Latest / Vanity Farah with Chris Farah / 90 Day The Single Life Season 5, Episode 11 “The Art of Dragging”

Transcript

90 Day The Single Life Season 5, Episode 11 “The Art of Dragging” · Vanity Farah with Chris Farah

0:03
Speaker 1: Hey, my booz, my name is Chris Farah. Welcome back
0:06
Speaker 1: to Vanity Farah Worre. Today we are talking ninety day
0:09
Speaker 1: at Single Live at season five. It's episode eleven, The
0:12
Speaker 1: Art of Draging even though it should I speak drag.
0:17
Speaker 1: But let's get into it. Okay, we are going to
0:19
Speaker 1: pick up on Gino. Now. When Gino's segment starts, they
0:22
Speaker 1: give us some weird like AI music that is absolutely
0:27
Speaker 1: the Jackson's lame It on the Boogie, but a different
0:31
Speaker 1: version of it. Okay, And you know I'm talking about
0:33
Speaker 1: if you listen to it, they're like something something moon Light,
0:36
Speaker 1: and we're like, okay, that sounds familiar. But then it's like, no,
0:38
Speaker 1: it's not that song, it's another song. I'm gonna say this,
0:42
Speaker 1: what AI is doing with music is absolutely criminal. Not
0:46
Speaker 1: to bring up another Michael Jackson song, but straight up
0:50
Speaker 1: like that's Paula Abdul. Sorry to make light of it.
0:55
Speaker 1: It's just actually, really really horrifying. I just saw this
0:58
Speaker 1: lovely bluegrass lady who basically said that all of her
1:01
Speaker 1: like YouTube videos were fed into an AI algorithm who
1:04
Speaker 1: made music upon it, and then put out copy claims
1:07
Speaker 1: to her own music on YouTube and YouTube as I
1:10
Speaker 1: guess a non human reviewer, and so she doesn't have monetization.
1:16
Speaker 1: So I'm just going to say this, make sure wherever
1:18
Speaker 1: you're listening to music that it's not fucking AI and
1:21
Speaker 1: don't support that shit because you were taking money away
1:24
Speaker 1: from what is actually great artists. Okay, Gino talking about
1:29
Speaker 1: an artist. Okay Gino. It's the morning after the Strip
1:31
Speaker 1: club and he is just so happy. He's like, the
1:33
Speaker 1: sex was great. We're like already, well, let's ask Natalie,
1:37
Speaker 1: because you know, those are always going to be different opinions.
1:40
Speaker 1: Natalie's like, yep, you were just a wild and crazy
1:44
Speaker 1: guy last night. Hahaha. She didn't actually say the reference
1:47
Speaker 1: I did, because that would have been funny. She just
1:49
Speaker 1: said whatever she said. Now they are staying in West Hollywood,
1:54
Speaker 1: and now I know that, and I feel like I
1:55
Speaker 1: drive past that building with the red door all the time.
1:58
Speaker 1: I'm so mad. And they're going to go to meet
2:03
Speaker 1: up with her family, which is her brother twin brother
2:06
Speaker 1: Nick and her daughter Isabella. And for some reason it's
2:09
Speaker 1: a surprise to you know, he doesn't know where he's going,
2:11
Speaker 1: which we'll figure that out later. But the reservation is
2:13
Speaker 1: already happening, so they're going to walk there. It's like,
2:15
Speaker 1: oh my god, you're walking to West Hollywood, you must
2:17
Speaker 1: be very close. They walk by Arden and I'm like,
2:19
Speaker 1: oh my god, and it ends up being hammer Grammary's
2:23
Speaker 1: so hammer Grammary's longtime institution of like drag brunch and everything,
2:27
Speaker 1: and I'm like, oh my god, it's so close to me,
2:28
Speaker 1: Please don't be so close to me. So Nick is
2:31
Speaker 1: there now? Nick is like, I have a beautiful sisters,
2:34
Speaker 1: just so beautiful. Dah da da da. And you can
2:35
Speaker 1: tell Nick he hates do you know. And also everyone
2:40
Speaker 1: keeps talking about how Natalie's love life is a fucking
2:43
Speaker 1: shit show. And she's a seasoned woman, so it must
2:49
Speaker 1: be awkward to have everyone in your life be like,
2:53
Speaker 1: you make horrible choices and you continue to do so,
2:57
Speaker 1: we don't trust you to make a good choice because
3:00
Speaker 1: she's old. She's old, you know, she's what fifty something.
