Latest / Barracuda Breakdowns / 40 - Right In Two (TOOL)

Transcript

40 - Right In Two (TOOL) · Barracuda Breakdowns

• 0:00
  SPEAKER_00: Let's break down right in two by Tool.
• 0:02
  SPEAKER_00: One of the greatest songs on Ten Thousand Days.
• 0:05
  SPEAKER_00: Uh one of the best songs in their catalog.
• 0:07
  SPEAKER_00: It's so epic.
• 0:08
  SPEAKER_00: He's really saying a lot here.
• 0:10
  SPEAKER_00: Maynard's saying a lot here.
• 0:11
  SPEAKER_00: And uh one of the best Tool lyrics is is in this song, which we'll get to.
• 0:15
  SPEAKER_00: And uh yeah, there's just so much to say.
• 0:17
  SPEAKER_00: We'll start with Adam Jones and the main riff.
• 0:19
  SPEAKER_00: Okay, so the song is an 11-4 time signature.
• 0:22
  SPEAKER_00: And I love that it's in 11-4 because it's like it's like the best number that's like that you divide right in two, right?
• 0:28
  SPEAKER_00: It has to do with the lyrics.
• 0:30
  SPEAKER_00: I'm gonna use an acoustic guitar for this breakdown so we can really get to the bare bones of the song so you can see what's going on here.
• 0:35
  SPEAKER_00: So the main riff goes like this.
• 0:49
  SPEAKER_00: So a lot of the riffs in the song are like an extension of that or a variation of that.
• 0:54
  SPEAKER_00: All the variations are centered around this chord progression, and this is the chord progression.
• 0:58
  SPEAKER_00: It's D.
• 0:58
  SPEAKER_00: It's in the key of D minor, like a lot of tool songs are.
• 1:03
  SPEAKER_00: That's the deep and dark six chord, okay.
• 1:05
  SPEAKER_00: That's uh B flat, okay.
• 1:08
  SPEAKER_00: There's the four, a nice plane.
• 1:10
  SPEAKER_00: I love the four, and then that's the seven, okay?
• 1:15
  SPEAKER_00: So it's minor one to six to four to seven.
• 1:19
  SPEAKER_00: Now here's what's going on here.
• 1:21
  SPEAKER_00: Adam isn't just he's not just doing this.
• 1:28
  SPEAKER_00: Right?
• 1:29
  SPEAKER_00: He's adding the ninth.
• 1:31
  SPEAKER_00: Watch.
• 1:32
  SPEAKER_00: To the last three chords out of the four chords in the chord progression.
• 1:35
  SPEAKER_00: Watch.
• 1:36
  SPEAKER_00: That's just the perfect fifth, very holy, very grand interval.
• 1:42
  SPEAKER_00: And then right there.
• 1:45
  SPEAKER_00: So we're playing B flat, but up top he's playing a C.
• 1:48
  SPEAKER_00: So the ninth sounds very celestial.
• 1:52
  SPEAKER_00: It's it sounds beautiful.
• 1:53
  SPEAKER_00: It's a beautiful color, okay?
• 1:56
  SPEAKER_00: Same with the four chord, he's adding, he's playing a G, but he's adding an A on top.
• 2:01
  SPEAKER_00: It's the major ninth.
• 2:03
  SPEAKER_00: Beautiful color, look.
• 2:06
  SPEAKER_00: That's nice because he's playing the root up top, but the root in this context with his chord is the major ninth as well.
• 2:12
  SPEAKER_00: So he's adding these major ninths to each of these chords, and uh it really just adds to the vibe of the song.
• 2:19
  SPEAKER_00: It makes it feel like very it makes the riff like just more legendary, man.
• 2:29
  SPEAKER_00: It fits like the whole Eden vibe, right?
• 2:31
  SPEAKER_00: They're plenty in this holy garden.
• 2:33
  SPEAKER_00: One last thing I want to touch base on with the riff is uh That's the tool note right there.
• 2:43
  SPEAKER_00: That's the minor second, the flat second.
• 2:47
  SPEAKER_00: That is like, you know, 46 and 2.
