Latest / The Demia Avery Show / Melvin Riley Official

Transcript

Melvin Riley Official · The Demia Avery Show

• 0:00
  Lights, camera, action. [music]
• 0:02
  Let's shine tonight. Big dreams, big
• 0:06
  names, [music] and the Vles right. We'll
• 0:10
  talk passion, [music] purpose, power,
• 0:12
  and goals.
• 0:15
  Stories you [music] ain't never been
• 0:17
  told.
• 0:22
  It's the
• 0:24
  Avery show. Hey. Hey everybody. This is
• 0:28
  Demia Avery of the Demia Avery show. And
• 0:30
  you guys, I have a special guest in the
• 0:33
  house. I'm so excited. I talked to him a
• 0:36
  little bit before we actually start
• 0:38
  recording. And I was trying not to
• 0:40
  scream, you know, cuz this is like my
• 0:42
  teenage childhood thing. You know what
• 0:44
  I'm saying? So, I'm going to go ahead.
• 0:46
  I'm going to introduce to to him to you
• 0:49
  guys. And you know, I love introductions
• 0:52
  and I love giving people their flowers.
• 0:54
  So, I'mma make sure that I say this
• 0:57
  right. All right. My guest
• 1:01
  uh uh today on the Dia Avery Show, we're
• 1:03
  talking classic R&B legacy, timeless
• 1:06
  vocals, and music that defined an era
• 1:08
  and still hits just as hard today. My
• 1:11
  guest is part of a group that helped
• 1:13
  shape the sound of the 80s and 90s,
• 1:15
  giving us songs that became soundtracks
• 1:17
  to love, heartbreak, and grown folk
• 1:20
  moments. From unforgettable slow jams to
• 1:23
  records that still light up dance
• 1:25
  floors, his voice is instantly
• 1:27
  recognizable and undeniable.
• 1:30
  And now decades later, he's still
• 1:32
  creating, still evolving. And back with
• 1:35
  a brand new single titled They Won't
• 1:37
  Leave Me Alone, proving that real R&B
• 1:40
  never went out of style. Please welcome
• 1:43
  the legendary voice of Ready for the
• 1:45
  World, Melvin Riley. Welcome.
• 1:47
  >> Hey, thank you for having me. And I
• 1:49
  that's a heck of a introduction. I thank
• 1:51
  you.
• 1:52
  >> You're so welcome. You're so welcome.
• 1:54
  [clears throat] Now, first things first,
• 1:56
  how are you feeling? Like you've been
• 1:59
  around with us for so long and you know
• 2:02
  and in in different times. How are you
• 2:04
  feeling in this season of your life and
• 2:06
  your music and stuff like that?
• 2:08
  >> Honestly, I am having a ball. You know,
• 2:11
  I am doing what I enjoy doing, which is
• 2:13
  making music and making music that the
• 2:16
  world is still listening to. Uh and and
• 2:19
  in today's climate of music to be out
• 2:22
  and still doing it at the level, hey,
• 2:25
  I'm just so blessed and thankful and I'm
• 2:26
  having a ball.
• 2:27
  >> Yeah.
• 2:28
  >> Yeah. Now, you've written songs that
• 2:30
  people made babies to, they cried to,
• 2:32
  they fell in love to. How does it feel
• 2:34
  knowing that your voice lives inside
• 2:36
  people's biggest life moments? Cuz I
• 2:38
  look my teenage years, honey, you you
• 2:41
  and your band was the ish it I'm telling
• 2:44
  you. So, how does it feel to get that
• 2:46
  that from your fans?
• 2:49
  >> That is a huge reward that you get. You
• 2:52
  know, this music thing when you're an
• 2:54
  artist and you're writing music, you're
• 2:55
  writing songs, you're writing them
• 2:57
  because it's blowing you away, but you
• 2:59
  don't know if it's going to blow
• 3:00
  everybody else away. You feel like it's
• 3:02
  going to.
• 3:03
  >> Yeah.
• 3:03
  >> Because you're blown away. And God gives
• 3:05
  you this gift of knowing, I call it. And
• 3:08
  that swag that you have, you're like,
• 3:10
  "Well, we going to do what we do because
• 3:11
  I love what I'm doing." And the world
• 3:13
  has accepted it. The world has fallen in
• 3:15
  love with that sound, that my voice, the
• 3:19
  music. I am elated and it feels really
• 3:23
  good to know that I am a part of this
• 3:26
  music culture, you know, that'll live on
• 3:28
  forever. So, I'm I'm very thankful.
