Latest / Movie Meltdown / 85.2: Take out his sex upon her…the Blood Mania way!

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85.2: Take out his sex upon her…the Blood Mania way! · Movie Meltdown

• 0:02
  Speaker 1: The following feature has been rated R by the Motion
• 0:04
  Speaker 1: Picture Association of America. It is intended for mature audiences
• 0:08
  Speaker 1: and parental discretion is advised.
• 0:20
  Speaker 2: It's showtime folks.
• 0:23
  Speaker 3: Enjoy the show.
• 0:35
  Speaker 4: Hello, this is Peter Mayhew, listening to Movie Mountain Down.
• 0:40
  Speaker 5: It's time for Sofa Theater.
• 0:43
  Speaker 4: Good morning, Daddy.
• 0:55
  Speaker 5: What took you so long, Victoria?
• 0:58
  Speaker 6: You heard my buzzer.
• 1:01
  Speaker 2: Unless you're deaf.
• 1:03
  Speaker 4: Now, Daddy, relax. You mustn't get yourself excited.
• 1:10
  Speaker 5: You know what Dr.
• 1:11
  Speaker 4: Cooper said.
• 1:12
  Speaker 6: Dr.
• 1:13
  Speaker 3: Cooper.
• 1:15
  Speaker 2: Thinks he's the world's greatest doctor. If he treats all
• 1:18
  Speaker 2: his patients like this, my clinic's finished.
• 1:21
  Speaker 5: I should think you'd be grateful. He saved your life.
• 1:25
  Speaker 4: Saved my life.
• 1:27
  Speaker 2: By any two-year med student could have diagnosed my condition.
• 1:32
  Speaker 4: Will you stop your fussing and eat?
• 1:36
  Speaker 2: You probably poisoned it.
• 1:40
  Speaker 4: Daddy.
• 1:40
  Speaker 2: Don't daddy me. I could choke to death on my
• 1:44
  Speaker 2: coffee and you wouldn't shed a tear.
• 1:46
  Speaker 5: Now, daddy, you must relax. We don't want to make Dr.
• 1:50
  Speaker 4: Cooper unhappy.
• 1:52
  Speaker 2: You've been after Craig Cooper for years and he won't
• 1:54
  Speaker 2: give you a tumble. One of the few pleasures I
• 1:59
  Speaker 2: have left in life is watching you trying to sink
• 2:03
  Speaker 2: your hooks into him.
• 2:04
  Speaker 4: Papa, dear, eat your breakfast before it gets cold.
• 2:48
  Speaker 3: I was like.
• 2:54
  Speaker 4: Uh, we're the professors of film school.
• 3:02
  Speaker 3: We are teaching everything you need to learn about cinema, motherfuckers.
• 3:08
  Speaker 4: This movie is an example of what not to ever do.
• 3:12
  Speaker 3: We'll get to that.
• 3:13
  Speaker 4: And that's pretty much all I have to say.
• 3:15
  Speaker 3: Oh, no. There's plenty to talk about.
• 3:17
  Speaker 7: Let's start talking about this movie so we can all
• 3:20
  Speaker 7: erase it from our memory.
• 3:21
  Speaker 3: Oh, I've watched this many times. I'm going to keep watching.
• 3:25
  Speaker 8: It made me appreciate the movie Terror a lot more.
• 3:27
  Speaker 5: It made me appreciate Heartbeams.
• 3:30
  Speaker 3: Welcome to Movie Meltdown Sofa Theater. Once again, I am Brian.
• 3:33
  Speaker 4: This is Roger.
• 3:34
  Speaker 5: Joni.
• 3:35
  Speaker 4: Marlena.
• 3:36
  Speaker 3: Is that your new signature call out now? Yeah. Tony.
• 3:38
  Speaker 3: Shout out to yourself. That's awesome. Yeah.
• 3:40
  Speaker 4: Shout out to me. Shout out to me.
• 3:43
  Speaker 3: Tony.
• 3:43
  Speaker 8: There's like a little imaginary rainbow.
• 3:45
  Speaker 3: She's doing some sort of wacky hand motion that goes
• 3:50
  Speaker 3: along with the Tony.
• 3:51
  Speaker 4: Color sparks are shooting out.
• 3:55
  Speaker 3: I think there's birds braiding your hair.
• 3:57
  Speaker 7: Yeah.
• 3:58
  Speaker 4: Nice.
• 3:59
  Speaker 3: Sort of Disney operation, isn't it? all right there's uncle remus.
• 4:05
  Speaker 4: I don't know let's move.
• 4:06
  Speaker 3: On i was gonna say something but nothing good will
• 4:10
  Speaker 3: come from it so i'm gonna shut the hell up
• 4:12
  Speaker 3: now yeah all right welcome back to the uh first
• 4:16
  Speaker 3: installment of uh our trilogy of terror here the uh
• 4:19
  Speaker 3: grito bloody grito rundown This week's Sofa Theater feature is
• 4:26
  Speaker 3: Blood Mania. The year is 1970. Director Robert Vincent O'Neill.
• 4:32
  Speaker 3: And they plot... Again, here's IMDb for this fun. A
• 4:35
  Speaker 3: sex-crazed nympho helps speed along her father's death so she
• 4:38
  Speaker 3: can use the inheritance to help out her depraved boyfriend.
• 4:42
  Speaker 3: With that, a huge spoiler alert, because if you don't
• 4:45
  Speaker 3: want to know what's going on, we're going to dissect this...
• 4:48
  Speaker 3: and ruin everything that doesn't make sense already. So, yeah,
• 4:53
  Speaker 3: spoiler alert has been thrown out there.
• 4:55
  Speaker 8: That's the opposite of what actually happened.
• 4:57
  Speaker 3: In the movie. No, some of that happened, and then
• 5:00
  Speaker 3: a lot of other randomness. So, all right, where would
• 5:03
  Speaker 3: you like to begin?
• 5:06
  Speaker 5: The name.
• 5:07
  Speaker 4: Go ahead.
• 5:08
  Speaker 3: Roger, you yelled this out several times during the movie.
• 5:11
  Speaker 3: Go ahead and say it.
• 5:12
  Speaker 4: Where's the blood? Where is it? There's none hardly at all,
• 5:17
  Speaker 4: except for one scene at the end of the movie.
• 5:20
  Speaker 4: I expected something like, I feast on your innards or
• 5:25
  Speaker 4: corpse maniac or something. Some sort of movie that's just
• 5:29
  Speaker 4: buckets of blood, violence everywhere. And this is Apartment 3G,
• 5:33
  Speaker 4: the movie. Glorify. Pretty much. It's like a soap opera.
• 5:38
  Speaker 3: Yeah, this is very much... And it's weird because... It's terrible.
• 5:41
  Speaker 3: It's very horror-esque, but at the same time, I stopped
• 5:44
  Speaker 3: to think about it. I'm like, there's really very little horror.
• 5:48
  Speaker 3: What it's basically a better mixture of is a soap
• 5:50
  Speaker 3: opera and a porno. Yeah. Because... Yeah, the drama is
• 5:55
  Speaker 3: soap opera-like. The rest of the action going on is
• 5:59
  Speaker 3: all sexual. So the horror end of it is very
• 6:03
  Speaker 3: late to the game and pretty minimal, really.
• 6:05
  Speaker 8: They just wanted something for everybody.
• 6:07
  Speaker 7: I guess.
• 6:07
  Speaker 4: It makes sense. Like the flashback that the movie started
• 6:10
  Speaker 4: out with.
• 6:10
  Speaker 7: Or dream sequence.
• 6:11
  Speaker 4: Yeah, it seemed really promising at first.
• 6:13
  Speaker 5: Yeah, it seemed kind of scary, like Dracula maybe. Mm-hmm.
• 6:18
  Speaker 5: The animation in the front had the name.
• 6:21
  Speaker 4: That was awesome.
• 6:22
  Speaker 3: One of the best title sequences ever. That first Blood
• 6:25
  Speaker 3: Mania title is awesome. Watch it just for that. And
• 6:28
  Speaker 3: then turn it off.
• 6:30
  Speaker 4: And then go to the credits.
• 6:32
  Speaker 3: So we'll we'll get to the end i'd say that
• 6:34
  Speaker 3: last 15 minutes we'll save for its own little section
• 6:37
  Speaker 3: at the end here but but along the way i
• 6:39
  Speaker 3: don't know there's there's um again it really does fall
• 6:42
  Speaker 3: into the uh the porno plot line i mean everything
• 6:45
  Speaker 3: that goes on is just like about as loosely pieced
• 6:49
  Speaker 3: together as you render him you know especially at this
• 6:52
  Speaker 3: era porno where it's just sort of like the pool
• 6:54
  Speaker 3: boy is there hey the pool boy is there let's
• 6:56
  Speaker 3: get naked.
• 6:57
  Speaker 4: She jumps in and he runs away for some reason
• 7:00
  Speaker 4: you're one of those yeah you're one of those.
• 7:03
  Speaker 3: I've heard about people like you like okay well dig
• 7:06
  Speaker 3: it kid shit yeah you'd think you'd run with that
• 7:09
  Speaker 3: what kind of he's running.
• 7:10
  Speaker 5: Away and like i don't know if he was pulling
• 7:12
  Speaker 5: his pants.
• 7:12
  Speaker 3: Down yeah or just holding them on his butt it
• 7:16
  Speaker 3: was well it was like he was pulling them up
• 7:18
  Speaker 3: but i was like i think her hands were on
• 7:19
  Speaker 3: top the whole time so how did they get down
• 7:22
  Speaker 3: i guess when you get out of the pool sometimes
• 7:24
  Speaker 3: you know yeah water i guess that was it because
• 7:26
  Speaker 3: it fills your pockets i don't think she did it
• 7:28
  Speaker 3: wait it was very weird down yeah.
• 7:31
  Speaker 7: Sex craze nympho i don't even she didn't really have
• 7:35
  Speaker 7: any sex in this movie did she i slept for
• 7:37
  Speaker 7: most of it nice.
• 7:40
  Speaker 3: No well i don't know about nympho but i'll tell
• 7:43
  Speaker 3: you what i the assessment i made of pretty much
• 7:45
  Speaker 3: the entire cast here they're all sluts yeah jesus christ
• 7:49
  Speaker 3: At any given moment, they'll be like, okay, let's go.
• 7:53
  Speaker 3: Any random person, especially our main dude here.
• 7:55
  Speaker 4: He's the doctor.
• 7:56
  Speaker 3: He will sleep with anybody that walks in the room.
• 7:59
  Speaker 3: He don't care.
• 8:00
  Speaker 8: Except for that one girl.
• 8:01
  Speaker 3: Except for the girl who actually wants him the most
• 8:03
  Speaker 3: of all. Yeah, she really sort of gets screwed over.
• 8:06
  Speaker 4: Yeah, really. And what was that whole scene about? I
• 8:11
  Speaker 4: miss that scene. This scene just takes so long. All
• 8:14
  Speaker 4: the dialogue is like, it takes so long to get out.
• 8:17
  Speaker 4: Everything is so slow paced. I don't know.
• 8:23
  Speaker 5: I kind of dug at their sex scene when he
• 8:24
  Speaker 5: got all drugged up.
• 8:25
  Speaker 4: No, it was kind of cool.
• 8:26
  Speaker 5: It was kind of like the wall for a second.
• 8:28
  Speaker 4: I was like, whoa. Was that a... I don't know.
• 8:32
  Speaker 4: Was that a place? Nothing fit together. It was like.
• 8:35
  Speaker 8: There was a renaissance fair.
• 8:38
  Speaker 3: Oh, that's later.
• 8:39
  Speaker 8: A beach scene.
• 8:40
  Speaker 3: We'll stick with the sex scene first. Because there's the
• 8:43
  Speaker 3: main sex scene with the Maria chick.
• 8:45
  Speaker 7: And she.
• 8:47
  Speaker 3: It's like just silhouettes and shadowy bodies sort of doing
• 8:51
  Speaker 3: weird things.
• 8:52
  Speaker 4: It's very artistically shot, which some of it was alright,
• 8:56
  Speaker 4: I will say. Some of the shots were good.
• 8:59
  Speaker 3: I'll give him... It's Robert Vincent O'Neill, who did a
• 9:03
  Speaker 3: lot of very weird... sort of drive-in kind of movies.
• 9:08
  Speaker 3: I was going to do, let's see, the other stuff
• 9:10
  Speaker 3: that are notable. He actually was the writer on Vice Squad,
• 9:14
  Speaker 3: which is sort of infamous in the genre crew. Deadly Force.
• 9:19
  Speaker 3: And he wrote all three of the Angel movies. He
• 9:22
  Speaker 3: directed the first two of them, Angel and Avenging Angel.
• 9:25
  Speaker 3: So he definitely knows his whole little genre here. And
• 9:32
  Speaker 3: that's what I'll give him credit for. He's got visual style.
• 9:35
  Speaker 3: but it's almost like you didn't know what to do
• 9:37
  Speaker 3: with it. Like there are several shots along the way
• 9:39
  Speaker 3: that are really cool, like really artistic. There's like the, uh,
• 9:43
  Speaker 3: the several of the hallway shots. There's the one in
• 9:46
  Speaker 3: the beginning that's like a lot of shadows. And it's like,
• 9:48
  Speaker 3: that was almost like, again, it was probably because they
• 9:51
  Speaker 3: didn't have any money to light it. I'm assuming it
• 9:53
  Speaker 3: was actually a lot of this was done because they
• 9:55
  Speaker 3: were broke. I mean, this is a pretty low budget movie.
• 9:58
  Speaker 3: So it's like some of it was them being creative
• 10:01
  Speaker 3: with what they had and some of it i think
• 10:02
  Speaker 3: he just has a little creative you know vibe to
• 10:05
  Speaker 3: his direction he really liked the the shots of her
• 10:08
  Speaker 3: like standing in the doorway and there's all those archways
• 10:10
  Speaker 3: behind her he set that up and the Where they're
• 10:13
  Speaker 3: setting up the reading of the will and there's like
• 10:15
  Speaker 3: that big... He does a lot of these down shots
• 10:17
  Speaker 3: where you get like the ceiling in and it's got
• 10:19
  Speaker 3: all these weird textured ceilings and these big fancy buildings.
