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I Am All In…Again: Happy Thanksgiving (Season 3 E9 A Deep Fried Korean Thanksgiving) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I Am all in again.
• 0:09
  Speaker 2: Oh, I am all in again with Scott Patterson and
• 0:20
  Speaker 2: iHeartRadio Podcast.
• 0:22
  Speaker 1: Hey Everybody, Scott Patterson, I Am all In Podcast one
• 0:25
  Speaker 1: eleven productions, iHeartRadio Media, iHeart Podcast Season three, Episode nine,
• 0:31
  Speaker 1: A deep fried Korean Thanksgiving air date November twenty six,
• 0:35
  Speaker 1: two thousand and two. So long ago. We very special
• 0:38
  Speaker 1: guest who needs no introduction. Beloved in the Gilmour universe.
• 0:44
  Speaker 1: You know our next guest as the perfect best friend
• 0:48
  Speaker 1: to Rory as Lane Kim Keiko againa joins us to
• 0:51
  Speaker 1: recap an iconic, extremely iconic Gilmore Girls episode. Keiko, welcome,
• 0:58
  Speaker 1: Nice to see you again.
• 0:59
  Speaker 2: How Hi, Nice to see you too, Scott. It's good
• 1:03
  Speaker 2: to be back.
• 1:04
  Speaker 1: Good to be back. Great episode synopsis is a Laurel
• 1:09
  Speaker 1: I is shocked to learn Rory has applied to Yale,
• 1:14
  Speaker 1: and they have a memorable Thanksgiving when they end up
• 1:18
  Speaker 1: forcing down four celebratory meals, including a formal dinner party
• 1:23
  Speaker 1: with Richard and Emily, directed by the Great Kenny Ortega
• 1:29
  Speaker 1: and written by the greater Dan Palladino. Before we get
• 1:33
  Speaker 1: into it, Kiko, what do you remember about filming this,
• 1:37
  Speaker 1: this iconic Thanksgiving episode?
• 1:41
  Speaker 2: That's a good question. How about you? What do you
• 1:44
  Speaker 2: remember I was gonna throw that potato back into your hands.
• 1:51
  Speaker 1: Well, then let's just get right into it. Prepping for Thanksgiving,
• 1:55
  Speaker 1: Loreal I has been avoiding Emily's calls, hasn't attended to
• 1:59
  Speaker 1: Friday Night dinners. Emily drops by at the end to
• 2:02
  Speaker 1: tell Laura I she expects her at Rory's Thanksgiving. You
• 2:07
  Speaker 1: know this is complicated for Rory and and and Laurel.
• 2:12
  Speaker 1: I Keiko, have you ever been to multiple Thanksgivings?
• 2:18
  Speaker 3: Oh?
• 2:18
  Speaker 2: Sure, in that same day. I mean, I'm going to
• 2:21
  Speaker 2: friends giving tonight after I stop by. Hear, but I
• 2:29
  Speaker 2: wonder if I've done it in the same day. Probably
• 2:35
  Speaker 2: because our family is kind of spread out, it's sort
• 2:37
  Speaker 2: of inevitable. And then we also have those same type
• 2:41
  Speaker 2: of things as what is what happened in the show
• 2:43
  Speaker 2: is that you have you have work relationships, you have
• 2:46
  Speaker 2: friend relationships, you have potential romantic relationships that you have
• 2:50
  Speaker 2: to juggle all at the same time.
• 2:53
  Speaker 1: Well, Thanksgiving Day, they first go to missus Kim, Rory
• 2:58
  Speaker 1: and Laura, and she's serving tofurky. David Galski's there, hired
• 3:05
  Speaker 1: by your mom as a Christian guitar player so that
• 3:10
  Speaker 1: they can lay the groundwork of Lane dating him. This
• 3:16
  Speaker 1: is such a great storyline. It's just so and so funny.
• 3:22
  Speaker 1: And the one thing I enjoyed so much is that
• 3:25
  Speaker 1: when we first well, you know, Dave comes in in
• 3:29
  Speaker 1: the prior episodes, right, and he's so on it and
• 3:33
  Speaker 1: he's so and you're so pleased with how he's handling
• 3:37
  Speaker 1: your mother that you just the beaming smile when he says, well,
• 3:41
  Speaker 1: my parents are in church now and they're going to
• 3:44
  Speaker 1: get out in like twenty minutes, and it's like code
• 3:49
  Speaker 1: to you to meet him in three and she doesn't
• 3:52
  Speaker 1: get it, you get it. It's just so great the
• 3:55
  Speaker 1: way this begins. What do you remember about out working
• 4:00
  Speaker 1: with Adam? Oh, because it seems like you guys have
• 4:05
  Speaker 1: this tremendous chemistry.
• 4:08
  Speaker 2: Yeah. I think Adam is such a special performer. I
• 4:14
  Speaker 2: mean he's he's a very nice, charming guy in real life.
• 4:18
  Speaker 2: I mean, Adam is very easy to get along with,
• 4:21
  Speaker 2: and he's a he's a smart guy and a funny guy.
• 4:24
  Speaker 2: So it's it's fun. I think that he was happy
• 4:28
  Speaker 2: to have this little storyline as well, because it gives
• 4:32
  Speaker 2: him a chance to do all of the charming things
• 4:35
  Speaker 2: that he's able to do, and that's such a great character.
• 4:39
  Speaker 2: I mean, you have the obstacle of missus Kim and
• 4:43
  Speaker 2: then all of the shenanigans that need to happen to
• 4:47
  Speaker 2: to make this little budding romance occur.
• 4:53
  Speaker 1: And this was really kind of This wasn't the first
• 4:56
  Speaker 1: thing he'd ever done, but this was kind of his
• 4:59
  Speaker 1: a little bit of his breakthrough role, was it?
• 5:01
  Speaker 2: As you recall, I don't I don't remember what other
• 5:05
  Speaker 2: things he had done before that, but this, But I
• 5:07
  Speaker 2: think this is before he you know, he's a series
• 5:10
  Speaker 2: regular on a show. I'm assuming that recurring on a
• 5:13
  Speaker 2: television show is is great because you can really establish
• 5:17
  Speaker 2: a character and develop a fan base and things like that.
• 5:20
  Speaker 1: This is before the OC. So then he does this
• 5:24
  Speaker 1: for a year or two and then OC and then
• 5:29
  Speaker 1: Bubble And we have so.
