Latest / The Bridge by Sammy Chand / May 14, 2026 — “The Great Negotiation of the Collaboration”
Transcript
- 0:00Speaker 1: South Asian music and culture can.
- 0:02Speaker 2: Be found around the world.
- 0:05Speaker 3: We tracked down the best and presented here for you
- 0:10Speaker 3: Ruckus Avenue Radio.
- 0:15Speaker 4: Hey, this is cal Ben.
- 0:16Speaker 5: You're listening to The Bridge with Sammy John.
- 0:19Speaker 6: Hey, this is viv Does and you're listening to the Bridge.
- 0:21Speaker 1: It's Sammy John on Ruckus Avenue Radio.
- 0:26Speaker 5: BABYO b bol.
- 0:31Speaker 1: Good, great things.
- 0:32Speaker 5: Everybody. My name is Sammy John, and welcome everybody to
- 0:38Speaker 5: a May fourteenth edition of The Bridge. Got a great
- 0:43Speaker 5: hour for you, and this is a very special Thursday
- 0:47Speaker 5: episode because what we're gonna do is something very unique
- 0:50Speaker 5: that we have never done on this show before. We're
- 0:55Speaker 5: rolling out an entire hour of cross cultural collaborations on
- 1:01Speaker 5: this show. So what we're doing is we're taking some
- 1:05Speaker 5: of the leading Indian South Asian artists. I'm playing songs
- 1:10Speaker 5: that they have collaborated with American or Western artists with
- 1:16Speaker 5: and I'm looking forward to not only playing these songs
- 1:19Speaker 5: for you today, but talking a little bit about them.
- 1:24Speaker 5: I'll share my insights as to what really makes up
- 1:28Speaker 5: these songs and what makes them successful, what is the metric?
- 1:35Speaker 5: Gotta be fun. We'll be joined today by Doctor Royas Guptas.
- 1:43Speaker 5: They bring us things from around the diaspora. Today, Doctor
- 1:47Speaker 5: Roy with the Daily Word on the avenue, I'm gonna
- 1:52Speaker 5: cover an artist spotlight for you today. A lot of
- 1:57Speaker 5: great stuff going on around the signal. If you're around
- 2:00Speaker 5: Ruckus Abney Radio, check them out Tonight at eight pm
- 2:06Speaker 5: Indian Standard time will be airing. They were on right
- 2:10Speaker 5: before me this morning on ruckus Abney Radio. Get ready
- 2:14Speaker 5: for them again tonight. As I mentioned to you, it's
- 2:20Speaker 5: a world of collaborations out there. Some of them make sense,
- 2:26Speaker 5: some of them don't. A lot of them sound great,
- 2:31Speaker 5: some of them don't. We'll dive into the great ones today.
- 2:35Speaker 5: Let's start with this one.
- 2:36Speaker 7: Vid the kadeti until everybody ge kadi, until everybody give here.
- 2:43Speaker 7: You don't munde up of ali vid de kadeti until
- 2:50Speaker 7: everybody givion.
- 2:59Speaker 8: Bell man numbers on the calie.
- 3:04Speaker 7: With the kati dunail. Everybody, hiy, very heat.
- 3:10Speaker 2: In the shave.
- 3:11Speaker 7: You here to see a yardman of it, very heat
- 3:14Speaker 7: in the shave. You here to see a yardman of
- 3:18Speaker 7: a delivered taven Hold on hold a live delivered dave.
- 3:24Speaker 7: Heaven hold her lady would delivery tell not that they've
- 3:28Speaker 7: play hold on, hold would delivery tell not that they've
- 3:32Speaker 7: play hold on, hold on with the katy dun jail.
- 3:36Speaker 7: Everybody he the k n jail. Everybody gili with the
- 3:47Speaker 7: kathi unjail.
- 3:48Speaker 8: Everybody viola be s no nero la be their man
- 3:58Speaker 8: numbers on the Carlie.
- 4:03Speaker 9: That, don't everybody, Yeah, you look like the lover I've
- 4:09Speaker 9: been seeing in my dreams. Kisses on my color. We
- 4:15Speaker 9: see you look like the lover I've been open. Now
- 4:18Speaker 9: we're fine times into your Harby's sitting around my mind.
- 4:24Speaker 6: Lady, deliver the heather.
- 4:27Speaker 10: Hold hold, I.
- 4:28Speaker 11: Mean only one one more mommage your time at the hold.
- 4:32Speaker 6: Lady, deliver the hold hold up, I.
- 4:36Speaker 11: Mean only one.
- 4:38Speaker 7: My heart by showing up showing up with that, don't everybody.
- 4:45Speaker 12: That.
- 4:46Speaker 2: Don't everybody give any problem up of alli.
- 4:52Speaker 13: With that.
- 4:54Speaker 2: Don't everybody.
- 4:56Speaker 1: I think you're saying, no need o be.
- 5:01Speaker 8: You see needle good veal numbers on the corni.
- 5:09Speaker 2: Nikai everybody.
- 5:20Speaker 12: Yeah.
- 5:20Speaker 5: It's one of the big highlights of the collaborative world
- 5:23Speaker 5: over this last month or so. David Getta Delgito Songs Sea.
- 5:28Speaker 5: The song is called Ranjah and it's produced by David ghetta.
- 5:32Speaker 5: This next one is Zat Sheeran saying you glue.