3:05
Speaker 1: I mean, I don't mean to be rude, but at
3:07
Speaker 1: some point, it's like, you do have to try to
3:11
Speaker 1: do better in the areas that you know you have
3:16
Speaker 1: always done shitty, and that it affects other people in
3:20
Speaker 1: your life and they're telling you how shitty it is,
3:23
Speaker 1: Like I mean, right, I mean, I don't mean to
3:27
Speaker 1: be mean about this, but it's like, at some point,
3:31
Speaker 1: whose fault is this? So basically, you know, for some reason,
3:37
Speaker 1: Natalie doesn't know that Isabella's not going to show up,
3:40
Speaker 1: which is weird because that's your daughter, and your daughter
3:44
Speaker 1: hates Gino and has made that fucking perfectly clear. And
3:47
Speaker 1: so I don't understand why Natalie thinks that she's going
3:50
Speaker 1: to torture her daughter by being with a shitty man
3:53
Speaker 1: that is dating her mom, and she's seen that over
3:55
Speaker 1: and over again. To me, it just doesn't I mean,
3:59
Speaker 1: I really have lost hers. I've been losing respect for Natalie,
4:02
Speaker 1: like the whole time, and I think that's the point
4:04
Speaker 1: of Like Isabella, She's like, I cannot believe I have
4:07
Speaker 1: to watch you make a fucking fool of yourself on TV.
4:09
Speaker 1: I cannot believe that you are going on to be
4:12
Speaker 1: humiliated after what he has done for you. I cannot
4:14
Speaker 1: believe it. And I'm like, I don't know, maybe she
4:17
Speaker 1: has some sort of humiliation fetish. I mean, it's really shameful,
4:23
Speaker 1: especially if you're like raising a daughter like my God.
4:26
Speaker 1: So before they leave, though, it has noticed. Do you
4:30
Speaker 1: guys notice that Gina had Gina. It was like micd
4:32
Speaker 1: up in his bathrobe. I was like, ough anyway, doublass.
4:34
Speaker 1: So they go to Hammiger Mary's. Obviously Isabelle won't be there,
4:38
Speaker 1: for won't be there at all. And Nick has to
4:40
Speaker 1: be like, yeah, she's she's not coming because she she
4:43
Speaker 1: does not like you, gin now and Gino's like what
4:46
Speaker 1: would And Nick's like, well, have you filed for divorce yet?
4:50
Speaker 1: From Jasmine? Gina never answers that question. Guno says, you
4:54
Speaker 1: don't have to worry about Jasmine anymore, bitch, That's not
4:58
Speaker 1: the fucking question I asked you. And then the brother
5:02
Speaker 1: has to look at his sister and be like, your
5:04
Speaker 1: daughter comes first, which if she has to be reminded
5:10
Speaker 1: about that, who the fuck is she as a mother? What?
5:18
Speaker 1: You know? It's interesting because I don't remember want to
5:21
Speaker 1: see young kids on the show, but when you see
5:25
Speaker 1: adults that are the children of subjects on the show,
5:30
Speaker 1: you can lean into how they've been treated, Like I
5:36
Speaker 1: don't think Faith has been treated well by Lisa, and
5:40
Speaker 1: I know that there is like issues with Jamal and
5:43
Speaker 1: Kimberly because she lied to him or whatnot. But like
5:45
Speaker 1: Kimberly and Jamal's relationship is pretty fucking solid to me,
5:50
Speaker 1: I mean from what I see, Okay, it's quite different
5:52
Speaker 1: from let's just say Isabella's in Natalie's. It just really
5:55
Speaker 1: feels like Isabella's like a young girl of a generation
5:59
Speaker 1: that is like known to speak up for themselves, that's
6:01
Speaker 1: not going to fucking tolerate things that like older generations did.