• 5:30
  Speaker 2: Many people on our you know, whenever they do those
• 5:32
  Speaker 2: long lists of all the people that have been on
• 5:34
  Speaker 2: Gilmour Girls, like, I forgot that Matt Jones, who is
• 5:37
  Speaker 2: an incredible He's gone on to do a lot of things.
• 5:40
  Speaker 2: As I was rewatching this episode, I was like, oh
• 5:41
  Speaker 2: my god, Matt Jones is on there I actually do
• 5:44
  Speaker 2: improv with him very rarely, but sometimes I get a chance.
• 5:47
  Speaker 2: He's phenomenal funny. But he has a little bit at
• 5:50
  Speaker 2: Suki and at the deep fried part of the deep
• 5:54
  Speaker 2: product Thanksgiving, all these people, you know, kind of pop up.
• 5:59
  Speaker 2: They were on that show, they were on our show too.
• 6:02
  Speaker 1: Yeah, all right, so we're gonna come back of this,
• 6:06
  Speaker 1: but we're gonna head to Suki's now and and talk
• 6:10
  Speaker 1: about Jackson and his deep frying a turkey. I mean,
• 6:15
  Speaker 1: the setup for this is just so hysterically funny. I mean,
• 6:18
  Speaker 1: what a contrast, you know, you go from from missus
• 6:22
  Speaker 1: Kim's quite stayed uh Thanksgiving celebration to go into like
• 6:31
  Speaker 1: the you know, the the rock, the rock and roll
• 6:35
  Speaker 1: version of of what a Thanksgiving could be. I mean,
• 6:38
  Speaker 1: it was just so much fun.
• 6:40
  Speaker 2: Right, And I love watching Melissa in that scene, both
• 6:44
  Speaker 2: both at the very beginning when you see her and
• 6:45
  Speaker 2: then when you wrap up when you come back to
• 6:47
  Speaker 2: her later on. But she's just so she plays frazzled
• 6:51
  Speaker 2: so well, Like at the very beginning, we see her
• 6:53
  Speaker 2: just uh manic and you know, uh, but her her discos.
• 7:00
  Speaker 2: It's fun to watch certain people be uncomfortable and She
• 7:02
  Speaker 2: just makes it so funny that how displeased she is
• 7:05
  Speaker 2: with everything that's going on and behind her.
• 7:07
  Speaker 1: You know, all all she would need to do on
• 7:10
  Speaker 1: an acting reel is put that first scene and then
• 7:13
  Speaker 1: that drunk scene, and there you go. It shows the
• 7:16
  Speaker 1: full range. Yeah, basically the full range of what she's
• 7:20
  Speaker 1: capable of doing. I mean, it's it's it's she's so good.
• 7:24
  Speaker 2: She is so good.
• 7:25
  Speaker 1: She's so hard to play drunk. It's so hard to
• 7:29
  Speaker 1: do it. You did it very well as.
• 7:32
  Speaker 2: Well, maybe, Schmid.
• 7:33
  Speaker 1: Yes, no, no, no, you did a very good job
• 7:37
  Speaker 1: in that. You know that when they had that big
• 7:38
  Speaker 1: fight scene. There was a huge fight scene with right
• 7:41
  Speaker 1: Dean and Jess, And then you had that scene where
• 7:44
  Speaker 1: you were calling home, right right right, we're calling your
• 7:48
  Speaker 1: mother and you were hammered.
• 7:51
  Speaker 2: Uh huh?
• 7:53
  Speaker 1: Is that is that? What is that who you were calling?
• 7:56
  Speaker 2: Yes? I think I was calling you.
• 7:59
  Speaker 1: The guts called your mother while you were drunk.
• 8:02
  Speaker 2: Well doesn't isn't that how it happens? Though? Don't we
• 8:05
  Speaker 2: make all sorts of decisions when drunk. We many times regret,
• 8:12
  Speaker 2: you know, or conversations that need to be had, that
• 8:15
  Speaker 2: need that little extra juice in order to make them happen.
• 8:19
  Speaker 1: I don't know. I've never been drunk. I would not.
• 8:21
  Speaker 1: Oh okay, I'm kidding.
• 8:25
  Speaker 2: I was gonna say I never.
• 8:27
  Speaker 1: I've never been drunk called my parents, that's for sure.
• 8:30
  Speaker 1: But all right, so lots of fun there. Suki is
• 8:35
  Speaker 1: getting a little unnerved by, you know, just the the
• 8:42
  Speaker 1: vibe that's been created there with all of these raucous individuals,
• 8:47
  Speaker 1: and then Jackson's playing into it. He comes out with
• 8:50
  Speaker 1: a face mask and a and a bib and gloves
• 8:54
  Speaker 1: and he said, let's rock. Uh, And then they and
• 9:02
  Speaker 1: then they dip the turkey into the boiling oil and
• 9:08
  Speaker 1: the place explodes. I mean, the whole These guys just
• 9:12
  Speaker 1: oh man, they were tailgating. They were basically tail they
• 9:16
  Speaker 1: were tailgating. A Thanksgi family Thanksgiving fantastic. Then we see
• 9:21
  Speaker 1: uh uh and they had the Lukes, yeah, on their
• 9:27
  Speaker 1: quasi eating death march and they eat their male with
• 9:32
  Speaker 1: Jess and and and Luke, who's a little disappointed that
• 9:37
  Speaker 1: they couldn't come. And then Laureli does the nice thing
• 9:39
  Speaker 1: and says, well, we're gonna make it rory and just kissed.
• 9:44
  Speaker 1: Let's talk about this. Let's talk about this kiss thing,
• 9:48
  Speaker 1: did you find it? Why is Jess so determined instead
• 9:56
  Speaker 1: of just being in love and focused on on this
• 10:00
  Speaker 1: budding relationship, right, Why does he risk, you know, appearing
• 10:06
  Speaker 1: manipulative or maybe he's just out of control, completely out
• 10:11
  Speaker 1: of control and almost demanding that it's not good enough
• 10:17
  Speaker 1: for him just to have won the battle and the
• 10:21
  Speaker 1: war with getting rory. You know, he's got to take
• 10:25
  Speaker 1: it to this level where he, let's rub it in
• 10:29
  Speaker 1: Dean's face, let's do this in front of Dozie. So
• 10:33
  Speaker 1: it kind of becomes about that. And when she calls
• 10:36
  Speaker 1: him on it and says, no, this is you know,
• 10:41
  Speaker 1: and he does, he's not pleased, and he just kind
• 10:44
  Speaker 1: of gives her a peck on sulks away. So, yeah,
• 10:49
  Speaker 1: that disturbed me. Did it disturb Yeah?