- 5:37Speaker 11: You can't her in fraction the light.
- 5:40Speaker 14: You can't help but shine shin no, no, you carry
- 5:48Speaker 14: the world on your back. Look at you tonight, the
- 5:55Speaker 14: light your fays.
- 5:57Speaker 11: You ain't exploded in like five.
- 6:01Speaker 15: Woods the sky step up to.
- 6:05Speaker 2: Your body, but you put your nom me. Don't you
- 6:08Speaker 2: win the body?
- 6:09Speaker 16: I can do this, Abby Tooby danced until the morning,
- 6:11Speaker 16: Go the baby boat sleep, Tell me um umba to
- 6:14Speaker 16: sit down about again?
- 6:15Speaker 2: Tell me about about you put your own be. Don't
- 6:18Speaker 2: you win the party?
- 6:19Speaker 16: I can do this, Abby good be danced util the morning,
- 6:21Speaker 16: go the baby boot sleep, Tell me jump jumma, sit
- 6:24Speaker 16: down about.
- 6:25Speaker 2: Again under the lipod range this under the lit many
- 6:30Speaker 2: mamas the look.
- 6:33Speaker 17: Do you do? You know?
- 6:36Speaker 11: That's it?
- 6:36Speaker 18: Anna Na, that't houck man, No corner, you're AM's.
- 6:42Speaker 11: Pen and the bar gave Barty.
- 6:47Speaker 10: Goe Jack Jack today said Joe, shut up your body
- 6:57Speaker 10: and you put you know me? Don't you win the party?
- 6:59Speaker 1: I can this, hobby?
- 7:00Speaker 16: Can you began to do the morning on the baby
- 7:02Speaker 16: won't sleep, um um baby.
- 7:06Speaker 2: Talk your body by your push Hobby got you the party?
- 7:09Speaker 2: I can do this hobby. Can we dance to the
- 7:11Speaker 2: morning on the baby won't sleep?
- 7:17Speaker 18: I am at Chard mcay and I'm not.
- 7:22Speaker 11: Going to be light and you child a fire, but
- 7:29Speaker 11: let us to get in our warm group.
- 7:33Speaker 16: But your guy more joy, get the day, bunga lat
- 7:39Speaker 16: packet and the COMPARI haven't internet out and.
- 7:47Speaker 17: Push.
- 7:49Speaker 2: Can't you mate the party? I can do this hobby
- 7:51Speaker 2: to be danced toil in the morning when the baby
- 7:53Speaker 2: won't sleep? The body Passion true.
- 8:13Speaker 19: Stut two of the biggest artists on the planet right
- 8:24Speaker 19: there on one song.
- 8:25Speaker 5: And I don't think you could have imagined it going
- 8:28Speaker 5: any better than that song. Sapphire ed Sheeran sing, I
- 8:35Speaker 5: love that one. It's a great song.
- 8:37Speaker 11: It's one of the.
- 8:38Speaker 5: Better collaborative songs that we're gonna play in this hour.
- 8:42Speaker 5: And this is a pretty good one too. One Republic
- 8:47Speaker 5: got a Dodola. The song is called tell.
- 8:50Speaker 6: Me Get Down.
- 9:00Speaker 20: That's a day They slow j pauling get down. That's
- 9:06Speaker 20: a I see card. They Hey, Charlie, that's Admi. I'm
- 9:12Speaker 20: not trying to say you're trying to tell you what
- 9:13Speaker 20: it is. I want to give you everything that don't.
- 9:16Speaker 2: Be on events. I card.
- 9:18Speaker 11: Listen that the king Garden the money now the key.
- 9:25Speaker 21: On.
- 9:26Speaker 2: That's the day, Harley John, that's the day.
- 9:34Speaker 21: Tell me, tell me, tell me, tell met me got.
- 9:49Speaker 11: Mam Ma, I just kill me, so you gotta god
- 9:52Speaker 11: got tell me so you gotta gol got to me.
- 10:03Speaker 20: Terrible loaches about in art are Karada he does then
- 10:10Speaker 20: as Amanda Sarama, he does, Menura collad many a para
- 10:16Speaker 20: data could have a security theory. Lord manaybody who is akada.
- 10:25Speaker 11: The theory?
- 10:26Speaker 2: High that's the day. Yell that today, woo.
- 10:43Speaker 17: Tell me.
- 10:50Speaker 11: Caraman, just give me so you got got got tell
- 10:54Speaker 11: me you gotta go that.
- 10:59Speaker 17: Tell me.
- 11:03Speaker 1: You gotta tell me.
- 11:25Speaker 5: Probably wondering how two artists from totally different corners of
- 11:28Speaker 5: the world get together. Few ways agencies that share common
- 11:34Speaker 5: clients is one record labels that have clients in common,
- 11:39Speaker 5: and then the good old social network. They run into
- 11:41Speaker 5: each other in different places, and we'll talk more about
- 11:43Speaker 5: it here. Now let's bring in doctor roy to the show.
- 11:46Speaker 5: Stop doctor Roy.
- 11:47Speaker 22: Hey, guys, this is doctor Froywood. Today's word on the Avenue.
