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Troy Ave Interview · The Breakfast Club

• 0:01
  Speaker 1: Real people, real celebrity, real time morning. Everybody is DJ
• 0:08
  Speaker 1: m Vy, Angela Ye, Charlomagne the guy. We are the
• 0:11
  Speaker 1: breakfast club special guests in the building. My name, I'm
• 0:18
  Speaker 1: good Man. I didn't do this in a while, mad, tired,
• 0:20
  Speaker 1: but good I'm black. Yeah, you need to be here
• 0:23
  Speaker 1: because you know you had to end of that going
• 0:25
  Speaker 1: nuts last week. Bro, you sold records allegedly, that's what
• 0:31
  Speaker 1: they said, thirty physical copies right now. With those numbers accurate,
• 0:36
  Speaker 1: I don't know they wasn't accurate, you know what I'm saying.
• 0:39
  Speaker 1: I think Billboard wrote like an article after about what
• 0:41
  Speaker 1: exactly happened, because you know, that was really my first
• 0:44
  Speaker 1: time going selling stuff. Like the other time I had
• 0:47
  Speaker 1: New York City the album, I put it up for
• 0:49
  Speaker 1: self for twelve hours, and in after that I put
• 0:52
  Speaker 1: it out, you know, for free on a lot of mixing.
• 0:54
  Speaker 1: It was with that pivot whatever. But this was the
• 0:56
  Speaker 1: first time I went and did it full out. I'll
• 0:58
  Speaker 1: go cap it best bout whatever. What happened was, I
• 1:01
  Speaker 1: dropped the album on Friday. Usually albums drop on Tuesday,
• 1:05
  Speaker 1: and the physical copies wasn't supposed to come out till Tuesday.
• 1:10
  Speaker 1: You feel me. So what happened was between Friday to Monday.
• 1:13
  Speaker 1: I guess sound skin is reported from Friday to Monday.
• 1:16
  Speaker 1: So from Friday to Monday, I sold like forty three
• 1:19
  Speaker 1: hundred or whatever, under forty five hundred, you know what
• 1:23
  Speaker 1: I mean, in those two days or whatever. And then
• 1:25
  Speaker 1: on the or was it on Tuesday. The thirty copies
• 1:28
  Speaker 1: that were sold, they were so illegally, Like I don't
• 1:31
  Speaker 1: give a fuck there so illegally because I just want
• 1:33
  Speaker 1: my music out. But basically it was like the mom
• 1:35
  Speaker 1: and pop stores that had them and if people came
• 1:37
  Speaker 1: and asked for them early, they were just giving them.
• 1:39
  Speaker 1: And it was really this one one store in the Bronx,
• 1:42
  Speaker 1: you know what I mean, and sold the thirty copies,
• 1:44
  Speaker 1: but shout out to them, they got my music out.
• 1:46
  Speaker 1: I ain't chipping its forty five hundred records sold a
• 1:49
  Speaker 1: flop for the independent artists first week? Hell no, hell no.
• 1:54
  Speaker 1: You gotta think like I seen everything going in the
• 1:57
  Speaker 1: uproar and all that, and it said out, so forty
• 2:00
  Speaker 1: file any records, But if I'm getting ninety five percent
• 2:02
  Speaker 1: of my bread and that within that week, from that
• 2:05
  Speaker 1: Friday to the it wasn't from Friday five, any Friday
• 2:08
  Speaker 1: to Saturday or whatever. I made a honey twenty bands,
• 2:11
  Speaker 1: you feel me, between the record sales, between thirty thousand
• 2:14
  Speaker 1: singles between you know what I mean doing hosting. So
• 2:17
  Speaker 1: like when you're independent and you really self made it,
• 2:20
  Speaker 1: self paid independent, and it don't matter, it don't matter.
• 2:23
  Speaker 1: You gotta get the slow ground, like the reasonable doubt ground,
• 2:26
  Speaker 1: like you know what I'm saying, Like they're gonna catch
• 2:28
  Speaker 1: the later and they keep picking up and picking up
• 2:29
  Speaker 1: and picking up. And at the end of the day,
• 2:31
  Speaker 1: I'm here to make money. I'm here to get the paper.
• 2:34
  Speaker 1: And now I understand what jay Z meant by can
• 2:36
  Speaker 1: you really match a triple platinum artists buck by Buck
• 2:38
  Speaker 1: with only a single gon goal? I could really match
• 2:41
  Speaker 1: a platinum artist buck by buck with not even a
• 2:43
  Speaker 1: single going goal. You feel me? Because what usually happens
• 2:47
  Speaker 1: is an artists they get a deal, and they're regular deal.
• 2:50
  Speaker 1: They get fifteen percent of every dollar a little more
• 2:52
  Speaker 1: if they hot, you know what I'm saying, And now
• 2:55
  Speaker 1: with me, I'm getting ninety five percent on every dollars.
• 2:57
  Speaker 1: So if an artists get fifteen percent of dollars, they
• 3:01
  Speaker 1: sell a million singles or whatever. They supposed to be
• 3:04
  Speaker 1: old one hundred and fifty thousand, but the record label
• 3:06
  Speaker 1: then spent two fifty three hundred to make them hot.
• 3:10
  Speaker 1: So really, what happens if they spend two fifty the
• 3:13
  Speaker 1: artists old one hundred thousand back to the label? You
• 3:15
  Speaker 1: feel me with cho you have? It don't cost me
• 3:18
  Speaker 1: nothing to make no album. I got my own producers,
• 3:20
  Speaker 1: I got my own art graphic design. Na, I don't
• 3:24
  Speaker 1: got when you got the respect. When they see you
• 3:26
  Speaker 1: coming up and they see you like you're the boy,
• 3:29
  Speaker 1: they're gonna do that with the strength same way I
• 3:31
  Speaker 1: do it. You know what I'm saying. If I see
• 3:32
  Speaker 1: somebody moving, I'm gonna do that over the loving everybody
• 3:35
  Speaker 1: you see on there, like yo, we're rocking with you.
• 3:37
  Speaker 1: What you need or shoot me back a feature or whatever.
• 3:40
  Speaker 1: You know what I'm saying, Like y'all just have five
• 3:42
  Speaker 1: in yo, whatever you need. Know what I'm saying. Yeah,
• 3:49
  Speaker 1: So what I was saying is like if I if
• 3:51
  Speaker 1: I turn around and I sell a hundred thousand records
• 3:54
  Speaker 1: or whatever, like I'm getting more money than somebody who
• 3:57
  Speaker 1: went platinum. You know what I'm saying. And I'm just
• 3:59
  Speaker 1: talking about les and singles, be moving everything. Just BSB
• 4:03
  Speaker 1: get off that coming up. Of course it's gonna sell
• 4:05
  Speaker 1: more than forty five hundred over time. But how much
• 4:07
  Speaker 1: the BSB get over that? Get we get ninety five percent?
• 4:11
  Speaker 1: You know, five percent go no, ninety percent, five percent
• 4:14
  Speaker 1: go to my lawyer, and then five percent go to
• 4:16
  Speaker 1: the distributor. But I'm so ill that I negotiated it
• 4:19
  Speaker 1: where I need to distributed it pay two point five
• 4:23
  Speaker 1: or my lawyer percentage. I pay the other two point five.
• 4:26
  Speaker 1: It's all about getting having a leverage man and do
• 4:28
  Speaker 1: what you want to do. And he's an independent artist
• 4:32
  Speaker 1: at the truest for him, meaning he doesn't ray doing radio,
• 4:35
  Speaker 1: he doesn't have help doing everything comes out of his
• 4:37
  Speaker 1: own pockets. But he pays for radio promotion, he pays
• 4:41
  Speaker 1: for touring, he pays for everything. Usually when when the
• 4:43
  Speaker 1: artist is they independent, they get a little help from
• 4:45
  Speaker 1: a label and they only get up they got a
• 4:47
  Speaker 1: little secret development deal or something like that. You know,
• 4:50
  Speaker 1: it's it's so ill that. Look, look how I came here, y'all.
• 4:53
  Speaker 1: Remember when I first started, he was like, yo, go
• 4:55
  Speaker 1: signed to a label? Sign He was like yo, how
• 4:56
  Speaker 1: long or whatever? Whatever, and then I just still here,
• 4:59
  Speaker 1: and I I stood the test of time. I stayed
• 5:01
  Speaker 1: focused on what I was gonna do. I told you
• 5:03
  Speaker 1: I'm gonna buy me. I'm gonna buy me a crib.
• 5:06
  Speaker 1: I'm gonna give me a RRI I'm gonna do. I'm
• 5:08
  Speaker 1: gonna do this thing independing. You know what I'm saying.
• 5:10
  Speaker 1: I don't get me wrong, I still want to go
• 5:11
  Speaker 1: to a major, But as he joined Venture, I want
• 5:14
  Speaker 1: to do with with Rockefeller had I want with murdered Ink,
• 5:17
  Speaker 1: with bad Boy like you know that's you have two
• 5:19
  Speaker 1: and two fifteen. Do you really need that? I mean,
• 5:22
  Speaker 1: it puts you on with me. It's like hustling. Like
• 5:25
  Speaker 1: I was a heavy hustler, So I always result everything
• 5:29
  Speaker 1: back to that. That's that's my mom frame. So if
• 5:31
  Speaker 1: I'm hustling on a honey blocks and I'm making a
• 5:34
  Speaker 1: thousand dollars a day, whatever, say I'm making a thousand
• 5:36
  Speaker 1: dollars a day off for one block. Now record label
• 5:39
  Speaker 1: gonna put me on a thousand blocks, but they want
• 5:41
  Speaker 1: to take fifty percent. I ain't tripping. That's still more money.
• 5:44
  Speaker 1: I gotta give up half, but I'm getting more money
• 5:46
  Speaker 1: instead of me getting a thousand dollars. Now I'm getting
• 5:49
  Speaker 1: what's a thousand tons five with five hundred thousand and
• 5:51
  Speaker 1: fifty thousand, whatever it is, I'm still getting more money.
• 5:54
  Speaker 1: And at the end of the day, we ain't greedy. Now.
