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Menace II Society REWATCH | Top 10 I arrived movies · The Bald Brothers Podcast

• 0:00
  Speaker 1: What up, y'all? It's your boy Kev on stage.
• 0:01
  Speaker 2: Tony Baker.
• 0:02
  Speaker 1: Welcome to the Bald Brothers. New and improved. Today we
• 0:07
  Speaker 1: talking hood classic. Menace 2 Society on the rewatch tip.
• 0:19
  Speaker 1: No pause. We revisiting it first. I gotta bring this up, Tony.
• 0:25
  Speaker 1: We're gonna talk about this later. But this movie is
• 0:29
  Speaker 1: Lorenz Tate.
• 0:31
  Speaker 2: Oh, before you get to that, you want me to
• 0:32
  Speaker 2: do the nerd? Oh, my bad.
• 0:34
  Speaker 1: Box office nerd time.
• 0:36
  Speaker 2: Nerd it up.
• 0:36
  Speaker 1: Minister Society, nerd up, Tom.
• 0:39
  Speaker 2: All right.
• 0:39
  Speaker 3: Minister Society came out May 26, 1993. Limited release when
• 0:42
  Speaker 3: it came out. It grossed $ 27. 7 million in 1993 on
• 0:49
  Speaker 3: a budget of 3.5.
• 0:50
  Speaker 2: Oh, nice. So he was just for inflation.
• 0:54
  Speaker 3: That's like $ 75 million today. That did well considering the
• 0:59
  Speaker 3: budget and all that. And yeah, man, Menace to Society
• 1:03
  Speaker 3: was the movie to watch when it came out.
• 1:06
  Speaker 1: And the place to be. As a person, not from
• 1:10
  Speaker 1: Los Angeles... Did tremendous damage.
• 1:14
  Speaker 2: Oh, man. When I left the movie theater, I felt
• 1:21
  Speaker 2: like everybody wanted a piece.
• 1:27
  Speaker 3: The energy that was created in that movie theater after
• 1:30
  Speaker 3: watching Menace to Society, everybody, well, shit.
• 1:34
  Speaker 2: What the fuck you want to do then?
• 1:39
  Speaker 3: You was ready to put hands and feet or bullets
• 1:42
  Speaker 3: on somebody after watching that movie.
• 1:46
  Speaker 2: It was a very dark energy that that movie created.
• 1:51
  Speaker 2: Everybody was hard.
• 1:53
  Speaker 1: Yeah. Tyron Turner.
• 1:56
  Speaker 2: We was hard after that.
• 1:57
  Speaker 1: Lorenz Tate.
• 1:59
  Speaker 2: We was bloodthirsty. Like in that scene where... Kane fought
• 2:04
  Speaker 2: that dude that tried to ride for his cousin. He
• 2:06
  Speaker 2: put hands on him. The dude who did the run.
• 2:09
  Speaker 2: Theater went crazy. Yeah, it was wild. We bloodthirsty.
• 2:14
  Speaker 1: He beat the brakes off him. He beat him down.
• 2:18
  Speaker 1: That cost him his life. I'm going to be dead.
• 2:22
  Speaker 2: Kane? Oh, yeah, it cost Kane his life.
• 2:25
  Speaker 1: He beat him up so much, he was like, I
• 2:27
  Speaker 1: got to kill you.
• 2:28
  Speaker 2: I got to kill you.
• 2:30
  Speaker 1: All right, before we dump in, Tom, I want to
• 2:34
  Speaker 1: cue this up because I know you're going to show
• 2:35
  Speaker 1: them some love. The Hughes Brothers killed it with this movie.
• 2:41
  Speaker 1: Tell the people the other things they know the Hughes
• 2:43
  Speaker 1: Brothers from.
• 2:43
  Speaker 2: For the Hughes Brothers, this was their directorial debut. They
• 2:46
  Speaker 2: also did music videos, and they also directed their president, president,
• 2:52
  Speaker 2: their follow-up to this. They did From Hell with Johnny Depp.
• 2:56
  Speaker 2: They also did The Book of Eli with Denzel Washington.
• 3:00
  Speaker 1: What a range of films.
• 3:01
  Speaker 2: Me personally, I feel like they don't make enough movies. Yeah, yeah.
• 3:05
  Speaker 2: You know what I'm saying? I feel like it's not enough.
• 3:08
  Speaker 2: We need more Hughes Brothers films. Yeah.
• 3:11
  Speaker 1: But imagine their first directorial debut is also Lorenz Tate's
• 3:15
  Speaker 1: first movie. I think he was 15 when he booked this.
• 3:18
  Speaker 2: Oh, wow. He's that young?
• 3:19
  Speaker 1: Might have been 17 when he shot. I was just
• 3:22
  Speaker 1: watching a video about it when we were doing the research.
• 3:26
  Speaker 1: Let's pull him up. Lorenz Tate. Because he looked super young.
• 3:31
  Speaker 2: He's 1975.
• 3:31
  Speaker 1: 75, 85.
• 3:31
  Speaker 2: So he was... No, that's not. 1975, 85, he was 10.
• 3:33
  Speaker 2: So 93, he was 18. So yeah, he was 17
• 3:44
  Speaker 2: when he shot this. Wow.
• 3:46
  Speaker 1: I was watching the movie. He's like, that's my first role.
• 3:47
  Speaker 1: I was 17. 17 years old. He looks 17.
• 3:50
  Speaker 2: He does look younger than he does.
• 3:51
  Speaker 1: That's what was so terrifying about him as O-Dog. The
• 3:55
  Speaker 1: first line, do y'all remember the first line of Men's Society? Hey, nigga,
• 4:00
  Speaker 1: there gonna be some pussy in this mother effer. Wow.
• 4:04
  Speaker 2: That's what they were saying during the new line.
• 4:07
  Speaker 1: On the black screen. I paused it. I said, I
• 4:10
  Speaker 1: don't remember.
• 4:11
  Speaker 2: We get right into it.
• 4:13
  Speaker 1: Tone. Okay, now let me tell you what was crazy
• 4:15
  Speaker 1: about Men's Society. You start off in the Asian convenience
• 4:23
  Speaker 1: store and the Korean people are following Kane and O-Dog around.
• 4:31
  Speaker 1: As I'm watching Medicine Society on the rewatch for the podcast,
• 4:36
  Speaker 1: in South Carolina, Rick Chow, Asian convenience store owner, is
• 4:42
  Speaker 1: following around a black child. And in my head, I'm like, yo,
• 4:46
  Speaker 1: 30 years has passed.
• 4:47
  Speaker 2: Yeah.
• 4:47
  Speaker 1: 33 years and nothing has changed. Somebody's still getting followed
• 4:55
  Speaker 1: around by an Asian store owner and ended in violence.
• 5:00
  Speaker 1: I mean, in real life, obviously the black child lost
• 5:03
  Speaker 1: his life. But in the movie, old dog kills the people.
• 5:11
  Speaker 1: And I forgot, Menace is, I'm sorry, Don't Be a Menace.
• 5:16
  Speaker 1: They parodied a lot of hood movies, but Menace to
• 5:20
  Speaker 1: Society was the one that they like.
• 5:25
  Speaker 2: That was the anchor.
• 5:26
  Speaker 1: That was the anchor movie that they followed. But yeah,
• 5:31
  Speaker 1: when he shot that person and then was like, I
• 5:37
  Speaker 1: was like, man.
• 5:39
  Speaker 2: He killed those people.
• 5:40
  Speaker 3: And in the original script, it was a little bit different.
• 5:44
  Speaker 3: He kills the man, but he lets the wife and
• 5:48
  Speaker 3: the child live.
• 5:50
  Speaker 2: Oh, really? There's a wife and a child in the
• 5:52
  Speaker 2: original script.
• 5:52
  Speaker 1: Okay, okay.
• 5:53
  Speaker 2: And then they just end up going back to wherever
• 5:55
  Speaker 2: they came from.
• 5:56
  Speaker 1: Yeah.
• 5:56
  Speaker 2: They didn't press no charges. They just left. Yeah. So
• 5:59
  Speaker 2: in the script, he just killed the guy.
• 6:03
  Speaker 3: And I thought that was an interesting shift.
• 6:06
  Speaker 2: And the movie is like both of y'all.
• 6:07
  Speaker 1: He not only killed him, Tone, he's showing the robbery
• 6:11
  Speaker 1: murder like a mixtape.
• 6:13
  Speaker 2: Yeah. He's going around. Look at what I did, y'all.
• 6:16
  Speaker 2: And they all in the community, man. Put that tape
• 6:19
  Speaker 2: back on. What? Put that tape back on. And it's
• 6:23
  Speaker 2: me murdering people? And you know what's funny?
• 6:26
  Speaker 3: Given his age, that's totally believable. I know we looking
• 6:31
  Speaker 3: at it with grown eyes.
• 6:32
  Speaker 2: We're like, you big dummy. But when you a teenager.
• 6:36
  Speaker 3: It's all about rep and your name in that environment
• 6:40
  Speaker 3: where we all outlaws, we showing the tape.
• 6:43
  Speaker 1: I'm showing the tape because that rep's gonna give me
• 6:47
  Speaker 1: credibility with the men. It's gonna get me coochie. In
• 6:52
  Speaker 1: that environment, you the hardest nigga out here. You getting coochie. Right?
• 6:58
  Speaker 1: And it's going to strike fear into the hearts of men?
• 7:00
  Speaker 2: Yep. And you 17? Get the word out.
• 7:03
  Speaker 1: With the braids?
• 7:05
  Speaker 2: Get the word out. I'll be killing people at convenience stores. Yes.