• 3:31
  >> Now, I'm curious when fans come up to
• 3:33
  you now today, what song do they usually
• 3:36
  mention the most? And does it ever
• 3:37
  surprise you about some of the songs,
• 3:41
  >> you know?
• 3:42
  It's a lot of favorites, you know. You
• 3:44
  got In my room, digital display, Deep
• 3:47
  Inside Your Love, which is my daughter's
• 3:48
  favorite. Uh, Love You Down, O Sheila.
• 3:52
  So, it's like people pick songs that
• 3:56
  maybe weren't released as a single like
• 3:57
  Don't You Want It With Me, uh, Baby
• 4:00
  Slide, Love You, SL, Slide Over is a
• 4:03
  huge one that people can bring up. So,
• 4:05
  it's a plethora that you would think
• 4:08
  everybody would just be talking about
• 4:09
  Love You Down or O Sheila, but no, they
• 4:11
  talk about those, but they come in with
• 4:12
  all the songs that were even bides. And
• 4:15
  when you have people talking about your
• 4:17
  Bides, you did you did
• 4:19
  >> That's right. That is right. Now, be
• 4:22
  honest. What song of yours hits
• 4:24
  different now than it did when you first
• 4:25
  recorded it?
• 4:26
  >> Tonight.
• 4:28
  >> Really? Why?
• 4:31
  >> I at the time I wrote Tonight. Uh,
• 4:34
  >> I was just in a zone. And as an older
• 4:37
  person and I'm listening to the lyrics,
• 4:39
  it's like, woo, I see why I got banned
• 4:41
  on a few stations [laughter]
• 4:44
  and we did when we first came out with
• 4:46
  Tonight, we got banned on a few
• 4:47
  stations. But I kind of get it now being
• 4:50
  older and listening to my lyrics. I'm
• 4:52
  like, "Oh, boy. You went there."
• 4:55
  >> So that does different.
• 4:56
  >> Yeah. Now, now that you said that, I'm
• 4:59
  remembering the words and Yeah. But
• 5:02
  what's like one of the most I guess
• 5:04
  unexpected places you've ever heard one
• 5:06
  of your songs play?
• 5:09
  >> Wow. People have called me. My best
• 5:12
  friend, childhood best friend just
• 5:14
  called me the other day. He lives in
• 5:16
  Missouri.
• 5:17
  >> Uhhuh.
• 5:18
  >> And I guess he was at some real kind of
• 5:22
  uh cowboyish type establishment.
• 5:26
  And he called me and said, "Dude, I just
• 5:28
  heard Oshila in this." I think he was
• 5:31
  either in a shoe store or something. It
• 5:34
  was on a radio station and he just said,
• 5:36
  "I didn't expect to hear O Sheila in the
• 5:38
  spot that where I was, but I have I've
• 5:40
  heard it in different places. I guess I
• 5:43
  expected to hear it everywhere, you
• 5:44
  know,
• 5:45
  >> even if I'm in London, if I'm in um
• 5:48
  anywhere because the song's really hit
• 5:50
  big.
• 5:51
  >> So, I'm not that that surprised." But
• 5:53
  when he told me about the country store
• 5:55
  the other day.
• 5:56
  >> Yeah.
• 5:56
  >> Good. [laughter]
• 5:58
  >> Now, look. So, what if somebody
• 5:59
  approached you and wanted to do
• 6:01
  something court, you know, kind of
• 6:03
  collab like with the country version of
• 6:04
  that? Would you be would you be
• 6:06
  interested in doing that?
• 6:07
  >> Absolutely. I grew up listening to
• 6:09
  blues,
• 6:10
  >> so I'm familiar with country music as
• 6:13
  well, so it's never been a thing where
• 6:14
  that was so foreign to me. But no, I
• 6:16
  would definitely love to do something
• 6:17
  like that.
• 6:18
  >> That's interesting. Now, if today's army
• 6:22
  artists could borrow one thing from the
• 6:23
  Ready for the World era, what would you
• 6:25
  want that to be?
