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EP182 - Friday The 13th Part II (Thirsty For Gore) · Thirsty For More - Movie Review

• 0:03
  Speaker 1: Do you remember what is it? It's uh, try try
• 0:10
  Speaker 1: and try and figure it out from from what I'm doing.
• 0:19
  Speaker 1: I mean, I recognize it. I don't know. I don't know.
• 0:21
  Speaker 1: It's from Mario which one? Uh it's actually hold on,
• 0:29
  Speaker 1: it's it's from I think Mario World. Yeah, yeah, yeah, yeah,
• 0:40
  Speaker 1: I know the one you're talking about. Yeah. Are you ready? Yeah?
• 0:45
  Speaker 2: Hello everyone, and welcome to Thirsty for Gore. I of
• 0:50
  Speaker 2: course I'm your host, Milan.
• 0:54
  Speaker 1: I am a nice to meet you and welcome guys.
• 0:59
  Speaker 2: So before we even start, I think we need to
• 1:02
  Speaker 2: address the elephant in the room, dude, and that is
• 1:06
  Speaker 2: the elephant in the room is that you and I
• 1:08
  Speaker 2: have traditionally never been Jason guys. And not only that,
• 1:13
  Speaker 2: I think we've been a little bit derisive of Jason.
• 1:18
  Speaker 2: And I think that nowhere was that more apparent than
• 1:21
  Speaker 2: in our last episode where we where we really dunked
• 1:25
  Speaker 2: hard on the Jason franchise, Jason in general, the whole thing.
• 1:30
  Speaker 1: He's eating the dogs. He was eating the dogs. He
• 1:34
  Speaker 1: was eating the dogs in this movie. What we'll get to,
• 1:39
  Speaker 1: but the thing is okay, but I think what's the
• 1:43
  Speaker 1: talking about? Yeah, just to address Yeah, I'm gonna address
• 1:47
  Speaker 1: the elephant in the room. Please do. The franchise is no,
• 1:49
  Speaker 1: I'm kidding. But but the thing is, I like.
• 1:52
  Speaker 2: I don't because people think you're serious when you do.
• 1:54
  Speaker 1: Hold on, hold on. Okay, I can't, but I also
• 1:57
  Speaker 1: can't be in a position where I'm switching between when
• 2:03
  Speaker 1: I'm talking about a movie versus when I'm talking about
• 2:07
  Speaker 1: the Lore. Because the Law is cool, there's no denying,
• 2:10
  Speaker 1: Kay says, you know it's missus. Vorhees is clearly an
• 2:17
  Speaker 1: abusive mother. That's like a three dimensional thing about her.
• 2:21
  Speaker 1: Jason is a like a disabled boy who gets bullied
• 2:27
  Speaker 1: to death. That's an interesting thing. The problem is is
• 2:30
  Speaker 1: the conflating a movie which is with its low It's
• 2:35
  Speaker 1: It's it's like being like, well, how could you say
• 2:38
  Speaker 1: that about Prometheus? How could you say that about Alien Covenant?
• 2:42
  Speaker 1: The Law is so the best one, the best one.
• 2:45
  Speaker 1: The Law is so cool. And it's like, yeah, of
• 2:47
  Speaker 1: course I'm going to acknowledge that the Law is cool,
• 2:49
  Speaker 1: but I'm also going to be like, you know what,
• 2:51
  Speaker 1: like as a movie, yeah, as a movie, it's it's
• 2:53
  Speaker 1: not so great. Having said that, this movie, this movie,
• 2:58
  Speaker 1: it's a significant step up. It's a step up up
• 3:00
  Speaker 1: to the streets which we see in the beginning of
• 3:04
  Speaker 1: this movie. And it's interesting because of the fact that
• 3:09
  Speaker 1: it does exactly what we were talking about last time,
• 3:11
  Speaker 1: which was I.
• 3:12
  Speaker 2: Said, recaps the best part of the last Actally.
• 3:15
  Speaker 1: I said, like, the movie is just start out closer.
• 3:18
  Speaker 2: To this than and they replay when first they started
• 3:22
  Speaker 2: replaying it, and Alice is having the dream about what
• 3:26
  Speaker 2: happened in.
• 3:26
  Speaker 1: The last flashbacks.
• 3:28
  Speaker 2: Well it's a dream though it's not flashback like it's
• 3:31
  Speaker 2: flashbacks for us, but she's dreaming and she's like tossing
• 3:36
  Speaker 2: and turning, and it replays the entire movie. Not only that,
• 3:41
  Speaker 2: like it repraised the whole Missus Vorky's coming. It replays
• 3:45
  Speaker 2: the Missus Vorky's amazing iconic side glance. Oh yeah, totally
• 3:51
  Speaker 2: with the glassy smile and the.
• 3:52
  Speaker 1: Amazing, like crappy fight scene between them.
• 3:56
  Speaker 2: I like, I know why you're saying it's crappy, but
• 4:00
  Speaker 2: I think it's amazing.
• 4:01
  Speaker 1: It's like an amazing fight and I would see that
• 4:05
  Speaker 1: it's an amazing fight scene in the same way Rebel
• 4:07
  Speaker 1: rich was were amazing realistic. It's realistic fight scene. It's
• 4:11
  Speaker 1: like impressive because of how realistic it is.
• 4:14
  Speaker 2: I agree, and I think I would say the same
• 4:16
  Speaker 2: thing about the fight scenes in this movie, except Jason
• 4:19
  Speaker 2: is obviously like a stronger.
• 4:21
  Speaker 1: Guy, but he's not super huge human ye at all,
• 4:25
  Speaker 1: which is cool.
• 4:27
  Speaker 2: Yeah, Like, dude, burlap sack Jason.
• 4:32
  Speaker 1: For you to burlap sacked Jason, I've never.
• 4:34
  Speaker 2: Known burlap sacked Jason. I don't think I've seen this movie.
• 4:38
  Speaker 1: Oh man, it's very exciting for the third one then,
• 4:42
  Speaker 1: because he's.
• 4:43
  Speaker 2: If I'm to understand correctly, that's where he finds the
• 4:45
  Speaker 2: hockey mask.
• 4:46
  Speaker 1: Of course, Okay, he ditches the burlap and is like,
• 4:49
  Speaker 1: well it's time for an upgrade, dude.
• 4:51
  Speaker 2: I mean, we all realize when it's time to you know, rebrand, right, But.
• 4:55
  Speaker 1: Yeah, totally. But it's also interesting because like the movie
• 4:59
  Speaker 1: is shorter the the last one recap it's it's it
• 5:04
  Speaker 1: recaps the best part in the same way that it's
• 5:06
  Speaker 1: like it like ten of those minutes we're already filmed. Yeah, exactly.
• 5:11
  Speaker 1: It ratches ratchets up the tension so much more immediately
• 5:15
  Speaker 1: because we have a closeness to this character, to Dallas
• 5:19
  Speaker 1: or Hias babies and to to case's point about turning
• 5:28
  Speaker 1: into a big piece of geese and Louie rats in
• 5:34
  Speaker 1: a dream Freddy style Frenny style kills.
• 5:38
  Speaker 2: We have to differentiate between our expectations for Freddy style
• 5:41
  Speaker 2: kills versus Jason.
• 5:42
  Speaker 1: Yeah, totally, totally, but it's it is interesting the kinds
• 5:46
  Speaker 1: of kills that exist within the law of Jason in
• 5:52
  Speaker 1: this one versus the second one, because the second one
• 5:54
  Speaker 1: is so in.
• 5:55
  Speaker 2: This one, you mean, in the first one versus the
• 5:57
  Speaker 2: second one.
• 5:58
  Speaker 1: Yeah, yeah, and the and in the first one versus
• 6:00
  Speaker 1: the second one, where we get it's so much based
• 6:08
  Speaker 1: around to twist the first one, twist that like you're
• 6:12
  Speaker 1: you're limited to the kind of po V stuff that's
• 6:17
  Speaker 1: that's cool and interesting.
• 6:18
  Speaker 2: But in this tie, we know it's Jason. This time
• 6:21
  Speaker 2: we know it's Jason.
• 6:22
  Speaker 1: But it's also cool because of the fact that like
• 6:24
  Speaker 1: we get the like feet first, like the stalking very
• 6:28
  Speaker 1: much both retaining the the like coolness of the po
• 6:34
  Speaker 1: V stuff, but also feeling like there is like a
• 6:37
  Speaker 1: very intense scary menace, you know what I mean, So
• 6:41
  Speaker 1: like he's very.
• 6:41
  Speaker 2: Looming and scary for sure, his his presence, his body presence,
• 6:47
  Speaker 2: and like the shoe size, and like the the fact
• 6:51
  Speaker 2: that it is kind of like he almost looks like
• 6:53
  Speaker 2: a janitor or something, and janitors when you're a kid
• 6:56
  Speaker 2: are scary and you just see their feet, you know, small,
• 7:00
  Speaker 2: You're small, and so you're like somebody in this kind
• 7:03
  Speaker 2: of outfit, you know, like with the like baggy blue pants.
• 7:07
  Speaker 1: It's cool. It's cool. And also we get in the
• 7:09
  Speaker 1: first scene where Alice is like dealing with her trauma
• 7:12
  Speaker 1: and drawing of course and staying in the town for
• 7:18
  Speaker 1: some reason, she just lives there now. She just lives
• 7:21
  Speaker 1: there now, Yeah, exactly doing an airbnb, but like using
• 7:25
  Speaker 1: the scenes of outside you see Jason stocking, but then
• 7:32
  Speaker 1: you see like her in the shower and we get
• 7:34
  Speaker 1: the POV shots, so it's like referencing the first one
• 7:37
  Speaker 1: in that kind of way, but also being like whoa dude,
• 7:41
  Speaker 1: Like is it happening. It's using the setup from the
• 7:44
  Speaker 1: first one as a payoff in this one, which is
• 7:47
  Speaker 1: very cool, which is like lore building obviously.
• 7:50
  Speaker 2: Totally and and yeah, and talk about lore, like this movie,
• 7:54
  Speaker 2: I never realized just how focused on lare did Jay
• 8:00
  Speaker 2: series was. I don't know if this continues, but like
• 8:03
  Speaker 2: we get so much more information in this one, and we.
• 8:06
  Speaker 1: Kind of get it through.
• 8:07
  Speaker 2: Like, what I'm realizing is cool about Jason that that
• 8:12
  Speaker 2: isn't true for Freddie is that Freddie is never the
• 8:16
  Speaker 2: main character of his own movies. He's the main character
• 8:18
  Speaker 2: in so far as we're excited to see him sometimes
• 8:21
  Speaker 2: the most, but there's always a protagonist that is pulled
• 8:24
  Speaker 2: through in a thread of lore, and in this one
• 8:29
  Speaker 2: he's the main character.
• 8:30
  Speaker 1: Yeah, he basically is like a weird, tragic guy, which
• 8:37
  Speaker 1: Case was pointing out.
• 8:38
  Speaker 2: Yeah, and that's interesting. Oh yeah, it's like it must
• 8:42
  Speaker 2: be exhausting always rooting for the antihero.
• 8:45
  Speaker 1: Dude. Yeah, I think Jason knows that it's me. I'm
• 8:52
  Speaker 1: the problem.
• 8:52
  Speaker 2: It's me think.
• 8:53
  Speaker 1: I think Jason is a swifty for sure. Jason definitely
• 8:57
  Speaker 1: is a swifty and fred fred is a hater and
• 9:02
  Speaker 1: Freddy is definitely Donald drum Well. You know, you know,
• 9:05
  Speaker 1: I think.
• 9:07
  Speaker 2: I think that we should take this opportunity now to
• 9:12
  Speaker 2: talk about not only Freddy Lare, not only Jason Law,
• 9:16
  Speaker 2: but swag boy Freddie Laur and.
• 9:18
  Speaker 1: Swaggy Swagy Freddy. Dude, do you like swaggy Jason? Though?
• 9:22
  Speaker 1: I don't think I've ever seen Swaggy Jason, I think
• 9:26
  Speaker 1: I think.
• 9:26
  Speaker 2: He appears in some of the swag So for swag Boy,
• 9:29
  Speaker 2: Freddie is this guy who like does these like hilarious
• 9:33
  Speaker 2: videos where he's Freddy but he's swag boy Freddy. So
• 9:37
  Speaker 2: he's sometimes in a hydraulic bouncing car. Sometimes he's he's
• 9:41
  Speaker 2: drinking drink.
• 9:43
  Speaker 1: And walking down the street. Cool.
• 9:47
  Speaker 2: Yeah, and and sometimes Freddy's got a bad bitch on
• 9:50
  Speaker 2: his side.
• 9:51
  Speaker 1: Dude, she's so hot. Yeah, she's so hot. But what also,
• 9:55
  Speaker 1: what's like, what's interesting about the Alice stuff is finding
• 9:58
  Speaker 1: out U like your her mom is like, hey, dude,
• 10:02
  Speaker 1: like why what are you doing there? Like you should
• 10:04
  Speaker 1: just come back, like what's wrong with you? And she's
• 10:07
  Speaker 1: like I'm dealing with this mom. Let me and which
• 10:11
  Speaker 1: it was interesting. It was like it's cool, Like it's
• 10:13
  Speaker 1: cool to have like this kind ofza like a sprit
• 10:23
  Speaker 1: cold open. It's switza. Yeah, it's nice to have a
• 10:28
  Speaker 1: cold open. And I love a cold open. When the
• 10:31
  Speaker 1: when the book letter block graphics that explode the part
• 10:37
  Speaker 1: to explode, and and also the y Barty the mass
• 10:47
  Speaker 1: books for my Honor, I hadn't print it up. I
• 10:49
  Speaker 1: had print it up, print it up. It hypered it
• 10:51
  Speaker 1: up when when Jason in fact uses the mom's head as.
