Latest / Honey Badger Radio / Women don't care about the male loneliness epidemic | Cozy Gaming Stream

Transcript

Women don't care about the male loneliness epidemic | Cozy Gaming Stream · Honey Badger Radio

• 0:00
  Speaker 1: Hello everybody, and welcome to Honey Badger Radio. My name
• 0:03
  Speaker 1: is Brian. I'm here with Allison and this is the
• 0:07
  Speaker 1: cozy gaming stream where we're gonna be playing some repo
• 0:11
  Speaker 1: and responding to an article. But before we get into
• 0:14
  Speaker 1: the game, because we are not quite ready to start yet,
• 0:20
  Speaker 1: we're just going to open up with the article, which
• 0:22
  Speaker 1: I'm not displaying because there's nothing to look at. It's
• 0:24
  Speaker 1: a medium, a medium blog entitled My favorite thing about
• 0:28
  Speaker 1: the male loneliness epidemic is how women don't give a
• 0:32
  Speaker 1: f men act like they are punishing us for something
• 0:35
  Speaker 1: we have always wanted. So before we get into that, Allison,
• 0:41
  Speaker 1: want you.
• 0:41
  Speaker 2: Want me to do that? Yeah, okay, all right. So
• 0:43
  Speaker 2: if any to point throughout the show you want to
• 0:45
  Speaker 2: send us a message, you can do so it Feedbadger
• 0:47
  Speaker 2: dot com slash just the tick. That's just the tip.
• 0:51
  Speaker 2: I don't know what I just said, but it was
• 0:53
  Speaker 2: it's just just the just the tick. Maybe it's because
• 0:57
  Speaker 2: it's tick season here, so we're having fun, you know,
• 1:03
  Speaker 2: with the ticks. And by fun I mean not it's
• 1:06
  Speaker 2: all fun. It's funny because my dog this morning, he
• 1:11
  Speaker 2: came up to me when he was in the bed
• 1:12
  Speaker 2: and he was like whining and he's like and I'm like,
• 1:15
  Speaker 2: what do you need? And so I.
• 1:19
  Speaker 1: Inspected his tears.
• 1:21
  Speaker 2: Yeah, and I found a tick. It hadn't actually latched on,
• 1:24
  Speaker 2: but it was biting, and he probably came to me
• 1:27
  Speaker 2: to be like a human, you have fingers, please help.
• 1:31
  Speaker 2: But anyway, that's neither here nor there. If you want
• 1:34
  Speaker 2: to send us a message at that, feed the Badger
• 1:37
  Speaker 2: dot Com slash just the tip very best way for
• 1:40
  Speaker 2: you to send whatever message you want to send, because
• 1:42
  Speaker 2: you don't have it poked at by YouTube's comment algorithm,
• 1:46
  Speaker 2: and we get whatever benefit of the funds you send.
• 1:48
  Speaker 2: So let's feed the Badger dot com slash just the tip.
• 1:51
  Speaker 2: I'm gonna work on getting the fundraiser alive it feed
• 1:54
  Speaker 2: the Badger dot com slash support early because I want
• 1:57
  Speaker 2: to make sure we actually hit our goal and in
• 2:02
  Speaker 2: a less chaotic manner than last month, because I had
• 2:06
  Speaker 2: to have three different fundraisers and that was, as you
• 2:10
  Speaker 2: can imagine, quite chaotic. But I think I've resolved everything.
• 2:14
  Speaker 2: I'm gonna go with give WP because they actually respond
• 2:19
  Speaker 2: to my requests for help as opposed to Admission Deck,
• 2:23
  Speaker 2: which they don't, and I was quite appreciative of that.
• 2:27
  Speaker 2: So it looks like we've got our new fundraiser plug
• 2:31
  Speaker 2: in look forward to that. It's can be up at
• 2:33
  Speaker 2: bedebadger dot com slash support and very much appreciate it
• 2:37
  Speaker 2: if you do that, because I'll also be some extra
• 2:40
  Speaker 2: features like you can set up a reoccurring support option
• 2:43
  Speaker 2: and that kind of stuff, and you'll make sure that
• 2:46
  Speaker 2: we can continue to do this because I have I
• 2:50
  Speaker 2: think I've I've figured it all out, guys, maybe that's
• 2:54
  Speaker 2: the wrong way to put it. I have. I have
• 2:57
  Speaker 2: come to the point where I can now prove everything
• 3:01
  Speaker 2: that I have asserted that it is indeed that our
• 3:04
  Speaker 2: society is indeed going to collapse because it's marginalized men
• 3:07
  Speaker 2: and masculinity. And I have also got all of the
• 3:12
  Speaker 2: hoofprints of why that was done, and it's just as
• 3:16
  Speaker 2: bad as you could possibly imagine. So that's what I've
• 3:19
  Speaker 2: been working on for the last eight months. And uh yeah,
• 3:22
  Speaker 2: but no, today is the CosIng gaming stream, So let's
• 3:25
  Speaker 2: get back to that. And what's the last one. If
• 3:28
  Speaker 2: you want to join us in our community, badger nation
• 3:30
  Speaker 2: dot online, that's where the super chows go. So if
• 3:33
  Speaker 2: you're ever of interest and want to see what other
• 3:37
  Speaker 2: people have said, then badger Nation dot online is where
• 3:40
  Speaker 2: to do it. Okay, let's uh.
• 3:43
  Speaker 1: So we're waiting for Jonathan to show up and basically
• 3:46
  Speaker 1: set repo up for Alison. We're going to read the
• 3:51
  Speaker 1: article here or the opinion piece by one Desiree Parala
• 3:57
  Speaker 1: Paralta entitled my favorite thing about the male loneliness epidemic
• 4:01
  Speaker 1: is how modern women don't give a f.
• 4:04
  Speaker 2: Okay, can we say, yeah.
• 4:06
  Speaker 1: We can say it right now, the male lonely. No,
• 4:09
  Speaker 1: they don't give a fuck right now. The male loneliness
• 4:12
  Speaker 1: epidemic is growing and men are panicking. They're talking about
• 4:16
  Speaker 1: it everywhere, creating forums, writing articles claiming that women have
• 4:21
  Speaker 1: abandoned them, that we've rejected them, that we're punishing them
• 4:25
  Speaker 1: for something. Let's see where this at everywhere part goes.
• 4:29
  Speaker 1: It's on Reddit ourself, but it's not really a sympathetic
• 4:35
  Speaker 1: reddit post. Surprise, surprise, it's Reddit. Uh, it's a It
• 4:40
  Speaker 1: links to posts entitled I'm a male, I'm sorry. The
• 4:43
  Speaker 1: male loneliness epidemic is a self pitying problem, and there's
• 4:47
  Speaker 1: an easy solution. Let me see if I can just
• 4:50
  Speaker 1: jump to what the solution is probably feminism. Let's see. Yeah, yeah,
• 5:03
  Speaker 1: if you're if your entire social strategy revolves around being
• 5:07
  Speaker 1: wanted rather than wanting to engage with the world, you'll
• 5:10
  Speaker 1: always feeling lonely. And that's not a societal problem, that's
• 5:13
  Speaker 1: a you problem. If you are lonely, truly lonely, not
• 5:16
  Speaker 1: just horny and star for romantic affection, go outside and
• 5:20
  Speaker 1: talk to people. It's really that simple. So basically it's
• 5:22
  Speaker 1: your fault. Okay, So that's kind of her, the author
• 5:28
  Speaker 1: of this article. That's her reference for where they're talking
• 5:31
  Speaker 1: about it. Again. Not sympathetic, no.
• 5:35
  Speaker 2: Of course not. But you know, honestly, if you look
• 5:38
  Speaker 2: at the stats, I know this sounds. I don't want
• 5:42
  Speaker 2: to be dismissive of men who are dealing with loneliness,
• 5:46
  Speaker 2: but it's women who are more miserable overall, all right,
• 5:52
  Speaker 2: So they're they're reporting greater misery, and it gets the
• 5:56
  Speaker 2: level of misery gets worse the more objective the measure.
• 5:59
  Speaker 2: So if you look at SSR, I use health days
• 6:04
  Speaker 2: like mental health days and the reports from women that
• 6:09
  Speaker 2: their mental health is disrupting their lives, which are the
• 6:13
  Speaker 2: more objective measures, then I feel better than which tends
• 6:18
  Speaker 2: to just capture social conformity. Yeah, women are doing pretty bad.
• 6:23
  Speaker 2: And in fact, as this latest generation is showing increased
• 6:30
  Speaker 2: domestic violence, increased sexual assault, and interestingly enough, they're showing
• 6:36
  Speaker 2: it in parallel with increased rates of lesbianism. M yeah,
• 6:42
  Speaker 2: well no, it's it's it's finding that not only are
• 6:45
  Speaker 2: the rates of domestic violence and sexual assault increasing in
• 6:48
  Speaker 2: the younger generation of women, not just perpetration also being
• 6:53
  Speaker 2: victims of it, its highest in those who identify as queer. Sure,
• 7:02
  Speaker 2: so it would tend to be that those that group
• 7:05
  Speaker 2: of people is increasing the rate. And we also find
• 7:10
  Speaker 2: that more young women are identifying in such a manner,
• 7:14
  Speaker 2: and not surprisingly, those young women are experiencing more sectual
• 7:19
  Speaker 2: assault and domestic violence, which is coming from somewhere, but
• 7:23
  Speaker 2: we're not allowed to say where women it's coming from
• 7:27
  Speaker 2: other women. We are allowed to say where, all right,
• 7:31
  Speaker 2: So I just I want to point that out, Like,
• 7:33
  Speaker 2: despite the fact that this article is crowing about basically
• 7:38
  Speaker 2: men and women not getting together and forming relationships, women
• 7:43
  Speaker 2: are not actually doing that hot in this new world.
• 7:52
  Speaker 1: Are overall? Yeah yeah yeah.
• 7:55
  Speaker 2: And the thing with men is that while more men
• 7:58
  Speaker 2: might express concern over loneliness. It may be that men
• 8:04
  Speaker 2: are actually correctly identifying the problem, whereas women just based
• 8:07
  Speaker 2: in their own misery, creating tiktoks about how wonderful it
• 8:11
  Speaker 2: is to be strong and independent, because you know, constantly
• 8:16
  Speaker 2: asserting something is definite proof that you actually feel that
• 8:20
  Speaker 2: way and are not trying to cope. So it might
• 8:23
  Speaker 2: be that men are just, you know, we know what's wrong.
• 8:26
  Speaker 2: The guys are like, we know what's wrong, we know
• 8:28
  Speaker 2: what's wrong, and the women are just like, well, no,
• 8:30
  Speaker 2: we can't say that because it's not acceptable. But we
• 8:33
  Speaker 2: are even more miserable than the guys. And then and
• 8:39
  Speaker 2: then there's always the the confirmed bachelors among the men,
• 8:42
  Speaker 2: the men who are just happy being bachelors, and that
• 8:46
  Speaker 2: actually that that's that's minority is higher in men than
• 8:52
  Speaker 2: it is in women. So there, while men will say
• 8:57
  Speaker 2: overall there they are more lonely, there is a subset
• 9:00
  Speaker 2: of men who are just like, eh, I'm fine, doing good,
• 9:04
  Speaker 2: I'm happy, I'm happy with my situation by bachelorhood. And
• 9:08
  Speaker 2: that section of men, the guys who are happy with this,
• 9:13
  Speaker 2: you know, they don't need to have a relationship with
• 9:16
  Speaker 2: a woman, is higher than any equivalent section of women.
• 9:20
  Speaker 2: In fact, I don't think there is an equivalent section
• 9:21
  Speaker 2: of women. So while women will say, oh, I'm doing
• 9:25
  Speaker 2: the strong and independent thing, none of them really identify
• 9:30
  Speaker 2: that as a source of happiness, if that makes sense.
• 9:35
  Speaker 2: I like, they don't identify with that. They still are
• 9:39
  Speaker 2: open to a relationship, meaning they're desperate for one, but
• 9:43
  Speaker 2: they don't want to They don't want to defy the
• 9:46
  Speaker 2: social norm of being a strong and independent women, whereas
• 9:50
  Speaker 2: men actually can be happy as bachelor's minority of men.
• 9:54
  Speaker 2: It's not like a huge amount of men, but it's
• 9:57
  Speaker 2: a genuine orientation among men, whereas it doesn't seem to
• 10:01
  Speaker 2: be a genuine orientation among women, is what I'm getting at.
• 10:04
  Speaker 2: So when they say that the male loneliness crisis, it's
• 10:07
  Speaker 2: just no, this is not the male loneliness crisis. This
• 10:11
  Speaker 2: is the general loneliness crisis, the loneliness crisis of both
• 10:16
  Speaker 2: men and women. But only men are disagreeable enough to
• 10:21
  Speaker 2: identify it for what it is and not want to
• 10:24
  Speaker 2: conform to whatever social expectation there is to pretend like
• 10:30
  Speaker 2: this is this is okay, Like it's the social expectation
• 10:33
  Speaker 2: to pretend that the lack of pair bonding and family
• 10:38
  Speaker 2: formation in a pair bonding species that needs to reproduce
• 10:41
  Speaker 2: the next generation is just fine. Yeah, guys, it's fine.
• 10:45
  Speaker 2: You know, humans can't breed anymore, but that's just fine.
• 10:48
  Speaker 2: We're we're okay, We're all fine. And men are just like, no,
• 10:53
  Speaker 2: with a small subset, they're like, yeah, I'm okay. And
• 10:56
  Speaker 2: then women are just like, but I'm being strong and independent.
• 11:00
  Speaker 2: Don't you see all my talk TikTok's telling you all
• 11:03
  Speaker 2: about how strong it independent I am. I want you
• 11:06
  Speaker 2: all to realize it. I don't care about your opinion.
• 11:09
  Speaker 2: They'll give me your opinion, your positive appraisal, but I
• 11:13
  Speaker 2: don't care about that because I'm strong and independent anyway. Okay,
• 11:17
  Speaker 2: there's my rant. Okay, and I want to read the
• 11:20
  Speaker 2: next paragraph.
• 11:21
  Speaker 1: Sure, uh okay. And because women are choosing to be single,
• 11:27
  Speaker 1: because we're finally saying no, they've decided to retaliate. They're
• 11:31
  Speaker 1: claiming they don't need us either, but they're choosing to
• 11:34
  Speaker 1: be alone, that they're creating a women's loneliness epidemic to
• 11:38
  Speaker 1: match ours. Like we're playing some kind of game where
• 11:41
  Speaker 1: the rules are if you don't want us, we don't
• 11:43
  Speaker 1: want you. The funny thing is that most women aren't
• 11:47
  Speaker 1: bothered by that at all.
• 11:49
  Speaker 2: Okay, all right, so this is the most infantile exchange
• 11:52
  Speaker 2: I've ever heard. First of all, I remember in the
• 11:55
  Speaker 2: what is the twenty sixteen everybody was hopping mad over
• 11:58
  Speaker 2: the mag towle, the men going their own way. You
• 12:00
  Speaker 2: remember that, they're like, all these guys are sh Yeah
• 12:06
  Speaker 2: they still do. It's not but oh, it's a continuous thing.
• 12:09
  Speaker 2: But that's sort of when it peaked, right somewhere around
• 12:12
  Speaker 2: twenty fourteen sixteen, That's what I remember. They were all
• 12:16
  Speaker 2: very concerned about the Migtown movement and how misogynist it
• 12:21
  Speaker 2: was and how men shouldn't be able to know herp
• 12:23
  Speaker 2: it or and uh, now it's now it's women that
• 12:29
  Speaker 2: did the first shot on the loneliness epidemic, not men,
• 12:34
  Speaker 2: even though I distinctly remember it was men that were
• 12:37
  Speaker 2: condemned for stepping away from relationships first. But yeah, so
• 12:43
  Speaker 2: now women did the first shot. But also they didn't
• 12:46
  Speaker 2: make They aren't the ones who created the situation where
• 12:49
  Speaker 2: this is a tit for tat or like some kind
• 12:51
  Speaker 2: of war. Despite doing the first shot, you see what
• 12:54
  Speaker 2: she's doing here she like simultaneously wants it to be
• 12:58
  Speaker 2: under women's control but not women's fault. Yeah, okay, you
• 13:06
  Speaker 2: don't see this, No, no.
• 13:08
  Speaker 1: I do, No, I do. I. Yeah. This is like
• 13:12
  Speaker 1: definitely a you know, I'm not I'm not crying or
• 13:16
  Speaker 1: crying kind of thing.
• 13:17
  Speaker 2: Yes, and I need to tell you, but the statistics
• 13:23
  Speaker 2: suggests that women are definitely crying. And it's not just
• 13:27
  Speaker 2: because they don't get money. It's because they have these
• 13:32
  Speaker 2: things that they want that they really can only get
• 13:35
  Speaker 2: from relationships with men, and they don't even have the
• 13:39
  Speaker 2: language to talk about it. That's I think the real
• 13:42
  Speaker 2: difference between men and women. Men have the language to
• 13:45
  Speaker 2: talk about the fact that they lack of, you know,
• 13:49
  Speaker 2: a female partner. Women don't even have that language anymore.
• 13:52
  Speaker 2: So they just have this malaise and pain that they
• 13:56
  Speaker 2: can never really articulate or address, aside for making tiktoks
• 14:01
  Speaker 2: where they tell each other that they don't have this
• 14:04
  Speaker 2: malaise in pain, this unnamed pain and yeah, so uh,
• 14:11
  Speaker 2: I think that's what's really happening. I mean, if women
• 14:16
  Speaker 2: did not want this thing that they only can get
• 14:19
  Speaker 2: from men, there would not be a trillion dollar industry
• 14:22
  Speaker 2: simulating it with words known as romance. Okay, that that
• 14:29
  Speaker 2: wouldn't exist. So the thing that women spend a trillion
• 14:34
  Speaker 2: dollars close to a trillion dollars a year on is
• 14:38
  Speaker 2: a simulation of what they would normally get from men,
• 14:43
  Speaker 2: but they don't get it anymore because they're pursuing the
• 14:45
  Speaker 2: feminist independent woman project, which seems to actually fall out
• 14:50
  Speaker 2: to I'm going to be a sex a fuck toy
• 14:56
  Speaker 2: for a sociopath who will never commit to me, or
• 15:01
  Speaker 2: at best, a guy who's just promiscuous and you know,
• 15:04
  Speaker 2: just prolact and dominant, just really likes people. That's probably
• 15:08
  Speaker 2: your best case outcome. You're more likely case outcome is
• 15:11
  Speaker 2: that you just end up being a fuck toy for
• 15:12
  Speaker 2: a sociopath. That's you're strong and independent and then you
• 15:18
  Speaker 2: buy romance to simulate the feeling of being loved strong
• 15:22
  Speaker 2: and independent. Sounds more like sad and pathetic, but anyway,
• 15:25
  Speaker 2: let's go. Let's keep going with it. This woman's bad self,
• 15:29
  Speaker 2: all right.
• 15:31
  Speaker 1: The funny thing is that most women aren't bothered by
• 15:33
  Speaker 1: that at all. For years, we've been saying we'd rather
• 15:36
  Speaker 1: be alone than settle for relationships that make our lives worse.
• 15:39
  Speaker 1: So when men announce they're walking away, many women just
• 15:42
  Speaker 1: shrug and move on because this is exactly what we've
• 15:45
  Speaker 1: been asking for all along. You want you want to
• 15:50
  Speaker 1: civilizational collapse, because that's how you get civilizational collapse. I
• 15:53
  Speaker 1: don't know why you're happy about it, ladies, but okay,
• 15:57
  Speaker 1: I think it's just cope.
