
• 11:24
  Speaker 11: Yes, opening up sugar butter flower.
• 11:30
  Speaker 9: But I love this place. I loved Hegan, I love
• 11:32
  Speaker 9: all by the way.
• 11:33
  Speaker 10: Why don't people order that?
• 11:37
  Speaker 1: I just don't get. I don't think people want to
• 11:39
  Speaker 1: eat flour.
• 11:41
  Speaker 2: I don't know that.
• 11:44
  Speaker 5: Preservatives literally literally it is. I guess like less per preservatives.
• 11:50
  Speaker 5: But I just want to say I love this place.
• 11:51
  Speaker 5: I think my favorite part about working here is just
• 11:53
  Speaker 5: your smiley faces every single freaking day.
• 11:55
  Speaker 10: You are too.
• 11:56
  Speaker 9: I love you guys a lot. I really do, from
• 11:57
  Speaker 9: the bottom of my heart.
• 11:58
  Speaker 5: You make it easy and I I am happy that
• 12:00
  Speaker 5: my survival job is something that gets me, like contact
• 12:04
  Speaker 5: with the ball, I get to practice, I get to sing.
• 12:06
  Speaker 5: I always am like, I want to be a better dancer, right,
• 12:09
  Speaker 5: I say that to everybody every morning I go. I
• 12:11
  Speaker 5: want to be a better I want to be better
• 12:12
  Speaker 5: at these dance calls. So I try to integrate that, right,
• 12:15
  Speaker 5: I try to. I'm doing across the floors almost constantly.
• 12:18
  Speaker 6: And you've been dancing on tables, You've been tangling on
• 12:21
  Speaker 6: these on these floor tops.
• 12:23
  Speaker 2: I are you play? You do the you can't stop
• 12:26
  Speaker 2: the beat?
• 12:27
  Speaker 1: Yes, and do it?
• 12:28
  Speaker 2: Do it just a little bit, a little bit, Come on.
• 12:31
  Speaker 9: The dance solow or whatever motion now that you should
• 12:37
  Speaker 9: know the rain. This guy, you can wonder if you
• 12:39
  Speaker 9: want to. But that's why if you try to hold me.
• 12:42
  Speaker 11: Down, I'm gonna and say you can't stop the bigger God?
• 12:49
  Speaker 2: Well done?
• 12:50
  Speaker 4: Can I just say?
• 12:51
  Speaker 3: And I don't know if I should say.
• 12:52
  Speaker 2: This, but sometimes we talked about this.
• 12:55
  Speaker 4: When you're around the camera, the camera makes you tell
• 12:56
  Speaker 4: the truth.
• 12:57
  Speaker 2: Okay, okay, talk about this.
• 12:59
  Speaker 10: The talk about this.
• 13:00
  Speaker 3: When you guys start singing, there is such a sexual
• 13:03
  Speaker 3: attention between you two.
• 13:04
  Speaker 10: Literally, it's like when you're not singing, it's like you
• 13:09
  Speaker 10: guys could not stand. It's like brother and sister. But
• 13:12
  Speaker 10: when you guys are singing, it's like I'm watching one
• 13:14
  Speaker 10: of those weird videos where it's like brother and sister hooky.
• 13:17
  Speaker 2: We talked about boundaries at staff meal. Yeah, we tried
• 13:20
  Speaker 2: to day.
• 13:23
  Speaker 7: It didn't work down there like that, you have to
• 13:25
  Speaker 7: try again. You don't try again.
• 13:31
  Speaker 6: I've seen so many relationships come through these walls. I've
• 13:36
  Speaker 6: seen so many ill advised hookups between Alto's and tenors.
• 13:40
  Speaker 7: That they never speak of it again. The next day.
• 13:43
  Speaker 7: You guys have to try again.
• 13:46
  Speaker 1: You got to listen to diner diner.
• 13:48
  Speaker 5: Okay, please, enough on me, Enough on you, girly, step
• 13:53
  Speaker 5: into your shine rate.
• 13:54
  Speaker 2: It is my turn step into it.
• 13:56
  Speaker 1: Okay. Hi, my name is Sam Ellie.
• 14:00
  Speaker 10: I am a bastone, one of the some of the
• 14:06
  Speaker 10: deepest voices you could ever hear. There's not a lot
• 14:09
  Speaker 10: of parts for me, and not a lot of songs
• 14:12
  Speaker 10: built for my vocal range. So but this is the
• 14:15
  Speaker 10: noise you hear over the PA system when they're looking
• 14:18
  Speaker 10: for me. I'm kind of the punk vibe. I do
• 14:23
  Speaker 10: a lot of the punk pop, punk rock songs. Green
• 14:25
  Speaker 10: Day the musical when it came out was Mike Eucharist.
• 14:29
  Speaker 10: That was My Body of Christ, if you will.
• 14:33
  Speaker 9: Or that really really low song in Hadestown.
• 14:35
  Speaker 10: Yes, why do they build too?
• 14:41
  Speaker 3: You're so vile to me because I do all the
• 14:43
  Speaker 3: you know, four seasons. I do the Frankie Valleys.
• 14:46
  Speaker 4: You do the why don't you.
• 14:51
  Speaker 9: Wow? That's honestly.
• 14:54
  Speaker 4: Durb hop bird about.
• 14:57
  Speaker 10: I don't want to be an American idiot by the media.
• 15:06
  Speaker 1: Can't stop it down. So yeah, that's a little bit
• 15:08
  Speaker 1: of Sam Kelly.
• 15:10
  Speaker 4: That's awesome.
• 15:11
  Speaker 8: And you you're working on your own piece right, Oh
• 15:13
  Speaker 8: my god, thank you Yeah, you're welcome.
• 15:15
  Speaker 10: I kea in.
• 15:17
  Speaker 2: I mean, what better time to give it the people
• 15:19
  Speaker 2: what they want?
• 15:20
  Speaker 10: Thank you.
• 15:20
  Speaker 1: This is actually such a good opportunity.
• 15:21
  Speaker 10: I'm working on my own musical. It's an original, original musical.
• 15:27
  Speaker 4: I didn't know that.
• 15:29
  Speaker 1: No, like we talk about it a lot.
• 15:31
  Speaker 10: We talk about a lot like this is literally a
• 15:33
  Speaker 10: podcasts like this, Like literally, I.
• 15:35
  Speaker 4: Didn't know you were working on something on your own.
• 15:37
  Speaker 10: No.
• 15:37
  Speaker 1: Yeah, and all of you guys have parks.
• 15:39
  Speaker 9: Wait, you didn't know.
• 15:40
  Speaker 4: I didn't know that.
• 15:40
  Speaker 1: Did you not know that?
• 15:41
  Speaker 10: I feel like I'm always told, well, the restaurant just
• 15:44
  Speaker 10: makes me idy.
• 15:45
  Speaker 2: It was in the text. It was in the text,
• 15:46
  Speaker 2: literally the text.
• 15:48
  Speaker 9: Are you on? Are you on? Molana Lives Forever?
• 15:53
  Speaker 12: I'm on how far out Googurt other one forever.
• 16:08
  Speaker 10: That was when we were going to go see Lion
• 16:10
  Speaker 10: King and you said you you were busy or you
• 16:12
  Speaker 10: were sick or something, and so we just created that threat.
• 16:13
  Speaker 1: I think we didn't even realize you were.
• 16:15
  Speaker 5: Oh I'm so pissed our manager didn't take that. By
• 16:20
  Speaker 5: the way, that was a great.
• 16:20
  Speaker 2: That I don't care item that was on there. Just
• 16:26
  Speaker 2: make it yogurt that.
• 16:26
  Speaker 10: You make it so Yes, I'm working on an original musical.
• 16:31
  Speaker 10: I'm very excited about each of you have a part.
• 16:35
  Speaker 10: And I don't want to say too much right now,
• 16:38
  Speaker 10: but it's going to change music forever. It's going to
• 16:41
  Speaker 10: change musicals and how we look at them forever.