• 11:00
  Speaker 2: Like a prop prop, it like a fear prop.
• 11:03
  Speaker 1: Yeah, because it's it's but it's fully formed and it's
• 11:06
  Speaker 1: this because this is five years before the movie, before
• 11:10
  Speaker 1: the the is the movie? Does the movie take place in?
• 11:12
  Speaker 1: I wonder if it takes like.
• 11:13
  Speaker 2: The light future? I think the doing slight future.
• 11:16
  Speaker 1: Yeah, because I think it's like five years after.
• 11:19
  Speaker 2: And is set in nineteen eighty. It said, I think
• 11:22
  Speaker 2: it's set in nineteen eighty the first one. I don't
• 11:24
  Speaker 2: know if they say ever they say how many years later?
• 11:28
  Speaker 2: It is from like.
• 11:29
  Speaker 1: The yeah they kills Yeah, yeah, So I'm not sure
• 11:31
  Speaker 1: what the timeline is anyway we can fact check on.
• 11:34
  Speaker 1: But but yeah, so the head of missus Vorhees is
• 11:39
  Speaker 1: in the fridge, and I love that he takes the
• 11:42
  Speaker 1: tea but the boiling water off the the kettle, like
• 11:47
  Speaker 1: the the elements and and like you slowly hear it
• 11:52
  Speaker 1: drain out. And then she Alice opens the fridge and
• 11:56
  Speaker 1: he's the head and then he stabs her in the
• 11:58
  Speaker 1: neck and then it's like, you know.
• 12:02
  Speaker 2: It's it's right, Part two, Part two, and we should
• 12:07
  Speaker 2: say that we watched the movie on Friday thirty.
• 12:10
  Speaker 1: I mean, at least I did. You watched it on
• 12:12
  Speaker 1: Saturday the fourteenth, Guys, the scariest day in the world.
• 12:17
  Speaker 2: I watched it on Friday the thirteenth, and it was nice.
• 12:20
  Speaker 2: It was nice watching it during the experience of the day.
• 12:24
  Speaker 1: Dude.
• 12:25
  Speaker 2: I think the review which just got saved the Toronto Landmark.
• 12:32
  Speaker 1: You know it's.
• 12:34
  Speaker 2: Rep Cinema, Toronto's favorite REP cinema. I mean it's contested,
• 12:39
  Speaker 2: but one of the Toronto's famous REP cinemas just screened
• 12:43
  Speaker 2: Part four yesterday, the best one, apparently the best.
• 12:46
  Speaker 1: One, Part four, Part time, the best one. They got
• 12:51
  Speaker 1: that dance. I can't wait to see the there's a dance.
• 12:55
  Speaker 1: There's a dance. I can't wait for a dance that
• 12:58
  Speaker 1: we'll have to do for TikTok.
• 13:03
  Speaker 2: Dude, I mean immediately, this one's better, Like yeah, immediately,
• 13:06
  Speaker 2: it's better.
• 13:07
  Speaker 1: So much better, and it's like so much better. Also
• 13:10
  Speaker 1: the fact that you're like, oh man, now there's only
• 13:12
  Speaker 1: an hour and fourteen minutes of this movie. It's like,
• 13:15
  Speaker 1: literally twelve minutes of this movie is like recapping the
• 13:18
  Speaker 1: first one, exploring some giving way in the five minutes
• 13:23
  Speaker 1: that exists with this character. It's way more exploration of
• 13:26
  Speaker 1: them and we were totally indited, totally, so you're you're
• 13:30
  Speaker 1: kind of already invested in the world. And also the
• 13:35
  Speaker 1: kids in this one are way more not charming but
• 13:41
  Speaker 1: like likable.
• 13:42
  Speaker 2: Just just they have characters.
• 13:44
  Speaker 1: They have characters.
• 13:44
  Speaker 2: Yeah, And actually one thing I will say, one thing
• 13:48
  Speaker 2: I will say is maybe something that makes the first
• 13:51
  Speaker 2: one work work retroactively is what a blank canvas it is.
• 13:55
  Speaker 1: That's true, exactly, you can project so much, so much
• 13:58
  Speaker 1: onto it.
• 13:59
  Speaker 2: And so that's that's why I think, like this one's
• 14:01
  Speaker 2: not directed by the same guy, is it.
• 14:03
  Speaker 1: I think it actually maybe might be. Can you double
• 14:08
  Speaker 1: check on that? Can we have a fact check on that,
• 14:11
  Speaker 1: Jamie Polano. They're eating the dogs, they're eating the they're
• 14:19
  Speaker 1: eating the pets man, outrageous dude, racist drum. I mean, yeah,
• 14:32
  Speaker 1: like it feels like it's so he's he he dog whistles,
• 14:38
  Speaker 1: dog whistles in a way that like that's like this
• 14:40
  Speaker 1: it's yeah, it's literally dog loud speakers. I was to
• 14:45
  Speaker 1: be clear, I was dog whistling with that. I was
• 14:50
  Speaker 1: erradically shaking my head yes, with a huge grin on
• 14:53
  Speaker 1: my face. I hope you can hear that in my
• 14:55
  Speaker 1: I could hear it. Steve Miller. Actually this was his debut,
• 14:59
  Speaker 1: Steve Miller's minor. Oh okay, I've heard that name before.
• 15:06
  Speaker 1: What has he directed? He directed, Uh, Day of the
• 15:09
  Speaker 1: Dead Lake Placid, Halloween h two O and the third
• 15:16
  Speaker 1: Friday the thirteenth. So we're in for a We're in
• 15:19
  Speaker 1: for the next one, which is gonna be cool. Okay, okay,
• 15:21
  Speaker 1: in for a penny, in for a found. But also
• 15:23
  Speaker 1: like this next scene where we're introduced to like new
• 15:27
  Speaker 1: teens who cares this bon jovie looking dude with his
• 15:31
  Speaker 1: I like the.
• 15:33
  Speaker 2: Feathered kind of like totally slightly auburny grayish hair and
• 15:38
  Speaker 2: his in his.
• 15:40
  Speaker 1: And his like girlfriend are like coming into the town.
• 15:44
  Speaker 1: The girlfriend's amazing girling. This entire cast is great. They're amazing.
• 15:49
  Speaker 2: I can't wait to talk about Scott Dude. I followed
• 15:51
  Speaker 2: Scott on Instagram last night. Juicy lived Scott Dude.
• 15:55
  Speaker 1: He they get there, they get to a phone, and
• 16:00
  Speaker 1: all of a sudden their car is getting towed and
• 16:03
  Speaker 1: they start running after him. My car, car and the
• 16:08
  Speaker 1: guy dead I'm not looking. Was great. It was great.
• 16:11
  Speaker 2: Well, it immediately starts a scary thing. But before that happens,
• 16:15
  Speaker 2: we get another We get a very pointed you're due
• 16:18
  Speaker 2: from Ralph.
• 16:19
  Speaker 1: I told the last ones you, dude.
• 16:22
  Speaker 2: The fact that Ralph shows up again and is in
• 16:25
  Speaker 2: this one.
• 16:25
  Speaker 1: Five years later, dude looking just just the same.
• 16:28
  Speaker 2: Dude, it's like almost only a years past. It's it's amazing,
• 16:34
  Speaker 2: and he's so you're doomed.
• 16:36
  Speaker 1: Yeah, I love him. Yeah, dude, it's great. I love it.
• 16:41
  Speaker 1: I couldn't believe that he gets killed in this one,
• 16:44
  Speaker 1: but I was also so happy that he totally totally.
• 16:47
  Speaker 1: But then the dweb, the like redhead dweeb is like,
• 16:51
  Speaker 1: I got my cousin to tow your car.
• 16:53
  Speaker 2: Dude, Can I just say that, because we don't like
• 16:56
  Speaker 2: make fun of like redheaded dwebs like this anymore. There's
• 16:59
  Speaker 2: a lot of de weep looking dudes that aren't getting
• 17:01
  Speaker 2: casts like this guy who like, I mean, this guy's amazing,
• 17:05
  Speaker 2: Like he's so good, And the toality of a character
• 17:09
  Speaker 2: like this in a movie is so important because he's
• 17:11
  Speaker 2: part court Jester, he's part goofy relief. He's he's amazing,
• 17:17
  Speaker 2: and he does such a good job.
• 17:18
  Speaker 1: He's he's really good. And also he's just a guy
• 17:24
  Speaker 1: who is now just a type of handsome that exists.
• 17:28
  Speaker 1: I think that's why people like this don't get cast anymore,
• 17:30
  Speaker 1: because now they're just like they get jacked and there
• 17:34
  Speaker 1: they become cussing, not even not even cause you got
• 17:40
  Speaker 1: to see this, they become they become they're greg they're
• 17:45
  Speaker 1: the disgusting brother. There's a type of person who's like, no,
• 17:49
  Speaker 1: there's agency, there's just they're just hot. I'm hot in
• 17:52
  Speaker 1: a different kind of way. Exactly. You don't even know.
• 17:54
  Speaker 1: Guys that are built like this are always packing exactly.
• 17:58
  Speaker 1: That's why we've got such big we do have big dicks.
• 18:02
  Speaker 1: But then but then as they're going into like the
• 18:07
  Speaker 1: like the it's basically kind of the same plot of
• 18:11
  Speaker 1: it's kind of the same plot, but just hypeer it up,
• 18:14
  Speaker 1: hype it up. Yeah, and but and these these three
• 18:17
  Speaker 1: new characters now go and they see the sign for
• 18:20
  Speaker 1: Camp Crystal Lake before they get to it's like a farmhouse.
• 18:26
  Speaker 1: Not a farmhouse. It's like a sort of this is
• 18:29
  Speaker 1: more like a B and B. Yeah, and there's the
• 18:33
  Speaker 1: wheelchair guy. Dude, Dude, I love the wheelchair guy. And
• 18:36
  Speaker 1: he did, Like it was so cool, how like.
• 18:40
  Speaker 2: Like he's like this he was like the depth that
• 18:42
  Speaker 2: they give and like the backstory that they gave was
• 18:45
  Speaker 2: really cool, Like it kind of unexpected to it. I
• 18:49
  Speaker 2: guess something that I've never known is how much The
• 18:54
  Speaker 2: Friday the Thirteenth series champions disabilities. Yeah, it does in
• 19:01
  Speaker 2: a way, in a way that like doesn't doesn't judge
• 19:03
  Speaker 2: the characters, doesn't like nobody is judged. There's no POV
• 19:06
  Speaker 2: that's judging anyone.
• 19:08
  Speaker 1: But this one is way more like yeah, because like
• 19:15
  Speaker 1: I mean the like we get wheelchair guy comes out,
• 19:20
  Speaker 1: other feathered hair boss comes in and he's like, I'm
• 19:23
  Speaker 1: head of the Airbnb. Don't worry, guys, I play guitar
• 19:26
  Speaker 1: and I'm cool. We're not gonna We're besides beside camp
• 19:30
  Speaker 1: Crystal Lake. Yeah, exactly. The sheriff hates us because we're
• 19:33
  Speaker 1: trying to do something progressive. There was that vibe, but
• 19:38
  Speaker 1: he was going to take too kindly. Oh there was.
• 19:41
  Speaker 1: He was not. But but then you get the like
• 19:46
  Speaker 1: guy who like the like ash shot of this woman
• 19:50
  Speaker 1: who's like like walking down and then a guy with
• 19:53
  Speaker 1: a sling sling shot and he sling shots her butt
• 19:56
  Speaker 1: it's Scott Scott. Yeah, and I followed Juicy Lipscott on
• 20:01
  Speaker 1: Instagram follow that No, he he only has this role though,
• 20:04
  Speaker 1: and he's like, hey, guys, fifty years since this movie.
• 20:08
  Speaker 1: I mean, why not great? It's great.
• 20:10
  Speaker 2: He's a cinematographer. Now he does like I don't know, focus,
• 20:14
  Speaker 2: pulling yourselfing.
• 20:15
  Speaker 1: He's something. He's a a.
• 20:17
  Speaker 3: C SLI, a c slad a c s do we
• 20:20
  Speaker 3: remember does it doing something with cameras? I don't know,
• 20:24
  Speaker 3: focus or something. He's definitely not the host of every
• 20:28
  Speaker 3: show now. But also everybody loved Mark Paul Gosler.
• 20:32
  Speaker 1: But he was not the talented I mean, that's true.
• 20:36
  Speaker 1: It was always a better and the Jerry Curls I loved,
• 20:42
  Speaker 1: loved as Jerry Curls dude. But yeah, we get what's
• 20:45
  Speaker 1: nice about this camp counselor versus the last one is
• 20:48
  Speaker 1: the last one definitely had motives that were different than
• 20:52
  Speaker 1: this one. But also he was.
• 20:54
  Speaker 2: Trying to feel like legacy stuff of his family.
• 20:57
  Speaker 1: You don't.
• 20:58
  Speaker 2: I thought we'd get some return of the Christie family,
• 21:00
  Speaker 2: but there's no Christy family, no Christie Pitts.