• 16:00
  Speaker 2: Yes again, Like she's saying, we didn't want that, No,
• 16:04
  Speaker 2: we okay. So what she's saying is that they totally
• 16:07
  Speaker 2: wanted to be pumped and dump by so bye bye.
• 16:13
  Speaker 2: I'm just using the uh, the usual, the like the
• 16:18
  Speaker 2: layman's term. I'm not gonna use ASPD because it's a
• 16:20
  Speaker 2: pain in the ass to say, but I mean antisocial
• 16:23
  Speaker 2: personality disorder. They want to be pumped and dump by
• 16:28
  Speaker 2: men with narcissistic and antisocial personality disorder. That's their freedom
• 16:33
  Speaker 2: and independence, and they it doesn't it doesn't bother them. Guys.
• 16:36
  Speaker 2: They don't want those relationships. That's literally what she's saying.
• 16:39
  Speaker 2: She doesn't want a man to commit to her. That's
• 16:42
  Speaker 2: the relationship she doesn't want, right, she doesn't want that.
• 16:46
  Speaker 2: She just wants to buy, like I don't know, two
• 16:49
  Speaker 2: thousand dollars worth of its simulation every year in terms
• 16:53
  Speaker 2: of books. But she didn't want it. She doesn't want
• 16:56
  Speaker 2: the real thing, just the simulation plus also being pumped
• 16:59
  Speaker 2: and dump by paths. That's her life, and she's proud
• 17:03
  Speaker 2: of it. That's what she chose. She wasn't tricked into it.
• 17:08
  Speaker 2: She wasn't manipulated into it with a bunch by a
• 17:11
  Speaker 2: bunch of women with a very uh, a very manipulative
• 17:16
  Speaker 2: attitude to other towards other women and their prospects. Let's
• 17:19
  Speaker 2: say she wasn't tricked into it by feminism. This is
• 17:22
  Speaker 2: what she truly wanted. This is what women wanted all along. Guys,
• 17:26
  Speaker 2: they all secretly wanted through all of human history, never
• 17:30
  Speaker 2: to have a man commit to them, okay, and just
• 17:34
  Speaker 2: to have sex with men who don't care about them.
• 17:37
  Speaker 2: That's what they always wanted, and they just are never
• 17:42
  Speaker 2: clear about it. They just never They were forced by
• 17:44
  Speaker 2: patriarchy to lie to themselves that they wanted men's commitment,
• 17:48
  Speaker 2: that they wanted a relationship with men, and ignore the
• 17:54
  Speaker 2: fact that they're more miserable than ever, Ignore the fact
• 17:57
  Speaker 2: that they have to buy a simulation now instead of
• 18:01
  Speaker 2: actually getting it from a man. Ignore all of that
• 18:03
  Speaker 2: they're really happy, okay, and ignore the fact that they're
• 18:10
  Speaker 2: not even breeding. You know that with animal husbandry taking
• 18:16
  Speaker 2: care of animals, one of the key signs that animals
• 18:19
  Speaker 2: are happy and that they're well taken care of and
• 18:23
  Speaker 2: that their environmental needs are met and their social needs
• 18:26
  Speaker 2: should they be a social species, is that they're having children. Right. So,
• 18:32
  Speaker 2: when you have a species or population of an animal
• 18:36
  Speaker 2: species that isn't reproducing, it's usually because it's under extreme
• 18:40
  Speaker 2: stress and what we might term is misery and it's
• 18:45
  Speaker 2: not getting what it needs. So just don't don't look
• 18:49
  Speaker 2: at the fact that single women being pumped and dumped
• 18:52
  Speaker 2: are not having children. Right that that is the population
• 18:56
  Speaker 2: of women who are having whose rate of having children
• 18:59
  Speaker 2: is declar lining fastest. Let's ignore that they're secretly happy guys,
• 19:03
  Speaker 2: because feminists told them they are. Yep, okay, all right,
• 19:09
  Speaker 2: keep going.
• 19:11
  Speaker 1: Women are finally getting what they what we've been asking for,
• 19:14
  Speaker 1: to be left alone. For decades, women have been trying
• 19:17
  Speaker 1: to tell men something very simple. Leave us alone. Don't
• 19:21
  Speaker 1: stare at us in public, don't approach us when we're
• 19:23
  Speaker 1: clearly busy trying to live our lives, trying to go
• 19:26
  Speaker 1: about our day without being bothered. Don't touch us without permission,
• 19:30
  Speaker 1: don't follow us, don't refuse to accept when we say no.
• 19:34
  Speaker 1: We've been asking for this over and over again. Women
• 19:39
  Speaker 1: put in.
• 19:40
  Speaker 2: Care Sorry, go ahead, yep, No, No, I know, I'm
• 19:42
  Speaker 2: like interrupting you.
• 19:43
  Speaker 1: No, it's fine, it's fine.
• 19:45
  Speaker 2: I just want to get in here. You know that
• 19:48
  Speaker 2: the millennial shift, right, I talk about this quite a bit.
• 19:51
  Speaker 2: So the latest generation of women is using weapons to
• 19:55
  Speaker 2: get sex two to three times more than any previous
• 20:00
  Speaker 2: generation of women or men of any generation. Right, So
• 20:04
  Speaker 2: these the woman here is part of a generation of
• 20:07
  Speaker 2: women who has to use weapons to get sex, and
• 20:12
  Speaker 2: she's talking about how she wants to be left alone.
• 20:16
  Speaker 2: I think your generation. Yeah, you uh, you're blowing the
• 20:23
  Speaker 2: You're blowing the numbers off of the rapiness there, lady,
• 20:27
  Speaker 2: your generation of women seems like you don't really want
• 20:30
  Speaker 2: to be left alone. I mean, to be fair, the
• 20:34
  Speaker 2: women who who rape in that generation are a subset,
• 20:38
  Speaker 2: but it is an increasing subset, which does beg the
• 20:43
  Speaker 2: question why is it increasing? Why is the number of
• 20:45
  Speaker 2: women in your generation using physical force to have sex
• 20:51
  Speaker 2: with men or to force men to have sex with them?
• 20:54
  Speaker 2: Why is it increasing. Okay, lady, why is that increasing?
• 20:59
  Speaker 2: If you don't actually like if you're your guys are
• 21:02
  Speaker 2: all indifferent to that. And again I'm not saying that
• 21:05
  Speaker 2: generally this whole steady because the number of people who
• 21:10
  Speaker 2: engage in sexual violence towards others is a subset and
• 21:14
  Speaker 2: it's usually a result of bile of genetic and environmental factors.
• 21:19
  Speaker 2: But for some reason, in this woman's generation of women,
• 21:21
  Speaker 2: it's increasing, So something else must be happening. Yeah, I
• 21:28
  Speaker 2: it doesn't really speak to her. Oh, we're not the
• 21:31
  Speaker 2: ones who want it. Guys framing just saying because it's
• 21:36
  Speaker 2: only a small day, it's not it's only one data point,
• 21:39
  Speaker 2: but it just doesn't speak to that anyway. Let's keep going,
• 21:42
  Speaker 2: all right.
• 21:43
  Speaker 1: So women put in an earbuds specifically so people will
• 21:47
  Speaker 1: leave them alone. We avoid eye contacts so men won't
• 21:50
  Speaker 1: think we're interested. We change our routes, we cross the street,
• 21:54
  Speaker 1: we stay alert in public spaces because we're trying to
• 21:57
  Speaker 1: avoid unwanted attention. We've been asking for this simple right
• 22:01
  Speaker 1: to exist in the world without men constantly trying to
• 22:04
  Speaker 1: pursue us, flirt with us, convince us to give them
• 22:06
  Speaker 1: a chance, and men didn't listen. They kept pursuing, they
• 22:12
  Speaker 1: kept approaching, They kept thinking that every interaction was an
• 22:15
  Speaker 1: opportunity to make their move. But now something is changing.
• 22:19
  Speaker 1: I don't know.
• 22:22
  Speaker 2: But can we look at her? How old is she?
• 22:25
  Speaker 2: Is she speaking about generations that she wasn't part of?
• 22:29
  Speaker 1: I don't know. I tried to find out who this
• 22:31
  Speaker 1: person is, Desiree Paralta. Maybe I can, like, maybe she's
• 22:36
  Speaker 1: in a journalist or something, But I can't get a
• 22:42
  Speaker 1: good look at who this is. Let me see, let
• 22:45
  Speaker 1: me try to. She's got sixty thousand followers. Hold on, lord,
• 22:51
  Speaker 1: she's written books.
• 22:53
  Speaker 2: Yeah, oh books, jeez.
• 22:56
  Speaker 1: Yeah, she's written well, like self help books. I think.
• 23:00
  Speaker 1: Zara Peralta was born and raised in the Dominican Republic.
• 23:03
  Speaker 1: She is a software developer by profession, but a writer
• 23:07
  Speaker 1: by passion. When she isn't in front of a computer
• 23:10
  Speaker 1: creating new post for or blog, she's in a corner
• 23:13
  Speaker 1: reading all the books she can. A hopeless romantic, she
• 23:16
  Speaker 1: gives life and love to all of her imaginary characters. Really,
• 23:20
  Speaker 1: so you write romance but you don't like men apparently? Yeah,
• 23:25
  Speaker 1: I know, not to read your fucking books.
• 23:28
  Speaker 2: Yeah, okay, so romance yeah.
• 23:31
  Speaker 1: She's got. Here's some of her titles. My dear Stalker.
• 23:37
  Speaker 1: Uh yes, uh what is that? It's yeah, my dear stalker.
• 23:44
  Speaker 1: Nadine Miller has a perfect life, a growing career as
• 23:47
  Speaker 1: an influencer, a close group of friends and parents who
• 23:49
  Speaker 1: gave give her everything she needs. She only has one problem.
• 23:52
  Speaker 1: For the past three years, someone has been watching her.
• 23:55
  Speaker 1: Her stalker knows everything about her. He tracks where she goes,
• 23:58
  Speaker 1: whom she spends time with, and sometimes even seems to
• 24:01
  Speaker 1: understand what she's feeling before she says it out loud.
• 24:05
  Speaker 1: He sends gifts that feel too personal and messages that
• 24:07
  Speaker 1: arrive at the exact moment she needs them, and no
• 24:10
  Speaker 1: matter how hard the police try, no one can find him.
• 24:15
  Speaker 2: So, oh, she's a dark romance writer.
• 24:18
  Speaker 1: H Yeah, not surprising, but interesting.
• 24:23
  Speaker 2: She is directly a financial beneficiary of women's thwarted desire
• 24:29
  Speaker 2: for relationships. You see, this is really fascinating because she
• 24:33
  Speaker 2: makes money of a frustrated women. Yeah, so, women who
• 24:38
  Speaker 2: are frustrated by the fact they don't have a relationship
• 24:41
  Speaker 2: with a man. She provides the simulacrum of said So
• 24:46
  Speaker 2: if women stopped actually realize that they don't need to
• 24:51
  Speaker 2: engage with the capitalist system in order to get the
• 24:56
  Speaker 2: feeling of being loved and committed like a comm man
• 25:00
  Speaker 2: in their life. They don't need to actually buy that,
• 25:04
  Speaker 2: they can get it for free. If they ever figured
• 25:08
  Speaker 2: that out, this woman would be out of a job.
• 25:11
  Speaker 2: What a surprised I mean, the plot thickens, does it not?
• 25:16
  Speaker 1: Yeah?
• 25:18
  Speaker 2: The plot thickens in a very predictable way. Uh what
• 25:22
  Speaker 2: did I say at the beginning? Feminists destroy men in
• 25:26
  Speaker 2: masculinity in order to make money off of the resultant
• 25:31
  Speaker 2: frustration and destruction. Like that the mess that results. It's
• 25:37
  Speaker 2: like divorce lawyers and feminists are best friends because they
• 25:40
  Speaker 2: both profit. Actually no, and also apparently world bank development banks,
• 25:46
  Speaker 2: world development banks and also find financial are the uh
• 25:55
  Speaker 2: extractive capitalists who backstop their bets using the fat. These
• 26:00
  Speaker 2: are all feminism's best friends, all destroying men to make money.
• 26:06
  Speaker 2: And this is like the most explicit example this individual.
• 26:11
  Speaker 2: It promotes attitudes that destroy the relationship between men and
• 26:15
  Speaker 2: women and then monetizes the distraction and women eat this
• 26:23
  Speaker 2: shit up to the tune of sixty thousand followers of
• 26:28
  Speaker 2: this woman who is creating the sickness and then selling
• 26:34
  Speaker 2: the palliative, pathetic. I don't know bandage for the sickness
• 26:43
  Speaker 2: that she is creating in women. All right, you don't
• 26:47
  Speaker 2: want men women, You want my romance novels. God, damn, God, damn. Okay,
• 26:57
  Speaker 2: do you want to? I do have everything ready, so.
• 27:00
  Speaker 1: I think, okay, yeah, let me see if she's ready.
• 27:10
  Speaker 2: Yes, I am ready. I'm going to put the headphones
• 27:12
  Speaker 2: on now. So I don't know how you.
• 27:14
  Speaker 1: I will send you the invitation in the through my year,
• 27:23
  Speaker 1: and then I'll have to meet you once you get in.
• 27:28
  Speaker 1: So hold on, let me just send the invites.
• 27:30
  Speaker 2: Out, all right, Okay, I am in.
• 27:38
  Speaker 1: Okay, so you need to make sure you're wait are
• 27:42
  Speaker 1: you Is your microphone on in the game?
• 27:45
  Speaker 2: Yeah, just wait. I'll just have to make sure that
• 27:48
  Speaker 2: everything's working. Probably, yeah, it should be, because my my
• 27:51
  Speaker 2: flap is flapping.
• 27:52
  Speaker 1: Yeah, your flap is flapping. Okay, all right, so I'm
• 27:56
  Speaker 1: gonna turn your volume down. It's kind of a shame, though,
• 27:59
  Speaker 1: because it is nice to see the audio effects coming
• 28:04
  Speaker 1: out of the Let me just see this here.
• 28:07
  Speaker 2: Hold on, okay, Well, is my audio better through the
• 28:11
  Speaker 2: game through Discord?
• 28:15
  Speaker 1: Probably through Discord a little bit?
• 28:18
  Speaker 2: Okay, Yeah, all right, well, that's probably what people want
• 28:21
  Speaker 2: to hear.
• 28:22
  Speaker 1: Yeah, I know is a little weird.
• 28:24
  Speaker 2: When I see the bot and the gremlin flapping like
• 28:28
  Speaker 2: a responding to my voice, that's interesting.
• 28:31
  Speaker 1: Yeah, it's like, where is this coming from? Okay, so
• 28:36
  Speaker 1: we're gonna go ahead and start, all right, Yeah, so
• 28:39
  Speaker 1: let's do it. Everybody else is audio working? Okay?
• 28:42
  Speaker 2: Yep?
• 28:43
  Speaker 1: Wait, I don't know.
• 28:44
  Speaker 3: I don't know.
• 28:46
  Speaker 2: How can we do anything when we don't have the table?
• 28:49
  Speaker 1: Uh her, but I don't know, nor no, no, I
• 28:55
  Speaker 1: sent her an invitation enforce your dominance. I'm going to
• 28:59
  Speaker 1: see if she's coming. Yes, I gotta maintain frame over
• 29:06
  Speaker 1: here is Yeah, I knew. I knew she was going
• 29:09
  Speaker 1: to meaning now Tucket talking ship have something to bring
• 29:14
  Speaker 1: our stuff to. All right, So now we now that
• 29:17
  Speaker 1: we have the table, we can start.
• 29:19
  Speaker 2: Yes, yeah, you're you're Your audio is fine, at least
• 29:26
  Speaker 2: to me.
• 29:28
  Speaker 1: Everybody's audio is fine.
• 29:30
  Speaker 2: Gabriel is a little bit mumbly, but that's usual. He'll
• 29:36
  Speaker 2: become more he'll become more clear once we piss him off.
• 29:41
  Speaker 1: All right, I don't know. I hope this doesn't crash
• 29:47
  Speaker 1: on this Okay, there we go. Okay, we're in the shop.
• 29:50
  Speaker 1: So we have like a minute here to get oriented.
• 29:53
  Speaker 2: Okay, how much article is remaining?
• 30:00
  Speaker 1: Okay, actually check your stats really quick, because I don't know.
• 30:03
  Speaker 1: You might have crazy stats. I don't know.
• 30:05
  Speaker 2: I don't know how this works yet. So oh okay,
• 30:09
  Speaker 2: so this goes down?
• 30:12
  Speaker 1: What do you think about?
• 30:17
  Speaker 2: Get up? Okay, just a second. I gotta look at it.
• 30:21
  Speaker 2: I don't even know. Oh that's you, Brian holy.
• 30:25
  Speaker 1: Ship here my p are they he spect them?
• 30:34
  Speaker 3: No?
• 30:35
  Speaker 2: I thought that was Jojo inspired?
• 30:37
  Speaker 1: No, no, no, the stand user could be anybody. Okay,
• 30:44
  Speaker 1: where Oh my god, is that why you're wearing a barrel?
• 30:50
  Speaker 2: Yeah?
• 30:51
  Speaker 1: Yeah, that oh god?
• 30:58
  Speaker 2: Those those bags definitely they say divorced, leave her alone alone,
• 31:05
  Speaker 2: your divorce definitely divorce lawyer.
• 31:09
  Speaker 1: A b m W walky talkies. Let's go wait.
• 31:15
  Speaker 2: Okay, all right, I'm looking at you, guys. Is styling here?
• 31:19
  Speaker 2: Just hold on? Okay, I think that's the table nice
• 31:26
  Speaker 2: and monkey monkey?
• 31:31
  Speaker 1: Maybe another she has returned to monkey.
• 31:35
  Speaker 2: Yes, Oh my freaking god, I like this. Yes, this
• 31:45
  Speaker 2: is like I like Gabriel divorced Norwegian.
• 31:49
  Speaker 1: No, it's not that, it's the pokemon, that's right. There's
• 31:53
  Speaker 1: a pokemon that looks like that. No, no, no, he's
• 31:56
  Speaker 1: just he's just he's just from them streets sprinkle. Yes,
• 32:03
  Speaker 1: he's she's the woman or that God's the queen. She's
• 32:07
  Speaker 1: just the queen. That's all.
• 32:13
  Speaker 2: Oh my god.
• 32:14
  Speaker 1: Now this right here, this is what's going to get
• 32:16
  Speaker 1: us demon of demonetized right here? This what this this
• 32:20
  Speaker 1: outfit that he's wearing.
• 32:21
  Speaker 2: This this is definitely not the thing that I thought
• 32:29
  Speaker 2: Norwegian would wear. But yeah, I guess it works because
• 32:32
  Speaker 2: he's after that bag.
• 32:34
  Speaker 1: No, this is this is Gabriel. He's the Gabriel.
• 32:37
  Speaker 2: Yeah, Gabriel. No, sorry, Gabriel. Yes, Gabriel is after that bag.
• 32:42
  Speaker 2: He's laser.
• 32:42
  Speaker 1: He's trying. He's going to get that bag.
• 32:44
  Speaker 2: I am the people here, okay, okay, yeah, or or
• 32:54
  Speaker 2: the or the people who destroyed the Bronze Age Empires. Right,
• 32:59
  Speaker 2: maybe there is a direct to send it between them
• 33:01
  Speaker 2: and Vikings. Okay, I've seen all you guys is styling.
• 33:05
  Speaker 2: Shall we start?
• 33:07
  Speaker 1: Yeah, your drip finish shopping.
• 33:13
  Speaker 2: I don't actually, probably should figure out what I'm doing
• 33:16
  Speaker 2: here so that I don't drag you guys down, because.
• 33:19
  Speaker 1: I figure crouch down, grab something, try grabbing something. This
• 33:24
  Speaker 1: is important. Can you grab something.