• 5:55
  Speaker 1: People had a lot of jokes after they put that
• 5:57
  Speaker 1: out there with the sales and everything. A lot of me,
• 6:00
  Speaker 1: a lot of things, right, A lot of people commented, No,
• 6:04
  Speaker 1: it don't affect like, yeah, I come from the dirty
• 6:07
  Speaker 1: I come I come from. I'm self made and self paid.
• 6:10
  Speaker 1: I can't say that enough. The real things that affect me,
• 6:13
  Speaker 1: like jokes and all that that don't affect me. That's
• 6:16
  Speaker 1: to me. That's like it's like I'm like Jackie Robinson
• 6:19
  Speaker 1: and a racist fan, you know what I mean? Hey,
• 6:21
  Speaker 1: or whatever, Michael Jordan when you see him putting his
• 6:24
  Speaker 1: hand up and it's somebody in the crowd, you whatever,
• 6:26
  Speaker 1: it don't matter at the end of the day, because
• 6:28
  Speaker 1: if you look up at the skull board, I'm still winning.
• 6:30
  Speaker 1: You feel if I was broke, or if I was
• 6:33
  Speaker 1: if I if the show started slowing up, or I
• 6:36
  Speaker 1: just came from my I'm dead tired, you know what
• 6:38
  Speaker 1: I mean. But I know I gotta work. It's a
• 6:40
  Speaker 1: big platform. I gotta be here. You know what I'm saying.
• 6:43
  Speaker 1: I just came from Miami. Ain't my life. He ain't crazy,
• 6:46
  Speaker 1: like crazy about with your confidence. But I also think
• 6:51
  Speaker 1: I'm gonna taking the crazy part not to catch you up.
• 6:53
  Speaker 1: I've seen somebody say, y'all, I don't like Joe EV
• 6:56
  Speaker 1: because he's too confident with type No. I seem too.
• 7:00
  Speaker 1: But I was like, all right, people had it on.
• 7:01
  Speaker 1: When somebody say too confident, that don't make no sense
• 7:04
  Speaker 1: to me. That's just other people's insecurities. That's me shying
• 7:08
  Speaker 1: a spotlight on it because of my confidence, you know
• 7:10
  Speaker 1: what I'm saying, And it's making them insecure, like it
• 7:12
  Speaker 1: don't What happens is they try to like you, try
• 7:15
  Speaker 1: to tear choy av Dan. It's like, you gotta look
• 7:17
  Speaker 1: at the people that's writing stuff. It's either people that
• 7:20
  Speaker 1: I came in contact with and for whatever reason, they
• 7:23
  Speaker 1: don't like me for a personal reason, so it's a bias,
• 7:26
  Speaker 1: you know what I mean, or whatever they call you,
• 7:28
  Speaker 1: they call you Troy Average. I had a song I
• 7:31
  Speaker 1: heard somebody called me CHOI average. Well, let me tell
• 7:33
  Speaker 1: you about this average to the Ford. What I say,
• 7:38
  Speaker 1: I'm talking to the four new holes on the average,
• 7:40
  Speaker 1: and it ain't a half to domb on an average.
• 7:43
  Speaker 1: Every show I get it down on an average, and
• 7:45
  Speaker 1: my downs about eighty one carriage. You know what I'm like,
• 7:48
  Speaker 1: It don't affect me. You gotta think when these people
• 7:52
  Speaker 1: tear down Choyav, it's like, who else do we got
• 7:55
  Speaker 1: from the city that's doing it this way? You tain't.
• 7:58
  Speaker 1: You ain't just trying to tear down me, trying to
• 8:00
  Speaker 1: tear down the generation of people. You want them to
• 8:02
  Speaker 1: lead and follow somebody else. You want them to be
• 8:04
  Speaker 1: drug addicts, or you want them to have I represent ambition.
• 8:08
  Speaker 1: I represent grinding, coming coming from the bottom, when people
• 8:11
  Speaker 1: tell you can't do nothing. You can't now, you ain't
• 8:14
  Speaker 1: gonna be this or you ain't gonna be that. Y'all
• 8:15
  Speaker 1: all went through the same struggle. Look at the platform
• 8:17
  Speaker 1: and each other. Had you feel what I'm saying, Like
• 8:19
  Speaker 1: everybody came from I'm pretty sure Amby had to carry
• 8:22
  Speaker 1: crates or whatever. You know what I'm saying. People got
• 8:24
  Speaker 1: more pride than money, and I'm willing to take risks.
• 8:27
  Speaker 1: I put my pride to the side. I put my
• 8:29
  Speaker 1: money with my mouth is I put my work ethic,
• 8:32
  Speaker 1: I sacrifice to be where I'm at. So for somebody
• 8:35
  Speaker 1: to try to tear me down and slam to me,
• 8:37
  Speaker 1: it's like damn me, like modern day slavery, like you
• 8:40
  Speaker 1: know what I'm saying, Like to the point where they say, um,
• 8:43
  Speaker 1: you know what Troy as doing too much? He's not
• 8:46
  Speaker 1: like a humble or a type of a yes of
• 8:49
  Speaker 1: bass typing, you know what I'm saying, So we need
• 8:51
  Speaker 1: to tear him down, you know what I mean? Not
• 8:53
  Speaker 1: comparing myself to Malcolm Mamatin, but they told that, they
• 8:56
  Speaker 1: told him down Michael Jordan, definitely, because they're great. Shit,
• 9:02
  Speaker 1: you better get pay yourself to the grace if you
• 9:04
  Speaker 1: want to be great. But do you think part of
• 9:05
  Speaker 1: its comments that you've made about other artists too in
• 9:07
  Speaker 1: the past, because people have been be dealing facts, I'll
• 9:10
  Speaker 1: be dealing. I never even like Colin, Kendrick Lamar or Weirdo.
• 9:14
  Speaker 1: And I know you ask me if I think Kendrick
• 9:16
  Speaker 1: Lamar is a widow one of my one of my
• 9:18
  Speaker 1: pos at the end of the day, at the beginning
• 9:20
  Speaker 1: and end of the day, when you independent and you
• 9:23
  Speaker 1: like I am, I don't. Nobody built me up, so
• 9:26
  Speaker 1: can't nobody tear me down? So I don't. I'm not
• 9:28
  Speaker 1: held to the same restraints as artists on a major
• 9:31
  Speaker 1: who might not be able to say something because they're
• 9:32
  Speaker 1: on that label with that person, or they might need
• 9:35
  Speaker 1: this person for a feature. So let me dance around
• 9:38
  Speaker 1: and be politically correct like I just dealing facts. Smike
• 9:41
  Speaker 1: say Choyavis Dawskin, that's a fact. I can't get mad.
• 9:44
  Speaker 1: You can't get mad as Smike for reporting the news.
• 9:47
  Speaker 1: You know. I never said Kendrick Lamar was whacked. He
• 9:49
  Speaker 1: made whack music. I just said, they said, you think
• 9:51
  Speaker 1: Kendrick Lamar's a widow. I said, yeah, he's a widow,
• 9:54
  Speaker 1: and that was it. I ain't saying in a malicious
• 9:56
  Speaker 1: way because I don't care. At the end of the day,
• 9:58
  Speaker 1: you could be a widow. I don't care what you
• 10:00
  Speaker 1: are as long as don't affect me and mind, I
• 10:02
  Speaker 1: don't care. That's the only reason people are slandering the
• 10:05
  Speaker 1: way that is. Nah, they try. They trying to tell
• 10:09
  Speaker 1: me down because I represent everything that they not and
• 10:13
  Speaker 1: and my and my my confidence that makes them become
• 10:17
  Speaker 1: insecure because if you got people like me who ain't
• 10:20
  Speaker 1: afraid to say, Yo, I'm that, which Lebron said, He's
• 10:24
  Speaker 1: he's gonna win because he's the best in the world,
• 10:26
  Speaker 1: and it was an uproar. Why you can't say that
• 10:28
  Speaker 1: when Michael Jordan don't think you should have said that? Everybody?
• 10:32
  Speaker 1: Why not? I think why not? I think you should
• 10:34
  Speaker 1: allow other people to speak for you. You can't. You
• 10:38
  Speaker 1: can't because what if they don't speak for you, then
• 10:40
  Speaker 1: what if they don't speak for you, then what does
• 10:41
  Speaker 1: that mean? Hell no, you got you gotta put you
• 10:45
  Speaker 1: gotta put that out there. When Little Wayne was saying
• 10:47
  Speaker 1: he the best rapper in the world or the best
• 10:49
  Speaker 1: rapper alive minus jay Z being alive, if he didn't
• 10:52
  Speaker 1: say that, I wouldn't have been thinking that. And then
• 10:54
  Speaker 1: what happened. Little Way end up be getting hot and
• 10:55
  Speaker 1: he became the best rapper to a lot of people.
• 10:58
  Speaker 1: You know what I'm saying. Sometimes you can't wait for
• 11:00
  Speaker 1: somebody to give you a Just dude, you gotta take
• 11:02
  Speaker 1: it it. Feel me. It works when you got the
• 11:04
  Speaker 1: actions behind it to prove it. You got it. You
• 11:05
  Speaker 1: gotta keep working. You can't just say it. You gotta
• 11:07
  Speaker 1: have to work. You got you gotta have a work ethic.