- 11:50Speaker 22: In film and TV news, global star Prianca Jobra Jonas
- 11:54Speaker 22: is continuing her international streak with the survival thriller Reset,
- 11:57Speaker 22: where she stars opposite Orlando Bloom. Following major projects alongside
- 12:01Speaker 22: Idris Elba and John Cena, the role further cements for
- 12:04Speaker 22: expanding presence in global cinema. Critics, however, have noticed that
- 12:08Speaker 22: she's been typecast as only in action star, so let's
- 12:11Speaker 22: wait to see what Reset does for Brianca Jobrahm. In
- 12:15Speaker 22: media news, Indian Coo Tour laborer follow Guiney Shane Peacock
- 12:19Speaker 22: has unveiled a new campaign starring rising international model Pomika Yadev,
- 12:23Speaker 22: highlighting India's growing influence in global luxury fashion. Fresh off
- 12:28Speaker 22: of her break through presence with Chanel, Mumika represents a
- 12:31Speaker 22: new generation of Indian talent, confidently stepping onto the world
- 12:34Speaker 22: stage and breaking traditional beauty norms. In event News, at
- 12:39Speaker 22: the Medgala, designer Mayor Kirodra spotlighted the endangered Bengali craft
- 12:45Speaker 22: of Shola art in a striking Kotur moment created with
- 12:48Speaker 22: artisans from Gulgata. The intricate designs, traditionally carved from the
- 12:52Speaker 22: pith of an aquatic plant, are innovatively recreated using recycled
- 12:56Speaker 22: rubber waste and layered over a gold and silver Ganjibur.
- 12:59Speaker 22: I'm sorry blending sustainability, heritage and high fashion. That's it
- 13:04Speaker 22: for today's word on the Avenue until next time.
- 13:06Speaker 5: Thank you so much for that, doctor Roy.
- 13:08Speaker 2: Thank you.
- 13:10Speaker 5: This next song another one of my personal favorites for sure.
- 13:14Speaker 5: I've played it one time before this week. It's produced
- 13:17Speaker 5: by Steel Bangles. It's Knaves with sis rerun there Worth.
- 13:24Speaker 23: My sore broken there Worth, My maid was shaking some right.
- 13:32Speaker 23: Nohow we made it love one, not around say it's
- 13:40Speaker 23: just beginning.
- 13:44Speaker 2: They're not doing real hard.
- 13:46Speaker 17: I am.
- 13:49Speaker 11: Out of paint.
- 13:52Speaker 6: Shoulder looking at the head in the world.
- 13:56Speaker 11: Not in the world way.
- 14:00Speaker 23: Said a lot too far, like I was gonna drawn,
- 14:03Speaker 23: or there were time my soul so broken there worthig.
- 14:11Speaker 2: My faith was shaking some right. Somehow we made it.
- 14:19Speaker 11: Love was on the round.
- 14:21Speaker 2: Nas say it's justice beginning. Yeah, you say, no longer killed.
- 14:26Speaker 2: Written by the Silken Linen.
- 14:28Speaker 24: Never condemn it, never condescending before you hear something mistoke again.
- 14:32Speaker 24: If people love it, you'll see the pope on the
- 14:34Speaker 24: beach in.
- 14:34Speaker 5: The tucket play the trumpet.
- 14:36Speaker 1: Somehow, some way, we made it out the filth and.
- 14:38Speaker 24: Garbage where people killed for Nasis, well as saying we
- 14:40Speaker 24: need to be brought again from the problems of Harlequins
- 14:42Speaker 24: and the Charlatans trying to stick they thoughts in them,
- 14:44Speaker 24: but they can kill the confidence.
- 14:46Speaker 5: Let's say religious.
- 14:47Speaker 24: But yoh see the crescent, see the illuminated crossing the
- 14:50Speaker 24: sky in the distance, or maybe your sister clouds. How
- 14:53Speaker 24: they shaped up my bushes. Tell let me never play
- 14:55Speaker 24: down my true existence.
- 14:57Speaker 1: Forget what you know.
- 14:58Speaker 24: Just take a leap, no matter how high up you all,
- 15:01Speaker 24: how deep, oh what height it is, be the mightiest.
- 15:04Speaker 5: We've been in a tight spot fight.
- 15:08Speaker 11: Mussel so broken that they worth.
- 15:14Speaker 23: My faith was shaking someway somehow.
- 15:19Speaker 11: We made it.
- 15:21Speaker 23: No, one n't say it's just a begin it you
- 15:26Speaker 23: say it's.
- 15:27Speaker 11: Just to begin.
- 15:31Speaker 25: Coun didn't then it didn't, Then it can didn't. There
- 15:43Speaker 25: didn't there Oh there were muscle the broken. My faith
- 15:56Speaker 25: was shaking, shake some way, somehow.
- 16:01Speaker 5: We made it.
- 16:05Speaker 23: Well, they sun the beginning these days, just the beginning.
- 16:10Speaker 5: Song is called times Steel Bangles nah sits re classic classic,
- 16:18Speaker 5: really looking forward to next week here on the show.
- 16:21Speaker 5: If you guys are familiar with the Render soundtrack one
- 16:25Speaker 5: and two, the original and then The Revenge. You know
- 16:28Speaker 5: how much of an impact that film has made on
- 16:32Speaker 5: Indian cinema overall. We'll talk about it. We'll get into
- 16:35Speaker 5: it next week and we'll cover the entire soundtrack one
- 16:39Speaker 5: and two in that week long special that we'll do.