• 2:53
  SPEAKER_00: It's everywhere in tool songs, that's the minor second.
• 2:55
  SPEAKER_00: I love how Adam adds it so gently in this rip.
• 3:02
  SPEAKER_00: Woo! Beautiful.
• 3:04
  SPEAKER_00: Okay, so then Maynard comes in.
• 3:06
  SPEAKER_00: Oh, let's talk about Justin.
• 3:07
  SPEAKER_00: So And then when Adam goes, and then Justin goes, he's doing harmonics on the bass, and then he's like and he's using a whammy pedal to go.
• 3:27
  SPEAKER_00: And that's just an octave apart.
• 3:30
  SPEAKER_00: And speaking of the major ninth, he's reaching up to the major ninth too.
• 3:34
  SPEAKER_00: Right?
• 3:35
  SPEAKER_00: That's the key of the song, that's D, and then same thing, just an octave apart.
• 3:39
  SPEAKER_00: That's the major ninth.
• 3:40
  SPEAKER_00: And that's the fifth.
• 3:43
  SPEAKER_00: That's the fifth right there.
• 3:45
  SPEAKER_00: So they're like, both Adam and Justin are both playing the major ninth and the perfect fifth in like in their own kind of way.
• 3:52
  SPEAKER_00: They're like dancing with each other, right?
• 3:54
  SPEAKER_00: It's beautiful.
• 3:55
  SPEAKER_00: Real quick, just popping in to announce that the breakdown room is now live.
• 3:59
  SPEAKER_00: It's my new private community that I'm super pumped about.
• 4:01
  SPEAKER_00: I'm gonna be going live twice a month to do song breakdowns.
• 4:04
  SPEAKER_00: I'll have exclusive tutorials and behind-the-scenes content that's only gonna be available inside the private community.
• 4:10
  SPEAKER_00: Members can suggest songs, vote on songs, and they can also share their music with each other and give each other respectful and encouraging feedback on their songs.
• 4:17
  SPEAKER_00: I'm super excited about this thing I'm working on, so definitely check it out.
• 4:20
  SPEAKER_00: Hit the link below or just go to school.com slash dambaracuda.
• 4:24
  SPEAKER_00: And school is spelled S K-O-O-L.
• 4:27
  SPEAKER_00: So school.com slash Dambarracuda.
• 4:30
  SPEAKER_00: I'll see you inside.
• 4:31
  SPEAKER_00: Maynard comes in with Angels on the Sideline.
• 4:35
  SPEAKER_00: Just outlining the minor scale.
• 4:38
  SPEAKER_00: Puzzled and amused.
• 4:40
  SPEAKER_00: Why did father give these humans free well?
• 4:45
  SPEAKER_00: Now they're all confused.
• 4:48
  SPEAKER_00: But it just flows so beautifully over the chords.
• 4:50
  SPEAKER_00: Angels on the sideline.
• 4:56
  SPEAKER_00: Puzzled and amused.
• 4:59
  SPEAKER_00: Look at that.
• 5:01
  SPEAKER_00: It's actually in the chord that he's playing.
• 5:04
  SPEAKER_00: Why did Father give these humans free will?
• 5:09
  SPEAKER_00: Love that.
• 5:10
  SPEAKER_00: Free will.
• 5:11
  SPEAKER_00: Singing the singing the root over the six free will.
• 5:17
  SPEAKER_00: Now they're all confused.
• 5:22
  SPEAKER_00: Now we get to like the next flow of Maynard's melody.
• 5:27
  SPEAKER_00: Don't these talking monkeys?
• 5:29
  SPEAKER_00: Love that minor six.
• 5:30
  SPEAKER_00: He's singing that haunting note.
• 5:31
  SPEAKER_01: Don't these talking monkeys know that Eden has enough to go around?
• 5:38
  SPEAKER_00: Great line.
• 5:39
  SPEAKER_00: Don't these talking monkeys know that Eden has enough to go around?
• 5:43
  SPEAKER_00: I love the picture that he's painting here, like angels on the sideline, just observing these humans destroying each other, right?
• 5:51
  SPEAKER_00: Angels on the sideline, puzzled and amused.