• 21:02
  Speaker 1: No.
• 21:04
  Speaker 2: Instead we get this like super progressive guy who's feminist
• 21:07
  Speaker 2: and ship and he's definitely not having sex with any
• 21:10
  Speaker 2: of the members of his uh camp counselors.
• 21:14
  Speaker 1: He's definitely not like.
• 21:16
  Speaker 2: If they knew, it'd be not good. Like there's the
• 21:20
  Speaker 2: the luridness of.
• 21:21
  Speaker 1: Them hiding it. Yeah, there's there's definitely an openness to
• 21:25
  Speaker 1: this kind of guy who's like, we're family here, guys. Yeah,
• 21:29
  Speaker 1: he's like an English teacher who wants to help every student,
• 21:33
  Speaker 1: but it's the camp council rule, dude, you leave them
• 21:36
  Speaker 1: better than you found them, exactly, And it's like, uh,
• 21:39
  Speaker 1: you know, he's trying to explain to everybody rule and
• 21:44
  Speaker 1: is like, look, guys, we're gonna do two weeks of
• 21:47
  Speaker 1: prep so we can be ready for our campers. You
• 21:50
  Speaker 1: know what I mean. He's that kind of guy, but
• 21:52
  Speaker 1: not a do no.
• 21:53
  Speaker 2: And then as he's explaining that to like the nerd
• 21:56
  Speaker 2: guy and Scott and the chick that comes with the
• 22:00
  Speaker 2: fucking not boomerang, Yeah, we we get what's her name,
• 22:07
  Speaker 2: Ginny Genny arrives when her piece of ship.
• 22:10
  Speaker 4: Piece of shit ca yeah, I got a piece of
• 22:14
  Speaker 4: ship car That fucking pile of ship never gets me
• 22:21
  Speaker 4: very far.
• 22:23
  Speaker 1: Ginny and Paul. Paul is the camp counselor's name. It's
• 22:27
  Speaker 1: it's funny. They also have like kind of a flirty
• 22:30
  Speaker 1: relationship these two, only these two, and and she he's
• 22:34
  Speaker 1: like because they're together, they're not like it's not like
• 22:38
  Speaker 1: the first one where he's like, come on, just stay,
• 22:41
  Speaker 1: we can be more than friends. But yeah, and she's
• 22:46
  Speaker 1: like kind of playing with him in terms of like
• 22:47
  Speaker 1: come on, I'll never be late again for anything, like jokingly,
• 22:51
  Speaker 1: it is sort of like like a playful way. Yeah.
• 22:56
  Speaker 1: And and then like the the Redhead kid is like,
• 23:01
  Speaker 1: you were gonna give us your U, you were gonna
• 23:04
  Speaker 1: give us your let's keep our shit together speech. You know,
• 23:07
  Speaker 1: it was like, it's fun.
• 23:08
  Speaker 2: It's it's like, well, even just having one off lines
• 23:11
  Speaker 2: like that do so much to build not just the characters,
• 23:15
  Speaker 2: but the atmosphere of the place. It's fun, it's camp,
• 23:18
  Speaker 2: but it's also work. And it's like excedure exactly. It's
• 23:22
  Speaker 2: it's it's it's interesting.
• 23:23
  Speaker 1: I think this is cool. And then him being like
• 23:26
  Speaker 1: bears are dangerous, Like going into the specifics of what
• 23:31
  Speaker 1: camp stuff does does a lot to build the characters,
• 23:35
  Speaker 1: whereas the other things are just kind of like, what
• 23:38
  Speaker 1: do they do? I don't know, what do camps do
• 23:40
  Speaker 1: or whatever. It seems like a little bit more aimless
• 23:43
  Speaker 1: the last one, you mean, yeah, whereas this one is
• 23:45
  Speaker 1: just a lot more like, Yeah, these are the things
• 23:48
  Speaker 1: that they're gonna do, and they're gonna encounter this thing. Yeah.
• 23:52
  Speaker 1: Oh and then immediately it like fades tonight, and then
• 23:56
  Speaker 1: we get the lore of you know, they say that
• 24:01
  Speaker 1: he drowned, but some locals have seen him, seen him around,
• 24:05
  Speaker 1: saying that he's actually a thirty something year old man.
• 24:08
  Speaker 2: Well, okay, so this is what was really cool about about.
• 24:12
  Speaker 1: This, living off the wild animals and vegetation.
• 24:16
  Speaker 2: I like this a lot because, like, we don't get
• 24:19
  Speaker 2: any of that in the first one. We get because
• 24:22
  Speaker 2: it had its contingent on the reveal.
• 24:24
  Speaker 1: We also don't know, yeah exactly, it's a it's absolutely
• 24:28
  Speaker 1: contingent on the reveal. And also we don't know whether
• 24:32
  Speaker 1: or not this is real exactly.
• 24:34
  Speaker 2: And that's exactly what I wanted to say. Next is
• 24:36
  Speaker 2: I think that what's interesting about it is this is
• 24:39
  Speaker 2: how myth mythos is built. Yeah, and so the movie
• 24:42
  Speaker 2: is kind of building the mythos with us. And if
• 24:45
  Speaker 2: we're on for like, if we're on for a long haul,
• 24:49
  Speaker 2: like we know we are with the Jasons, that gives
• 24:52
  Speaker 2: it a lot more excitement.
• 24:54
  Speaker 1: Yeah, exactly. Legend hasn't that Jason saw his mother beded
• 24:58
  Speaker 1: that night and he took his revenge and the revenge
• 25:03
  Speaker 1: will continue, and like.
• 25:04
  Speaker 2: Now they've had some years since the Alice died, and
• 25:08
  Speaker 2: like that would have also been a mysterious circumstance thing exactly.
• 25:11
  Speaker 2: And the town is definitely feeling a little bit even
• 25:14
  Speaker 2: more ghostly of like, guys, okay.
• 25:17
  Speaker 1: Please here, it's affecting the tourism it are. The sleepy
• 25:22
  Speaker 1: town is like really really getting it's getting to them,
• 25:26
  Speaker 1: you know, Like it does seem like even like the
• 25:28
  Speaker 1: townsfolk are like haunted by this.
• 25:30
  Speaker 2: Right, Ralph is like before it was just quirky. Now
• 25:35
  Speaker 2: he's like odd, yeah, you know.
• 25:39
  Speaker 1: Yeah he made some predictions. He's even less crazy quote
• 25:42
  Speaker 1: unquote crazy in this one. No, No, it's like they
• 25:45
  Speaker 1: actively were like, well, I mean he was right, he
• 25:48
  Speaker 1: was right. So and then even even what.
• 25:55
  Speaker 2: Else does he say about the Jason story though, He's
• 25:57
  Speaker 2: like thirsty and then beyond.
• 26:04
  Speaker 1: Ours and then all of a sudden we even get
• 26:07
  Speaker 1: allusions to masks in this one where the redhead kid
• 26:11
  Speaker 1: pops out with a spear and he's wearing the wolf
• 26:14
  Speaker 1: mask or he was kind of like a werewolf goober mask. Yeah.
• 26:19
  Speaker 1: Also Jason looking at the mask. Yeah, And it also
• 26:26
  Speaker 1: kind of reminds me. I don't know if you've ever
• 26:28
  Speaker 1: seen the movie Creep. I don't think I have. JJ
• 26:33
  Speaker 1: do plas uh, dude, you got to see it. Dude,
• 26:37
  Speaker 1: he wears a dude class bread. What the hell are
• 26:42
  Speaker 1: they doing here? They don't belong in the Jason series.
• 26:54
  Speaker 1: But also what's great about this scene is that they
• 26:57
  Speaker 1: all kind of joined together and Paul is like, all right,
• 27:00
  Speaker 1: all right, now that we have that out of our system,
• 27:02
  Speaker 1: we'll never talk about this again. But like, it's funny
• 27:06
  Speaker 1: because it's agent history. Jason round Camp. Crystal Lake is
• 27:13
  Speaker 1: off limits. Don't go there, you know what I mean.
• 27:16
  Speaker 1: But it's funny and but let's yeah, but like it's
• 27:21
  Speaker 1: it's it's interesting because it's like, okay, guys, like no, no, no, no,
• 27:27
  Speaker 1: like yes, definitely that. But but characteristically it works because
• 27:33
  Speaker 1: of the fact that it's like, Okay, like I am
• 27:37
  Speaker 1: a serious person. I want to make this fun for
• 27:39
  Speaker 1: you guys. But also like we do have to work,
• 27:42
  Speaker 1: like we're a camp ground and that's that's respons have responsibility.
• 27:46
  Speaker 1: Kids are coming, and then it's like, okay, cool, let's
• 27:50
  Speaker 1: like never talk about this again. And then everybody immediately
• 27:53
  Speaker 1: goes into the same sort of like you know, well,
• 27:58
  Speaker 1: we're gonna fuck each other and have fun, you know
• 28:01
  Speaker 1: what I mean, abdicating the responsibility, and like we get wheelchair.
• 28:07
  Speaker 2: Guy and oh, this is the horniest woman ever ever. Yeah,
• 28:12
  Speaker 2: and she's it's amazing, it's amazing how horny for him
• 28:15
  Speaker 2: she is. She's like, let's see what we can do
• 28:16
  Speaker 2: with those hands.
• 28:17
  Speaker 1: Yeah, totally, totally.
• 28:19
  Speaker 2: And can I just say, at the risk of derailing
• 28:21
  Speaker 2: the episode, yeah, I think something that Jason movies are
• 28:26
  Speaker 2: maybe sadly known by, at least for me, in these
• 28:30
  Speaker 2: last two is some animal cruelty, because the snake gets
• 28:35
  Speaker 2: chopped up in the first one for real and you
• 28:37
  Speaker 2: see it happen. And also in this one, they don't
• 28:40
  Speaker 2: kill anything, but they throw a cat inside.
• 28:43
  Speaker 1: Oh yeah, I was gonna say, like some poor throwing
• 28:46
  Speaker 1: that cat and the poor cat just being like, ah Jesus, Yeah,
• 28:52
  Speaker 1: I guess they land on their feet or whatever. But
• 28:54
  Speaker 1: they imply that they're gonna kill the dog and this
• 28:56
  Speaker 1: one and the dogs stays alive. So I think they
• 28:59
  Speaker 1: were like they eating the dogs. Yeah, Jason was definitely
• 29:03
  Speaker 1: eating the dogs. I mean there's no food there, dude. Yeah,
• 29:05
  Speaker 1: it's true.
• 29:07
  Speaker 2: He's not an immigrant, he's Jason Vorhees.
• 29:09
  Speaker 1: It's true. He's from there. He's from there exactly, just
• 29:12
  Speaker 1: like that lady's indigenous Alexis whatever who did eat a
• 29:16
  Speaker 1: cat but is an American and not from Springfield and
• 29:20
  Speaker 1: not from Haiti. But yeah, springdon so Feathered Hair goes
• 29:29
  Speaker 1: to fuck his lady. They're all like doing they're all dancing.
• 29:35
  Speaker 2: Do we get the part where they visited where they
• 29:38
  Speaker 2: visit Camp Crystal Lake and.
• 29:41
  Speaker 1: No, not yet. That's that's when what's her name? Feathered
• 29:45
  Speaker 1: Hare and his lady friend are like dancing together and
• 29:50
  Speaker 1: she's like, come on, let's go see and he's like,
• 29:52
  Speaker 1: but Paul told us not to. That's such a chicken shit.
• 29:56
  Speaker 1: Yeah exactly. Man.
• 30:02
  Speaker 2: The thread of being called a chicken really worked a
• 30:06
  Speaker 2: lot in the eighties. I just like fucking bullying each
• 30:10
  Speaker 2: other being like what are you fucking loose?
• 30:12
  Speaker 1: Well, it's like cock now or or like I mean,
• 30:15
  Speaker 1: cook is just a replacement for the f slur. That's
• 30:18
  Speaker 1: just it, right your old man, did we did? Did?
• 30:33
  Speaker 1: I don't know if I saw, I think, But right
• 30:36
  Speaker 1: now it's just Jason. Yeah. We work with this guy.
• 30:42
  Speaker 2: I'm not going to say his last name, but his
• 30:44
  Speaker 2: name is Jason, and he's a musician and uh.
• 30:47
  Speaker 1: And he he released.
• 30:50
  Speaker 2: He sings like this, He sings like he's got like
• 30:53
  Speaker 2: a weird California accent, but he's actually from Florida. And
• 30:58
  Speaker 2: he's like, some of you may know me as Jyson,
• 31:00
  Speaker 2: but right now it's just Jyson. No, he doesn't say that,
• 31:05
  Speaker 2: he's he goes some of you may know me from
• 31:07
  Speaker 2: my previous projects like may Day Parade to Go Radio,
• 31:11
  Speaker 2: but right now it's just Jyson.
• 31:14
  Speaker 1: It's like, what accent is that?
• 31:17
  Speaker 2: It don't su be so scarred, You don't soon.