• 33:27
  Speaker 2: Yeah, just give me a second. Oh God, please don't
• 33:31
  Speaker 2: give me, give me the bill. Okay, I'm gonna try
• 33:33
  Speaker 2: grabbing this this thing here, I'm gonna grab. I'm gonna Okay,
• 33:38
  Speaker 2: I got it if at first I have to figure
• 33:40
  Speaker 2: out how to grab that's jump.
• 33:44
  Speaker 4: I know it's important that you can use stuff.
• 33:48
  Speaker 2: Yeah, how do I grab? Okay? See, okay, so I
• 33:53
  Speaker 2: got this, I got this. Oh I can also look
• 33:57
  Speaker 2: through this way. I don't know if I like that. Okay, stuff, Yeah,
• 34:03
  Speaker 2: I've got I got a different controller, like the correct
• 34:06
  Speaker 2: controller for this for Steam, right, but it has so
• 34:10
  Speaker 2: many Okay, stop doing that. Okay, yes, I do. Okay,
• 34:16
  Speaker 2: let me just see if I can. Yeah. No, that's
• 34:18
  Speaker 2: not what I want, all right, Okay, Yeah, I'm just
• 34:24
  Speaker 2: gonna look at settings here. Okay.
• 34:29
  Speaker 1: By default, there's no key binds that are like set
• 34:33
  Speaker 1: for controller. You have to you have to use a
• 34:35
  Speaker 1: community uh configuration. But I'm assuming that there is one
• 34:39
  Speaker 1: because you are able to move around stuff, so he
• 34:42
  Speaker 1: must have something set.
• 34:44
  Speaker 2: Yeah, I'm gonna see what's going on here. Okay. Player
• 34:49
  Speaker 2: expressions push.
• 34:50
  Speaker 1: To to change, I'm gonna change clothes.
• 34:54
  Speaker 2: Rotate, push, grabbing mouse mouse.
• 35:00
  Speaker 1: I'm gonna go to the I'm gonna do the opposite
• 35:02
  Speaker 1: of what I had.
• 35:08
  Speaker 3: Yeah, it's like the thing did the custom stuff?
• 35:13
  Speaker 1: Oh yeah, yeah, you have to throw. I don't know
• 35:15
  Speaker 1: what that is.
• 35:16
  Speaker 2: But jump is this?
• 35:19
  Speaker 1: Okay, try jumping? Let me see if it works. Test
• 35:23
  Speaker 1: it out where Alison go.
• 35:29
  Speaker 2: I'm I'm working on it. I'm I'm doing the things.
• 35:33
  Speaker 1: Okay, Okay, there we go. You too, get in there. Okay, Okay,
• 35:55
  Speaker 1: what's going on, Allison?
• 35:57
  Speaker 2: I'm trying to figure out my controls. I I'm I'm
• 36:00
  Speaker 2: I'm trying to make myself useful.
• 36:03
  Speaker 1: Bear Okay, this is that not up the Kiwi Princess
• 36:12
  Speaker 1: Kiwi Royalty. Okay, she does flips.
• 36:17
  Speaker 2: Okay, So I think I got something. Please don't hit me.
• 36:20
  Speaker 2: I'm trying. I'm trying my best here, come on, grab.
• 36:28
  Speaker 1: Maybe it's one of the shoulder buttons.
• 36:31
  Speaker 2: Yes, there we go.
• 36:33
  Speaker 1: Okay what button was that?
• 36:39
  Speaker 2: It was? It was it was the top shoulder Okay.
• 36:42
  Speaker 1: So what maybe you have the same the Gabriel use
• 36:45
  Speaker 1: the steam deck? Right, what button do you use to
• 36:48
  Speaker 1: use well, I know, but what button on the Xbox?
• 36:52
  Speaker 1: Then do you use for the to use an item?
• 36:57
  Speaker 1: Let me see he is the x X button. What
• 37:01
  Speaker 1: is that on the Steam controller? What position is that?
• 37:04
  Speaker 1: You see?
• 37:05
  Speaker 3: X Y face button? The left face button?
• 37:10
  Speaker 1: Well, here, look, I just I want well, yeah, give
• 37:15
  Speaker 1: that to Alison.
• 37:16
  Speaker 2: Grab this I'm doing.
• 37:17
  Speaker 4: I'm doing push people away. So try this.
• 37:20
  Speaker 3: Wait if you can check the community lay out community.
• 37:26
  Speaker 1: Yeah, but she's in she's in game already. Who the
• 37:29
  Speaker 1: hell is this? You could do that?
• 37:31
  Speaker 3: You can do it in a game. You can do
• 37:32
  Speaker 3: that in game.
• 37:35
  Speaker 2: I am I I'm fine. Look, look look I'm doing. Okay,
• 37:41
  Speaker 2: I'm fine. I don't. I can manage this. I can
• 37:44
  Speaker 2: manage this.
• 37:46
  Speaker 4: Grab a hole of fifth. I pressed every round them,
• 37:49
  Speaker 4: bounton on Taylor. Fine, while that uses it?
• 37:51
  Speaker 2: Okay, look dude, okay, do you have to hold it?
• 37:59
  Speaker 4: Which one did press?
• 38:01
  Speaker 2: I pressed the left control underneath mine? Yes, that I
• 38:06
  Speaker 2: I said it to that. I'm actually doing stuff here, guys.
• 38:10
  Speaker 2: I'm fine, Yes, let a.
• 38:18
  Speaker 1: Figure this out.
• 38:19
  Speaker 2: How do I how do I un grab?
• 38:22
  Speaker 1: Just let go the button?
• 38:24
  Speaker 3: Button? Same button? Nope, the buttoned it?
• 38:29
  Speaker 2: I did, Yeah, I did. For some reason, I can't
• 38:35
  Speaker 2: ungrab Okay, that's not good.
• 38:37
  Speaker 1: Yeahs to be the same button. So do you you
• 38:42
  Speaker 1: haven't said to toggle instead of hold.
• 38:46
  Speaker 3: In games the new players, they changed it.
• 38:51
  Speaker 2: Okay, okay, just give me a second. All right, what
• 38:55
  Speaker 2: is it? Grabbing left shift? So I don't want hold?
• 39:05
  Speaker 1: There you go, you let it go.
• 39:07
  Speaker 2: Okay, okay, I'm gonna try it again.
• 39:12
  Speaker 3: Right, Yes, that hold, let's hold on total's hold by
• 39:16
  Speaker 3: the fault.
• 39:18
  Speaker 2: Okay, now it doesn't want to do it.
• 39:21
  Speaker 1: You have to hold it. Point the target at it,
• 39:24
  Speaker 1: and then yeah, you you did for a second. There
• 39:27
  Speaker 1: she did for a second.
• 39:28
  Speaker 3: There she had hold in the game. In the game
• 39:31
  Speaker 3: in game options, it's an option to control good settings controllers.
• 39:37
  Speaker 3: It's going down your seat. It says, hold to it's
• 39:41
  Speaker 3: mouse left by the fault.
• 39:45
  Speaker 2: Listening, Yeah, I'm listening. I'm just wondering why this is
• 39:48
  Speaker 2: told you.
• 39:52
  Speaker 3: I did put your eyebrows on your other eye, your actual.
• 40:02
  Speaker 1: My my eyebrows from honey radio. I don't know if
• 40:08
  Speaker 1: I have any stuff. Let me see, let me try.
• 40:12
  Speaker 1: I'll try. I'll try. Let me see. I gotta start
• 40:15
  Speaker 1: with something, and then.
• 40:17
  Speaker 2: Oh, that's what's going on? You look?
• 40:21
  Speaker 4: You look like before I die?
• 40:23
  Speaker 3: What happened?
• 40:27
  Speaker 1: Did you figure it out?
• 40:32
  Speaker 2: I can't turn it on though? Wait?
• 40:33
  Speaker 1: Wait, no, h it is. It's not quite the right color,
• 40:39
  Speaker 1: but I'll try this anyways.
• 40:40
  Speaker 2: Orange orae no orange orange?
• 40:47
  Speaker 1: Yea, I'm orange, babe, babe, my orange.
• 41:00
  Speaker 4: Door, i'd say.
• 41:06
  Speaker 2: Okay, I'm just gonna focus on grabbing, interacting, running, and
• 41:12
  Speaker 2: crouching for now. Okay, guys, don't expect anything unique or advanced. Yeah, okay,
• 41:19
  Speaker 2: I'm good. I'm going in. I'm ready.
• 41:22
  Speaker 1: All right, you ready?
• 41:23
  Speaker 2: I feel like I'm ready.
• 41:25
  Speaker 1: All right, all right, hold on, hold on, I gotta
• 41:27
  Speaker 1: I'm doing something now that now I'm committed to finishing this. Okay.
• 41:32
  Speaker 2: Oh my god, who's in the ball gown?
• 41:36
  Speaker 5: What?
• 41:38
  Speaker 2: Gabriel? Oh Man, Lindsay princess.
• 41:49
  Speaker 1: That's awesome.
• 41:50
  Speaker 2: Okay, Wow, those are some crazy galoshes that uh, miss
• 41:56
  Speaker 2: bag over here.
• 41:58
  Speaker 1: Has I'll switch to it later.
• 42:04
  Speaker 2: Oh very nice, very magical.
• 42:08
  Speaker 1: Oh yeah, yeah, you got a lot of you got
• 42:09
  Speaker 1: a lot of hops. Okay, we ready to go? Did
• 42:12
  Speaker 1: we buy this stuff?
• 42:14
  Speaker 2: Guys are always looking weird, like I'm not gonna be
• 42:16
  Speaker 2: able to follow all of these change.
• 42:23
  Speaker 1: Oh you got the you got the judge wig or
• 42:26
  Speaker 1: the fifties housewife wig?
• 42:28
  Speaker 2: No?
• 42:29
  Speaker 3: I do?
• 42:30
  Speaker 5: Uh?
• 42:30
  Speaker 1: Somebody sent to superchow? Hold on a second while I checked,
• 42:33
  Speaker 1: it didn't come up on the Uh for some reason,
• 42:36
  Speaker 1: I didn't see these on the in my chat, but
• 42:38
  Speaker 1: I'm gonna read them out really quick. Two super chows
• 42:41
  Speaker 1: came through, so one from official reverse Traditionalism channel on
• 42:45
  Speaker 1: YouTube gave us five dollars and said, Alison, please tell
• 42:50
  Speaker 1: me if this makes sense. Single mothers tolerate abusive stepfathers
• 42:53
  Speaker 1: because they work on loyalty via oxytocin. Step mothers are
• 42:57
  Speaker 1: less abusive because they are loyal to buy a logical fathers.
• 43:01
  Speaker 1: I know that advocate has very different things to say
• 43:03
  Speaker 1: about stepfathers than Karen used to say about them ten
• 43:07
  Speaker 1: years ago. Well, I don't know what the dadvocate says
• 43:09
  Speaker 1: about stepfathers, so yeah.
• 43:11
  Speaker 2: Neither do I. So I can't really comment on it. Oh,
• 43:14
  Speaker 2: you have to clarify what Karen's opinion is. What Dadvocate's opinion.
• 43:18
  Speaker 1: Is, Yeah, what is Karen's opinion on stepfathers from ten
• 43:21
  Speaker 1: years ago?
• 43:22
  Speaker 2: But from what I can understand of what he's saying,
• 43:25
  Speaker 2: he's saying that, uh, step father's Actually I can't. Could
• 43:31
  Speaker 2: you read it again? I'll see if I can parse this.
• 43:36
  Speaker 1: Yeah, step Oh shit, it's I gotta go look at
• 43:39
  Speaker 1: the thing. Single mothers tolerate abusive stepfathers because they work
• 43:44
  Speaker 1: on loyalty via oxytocin. Step mothers are less abusive because
• 43:48
  Speaker 1: they are loyal to biological fathers. I know the dadvocate
• 43:52
  Speaker 1: has very different things to say about stepfathers than Karen
• 43:55
  Speaker 1: used to say about them ten years ago. That's the extent.
• 43:59
  Speaker 1: That's basically the extension.
• 44:00
  Speaker 2: I really would have to This is a bit distracting,
• 44:03
  Speaker 2: plus also of a dog barking, so I can't really
• 44:08
  Speaker 2: answer that. I'd have to think about it more carefully.
• 44:13
  Speaker 1: It would definitely be something you couldn't answer off the cuff.
• 44:15
  Speaker 1: And then I got one from Aaron from Ohio for
• 44:18
  Speaker 1: twenty bucks or in sorry, or in from Ohio because
• 44:22
  Speaker 1: he has in parenthesesa the spelling the pronunciation rather the phonetics. Says,
• 44:29
  Speaker 1: I conceptualize feminism as a derangement machine of biblical proportions.
• 44:35
  Speaker 1: Woe unto them, that call evil good and good evil,
• 44:38
  Speaker 1: That count darkness as light and light as darkness. That
• 44:41
  Speaker 1: put bitter for sweet and sweet for bitter. That's from
• 44:44
  Speaker 1: the Bible. I like to say. They operate by calling
• 44:47
  Speaker 1: features bugs and by inserting bugs and calling them features.
• 44:51
  Speaker 1: They invert reality by substituting pure hidonia where you'd ammonia
• 44:57
  Speaker 1: should exist. See on the fact that a fulfilling life
• 45:02
  Speaker 1: is often uncomfortable and effortful up front, while leading to
• 45:05
  Speaker 1: long term fulfillment. A simple pleasure slash pain matrix makes
• 45:09
  Speaker 1: it easy to call those early travails victimization and motivate
• 45:14
  Speaker 1: its followers to pursue short term pleasures that are ultimately empty.
• 45:18
  Speaker 1: The emptiness is the woe warned about in the Bible verse.
• 45:22
  Speaker 1: It is so, it's so very knowable. But we moderns
• 45:26
  Speaker 1: have outsmarted nature and the wisdom of our forebears because
• 45:30
  Speaker 1: we are so technologically advanced that we think anything we
• 45:33
  Speaker 1: think up on a whim must be the pinnacle of
• 45:35
  Speaker 1: human thought. Separating ourselves from the hard won lessons of
• 45:39
  Speaker 1: history makes us highly susceptible to nonsense. Ugh, thank you
• 45:45
  Speaker 1: for that?
• 45:46
  Speaker 2: What did I just do to myself?
• 45:49
  Speaker 5: Um?
• 45:51
  Speaker 1: Then we got one from Noba fan A rumble rant
• 45:53
  Speaker 1: for a dollar, he says feminists us, real women are
• 45:56
  Speaker 1: always wanted men to leave us alone. Only picknes with
• 45:59
  Speaker 1: internalized misogyny are desperate for a man. Me points to
• 46:03
  Speaker 1: the comple complete compilation of women panicking as I smile. Okay, yeah,
• 46:10
  Speaker 1: this is uh oh, that's the that's the walkie talkie.
• 46:14
  Speaker 1: You can pick it up and use it and talk
• 46:16
  Speaker 1: into it.
• 46:17
  Speaker 2: Her thesis. Okay, this is too complicated for me. This
• 46:20
  Speaker 2: is too complix.
• 46:21
  Speaker 1: Just press the US button.
• 46:23
  Speaker 2: I'm just trying to drop it.
• 46:24
  Speaker 1: No, no, press the US button.
• 46:27
  Speaker 2: There we go. Okay, fuck, okay, fine, wait, just give
• 46:30
  Speaker 2: me a second, Give me a second.
• 46:34
  Speaker 1: Now, use it.
• 46:36
  Speaker 3: The thing.
• 46:37
  Speaker 1: It's the face button. It's they it's the one button
• 46:41
  Speaker 1: that used to like, yeah, there you go. Now tell
• 46:43
  Speaker 1: me what you're gonna say.
• 46:45
  Speaker 2: Well, what I was gonna say is that her thesis
• 46:47
  Speaker 2: or her hypothesis, or actually her observation is that men
• 46:51
  Speaker 2: failed to stop paying attention to women for many, many generations,
• 46:56
  Speaker 2: and they finally have started to stop paying attention. It
• 46:58
  Speaker 2: started to no longer pay attention to women. So she
• 47:01
  Speaker 2: got what she wanted, and she's gonna complain about it now.
• 47:05
  Speaker 2: It didn't happen fast enough that it didn't happen fast enough. Okay,
• 47:09
  Speaker 2: I'm gonna drop this thing.
• 47:10
  Speaker 1: All right, all right, thank you for the super childs
• 47:13
  Speaker 1: and whatnot. Let's do a level so anybody want the
• 47:17
  Speaker 1: feather drone or should I take it? Nobody?
• 47:25
  Speaker 2: Okay, you know, I think i'm gonna.
• 47:27
  Speaker 1: I mean, I'm pretty strong, so I don't really know
• 47:30
  Speaker 1: if I need it here.
• 47:32
  Speaker 2: I think I want to switch some stuff here.
• 47:35
  Speaker 1: You want to switch some stuff.
• 47:36
  Speaker 2: Yeah, I'm gonna. I'm gonna switch some stuff controls wise,
• 47:44
  Speaker 2: I just do it really quickly.
• 47:45
  Speaker 4: I'm not really sure that I buy that hey are
• 47:50
  Speaker 4: more loyal than say.
• 47:53
  Speaker 1: Hey, put me down. Put me down this instant.
• 48:01
  Speaker 2: Okay, I'm gonna try this now. Okay, I don't.
• 48:08
  Speaker 1: I could read it to you.
• 48:10
  Speaker 2: This bear trap. I'm going to use this.
• 48:15
  Speaker 1: It didn't show up. No, it didn't show up on YouTube.
• 48:18
  Speaker 1: I think it's because I got to refresh this thing.
• 48:22
  Speaker 1: It's it. I think it's because it was an update
• 48:24
  Speaker 1: to the chat. So it should be fine now, so
• 48:27
  Speaker 1: that the verse goes, we'll want to them that call
• 48:30
  Speaker 1: evil good and good evil, that count darkness as light
• 48:33
  Speaker 1: and light as darkness. That put bitter for sweet and
• 48:35
  Speaker 1: sweet for bitter. That's that's the line. Yeah, it's basically
• 48:40
  Speaker 1: about inversion, you know well.
• 48:42
  Speaker 2: But it's also about base. It's about the fact that
• 48:46
  Speaker 2: human beings, if they pursue pleasure instead of discipline end
• 48:50
  Speaker 2: up being miserable. Yeah, I mean, and it's almost every
• 48:58
  Speaker 2: I mean, we we can accept that when it comes
• 48:59
  Speaker 2: to for eating and not exercising and all of that stuff,
• 49:02
  Speaker 2: but we don't accept it when it comes to sexuality.
• 49:05
  Speaker 2: But it's the same thing. Yeah, if you're disciplined about
• 49:12
  Speaker 2: your sexuality, when he jumps, do you have.
• 49:15
  Speaker 3: Whatever?
• 49:16
  Speaker 2: It's not hurting anyone, yeah.
• 49:21
  Speaker 5: At all?
• 49:22
  Speaker 1: Why would you do?
• 49:27
  Speaker 2: Well? But it's because that and this is this is
• 49:32
  Speaker 2: the stuff that I've been been researching lately. It's that
• 49:36
  Speaker 2: promiscuous sexuality is not satisfying.
• 49:44
  Speaker 1: Yeah.
• 49:46
  Speaker 2: And then the the the Christians have figured that part
• 49:49
  Speaker 2: out too.
• 49:53
  Speaker 1: Well. What when you just do whatever you want, you
• 49:55
  Speaker 1: get Babylon? Okay, let's uh, let's keep going. Let's you
• 49:59
  Speaker 1: want to go, let's go. We're doing it. We're going.
• 50:01
  Speaker 1: I hope we don't get headman manner.
• 50:05
  Speaker 2: M hm. Why did you mention this?