• 5:54
  SPEAKER_00: Why did Father give these humans free will?
• 5:56
  SPEAKER_00: Now they're all confused.
• 5:58
  SPEAKER_00: Don't these talking monkeys know that Eden has enough to go around?
• 6:01
  SPEAKER_00: Plenty in this holy garden, silly monkeys, where there's one, you're bound to divide it.
• 6:07
  SPEAKER_00: Right into So he was ascending up the minor scale, right?
• 6:18
  SPEAKER_00: He's like And then ends up in the octave.
• 6:28
  SPEAKER_00: And he goes on the side.
• 6:29
  SPEAKER_00: Right.
• 6:30
  SPEAKER_00: Octave up.
• 6:31
  SPEAKER_00: Right in two.
• 6:32
  SPEAKER_00: He like made his way up the octave, right?
• 6:34
  SPEAKER_00: So he's ascending, right?
• 6:36
  SPEAKER_00: Telling a story, a melodic story in conjunction with the lyrics.
• 6:40
  SPEAKER_00: So now we go to the B riff, and that's the I love the vibe of this riff.
• 6:46
  SPEAKER_00: Like if you were listening really closely, he has like three guitars going on here.
• 6:50
  SPEAKER_00: One is like slightly more distort, he's got like clean, it's all blended in.
• 6:54
  SPEAKER_00: It's such a beautiful texture.
• 6:56
  SPEAKER_00: I used to think it was.
• 7:01
  SPEAKER_00: And then I was like, oh, he's doing this.
• 7:05
  SPEAKER_00: But no, he's doing the minor third to the root back down to the minor third.
• 7:15
  SPEAKER_00: That's the seven to the four.
• 7:16
  SPEAKER_00: I love that.
• 7:18
  SPEAKER_00: And this is also an 11 to 4.
• 7:20
  SPEAKER_00: Boom, boom, boom, boom, boom.
• 7:23
  SPEAKER_00: Boom, boom, boom, boom.
• 7:24
  SPEAKER_00: Boom, boom, boom, grunk, grunk, gum.
• 7:27
  SPEAKER_00: I love how they make it feel so natural, right?
• 7:29
  SPEAKER_00: Angel, angel, angel is on the sideline.
• 7:37
  SPEAKER_00: I love that.
• 7:37
  SPEAKER_00: Like Adam does a variation.
• 7:39
  SPEAKER_00: He doesn't just go back to going you know for the second verse, right?
• 7:44
  SPEAKER_00: He adds these harmonics.
• 7:53
  SPEAKER_00: Great, great touch.
• 7:58
  SPEAKER_00: And Maynard does a little slight variation.
• 8:00
  SPEAKER_00: He goes, Angels on the sideline.
• 8:04
  SPEAKER_00: Beautiful.
• 8:04
  SPEAKER_00: That's also the major ninth.
• 8:08
  SPEAKER_00: Angels on my sideline.
• 8:12
  SPEAKER_00: It's like very melancholic.
• 8:14
  SPEAKER_00: It's great.
• 8:14
  SPEAKER_00: Baffled and confused.
• 8:16
  SPEAKER_00: Father, bless them all with reason, and this is what they choose.
• 8:20
  SPEAKER_01: This is what they choose.
• 8:23
  SPEAKER_01: Monkey kill, monkey, killing, monkey over pieces of the ground.
• 8:33
  SPEAKER_00: Silly monkeys give them thumbs, they forge a blade.
• 8:37
  SPEAKER_00: And when there's one, they're bound to divide it.
• 8:41
  SPEAKER_01: Right into that.
• 8:55
  SPEAKER_00: It's like insane what Justin's doing over this.
• 8:58
  SPEAKER_00: Who would think to make their bass part that, right?
• 9:00
  SPEAKER_00: And the texture of what he's doing.
• 9:01
  SPEAKER_00: He's got like I think he has like tremolo and definitely like some delay and whatever else he has going on here.
• 9:06
  SPEAKER_00: He always has like such a like a perfectly sculpted tone.
• 9:09
  SPEAKER_00: And the part extends right into that note is crucial.