• 11:09
  Speaker 1: But when you know, when you know what you're gonna be,
• 11:11
  Speaker 1: you do that. You put it out there. I remember
• 11:13
  Speaker 1: I was talking the meat shout shout the Meek. I'm
• 11:15
  Speaker 1: talking to meet and I'm like, we're talking about just
• 11:18
  Speaker 1: rappers in the same bunch of chucks or whatever, and
• 11:22
  Speaker 1: they don't got. I don't talk about nothing. I don't
• 11:23
  Speaker 1: got And then I was like, yeah, I don't even
• 11:26
  Speaker 1: be talking about having Ferrari's lamb. I'm getting the Arrari
• 11:29
  Speaker 1: me and you was talking Yeah. I was like, I
• 11:34
  Speaker 1: was like, yeah, I don't be like that, and Meek
• 11:37
  Speaker 1: was like, man, I ain't gonna friend. I did, but
• 11:39
  Speaker 1: that's because I knew I was gonna get it. I
• 11:40
  Speaker 1: knew I was gonna be that. I knew I was
• 11:42
  Speaker 1: gonna have that. I was talking about, you know what
• 11:44
  Speaker 1: I mean, And you put it out in a universe,
• 11:46
  Speaker 1: and if you go hard and get after it, it's
• 11:48
  Speaker 1: gonna happen. So a lot of other artists do show
• 11:51
  Speaker 1: your respect and have been working with you, wanted to
• 11:53
  Speaker 1: collaborate with you, time with you. Yeah, But for some reason,
• 11:57
  Speaker 1: I don't know why your haters are so vocal, Like
• 11:58
  Speaker 1: I go online just because of the attitude, which is
• 12:07
  Speaker 1: I'm not coying. I'm confident. Man. I know. I'm not
• 12:09
  Speaker 1: saying that I could do nothing that I can't do
• 12:11
  Speaker 1: or that I haven't been doing. I told everybody I
• 12:13
  Speaker 1: was gonna restore the feeling in my city. I did
• 12:16
  Speaker 1: that on the last album. I like the New York
• 12:18
  Speaker 1: to but a lot of people from New York feel
• 12:20
  Speaker 1: like you didn't. They're like, what have you done to restort?
• 12:22
  Speaker 1: What have I done that? I just I saved the
• 12:24
  Speaker 1: whole generation of people from being drug addicts and turning
• 12:27
  Speaker 1: up and winning tight pants and feeling like they gotta
• 12:30
  Speaker 1: they can't be, they can't have hometime town pride. That's
• 12:34
  Speaker 1: what I did. I look and I sound like New York,
• 12:36
  Speaker 1: and I kept it one hunting all the way through,
• 12:38
  Speaker 1: and you feel me in and all that out and
• 12:41
  Speaker 1: and majority I get a majority of support. So that's
• 12:43
  Speaker 1: why I ain't another chipping. You know what I'm saying.
• 12:45
  Speaker 1: People from wearing tight pants. You got, I mean you
• 12:48
  Speaker 1: got to, because look, look if you start dressing feminine,
• 12:52
  Speaker 1: what's next. Listen, man, that's crazy. Anything that happened I
• 12:59
  Speaker 1: gotta stack all about Troy av scared that his son
• 13:02
  Speaker 1: might be gay. No, I didn't even have a son
• 13:05
  Speaker 1: when they wrote that. Yeah, I know what they were.
• 13:07
  Speaker 1: You were doing a lot of tweets about like okay yo,
• 13:09
  Speaker 1: that's another thing. They'd be digging up my tweets from
• 13:12
  Speaker 1: two thousand and eleven tho type of stuff. Like it's
• 13:16
  Speaker 1: case said, I said, Kanye rust ain't fly. Somebody just
• 13:18
  Speaker 1: dug it up and put it out there, like all right,
• 13:21
  Speaker 1: Like what do they hope they trying to? I'm telling you,
• 13:23
  Speaker 1: they just trying to tear troy As down. You're committing
• 13:26
  Speaker 1: a very dangerous crime right now. You gotta do this
• 13:27
  Speaker 1: with the nikes on. First of all, I'm gonna tell
• 13:29
  Speaker 1: you about that because I'm gonna tell you it's so ill.
• 13:32
  Speaker 1: It's so ill that you don't even know where that
• 13:34
  Speaker 1: came from. As me, I'm the one who put that
• 13:36
  Speaker 1: out there. You can't mix and match brands. I put
• 13:38
  Speaker 1: that out there. You could check the video. It's from
• 13:41
  Speaker 1: like three four years ago. But now it's certain sneakers
• 13:44
  Speaker 1: that you could wear. You can put the camera on. These.
• 13:46
  Speaker 1: These ain't regular sneakers. It's certain classic joints. These are
• 13:49
  Speaker 1: the hot Top Air Force ones. They're a little more
• 13:51
  Speaker 1: money than the low top. I wouldn't do the low top,
• 13:53
  Speaker 1: you feel me, or certain Jordan brands. You could do
• 13:56
  Speaker 1: this like I'm one of the flies ones moving. You
• 13:58
  Speaker 1: know what I'm saying, And I ain't saying that way.
• 14:00
  Speaker 1: I'm just dealing in facts. I got people wearing check
• 14:03
  Speaker 1: pains from Adidas and this is from Wexu was saying
• 14:06
  Speaker 1: that this is Wexa Thedidas saying sales have spiked in
• 14:09
  Speaker 1: the Dida's track pains since we did a deal with Troya.
• 14:12
  Speaker 1: I just dealing facts. I like to keep it black
• 14:14
  Speaker 1: and white. No, no, they checked the soccer pains. Paul
• 14:18
  Speaker 1: Chack sus, I ain't got people wearing those. I ain't
• 14:20
  Speaker 1: gonna chuck you like I've been doing that. But the
• 14:23
  Speaker 1: soccer uniform wasn't nobody win. That wasn't nobody wining soccer jerseys,
• 14:26
  Speaker 1: you feel me? And then I came through burning it up.
• 14:29
  Speaker 1: But yeah, you can wear Adidas with UH with hot top,
• 14:33
  Speaker 1: air Force ones with the strap or like Jordan's and
• 14:36
  Speaker 1: stuff like that. But you can't just be wearing on
• 14:38
  Speaker 1: Nikes with a regular Nike check. You can't wear amats.
• 14:42
  Speaker 1: Now you can't. That's just a note. That's no bueno.
• 14:45
  Speaker 1: You gotta get some shell toes and just keep it cool. Man. Now,
• 14:48
  Speaker 1: how did you in fifty end up making amends? Because
• 14:51
  Speaker 1: I know at first he felt a little bit weary, like, Okay,
• 14:53
  Speaker 1: this guy's try nails that whole thing up. Man. Now Nah,
• 15:01
  Speaker 1: look who's up? Man? Look Look at that Bill cubing
• 15:06
  Speaker 1: on his drinks were getting money? Man? But how did
• 15:09
  Speaker 1: that come about? Like? How did you and fifty end
• 15:11
  Speaker 1: up having a conversation and I know now you're supposed
• 15:13
  Speaker 1: to do some dates with him, possibly from the road,
• 15:15
  Speaker 1: did a song together. How did y'all finally make some amends?
• 15:18
  Speaker 1: It was just it was it was actually at like
• 15:20
  Speaker 1: your own like a Chris Brown concert at the Barkleys,
• 15:25
  Speaker 1: And um, I was supposed to come out. I end
• 15:28
  Speaker 1: up getting it a little late or whatever because I
• 15:29
  Speaker 1: found our last minute. So Paul, I mean when I
• 15:32
  Speaker 1: get to the spot, yeah, Barkleys. When I get to
• 15:35
  Speaker 1: the spot, I see fifty in a joint in um
• 15:40
  Speaker 1: whatever that underground job whatever it is. Job were joint
• 15:43
  Speaker 1: and on parking the parking lot, indoor, the arena. And
• 15:46
  Speaker 1: then like I'm the type of person you ain't gonna
• 15:48
  Speaker 1: hear like I don't. If somebody had a problem with me,
• 15:51
  Speaker 1: it ain't gonna be like I'm not gonna be in
• 15:53
  Speaker 1: the same room as them and and know nothing happened,
• 15:55
  Speaker 1: or you know what I'm saying, Like I don't. Just
• 15:57
  Speaker 1: I ain't a passive person, you feel me. And that's
• 15:59
  Speaker 1: probably another reason why I get I began some slacks sometimes,
• 16:03
  Speaker 1: but I mean, I'm confident whatever. So anyway, after the
• 16:07
  Speaker 1: whole thing, you know, with the with the gun in
• 16:09
  Speaker 1: a in a Lloyd Banks and then whatever, and then
• 16:11
  Speaker 1: y'all asked me how it felt or whatever, and then
• 16:14
  Speaker 1: M fifty says something I got on who it was.
• 16:16
  Speaker 1: I said, Man, when I see his I'm gonna pull
• 16:18
  Speaker 1: them to the side. I gotta chop it up, like
• 16:20
  Speaker 1: real talk, like you know what I'm saying, which is
• 16:22
  Speaker 1: a very dangerous thing to situations. I mean, it's it's
• 16:25
  Speaker 1: dangerous for some people like but I ain't. I ain't
• 16:27
  Speaker 1: a coward, you know what I'm saying, And I know
• 16:29
  Speaker 1: who I am. So when when I seen him, like
• 16:33
  Speaker 1: I just had real talk, I pulled him to the
• 16:35
  Speaker 1: side and then we kicked it. Because that's more than
• 16:38
  Speaker 1: anything fifty was that that was my favorite rapper growing up.
• 16:41
  Speaker 1: You feel me? So like for that type of that happened,
• 16:44
  Speaker 1: I felt like, Yo, you're supposed to embrace me, you
• 16:46
  Speaker 1: feel me, you know what I'm saying. And he was like, Yo,
• 16:49
  Speaker 1: you know what you You're right. It was other ship
• 16:51
  Speaker 1: moving around that happened with that, you know what I mean.
• 16:53
  Speaker 1: And it wasn't the energy wasn't directly towards me. And
• 16:56
  Speaker 1: he said, matter fact, you know what, take my number,
• 16:58
  Speaker 1: hit me tomorrow, whatever whatever. So I'm going through the airport.
• 17:01
  Speaker 1: I hit him. We end up talking for like forty
• 17:03
  Speaker 1: five minutes, a forty five minute conversation, and end up
• 17:05
  Speaker 1: till a fifteen thousand dollars check. I ain't really yeah no,
• 17:13
  Speaker 1: I ain't really asking no questions. I was you sometimes
• 17:16
  Speaker 1: sometimes you just gotta close your mouth and open your ears,
• 17:18
  Speaker 1: you know what I'm saying, especially with somebody that been
• 17:21
  Speaker 1: in the game, that you respecting and have been doing anything,
• 17:24
  Speaker 1: you know what I mean. So it wasn't a lot
• 17:25
  Speaker 1: of questions. I was just kicking it with him, just regular. Really,
• 17:29
  Speaker 1: I'm gonna put your soul on power, you know what
• 17:30
  Speaker 1: I'm saying, Like what you're doing, et cetera, et cetera.