• 6:27
  >> The music. borrow the not the curls you
• 6:30
  know [laughter]
• 6:34
  >> my girl I don't know what you talking
• 6:35
  about
• 6:36
  >> right
• 6:37
  >> but you know and they have done this
• 6:38
  they've borrowed the me the sound of
• 6:40
  ready for the world of Melvin Riley the
• 6:42
  slow song uh vibe that I created back in
• 6:45
  the 80s
• 6:46
  >> and it still continues to to be moving
• 6:49
  on with different artists today the
• 6:51
  producers and writers uh they like hey I
• 6:54
  want to get that Melvin Riley you know
• 6:55
  vibe on blah blah blah and I've had
• 6:57
  producers and artists tell me that
• 6:59
  >> and that's one of the main things to
• 7:01
  make an imprint in the music industry is
• 7:03
  huge
• 7:04
  >> the music and the musicianship and also
• 7:07
  what I remember um performing because
• 7:10
  you guys were performers as well as you
• 7:12
  know with you know so that's one of the
• 7:14
  things I can clearly say that I I miss
• 7:17
  that whole band you know everybody has
• 7:21
  the whole you know what I mean the whole
• 7:22
  performance thing so I think that's cool
• 7:25
  now what does a grown man R&B mean to
• 7:27
  you in 2026 and how is it different from
• 7:29
  when you first started?
• 7:32
  >> Big time difference because you know
• 7:33
  when we first started you're singing in
• 7:36
  a way to where you're competing with the
• 7:39
  Michael Jacksons,
• 7:41
  >> the Prince, Lionel Richies, the
• 7:44
  >> you're writing back in the day was so
• 7:46
  challenging to be at the top of the
• 7:48
  chart and you had to bring the best out
• 7:49
  of what you are as a writer, singer, and
• 7:52
  producer. Mhm.
• 7:55
  >> Today, as I'm hearing, and I do love a
• 7:57
  lot of artists today in music, um I
• 8:00
  think the difference now is
• 8:02
  >> uh I don't know if they're putting as
• 8:04
  much work in as we did in the 80s,
• 8:07
  >> a lot of 80 artists
• 8:09
  >> uh in the studio and making some real
• 8:11
  hits and making some memorable classic
• 8:13
  hits.
• 8:14
  >> Um and a lot of that, you know, I don't,
• 8:16
  you know, a lot of that comes from
• 8:17
  upbringing. you know, we grew up in
• 8:18
  Mottown and we grew up with that real
• 8:20
  soul food,
• 8:21
  >> right?
• 8:22
  >> And uh you know, when you know what real
• 8:23
  soul food tastes like, then you still
• 8:25
  tasting for that taste, right?
• 8:27
  >> And I think that's one of the big
• 8:28
  differences. And maybe some of the
• 8:30
  younger guys uh which is a lot of talent
• 8:32
  out there, don't get me wrong,
• 8:34
  >> but I think that would be about the
• 8:35
  biggest difference is putting that work
• 8:37
  in and coming up with classic hits
• 8:39
  that's going to last forever.
• 8:42
  >> Yeah. Yeah. Now, why don't you know, we
• 8:46
  talked a little bit about, you know,
• 8:47
  Ready for the World back then, but I
• 8:49
  want to know about Melvin Raleigh now.
• 8:51
  What? Tell me about your single, They
• 8:52
  Won't Leave Me Alone. It feels playful,
• 8:54
  but real. Um, did you know it make
• 8:57
  people smile as soon as they heard the
• 8:59
  title? Because I was like, "Okay."
• 9:01
  [laughter]
• 9:02
  Pretty interesting. But yeah, so tell me
• 9:04
  about it.
• 9:06
  >> You know, I just wanted to flip it a
• 9:07
  little bit. You know, uh, today a lot of
• 9:10
  guys, we're begging, we're begging, we
• 9:11
  telling women this, we telling that, but
• 9:13
  nobody's telling the other side that,
• 9:15
  wait a minute, it ain't always the guys
• 9:17
  fault. You know, they call us,
• 9:19
  >> they call us we wrong or we dogs or we
• 9:21
  ain't no good. Listen, we ain't, it
• 9:23
  ain't always our fault cuz women chase,
• 9:25
  too.
• 9:26
  >> And I just wanted to I wanted to bring
• 9:28
  out that aspect in, hey, these beautiful
• 9:30
  women sometimes is hard on the guy
• 9:32
  because we're not trying to be that cold
• 9:34
  blooded, but at some point
• 9:36
  >> the song speaks for itself. like, "Hey,
• 9:38
  I'm trying to be good to you, but it's
• 9:40
  hard out here." And guys get it. You
• 9:42
  know, guys get it
• 9:44
  >> and women do, too. It's just nobody's
• 9:46
  really hitting on that point that Yes.