• 16:45
  Speaker 4: In what way?
• 16:47
  Speaker 10: And I don't want to say too much, but what
• 16:51
  Speaker 10: if a musical never.
• 16:52
  Speaker 7: Stopped you forever?
• 16:56
  Speaker 9: That sounded like a threat.
• 16:57
  Speaker 10: And what if when the music ends, you can start
• 17:01
  Speaker 10: it again and it feels like you're picking up in
• 17:03
  Speaker 10: the middle.
• 17:05
  Speaker 9: So like a circle, so like songs for a new world.
• 17:09
  Speaker 10: So no, it's different, and it's going to change musicals forever.
• 17:14
  Speaker 10: I can tell you guys a little bit more about it,
• 17:16
  Speaker 10: but I don't want to take over this whole podcast,
• 17:21
  Speaker 10: just the lead taking.
• 17:27
  Speaker 1: It's you.
• 17:29
  Speaker 10: Taking you literally saw active combat. I have to put
• 17:32
  Speaker 10: you in it.
• 17:33
  Speaker 8: Is it about octave combat? No, but I just feel
• 17:36
  Speaker 8: so bad. Okay, So I actually had a really fun
• 17:42
  Speaker 8: question to get.
• 17:42
  Speaker 4: Out O yours are burning. I guess I'll introduce myself.
• 17:45
  Speaker 11: Okay, my name's Buzzy Baldwin. I love Broadway, but I'm
• 17:52
  Speaker 11: kind of a little bit more of a gossip than
• 17:54
  Speaker 11: I am when it comes to musicals.
• 17:58
  Speaker 3: You might know me as the Broadway babbler on TikTok.
• 18:01
  Speaker 3: I have lots of secrets that I divuloge.
• 18:04
  Speaker 11: The gossire dropping all the time, and I would say
• 18:06
  Speaker 11: that I worked in this diner to kind of be
• 18:08
  Speaker 11: in the middle of Times Square and.
• 18:10
  Speaker 4: Over here the things that are happening here in there.
• 18:14
  Speaker 3: I bust in from New Hampshire every morning just to
• 18:19
  Speaker 3: be amongst.
• 18:20
  Speaker 4: You wonderful guys and gals and guys and gals.
• 18:26
  Speaker 5: Who was the one that first reported that Lia Michelle's
• 18:30
  Speaker 5: cover in Funny Girl was doing a good job.
• 18:33
  Speaker 4: I did.
• 18:35
  Speaker 11: I said this just in Lia Michelle's cover doing good
• 18:38
  Speaker 11: because I was standing outside after the show and I
• 18:42
  Speaker 11: saw one person walk out and go she did pretty good.
• 18:45
  Speaker 8: Who was the one to report that Jack Black would
• 18:48
  Speaker 8: be taking over the role of Beetlejuice's dog.
• 18:51
  Speaker 4: I did that. Beetlejuice's dog is now being played by
• 18:55
  Speaker 4: Jack Black.
• 18:56
  Speaker 6: He reported that one of the supporting characters of The
• 19:01
  Speaker 6: Notebook was a little pitchy last week.
• 19:05
  Speaker 4: I did that.
• 19:06
  Speaker 3: Actually, I made that up, and someone said it's actually true,
• 19:10
  Speaker 3: and so I guess I'm a bit of a Fortunetella.
• 19:14
  Speaker 10: Who was the one that reported Lion King's gazelle who
• 19:17
  Speaker 10: was out for the count due to a gonneriea outbreak.
• 19:19
  Speaker 10: That was me and I did do that.
• 19:21
  Speaker 4: I'm so sorry to you, Jessica. I didn't know.
• 19:24
  Speaker 6: Oh, this is inside of trading. You gave the gonerriea.
• 19:27
  Speaker 3: Gosh something roun. This camera makes me tell the truth.
• 19:30
  Speaker 3: I gave Jessica the gazelle GONERIEA who hasn't.
• 19:35
  Speaker 8: Given someone gonnerieas are literally gone riea.
• 19:42
  Speaker 4: That's Broadway. Hani did no. But but I love working here.
• 19:50
  Speaker 11: This is my favorite place to be because you guys
• 19:51
  Speaker 11: are so much fun to hang out with and I
• 19:54
  Speaker 11: get to sing all the songs that you can basically speak,
• 19:56
  Speaker 11: so that's really fun.
• 19:57
  Speaker 10: Let's talk about our songs that we like to say.
• 20:00
  Speaker 5: Yeah, coverage night, Wish upon a burger. You're coming in.
• 20:03
  Speaker 5: It's what six o'clock? What are we starting with? You're
• 20:06
  Speaker 5: hearing it's a hard not life for me and Dinah.
• 20:08
  Speaker 7: You're hearing us. It's a hard knock life. It's a
• 20:12
  Speaker 7: hard not life for us. It's a hard knock for us.
• 20:18
  Speaker 1: Beauty treat.
• 20:22
  Speaker 4: Do you want me to fight for you? By the way,
• 20:24
  Speaker 4: because I'll fight for you.
• 20:25
  Speaker 2: Someone needs to want me to fight for you.
• 20:27
  Speaker 4: Let me tell you something.
• 20:28
  Speaker 9: What do you mean somebody.
• 20:30
  Speaker 10: Needs to be thinking about We've all been thinking about.
• 20:33
  Speaker 6: You.
• 20:33
  Speaker 4: Shouldn't have to get down on your knees anymore too.
• 20:36
  Speaker 11: The orphan us so hard on your knees.
• 20:41
  Speaker 6: You know.
• 20:42
  Speaker 7: I don't want you to treat me any different.
• 20:45
  Speaker 10: I have.
• 20:46
  Speaker 7: Yes, I'm older, that doesn't mean I have to stop.
• 20:49
  Speaker 2: Her knees are fine. Pull up your long skirt.
• 20:52
  Speaker 6: Let me pull up my long skirt and show you
• 20:54
  Speaker 6: my damnamelower.
• 21:02
  Speaker 2: Look like cover help? Here's for Christmas?
• 21:07
  Speaker 7: With what sally wrong with my knees?
• 21:11
  Speaker 11: Wait?
• 21:11
  Speaker 7: Look at it up clothes.
• 21:16
  Speaker 6: I'm gonna need everyone to grow up.
• 21:24
  Speaker 7: I'm gonna need everyone to grow up.
• 21:26
  Speaker 10: Dan.
• 21:26
  Speaker 9: We just keep saying, play miss Handagan, play miss handing you.
• 21:29
  Speaker 2: I want to play the word is Andy and I
• 21:31
  Speaker 2: will fight for her.
• 21:33
  Speaker 1: Is Annie. That is so Andy Andy coated.
• 21:38
  Speaker 13: Is Andy is Andy.
• 21:51
  Speaker 4: And I'm gonna fight for you again.
• 21:53
  Speaker 9: I'm gonna Okay, I checked dinas Andy.
• 21:55
  Speaker 3: We need to clean that chicken Alfredo off that any wig?
• 21:59
  Speaker 6: Yes, no, no, no, no, no.
• 22:03
  Speaker 9: No, hold on for it.
• 22:09
  Speaker 7: That is my lucky wig.
• 22:12
  Speaker 8: The wig stays you guys, If I wash it, I
• 22:18
  Speaker 8: won't remember how to sing the notes.
• 22:21
  Speaker 6: So far, every time I've sang, I've hit the notes
• 22:25
  Speaker 6: and there's ben Alfredo in the hair, and you.
• 22:28
  Speaker 7: Know what it is, remove one variable. I don't know
• 22:30
  Speaker 7: what's gonna happen.
• 22:32
  Speaker 2: It's tradition, girl.
• 22:42
  Speaker 4: I will say what my favorite things with the ensemble bell.
• 22:46
  Speaker 3: When the ensemble bell goes off and we all have
• 22:48
  Speaker 3: to sing a song about all we're doing.