• 10:23
  Speaker 3: So it's like he's got visual style but.
• 10:25
  Speaker 4: It looks good.
• 10:26
  Speaker 3: Then you get into like the other parts where it's
• 10:29
  Speaker 3: like he's trying to be so creative and so like
• 10:32
  Speaker 3: cool and... Again, this is 1970, so I think a
• 10:34
  Speaker 3: lot of this is, like, probably trying to tap into
• 10:37
  Speaker 3: the drug crowd because they use drugs in it and
• 10:40
  Speaker 3: then they have crazy, what seem like trippy sex scenes
• 10:44
  Speaker 3: and a couple of other shots that, like, even when
• 10:47
  Speaker 3: the violence comes in are very trippy and they do
• 10:49
  Speaker 3: a lot of weird stuff with the editing and, like,
• 10:52
  Speaker 3: the color and, you know, they do all these weird, like,
• 10:56
  Speaker 3: especially during that sex scene, it goes into, like, a
• 10:58
  Speaker 3: five minute run of, like, just these dreamy shots and
• 11:02
  Speaker 3: the The camera panning up and down and weird bass.
• 11:08
  Speaker 3: You get the weird music going. So it takes it
• 11:11
  Speaker 3: a little too far.
• 11:12
  Speaker 4: A little.
• 11:13
  Speaker 5: Yeah, the acid I took before did not help at all.
• 11:16
  Speaker 3: Yeah, well. For some reason, you're always taking it.
• 11:19
  Speaker 5: Yeah.
• 11:19
  Speaker 3: You barely made it through Dark Crystal, man. Yeah. That
• 11:22
  Speaker 3: almost sent you over the edge.
• 11:23
  Speaker 6: Oh, my God.
• 11:24
  Speaker 5: It's a great day.
• 11:26
  Speaker 3: Fucking fizz gig freaked you out. So.
• 11:32
  Speaker 1: Oh, man.
• 11:33
  Speaker 3: But yeah, the sex scene at the end there, the
• 11:35
  Speaker 3: one thing I'll give him credit for is that at
• 11:37
  Speaker 3: the end, it's almost like they're on a rotating sex turntable. Like,
• 11:41
  Speaker 3: you can't see it. In such close-ups, you don't even
• 11:43
  Speaker 3: really see where they are, but it's all in one shot.
• 11:46
  Speaker 3: So it's like he's actually catching them at different points.
• 11:49
  Speaker 3: It's like he's getting them, you know, kissing her here,
• 11:51
  Speaker 3: and then it rotates around the back, and you see
• 11:53
  Speaker 3: them naked, and then it comes back right on their
• 11:55
  Speaker 3: head all in one take. So it's like, I don't
• 11:57
  Speaker 3: know if he just shot 20 different versions of that, and, like,
• 12:00
  Speaker 3: this is a good one, or if he really, like,
• 12:02
  Speaker 3: can you block on a rotating turn anymore?
• 12:04
  Speaker 4: I don't know.
• 12:05
  Speaker 3: Because it's like he had it perfectly timed out. It
• 12:08
  Speaker 3: was kind of awesome, but at the same time, Dude,
• 12:10
  Speaker 3: this is the end of this five-minute sequence. It's way
• 12:13
  Speaker 3: too long. Please, cut this shit down.
• 12:16
  Speaker 4: Just the scenes are way too long.
• 12:18
  Speaker 7: Maybe he was just holding the camera and pedaling around
• 12:20
  Speaker 7: them on a scooter.
• 12:22
  Speaker 3: On a tricycle.
• 12:23
  Speaker 4: God.
• 12:26
  Speaker 3: So, yeah, there's a lot of wah-wah in this. There's
• 12:31
  Speaker 3: a whole lot of... Again, for the porn, there's a
• 12:33
  Speaker 3: whole porn soundtrack going on in this movie. Yeah, that's
• 12:36
  Speaker 3: pretty much all there is, except for that weird... We'll
• 12:40
  Speaker 3: get to the beach scene in a minute. That was just.
• 12:42
  Speaker 9: Oh, God.
• 12:44
  Speaker 5: What was the budget on this movie?
• 12:45
  Speaker 4: $ 15, 000, $ 25, 000.
• 12:47
  Speaker 3: I think she said it was like $ 50, 000 or something.
• 12:49
  Speaker 3: It was pretty minimal. Yeah. Even for $ 70, 000, that's pretty minimal.
• 12:54
  Speaker 4: Pretty minimal.
• 12:54
  Speaker 3: So, I mean, I give them credit for doing what
• 12:56
  Speaker 3: they did. And what I will give them credit for is, like, tone.
• 13:00
  Speaker 3: Because I think there's still, like, a cheesy part of
• 13:02
  Speaker 3: me that kind of likes this movie. But I think
• 13:04
  Speaker 3: it's all based on the tone. Because it has a very...
• 13:08
  Speaker 3: like late 60s, early 70s horror movie vibe. And it really,
• 13:11
  Speaker 3: and it's all that tone because you don't get horror
• 13:13
  Speaker 3: movie until the last like 15 minutes, you know? So
• 13:16
  Speaker 3: it's like the whole rest of the movie doesn't fit
• 13:18
  Speaker 3: the tone, but yet the tone is sort of so
• 13:20
  Speaker 3: overwhelming that it kind of still plays like it's a
• 13:23
  Speaker 3: horror movie. Like there's still that mood that it's a
• 13:25
  Speaker 3: horror movie.
• 13:26
  Speaker 5: You're still like waiting for it.
• 13:27
  Speaker 7: There was a lot of foreshadowing with the, The main
• 13:31
  Speaker 7: character and her painting all the time, Fred, always being
• 13:34
  Speaker 7: covered in red paint.
• 13:35
  Speaker 3: So, I mean, again, they do a little bit along
• 13:38
  Speaker 3: the way that's kind of creative and kind of sets
• 13:40
  Speaker 3: the tone for it, but in the end, I don't
• 13:42
  Speaker 3: think it saves the movie because there's not a whole
• 13:45
  Speaker 3: lot of movie to save. There's just weird.
• 13:48
  Speaker 4: It just goes from one scene of them talking forever
• 13:53
  Speaker 4: to another scene of them talking forever, and I probably
• 13:58
  Speaker 4: have nothing good to say about this movie, so.
• 14:00
  Speaker 3: Well, I wanted to go through some of these scenes
• 14:03
  Speaker 3: that make no sense, pretty much. So we went through
• 14:07
  Speaker 3: their sex scene. So then we get to.
• 14:11
  Speaker 3: The part where... It's like, you're a bitch.
• 14:13
  Speaker 4: Come here, bitch.
• 14:14
  Speaker 3: That's your favorite line.
• 14:16
  Speaker 4: Oh, God, yeah. That's pretty awesome, actually.
• 14:18
  Speaker 3: Except for that one later. Except later on, I'll hurt you.
• 14:24
  Speaker 4: Okay, baby.
• 14:25
  Speaker 3: So, yeah, then we get to... That was the other
• 14:27
  Speaker 3: sex scene of theirs, of about three. That's the thing.
• 14:30
  Speaker 3: There's so many sex scenes in this movie that, again,
• 14:32
  Speaker 3: the fact that it doesn't get categorized as porn.
• 14:34
  Speaker 4: It was a soft porn.
• 14:35
  Speaker 3: Yeah, I don't know how it does it, but I
• 14:37
  Speaker 3: guess because they put blood in the title, it makes
• 14:39
  Speaker 3: it a horror movie now.
• 14:40
  Speaker 1: Oh, God.
• 14:40
  Speaker 3: But, yeah, so we get to the one with the
• 14:43
  Speaker 3: other girlfriend. Now, our main guy here, he's got a girlfriend.
• 14:47
  Speaker 3: We start off the movie with him and his girlfriend, Wyatt.
• 14:49
  Speaker 3: You guys thought maybe it was his wife. I don't
• 14:52
  Speaker 3: know what it was.
• 14:52
  Speaker 4: He seemed to, like, really like her.
• 14:54
  Speaker 3: He seemed like he was into her. They had a
• 14:56
  Speaker 3: whole little place of their own, and everything was cool.
• 14:59
  Speaker 3: We then have our friend enter, the creepy dude. He
• 15:02
  Speaker 3: looks like an even creepier version of Leif Garrett, I think.
• 15:06
  Speaker 8: I thought he was kind of handsome.
• 15:07
  Speaker 5: Yeah, he was kind of cute, but like, I don't know,
• 15:10
  Speaker 5: kind of I'm going to beat you in the head cute.
• 15:14
  Speaker 3: That is cute.
• 15:16
  Speaker 5: Larry, just exactly what is it that you want?
• 15:19
  Speaker 3: Well, the same things you do, Doc. Respectability and freedom.
• 15:25
  Speaker 6: Now that is the big one, Doc.
• 15:27
  Speaker 7: Freedom.
• 15:28
  Speaker 4: I just stopped by to tell you that I expect $ 50, 000.
• 15:32
  Speaker 6: In two weeks.
• 15:37
  Speaker 10: What the hell for?
• 15:39
  Speaker 4: For the privilege of not doing business with me anymore.
• 15:43
  Speaker 5: You're crazy.
• 15:45
  Speaker 4: No, I am not crazy, thank you.
• 15:49
  Speaker 5: And you'd better think about it, Doc.
• 15:51
  Speaker 3: Yeah, he's a cocky bastard. And have no problem doing it.
• 15:56
  Speaker 3: So yeah, we get him in the beginning there. So
• 15:58
  Speaker 3: we get to that first point where we figure, if
• 16:01
  Speaker 3: there are any, that we figure out the doctor has
• 16:04
  Speaker 3: been doing some abortions along the way. Why did they
• 16:07
  Speaker 3: even play that in there? I think that ends up
• 16:11
  Speaker 3: being the whole motivation because then I had to check
• 16:13
  Speaker 3: the dates because I was trying to remember when the
• 16:15
  Speaker 3: whole Roe vs. Wade kicked in. That was 73. So
• 16:18
  Speaker 3: this was completely illegal at this point. So I guess
• 16:21
  Speaker 3: that would be, I mean, he's talking about losing his
• 16:24
  Speaker 3: license and everything. So he, I mean, that is enough
• 16:26
  Speaker 3: reason that it would set this whole little chain of
• 16:29
  Speaker 3: events into motion here. But so, yeah, we get him
• 16:32
  Speaker 3: coming in and setting that up, which is sort of weird.
• 16:36
  Speaker 3: They do play. Yeah, they kind of come back to
• 16:38
  Speaker 3: it a few times. So I don't know if they're
• 16:39
  Speaker 3: trying to make a statement about abortion or if they
• 16:42
  Speaker 3: were just using it because it was sort of the
• 16:44
  Speaker 3: hot topic in 1970. Probably the latter. But but, yeah,
• 16:48
  Speaker 3: we get him as he comes in there. So then
• 16:51
  Speaker 3: go ahead about 30 minutes and he comes back to
• 16:54
  Speaker 3: be with the girlfriend again. And then how exactly would
• 16:58
  Speaker 3: you describe what goes on between the two of them?
• 17:01
  Speaker 3: Because I have several issues with that scene.
• 17:04
  Speaker 5: I have so many issues with that scene.
• 17:06
  Speaker 3: What are your issues?
• 17:07
  Speaker 11: It's like she comes in and she's like, okay, and
• 17:09
  Speaker 11: she gives him, you know, a proposition, hands him some whiskey,
• 17:12
  Speaker 11: and it's like, you know, if I do you, basically,
• 17:15
  Speaker 11: will the debt go away?
• 17:16
  Speaker 4: And he's like, sure, stand up.
• 17:18
  Speaker 5: And then, like, completely attacks her. And then it's like, nope,
• 17:22
  Speaker 5: never mind.
• 17:24
  Speaker 3: So there's yeah you're not that good somebody online referred
• 17:27
  Speaker 3: to it as the rape scene and i was like
• 17:29
  Speaker 3: well is it i mean she she offered herself to
• 17:32
  Speaker 3: him basically i guess she just he just jumped her
• 17:35
  Speaker 3: but i mean she's sort of willing i mean she
• 17:38
  Speaker 3: took her shirt off and then put her hands on
• 17:40
  Speaker 3: his chest like they were going to do it normally
• 17:43
  Speaker 3: then he becomes a freaking lunatic and like jumps on
• 17:45
  Speaker 3: her but i was like well i don't know what's
• 17:48
  Speaker 3: the dividing line there because she's still sort of i
• 17:51
  Speaker 3: don't know.
• 17:52
  Speaker 8: What happened after that.
• 17:54
  Speaker 3: Nothing that was my yeah that was my final point
• 17:57
  Speaker 3: on this scene is and then she disappears after this
• 18:00
  Speaker 3: takes place now she was just laying on the couch
• 18:02
  Speaker 3: like crying which again not a good sexual uh encounter
• 18:06
  Speaker 3: but to me it was more like sexual extortion than more.
• 18:10
  Speaker 8: Or less maybe her boyfriend came home and was like
• 18:11
  Speaker 8: you're a dirty.
• 18:12
  Speaker 3: Slut Probably, the way the rest of this... This is
• 18:15
  Speaker 3: like a whole lot of the people you don't really like.
• 18:19
  Speaker 3: There's nobody to get behind in this movie.
• 18:21
  Speaker 5: The little blonde chick, she was okay.
• 18:24
  Speaker 3: Yeah, she just seemed like a dick.
• 18:26
  Speaker 4: Her fucking super-huber wig or whatever.
• 18:30
  Speaker 8: She wants her hair back.
• 18:32
  Speaker 3: It was huge, mind you.
• 18:33
  Speaker 4: It was like a beehive almost. But it wasn't like
• 18:36
  Speaker 4: all of it was a beehive.
• 18:37
  Speaker 5: It was like half of it was like.
• 18:38
  Speaker 4: A mullet beehive. Yeah, it was all back.
• 18:43
  Speaker 7: The part where they're getting ready to do it and
• 18:45
  Speaker 7: she takes her hair down, I was afraid.
• 18:48
  Speaker 4: I was like, what's going to happen?