• 9:50
  Yes.
• 9:51
  >> And I like to hit on points where people
• 9:53
  may not have thought of.
• 9:54
  >> That's obvious with with your with your
• 9:56
  hits in the past and and you know, now
• 9:59
  you still bringing that same flavor. So,
• 10:01
  we love it. Now, has there ever been any
• 10:05
  song that you've written that you were
• 10:07
  actually scared to release because it
• 10:10
  might have been too honest?
• 10:14
  >> No, cuz I wanted, you know, I've never
• 10:17
  really felt like I didn't want it
• 10:18
  released uh tonight. Like I said, we
• 10:21
  really got some flak at the beginning,
• 10:23
  but other than that, we haven't I hadn't
• 10:24
  had any issues with wanting to release
• 10:26
  anything. But the new one after They
• 10:28
  Won't Leave Me Alone, you will know what
• 10:30
  I'm talking about. And that might be the
• 10:33
  new single I have after They Won't Leave
• 10:34
  Me Alone. I'm a little
• 10:37
  >> Yeah, it's this. [laughter]
• 10:40
  >> So, you're mentioning stuff that hadn't
• 10:42
  happened quite yet, but the news after
• 10:45
  this one is is going to be a little out
• 10:47
  there
• 10:49
  >> now. So, okay. Since Ready for the
• 10:52
  World, have I know you've you've
• 10:55
  constantly stayed out there. Has it ever
• 10:58
  been a point that you like had took a
• 11:00
  break and then came back or how did that
• 11:03
  work for you or that you just constantly
• 11:04
  just just kept going and keep grinding
• 11:06
  and doing your own thing?
• 11:08
  >> Yeah, I've always kept recording. You
• 11:10
  know, with this music industry, it takes
• 11:12
  uh promotion and marketing
• 11:14
  >> and from the major labels. and after a
• 11:17
  while that the major label in that
• 11:19
  machine is not behind you. Sometimes the
• 11:22
  artist don't hear some of your product.
• 11:25
  So you may put it out independently, but
• 11:27
  as long as you keep on writing, keep
• 11:29
  doing your thing. You keep your swag and
• 11:31
  you keep your energy going. So I
• 11:33
  wouldn't say I've ever taken really a
• 11:34
  break from the writing, but I have taken
• 11:36
  a break from the road.
• 11:38
  uh years and years of being on the road.
• 11:40
  Uh you know, you take a break from that
• 11:43
  and now the older artists, the 80s and
• 11:46
  the 90s and early 2000 artists are
• 11:48
  coming back
• 11:49
  >> and touring and putting out records. Now
• 11:52
  it kind of like I never stopped. So I'm
• 11:55
  right in line with what's going on
• 11:57
  because I've never stopped writing
• 11:59
  music. That's good though because that
• 12:02
  means you know a lot of times I know a
• 12:04
  lot of artists like you said that were
• 12:06
  were good like in the 80s 90s and they
• 12:09
  take that long break and then when they
• 12:11
  come back out it's the everything is
• 12:13
  rusty. The songwriting they're feeling
• 12:15
  rusty the performance they're still
• 12:17
  feeling rusty the whole mental process
• 12:20
  of doing the whole thing all over. Now
• 12:22
  you have you know before you just had
• 12:24
  you yourself or whatever and you out
• 12:26
  there doing your thing. Now you got kids
• 12:28
  and bills and and all these other things
• 12:31
  that you didn't have before. So things
• 12:33
  are different.
• 12:35
  >> Did you feel like any kind of,
• 12:37
  >> you know, any different kind of
• 12:39
  pressures now than you did back in in
• 12:42
  that day?
• 12:45
  >> No, actually it's the quite the
• 12:46
  opposite. There's really no pressure
• 12:48
  because, you know, I'm older. I'm uh
• 12:51
  settled uh you know and I don't have to
• 12:54
  do music to make money because God has
• 12:57
  blessed me that it flows from the
• 12:59
  production and the writing. So their
• 13:01
  pressure is just sit back and record
• 13:05
  >> and let it do what it do. You know,
• 13:07
  there's nothing to prove at this point
• 13:08
  but to make sure that you're putting out
• 13:10
  the best that you can put out there cuz
• 13:12
  people deserve to hear
• 13:14
  >> the jam. You know, you want people to
• 13:15
  be, you know, back in the day like and
• 13:17
  good music is like food. You want to
• 13:19
  taste something great. Well, the same if
• 13:20
  you're a chef, you want to sit back and
• 13:22
  let watch the people enjoy your food
• 13:24
  >> with music. You want to sit back and be
• 13:26
  like, you know what, I put some great
• 13:28
  music out there that people could
• 13:30
  exercise or ride to or drive, whatever
• 13:32
  you want to do to that music.