• 10:52
  Speaker 2: Well, you know, I think it's one of those things
• 10:54
  Speaker 2: where I think that, you know, because he's young, he's
• 10:58
  Speaker 2: a young person and he has a lot of maturing
• 11:00
  Speaker 2: to do. I think that's the thing that we yearn
• 11:03
  Speaker 2: for Jess to go through that kind of change. But
• 11:05
  Speaker 2: I think that that's a great example of not really
• 11:11
  Speaker 2: not valuing your partner's discomfort high enough and whatever it
• 11:18
  Speaker 2: is that you think is fair or or or right
• 11:20
  Speaker 2: or justified that you can never bulldoze. The bulldozing is
• 11:24
  Speaker 2: what's what's really uncomfortable. It's that if the if your
• 11:28
  Speaker 2: partner is uncomfortable, that's it's like, okay, let's hold on,
• 11:33
  Speaker 2: let's find out why it's a valuable, important thing.
• 11:36
  Speaker 1: Yeah, that's a conversation that she's going to have to
• 11:40
  Speaker 1: have with him, like whoa. And if it happened again
• 11:45
  Speaker 1: where he just really insisted on it, then you've got
• 11:48
  Speaker 1: to reevaluate the whole relationship, right, I mean that's yeah, yeah,
• 11:53
  Speaker 1: that's well, we'll see what happens weaponizing a right right, right,
• 12:02
  Speaker 1: and then they finally head to their their last stop
• 12:07
  Speaker 1: Emily and Richards, right. And I don't know this, this
• 12:13
  Speaker 1: might be my all time favorite inside the Gilmour House
• 12:18
  Speaker 1: rep Parte.
• 12:19
  Speaker 2: Oh nice. Wow, that's saying a lot.
• 12:21
  Speaker 1: I mean, you just had the great lines flying around
• 12:26
  Speaker 1: the mile a minute. There was so much conflict there.
• 12:31
  Speaker 1: Let me ask you this. Let me ask you this.
• 12:37
  Speaker 1: It's necessary fuel. It's necessary tension, and it's a necessary
• 12:44
  Speaker 1: anxiety that that Laurel is having for you. Keiko. Is
• 12:51
  Speaker 1: Laurel I being selfish? Here? Is she making it about
• 12:56
  Speaker 1: her her feelings, or her contra or her parents, or
• 13:04
  Speaker 1: is it really Emily and Richard's total lack of respect
• 13:09
  Speaker 1: or total lack of recognition of the boundaries here and
• 13:15
  Speaker 1: respecting laurel I's you know, authority, respecting her relationship with
• 13:24
  Speaker 1: her own daughter. And you know that Richard and Emily
• 13:28
  Speaker 1: had these conversations before they went to I don't believe
• 13:32
  Speaker 1: Emily for a minute that she says I knew nothing
• 13:35
  Speaker 1: about this. Of course she did. They talked about it,
• 13:39
  Speaker 1: you know, they had to them. So what are your
• 13:43
  Speaker 1: thoughts on that, Laurle I really really really getting super
• 13:47
  Speaker 1: upset a couple of years.
• 13:50
  Speaker 2: I think that's what makes this relationship so good is
• 13:55
  Speaker 2: that Lorala I has such a sensitive spot there. You
• 14:02
  Speaker 2: know that the very like a light breeze will just
• 14:06
  Speaker 2: you know, hurt her. But it's believable. And I think
• 14:12
  Speaker 2: that's why we keep coming back to that, is that
• 14:14
  Speaker 2: it's just true people. We as people have those deep injuries,
• 14:20
  Speaker 2: and Lorala has this injury that she has never fully
• 14:24
  Speaker 2: recovered from. It's just this sensitive sore spot where she
• 14:28
  Speaker 2: feels like she's not she's not in control of her
• 14:33
  Speaker 2: own life, or wasn't in the past, and she feels
• 14:36
  Speaker 2: like Rory is an extension of her, and so to
• 14:38
  Speaker 2: feel when whenever she has that tiny little sense that
• 14:42
  Speaker 2: she's losing control of her of her autonomy, she it's
• 14:48
  Speaker 2: just inflamed. It's like it's like everything is just as
• 14:51
  Speaker 2: fresh as it was, you know, when she was a
• 14:54
  Speaker 2: child and she couldn't she had no real control over
• 14:58
  Speaker 2: her life and that and that's that's what I love.
• 15:01
  Speaker 2: That's why I think you have a series that could
• 15:03
  Speaker 2: last so long, is that Lauren was great at making
• 15:08
  Speaker 2: it believable in that moment that, yes, it's it's not
• 15:13
  Speaker 2: sensical how she's acting, but you believe that that's just
• 15:16
  Speaker 2: her trying to deal with her to get a handle
• 15:20
  Speaker 2: on her emotions.
• 15:21
  Speaker 1: Right, And I'm glad she's acknowledged that, you know, in
• 15:25
  Speaker 1: her little speech to Rory. Yes, the end of the episode,
• 15:28
  Speaker 1: you know, I understand in my mind, I wish my
• 15:32
  Speaker 1: mind could have a meeting with my body and tell
• 15:35
  Speaker 1: it like this is the rational approach. Of Course, you
• 15:38
  Speaker 1: want a backup plan. Of course, Yale would be a
• 15:41
  Speaker 1: great place in you coming out on the other side
• 15:44
  Speaker 1: of any of these Ivy League schools would be a
• 15:47
  Speaker 1: great thing. For you. Yeah, she just can't. It's it's
• 15:53
  Speaker 1: got to be impossible to deal with the meddling, right.
• 15:59
  Speaker 2: Yeah, yes, and you can feel it in her, in
• 16:01
  Speaker 2: her whole I think. Yeah, so interesting about how she
• 16:05
  Speaker 2: talks about time, because that's also that's also her brain
• 16:09
  Speaker 2: trying to regain some sense of control. She's like, I
• 16:13
  Speaker 2: have a plan. It's going to be two hours. I
• 16:16
  Speaker 2: can I can manage this. She's just trying to put
• 16:19
  Speaker 2: all of these tools in place for herself to feel
• 16:22
  Speaker 2: like she's still in control, because she's barely hanging on.