• 31:26
  Speaker 1: So scared. Well, you're like doxing the guy. You're being like, well,
• 31:31
  Speaker 1: I'm not gonna tell you a singing specifics. Very it's
• 31:34
  Speaker 1: very obvious with this guy. We get a scene where
• 31:39
  Speaker 1: Ginny goes off to take her clothes off so that
• 31:42
  Speaker 1: the camera has something to lure and linger on, and
• 31:45
  Speaker 1: Paul follows her and she's like, what are you fratnizing
• 31:48
  Speaker 1: with the staff and they kiss each other and hang
• 31:51
  Speaker 1: out and stuff, and then Ralph, that's how I guess
• 31:54
  Speaker 1: I moved my body awkwardly. I jolty shovel my body body,
• 32:00
  Speaker 1: no rhythm, rhythm, just random points of contortion. Yeah, it's
• 32:06
  Speaker 1: more like convulsions. Yeah, exactly, which my wife is into,
• 32:13
  Speaker 1: unpredictable convulsions, the sexiest kinds. It seems like how Rocky
• 32:20
  Speaker 1: would kiss Oh dude, yeah, totally. I don't know. I
• 32:25
  Speaker 1: saw it once on TV, this guy Alex, this guy Jason,
• 32:31
  Speaker 1: but but the Jason I was talking about Jason Moore.
• 32:36
  Speaker 1: Do you think he jerks off?
• 32:37
  Speaker 2: Yeah, for sure, And like I think he's got a
• 32:39
  Speaker 2: smelly dick. No, I think he's got a smelly dick.
• 32:42
  Speaker 1: I think. Do you think he the corpse?
• 32:43
  Speaker 2: No, I think he only jerks off. I think he
• 32:45
  Speaker 2: only jerks off. I don't think he gets weird with the.
• 32:47
  Speaker 1: With the with the corpses.
• 32:48
  Speaker 2: And I think he murders in a brute way that
• 32:52
  Speaker 2: doesn't understand. He's like literally just territorial. I don't think
• 32:55
  Speaker 2: he gets weird with fucking things interesting.
• 32:58
  Speaker 1: I really don't. I think that's more Freddy. I think
• 33:00
  Speaker 1: Freddy's more the free Freddy molests. That's why there's a
• 33:03
  Speaker 1: swag boy Freddie. Yeah totally. But Ralph comes in and
• 33:07
  Speaker 1: about to lure and peer into the room and judge
• 33:11
  Speaker 1: the sex happening, and uh, before he's able to do that, yeah,
• 33:16
  Speaker 1: he gets Yeah, he totally man like when he dies,
• 33:22
  Speaker 1: it's sad. I was like, no, Ralph, I know you. Yeah, totally.
• 33:26
  Speaker 1: And then Jenny wakes up and there's a a little
• 33:33
  Speaker 1: note on the wind the mirror that says beware of bears,
• 33:37
  Speaker 1: which is such a great like allusion to what's going
• 33:42
  Speaker 1: to happen, and it's definitely a shout out to the
• 33:44
  Speaker 1: LGBTQ commune totally. And we get some some like POV
• 33:53
  Speaker 1: stuff in this one that's like really interesting because it's
• 33:56
  Speaker 1: like everybody's going for a hike. Uh and and Paul
• 34:00
  Speaker 1: is like, stay on the trail, guys, But we still
• 34:02
  Speaker 1: get the sort of stocker y like now, but now
• 34:05
  Speaker 1: it's the POV and it does feel like a different POV.
• 34:08
  Speaker 1: It does feels taller, it does more menacing and looming, yeah,
• 34:13
  Speaker 1: which is really nice. And the hands are matched to
• 34:16
  Speaker 1: the body this time. Yeah, totally, totally, and there's constant
• 34:22
  Speaker 1: like illusions Michael.
• 34:24
  Speaker 2: His hands are because we have so little to go
• 34:27
  Speaker 2: on with Jason, like they're they're they're very specific, like
• 34:32
  Speaker 2: kind of like meaty paw, Harry harry knuckle, kind of
• 34:37
  Speaker 2: like coat.
• 34:38
  Speaker 1: It's cool.
• 34:38
  Speaker 2: It's like I was like, whoa, his hands have so
• 34:40
  Speaker 2: much like character in the movie. We don't actually get
• 34:43
  Speaker 2: to see people's hands this in detail in movies.
• 34:46
  Speaker 1: A lot totally. And then the dog runs away and
• 34:48
  Speaker 1: comes up to Jason and we don't see the dog,
• 34:51
  Speaker 1: and we get a reference to the chainsaw later on,
• 34:55
  Speaker 1: like course which comes back later on. Were they referencing
• 35:00
  Speaker 1: their face Probably it's at this point so much.
• 35:04
  Speaker 2: When she chain saws one piece of wood to hand
• 35:06
  Speaker 2: to the guy, why did you do that?
• 35:09
  Speaker 1: I mean, yeah, dude, it was just for the visual
• 35:15
  Speaker 1: of the chains. Chain saws are cool, are yeah, they're
• 35:18
  Speaker 1: they're very scary. And then Jeff feathered hair with with
• 35:23
  Speaker 1: the other girl, they're they're like, come on, come on,
• 35:26
  Speaker 1: she's so pushy to have him go, and he's such
• 35:29
  Speaker 1: a wiener who's so like hungry. He's like, well, I
• 35:34
  Speaker 1: gotta I mean, she's.
• 35:35
  Speaker 2: Hot, Yeah, yeah, for sure, there's definitely like whenever sex
• 35:40
  Speaker 2: is mentioned, there's a like it'd be stupid not to.
• 35:44
  Speaker 1: Yeah, totally fair, true, it is true. And then like
• 35:53
  Speaker 1: you know, they're they're like people who are in you know,
• 35:57
  Speaker 1: they're like doing camp things, just whimming and talking and
• 36:02
  Speaker 1: chatting or whatever.
• 36:04
  Speaker 2: This movie does have like a slight people calling out
• 36:07
  Speaker 2: each other's names, but way shorter than the last movie
• 36:11
  Speaker 2: totally and thus way more fun and interesting.
• 36:14
  Speaker 1: Yeah.
• 36:14
  Speaker 2: Absolutely, because we get to like actually kind of like
• 36:17
  Speaker 2: revel in the kills, and I think the kills like
• 36:20
  Speaker 2: they're iconic. In the first one, there's like ones that
• 36:23
  Speaker 2: I remember now, like the sliced neck with Ann and
• 36:26
  Speaker 2: like just like a few things like that that were
• 36:29
  Speaker 2: like the chopped off head of course and like stringing
• 36:34
  Speaker 2: people up. But in this one, like getting like macheted
• 36:37
  Speaker 2: in like to half of your face and shit like that,
• 36:40
  Speaker 2: Like that's pretty cool.
• 36:42
  Speaker 1: Yeah for sure. Which when do we get to the
• 36:45
  Speaker 1: wheelchair guy getting machetied, Well, the wheelchair guy is on
• 36:49
  Speaker 1: the beach with everybody else. It's funny that you mentioned
• 36:52
  Speaker 1: Texas chainsawmasker because that something that I didn't think of
• 36:55
  Speaker 1: was there is a dude in a wheelchair and a chainsaw,
• 36:58
  Speaker 1: and so they might have actually because that was a
• 37:00
  Speaker 1: fucking huge movie. It was a huge movie. Yea, yeah,
• 37:03
  Speaker 1: well so.
• 37:03
  Speaker 2: You don't think about that, like because for me, Jason
• 37:07
  Speaker 2: is so zeitgeisty and so popular, like the mask and everything,
• 37:11
  Speaker 2: like the iconography. It's kind of like it feels like
• 37:15
  Speaker 2: he predates the big Ones, you know what I mean,
• 37:18
  Speaker 2: Like it feels like he predates Mike Myers. It feels
• 37:20
  Speaker 2: like he predates.
• 37:23
  Speaker 4: I know.
• 37:24
  Speaker 1: And so was Leatherface wasn't wasn't he? Yeah? Leatherface was also, Yeah,
• 37:27
  Speaker 1: so I feel like that's that's interesting, right, yeah he
• 37:32
  Speaker 1: and and Jason predates fucking Freddy. Yeah he does, which
• 37:37
  Speaker 1: is crazy, is it? Yeah? He does four Yeah, yeah,
• 37:41
  Speaker 1: you're right.
• 37:42
  Speaker 2: Freddy's way more nineties than Jason.
• 37:44
  Speaker 1: Breddy is all yeah, he feels like a nineties.
• 37:49
  Speaker 2: Icon yeah almost, And Jason is very eighties.
• 37:53
  Speaker 1: I didn't realize decidedly, so totally totally.
• 37:57
  Speaker 4: So.
• 37:58
  Speaker 1: So they see a dead dog, but it's not the
• 38:01
  Speaker 1: same dog. They were kind of like, this is this, Yeah,
• 38:04
  Speaker 1: what happened it? It must have been a wild animal.
• 38:06
  Speaker 1: We shouldn't mention it to anyone, Yeah, absolutely not. But
• 38:09
  Speaker 1: then the cop comes and he's like, we don't take
• 38:12
  Speaker 1: too kind of it's true, but they talk. He talks
• 38:17
  Speaker 1: to Paul in a very realistic way too, because it
• 38:20
  Speaker 1: is it feels like almost like a principle in kids,
• 38:23
  Speaker 1: because they they set up the fact that he's like,
• 38:25
  Speaker 1: I'm trying to be responsible for these guys, but I
• 38:28
  Speaker 1: hate cops. Acab.
• 38:29
  Speaker 2: Dude, he's very a cab in the scene because he's like,
• 38:31
  Speaker 2: I'm not gonna punish them. No seconds for dessert tonight.
• 38:34
  Speaker 1: Oh yeah.
• 38:35
  Speaker 2: It's just like really funny, like he's not gonna he's
• 38:38
  Speaker 2: like showing the cop he's not.
• 38:39
  Speaker 1: Going to punish them at all. But it's like, but dude,
• 38:42
  Speaker 1: he's like, yeah, dude, they they're fucking super kids. Okay,
• 38:45
  Speaker 1: they won't do it again. But he's like, look, hold,
• 38:47
  Speaker 1: people are saying you're doing great doing these kids. What
• 38:50
  Speaker 1: you're doing with these kids is great, but five years ago, uh,
• 38:54
  Speaker 1: and you've got a good reputation that I love that.
• 38:57
  Speaker 2: It's like all of this transgender care stuff is great,
• 39:00
  Speaker 2: but I'm conservative and I don't believe it.
• 39:02
  Speaker 1: They're eating the dogs. I saw them. I saw dog.
• 39:07
  Speaker 1: He was eating the dogs. I tried something. It was
• 39:10
  Speaker 1: pretty good. It's a hot dog. Have you ever heard
• 39:11
  Speaker 1: of it? The Costco hot dogs dollar fifty inflation proof.
• 39:17
  Speaker 1: Why can't guess an be like that? You're not even
• 39:21
  Speaker 1: going to reprimand them. I love that too, no punishment.
• 39:25
  Speaker 1: What kind of place is this? That's the conservatism?
• 39:28
  Speaker 2: Oh he's he's he's calling him a pussy liberal.
• 39:32
  Speaker 1: Dude. Yeah, dude, I mean that's what he is. We
• 39:35
  Speaker 1: all are. It's awesome. We get pussy all the time
• 39:39
  Speaker 1: because we're all pussies. I mean it's funny because like.
• 39:46
  Speaker 2: The dicks think they're going to get something, but all
• 39:49
  Speaker 2: they're gonna get is more.
• 39:50
  Speaker 1: Dick yep, because that's what they want. Dude, dude, I
• 39:52
  Speaker 1: love dick. Yeah, dude, So for me, it's fine. This
• 39:57
  Speaker 1: is the funniest. This is the I think one of
• 40:00
  Speaker 1: the coolest looking parts of this movie is when Jason
• 40:07
  Speaker 1: like leaves and as the cop is pulling out, he
• 40:11
  Speaker 1: sees him and then he starts chasing him down. This
• 40:14
  Speaker 1: is I think my favorite scene in the actual movie.
• 40:16
  Speaker 1: It's like we're following Jason's feet and Jason's like lower
• 40:20
  Speaker 1: half of his body while the cop like awkwardly tries
• 40:23
  Speaker 1: to get him, and it's like, I don't know. It
• 40:27
  Speaker 1: kind of shows a little bit of the Redator esque
• 40:35
  Speaker 1: like hunting. I'm going hunting like aspect of the movie.
• 40:39
  Speaker 1: I don't know. It's like this is my territory kind
• 40:42
  Speaker 1: of thing. I think this is what's interesting about sort
• 40:46
  Speaker 1: of K's bring up lore stuff and world building stuff
• 40:51
  Speaker 1: is that like a lot of this is visual storytelling
• 40:55
  Speaker 1: of like how this person lives. There's no dialogue with Jason,
• 40:59
  Speaker 1: he doesn't. We all see it completely visually. We see
• 41:02
  Speaker 1: the area of the woods, we see the shack. Yeah,
• 41:05
  Speaker 1: and then and then he like the officer gets to
• 41:07
  Speaker 1: the shack. Okay, So I like I couldn't believe that
• 41:12
  Speaker 1: we get this level of detail of how Jason lives.
• 41:16
  Speaker 2: I didn't know this part of the Lord. I didn't
• 41:19
  Speaker 2: know that Jason had like a house that somebody could
• 41:22
  Speaker 2: visit and like it's simultaneously like you.
• 41:26
  Speaker 1: Mean a house where a mathematician goes to build bombs
• 41:29
  Speaker 1: to send to Sorry Ted Kaczynski.
• 41:31
  Speaker 2: Joke, Oh okay, listen, but like I didn't realize that
• 41:36
  Speaker 2: his house is like it's kind of at the it's
• 41:40
  Speaker 2: simultaneously like sad and like really impressive that he has it.