- 16:42Speaker 5: So make sure you come join us. And this is
- 16:44Speaker 5: all ahead of this weekend's big Netflix rollout of the
- 16:48Speaker 5: Rendered The Revenge. Yeah you heard it here first got
- 16:52Speaker 5: an extended version, folks, go check it out.
- 16:55Speaker 17: See you, see you worsday this, see you what it this?
- 17:03Speaker 17: Can you show you how to do?
- 17:04Speaker 21: Is?
- 17:05Speaker 17: Show you how it is? Show you how to is
- 17:09Speaker 17: like you show.
- 17:09Speaker 11: You how to is?
- 17:10Speaker 17: Ain't no sleep? We don't walk NV don't walk a
- 17:13Speaker 17: my guyes n see me and living out? Give me
- 17:16Speaker 17: that bother?
- 17:17Speaker 26: Give me then get bad little thing smell wish to
- 17:22Speaker 26: turn around the bush. I was in the streets just there,
- 17:24Speaker 26: you know, I got hanging around the comfort green light
- 17:28Speaker 26: everything green light. You know, but what she toxic and
- 17:30Speaker 26: mean like can't get it past to the back room
- 17:33Speaker 26: while the best friends try to show her to that
- 17:34Speaker 26: today I thought this was a body Hey, ain't she
- 17:37Speaker 26: would catch me a body birth?
- 17:39Speaker 17: And wish what did you please, I can try to
- 17:41Speaker 17: talk and getting lost in the group. Please say you
- 17:43Speaker 17: wanna dance? I wanna see you wanna this? You wanna
- 17:47Speaker 17: wanna see what dance you see?
- 17:49Speaker 11: You want this?
- 17:51Speaker 17: Make you show you how it is, show you how
- 17:54Speaker 17: to is, show you how to like you see you
- 17:58Speaker 17: know slee Wi, wow and pay, don't talk about buy
- 18:02Speaker 17: and see it? Give me there, give me there?
- 18:07Speaker 6: But do you believe that upon aday other?
- 18:24Speaker 17: Buddy? Daddy?
- 18:27Speaker 6: What do you really tell about?
- 18:28Speaker 17: Daddy?
- 18:36Speaker 2: There somebody there.
- 18:39Speaker 17: Past of this was a party and she would catch
- 18:42Speaker 17: me a party. I don't day you much for a
- 18:44Speaker 17: few I'm trying to talk against and any say you
- 18:47Speaker 17: want to dance? You want to dance? See you dance?
- 18:53Speaker 17: So you want to? And I'm like you, Sure you
- 18:55Speaker 17: had to dance. Sure you had a dance. Sure you had.
- 19:03Speaker 17: We don't love and don't look about and I can
- 19:11Speaker 17: show you how to day.
- 19:32Speaker 5: A lot of people had. I guess the phrase is
- 19:36Speaker 5: mixed feelings about this song and Jackson Wang is an
- 19:41Speaker 5: Ada rising artist. Delgito songs one of our finest here
- 19:45Speaker 5: in the South Asian space and the two of them
- 19:48Speaker 5: getting together on a song that Jackson Wang had prepared
- 19:51Speaker 5: for his album, and then the collaboration happened and a
- 19:55Speaker 5: very unique way for dil Git to really tap into
- 19:58Speaker 5: that Asian market. And if you remember, this was ahead
- 20:02Speaker 5: of right when Bill jeth Was was headed over into
- 20:05Speaker 5: that neck of the woods there with his Illuminati tour,
- 20:08Speaker 5: So the timing of this was very opportunistic. There great
- 20:11Speaker 5: collaboration and a great collab between eighty eight Rising and
- 20:14Speaker 5: the dil G team. This next song was one of
- 20:17Speaker 5: the most iconic when it comes to Indian and non
- 20:21Speaker 5: South Asian artists. It's Jay Sean and Lil Wayne.
- 20:25Speaker 1: The song is called down maybe.
- 20:27Speaker 2: The sky you are know tonight it's not to lay
- 20:51Speaker 2: show a banna see howie lose Countra.
- 20:57Speaker 27: So lead it behn get.
- 21:01Speaker 28: Away way, So come on the flam as we make
- 21:08Speaker 28: a gray skatyay.
- 21:12Speaker 2: So Baby, in a world you are my own lift.
- 21:16Speaker 11: You are the loveleft de done.
- 21:18Speaker 28: If the sky is falling down, you'll be my homeleft.
- 21:23Speaker 11: No need to worry.
- 21:25Speaker 29: Baby. Are you downtown down downtown?
- 21:32Speaker 17: Baby?
- 21:32Speaker 29: Are you downtown down downtown?
- 21:39Speaker 11: See done?
- 21:40Speaker 30: If the sky is falling down, just let it be
- 21:44Speaker 30: commanding your pipext gud I'll take you away.
- 21:50Speaker 2: By johnas basing. You are private, so leave it behind because.
- 21:57Speaker 1: We heaven that again.
- 22:00Speaker 28: Wait wait, so come on flub min as we make
- 22:06Speaker 28: a gret Eskaty.
- 22:08Speaker 11: So why don't you want wady?
- 22:10Speaker 27: You want ready with my old world.
- 22:14Speaker 28: You won't be long left in the sky is falling down.
- 22:19Speaker 11: You'll be my home.
- 22:20Speaker 17: Lift.
- 22:21Speaker 29: No, Bbie, are you downtown down?
- 22:25Speaker 11: Downtown?