• 22:50
  Speaker 5: Don't tell you it's tricky because every single table needs
• 22:52
  Speaker 5: to tip at the same time to get the ensemble.
• 22:55
  Speaker 6: We all have to close out your entire section at once,
• 22:58
  Speaker 6: and if someone hasn't ordered you, you need to very
• 23:02
  Speaker 6: very quickly shout out.
• 23:04
  Speaker 3: I want to shout out the eleven year old super
• 23:05
  Speaker 3: fans of our diner who run around to the other
• 23:07
  Speaker 3: tables tip at the same time, like trying.
• 23:10
  Speaker 4: To organize the wave in a baseball game. It's honestly incredible.
• 23:13
  Speaker 2: Those kids are the work that they put in.
• 23:15
  Speaker 4: Yeah, yeah, okay.
• 23:17
  Speaker 9: So it usually starts at six o'clock.
• 23:18
  Speaker 5: We do like a little bit of Annie if we're
• 23:20
  Speaker 5: talking the night shift, and then then we get into
• 23:22
  Speaker 5: solo solo time.
• 23:23
  Speaker 10: Yes. Usually what happens is it's this is the big misunderstanding.
• 23:28
  Speaker 10: It's not always singing. There's breaks for you to eat.
• 23:32
  Speaker 10: They're short, but there's breaks for you to eat.
• 23:34
  Speaker 9: And we have to run the restaurant.
• 23:36
  Speaker 10: We have to do our job. Our managers barely do anything.
• 23:39
  Speaker 10: But God, will we get that mic. It's game over
• 23:42
  Speaker 10: for you, hose.
• 23:43
  Speaker 3: Let's talk about the mic. We have a lot of
• 23:45
  Speaker 3: names for the mic. We call him the big One,
• 23:47
  Speaker 3: we call him, we call him King, King Loudy, We
• 23:50
  Speaker 3: have loud games for him because it's this very ornate,
• 23:53
  Speaker 3: beautiful It has led lights in it, and it shoots
• 23:56
  Speaker 3: bubbles out of the bottom every time you say.
• 23:57
  Speaker 7: In my generation, we called him the Nickson.
• 24:01
  Speaker 8: He is.
• 24:03
  Speaker 6: The mic is someone who you don't want to mess
• 24:06
  Speaker 6: with because he has the power to break or break
• 24:09
  Speaker 6: your night.
• 24:10
  Speaker 9: Thank you, Dinah.
• 24:13
  Speaker 10: That's when I'm trying to start hashtime. Dinah is andy.
• 24:20
  Speaker 4: And I'm saying you're trying to start that you've never
• 24:23
  Speaker 4: been started.
• 24:23
  Speaker 1: Guys like I'm trying to get.
• 24:24
  Speaker 5: That, and we have to talk about if we're talking
• 24:26
  Speaker 5: about the mic, then we also have to talk about
• 24:28
  Speaker 5: what goes with that mic.
• 24:30
  Speaker 9: The bread this out the song, but also sorry, we're
• 24:33
  Speaker 9: not like connecting right now sing a song together? Is
• 24:36
  Speaker 9: our accompany? Missed?
• 24:37
  Speaker 5: Who's there every single night and he's been there Floyd, Floyd.
• 24:43
  Speaker 1: Floyd is bad news.
• 24:45
  Speaker 5: Sometimes Floyd has a smile where you're like you can
• 24:48
  Speaker 5: grab me there.
• 24:48
  Speaker 2: Yeah, Yes, he's hilarious.
• 24:52
  Speaker 11: One time fld to a party after a shift and
• 24:56
  Speaker 11: I went through his house and nobody.
• 24:58
  Speaker 4: Else was there.
• 24:59
  Speaker 1: Floyd is so funny like that.
• 25:02
  Speaker 5: Yes, Boyd's funny, right, And I think like it's funny
• 25:07
  Speaker 5: that when sometimes Hill he's the one that, like, believe
• 25:10
  Speaker 5: it or not, He's the one that'll be like, I
• 25:11
  Speaker 5: don't want to play that song anymore, like you used
• 25:13
  Speaker 5: to sing such a good I believe from Book of Foreman,
• 25:16
  Speaker 5: And when Floyd was just like I don't want to
• 25:18
  Speaker 5: do it right like I remember it, and he was,
• 25:21
  Speaker 5: and we're like, great Floyd copy that, Yes, stood, Yes, understood.
• 25:25
  Speaker 8: Floyd is so loving. He is he has so much
• 25:29
  Speaker 8: care for us, Like I just know, I feel so comforted.
• 25:33
  Speaker 10: Are you crying?
• 25:34
  Speaker 8: I'm not crying, I'm just he just reminds me of
• 25:37
  Speaker 8: my time in the military.
• 25:39
  Speaker 1: Oh my god, oh you.
• 25:42
  Speaker 2: National tour, My national tour.
• 25:44
  Speaker 8: He international love Floyd, and I can tell that he
• 25:47
  Speaker 8: loves me too. It's the way he grabs me when
• 25:51
  Speaker 8: I walk by, and it's the way he embraces me
• 25:54
  Speaker 8: when I'm near the piano really tight for long. It's
• 25:57
  Speaker 8: like it's not like just like a it's not a
• 25:59
  Speaker 8: quick cock is like quite so different.
• 26:02
  Speaker 10: He's so different to me. He's mean to me. I
• 26:04
  Speaker 10: never Oh, he's like ugh in a way, Yeah, that's
• 26:08
  Speaker 10: I mean, it's offended. Every time I sing Here's to
• 26:10
  Speaker 10: the Ladies who lunch. I sing that song from a company, Yeah, yeah,
• 26:15
  Speaker 10: that's Fay, and he just goes He's kind of like
• 26:18
  Speaker 10: this the whole time.
• 26:19
  Speaker 4: You know what's funny about that.
• 26:20
  Speaker 11: I've seen it that you sing that song to stop
• 26:23
  Speaker 11: people from eating, Like it's too literal, like they want
• 26:25
  Speaker 11: to distraction from Yes, oh, I don't want to hear
• 26:28
  Speaker 11: a song about lunch while I'm eating to.
• 26:30
  Speaker 2: The ladies who lunch.
• 26:34
  Speaker 9: Oh, I love that.
• 26:36
  Speaker 5: I think I think Floyd doesn't like it because you're
• 26:38
  Speaker 5: You're one of those performers that only wants to stand
• 26:40
  Speaker 5: on top of the piano.
• 26:41
  Speaker 10: Yes, I want to be on that piano, giving it
• 26:43
  Speaker 10: my all.
• 26:44
  Speaker 7: And you want to be on the keys too.
• 26:46
  Speaker 1: Yes, and I want to be on the keys, giving
• 26:48
  Speaker 1: it my feet.
• 26:50
  Speaker 5: We use all parts of the restaurant. If you've never
• 26:52
  Speaker 5: come to Wishboneburger, like sometimes.
• 26:53
  Speaker 10: Hanging from the balcony.
• 26:55
  Speaker 5: Literally like you girl, you are always singing from the kitchen.
• 27:00
  Speaker 4: Yes, I sing.
• 27:01
  Speaker 3: I've grown accustomed to her smile from my fair lady
• 27:04
  Speaker 3: from the kitchen.
• 27:06
  Speaker 4: So if you started hearing me going, I've grown accustomed
• 27:09
  Speaker 4: to her face or whatever that song is.
• 27:13
  Speaker 6: I remember the first time you died to do that.
• 27:15
  Speaker 6: The chef was so angry, was.
• 27:18
  Speaker 10: So mad you didn't clear. That's so, but that's like
• 27:20
  Speaker 10: why we're punk Rocks.
• 27:21
  Speaker 11: And absolutely honestly, Rodrigo needs to come to terms of
• 27:23
  Speaker 11: where he works.
• 27:25
  Speaker 4: Okay, he works of singing.
• 27:26
  Speaker 8: The dear plugs are a little much.
• 27:31
  Speaker 7: My favorite is heard aloud to clear.