• 41:45
  Speaker 2: It's like, whoa dude, Like this poor guy who doesn't
• 41:48
  Speaker 2: know anything, has never been socialized. There, doesn't like even
• 41:51
  Speaker 2: the the Genny's say at one point, you know, this guy,
• 41:55
  Speaker 2: he's never met anyone. She kind of talks into Bruce Willis. Way,
• 41:58
  Speaker 2: he's never met anyone, He's never that anyway, he doesn't
• 42:01
  Speaker 2: he doesn't have any relationships.
• 42:03
  Speaker 1: You know, he's a strange guy. Yeah, yeah, you know,
• 42:07
  Speaker 1: like she.
• 42:07
  Speaker 2: Kind of Bruce Willis is this idea into existence and
• 42:10
  Speaker 2: and and like I thought that was cool because then
• 42:13
  Speaker 2: when we see.
• 42:13
  Speaker 1: This house, we're like, oh no, dude, Like, oh no,
• 42:17
  Speaker 1: this someone helped this guy, and like yeah, the cops
• 42:23
  Speaker 1: kind of like grossed out. I mean, it would be
• 42:27
  Speaker 1: so grown. I feel like it would smellrhea because I
• 42:31
  Speaker 1: think he would have a lot of diarrhea from eating
• 42:33
  Speaker 1: things in the from eating the dogs in the in
• 42:37
  Speaker 1: the forest. I feel like you would have a lot
• 42:38
  Speaker 1: of diarrhea. And so and diarrhea has like yeah, it
• 42:44
  Speaker 1: has a specific smell, dehydrated smell kind of.
• 42:49
  Speaker 2: Like oh, I'm feeling like someone's innards. Also, like I
• 42:52
  Speaker 2: smell what they're inside smelling.
• 42:53
  Speaker 1: They're they're the lining.
• 42:55
  Speaker 2: There's a lot of stomach lining that you're smelling as
• 42:58
  Speaker 2: well as as just hutrid shit. But so I feel
• 43:03
  Speaker 2: like that's kind of what it smells like.
• 43:04
  Speaker 1: And like I.
• 43:06
  Speaker 2: Not in a way that like I'm judging, but like
• 43:09
  Speaker 2: it just seems it looks like it looks like it's
• 43:12
  Speaker 2: like the walls are covered in kaka, you know what
• 43:16
  Speaker 2: I mean. Like he doesn't have any like plum. Well,
• 43:18
  Speaker 2: he does have plumbing.
• 43:19
  Speaker 1: That's the toilet or toilet toilet paper. I think he's
• 43:23
  Speaker 1: still some toilet paper.
• 43:24
  Speaker 2: So does he pay like water bills?
• 43:27
  Speaker 1: Oh yeah, Jason V.
• 43:28
  Speaker 2: He's he paid. He just paid his water bill. It
• 43:30
  Speaker 2: was twenty dollars.
• 43:31
  Speaker 1: Last part, well, I think yeah. I mean he must
• 43:34
  Speaker 1: ship into something, right or.
• 43:37
  Speaker 2: Is he using like oh or did he build up
• 43:42
  Speaker 2: a house shack around like a toilet on Camp Crystal
• 43:47
  Speaker 2: Lake that was installed for them? Maybe that's the lore,
• 43:50
  Speaker 2: that's what Maybe.
• 43:51
  Speaker 1: It is like a shack that's falling apart that used
• 43:54
  Speaker 1: to be like a ship like a shitter. Yeah, h
• 43:57
  Speaker 1: and no one.
• 43:58
  Speaker 2: But it's very clean though when you look clean, keeps
• 44:01
  Speaker 2: it keeps it clean. He's actually he keeps it clean. Dude,
• 44:06
  Speaker 2: he keeps his buttle clean.
• 44:07
  Speaker 1: He washes.
• 44:09
  Speaker 2: Yeah, he washes in the lake and he was swimming
• 44:11
  Speaker 2: that day. Okay, No, okay, so he swims. No we
• 44:14
  Speaker 2: we we didn't give him enough credit. He does take
• 44:17
  Speaker 2: good care of it. He smells nice. No, he smells
• 44:20
  Speaker 2: like shit.
• 44:21
  Speaker 1: It smells. It smells bad in that that place. Is
• 44:23
  Speaker 1: that shock? Yeah, it smells really bad in that, but
• 44:25
  Speaker 1: it does it shit smell though it's different if it
• 44:28
  Speaker 1: shit smells well from all the other like things we mentioned.
• 44:32
  Speaker 1: Maybe animal smells. It is animal smells, and.
• 44:35
  Speaker 2: He maybe smells body regular body smells, but strong because
• 44:39
  Speaker 2: he only washes in the lake without any water. Yes, definitely,
• 44:43
  Speaker 2: And he has diarrhea from all the yeah, from all
• 44:47
  Speaker 2: the like he just eats like a lot of.
• 44:48
  Speaker 1: Raw meat, I think, yes. Yeah.
• 44:53
  Speaker 2: Do you think liver king when he like has to
• 44:55
  Speaker 2: pretend eat the liver in does videos when actually it's
• 44:59
  Speaker 2: animal like zeroids.
• 45:02
  Speaker 1: Yeah, he probably ships like pretty intense. Now that's probably
• 45:05
  Speaker 1: really those day on shooting days, he for sure for shits.
• 45:09
  Speaker 1: It's some diarrhea. So we cut to it's later that
• 45:12
  Speaker 1: night and all the rowdy, rowdiest teens are like, we're
• 45:18
  Speaker 1: going into town to get drunk and then drive back.
• 45:22
  Speaker 2: How are you gonna get back? Well, drive obviously this
• 45:25
  Speaker 2: nerd guy's gonna drive. He could take his alcohol. Look
• 45:28
  Speaker 2: at him, he's already He's always silly.
• 45:32
  Speaker 1: But yeah, they all leave, which I like. I like
• 45:34
  Speaker 1: the expansionistic of it's not just a Crystal Lake. And
• 45:41
  Speaker 1: that's the thing that I wanted to say, disagree with
• 45:43
  Speaker 1: with Ks in terms of it's not as localized as
• 45:48
  Speaker 1: he's making it out to be, especially in this one,
• 45:50
  Speaker 1: because immediately they go off to town. These guys go
• 45:53
  Speaker 1: off to like a place next to Crystal Lake.
• 45:56
  Speaker 2: It's not like directly there. Well, you need to have
• 45:59
  Speaker 2: scope and like the Crystal Lake part needs to be
• 46:02
  Speaker 2: the dangerous part. So if you have a wider world
• 46:04
  Speaker 2: around that, then like there's a place to be more easy.
• 46:06
  Speaker 1: It's like Twin Peaks. Actually Twin Peaks. Most of Firewalk
• 46:09
  Speaker 1: with Me doesn't take place, and it takes place in
• 46:11
  Speaker 1: the town next door. Right. But then wheelchair guy stays,
• 46:16
  Speaker 1: a bunch of hotties stay games. But they're playing board games.
• 46:21
  Speaker 2: She's talking a lot about getting fingers by him, and
• 46:24
  Speaker 2: he has very nice hands also that they shown use.
• 46:28
  Speaker 1: Yeah to finger her. I think, like it's cool that
• 46:32
  Speaker 1: she asks him, like so like so she's like, yeah,
• 46:35
  Speaker 1: I know what to do. I get by Like he's
• 46:37
  Speaker 1: like very confident and like it's kind of like like
• 46:40
  Speaker 1: a little awkward about it, sure, because he's not comfortable
• 46:44
  Speaker 1: with parts of it for himself, and he says so
• 46:46
  Speaker 1: as much when he's talking about it. But it gives
• 46:49
  Speaker 1: this character a lot of like agency and interest because
• 46:52
  Speaker 1: it's like, you know, I'm not defined by this, but
• 46:54
  Speaker 1: also like I hate that, you know, I can't that.
• 46:58
  Speaker 1: I yeah, And we get the show. As they leave
• 47:02
  Speaker 1: and they go back inside and the other guys leave,
• 47:05
  Speaker 1: we get Jason Jason shadow lurking in the background, and
• 47:11
  Speaker 1: one of the chicks goes to go skinny dipping obviously
• 47:13
  Speaker 1: because I would too, and the rest of them gets
• 47:16
  Speaker 1: to the bar. The bar.
• 47:19
  Speaker 2: Yeah, Like the was great. The skiney dipping scene was great.
• 47:26
  Speaker 1: Feathered Hair is doing uh what's it called. He's having
• 47:31
  Speaker 1: sex with his girlfriend. Well, he's gonna have sex after
• 47:33
  Speaker 1: he gets beaten by wheelchair guy and then uh, she's like, well,
• 47:40
  Speaker 1: do you want to wrestle upstairs? And he's like, well,
• 47:42
  Speaker 1: see you later, guys. Yeah, he definitely goes immediately, and
• 47:46
  Speaker 1: then she's like, do you want to arm wrestle with me?
• 47:49
  Speaker 1: You can show me your hands. Yeah.
• 47:53
  Speaker 2: The arm wrestling was great, Yeah, and also very reminiscent
• 47:58
  Speaker 2: of stallone Dude.
• 47:59
  Speaker 1: Oh totally. And then Jason steals the girl who's skinny
• 48:03
  Speaker 1: dippings clothes and she's like, no, Jason doesn't. Oh no,
• 48:08
  Speaker 1: juicy lips. Yeah, yeah, juice lip. Sorry. But the implication
• 48:11
  Speaker 1: is like, oh, like this person is Jason. But then
• 48:15
  Speaker 1: he gets caught in one of Jason's traps, which was
• 48:18
  Speaker 1: also great.
• 48:20
  Speaker 2: Yeah, because that's how Jason hunts. I go hunting. Yeah,
• 48:23
  Speaker 2: and the fact that he slices the neck open also
• 48:26
  Speaker 2: is like just bleeding out an animal animal, which like
• 48:29
  Speaker 2: is kind of cool like that Jason, you know, there's
• 48:33
  Speaker 2: like a I mean I used to think that the
• 48:39
  Speaker 2: Jason lore is that his murdering was just way more
• 48:43
  Speaker 2: aimless than it actually is. There's a purpose to it,
• 48:47
  Speaker 2: and there's motivation behind it and reason to it in
• 48:50
  Speaker 2: a way that I never gave Jason credit for. Yeah, like, yeah,
• 48:55
  Speaker 2: it's revenge, but it's also like self defense and like territoriality.
• 49:01
  Speaker 2: It's and there's just like the brutishness is not rooted
• 49:05
  Speaker 2: in like, uh, like a menace that he has towards them.
• 49:09
  Speaker 2: He's medicine because he's scary, but he's like he's way
• 49:13
  Speaker 2: more like he's not trying to terrorize anyone. Yeah, he's
• 49:19
  Speaker 2: just killing them.
• 49:19
  Speaker 1: Yeah. Yeah, And it's funny because you're basically describing Halloween
• 49:26
  Speaker 1: and that works in a totally different way because it's
• 49:28
  Speaker 1: like in a small town, nobody knows what's happening, you know,
• 49:32
  Speaker 1: but like there is a drive and then later on
• 49:35
  Speaker 1: they build on that lore too, which is dumb, but
• 49:38
  Speaker 1: the like when we're going to talk about Mike Myers,
• 49:41
  Speaker 1: dude yere, but also it cuts to back to the
• 49:46
  Speaker 1: bar and they're having fun and they're watching some some
• 49:49
  Speaker 1: that like Guitar Solo. That's like it does feel like
• 49:53
  Speaker 1: a bigger budget and it works way more and way better.
• 49:58
  Speaker 2: Totally with the bigger by Yeah, I absolutely agree, and like, yeah,
• 50:03
  Speaker 2: it benefits from it in all the ways that it
• 50:06
  Speaker 2: needs to while also being.
• 50:07
  Speaker 1: A direct sequel to it. Yeah, exactly, And it kind
• 50:12
  Speaker 1: of does what eighties movies used to do and it's
• 50:16
  Speaker 1: way less than it is now, So like now you
• 50:19
  Speaker 1: have to think about making everything a sequel, and then
• 50:22
  Speaker 1: you have to think about every sequel being also a standaloney.
• 50:26
  Speaker 1: So that's why there was so much of that, Like
• 50:29
  Speaker 1: let's just show the last part of the last movie. Yeah,
• 50:31
  Speaker 1: for sure in this movie. What's also nice about this
• 50:35
  Speaker 1: is that it's this is where Ginny explains the thing
• 50:39
  Speaker 1: you were mentioning earlier, which was, oh yeah, like what
• 50:42
  Speaker 1: if he's like I mean, he's like not just a
• 50:45
  Speaker 1: crazy guy. He was like a guy who who suffered
• 50:48
  Speaker 1: in some way. He was like a poor boy who
• 50:52
  Speaker 1: got hurt and now is like murdering people. And what's
• 50:56
  Speaker 1: nice is instead of reacting because it is like a
• 50:59
  Speaker 1: pussy liberal quote unquote way of describing like a scary murderer,
• 51:06
  Speaker 1: but it is one. It is something that people do.