- 22:30Speaker 29: Baby? Are you downtown down downtown?
- 22:36Speaker 18: You down in the skies falling down like she supposed
- 22:41Speaker 18: to be?
- 22:42Speaker 2: She gets down loaf for me, down like her temperature
- 22:45Speaker 2: as me. She's zero degree, she called over freeze. I
- 22:49Speaker 2: got that girl from overseas.
- 22:51Speaker 8: Now she's gonna miss America and I cannot be her
- 22:54Speaker 8: social Please, I'm fighting for this girl.
- 22:56Speaker 6: The battle filler love.
- 22:58Speaker 2: Don't then look like baby Cupis said it was, look buff.
- 23:01Speaker 31: Don't you ever leave a Sadden me indefinitely, not vibably
- 23:05Speaker 31: and honestly, I'm down.
- 23:07Speaker 32: I get you kind of meat.
- 23:12Speaker 2: You will level if the sky is all down?
- 23:21Speaker 15: Babe?
- 23:21Speaker 29: Are you down?
- 23:28Speaker 17: Baby?
- 23:29Speaker 11: Are you down down?
- 23:34Speaker 5: Shout out to Jay Shawn. The song is called down
- 23:39Speaker 5: and the collaboration with Lil Wayne right there iconic. I
- 23:43Speaker 5: remember when I first heard this and I fell out
- 23:45Speaker 5: of my chair.
- 23:45Speaker 17: I was like, what.
- 23:48Speaker 5: Great stuff? What a big song ended up being one
- 23:51Speaker 5: of the most successful songs, if not the most successful
- 23:54Speaker 5: song the Jay Shawn put out. For sure, this next
- 23:58Speaker 5: song We've got for you. The collaboration, indeed, it's amongst
- 24:02Speaker 5: some very interesting global artists. The foundation of this is
- 24:08Speaker 5: the great Arhimansur as he collaborates with my Sakara Shuba
- 24:15Speaker 5: and Brandon Diaz. The three of them do a wonderful
- 24:20Speaker 5: job on a song called Jamal.
- 24:33Speaker 33: Yeah, you could be stronger, you could be you could
- 24:36Speaker 33: be the reason and life gets saved. Yeah, you could
- 24:38Speaker 33: be tough in or to break as soft as a
- 24:41Speaker 33: feather and hue in Spain. When you understand the faith,
- 24:44Speaker 33: don't fad. Life is a rebel. And on that game
- 24:47Speaker 33: when it's blacking boo and it's all the same, it's
- 24:49Speaker 33: a long way at the moment then.
- 24:54Speaker 34: Hal fire away, half fire away. Yeah, yeah, yeah, I'm way.
- 25:12Speaker 35: Them jummajama, when we gave it, beautiful them, jumma drama,
- 25:19Speaker 35: all of us up, beautiful, Let's get so good and
- 25:23Speaker 35: you say every single moment in flavor, So don't.
- 25:26Speaker 36: Give up, don't give up, don't give up when the
- 25:30Speaker 36: tides get.
- 25:33Speaker 11: Don't give up.
- 25:34Speaker 2: Beautiful because I know what, don dony.
- 25:42Speaker 33: I see the beautiful.
- 25:46Speaker 11: Yeah, lay starts.
- 25:58Speaker 33: No, I don't want to stop being on top of everything.
- 26:03Speaker 33: I've been working and this is my shot. So then missing.
- 26:10Speaker 8: Yeah you could be strong, Yeah you could be It
- 26:12Speaker 8: could be the reason I gets see.
- 26:14Speaker 2: Yeah, you could be tough and hard ruber soft as a.
- 26:18Speaker 11: Feather around here.
- 26:18Speaker 18: Want pain when you understand with the fake don'fing like
- 26:22Speaker 18: fizz the rebeling on that game win, it's that game blue,
- 26:25Speaker 18: when it's all the sick.
- 26:26Speaker 11: It's a long way, but the moment down.
- 26:31Speaker 37: Away, my jading is so beautiful, jam all of us.
- 26:43Speaker 37: A beautiful gets so good when you say every single
- 26:48Speaker 37: moment of flavor.
- 26:49Speaker 11: So don give give the ties, Yeah, don't give us.
- 27:01Speaker 28: I know I have to.
- 27:06Speaker 11: Thank you.
- 27:07Speaker 2: Rail Rising up, Rising up, Rail rising.
- 27:11Speaker 11: Up, Rising up, moving on, moving on, moving on.
- 27:17Speaker 2: Yeah, rising up, Rising up, Rising up, Rising up.
- 27:21Speaker 27: Twanging, Yes, moving on, moving on, guys, you know, moving on,
- 27:39Speaker 27: guys up, moving on, moving on us.
- 27:46Speaker 11: Rising up.
- 27:54Speaker 5: If you're talking about these international collaborations you're talking about,
- 27:59Speaker 5: mister Armansur, that is certainly not the last song that
- 28:05Speaker 5: you will hear from him today. Got another one coming
- 28:08Speaker 5: at you. This one is special. The song is called symmetry.
- 28:15Speaker 5: Got a nodller with that sharing I don't know.
- 28:22Speaker 2: Uban grabbed the cold.
- 28:27Speaker 15: Ceiling.
- 28:28Speaker 2: We've long to tubance just to shooskin, this is hard.
- 28:36Speaker 18: It begins, keep me away to darkness, turns into a dyking.