• 16:28
  Speaker 2: And we believe her that she she needs all of
• 16:31
  Speaker 2: these different mental games that she plays with herself in
• 16:34
  Speaker 2: order to get a sense that she's in control of
• 16:37
  Speaker 2: this situation. Right. Yeah, it's fun. It is terrible to watch,
• 16:44
  Speaker 2: but fun also, right.
• 16:45
  Speaker 1: But it's you know, the absolute spine of this entire
• 16:49
  Speaker 1: piece is this relationship. Yes, it is this this fracture,
• 16:55
  Speaker 1: and you know, will it heal? Will they ever get
• 16:58
  Speaker 1: close to parody? Will they ever for distonte? You know?
• 17:01
  Speaker 1: And and it always seems they get a little they
• 17:06
  Speaker 1: get close sometimes and there's these little moments where there's
• 17:10
  Speaker 1: mutual respect and some love maybe you know, the light
• 17:13
  Speaker 1: shining a little brighter, and then Bubbo. There's so many
• 17:16
  Speaker 1: things that make it collapse and collapse fast because there's
• 17:21
  Speaker 1: such lack of trust. It's like it's like the two
• 17:24
  Speaker 1: sides do not trust each other. Yes, yes, so nobody,
• 17:29
  Speaker 1: nobody's getting the benefit of the doubts. She's not giving
• 17:32
  Speaker 1: them the benefit of doubt the same way. It's coming
• 17:34
  Speaker 1: back the other way.
• 17:35
  Speaker 2: Oh no, not at all, because I think for Emily, certainly,
• 17:39
  Speaker 2: what Laura did to her was the the worst pain
• 17:43
  Speaker 2: that she's ever felt, I'm sure you know, And so
• 17:46
  Speaker 2: she's dealing she's so wounded by this deep betrayal of
• 17:52
  Speaker 2: her daughter in that fierce rejection, that everything, everything that
• 17:57
  Speaker 2: she every time she speaks, it's loaded. You just even
• 18:01
  Speaker 2: feel how heavy because that guilt is always the guilt
• 18:11
  Speaker 2: that she's trying to enforce and impose on Laura. Lai
• 18:14
  Speaker 2: is always just behind her words because she's still nursing
• 18:19
  Speaker 2: that huge pain at rejection.
• 18:32
  Speaker 1: The question that's oft asked but to all of us
• 18:36
  Speaker 1: by the press and by fans, you know, why is
• 18:40
  Speaker 1: this show so enduring? Why does it hit people on
• 18:43
  Speaker 1: such a deep level. I think what we're discussing now
• 18:45
  Speaker 1: really addresses that it's because of this, this very anchored
• 18:53
  Speaker 1: and ancient pain that these two have for one another
• 18:58
  Speaker 1: or against, you know, Laura versus Emily and Richard. It's
• 19:04
  Speaker 1: it's it's so relatable, it's so universal, it's so deep,
• 19:10
  Speaker 1: and everything springs from that. And that's really the essence
• 19:13
  Speaker 1: of in a way, to one degree or another, all families.
• 19:21
  Speaker 1: M There isn't a family that hasn't experienced a touch
• 19:27
  Speaker 1: of this. There's families that have more strife than this,
• 19:31
  Speaker 1: But I mean this is the most universal, the most relatable.
• 19:36
  Speaker 1: I mean, what a great setup for a show. Yeah,
• 19:39
  Speaker 1: I mean what it's just a beautiful setup for a show.
• 19:42
  Speaker 1: I mean, it couldn't fail, yeah, right.
• 19:46
  Speaker 2: I think also something that that has kind of come
• 19:49
  Speaker 2: to me in more recent interviews is this thought that
• 19:54
  Speaker 2: I think perhaps something that special about Gilmourborls is that
• 19:59
  Speaker 2: you have people that disagree, but you know that they
• 20:05
  Speaker 2: love each other. You know that they love each other,
• 20:09
  Speaker 2: and so to be able to see people who do
• 20:13
  Speaker 2: not agree about anything, who have different philosophies, but you
• 20:20
  Speaker 2: know that the love is underneath. That's with Emily and Lorelei,
• 20:26
  Speaker 2: that's with missus Kimmon lane that comes up. It's a
• 20:29
  Speaker 2: you know, Taylor and Luke, I mean they are like
• 20:33
  Speaker 2: there are a lot of these different forces, but you
• 20:36
  Speaker 2: never doubt that everybody in this in this little bubble
• 20:40
  Speaker 2: of this world stars Hollow or the Gilmore Girls as
• 20:43
  Speaker 2: a whole that people love and need each other.
• 20:47
  Speaker 1: Yeah, it's a love story.
• 20:49
  Speaker 2: It is a love story.
• 20:50
  Speaker 1: It's it's ultimately a love story. It's a it's a
• 20:52
  Speaker 1: dysfunctional family, yes, background, but at the forefront it's positive.
• 20:58
  Speaker 1: It's it's it's moving towards love. Yes, it's it's it's
• 21:03
  Speaker 1: just so remarkable. The setup is so good. Yeah, man,
• 21:08
  Speaker 1: that's why so many people right in the business, writers
• 21:13
  Speaker 1: have attempted to write something. It inspired a lot of
• 21:19
  Speaker 1: TV shows.
• 21:21
  Speaker 2: I yes, I think so. And it's interesting because you
• 21:25
  Speaker 2: think there are a lot of different aspects of the
• 21:28
  Speaker 2: show that you can pull from. Certainly the fast paced
• 21:33
  Speaker 2: dialogue and the uh uh not social commentary, but the
• 21:42
  Speaker 2: the oh my gosh, it's escaping me. But like the
• 21:47
  Speaker 2: where where you're naming a bunch of different references, right,
• 21:52
  Speaker 2: But I think one of the things that would be
• 21:54
  Speaker 2: I would love to see more of is a kind
• 21:59
  Speaker 2: of is a kind of positivity. That's it. That's the positivity,
• 22:07
  Speaker 2: but that you're not shying away from challenging, challenging emotions.
• 22:12
  Speaker 2: I don't know. Maybe that's a show that I would
• 22:14
  Speaker 2: love to.
• 22:15
  Speaker 1: Right, And that's the message here right with Gilmore girls.