• 18:50
  Speaker 7: You know, she like takes it down and just like
• 18:52
  Speaker 7: a few tendrils like.
• 18:55
  Speaker 8: And that's it. It's like a helmet on top of
• 18:57
  Speaker 8: her head.
• 18:57
  Speaker 4: Seriously.
• 18:58
  Speaker 7: It's like in Flight of the Conchords when Brett has
• 19:00
  Speaker 7: a helmet made of hair that.
• 19:02
  Speaker 8: Looks like his hair.
• 19:03
  Speaker 3: That's what it looks like. Yeah, I expected her to
• 19:05
  Speaker 3: just lift it directly off of her head. But then
• 19:07
  Speaker 3: maybe it would have been cooler if she took it
• 19:09
  Speaker 3: down and then it attacked it.
• 19:11
  Speaker 4: Like tentacles. He's like putting his hand through her hair
• 19:14
  Speaker 4: and then they just get lost and stuck in there.
• 19:16
  Speaker 5: He pulls out bloody numbs.
• 19:19
  Speaker 4: See, that would have been freaking awesome.
• 19:22
  Speaker 8: That used to happen in a movie.
• 19:23
  Speaker 3: Like fucking Chinese handcuffs. The more you struggle, the more
• 19:27
  Speaker 3: you're locked in.
• 19:28
  Speaker 7: We need to make a movie of all these awesome
• 19:31
  Speaker 7: ideas that we have.
• 19:32
  Speaker 3: I'm telling you. Start writing this shit down.
• 19:35
  Speaker 5: Mom, we need sponsors.
• 19:37
  Speaker 4: We need people that would care.
• 19:38
  Speaker 3: Please send money. No, please.
• 19:40
  Speaker 6: Lots.
• 19:41
  Speaker 4: Cash. Not check.
• 19:42
  Speaker 3: But yeah, so we get to that point and like,
• 19:45
  Speaker 3: so then they do it. And then, yeah, that was
• 19:47
  Speaker 3: the other thing. As if it wasn't the other thing.
• 19:50
  Speaker 3: enough the way that he decides to take out his
• 19:52
  Speaker 3: sex upon her however you want to put it take
• 19:57
  Speaker 3: out his sex upon her that's what it seemed like
• 20:00
  Speaker 3: to me she was.
• 20:02
  Speaker 4: Give me the name of this episode.
• 20:06
  Speaker 3: Take out her sex take out his sex upon her
• 20:09
  Speaker 3: That's perfect.
• 20:10
  Speaker 1: Wow.
• 20:11
  Speaker 3: So she was sort of there. She wasn't running away,
• 20:15
  Speaker 3: but she didn't seem really happy about it either. It's
• 20:18
  Speaker 3: sort of like he took out his sex. So, but yeah,
• 20:23
  Speaker 3: it was all part of a trade-off. I mean, they
• 20:25
  Speaker 3: had a deal. You stand up. We're going to do it.
• 20:28
  Speaker 3: And then I'm going to drop the deal. I'm going
• 20:31
  Speaker 3: to drop this whole blackmail situation with your boyfriend slash husband,
• 20:34
  Speaker 3: whoever the hell he is. Uh, yeah, so he does her,
• 20:37
  Speaker 3: and then he's like, well, ain't worth that, and walks
• 20:40
  Speaker 3: out of the room.
• 20:41
  Speaker 5: And kisses her.
• 20:41
  Speaker 3: Oh, well, that was nice of him, yeah.
• 20:43
  Speaker 5: Yeah, kisses her on the mouth. I was like, I
• 20:44
  Speaker 5: would have bit that son of a bitch.
• 20:46
  Speaker 3: It's so sweet, Ben. It makes it all okay. So, yeah,
• 20:49
  Speaker 3: this fire scurs her anyway, and then he just welches
• 20:54
  Speaker 3: on the deal.
• 20:54
  Speaker 4: Yep.
• 20:55
  Speaker 3: I'm like, she got scammed in so many ways. And
• 20:59
  Speaker 3: then she also got shafted by the writer of the movie.
• 21:06
  Speaker 3: He was like, I'm done with you now, bitch.
• 21:07
  Speaker 7: I'm not even going to bother to write you out.
• 21:09
  Speaker 7: You're just going to disappear for no reason.
• 21:10
  Speaker 5: I wonder how she got that role in the first place.
• 21:12
  Speaker 4: That's probably how.
• 21:13
  Speaker 3: Like everybody got that role.
• 21:14
  Speaker 4: Yeah, yeah, yeah, yeah.
• 21:17
  Speaker 3: Oh, man. So, yeah, we haven't even gotten to the
• 21:21
  Speaker 3: first murder yet. So then our friend Victoria, who is Maria,
• 21:27
  Speaker 3: she decides to take out her father to get in
• 21:31
  Speaker 3: his inheritance. She's, you know, been the only one taking
• 21:33
  Speaker 3: care of him pretty much his whole life. You know,
• 21:35
  Speaker 3: the other daughter disappeared for the last seven years. So
• 21:38
  Speaker 3: she's like, all right, I take this guy out. He's
• 21:40
  Speaker 3: already sick. He's bedridden. So, you know, I'll take him out.
• 21:43
  Speaker 3: I'll get all the money.
• 21:43
  Speaker 4: She doesn't take good care of him.
• 21:44
  Speaker 3: No, she doesn't. She's kind of a half-ass nurse. Well,
• 21:47
  Speaker 3: he's kind of a dick. Yeah, that's the thing. It's...
• 21:50
  Speaker 3: It's like the different times I've watched it, I've sort
• 21:52
  Speaker 3: of sided with different people. Because in the beginning, you
• 21:54
  Speaker 3: guys seemed like you were on board with her. Like, oh, look,
• 21:56
  Speaker 3: she's taking care of her dad. But the first time,
• 21:59
  Speaker 3: I was like, she's up to no good.
• 22:01
  Speaker 4: She's a bitch from the beginning.
• 22:03
  Speaker 5: She has a look in her face that was just
• 22:05
  Speaker 5: kind of like, she's probably going to kill you.
• 22:08
  Speaker 3: But then, like, this time watching, I was like, no,
• 22:10
  Speaker 3: her dad is a dick. I was like, I don't
• 22:12
  Speaker 3: like him either.
• 22:13
  Speaker 4: There were no, none of the characters were, you know,
• 22:16
  Speaker 4: I'm empathizing with or caring about. Yeah, they were all
• 22:19
  Speaker 4: just pretty shitty people.
• 22:19
  Speaker 3: They all suck.
• 22:20
  Speaker 4: They all just suck bad. The ginger one was okay.
• 22:24
  Speaker 5: The first girlfriend?
• 22:26
  Speaker 4: Yeah, she was all right.
• 22:27
  Speaker 3: Yeah, yeah, yeah. She wasn't a total idiot either. The
• 22:29
  Speaker 3: other blonde's kind of an idiot. But, yeah, the first girlfriend.
• 22:31
  Speaker 3: She was a ginger.
• 22:33
  Speaker 1: Oh, God.
• 22:33
  Speaker 8: She was pretty, though.
• 22:35
  Speaker 5: Yeah.
• 22:36
  Speaker 3: But she, yeah, so then she decides after they do
• 22:39
  Speaker 3: their little drug-induced sex scene that she's going to then use,
• 22:42
  Speaker 3: let's see, it was amyl nitrate. That's, I had to
• 22:45
  Speaker 3: take note of the, in case I want to kill
• 22:47
  Speaker 3: someone with a heart condition later. Amylmitrate was their drug
• 22:50
  Speaker 3: of choice, which I think, you know, the kids on
• 22:52
  Speaker 3: the street, it's the poppers. So, yeah, it gives you
• 22:56
  Speaker 3: some sort of, you know, psychedelic reaction that I'm sure
• 22:59
  Speaker 3: all the kids were all about in 1970. So, yeah,
• 23:02
  Speaker 3: you snort this stuff and you get a nice psychedelic
• 23:05
  Speaker 3: reaction as you do it or whatever. Watch your rock
• 23:08
  Speaker 3: and music show or whatever the hell the kids did
• 23:10
  Speaker 3: in the 70s. So she's going to use it to
• 23:13
  Speaker 3: take out her father, basically, because the doctor already said
• 23:16
  Speaker 3: conveniently 20 minutes before, yeah, if you have a heart condition,
• 23:20
  Speaker 3: this will probably send you right over the edge and
• 23:22
  Speaker 3: kill you.
• 23:22
  Speaker 5: I love her face. She's like, really?
• 23:24
  Speaker 3: She's like, huh. An idiot that he is. It's like,
• 23:27
  Speaker 3: she's already kind of weird, and you're trying to get money,
• 23:30
  Speaker 3: but she just a minute ago was like, I can
• 23:33
  Speaker 3: come up with the money. Don't you worry about that. So, yeah,
• 23:36
  Speaker 3: I don't know. This guy's sort of an idiot for
• 23:38
  Speaker 3: not seeing the pieces falling into play here. Come on. Yeah,
• 23:41
  Speaker 3: so she goes in, takes out her father, but this
• 23:44
  Speaker 3: is the other part that I'm weirded out by. So
• 23:45
  Speaker 3: she just drugged her father, waiting for him to die, basically,
• 23:49
  Speaker 3: goes over to the mirror and starts taking her top
• 23:52
  Speaker 3: off and touching herself.
• 23:54
  Speaker 5: The weirdest part of that part.
• 23:57
  Speaker 3: That's weird anyway but it's even weirder in your dad's.
• 24:01
  Speaker 4: Room while he's in the throes of death.
• 24:03
  Speaker 3: That's very creepy which to me I don't know who
• 24:07
  Speaker 3: like if the writer just had all kinds of weird
• 24:09
  Speaker 3: like father issues because then again jump ahead a little
• 24:12
  Speaker 3: bit when the blonde's having sex later she's having visions
• 24:16
  Speaker 3: of her father having sex with that girl the random
• 24:20
  Speaker 3: girl from the credit sequence that her father like it's
• 24:22
  Speaker 3: a nightmare that he wakes from So then she flashes
• 24:25
  Speaker 3: to the same nightmare and is having scenes of her
• 24:27
  Speaker 3: father having sex while she's having sex, which is creepy.
• 24:31
  Speaker 4: Yeah.
• 24:32
  Speaker 3: So there's all kinds of daddy issues going on here
• 24:34
  Speaker 3: that they just, yeah, again, just touch upon and leave alone.
• 24:37
  Speaker 3: And we're probably glad that they don't go further into
• 24:40
  Speaker 3: him because... I did.
• 24:41
  Speaker 5: Love his makeup when he popped out of bed.
• 24:43
  Speaker 3: Oh my God, it was the best.
• 24:45
  Speaker 11: His lips were like bright red. His face was pale,
• 24:49
  Speaker 11: like that white, not like glowy white, though.
• 24:52
  Speaker 3: Just flowery white. And then he was making out with
• 24:56
  Speaker 3: a red paint can. He just sits up with that.
• 25:00
  Speaker 9: Oh, my God.
• 25:02
  Speaker 3: Oh god so yeah that that part was creepy too
• 25:07
  Speaker 3: just her flashing herself in front of her dad even
• 25:10
  Speaker 3: though he was unconscious and dying at that point but
• 25:12
  Speaker 3: that makes it a little creepier really so lord what
• 25:16
  Speaker 3: else so then we enter into she gets screwed out
• 25:19
  Speaker 3: of the will okay we kind of saw that coming
• 25:21
  Speaker 3: because it was going to be funny i mean i
• 25:23
  Speaker 3: can't imagine it really going any other way as he
• 25:25
  Speaker 3: has as the guy sets up the will yeah alex
• 25:28
  Speaker 3: rocco he's on tons of stuff but yeah that's Alex Rocco.
• 25:32
  Speaker 3: You'll see him in a million different things. So yeah,
• 25:35
  Speaker 3: he comes in and sets up the whole will reading,
• 25:37
  Speaker 3: and they read the will. She gets shafted out of it.
• 25:39
  Speaker 3: Her sister, who just reappears with her friend. We'll go
• 25:44
  Speaker 3: into that in a minute. So she comes in with
• 25:46
  Speaker 3: this older woman, and they read the will, and the
• 25:49
  Speaker 3: younger sister, who's been gone for seven years now, gets
• 25:51
  Speaker 3: all the money. So, Victoria freaks out, loses her damn mind.
• 25:58
  Speaker 4: By bad, by poorly acting.
• 26:00
  Speaker 3: Yeah, that's the most soap opera moment of the book.
• 26:04
  Speaker 4: Which is strange. Her screen was fantastic, though.
• 26:07
  Speaker 3: Oh, yeah.
• 26:08
  Speaker 5: Like, it's almost like a howling screech.
• 26:11
  Speaker 4: Yeah, a howling screech. Perfect. Yeah, like a howler monkey.
• 26:15
  Speaker 3: Howler monkey. So, yeah, she's then bedridden. He drugs her
• 26:21
  Speaker 3: up or whatever. She gets locked in her room because
• 26:23
  Speaker 3: she's going crazy. So that sets up the next situation
• 26:27
  Speaker 3: that I want to address, which is Doctor plays Sister Changeup.
• 26:32
  Speaker 3: I mean, he already has a girlfriend slash wife disappears
• 26:36
  Speaker 3: from her. That's the other thing. I'm like, where does
• 26:37
  Speaker 3: she think he is? Cause he's just gone for days
• 26:40
  Speaker 3: on end here over at their house, taking care of
• 26:42
  Speaker 3: all these weird little situations that keep popping up with
• 26:45
  Speaker 3: killing the father and whatever.
• 26:46
  Speaker 4: It's like never practice go derelict.
• 26:48
  Speaker 3: He just, yeah, he never goes to work. I'm assuming
• 26:51
  Speaker 3: he probably should have gone home to her that night,
• 26:53
  Speaker 3: but instead he ends up having dinner with, you know,
• 26:56
  Speaker 3: Victoria and then sleeping with her and doing drugs or
• 26:58
  Speaker 3: whatever the hell else they do. So I'm like, where
• 27:00
  Speaker 3: does she think he is all this time? But that's
• 27:02
  Speaker 3: a whole other issue.