• 50:10
  Speaker 1: I know, I know I probably.
• 50:12
  Speaker 3: Cursed using it keeps doing it?
• 50:16
  Speaker 1: Well, No, we got mcannic.
• 50:21
  Speaker 2: So why is headman manor like the cursed space.
• 50:27
  Speaker 1: Wa yea yeah, somebody may take put one in here.
• 50:36
  Speaker 2: I'm just going to wander around.
• 50:38
  Speaker 1: All right, I'm gonna take I'm gonna take this. Actually,
• 50:41
  Speaker 1: I have a space okay, give her a monster for
• 50:46
  Speaker 1: a second.
• 50:47
  Speaker 3: All right, okay, you want to carry it?
• 50:50
  Speaker 1: Yeah, I thought it would be. I mean, since I
• 50:52
  Speaker 1: have the space watch, watch out for the pits, watch out.
• 51:01
  Speaker 2: I can't open this door.
• 51:02
  Speaker 1: Oh wait, uh, I have three? I have three. Oh
• 51:11
  Speaker 1: it's a little stapler, but it's but it's yellow. So
• 51:13
  Speaker 1: I don't know anything up here.
• 51:20
  Speaker 2: No, okay, for some reason, I'm crouching and grabbing at
• 51:26
  Speaker 2: the same time, and I need to fix that.
• 51:28
  Speaker 1: Yeah you do. Where are you?
• 51:30
  Speaker 2: I'm just right here. Hopefully nothing attacks me.
• 51:37
  Speaker 1: I think we're okay. M h, be careful to navigate this.
• 52:01
  Speaker 1: Oh you guys, you want me to get that. I've
• 52:11
  Speaker 1: got strength.
• 52:12
  Speaker 3: I've got five strengths. Five wait, I've got five. Why
• 52:20
  Speaker 3: didn't well, I didn't lift up hold on.
• 52:23
  Speaker 1: I don't know.
• 52:25
  Speaker 3: I didn't want to lift it.
• 52:26
  Speaker 1: You gave it to me. Now I'm up here, I
• 52:32
  Speaker 1: have I have I have three strengths.
• 52:35
  Speaker 3: Here.
• 52:35
  Speaker 1: Let me pass you a drone. Where are you guys?
• 52:39
  Speaker 1: I'm gonna I'm gonna put it on there here, take it.
• 52:43
  Speaker 1: I can take it can take it, all right, let
• 52:45
  Speaker 1: me see. Uh, okay, hold on, I got it. It's
• 52:50
  Speaker 1: heavy though for me, there's a there's stuck and well
• 53:02
  Speaker 1: that's not good. Can you hear me, Brian, Yeah, I
• 53:10
  Speaker 1: can hear you.
• 53:12
  Speaker 2: I'm in. I went and I went left.
• 53:18
  Speaker 1: Are you okay?
• 53:20
  Speaker 2: I'm okay so far?
• 53:21
  Speaker 1: Okay. Yeah. I think that's a dead end where you're going.
• 53:25
  Speaker 1: If you went left or we we zigged and you zagged.
• 53:30
  Speaker 2: Yeah, looks like it.
• 53:32
  Speaker 1: Okay, all right, I think we're good.
• 53:34
  Speaker 2: I'll get out of here, all right.
• 53:38
  Speaker 1: Yeah, I just put that there. Yeah, it's a computer tower.
• 53:44
  Speaker 1: It's like a server.
• 53:47
  Speaker 2: I'm just gonna put this right here, so I'm going
• 53:49
  Speaker 2: to try to Oh my god, this room.
• 53:55
  Speaker 1: Be careful. I'm gonna drag this over here. Oh my goodness. No, no, no,
• 54:05
  Speaker 1: don't fall, don't fall. Just come come back. Okay.
• 54:10
  Speaker 2: No, I'm okay.
• 54:11
  Speaker 1: No, I'm not talking to you, talking to what I'm
• 54:15
  Speaker 1: doing here? Oh my god, dude. Okay, all right, now,
• 54:29
  Speaker 1: where is the get this? Recharge it a little bit.
• 54:41
  Speaker 1: All right, we're all out, but we need that going
• 54:51
  Speaker 1: to the left is a dead end. Yes, confirmed, Ah.
• 55:07
  Speaker 2: I think I've found something. Well, I sound a storeroom,
• 55:10
  Speaker 2: but it doesn't seem to have anything in it. I
• 55:13
  Speaker 2: can't let me look at it.
• 55:16
  Speaker 1: Okay, no, I didn't give it to you. You're grabbing
• 55:18
  Speaker 1: something else.
• 55:20
  Speaker 2: Oh my god.
• 55:21
  Speaker 4: Oh let's see.
• 55:22
  Speaker 2: Uh okay, I've located in another room with nothing in it.
• 55:31
  Speaker 2: Not very productive. But and then all these doors are shut.
• 55:38
  Speaker 2: I guess you have to open them from the other side.
• 55:46
  Speaker 1: Careful with the We don't have any more crystals to charge,
• 55:52
  Speaker 1: so you got to like get it over there and
• 55:54
  Speaker 1: don't use too much energy. How about do you have
• 55:58
  Speaker 1: any range? Oh? Okay, no, zero range? All right, I
• 56:06
  Speaker 1: think here. Let me let me get this. This is
• 56:14
  Speaker 1: this has the drones on it.
• 56:19
  Speaker 2: I found something.
• 56:20
  Speaker 1: Oh yeah, look at that. Okay, this is uh, this
• 56:32
  Speaker 1: is good right here.
• 56:35
  Speaker 2: Oh I can't lift this mm I lift it up right,
• 56:46
  Speaker 2: I can't lift It's a big item.
• 56:52
  Speaker 1: Well hold on, wait, we'll be there in the second
• 56:54
  Speaker 1: house and we're just extracting over here. Oh yeah, it's here. Here,
• 57:00
  Speaker 1: take this Norwegian. Take this. I don't have space. Where's
• 57:04
  Speaker 1: the uh, where's the other drone? Okay, got it?
• 57:14
  Speaker 2: I think you need a drone.
• 57:17
  Speaker 1: Yeah, I'm coming. Yeah, the big stuff is usually heavy.
• 57:19
  Speaker 1: We have stuff for that unless your stats get really high.
• 57:23
  Speaker 1: I don't know where you went, though.
• 57:26
  Speaker 2: Should I just I just lost like, uh, two thousand
• 57:33
  Speaker 2: bucks on this thing I'm over.
• 57:37
  Speaker 1: I'm looking. I think they're credit. They're heading towards you
• 57:40
  Speaker 1: if you haven't gone too deep in.
• 57:43
  Speaker 2: Okay, I just went down. Okay, here we go. There
• 57:49
  Speaker 2: we are. Hello. I can see you Norwegian. I see
• 57:52
  Speaker 2: the duck. I'm not going to do anything to the duck.
• 57:54
  Speaker 1: But all right, oh, oh, clean up crew. I hear
• 57:57
  Speaker 1: a clean up crew.
• 58:09
  Speaker 2: Here here, Gabriel, do it, Gabriel, I think that's you
• 58:13
  Speaker 2: and the ball gown.
• 58:16
  Speaker 1: No, the gown is Lindsay. Yeah, all right here, I
• 58:22
  Speaker 1: got this well, but but yeah, we gotta wait until
• 58:25
  Speaker 1: oh no, he's opened the next thing.
• 58:27
  Speaker 2: This is the thing I found.
• 58:29
  Speaker 1: Yeah, we got it.
• 58:30
  Speaker 2: Okay, we're gonna bring it.
• 58:32
  Speaker 1: I'm gonna bring it upstairs. It's heavy. It's heavy.
• 58:44
  Speaker 2: Yeah, I can't. I can't.
• 58:45
  Speaker 1: I know, I know, it's okay. I don't know.
• 58:51
  Speaker 2: Maybe I can help you.
• 58:57
  Speaker 1: Yeah, help me out. Just get it to the top
• 58:59
  Speaker 1: of the stairs. Somebody, come on, Gaby, you're strong, you
• 59:03
  Speaker 1: got this.
• 59:04
  Speaker 3: You can flip it. I killed a duck. I could
• 59:10
  Speaker 3: have duck.
• 59:10
  Speaker 2: I could have killed the Oh god, this is where
• 59:14
  Speaker 2: we're going. Ship?
• 59:17
  Speaker 1: All right?
• 59:19
  Speaker 2: Did here?
• 59:22
  Speaker 4: Where did the gambit coke?
• 59:25
  Speaker 1: It's he went off? Wait does it? Does it? Did
• 59:27
  Speaker 1: you kill the tick?
• 59:29
  Speaker 2: I'm gonna let you guys deal with that.
• 59:30
  Speaker 1: You got it? Thank you?
• 59:32
  Speaker 2: Find more stuff if I.
• 59:33
  Speaker 3: Can take burns a little bit. Let's not believe it?
• 59:46
  Speaker 2: Oh ship, okay, all right, Grandma, I'm going down further.
• 59:57
  Speaker 1: Oh okay, eighteen k. We need thirteen K. So this
• 1:00:01
  Speaker 1: is gonna set it off. So I'm gonna stand it
• 1:00:04
  Speaker 1: up and then leave it like right here that These
• 1:00:07
  Speaker 1: drones are so good. But okay, see if there's anything else,
• 1:00:24
  Speaker 1: bring this.
• 1:00:36
  Speaker 2: M m M.
• 1:00:40
  Speaker 1: I want to hit that all right? Oh sweet Norwegian.
• 1:01:01
  Speaker 1: The feather drone is right there on the right behind you.
• 1:01:04
  Speaker 1: The feather drone, it's on the table right behind you.
• 1:01:07
  Speaker 1: All right, all right, I'm bringing the guitar.
• 1:01:33
  Speaker 2: It's okay, I'm coming up. M Hopefully you guys are close.
• 1:01:39
  Speaker 1: Well, if you look at your map, you should see
• 1:01:42
  Speaker 1: the guide that tells us where you're supposed to go.
• 1:01:47
  Speaker 1: That's where we all are, so we're basically by there.
• 1:01:51
  Speaker 2: Yeah, I have only a small item. I don't even
• 1:01:53
  Speaker 2: know if I should have brought it.
• 1:01:56
  Speaker 1: Everything counts, everything helps, every little bit. Aaron from Ohio
• 1:02:04
  Speaker 1: sent a super chat for a dollar ninety nine and said, uh,
• 1:02:08
  Speaker 1: my second last message clarifies the name thing for what
• 1:02:12
  Speaker 1: it's worth. Okay, uh no, it's fine, Aaron. It says
• 1:02:19
  Speaker 1: my actual name is indeed pronounced Aaron. Oh ship, dude,
• 1:02:23
  Speaker 1: can get it off of there, Get it off of there.
• 1:02:25
  Speaker 1: Oh okay, let's see maybe. No, there's only one thing
• 1:02:32
  Speaker 1: on here. I'll move, I'll move the The guitar is
• 1:02:37
  Speaker 1: worth for here, put it, put it in the cart.
• 1:02:40
  Speaker 1: Just put that in the cart. The computer is not
• 1:02:42
  Speaker 1: worth that much. It's gonna put it down. We're follow
• 1:02:46
  Speaker 1: the follow the map, follow the map. It's an, it's
• 1:02:54
  Speaker 1: an it's an accident. He didn't see you. It's fine, okay,
• 1:02:58
  Speaker 1: all right, let's just do it. Let's just do it.
• 1:03:01
  Speaker 2: Let me just the sounds of Gabriel's disgruntlement.
• 1:03:06
  Speaker 1: Yeah, ow, we broke it.
• 1:03:14
  Speaker 2: Gabriel is rarely gruntled.
• 1:03:20
  Speaker 1: Okay, should we do it because we yeah, listen, Oh,
• 1:03:28
  Speaker 1: it's okay, go ahead, babe, we'll do it. All right,
• 1:03:37
  Speaker 1: that's good. Let's put the door on there too.
• 1:03:40
  Speaker 2: I don't want to stay with the group. I found
• 1:03:42
  Speaker 2: a place that I was exploring. Now what happened? What happened?
• 1:03:55
  Speaker 2: Will you guys freaking do it over here yelling at
• 1:03:58
  Speaker 2: each other. Look, I'm gonna go back to exploring my whole.
• 1:04:02
  Speaker 1: No, no, no, you should stay with us. It's your
• 1:04:06
  Speaker 1: best chance of survival.
• 1:04:08
  Speaker 2: Yeah, but I'm okay, I've been so far, been okay.
• 1:04:13
  Speaker 1: Yeah, but that's only because Gabriel is killing everything before
• 1:04:15
  Speaker 1: you run into it. All right, we're gonna put this orb.
• 1:04:18
  Speaker 1: Put this orb in the cart. Let's be very careful.
• 1:04:21
  Speaker 1: These things are very fragile. There was once a dream
• 1:04:28
  Speaker 1: that was this orb. You could only whisper it. It
• 1:04:32
  Speaker 1: was so fragile. Follow follow the train, c J. Yes,
• 1:04:46
  Speaker 1: stay with us. Oh there's a camera. Put the camera
• 1:04:56
  Speaker 1: in here, all right. And there's some then up there,
• 1:05:01
  Speaker 1: maybe in this room.
• 1:05:03
  Speaker 2: Oh h.
• 1:05:07
  Speaker 1: Oh yeah, somebody's phone, somebody's iPhone to look at this
• 1:05:12
  Speaker 1: big motherfucker. This is like the first iPhone.
• 1:05:18
  Speaker 3: Mm hmmm.
• 1:05:24
  Speaker 1: Okay, I think we can just go go through here.
• 1:05:30
  Speaker 3: M alright, go back, go back?
• 1:05:36
  Speaker 1: Where are we going? I mean, no, you go you
• 1:05:38
  Speaker 1: go go ahead.
• 1:05:40
  Speaker 3: Everyone else can go back.
• 1:05:42
  Speaker 1: Okay, just do the next one.
• 1:05:44
  Speaker 3: Since wait, there's there's nothing. It's not next to go
• 1:05:48
  Speaker 3: back to the truck.
• 1:05:50
  Speaker 1: Now there's two more. There's another one after this. Don't
• 1:05:53
  Speaker 1: go back to the truck.
• 1:05:54
  Speaker 2: I found. I found the extraction point.
• 1:05:56
  Speaker 1: I think, Oh, I thought you were a monster. I'm
• 1:06:06
  Speaker 1: gonna extract You're not covered up enough for my taste.
• 1:06:20
  Speaker 1: I wan't the're gonna is there gonna be like a burka.
• 1:06:22
  Speaker 1: I hope there is. We haven't seen any customization things.
• 1:06:39
  Speaker 2: Huh mm hmm. No, I'm looking around, Gabriel.
• 1:06:46
  Speaker 3: Checked everywhere.
• 1:06:47
  Speaker 2: You know what. I'm doing it for my own interest.
• 1:06:55
  Speaker 1: Well, well, who's gonna do it? I have like I
• 1:06:58
  Speaker 1: have a bolt zapp. If I need to protect myself,
• 1:07:01
  Speaker 1: I could do it. Why don't you go back to
• 1:07:03
  Speaker 1: the truck with Lindsey. I'll do this. I'll give you
• 1:07:06
  Speaker 1: guys like thirty seconds head back because we're all Bob
• 1:07:08
  Speaker 1: done with the level run. Allison dropped out of the discord.
• 1:07:13
  Speaker 1: Call hold on, I gotta move her back in.
• 1:07:17
  Speaker 2: And he oh, thank you, Brian, you got me back in. Yeah, okay, okay.
• 1:07:23
  Speaker 1: All right, I'm gonna do the Just go to the
• 1:07:25
  Speaker 1: truck and then I'm gonna do this and I'm gonna
• 1:07:27
  Speaker 1: head back. I'm even sure which how to get there.
• 1:07:30
  Speaker 1: I think it's like out and then the turn left
• 1:07:33
  Speaker 1: and then goes straight. Okay, so I'm gonna give him
• 1:07:37
  Speaker 1: like ten seconds. Allison is a monster, says Erbato one two, three, four,
• 1:07:43
  Speaker 1: five sixty seven. I like the sexy badger Chan writing
• 1:07:49
  Speaker 1: the truth bomb, thank you. It was like, actually, this
• 1:07:54
  Speaker 1: isn't that. But like the very first drawing I ever
• 1:07:57
  Speaker 1: did a Badger Chan back way back in the day,
• 1:08:00
  Speaker 1: was her on a truth bomb. Okay, here we go.
• 1:08:07
  Speaker 2: You slow down, lindsay, I'm not that good.
• 1:08:19
  Speaker 1: Is that something? If it gets in the way?
• 1:08:20
  Speaker 2: Survived? But I did drop down. Huh. Okay, Well where
• 1:08:27
  Speaker 2: am I.
• 1:08:34
  Speaker 1: Get off me?
• 1:08:37
  Speaker 2: I'm still alive, amazingly. Oh there's a tick. What do
• 1:08:47
  Speaker 2: I do? There's a tick.
• 1:08:56
  Speaker 1: Don't worry about the tick, Alison, don't worry about the tick.
• 1:09:00
  Speaker 2: Mm hmm.
• 1:09:02
  Speaker 1: She's down there. Ship, just run save yourself. Oh ship.
• 1:09:13
  Speaker 1: Uh oh, I get to watch this up close.
• 1:09:21
  Speaker 2: Well, it didn't kill me, it nearly killed me. I
• 1:09:26
  Speaker 2: only have five left. Yeah, I'm freaking lord. Oh my god,
• 1:09:32
  Speaker 2: it killed somebody. Oh ship, you're you're I I'll do
• 1:09:42
  Speaker 2: my best, but.
• 1:09:46
  Speaker 1: Just just run if you can. But don't sweat it
• 1:09:49
  Speaker 1: if you don't make it. That's not the way.
• 1:09:57
  Speaker 2: Yeah, there's something in my way. I don't want to.
• 1:10:00
  Speaker 2: I'm trying to. Okay, I'm with Brian. I attempted to,
• 1:10:11
  Speaker 2: you know, no man left behind, and then I became
• 1:10:14
  Speaker 2: the man left behind or.
• 1:10:15
  Speaker 1: The one we both died. It's fine. I got killed.
• 1:10:18
  Speaker 1: I got killed by the I got killed by the tick.
• 1:10:24
  Speaker 2: Yeah.
• 1:10:24
  Speaker 1: Yeah, but she was making her way and fell.
• 1:10:28
  Speaker 2: Yeah, I was making my way. But okay, all right,
• 1:10:32
  Speaker 2: there was a whole bunch of things around. There was
• 1:10:37
  Speaker 2: this this the the wheel of fortune thing.
• 1:10:42
  Speaker 1: Yeah, well it was there that she had to deal
• 1:10:47
  Speaker 1: with the tick, the clean up crew, and the gambit,
• 1:10:49
  Speaker 1: and she doesn't really have an experience with them. So,
• 1:10:52
  Speaker 1: you know, it is what it is.
• 1:10:55
  Speaker 4: You're gonna need some health.
• 1:10:57
  Speaker 1: I think I haven't a question.
• 1:11:00
  Speaker 2: So we read more of the article speaking of things
• 1:11:03
  Speaker 2: that I have experience with.
• 1:11:06
  Speaker 1: Yeah, uh yeah, I will. Okay, let me give me
• 1:11:11
  Speaker 1: some health, and you've got to get some crystals. Guys,
• 1:11:14
  Speaker 1: we have no power. I need I need help to
• 1:11:17
  Speaker 1: all right, I'm gonna read it in here. I'm inside
• 1:11:21
  Speaker 1: the truck.
• 1:11:23
  Speaker 2: Okay, I'll go to the truck.
• 1:11:24
  Speaker 1: I'm going to change my look real quick. Let's see.