• 7:08
  Speaker 1: I'll kill you too. Ron Schell said people do it
• 7:11
  Speaker 1: for the gram today. That's the beauty of it. They
• 7:14
  Speaker 1: doing it for the gram.
• 7:16
  Speaker 2: They will be on a live stream unaliving people.
• 7:20
  Speaker 1: Absolutely. They're doing it now. There's so many cases that
• 7:23
  Speaker 1: Mel covers on I'm Not a Lawyer, but where the
• 7:28
  Speaker 1: people are beefing, and they'll go to the grave site,
• 7:31
  Speaker 1: we killed this nigga, dropped this nigga, your homeboy dead,
• 7:34
  Speaker 1: in music videos. Like, it's not uncommon today. It just,
• 7:38
  Speaker 1: in that time, you had to like, put the tape in.
• 7:41
  Speaker 1: You know, I'm going to show Clifton Powell the tape.
• 7:44
  Speaker 2: And it's sad. It sounds dumb, but it's sadly realistic.
• 7:49
  Speaker 3: And I like the fact that Lorenz Tate looks like that.
• 7:52
  Speaker 3: Because that's what these killers and these young kids are
• 7:55
  Speaker 3: looking like. They babies out here and they the scariest ones.
• 8:00
  Speaker 1: When Mel covered the Julio-Fulio trial, Tone, the dude looked
• 8:04
  Speaker 1: like our sons did in like eighth grade. Like what
• 8:08
  Speaker 1: you doing killing somebody?
• 8:11
  Speaker 2: Because they young.
• 8:12
  Speaker 1: And as a father, you know, like, even though you
• 8:15
  Speaker 1: see your son today, your mind takes him back 15
• 8:18
  Speaker 1: years ago. But he actually is the age. They are children,
• 8:23
  Speaker 1: you know, going off. But yeah. Also, this was just
• 8:27
  Speaker 1: interesting because we was rewatching this and You Got Served
• 8:31
  Speaker 1: in the same week. Megan Good and Jada Pinkett Smith
• 8:35
  Speaker 1: were the same age as actresses in both of those movies.
• 8:40
  Speaker 1: They were both 22 when they shot that. Jada Pinkett
• 8:45
  Speaker 1: Smith's character, what she had to deal with was making
• 8:49
  Speaker 1: good characters.
• 8:51
  Speaker 2: Making good just out here having a good time. I'm beautiful.
• 8:55
  Speaker 2: Hanging out.
• 8:56
  Speaker 1: Hanging out, dancing.
• 8:57
  Speaker 2: No kids to raise. Going to work. Milkshakes.
• 9:01
  Speaker 1: Jada Pinkett Smith got baby father problems.
• 9:05
  Speaker 2: Yeah, Anthony. Yeah. That was her son's name, Anthony.
• 9:10
  Speaker 1: She got sexual assault. She got her boyfriend getting murdered.
• 9:14
  Speaker 1: I got, first of all, black people been trying to
• 9:17
  Speaker 1: move to Atlanta.
• 9:18
  Speaker 2: To better their lives since Minister Society. I'm moving to Atlanta, man.
• 9:22
  Speaker 1: Jada Pinkett Smith said, my child make $ 36, 000. I'm moving
• 9:25
  Speaker 1: to Atlanta. And that was like, you got to go.
• 9:29
  Speaker 2: Atlanta is better there. It's Atlanta. It's Atlanta, man. Anything
• 9:33
  Speaker 2: better than here.
• 9:34
  Speaker 1: And Atlanta people, let us move there. Every time I
• 9:37
  Speaker 1: talk about wanting to move to Atlanta, we fool, we fool.
• 9:39
  Speaker 2: Move to McDonough. Nah. Man, the traffic is crazy in Atlanta,
• 9:45
  Speaker 2: so I get it. It might be the only place
• 9:47
  Speaker 2: that's worse than Atlanta. I hate the traffic in Atlanta.
• 9:49
  Speaker 2: To me, it feels worse.
• 9:50
  Speaker 1: It feels worse because.
• 9:52
  Speaker 2: We be on the back roads in traffic.
• 9:55
  Speaker 1: You be on the back roads far out. Yeah. In L.A.,
• 9:59
  Speaker 1: I can say 118, 210, 134.
• 10:05
  Speaker 2: Large pockets of freeway where there.
• 10:07
  Speaker 1: Won't be no traffic.
• 10:08
  Speaker 2: Right, right.
• 10:08
  Speaker 1: In Atlanta, man.
• 10:10
  Speaker 2: Everywhere.
• 10:11
  Speaker 1: On the plane!
• 10:13
  Speaker 2: Yeah.
• 10:13
  Speaker 1: Flying into Atlanta, you in traffic.
• 10:15
  Speaker 2: Traffic. Traffic on the way to Hartsfield, Jackson.
• 10:18
  Speaker 1: Airplane, you like this.
• 10:20
  Speaker 2: Slowing down in midair. We sat still midair. Like, man,
• 10:25
  Speaker 2: this traffic crazy. It's be like, McDonough is far out.
• 10:30
  Speaker 1: Why is there?
• 10:30
  Speaker 2: And then all the back roads. You think we don't
• 10:33
  Speaker 2: know about the back roads? We out here too. There's
• 10:36
  Speaker 2: traffic near the creek. We back here. This is worse
• 10:40
  Speaker 2: to me, man.
• 10:41
  Speaker 1: It's worse because LA, okay, 405, but you get that.
• 10:45
  Speaker 1: But there's, I don't deal with traffic every day in LA.
• 10:48
  Speaker 1: Like I can go, I came here, no traffic. I
• 10:50
  Speaker 1: can go to your house, no traffic. If I went
• 10:51
  Speaker 1: to Josh's house, no traffic. In Atlanta, what you mean
• 10:56
  Speaker 1: no traffic? You dealing with it.
• 10:58
  Speaker 2: I hate it, dog.
• 10:59
  Speaker 1: You dealing with the traffic. But anyway, back to menacing society.
• 11:03
  Speaker 2: But another thing in the script, Jada Pinkett had two
• 11:08
  Speaker 2: kids in the original script. Oh! Yeah, but this time,
• 11:11
  Speaker 2: you know, she just got Anthony. And Anthony, he got
• 11:14
  Speaker 2: to be a good six, seven?
• 11:16
  Speaker 1: Yeah, he was six, seven.
• 11:17
  Speaker 2: That means she had him. She was 15. She was young.
• 11:20
  Speaker 1: She was in the... And this is what I... This
• 11:22
  Speaker 1: is my favorite thing about men's society.
• 11:25
  Speaker 2: Where they.
• 11:26
  Speaker 1: Hughes Brothers did an amazing job. Kane's story. My dad
• 11:31
  Speaker 1: was a drug dealer. Sam Jackson, great.
• 11:32
  Speaker 2: Oh, he was great. Real cameo.
• 11:34
  Speaker 1: My dad's a drug dealer. My mom's in the life too.
• 11:38
  Speaker 1: They think it's funny to.
• 11:39
  Speaker 2: Give me beer and guns.
• 11:41
  Speaker 1: Nobody is stopping any of the grown folks. With Jada
• 11:46
  Speaker 1: Pinkett's son, same thing is happening. Kane is showing him
• 11:50
  Speaker 1: how to handle the gun. They on the porch. But
• 11:53
  Speaker 1: then somebody's like, yo, man, don't. The brother who, Sharif,
• 11:59
  Speaker 1: Chris Spencer's character in Don't Be A Menace. He's like
• 12:04
  Speaker 1: the voice of reason.
• 12:05
  Speaker 2: Right. And then he gets murdered.
• 12:08
  Speaker 1: And he's the one that's like, bro, don't do that
• 12:10
  Speaker 1: to him. Don't give him the beer. And you see
• 12:12
  Speaker 1: how the movie basically shows this is a cycle of violence.
• 12:16
  Speaker 1: And if somebody doesn't stop the cycle, if you don't
• 12:18
  Speaker 1: move to Atlanta, you don't have a Sharif in the case,
• 12:20
  Speaker 1: you're going to end up the same way Cain's dad
• 12:24
  Speaker 1: created Cain. Cain was going to be on the path
• 12:26
  Speaker 1: to creating Anthony to do the same thing. I feel
• 12:29
  Speaker 1: like that was such a good point to make. And
• 12:33
  Speaker 1: that was also a violent movie.
• 12:35
  Speaker 2: Oh, super violent, man. Super violent. We opened up two murders.
• 12:40
  Speaker 2: Horrible murders. Later on, old dog is just like, yo, man,
• 12:44
  Speaker 2: let me suck your dick.
• 12:45
  Speaker 1: What? For cheeseburgers.
• 12:48
  Speaker 2: For cheeseburgers.
• 12:49
  Speaker 1: I also forgot that's where that came from.
• 12:53
  Speaker 2: I got these cheeseburgers, man. And then when he killed
• 12:58
  Speaker 2: the crackhead. Kept the burgers. Kept the burgers.
• 13:01
  Speaker 1: They were just like, oh, dog.
• 13:03
  Speaker 2: You crazy, man. MC8 was standing there talking to that girl. Like, man,
• 13:09
  Speaker 2: what you doing over there? He always doing some dumb shit.
• 13:12
  Speaker 2: Y'all don't want no cheeseburgers, man? Go home, man. Casual.
• 13:15
  Speaker 1: Menace to society, Tone.
• 13:18
  Speaker 2: Casual.
• 13:19
  Speaker 1: He murdered somebody at 317.
• 13:22
  Speaker 2: And the cool part is, they all kill us. Yes.
• 13:27
  Speaker 2: AWACS was in the car. They arguing in the car, man. Man,
• 13:30
  Speaker 2: you scared, man. You acting like a little bitch right now.