6:04
Speaker 1: And she truly feels what reads is a wild embarrassment
6:10
Speaker 1: that her mother is the way she is, and I
6:14
Speaker 1: feel bad for her, and Gino like doesn't understand it
6:20
Speaker 1: and is like, well, it's not fair. She doesn't know me,
6:22
Speaker 1: and it's like, oh no, she just watched what happened, asshole.
6:26
Speaker 1: She watched how you behaved. That's how she made her decision.
6:30
Speaker 1: She does know you. If you're going to allow that,
6:33
Speaker 1: it's hard. It's like behavior is sometimes all one has
6:39
Speaker 1: because words are lies, can be lies, words can be lies.
6:46
Speaker 1: Behavior maybe in the beginning can be lies, but then
6:49
Speaker 1: it's just it's difficult to keep up a behavior that
6:54
Speaker 1: is not truthful for an extended period of time. And
6:59
Speaker 1: that's why I guess when I was talking in before
7:02
Speaker 1: the ninety days about like how goodbye goodbye texts happen,
7:07
Speaker 1: and then they filter off. It's because it's hard to
7:10
Speaker 1: keep up the behavior that I care for you every day.
7:13
Speaker 1: If it's not true. If someone doesn't care how you
7:18
Speaker 1: are doing, or doesn't care how your day went, or
7:20
Speaker 1: doesn't ask you questions about those things, you know, it's
7:26
Speaker 1: indicative of not caring. Now, you might corner that person
7:30
Speaker 1: and be like, you don't love me anymore, and that
7:31
Speaker 1: person might be like, yeah, I totally do it. Just
7:33
Speaker 1: been busy, all right, lie, behavior works better. So anyway
7:40
Speaker 1: we're supposed to believe now that Natalie is, Natalie is
7:43
Speaker 1: like I'm gonna not stay here. I gotta go take
7:46
Speaker 1: my stuff and make sure my daughter's okay. She ends
7:50
Speaker 1: up calling her daughter, who's like, Mom, you're you are
7:55
Speaker 1: embarrassing and I'm not gonna say anything mean, but at
7:59
Speaker 1: the same time, fucking won't stand for this. Get off
8:01
Speaker 1: the phone, you know, and then she has to go
8:03
Speaker 1: like off camera and be like are you okay to
8:05
Speaker 1: your daughter When it's like no, she knows, like, well,
8:09
Speaker 1: I hope to see you again, and Natalie's like, uh huh.