• 22:19
  Speaker 1: It's keep striving, keep the faith. It's going to get better. Yeah,
• 22:26
  Speaker 1: we keep loving each other, we keep trying, We're going
• 22:28
  Speaker 1: to know it is. It's it's it's moving forward. It's
• 22:32
  Speaker 1: it's moving us forward. It's it's it's a show that's
• 22:37
  Speaker 1: so full of hope. Yeah, by showing the uh, sometimes
• 22:42
  Speaker 1: the seamy side of the family dynamic. All right, m
• 22:50
  Speaker 1: Kirk and his cat Kirk.
• 22:58
  Speaker 2: But you know Sean hadcat too.
• 23:00
  Speaker 1: Did he really in real life?
• 23:03
  Speaker 2: Yeah?
• 23:04
  Speaker 1: Really? Yeah?
• 23:08
  Speaker 2: Yeah, so who knows.
• 23:11
  Speaker 1: I gotta tell you that maybe the funniest speech ever
• 23:16
  Speaker 1: written for him, Yeah, may have occurred in this episode
• 23:19
  Speaker 1: when he's describing in the diner the Thanksgiving, when the Thanksgiving,
• 23:24
  Speaker 1: when he's describing how the cat he how he hid
• 23:28
  Speaker 1: naked in his bathtub, knowing that cats have an aversion
• 23:33
  Speaker 1: to water, but not this cat, it seemed to empower. Yeah,
• 23:40
  Speaker 1: just the image of a crazed cat going at a
• 23:44
  Speaker 1: naked Kirk.
• 23:45
  Speaker 2: Yeah, come on, man, the Kirk Runners, you know, having that,
• 23:52
  Speaker 2: having that him be able to come in and just
• 23:54
  Speaker 2: pop in multiple times during an episode, and this is
• 23:57
  Speaker 2: a this is a classic one.
• 23:59
  Speaker 1: This is and uh, he's sustaining some pretty pretty serious
• 24:04
  Speaker 1: injuries and ultimately he uh he ended up sleeping on
• 24:11
  Speaker 1: the yes in the gazebo.
• 24:15
  Speaker 2: In the gazebo.
• 24:16
  Speaker 1: Oh my god, I tell you what a miracle that
• 24:21
  Speaker 1: character is. No, I know it, it's it's it's you know.
• 24:26
  Speaker 1: You get asked. I get asked this a lot. What
• 24:28
  Speaker 1: other character would you want to play in the show?
• 24:30
  Speaker 1: I always say Kirk. I'd love a shot it, Like,
• 24:33
  Speaker 1: I don't know if the entire run of the series,
• 24:35
  Speaker 1: I'd love to hit a couple of episodes is Kirk. Oh,
• 24:39
  Speaker 1: just to try to pull it off? Oh yeah, if
• 24:43
  Speaker 1: you could be that funny?
• 24:44
  Speaker 2: Oh, I know. And he got such great storylines too,
• 24:49
  Speaker 2: My goodness, what fun things he gets to play.
• 24:52
  Speaker 1: Then he must have had a blast writing for him.
• 24:54
  Speaker 2: Yes, I'm sure, you know.
• 24:56
  Speaker 1: I gotta tell you. Yeah, one of the there were
• 24:59
  Speaker 1: a couple of really great moments. And we're bouncing around
• 25:02
  Speaker 1: a little bit, but that's okay. When he started playing
• 25:07
  Speaker 1: when you when you asked your mom, can Adam have
• 25:10
  Speaker 1: a break, and she says no, he's we hired him
• 25:16
  Speaker 1: to play. He gets no breaks, and he continues to
• 25:18
  Speaker 1: play softly, and then she starts walking away and he
• 25:21
  Speaker 1: starts riffing on with that Nirvana song. Yeah but and
• 25:24
  Speaker 1: she stops and turns like, what the heck?
• 25:29
  Speaker 2: Yes this morning when I was because I was doing
• 25:32
  Speaker 2: my rewatch early this morning. I think I got up
• 25:34
  Speaker 2: at like six point thirty this morning before I dropped
• 25:36
  Speaker 2: my husband off of the airport, and he was watching
• 25:39
  Speaker 2: that and we both burst out laughing because he's a
• 25:41
  Speaker 2: musician too, so that riff came up so good.
• 25:45
  Speaker 1: And then we get that beautiful call back after he
• 25:49
  Speaker 1: kisses you, oh yeah, and then he leaves and you're
• 25:56
  Speaker 1: just you just have this look on your face and
• 25:58
  Speaker 1: you're kind of like wavering a little. It's just kind
• 26:01
  Speaker 1: of like in La La Land. It was so great
• 26:04
  Speaker 1: that moment, and then we then the actual song called
• 26:09
  Speaker 1: I Don't Thinking Boy. That must have cost him a
• 26:10
  Speaker 1: pretty petty true right, Yeah, yeah, it was still fresher,
• 26:17
  Speaker 1: but probably not. I mean today it would be more,
• 26:19
  Speaker 1: but back then it was still but what a great moment.
• 26:23
  Speaker 2: They they love their music. The Palladinos. Oh yeah, yeah,
• 26:28
  Speaker 2: mm hmmm.
• 26:29
  Speaker 1: So great. Not a big Luke Laurelye show. It was really,
• 26:35
  Speaker 1: it was really the It was really the Keiko Missus,
• 26:40
  Speaker 1: Kim Dave Rgalski Show, and the Emily uh and the
• 26:45
  Speaker 1: Emily Richard Laurel Eye Show.
• 26:49
  Speaker 2: But you know what I thought was so nice, and
• 26:51
  Speaker 2: I meant to mention it when we're actually talking about
• 26:53
  Speaker 2: that scene, was that I love when shows do this
• 26:57
  Speaker 2: where they say, oh, he looked disappointed, you know, because
• 27:01
  Speaker 2: what you did was so subtle. And I love when
• 27:04
  Speaker 2: when and that because that shows what it really shows
• 27:08
  Speaker 2: to me is how well they know you right right?
• 27:11
  Speaker 2: You know. That's always my favorite thing because it actually
• 27:15
  Speaker 2: shows in a very quick way you get a feeling
• 27:18
  Speaker 2: of how characters are are related to each other when
• 27:23
  Speaker 2: they're so affected by a small gesture, right. And I
• 27:28
  Speaker 2: thought that was such a great I thought that was
• 27:30
  Speaker 2: just such a great way to show those complicated emotions.
• 27:34
  Speaker 2: And and how many times, you know, Luke said, oh,
• 27:37
  Speaker 2: it's not a big deal. It's not a big deal.