- 28:42Speaker 11: I don't care about time. Excuse me your.
- 28:47Speaker 18: Making a painting candlesticker to thin, says THEO your auditor.
- 28:54Speaker 29: Excuse me on that.
- 28:57Speaker 20: Symmetry, Lady CAMELI record the girald.
- 29:16Speaker 2: Ready, kay, rather the mic on.
- 29:20Speaker 1: The the supernavid you curcas on the ready k.
- 29:31Speaker 11: Okay, there is.
- 29:36Speaker 28: Kna that's the one.
- 29:44Speaker 1: There is. Didn't know we really love it, telling.
- 29:59Speaker 11: Me you put the.
- 30:02Speaker 1: Man a deep, don't put it.
- 30:08Speaker 11: Dela caada a.
- 30:12Speaker 17: Baby.
- 30:12Speaker 11: Don't everybody had he.
- 30:21Speaker 17: A today?
- 30:21Speaker 9: Man?
- 30:24Speaker 17: We can.
- 30:26Speaker 1: Because I can live in an on the.
- 30:28Speaker 16: Saving, in the moon of the Savings, on the same.
- 30:35Speaker 18: Saying to darkness chance into a day. Okay, I don't
- 30:40Speaker 18: care about time.
- 30:42Speaker 11: Excuse me your that make it okaysting.
- 30:47Speaker 2: Candlestick for two days says.
- 30:49Speaker 11: Look Jo, excuse me your.
- 30:55Speaker 2: Symmetry. Yeah.
- 31:08Speaker 5: This came out on the play EP four songs from
- 31:13Speaker 5: Ed Sheeran where he collaborates with all kinds of different
- 31:16Speaker 5: global artists and in a particular case like that one
- 31:19Speaker 5: called Symmetry, and the very first song that we played
- 31:22Speaker 5: earlier to start the show, actually the second one called Sapphire.
- 31:26Speaker 5: Those two collaborations with Ajit Singh and kat A Nogla,
- 31:30Speaker 5: two of the finest the South Asian music has to offer.
- 31:34Speaker 5: Ed Sheeran grabs them one and two songs right there
- 31:37Speaker 5: on the same EP. This is colplay with Justlyn Royle.
- 31:45Speaker 6: And so.
- 32:00Speaker 38: I'll give up, Pray that I'll do my best. Pray
- 32:03Speaker 38: that I can lift up Bram my brother is blessed
- 32:06Speaker 38: pain for.
- 32:07Speaker 11: Love, gave it to your wins.
- 32:10Speaker 2: Pray ah, judge nobody and forgive me my sense.
- 32:13Speaker 38: I pray, we make pray my friend to pull through.
- 32:17Speaker 38: Pray as I take it onto others at.
- 32:19Speaker 17: Too, praying on your love.
- 32:22Speaker 11: We pray with every breath the.
- 32:24Speaker 2: Worm and the valley of the shadow of death.
- 32:28Speaker 11: And so we pray, so come show me the way.
- 32:31Speaker 6: So we pray shutter and some recrystal place.
- 32:36Speaker 11: You'll be singing, Faye.
- 32:39Speaker 17: Pray that we make it to the end of the day.
- 32:42Speaker 1: And so we pray, I know somewhere, and so we pray.
- 32:46Speaker 31: I know somewhere that's something in the best. And so
- 32:49Speaker 31: they claim, I know somewhere. We'll fill no bad until
- 32:53Speaker 31: we make it.
- 32:54Speaker 17: To the end of the day. Where did you.
- 33:01Speaker 11: Read?
- 33:01Speaker 9: This was a.
- 33:05Speaker 11: Jag to a coming to the ladies?
- 33:09Speaker 1: Are up very do coming?
- 33:14Speaker 17: Okay?
- 33:17Speaker 1: Oh my god, jaha to casas.
- 33:24Speaker 11: And so we pray some more show me away.
- 33:28Speaker 2: So we pray to shelter somewhere cost the place, and
- 33:31Speaker 2: so we pray, you'll be singing play yea to create
- 33:36Speaker 2: out the bay to the end of the day.
- 33:38Speaker 31: And so I know somebody that happened as well, And
- 33:42Speaker 31: so they I know somebody that's something in the best, and.
- 33:45Speaker 1: So they play I know somewhere.
- 33:47Speaker 17: We count we made it to the end of the day.
- 33:54Speaker 13: I prayer as a sleep and when cut inside my
- 33:57Speaker 13: head it is a frightening place. Keep us smiling face
- 34:01Speaker 13: only by disgrace, because last more than night candy.
- 34:07Speaker 17: So we play.
- 34:10Speaker 31: So we prayed, and so we prayed we'll be singing
- 34:16Speaker 31: bye bye nobody.
- 34:36Speaker 2: I know somebody, I mad, somebody something the mesic.
- 34:43Speaker 11: Until we've been bad.
- 34:50Speaker 5: Yeah, this has to be one of the most genius
- 34:51Speaker 5: things that I've ever seen marketing a song. What they
- 34:54Speaker 5: did what Coldplay did was they used different artists around
- 34:58Speaker 5: the world as their feature artists for the song, and
- 35:01Speaker 5: in India they used Justlyine Royle. In different parts of
- 35:04Speaker 5: the world, they grabbed an artist from that specific area.