• 27:03
  Speaker 5: It would have been cool if Victoria had been like
• 27:04
  Speaker 5: a witch. She had a really cool candle.
• 27:06
  Speaker 3: She did have a giant candle. By the bed. But
• 27:09
  Speaker 3: I think she just used drugs instead of witchcraft.
• 27:11
  Speaker 4: Yeah.
• 27:11
  Speaker 3: Because she did use that to sort of get him
• 27:14
  Speaker 3: to go along with even more. Yeah, at that point.
• 27:17
  Speaker 3: I'm pretty sure they'd already slept together, but then she
• 27:20
  Speaker 3: was using drugs to do more.
• 27:21
  Speaker 5: I don't know.
• 27:23
  Speaker 3: More sexing, if you will. To lay her sex upon him.
• 27:30
  Speaker 3: That's awesome. I need to get some of that. Skip
• 27:33
  Speaker 3: the poppers. I just want some lay your sex upon
• 27:35
  Speaker 3: me action.
• 27:36
  Speaker 1: So then.
• 27:42
  Speaker 3: Yeah, so then, I mean, you've set up this whole
• 27:44
  Speaker 3: little interaction between Victoria and Dr. Craig. And Dr. Craig
• 27:49
  Speaker 3: then decides, well, there's a dead end. She ain't got
• 27:51
  Speaker 3: no money.
• 27:52
  Speaker 4: I'll just sedate her, lock her in a room.
• 27:54
  Speaker 3: How can I get out of my blackmail situation that
• 27:57
  Speaker 3: the creepy dude, you know, is going to basically report
• 27:59
  Speaker 3: me and, you know, get my license taken away if
• 28:01
  Speaker 3: I don't give him 50 grand, the budget of the movie.
• 28:03
  Speaker 4: Literally.
• 28:06
  Speaker 3: So then, yeah, he not so subtly, and with a
• 28:09
  Speaker 3: big F you to her other womanly friend, he kind
• 28:13
  Speaker 3: of decides to pursue her. And this enters into the
• 28:16
  Speaker 3: weirdest situation I've ever seen.
• 28:18
  Speaker 5: Scariest part of the whole movie.
• 28:20
  Speaker 3: It is. This is the horror as it sets in.
• 28:23
  Speaker 3: It goes from... I've never met this guy. We just
• 28:27
  Speaker 3: met the day before, too suddenly. The next shot, we
• 28:30
  Speaker 3: see they're holding hands.
• 28:31
  Speaker 4: At the Renaissance Fair.
• 28:32
  Speaker 3: I'm like, where the hell did they go from being
• 28:35
  Speaker 3: strangers to the cover of a Harlequin romance novel in
• 28:38
  Speaker 3: a matter of 30 seconds?
• 28:40
  Speaker 8: That's what happens in Harlequin romance novels.
• 28:42
  Speaker 3: Obviously.
• 28:43
  Speaker 4: It's the 70s, apparently.
• 28:44
  Speaker 3: But even in a Harlequin romance novel, I feel like
• 28:46
  Speaker 3: I skipped a page. I'm just like, wait. You guys
• 28:48
  Speaker 3: barely knew each other. Now, let's, okay, go into the
• 28:51
  Speaker 3: whole day of fun here. The renaissance fair. How do
• 28:56
  Speaker 3: you want to describe this?
• 28:58
  Speaker 4: Renaissance fair. Creepy mime guys.
• 29:01
  Speaker 5: All kinds of mimes.
• 29:03
  Speaker 3: And they were beating.
• 29:04
  Speaker 8: Each other with bags.
• 29:05
  Speaker 4: They were beating each other. It was like pillow fighting.
• 29:08
  Speaker 4: Renaissance type pillow fighting.
• 29:10
  Speaker 3: Renaissance pillow fight. Mimes. And they both suck at it,
• 29:12
  Speaker 3: by the way.
• 29:13
  Speaker 4: They really suck.
• 29:15
  Speaker 3: Yeah, creepy mimes with bad paint job. At least paint
• 29:18
  Speaker 3: your face in some sort of standard mime fashion. That
• 29:21
  Speaker 3: was just badly, haphazardly done.
• 29:23
  Speaker 4: Haphazardly done.
• 29:24
  Speaker 5: What if it was shot at a real renaissance festival?
• 29:26
  Speaker 4: It looked like it was real.
• 29:28
  Speaker 3: Like they just wandered in. But it was kind of
• 29:29
  Speaker 3: a crappy one.
• 29:30
  Speaker 7: Yeah.
• 29:30
  Speaker 4: Well, half of it didn't even look renaissance.
• 29:33
  Speaker 6: No.
• 29:33
  Speaker 4: It was like i kept trying to decide with stained
• 29:35
  Speaker 4: glass yeah windows and.
• 29:37
  Speaker 3: Shit at first i was like oh renaissance no i
• 29:40
  Speaker 3: was like are there mimes during a renaissance fair because
• 29:43
  Speaker 3: there's a whole hell of a lot of mimes at
• 29:45
  Speaker 3: this renaissance it's.
• 29:45
  Speaker 5: Like a weird drink sequence in uh labyrinth.
• 29:47
  Speaker 3: Yes on some other planet But yeah, they're holding hands
• 29:52
  Speaker 3: and walking with his arm around her.
• 29:53
  Speaker 4: Obviously getting close, having giggly good fun.
• 29:55
  Speaker 3: Eating, I don't know, did they have cotton candy? What
• 29:57
  Speaker 3: the hell? Didn't they have something? Yeah, eat a leg
• 30:00
  Speaker 3: of lamb.
• 30:01
  Speaker 4: So romantic.
• 30:03
  Speaker 3: Here, honey.
• 30:04
  Speaker 4: You have a big greasy piece of meat.
• 30:06
  Speaker 3: Up in your face. Ooh, now back to the sexy. Anyway,
• 30:10
  Speaker 3: so then... Are you okay?
• 30:15
  Speaker 4: Are you joking?
• 30:16
  Speaker 3: Our constant sex references are going to kill somebody.
• 30:18
  Speaker 7: So.
• 30:20
  Speaker 3: Yeah, then we flash to the beach. And it really
• 30:24
  Speaker 3: is this, like, what, 58-minute scene of them, like, walking
• 30:28
  Speaker 3: on the beach.
• 30:28
  Speaker 4: Walking on the beach, playing in the surf.
• 30:30
  Speaker 3: Walking, walking. Fucking Jesus Christ. Walking on the beach. Ugh.
• 30:36
  Speaker 4: Oh, my God. And then finally when it ends, it
• 30:39
  Speaker 4: fades out, but it's the longest fade out ever. It's
• 30:42
  Speaker 4: just like fading, fading.
• 30:44
  Speaker 3: Please, God, fade faster.
• 30:46
  Speaker 4: Fading.
• 30:48
  Speaker 3: It's going into out of focus mode, and we're just
• 30:51
  Speaker 3: blurry images.
• 30:51
  Speaker 4: I'm losing my mind.
• 30:52
  Speaker 3: And more of that same, how do you want to
• 30:54
  Speaker 3: describe the music, Marlene?
• 30:55
  Speaker 7: It was.
• 30:57
  Speaker 3: public domain was the most generic it's.
• 31:00
  Speaker 8: Like i've heard that music somewhere i can't put my.
• 31:02
  Speaker 3: Finger that's what i'm saying public domain probably every broke
• 31:06
  Speaker 3: movie that needed cheesy music for an interlude yeah i'm
• 31:09
  Speaker 3: sure that ended up.
• 31:10
  Speaker 11: In there it was weird that the beach shot was
• 31:12
  Speaker 11: like completely taken out of the movie yeah.
• 31:15
  Speaker 3: It doesn't fit really visually or anything it's like a
• 31:19
  Speaker 3: totally different scene from a totally different movie And then
• 31:23
  Speaker 3: we're thrown back into the soap opera action. So then
• 31:25
  Speaker 3: we get back to the house. Okay, so now I
• 31:28
  Speaker 3: want to go into the other woman. So the older
• 31:32
  Speaker 3: woman that shows up with our other sister, the young
• 31:34
  Speaker 3: blonde girl, Kate, I guess. Is that her name? Yeah,
• 31:39
  Speaker 3: I think. So Gail's the younger sister. So Gail, the
• 31:41
  Speaker 3: blonde girl, decides that she... Well, she shows up and
• 31:44
  Speaker 3: she's got this... Kate.
• 31:47
  Speaker 4: Friend.
• 31:48
  Speaker 3: Friend. See, yeah, the older woman... Kind of old and
• 31:52
  Speaker 3: scary looking, but... Good style, though.
• 31:55
  Speaker 5: She had really nice clothes.
• 31:56
  Speaker 3: Yeah, she was very fashionable for an older woman, but
• 31:59
  Speaker 3: I don't know. Did you get anything in the beginning?
• 32:01
  Speaker 3: Because I really didn't pick that much up the first
• 32:03
  Speaker 3: time I watched it, or even that first scene there.
• 32:05
  Speaker 3: She's just sort of there.
• 32:07
  Speaker 4: You didn't realize they were pussy pancake buddies?
• 32:10
  Speaker 3: I'm not really sure. It's... As... As the next scene
• 32:14
  Speaker 3: goes on, I'm... I mean, she sort of, when she's
• 32:18
  Speaker 3: talking to the doctor, she sort of makes it known,
• 32:20
  Speaker 3: she puts in that reference of, you know, I've been around,
• 32:23
  Speaker 3: and she, you know, the kind of woman I am
• 32:26
  Speaker 3: sort of statement, which, you know, skating around it, but
• 32:28
  Speaker 3: making it kind of obvious. But again, if you're not
• 32:32
  Speaker 3: paying attention, you could just not be paying attention to
• 32:33
  Speaker 3: what she's saying and totally miss that angle.
• 32:35
  Speaker 7: Yeah.
• 32:36
  Speaker 3: So, yeah, you get that, and I was like, well,
• 32:38
  Speaker 3: maybe they're just sort of alluding at it, but they're
• 32:40
  Speaker 3: not going to go there. But then you get to
• 32:42
  Speaker 3: the end when she's packing up to leave because the
• 32:44
  Speaker 3: doctor's moved in and she's realized, oh. I guess Gail's straight.
• 32:48
  Speaker 3: Fuck it. Because that's the thing. Gail seems like she
• 32:52
  Speaker 3: has no idea what's going on. She's stupid. But the
• 32:57
  Speaker 3: older woman's sort of just hanging around her all the time.
• 33:00
  Speaker 3: She's definitely very forward about her way to the doctor.
• 33:05
  Speaker 3: So I'm assuming it's probably not something she's not brought
• 33:09
  Speaker 3: up before. But somehow Gail is very oblivious to what's
• 33:12
  Speaker 3: going on. So she seems to have no idea what's
• 33:14
  Speaker 3: going on between the two of them. Because the older
• 33:18
  Speaker 3: woman seems like she was setting up this relationship that
• 33:21
  Speaker 3: never went anywhere. Like, she's just touring around with her.
• 33:24
  Speaker 3: She says she's been with her for years. You know,
• 33:27
  Speaker 3: our relationship is how she put it. But then by
• 33:32
  Speaker 3: the end, she's just like, Gale all of a sudden goes... well,
• 33:36
  Speaker 3: you never said anything or you never did anything. And
• 33:38
  Speaker 3: I was like, so now she would have been up
• 33:40
  Speaker 3: for it had she done something. Like, what the hell
• 33:43
  Speaker 3: was going on with the relationship?
• 33:44
  Speaker 8: I was really confused, but.
• 33:45
  Speaker 7: I think I like when she was like, the kind
• 33:49
  Speaker 7: of woman I am is a lonely woman. I need
• 33:51
  Speaker 7: to be where there are other lonely women.
• 33:53
  Speaker 3: So then I was like, well, that's not even gay.
• 33:55
  Speaker 3: That's just the lonely old woman's club.
• 33:57
  Speaker 1: I know.
• 33:58
  Speaker 3: What the hell is that? The red hat club. I
• 34:02
  Speaker 3: think they wear the big hats and they go out
• 34:03
  Speaker 3: to eat.
• 34:04
  Speaker 7: Yeah.
• 34:04
  Speaker 5: They go to macaroni grilling swarms.
• 34:07
  Speaker 3: With giant red and purple hats. I see those all
• 34:09
  Speaker 3: the time.
• 34:10
  Speaker 4: Lots of free bread.
• 34:12
  Speaker 7: My best friend's mom wasn't actually part of that group,
• 34:14
  Speaker 7: but she used to get red hats and stuff like
• 34:16
  Speaker 7: that because she wanted to be part of that group. Oh, God.
• 34:19
  Speaker 3: That's basically what they're doing.
• 34:21
  Speaker 5: She shows up at their meetings.
• 34:23
  Speaker 3: In the back. Is it like a gang thing?
• 34:25
  Speaker 4: Smoking cigarettes.
• 34:26
  Speaker 5: It is a gang.
• 34:27
  Speaker 3: You show up in their colors and the old women
• 34:30
  Speaker 3: kick your ass. Look, bitch, what are you doing with
• 34:32
  Speaker 3: that red hat on?
• 34:33
  Speaker 4: Back there swinging chains.
• 34:35
  Speaker 7: On a random note, but I just think this is funny,
• 34:37
  Speaker 7: there's an equivalent, a male equivalent. It's called the Romeo's
• 34:40
  Speaker 7: Retired Old Men Eating Out.
• 34:42
  Speaker 12: Ha ha ha!
• 34:44
  Speaker 4: Wowzer.
• 34:45
  Speaker 3: The jokes don't stop, folks.
• 34:47
  Speaker 7: Wow.
• 34:47
  Speaker 4: We'll be here all week. No, it's a real thing.
• 34:50
  Speaker 8: I wasn't making that up.
• 34:51
  Speaker 5: That's awesome.
• 34:51
  Speaker 3: I know, but it's even funnier. It's even funnier.
• 34:55
  Speaker 4: I'll wear plaid smoking jackets.
• 34:58
  Speaker 5: Hey.
• 34:58
  Speaker 3: There's a whole lot of A's.