• 1:11:30
  Speaker 2: Nobody can see your look though.
• 1:11:31
  Speaker 1: Eh, yeah, you can see my look.
• 1:11:34
  Speaker 2: I can see your look, but the people watching can't.
• 1:11:37
  Speaker 1: Oh yeah, well they can not exactly.
• 1:11:42
  Speaker 2: All right, now you look like a guy in a
• 1:11:46
  Speaker 2: business suit. Well, no leisure.
• 1:11:49
  Speaker 1: Suits, it's a tux But okay.
• 1:11:52
  Speaker 2: You a lounge lizard.
• 1:11:54
  Speaker 1: All right, Wait, guys, don't leave yet. Well we can
• 1:12:00
  Speaker 1: leave and go to the truck, I guess. But anyway,
• 1:12:06
  Speaker 1: all right, So, women, we've been asking for the simple
• 1:12:15
  Speaker 1: right to exist in the world without men constantly trying
• 1:12:17
  Speaker 1: to pursue us, flirt with us, convince us to give
• 1:12:20
  Speaker 1: them a chance. And men didn't listen. They kept pursuing,
• 1:12:23
  Speaker 1: they kept approaching, They kept thinking that every interaction was
• 1:12:26
  Speaker 1: an opportunity to make their move. But now something is changing.
• 1:12:30
  Speaker 1: Now men are choosing to be alone, to stop pursuing women,
• 1:12:33
  Speaker 1: to withdraw from trying to date us. And women are
• 1:12:35
  Speaker 1: relieved because this is literally what we ask for. We
• 1:12:40
  Speaker 1: didn't ask for it as a punishment or a game.
• 1:12:42
  Speaker 1: We asked for it because we're tired, tired of being
• 1:12:45
  Speaker 1: approached constantly, tired of having to be nice just to
• 1:12:48
  Speaker 1: avoid confrontation, tired of managing men's feelings and expectations everywhere
• 1:12:52
  Speaker 1: we go. We ask for the freedom to exist without
• 1:12:55
  Speaker 1: being bothered, without being pursued, without having to worry that
• 1:12:59
  Speaker 1: a man will interrupt our lives. And now that men
• 1:13:01
  Speaker 1: are finally doing it, now that they're leaving us alone,
• 1:13:05
  Speaker 1: women are thriving. We're not suffering.
• 1:13:12
  Speaker 2: You want to finish it up, finish it up, finish
• 1:13:13
  Speaker 2: it up.
• 1:13:14
  Speaker 1: Yeah, we're not suffering, and we're definitely lonely. We're happy
• 1:13:18
  Speaker 1: because peace is what we wanted all along.
• 1:13:21
  Speaker 2: Okay, I gotta get in here right at that paragraph end.
• 1:13:25
  Speaker 2: All right. So she's saying that women always wanted to
• 1:13:30
  Speaker 2: be left alone by men, But also she sells, you know,
• 1:13:34
  Speaker 2: man simulation, man simulation mediums. Go to women. Oh, by
• 1:13:42
  Speaker 2: the way, go to my blog and buy my simulation
• 1:13:45
  Speaker 2: of being loved by a man that you never wanted.
• 1:13:50
  Speaker 2: This is hilarious.
• 1:13:53
  Speaker 1: Uh, the irony yeah.
• 1:13:55
  Speaker 2: A oh no, no, let's hear what her what she thinks.
• 1:13:59
  Speaker 2: The irony is because I find it ironic that this
• 1:14:02
  Speaker 2: woman sells to women. The simulation of being loved by
• 1:14:06
  Speaker 2: a man in the form of romance novels, in particular,
• 1:14:09
  Speaker 2: like the worst kind, which is divorce, is dark, dark, romanticy.
• 1:14:13
  Speaker 1: Oh shit, you killed me. Okay, that's all right, I
• 1:14:19
  Speaker 1: only had one health. I can still talk. I'll just
• 1:14:23
  Speaker 1: do it. I'll just do it on the truck.
• 1:14:26
  Speaker 2: Okay. So she sells the simulation of being loved by
• 1:14:30
  Speaker 2: a man to women, and she's telling and she's speaking
• 1:14:33
  Speaker 2: for all women when she says, don't get that feeling,
• 1:14:37
  Speaker 2: you know, direct from the choice, from the source, get
• 1:14:41
  Speaker 2: it from my products. And of course women are eating.
• 1:14:51
  Speaker 1: Stuff.
• 1:14:53
  Speaker 2: Yeah, I could probably, like any woman could probably get
• 1:14:57
  Speaker 2: the feeling of being loved by a man basically for free.
• 1:15:02
  Speaker 2: But no, they should buy it from this woman to
• 1:15:05
  Speaker 2: make her a millionaire. That's that's the way to go.
• 1:15:11
  Speaker 2: Why get love from a man from free, for free,
• 1:15:13
  Speaker 2: when you can buy it for one trillion dollars a year. Hey, ladies, Hey,
• 1:15:19
  Speaker 2: but you don't really want it? Of course. I guess
• 1:15:23
  Speaker 2: what the difference is that they control it. You know,
• 1:15:25
  Speaker 2: they can set it down, they don't actually have to
• 1:15:28
  Speaker 2: they don't actually act to do anything to maintain it. Yeah,
• 1:15:34
  Speaker 2: they're pathetic, simile.
• 1:15:37
  Speaker 1: Yeah, okay, want me to read more?
• 1:15:40
  Speaker 2: Sure, go ahead, all right.
• 1:15:41
  Speaker 1: So the irony is that men think this is revenge
• 1:15:45
  Speaker 1: when we're actually relieved. Men are talking about the male
• 1:15:49
  Speaker 1: loneliness epidemic like women orchestrated it, like we sat down
• 1:15:53
  Speaker 1: and decided to punish them.
• 1:15:54
  Speaker 6: Wait wait, wait, wait wait, you just got through saying
• 1:15:59
  Speaker 6: that you've been asking men to do this, right, and
• 1:16:04
  Speaker 6: then men finally complied.
• 1:16:07
  Speaker 2: Okay, And then they're saying, you know, while the cost
• 1:16:10
  Speaker 2: is loneliness, because I don't think men are actually saying, oh,
• 1:16:13
  Speaker 2: we're lonely, I think they're also pointing out that women
• 1:16:16
  Speaker 2: are lonely too, as far as I can tell, no, no, no, it's.
• 1:16:22
  Speaker 1: Just I don't think you can have one without the other.
• 1:16:25
  Speaker 2: Really, nor so the ones who are like, well, men
• 1:16:29
  Speaker 2: are lonely are usually like, well, women seem to be
• 1:16:31
  Speaker 2: lonely too, you know. And they're saying, well, that was
• 1:16:34
  Speaker 2: the cost of leaving you alone, ladies, And then she's like,
• 1:16:38
  Speaker 2: they're blaming us for it. Well, you're the one who
• 1:16:40
  Speaker 2: asked for it. Like this, this is the cost of
• 1:16:44
  Speaker 2: men leaving you alone. Everybody's lonely, the human race doesn't reproduce. Hazzah.
• 1:16:49
  Speaker 2: You got what you wanted. And now you're saying, but
• 1:16:51
  Speaker 2: we never even wanted that we did. We're not responsible
• 1:16:54
  Speaker 2: for that. You are the ones who asked for it.
• 1:16:57
  Speaker 1: Of course you're.
• 1:16:57
  Speaker 2: Responsible for it. That's what start starting this paragraphic.
• 1:17:01
  Speaker 1: Yeah, okay. The irony is that men think this is
• 1:17:05
  Speaker 1: revenge when we're actually relieved. Men are talking about the
• 1:17:08
  Speaker 1: male loneliness epidemic like women orchestrated it, like we sat
• 1:17:11
  Speaker 1: down and decided to punish them, but not dating them anymore.
• 1:17:15
  Speaker 1: But you asked for this, Yeah.
• 1:17:23
  Speaker 2: You just multiple paragraphs of women ask for this, We
• 1:17:28
  Speaker 2: asked for this, We asked for this. Men finally give it,
• 1:17:31
  Speaker 2: and you're like, well, that wasn't our fault that this happened.
• 1:17:37
  Speaker 1: Yep.
• 1:17:37
  Speaker 2: I really feel for men. I don't know, how do
• 1:17:39
  Speaker 2: you even have anything approximating a relationship with a mind
• 1:17:45
  Speaker 2: like this?
• 1:17:46
  Speaker 1: Well, yeah, one would hope they would avoid these people. Ah, okay,
• 1:17:51
  Speaker 1: so let's keep going. They talk about it like we
• 1:17:56
  Speaker 1: are weaponizing singleness, like we are choosing to be alone
• 1:17:59
  Speaker 1: as a way of hurting them back for something they
• 1:18:01
  Speaker 1: think that we're angry about. And the irony is so
• 1:18:05
  Speaker 1: lost on them because we're not doing this to hurt men.
• 1:18:08
  Speaker 1: We're doing this because we're exhausted. Men think that women
• 1:18:11
  Speaker 1: rejecting them is some kind of revenge. They think that
• 1:18:14
  Speaker 1: a woman choosing to be single is a retaliation for
• 1:18:16
  Speaker 1: how men have treated us. But that's not what this is.
• 1:18:20
  Speaker 2: Wait, wait isn't it though? Didn't she just get through
• 1:18:24
  Speaker 2: saying that this is Oh, it's not retaliation, it's just exhaustion.
• 1:18:30
  Speaker 1: Yeah.
• 1:18:30
  Speaker 2: Oh, this is interesting because it's a lot of guys
• 1:18:33
  Speaker 2: have started talking about how exhausting women are.
• 1:18:36
  Speaker 1: There's fatigue.
• 1:18:37
  Speaker 2: Yeah, and now she's claiming it for women that, no,
• 1:18:42
  Speaker 2: it's not men being exhausted with women, it's women being
• 1:18:45
  Speaker 2: exhausted with men. Well, I guess that was always the thing,
• 1:18:48
  Speaker 2: all of the false accusations against men in relationships that
• 1:18:53
  Speaker 2: they don't pull their weight, which, yeah, having viewed the
• 1:18:57
  Speaker 2: stuff that I've viewed, I can categorically say that it's
• 1:19:01
  Speaker 2: not men not pulling their weight. No, no, But anyway,
• 1:19:08
  Speaker 2: at least men haven't constructed an entire ideology around how
• 1:19:13
  Speaker 2: they're I don't know, women have constructed a matriarchy in which,
• 1:19:21
  Speaker 2: you know what, I'm not even gonna go there anyway,
• 1:19:23
  Speaker 2: let's keep going.
• 1:19:24
  Speaker 1: All right, women aren't, but that's not what this is.
• 1:19:28
  Speaker 1: Women aren't single to punish men. Women aren't avoiding dating
• 1:19:32
  Speaker 1: to make men suffer. Women are choosing solitude because solitude
• 1:19:36
  Speaker 1: is better than the alternative. The alternative is dealing with
• 1:19:40
  Speaker 1: men who don't listen, who mistreat who misread kindness as interests,
• 1:19:44
  Speaker 1: who think that a woman existing in public is an invitation.
• 1:19:47
  Speaker 1: It's also managing men's emotions, dealing with rejection when we're
• 1:19:51
  Speaker 1: not interested, having to be defensive in spaces that should
• 1:19:54
  Speaker 1: be safe.
• 1:19:56
  Speaker 2: Wait, you're choosing solitar, but that's not a relation. Those
• 1:20:02
  Speaker 2: aren't even elements of a relationship. That's just the initiation.
• 1:20:07
  Speaker 2: We're choosing solitude rather than dealing with the initiation of relationships. Okay, well,
• 1:20:14
  Speaker 2: I'm glad that this is making you ladies like you
• 1:20:16
  Speaker 2: think you're you're achieving something with this statistics on your
• 1:20:20
  Speaker 2: misery would say otherwise. But okay, all right, let's keep going.
• 1:20:25
  Speaker 1: All right, the alternative, Yeah, I read though. The alternative
• 1:20:32
  Speaker 1: is exhausting and women are done with it. So when
• 1:20:35
  Speaker 1: men say that women are punishing them by being single,
• 1:20:37
  Speaker 1: they're completely missing the point. We're not punishing anyone, we're
• 1:20:42
  Speaker 1: saving ourselves. And the fact that men see our relief
• 1:20:46
  Speaker 1: as revenge says everything about how the little they understand
• 1:20:49
  Speaker 1: what it actually feels like to be a woman in
• 1:20:51
  Speaker 1: this world. They think our happiness is their loss. They
• 1:20:56
  Speaker 1: think our piece is their punishment. But our happiness has
• 1:20:59
  Speaker 1: nothing to do with them anymore.
• 1:21:01
  Speaker 2: Yeah, but you're not happy.
• 1:21:03
  Speaker 1: This is kind of wishful thinking too, by the way.
• 1:21:06
  Speaker 2: Yeah, but like, categorically you're not happy if you can
• 1:21:10
  Speaker 2: be a lot like maybe they're making a statement. Maybe
• 1:21:13
  Speaker 2: you're doing what you need think you need to do,
• 1:21:15
  Speaker 2: you need being disciplined, doing the feminist thing, being in this,
• 1:21:19
  Speaker 2: but you're not happy, Like, that's one thing you cannot
• 1:21:23
  Speaker 2: categorically claim for yourself. Ladies, as a result of these actions.
• 1:21:27
  Speaker 2: You've made your statement, and now you're miserable. But yeah,
• 1:21:34
  Speaker 2: that's uh. You can't claim happiness as a result of
• 1:21:36
  Speaker 2: this what you're doing here, because it doesn't bear out.
• 1:21:39
  Speaker 2: It does not bear fruit that statement. All right, let's uh, yeah.
• 1:21:44
  Speaker 1: All right, I'll read a little bit more and then
• 1:21:50
  Speaker 1: we'll do the level. We're happy because we're not spending
• 1:21:52
  Speaker 1: our time and energy on men who don't deserve it.
• 1:21:55
  Speaker 1: We're relieved because we don't have to manage anyone's feelings
• 1:21:58
  Speaker 1: but our own. We're thriving because we're finally centering ourselves
• 1:22:02
  Speaker 1: instead of centering men. Yeah, they're thriving, Alison, can't you
• 1:22:06
  Speaker 1: tell all of them? And men are interpreting that as
• 1:22:09
  Speaker 1: us choosing against them, like it's a deliberate act of revenge,
• 1:22:13
  Speaker 1: but it's not.
• 1:22:14
  Speaker 2: Let's go through the uh let's go through the stats.
• 1:22:16
  Speaker 2: The generation of women that has uh foregone men or
• 1:22:20
  Speaker 2: that men have decided, like the generation in which they
• 1:22:25
  Speaker 2: have the least amount of hair bond formation. The women
• 1:22:29
  Speaker 2: are the most miserable, the most abused and not by men,
• 1:22:33
  Speaker 2: the most sexually abused and not by men, right, the
• 1:22:36
  Speaker 2: most most ssr I use, and the most suicide. So
• 1:22:42
  Speaker 2: you can claim a lot of things from this action, ladies,
• 1:22:45
  Speaker 2: but you can't can claim happiness, you can't claim contentment,
• 1:22:48
  Speaker 2: and you cannot claim thriving. You are not thriving. You
• 1:22:51
  Speaker 2: are not content and you are not happy. You're making
• 1:22:55
  Speaker 2: a statement. Whatever, whatever satisfaction you get out of making
• 1:23:02
  Speaker 2: the statement, you can claim that, but you can claim
• 1:23:05
  Speaker 2: nothing else because it doesn't statistically bear out. Yeah, you
• 1:23:12
  Speaker 2: are miserable, miserable women. You are more abused, more apparently
• 1:23:18
  Speaker 2: sexually assaulted but apparently not by men, than ever before.
• 1:23:22
  Speaker 2: You are more medicated than ever before, you are committing
• 1:23:26
  Speaker 2: suicide more than ever before, and you're also raping more
• 1:23:30
  Speaker 2: than ever before. So you are the most deranged generation
• 1:23:35
  Speaker 2: of women that has ever been So I don't know.
• 1:23:39
  Speaker 2: That doesn't look like thriving to me, right, No, it
• 1:23:44
  Speaker 2: doesn't look like thriving to me. Nope, All right, Okay,
• 1:23:51
  Speaker 2: read how much?
• 1:23:52
  Speaker 1: It's just a little bit more. It's just what happens
• 1:23:54
  Speaker 1: when women finally decide that their own piece is more
• 1:23:57
  Speaker 1: important than men's need to be pursued, and men feel
• 1:24:00
  Speaker 1: punished by that because they've never had to consider a
• 1:24:02
  Speaker 1: world where they're not the center of attention. What is
• 1:24:07
  Speaker 1: this projection? I can hold all this projection? Holy cow,
• 1:24:13
  Speaker 1: none of it. This is all shit that men never did. Like,
• 1:24:17
  Speaker 1: I'll take I'll take shit that never happened for five
• 1:24:19
  Speaker 1: hundred Alex. Wow, men want to be the center of attention.
• 1:24:24
  Speaker 1: Have you looked at the internet? Okay, that's that section.
• 1:24:29
  Speaker 1: I think I'm I think my heart needs a moment
• 1:24:32
  Speaker 1: to recover. Here use this.
• 1:24:33
  Speaker 2: Else, you give me approximation of how much is left.
• 1:24:39
  Speaker 1: Yeah, use this, use this.
• 1:24:42
  Speaker 2: You're overestimating my abilities. Sir.
• 1:24:45
  Speaker 1: You managed you managed it. You're getting a lot better. Hamah,
• 1:24:48
  Speaker 1: this is like halfway through. It's kind of long. This
• 1:24:51
  Speaker 1: is a crazy this is a crazy long article. Actually,
• 1:24:55
  Speaker 1: do you not like check these things before you decide
• 1:24:57
  Speaker 1: I'm doing them since they're so fucking long.
• 1:25:01
  Speaker 2: Six minutes?
• 1:25:03
  Speaker 1: Yeah, well yeah, six minutes in human in human minutes,
• 1:25:07
  Speaker 1: not Alison response minutes. It's a different animal completely, Yeah,
• 1:25:15
  Speaker 1: in human minutes.
• 1:25:17
  Speaker 2: Let's get a little bit more done then, because.
• 1:25:19
  Speaker 1: All right, well this this is like the last section.
• 1:25:23
  Speaker 1: It's just a long winded section. But this is the thing.
• 1:25:26
  Speaker 1: The way that these these people write, it's like they
• 1:25:29
  Speaker 1: say they make their point in one sentence, but they
• 1:25:32
  Speaker 1: need to. It's like they're a child getting an essay
• 1:25:36
  Speaker 1: where they have to meet a minimum number of words
• 1:25:38
  Speaker 1: and they just like, oh god, it's okay. So yes.
• 1:25:44
  Speaker 1: My favorite part is that we don't care because men
• 1:25:46
  Speaker 1: need to take responsibility instead of blaming women for their loneliness.
• 1:25:51
  Speaker 1: Men are lonely and they're blaming women for it. They're
• 1:25:53
  Speaker 1: saying that women have changed that women are too independent,
• 1:25:55
  Speaker 1: that women have abandoned them, that we've made it impossible
• 1:25:58
  Speaker 1: for them to date. But the truth is men created
• 1:26:00
  Speaker 1: this loneliness themselves through their own behavior. For decades, men
• 1:26:06
  Speaker 1: have been approaching women without consent, staring at us, touching us,
• 1:26:09
  Speaker 1: refusing to accept projection, and harassing this in public space.
• 1:26:14
  Speaker 2: That is illegal looking at you, I don't what. Yeah, right,
• 1:26:22
  Speaker 2: So basically men exist, well, you.