- 35:07Speaker 5: Just wonderful marketing. This one was a song that we
- 35:12Speaker 5: world premiered on this show. It's Stephan Dan.
- 35:17Speaker 39: You don't want to die dilemma. Run anybody first, it
- 35:21Speaker 39: doves them, ready for the goal is winter. We'll not
- 35:24Speaker 39: take that. Where you can meet Mike Gone. You can
- 35:26Speaker 39: meet Mike Going want this die dilemma? Run anybody first,
- 35:31Speaker 39: doves them ready for the goal is winter. We'll not
- 35:33Speaker 39: take that. Where you can meet Mike Gone. You can
- 35:35Speaker 39: meet Mike Mike like Andando and when we pull upon
- 35:39Speaker 39: take care with the extension. Don't try to see what
- 35:43Speaker 39: get closed in. We'll make for the PATO. I'm starting
- 35:47Speaker 39: me with Mavado game. This Offisado. Make you sing like
- 35:52Speaker 39: the middle Evado, you botanist with the pot if it.
- 35:56Speaker 17: Is life.
- 35:58Speaker 39: And jo watch me in my life say the way
- 36:03Speaker 39: you up. If you make a judge whis know everybody
- 36:14Speaker 39: you see your faith. I don't want they died that them.
- 36:16Speaker 39: You're not being anybody fast with the love them. Ready
- 36:19Speaker 39: for the gold is when the we not take somewhere
- 36:22Speaker 39: you can meet Mike and you can meet Mike.
- 36:24Speaker 2: My list died them.
- 36:26Speaker 39: You're not being anybody face with the love them. Ready
- 36:29Speaker 39: for the goal is when the were not take somewhere
- 36:31Speaker 39: you can meet Mike and you can meet Mike.
- 36:34Speaker 40: You carried South Hongo Kong, the character the double.
- 36:41Speaker 1: Case to face.
- 36:43Speaker 29: Thank you.
- 36:49Speaker 1: Take your step Gill and.
- 36:52Speaker 2: On the top job.
- 36:56Speaker 5: That's also.
- 36:59Speaker 40: Tell you the tear when you got only ill, you
- 37:06Speaker 40: have only your talk about that only come out to your.
- 37:11Speaker 1: Kind of put you.
- 37:12Speaker 39: You don't want to die the moth, you're not being
- 37:14Speaker 39: anybody first with its just the dogs them. Ready for
- 37:17Speaker 39: the gold is when the when not take somewhere you
- 37:20Speaker 39: can meet Mike go and you can meet Mike. Mike
- 37:22Speaker 39: wants die the moth. Don't not being anybody first, It's
- 37:25Speaker 39: just the dogs them. Ready for the gold is when
- 37:28Speaker 39: the we not take somewhere, you can meet Mike and
- 37:30Speaker 39: you can meet mine.
- 37:31Speaker 5: My things that good.
- 37:33Speaker 39: My name is just puff if yellow one warm and
- 37:35Speaker 39: the world does.
- 37:36Speaker 2: Look off we could go a step if a chain.
- 37:38Speaker 5: It broke off week when it's all come out.
- 37:41Speaker 39: Think up and you know it's why you know, pay
- 37:44Speaker 39: from the wall and they dug them put.
- 37:47Speaker 2: The buggets to sile.
- 37:50Speaker 11: You're like a snap. I don't want a start. I
- 37:55Speaker 11: just want to wine up. But then began on me.
- 37:59Speaker 39: Only you don't want to die them anybody, face them,
- 38:05Speaker 39: ready to go. When when I take somewhere, you can
- 38:08Speaker 39: meet myke, you.
- 38:09Speaker 11: Can meet Mike.
- 38:10Speaker 5: This song, it's such a great vibe. It brings me
- 38:15Speaker 5: back for sure, nostalgia right here on the bridge. The
- 38:19Speaker 5: song is called Dilemma. We World premiered the song. It's
- 38:22Speaker 5: produced by Steel Bengals. Steph lon Don such a great
- 38:28Speaker 5: track man, and shout out to of course the late
- 38:31Speaker 5: great shout out to Steph lon Don for having me
- 38:36Speaker 5: world premiered. Great stuff. Shout out to Steel Bengals.
- 38:44Speaker 1: You know I came in for the cake again. The
- 38:46Speaker 1: money ain't the only thing stolen. She see the stars
- 38:50Speaker 1: in the race, soun as.
- 38:51Speaker 41: You got in them face down my type. Wee go
- 38:56Speaker 41: be wifey, she freak, I love the night my money lemon,
- 39:01Speaker 41: I'm a dog killed Katy.
- 39:03Speaker 1: No apology I don't that you want.
- 39:04Speaker 20: To get crazy crazy shot take a slow that ship
- 39:08Speaker 20: ship probably.
- 39:13Speaker 1: Hey baby, let me see it. I just want to
- 39:17Speaker 1: eat it.
- 39:19Speaker 15: Let me see it.
- 39:22Speaker 1: I really need book, baby, let me see it. I
- 39:27Speaker 1: just want to move.
- 39:32Speaker 15: I know the things and things that you like. I
- 39:42Speaker 15: know the things and things that you like.
- 39:45Speaker 1: Tell me how you feel.
- 39:47Speaker 17: Looking like a movie start doing it for reals, looking
- 39:50Speaker 17: like a snack, looking like.
- 39:51Speaker 11: A whole meal.