• 35:00
  Speaker 7: I like when people have funny little initial abbreviations for things.
• 35:06
  Speaker 3: Oh, Lord. So where the hell were we before we
• 35:08
  Speaker 3: got sidetracked? Oh, the old woman. So yeah, then she's
• 35:11
  Speaker 3: like the kind of woman that I am. And then
• 35:13
  Speaker 3: she packs up and leaves. So yeah, they enter in
• 35:16
  Speaker 3: this weird semi-lesbian storyline, but not really. They never go there.
• 35:21
  Speaker 3: So I'm like, why write it in if you're not?
• 35:22
  Speaker 3: I mean, even for 1970, they could have gotten away
• 35:25
  Speaker 3: with a lot more than that. So why put it
• 35:27
  Speaker 3: in there if you're not going to follow through and
• 35:29
  Speaker 3: do something with the plot?
• 35:30
  Speaker 7: Yeah.
• 35:30
  Speaker 3: I don't know.
• 35:32
  Speaker 5: The nurse freaked me out. I didn't like the nurse.
• 35:34
  Speaker 4: She bothered me. Yeah, she was.
• 35:35
  Speaker 3: She's a little too funny for her own good.
• 35:37
  Speaker 4: Yeah. But she's the type of nurse that would, like,
• 35:39
  Speaker 4: totally inject an air bubble into your IV.
• 35:41
  Speaker 3: Yeah, kind of.
• 35:42
  Speaker 4: She's sort of creepy. She kind of, like, fucked me over.
• 35:45
  Speaker 8: No offense to any of our.
• 35:47
  Speaker 7: readers or listeners that are nurses but i've known a
• 35:52
  Speaker 7: lot of fucking retarded nurses in my day like somehow
• 35:56
  Speaker 7: you don't have to be that smart to be a
• 35:58
  Speaker 7: nurse you can have people's lives in your hand yet
• 36:00
  Speaker 7: still be a total moron it's.
• 36:02
  Speaker 3: Amazing i don't get it because there's a hell of
• 36:04
  Speaker 3: a lot of schooling involved yeah i know one personally
• 36:07
  Speaker 3: and she was in school for a long damn time
• 36:10
  Speaker 3: i don't understand why and i.
• 36:12
  Speaker 7: Love i love her But I remember when she couldn't
• 36:16
  Speaker 7: name all seven continents.
• 36:18
  Speaker 3: Yeah. Yeah, she got called out for a lot of
• 36:21
  Speaker 3: ignorant behavior in her ute. But yeah, she was.
• 36:27
  Speaker 4: What was that?
• 36:27
  Speaker 3: What was that?
• 36:28
  Speaker 5: I was like, shit, I've only got six.
• 36:30
  Speaker 4: Awesome.
• 36:32
  Speaker 3: And a nurse you will be.
• 36:34
  Speaker 4: And we dub you. Yeah, right.
• 36:36
  Speaker 5: I come out with fingers off. Nobody's going to trust
• 36:38
  Speaker 5: me with other people's lives.
• 36:41
  Speaker 3: You can pick up your white outfit on the way out.
• 36:42
  Speaker 3: What happened here?
• 36:43
  Speaker 4: What happened here? And the jacket gets.
• 36:45
  Speaker 5: Tied in the back.
• 36:46
  Speaker 8: I mean, my cousin's a nurse and she is like
• 36:48
  Speaker 8: practically a retard.
• 36:49
  Speaker 3: Nice.
• 36:50
  Speaker 1: Nice.
• 36:51
  Speaker 8: Yeah oh don't think.
• 36:53
  Speaker 3: A lot so yeah then we get more sex we
• 36:55
  Speaker 3: get the sex on fire did you see they do
• 36:59
  Speaker 3: the big fire fireplace scene but they're shooting the scene
• 37:02
  Speaker 3: through through the fire through the fire so it actually
• 37:04
  Speaker 3: looks like their asses are on fire by the end
• 37:06
  Speaker 3: i'm like what's that.
• 37:07
  Speaker 7: Awful band that oh that has to be the the
• 37:10
  Speaker 7: song that you put what's that awful band that has
• 37:12
  Speaker 7: that song called sex on fire that all college boys
• 37:15
  Speaker 7: are obsessed with is it like.
• 37:16
  Speaker 3: Yeah Those guys rock, man.
• 37:19
  Speaker 4: Come on. I like Kings of Leon. All right.
• 37:23
  Speaker 3: We'll go with sex on fire.
• 37:25
  Speaker 1: So, yeah.
• 37:26
  Speaker 3: So they go from the sex scene into the end.
• 37:28
  Speaker 3: So now we're getting to the end of the movie.
• 37:30
  Speaker 3: So go to town because, yeah, the end is a
• 37:33
  Speaker 3: whole lot of just a big old mess. So go
• 37:35
  Speaker 3: to town.
• 37:36
  Speaker 8: I didn't realize that it was going to end.
• 37:38
  Speaker 4: It just did.
• 37:39
  Speaker 1: It does.
• 37:39
  Speaker 3: It just stops. And it doesn't even make sense.
• 37:42
  Speaker 4: After the sister kills the other sister, the older sister
• 37:45
  Speaker 4: kills the younger sister. And drags her to the bathroom.
• 37:48
  Speaker 7: Yeah.
• 37:49
  Speaker 3: After seeming most sane of the whole movie. She seems
• 37:52
  Speaker 3: crazy in the beginning. She flips the fuck out.
• 37:55
  Speaker 5: She totally does a flip script. It's like, yeah, we're cool.
• 37:58
  Speaker 3: Yeah. Everything's cool.
• 38:00
  Speaker 4: Beats her head in.
• 38:00
  Speaker 7: Die.
• 38:01
  Speaker 4: Die.
• 38:03
  Speaker 3: It was like Victoria with a candlestick in the bathroom,
• 38:05
  Speaker 3: I'm pretty sure. It really does become a board game
• 38:08
  Speaker 3: at this point.
• 38:09
  Speaker 5: And then Doctor sneaks in with that super cool music.
• 38:13
  Speaker 3: Oh, he was stealthy, wasn't he? He was like a ninja.
• 38:16
  Speaker 3: He sneaks in the window.
• 38:17
  Speaker 4: And then they look over and... The dead sister is
• 38:20
  Speaker 4: standing in the doorway.
• 38:21
  Speaker 3: Yeah, after he puts her in the car.
• 38:23
  Speaker 4: What is being held up by the creepy dude?
• 38:27
  Speaker 3: Well, first she hauls the body. We forgot about the
• 38:29
  Speaker 3: hiding the body. She hauls it from one bathroom to
• 38:33
  Speaker 3: another bathroom. I just dropped it. And I was like,
• 38:36
  Speaker 3: they'll never find it in here. It's almost as good
• 38:38
  Speaker 3: as burying it. Just sit it in your bathroom and shit.
• 38:41
  Speaker 3: She doesn't even wrap it up.
• 38:43
  Speaker 5: She just sets it in the shower.
• 38:44
  Speaker 3: Yeah, she just throws it in there.
• 38:45
  Speaker 4: Maybe she just took it in there and fondled her
• 38:47
  Speaker 4: dead sister's body.
• 38:48
  Speaker 1: Well.
• 38:49
  Speaker 3: I mean, she was hot. That's fine, right? Once they're dead,
• 38:52
  Speaker 3: it's okay.
• 38:53
  Speaker 8: But then the doctor comes in and he's like, where's Gail?
• 38:55
  Speaker 8: She's like, she's not here. You can look if you want.
• 38:59
  Speaker 3: Don't go in that closed door over there.
• 39:01
  Speaker 8: You can look if you want, but just not in
• 39:03
  Speaker 8: that bathroom.
• 39:05
  Speaker 3: It's out of order. Don't go in there.
• 39:07
  Speaker 5: I just pooped. It's really bad.
• 39:09
  Speaker 3: Just stay out of there. It's not my dead sister,
• 39:11
  Speaker 3: I swear. I mean, use one of the other 17
• 39:16
  Speaker 3: bathrooms that's probably in this house because it's huge.
• 39:18
  Speaker 1: Yeah.
• 39:20
  Speaker 3: So yeah, then they drag her down to the car,
• 39:22
  Speaker 3: and they come back in, the dead sister's in the car,
• 39:24
  Speaker 3: and then, okay, now... And he's like, well.
• 39:26
  Speaker 11: He's talking about this plan, and he was like, you
• 39:28
  Speaker 11: know what I have to do? Don't call, you know,
• 39:30
  Speaker 11: don't answer the door. Don't answer the phone.
• 39:32
  Speaker 4: I'll be back. And I'm like, why is he coming
• 39:35
  Speaker 4: back at this point?
• 39:36
  Speaker 3: Well, they're almost setting up what would have been the
• 39:38
  Speaker 3: most interesting scene in the movie.
• 39:40
  Speaker 1: Yeah.
• 39:40
  Speaker 3: Because at first he's like, you know what I have
• 39:43
  Speaker 3: to do. So I assume he's going to turn her
• 39:44
  Speaker 3: in at that point.
• 39:45
  Speaker 5: Yeah.
• 39:45
  Speaker 3: But then he's like, don't answer the door. I'll be back.
• 39:47
  Speaker 3: I'm like, oh, okay. So now he's on board. He's
• 39:50
  Speaker 3: going to go hide the body and come back and.
• 39:53
  Speaker 4: You're in enough trouble, buddy.
• 39:54
  Speaker 3: Try to find a way for the now other sister
• 39:56
  Speaker 3: to cover it up and get the money. I mean,
• 39:58
  Speaker 3: he's always about the money. You know that's somehow in
• 40:00
  Speaker 3: his mind where he's really coming back to. Because, I mean,
• 40:03
  Speaker 3: he doesn't love any of these girls because he's screwing
• 40:05
  Speaker 3: all of them. So, you know, he's just coming back
• 40:08
  Speaker 3: for the money. So that's almost entering in what could
• 40:10
  Speaker 3: have been a cool scene and... what maybe would have
• 40:13
  Speaker 3: been interesting wrap up, but instead guess what happens? Creepy guy.
• 40:18
  Speaker 3: Creepy guy shows back up.
• 40:20
  Speaker 13: But first is he holding up the chick yeah because
• 40:23
  Speaker 13: he's like standing straight up like she's alive and then
• 40:26
  Speaker 13: she just falls to the ground and he's behind with
• 40:28
  Speaker 13: his big smile like hey.
• 40:31
  Speaker 3: Yeah at first her dead sister standing in the doorway
• 40:34
  Speaker 3: all bloody and gross staring at her so i'm like
• 40:36
  Speaker 3: okay now we've crossed into a zombie movie like what
• 40:40
  Speaker 3: the what the hell's happening now i thought.
• 40:42
  Speaker 5: For maybe a second she wasn't really dead yeah maybe
• 40:44
  Speaker 5: she just had like a minor concussion yeah I just
• 40:47
  Speaker 5: got a little headache.
• 40:49
  Speaker 3: I'm cool.
• 40:49
  Speaker 4: Slow to the brain.
• 40:52
  Speaker 3: But yeah, instead, then she falls down and the creepy
• 40:57
  Speaker 3: blackmailer dude just kind of leans into the doorway with
• 41:00
  Speaker 3: his cocky attitude. And is he lighting up a cigar
• 41:03
  Speaker 3: at that point?
• 41:04
  Speaker 1: I don't know.
• 41:04
  Speaker 8: I think he was smoking a pipe.
• 41:06
  Speaker 4: Is he wondering about the dead chick or the half dead,
• 41:09
  Speaker 4: almost dead chick or the not so dead chick? Playing
• 41:11
  Speaker 4: dead chick?
• 41:11
  Speaker 3: Probably dead chick. He's just like, she was naked. I
• 41:17
  Speaker 3: totally saw her boobies.
• 41:18
  Speaker 4: And then your boy or whatever looks over at the
• 41:20
  Speaker 4: painting the crazy chick has been painting. And it's him
• 41:23
  Speaker 4: holding a skeleton. And it like shows it and then
• 41:27
  Speaker 4: shows him and shows it and then shows him.
• 41:29
  Speaker 3: And then shows his face.
• 41:30
  Speaker 5: Superimposed.
• 41:31
  Speaker 4: Very poorly superimposed. Superimposed. his real face onto the face
• 41:35
  Speaker 4: of him in the painting, and then it ends.
• 41:39
  Speaker 7: Credits.
• 41:39
  Speaker 5: Abruptly, very abruptly.
• 41:41
  Speaker 4: Music stops, no fade out, it just stops. They wasted
• 41:45
  Speaker 4: all their.
• 41:46
  Speaker 5: Fade out time.
• 41:47
  Speaker 4: They used it all up.
• 41:49
  Speaker 3: They used it all up on the intro. Like all
• 41:50
  Speaker 3: the old movies, they did like 20 minute intro credits
• 41:53
  Speaker 3: and then no outro credits. It's just names, done.
• 41:57
  Speaker 4: Yeah, so.
• 41:57
  Speaker 7: That painting reminded me of that homoerotic.
• 42:02
  Speaker 3: Painting oh god you can have that by the way
• 42:06
  Speaker 3: somehow it's still in storage somewhere I don't want it
• 42:08
  Speaker 3: I don't have it I don't have it here but
• 42:10
  Speaker 3: it was yours and you're taking it back it almost.
• 42:12
  Speaker 8: Broke my leg.
• 42:14
  Speaker 14: Homoerotic painting almost broke your leg wow I used to
• 42:18
  Speaker 14: use it we didn't have enough baby gates to keep
• 42:21
  Speaker 14: the dogs in a certain room so I was using
• 42:23
  Speaker 14: that painting And I was like running through.
• 42:25
  Speaker 8: This is funny.
• 42:26
  Speaker 7: Misty was sitting on the couch. We'd just been shopping.
• 42:29
  Speaker 7: I was running through the house because I bought these
• 42:31
  Speaker 7: pants that had suspenders. And I'm trying to put the
• 42:33
  Speaker 7: suspenders on and jump over this painting. And I trip
• 42:36
  Speaker 7: and fall and skid and like bust my knee open.
• 42:39
  Speaker 7: And it's like gross and like bloody.