• 1:26:27
  Speaker 1: Know, it's a I think it's objectively true that women
• 1:26:29
  Speaker 1: are less approachable than they used to be. I just,
• 1:26:32
  Speaker 1: I just I think that, you know. I Paul Elam
• 1:26:37
  Speaker 1: had a PUA guy on his show a couple of
• 1:26:40
  Speaker 1: weeks ago named Matt. I think it's Matt Morris, but no, no,
• 1:26:46
  Speaker 1: it's not Matt Matt Morse. It was another guy, Matt Cross.
• 1:26:49
  Speaker 1: And Matt Cross was like one of the og PUAs
• 1:26:53
  Speaker 1: from like the eighties, and they were talking about how
• 1:26:57
  Speaker 1: pick up artistry or like you know, just like getting
• 1:27:00
  Speaker 1: dates is so different, and he said, like women are
• 1:27:04
  Speaker 1: just objectively way meaner than men, way more hostile, way more,
• 1:27:10
  Speaker 1: way less approachable, just like dysfunctionally. So he said that
• 1:27:15
  Speaker 1: the past, yeah, because in the past he could approach
• 1:27:18
  Speaker 1: to women and talk to them, you know, and he
• 1:27:21
  Speaker 1: just he's like, yeah, it's not it's it's not the
• 1:27:24
  Speaker 1: same environment at all.
• 1:27:26
  Speaker 2: So but yeah, yeah, it's not the same environment. And
• 1:27:31
  Speaker 2: that's because feminism and this entire narrative of dragging men
• 1:27:37
  Speaker 2: down has been working on women now for three generations
• 1:27:40
  Speaker 2: and only been working on women for one generation in
• 1:27:42
  Speaker 2: the eighties. So what are you gonna do, Like, if
• 1:27:46
  Speaker 2: it's getting to the point where men can't approach women
• 1:27:48
  Speaker 2: at all and there's no point going on dating apps
• 1:27:51
  Speaker 2: because it's even worse there, then we have to address
• 1:27:56
  Speaker 2: the primary factor, which is that feminism as destroyed the
• 1:28:02
  Speaker 2: perception of men socially and in every capacity with women.
• 1:28:08
  Speaker 2: They've destroyed how women view men. And if you don't
• 1:28:11
  Speaker 2: address that, we're not going to continue to make little humans,
• 1:28:15
  Speaker 2: which means this is a species ending event that we
• 1:28:18
  Speaker 2: have embraced. We have embraced the face of our destructor,
• 1:28:21
  Speaker 2: and it's feminism. And if we do not deal with it,
• 1:28:24
  Speaker 2: there's nothing men can do. If a pickup artist is
• 1:28:27
  Speaker 2: saying this is saying like, well, this is like I'm
• 1:28:30
  Speaker 2: pretty sure he's at the point where it's like untenable, right,
• 1:28:33
  Speaker 2: Like this is the way that women behave now it's
• 1:28:35
  Speaker 2: almost impossible. Well, yes, three generations of feminism working on
• 1:28:40
  Speaker 2: how women view men. That's the end result. And the
• 1:28:43
  Speaker 2: end result is going to be species extinction. That's it.
• 1:28:49
  Speaker 2: So we either heel the problem or we just well,
• 1:28:56
  Speaker 2: I don't know. I don't even think that the groups
• 1:28:59
  Speaker 2: of people that are still reproducing, like the Amish, like
• 1:29:02
  Speaker 2: sub Saharan Africa is also declining. Like they're the last
• 1:29:06
  Speaker 2: people who are still reproducing above replacement that in Israel,
• 1:29:11
  Speaker 2: and they're declining, so they're going to be below replacement
• 1:29:14
  Speaker 2: level shortly as well, like in twenty fifty probably, So
• 1:29:19
  Speaker 2: everywhere is going to be below replacement except for the
• 1:29:22
  Speaker 2: Amish and like the pygmies in Africa in the Amazon
• 1:29:27
  Speaker 2: or something. Yeah, So like this is uh, this is
• 1:29:31
  Speaker 2: this is bad and there's there. You cannot blame men
• 1:29:35
  Speaker 2: for this because men can't change how multi national organization
• 1:29:39
  Speaker 2: would billion dollar budgets present them to women. Like that's
• 1:29:44
  Speaker 2: what's happening. They're they're lying about what men are like,
• 1:29:49
  Speaker 2: and they're telling girls when they're children, and they're raising
• 1:29:54
  Speaker 2: them in this miasma of miss injury, and then when
• 1:29:57
  Speaker 2: they get to adults. They absolutely are not open to
• 1:30:03
  Speaker 2: any kind of relationship with a man because they've been
• 1:30:06
  Speaker 2: soured on it progressively by how they've been taught by
• 1:30:10
  Speaker 2: people who are lying about men. And if you don't
• 1:30:13
  Speaker 2: address this, there's not gonna be like. This is the
• 1:30:16
  Speaker 2: this is the fundamental thing. This is what infuriates me.
• 1:30:19
  Speaker 2: Sorry about conservatives that I see on Twitter, not all
• 1:30:22
  Speaker 2: of them. They insist that the problem is with men,
• 1:30:27
  Speaker 2: and it's not. Men cannot brute force their way through
• 1:30:32
  Speaker 2: this much miss injury. I mean, it's it's almost it's
• 1:30:36
  Speaker 2: really hard for a man even to get rid of
• 1:30:39
  Speaker 2: this in his own mind, all of this, to metabolize this,
• 1:30:45
  Speaker 2: to have a good relationship with his own masculinity, his
• 1:30:49
  Speaker 2: own sense of self is a man, it's difficult for
• 1:30:52
  Speaker 2: men to even do that much less sell them to women,
• 1:30:54
  Speaker 2: sell them, sell women on masculinity that has been torn
• 1:30:58
  Speaker 2: down by industries that command billions of dollars. Like, you're
• 1:31:05
  Speaker 2: asking too much. And if conservatives putting this on men, oh,
• 1:31:08
  Speaker 2: men need to lead women more. It's it's it's stupidity.
• 1:31:15
  Speaker 2: It is the exact opposite of addressing the problem. It's
• 1:31:18
  Speaker 2: hiding it. It's ignoring it. It's basically saying, well, we're
• 1:31:22
  Speaker 2: just gonna put this on men. Men can't do anything.
• 1:31:25
  Speaker 2: That means we're not gonna change it. So we have
• 1:31:27
  Speaker 2: all collectively chosen right. We've collectively chosen species suicide because
• 1:31:33
  Speaker 2: we're not going to address this problem. Nobody is. No
• 1:31:37
  Speaker 2: political party is going to address this problem, none of them.
• 1:31:42
  Speaker 2: It's not it's not gonna be addressed by the right.
• 1:31:43
  Speaker 2: It's not gonna addressed by the left. It's only gonna
• 1:31:46
  Speaker 2: be addressed by people who look at it directly and
• 1:31:49
  Speaker 2: say this is wrong, and what is wrong? They directly
• 1:31:54
  Speaker 2: point at the problem. Feminists are blaspheming men, They are
• 1:32:01
  Speaker 2: lying about men. They're promoting these lies to girls. Girls
• 1:32:06
  Speaker 2: are being raised in these lies, and when those girls
• 1:32:09
  Speaker 2: get to the point where they want to start pair bonding,
• 1:32:11
  Speaker 2: they're rejecting men because of those lies. That's it. The
• 1:32:16
  Speaker 2: only people who are going to have a solution to
• 1:32:18
  Speaker 2: this are the ones who can name the problem for
• 1:32:20
  Speaker 2: what it is without flinching. And of course, she her
• 1:32:26
  Speaker 2: solution is to promote the disease and then monetize the
• 1:32:31
  Speaker 2: dysfunction in women. She promotes the disease. No, you don't
• 1:32:34
  Speaker 2: want to look at men for a source of what
• 1:32:38
  Speaker 2: you need. Ladies, you want to buy it. You want
• 1:32:41
  Speaker 2: to get it from a trillion dollar industry that simulates
• 1:32:44
  Speaker 2: the feeling of being loved. Hey, the feeling of being loved,
• 1:32:50
  Speaker 2: that's where you want to get it. You want to
• 1:32:52
  Speaker 2: spend money. She's monetizing the destruction she's promoting. And this
• 1:32:56
  Speaker 2: is exactly what feminism have been doing. Feminists have been
• 1:32:59
  Speaker 2: doing they started their stupid project, is monetizing the destruction
• 1:33:05
  Speaker 2: that they're creating. Yeap, Oh, it's so infuriating to me
• 1:33:13
  Speaker 2: that that the people who actually call this problem out
• 1:33:16
  Speaker 2: for what it is. I mean, I guess if you're
• 1:33:20
  Speaker 2: like the whatever podcast and other uh, you're starting to
• 1:33:25
  Speaker 2: get traction and pearls getting traction. But yeah, it's just
• 1:33:32
  Speaker 2: it's infuriating that calling the problem out for what it
• 1:33:35
  Speaker 2: is is a guaranteed uh handicap to any kind of
• 1:33:43
  Speaker 2: reach because people don't want to hear it. Anyway, Let's
• 1:33:49
  Speaker 2: keep going.
• 1:33:50
  Speaker 1: Well, I'm going to start the next level or okay,
• 1:33:54
  Speaker 1: Robbie and how much how much I told you? There's
• 1:33:57
  Speaker 1: kind of a lot. I mean, it's a long article,
• 1:34:00
  Speaker 1: so but I mean, like Basically, she's just saying men
• 1:34:05
  Speaker 1: don't respect women's boundaries, they don't respect them enough, they're
• 1:34:08
  Speaker 1: not doing enough, they're not taking responsibility. You know, just
• 1:34:14
  Speaker 1: think of everything that women are doing and then say
• 1:34:16
  Speaker 1: men are doing it. And this is the article. Basically, Yeah,
• 1:34:22
  Speaker 1: go ahead. Why would a woman want a data man
• 1:34:25
  Speaker 1: who doesn't listen, who doesn't respect her boundaries, who sees
• 1:34:28
  Speaker 1: her rejection as a challenge instead of an answer. So basically, don't. Well,
• 1:34:34
  Speaker 1: I know, but but she's saying it's not it's not
• 1:34:37
  Speaker 1: it's all men, I guess. I mean, she doesn't say
• 1:34:39
  Speaker 1: that excess, but that's the.
• 1:34:41
  Speaker 2: Implication that's not based on reality. That's just based on
• 1:34:45
  Speaker 2: a received information that she's taught. That she's basing her
• 1:34:50
  Speaker 2: entire article on a stereotype about what men are and
• 1:34:54
  Speaker 2: are like in a relationship. Yeah, and that stereotype is
• 1:34:58
  Speaker 2: written by people who are outright low dying about men,
• 1:35:01
  Speaker 2: like I have. I have the documented proof that this
• 1:35:05
  Speaker 2: is all based on lies about men, all of it.
• 1:35:10
  Speaker 2: And what can you do? Like, she's going to counsel
• 1:35:15
  Speaker 2: women to avoid relationships by with men based on lies
• 1:35:19
  Speaker 2: that men can't do anything about, right, These these are
• 1:35:23
  Speaker 2: lies that what what are men going to say? Well,
• 1:35:25
  Speaker 2: these are lies? What are women going to say to that?
• 1:35:27
  Speaker 2: That makes you one of the bad guysience? How unless
• 1:35:34
  Speaker 2: men agree with these lies that have been told about them?
• 1:35:37
  Speaker 2: They it's it's every option is closed off to men.
• 1:35:41
  Speaker 2: You go, when you say those are lies, well, then
• 1:35:44
  Speaker 2: that makes you part of the patriarchy. Right, that makes
• 1:35:46
  Speaker 2: you part of denying men women their their right to
• 1:35:50
  Speaker 2: their own lived experience. Like you said, right, So, how
• 1:35:54
  Speaker 2: do how do men fight this? There the answers. They
• 1:36:01
  Speaker 2: can't because every way of fighting it is closed off
• 1:36:05
  Speaker 2: to them. They profess innocence. That makes them only more guilty.
• 1:36:10
  Speaker 2: If they say their lives, that makes them only more guilty.
• 1:36:12
  Speaker 2: If they greet uh huh, they're guilty. Like, how do
• 1:36:16
  Speaker 2: you where do you go with this? It's exhausting? All right,
• 1:36:23
  Speaker 2: read a bit more and then we'll go all right.
• 1:36:27
  Speaker 1: Um so okay, uh. We're building lives centered around ourselves.
• 1:36:34
  Speaker 1: We're pursuing careers, traveling, spending time with friends, investing in hobbies,
• 1:36:39
  Speaker 1: creating the lives we actually want. We're happy and at peace,
• 1:36:42
  Speaker 1: and men are lonely because they never learned how to
• 1:36:44
  Speaker 1: exist without women managing their emotions, validating them and giving
• 1:36:47
  Speaker 1: them attention. They're lonely because they relied on women to
• 1:36:50
  Speaker 1: make them feel like they mattered, instead of building that
• 1:36:53
  Speaker 1: sense of self worth on their own. They're lonely because
• 1:36:55
  Speaker 1: they spend too much time chasing women that they never
• 1:36:58
  Speaker 1: invested in real friendships, real connect or real purpose. And
• 1:37:01
  Speaker 1: that's sad, but it's not our responsibility to fix it.
• 1:37:05
  Speaker 2: Men invest in protecting and providing for women. And it's
• 1:37:11
  Speaker 2: more than just oh, that's just a cultural thing. That
• 1:37:13
  Speaker 2: is actually the thing. That's what what happens with male,
• 1:37:18
  Speaker 2: the male half of a pair, bonding species. There's a
• 1:37:22
  Speaker 2: certain amount of them that requires that, you know, a
• 1:37:26
  Speaker 2: partnership and protection and providing for their partner. And she's
• 1:37:30
  Speaker 2: saying that this is something that men never overcame. Yeah,
• 1:37:36
  Speaker 2: I guess yeah. Men, men never overcame the ability the
• 1:37:41
  Speaker 2: desire to protect and provide for women. Guys, you should
• 1:37:44
  Speaker 2: probably overcome that.
• 1:37:48
  Speaker 1: Yeah, probably should.
• 1:37:50
  Speaker 2: Because women women consider it to be some kind of
• 1:37:54
  Speaker 2: imposition upon them. This is a nightmare. This is nightmare thinking. Okay,
• 1:38:04
  Speaker 2: let me, I'll take a look at the article on
• 1:38:06
  Speaker 2: my own here. Let's start a level.
• 1:38:09
  Speaker 1: Okay, I'm gonna start a level. Do you want to
• 1:38:12
  Speaker 1: take the do you want this? Do you take the
• 1:38:14
  Speaker 1: the indestructible drone of the feather drone? You can probably
• 1:38:16
  Speaker 1: be more productive with it. What do you think take
• 1:38:20
  Speaker 1: that too? Do you have room for him?
• 1:38:23
  Speaker 2: No?
• 1:38:25
  Speaker 1: Oh well, okay, Allison, Na, she does not use it.
• 1:38:32
  Speaker 1: I'll take the bolt sap. I'm gonna take the walkie
• 1:38:36
  Speaker 1: talking in my inventory. Yeah, we will, thank you. Well, well,
• 1:38:44
  Speaker 1: watch where you point that thing.
• 1:38:48
  Speaker 4: Okay, I know, I know enough for press.
• 1:38:54
  Speaker 2: Sorry, Brian, that's okay.
• 1:38:57
  Speaker 1: It's like a two hour read.
• 1:39:02
  Speaker 2: Good lord, this woman is just just dribble drivel drive.
• 1:39:06
  Speaker 2: What section are we on?
• 1:39:08
  Speaker 3: Uh?
• 1:39:08
  Speaker 1: It's after like the last bold face section? Yay, yay, carry.
• 1:39:17
  Speaker 3: Take Wait, I'm gonna take the weapon, Brian, Do you
• 1:39:19
  Speaker 3: have space?
• 1:39:21
  Speaker 2: No?
• 1:39:21
  Speaker 1: No, I don't here. Let me get I'll take.
• 1:39:24
  Speaker 3: Take this, give region, then give it to him.
• 1:39:27
  Speaker 1: You know he's got a shotgun. I'm gonna put. I'm
• 1:39:29
  Speaker 1: just gonna I'm gonna put. I'm gonna take this. Okay,
• 1:39:34
  Speaker 1: I got it. I'm gonna use the minute.
• 1:39:36
  Speaker 3: Wait, Brian, did you did you take the did you
• 1:39:38
  Speaker 3: take that?
• 1:39:40
  Speaker 2: Okay, I'm gonna stay in the part Okay, guys, I'm
• 1:39:44
  Speaker 2: just gonna just stay in there.
• 1:39:46
  Speaker 1: I have one all right, all right, you're gonna do
• 1:39:50
  Speaker 1: what you're gonna what, Stay.
• 1:39:51
  Speaker 2: In the stay in the truck because I got I'm
• 1:39:54
  Speaker 2: gonna do a little bit of work, Josh gradual. Yeah,
• 1:39:59
  Speaker 2: I'm just gonna do a little bit of work.
• 1:40:01
  Speaker 1: Well, hopefully there won't be a lumer. Just leave it
• 1:40:03
  Speaker 1: just here, I'll put it in the cart. You guys
• 1:40:06
  Speaker 1: will be fine. You'll be fine, all right. I'm just
• 1:40:14
  Speaker 1: gonna like do my thing. It's amazing how such fragile,
• 1:40:19
  Speaker 1: dependent creatures manage to create all of society. In the
• 1:40:22
  Speaker 1: mouse Utopia experiment, there was there a female equivalent of
• 1:40:25
  Speaker 1: the Beautiful Ones or not? Well, you know, when they
• 1:40:28
  Speaker 1: I think, whenever I hear about the mouse Utopia experiment,
• 1:40:31
  Speaker 1: they don't seem to go into the gender or the
• 1:40:35
  Speaker 1: sex of the of the mice. They always just talk
• 1:40:37
  Speaker 1: about the beautiful ones and almost everyone it like, whenever
• 1:40:41
  Speaker 1: people reference the mouse Utopia experiment, they always talk about
• 1:40:44
  Speaker 1: it like it's men. Like it's like the men that
• 1:40:47
  Speaker 1: are becoming you know, complacent, and there's nothing up here.
• 1:40:54
  Speaker 1: So that's an interesting question, Richard. I'm willing to bet that.
• 1:40:58
  Speaker 1: There's like, hm, there isn't a lot of info on that. Okay,
• 1:41:03
  Speaker 1: frog watch out? Wait? Why did he like? What happened
• 1:41:14
  Speaker 1: to the frog? Why didn't he he hopped off over there?
• 1:41:21
  Speaker 1: He's gotta be over there?
• 1:41:22
  Speaker 2: Still is the dog? Ore? Mac?
• 1:41:33
  Speaker 1: What was that? What was a question?
• 1:41:35
  Speaker 2: No, I'm asking about my I was hearing the dog
• 1:41:37
  Speaker 2: was like choking or something. He's eating, eating his own hair.
• 1:41:45
  Speaker 1: I'm gonna lure the frog. Hold on, no, no, no, no,
• 1:41:48
  Speaker 1: don't shoot him. We don't have to kill him. We
• 1:41:51
  Speaker 1: don't have We don't have to kill him. We can
• 1:41:53
  Speaker 1: get him to kill himself.
• 1:41:55
  Speaker 3: Come on, was there a frying pan or something?
• 1:42:07
  Speaker 1: I have the frying pan? Do you want it?
• 1:42:10
  Speaker 2: Ah?
• 1:42:13
  Speaker 4: I thought they couldn't be broken until it not in
• 1:42:16
  Speaker 4: them all sold its surface.
• 1:42:17
  Speaker 1: Yeah it's uh no, it's it's it's invincible for like
• 1:42:21
  Speaker 1: a few seconds and then it'll break. So it just
• 1:42:23
  Speaker 1: bounced around and broke. But it's okay. We got rid
• 1:42:25
  Speaker 1: of it. At least we can bully him into suicide.