• 17:33
  Speaker 1: And then you know, we just took it from then
• 17:35
  Speaker 1: and forging relationship and then and then once like I've
• 17:38
  Speaker 1: been consistent no matter if fifth says something that I
• 17:40
  Speaker 1: think it was funny or whatever, I'm gonna hunt it, man,
• 17:43
  Speaker 1: I'll keep it all the way rail. So I'm like,
• 17:44
  Speaker 1: all right, whatever he said that, but regardless of anything,
• 17:47
  Speaker 1: that's still my favorite rapper, and that's who influenced me
• 17:50
  Speaker 1: to be doing what I'm doing now getting all this
• 17:52
  Speaker 1: money where I'm at. And then what happened to me
• 17:54
  Speaker 1: and went to dinner, I mean with the dinner, we
• 17:56
  Speaker 1: went at the spot that you be at. You be
• 17:58
  Speaker 1: in my spot? Yeah, yeah, I just shout in my spot.
• 18:04
  Speaker 1: So I said, I can't go there and to the
• 18:06
  Speaker 1: spot now. So I'm like, what come ahead, yo, I go.
• 18:13
  Speaker 1: I go to the spot. And then we just said
• 18:16
  Speaker 1: he like, man, it's some flies or whatever. I'm like, yeah,
• 18:18
  Speaker 1: I said, I I just just how I showed gratitude.
• 18:21
  Speaker 1: You know what I'm saying, Like you influenced me, whether
• 18:24
  Speaker 1: you realize it or not, indirectly or whatever, and that
• 18:27
  Speaker 1: got me on it where I am now to be
• 18:29
  Speaker 1: doing what I'm doing. So at least I could do
• 18:31
  Speaker 1: is take you to dinner and were just shopping it
• 18:33
  Speaker 1: up and we blt from there. You know that's funny,
• 18:35
  Speaker 1: you said, because you know you can always tell when
• 18:36
  Speaker 1: hip hop people come to this pocket. The first thing
• 18:38
  Speaker 1: when I go there, the first thing they said was,
• 18:39
  Speaker 1: oh yeah, Troy, I was here. I'm like, you just here,
• 18:43
  Speaker 1: you can spot in Cologne. Man stayed up. I see
• 18:46
  Speaker 1: a lot of people also give you flat man, because
• 18:48
  Speaker 1: they said you haven't lived what you rap about. They
• 18:50
  Speaker 1: say the whole dope boy Troy thing, it's a farce.
• 18:53
  Speaker 1: If it's a farce, where did the money come from?
• 18:57
  Speaker 1: When I first came on Breakfast Club, I had a Rolex?
• 19:00
  Speaker 1: Where you get it from? I had a Jesus Peace
• 19:02
  Speaker 1: where you get it from? I was driving at me,
• 19:04
  Speaker 1: say now whatever, you know what I'm saying, But like,
• 19:12
  Speaker 1: where do the money? You can't fake the money. That's
• 19:15
  Speaker 1: one thing you can't fake. Dug No, I'm good man,
• 19:18
  Speaker 1: I live. I live a good lifestyle. We're selling the streets.
• 19:20
  Speaker 1: Don't get me wrong, but we don't. At the end
• 19:22
  Speaker 1: of the day, I'm blessed. I pray to God and
• 19:25
  Speaker 1: once you once you on God's side. I don't never
• 19:28
  Speaker 1: start no conflict. I always I'm always gonna win because
• 19:31
  Speaker 1: I don't never start them. But I finished everything. That's
• 19:33
  Speaker 1: a fact though, So when I know I'm blessed or whatever,
• 19:36
  Speaker 1: whatever I say, whatever I do, I'm I'm always right.
• 19:39
  Speaker 1: You know what I'm saying and not saying I'm right
• 19:41
  Speaker 1: because I'm kacky. But I got God on my side,
• 19:44
  Speaker 1: I ain't. I don't start nothing. I never started nothing
• 19:47
  Speaker 1: since I was a name, probably like high school. I
• 19:49
  Speaker 1: used to be in at the bullsh start and robbing,
• 19:51
  Speaker 1: the type of dump. But after that, man, right is
• 19:54
  Speaker 1: right and wrong is wrong. Now, do you have any
• 19:56
  Speaker 1: idea what these numbers are gonna be like when they
• 19:57
  Speaker 1: come out? No, I don't, maybe like maybe like seven
• 20:03
  Speaker 1: eight thousand, maybe seven. I don't know what the hard
• 20:05
  Speaker 1: copies is because you know, I'm independent, so we don't
• 20:08
  Speaker 1: shipped like how I think usually labels might ship fifty
• 20:11
  Speaker 1: thousand hard copies with anything transformed digital. So we only
• 20:15
  Speaker 1: did a few mom and pop stores and a few
• 20:17
  Speaker 1: best bards, so they might have shipped. They might have
• 20:20
  Speaker 1: shipped six hundred copies altogether. Of the of the hard
• 20:23
  Speaker 1: copies because the majority of people streaming it on Spotify,
• 20:27
  Speaker 1: like I didn't I made. I probably made at first
• 20:30
  Speaker 1: it was fifteen bands or for Spotify streaming or for
• 20:33
  Speaker 1: the reggord Doudo, you know what I'm saying. So like
• 20:35
  Speaker 1: like the streaming, this is real, this new age streaming
• 20:39
  Speaker 1: and downloading, it is real, you feel me? And at
• 20:41
  Speaker 1: the end of the day, to be honest, New York
• 20:44
  Speaker 1: City not even made you without a deal. That was
• 20:46
  Speaker 1: supposed to be a mixape I supposed to get. I
• 20:49
  Speaker 1: was supposed to get hit did that pifth? I was
• 20:51
  Speaker 1: supposed to get a little bag with all those appearances
• 20:54
  Speaker 1: on it. Yeah, it filled out later on. That's supposed
• 20:57
  Speaker 1: to be white Christmas three and the end up feeling
• 20:59
  Speaker 1: you know what I mean, and people I was chucking.
• 21:02
  Speaker 1: I was like, let me get it right. The only
• 21:03
  Speaker 1: reason I ain't drop it around Christmas tithe was because
• 21:06
  Speaker 1: what I didn't know, Like you know, we're going as
• 21:08
  Speaker 1: we learn, iTunes shut down at a certain date and
• 21:12
  Speaker 1: you can't get it on iTunes or whatever. So what
• 21:14
  Speaker 1: I like to do is I usually would put it
• 21:16
  Speaker 1: on iTunes for twelve hours from twelve am and then
• 21:19
  Speaker 1: twelve pm. You get it downloaded for free. So they
• 21:22
  Speaker 1: shut down on me and everybody left the office for
• 21:24
  Speaker 1: the holiday season, and I couldn't put it out. So
• 21:26
  Speaker 1: I was a guy. Let me just waiting, you know,
• 21:28
  Speaker 1: Neils and hope like, man, it don't matter. It's gonna
• 21:30
  Speaker 1: wait for it, and it's gonna be They're gonna be
• 21:32
  Speaker 1: happy when they when they get it. It's like you're
• 21:33
  Speaker 1: waiting for a rod and you mattered person probably finally
• 21:37
  Speaker 1: showed me like, man, I took your solong and are
• 21:38
  Speaker 1: you happy? You ready to go? So I knew what
• 21:41
  Speaker 1: I had with that in White Christmas made you without
• 21:44
  Speaker 1: a deal was supposed to be White Christmas. I was
• 21:45
  Speaker 1: only supposed to get fifteen to twenty back bands for that,
• 21:49
  Speaker 1: you know how that go on a little debt pith
• 21:50
  Speaker 1: or live mix sape, and I just held out and
• 21:54
  Speaker 1: I end up made almost ten times that you feel me?
• 21:58
  Speaker 1: So this chest not checkers, and this is a marathon,
• 22:01
  Speaker 1: not a race. There's a period of time when it
• 22:04
  Speaker 1: seemed like TI was gonna sign you, and he had
• 22:06
  Speaker 1: even said that y'all were in talks and had a
• 22:08
  Speaker 1: rebel agree dog and that didn't work out. So, um,
• 22:12
  Speaker 1: what is your situation now with Ti. Is it something
• 22:14
  Speaker 1: that you're still talking about or is it a big
• 22:16
  Speaker 1: Tia my dog. Like any type of I'm a loyal person,
• 22:20
  Speaker 1: So any type of business move, I'll make you know
• 22:22
  Speaker 1: what I mean, even if because TI extended his hand
• 22:26
  Speaker 1: and and like, I don't never take none for granting.
• 22:28
  Speaker 1: I don't. Kids might give me a piece of bread
• 22:30
  Speaker 1: when I ain't have nothing. I don't never, I ain't
• 22:32
  Speaker 1: gonna never burn bread. He probably got burgers shout to
• 22:37
  Speaker 1: his new restaurant scale nine to five. I think I
• 22:40
  Speaker 1: hope I said it right, but yeah, it might give
• 22:42
  Speaker 1: me a piece of bread when I ain't gonna turn
• 22:43
  Speaker 1: around and say that was only a piece of bread.
• 22:46
  Speaker 1: I never forget that. And they got my loyal tie forever.
• 22:48
  Speaker 1: So whenever I'm making a business move, I'm I'm gonna
• 22:51
  Speaker 1: hit tip, yo, tip, what's up? We think I should
• 22:53
  Speaker 1: do this or whatever? And right now he said, Yo,
• 22:56
  Speaker 1: it's trying to get a joint venture or whatever. You
• 22:57
  Speaker 1: know what I'm saying. So we're just gonna figure it out.