• 9:20
  SPEAKER_00: He's like That's the first time we hear the major third.
• 9:30
  SPEAKER_00: Now Maynard adds this sometimes in songs, right?
• 9:32
  SPEAKER_00: Like in Vicarious.
• 9:34
  SPEAKER_00: Vicarious Le I Levana.
• 9:40
  SPEAKER_00: Or in the patient, when he goes, Bye now, the major third in the context of a minor key like really sticks out.
• 9:49
  SPEAKER_00: Right in Danny answers.
• 9:58
  SPEAKER_00: It's like stairway to heaven, right?
• 10:00
  SPEAKER_00: Sugar dun dun dun.
• 10:01
  SPEAKER_01: Monkey killing, monkey, killin, monkey, or pieces of the ground.
• 10:09
  SPEAKER_00: It's so hard to sing and play the same time.
• 10:12
  SPEAKER_00: Silly monkeys give them thumbs, they make a club to beat their brother down.
• 10:17
  SPEAKER_00: And here comes one of the greatest lyrics.
• 10:19
  SPEAKER_00: But listen to the variation that Adam's doing.
• 10:21
  SPEAKER_00: Watch.
• 10:21
  SPEAKER_00: How they survive so despite it is a mistake.
• 10:28
  SPEAKER_00: And then he goes back to the main riff.
• 10:32
  SPEAKER_00: Isn't that so nice?
• 10:33
  SPEAKER_00: Like he's like combining the different variations, right?
• 10:36
  SPEAKER_00: So he's like.
• 10:47
  SPEAKER_00: Now that's so cool because he he's playing the minor second, like the tool note there, but before he went, and that's the major ninth.
• 10:56
  SPEAKER_00: So it's like adding these different colors, like chromatic colors, right?
• 10:59
  SPEAKER_00: We got the major ninth and the first leg, and then when he does the second leg, he does the my he ends with a minor ninth or the minor second.
• 11:10
  SPEAKER_00: By the way, the ninth is just the second, but an octave up.
• 11:13
  SPEAKER_00: So the major ninth is the major second, the minor ninth is the minor second.
• 11:16
  SPEAKER_01: So one more time, it's like how they survive so misguided as a Mr.
• 11:23
  SPEAKER_01: Rey.
• 11:23
  SPEAKER_00: Look at Mr.
• 11:25
  SPEAKER_01: Rey.
• 11:26
  SPEAKER_00: Again, singing the major third there, the happy note, like the in the vicarious.
• 11:35
  SPEAKER_00: Sounds like you're falling.
• 11:37
  SPEAKER_00: Mr.
• 11:38
  SPEAKER_00: Rey.
• 11:40
  SPEAKER_00: Back to the main ref.
• 11:44
  SPEAKER_00: And then one of the best tool lyrics.
• 11:46
  SPEAKER_01: Repugnant is a creature who would squander the ability to lift in heaven conscious of his fleeting time here.
• 11:58
  SPEAKER_00: God damn, Repugnant is a creature who would squander the ability to lift in night of heaven conscious of his fleeting time here.
• 12:09
  SPEAKER_00: Like it's a gorgeously phrased and just like super well written.
• 12:13
  SPEAKER_00: Like to me, it's like such a poetic way of saying it's disgusting for someone to not realize like how beautiful like their existence is and how like lucky they are to be here and everything.
• 12:22
  SPEAKER_00: You know?
• 12:23
  SPEAKER_00: Repugnant is a creature who would squander the ability.
• 12:26
  SPEAKER_00: It's like deny like the miracle of their existence or something, right?
• 12:29
  SPEAKER_00: Like squander the ability to lift an eye to heaven conscious of his fleeting time here.
• 12:34
  SPEAKER_00: Like only here for a short while, squeeze the hell out of it, that kind of thing.
• 12:38
  SPEAKER_00: But instead, we're so caught up in like me, me, me, my, mine, mine, mine, and taking everything and like just fighting for everything.
• 12:45
  SPEAKER_00: Like, you gotta divide it all right in two, right?
• 12:47
  SPEAKER_00: And just the phrasing of it, repugnant is a creature who would squander thee.