• 1:42:33
  Speaker 1: We totally did too. The frog.
• 1:42:39
  Speaker 3: Kilt the frog?
• 1:42:41
  Speaker 1: No, it was another frog.
• 1:42:43
  Speaker 3: I didn't kill No, I didn't I didn't kill fuck no,
• 1:42:45
  Speaker 3: I killed the boy.
• 1:42:48
  Speaker 2: Oh, this was a watpad.
• 1:42:50
  Speaker 3: I saw the frog. He broke the doors here all right, checked?
• 1:42:56
  Speaker 1: Checked, these rooms of chicks, all right, no worries. I'm
• 1:43:01
  Speaker 1: just uh.
• 1:43:04
  Speaker 3: Aprox here, I'm antra.
• 1:43:07
  Speaker 2: Okay, this was what she she she published on what
• 1:43:13
  Speaker 2: I don't need.
• 1:43:16
  Speaker 3: Is a choice you need?
• 1:43:18
  Speaker 2: Oh?
• 1:43:18
  Speaker 1: I thought you said there was a truge. Sorry, I
• 1:43:22
  Speaker 1: see it.
• 1:43:24
  Speaker 2: What a spammy website.
• 1:43:29
  Speaker 3: Can repla.
• 1:43:31
  Speaker 5: Run.
• 1:43:33
  Speaker 1: That's okay, she doesn't see.
• 1:43:34
  Speaker 2: Me seven parts. H I gotta get I gotta get this.
• 1:43:43
  Speaker 2: I gotta get this. I don't care how much effort
• 1:43:47
  Speaker 2: I have to take to get this. I'm getting this.
• 1:43:50
  Speaker 1: Getting what.
• 1:43:52
  Speaker 2: Her freaking dark romanticy opus called my stalker.
• 1:44:00
  Speaker 5: The fuck.
• 1:44:06
  Speaker 1: Well, we're going box, bitch, We're going box. Huh h
• 1:44:11
  Speaker 1: h h dude, why was that so much work? Okay, okay, yeah,
• 1:44:32
  Speaker 1: I was just fighting the reaper? Yeah, okay, thanks for asking.
• 1:44:41
  Speaker 1: Did you look the frying pan kind of sucks, by
• 1:44:44
  Speaker 1: the way, it took almost the entire all of the
• 1:44:47
  Speaker 1: energy to like kill the reaper. That's kind of ridiculous,
• 1:44:51
  Speaker 1: Just saying. Did you hear about the remake of Lord
• 1:44:55
  Speaker 1: of the Flies with the female cast yeah, I heard
• 1:44:58
  Speaker 1: about that. It's probably gonna be completely different in every way.
• 1:45:02
  Speaker 1: I mean, not that the Lord of the Flies was
• 1:45:05
  Speaker 1: was always wrong about male nature, but a female one
• 1:45:11
  Speaker 1: actually would make more sense. But they're not gonna do
• 1:45:13
  Speaker 1: it the same way. I promise you that it's gonna
• 1:45:17
  Speaker 1: be like, oh my god, it's gonna be a man's
• 1:45:19
  Speaker 1: fault somehow.
• 1:45:20
  Speaker 2: Claude. Oh, by the way, I got a I got
• 1:45:22
  Speaker 2: a hilarious anecdote about punished Claude. Well maybe no, but
• 1:45:27
  Speaker 2: that's gonna be too long anyway, My my, my, uh
• 1:45:29
  Speaker 2: trained version of Claude.
• 1:45:32
  Speaker 1: You guys, he I hear you, I hear you. Yes,
• 1:45:34
  Speaker 1: but I'm also talking to people in the game here.
• 1:45:36
  Speaker 2: I got it. Sorry. So there's it's giving a structural note.
• 1:45:40
  Speaker 2: The premise of her what pad fiction, the dark romanticy
• 1:45:47
  Speaker 2: inverts the medium article. It inverts it. The article's thesis
• 1:45:52
  Speaker 2: is that a male pursuit of an unwilling woman is
• 1:45:54
  Speaker 2: the harm the novel Romance Engine dec we tagged dark
• 1:46:01
  Speaker 2: romance being written towards a love interest same author, opposite
• 1:46:05
  Speaker 2: valence depending on whether the pursuing man is real or fictional.
• 1:46:09
  Speaker 2: So she's literally telling men that pursuing them women period,
• 1:46:13
  Speaker 2: just any pursuit, because that's I mean, it's blanket. She
• 1:46:16
  Speaker 2: just doesn't want it. And then she writes a novel
• 1:46:19
  Speaker 2: about a man who stalks a woman.
• 1:46:22
  Speaker 1: Mm hmm, yeah, I know, I know what. Yep, there's
• 1:46:35
  Speaker 1: a few things in here. Mm hm hmm.
• 1:46:47
  Speaker 2: Okay, so I'm gonna I'm gonna do a bit of it.
• 1:46:50
  Speaker 1: You want to just do it? Wait, somebody's coming with
• 1:46:53
  Speaker 1: something else. A polls, got it.
• 1:47:00
  Speaker 3: It's like one. We're staying close by.
• 1:47:09
  Speaker 1: I'm gonna put these things inside here.
• 1:47:14
  Speaker 2: Okay. So what I'm gonna do is I'm gonna do
• 1:47:16
  Speaker 2: the modality test, so we'll see what cognitive modality she
• 1:47:19
  Speaker 2: writes in. I'm also going to find out more exactly
• 1:47:24
  Speaker 2: what kind of hypocrisy we're dealing with here, what brand
• 1:47:27
  Speaker 2: of hypocrisy. I think that's gonna be more interesting than
• 1:47:30
  Speaker 2: continuing to read her article because she's just repeating herself.
• 1:47:37
  Speaker 3: Okay, let's do it.
• 1:47:38
  Speaker 1: I want to push it in go.
• 1:47:45
  Speaker 2: But it's really interesting that this woman is writing an
• 1:47:47
  Speaker 2: article about how women are at peace, that men are
• 1:47:50
  Speaker 2: no longer pursuing them from one side of her mouth,
• 1:47:55
  Speaker 2: and then writing a stalker as the romance engine and
• 1:48:00
  Speaker 2: the other This feels like he's the insanity long.
• 1:48:11
  Speaker 4: Long art called that justice.
• 1:48:13
  Speaker 1: Noah, you.
• 1:48:16
  Speaker 5: Yeah, I did it here one part that was like men,
• 1:48:22
  Speaker 5: but I can't remember what she's doings.
• 1:48:27
  Speaker 4: No, it's actually a man that are that are miserable
• 1:48:30
  Speaker 4: of women.
• 1:48:31
  Speaker 2: Just okay, So Jacob's interiority is entirely narrated. Well, that's
• 1:48:38
  Speaker 2: not a surprise. It's being written by a woman. Women
• 1:48:43
  Speaker 2: cannot write.
• 1:48:43
  Speaker 1: Now am I going? Am I not going this way
• 1:48:50
  Speaker 1: to to to just to extract?
• 1:48:52
  Speaker 2: Bro?
• 1:48:52
  Speaker 1: Put it? Put it in there. I know I'm not
• 1:48:56
  Speaker 1: looking for anything. I'm just I'm extracting.
• 1:48:59
  Speaker 3: She checking.
• 1:49:00
  Speaker 1: Wait again, who are you talking to?
• 1:49:07
  Speaker 2: Oh?
• 1:49:08
  Speaker 1: Let Lindsey be thorough, let her do stuff, let her
• 1:49:11
  Speaker 1: enjoy things. Okay, put it there. I must, I must
• 1:49:15
  Speaker 1: must gather women gather, Let them, let them gather.
• 1:49:20
  Speaker 4: It is the purpose of after all.
• 1:49:23
  Speaker 1: Oh my god, Gabriel, you did that.
• 1:49:26
  Speaker 2: This is not a surprise. Is relational, She's a relation.
• 1:49:38
  Speaker 2: I just I'm I'm just astounded, Like, oh.
• 1:49:48
  Speaker 1: There's a customization.
• 1:49:50
  Speaker 2: It's like to go up there.
• 1:49:58
  Speaker 1: All right? We just going?
• 1:49:59
  Speaker 2: Then?
• 1:50:00
  Speaker 1: Yeah, all right, we're going. Then here we go we
• 1:50:05
  Speaker 1: got a blue we got a blue bit of customization.
• 1:50:09
  Speaker 5: Mm hmm.
• 1:50:11
  Speaker 1: That means uncommon if I remember correctly. Hmm, it's men
• 1:50:24
  Speaker 1: who are at peace. Yeah for sure.
• 1:50:27
  Speaker 2: Okay, So I'm actually going to do an analysis of Yeah,
• 1:50:34
  Speaker 2: go ahead, I'll tell you what I'm I'm going to
• 1:50:36
  Speaker 2: do an analysis of how Jacob, that's her main the
• 1:50:40
  Speaker 2: stalker in her dark romance, behaves towards her.
• 1:50:47
  Speaker 1: She's reading her, she's reading her analysis, but in Discord,
• 1:50:53
  Speaker 1: she's on the truck. Though she's on the truck. The
• 1:50:56
  Speaker 1: thing is nobody else, nobody else can hear you. So
• 1:51:00
  Speaker 1: okay except me because I'm in Discord.
• 1:51:02
  Speaker 2: So no I can I can start the game.
• 1:51:06
  Speaker 1: Well, you could wait until we're done with the level
• 1:51:08
  Speaker 1: and then do that. That way other people can hear it.
• 1:51:12
  Speaker 2: Yeah, you know, I don't know if they're gonna I
• 1:51:13
  Speaker 2: don't you know what I'm going.
• 1:51:14
  Speaker 1: To almost done here. We're basically.
• 1:51:18
  Speaker 2: Oh geez wow. And I didn't even involve myself at all,
• 1:51:22
  Speaker 2: and you guys are faster. I think that says something.
• 1:51:27
  Speaker 1: Watch out, don't let the rope see you. Yeah, I
• 1:51:35
  Speaker 1: don't have anything. There's the rope there she is.
• 1:51:39
  Speaker 2: I looked at the article, and the rest of it
• 1:51:42
  Speaker 2: is just her repeating herself for another three pages. So
• 1:51:46
  Speaker 2: I think what's going to be more interesting is if
• 1:51:48
  Speaker 2: I do a comparison of what her the man that
• 1:51:52
  Speaker 2: she wrote in her dark fantasy novel The Stalker, that
• 1:51:57
  Speaker 2: she wrote as the engine of the romance in her novel.
• 1:52:02
  Speaker 1: Shoot this bit, do the female character.
• 1:52:07
  Speaker 2: What this article is saying that men's harms to women are.
• 1:52:15
  Speaker 2: And I'll do that once you guys are maybe I'll
• 1:52:18
  Speaker 2: hop on and just like hop around a bit, just
• 1:52:20
  Speaker 2: to stretch my pixel legs. But you know, it seems
• 1:52:27
  Speaker 2: like you guys were You did fine without me. I
• 1:52:31
  Speaker 2: didn't much completely.
• 1:52:34
  Speaker 3: He's lost, that's what she.
• 1:52:40
  Speaker 1: All right, let's go, sorry, baby, all the way to me. Yeah,
• 1:52:48
  Speaker 1: I'm sorry. I'm I'm multitasking here.
• 1:52:50
  Speaker 2: WHOA, I nearly died?
• 1:52:52
  Speaker 1: Wait where? How we're way back there?
• 1:52:57
  Speaker 2: I nearly fell into a pit here. Oh, I'm just
• 1:53:01
  Speaker 2: looking around.
• 1:53:03
  Speaker 1: You can get that. You can get that that staff
• 1:53:05
  Speaker 1: if you have the uh the drone.
• 1:53:07
  Speaker 2: I can hear the dumb ways to die as you've started.
• 1:53:12
  Speaker 1: Dumb ways to die. All right, go back to the truck.
• 1:53:17
  Speaker 1: I'm almost done here.
• 1:53:18
  Speaker 2: Okay, I'll go back to the truck. I just looked
• 1:53:21
  Speaker 2: around briefly, nearly died, and then I'll just go back.
• 1:53:24
  Speaker 1: Okay, going left.
• 1:53:25
  Speaker 2: Got it, I'm gonna go hide.
• 1:53:29
  Speaker 1: I got it, I got it, I got it. Okay,
• 1:53:32
  Speaker 1: I'm gonna put it on there. Yeah, go back to
• 1:53:34
  Speaker 1: the truck. I'm gonna do this.
• 1:53:39
  Speaker 2: There's Norwegian and somebody in a football mask on a
• 1:53:50
  Speaker 2: peg leg.
• 1:53:53
  Speaker 1: The hell's that?
• 1:53:56
  Speaker 2: Oh?
• 1:53:58
  Speaker 3: I know what it is?
• 1:54:02
  Speaker 2: What is it?
• 1:54:09
  Speaker 1: I'm here, I'm here. I gotta somebody called me on
• 1:54:15
  Speaker 1: the thing and I didn't even.
• 1:54:23
  Speaker 2: Did you hear my plan?
• 1:54:25
  Speaker 1: Funny, Okay, we're in the truck now, So what's your plan?
• 1:54:29
  Speaker 2: My plan is. I just did a whole bunch of
• 1:54:32
  Speaker 2: stuff and I got like an analysis of how she
• 1:54:35
  Speaker 2: presents the main male character in her novel and what
• 1:54:38
  Speaker 2: he's doing to the female character versus what she considers
• 1:54:42
  Speaker 2: the harms that men do in dating. So literally, this
• 1:54:47
  Speaker 2: woman is saying that men do all of these horrible
• 1:54:50
  Speaker 2: things and dating and women, they were exhausted and horrified
• 1:54:53
  Speaker 2: by it, and finally women are at peace. Meanwhile, she's writing,
• 1:54:58
  Speaker 2: this dude is stalking this woman. I'm just going a
• 1:55:00
  Speaker 2: little bit further. All right, so the man in her
• 1:55:04
  Speaker 2: novel is called Jacob Right, and this is his stocking conduct.
• 1:55:10
  Speaker 2: What Jacob does by his own account. He tracks Nadine,
• 1:55:15
  Speaker 2: which is the female character in the love interest her
• 1:55:18
  Speaker 2: in the novel, across social media for five six years
• 1:55:23
  Speaker 2: and decides that she would be his. He uses her
• 1:55:27
  Speaker 2: posted locations to determine where she lives. He sends gifts, messages,
• 1:55:32
  Speaker 2: and items keyed to her stated likes, sent things when
• 1:55:35
  Speaker 2: she seems sad. Built a surveillance company whose government contract
• 1:55:39
  Speaker 2: gave him access to data on millions. Relocated to her
• 1:55:42
  Speaker 2: college city after she posted her acceptance letter. Wow, she
• 1:55:47
  Speaker 2: must be young. So she's like eighteen and this dude stopped.
• 1:55:52
  Speaker 2: This guy who has a surveillance company is stalking an
• 1:55:56
  Speaker 2: eighteen year old girl in the romance novel that this
• 1:56:03
  Speaker 2: feminist wrote. Relocated to her college didty after she posted
• 1:56:08
  Speaker 2: her acceptance letter, installed AI cameras across the mall her
• 1:56:12
  Speaker 2: campus in many streets, gave free camera solutions to her
• 1:56:16
  Speaker 2: slan pizza place, and Jim specifically to surveil her concealed
• 1:56:20
  Speaker 2: identity for three years, used the company to cover his
• 1:56:23
  Speaker 2: tracks from her family frames all of it is devotion, protection,
• 1:56:27
  Speaker 2: maintain my princess's safety and self improvement to deserve her.
• 1:56:34
  Speaker 2: The stay article stated harms point by port matched against
• 1:56:37
  Speaker 2: the conduct don't follow us, don't stare three years of
• 1:56:42
  Speaker 2: covert tracking, camera coverage of her daily routines. This guy
• 1:56:48
  Speaker 2: practically made the patriarch to follow this woman. Don't refuse,
• 1:56:53
  Speaker 2: don't refuse to accept No. Nadine has changed her number, repeatedly,
• 1:56:57
  Speaker 2: moved cities, gone to police. He roots around every barrier.
• 1:57:01
  Speaker 2: Persistence is not romantic or don't try Harder is named
• 1:57:05
  Speaker 2: in the article is the false belief that produces harm.
• 1:57:09
  Speaker 2: Jacob's entire operating premise, stated as virtue, treats her existence
• 1:57:13
  Speaker 2: in public as an invitation. Her posted life is to
• 1:57:17
  Speaker 2: him the thing that makes her his to pursue. Men
• 1:57:20
  Speaker 2: created this loneliness through their own behavior. The conduct the
• 1:57:23
  Speaker 2: article contempts is rendered and the same author's fiction as
• 1:57:27
  Speaker 2: the romance engine. What are what are men supposed to
• 1:57:33
  Speaker 2: do with this ship? I'm just gonna double check something.
• 1:57:41
  Speaker 1: Against such reckless hate?
• 1:57:43
  Speaker 3: What can do?
• 1:57:47
  Speaker 1: Oh God, were going to say about this article?
• 1:57:56
  Speaker 2: Men do about such reckless incoherences? The moment?
• 1:58:00
  Speaker 1: Okay, Okay, well maybe it'll come back.
• 1:58:07
  Speaker 4: Ignore women, I'll.
• 1:58:08
  Speaker 2: Let them get.
• 1:58:11
  Speaker 1: Well, I think a lot of people are already doing that.
• 1:58:14
  Speaker 5: But yeah, I think it was something like about like
• 1:58:17
  Speaker 5: women pursuing men or something and like that it's over
• 1:58:21
  Speaker 5: and I'm like.
• 1:58:22
  Speaker 1: Yeah, is it opposite.
• 1:58:28
  Speaker 4: It's no you the article.
• 1:58:31
  Speaker 1: Yeah, yeah, it's no you. That's right.
• 1:58:36
  Speaker 2: Yeah. I know.
• 1:58:36
  Speaker 1: It's like and there's a lot of this content out there.
• 1:58:41
  Speaker 1: I just wonder how much of it is just women
• 1:58:44
  Speaker 1: reading something that vibes with them, and then they just
• 1:58:47
  Speaker 1: keep wanting more of that stuff that vibes with them.
• 1:58:51
  Speaker 1: It's like a never ending cycle of like just like, oh,
• 1:58:55
  Speaker 1: you know, how do we shoot on men for every problem?
• 1:58:58
  Speaker 4: Ever, it's somewhat the giant phenomenon.
• 1:59:03
  Speaker 1: Yeah, Levi Jane.
• 1:59:07
  Speaker 4: Levagin remember that that confronts year. So this funest woman
• 1:59:16
  Speaker 4: were asking a gas.
• 1:59:18
  Speaker 2: In the room and then okay, so apparently the watpad
• 1:59:24
  Speaker 2: she may have abandoned it. So it ends with Nadine
• 1:59:28
  Speaker 2: going to the police. So maybe there maybe she's condemning
• 1:59:31
  Speaker 2: this behavior. But this really asked the question why is
• 1:59:35
  Speaker 2: this qualified as dark romance?
• 1:59:39
  Speaker 1: Like that does is it actually the quality? Is that
• 1:59:41
  Speaker 1: actually the category of her fiction.
• 1:59:44
  Speaker 2: Yes, this is classified under dark romance. So the ultimate
• 1:59:48
  Speaker 2: assumption is that these two people are going to get together.
• 1:59:52
  Speaker 1: Wow, what the hell is wrong with Like? Well, never mind,
• 1:59:59
  Speaker 1: I was gonna say something that I already know the
• 2:00:01
  Speaker 1: answer to, what the hell's wrong with women? What the
• 2:00:05
  Speaker 1: hell's wrong with modern women? Maybe it's the modern part.