8:17
Speaker 1: It's really difficult for some men like Javon, you know,
8:22
Speaker 1: Rick fucking Gino, Colt. I can't tell how much they
8:30
Speaker 1: know how bad they are two women, how much they
8:36
Speaker 1: don't care, and how much they want to change. Like
8:38
Speaker 1: Gino doesn't realize it. Colt knows he's shitty to woman,
8:41
Speaker 1: he just doesn't want to change. Rick knows he's shitty
8:44
Speaker 1: to woman. He doesn't want to change. G Notice feels
8:49
Speaker 1: always like he's playing the victim. Anyway. Let's move on
8:52
Speaker 1: to Courtney. So they're shopping at Arrest. Courtney and her
8:56
Speaker 1: parents are shopping grocery shopping. First thing she does when
8:58
Speaker 1: she gets in that shopping point is putting a bottle
9:01
Speaker 1: of what looks like champagne in the cart. Her mom's like,
9:03
Speaker 1: we're on a diet. I'm like, uugh no. Her mom's like,
9:07
Speaker 1: I'm gonna make cabbage rolls now. Her mom is super sweet,
9:10
Speaker 1: but she raw dogs a whole big as a whole
9:12
Speaker 1: big ass head of cabbage right in the cart. Like,
9:16
Speaker 1: are you gonna get a little like plastic wrapper around
9:18
Speaker 1: that cabbage? You can't just like put a whole cabbage
9:20
Speaker 1: thing into a cart like that, Like either have your
9:23
Speaker 1: own you know, a little container for the cabbage, but
9:25
Speaker 1: just to put cabbage on top of like the metal
9:30
Speaker 1: seat that a baby sometimes sits on with their stupid
9:33
Speaker 1: ass diapers at the Kroger's. Like, well, at the same time,
9:40
Speaker 1: I do like cabage rolls, and it's interesting cabbage rolls
9:45
Speaker 1: are in so many cuisines, Like cabbage rolls has a
9:50
Speaker 1: whole thing, right, and like Eastern European cuisine, like I know,
9:53
Speaker 1: like a lot of Polish peeps like cabbage rolls and
9:55
Speaker 1: stuff like that. In Lebanese or Lebentine cuisine, cabbage rols
9:59
Speaker 1: a whole ass thing very much exists. There were like
10:01
Speaker 1: it's stuff a lot of things, you know. Hm. Anyway,
10:05
Speaker 1: So in this conversation, though, Courtney's like, yeah, Colt went
10:12
Speaker 1: right from us to Brazil to be with Diana, and
10:15
Speaker 1: now he's coming back because his ligaments have died and
10:18
Speaker 1: his leg and now he's gonna get another surgery and
10:22
Speaker 1: they'll take his insurance here and I'm going to pick
10:24
Speaker 1: him up from the airport and like set him up
10:27
Speaker 1: at the hotel. And her mom is like, what are
10:30
Speaker 1: you gonna what the fuck are you gonna do? But
10:33
Speaker 1: they're so nice that they're like, well, he's not gonna
10:36
Speaker 1: stay here. I don't know why you do that. It's
10:40
Speaker 1: interesting because her parents are so sweet, so kind, so sweet.
10:46
Speaker 1: Right in a world that Courtney was my daughter, in
10:51
Speaker 1: a world that Courtney was a good friend of mine,
10:56
Speaker 1: I like I would have had a panic attack. I
11:00
Speaker 1: would have had a like I would not have been
11:02
Speaker 1: able to keep my opinion to myself. I'd be like, no,
11:04
Speaker 1: you're not. No, you're not over my fucking dead body.
11:07
Speaker 1: Are you going to go pick him up from the airport? No,
11:09
Speaker 1: you're not. No, let him get someone else. Let him
11:15
Speaker 1: understand that no one wants him in America, that he's
11:18
Speaker 1: fucked up everything. Why why would you do that? Why
11:21
Speaker 1: don't you have other things to do? No, Courtney, No,
11:25
Speaker 1: I would like, I mean, I would just sedate her
11:27
Speaker 1: the day it comes, honey, I don't have to tell you.
11:30
Speaker 1: I would just like lock her up, honey. And I
11:32
Speaker 1: would just be like, no, bitch, we're gonna watch double
11:35
Speaker 1: Ware's product too. Instead, Like, I don't care what you
11:37
Speaker 1: think you're doing. You're definitely not shaming yourself and like,
11:42
Speaker 1: you know, going back on the choices you've made. It's
11:44
Speaker 1: like kind of like Trish showing up at the airport
11:46
Speaker 1: with Rick. It's like, if I was friends with Trish,
11:48
Speaker 1: I would have never let it happen. Corney looks so
11:54
Speaker 1: cute in her glasses, right, I'm so mad that she
11:57
Speaker 1: is going to pick him up. So basically also, yeah,
12:01
Speaker 1: like in the next episode, she's like, well, did you
12:04
Speaker 1: have sex with Diana And he's like yep, and she's like, well,
12:07
Speaker 1: I'm glad it worked, you know, with her, And it's like,
12:10
Speaker 1: what to ask him? That question means that you are
12:13
Speaker 1: like fishing for something. I mean, she's like fishing I
12:17
Speaker 1: don't know, just to be like to have further validation
12:21
Speaker 1: that he knows that he fucked up, or the kind
12:24
Speaker 1: of sorrow that would somehow make her okay with forgiving him.