• 13:33
  Speaker 2: You know what I'm saying? They murdered your goddamn cousin,
• 13:35
  Speaker 2: and you ain't going to do shit? You acting like
• 13:37
  Speaker 2: a little bitch right now, man. Both of y'all shut
• 13:40
  Speaker 2: the fuck up, man. Scared to peel these niggas' cap.
• 13:43
  Speaker 1: Back, man.
• 13:44
  Speaker 2: Man, give me my joint. And then you just like that.
• 13:47
  Speaker 2: And then when Kane has to go through with the
• 13:50
  Speaker 2: get back, He missing. He shooting. Yeah, he not ready.
• 13:56
  Speaker 2: AWACS comes in, finish the job like it's nothing. Like, hey, homie,
• 14:00
  Speaker 2: you need some help? Pap, pap. Man. Pap up close. Pap,
• 14:04
  Speaker 2: pap for the finish. He killed him a lot. Punk
• 14:06
  Speaker 2: ass niggas. Come on, niggas. And then they just out.
• 14:10
  Speaker 1: Then they dipped.
• 14:11
  Speaker 2: They put in dominoes the next day.
• 14:14
  Speaker 1: Like nothing. The title Menace to Society, O-Dog delivered on
• 14:19
  Speaker 1: that within the first five minutes.
• 14:21
  Speaker 2: And they just kept being Menace to Society.
• 14:24
  Speaker 3: And the good kid was a menace. He shot somebody.
• 14:29
  Speaker 3: He didn't kill them all, but he did shoot somebody.
• 14:31
  Speaker 3: He was carjacking. He was beating cats down.
• 14:35
  Speaker 1: For rides for the army. His grandparents were like, get
• 14:38
  Speaker 1: the hell out of here, man.
• 14:40
  Speaker 2: You got the devil in you. He pistol whipped somebody.
• 14:44
  Speaker 1: He got the girl pregnant and was like, that ain't.
• 14:46
  Speaker 2: Mine, baby. That ain't mine, man.
• 14:47
  Speaker 3: I had the jimmy on extra tight. How you gonna
• 14:51
  Speaker 3: have the jimmy on extra tight? What does that even mean?
• 14:54
  Speaker 3: I had the jimmy on extra tight.
• 14:56
  Speaker 1: And first of all, you're not even supposed to pull
• 14:57
  Speaker 1: that extra tight.
• 14:59
  Speaker 2: You were the only one I've been with, hey, man.
• 15:02
  Speaker 2: I don't know what to tell you. I don't know
• 15:06
  Speaker 2: what to tell you. Because the cousin had to ride
• 15:08
  Speaker 2: for her honor.
• 15:09
  Speaker 1: Remember how he ran?
• 15:10
  Speaker 2: He was running, he was like. And then he beat
• 15:14
  Speaker 2: the shit out of him. When the grandparents finally kicked
• 15:18
  Speaker 2: him out, I was like, man, fair. Yeah. Because you
• 15:22
  Speaker 2: are hell, man. You are a menace to society.
• 15:25
  Speaker 1: You and your friend, you are awful. Old Dog is
• 15:29
  Speaker 1: just worse. Yeah, because.
• 15:32
  Speaker 3: The thing about Kane is there was hope with him.
• 15:37
  Speaker 2: There was hope. As much as he was doing, he
• 15:41
  Speaker 2: still had a conscience. He was still like, I ain't
• 15:43
  Speaker 2: killing no kids or no old folks. Old dog was like, man,
• 15:46
  Speaker 2: I don't give a fuck who out there. I don't
• 15:50
  Speaker 2: care who out there, man. Cause he kept barking at
• 15:52
  Speaker 2: him without like looking directly at him. He was like,
• 15:55
  Speaker 2: I don't care who out there is just looking and arguing.
• 15:59
  Speaker 2: But he still, there was still hope.
• 16:01
  Speaker 3: He still had some, like, you know, when Jada Pickett
• 16:03
  Speaker 3: went off on him for having a gun with her son.
• 16:05
  Speaker 1: Yeah.
• 16:06
  Speaker 2: And then he's just like, you know what, man? He
• 16:08
  Speaker 2: was still just, like, thinking about stuff. Yeah. And he
• 16:11
  Speaker 2: was going to move to Atlanta.
• 16:12
  Speaker 3: And then when his boy was just like, hey, man,
• 16:14
  Speaker 3: you know, when he was telling him at the prison
• 16:17
  Speaker 3: what to do.
• 16:18
  Speaker 2: Like, he still had a soul. He was still reachable. Yeah.
• 16:21
  Speaker 2: He was listening to Sharice Pop.
• 16:23
  Speaker 1: He was listening to Rock.
• 16:24
  Speaker 2: He was like, the hunt is on. And you're the prey. Man,
• 16:28
  Speaker 2: Charles is dead.
• 16:29
  Speaker 1: Charles Dunbar is a father.
• 16:33
  Speaker 2: Man, he be acting.
• 16:35
  Speaker 1: He yoked up Clifton Powell in that episode of Rock.
• 16:39
  Speaker 1: He was so mad, he said Clifton. Yeah.
• 16:42
  Speaker 2: That was not that character's name. He was like, yo, Charles. Charles. Oh, no,
• 16:48
  Speaker 2: that's what it was.
• 16:48
  Speaker 1: Yeah, he was a Charles.
• 16:50
  Speaker 2: Yeah, because he, Charles doesn't get his flowers.
• 16:54
  Speaker 1: Tone, when he is locked in, he's not playing. And
• 16:58
  Speaker 1: he go from zero to 60, like.
• 17:00
  Speaker 2: For sure. He's intense. The hot is on. You're the prick.
• 17:04
  Speaker 1: Even the way he clapped in Rudy, it was like.
• 17:06
  Speaker 2: Oh, yeah, man.
• 17:07
  Speaker 3: He delivered in everything I've seen him in. Even in
• 17:10
  Speaker 3: Lowdown Dirty Shame, he delivered. But like, but those moments
• 17:15
  Speaker 3: was just like, Kane was savable. He was just a
• 17:20
  Speaker 3: product of his environment.
• 17:21
  Speaker 2: Odog.
• 17:21
  Speaker 1: Have you seen that Dr. Umar clip where he's like,
• 17:24
  Speaker 1: we ain't gonna be able to save all of y'all.
• 17:25
  Speaker 1: Some of y'all need to go to sleep. He talking
• 17:29
  Speaker 1: about Odog. There is no reconciliation. There's no rehabilitation. From
• 17:35
  Speaker 1: the jump, you like, O-Dog is just not gonna be right.
• 17:41
  Speaker 1: Funniest thing about O-Dog, his name was Kevin. Kevin?
• 17:47
  Speaker 2: You ain't know Kevin, man.
• 17:49
  Speaker 3: He didn't even know how to respond to like regular grandparents.
• 17:54
  Speaker 2: He just didn't even know how to act. Like he
• 17:57
  Speaker 2: wasn't rude, but he was just like, oh. Yeah. You
• 18:00
  Speaker 2: know what I'm saying? They known him.
• 18:02
  Speaker 3: But O-Dog was just, he was just a nightmare though.
• 18:07
  Speaker 3: And he missed when the time counted.
• 18:09
  Speaker 2: He did. He gonna miss the shots. He missed. He
• 18:14
  Speaker 2: hit nobody when Kane was getting lit up.
• 18:17
  Speaker 1: And them people who shot Kane, they had Game of
• 18:20
  Speaker 1: Thrones arrow level accuracy.
• 18:24
  Speaker 2: They lit his chest.
• 18:25
  Speaker 1: They were like.
• 18:29
  Speaker 1: Like there was.
• 18:31
  Speaker 1: We did good, y'all. There's no way he survived that.
• 18:35
  Speaker 2: We got him, y'all. Look at him. He's spitting up blood, y'all.
• 18:38
  Speaker 2: He gone. It was the second time he got shot
• 18:40
  Speaker 2: in that movie.
• 18:41
  Speaker 1: It was the second time. And he was also scared.
• 18:44
  Speaker 1: Remember when he got shot? He was scared.
• 18:47
  Speaker 2: Remember how Old Dog made fun of him?
• 18:48
  Speaker 1: Like, man, you was scared you was going to die.
• 18:51
  Speaker 1: I was like, man, what kind of world you living
• 18:54
  Speaker 1: when you get shot and they make fun of you
• 18:55
  Speaker 1: for being scared about dying?
• 18:56
  Speaker 2: He was scared, man. He saw it, y'all. He got shot.
• 18:59
  Speaker 2: He almost died. He was scared. So it's just like, man.
• 19:04
  Speaker 2: But that's the beauty of that.
• 19:06
  Speaker 1: Yeah.
• 19:07
  Speaker 3: It was like, we're going to show you the other
• 19:09
  Speaker 3: side of boys in the hood.
• 19:11
  Speaker 2: For sure. We're going to show you how to catch
• 19:14
  Speaker 2: with the jerry curl and the bull's beanie. You with
• 19:18
  Speaker 2: them the whole movie.
• 19:20
  Speaker 1: The people who wrote the window down on Ricky, if
• 19:23
  Speaker 1: you follow that movie, that's Minister Society.
• 19:26
  Speaker 2: After they just shot Ricky, Minister Society begins from their POV.
• 19:31
  Speaker 1: And the thing is, not being from L.A. and being
• 19:34
  Speaker 1: a child, Boyz n the Hood was already like, man,
• 19:37
  Speaker 1: is it like that?
• 19:39
  Speaker 2: Dang, L.A.
• 19:40
  Speaker 1: Minister Society was like, it gets worse.