• 51:10
  Speaker 1: People do this all the time with every kind of
• 51:12
  Speaker 1: like I mean, that's a lot of what true crime
• 51:15
  Speaker 1: is is like, well but you know Charles Manson was
• 51:19
  Speaker 1: raped in as he was growing up, and you know
• 51:23
  Speaker 1: stuff like that, where it's like all the humanization of
• 51:26
  Speaker 1: bad people, you know, which is very cool. But then
• 51:30
  Speaker 1: instead of contrasting that with like, ah, that's bullshit, like
• 51:34
  Speaker 1: Paul is like, well, you know, it's a legend. It's
• 51:38
  Speaker 1: you know, it's it's not real, right, and then we
• 51:44
  Speaker 1: get it cuts back to Jason's stalking and I I
• 51:50
  Speaker 1: also find it interesting that the wheelchair This cuts back
• 51:55
  Speaker 1: to the wheelchair guy explaining, like doctor say, it's permanent,
• 51:58
  Speaker 1: but it's not gonna be I'm not gonna make it
• 52:00
  Speaker 1: like that, and like her being like toke and pulls
• 52:05
  Speaker 1: out a joint. Oh yeah, He's like, I can't. I'm
• 52:08
  Speaker 1: training right now.
• 52:09
  Speaker 2: He's very proud of like like what he's been able
• 52:12
  Speaker 2: to achieve with his with his body and his capabilities,
• 52:16
  Speaker 2: and like, I think it's I think that's really cool. Yeah,
• 52:19
  Speaker 2: and like she's really into it as well. She's really
• 52:23
  Speaker 2: turned on by him. And finally they're like, Okay, we're
• 52:26
  Speaker 2: gonna fuck.
• 52:27
  Speaker 1: He's like my cabin of yours. And then but Jim
• 52:31
  Speaker 1: is in my cabin. Yeah, it's amazing.
• 52:35
  Speaker 2: And then so she's like, hey, hold on, I gotta
• 52:37
  Speaker 2: go get take my Diva cup out.
• 52:40
  Speaker 1: I'm gonna put these like baggy saggy bum panties on. Well, no,
• 52:45
  Speaker 1: they were great. What do you mean. I didn't say
• 52:47
  Speaker 1: they were right, I'm just saying they were like in
• 52:49
  Speaker 1: that well, like you know in the butt where they're
• 52:51
  Speaker 1: like like they're like kind of bunched up on the butt. Yeah, yeah, whatever,
• 52:54
  Speaker 1: I thought I thought they were I thought they were great.
• 52:57
  Speaker 1: She want to go put on some sexy underwear for yeah,
• 52:59
  Speaker 1: for sure. Uh.
• 53:00
  Speaker 2: And I appreciated the effort on her part. But and
• 53:05
  Speaker 2: it also gives a reason. Everything had reason in this
• 53:08
  Speaker 2: movie too, Like sometimes it felt like things randomly happened
• 53:12
  Speaker 2: in the last movie, which worked because of the chaos
• 53:15
  Speaker 2: and like you didn't know what was going on. But
• 53:18
  Speaker 2: in this movie, I'm like, like everything makes sense, Like
• 53:22
  Speaker 2: everything has like an explanation in world explanation, and it's
• 53:25
  Speaker 2: it is serious in a way. It takes itself seriously
• 53:29
  Speaker 2: in an old school way that like, you know, it
• 53:31
  Speaker 2: is kind of sad, how like funny Freddy is sometimes
• 53:36
  Speaker 2: you know, like right.
• 53:37
  Speaker 1: Away it defeats some of the scariness, but.
• 53:41
  Speaker 2: Also it's scary because it's funny because it's like sometimes
• 53:43
  Speaker 2: when something's clown sinister funny, it's also scary.
• 53:47
  Speaker 1: Yes exactly, Oh god, no, this is actually terrifying. Yeah, totally.
• 53:50
  Speaker 2: But I like I like the more seriousness of the
• 53:53
  Speaker 2: Jason because you can kind of like even though it's
• 53:56
  Speaker 2: silly that the actual thing is silly. You you can,
• 53:59
  Speaker 2: you have permission to take it seriously for sure.
• 54:02
  Speaker 1: Vicky, who's the lady who wants to have sex with wheelchair,
• 54:06
  Speaker 1: gets killed by Jason Rain starts falling and then wheelchair
• 54:11
  Speaker 1: wheels out and is like Vicky and gets chopped. He
• 54:15
  Speaker 1: gets shopped. But this this shot is great because it's
• 54:19
  Speaker 1: like it's not a it's not a handheld POV shot,
• 54:22
  Speaker 1: it's a like dolly into the back of his wheelchair,
• 54:26
  Speaker 1: and it's so much more menacing.
• 54:28
  Speaker 2: I agree, And and dude, something else I was going
• 54:31
  Speaker 2: to say is like the deaths have more consequence in
• 54:34
  Speaker 2: this one.
• 54:34
  Speaker 1: I think so too.
• 54:35
  Speaker 2: When they kill Ralph, I was like, oh my god, Ralph.
• 54:37
  Speaker 2: And when they kill this guy, I was like, we
• 54:40
  Speaker 2: learned so much about like he had the makings of
• 54:42
  Speaker 2: a varsity athlete totally.
• 54:44
  Speaker 1: And also the way he like gets chopped and then
• 54:47
  Speaker 1: rolls down a bunch of stairs and like freeze frames
• 54:50
  Speaker 1: and then moves the freeze like they want.
• 54:53
  Speaker 2: So they put extra like kind of care into his
• 54:56
  Speaker 2: kill and it was kind of like it felt to
• 54:59
  Speaker 2: me in some ways like the first real.
• 55:02
  Speaker 1: Kill of the series.
• 55:03
  Speaker 2: Totally because it was like because of the way that
• 55:07
  Speaker 2: it was, like it seems like now Jason's crossed some kind.
• 55:11
  Speaker 1: Of barrier for himself. Yeah, totally. Of like he killed
• 55:13
  Speaker 1: someone that he didn't need.
• 55:16
  Speaker 2: To kill, and there was like, you know, there was
• 55:18
  Speaker 2: like a kind of like, Okay, now maybe he's getting
• 55:20
  Speaker 2: a bit of a bloodlust.
• 55:22
  Speaker 1: Yeah, totally. We don't know, We don't know. There's a
• 55:24
  Speaker 1: really fascinating there's a really fascinating thing about Jason coming
• 55:32
  Speaker 1: in to kill bon Jovi where he takes the mask
• 55:37
  Speaker 1: off the spear almost like being like I don't need this,
• 55:41
  Speaker 1: I don't need this to be scary, almost as a
• 55:44
  Speaker 1: direct direct hit to Leatherface and and Halloween, which came
• 55:50
  Speaker 1: out a couple of years before. And it's like and
• 55:54
  Speaker 1: he's going to pick it up, but then heave that
• 55:58
  Speaker 1: which is great, and he stabs through both bon Jovi
• 56:03
  Speaker 1: and his girlfriend.
• 56:05
  Speaker 2: Very brutal and like we see just the spear go down,
• 56:09
  Speaker 2: and I think like the kills like they have a weightiness,
• 56:13
  Speaker 2: like to show the consequence of something like that, the
• 56:18
  Speaker 2: direct consequence, and like just like it coming out the
• 56:21
  Speaker 2: other side, Yeah, shows the strength, shows the brutality and
• 56:26
  Speaker 2: is like is genuinely scary. Yeah, and there's some there's
• 56:31
  Speaker 2: like a jump scare in this movie, which is like
• 56:34
  Speaker 2: a couple of jump scares that I'm like, I don't
• 56:37
  Speaker 2: like jump scares, and they did scare me.
• 56:40
  Speaker 1: Yeah, I'm always like yeah, totally totally.
• 56:43
  Speaker 2: But like, yeah, I mean they were effective. I will say.
• 56:49
  Speaker 1: Sorry I said that that Vicky died earlier. Vicky comes
• 56:53
  Speaker 1: in to inspect everything and is looking for Mark, the
• 56:59
  Speaker 1: guy in the wheelchair, and she gets she gets her
• 57:03
  Speaker 1: leg cut by burlapsack Jason and the knife comes in
• 57:09
  Speaker 1: and we just see the hand go towards It's so great,
• 57:12
  Speaker 1: this like almost like floating hand like coming to kill
• 57:18
  Speaker 1: Vicky and he brutally murders her. As the drunken other
• 57:24
  Speaker 1: people drive back to the campgrounds and Paul and Jenny
• 57:34
  Speaker 1: see or Paul and Jenny are back and like the
• 57:37
  Speaker 1: dragging of the body that that Jason takes down the stairs,
• 57:42
  Speaker 1: and I'm like, I'm wondering whether or not he does
• 57:45
  Speaker 1: freaky things. This feels like he's doing freaky things, you think,
• 57:48
  Speaker 1: so maybe unless he's eating the bodies, can't let wist, Yeah, exactly.
• 57:54
  Speaker 1: Maybe maybe Jason's a cannibal. I don't know, Like I
• 57:57
  Speaker 1: don't know.
• 57:59
  Speaker 2: No, Well, well, well we'll get to we'll get to
• 58:02
  Speaker 2: some of his motivations, because that's what's really interesting, is
• 58:06
  Speaker 2: the speculation. But but you do have more insight to
• 58:10
  Speaker 2: his motivations later on when they show the mom's head
• 58:14
  Speaker 2: and the shrine.
• 58:15
  Speaker 1: Yeah, for sure, which we'll get to which is what
• 58:17
  Speaker 1: the cop found, but we didn't see totally. Paul and Jinny, Uh,
• 58:21
  Speaker 1: they see the blood that is left behind by Bonjo, Like,
• 58:24
  Speaker 1: what is this a joke? Yeah? I love that line
• 58:27
  Speaker 1: as a joke. Smoking dope.
• 58:30
  Speaker 2: These kids smoke, but better dope than I do. Like
• 58:32
  Speaker 2: that's how it usually is.
• 58:33
  Speaker 1: Man, kids are dabbing, dude, how is dabbing pure THHC
• 58:41
  Speaker 1: crystal it? I don't know. I've never dabbed. It scares
• 58:44
  Speaker 1: me why, I don't know. I feel like I might
• 58:47
  Speaker 1: might make me sick. Yeah yeah, or like me when
• 58:49
  Speaker 1: I greened out and I was like having better screaming
• 58:53
  Speaker 1: at the top of my lungs. But yeah, then we
• 58:58
  Speaker 1: see Oh man, this part was great because this reminded
• 59:01
  Speaker 1: me of the first Jason in the Best Way, where
• 59:06
  Speaker 1: all the lights go out downstairs and she sees burlap
• 59:10
  Speaker 1: sack Jason, and she like runs into the bathroom. Ginny
• 59:13
  Speaker 1: runs into the bathroom and like locks the door, holds
• 59:16
  Speaker 1: the door closed, but can't reach the window to close
• 59:20
  Speaker 1: the window, and like gently let's go of the door,
• 59:25
  Speaker 1: but like stays close enough and like stretches out that
• 59:30
  Speaker 1: Jason crappily shoves his hand into the window. I I
• 59:36
  Speaker 1: love that kind of stuff.
• 59:38
  Speaker 2: Yeah, I think they did a really great job in
• 59:40
  Speaker 2: that doing that kind of stuff in this movie, and
• 59:43
  Speaker 2: it's genuinely terrifying, but.
• 59:44
  Speaker 1: Like you're also like on Jason's side, Yeah, totally. And
• 59:48
  Speaker 1: then they's what's great is two things happen in the
• 59:51
  Speaker 1: scene he gets the pitchfork and smashes through the crappy
• 59:56
  Speaker 1: count campgrounds doors, those thin doors that don't do anything. Uh.
• 1:00:01
  Speaker 1: And then when Genny opens the the the she's in
• 1:00:07
  Speaker 1: the kitchen. When she opens the cabinet, Ralph falls out,
• 1:00:12
  Speaker 1: like when he walks out in the first was jerking off,
• 1:00:16
  Speaker 1: Yeah totally, He's the one doing freaky shit. He's like,
• 1:00:19
  Speaker 1: you're all, dude, yeah, totally jerk. He is definitely having
• 1:00:22
  Speaker 1: sex with those dead bodies.
• 1:00:24
  Speaker 2: Jesus, just because someone's weird doesn't mean their necro feeling.
• 1:00:29
  Speaker 1: It's the weirdest thing I could think of. But what
• 1:00:31
  Speaker 1: was awesome? We didn't mention that the crappy car that
• 1:00:33
  Speaker 1: Ginny was driving at the beginning, when Paul is like,
• 1:00:37
  Speaker 1: you got to turn it on, gentle like, and then
• 1:00:40
  Speaker 1: she's able to turn it on, and then when she
• 1:00:42
  Speaker 1: runs back into the car, she's not turning it on
• 1:00:45
  Speaker 1: gently and it can't turn on, and then Jason is
• 1:00:49
  Speaker 1: like stabbing through the roof and then shoving his hand inside,
• 1:00:54
  Speaker 1: and then she opens the door and bounces Jason off
• 1:00:57
  Speaker 1: the car. If five guys and they're beating one guy up,
• 1:01:01
  Speaker 1: those burgers are terrible. Yeah, they're terrible.
• 1:01:04
  Speaker 2: They're not good. I don't like them. I don't like
• 1:01:07
  Speaker 2: I'm like, what's the big deal about this?