12:28
Speaker 1: I don't know why, but it's like, there is no
12:31
Speaker 1: good reason for you to waste your time on this man.
12:34
Speaker 1: She's like, I just feel so sorry for him. He
12:37
Speaker 1: might lose his leg, and I'm kind of like, well,
12:40
Speaker 1: should her things have happened to nicer people. I don't
12:47
Speaker 1: want anyone to lose their leg. But like, if you're
12:48
Speaker 1: gonna like fuck over my life, if you're going to
12:52
Speaker 1: cheat on me and fuck over my life after I've
12:54
Speaker 1: been really nice to you. Oops. Oops, that leg doesn't
12:59
Speaker 1: work anymore. No, oh again, I don't want it for someone.
13:03
Speaker 1: But at the same time, she's not responsible for him.
13:06
Speaker 1: I don't know why she thinks she is. I don't
13:07
Speaker 1: know if it's like I was there for Hunt for love.
13:09
Speaker 1: He left out of my hotel room. It was raining.
13:13
Speaker 1: He slipped, Yeah, bitch, he slipped. He doesn't have good balance.
13:17
Speaker 1: It's not you. You have to make sure you don't slip mentally,
13:23
Speaker 1: all right. Living on Kimberly Kimberly Honey is Christmas decorating.
13:27
Speaker 1: She's Christmas decorating with Jamal. There's like an old candy
13:31
Speaker 1: in one of the stockings. Wait one second, yeah, and
13:38
Speaker 1: he eats it. She's like, I don't know if I
13:39
Speaker 1: would have done that. She's like, you know, decorating you
13:41
Speaker 1: should be the thing I did with my mom and
13:42
Speaker 1: my sister, and now that they're gone, you know, it's
13:44
Speaker 1: a thing I do with you. And I would like
13:46
Speaker 1: to have Larry be a part of it, you know,
13:47
Speaker 1: as like a tradition. So they FaceTime Larry and that's nice.
13:51
Speaker 1: It does feel like a lot of people decorate for Christmas,
13:55
Speaker 1: and that's like a traditional thing. It's funny to me.
13:58
Speaker 1: It's like, oh, you think this is like a special
13:59
Speaker 1: tradition family thing that only you guys have. Okay, And
14:04
Speaker 1: now she tells them they're going to go. She's going
14:06
Speaker 1: to go to the UK. You know, God bless But
14:08
Speaker 1: it's perfect timing for Jamal to be like, maybe I
14:10
Speaker 1: should go. You know, I don't know why I give
14:12
Speaker 1: him that accent. He doesn't have an accent, but he's like,
14:14
Speaker 1: that's what the storyline the producers want now is for
14:17
Speaker 1: Jamal and her to go to the UK together. The
14:20
Speaker 1: other thing that happens in this is that she had
14:22
Speaker 1: gotten a letter from the adoption agency from her daughter,
14:28
Speaker 1: and basically this letter was written by the adoptive mothers oh,
14:37
Speaker 1: the adopted mother six years or so after they adopted
14:42
Speaker 1: Kimberly's daughter, who they will be referenced as are in
14:47
Speaker 1: this in this letter, and Kimberly decides to read it,
14:52
Speaker 1: and I mean, at first she decides to read it,
14:54
Speaker 1: but she really can't, so she like hands it over
14:56
Speaker 1: to Jamal and he reads it and it's just it's
14:58
Speaker 1: a beautiful letter about how Are is incredibly verbal and
15:04
Speaker 1: she's like that comes after me like m okay or
15:11
Speaker 1: or like you know what had happened in the first
15:14
Speaker 1: you know, two years of this baby's life outside of you,
15:18
Speaker 1: which was that their adoptive parents read saying to them
15:23
Speaker 1: did all those things. And we find out that our
15:27
Speaker 1: is going to a private school, and their parents are like,
15:29
Speaker 1: we're going to try and keep her in private school
15:31
Speaker 1: as long as we can afford it. Our love's pasta.