• 12:53
  SPEAKER_00: He's always doing the same.
• 13:00
  SPEAKER_00: He does the major third, the happy note again.
• 13:07
  SPEAKER_00: Jumps down to the minor third.
• 13:08
  SPEAKER_00: So he's he's singing the major third and the minor third and like the perfect fourth.
• 13:12
  SPEAKER_00: Like all that chromaticism.
• 13:14
  SPEAKER_00: He's hitting these like three notes like in the melody at different times.
• 13:17
  SPEAKER_00: It's so beautiful.
• 13:18
  SPEAKER_00: But again, it's so colorful over the chords.
• 13:20
  SPEAKER_00: Like he's playing, he's singing the same notes.
• 13:24
  SPEAKER_00: But it's all over different chords.
• 13:26
  SPEAKER_00: Revoltant is a creature who would squander the ability to listen.
• 13:35
  SPEAKER_00: They also do another magical thing here.
• 13:36
  SPEAKER_00: They play another chord.
• 13:38
  SPEAKER_00: New chord! F again, add nine.
• 13:41
  SPEAKER_00: He's playing a G over this F, so But that's the first time they play this chord, and it's right during that magical line.
• 13:47
  SPEAKER_00: Pugnant is a creature who would squander the ability to listen.
• 13:59
  SPEAKER_01: Beautiful.
• 14:01
  SPEAKER_01: And then divide.
• 14:07
  SPEAKER_00: I love that note.
• 14:10
  SPEAKER_00: He's like singing the major third of the four chord.
• 14:14
  SPEAKER_00: But he's singing like the major six of D.
• 14:17
  SPEAKER_00: So it's like Dorian, that's like the opening the door to Dorian right there.
• 14:21
  SPEAKER_00: Major four chord.
• 14:23
  SPEAKER_00: It sounds like relief.
• 14:24
  SPEAKER_00: It sounds it sounds gorgeous.
• 14:26
  SPEAKER_00: Like there's so much beauty there.
• 14:27
  SPEAKER_00: Gotta divide it off It almost sounds like you're peering through like cobwebs, right?
• 14:35
  SPEAKER_00: Like sun, like sunlight crashing through cobwebs.
• 14:59
  SPEAKER_00: Again, same note.
• 15:01
  SPEAKER_00: But he like meets Adam, right?
• 15:03
  SPEAKER_00: Because Adam's doing this, and he's going.
• 15:09
  SPEAKER_00: It's such a great moment, like when the vocal and the guitar, like he eventually meets the guitar right there.
• 15:24
  SPEAKER_00: So the song is going along.
• 15:25
  SPEAKER_00: Danny Carey does some incredible stuff with Tablo work and his pads.
• 15:30
  SPEAKER_00: Justin's doing his Justin thing, and then Adam is mainly playing around like that's just the minor seventh to the root, very tool.
• 15:41
  SPEAKER_00: And then and it's just scrolling, ticket, ticket, ticket.
• 15:44
  SPEAKER_00: He's he's like he's like he's doing like cool, like ticket, ticket, ticket, like kind of like ticks and leeches kind of ticket, ticket, ticket, digging, ticket.
• 15:53
  SPEAKER_00: They're having their moment and then Now if you ever need a reference for the minor seventh, if you ever like really want to learn the minor seventh, use right into this riff as the example.
• 16:09
  SPEAKER_00: This is the monkey riff.
• 16:11
  SPEAKER_00: This is like the A riff, like that for like the heavy part of the song, like the second half, this is like the A riff, and then Adam does like a lot of variations on this.
• 16:19
  SPEAKER_00: So he's like again, also 11-4.
• 16:30
  SPEAKER_00: It's like so syncopated, like off-beat emphasis.
• 16:38
  SPEAKER_00: And then those last two notes are not syncopated.
• 16:41
  SPEAKER_00: Very, very awesome, Rev.
• 16:42
  SPEAKER_00: It's so simple, it's so jungly.
• 16:44
  SPEAKER_00: I feel like we're like going like turbo speed through like the jungle here.