• 23:00
  Speaker 1: No matter what type of business I do. I'm about
• 23:02
  Speaker 1: to um, well, I ain't gonna say what I'm gonna
• 23:04
  Speaker 1: do because the contract getting away in yet. But it's
• 23:06
  Speaker 1: a type of ways to get money. Like I'm learning
• 23:08
  Speaker 1: that when I when I first started doing his music,
• 23:11
  Speaker 1: I was focused on Yo, I'm gonna I'm gonna get
• 23:14
  Speaker 1: on stage. I'm gonna do some shows. I'm gonna get
• 23:17
  Speaker 1: some bitches, IM get a nice car, I'm gonna get
• 23:20
  Speaker 1: a little fame, and I'm gonna just have money. But
• 23:23
  Speaker 1: I ain't know. Look, I had a billboard and in
• 23:26
  Speaker 1: all throughout New York, I got commercials on on on
• 23:30
  Speaker 1: TV for Sean john My video permitting Tom Square. I'm
• 23:35
  Speaker 1: doing endorsement deals with with liquors and clothing companies. That's
• 23:38
  Speaker 1: because I'm hot, you know what I'm saying. The hottest
• 23:41
  Speaker 1: artists don't always sell the most amount of records. That's
• 23:44
  Speaker 1: a fact. Though. You think your sales have been high
• 23:46
  Speaker 1: on a major label, Yeah, hell yeah, definitely, because they would.
• 23:49
  Speaker 1: They would have spent They probably would have spent. Envy
• 23:52
  Speaker 1: noticed because he had a and oh I heard, I
• 23:55
  Speaker 1: heard they spent like seven hundred and some thousand the
• 23:57
  Speaker 1: market artists and make you hot? Is that? Or you
• 24:00
  Speaker 1: can tell me right now exactly So a new artist
• 24:04
  Speaker 1: coming in, how much did they spend about um on
• 24:07
  Speaker 1: that marketing could be a hundred and fifty, so totally
• 24:11
  Speaker 1: everything that they would spend on nowadays. I mean, well
• 24:13
  Speaker 1: usually when you signed a deal, it could be like
• 24:14
  Speaker 1: a five hundred thousand dollars deal. Let give you a
• 24:16
  Speaker 1: hundred thousand up front, maybe one hundred and fifty recording
• 24:18
  Speaker 1: in the marketing promotion. Well what I spent on that?
• 24:25
  Speaker 1: Like to do? He liked to pocket the money. Now
• 24:27
  Speaker 1: they counted Nelson pocketing. The good thing is enough to
• 24:31
  Speaker 1: go around fifty on marketing the promo. All right, cool,
• 24:36
  Speaker 1: Well I'm spending less than the fraction of that. You
• 24:38
  Speaker 1: know what I'm saying in my return is bigger. So
• 24:41
  Speaker 1: you gotta think that's why at that makes you out
• 24:44
  Speaker 1: of deal? Job? We had three we had we had
• 24:46
  Speaker 1: four cools, all major labels. What's up? What we doing?
• 24:51
  Speaker 1: You know what I'm saying? And we're like, all right,
• 24:53
  Speaker 1: we're gonna, we're gonna see let's let's wait, because now
• 24:56
  Speaker 1: it's different when like me, I ain't I ain't coming
• 24:59
  Speaker 1: to them acts for nothing coming to me. So now
• 25:00
  Speaker 1: I got the leverage. Now I've been now uh they
• 25:04
  Speaker 1: see that it caused joy I have nothing to make
• 25:06
  Speaker 1: an album and he could sell it these amount of records,
• 25:09
  Speaker 1: you know what I'm saying. So now imagine if we
• 25:12
  Speaker 1: put this big spotlight on him or whatever, you know
• 25:15
  Speaker 1: what I'm saying, Imagine what he could sell. And the
• 25:17
  Speaker 1: good thing about it with me is I'm hot in
• 25:21
  Speaker 1: New York City. I'm not hot in in Arizona, you
• 25:25
  Speaker 1: know what I mean? Or not. I'm not hot in Omaha, Nebraska,
• 25:29
  Speaker 1: or I'm not an artist that's hot right there. I'm
• 25:31
  Speaker 1: hot in the biggest city. I'm so when you hot here,
• 25:35
  Speaker 1: you really feel it. You feel what I'm saying. So,
• 25:37
  Speaker 1: like I could be independent forever. I only want to
• 25:39
  Speaker 1: make five million dollars. That's that's my focus. Five million.
• 25:43
  Speaker 1: I'm gonna be rich forever. I ain't. I ain't never
• 25:44
  Speaker 1: gonna go broke, my family, good everything. So when you
• 25:48
  Speaker 1: got I take I make small ghost for myself and
• 25:51
  Speaker 1: I've been accomplishing them. I know, I know it's all obtainable. Yeah. Yeah,
• 25:58
  Speaker 1: it'shout to my little man too. Nay, yeah, yeah. What's
• 26:02
  Speaker 1: your relationship like with a Manolo Roles? Because it was
• 26:04
  Speaker 1: all kind of issues. They said the Dope Man record,
• 26:07
  Speaker 1: They said, you stole the hook and a verse from
• 26:09
  Speaker 1: that song. You know what it is, We don't really
• 26:11
  Speaker 1: got no relationship. You know what I'm saying. When I
• 26:13
  Speaker 1: see him, I probably get him a weggie slap them
• 26:15
  Speaker 1: so something regular. But it ain't na na you know
• 26:19
  Speaker 1: what I'm saying. Like, you know what it is, Yeah,
• 26:26
  Speaker 1: you know it is. They like I'm gonna tell you
• 26:27
  Speaker 1: the whole dynamic with that. They like they like some
• 26:30
  Speaker 1: older name from the hood who it was like Moso
• 26:33
  Speaker 1: on the widow type of vibe. You know what I mean,
• 26:34
  Speaker 1: nothing wrong with that. You could be cool with the
• 26:37
  Speaker 1: widow type of vibe. But like I'm underst I'm explaining
• 26:40
  Speaker 1: you the dynamic of our relationship. I know them and
• 26:43
  Speaker 1: they and they team from selling them cocaine to sniff.
• 26:48
  Speaker 1: I'm I'm the dial. It's not allegedly, it's a fact though.
• 26:51
  Speaker 1: I'm the dealer day the user. You know what I'm saying.
• 26:54
  Speaker 1: But you can still to each his own. Everybody got
• 26:56
  Speaker 1: the vices, no problem, you could do your thing whatever whatever.
• 27:00
  Speaker 1: But now it's like a fiend from the hood. Feme
• 27:02
  Speaker 1: might be cool, yeah, yeah, yeah, chilling, Yeah, wipe with
• 27:05
  Speaker 1: my tires. I give you some money. For whatever. But
• 27:07
  Speaker 1: if Feen ain't never gonna be happy with the tend files,
• 27:09
  Speaker 1: you can come on. Give me a little bit more.
• 27:11
  Speaker 1: Come on, give me a little bit more. But I
• 27:12
  Speaker 1: mean he said he gave me a hit record, no problem,
• 27:15
  Speaker 1: make another one. I wish you the best. Wait, so
• 27:18
  Speaker 1: you did take the song, though I did not take this.
• 27:20
  Speaker 1: So I bought the beat. The song was it, The
• 27:23
  Speaker 1: song was a whole other. The song was the same record.
• 27:26
  Speaker 1: The producer who I bought the beat from, he just actually,
• 27:30
  Speaker 1: uh manolo wrapped a song straight through. The producer chopped
• 27:34
  Speaker 1: it up, made the hook or whatever. They've been trying
• 27:36
  Speaker 1: to get a feature with me. The DJ, which is
• 27:38
  Speaker 1: a homeboy in ma he played at a barbecue. I'm like, yo,
• 27:41
  Speaker 1: that's hot. I jumped on a remix. That's where they get.
• 27:43
  Speaker 1: I took the verse from what I was going to
• 27:45
  Speaker 1: do is use his joint and leave and leave him
• 27:48
  Speaker 1: on it or whatever. So I was just playing off
• 27:49
  Speaker 1: for his verse, you know what I'm saying. And then
• 27:51
  Speaker 1: what happened was I put I put it out and
• 27:54
  Speaker 1: then started playing it. So I say, Yo, what I
• 27:57
  Speaker 1: do is I could catch you out if you don't
• 28:00
  Speaker 1: leave you on the hook or whatever, and and put
• 28:03
  Speaker 1: you in a video everything. He was like, I bet yeah,
• 28:05
  Speaker 1: I'm all with it. I'm are with it. But before that,
• 28:08
  Speaker 1: they was initially but hurt because I didn't reply to
• 28:10
  Speaker 1: a text message or something. And I ain't ever do
• 28:13
  Speaker 1: it maliciously, like I ain't the type in eggs might
• 28:16
  Speaker 1: text or whatever. I was just busy and didn't see
• 28:18
  Speaker 1: it till mad long later on, you know what I mean.
• 28:21
  Speaker 1: But like I said, when people say they did something
• 28:23
  Speaker 1: for you, that's that's four to five songs ago. You
• 28:26
  Speaker 1: feel me. So if you made a hit record, make
• 28:29
  Speaker 1: another one and just do your thing. I gave you
• 28:32
  Speaker 1: the platform I put you did. He that was a
• 28:35
  Speaker 1: hard It ain't about it being a hard record. Is
• 28:38
  Speaker 1: it a hit record? Is he getting baggs? Is he
• 28:41
  Speaker 1: moving around? If that's if that's a good record, then
• 28:43
  Speaker 1: I guess sold more. Man. I'm blessed, so I don't be.
• 28:46
  Speaker 1: I wish the best for people and whatever. Now I
• 28:49
  Speaker 1: ain't even gonna I wish the best phone. I just
• 28:51
  Speaker 1: don't care. I'm doing my things so much. Yeah, I mean,
• 28:54
  Speaker 1: you know you know how that go. You want you
• 28:58
  Speaker 1: you stupid or whatever? You know what I mean, that's it,
• 29:00
  Speaker 1: But I'll just be wishing the best for people. I
• 29:02
  Speaker 1: just don't care because I'm doing I'm so much focused
• 29:04
  Speaker 1: on doing my thing, man, and I gotta deal with
• 29:07
  Speaker 1: real life issues. I gotta deal with with writers trying
• 29:11
  Speaker 1: to trying to tear me down. You know what I'm saying, Like,
• 29:13
  Speaker 1: what is this about? Like where does this come from?