• 27:34
  Speaker 9: Rodri We have to tell it.
• 27:36
  Speaker 8: We have to talk about my signature song, feed me Seymour. Yes,
• 27:41
  Speaker 8: I said at one of the tables, I pretend to
• 27:43
  Speaker 8: be at one of the tables, and I love.
• 27:45
  Speaker 9: The tables as reserved and no one knows why.
• 27:47
  Speaker 2: And I'm away and I'm like, I have a fork
• 27:49
  Speaker 2: and knife and I'm like.
• 27:55
  Speaker 11: Well, and here's what's crazy watching Tristan did you have
• 27:58
  Speaker 11: to go? There's so many videos of this on TikTok.
• 28:00
  Speaker 3: He sings the song and then someone will shove food
• 28:04
  Speaker 3: in your mouth and you never miss it.
• 28:05
  Speaker 2: Note I don't stop singing.
• 28:06
  Speaker 9: It's literally crazy.
• 28:08
  Speaker 2: You put it in your cheek. Secret, A little secret.
• 28:14
  Speaker 10: Tell you.
• 28:17
  Speaker 1: Honestly.
• 28:18
  Speaker 9: Okay, we're talking about our favorite times.
• 28:20
  Speaker 5: I love going in where the hostess stand is, where
• 28:22
  Speaker 5: all the people are waiting for tables and doing.
• 28:24
  Speaker 9: God, I hope I get it. I hope I get it.
• 28:27
  Speaker 9: How many people are they seated?
• 28:29
  Speaker 1: How many boys, how many moms.
• 28:31
  Speaker 9: How many how many moms?
• 28:33
  Speaker 7: How many moms?
• 28:35
  Speaker 3: There was a three month window where punch Drunk was
• 28:37
  Speaker 3: in charge of the of our diner. And they're really
• 28:40
  Speaker 3: known for sleep no more immersive stuff, So that has
• 28:42
  Speaker 3: some really cool, interesting immersive stuff.
• 28:44
  Speaker 5: Oh Dinah, when you did the Wizard and I from
• 28:46
  Speaker 5: the Hostess stand, amazing And that was like, first of all,
• 28:50
  Speaker 5: never heard it in that key?
• 28:51
  Speaker 6: Crazy, No, it's a key that no one's ever done it.
• 28:54
  Speaker 6: It's yes, that's it and musical note no one's done.
• 29:00
  Speaker 1: Give us a little taste of it. You can't set
• 29:03
  Speaker 1: up that and not give us a little taste.
• 29:05
  Speaker 7: It's the wizard and I there is.
• 29:10
  Speaker 8: This and the song is kind of and the melody
• 29:15
  Speaker 8: is also different.
• 29:16
  Speaker 7: I love when we immerse.
• 29:17
  Speaker 6: I love when when when we put when we put
• 29:20
  Speaker 6: people on the you know the catering trays, the trays
• 29:24
  Speaker 6: that hold not to drinks, but all of the plates,
• 29:27
  Speaker 6: and we put them on them, and then they do
• 29:28
  Speaker 6: define gravity on the trays. And we always we know
• 29:32
  Speaker 6: when we call for hands, it means we need a
• 29:35
  Speaker 6: lot of hands to lift a lady up there.
• 29:38
  Speaker 9: Hands speaking of we should talk.
• 29:40
  Speaker 5: About whoa we lost it for a second their hands,
• 29:44
  Speaker 5: hands hand corner.
• 29:46
  Speaker 10: Actually, I wanted to bring up I just wanted to
• 29:50
  Speaker 10: say genuinely because because I'm not leaving, Sam, I'm not leaving,
• 29:57
  Speaker 10: don't I'm not. It's only for a day or two.
• 30:03
  Speaker 10: It's only for a day.
• 30:04
  Speaker 2: What is it?
• 30:06
  Speaker 10: I am the new face of Peloton Underwear and.
• 30:11
  Speaker 6: It's only for it's only for a day.
• 30:15
  Speaker 7: You're a spokesperson for a day.
• 30:16
  Speaker 10: I'm a spokes version for a day.
• 30:18
  Speaker 2: I'm really proud. It's a non union photo shoot.
• 30:21
  Speaker 9: Peloton has closed.
• 30:22
  Speaker 10: Yes, And so I put on the underwear and it
• 30:24
  Speaker 10: says Peloton underwear. And I'm kind of spreading my cheeks
• 30:29
  Speaker 10: and it says and it's gonna are.
• 30:32
  Speaker 7: You spreading.
• 30:34
  Speaker 1: To show show the rage of the underwear?
• 30:39
  Speaker 10: Yeah, and you say, imagine these on your bike seat?
• 30:42
  Speaker 6: What that's what we say.
• 30:50
  Speaker 7: The bike seat.
• 30:52
  Speaker 10: The idea is like it's like it's like a photo, right,
• 30:54
  Speaker 10: but the idea is like people are gonna be looking
• 30:56
  Speaker 10: at and like, dang, I'm always so uncomfortable on my
• 30:59
  Speaker 10: bike seat on my Pellot time. And you see this
• 31:00
  Speaker 10: and you go, dang, imagine you on your bike seat.
• 31:03
  Speaker 6: Is just weird that they're centering the bike seat and
• 31:05
  Speaker 6: not your own butt, Like, do you like imagine these
• 31:08
  Speaker 6: on your butt?
• 31:09
  Speaker 7: Did you anyway.
• 31:11
  Speaker 4: Where the email came from? Was it a Gmail? Was
• 31:13
  Speaker 4: it a corporate email?
• 31:14
  Speaker 1: It was a dot net email.
• 31:17
  Speaker 10: It was Peloton, dot e EU, dot Mongolia dot net.
• 31:22
  Speaker 2: Oh wow, a European and Asian tune.
• 31:26
  Speaker 6: I'm so glad Mongolia finally got in the euro.
• 31:31
  Speaker 1: It's been they've been telling you what I'm around the.
• 31:35
  Speaker 5: Big sounds to cover your shift because you know, on
• 31:39
  Speaker 5: Tuesdays I have book club.
• 31:40
  Speaker 10: Well this is and I didn't want to bring it
• 31:42
  Speaker 10: up because it's hard for me to talk.
• 31:43
  Speaker 9: About But let's stop burying the lead.
• 31:45
  Speaker 10: Just say it what and I can say, I can
• 31:47
  Speaker 10: say no, I can turn it down. But will somebody
• 31:50
  Speaker 10: cover my shift on Tuesday night?
• 31:52
  Speaker 2: This is ridiculous.
• 31:53
  Speaker 9: It's fine, you know the deal.
• 31:56
  Speaker 11: If I cover your shift, you have to do harmonies
• 31:58
  Speaker 11: on my song. You have to do harmonies on it.
• 32:00
  Speaker 2: They're so hard. You ask for so many rehearsals to
• 32:03
  Speaker 2: get it right.
• 32:04
  Speaker 4: I'm sorry, we need twelve rehearsals.
• 32:07
  Speaker 5: I can cover your ship from four to four thirty,
• 32:09
  Speaker 5: and then at four point thirty I'm doing a dance
• 32:11
  Speaker 5: class that's based on.
• 32:13
  Speaker 10: You, Gil.
• 32:14
  Speaker 2: I can't do Tuesday. Jeremy Jordan is teaching a master class.
• 32:18
  Speaker 1: Are you going?
• 32:18
  Speaker 2: Yes, it's the whole day, the whole day. It's a
• 32:20
  Speaker 2: twelve hour master.
• 32:21
  Speaker 1: What's up about it?
• 32:22
  Speaker 7: In person?
• 32:23
  Speaker 2: It's on No, it's on zoom.
• 32:25
  Speaker 10: But I have to be there with all twelve hour
• 32:26
  Speaker 10: masterclass camera on masterclass.
• 32:29
  Speaker 4: Your schedules watching?
• 32:32
  Speaker 5: You are watching Jeremy Jordan's mask's scheduled.