• 27:39
  Speaker 2: But we knew, we knew that, you know, we know.
• 27:41
  Speaker 2: The opposite is true and just I love Also, I
• 27:45
  Speaker 2: love at the point where as soon as they sat down,
• 27:48
  Speaker 2: like all the plates are just fully dressed, you know,
• 27:50
  Speaker 2: like they all been sitting under the warmer, you know,
• 27:54
  Speaker 2: the whole time, just and they came as basically as
• 27:57
  Speaker 2: soon as they sat down, they're all like full right.
• 28:01
  Speaker 2: So it just tells so much with so little.
• 28:04
  Speaker 1: And I also like that she took the marshmallows off
• 28:06
  Speaker 1: his plate while he was getting Yes, more marshmallows for her.
• 28:11
  Speaker 2: Yes.
• 28:11
  Speaker 1: It just shows a closeness, you know, I really I
• 28:15
  Speaker 1: love that. But you're right, it's like this writing is
• 28:18
  Speaker 1: so good that the challenge is really how small can
• 28:24
  Speaker 1: I be?
• 28:25
  Speaker 2: Yeah?
• 28:26
  Speaker 1: And it really does give you that opportunity because that's
• 28:29
  Speaker 1: really where you want to live, in the small and
• 28:32
  Speaker 1: the smallness of it, because then it's so big, right
• 28:34
  Speaker 1: and you don't need and gosh, man, it's like acting
• 28:40
  Speaker 1: Police Central. So many times I have beg for another
• 28:45
  Speaker 1: take and I said, well why, It's like I just
• 28:47
  Speaker 1: thought it was too big and it was too showy,
• 28:49
  Speaker 1: and I got it, just I don't need to do that,
• 28:52
  Speaker 1: and they're like, uh okay, and then I'm like, thank.
• 28:55
  Speaker 2: God, oh nice, I didn't know that.
• 28:57
  Speaker 1: Oh sure, yeah, because you just don't need to do much. Yeah,
• 29:03
  Speaker 1: and that's that's the discipline with this writing, you know.
• 29:06
  Speaker 2: Well, I think it's also I mean, I think also
• 29:09
  Speaker 2: your character was one that had to be restrained because
• 29:13
  Speaker 2: it was all about restraint. You know, if you did
• 29:16
  Speaker 2: too much, and I'm sure whoever else was auditioning at
• 29:20
  Speaker 2: the time, you know, probably did it, probably did too much.
• 29:25
  Speaker 1: The supreme challenge of that role. Yeah, so many times
• 29:30
  Speaker 1: I just wanted to go bigger. And that's like, no, don't, please,
• 29:34
  Speaker 1: don't do that.
• 29:35
  Speaker 2: Right because if you kind of once you once you
• 29:38
  Speaker 2: go too far, it's hard to pull it back because
• 29:41
  Speaker 2: you are you already established it as a different type
• 29:44
  Speaker 2: of person. Yeah, it can't like you can't like rein it.
• 29:48
  Speaker 2: You can't put it back in the barn or whatever that.
• 29:51
  Speaker 1: Thing, right, horse horse out of the barn. Yeah. I
• 29:55
  Speaker 1: like those kind of roles. Yeah. Yeah, they're very challenging.
• 29:59
  Speaker 1: But gosh, man, you actually can do a lot. You
• 30:03
  Speaker 1: can do a lot on top of that. There's a
• 30:06
  Speaker 1: lot to do to cover. Yeah, there isn't nothing to do. Yeah, yeah, yes,
• 30:11
  Speaker 1: there's a lot you can do on top of it
• 30:14
  Speaker 1: without being obvious about it, and that's fun. It's fun
• 30:17
  Speaker 1: discovering that stuff. Oh man, I got do you miss
• 30:20
  Speaker 1: this show? Do you miss doing this dialogue? You miss
• 30:24
  Speaker 1: these situations that they put you in? I do you know?
• 30:27
  Speaker 2: What I did? Was when I was watching it. It's
• 30:30
  Speaker 2: so funny and actors are so such funny creatures or
• 30:34
  Speaker 2: artists or everything. I'm watching it going, oh, I wish
• 30:36
  Speaker 2: I could do that scene again. I think I would.
• 30:40
  Speaker 2: Do you know, you're always You're always like I'm always
• 30:43
  Speaker 2: recalibrating me like hypercritical a little differently if I had
• 30:48
  Speaker 2: another shot at it, right, But it's so you know
• 30:52
  Speaker 2: what else I thought though when I was watching it
• 30:54
  Speaker 2: and I was telling my husband after as well as like, damn,
• 30:59
  Speaker 2: it was well, it was well cast. You know. I'm
• 31:01
  Speaker 2: looking especially at like especially at Alexis and just thinking like,
• 31:07
  Speaker 2: she's she's she's an anomaly, and that she also talk
• 31:12
  Speaker 2: about restraints because you she's not out there like pushing
• 31:18
  Speaker 2: her acting on you. She's out there being and because
• 31:22
  Speaker 2: she is so the shyness and the reserve that you feel,
• 31:28
  Speaker 2: you just know as an audience member, you just feel
• 31:30
  Speaker 2: the sense of her. It's that other people can go
• 31:35
  Speaker 2: and be more extreme. And it's because you're reserved that
• 31:40
  Speaker 2: Lorala can be so extreme, you know. It's why Paris
• 31:44
  Speaker 2: works off of off of Alexis, do you know, because
• 31:48
  Speaker 2: she's so she's so still and people can be so
• 31:53
  Speaker 2: big around or when it worked as well, I don't think.
• 31:58
  Speaker 1: Yeah, you can't put to people like that together. Yea
• 32:02
  Speaker 1: as the core. You know, if you have two people
• 32:04
  Speaker 1: that are going off like the fourth of July at
• 32:06
  Speaker 1: all times, it gets a little exhausting. Yeah, she's smooth,
• 32:13
  Speaker 1: and but again she's working really small, yes, and she's
• 32:19
  Speaker 1: really good at it. Her instincts are really great. I'm
• 32:23
  Speaker 1: marvel at what she does for somebody who had like
• 32:28
  Speaker 1: very little acting experience if any. Yeah, right, I mean
• 32:32
  Speaker 1: she's just like coming at a was she even taking
• 32:35
  Speaker 1: acting classes and then she walks into this audition and
• 32:41
  Speaker 1: she was a freshman at NY she was like she
• 32:44
  Speaker 1: was like going to film school, right.