• 19:42
  Speaker 2: Let me show you how they got down. Let me
• 19:46
  Speaker 2: show you how the good kid is even bad.
• 19:48
  Speaker 1: Good kid, Mad City. That's what was great. Also, I realized,
• 19:53
  Speaker 1: or my question is, did we start calling Jack in
• 19:57
  Speaker 1: the Box Jack in the Crack from this movie?
• 20:00
  Speaker 2: Oh, yeah.
• 20:01
  Speaker 1: Because I've been saying Jack in the Crack forever. And
• 20:04
  Speaker 1: when I rewatched it, I said, yo, did Minister Society
• 20:07
  Speaker 1: introduce Jack in the Crack to the nation? Because we
• 20:12
  Speaker 1: had Jack in the Box in Washington, but I didn't
• 20:14
  Speaker 1: grow up with Jack in the Box. I didn't grow
• 20:17
  Speaker 1: up with it either. There was no Jack in the
• 20:18
  Speaker 1: Box in El Paso, no Jack in the Box in
• 20:21
  Speaker 1: North Carolina or Virginia. But in Washington, people already called
• 20:25
  Speaker 1: it Jack in the Crack. So when I watched the movie,
• 20:27
  Speaker 1: I was like, That and you got snaps.
• 20:30
  Speaker 2: On the petrol. Who got snaps on the petrol? Snaps
• 20:33
  Speaker 2: on the petrol come from that movie. For sure.
• 20:37
  Speaker 1: That entered to the lexicon of black. Snaps on the petrol.
• 20:41
  Speaker 1: I said that in high school, not even connecting that.
• 20:44
  Speaker 1: I heard that from minutes of society as a kid.
• 20:46
  Speaker 2: Got some snaps on the petrol. Man. And, you know, Chauncey. Yeah.
• 20:53
  Speaker 2: Chauncey ass. You know what I'm saying? Chauncey was just
• 20:55
  Speaker 2: up to no good. Clifton Powell. Clifton Powell, man. They
• 20:58
  Speaker 2: had a great cast in this thing. Bill Duke. You
• 21:00
  Speaker 2: know he done that stuff right. Man. And you know what?
• 21:03
  Speaker 3: That dude in the beginning sealed his own fate. The
• 21:05
  Speaker 3: dude that Kane Pops killed, Sam Jackson.
• 21:08
  Speaker 2: The dude owed him money.
• 21:10
  Speaker 1: Man, come on, bro.
• 21:11
  Speaker 2: Like, hey, man, I'll pay you when I feel like it.
• 21:13
  Speaker 2: Just the utmost disrespect. Then when you get the gun
• 21:16
  Speaker 2: pulled out, you be like, man, you better suck my dick.
• 21:19
  Speaker 2: That bitch. He could have still survived. He was just like, man,
• 21:25
  Speaker 2: I'll pay you when I feel like it.
• 21:27
  Speaker 3: They could have knuckled up after that. But then when
• 21:30
  Speaker 3: I'm just like, hey man, and then you like, yo,
• 21:32
  Speaker 3: suck my dick, you might as well just put the
• 21:34
  Speaker 3: gun in your own mouth.
• 21:36
  Speaker 2: And pull the trigger. Because why was you talking that crazy?
• 21:40
  Speaker 2: Once you tell a man that, there's no coming back.
• 21:43
  Speaker 1: No, no.
• 21:44
  Speaker 2: I got to kill you.
• 21:45
  Speaker 1: In this world, You have disrespected me beyond.
• 21:49
  Speaker 2: I have to kill you.
• 21:50
  Speaker 1: I have to kill you.
• 21:50
  Speaker 2: I don't even want to. Even people that's not in
• 21:52
  Speaker 2: that world, it's like, yo, man, I have to kill you.
• 21:55
  Speaker 2: Come on, man. Because why are you talking?
• 21:58
  Speaker 1: You owe me money.
• 22:00
  Speaker 3: Man to man. Suck my dick. There's no coming back
• 22:04
  Speaker 3: from that. We got to kick it up a notch.
• 22:07
  Speaker 3: We're not going to be cool again after this.
• 22:09
  Speaker 2: Oh, my God. There's no. Sam Jackson shot him with
• 22:13
  Speaker 2: a revolver. He was like, bye. I better stood up.
• 22:17
  Speaker 2: AJ said, you owe me money. He was like, nah,
• 22:19
  Speaker 2: but here you go. You know what I'm saying? Also,
• 22:26
  Speaker 2: OG Bobby Johnson. OG Bobby Johnson.
• 22:29
  Speaker 1: He was just, in the 90s, man, this is what
• 22:32
  Speaker 1: I got to play. This is my role. But when
• 22:35
  Speaker 1: he was in jail, he was like, man, Take care
• 22:38
  Speaker 1: of her.
• 22:39
  Speaker 2: Hold it down. Go to Atlanta. I'm not getting out
• 22:42
  Speaker 2: of here.
• 22:43
  Speaker 1: Bro, I'm cool. And we shouldn't have been doing that
• 22:47
  Speaker 1: to you. When you were young, that's what I do
• 22:50
  Speaker 1: like that the Hughes brothers did. I wouldn't say they
• 22:55
  Speaker 1: glorified violence. They highlighted the way the world was, but
• 22:59
  Speaker 1: also showed you how it it stays like that, right?
• 23:04
  Speaker 1: Cause you know, obviously this is like crack era, Reaganomics,
• 23:06
  Speaker 1: all that stuff, but he's not even saying this is
• 23:09
  Speaker 1: black people's fault, but he's saying like, this is the
• 23:11
  Speaker 1: cycle that keeps us there. If I beat you up,
• 23:15
  Speaker 1: stomp you out, you tell your friends, you gotta come
• 23:18
  Speaker 1: back and I gotta one up you. So now you
• 23:20
  Speaker 1: killed me, right? So now, now O-Dog gotta go back
• 23:24
  Speaker 1: and kill their dude. And it's just, every time you
• 23:28
  Speaker 1: kill somebody, you create a new enemy, you create a new,
• 23:30
  Speaker 1: all because Kane had the Jimmy on extra tight.
• 23:33
  Speaker 2: Extra tight. He ain't had that Jimmy on. He smashed
• 23:36
  Speaker 2: raw and he just didn't want to own up. He
• 23:38
  Speaker 2: didn't want to own up.
• 23:39
  Speaker 1: He robbed the dude for the Dayton's, didn't order the
• 23:41
  Speaker 1: cheeseburger in the drive-thru.
• 23:42
  Speaker 2: He's like, let me get a double burger, some fries.
• 23:45
  Speaker 2: I think I said cheese on it. We supposed to
• 23:49
  Speaker 2: be brothers. Are you trying to kick some knowledge back
• 23:51
  Speaker 2: in here? Man, that movie was crazy, man, but it
• 23:59
  Speaker 2: lived up to the title. It lived up to the title.
• 24:02
  Speaker 2: Thousand percent.
• 24:04
  Speaker 1: You robbing a nigga and swing by the burger plate.
• 24:07
  Speaker 2: Nigga, I said cheese. Honestly, if I'm already robbing you,
• 24:11
  Speaker 2: I'm already in your car, at the drive-thru, I'm going to.
• 24:15
  Speaker 1: Get some food as well.
• 24:16
  Speaker 2: Well, I mean.
• 24:18
  Speaker 1: The robbery makes me hungry.
• 24:19
  Speaker 2: Let me get a shake and a burger. Might as well.
• 24:26
  Speaker 2: Why are you here? Might as well. I'm going to eat.
• 24:29
  Speaker 1: Also, ain't the dude that Kane stomped out, he's in
• 24:35
  Speaker 1: another movie playing a similar character.
• 24:36
  Speaker 2: He's in Players Club.
• 24:38
  Speaker 1: Players Club.
• 24:39
  Speaker 3: He's a shady dude that assaults Diamond's cousin.
• 24:44
  Speaker 1: The girl who said, I'm just here to dance, that's it?
• 24:47
  Speaker 1: He just was shady.
• 24:48
  Speaker 3: Yeah, because he did something to it because he came
• 24:50
  Speaker 3: out of that room looking crazy.
• 24:52
  Speaker 1: Yeah, he did.
• 24:54
  Speaker 2: Yeah, he was in there. His name is Caffeine. That's
• 24:56
  Speaker 2: his rap name, Caffeine. Yeah, he.
• 25:00
  Speaker 1: I think he's been having some health issues. He did,
• 25:01
  Speaker 1: he did. He passed?
• 25:04
  Speaker 2: No, he's alive. Oh, okay.
• 25:05
  Speaker 1: But he's been having some health issues.
• 25:06
  Speaker 2: All right, let's move on. Oh, and I want to
• 25:09
  Speaker 2: say this, too. Say this, Tom. This is a society,
• 25:11
  Speaker 2: you can tell that the Hughes brothers were inspired by
• 25:15
  Speaker 2: Martin Scorsese. You can tell that's an influence because of
• 25:18
  Speaker 2: how they shot it.
• 25:20
  Speaker 3: Like they open up the film early on with the
• 25:22
  Speaker 3: going through the party, introducing you to the different characters
• 25:26
  Speaker 3: and stuff like that. So you can see the direct
• 25:29
  Speaker 3: connection between the Hughes brothers and Martin Scorsese. This is their,
• 25:34
  Speaker 3: you know, Goodfellas was our introduction into the mob life
• 25:38
  Speaker 3: that was very violent, very volatile.
• 25:40
  Speaker 1: You know what I'm saying?
• 25:41
  Speaker 2: Showing you the different characters. You can tell they drew
• 25:43
  Speaker 2: from that.
• 25:44
  Speaker 1: Yeah.