• 42:42
  Speaker 8: It was really nasty and it got horribly infected.
• 42:46
  Speaker 3: Oh, it wishes it was maple floor. It's terrible.
• 42:49
  Speaker 8: And people had asked me what happened.
• 42:50
  Speaker 7: I was like, I tripped over this stupid homoerotic painting
• 42:53
  Speaker 7: I have in my living room.
• 42:56
  Speaker 3: Where did you acquire this homoerotic painting?
• 42:57
  Speaker 8: My mom found it at a flea market and she
• 42:59
  Speaker 8: was like, you love art.
• 43:00
  Speaker 5: Here you go.
• 43:01
  Speaker 3: This is another one of those scenarios where people think
• 43:03
  Speaker 3: they know what you like, but they're way off track.
• 43:06
  Speaker 3: They're just sort of in the neighborhood, but they're way
• 43:07
  Speaker 3: down at the wrong end of the neighborhood.
• 43:09
  Speaker 5: It's like getting somebody like a I don't know, like
• 43:11
  Speaker 5: a kid's drawing. They're like, oh, yeah, you like art.
• 43:14
  Speaker 3: You like art. I stole this off the refrigerator while
• 43:17
  Speaker 3: I was at their house.
• 43:18
  Speaker 8: I don't like that kind of art, though.
• 43:19
  Speaker 3: It's that kind of art I like. I'll take that
• 43:21
  Speaker 3: over that weird homoerotic shit you had, because that was lame.
• 43:24
  Speaker 3: Not even that it was homoerotic, that it was bad.
• 43:27
  Speaker 7: It was like this shirtless merman, and there was this
• 43:32
  Speaker 7: ghost ship in the background, and this.
• 43:34
  Speaker 4: Skeleton behind it.
• 43:35
  Speaker 5: Lame.
• 43:36
  Speaker 8: It was funny, and it was all grayscale, too.
• 43:39
  Speaker 5: Oh, yeah.
• 43:40
  Speaker 4: I'll take it.
• 43:42
  Speaker 8: I kind of want to I bet I could get
• 43:43
  Speaker 8: a pretty.
• 43:43
  Speaker 4: Picture of that on here right maybe we would not hang.
• 43:47
  Speaker 14: It yeah actually no I might take that we'll give
• 43:50
  Speaker 14: it to your neighbor he'll love it okay no he'll totally.
• 43:52
  Speaker 7: Like my neighbor would love it right my neighbor would
• 43:55
  Speaker 7: love it like it's fabulous.
• 43:56
  Speaker 3: So everybody has that gay neighbor is what you're saying
• 44:00
  Speaker 3: god just when you think the stereotypes aren't true everybody
• 44:03
  Speaker 3: has that gay neighbor yeah it's like a sitcom come
• 44:05
  Speaker 3: true and ours is.
• 44:06
  Speaker 5: A jerk yeah who doesn't listen to the show yeah.
• 44:10
  Speaker 7: Hopefully My neighbor can be really nice, but he's also
• 44:13
  Speaker 7: very aggressive.
• 44:13
  Speaker 8: Like, I can't bring any guy over. He's like, what
• 44:16
  Speaker 8: are you doing? Do you need any help? You're just
• 44:19
  Speaker 8: so handsome. Look at you. Let me help you in
• 44:22
  Speaker 8: the bathroom.
• 44:23
  Speaker 4: Yeah, take your pants off.
• 44:25
  Speaker 3: He has no standards because he was hitting on me,
• 44:27
  Speaker 3: so I know.
• 44:28
  Speaker 7: He tried to pay Brian to come downstairs and take
• 44:31
  Speaker 7: a shower with him.
• 44:32
  Speaker 3: I am not 100% sure I remember that, but he
• 44:35
  Speaker 3: said a lot of things.
• 44:36
  Speaker 4: Oh, my God.
• 44:37
  Speaker 8: He was like, look at you. You're so handsome.
• 44:41
  Speaker 7: I can't even get it out I was like look
• 44:43
  Speaker 7: at you how much is it going to cost me
• 44:45
  Speaker 7: for you to come downstairs and take a shower with me.
• 44:49
  Speaker 3: Truthfully, I was flattered. I don't get much attention, so guy, girl, whatever.
• 44:54
  Speaker 3: I'm just glad somebody's interested. I didn't take him up
• 44:57
  Speaker 3: on it, but at least somebody was interested.
• 45:00
  Speaker 5: You were like, how much are you wanting to pay me?
• 45:03
  Speaker 4: A shower.
• 45:05
  Speaker 5: Do I have to get fully naked? Can I take
• 45:06
  Speaker 5: my shower with my clothes on?
• 45:09
  Speaker 3: Yeah, wait a minute.
• 45:09
  Speaker 4: Do I have to scrub your back?
• 45:11
  Speaker 8: He has no money.
• 45:11
  Speaker 4: It would be.
• 45:12
  Speaker 3: Oh, well, this sucks, all right.
• 45:13
  Speaker 5: Fifty cents.
• 45:15
  Speaker 3: This is like that deal earlier. I don't want any
• 45:17
  Speaker 3: of this.
• 45:17
  Speaker 15: No.
• 45:18
  Speaker 5: No.
• 45:19
  Speaker 3: Yeah, this movie has a lot of issues.
• 45:22
  Speaker 5: I think I want to watch this movie with my grandmother.
• 45:23
  Speaker 3: Are you angry at your grandmother?
• 45:26
  Speaker 4: Yeah, why would you do something like that?
• 45:28
  Speaker 3: You burned the pot roast last week, damn you. Blood mania.
• 45:31
  Speaker 4: Goodness sucks at Christmas.
• 45:34
  Speaker 11: They do the same $ 5 gift card for the last
• 45:37
  Speaker 11: 10 years.
• 45:38
  Speaker 4: Yeah, oh shit. Look at $ 5 buy nothing.
• 45:43
  Speaker 3: But it does go to show you that it's not
• 45:45
  Speaker 3: a recent development that every movie has to have a
• 45:49
  Speaker 3: weird twist ending. There was that era, especially that 60s,
• 45:53
  Speaker 3: 70s horror movie era, where it had to end weird
• 45:56
  Speaker 3: and abruptly, it seems like. There are so many of
• 45:58
  Speaker 3: them I can think of that are just like, whoa, wait,
• 46:00
  Speaker 3: what the hell was that? It sort of became a
• 46:03
  Speaker 3: staple of this era of movies, and it's good to
• 46:06
  Speaker 3: know this one does not disappoint. Yeah, it just totally ends,
• 46:11
  Speaker 3: doesn't make any sense. We have no idea what the
• 46:13
  Speaker 3: hell even happens at that point. I mean, I guess
• 46:16
  Speaker 3: you're to assume the blackmailer now has way more material
• 46:20
  Speaker 3: to blackmail this guy with and just upped his price.
• 46:23
  Speaker 3: I don't know. It's like, where the hell do you
• 46:24
  Speaker 3: go with this storyline?
• 46:25
  Speaker 5: Maybe they were setting it up for a sequel.
• 46:27
  Speaker 3: And then yeah i mean there's so many ways they
• 46:29
  Speaker 3: could have gone with that like maybe the uh maybe
• 46:32
  Speaker 3: victoria was in on it with the blackmailer and they
• 46:34
  Speaker 3: were setting this guy up and he's gonna take the
• 46:36
  Speaker 3: fall for the sister getting killed i mean this was
• 46:39
  Speaker 3: free this was pre-csi so you could get away with
• 46:42
  Speaker 3: all kinds of crazy shit back in the day so
• 46:44
  Speaker 3: they could have set it up that way but they
• 46:46
  Speaker 3: don't go anywhere with it they just stop credits done
• 46:50
  Speaker 3: i guess they ran out of money they're just like
• 46:52
  Speaker 3: let's end this thing We're done.
• 46:53
  Speaker 5: We're just done.
• 46:54
  Speaker 3: They're packing up the catering.
• 46:55
  Speaker 1: That's it.
• 46:55
  Speaker 3: We're out of here.
• 46:56
  Speaker 4: See ya.
• 46:57
  Speaker 7: It kind of seems like once my friend was cutting
• 47:00
  Speaker 7: my hair, and she got bored halfway through, so she
• 47:02
  Speaker 7: just stopped.
• 47:03
  Speaker 8: It kind of felt like that. It kind of felt
• 47:05
  Speaker 8: like that happened.
• 47:06
  Speaker 5: Did you feel a little bit betrayed?
• 47:08
  Speaker 2: Oh, yeah.
• 47:09
  Speaker 4: No shit, right?
• 47:10
  Speaker 3: I did.
• 47:10
  Speaker 5: I was like, you know what?
• 47:12
  Speaker 8: You going to beauty school, probably not going to work
• 47:13
  Speaker 8: out so much.
• 47:15
  Speaker 3: You have attention deficit disorder.
• 47:17
  Speaker 5: Here, take this Adderall.
• 47:18
  Speaker 3: Thanks for coming here. Oh, man. So, yeah.
• 47:23
  Speaker 7: I don't know.
• 47:23
  Speaker 3: It definitely... It's one of those... I still kind of
• 47:26
  Speaker 3: like it on some level. I like the cheesy horror
• 47:29
  Speaker 3: feel of it. It just doesn't deliver the horror. It's
• 47:32
  Speaker 3: sort of misnamed. It doesn't need to be blood mania.
• 47:34
  Speaker 3: It needs to be sex mania. Because everything about it
• 47:38
  Speaker 3: is just a porn.
• 47:39
  Speaker 4: Or a borgasm. Well, there you go. Yeah, that's perfect.
• 47:42
  Speaker 5: I like that.
• 47:43
  Speaker 10: So.
• 47:44
  Speaker 3: You stole that from Kenneth Smith.
• 47:47
  Speaker 4: No, no.
• 47:48
  Speaker 8: I've been using that word for a long time.
• 47:50
  Speaker 3: There's a reason when.
• 47:50
  Speaker 5: You said that I just had like... Borgs in my.
• 47:53
  Speaker 3: Head having sex. Oh, wait a minute. Borg cast.
• 47:56
  Speaker 4: That's just me. That's totally awesome.
• 47:59
  Speaker 3: That is upping the geek ante.
• 48:01
  Speaker 8: I was just thinking more like boring.
• 48:03
  Speaker 4: Do you think they would enjoy it? Once they did it,
• 48:06
  Speaker 4: they would assimilate it and get used to it and
• 48:08
  Speaker 4: get over it. They'd have to find new ways of
• 48:11
  Speaker 4: doing it.
• 48:11
  Speaker 3: I think the whole collective would enjoy that.
• 48:14
  Speaker 4: The whole cube is throbbing. The cube's smoking after. The
• 48:20
  Speaker 4: cubes are rubbing up against each other like galactically.
• 48:25
  Speaker 3: This is the nerdiest conversation about sex I think has
• 48:28
  Speaker 3: ever occurred.
• 48:29
  Speaker 4: It's pretty awesome.
• 48:32
  Speaker 5: Wow.
• 48:33
  Speaker 4: Oh, man. Oh, my God. Do you want me to
• 48:38
  Speaker 4: self-destruct you?
• 48:42
  Speaker 3: Because it's affecting her in a very deep and personal way.
• 48:45
  Speaker 3: You have to.
• 48:48
  Speaker 4: I'm sorry. I'm not laughing.
• 48:51
  Speaker 3: So, yeah.
• 48:53
  Speaker 5: Three hours the other night.
• 48:55
  Speaker 4: It hurt so much.
• 48:59
  Speaker 3: That's not healthy.
• 49:00
  Speaker 5: No.
• 49:02
  Speaker 3: You're going to have a heart attack.
• 49:04
  Speaker 8: Laughing is a good ab workout, though. There you go.
• 49:07
  Speaker 4: My eyeballs hurt. Like they're popping out or something. This
• 49:13
  Speaker 4: movie sucked. Don't see it.
• 49:16
  Speaker 3: In summary. Yeah, that's everyone else's feeling. Again, I try
• 49:20
  Speaker 3: to find the best I can out of these weird movies. Yeah,
• 49:24
  Speaker 3: I think that the mood of it's kind of cool.
• 49:26
  Speaker 3: I never watched Dark Shadows. It always felt like, to me,
• 49:30
  Speaker 3: it's like a creepy soap opera. I didn't watch much
• 49:35
  Speaker 3: of Dark Shadows, but I got that vibe off of
• 49:37
  Speaker 3: it from what little I've seen. It's that time period,
• 49:42
  Speaker 3: and it's definitely got that horror soap opera feel to
• 49:45
  Speaker 3: it so it's you know that's sort of fun about
• 49:48
  Speaker 3: it if you like naked people you get a whole
• 49:50
  Speaker 3: lot of naked chicks you don't see much of the
• 49:52
  Speaker 3: doctor but whatever.
• 49:54
  Speaker 4: You almost see his junk when you're trying to.
• 49:55
  Speaker 3: You get a little ad well you get like a
• 49:57
  Speaker 3: half ass shot from two different guys but you never
• 50:00
  Speaker 3: really get anything else from the guys so ladies i
• 50:02
  Speaker 3: don't know what to tell you yeah he was climbing
• 50:05
  Speaker 3: up on the tub i was hoping the the tile
• 50:07
  Speaker 3: was wet and he was just going take himself out
• 50:09
  Speaker 3: we might have seen some blood then but yeah as
• 50:12
  Speaker 3: far as Maria this is actually one of my favorite
• 50:14
  Speaker 3: roles for her what I've seen of her this is
• 50:17
  Speaker 3: a lot of fun because she's crazy like from the
• 50:20
  Speaker 3: get go it gives her a lot to do she's
• 50:22
  Speaker 3: just she's very beguiling she definitely sort of ropes you
• 50:26
  Speaker 3: in she's really attractive when she's back in the day
• 50:29
  Speaker 3: she's a young attractive woman she's got kind of that
• 50:33
  Speaker 3: whole almost exotic feel to it which is weird for
• 50:36
  Speaker 3: a girl from Canada Technically, I think she's born here,
• 50:40
  Speaker 3: so I don't know where this comes from, but she's
• 50:43
  Speaker 3: got almost a different look to her that you would
• 50:47
  Speaker 3: almost guess she was from some other part of the world.