15:34
Speaker 1: She also is a very good veggie eater, and she
15:36
Speaker 1: likes to go outside and pick veggies in her garden.
15:39
Speaker 1: And Jamal's like, oh wow, sounds like a nice life,
15:41
Speaker 1: you know, And Kimberly is really at peace with this.
15:49
Speaker 1: I think that she because Kimberly. I think that they
15:52
Speaker 1: sometimes show Kimberly living like a mobile home park in
15:56
Speaker 1: San Diego, and so I think there's a part of
16:00
Speaker 1: that like reads this and then sort of like fantasizes
16:02
Speaker 1: that ours being like raised by like people that are
16:05
Speaker 1: more economically sound than her and therefore can give I guess,
16:14
Speaker 1: and not just because she wasn't economically sound, she was
16:16
Speaker 1: also in the army that she feels peace knowing that
16:20
Speaker 1: ours being raised in a better situation than she could
16:23
Speaker 1: have and Larry kind of co signs that like that
16:26
Speaker 1: she shouldn't have guilt over that, and I really do
16:29
Speaker 1: hope that that brings her peace or whatever, because you know,
16:33
Speaker 1: having raised Jamal and they have a good relationship she
16:36
Speaker 1: mentioned as being like the biggest accomplishment in her life.
16:39
Speaker 1: So you know, all of these are positive things they have.
16:46
Speaker 1: I don't quite know what they have to do with
16:47
Speaker 1: single life, but here we are with it, and yeah,
16:50
Speaker 1: we're gonna go watch her, like you know, I guess
16:53
Speaker 1: talk to this short king in the UK and they
16:57
Speaker 1: reference Usman how like she you know, dives in really
17:01
Speaker 1: early fast with like all of herself and gives too much.
17:04
Speaker 1: And maybe Jamal can sort of have like a buffer
17:07
Speaker 1: situation where like they don't do that as much because
17:10
Speaker 1: you know, she's like there to be like not yet, mom,
17:14
Speaker 1: But I don't know that's gonna happen because I don't
17:16
Speaker 1: know if Kimberlee is like she's not as sexually and
17:20
Speaker 1: or obsessed with Usman. I'm sorry with this man as
17:23
Speaker 1: she was with Usman, like we remember her, she was
17:25
Speaker 1: obsessed with Usman, like loved his music like somehow like
17:30
Speaker 1: had made the equation that like Michael Jackson had come
17:33
Speaker 1: through to her through Usman. Also, Usman had been on
17:37
Speaker 1: nine of a fiance before, so like she had washed
17:40
Speaker 1: and seen him in a way and how to ascertained
17:42
Speaker 1: like a certain amount of like attraction for him. And
17:44
Speaker 1: you know, by the time she got there, like she
17:46
Speaker 1: was going to let him do whatever the fuck he wanted.
17:49
Speaker 1: And you know, she basically has already told this new
17:51
Speaker 1: guy that he's too short, and that's a medium flag.
17:54
Speaker 1: So like, to me, that's already off. How tall was Usman.
17:58
Speaker 1: I don't think that Usman was that tall, but I
18:00
Speaker 1: guess taller than five six. Anyway, let's move on to
18:05
Speaker 1: our last person, and that is Vanya Vanya of Vanya
18:09
Speaker 1: and Tony. So we are picking up on the night
18:12
Speaker 1: of Hell, which is that she wanted to dance with
18:13
Speaker 1: her boo and then he was like, absolutely not. I
18:15
Speaker 1: don't like to dance. And then when she tried to
18:17
Speaker 1: dance with someone else, he was like, con I dance,
18:19
Speaker 1: and he was like, you could dance if you want to,
18:21
Speaker 1: Just kidding, do not dance. He was like, She's like,
18:26
Speaker 1: you werewin tonight and he was like, what do you mean?