• 29:16
  Speaker 1: They want to dig up my old pass? Like we'll
• 29:18
  Speaker 1: get the whole thing with vice, right? How does Complex
• 29:22
  Speaker 1: have such a bad review about my album? And that's
• 29:26
  Speaker 1: what is it called? When ain't writer's supposed to be unbiased?
• 29:29
  Speaker 1: You feel what I'm saying. So to have such a
• 29:32
  Speaker 1: bad review then everybody else and what the complex? So
• 29:35
  Speaker 1: them out? This is crazy with old A legends in
• 29:38
  Speaker 1: the game. Anybody who heard my album, Yo, this is crazy.
• 29:41
  Speaker 1: That shows you that it's biased with it. But you know,
• 29:44
  Speaker 1: I got I gotta deal with that because I represent
• 29:47
  Speaker 1: everything that they don't. I stand for everything that they
• 29:50
  Speaker 1: don't like. They want you to be yes the boss
• 29:52
  Speaker 1: and just be all fragile and dossile. I'm gonna submit
• 29:56
  Speaker 1: that we move a militant if if MUF don't because
• 30:01
  Speaker 1: ain't want to pay me I'm paying myself. Yeah, I
• 30:03
  Speaker 1: just sold the CD on the way out here. That's
• 30:06
  Speaker 1: a fact. Though I hopped out and sold in your
• 30:08
  Speaker 1: CD for five hours. I got eleven thousand dollars in
• 30:11
  Speaker 1: my pocket. But I don't care because I'm focused. I
• 30:14
  Speaker 1: never lose sight of what got me here and my
• 30:17
  Speaker 1: ambition and what I want to be. I came here
• 30:19
  Speaker 1: to be great. I ain't come here to be a
• 30:21
  Speaker 1: flash in the pain. You feel me. You have the
• 30:23
  Speaker 1: support of established artists. What about up and coming artists
• 30:27
  Speaker 1: um that might look at you as competition or you
• 30:29
  Speaker 1: might look at them as competition. Do you feel like
• 30:31
  Speaker 1: I don't care. I don't care about competition, and jon't
• 30:34
  Speaker 1: to me. I feel like, do you have people that
• 30:36
  Speaker 1: you are up and coming with you that you feel like, Okay,
• 30:38
  Speaker 1: you know I'm cool with them. I'm cool with them. Yeah,
• 30:41
  Speaker 1: I'm cool. I'm cool with young Leto. That's my dog
• 30:45
  Speaker 1: Leo dope. But I mean, like, shout my dog Bleasie
• 30:49
  Speaker 1: from brown he from Brownsville too. I just vibe with
• 30:51
  Speaker 1: people when it's a honey, when you really rock with them.
• 30:54
  Speaker 1: People I don't be. I don't be with that whole
• 30:56
  Speaker 1: music industry Hey, you wrap, I wrap. Let's look around.
• 30:59
  Speaker 1: Hell know, when I'm from we don't trust people trust.
• 31:02
  Speaker 1: I seem to get old for trusting people like you
• 31:04
  Speaker 1: be out of here and trust could turn your dust.
• 31:07
  Speaker 1: So just because we rap, we're not in the rapper union,
• 31:09
  Speaker 1: you know. Yeah, I gotta with you. We brothers. Hell No,
• 31:12
  Speaker 1: I'm with my savings that I came up with. I'm
• 31:15
  Speaker 1: not kicking it with a bunch of rat news because
• 31:17
  Speaker 1: we all in the music business together. It don't work
• 31:19
  Speaker 1: like that. Now, if somebody come across genuine, then I'm
• 31:22
  Speaker 1: gonna with them and we're gonna vibe like, oh yeah,
• 31:24
  Speaker 1: you will hunt it. Yeah, I don't got to hear
• 31:26
  Speaker 1: about you try to kick in my back from a
• 31:29
  Speaker 1: uh from some bitch that we whatever behind. You know
• 31:32
  Speaker 1: what I'm saying, like Corney shit like that, because I ain't.
• 31:34
  Speaker 1: I ain't for the Corney sho. So I don't be
• 31:36
  Speaker 1: really kicking it with much much people. I'm like, I
• 31:39
  Speaker 1: come from the same street aspect of everything, Like That's
• 31:41
  Speaker 1: how I look at everything. When in New York, you
• 31:45
  Speaker 1: don't say what's up to people and just start over something,
• 31:47
  Speaker 1: forge your friendship. You don't do that, just because you
• 31:50
  Speaker 1: work or whatever, you don't do that type of sh
• 31:53
  Speaker 1: and Hovain me telling me all the time. He'd be like, Yo, man,
• 31:56
  Speaker 1: this you gotta look at this like work and these
• 31:59
  Speaker 1: your co workers man. And I'm like, man, I'm a
• 32:01
  Speaker 1: passionate person, so I can't get over it. So I'm
• 32:05
  Speaker 1: hopefully I learned to work. And I just the people out,
• 32:08
  Speaker 1: the people off with everybody that you see on my album,
• 32:12
  Speaker 1: Like I like, push your t hit me at eight
• 32:14
  Speaker 1: in the morning, your album crazy, you know what I'm
• 32:17
  Speaker 1: saying like that, just just reaching out shooting gene love.
• 32:20
  Speaker 1: When I when I asked people, I'd be like why,
• 32:22
  Speaker 1: I'd be like, why don't you like can't you like
• 32:25
  Speaker 1: they said? They said, they don't like that you bully
• 32:27
  Speaker 1: like industry people like the right, but they don't run
• 32:32
  Speaker 1: up on nobody. That's the real street dude, Like who
• 32:34
  Speaker 1: what real street dudes ever? Have a pallem with me?
• 32:37
  Speaker 1: What real street dude ever? Because I'm gonna tell you
• 32:40
  Speaker 1: the thing about real street. They respect other street because
• 32:45
  Speaker 1: they know nobody wanted to be into no violence for
• 32:48
  Speaker 1: no reason because there's only one. It's a couple of
• 32:51
  Speaker 1: ways going in. Smike gonna die, Smiga gonna go to jail,
• 32:55
  Speaker 1: Smike gonna get hurt, and then and then you I
• 32:58
  Speaker 1: don't know if you hurt somebody before, but that feeling
• 33:00
  Speaker 1: that having to be low key, damn cops gonna come
• 33:04
  Speaker 1: get me whatever, that's your whole vibe. If you're from
• 33:07
  Speaker 1: getting money for a short period of time, but you
• 33:09
  Speaker 1: don't want to do that, so real streets have respect. No,
• 33:14
  Speaker 1: that's what I'm saying. It's like, what would you? That's
• 33:18
  Speaker 1: what I'm trying to say, Like it be a bunch
• 33:20
  Speaker 1: of nobody that don't have some negative to say about me.
• 33:24
  Speaker 1: They have not listened to my music from an unbiased standpoint,
• 33:28
  Speaker 1: you felt. I'm saying, like, if you you can search
• 33:31
  Speaker 1: my name, you'll see you'll see probably eighty five percent
• 33:35
  Speaker 1: of people like your choy have albums crazy you talking about.
• 33:38
  Speaker 1: And then the other fifteen percent would be like, yeah,
• 33:40
  Speaker 1: oh you only sew x amount of records or whatever. Whatever.
• 33:43
  Speaker 1: But I'm independent dog, Like what you're not saying, you're
• 33:46
  Speaker 1: not dealing in facts. Somebody dealing in facts, I could
• 33:49
  Speaker 1: always respect it. I don't care what you're talking about.
• 33:51
  Speaker 1: You're dealing in facts. I'm always respect If you say
• 33:54
  Speaker 1: then that y have his Cuban links. Ain't even a keylo,
• 33:57
  Speaker 1: there's only seven hundred grahams and then you want to
• 33:59
  Speaker 1: try to do me for that. All right, I'm gonna
• 34:02
  Speaker 1: get the other three hundred grams when I get my
• 34:03
  Speaker 1: bread up whatever, But don't say no jumps. You got
• 34:07
  Speaker 1: a deal in facts. That's all it's about. Did you
• 34:09
  Speaker 1: see mccona's tweet where he said he didn't like made
• 34:11
  Speaker 1: you without the deal? I didn't mean I like. I
• 34:16
  Speaker 1: like mccony going up on Tuesday. You know what I'm saying,
• 34:20
  Speaker 1: So shout at the obi over Johnny Ros. You know
• 34:23
  Speaker 1: what I'm saying. So I ain't then I don't chip
• 34:25
  Speaker 1: over that that all that music industry that sh ain't
• 34:28
  Speaker 1: really mean man, for really, this is fake because it's
• 34:32
  Speaker 1: a fact. Though when I see people who allegedly have
• 34:35
  Speaker 1: a problem, they either apologize, Oh it's gonna be an
• 34:38
  Speaker 1: issue and I'm gonna always win it, come out on top.
• 34:41
  Speaker 1: That's word. That's all my word. That's word to my son.
• 34:43
  Speaker 1: I don't take no else. That's a fact though, you
• 34:46
  Speaker 1: know what I'm saying. That's because I don't start nothing.
• 34:48
  Speaker 1: And you're serious about your FaceTime too. On FaceTime, Yo, Nah,
• 34:57
  Speaker 1: I'll be in the work. I was in the work
• 34:59
  Speaker 1: moode man, I was my laptop. I really be working hard.
• 35:02
  Speaker 1: It's me hoving and money nails, and I'll be by
• 35:05
  Speaker 1: my laptop sending out emails. I gotta send out tellor.
• 35:08
  Speaker 1: I hit this envy every other morning. You play much shit,
• 35:11
  Speaker 1: hold me down the mother ain't ain't only like that.
• 35:15
  Speaker 1: You get to get comfortable. But yeah, I'm chilling. I don't.
• 35:18
  Speaker 1: I can't get comfortable. I ain't at I got. I
• 35:21
  Speaker 1: had a lot of achievements and I'm blessed to be here.
• 35:24
  Speaker 1: You know what I'm saying. I don't take noney for granted,
• 35:26
  Speaker 1: even being here on the breakfast club. You know my
• 35:31
  Speaker 1: life being crazy. I just left from a hotel. I
• 35:34
  Speaker 1: came from Miami. Two parties, no four parties. I'm lying.