• 32:34
  Speaker 8: I have to watch him twelve hours class. Okay, don't
• 32:38
  Speaker 8: on Tuesday. I won't get it done.
• 32:40
  Speaker 9: Dinah, what are you doing Tuesday?
• 32:41
  Speaker 7: I have to go to the doctor.
• 32:43
  Speaker 9: Okay, we can't fuck with that.
• 32:45
  Speaker 2: I have to go to the doctor.
• 32:50
  Speaker 10: Doctor.
• 32:52
  Speaker 7: No, but I think I can wait wait wait wait,
• 32:55
  Speaker 7: there's something that's been happening with my arms that's different,
• 32:58
  Speaker 7: and can we see her almost zero? Yeah, yeah, so
• 33:02
  Speaker 7: there's something.
• 33:02
  Speaker 6: There's something I've been noticing, like a twitch, and I
• 33:04
  Speaker 6: don't know if maybe you can see it? That's your
• 33:13
  Speaker 6: what are you talking about?
• 33:16
  Speaker 9: Christmas Tree a week soon? This is okay?
• 33:20
  Speaker 7: Well, well Jesus Christ, Okay, we go.
• 33:22
  Speaker 10: To the doctor. You're not covering my ship, you know what.
• 33:25
  Speaker 1: I'm just gonna say no.
• 33:27
  Speaker 10: I'm just gonna say no because honestly, like not every opportunity,
• 33:31
  Speaker 10: like I'm waiting for that big one I'm waiting for
• 33:34
  Speaker 10: to get funding for.
• 33:35
  Speaker 2: Me, bigger than Peloton.
• 33:37
  Speaker 1: Yea, I think we're good.
• 33:42
  Speaker 3: From two to four, I'm sitting in Grand Central Terminal
• 33:44
  Speaker 3: to see I'm Sharry Scott Is to get with her husband.
• 33:48
  Speaker 4: Other than that, I.
• 33:51
  Speaker 10: Remember, you're you're actually going to the Stranger Things New
• 33:54
  Speaker 10: Music Musical.
• 33:55
  Speaker 4: I'm going to Stranger Things.
• 33:58
  Speaker 3: The first shadow, the first music note that's literally amazing
• 34:01
  Speaker 3: of the prequel.
• 34:03
  Speaker 4: I'm so excited and I'm going to be there.
• 34:06
  Speaker 10: That's great.
• 34:06
  Speaker 1: Rumor has it?
• 34:07
  Speaker 4: No Jimmy Campbell power.
• 34:10
  Speaker 10: Is coming to it.
• 34:13
  Speaker 7: No, he might be bringing his.
• 34:16
  Speaker 8: O pair Wow, oh he still has He's like thirty.
• 34:23
  Speaker 4: There it is for him. Here's a rumor the Jimmy
• 34:26
  Speaker 4: Campbell Bauer is a nine month old baby.
• 34:30
  Speaker 1: He's such a good actor.
• 34:31
  Speaker 10: If he is.
• 34:32
  Speaker 9: Who told you that?
• 34:33
  Speaker 4: I read it on the dark Web.
• 34:36
  Speaker 2: That's why his skin is so smooth.
• 34:38
  Speaker 10: Read it?
• 34:39
  Speaker 6: Yeah, read it the dark web, Reddit read it or
• 34:42
  Speaker 6: slash Broadway News.
• 34:44
  Speaker 5: Okay, I'm glad you're bringing this up because maybe we
• 34:47
  Speaker 5: can do a little bit of a trade. Because I
• 34:48
  Speaker 5: wanted to see if someone could take my shift at
• 34:50
  Speaker 5: our hand for ham Show.
• 34:51
  Speaker 1: What did you where?
• 34:52
  Speaker 9: We passed out ham Sandwich is on the street and.
• 34:53
  Speaker 4: Saying Hamton, saying Hamilton had Hambilton.
• 34:57
  Speaker 5: It's all saying Hamilton if you cack a sandwich. I
• 35:01
  Speaker 5: actually wanted to go see. My friend is doing a
• 35:04
  Speaker 5: my friend is doing a read through of a new
• 35:07
  Speaker 5: musical that's supposed to be a play in New Hampshire.
• 35:11
  Speaker 1: What how do they get funding? How did that happen?
• 35:14
  Speaker 4: Yeah?
• 35:14
  Speaker 9: Maybe I can like we could link up.
• 35:16
  Speaker 4: Yeah, you could stay at my place.
• 35:18
  Speaker 9: It's just like a two hour reading.
• 35:19
  Speaker 4: But I'm more than welcome to stay in my place.
• 35:21
  Speaker 8: Thank you you have an extra bedroom.
• 35:29
  Speaker 6: I oh, because this has been so wonderful.
• 35:55
  Speaker 5: All I meant to say is I think, like what
• 35:57
  Speaker 5: people don't realize, Yeah, we can switch.
• 35:59
  Speaker 10: Well, this is what we're trying to say. It's like
• 36:00
  Speaker 10: it's hard to juggle both things.
• 36:02
  Speaker 9: App the same time.
• 36:04
  Speaker 2: Literally, I love this job. I love it.
• 36:08
  Speaker 1: It's so fun.
• 36:09
  Speaker 10: I love all my best friends in the literal world
• 36:13
  Speaker 10: taking on this big ass applecket together. But also we
• 36:17
  Speaker 10: need to make sure that we're not tied to this
• 36:20
  Speaker 10: place so we can do bigger things. You know.
• 36:22
  Speaker 5: It's about like making sure the work we're doing is
• 36:24
  Speaker 5: tip top shape.
• 36:26
  Speaker 9: But also we can leave it any second.
• 36:28
  Speaker 8: But it's also like we have to look at the
• 36:30
  Speaker 8: good parts of this job too, Like we are like
• 36:34
  Speaker 8: kind of famous away like shows come and go, but
• 36:39
  Speaker 8: like this restaurant has been here for what like thirty
• 36:41
  Speaker 8: years ago.
• 36:42
  Speaker 5: This has been long been longer running show than some
• 36:45
  Speaker 5: of Broadway's shows.
• 36:46
  Speaker 7: Literally, most like most we are an institution.
• 36:50
  Speaker 6: This is a very important place for very important art,
• 36:54
  Speaker 6: and I'm glad that everyone here sees that.
• 36:56
  Speaker 10: Gosh Dinah is so andy right now, you're being to
• 37:04
  Speaker 10: be honest.
• 37:04
  Speaker 7: I don't know what it means.
• 37:06
  Speaker 4: And it doesn't mean anything. Is what's crazy?
• 37:08
  Speaker 6: Well, I have a limited amount of capacity that I can.
• 37:12
  Speaker 7: I can for new information. Sure do I have to
• 37:16
  Speaker 7: know this?
• 37:16
  Speaker 10: No, you're camp for that, You're camp for that, camp
• 37:20
  Speaker 10: for that, literally camp for that.
• 37:21
  Speaker 6: I know what that means. Then I feel good good.
• 37:26
  Speaker 11: I want to ask, what is a dream number you
• 37:29
  Speaker 11: guys all want to do if everything goes your way?
• 37:31
  Speaker 3: I want you to describe the performance. I want to
• 37:34
  Speaker 3: hear what you would do, how you would come out,
• 37:37
  Speaker 3: what would happen, and even what the audience would react.
• 37:40
  Speaker 5: Visionary, visionary. I'm always hearing this family meal, I'm saying,
• 37:46
  Speaker 5: I always.
• 37:47
  Speaker 3: Hear family I'm so sick of this food. I can't
• 37:50
  Speaker 3: do family meal again.
• 37:50
  Speaker 1: Come on, lentil soup.
• 37:53
  Speaker 9: It's the best thing I ever lentil soup and celsius.
• 37:55
  Speaker 6: I look that they always just and you know that
• 37:57
  Speaker 6: family meal is just whatever they have leg around that's
• 38:00
  Speaker 6: about to go bad.