• 16:52
  SPEAKER_00: And he has a variation of watch.
• 16:55
  SPEAKER_00: And then watch this.
• 17:00
  SPEAKER_00: There's that tool note, right?
• 17:07
  SPEAKER_00: He's doing that, but I knocked him down in the variation of this monkey rip.
• 17:21
  SPEAKER_00: And then you got the fight over na na na.
• 17:25
  SPEAKER_00: What's he saying here?
• 17:26
  SPEAKER_00: I got the lyrics.
• 17:26
  SPEAKER_00: Fight till they die over sun.
• 17:29
  SPEAKER_01: Over sky.
• 17:30
  SPEAKER_01: Fight till they die over sea.
• 17:34
  SPEAKER_01: Over air.
• 17:36
  SPEAKER_00: He's just doing two notes.
• 17:39
  SPEAKER_00: No, he's doing three notes.
• 17:48
  SPEAKER_00: Again, root, minor seventh down to the fifth.
• 17:55
  SPEAKER_00: And then if you hear like when Adam comes in, I don't know how other Tool fans know this, but when he goes, when his guitar enters, it sounds like Timmy from uh like Timmy from uh South Park.
• 18:08
  SPEAKER_00: That moment is incredible.
• 18:09
  SPEAKER_00: It's in the it's like towards the end of this section.
• 18:12
  SPEAKER_01: Fight till they die overwards, polarizing, and that's when it explodes into I love that that riff is so sick.
• 18:29
  SPEAKER_00: He's just adding like the palmution boom.
• 18:31
  SPEAKER_00: Tick-a-tick-a tick-it dong.
• 18:32
  SPEAKER_00: Tick-a-tick-a tick-it dong.
• 18:33
  SPEAKER_00: Just those 16th notes palmution right there.
• 18:38
  SPEAKER_00: But yeah, when the guitar enters, it's like, it's like, it's like, it's like timmer.
• 18:52
  SPEAKER_00: I love it.
• 18:53
  SPEAKER_00: It's like, I feel like there's like reverb in that top note.
• 18:55
  SPEAKER_00: It's it sounds so like flung.
• 18:57
  SPEAKER_00: It's like and then and then again, just like minor seventh to the root.
• 19:16
  SPEAKER_00: It's so jungly, it's so intense.
• 19:18
  SPEAKER_00: Danny Carey and Justin are like hammering it down.
• 19:21
  SPEAKER_00: Like, it's such they such great tones.
• 19:23
  SPEAKER_00: Like the production of 10,000 Days is like it's like freaking amazing.
• 19:29
  SPEAKER_00: Everything is so clean, right?
• 19:31
  SPEAKER_00: But the tones are like so dialed in.
• 19:33
  SPEAKER_00: Like Danny's drums sound incredibly tribal and powerful.
• 19:37
  SPEAKER_00: Um it's like more hi-fi than lateralis.
• 19:40
  SPEAKER_00: And Justin is like his bass tones are just incredible on the album.
• 19:43
  SPEAKER_00: So Adam starts sneaking in that minor second again, that tool note, right?
• 19:48
  SPEAKER_00: He does that watch.
• 19:53
  SPEAKER_00: And it sounds kind of weird.
• 19:54
  SPEAKER_00: I mean, I'm playing on an acoustic right now, but I'm doing pinch harmonics.
• 19:57
  SPEAKER_00: That's how he's getting that cool, like, like those overtones.
• 20:00
  SPEAKER_00: He's like, he's not just going.
• 20:04
  SPEAKER_00: He's like.
• 20:09
  SPEAKER_00: Sounds way better on the electric.
• 20:12
  SPEAKER_00: But that I love that riff, right?
• 20:13
  SPEAKER_00: It sounds like 46 and 2, and then it sounds like the end of 46 and 2, the and then right?
• 20:29
  SPEAKER_00: Sounds just like it, it's the same notes, just like different order, obviously.
• 20:32
  SPEAKER_00: And this is in 11-4, that's in uh 4-4, I believe.