18:28
Speaker 1: I was having fun? And it was like no, you weren't, Tony.
18:30
Speaker 1: You were literally like stumbling all over yourself and you
18:33
Speaker 1: asked her to leave. So then they bring up the
18:35
Speaker 1: fact that she's going to go to Croatia and Ibiza Ibiza,
18:41
Speaker 1: and he basically is like, we're just going to dance
18:43
Speaker 1: with everyone there then, and it's like yeah, and but
18:48
Speaker 1: that then becomes like that she's going to cheat on him,
18:51
Speaker 1: which is hilarious only because haven't you been listening? Bitch
18:54
Speaker 1: is fucking celibate. You'ren't listening to this woman at all anyway.
19:00
Speaker 1: He says that at one point he's like, yeah, you know,
19:03
Speaker 1: Vonnyo has been single for a long time, and I just,
19:05
Speaker 1: you know, don't know if she understands how to like compromise.
19:08
Speaker 1: And I'm like, buddy, is this the same person that's
19:10
Speaker 1: been also single for a long time, except that one
19:11
Speaker 1: time you got married for like eight months, but then
19:13
Speaker 1: you broke up with that person. You say it was
19:14
Speaker 1: a lack of communication. Yeah, why don't you man explain
19:18
Speaker 1: to us what it's like to be single for a
19:20
Speaker 1: long time and how it affects other people. Weirdo. So
19:24
Speaker 1: next scene is that it's like the day of her
19:26
Speaker 1: leaving or whatever. She's cutting like a fresh fruit plate
19:29
Speaker 1: and this part looks great. There's like cherries. I love
19:32
Speaker 1: her near cherries or some peaches. She's cutting them like
19:35
Speaker 1: how a grandpa would like in her hand, knife coming up.
19:38
Speaker 1: You know, I'm saying someone who's real, real confident with
19:41
Speaker 1: a knife, I just would never. I mean it's like
19:43
Speaker 1: I almost always I can't cut fruit like that. I
19:47
Speaker 1: think it's so interesting, Like give me a wooden board, honey,
19:51
Speaker 1: and I'm like, I'll make a to do a it.
19:52
Speaker 1: But no. So then Tony comes over and they sit
19:56
Speaker 1: and eat the fruit and then they talk about you
19:58
Speaker 1: know things, and she's like, I'm sorry, let's make sure
20:03
Speaker 1: that we never go to bed angry. He's like, yes,
20:05
Speaker 1: I like that. Then never going to bed angry thing
20:09
Speaker 1: is like just like a sentence people say, but it's funny.
20:16
Speaker 1: It's like, not only did you go to bed angry,
20:19
Speaker 1: you like left a whole situation. She like left in
20:21
Speaker 1: an uber And he was so surprised when Vania panics.
20:30
Speaker 1: She panics. I think she gets out of there fast.
20:33
Speaker 1: And you would think that like that would be like
20:34
Speaker 1: a Tony thing. But Tony, like you know, really stood
20:36
Speaker 1: around Tony's I really care about Bonya, And I think
20:40
Speaker 1: that Tony probably isn't used to a woman wanting to
20:43
Speaker 1: be with him as much as Vanya is. So I
20:46
Speaker 1: do like the idea that like he thinks he is
20:49
Speaker 1: going to be the controlling but like secretly his insecurity
20:52
Speaker 1: has been, you know, like appeased by Vanya's absolute like
20:56
Speaker 1: die or need to be with him, and therefore he
20:58
Speaker 1: thinks that like at this point, losing her might be
21:01
Speaker 1: bad business. She's like, we've even gotten to the point
21:05
Speaker 1: where we say I love you to each other, and
21:07
Speaker 1: it's like, well, then how come that hasn't been filmed?