• 1:01:09
  Speaker 1: Five guys? What are they coming? It's like, why is
• 1:01:12
  Speaker 1: it five guys? I don't know? Speaking of five guys
• 1:01:19
  Speaker 1: getting kicked in your five guys, which is what Jenny does,
• 1:01:23
  Speaker 1: Jason hits, gets his balls hit and like it's kind
• 1:01:28
  Speaker 1: of cool. It is kind of cool because it's like, well,
• 1:01:30
  Speaker 1: you're a real person. Yeah, he's a real person and
• 1:01:33
  Speaker 1: he's alive. Yeah, exactly, Okay, so this is where it
• 1:01:37
  Speaker 1: gets dicey for me. He was just a survivalist alive
• 1:01:41
  Speaker 1: in the forest that whole time. Was he like doing
• 1:01:45
  Speaker 1: stuff with his mom? So he kind of changes the
• 1:01:48
  Speaker 1: thing in the first one because it's like if he's
• 1:01:51
  Speaker 1: dead or did the mom just think he's dead. I
• 1:01:54
  Speaker 1: don't know, my mom thought he was dead.
• 1:01:56
  Speaker 2: But then why wasn't he with the mom, Like why
• 1:01:59
  Speaker 2: didn't he go to his mom in all of those
• 1:02:01
  Speaker 2: thirty years.
• 1:02:03
  Speaker 1: That I don't know? Maybe we'll find out, dude.
• 1:02:05
  Speaker 2: Okay, like because that part remains unexplained. Well so far,
• 1:02:10
  Speaker 2: so far, that's true.
• 1:02:11
  Speaker 1: They could backlorify it, they could backla But I love
• 1:02:14
  Speaker 1: I love the scene because it's like the chase scene
• 1:02:16
  Speaker 1: of Ginny through the forest and like Jason not knowing where,
• 1:02:21
  Speaker 1: Like you see her run around the car and then
• 1:02:23
  Speaker 1: him walking by, and then her running around the other side,
• 1:02:26
  Speaker 1: and then he hears something and then like walks into
• 1:02:29
  Speaker 1: the forest and like the weird cross fades between between
• 1:02:35
  Speaker 1: scenes as they're running through the forest. I love it cool.
• 1:02:39
  Speaker 1: I thought it was really cool. Yeah.
• 1:02:41
  Speaker 2: Visually, also like it's way less of a dark looking movie,
• 1:02:45
  Speaker 2: Like I can actually kind of see what's going on? Yeah, totally,
• 1:02:48
  Speaker 2: it's well lit. I loved I loved how it looked.
• 1:02:51
  Speaker 2: I loved how it looked because it like it sort
• 1:02:54
  Speaker 2: of looks like the first one was trying to look
• 1:02:57
  Speaker 2: you know, yeah exactly.
• 1:02:59
  Speaker 1: Because of yeah, budgetary constraints. And then Jason comes into
• 1:03:05
  Speaker 1: another cabin and is like stalking after Ginny and doesn't
• 1:03:10
  Speaker 1: see her under like a table or whatever, and is
• 1:03:13
  Speaker 1: like seeing where where hold on seeing where she's gone,
• 1:03:23
  Speaker 1: and like the little mouse goes by her, and she like,
• 1:03:28
  Speaker 1: does she piss her pants or does the mouse? No?
• 1:03:30
  Speaker 2: She well, I think she very yellow pisses her pants,
• 1:03:33
  Speaker 2: and because I think so, Yeah, but she's just pisses
• 1:03:37
  Speaker 2: out of fear, and that's what the implication is. And
• 1:03:42
  Speaker 2: then because we know now that Jason is a certified freak,
• 1:03:46
  Speaker 2: he comes back for the piss play.
• 1:03:47
  Speaker 1: Yeah, totally, and and.
• 1:03:50
  Speaker 2: And discovers where she is because of the piss play. Yeah,
• 1:03:54
  Speaker 2: he's into golden showers and he can't.
• 1:03:57
  Speaker 1: But the fact that he's on a chair to stab
• 1:04:00
  Speaker 1: her in the bed, uh makes it even better because
• 1:04:04
  Speaker 1: the chair breaks and he falls over and she pulls
• 1:04:08
  Speaker 1: out the chainsaw and he scared like it holds his
• 1:04:12
  Speaker 1: hands up. Dude, I love Jason getting for real scared.
• 1:04:15
  Speaker 1: It's great because you would be you'd be like, oh
• 1:04:18
  Speaker 1: my god, no, no, the Tables of Turns. I'm no
• 1:04:22
  Speaker 1: longer in power in this situation. Yeaheah, It's it's really
• 1:04:26
  Speaker 1: cool and like just that kind of like body acting.
• 1:04:30
  Speaker 1: Who is this guy? Who is this who?
• 1:04:32
  Speaker 2: We have to start calling out the Jason's because everybody,
• 1:04:35
  Speaker 2: like everybody talks about who their favorite Jason is, So
• 1:04:38
  Speaker 2: we need to know who these Jasons are? Can you
• 1:04:41
  Speaker 2: can you look it up right now? I'm just Jason.
• 1:04:47
  Speaker 1: Warrington Gillette.
• 1:04:50
  Speaker 2: That's the Jason Warrington Gillette.
• 1:04:53
  Speaker 1: Is he the same Jason that? Who is Jason in
• 1:04:55
  Speaker 1: the first one? Let's see, Oh, well he was the
• 1:04:58
  Speaker 1: kid who was it was a kid, It was a kid. Yeah,
• 1:05:03
  Speaker 1: so it was Lumpy Jason.
• 1:05:05
  Speaker 2: The first Lumpy Jason was ari Lehman, I guess so yeah, yeah,
• 1:05:11
  Speaker 2: as the young son of camp Cook turned killer Missus
• 1:05:15
  Speaker 2: Vorkies in which he in which he was portrayed by
• 1:05:19
  Speaker 2: Ari Lehman.
• 1:05:20
  Speaker 1: Okay, so she Ginny runs into the forest and she
• 1:05:27
  Speaker 1: catches on to Jason's house, which has a lot of
• 1:05:33
  Speaker 1: dead bodies, a lot of dead bodies. Whoa dude? Ari
• 1:05:37
  Speaker 1: Lehman is like, he's like a punk rock and heavy
• 1:05:42
  Speaker 1: metal band. Nice. He's like a musician, like a famous musician. Cool.
• 1:05:52
  Speaker 1: I mean with that kind of cred, you'd have to
• 1:05:53
  Speaker 1: be right.
• 1:05:54
  Speaker 2: Yeah for years now, that's crazy anyway, interesting, Okay, okay,
• 1:06:00
  Speaker 2: he's the metal.
• 1:06:01
  Speaker 1: Dude looks like this. Oh yeah, totally. That's the first Jason.
• 1:06:04
  Speaker 1: I mean we gave him ten we gave him.
• 1:06:08
  Speaker 2: Yeah, ten uh machetes days look at him as as
• 1:06:14
  Speaker 2: as Jason Puffy with the puffy mask.
• 1:06:17
  Speaker 1: This was a great idea because this person, this character
• 1:06:21
  Speaker 1: is the most perceptive of all of them, which is like,
• 1:06:24
  Speaker 1: I feel bad for this guy, like what like, you know,
• 1:06:27
  Speaker 1: your mom dies, You're like some weird person that people
• 1:06:31
  Speaker 1: are like gross, they hate you. What Keys was saying
• 1:06:36
  Speaker 1: was that he's a Frankenstein's monster, and he is a
• 1:06:38
  Speaker 1: Frankenstein's monster. His mom understood misunderstood killing people because people
• 1:06:44
  Speaker 1: underestimate are undervalue you. Uh. And then she puts on
• 1:06:48
  Speaker 1: the the sweater that.
• 1:06:51
  Speaker 2: She puts on this idea, this idea to put on
• 1:06:54
  Speaker 2: the sweater to try the tooth with this she's trying
• 1:06:56
  Speaker 2: the tooth hard. Yeah, Like it's kind of interesting, like
• 1:07:04
  Speaker 2: she because she's the one who's expressed.
• 1:07:06
  Speaker 1: The most sort of like compassion towards him and his
• 1:07:12
  Speaker 1: lore and the the like fading from him to them
• 1:07:17
  Speaker 1: or her to the mom. Uh and then still threatening
• 1:07:21
  Speaker 1: because he can kind of see. And then she's like, Jason,
• 1:07:24
  Speaker 1: stop doing it right.
• 1:07:26
  Speaker 2: Every time she gets more stern, it turns more into
• 1:07:29
  Speaker 2: the mom. Did you notice that? Which I thought was interesting?
• 1:07:33
  Speaker 2: And like the way he is able to see, she
• 1:07:36
  Speaker 2: makes him kneel before her, which was also like a
• 1:07:40
  Speaker 2: very weird power move. But because he does that, he
• 1:07:45
  Speaker 2: behind her sees the head of the mom.
• 1:07:47
  Speaker 1: Yeah. And then and then she Jenny tries to like
• 1:07:51
  Speaker 1: machete him in the head.
• 1:07:52
  Speaker 2: But dude, like, I wonder if we're going to get
• 1:07:55
  Speaker 2: more of this, This like idea of trying to confuse Jason.
• 1:07:59
  Speaker 1: We got that in in in Freddy when he Freddy
• 1:08:03
  Speaker 1: versus Jason, when he, like Freddy, becomes her the mom
• 1:08:09
  Speaker 1: and is like confusing, Yeah, you're confused, Jason. But then
• 1:08:14
  Speaker 1: Paul comes in, breaks in and has like a very
• 1:08:17
  Speaker 1: real also a very realistic fight with that Jason.
• 1:08:20
  Speaker 2: Butter would be so gross and the way she like
• 1:08:23
  Speaker 2: happily puts it on.
• 1:08:24
  Speaker 1: I'm like, it's very long time to put it on.
• 1:08:29
  Speaker 1: It's like fucking gross, dude. It was like Jesus. But
• 1:08:34
  Speaker 1: also she like, as Jason is gonna pickaxe Paul, Jenny
• 1:08:41
  Speaker 1: comes up to him and fucking machee chops his shoulder
• 1:08:46
  Speaker 1: and like so much so that he would probably be.
• 1:08:50
  Speaker 2: Like, yeah, I I mean like, yeah, so this is
• 1:08:59
  Speaker 2: you know, so obviously the first time we're getting sort
• 1:09:02
  Speaker 2: of like at the very least, he's got the brute
• 1:09:06
  Speaker 2: strength to survive something, so yeah, like to be so
• 1:09:11
  Speaker 2: like bodily compromised, you know what I mean, Like he's
• 1:09:15
  Speaker 2: got some kind of wolverine regeneration powers or something.
• 1:09:18
  Speaker 1: We don't know. We don't know yet, but like that's
• 1:09:21
  Speaker 1: kind of cool.
• 1:09:22
  Speaker 2: Is that he's either superhuman or he's he'sonically majestic or
• 1:09:27
  Speaker 2: survivalist or really strong, just a really strong normal dude.
• 1:09:30
  Speaker 1: Yeah, we don't know, we don't know. Yeah, Jenny's been
• 1:09:33
  Speaker 1: pickaxed in the leg. Paul takes her into another cabin
• 1:09:37
  Speaker 1: to get like treatment for it.
• 1:09:42
  Speaker 2: Just I want to shout out the single eye yeah,
• 1:09:45
  Speaker 2: emoting of the single eye on sack.
• 1:09:48
  Speaker 1: Yeah, totally. Great Jason. Great Jason. I'm excited to give
• 1:09:52
  Speaker 1: the Jasons for this one. And we get the first time,
• 1:09:56
  Speaker 1: uh not just burlap sack Jason, but melted non zombie Jason.
• 1:10:02
  Speaker 1: Melted non zombie Jason. Yeah. Yeah, and they hear some
• 1:10:07
  Speaker 1: Paul hears something outside and grabs the end of a
• 1:10:11
  Speaker 1: shovel and she's got the pitchfork. Pitchfork. Yeah, he's got
• 1:10:16
  Speaker 1: so many weapons.
• 1:10:16
  Speaker 2: In this there's yeah, yeah for sure. And I like
• 1:10:19
  Speaker 2: that there's like like it's you know, it's all like
• 1:10:23
  Speaker 2: working ground. Yeah, things that would have been left behind
• 1:10:27
  Speaker 2: in the camp, you.
• 1:10:27
  Speaker 1: Know, totally. And then they go to he Paul goes
• 1:10:32
  Speaker 1: to open the door and he opens it and it's
• 1:10:36
  Speaker 1: actually the dog, the puppy that was was Ginny's in
• 1:10:40
  Speaker 1: the first place. I think.
• 1:10:42
  Speaker 2: So I'm just opened this action figure. I just googled
• 1:10:47
  Speaker 2: Jason from part two and I opened this action figure
• 1:10:50
  Speaker 2: and it has like the mask, the berlepsack mask, the
• 1:10:54
  Speaker 2: unmasked Jason, so the goop face Jason. It's got the
• 1:10:57
  Speaker 2: mom's head, it's got the pickaxe, it's got them, it's
• 1:11:00
  Speaker 2: got the uh pitchfork, it's got the spear and it's
• 1:11:04
  Speaker 2: got the the the butcher's knife as well, which are
• 1:11:08
  Speaker 2: all the weapons, and then it's got a fire campfire
• 1:11:10
  Speaker 2: to look.
• 1:11:12
  Speaker 1: Nice. Isn't that amazing? Yeah, that's great. And you can
• 1:11:15
  Speaker 1: take off the mask, the bro lap sack. Yeah, like place.
• 1:11:20
  Speaker 1: Jason was cool. Yeah, he was very cool.