• 50:51
  Speaker 8: She does have very Canadian eyes.
• 50:53
  Speaker 3: Well, there you go.
• 50:55
  Speaker 5: She has Canadian eyes.
• 50:57
  Speaker 8: Haven't you watched the South Park movie?
• 50:58
  Speaker 4: Oh, no.
• 51:01
  Speaker 8: I don't want to, like... Offend her.
• 51:03
  Speaker 3: Well, you know, she wasn't born there, so I guess
• 51:06
  Speaker 3: that's why her head doesn't flip up and down when
• 51:08
  Speaker 3: she talks like Terrence and Phillip. But yeah, I think
• 51:14
  Speaker 3: this is a lot of fun for her. That's almost
• 51:16
  Speaker 3: the reason to watch it is I think she's really
• 51:19
  Speaker 3: entertaining in it. She does have her little breakdowns here
• 51:21
  Speaker 3: and there that are a little over the top. And
• 51:24
  Speaker 3: on top of that, yeah, you see Greedo's boobs. Yeah,
• 51:26
  Speaker 3: they're nice. She was hot back in the day, let
• 51:29
  Speaker 3: me tell you. And she was actually pretty attractive when
• 51:31
  Speaker 3: I saw her recently. So, you know, who am I
• 51:33
  Speaker 3: to say that? maria call me you know whatever but
• 51:36
  Speaker 3: yeah she's uh yeah she's very attractive and um i
• 51:40
  Speaker 3: i like the beginning when she's just sort of sinister
• 51:43
  Speaker 3: in the end she's full-on crazy and that's fun too
• 51:46
  Speaker 3: she just jumps.
• 51:46
  Speaker 11: Into bad shit she's just a little wily in the
• 51:48
  Speaker 11: beginning yeah i don't get what.
• 51:49
  Speaker 3: I want she definitely sex panther yeah she always seems
• 51:53
  Speaker 3: like she's up to something and she is and uh
• 51:55
  Speaker 3: yeah she she definitely works that throughout the entire movie
• 51:58
  Speaker 3: so maybe.
• 51:58
  Speaker 11: She didn't do she just did too many drops and
• 52:02
  Speaker 11: like flipped something in her skull and she was like.
• 52:04
  Speaker 4: I'm gonna kill everybody switch flipped and did not flip.
• 52:07
  Speaker 3: Back definitely so it's still sort of I don't know
• 52:12
  Speaker 3: it's up to you if you want to watch it
• 52:13
  Speaker 3: I'm not gonna force people to I enjoyed it I
• 52:15
  Speaker 3: had fun with it but again I watch a lot
• 52:17
  Speaker 3: of stuff that people don't like so that's my take
• 52:21
  Speaker 3: on it it's fun along the way and a whole
• 52:23
  Speaker 3: lot of down time somewhere in there so you pick
• 52:27
  Speaker 3: and choose what you like in this movie so Anything
• 52:30
  Speaker 3: else we need to address? All right, then. We'll take
• 52:34
  Speaker 3: a break and have some sex on fire. And come
• 52:36
  Speaker 3: back with the rest of the show. Sex on.
• 52:40
  Speaker 7: Fire.
• 52:41
  Speaker 12: They're watching All the commotion.
• 52:47
  Speaker 5: A kid in like pain.
• 53:00
  Speaker 15: Has people talking Talking Yeah, yeah No.
• 53:11
  Speaker 10: Sex is on fire The.
• 53:13
  Speaker 12: Dark of the alley The breaking of day The hit
• 53:25
  Speaker 12: while I'm driving.
• 53:29
  Speaker 2: One minute left to top off the evening with a
• 53:34
  Speaker 2: treat from our snack bar.
• 53:35
  Speaker 3: Still time if you hurry.
• 53:37
  Speaker 14: Last call for refreshments, folks.
• 53:39
  Speaker 2: Go right this second to get something good to eat
• 53:41
  Speaker 2: and drink to enjoy now or during the rest of
• 53:44
  Speaker 2: the show.
• 53:45
  Speaker 1: Rest in black from head to toe. His face eternally hidden.
• 53:49
  Speaker 1: He was the most evil being in the universe. Commander
• 53:53
  Speaker 1: of the Death Stars. The Dark Lord of the Sith,
• 53:56
  Speaker 1: whose very name brought fear to the bravest of men.
• 54:00
  Speaker 1: Darth Vader. Darth Vader is back. Star Wars is back.
• 54:06
  Speaker 1: Star Wars. Rated PG. Parental guidance suggested.
• 54:10
  Speaker 6: Hey kids, are you ready for Mid-America's largest genre film festival?
• 54:14
  Speaker 6: That's right, it's time for the 6th annual Fright Night
• 54:16
  Speaker 6: Film Fest. Coming to you July 30th through August 1st
• 54:19
  Speaker 6: in Louisville, Kentucky. Featuring special guests, director, producer, Oscar winner,
• 54:24
  Speaker 6: and living legend, Roger Corman. Plus a Dawn of the
• 54:27
  Speaker 6: Dead reunion, a Night of the Creeps reunion, the Girls
• 54:30
  Speaker 6: of the Nightmare on Elm Street films, plus a.
• 54:32
  Speaker 4: 25th anniversary Fright Night reunion.
• 54:34
  Speaker 6: All that plus the Georgetown drive-in experience, live music, and
• 54:38
  Speaker 6: more horror merchandise that you'll know what to do with.
• 54:40
  Speaker 6: And even an appearance from the Movie Meltdown Gang. So
• 54:43
  Speaker 6: come on out and join us July 30th through August 1st.
• 54:45
  Speaker 6: For more details on the show, update your guest list,
• 54:48
  Speaker 6: or to get your tickets, go to FrightNightFilmFest.com.
• 54:51
  Speaker 5: Fright Night Film Fest is my favorite film festival.
• 54:53
  Speaker 3: Hands down. It's part of your problem, you know.
• 55:02
  Speaker 4: You haven't seen enough movies.
• 55:03
  Speaker 2: All of life's riddles are answered in the movies.
• 55:07
  Speaker 8: And now, on with the show.
• 55:46
  Speaker 5: I'm the boss.
• 56:05
  Speaker 4: You're right.
• 56:06
  Speaker 11: I thought I was playing footsie with you for a second.
• 56:12
  Speaker 3: Me? Our relationship. I'm the kind of woman that likes
• 56:18
  Speaker 3: to play footsie under the table. A lonely old woman
• 56:22
  Speaker 3: who likes to play footsie under the table.
• 56:24
  Speaker 5: Alright, we are back.
• 56:28
  Speaker 3: And as far as feedback, uh, this week people are slacking.
• 56:31
  Speaker 3: So we're actually, um, we've, we will go into, uh, the, uh,
• 56:36
  Speaker 3: we've got a few new iTunes reviews.
• 56:37
  Speaker 4: Oh, I'll let you.
• 56:38
  Speaker 3: Guys know about that in a minute. But, um, On
• 56:41
  Speaker 3: the feedback note, it will lead us into where we
• 56:44
  Speaker 3: need to go with this next little feature here. Because
• 56:47
  Speaker 3: we have a gift that was provided to us for
• 56:52
  Speaker 3: our show. And specifically, I have taken it for this
• 56:54
  Speaker 3: little Greedo, bloody Greedo run here. So it is an
• 56:58
  Speaker 3: autographed CD from Graham Elwood that says, Han shot first.
• 57:03
  Speaker 3: If you listened to last week's episode, you'll understand. But yeah,
• 57:06
  Speaker 3: he has a whole little rant about Greedo. So to
• 57:09
  Speaker 3: tie it in, yeah, we're supposed to give this away,
• 57:12
  Speaker 3: but I was going to give it away to the
• 57:14
  Speaker 3: people who, I don't know, provide feedback initially. But this week,
• 57:18
  Speaker 3: nobody gave us anything. So that's it.
• 57:21
  Speaker 4: Losers.
• 57:22
  Speaker 3: I'm upping the ante on you guys now. So if
• 57:23
  Speaker 3: you want to get it now, we're going to have
• 57:25
  Speaker 3: to take the next step and provide us with something
• 57:28
  Speaker 3: a little more than that. So for the Han shot
• 57:31
  Speaker 3: first contest we got going here. I think I want
• 57:34
  Speaker 3: you guys to call in and do your best Greedo impersonation.
• 57:38
  Speaker 2: Nice.
• 57:38
  Speaker 3: How's it go, Roger?
• 57:40
  Speaker 4: I'm not good at it.
• 57:43
  Speaker 3: So I want to hear you do whichever is your
• 57:48
  Speaker 3: favorite lines. I'm not sure if we'll be able to
• 57:51
  Speaker 3: decipher them. Actually, if we're geek enough, we can decipher them.
• 57:53
  Speaker 4: I've got a professional. I've studied this.
• 57:56
  Speaker 3: Yeah.
• 57:57
  Speaker 1: Oh, yeah.
• 57:57
  Speaker 3: So, yeah, whichever ones. We're probably not going to get
• 58:00
  Speaker 3: too technical, as long as it sounds like Greedo. But, yeah,
• 58:03
  Speaker 3: we'll pick the best one of the bunch. So you
• 58:05
  Speaker 3: better just do a good job. That's all I got
• 58:08
  Speaker 3: to say. So, yeah, call us and give us your
• 58:11
  Speaker 3: best Greedo impersonation. And the best of the bunch is
• 58:15
  Speaker 3: going to get this hand-autographed and titled with Hanshot First
• 58:19
  Speaker 3: Edition of the CD from Graham Elwood. which I believe
• 58:23
  Speaker 3: Misty and Marlena are pretty taken on this hot inside picture.
• 58:27
  Speaker 5: Yeah, he's wearing.
• 58:28
  Speaker 7: American flag pants on a beach with some, like, memchucks.
• 58:32
  Speaker 3: Shirtless, mind you.
• 58:33
  Speaker 8: Yeah, and shirtless. Oh, and on the back, it's pretty funny, too.
• 58:35
  Speaker 3: And on the back, he's doing some sort of kung
• 58:38
  Speaker 3: fu karate action there. This is, yeah, an awesome CD.
• 58:42
  Speaker 3: And thank you to Graham Elwood at GrahamElwood.com. And their
• 58:47
  Speaker 3: show is ComedyPhilNerds.com. So go there. They do kick ass.
• 58:50
  Speaker 3: So thank you once again to him for providing the
• 58:53
  Speaker 3: prize for this little contest. So now it's up to
• 58:55
  Speaker 3: you to win this fabulous prize. Call in and get
• 58:59
  Speaker 3: a gift. And I've got other random stuff I can
• 59:00
  Speaker 3: throw in there. We can make it a whole, you know,
• 59:02
  Speaker 3: Han shot first gift pack.
• 59:03
  Speaker 4: We have lost socks.
• 59:04
  Speaker 5: We have suicide cat wings.
• 59:06
  Speaker 3: Yeah, I've got a cat that I'm really sick of.
• 59:09
  Speaker 3: Tired of it.
• 59:10
  Speaker 4: He's on suicide watch.
• 59:11
  Speaker 3: If you do a really good job, I won't include him.
• 59:13
  Speaker 3: That's your incentive right there. I'll keep the little bit.
• 59:17
  Speaker 7: Yeah.
• 59:18
  Speaker 3: So yeah. Call the, uh, the old hotline here. 502-365-5565. And, uh,
• 59:24
  Speaker 3: provide us with your best impersonation of Greedo. So yeah,
• 59:29
  Speaker 3: in lieu of, uh, your feedback this week, we'll go
• 59:31
  Speaker 3: with your feedback via iTunes. So we have a couple
• 59:35
  Speaker 3: of new ones since then that I wanted to, uh,
• 59:36
  Speaker 3: let you guys know. Um, We got one from FestiFan
• 59:39
  Speaker 3: that says, I'm a huge movie geek, and this show
• 59:42
  Speaker 3: pretty much picks movies that I can enjoy and then
• 59:44
  Speaker 3: show to my friends. My friends might ultimately think I'm
• 59:47
  Speaker 3: super weird and stop talking to me, but I have fun.
• 59:50
  Speaker 4: That's all that matters.
• 59:51
  Speaker 3: See, that's what I'm saying. This is how I approach it.
• 59:53
  Speaker 3: I find some of these random movies, and I show
• 59:56
  Speaker 3: them to people, and you guys hate me. And then
• 1:00:00
  Speaker 3: we talk about them and then other people get to
• 1:00:02
  Speaker 3: discover them and inflict them upon their friends. This is
• 1:00:06
  Speaker 3: the chain that I like to create.
• 1:00:08
  Speaker 4: To whip people with.
• 1:00:10
  Speaker 14: Yeah.
• 1:00:11
  Speaker 3: The chain of pain.
• 1:00:14
  Speaker 4: The chain of pain.
• 1:00:16
  Speaker 3: Nice. Chain of pain.
• 1:00:18
  Speaker 4: It's going to be the next news segment.
• 1:00:21
  Speaker 3: So, yes, thank you to FestiFan. That was, yeah, I
• 1:00:25
  Speaker 3: kind of enjoy hearing that they do get something out
• 1:00:28
  Speaker 3: of this.
• 1:00:28
  Speaker 4: That's exactly what we want to do.
• 1:00:29
  Speaker 3: Inflict it upon your friends. That's what we're looking for.
• 1:00:32
  Speaker 3: And inflict the show upon your friends. That's what we're
• 1:00:34
  Speaker 3: trying to do at this point is to spread the word. So, yeah,
• 1:00:38
  Speaker 3: aside from iTunes reviews, yes, we do want those, but
• 1:00:41
  Speaker 3: just tell your random friends, the ones that you're making
• 1:00:43
  Speaker 3: watch these horrible movies that I dig up and go, hey,
• 1:00:45
  Speaker 3: let's talk about these. Tell them to listen to our
• 1:00:48
  Speaker 3: ridiculous show as well. We'll talk about, I don't know,
• 1:00:51
  Speaker 3: sex on fire and giant turntables and Borg screwing each other.
• 1:00:57
  Speaker 3: God knows what the hell we're going to talk about.