• 38:01
  Speaker 7: And it's always lentil soup. It's always been that.
• 38:04
  Speaker 8: Okay, you guys, you're forgeting about the lentil soup caesadillas, yes.
• 38:08
  Speaker 5: See, and that's the visionary and every family meal we
• 38:10
  Speaker 5: get to hear like stuff come off with.
• 38:12
  Speaker 2: Tiggan's brains that I'm like fusion, baby, that's fusion.
• 38:15
  Speaker 10: Okay, what's your dream?
• 38:16
  Speaker 2: Okay, I really want to do be our guest. Like
• 38:20
  Speaker 2: we're already serving food. You guys, how are.
• 38:21
  Speaker 9: We tried this?
• 38:23
  Speaker 5: Remember they've tried this and it's like a food safety
• 38:25
  Speaker 5: thing because we can't use we can't use like plates
• 38:28
  Speaker 5: and stuff like as choreo and as a like a serving.
• 38:31
  Speaker 2: Right, but it is though that plate is a plate.
• 38:34
  Speaker 7: So we tried this. Nineteen eighty six.
• 38:36
  Speaker 6: The health inspector came in during the chorus and they
• 38:40
  Speaker 6: saw that these plates were used for singing, and they said,
• 38:43
  Speaker 6: that's not safe.
• 38:44
  Speaker 11: Health inspectors don't understand the concept of props. It's so
• 38:47
  Speaker 11: hard to teach them. This is a prop for a show. Yes,
• 38:52
  Speaker 11: this is a dish to be eaten from right.
• 38:54
  Speaker 4: There's a difference.
• 38:56
  Speaker 10: This chicken is plastic because it's a prop. Pah, we're
• 39:02
  Speaker 10: not going to serve this like I don't eat plastic.
• 39:06
  Speaker 10: I know the difference in real chicken and plastic chicken.
• 39:09
  Speaker 9: How would you cast it? If you don't mind me asking?
• 39:11
  Speaker 8: Okay, obviously bell uh lemire, yes, yes, perfect.
• 39:19
  Speaker 2: I think Dinah's Bob Bett. I think hashtag dynasty.
• 39:23
  Speaker 9: She doesn't have to get on her knees.
• 39:24
  Speaker 7: I'm in no, I can get on my knees.
• 39:27
  Speaker 9: You don't have to.
• 39:28
  Speaker 2: There's the high kicks with the other feathers and beer.
• 39:30
  Speaker 2: Yeah I could already, right, you can be closworth. How
• 39:37
  Speaker 2: about your clocksworth? Yeah, sure, cocksworth, thank you?
• 39:41
  Speaker 10: Yeah, I don't. I just want to be the writer.
• 39:44
  Speaker 10: What the idea. I'll be like pretending like I'm typing
• 39:47
  Speaker 10: the number.
• 39:48
  Speaker 7: You're the author of Beauty and the Beast as it's
• 39:51
  Speaker 7: happening like that.
• 39:55
  Speaker 1: So it's like a just cast me in whatever.
• 39:57
  Speaker 10: I guess. I guess. I can't make requests.
• 39:59
  Speaker 9: I know who Floyd's playing little priest.
• 40:01
  Speaker 10: Oh my god, Floyd is so bad to me and rude.
• 40:07
  Speaker 9: Okay, dream numbers, what about you?
• 40:08
  Speaker 5: What about you don't ran on my parfade and perfect
• 40:12
  Speaker 5: parfaid on my barfaide.
• 40:14
  Speaker 3: This is something we would only do at clothes and honestly,
• 40:17
  Speaker 3: we're open, sorry, because in the morning, everyone's coming in
• 40:20
  Speaker 3: ordering a parfe at a coffee.
• 40:22
  Speaker 4: And sometimes I'm the only one.
• 40:24
  Speaker 3: I'm the only one that opens up, and I have
• 40:26
  Speaker 3: to play piano by myself. And also, you know, I
• 40:30
  Speaker 3: just imagine, you know, just belting for one scraggly old
• 40:34
  Speaker 3: guy sitting in the corner, just munching down on his parfe,
• 40:39
  Speaker 3: just going crazy and just having this moment where the
• 40:41
  Speaker 3: song ends when a whole group of kids comes in
• 40:44
  Speaker 3: and they don't know that I just had this amazing moment,
• 40:47
  Speaker 3: but this old man he does.
• 40:48
  Speaker 9: Wow.
• 40:49
  Speaker 10: Because that's what you got to ask yourself, Like is
• 40:50
  Speaker 10: your big number a show stopper or is it a
• 40:53
  Speaker 10: tear jerker? Yeah, like that?
• 40:55
  Speaker 9: Or is it somewhere in the middle like mine?
• 40:57
  Speaker 10: What's yours?
• 40:57
  Speaker 5: Cell block, Mango Margarita, WHOA, that's good, cell block Mango Margarita.
• 41:04
  Speaker 5: And call me a team player. But just like beer Guest,
• 41:08
  Speaker 5: just like Tan, I want to do doing with everybody.
• 41:11
  Speaker 5: I want us all and I think we can think
• 41:12
  Speaker 5: workshop a little bit if you want. I want us
• 41:14
  Speaker 5: all to do monologues like under music while serving the food,
• 41:18
  Speaker 5: because sometimes it's like a safety issue. We can't sing
• 41:20
  Speaker 5: and like do table we have like either have a
• 41:23
  Speaker 5: singer or the waiter. You can't do both the same time.
• 41:25
  Speaker 5: I think with cell block Mango margarita, you could be
• 41:28
  Speaker 5: like and there I was, and then bringing the food
• 41:31
  Speaker 5: to the customer literally this, and like, I think we
• 41:34
  Speaker 5: could do more hands on stuff.
• 41:36
  Speaker 2: That makes sense.
• 41:37
  Speaker 8: I love speaking of hands on. So you know how
• 41:42
  Speaker 8: colorblind casting is a thing?
• 41:43
  Speaker 10: No what.
• 41:47
  Speaker 6: Alert alert, emergency alert. There's a Patreon you need to
• 41:51
  Speaker 6: subscribe to.
• 41:52
  Speaker 9: Hold on pause the episode.
• 41:56
  Speaker 5: Oh my god, how fun would it be to just
• 41:58
  Speaker 5: hang out with us, like maybe a weird time the day,
• 42:00
  Speaker 5: like seven am or eleven thirty pm.
• 42:02
  Speaker 7: A little peak behind the curtain.
• 42:04
  Speaker 6: This episode was recorded between nine to five, but if
• 42:07
  Speaker 6: you want to see what we're like after hours, you
• 42:09
  Speaker 6: got to join the patreon.
• 42:10
  Speaker 5: We'll recap episodes and then also we'll do weird stuff
• 42:13
  Speaker 5: like bully Jeremy.
• 42:14
  Speaker 9: We bully Jeremy.
• 42:15
  Speaker 6: We make him do twelve weeks of dancing in a row.
• 42:18
  Speaker 6: We made Patrick write an entire screenplay in one day,
• 42:20
  Speaker 6: and we're doing an Oscars draft.
• 42:22
  Speaker 2: So come on.
• 42:22
  Speaker 9: Bye, it's three bucks. See you there.
• 42:25
  Speaker 10: Bye.
• 42:29
  Speaker 2: Okay, it's go there, Go there.
• 42:30
  Speaker 10: Go there.
• 42:31
  Speaker 8: Okay, It's like colorblindcasting is like, we don't care what
• 42:33
  Speaker 8: color you are.
• 42:34
  Speaker 10: You can play the role.
• 42:36
  Speaker 8: So under those rules, I think, but what if I
• 42:38
  Speaker 8: was like purple, They literally don't care.
• 42:41
  Speaker 2: Purple people are people too.
• 42:43
  Speaker 10: You're so true and Dinah is andy color bdcasting.
• 42:50
  Speaker 8: I think with this cast we can do run and
• 42:52
  Speaker 8: til black, the lat bacon, let us avocado tomatoes, run
• 42:57
  Speaker 8: intil black.