• 13:34
  >> That's what I do. Yeah. I want that
• 13:36
  music out there that you can enjoy it.
• 13:38
  >> I love it. Now, when you're not making
• 13:40
  music, what's something you love to do
• 13:42
  that fans would never guess? So, I I
• 13:44
  love asking this question because people
• 13:46
  don't, you know, I I get so many
• 13:49
  >> different answers that I never expected
• 13:52
  to get. So,
• 13:53
  >> tell me about Melvin, Mr. Riley, outside
• 13:57
  of this music thing.
• 13:59
  >> I like to chill.
• 14:01
  >> I am a [laughter] ch I am a homebody. I
• 14:04
  don't I really don't even leave the
• 14:05
  house unless I'm going fishing,
• 14:08
  >> golfing, bowling,
• 14:11
  >> or hanging with the fam. like we got an
• 14:13
  event, but most of the time I'm I'm a
• 14:16
  introvert big time.
• 14:17
  >> Really?
• 14:18
  >> Yeah. Yeah. I'm not I'm not I'm not
• 14:20
  always out and about because I like my
• 14:23
  little piece in my own little world and
• 14:25
  uh yeah, I'm kind of an introvert. I
• 14:27
  don't really get out a lot.
• 14:30
  >> Okay.
• 14:31
  >> I love that. And they expect lead
• 14:33
  singers and things like that to have
• 14:34
  this,
• 14:36
  >> you know, this pop life, you know what I
• 14:38
  mean?
• 14:39
  >> Yeah. No, I'm uh I'm more into the
• 14:42
  chill, sit back, have a cigar, and have
• 14:45
  some good conversation type of guy.
• 14:47
  >> I love that. I love that. Now, this is a
• 14:50
  part of the interview that I like to
• 14:53
  have a little bit of fun, and I hope you
• 14:55
  don't mind.
• 14:56
  >> It's it's it's like an old school
• 14:58
  trivia. Okay,
• 15:01
  so I'm a big fan of old school music.
• 15:04
  That's my thing. And old school could
• 15:07
  mean could mean a couple different
• 15:09
  things. But what I'mma do, I'mma sing a
• 15:12
  little bit of a lyric. And you could
• 15:14
  either say it or you can sing the rest
• 15:15
  of the lyric to the song. Now, these is
• 15:17
  going to be songs from either the 80s or
• 15:19
  the 90s. And I I know that you know
• 15:21
  them, but I'm have to take your card
• 15:23
  though, Melvin, if you don't know a
• 15:24
  couple of these.
• 15:25
  >> You know what? I'mma tell you before you
• 15:26
  get started. I might not remember the
• 15:27
  words to my own song. So, [laughter]
• 15:31
  you can try it. Uh but uh let's let's
• 15:33
  see. Let's see. Let's see.
• 15:34
  >> Okay. All right, the first one. Let me
• 15:37
  get my voice together. Now, you guys, I
• 15:39
  do have a cold. So, if I don't sound
• 15:42
  good, just blame it on the uh
• 15:45
  >> the robot.
• 15:46
  I blame on the robot. I got
• 15:50
  >> Okay. Here I lay all [singing] alone,
• 15:57
  tossing, turning, longing [singing] for
• 16:01
  some of your
• 16:03
  Okay, Melvin.
• 16:04
  >> Is it tender? [singing]
• 16:09
  >> Was I right?
• 16:10
  >> You were right.
• 16:12
  >> Trouble because them my homies right
• 16:13
  there. Okay. So, I just want to make
• 16:15
  sure I got that right.
• 16:17
  >> Okay. Now, this one is from the 80s. Um,
• 16:20
  let me try, let me get a good key. Um,
• 16:26
  of frame
• 16:29
  shadows of your smile will always
• 16:33
  remain.
• 16:35
  Heaven's love, I forgot the word. Soon
• 16:39
  fades away.
• 16:42
  We grow up. I want to know. [singing]
• 16:48
  Okay. It's It's the chorus after this.