• 25:44
  Speaker 2: I was like, oh, I see what they did there.
• 25:46
  Speaker 2: They did good.
• 25:46
  Speaker 1: He was also in Set It Off, too. That's what
• 25:48
  Speaker 1: I was thinking of.
• 25:49
  Speaker 2: Oh, he's in Set It Off as well?
• 25:50
  Speaker 1: He was the brother. He was with the friend. He
• 25:54
  Speaker 1: had the haircut with the Acorn. Was it Acorn Projects?
• 25:58
  Speaker 2: Oh, okay.
• 25:59
  Speaker 1: I ain't seen Set It Off in a minute.
• 26:00
  Speaker 2: Was he a friend of Jada Pinkett's brother? Yes. Okay. Yes.
• 26:03
  Speaker 1: Remember, her brother was good. He was with the bad people.
• 26:06
  Speaker 1: He got the same haircut. I think they killed him
• 26:09
  Speaker 1: because they thought he was, oh, boy, with the Acorn
• 26:12
  Speaker 1: Projects haircut. But since Lorenz Tate was, that was his
• 26:21
  Speaker 1: first movie performance, we are having a small discussion here, Tone.
• 26:26
  Speaker 1: Top 10 movies where an actor or actress announced, I'm here.
• 26:34
  Speaker 1: I arrived.
• 26:35
  Speaker 2: Lorenz Tate announced he arrived.
• 26:38
  Speaker 1: That was his arrival. Been a 17 years old shot
• 26:41
  Speaker 1: at 18 when it released.
• 26:42
  Speaker 2: Yeah.
• 26:43
  Speaker 1: What's next?
• 26:45
  Speaker 2: Eddie Murphy, 48 Hours. Man. That's an arrival for your
• 26:50
  Speaker 2: ass right there. Yes. He came in. He came in, what,
• 26:54
  Speaker 2: 40 minutes into the movie? That shit took off. 1,000%.
• 26:59
  Speaker 2: That movie is a.
• 27:01
  Speaker 1: From the moment they opened that... Actually, before they even
• 27:04
  Speaker 1: opened it. Before you see him. You hear him singing Roxanne.
• 27:06
  Speaker 2: You hear him. You like... I said... From that moment...
• 27:11
  Speaker 2: Till now. Roxanne!
• 27:14
  Speaker 1: Till today. Till today. Eddie Murphy been here. He been
• 27:17
  Speaker 1: that dude ever since. He pushed.
• 27:20
  Speaker 2: Nick Nolte.
• 27:22
  Speaker 1: Watch out, man.
• 27:23
  Speaker 2: Yeah. This is my movie now. This is my movie now.
• 27:26
  Speaker 1: You had 48 minutes. And all they gonna remember is me. Yeah. Martin,
• 27:33
  Speaker 1: who's your boy from The Godfather?
• 27:34
  Speaker 2: From the devil's actor? The actor.
• 27:40
  Speaker 1: Who's The Godfather? I can't think of his name.
• 27:41
  Speaker 2: Marlon Brando.
• 27:42
  Speaker 1: Marlon Brando said that scene where Eddie Murphy said, I'm
• 27:46
  Speaker 1: the nigga in charge, whatever the line is. He said,
• 27:48
  Speaker 1: you a star. He said, I've never seen a black
• 27:51
  Speaker 1: man take a scene like that. He said, you out
• 27:54
  Speaker 1: of here from that scene alone. Nick Nolte, that's his movie.
• 27:58
  Speaker 1: At least he thought it was.
• 27:59
  Speaker 2: Boy, watch out. Once Reggie Hammond shows up.
• 28:04
  Speaker 1: Eddie Murphy is like, nigga, this is my movie.
• 28:07
  Speaker 2: It was a wrap, man. We giving you all the
• 28:09
  Speaker 2: money in the world.
• 28:10
  Speaker 1: Yeah.
• 28:10
  Speaker 2: All right, mine is.
• 28:13
  Speaker 1: Angela Bassett, What's Love Got to Do With It?
• 28:15
  Speaker 2: Okay.
• 28:16
  Speaker 1: She said, I'm here.
• 28:19
  Speaker 2: This was the moment. That's my first movie I remember
• 28:21
  Speaker 2: seeing her in. You see them boys in there? Okay.
• 28:27
  Speaker 1: I seen her in that, but I feel like it
• 28:28
  Speaker 1: didn't register. She's kind of like Viola Davidson in Antoine
• 28:33
  Speaker 1: Fisher for me. Because I saw Boys in the Hood
• 28:35
  Speaker 1: when I was a kid. So I wasn't like... And
• 28:37
  Speaker 1: Trey's mom is in there. Like, you know, she's in
• 28:39
  Speaker 1: there for your style. She registered to me in What's
• 28:43
  Speaker 1: Love Got.
• 28:44
  Speaker 2: To Do With It.
• 28:47
  Speaker 1: First of all, I shouldn't have been watching that as
• 28:48
  Speaker 1: a kid as I look back.
• 28:49
  Speaker 2: What's Love Got to Do With It?
• 28:50
  Speaker 1: Yeah, it was... Hard sell for a child. What year
• 28:53
  Speaker 1: was that?
• 28:53
  Speaker 2: 93? 93?
• 28:53
  Speaker 1: You're 10 years old. Somebody should have been watching me.
• 28:58
  Speaker 3: But I feel like this, man. This could be a
• 29:02
  Speaker 3: controversial parental take.
• 29:05
  Speaker 2: But I feel like kids should watch it all. Not
• 29:09
  Speaker 2: sexually explicit. Yes. But they should be watching grown shit.
• 29:14
  Speaker 1: I agree with this. Outside of the sex scenes.
• 29:17
  Speaker 2: Outside of the sex.
• 29:18
  Speaker 1: But I think one of my greatest joys as a child...
• 29:22
  Speaker 1: Watching movies, I know I.
• 29:24
  Speaker 2: Ain't had no business.
• 29:25
  Speaker 3: Yeah, man, because it teaches you a lot, and it
• 29:27
  Speaker 3: helps you. To me, I feel like it helps you
• 29:31
  Speaker 3: throughout life. Like, I saw Scarface at a young age,
• 29:35
  Speaker 3: and I knew, oh, I'll never do cocaine.
• 29:38
  Speaker 2: Really? That did not sell me on cocaine. I was like,
• 29:42
  Speaker 2: I don't want no positive cocaine. Nothing good can come
• 29:44
  Speaker 2: from this. Nothing good is coming out of cocaine. Yeah.
• 29:47
  Speaker 3: So when I'm seeing these movies of people getting shot up,
• 29:50
  Speaker 3: doing drugs, and having sex, I'm learning, like, oh, no.
• 29:54
  Speaker 2: Yeah. You know what I'm saying? Yeah. Even Philadelphia, like, oh, man,
• 29:59
  Speaker 2: you can get AIDS from sex.
• 30:00
  Speaker 1: Yeah.
• 30:01
  Speaker 2: So I'm learning valuable lessons. They'll be like, no, don't
• 30:03
  Speaker 2: let the kids watch that. Let these kids watch that.
• 30:05
  Speaker 1: Yeah.
• 30:06
  Speaker 2: That's what toxic chemicals can do to somebody. Let me
• 30:08
  Speaker 2: stay away from the toxic chemicals. You know, and so
• 30:12
  Speaker 2: I feel like let your kids watch this stuff. I'm
• 30:14
  Speaker 2: with you. I'm with you. Let your kids know that
• 30:18
  Speaker 2: they can't be putting hands on a woman because they're
• 30:19
  Speaker 2: watching what's love got to do with it. Let your
• 30:22
  Speaker 2: kids know the effects of physical abuse in relationships and
• 30:26
  Speaker 2: what that looks like.
• 30:26
  Speaker 1: I'm with you, Tom.
• 30:28
  Speaker 2: Is it me or you? So I'm going to go
• 30:34
  Speaker 2: I have arrived moments in film. I'll go with these
• 30:45
  Speaker 2: are going to be in any order. I'm going to
• 30:47
  Speaker 2: go with Macaulay Culkin and Uncle Buck. Uncle Buck? Yeah.
• 30:56
  Speaker 3: I'm generally going with, like, supporting as far as they're
• 31:00
  Speaker 3: just supporting players or co-stars.
• 31:02
  Speaker 2: Okay. Rather than them being the names. Okay. So... But
• 31:07
  Speaker 2: Cully Culkin and Uncle Buck, I was like, yo, who
• 31:10
  Speaker 2: is this little kid right here? Yeah. He was charming.
• 31:13
  Speaker 2: That little scene where him and John Candy had a
• 31:15
  Speaker 2: back and forth real quick. Yeah. What are you doing here?
• 31:17
  Speaker 2: What do you do for a living? It was just perfect.
• 31:19
  Speaker 2: I was like, yo, how is this kid nailing all
• 31:21
  Speaker 2: of this?
• 31:21
  Speaker 1: His comedic timing was like.
• 31:22
  Speaker 2: It was crazy.
• 31:23
  Speaker 1: He was, yeah, for sure. You're like, he got something.
• 31:25
  Speaker 2: I was just like, yo, this little kid right here,
• 31:27
  Speaker 2: he registered. For sure.
• 31:29
  Speaker 3: And then when Home Alone came out, it was like, man,
• 31:31
  Speaker 3: of course it casted him.
• 31:34
  Speaker 2: I like this angle. Yeah, yeah. That's not what I
• 31:36
  Speaker 2: was thinking. Because if you, if you the lead in
• 31:39
  Speaker 2: the film, the focus is going to be on you.