• 42:59
  Speaker 9: The song's sings, and here the song and see all.
• 43:01
  Speaker 8: The black people singing. Attention, color blind. We're color blind, baby.
• 43:05
  Speaker 8: It's not reverse. It's just colorblind.
• 43:08
  Speaker 2: Colors. Color is color is white.
• 43:10
  Speaker 9: People singing that song. Yes, and it's about BLTs.
• 43:14
  Speaker 2: Yes, exactly.
• 43:15
  Speaker 8: That is so one of bacony of the bacon, from
• 43:20
  Speaker 8: berry to the black of the berry to the bacon.
• 43:24
  Speaker 5: Baby bacon, bacon, the baby bacon, the bacon, the bacony,
• 43:28
  Speaker 5: the ba Bacon's.
• 43:31
  Speaker 10: That's so good man, come on, Okay, Well, my dream,
• 43:37
  Speaker 10: I guess is I don't think people really see me
• 43:41
  Speaker 10: as kind of the serious artist that I want to
• 43:43
  Speaker 10: be perceived as. Sometimes, so I would get up on
• 43:47
  Speaker 10: the piano, spotlight just me the restaurant kind of like
• 43:50
  Speaker 10: comes to an awkward, tense pause because everybody's a little
• 43:55
  Speaker 10: uncomfortable with me up there in my beautiful, beautiful blue ground,
• 43:59
  Speaker 10: glown down, your blue crown, my group, my blue crown,
• 44:03
  Speaker 10: and my blue I sing somewhere that's green leaves, and
• 44:11
  Speaker 10: people believe crying somewhere that's green leaves, somewhere that's green
• 44:16
  Speaker 10: leaves from Yeah, so it's like like a butterhead. Yeah, yeah,
• 44:21
  Speaker 10: like butter or kale or most leaves are green spanach,
• 44:27
  Speaker 10: but not radicio. It's necessimally not dazing. And I got
• 44:34
  Speaker 10: hashtags specifically not because it's too bitter for me.
• 44:43
  Speaker 4: Crazy. I've usually heard it called.
• 44:46
  Speaker 10: I've literally only read it, and I really well Italian
• 44:52
  Speaker 10: double c is a chest sound, so you think you
• 44:55
  Speaker 10: guys are wrong. Anyway, So I was standing there with
• 44:58
  Speaker 10: my blue ground and my no I love that and.
• 45:02
  Speaker 9: People and your blue crown, the same color crown. It's
• 45:07
  Speaker 9: called the ground.
• 45:08
  Speaker 1: It's called the ground.
• 45:09
  Speaker 10: I bought it at the store and anyway, so everybody's
• 45:13
  Speaker 10: just tearing up and crying right when I go, like
• 45:16
  Speaker 10: a house is built on a fence somewhere just for me.
• 45:26
  Speaker 1: No, I know the song, Yeah, so weird that green.
• 45:36
  Speaker 10: That's gonna cry into their spaghetti cry in the spaghetti
• 45:40
  Speaker 10: house built think that Wait this is that was embarrassing.
• 45:45
  Speaker 10: Sorry you let that out.
• 45:48
  Speaker 9: I'm glad you felt safe.
• 45:49
  Speaker 10: To do that. Thank you, guys. I love you guys
• 45:51
  Speaker 10: so much, and I'm really excited. I'm really excited to
• 45:54
  Speaker 10: put this play up.
• 45:55
  Speaker 5: Can we talk about when you always bring the bill
• 45:57
  Speaker 5: and you sing satisfied from hereton, It's so sassy, it's
• 46:02
  Speaker 5: so sad. Honestly, we're a little secret. If you're a
• 46:06
  Speaker 5: Karen at our restaurant, you're kind of annoying. We're gonna
• 46:09
  Speaker 5: have him come sing satisfied. When you bring the bill,
• 46:12
  Speaker 5: you remember this, You remember this never for the most so.
• 46:16
  Speaker 1: You never to never be satisfied. You start writing mc gin,
• 46:19
  Speaker 1: which is really fun.
• 46:20
  Speaker 4: And I was just like, I'm always going, they're leaving,
• 46:22
  Speaker 4: and I'm going I'm the one. Who's the one, and
• 46:24
  Speaker 4: they're like running out the door.
• 46:27
  Speaker 9: I'm the one who.
• 46:29
  Speaker 10: I'm the one.
• 46:29
  Speaker 2: I'm sorry, but you are the rapper of the of
• 46:31
  Speaker 2: the crew. You are the rapper and the colt.
• 46:35
  Speaker 10: And what is your dream is?
• 46:41
  Speaker 9: And the city is my dream song?
• 46:45
  Speaker 7: Well I heard it.
• 46:46
  Speaker 6: I heard a song the other day. I heard a
• 46:49
  Speaker 6: song the other day, and you know, sometimes we don't
• 46:52
  Speaker 6: do strictly Broadway. Sometimes it's a song, it's an old
• 46:55
  Speaker 6: jazz standard or something worse.
• 46:56
  Speaker 9: For you, lucky lady. Anytime I heard a song the
• 46:59
  Speaker 9: other day that made me cry.
• 47:02
  Speaker 7: It was called levitating by this woman by the name
• 47:06
  Speaker 7: of door Lipa.
• 47:09
  Speaker 4: I'm familiar.
• 47:10
  Speaker 7: And it goes a little something like this, I've got.
• 47:13
  Speaker 6: You oon light, You're my starlight. I need you all night,
• 47:21
  Speaker 6: come on, answered me. And oh, and I want to
• 47:27
  Speaker 6: do that. I want to do that for all the people,
• 47:32
  Speaker 6: for all the people who make me feel like I'm
• 47:34
  Speaker 6: levitating each and every night.
• 47:37
  Speaker 2: Honestly, you can do it like Papa is in at
• 47:42
  Speaker 2: Mulan Rouge.
• 47:44
  Speaker 6: Is in.
• 47:45
  Speaker 2: Papa is in.
• 47:46
  Speaker 7: That's incredible news.
• 47:48
  Speaker 10: And it made you cry.
• 47:49
  Speaker 2: It made me cry.
• 47:51
  Speaker 6: I've felt things I haven't felt in years, not since
• 47:56
  Speaker 6: the owner of this restaurant, he and I parted ways.
• 47:59
  Speaker 7: Obviously, we don't have to get into buy sad love life.
• 48:03
  Speaker 10: But no, let's get into it.
• 48:05
  Speaker 4: Let's you kind of we'd love to hear about your
• 48:07
  Speaker 4: sad love life.
• 48:08
  Speaker 2: We'd love to.
• 48:10
  Speaker 7: It's very sad.
• 48:12
  Speaker 2: Why is it sad?
• 48:13
  Speaker 10: Dinah.
• 48:13
  Speaker 6: Well, Harry and I were going to renew our vows
• 48:18
  Speaker 6: in the middle of the restaurant, and then he said,
• 48:23
  Speaker 6: let me just go out for a pack of smokes.
• 48:26
  Speaker 10: Oh, it's a stereotypical thing.
• 48:29
  Speaker 7: And he got cobbled by a Times Square Elmo.
• 48:34
  Speaker 1: Cobbled.
• 48:38
  Speaker 4: They put his feet together with hammers.
• 48:43
  Speaker 10: Cobbled.
• 48:44
  Speaker 6: They turned my husband into a big show, a big
• 48:50
  Speaker 6: show that stood in the middle of Tomes Square.
• 48:54
  Speaker 10: Was never going to leave you into his shoe.
• 48:57
  Speaker 6: No, he had a terrible, filthy smoking but I didn't
• 49:00
  Speaker 6: doubt that part of it. He got waked but outside
• 49:03
  Speaker 6: and turned into a shoe. But that is New York City.
• 49:07
  Speaker 10: That's what the city.
• 49:09
  Speaker 1: I love your story about New York in the eighties.