• 35:38
  Speaker 1: The first party was regular, then I had two on Saturday.
• 35:41
  Speaker 1: I flew straight here, had a party last night. I
• 35:45
  Speaker 1: was in the in the hotel last night, and then
• 35:48
  Speaker 1: I came straight here to the breakfast club because I
• 35:50
  Speaker 1: knew I'm trying to be professional. I ain't trying to
• 35:52
  Speaker 1: be lating though. Yeah, using motherfucking live as a fact,
• 35:59
  Speaker 1: though I ain't gonna, I'm to man, I got a
• 36:02
  Speaker 1: new boy. I ain't putting myself out there. But he
• 36:06
  Speaker 1: was a mother live. Yo, I'm hot enough as a fact.
• 36:13
  Speaker 1: Hit me five times. I say, hell no with her,
• 36:17
  Speaker 1: we're good. We all the way good together stuff. We're straight,
• 36:22
  Speaker 1: We're straight. You know what I'm saying that we're good.
• 36:24
  Speaker 1: Like I'm about to get it. I'm about like one
• 36:26
  Speaker 1: of my dreams that I'm about to do. I'm about
• 36:29
  Speaker 1: to get a big ass house. I was talking to
• 36:31
  Speaker 1: Envy about cribs. You know what I'm saying, I get
• 36:33
  Speaker 1: a big ass house. Uh one point one million is
• 36:36
  Speaker 1: what I've seen. But after me and was talking, I'm like,
• 36:39
  Speaker 1: maybe I get something for seven hundred and fifty thousand
• 36:41
  Speaker 1: that I could uh you know, restore fixed up and
• 36:44
  Speaker 1: then it to be worked out or whatever. And I'm
• 36:46
  Speaker 1: gonna and I'm gonna move her and move and have
• 36:49
  Speaker 1: my mom's and everybody in a big ass house. And
• 36:51
  Speaker 1: don't get it wrong, my mom's ain't living dirt poor. Yeah,
• 36:55
  Speaker 1: my mom's got a Brownstone, she got money and all that.
• 36:58
  Speaker 1: But you know what I'm saying, It's like i'mna had
• 37:00
  Speaker 1: a whole family structure. Then I got my Flask condo
• 37:03
  Speaker 1: that I just bought. Marble flows, heated marble, all type
• 37:06
  Speaker 1: of You know what I'm saying, I'm just trying to
• 37:08
  Speaker 1: bost my life up, That's what I'm saying. How could
• 37:10
  Speaker 1: you hate Choya? The real is gonna get motivated. The
• 37:13
  Speaker 1: fake is just gonna hate it, and no I do.
• 37:15
  Speaker 1: I'm about ambition. I'm about coming from the bottom, about
• 37:19
  Speaker 1: working hard, hard work, and dedication. I'm living proof that
• 37:22
  Speaker 1: if you work hard, dedicate yourself and believe in God,
• 37:25
  Speaker 1: you could do anything wrong. You know what I meant
• 37:29
  Speaker 1: for us week first week sales. Don't always tell the
• 37:31
  Speaker 1: tees it's gonna be more than Yeah, it was only
• 37:34
  Speaker 1: two days. I sold records in two days. That's amazing.
• 37:37
  Speaker 1: I don't tell the hotel at all. That's what I'm saying.
• 37:40
  Speaker 1: Like the jay Z ground, its just the slow ground.
• 37:42
  Speaker 1: It's slow ground. And I can sell this amount of records,
• 37:45
  Speaker 1: but bet you're gonna see me hosting them parties. Come
• 37:48
  Speaker 1: pay to see me. Like even when I was just
• 37:50
  Speaker 1: doing clubs, just now Miami, I'm doing clubs when if
• 37:54
  Speaker 1: I'm in the street, I'm gonna sell you a CD.
• 37:56
  Speaker 1: If you come to the club to see me, I'm
• 37:57
  Speaker 1: gonna give you the album. I don't care because you
• 38:00
  Speaker 1: came to see me, so it cost me. It cost
• 38:02
  Speaker 1: me less than a dollar to print up a quick
• 38:04
  Speaker 1: little replica CD. Whatever duplicate motherfuck paying thirty dollars fifty
• 38:09
  Speaker 1: dollars fifteen hundred for a table to come see me.
• 38:11
  Speaker 1: I don't just take front of people. I like to
• 38:12
  Speaker 1: give back, you know what I'm saying. I like to
• 38:15
  Speaker 1: be like, I stop, I take hold of pictures with
• 38:17
  Speaker 1: these people. You know what I mean because BSP is
• 38:20
  Speaker 1: the people's brand and I represent the people. You look
• 38:22
  Speaker 1: anybody ever met me, Dame Chore, you have a cool
• 38:25
  Speaker 1: ass man here, a real dude, Like I'm gonna stop
• 38:28
  Speaker 1: on it yoga if even if I'm running, come on, let'
• 38:29
  Speaker 1: take let's take it on the walk. Let's do it. Oh,
• 38:32
  Speaker 1: come on, Shody, I got you. Whatever, it's nothing because
• 38:34
  Speaker 1: I don't take any for granted. This. I'm really living
• 38:37
  Speaker 1: my dreams. I'm living proof that you can live your
• 38:40
  Speaker 1: dreams and feel blessed like I'll be. Sometimes I'll be
• 38:43
  Speaker 1: waking up like damn, I feel like I feel like
• 38:47
  Speaker 1: I was telling hold. The other day, I feel like, um,
• 38:50
  Speaker 1: how how Kobe Bryant managed want to play bass? I'm
• 38:52
  Speaker 1: pretty sure we all wanted to be. I think it's
• 38:54
  Speaker 1: going to NBA. Who was younger Coole and Kobe came
• 38:57
  Speaker 1: in the league. He had his tongue out like Michael
• 38:59
  Speaker 1: Jordan's like that, But like, imagine how a Fieler want
• 39:03
  Speaker 1: to be like Mike and then really being the league
• 39:05
  Speaker 1: on some ship Like now when I get dressed like shot,
• 39:08
  Speaker 1: my fab fab come through flies all the time going
• 39:13
  Speaker 1: to the club. I'm I'm in being in the hood
• 39:16
  Speaker 1: getting my money, hustling and shop. And it was like, yeah,
• 39:18
  Speaker 1: we gotta go to party. Fab gonna be there. It's
• 39:20
  Speaker 1: gonna be mad. Bitches. This even before me at home,
• 39:22
  Speaker 1: he was kicking it and all were getting dressed. We
• 39:25
  Speaker 1: go on the club. We got our little table. We
• 39:27
  Speaker 1: probably didn't pay fifteen hundreds, sometimes four thousand. We got
• 39:31
  Speaker 1: a table. But meanwhile, this is woking. All the bitches
• 39:34
  Speaker 1: go from here to looking this way, you know what
• 39:36
  Speaker 1: I'm saying. So now I'm getting dressed up fly where
• 39:39
  Speaker 1: I'm coming through on some flies and everybody looking at me.
• 39:42
  Speaker 1: I'm on that platform and that feel good. I can't
• 39:45
  Speaker 1: even front and tell you it don't club. I ain't
• 39:48
  Speaker 1: never win the tight pants. I can't win skinny jeans
• 39:51
  Speaker 1: because my notch don't fit. To put the album out
• 39:55
  Speaker 1: early knowing nah nah, hurly, Hell no, I ain't. I
• 40:01
  Speaker 1: ain't released. You said, wait, say you're released early on
• 40:05
  Speaker 1: a Friday. No, no, no, no, I meant to do
• 40:08
  Speaker 1: it like that. Yeah, everything we were not. I'm independent,
• 40:11
  Speaker 1: so I ain't held it the same restraints released statement
• 40:15
  Speaker 1: thing you released through because you wanted to come out
• 40:17
  Speaker 1: before summer jam. Yeah, I'm probably have said that that's crazy,
• 40:20
  Speaker 1: but yeah, yeah, I wanted. I want to drop there
• 40:22
  Speaker 1: and then the physical copies where they came out on Tuesday,
• 40:25
  Speaker 1: like I could do whatever I want. I could drop
• 40:26
  Speaker 1: on Sunday night. It don't matter. I'm gonna still I'm
• 40:29
  Speaker 1: gonna still sell what I sell and I'm gonna still
• 40:31
  Speaker 1: get to the money and then it at the end
• 40:34
  Speaker 1: of the day, the sound scan is gonna be more
• 40:35
  Speaker 1: than forty five hundreds. But even if all right, I
• 40:39
  Speaker 1: was gonna get fifteen thousand dollars for this this album, right,
• 40:43
  Speaker 1: Let's say I sew two thousand copies, that's twenty bands
• 40:48
  Speaker 1: give it take because it's five percent off. That's twenty bands.
• 40:51
  Speaker 1: I still I still came out on top. You feel me.
• 40:54
  Speaker 1: And at the end of the day, it's about winning
• 40:56
  Speaker 1: that you got to look up at the scoreboard. It's
• 40:58
  Speaker 1: about winning. They didn't how much you won by. If
• 41:01
  Speaker 1: it was a blowout, it don't even matter who got
• 41:03
  Speaker 1: the MVP. It's about winning. And I came here to win. Dog.
• 41:07
  Speaker 1: You can't. There's no way you could tear down choy.
• 41:09
  Speaker 1: Have you ten down choy? Have you ten down the culture?
• 41:12
  Speaker 1: And I don't just mean black people, I mean black
• 41:14
  Speaker 1: white Spanish. You tenn down a coulture, You tenn down
• 41:17
  Speaker 1: a kid that came from from the streets and he's
• 41:20
  Speaker 1: trying to transition and changed his life around and come
• 41:23
  Speaker 1: to be something successful and do legit, legit business. You
• 41:27
  Speaker 1: know what I'm saying. So how could you hate on that?