21:10
Speaker 1: But what are you doing filming anything? Why am I
21:12
Speaker 1: watching you cut peaches? If you've said I love Like,
21:15
Speaker 1: why hasn't that been a conversation? And when did that happen?
21:20
Speaker 1: I don't know if there's anyd fiance producers are slipping,
21:23
Speaker 1: but like if use that they filmed them every two weeks,
21:31
Speaker 1: I don't know. So, yeah, he come, he brings her
21:34
Speaker 1: to the airport. She's gonna go have fun with her cousin.
21:36
Speaker 1: She's definitely gonna dance her balls off, Like are you
21:39
Speaker 1: gonna do some drugs too? Like, are you gonna, like,
21:41
Speaker 1: you know, do some Molly or something and not Molly,
21:42
Speaker 1: I don't know. They call them now here a MDMA.
21:47
Speaker 1: What is she doing? A visa? How do you say
21:49
Speaker 1: it that long? You know? Are you gonna be the
21:51
Speaker 1: old Josh? And just like all night long? I don't
21:54
Speaker 1: know allegedly, So basically that was the end of the episode.
22:00
Speaker 1: Quite a short episode. We didn't have any lives, didn't
22:02
Speaker 1: have any Sophie. So we'll see what happens there in
22:06
Speaker 1: my liss. But thank you so much for listening. If
22:08
Speaker 1: you haven't yet, please give this a five star review.
22:12
Speaker 1: Episode super short, but that's not my fault, it's what
22:15
Speaker 1: they've given me. At the same time, follow me on
22:17
Speaker 1: all social medias. I'm at Chris sel Farrah on Instagram,
22:20
Speaker 1: I'm at Chris el Farrah on TikTok. I have a
22:23
Speaker 1: Patreon and I'm doing fun things there, including private lives
22:26
Speaker 1: and love and the spectrum will exist only there. You
22:30
Speaker 1: can also join Vanity Farrah the private group on Facebook
22:33
Speaker 1: and like my page Chris Farah and other than that. Yeah,
22:36
Speaker 1: thank you, thank you so much for spending time with me.
22:40
Speaker 1: I am leaving Miami tomorrow, but if you can tell
22:44
Speaker 1: I've gotten tan, and hopefully I will have one more
22:49
Speaker 1: day tomorrow just to really lock it in. Come, I'm
22:54
Speaker 1: gonna come back and I'm going to be, you know,
22:56
Speaker 1: instead of just a person of color, I'll be a
22:59
Speaker 1: person of call. Are my way weird joke? All right,
23:03
Speaker 1: my loves, let's breathe together and then let me go,
23:06
Speaker 1: honey out to pasture. All right, to breath. Thank you
23:29
Speaker 1: so much for listening. Thank you so much for being
23:32
Speaker 1: present with me. Thanks so much for we'll stay with
23:34
Speaker 1: these stupid as thoughts. You know all of it, and
23:37
Speaker 1: more so now I must tell you to take care
23:40
Speaker 1: of yourself, take care of yourself so that you can
23:44
Speaker 1: take care of other people, and you know, stand up
23:47
Speaker 1: for what you believe, so that people will be inspired
23:53
Speaker 1: and people will live hopefully feeling seen or feeling better
23:57
Speaker 1: because of something that you do or something that you
23:59
Speaker 1: stand on. And make art. Make it whatever you can,
24:04
Speaker 1: make make some mid make it loud, make it strong.
24:15
Speaker 1: Make art of good things, not bad. You can make
24:19
Speaker 1: art of bad things, but you know, hopefully there's like
24:21
Speaker 1: an outcome that speaks to a truth, because sometimes bad
24:23
Speaker 1: things happen. Make art of things that are happy not,
24:29
Speaker 1: you can still make sad art though, you know, at
24:30
Speaker 1: the same time the human experience of the human experience,
24:32
Speaker 1: so this song really only has to do with singing
24:34
Speaker 1: a song. However, you know I'll do both all right, babes.
24:37
Speaker 1: I'll talk to you later, Love you very much. Bye,