• 49:13
  Speaker 2: The shoe crisis ripped through New York City in the eighties.
• 49:16
  Speaker 4: You describe it and then say you miss it, and
• 49:17
  Speaker 4: I go, I don't think I would.
• 49:19
  Speaker 7: No, Yeah, I miss the eighties.
• 49:23
  Speaker 2: Yes, that was beautiful.
• 49:26
  Speaker 9: Hey, you can know you have a song that you
• 49:29
  Speaker 9: want that's not an ensemble.
• 49:30
  Speaker 2: Bass song like a solo song.
• 49:32
  Speaker 1: Auntie. It is about to spread your wings. Okay, spread
• 49:35
  Speaker 1: your wing?
• 49:36
  Speaker 2: Okay, So have you guys seen Sweeney todd.
• 49:39
  Speaker 10: Have I seen it?
• 49:40
  Speaker 1: I live, breathe and eat it.
• 49:42
  Speaker 9: So what's that mean?
• 49:43
  Speaker 2: The musical about I love it? Okay, these are my fries.
• 49:50
  Speaker 2: See how they listen and then instead of scissors, it's
• 49:55
  Speaker 2: fries that I have.
• 49:56
  Speaker 10: I love that.
• 49:57
  Speaker 2: We have another idea, Edward Fryhan. It's like a double
• 50:01
  Speaker 2: it's both.
• 50:02
  Speaker 10: Yes and so I had an idea for another sweet
• 50:05
  Speaker 10: tong tongue.
• 50:06
  Speaker 2: Okay, hot potato, pretty hot hot potato, Hot.
• 50:14
  Speaker 7: Potato poto.
• 50:19
  Speaker 3: So she doesn't.
• 50:20
  Speaker 1: It ends on their table.
• 50:22
  Speaker 10: It ends on the table. Split up a with our team,
• 50:25
  Speaker 10: hot potato, moving slowly. Everybody must have a sweingty tong
• 50:31
  Speaker 10: button that they're working on.
• 50:32
  Speaker 1: Of course I do.
• 50:33
  Speaker 4: What is it?
• 50:35
  Speaker 2: I feel you lingue fe lingue. There you are your.
• 50:49
  Speaker 1: Ship that is a little small.
• 50:53
  Speaker 7: There's a little small on this one. So and lay
• 51:00
  Speaker 7: split peace, siddly split pee.
• 51:09
  Speaker 4: You don't need no crack, you.
• 51:13
  Speaker 2: Don't need no fuck Wow who yes, fuck.
• 51:25
  Speaker 14: Sdly listening peep, mom, guys, hold on, you have to
• 51:34
  Speaker 14: give this a shot.
• 51:36
  Speaker 9: You have to hear a shot in the restaurant.
• 51:40
  Speaker 10: Man she was married to the owner of the rest
• 51:51
  Speaker 10: just told us that.
• 51:54
  Speaker 13: Cobble, you're gonna listen to Dinah got a listen to
• 52:00
  Speaker 13: me listening.
• 52:04
  Speaker 7: This is very important.
• 52:07
  Speaker 6: Just because you could get cobbled doesn't mean you shouldn't try.
• 52:12
  Speaker 7: Because the way matter before he.
• 52:14
  Speaker 2: Was a shoe was beautiful.
• 52:16
  Speaker 7: Oh we were We were fucking in the walking.
• 52:18
  Speaker 9: We should sing it.
• 52:20
  Speaker 10: In the walking.
• 52:21
  Speaker 1: Where are you going?
• 52:22
  Speaker 7: Where are you going?
• 52:23
  Speaker 4: I honestly, I can't believe she didn't remember that your
• 52:26
  Speaker 4: husband was turning.
• 52:28
  Speaker 10: That was like you guys.
• 52:31
  Speaker 2: She's auditioning a lot. She's likely she's her standards.
• 52:41
  Speaker 6: I'm levitating my milky way by something something.
• 52:46
  Speaker 10: Yeah, yeah, yeah, I got you.
• 52:51
  Speaker 7: Moonlight.
• 52:52
  Speaker 2: You are my start light. I need you light.
• 52:59
  Speaker 7: Come on, I'm danced with me. I'm levitating.
• 53:04
  Speaker 10: Oh she's croque.
• 53:06
  Speaker 4: Oh my god, it's croque.
• 53:08
  Speaker 2: I would I would touch her, but I feel like
• 53:10
  Speaker 2: a motibrations.
• 53:11
  Speaker 10: Give her a.
• 53:14
  Speaker 4: CPR.
• 53:14
  Speaker 3: What do we have to do?
• 53:15
  Speaker 1: Sing her alive?
• 53:16
  Speaker 2: Did I lose my spuggety.
• 53:21
  Speaker 10: Some my cake?
• 53:25
  Speaker 2: Will I eat tomorrow from this left?
• 53:36
  Speaker 13: Oh?
• 53:36
  Speaker 7: My god, my bones.
• 53:38
  Speaker 10: I feel I feel better.
• 53:40
  Speaker 9: Wait, let's look at your knees.
• 53:42
  Speaker 10: Look at my knees. Oh, there's still to smell.
• 53:47
  Speaker 2: It's thick in the air.
• 53:50
  Speaker 10: That knee.
• 53:53
  Speaker 13: God.
• 53:55
  Speaker 4: Oh tell Brenda Peters, I saw.
• 54:00
  Speaker 10: Her with that guy.
• 54:01
  Speaker 1: No, no, we know what we have to do.
• 54:06
  Speaker 10: Five hundred twenty.
• 54:07
  Speaker 5: Five thousand, six hundred, five hundred twenty five thousand.
• 54:17
  Speaker 2: Oh wow.
• 54:20
  Speaker 1: The prop bullet prop bullet prop bullet cut.
• 54:28
  Speaker 4: Answer the question. And that's why the college show was
• 54:31
  Speaker 4: just you're for gust Chance.
• 54:34
  Speaker 2: Oh my god, that fat Chance. P h A T
• 54:39
  Speaker 2: C h A N s E got some fun stuff
• 54:42
  Speaker 2: coming up.
• 54:43
  Speaker 9: He's writing musical. We'll link it you.
• 54:47
  Speaker 4: Usual dynasty.
• 54:50
  Speaker 1: Hashtagn is and it has a fake.
• 54:54
  Speaker 9: Bullet cut prop bullet cut.
• 54:57
  Speaker 10: Bye bye.
• 54:59
  Speaker 3: Artists on Artistana Artists on Artists is an improvised Hollywood
• 55:01
  Speaker 3: round table podcast created and hosted by Kylie Braakman, Jeremy Colhane,
• 55:06
  Speaker 3: Angeli Gerraitana, and Patrick McDonald. It is a production of
• 55:09
  Speaker 3: Will Ferrell's Big Money Players and iHeartMedia Podcasts. Executive produced
• 55:14
  Speaker 3: by Matt Appadaca and produced by Alexandra Dennis and Laser
• 55:17
  Speaker 3: Vision Productions. Music by Gabrielle Ponton and edited by Connor McCabe.
• 55:22
  Speaker 3: Thunbnail art by Josh Florey and logo designed by Lucy Tomkowitz.
• 55:26
  Speaker 3: Special thanks to Samuel Curtis, and the Beautiful Dynasty Typewriter Theater.
• 55:30
  Speaker 4: The opinions expressed on this podcast do.
• 55:32
  Speaker 3: Not reflect the opinions of anyone who works on it,
• 55:34
  Speaker 3: not even the performers, because this is an improvised podcast
• 55:38
  Speaker 3: and we don't know what the heck we're talking about.
• 55:40
  Speaker 3: Full video versions of AOAOAOA are available on YouTube, so
• 55:44
  Speaker 3: please like and subscribe and leave us five star reviews
• 55:47
  Speaker 3: wherever you get your podcasts.
• 55:49
  Speaker 4: That's all for now, good night, Hollywood.
• 56:00
  Speaker 6: Uh