• 31:42
  Speaker 2: But you're going to stole the scene. I'm coming. Not
• 31:44
  Speaker 2: really stealing the scene, but just really, I have arrived.
• 31:46
  Speaker 2: You know what I'm saying? Somebody you didn't expect.
• 31:51
  Speaker 1: Okay.
• 31:51
  Speaker 2: You know what I'm saying? Because, oh, you know what
• 31:53
  Speaker 2: I'm saying? This, you know what I mean?
• 31:56
  Speaker 1: In that arena, but not didn't expect. Independence Day, Will Smith.
• 32:03
  Speaker 2: I have arrived. That is not technically. You think he
• 32:05
  Speaker 2: arrived more than that, boy? I do. I would say yes.
• 32:12
  Speaker 1: Because I feel like Independence Day was a bigger movie.
• 32:17
  Speaker 2: And Martin kind of carried that.
• 32:20
  Speaker 1: And Martin was more in the original Bad Boys.
• 32:22
  Speaker 2: Yeah.
• 32:24
  Speaker 1: Independence Day, there was, you know... Jeff Goldblum, there's people
• 32:31
  Speaker 1: in there. It's an ensemble piece. But Will Smith, when
• 32:36
  Speaker 1: you watch that, I was like, he's out of here.
• 32:41
  Speaker 1: And he was. He was young, haircut, handsome. Vivica Fox
• 32:47
  Speaker 1: was out of this mother effing world. For me, I said, man,
• 32:53
  Speaker 1: watch out.
• 32:55
  Speaker 3: For me, it was the double dip of Bad Boys
• 32:58
  Speaker 3: and Independence Day.
• 32:59
  Speaker 1: Yeah, he had a good.
• 33:00
  Speaker 2: Because in Bad Boys, because they were just a year apart.
• 33:04
  Speaker 1: Yeah, yeah, yeah.
• 33:05
  Speaker 3: So in Bad Boys, I was like, yo, man. Because
• 33:09
  Speaker 3: when I first went to see it, I was more
• 33:11
  Speaker 3: excited about Martin.
• 33:13
  Speaker 2: For sure.
• 33:13
  Speaker 1: Martin was bigger at that time.
• 33:14
  Speaker 3: Martin, because I was just a Martin fanatic at that time.
• 33:18
  Speaker 3: I was just like, there ain't nobody better than Martin
• 33:20
  Speaker 3: right now.
• 33:21
  Speaker 1: And he had done movies, more movies. He was on
• 33:23
  Speaker 1: House Party. He was in some stuff. He was in Boomerang.
• 33:26
  Speaker 2: He was in Boomerang.
• 33:28
  Speaker 1: Yeah, so Martin was like, I got, and Martin chose Will.
• 33:32
  Speaker 2: Yes.
• 33:32
  Speaker 1: Actually, I think his sister was like, get Will. So
• 33:36
  Speaker 1: that's Martin like.
• 33:37
  Speaker 2: But even though I love the Fresh Prince, it was like,
• 33:39
  Speaker 2: but I was a Martin fanatic.
• 33:41
  Speaker 1: For sure.
• 33:41
  Speaker 2: In the window. For sure. So it was like, so
• 33:43
  Speaker 2: when I watched Bad Boys, I was like, man, Martin.
• 33:45
  Speaker 1: Yeah.
• 33:46
  Speaker 2: And then I'm seeing the dynamic between him and Will.
• 33:48
  Speaker 3: And then when the chase scene, they running through Miami
• 33:52
  Speaker 3: and he's running the shirt open.
• 33:54
  Speaker 2: He just running. I was like, yo, Will Smith.
• 33:56
  Speaker 1: He got something.
• 33:57
  Speaker 2: This is. We got a new action hero?
• 33:59
  Speaker 1: Because that's not what he was doing in Fresh Prince.
• 34:02
  Speaker 2: No, he was just this cool hip kid. Yeah. He
• 34:04
  Speaker 2: got beat up.
• 34:05
  Speaker 1: Charisma.
• 34:05
  Speaker 2: He got beat up at the bowling alley.
• 34:07
  Speaker 1: He got beat up in the theme song.
• 34:09
  Speaker 2: Yeah.
• 34:10
  Speaker 1: We were introduced to him getting beat up before we
• 34:12
  Speaker 1: saw the episode.
• 34:13
  Speaker 2: Right.
• 34:14
  Speaker 1: They're spinning him around.
• 34:15
  Speaker 2: Yeah. That's what we know. They were up to no good.
• 34:19
  Speaker 2: So we left. He fled Philly. He got beat up,
• 34:20
  Speaker 2: then ran. Yeah, he got beat up in Bel Air,
• 34:29
  Speaker 2: beat up in Philly. So now, you know what I'm saying,
• 34:32
  Speaker 2: he's running, he's shooting. It was just like, yo, is
• 34:34
  Speaker 2: Will Smith the new act? Because Martin was still funny
• 34:37
  Speaker 2: in Bad Boys. For sure. But then I'm looking at
• 34:39
  Speaker 2: Will Smith, and then Independence Day solidified.
• 34:42
  Speaker 1: Man. Cigar. Yeah, the cigar.
• 34:45
  Speaker 2: Cool guy smoking. Punching the alien with the helmet on.
• 34:49
  Speaker 2: He can break his hand. Exoskeleton.
• 34:53
  Speaker 1: And the alien was working.
• 34:53
  Speaker 2: Knocked him out. One hit and quit it. For sure.
• 34:56
  Speaker 2: He arrived. Yeah, that was a big arrival right there.
• 34:58
  Speaker 2: All right, you up. Okay. I'm going to go with
• 35:05
  Speaker 2: big arrivals. I kind of feel like Leonardo DiCaprio arrived
• 35:22
  Speaker 2: and was eating Gilbert Greene.
• 35:25
  Speaker 1: I thought about that, man, but I feel like he
• 35:28
  Speaker 1: arrived arrived in Titanic.
• 35:32
  Speaker 2: He was the lead in that.
• 35:33
  Speaker 1: But that was like, I'm not disagreeing with you, but
• 35:37
  Speaker 1: I also- Titanic was a movie that was so big,
• 35:41
  Speaker 1: it was big arrival.
• 35:42
  Speaker 2: For sure.
• 35:44
  Speaker 1: But he also did his thing. He did.
• 35:46
  Speaker 2: He did. He did good in that.
• 35:47
  Speaker 1: And the end was, even Gibber Great was a much
• 35:49
  Speaker 1: smaller movie. Obviously, Titanic was one of the best-selling movies
• 35:53
  Speaker 1: of all time. It's probably still top five, I would say. Yeah,
• 35:57
  Speaker 1: outside of Avatar.
• 35:57
  Speaker 2: For sure.
• 35:58
  Speaker 1: Because I was going to say Leo, but I was
• 36:00
  Speaker 1: going to say Titanic. But you feel like he arrived
• 36:02
  Speaker 1: before it.
• 36:03
  Speaker 2: Gibber Great, though, it was just like, yo, this kid
• 36:06
  Speaker 2: right here.
• 36:07
  Speaker 1: He got something.
• 36:08
  Speaker 2: He's killing it. Yeah.
• 36:09
  Speaker 1: Yo, he was on TV.
• 36:10
  Speaker 2: Yeah. You know what I'm saying? And so then when
• 36:15
  Speaker 2: he's in Titanic, because this is after the basketball diaries
• 36:18
  Speaker 2: and stuff like that, I just feel like I was
• 36:22
  Speaker 2: already aware and familiar. I knew Leonardo DiCaprio by the
• 36:27
  Speaker 2: time Titanic came.
• 36:28
  Speaker 1: For sure.
• 36:28
  Speaker 2: Titanic just sealed it. It was just like, oh, yeah.
• 36:30
  Speaker 2: He about to go into the next stratosphere after this.
• 36:34
  Speaker 1: Yep.
• 36:34
  Speaker 2: But I feel like that was he can give a
• 36:36
  Speaker 2: great performance, man. That was big. That was big. Like,
• 36:40
  Speaker 2: who is this kid? Yeah, he.
• 36:42
  Speaker 1: I agree with that.
• 36:43
  Speaker 2: Right here. Yeah. What the fuck's going on? Yeah, man.
• 36:47
  Speaker 2: All right. Okay.
• 36:51
  Speaker 1: I'm going to go on the comedic tip. I'ma go
• 36:55
  Speaker 1: Chris Tucker and Friday.
• 36:56
  Speaker 2: Yeah, man. Absolutely.
• 36:57
  Speaker 1: Because I feel like I was already sold on Friday
• 37:02
  Speaker 1: because of Ice Cube.
• 37:03
  Speaker 2: Yeah.
• 37:04
  Speaker 1: I didn't know... I only knew of Chris Tucker from
• 37:07
  Speaker 1: Def Comedy Jam.
• 37:07
  Speaker 2: Def Jam, yeah.
• 37:08
  Speaker 1: But I didn't know he had that.
• 37:10
  Speaker 2: Yeah.
• 37:10
  Speaker 1: He was funny.
• 37:11
  Speaker 2: Right.
• 37:12
  Speaker 1: Like, same time, man.
• 37:13
  Speaker 2: Yeah.
• 37:13
  Speaker 1: Like, his Def Comedy Jam, he did the most with
• 37:16
  Speaker 1: those sets.
• 37:17
  Speaker 2: Right.
• 37:17
  Speaker 1: Probably... of anybody as far as like parlaying that into
• 37:20
  Speaker 1: like cash.
• 37:22
  Speaker 2: Yeah.
• 37:22
  Speaker 1: But Ice Cube had already done Boys in the Hood.