• 41:30
  Speaker 1: They don't make no type of sense it. Troy have
• 41:34
  Speaker 1: his albums out right now, huh Major without a Deal
• 41:38
  Speaker 1: is wrapped album of the Year. I told people I
• 41:40
  Speaker 1: was gonna have rap album of the Year and it's
• 41:42
  Speaker 1: wrapped out. If you listen to my album straight through,
• 41:44
  Speaker 1: when I say wrapped album in the year. I mean
• 41:46
  Speaker 1: rap music like the classic rap, Biggie jay Z, h
• 41:51
  Speaker 1: a young Jez Chapper, died, tr Chap music, even U
• 41:56
  Speaker 1: master p ice creaming like that Street. That's what it
• 42:00
  Speaker 1: bringing to you right now. With rap rappers the only
• 42:02
  Speaker 1: genre of music where it's so bunched up and you
• 42:05
  Speaker 1: don't get to get the subgenres of music. With rock,
• 42:08
  Speaker 1: you get classic rock, you get metal rock, you get
• 42:11
  Speaker 1: acid rock, you get grunge, rocked, you know what I'm saying,
• 42:14
  Speaker 1: You get all type of different rock. But with rap music,
• 42:16
  Speaker 1: they just bunch use up all in one. They don't
• 42:19
  Speaker 1: separate the conscious rap or the R and B rap,
• 42:23
  Speaker 1: or the trap rap or the turn up or you
• 42:26
  Speaker 1: know what I mean, the stone a rap and shit
• 42:28
  Speaker 1: like that. They just bunches all up in one. And
• 42:30
  Speaker 1: I'm giving you that rap music, that Biggie, that jay z,
• 42:33
  Speaker 1: that street that you grew up on, or even if
• 42:35
  Speaker 1: you grow up on that, I'm giving you the foundation,
• 42:38
  Speaker 1: the solid foundation. And with Major without a deal with
• 42:41
  Speaker 1: New York City dolbum, My whole campaign was I'm just
• 42:44
  Speaker 1: stoning a feeling. I'm bringing back New York. New York
• 42:46
  Speaker 1: is back. I did that already. Now it major. Without
• 42:49
  Speaker 1: a deal, I get to spread my wings. So you hear,
• 42:51
  Speaker 1: you hear I'm outside the box now you know what
• 42:54
  Speaker 1: I mean. So now you hear songs like you got
• 42:56
  Speaker 1: from Biggie, like boning Biggie Biggie, you know what I mean.
• 42:59
  Speaker 1: Or Jay's big pimping. You know what I'm saying. So
• 43:02
  Speaker 1: now I'm just outside the box. And this is wrapped
• 43:04
  Speaker 1: album of a year, and it's gonna flourish. And I
• 43:06
  Speaker 1: guarantee me even doing this, it's gonna spike up the sales.
• 43:09
  Speaker 1: So then let's talk about the number six months from now,
• 43:12
  Speaker 1: let's talk about that. If I'm still getting his bags,
• 43:15
  Speaker 1: I don't ain't nothing slowing up. I'm blessed. People be
• 43:18
  Speaker 1: scared to promote and scared to pray. Gotta do this
• 43:21
  Speaker 1: all the time, and I'm on my grind and I
• 43:24
  Speaker 1: represent the people. You gotta vote, You gotta root for Choyav.
• 43:27
  Speaker 1: You don't root for Choyav, and you ain't rooting. You
• 43:30
  Speaker 1: ain't rooting for the dream. You ain't got no dreams.
• 43:33
  Speaker 1: You ain't got no dreams, no hopes, no ambition. You're
• 43:35
  Speaker 1: killing all the hopes. You're killing the hopes of anybody
• 43:37
  Speaker 1: to say, y'all want to grow up and go to NFL.
• 43:39
  Speaker 1: I want to grow up, go to NBA. I want
• 43:40
  Speaker 1: to grow up be a doctor. I want to grow
• 43:42
  Speaker 1: up be a rapper. I want to grow up be
• 43:44
  Speaker 1: in president. They're turning it down. No, you can't do that. No,
• 43:47
  Speaker 1: you gotta be humble. You gotta be dots out, you
• 43:49
  Speaker 1: gotta be the hell. No, I just gotta be great.
• 43:52
  Speaker 1: You gotta be focused good. But he's no Kobe Bryant's
• 43:57
  Speaker 1: robson getting my money. It's gonna be acolmars itself to
• 44:07
  Speaker 1: Malcolm X and that, like Nick, I'm a revolution never. Yeah,
• 44:11
  Speaker 1: I wanted to be like Malcolm X. He was a
• 44:12
  Speaker 1: great person. He was a great man. He's still for something.
• 44:16
  Speaker 1: And he didn't take no fancwer. If I would have
• 44:18
  Speaker 1: taken no fancwer, I wouldn't be here. I wouldn't be nothing.
• 44:21
  Speaker 1: I went, I wouldn't be flourishing because it believe me,
• 44:24
  Speaker 1: on the road to success. And many does canna get
• 44:26
  Speaker 1: slammed in your face, People gonna cut you off, gonna
• 44:29
  Speaker 1: throw all type of tires in the race, shack banana
• 44:32
  Speaker 1: pills in the race, track, you're gonna try all type
• 44:34
  Speaker 1: of and you're gonna get haters. But don't anybody listening
• 44:38
  Speaker 1: trying to do their thing. Hater is nothing but an
• 44:41
  Speaker 1: insignificant character in the story of your life. At the
• 44:45
  Speaker 1: end of the day, it's gonna say mother teacher, substitute one,
• 44:51
  Speaker 1: student three. It's nothing. You don't remember that. I was
• 44:55
  Speaker 1: watching the Mother James Brown movie. James Brown had haters.
• 44:58
  Speaker 1: We all know James Brown. Did we know they haters?
• 45:01
  Speaker 1: We don't know. I can't name a James Brown hater.
• 45:04
  Speaker 1: I just know because they was in the movie. But
• 45:06
  Speaker 1: it don't matter. You gott hats, you gott haters, you
• 45:08
  Speaker 1: got haters. You're still flourishing. That's what it's about. I'm
• 45:12
  Speaker 1: sure I can google a girl's name that James Brown beat. Listen, man,
• 45:17
  Speaker 1: we just we just flourishing it. Man. We are living out.
• 45:19
  Speaker 1: We are living our jeans and we and we all
• 45:21
  Speaker 1: successful and we all keep being successful and just keep grinding.
• 45:25
  Speaker 1: And I just want anybody know you could do the
• 45:27
  Speaker 1: same major without a deal. They got a bunch of
• 45:29
  Speaker 1: jewels in it and gems is come with the money
• 45:32
  Speaker 1: back guarantee. I'm doing it again. It come with the
• 45:34
  Speaker 1: money back guarantee. You don't like the album, you can
• 45:36
  Speaker 1: hit me I hate. I'll send you the money and
• 45:38
  Speaker 1: PayPal whatever, ten dollars. But just know that you listen
• 45:41
  Speaker 1: to Major without a deal, it's gonna it's gonna give
• 45:43
  Speaker 1: you that motivation and that grind to go out and
• 45:46
  Speaker 1: get it. And don't look for no handouts. You can't
• 45:47
  Speaker 1: have you handing your chest out and looking like I
• 45:49
  Speaker 1: really what she would stop saying he'd give people their money.
• 45:53
  Speaker 1: We got the money, shouting man, hold on, don't can't
• 45:58
  Speaker 1: give you a hundred dollars but I don't know mind.
• 46:01
  Speaker 1: Then they're gonna look im gonna tell you that give
• 46:05
  Speaker 1: shot at me one hundred dollars right as they gonna say, Nick,
• 46:07
  Speaker 1: he didn't really have it right, I'm geting money for you.
• 46:14
  Speaker 1: I might be doing something like let me tell you
• 46:18
  Speaker 1: what this hundred dollars. Yeah, this is a fact though,
• 46:21
  Speaker 1: And I'm not a chuck. Let me tell you different
• 46:23
  Speaker 1: between the chuck chuck. I gonna have some money and
• 46:25
  Speaker 1: then ain't I still got I still at the bank
• 46:27
  Speaker 1: caused you ain't you know what I'm saying, ain't walk
• 46:29
  Speaker 1: around my reup three hundred dollars. Check. I had the
• 46:40
  Speaker 1: big bills on the top and it's small in the middle. No,
• 46:42
  Speaker 1: I put them small bills on top, and I had
• 46:44
  Speaker 1: a big in the middle. Because I'm never trying front
• 46:46
  Speaker 1: for nobody. This hundred dollars is not for Schott Meine.
• 46:49
  Speaker 1: This is for the breakfast club that had breakfast, because
• 46:51
  Speaker 1: they never had breakfast. When I'm here, you didn't stop.
• 47:08
  Speaker 1: Don't this my wave? We cut a breakfad cup. You
• 47:14
  Speaker 1: got to buy the breakfast club breakfast, and you start
• 47:16
  Speaker 1: by giving charge. Never gave us. Is henna leave you
• 47:21
  Speaker 1: in North Carolina. That's not true? Dirty true? He hurt
• 47:25
  Speaker 1: it dirty. I was too near early. The morning man
• 47:29
  Speaker 1: picks that money off the floor, Troy, you probably gonna
• 47:36
  Speaker 1: put it on and made you without it there after
• 47:39
  Speaker 1: least you're gonna buy them breakfast. Absolutely, Brother Sky Charlomne
• 47:46
  Speaker 1: was an early He was an early supporter. He stood
• 47:50
  Speaker 1: up for me at the time when you're saying some
• 47:52
  Speaker 1: other dumps, and it's about it's about the people who
• 47:56
  Speaker 1: who with you when you're not doing you're not and
• 47:58
  Speaker 1: they face or whatever. You know what I'm saying. You
• 48:00
  Speaker 1: shouldn't have to get nobody a hundred dollars. No, no, no, no,
• 48:03
  Speaker 1: I'm fortunate. I need He's a line with he go
• 48:07
  Speaker 1: to New Zealand, you come to the breakfast club, you
• 48:09
  Speaker 1: gotta buy breakfast because he don't never have no breakfast.
• 48:12
  Speaker 1: That's real. What's up with these that ain't no breakfast
• 48:14
  Speaker 1: on the breakfast club? We major without breakfast. Troy