• 32:46
  Speaker 2: I think at the beginning she was even more interested
• 32:48
  Speaker 2: in directing or something like that. Yeah, film interested necessarily. Ye.
• 32:54
  Speaker 1: And she's got all of these instincts and it's just
• 33:00
  Speaker 1: marvel at it. Me too, I'm marvel at what she
• 33:03
  Speaker 1: was capable of doing. The more I watch this, I'm
• 33:06
  Speaker 1: just like, wow, me too. You know that's where I'm
• 33:09
  Speaker 1: trying to get to. Damn it. It's it's that easy.
• 33:18
  Speaker 2: You know, give us another decade and a half. Well,
• 33:22
  Speaker 2: it'll be.
• 33:22
  Speaker 1: Fine to get there one day.
• 33:24
  Speaker 2: We're going We're getting close.
• 33:26
  Speaker 1: We're getting there, We're getting there, all right. This closing scene, this, uh,
• 33:43
  Speaker 1: you know, Suki's brilliance, Melissa McCarthy's brilliance on full display
• 33:47
  Speaker 1: here doing an incredibly like if we were to compare
• 33:51
  Speaker 1: this to like the ten meter platform diving competition, this
• 33:57
  Speaker 1: would be a very degree of difficult on. This dive
• 34:02
  Speaker 1: is like through the roof. And she kind of did
• 34:07
  Speaker 1: it with ease.
• 34:09
  Speaker 2: Yes, it looks very easy.
• 34:11
  Speaker 1: And it and it and it and she the comedy
• 34:14
  Speaker 1: was there, She nailed all everything. Everything was perfect. That
• 34:22
  Speaker 1: that performance right there, the way she laid it down
• 34:25
  Speaker 1: was perfection. Now a detail left out?
• 34:30
  Speaker 2: Yeah, what do you say at ease? That's a great word. Yes,
• 34:34
  Speaker 2: she just let it flow.
• 34:36
  Speaker 1: Man. Man, I rewound that scene four times and watched it,
• 34:43
  Speaker 1: and it's just the woman is a miracle, a miracle.
• 34:49
  Speaker 1: Uh so really just just fantastic work. And and then
• 34:55
  Speaker 1: we have the final scene, the closing well, well not
• 35:01
  Speaker 1: the final scene. This is the penultimate scene where Rory
• 35:06
  Speaker 1: and just kiss She kisses him in front of the diner,
• 35:11
  Speaker 1: making a statement, making a big statement like we're doing
• 35:15
  Speaker 1: this in front of Luke and Laura l I and
• 35:19
  Speaker 1: here I go, I'm gonna smoot cheru right in front
• 35:22
  Speaker 1: of the window here right, And uh, it just makes
• 35:27
  Speaker 1: me like her even more because she's just trying to
• 35:30
  Speaker 1: make the guy feel better, you know, and she probably
• 35:35
  Speaker 1: wants to kiss him too.
• 35:37
  Speaker 2: Yeah, And she's trying to she's trying to grow up
• 35:42
  Speaker 2: in this town where everyone knows who she is. She's
• 35:46
  Speaker 2: kind of like she's kind of like this a celebrity.
• 35:51
  Speaker 2: Well it's a small town, so everyone knows who who
• 35:55
  Speaker 2: who everyone is. But but Rory, it's it's she is
• 35:59
  Speaker 2: like every one loves her, you know, everyone feels a
• 36:02
  Speaker 2: certain way of protective about her or and she and
• 36:06
  Speaker 2: and have known her since she was a child, and
• 36:09
  Speaker 2: so how does how does she establish herself as as
• 36:15
  Speaker 2: not a child anymore?
• 36:18
  Speaker 1: Ye? Growing pains? We're watching it, yeah, beautiful. Uh. And
• 36:23
  Speaker 1: then this this final confrontation scene between Jeane and Desk,
• 36:29
  Speaker 1: Gene and Dess Jess and Dean. Well, Dean's character takes
• 36:37
  Speaker 1: a step into the spotlight, doesn't he It's like, this
• 36:41
  Speaker 1: ain't over, buddy. The chickens are coming home to roost.
• 36:44
  Speaker 2: Now.
• 36:46
  Speaker 1: Uh, that was quite something. That was real drama. That
• 36:50
  Speaker 1: was that was a beautiful setup for what's to come
• 36:53
  Speaker 1: or what could come. And uh, you know, if I
• 36:56
  Speaker 1: got a six foot four dude who's angry and has
• 37:01
  Speaker 1: a real bond to pick, that's like Jess was looking
• 37:05
  Speaker 1: pretty small in that scene. Whunny. I mean you you
• 37:08
  Speaker 1: really notice the height difference there, and and and an
• 37:11
  Speaker 1: angry six foot four is much different from a from
• 37:14
  Speaker 1: a kind of a mousey guy who's just sort of
• 37:16
  Speaker 1: taking it on the chin all the time.
• 37:19
  Speaker 2: And we noticed that, we noticed that who do they
• 37:25
  Speaker 2: give the leather jacket to this time? It's I was like, oh,
• 37:31
  Speaker 2: they're establishing something. Who's the bad boy? Dean's wearing a
• 37:35
  Speaker 2: leather jacket, yes, has this nice blue sweater on. So
• 37:41
  Speaker 2: it's also one of those subtle things where you're like, oh, somebody,
• 37:45
  Speaker 2: somebody's getting tough.
• 37:47
  Speaker 1: Yeah, man, man, what's gonna happen? What's gonna happen? Overall?
• 37:55
  Speaker 1: I gotta say so far, and this keeps changing for you.
• 37:59
  Speaker 1: But this is my favorite episode so far.
• 38:03
  Speaker 2: Are you sure you don't say that all the time.
• 38:05
  Speaker 1: I don't say it all the time. I don't say
• 38:08
  Speaker 1: it all the time. This is about I thought, I,
• 38:11
  Speaker 1: you know, two on two prior occasions, I had favorite episodes,
• 38:14
  Speaker 1: like I didn't think anything could knock it off this.
• 38:18
  Speaker 2: Wow, Oh wow, wow, that's saying a lot.
• 38:22
  Speaker 1: Yeah, this this was my There just wasn't a flaw.
• 38:26
  Speaker 1: There was so much in it.
• 38:29
  Speaker 2: There are a lot of they stuffed it like they
• 38:31
  Speaker 2: stuffed the turkey.