• 37:24
  Speaker 1: He already done Higher Learning. Yeah. But man, I remember
• 37:28
  Speaker 1: watching Friday and being like, yo, this dude, he's, he's,
• 37:33
  Speaker 1: when he didn't even do Friday, the second Friday, I
• 37:36
  Speaker 1: wasn't even, he was so big.
• 37:38
  Speaker 2: Mike Epps also.
• 37:39
  Speaker 1: Got to arrive in the Friday franchise in a different way. Also,
• 37:44
  Speaker 1: shout out to Mike Epps. Like, Huge shoes to fill.
• 37:47
  Speaker 2: That was a huge, like, some shoes to fill, and
• 37:51
  Speaker 2: he filled them. Man. He made his own shoes. He
• 37:53
  Speaker 2: made his own shoes.
• 37:54
  Speaker 1: That's why I think he did good.
• 37:55
  Speaker 2: Yeah.
• 37:56
  Speaker 1: Because Mike Epps did not try to do Smokey. Mike
• 37:58
  Speaker 1: Epps was like, I'm Day Day. Yeah. And Day Day
• 38:01
  Speaker 1: is not Smokey.
• 38:02
  Speaker 2: That was the key.
• 38:03
  Speaker 1: Mike Epps leaned on his own comedic ability. I feel
• 38:06
  Speaker 1: like there was no comedic drop-off from that character.
• 38:10
  Speaker 2: Yeah.
• 38:10
  Speaker 1: Movie to movie. But Chris Tucker, man, he had... Friday
• 38:16
  Speaker 1: was ice cube, let him be the straight. Everything he
• 38:19
  Speaker 1: did in.
• 38:19
  Speaker 2: That movie was gold.
• 38:21
  Speaker 3: Every word he said, every mannerism, everything he was doing
• 38:26
  Speaker 3: was comedically perfect.
• 38:28
  Speaker 2: You widened it all out.
• 38:29
  Speaker 1: The small little jokes.
• 38:30
  Speaker 2: As soon as he came.
• 38:31
  Speaker 1: More like Freddie Jackson.
• 38:33
  Speaker 2: As soon as he broke.
• 38:33
  Speaker 3: That curtain and came in, it was every time you
• 38:37
  Speaker 3: saw him, it.
• 38:38
  Speaker 2: Was comedically perfect. And then the follow-up. Follow-up with Money Talks.
• 38:45
  Speaker 2: Fifth Element. Fifth Element.
• 38:47
  Speaker 1: Then Rush Hour.
• 38:49
  Speaker 2: Tone.
• 38:49
  Speaker 3: All while taking small roles in like Jackie Brown. Dead Presidents,
• 38:53
  Speaker 3: he was fantastic.
• 38:55
  Speaker 1: Me and you talk about it a lot, but I
• 38:57
  Speaker 1: don't think the world talks about his role in Dead
• 38:59
  Speaker 1: Presidents enough.
• 39:00
  Speaker 2: That's his best acting role.
• 39:01
  Speaker 1: I agree. Actually, I really liked him in Air. Not
• 39:03
  Speaker 1: necessarily his best acting role, but like.
• 39:05
  Speaker 2: Dead Presidents, though, he was.
• 39:07
  Speaker 1: Man, but from Friday, Money Talks, Rush Hour, with the in-betweens.
• 39:18
  Speaker 1: I was like, Chris Tucker can do no wrong. Out
• 39:20
  Speaker 1: of here.
• 39:21
  Speaker 2: He was smashing. Out of here. Alright, what else you got?
• 39:24
  Speaker 3: I got Tiffany Haddish, man.
• 39:27
  Speaker 1: Girls Trip!
• 39:28
  Speaker 3: Girls Trip was a i have arrived moment but that
• 39:32
  Speaker 3: i feel like that's the latest now now old girl
• 39:35
  Speaker 3: from obsession.
• 39:36
  Speaker 1: Is it for sure i've arrived yeah.
• 39:38
  Speaker 2: But before that i feel like it'd been a minute
• 39:42
  Speaker 2: It's been a while since we had a definitive like, oh,
• 39:45
  Speaker 2: this person's here.
• 39:46
  Speaker 1: I'm going to tell you my next one, but I
• 39:48
  Speaker 1: want you to finish Tiffany Haddish.
• 39:49
  Speaker 3: Tiffany Haddish in Girl Strip, man, she was knocking it
• 39:52
  Speaker 3: out the park from the moment she got on that screen.
• 39:55
  Speaker 2: Yes.
• 39:56
  Speaker 3: It was just like, she was just like the unhinged
• 40:00
  Speaker 3: balance of everybody that was kind of being serious. Because,
• 40:03
  Speaker 3: you know, Regina Hall and Queen Latifah was kind of
• 40:05
  Speaker 3: like that.
• 40:06
  Speaker 2: They were funny, but they were also holding the serious
• 40:09
  Speaker 2: glue together. Especially Regina Hall. Regina Hall for sure, she
• 40:12
  Speaker 2: was the ultimate straight man.
• 40:13
  Speaker 3: And her and Queen Latifah just had that dynamic between
• 40:17
  Speaker 3: the characters. You think you better than me, you know
• 40:19
  Speaker 3: what I'm saying? I don't respect what you do, you
• 40:22
  Speaker 3: know what I'm saying? But Tiffany and Jada, and Jada
• 40:25
  Speaker 3: was just being.
• 40:26
  Speaker 2: That prude mom, just like, hey guys, look at my dress,
• 40:30
  Speaker 2: what the hell.
• 40:31
  Speaker 1: You got on?
• 40:32
  Speaker 2: Tiffany was just on point throughout. And they let her
• 40:36
  Speaker 2: rip and run comedically. You can't get drugged. You can't
• 40:39
  Speaker 2: get infected in your booty hole. Yeah. It's a booty hole.
• 40:42
  Speaker 2: It's a booty hole. And she was just like, and
• 40:45
  Speaker 2: that scene, well, we'll talk about girl.
• 40:47
  Speaker 1: Trip on Saturday. Yeah, girl trip is on Saturday.
• 40:50
  Speaker 2: But Tiffany had it.
• 40:51
  Speaker 1: Tiffany had it.
• 40:51
  Speaker 2: That was the moment. And then you saw it, and
• 40:53
  Speaker 2: she was everywhere after that.
• 40:55
  Speaker 1: She arrived.
• 40:56
  Speaker 2: Yeah.
• 40:56
  Speaker 1: Speaking of on that same thing, Daniel Kaluuya in Get Out.
• 41:02
  Speaker 2: Yes.
• 41:03
  Speaker 1: Jordan Peele benefited from like what I call the rookie
• 41:08
  Speaker 1: contract explosion. Like you get Patrick Mahone's rookie contract, you
• 41:12
  Speaker 1: gotta win a Super Bowl before you gotta pay him.
• 41:14
  Speaker 1: Like Russell Wilson with the Seahawks, win a Super Bowl
• 41:17
  Speaker 1: before you gotta pay him. Daniel Kaluuya in Get Out,
• 41:20
  Speaker 1: I had not heard of him prior. I was into
• 41:23
  Speaker 1: it because of Jordan Peele, which I knew Jordan Peele
• 41:27
  Speaker 1: from Key and Peele and Mad TV, but I didn't
• 41:30
  Speaker 1: know he was into horror. But Get Out was such
• 41:32
  Speaker 1: a good trailer. Once I heard that, I said, ticket
• 41:37
  Speaker 1: bought when I heard the I Got Five On It.
• 41:40
  Speaker 2: Oh, you bought it from that?
• 41:41
  Speaker 1: From that. Then the trailer kept going. I said, let
• 41:43
  Speaker 1: me buy one for this. But Daniel Kaluuya, I was like, oh,
• 41:47
  Speaker 1: he's going to be, he's going to have a great career.
• 41:50
  Speaker 1: I think he did Black Panther once. Like, shortly thereafter.
• 41:55
  Speaker 2: Shortly thereafter, yeah.
• 41:56
  Speaker 1: And then from that to Fred Hampton in Judas and
• 42:00
  Speaker 1: the Black Messiah. Not, you know, one, two, three, but like.
• 42:03
  Speaker 2: What was that other one he did?
• 42:04
  Speaker 1: Oh, he was the gang.
• 42:06
  Speaker 2: Queen and Slim. Oh, snap.
• 42:09
  Speaker 1: That was him.
• 42:09
  Speaker 2: It wasn't him, yeah. You know, he was in Sicario.
• 42:13
  Speaker 1: I don't remember him in Sicario.
• 42:14
  Speaker 2: He was Emily Blunt's partner in Sicario.
• 42:17
  Speaker 1: This is before or after Get Out?
• 42:18
  Speaker 2: This is before.
• 42:20
  Speaker 1: And he didn't arrive.
• 42:21
  Speaker 2: Yeah. Because it was like, I didn't even correlate.
• 42:26
  Speaker 1: He was in Sicario?
• 42:27
  Speaker 2: He is Emily Blunt's partner in Sicario. Oh, you're right.
• 42:33
  Speaker 1: Five on it was us. What was the song in
• 42:37
  Speaker 1: Get Out? Didn't they do a flip in the trailer
• 42:41
  Speaker 1: for Get Out?
• 42:44
  Speaker 2: Well, then shut up, Kev. How much time is that, Joshie? Oh, great.
• 42:48
  Speaker 1: Oh, that was three minutes left.
• 42:51
  Speaker 2: Okay, cool.
• 42:52
  Speaker 1: All right, then my bad, y'all.
• 42:53
  Speaker 2: Oh, the song for Get Out was Redbone. The regular.
• 42:58
  Speaker 2: I don't know if it was in the trailer, though.
• 43:02
  Speaker 1: Ah, forget it.