• 20:39
  SPEAKER_00: I love that, and then um the rhythm that they keep smacking, that uh Danny and Justin keep smacking down on the drums and bass is every time I play the open, every time I play the palm muted, that's like the rhythm of the So it's like it's kind of hard to do, but that's the rhythm that they're doing.
• 21:10
  SPEAKER_00: And then Adam goes into And the best way to like play that over over the music is to just count like the the eighth note.
• 21:26
  SPEAKER_00: And then when it goes the crazy angels styline.
• 21:31
  SPEAKER_00: He's still playing this.
• 21:34
  SPEAKER_00: Listen to that, Adam's still playing, he doesn't just go like angels.
• 21:39
  SPEAKER_00: It's crazy, it's like more intricate than that, right?
• 21:42
  SPEAKER_00: Like Justin's hand handling it there.
• 21:45
  SPEAKER_00: Like Justin's handling like the chords that need to be there for Maynard to he's singing it so it sounds like nice and colorful, like the chord progression, right?
• 21:53
  SPEAKER_00: But Adam's like Angel's tidal Along with patience and reason.
• 22:03
  SPEAKER_00: I love that.
• 22:04
  SPEAKER_00: Angels on the sideline again, benched along with patience and reason.
• 22:10
  SPEAKER_00: Right?
• 22:11
  SPEAKER_00: And then and then in the second half, you hear Adam go, so it's like benched along with patience and reason.
• 22:19
  SPEAKER_00: And then he goes, Angels on the sideline again.
• 22:26
  SPEAKER_00: And then he goes, wondering when it's took a war away.
• 22:34
  SPEAKER_00: I love the variation.
• 22:35
  SPEAKER_00: Like Adam is like every every member's part is like intricate.
• 22:39
  SPEAKER_00: And it's not just like we do this four times, we do this four times, we do this eight times.
• 22:43
  SPEAKER_00: Like it's they're like intertwined and they're intermoving, they're always moving, it's breathing.
• 22:48
  SPEAKER_00: It's so awesome.
• 22:49
  SPEAKER_00: Angels on the sideline again.
• 22:54
  SPEAKER_01: Wondering when is tug of war win.
• 23:02
  SPEAKER_00: And now we get like the chords.
• 23:03
  SPEAKER_00: Gotta divide it.
• 23:13
  SPEAKER_00: And then Maynard just explodes with the perfect fifth, right?
• 23:18
  SPEAKER_00: That's like classic main.
• 23:25
  SPEAKER_00: The perfect fifth is like such a great note to scream or yell because it's like so intense, it's so pure, like that's like the Star Wars interval.
• 23:35
  SPEAKER_00: Right?
• 23:36
  SPEAKER_00: So he's like, I love the it's so epic.
• 23:45
  SPEAKER_00: And then right into like to hold the fourth there.
• 23:50
  SPEAKER_00: Oh, it's like we're gonna charge up, and he does.
• 23:54
  SPEAKER_00: And it was so beautiful over the chords, right?
• 24:07
  SPEAKER_00: I love this.
• 24:09
  SPEAKER_00: That's when they go to the F again, that like uh uh rare chord, right?
• 24:14
  SPEAKER_00: And and look, he just plays this once, so it's like right and two.
• 24:24
  SPEAKER_00: As it's dying.
• 24:26
  SPEAKER_01: Right and two.
• 24:40
  SPEAKER_00: And I love it when he goes right in two.
• 24:43
  SPEAKER_00: He's also hitting the fifth there.
• 24:46
  SPEAKER_00: And it's like the same register too, he's just singing it differently.
• 24:49
  SPEAKER_00: He's not yelling at it, he's saying, Right in two.
• 24:54
  SPEAKER_00: So many.
• 24:57
  SPEAKER_00: Oh my god.
• 25:03
  SPEAKER_00: Such an epic song, and of course, you're gonna have a whole masterclass on what Danny's doing and what Justin's doing.
• 25:08
  SPEAKER_00: But thanks so much for tuning into this breakdown of Ride and 2.
• 25:11
  SPEAKER_00: And if you're interested in the private community, the breakdown room, definitely check that out.
• 25:15
  SPEAKER_00: Hit the link in the description below, and I'll see you guys in the next episode.