• 38:32
  Speaker 1: Yes, Thanksgiving and it's a big it's probably a sweeps week.
• 38:36
  Speaker 1: Oh that's true, you know, thanksgiv big Thanksgiving episode. And
• 38:41
  Speaker 1: after I was done watching, you know, my wife came
• 38:45
  Speaker 1: in and we were watching the second half together and
• 38:50
  Speaker 1: I turned to when I said, this show is never
• 38:54
  Speaker 1: going to go away. She goes, you're just beginning to
• 38:57
  Speaker 1: realize that now, I said, But this doesn't age. This
• 39:05
  Speaker 1: is so good, I said, how is anybody ever going
• 39:09
  Speaker 1: to match this? Yeah? This is extraordinary. This show is extraordinary.
• 39:16
  Speaker 1: You know, we didn't even ask you any questions. You
• 39:19
  Speaker 1: narrated Christine Eckert's book Meet Me at Lukes. I did
• 39:27
  Speaker 1: about the life and love lessons of Gilmore Girls. You
• 39:33
  Speaker 1: narrated Meet Me at Lukes. You narrated it.
• 39:36
  Speaker 2: I did so the audio if you buy the audio book,
• 39:40
  Speaker 2: it's my voice, but it's really Christine's story. So a
• 39:45
  Speaker 2: lot of the book is a lot about her personal life,
• 39:48
  Speaker 2: which very interesting, and then also lessons that can be
• 39:52
  Speaker 2: learned from Gilmore Girls.
• 39:55
  Speaker 1: Okay, Okay, great, Okay.
• 39:57
  Speaker 2: I get that for a few for few days and
• 40:00
  Speaker 2: got to got to spend time with it and got
• 40:05
  Speaker 2: reminded also a lot about all of the different scenes
• 40:08
  Speaker 2: that are in Gilmo Girls. She kind of spans the
• 40:12
  Speaker 2: whole series.
• 40:13
  Speaker 1: In a way. Okay, cool, and something you're doing now,
• 40:17
  Speaker 1: you're starring in Breaking Bread and improv improvised family dinner
• 40:22
  Speaker 1: at the outside in theater every Saturday until Christmas. This
• 40:28
  Speaker 1: is an unscripted show. How's that going?
• 40:30
  Speaker 2: Yes? Oh, I love it. We just had our first one.
• 40:33
  Speaker 2: I'm gonna I'm filling in and I'm adding a show
• 40:37
  Speaker 2: with them this Saturday because we have a cast that's
• 40:40
  Speaker 2: changing because it's improv But outside In is a new space.
• 40:46
  Speaker 2: It's Tamlintimita, who I've known for a long time, and
• 40:49
  Speaker 2: her husband, Daniel Blinkoff, and they do scripted and unscripted,
• 40:55
  Speaker 2: but the unscripted is as a result of a lot
• 40:59
  Speaker 2: of soul though together. So we get to know each
• 41:02
  Speaker 2: other as improvisers really well in this mt and then
• 41:06
  Speaker 2: this one is a holiday show, so we actually eat food.
• 41:09
  Speaker 2: We all bring. I bring mac and cheese. It's very good.
• 41:12
  Speaker 2: People love it. I know it's weird to brag about
• 41:16
  Speaker 2: mac and cheese, but I'm telling you it's really good.
• 41:18
  Speaker 2: If you had it, it's really good. And so we
• 41:21
  Speaker 2: bring it and we improvise the first half and then
• 41:24
  Speaker 2: the second part of the show after intermission we actually
• 41:28
  Speaker 2: eat and it's a family dinner. That's speaking of underlying
• 41:32
  Speaker 2: tensions within family. Things start kind of exploding and having
• 41:39
  Speaker 2: ramifications of all of the secrets that have sort of
• 41:42
  Speaker 2: built up over the.
• 41:43
  Speaker 1: That's fun, all right. It's super fun breaking bread and
• 41:46
  Speaker 1: improvised family dinner at the outside in theater every Saturday
• 41:50
  Speaker 1: until Christmas. Where's the outside in theater? Is it downtown
• 41:53
  Speaker 1: Highland Park Park?
• 41:55
  Speaker 2: It's new. Yeah, it's gorgeous town. I've I've loved her forever,
• 42:01
  Speaker 2: but she has like impeccable taste and in clothing and everything.
• 42:05
  Speaker 2: She always looks fantastic and she has brought that to
• 42:08
  Speaker 2: this space, so it just looks gorgeous. They have a
• 42:11
  Speaker 2: skylight that is like a stained glass skylight that is phenomenal.
• 42:20
  Speaker 1: All right, go check it out, everybody. Thank you again
• 42:25
  Speaker 1: for spending some time with us. It's always a pleasure
• 42:29
  Speaker 1: breaking down these episodes.
• 42:30
  Speaker 2: With you, and thank you.
• 42:33
  Speaker 1: Maybe I'm not announcing anything, but maybe maybe maybe we'll
• 42:39
  Speaker 1: see over the holidays. I don't know. Perhaps perhaps maybe
• 42:44
  Speaker 1: we'll see it holidays made here. I don't know. I'm
• 42:47
  Speaker 1: not saying anything. Maybe we'll see you. I'm doing a residency.
• 42:51
  Speaker 1: I'm doing a seventeen day residency, so.
• 42:55
  Speaker 2: Sort of you are putting in the hours.
• 42:57
  Speaker 1: My friend, I'm gonna be there every day.
• 43:00
  Speaker 2: You're You're gonna need to drink your own coffee and
• 43:02
  Speaker 2: get there and have the energy.
• 43:10
  Speaker 1: Always enjoy, good luck with your new show and the
• 43:15
  Speaker 1: success of Meet Me Luke's and and remember, best fans
• 43:21
  Speaker 1: on the planet watching the best show on the planet.
• 43:24
  Speaker 1: And maybe that has ever been. The more I watch it,
• 43:27
  Speaker 1: the more I am convinced of that it's not just opinion,
• 43:31
  Speaker 1: it's becoming fact. It's becoming fact and keep the cards
• 43:37
  Speaker 1: and letters coming. And we really appreciate the communicas and
• 43:42
  Speaker 1: remember where you lead, we will follow.
• 43:44
  Speaker 3: Stay safe everyone, Hey, everybody to forget.
• 44:14
  Speaker 1: Follow us on Instagram at i Am all In podcast
• 44:19
  Speaker 1: and email us at Gilmore at iHeartRadio dot com