• 16:51
  If I sing it, you going to be like, "Oh
• 16:52
  my gosh."
• 16:53
  >> I know it. Isn't that a uh
• 16:56
  >> I'll do the second verse.
• 16:57
  >> Long as I live. Long as I live.
• 17:00
  >> I'm like, "What the heck?" [laughter]
• 17:02
  >> Yeah. Got you. Got you.
• 17:06
  >> All right. We got two more.
• 17:09
  >> Okay. [laughter]
• 17:11
  Um
• 17:14
  Okay. I'mma take your card though,
• 17:16
  Melvin. Okay. All right. [laughter]
• 17:23
  [singing]
• 17:29
  >> Nuhuh. You gotta keep [laughter] doing
• 17:30
  it.
• 17:33
  [singing]
• 17:37
  >> You say you got to get away
• 17:41
  to find yourself. [singing]
• 17:47
  Yeah,
• 17:49
  I get to the chorus. [laughter]
• 17:52
  >> Yeah.
• 17:56
  >> Okay.
• 18:01
  [laughter]
• 18:08
  Yes, it has. if you're planning to leave
• 18:12
  me behind. [singing]
• 18:15
  And then it goes, "Let me put one more
• 18:18
  thing on you.
• 18:22
  If you ever need me, baby, just
• 18:28
  for me,
• 18:33
  baby, something like that." But
• 18:36
  >> let it start. Atlanta.
• 18:37
  >> Let it start. Uh oh.
• 18:39
  get drunk or something be like, "Dude,
• 18:41
  you remember my song?" Like,
• 18:43
  >> all right, here's the last one. It never
• 18:46
  really matter too much to me.
• 18:53
  [laughter]
• 18:54
  >> That you would too damn low for me.
• 18:58
  Now, I know you got to know this,
• 19:00
  Melvin.
• 19:00
  >> I do know that one. I think so.
• 19:02
  >> Okay.
• 19:03
  >> All matter, my
• 19:06
  girl. And baby, that's all that matter
• 19:10
  to me.
• 19:12
  Oh baby, let me love you.
• 19:20
  >> There we go. [laughter]
• 19:26
  >> So [laughter]
• 19:28
  you I just love that whole era. That's
• 19:30
  all me and I thank you so much for for
• 19:33
  that. And before we go, please let
• 19:37
  everybody know where they can get the
• 19:39
  music, where they can go to find out
• 19:41
  more about you, what you're doing now.
• 19:43
  Just shout it out.
• 19:45
  >> Listen everybody, first I want to thank
• 19:47
  everybody for for uh the love for over
• 19:50
  40 years, you know, and and I'm blessed
• 19:52
  to be able to give you guys music
• 19:54
  continuously, and I just want to thank
• 19:56
  you guys, you know, and the new music is
• 19:58
  going to be the new era for Melvin
• 20:01
  Riley. Uh, and I want you to come check
• 20:03
  me out at I am MelvinRileley.com. That's
• 20:05
  the website. Go to my Facebook, which is
• 20:08
  Melvin Riley. They got a lot of fake
• 20:11
  ones out there, but the one that's me, I
• 20:13
  guess I'm on stage and it says uh Melvin
• 20:16
  Riley,
• 20:17
  >> but it's it's a few pages. I don't even
• 20:19
  know who that is. But anyway, Facebook
• 20:21
  page, Melvin Riley, but my Instagram is
• 20:24
  I am Melvin Riley as well. So check me
• 20:26
  out on Instagram, Facebook. you can get
• 20:28
  the updates and hear the new music
• 20:30
  before it really comes out. Uh, but
• 20:32
  right now we got the new single called
• 20:34
  They Won't Leave Me Alone, which is
• 20:35
  blowing up. I'm so glad that everybody's
• 20:37
  feeling it. And hey, it's Melvin Ryder.
• 20:40
  They won't leave me alone and continue
• 20:42
  from here on.
• 20:44
  >> Awesome. Awesome. So, look, everybody
• 20:46
  out there, make sure you go cop that.
• 20:48
  Make sure you go to his website. Don't
• 20:50
  leave him alone. Make sure [laughter]
• 20:53
  >> Yeah. Yeah. Don't leave him disrespect.
• 20:57
  All right guys, thank you. Thank you
• 20:59
  Melvin for joining in today and we are
• 21:01
  out of here. Talk to you guys later.
• 21:04
  >> Thank you all. Peace.