• 2:00:07
  Speaker 4: I don't know, it's the feministum part.
• 2:00:13
  Speaker 2: Okay. So what the existing chapters established is the setup
• 2:00:16
  Speaker 2: for that payoff alternating POV that makes Jacob sympathetic. Okay,
• 2:00:22
  Speaker 2: So this woman is writing a stalker and she's writing
• 2:00:28
  Speaker 2: it from his point of view and trying to make
• 2:00:30
  Speaker 2: his behavior sympathetic, but she cannot extend herself to be
• 2:00:34
  Speaker 2: sympathetic to a normal man who is simply approaching a
• 2:00:37
  Speaker 2: woman in public. Like it's the same thing I identified
• 2:00:43
  Speaker 2: with the other feminist writing. They will bend over backwards
• 2:00:48
  Speaker 2: to try to metabolize the behavior a man who will
• 2:00:52
  Speaker 2: not commit to them and does not care about them
• 2:00:54
  Speaker 2: and simply uses them as a sexual convenience. And they'll
• 2:00:57
  Speaker 2: be like, well, I need to be able to strong
• 2:00:59
  Speaker 2: and independent and emotionally independent, you know, And I'm gonna
• 2:01:03
  Speaker 2: just I'm gonna I'm gonna metabolize all the pain this
• 2:01:07
  Speaker 2: is causing me. He's guy's behavior. But at the same time,
• 2:01:11
  Speaker 2: as they'll call a woman who gives who makes a
• 2:01:14
  Speaker 2: sandwich for the man who's paying her bills, her husband,
• 2:01:19
  Speaker 2: they'll call that woman a pick me. This is the
• 2:01:21
  Speaker 2: same thing. She can't have any sympathy for a man
• 2:01:25
  Speaker 2: who's lonely because women aren't even open to being approached
• 2:01:30
  Speaker 2: at all. Right, but she extends sympathy towards a stalker. Yeah, okay,
• 2:01:48
  Speaker 2: all right, So this is the This is the uh all,
• 2:01:52
  Speaker 2: this is the comparison between what she wrote and the
• 2:01:56
  Speaker 2: fact that it's moving because it's listed in Dark Romance.
• 2:01:58
  Speaker 2: That means that she's moved moving towards Jacob and Nadine.
• 2:02:03
  Speaker 2: Was it Jacob? Yeah, Jacob and Nadine ending up together,
• 2:02:06
  Speaker 2: because that's the that is the contract with dark romance.
• 2:02:11
  Speaker 2: And she's also making Jacob sympathetic with his point of
• 2:02:15
  Speaker 2: view character proNT of You chapters. So she's writing a
• 2:02:19
  Speaker 2: romance between a stalker and his victim, and she's making
• 2:02:22
  Speaker 2: the stalker sympathetic, but she cannot extend herself to have
• 2:02:27
  Speaker 2: any sense of sympathy for men who are lonely because
• 2:02:30
  Speaker 2: when they approach a woman, no matter how respectfully, the
• 2:02:33
  Speaker 2: woman attempts to tear her face off. Teara's face off
• 2:02:36
  Speaker 2: because she's been told all of her life that when
• 2:02:40
  Speaker 2: men approach her, it's because he's being a nefarious, evil bastard,
• 2:02:45
  Speaker 2: no matter how respectfully. Yeah, all right, and not unexpectedly,
• 2:02:57
  Speaker 2: Jacob fails the male desire swap test. This is the
• 2:03:02
  Speaker 2: test that I've used to figure out why like to
• 2:03:07
  Speaker 2: try to figure out why some romance novels sell better
• 2:03:10
  Speaker 2: than others, And one of the most critical, the biggest
• 2:03:14
  Speaker 2: critical factors is the way that male desire is rendered,
• 2:03:22
  Speaker 2: and in particular, if a female author goes in a
• 2:03:26
  Speaker 2: man's head and then renders his desire in the way
• 2:03:30
  Speaker 2: that a woman would express it, that that romance novel
• 2:03:34
  Speaker 2: will be a flaw. And the biggest romance novels avoid
• 2:03:39
  Speaker 2: this completely by never entering the male point of view,
• 2:03:43
  Speaker 2: because it is it is really high risk, low return,
• 2:03:48
  Speaker 2: low return for female authors because they rarely get this right.
• 2:03:52
  Speaker 2: They rarely actually render male sexual desire right. And I'm
• 2:03:58
  Speaker 2: basing this on my analysys of male genre fiction noir literature.
• 2:04:06
  Speaker 2: So cross corpus like cross. All of men's fiction. The
• 2:04:12
  Speaker 2: way that they render uh, sexuality, romantic desire, that kind
• 2:04:16
  Speaker 2: of thing. There's there's particular features to it. And if
• 2:04:19
  Speaker 2: women don't get that right in their novels when they're
• 2:04:23
  Speaker 2: writing romance, they will torpedo their sales. Women know the
• 2:04:29
  Speaker 2: difference and they reject it when when it's not written correctly. So,
• 2:04:35
  Speaker 2: like I said, most big romance authors don't even try, like, yeah,
• 2:04:41
  Speaker 2: we're not even going to go there. However, the big
• 2:04:46
  Speaker 2: ones they do render it correctly in when the men talk.
• 2:04:51
  Speaker 2: So for example, this is something that people don't know
• 2:04:55
  Speaker 2: like the really high selling romance novels. First of all,
• 2:05:03
  Speaker 2: the amount of spice in a movie or in a
• 2:05:06
  Speaker 2: romance novel, not a movie, but amount of spice and
• 2:05:08
  Speaker 2: a romance novel is inversely proportionate to its sales. So
• 2:05:13
  Speaker 2: although book talk is absolutely obsessed with spice, when you
• 2:05:17
  Speaker 2: look at romance sales, there's an inverse proportion. So the
• 2:05:22
  Speaker 2: more explicit the content, the less the book sells. Yeah, generally.
• 2:05:29
  Speaker 2: And the other thing is that the big romance like
• 2:05:32
  Speaker 2: the ones who get like Yarrow's Galbdon rob like the
• 2:05:41
  Speaker 2: big ones when they had when the men talk about
• 2:05:47
  Speaker 2: their relationship, well, usually they don't do that, they talk
• 2:05:51
  Speaker 2: like it the way men would. So these women are
• 2:05:53
  Speaker 2: actually observing how men talk and they're rendering it correctly
• 2:05:57
  Speaker 2: on the page, and they're that's where like and it
• 2:06:01
  Speaker 2: shows in their sales basically. So. But even though they
• 2:06:05
  Speaker 2: don't go into the point of view of the men,
• 2:06:07
  Speaker 2: they correctly render how men talk about sex and relationships,
• 2:06:12
  Speaker 2: which is mostly they don't mostly it's uh it's it's
• 2:06:18
  Speaker 2: uh within you have to sort of infer it from
• 2:06:21
  Speaker 2: other content, so it's it so when you when they
• 2:06:24
  Speaker 2: do that accurately, they generally get better sales. And the
• 2:06:26
  Speaker 2: other thing is that the best selling romance is more
• 2:06:29
  Speaker 2: like fantasy with a romance. The only caveat to that
• 2:06:34
  Speaker 2: is the romance is sort of presented in a way
• 2:06:36
  Speaker 2: women would prefer to see it than men. So but
• 2:06:40
  Speaker 2: but generally that's uh so that I find that really
• 2:06:43
  Speaker 2: fascinating that the what's happening with the surge of romanticy
• 2:06:48
  Speaker 2: that everybody's hating is that the publishing industry is literally
• 2:06:54
  Speaker 2: listening to book talk and producing books based on what
• 2:06:58
  Speaker 2: all of these women, these feminists on book talk are
• 2:07:00
  Speaker 2: signaling that nobody wants. The female audience doesn't really want
• 2:07:06
  Speaker 2: more explicit sex. They don't want men who talk like women.
• 2:07:10
  Speaker 2: They do not want cinnamon rolls who are submissive to women.
• 2:07:15
  Speaker 2: They actually, based on the sales, just prefer a man
• 2:07:21
  Speaker 2: who acts like a man. And also they don't they
• 2:07:25
  Speaker 2: not known. Peterson said the thing about vampires, werewolves, surgeons?
• 2:07:31
  Speaker 2: Was it surgeons or pirates? Pirates and billionaires? That actually
• 2:07:35
  Speaker 2: doesn't bold true either. It is just a man who
• 2:07:39
  Speaker 2: acts like a man. That's it. Yeah, yeah, that's the
• 2:07:44
  Speaker 2: big sellers. Now again, the confound is that the publishing
• 2:07:48
  Speaker 2: industry is trying to push stuff nobody wants, not even
• 2:07:50
  Speaker 2: the romance readers, based on what they're hearing from book
• 2:07:55
  Speaker 2: talk and book talk is is a bunch of feminists
• 2:07:58
  Speaker 2: signaling a whole bunch of stuff that has nothing to
• 2:08:00
  Speaker 2: do with what women want. Yeah, anyway, I thought that
• 2:08:04
  Speaker 2: was a bit of a white pill too. I don't
• 2:08:07
  Speaker 2: know what you guys are doing. It sounds like a
• 2:08:08
  Speaker 2: lot of Shenanigans.
• 2:08:09
  Speaker 1: Okate, Well, yeah, they're bored and restless. I got a
• 2:08:13
  Speaker 1: super chats to read out, and I think we should
• 2:08:19
  Speaker 1: probably wind it down because it's been over two hours.
• 2:08:23
  Speaker 1: Zariens gave us five dollars and said, interesting that I
• 2:08:26
  Speaker 1: was thinking about Sarah mclachlin's song Possession when you were
• 2:08:30
  Speaker 1: just reading her article. Then you moved onto her novel.
• 2:08:36
  Speaker 1: And Senior Stix gave us two dollars and says, will
• 2:08:39
  Speaker 1: Schrodinger's Feminist Ever be released for releases free? Don't know
• 2:08:46
  Speaker 1: what that means, but uh, okay, isn't Elliott Page the
• 2:08:52
  Speaker 1: new standard for masculine behavior? Yes? Yes, obviously we're gonna
• 2:08:57
  Speaker 1: be talking about the tomorrow on the news show, by
• 2:08:59
  Speaker 1: the way, but I should probably get out of here
• 2:09:03
  Speaker 1: before never mind. Okay, So, okay, so I've read the
• 2:09:08
  Speaker 1: super chats and stuff, so let's get on the truck.
• 2:09:11
  Speaker 1: Are upgrades and then quit?
• 2:09:13
  Speaker 2: Okay? All right, I am am, I not on the truck.
• 2:09:15
  Speaker 1: Yeah, you're on the truck.
• 2:09:17
  Speaker 2: Okay. This is the conclusion of all of this. So
• 2:09:21
  Speaker 2: what we have listened to today is a feminist who
• 2:09:24
  Speaker 2: is crowing about men's loneliness, and specifically, she says that
• 2:09:28
  Speaker 2: men deserve the loneliness because they kept approaching women when
• 2:09:32
  Speaker 2: women wanted to be left alone. And this same woman
• 2:09:36
  Speaker 2: has written a novel in which the main male character
• 2:09:41
  Speaker 2: stalks the main female character to a degree that is
• 2:09:48
  Speaker 2: basically clinical insanity. All Right, she builds a freaking security
• 2:09:52
  Speaker 2: apparatus to stalk her. He follows her different cities. Right,
• 2:09:58
  Speaker 2: Apparently she's very we are too. Presumably a man who
• 2:10:01
  Speaker 2: can build like a security companies at least in his thirties,
• 2:10:05
  Speaker 2: she's eighteen. He's stalking her everywhere. And this isn't dark romance.
• 2:10:09
  Speaker 2: So the the the contract with the reader in dark
• 2:10:18
  Speaker 2: romance is that these two people will get together, that
• 2:10:23
  Speaker 2: this will result in some kind of relationship between this
• 2:10:26
  Speaker 2: man who's a stalker and his victim. So, I just
• 2:10:30
  Speaker 2: this is astounding. What are men supposed to do with
• 2:10:34
  Speaker 2: a woman like this or her audience? Her audience is
• 2:10:39
  Speaker 2: being taught to regard men just approaching women as some
• 2:10:43
  Speaker 2: kind of horrible imposition, some kind of oppression of women.
• 2:10:48
  Speaker 2: And yet at the same time writing a stalker as
• 2:10:54
  Speaker 2: a romantic hero and a relationship that comes out of
• 2:11:00
  Speaker 2: stocking as relationship goals? Like, what do you do with
• 2:11:06
  Speaker 2: this level of insanity?
• 2:11:12
  Speaker 1: Yeah? Good question?
• 2:11:13
  Speaker 2: How do you interpret this?
• 2:11:20
  Speaker 1: It's a good question.
• 2:11:23
  Speaker 2: I'm gonna ask, punished Claude, how does one interpret this contradiction.
• 2:11:35
  Speaker 1: Okay.
• 2:11:36
  Speaker 2: The deflationary reading, there's no contradiction to resolve because the
• 2:11:39
  Speaker 2: two artifacts answer different incentives. The essay performs a market
• 2:11:43
  Speaker 2: position grievance content for a medium feminist audience. The novel
• 2:11:48
  Speaker 2: serves a different market, dark romance readers who want the
• 2:11:51
  Speaker 2: possessive pursuer. One author, two products, two buyer bases. Under
• 2:11:55
  Speaker 2: this reading, the belief question is a category era error.
• 2:11:59
  Speaker 2: Neither test text is a sincere assertion. Both their supply
• 2:12:03
  Speaker 2: meeting demand the cynic believer structure made legible in a
• 2:12:10
  Speaker 2: single person. The essay is the sanctimony front. The novel
• 2:12:14
  Speaker 2: is what sells the same conduct. Pursuit that won't accept
• 2:12:18
  Speaker 2: refusal is condemned when attached to a real category of
• 2:12:21
  Speaker 2: men with no interiorady granted and eroticized when attached to
• 2:12:24
  Speaker 2: a fictional man granted a composed, devotional interior and provisioning
• 2:12:29
  Speaker 2: bloss The variable isn't the conduct their tests establish it's identical.
• 2:12:34
  Speaker 2: It's whether the man's position is someone to extract moral
• 2:12:37
  Speaker 2: standing against, or is a fantasy object to consume. Both
• 2:12:42
  Speaker 2: pay okay, while or alternatively, she's creating the disease, she's
• 2:12:56
  Speaker 2: pathologizing male pursuit, and then she's selling that pathologized male
• 2:13:02
  Speaker 2: pursuit to her audience as a romance good, which I like.
• 2:13:10
  Speaker 2: There is so much fuckery. I think that I need
• 2:13:12
  Speaker 2: some time to sit with it. Yeah, like this is
• 2:13:16
  Speaker 2: this is something that I need to cogitate upon to
• 2:13:18
  Speaker 2: get a final answer. So sorry, guys, I don't know
• 2:13:21
  Speaker 2: this is I'm a little stumped with this one.
• 2:13:26
  Speaker 1: All right, it's fair, it's fair, all right.
• 2:13:30
  Speaker 2: This is stump worthy.
• 2:13:36
  Speaker 1: Okay.
• 2:13:36
  Speaker 2: So okay, So the essay condemns the milder thing in men,
• 2:13:41
  Speaker 2: it eroticizes the far more dangerous thing in the fictional man.
• 2:13:46
  Speaker 2: The author isn't applying one standard to identical conduct of
• 2:13:49
  Speaker 2: costs two registers. She's applying the harsh judgment harsher judgment
• 2:13:53
  Speaker 2: on the lesser act, and rewarding the frame to the
• 2:13:55
  Speaker 2: greater one. What it's okay, So that's what's really bizarre.
• 2:14:04
  Speaker 2: She's pathologizing male pursuit entirely, and then she's selling the
• 2:14:11
  Speaker 2: most most pathologized form of male pursuit to women. Yep,
• 2:14:18
  Speaker 2: this is this is a real stumper, guys. What the
• 2:14:22
  Speaker 2: hell is going on? Perhaps we have to go to
• 2:14:25
  Speaker 2: the comments. Okay, guys in the comments, could you tell
• 2:14:27
  Speaker 2: me what the hell is going on here?
• 2:14:30
  Speaker 5: Uh?
• 2:14:32
  Speaker 2: I feel like this is a disease, selling the disease
• 2:14:35
  Speaker 2: or creating the.
• 2:14:37
  Speaker 4: Yeah.
• 2:14:38
  Speaker 1: Yeah, it's creating the disease and selling the placebo. Yeah.
• 2:14:43
  Speaker 2: I feel like this is one example of it. But
• 2:14:47
  Speaker 2: it's it's such a stumper for me that I'm I'm
• 2:14:49
  Speaker 2: I'm a little bit. I can see intuitively the connection,
• 2:14:53
  Speaker 2: but I can't. I'm not following this logically. It's just
• 2:14:56
  Speaker 2: it's it's so much fuckery, guys, it's we have achieved
• 2:15:01
  Speaker 2: new levels of fuckery. Brian. Okay, all right, so what
• 2:15:06
  Speaker 2: do you guys want.
• 2:15:07
  Speaker 1: Me to do on the on the I think we
• 2:15:10
  Speaker 1: should wrap it up here. We'll start the next level.
• 2:15:13
  Speaker 1: But go ahead and do the things.
• 2:15:15
  Speaker 2: Okay, so Eddie, all right, after the show is over,
• 2:15:18
  Speaker 2: if you guys want to send me a message, feed
• 2:15:21
  Speaker 2: the badger dot com slash just a tip, Explain to
• 2:15:24
  Speaker 2: me what the hell is going on?
• 2:15:27
  Speaker 1: Explain to me.
• 2:15:29
  Speaker 2: Explain to me.
• 2:15:32
  Speaker 1: The author comments all total lies? Is it supposed to
• 2:15:39
  Speaker 1: be stick dudes? I'm sorry? Yes, go ahead, go ahead, dot.
• 2:15:49
  Speaker 2: So send me a message feed the Badger to comp
• 2:15:51
  Speaker 2: slash just if you understand what the hell is going on,
• 2:15:56
  Speaker 2: because this level of fuckery has has exhausted my logic circuits.
• 2:16:02
  Speaker 3: And if you.
• 2:16:05
  Speaker 2: If you want to, if you want to support the show,
• 2:16:08
  Speaker 2: if you the Badger dot com slash support, it'll be
• 2:16:11
  Speaker 2: up soon. And if you want to join us in
• 2:16:13
  Speaker 2: the discord badgerination dot online, you can find out more information.
• 2:16:17
  Speaker 2: I'm gonna chew over this and maybe I'll actually be
• 2:16:19
  Speaker 2: able to answer it myself with a little bit of effort,
• 2:16:23
  Speaker 2: and I'll put the answer up at badger nation dot online.
• 2:16:26
  Speaker 2: All right, back to you, Brian.
• 2:16:27
  Speaker 1: Okay, let's let's start the next level and then I'm
• 2:16:32
  Speaker 1: gonna wrap it up. But if you guys like this video,
• 2:16:34
  Speaker 1: please h like subscribe if you're not already subscribe with
• 2:16:37
  Speaker 1: the BELF notifications, leave me a comment, let me know
• 2:16:40
  Speaker 1: what you let us know what you guys think about
• 2:16:41
  Speaker 1: what we talked about in the show today, and share
• 2:16:43
  Speaker 1: the video because sharing is caring. Thanks so much for
• 2:16:46
  Speaker 1: coming on this episode of the Cozy Gaming Stream, and
• 2:16:50
  Speaker 1: we would talk to guys.
• 2:16:51
  Speaker 2: Museum of Human Art huh yeah, in the next one.
• 2:16:56
  Speaker 1: How