• 1:11:22
  Speaker 2: He'd beard, I hadding teeth. I had no idea and
• 1:11:27
  Speaker 2: we we they shot him from like two sides, so
• 1:11:29
  Speaker 2: and I was like, are there two of them? But
• 1:11:31
  Speaker 2: his face just looks so radically on either side, and
• 1:11:35
  Speaker 2: and he's kind of like elephant manny.
• 1:11:37
  Speaker 1: He is very elephant manny. He comes in grabs Ginny
• 1:11:41
  Speaker 1: and then the same thing happens is last time, which
• 1:11:43
  Speaker 1: is and he's got the coolest ever. He's like just
• 1:11:46
  Speaker 1: like completely bald on one side with long curly hair.
• 1:11:51
  Speaker 1: It's kind of amazing, dude. I love I loved I
• 1:11:54
  Speaker 1: loved Jason, like I love Jason's face. I'm so excited
• 1:11:58
  Speaker 1: to see the evolution of like as he gets gray
• 1:12:01
  Speaker 1: skined and stuff. And we don't know what happens to Paul.
• 1:12:06
  Speaker 1: It's just Genny gets taken away into the hospital to
• 1:12:10
  Speaker 1: continue the lore with the different characters. Well, we'll see dude,
• 1:12:13
  Speaker 1: we'll see and I like the passing of the charge. Yeah,
• 1:12:17
  Speaker 1: that's and that's that's it for the movie. The cool
• 1:12:21
  Speaker 1: eighty seven minutes. Yeah, man, what would you rate this one? Uh,
• 1:12:30
  Speaker 1: it's definitely a big, big improvement, big boom, a big improvement.
• 1:12:37
  Speaker 1: I would definitely give it. I probably give this an eight. Yeah,
• 1:12:42
  Speaker 1: that's exactly the score I was thinking. I think eight.
• 1:12:44
  Speaker 2: I think eight in the series too. I don't know
• 1:12:46
  Speaker 2: if if I'm to believe that they're because I haven't
• 1:12:50
  Speaker 2: seen them, so I don't know. But if I'm to
• 1:12:53
  Speaker 2: believe that the fourth one is the best one, and
• 1:12:54
  Speaker 2: I'm going to give that one a ten, and that's
• 1:12:56
  Speaker 2: what I'm rating the series out of, then I have
• 1:12:59
  Speaker 2: to give this one because it was really good. But
• 1:13:02
  Speaker 2: I'm imagining that it's gonna get better, and that's exciting
• 1:13:05
  Speaker 2: to me. I wonder if the third one is slightly
• 1:13:08
  Speaker 2: better or slightly worse than this one.
• 1:13:10
  Speaker 1: What do I remember? I don't know. If I don't know,
• 1:13:15
  Speaker 1: I do.
• 1:13:16
  Speaker 2: I'm excited, though, you know what, I also want to say,
• 1:13:18
  Speaker 2: even though like the last episode was so dour and
• 1:13:21
  Speaker 2: we like put down the movie so much, I was
• 1:13:25
  Speaker 2: excited and I thought that came through in the episode
• 1:13:27
  Speaker 2: of there's still being a sense of excitement about being
• 1:13:31
  Speaker 2: on the journey of this series because like I'm like, okay,
• 1:13:35
  Speaker 2: Like I know, Ky's got very very upset he had
• 1:13:38
  Speaker 2: he had a very strong reaction to the last episode,
• 1:13:42
  Speaker 2: and I just want to say, like listen, like I
• 1:13:45
  Speaker 2: think I think it's great. I now understand better having
• 1:13:50
  Speaker 2: seen the second movie why the first one is important,
• 1:13:53
  Speaker 2: and I like the first one for those reasons. I
• 1:13:56
  Speaker 2: still think it is what it is, and I think
• 1:13:58
  Speaker 2: it's you know, like never has a part two made
• 1:14:02
  Speaker 2: a Part one so much cooler and more backlorified. And
• 1:14:07
  Speaker 2: so I like it and I'm into it, and and
• 1:14:10
  Speaker 2: I'm like now on board for this series, Like I've
• 1:14:13
  Speaker 2: invested to see what happens to Jason, like because it's
• 1:14:17
  Speaker 2: now a big story that he's on. He's the singular
• 1:14:20
  Speaker 2: character that ties in all of the movies.
• 1:14:22
  Speaker 1: Right, So yeah, like it's gonna be cool, I think.
• 1:14:28
  Speaker 1: So I'm excited.
• 1:14:30
  Speaker 2: I'm excited to s Are you excited to see where
• 1:14:32
  Speaker 2: the VARs saga goes?
• 1:14:33
  Speaker 1: Yeah, of course, I mean I've seen all these movies,
• 1:14:35
  Speaker 1: but like I.
• 1:14:37
  Speaker 2: Get the sense from from K's reaction. I get the
• 1:14:40
  Speaker 2: sense that you don't have the familiarity.
• 1:14:43
  Speaker 1: With it that you think you do. I mean, I'm
• 1:14:46
  Speaker 1: I'm not saying that I have a familiarity with it.
• 1:14:48
  Speaker 1: I'm saying that I've seen all of them. That's not
• 1:14:51
  Speaker 1: that's not a familiarity. No one said anything about a familiarity.
• 1:14:54
  Speaker 1: But what we're doing now is going to be a familiarity.
• 1:14:56
  Speaker 1: And speaking of familiar with speaking.
• 1:14:58
  Speaker 2: Of familiarity, why don't we look at are our our Jason?
• 1:15:02
  Speaker 2: Are Jason Machette's rubric? Okay, let's look at what it says.
• 1:15:11
  Speaker 2: Let's look at what it says Friday metric. How imposing
• 1:15:17
  Speaker 2: and scary is Jason? How horny is it? How audacious
• 1:15:22
  Speaker 2: are the kills? Do the characters have character? And I
• 1:15:26
  Speaker 2: would say a resounding yes to all of these. Yes, horny, Yes,
• 1:15:33
  Speaker 2: imposing and scary, Yes, audacious the kills, and yes the
• 1:15:37
  Speaker 2: characters are charactering.
• 1:15:39
  Speaker 1: So I would give it.
• 1:15:40
  Speaker 2: I would give it an eight. I'm standing by my rating.
• 1:15:43
  Speaker 2: But but I want to talk more specifically about let's
• 1:15:45
  Speaker 2: come up with the rubric for Jason. So so far
• 1:15:48
  Speaker 2: Jason does Jason have motivation? And I think Jason has
• 1:15:53
  Speaker 2: motivation in this one? Does Jason have like a like
• 1:15:58
  Speaker 2: a are the kill was cool?
• 1:16:00
  Speaker 1: Is it? Like in in line with like? I think
• 1:16:04
  Speaker 1: the kills were like fairly okay, I think they were cool.
• 1:16:08
  Speaker 1: I thought they were cool for a normal guy. And
• 1:16:12
  Speaker 1: that's that's what he is all we need.
• 1:16:14
  Speaker 2: That's all we need he that's all we need from
• 1:16:17
  Speaker 2: him at this point. And I think that like knowing
• 1:16:20
  Speaker 2: where we're gonna get to of his super humanity, I
• 1:16:23
  Speaker 2: think that's cool. Like, which, which one is this?
• 1:16:26
  Speaker 1: Who is this? Who is this guy? What is his name?
• 1:16:30
  Speaker 1: His name is Robert Paul Jason from part two? Is Warrington? Warrington?
• 1:16:38
  Speaker 1: Warrington Jillette? Okay? Does he reprise his role as Jason? Never? Okay?
• 1:16:44
  Speaker 2: So we only get one Warrington Jellette. I liked Warrington Jillette.
• 1:16:48
  Speaker 1: Yeah, me too. I thought he was really good.
• 1:16:51
  Speaker 2: I and I thought like he did a lot of
• 1:16:53
  Speaker 2: like really interesting choices with the body. I thought his
• 1:16:57
  Speaker 2: hands looked really good.
• 1:16:58
  Speaker 1: I thought the the director made really good choices with
• 1:17:03
  Speaker 1: feet shots and like feeling menacing.
• 1:17:08
  Speaker 2: But to make choices with the way that the body's
• 1:17:11
  Speaker 2: gonna move regardless of like everything enacting is a choice, right,
• 1:17:14
  Speaker 2: so like regardless of like how you know, like I'm
• 1:17:18
  Speaker 2: just lumbering, you know, like but it's cool. It's like
• 1:17:22
  Speaker 2: it gives a humanity to this character that like I
• 1:17:26
  Speaker 2: think he needed in order to like be like, Okay,
• 1:17:30
  Speaker 2: I see the journey this character is on. Yeh, when
• 1:17:32
  Speaker 2: does Caine Hotter come. That's in the fourth one, right,
• 1:17:43
  Speaker 2: I don't know. Actually, with four appearances in the series
• 1:17:58
  Speaker 2: seven eight, okay, So he's in like the later ones.
• 1:18:08
  Speaker 2: He's in Friday the Thirteenth, The New Blood, He's in
• 1:18:12
  Speaker 2: Jason Takes Manhattan.
• 1:18:14
  Speaker 1: It's like.
• 1:18:16
  Speaker 2: The Final Friday in which he played also plays Freddy
• 1:18:20
  Speaker 2: Krueger's Claude glove hand Jason X in the video game
• 1:18:26
  Speaker 2: Friday the Thirteenth the game. Uh yeah, okay. So he's
• 1:18:31
  Speaker 2: also known for his role as Victor Crawley in the
• 1:18:33
  Speaker 2: Hatchet series, and he also played pleather Face in the
• 1:18:37
  Speaker 2: Texas Chasaw Massacre three and the motion capture video game
• 1:18:41
  Speaker 2: of the Texas Chainsaw Massacre.
• 1:18:43
  Speaker 1: So he's got like some some you know, he's got
• 1:18:49
  Speaker 1: some like what's called like credibility in this kind of role.
• 1:18:57
  Speaker 2: Yeah, I'm I'm very I'm very excited to sort of
• 1:18:59
  Speaker 2: like now, like be steeped enough in the law and
• 1:19:03
  Speaker 2: excited enough about the character that I feel like every
• 1:19:07
  Speaker 2: series will have something to tell me. Every installment of
• 1:19:11
  Speaker 2: the series will have something to tell me about this
• 1:19:13
  Speaker 2: character and.
• 1:19:14
  Speaker 1: About why the law is so important.
• 1:19:18
  Speaker 2: Yeah, because that's what I'm invested in now, That's what
• 1:19:20
  Speaker 2: I'm excited about.
• 1:19:25
  Speaker 1: So how many? How many machetes would be given? I mean, yeah,
• 1:19:31
  Speaker 1: it's kind of interesting because it changes so much from
• 1:19:36
  Speaker 1: movie to movie that I'm like, I wonder if I'm
• 1:19:38
  Speaker 1: gonna get like, because I want to give it.
• 1:19:40
  Speaker 2: He's setting the bar though, Yeah, he's setting the bar,
• 1:19:43
  Speaker 2: so you have to take into considering.
• 1:19:45
  Speaker 1: You have to take that into consideration. It's our first
• 1:19:48
  Speaker 1: real characterization of Jason. Yeah, and I think it's cool.
• 1:19:53
  Speaker 1: I think it's cool too, so i'd probably give it
• 1:19:55
  Speaker 1: a ten.
• 1:19:56
  Speaker 2: I'd give it a ten too. Yeah, ten machetes. Ten
• 1:20:00
  Speaker 2: Jason's ten out of ten hockey masks, even though we
• 1:20:03
  Speaker 2: don't even have one. He pretends to touch one, but
• 1:20:06
  Speaker 2: he's actually just a bur upside follow us that.
• 1:20:09
  Speaker 1: There's more. There's more presents on Instagram at more thirsty
• 1:20:12
  Speaker 1: on Twitter, and guys, why don't you join us on
• 1:20:20
  Speaker 1: Patriot where we do all kinds of things, like different
• 1:20:26
  Speaker 1: kinds of episodes. We do Thirsty for More, we do,
• 1:20:31
  Speaker 1: we do versus episodes, we do, we do even a
• 1:20:37
  Speaker 1: whole series called well it's not the Pantheon series too,
• 1:20:41
  Speaker 1: but what is it. Well, we do a bunch of
• 1:20:47
  Speaker 1: Alien the Alien series, we did Back to the Future,
• 1:20:51
  Speaker 1: we did SCHWARTZI we did.
• 1:20:52
  Speaker 2: No No, I know those ones were all released though
• 1:20:54
  Speaker 2: to the masses. I'm just saying what you can only
• 1:20:56
  Speaker 2: get on Patreon, which is as of lately, I haven't
• 1:21:00
  Speaker 2: been master releasing these at all for a while. But yeah,
• 1:21:05
  Speaker 2: if you guys also, so far, it's only the patrons
• 1:21:07
  Speaker 2: that are really even hearing us. Nice hey, patrons, we
• 1:21:10
  Speaker 2: really appreciate you. Thank you for keeping this show going
• 1:21:15
  Speaker 2: and paying for the show. It really means a loss
• 1:21:18
  Speaker 2: of us, and I hope that you all are listening
• 1:21:20
  Speaker 2: to this fucking Thirsty for Core. It's gonna be a
• 1:21:22
  Speaker 2: fucking landmark series.
• 1:21:24
  Speaker 1: Dude. Yeah, all right, see you next week.