• 43:02
  Speaker 2: The point is, I was in earlier. And I didn't
• 43:06
  Speaker 2: know who he was. Yeah, yeah.
• 43:07
  Speaker 1: And he is the, actually Lil Rel, when I saw
• 43:09
  Speaker 1: Lil Rel was in there.
• 43:10
  Speaker 2: Lil Rel arrived too.
• 43:11
  Speaker 1: Low key.
• 43:12
  Speaker 2: Lil Rel arrived as well.
• 43:13
  Speaker 1: Lil Rel and that, Lil Rel, he stole the movie
• 43:18
  Speaker 1: and arrived.
• 43:18
  Speaker 2: Yeah.
• 43:19
  Speaker 1: Because Rod wasn't in there like that.
• 43:21
  Speaker 2: Right.
• 43:22
  Speaker 1: But he's in every scene. And also Lil Rel has
• 43:25
  Speaker 1: the benefit of, he is the reason for a great ending.
• 43:30
  Speaker 2: Yeah.
• 43:30
  Speaker 1: Because I thought it was over for them.
• 43:32
  Speaker 2: Me too, man. I thought, here we go.
• 43:33
  Speaker 1: And I'm so glad for them, too.
• 43:35
  Speaker 2: That's America for you, man. Man. We're going to lose
• 43:37
  Speaker 2: every time. Every time, man. We're going to be on
• 43:39
  Speaker 2: the goddamn back end, man. You know how hard it
• 43:42
  Speaker 2: is being black in America? We can never win. Even
• 43:44
  Speaker 2: when we don't win on the legit, they never believe us.
• 43:46
  Speaker 2: We end up dead every goddamn... Oh, this little rap, man. Oh,
• 43:52
  Speaker 2: hell yeah, man. That's so funny. That's how I was
• 43:55
  Speaker 2: going through it. I was like, another cop going to
• 43:59
  Speaker 2: kill us.
• 44:00
  Speaker 1: And he got his hands up.
• 44:03
  Speaker 2: We could never win, man.
• 44:04
  Speaker 1: In my head, I was storming out the theater mad.
• 44:07
  Speaker 2: Yeah, for sure. I missed the fact that it was. Oh,
• 44:10
  Speaker 2: of course. The cop's going to pull up and shoot
• 44:13
  Speaker 2: him dead. That's how it is in America. That's what
• 44:17
  Speaker 2: the fuck we've been going through this whole goddamn time,
• 44:19
  Speaker 2: movie theater. And I'm sick of it, man. That's it, man.
• 44:23
  Speaker 2: Come on, man. Movie theater?
• 44:26
  Speaker 1: His friend, man.
• 44:27
  Speaker 2: Yeah. Yeah. Yeah. Okay.
• 44:34
  Speaker 1: Lil Rel and Daniel Kaluuya.
• 44:36
  Speaker 2: We're doubling up in that one. I love it.
• 44:38
  Speaker 1: Double up. It's on you.
• 44:39
  Speaker 2: I'm going to go with Jim Carrey and Ace Ventura.
• 44:44
  Speaker 3: First of all, From a movie standpoint, of course he
• 44:49
  Speaker 3: was already in Living Color.
• 44:50
  Speaker 2: Yeah. The film arrival for him, he had been in
• 44:54
  Speaker 2: several movies before. Yeah, yeah. Earth Girls Are Easy, he
• 44:57
  Speaker 2: was in the Dirty Harry movie. Yes. Once Bitten. Ace Ventura. Yeah.
• 45:04
  Speaker 2: Was the moment. Yes. It was just like, yo! This
• 45:09
  Speaker 2: is crazy.
• 45:09
  Speaker 3: And then he followed it up with the mask and
• 45:12
  Speaker 3: Dumb and Dumber.
• 45:13
  Speaker 2: It was just like.
• 45:14
  Speaker 1: Nobody has filled that his shoes. Maybe they don't even
• 45:19
  Speaker 1: make that type of movie anymore. But he... Nobody's doing that.
• 45:25
  Speaker 1: That was a Jim Carrey... Like, Robin Williams was doing
• 45:29
  Speaker 1: that type of comedy.
• 45:30
  Speaker 2: Yeah. Jim Carrey. But he always mixed it up.
• 45:33
  Speaker 1: He did.
• 45:33
  Speaker 2: But, like, he was Zany McGee.
• 45:34
  Speaker 1: He was Zany McGee.
• 45:35
  Speaker 2: But he was mixed it up real good.
• 45:36
  Speaker 1: But nobody Zany.
• 45:38
  Speaker 2: Yeah, yeah, he did. We ain't got no Zane.
• 45:40
  Speaker 1: Ain't no Zane. Everybody's, there's also less comedies. And there's
• 45:44
  Speaker 1: even less coming of age movies. We don't have them
• 45:47
  Speaker 1: like we used to, y'all.
• 45:49
  Speaker 2: All the comedies are going straight to streaming.
• 45:50
  Speaker 3: They don't believe in comedies on the theatrical tip.
• 45:53
  Speaker 1: That's what it is. They do have them out.
• 45:55
  Speaker 2: They're going straight to streaming. And mines are going too.
• 45:58
  Speaker 2: Mine ain't going to hold you. Mine ain't going to
• 45:59
  Speaker 2: be going straight to streaming.
• 46:00
  Speaker 1: Straight to Tubi.
• 46:01
  Speaker 2: Yeah. But that's where they at now.
• 46:03
  Speaker 1: That's where they at. That's where they're at.
• 46:06
  Speaker 2: So the zany, man. Shit.
• 46:09
  Speaker 1: Ain't nobody doing zany. Ain't nobody like. He was zany.
• 46:15
  Speaker 1: He was also physical comedy. And physical comedy is also
• 46:18
  Speaker 1: kind of not as popular as it was. You know
• 46:21
  Speaker 1: what I'm saying? In standup and on the screen. All right,
• 46:25
  Speaker 1: how many of that?
• 46:25
  Speaker 2: Is that enough? All right, man.
• 46:27
  Speaker 1: I'm going to just say last one more, last one.
• 46:30
  Speaker 1: Arnold Schwarzenegger and The Terminator.
• 46:33
  Speaker 2: Oh yeah.
• 46:33
  Speaker 1: That was like, who the hell is this? He did
• 46:36
  Speaker 1: such a good job and he wasn't even talking, man.
• 46:39
  Speaker 2: Because I fully believe he was a cyborg. Tony, he
• 46:44
  Speaker 2: got that robot today. You think his skin is old? No, man.
• 46:48
  Speaker 2: He got that robot stuff under tone. That's a skeleton
• 46:53
  Speaker 2: for real.
• 46:53
  Speaker 1: Arnold Schwarzenegger, you think he gonna die? He gonna rip
• 46:57
  Speaker 1: that off and he got skeleton face and red eyes today.
• 47:01
  Speaker 2: As a kid, I was like, man. The Terminator scared me, dog.
• 47:05
  Speaker 2: That's what I'm saying.
• 47:07
  Speaker 1: Skynet is nothing but Ultron and AI.
• 47:11
  Speaker 2: They gon' kill us. It scared me, man.
• 47:12
  Speaker 1: Today.
• 47:14
  Speaker 2: Like, to this day, like, when I watch it. Go ahead, Josh.
• 47:16
  Speaker 1: No, no, I wasn't talking about that.
• 47:19
  Speaker 2: Oh, okay. Watch out.
• 47:20
  Speaker 3: That moment where he was in the bathroom and his
• 47:22
  Speaker 3: eye was messed up and he was working on the eye.
• 47:24
  Speaker 2: You could tell it was all fake in that moment.
• 47:27
  Speaker 2: You see the red eye. He's like, oh, shit. He's
• 47:31
  Speaker 2: a genie. And then he's fixing, he's doing the repairs.
• 47:34
  Speaker 3: But once he gets completely skinless, he's just a full
• 47:38
  Speaker 3: robot with the red eyes coming for Linda Hamilton. That
• 47:44
  Speaker 3: shit was creepy as hell.
• 47:45
  Speaker 2: Yes, it was terrifying. And he was also just never
• 47:48
  Speaker 2: going to stop.
• 47:49
  Speaker 1: That's the thing about him and T-1000. They're not going
• 47:53
  Speaker 1: to stop.
• 47:54
  Speaker 2: Until they complete the mission. And also.
• 47:58
  Speaker 1: They don't bleed. Villains, there's no pain. They're not, he
• 48:02
  Speaker 1: never went, ah. You blast him off.
• 48:05
  Speaker 2: You shoot my legs off, I'm crawling for you. I
• 48:08
  Speaker 2: was just like, man, enough. No legs left, still. Ain't
• 48:15
  Speaker 2: no reason with it. And he explained that to Sarah Connor.
• 48:19
  Speaker 2: You can't reason with it. He was letting her know.
• 48:23
  Speaker 2: There is no, it's coming for you. And Sarah Connor
• 48:27
  Speaker 2: was just like, I didn't ask for any of this.
• 48:29
  Speaker 2: What's happening? Could you imagine that? Somebody from the future
• 48:33
  Speaker 2: coming to tell you this thing is coming to kill you.
• 48:36
  Speaker 1: It's a machine.
• 48:37
  Speaker 2: You specifically. I know you was working at the diner.
• 48:40
  Speaker 2: Your roommate just got killed. And watch out. Listen. You
• 48:45
  Speaker 2: can't reason with it. You can't, man, I'd be crying.
• 48:49
  Speaker 2: It doesn't feel pity or remorse. Man, listen.
• 48:51
  Speaker 1: A program, nigga.
• 48:53
  Speaker 2: Shoot program, nigga.
• 48:55
  Speaker 1: All right, we're done.