• 1:00:59
  Speaker 3: There are no barriers. You know you want to inflict
• 1:01:01
  Speaker 3: that upon them as well. If you're that evil and sadistic,
• 1:01:04
  Speaker 3: you go for it.
• 1:01:05
  Speaker 5: Because this is futile. There you go.
• 1:01:08
  Speaker 3: So yeah, the next one up we hear from Fuzzy Bear,
• 1:01:11
  Speaker 3: who we do actually hear from. He is on our
• 1:01:13
  Speaker 3: good side because he does call in. So any of
• 1:01:16
  Speaker 3: you guys who aren't calling in, you're already pushing your luck. So...
• 1:01:19
  Speaker 3: He says, more than movie reviews, this show consists of interviews, conversations, tangentile. Tangentile.
• 1:01:25
  Speaker 4: Is that a word?
• 1:01:27
  Speaker 3: All right, we'll go with that.
• 1:01:28
  Speaker 7: Sure.
• 1:01:28
  Speaker 3: Tangentile side notes and all-out hilarity. It's obvious that the
• 1:01:32
  Speaker 3: co-hosts all like each other and like movies and enjoy
• 1:01:35
  Speaker 3: hanging out and talking about films. No film snobbery here,
• 1:01:37
  Speaker 3: only an appreciation for each other and for movies.
• 1:01:40
  Speaker 4: Word.
• 1:01:40
  Speaker 3: See, that gives us way more credit than we deserve.
• 1:01:44
  Speaker 3: Please go to iTunes and lie.
• 1:01:45
  Speaker 1: We like that.
• 1:01:46
  Speaker 4: That's awesome.
• 1:01:46
  Speaker 1: That's awesome.
• 1:01:47
  Speaker 4: You gotta send in something just for saying such nice words.
• 1:01:50
  Speaker 3: I mean, granted, we aren't movie snobs. I'll give you that. But,
• 1:01:53
  Speaker 3: I mean, A, we don't like each other. And B, movies.
• 1:01:57
  Speaker 3: We don't watch movies.
• 1:01:57
  Speaker 4: You don't understand how much stuff we cut out. Not really.
• 1:02:01
  Speaker 3: That strangulation or whatever.
• 1:02:05
  Speaker 2: So, yeah.
• 1:02:06
  Speaker 3: But, yeah, that's very cool. Thank you, Fozzie Bear.
• 1:02:09
  Speaker 4: Yeah, Fozzie.
• 1:02:10
  Speaker 3: Definitely.
• 1:02:11
  Speaker 7: Yay!
• 1:02:11
  Speaker 1: Yay!
• 1:02:15
  Speaker 3: On that note, yes, go to iTunes and leave us
• 1:02:18
  Speaker 3: a review. A nice big five-star review. We much appreciate that.
• 1:02:29
  Speaker 9: Don't be shy. We'd like to hear from you. So
• 1:02:31
  Speaker 9: give us a call at 502-365-5565. Or you can email
• 1:02:37
  Speaker 9: us at geeksatmoviemeltdown.com. And just stop by the website for
• 1:02:40
  Speaker 9: our frequent updates. That's moviemeltdown.com. And while you're there, click
• 1:02:45
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• 1:02:50
  Speaker 9: the forum sections and look for Movie Meltdown.
• 1:03:00
  Speaker 8: This message will self-destruct. I want things that self-destruct.
• 1:03:09
  Speaker 5: Right?
• 1:03:10
  Speaker 8: You know, like mail. Like I want my mail to self-destruct.
• 1:03:14
  Speaker 5: Like Facebook messages.
• 1:03:16
  Speaker 4: Lots of things.
• 1:03:20
  Speaker 8: Ex-boyfriend.
• 1:03:22
  Speaker 11: After you break up with them, they get a phone call.
• 1:03:26
  Speaker 5: Hi, you will self-destruct in five, four.
• 1:03:29
  Speaker 4: I think.
• 1:03:30
  Speaker 7: They started self-destructing before we broke up and that was
• 1:03:32
  Speaker 7: always the problem.
• 1:03:34
  Speaker 3: Nice.
• 1:03:35
  Speaker 5: That's what other exes.
• 1:03:36
  Speaker 4: That's true.
• 1:03:39
  Speaker 3: Okay, kids, get out your Dakota bins. It is time.
• 1:03:45
  Speaker 3: time for the movie meltdown secret circle reveal of the
• 1:03:47
  Speaker 3: next two features some of which somebody might be here
• 1:03:50
  Speaker 3: for i'm not really sure we'll be gone next weekend
• 1:03:52
  Speaker 3: next week yeah these two uh and.
• 1:03:55
  Speaker 4: If the movie is anything like today then actually we're
• 1:03:58
  Speaker 4: okay with.
• 1:03:59
  Speaker 3: It yeah actually you're you're you got out good today was.
• 1:04:03
  Speaker 4: Improved oh next week is worse oh god baby word
• 1:04:09
  Speaker 4: we can dodge that.
• 1:04:10
  Speaker 3: Bullet you and your damn life So, yeah, these two
• 1:04:15
  Speaker 3: over here are skating out next week. But, yeah, the
• 1:04:18
  Speaker 3: rest of us and whoever else I can rope into it,
• 1:04:20
  Speaker 3: which we'll have to see because some other people are
• 1:04:23
  Speaker 3: still out of town. So we're putting the crew, as
• 1:04:25
  Speaker 3: we constantly do with our rotating crew, we're going to
• 1:04:28
  Speaker 3: drag some more unwilling victims into this. Whoever is here
• 1:04:32
  Speaker 3: next time, we're going to be watching The Cremators.
• 1:04:35
  Speaker 4: It sounds awesome, though.
• 1:04:36
  Speaker 3: Doesn't it?
• 1:04:37
  Speaker 4: Just like Blood Mania.
• 1:04:38
  Speaker 3: Doesn't it? That's the key to these movies. Get a
• 1:04:42
  Speaker 3: good title, get a good poster.
• 1:04:43
  Speaker 4: They get you in the seat, and then right, just
• 1:04:45
  Speaker 4: fucking ass.
• 1:04:46
  Speaker 8: I probably will fall asleep.
• 1:04:49
  Speaker 7: I've taken on Roger's role of falling.
• 1:04:51
  Speaker 8: Asleep during the podcast.
• 1:04:52
  Speaker 10: I don't do it anymore.
• 1:04:53
  Speaker 8: I know, because I do it now.
• 1:04:55
  Speaker 7: Nope.
• 1:04:55
  Speaker 5: Me. No, you just fall asleep during the podcast.
• 1:04:59
  Speaker 7: Okay.
• 1:04:59
  Speaker 8: Okay.
• 1:05:00
  Speaker 5: I'm walking home.
• 1:05:02
  Speaker 2: Yeah.
• 1:05:04
  Speaker 4: All right.
• 1:05:04
  Speaker 3: So the following week, we're going to round out this
• 1:05:07
  Speaker 3: trilogy of terror. And the last feature I'm still working on,
• 1:05:11
  Speaker 3: I don't even know what format we're going with. I'm
• 1:05:13
  Speaker 3: still trying to get a good copy of it. It's
• 1:05:15
  Speaker 3: that these two you can actually get. They're available readily,
• 1:05:19
  Speaker 3: at least if you have the Internet. I don't know
• 1:05:20
  Speaker 3: that you're going to find them at your local blockbuster,
• 1:05:23
  Speaker 3: but you can definitely get copies of them. But the
• 1:05:25
  Speaker 3: last one is a little harder to come by. It
• 1:05:27
  Speaker 3: is called Wonder Woman. And it's sort of infamous. Some
• 1:05:31
  Speaker 3: of you out there in the Super Geek world probably
• 1:05:33
  Speaker 3: know of it or have already seen it. Wonder Woman. Yeah,
• 1:05:37
  Speaker 3: it's another special, special movie. But it's got more action
• 1:05:40
  Speaker 3: than this movie, so I'll give you, you know, we'll
• 1:05:42
  Speaker 3: be a little more entertained, I think, than today's feature
• 1:05:44
  Speaker 3: on the downtime, hopefully. So, yes, that will be the
• 1:05:50
  Speaker 3: last entry in Greedo, Bloody Greedo.
• 1:05:52
  Speaker 5: Yeah.
• 1:06:00
  Speaker 4: All right.
• 1:06:00
  Speaker 3: Anything else you guys want to add to this, uh,
• 1:06:03
  Speaker 3: Greedo fest?
• 1:06:04
  Speaker 4: No, I'm pretty good. Pretty. I'm still thinking about Borg cubes.
• 1:06:09
  Speaker 4: Friction making this galactic friction as they rub up against
• 1:06:12
  Speaker 4: each other.
• 1:06:13
  Speaker 3: Does it make a noise?
• 1:06:14
  Speaker 4: Cosmos is splitting in half. Yeah, it's pretty awesome.
• 1:06:18
  Speaker 3: There's no other noises in space.
• 1:06:19
  Speaker 4: Borg 6 is hot. It is.
• 1:06:20
  Speaker 3: Just Borg 6. That's all you can use.
• 1:06:21
  Speaker 4: Just like sparks. Lots of sparks.
• 1:06:23
  Speaker 11: Just like sparks and howling.
• 1:06:25
  Speaker 4: Electricity's arcing from body to body part.
• 1:06:27
  Speaker 5: Data's freaking out somewhere.
• 1:06:29
  Speaker 3: What?
• 1:06:29
  Speaker 5: Data doesn't do that.
• 1:06:32
  Speaker 4: Yeah, when he freaks out, he does. When his wiener
• 1:06:34
  Speaker 4: goes out of control.
• 1:06:37
  Speaker 7: Wow.
• 1:06:39
  Speaker 3: And the nerd auntie gets taken up a notch.
• 1:06:42
  Speaker 4: All right. We have to stop arguing about that. Yeah, okay.
• 1:06:46
  Speaker 3: On that note, the only thing dorkier than that is
• 1:06:48
  Speaker 3: a song about Greedo. So yeah, this is probably, of
• 1:06:51
  Speaker 3: all of them I'm piecing into this run of movies,
• 1:06:54
  Speaker 3: this is probably the most blatantly dorky. It's just titled Greedo,
• 1:06:58
  Speaker 3: so enjoy. Otherwise, that about does it. We will return
• 1:07:02
  Speaker 3: next week. Same geek time, same geek feed. Thanks for listening.
• 1:07:05
  Speaker 4: Thanks, guys.
• 1:07:06
  Speaker 5: Bye.
• 1:07:07
  Speaker 1: Thanks.
• 1:07:07
  Speaker 4: Bye. Data's boner.
• 1:07:10
  Speaker 8: His wiener.
• 1:07:12
  Speaker 4: His wiener.
• 1:07:15
  Speaker 6: Dorks.
• 1:07:15
  Speaker 4: I don't know the word.
• 1:07:17
  Speaker 3: Super dorks.
• 1:07:20
  Speaker 10: He always had it coming since the day he was
• 1:07:22
  Speaker 10: born Out comes another rodeon in the swarm He had
• 1:07:27
  Speaker 10: a blaster pistol and his fingers were hot His temper
• 1:07:31
  Speaker 10: was quick but his reflex was not He embodied the
• 1:07:35
  Speaker 10: sin of his namesake Now they're laying him down in
• 1:07:39
  Speaker 10: a six-foot grave He was trying to make a payment
• 1:07:44
  Speaker 10: claim But.
• 1:07:44
  Speaker 4: When down, down Well, he felt mighty.
• 1:07:56
  Speaker 10: Proud cause he just made the cut as the new
• 1:07:59
  Speaker 10: headhunter for Jabba the Hutt.
• 1:08:02
  Speaker 3: Eliminate the cause of his boss's sorrow.
• 1:08:06
  Speaker 10: A scruffy-looking nerf heard a drop in his cargo. A
• 1:08:09
  Speaker 10: search brought him to Marsaius Lee, a wretched hive of villainy.
• 1:08:15
  Speaker 10: He was trying to make a payment claim, but went.
• 1:08:20
  Speaker 11: Down, down, down.
• 1:08:30
  Speaker 5: The bits were blowing.
• 1:08:31
  Speaker 10: Jizz and it was out of sight One note from
• 1:08:34
  Speaker 10: the clue could turn day into night The air was
• 1:08:38
  Speaker 10: hot and the elk was cold All Greedo did was
• 1:08:42
  Speaker 10: what he was told He was brash and brave and
• 1:08:46
  Speaker 10: full of life With eyes that absorbed every ray of
• 1:08:50
  Speaker 10: light He was trying to make a payment claim But
• 1:08:54
  Speaker 10: when down, down, down came the blaster rain There.
• 1:08:58
  Speaker 4: Was something in the air.
• 1:09:00
  Speaker 10: That day Everyone knew he was giving it away The
• 1:09:04
  Speaker 10: crowd could sense something wasn't right Old Greedo was looking
• 1:09:10
  Speaker 10: for a fight.
• 1:09:20
  Speaker 3: Thank you.
• 1:11:03
  Speaker 5: Fifty thousand dollars, my sweet. Fifty thousand dollars.
• 1:11:14
  Speaker 1: As soon as the will is probated.
• 1:11:18
  Speaker 5: And Daddy's business affairs are in perfect order, ten days
• 1:11:23
  Speaker 5: to two weeks.
• 1:11:25
  Speaker 2: I'll get the money back to you.
• 1:11:27
  Speaker 1: I swear it.
• 1:11:29
  Speaker 10: Don't swear.
• 1:11:32
  Speaker 8: Please don't swear.
• 1:11:33
  Speaker 4: I don't want the money.
• 1:11:39
  Speaker 8: I have you.
• 1:11:42
  Speaker 1: Don't make no mistake about it. I do have you.
• 1:11:49
  Speaker 1: You are a bitch.
• 1:11:50
  Speaker 4: Become your bitch.
• 1:11:53
  Speaker 9: This show is a production of Movie Meltdown, produced and
• 1:11:55
  Speaker 9: edited by Brian Renfro, featuring contact music performed by Tamara Deering.
• 1:12:00
  Speaker 9: To help support the show, email producer at moviemeltdown.com for
• 1:12:03
  Speaker 9: ways that you can contribute or advertise with us.