- 39:52Speaker 18: Putin channel but your red bottom heels my strip like
- 39:56Speaker 18: bunny bondage.
- 39:57Speaker 1: The shoddy bad she might be.
- 40:00Speaker 28: Don't even Stoney up from hollywoods and Molly to test
- 40:03Speaker 28: you around the rule.
- 40:04Speaker 1: Oh it's a world hid party. I don't know that
- 40:06Speaker 1: you want to get crazy crazy shine, take it slow
- 40:09Speaker 1: that ship come on, mayby be my shirt. You know
- 40:14Speaker 1: what I want to say. Hey, Babby, let me see it.
- 40:18Speaker 1: I just want to eat it.
- 40:21Speaker 15: Let me see it.
- 40:24Speaker 1: Oh, I really need it, Oh baby, let me see it.
- 40:29Speaker 11: I just want to hear it.
- 40:34Speaker 15: I know and dangers that you.
- 40:37Speaker 11: Let me see it.
- 40:39Speaker 29: I just want to.
- 40:44Speaker 1: You know, I really need it, baby, Let me see you.
- 40:49Speaker 2: I just want to hear you.
- 40:52Speaker 36: Let me see it.
- 40:55Speaker 2: I know the things that you.
- 41:03Speaker 5: Jason Derulo get together with Tasha. The song is called
- 41:07Speaker 5: jellby Baby, and I think we all saw this music
- 41:10Speaker 5: video and you saw Jason doing the double chopin in
- 41:13Speaker 5: the music video there with Tasha. It's really well done,
- 41:17Speaker 5: great visuals, great track. Shout out to Tsher for producing
- 41:20Speaker 5: a hell of a track called jellyby Baby. This one
- 41:25Speaker 5: is one of the big collaborations between East and West.
- 41:28Speaker 5: Nick Jonas and King.
- 41:30Speaker 42: Murderdi a kume dar Sikovy, Dick Ksakadani, du Jack Kushima
- 41:38Speaker 42: kunga souni merterre hotop Kamushikovy Dick Kasakadani, Sorry about them,
- 41:47Speaker 42: Masu Nungasni do the sun come up?
- 41:53Speaker 2: If we can leave with your love? Don't go in
- 41:57Speaker 2: the nights day young and need.
- 41:59Speaker 42: Me marry, don't let's go bug Hecky made a like
- 42:07Speaker 42: Augia better bagain.
- 42:10Speaker 2: It is the South starts.
- 42:12Speaker 43: I'm party in my arms from right to my face
- 42:17Speaker 43: on the well, from.
- 42:19Speaker 42: My heart, from Monu menta with the dumba back to
- 42:25Speaker 42: the company. I commembers, I get a kumba to Monu really.
- 42:33Speaker 29: Side line hall up.
- 42:35Speaker 30: Started, line stole under you and from not to the
- 42:40Speaker 30: hoard of the lighter.
- 42:42Speaker 11: The light sideline.
- 42:45Speaker 30: Started line storm for you, and from not till the
- 42:50Speaker 30: after of my hounds to the tray desert.
- 42:53Speaker 6: Just try to tear from your eyes.
- 42:56Speaker 36: I would sing all to the gates that de haven't
- 42:58Speaker 36: given men I left open if.
- 43:01Speaker 30: It touches the sweet surrender every moment with you, changer.
- 43:05Speaker 2: When we put in our lips together.
- 43:08Speaker 43: I know I get on your bread graverd by home
- 43:12Speaker 43: mad care to johanay, I.
- 43:16Speaker 2: See it a present mangle.
- 43:19Speaker 1: To come up.
- 43:23Speaker 2: We can leave with your love.
- 43:26Speaker 11: Don't go. In the ninth day, younger.
- 43:28Speaker 30: Engineer Marry jams Copaga Hekia made our Legodanagia bergat to
- 43:40Speaker 30: money manature companty.
- 43:43Speaker 43: From my eyes and ran through my face on the
- 43:48Speaker 43: wet from her heart on your Menita.
- 43:52Speaker 42: But Jaichan and a douga Marck to the company our commembers.
- 43:58Speaker 2: Agetakuga do monu.
- 44:01Speaker 11: Me sunline sunline not sun Line.
- 44:15Speaker 5: It's the afterlive version of this song called mon Maybe John.
- 44:20Speaker 5: It's King Nick Jonas and it was a big collaboration
- 44:24Speaker 5: put together by Warner Music to help King really roll
- 44:28Speaker 5: out his work. Great Clap Great Song became one of
- 44:32Speaker 5: the most popular ones a King has done so far.
- 44:37Speaker 5: All right, folks. This song is produced by me yours Truly.
- 44:43Speaker 5: The song is called Don't Walk Away. It's my collaboration
- 44:46Speaker 5: with Tsha Campbell.
- 45:00Speaker 2: Don't You let Me one come?
- 45:04Speaker 9: Yeah?
- 45:05Speaker 44: Really went too far tonight, all the scream, shout and
- 45:14Speaker 44: case to fight.
- 45:16Speaker 22: I know I was all right when we should be
- 45:20Speaker 22: making up.
- 45:24Speaker 45: And now you're walking out the door and cry why
- 45:29Speaker 45: why said.
- 45:31Speaker 2: That your love maid when I'm dead, say that you
- 45:34Speaker 2: love them? Canna make you mad? Said that? Baby?
- 45:39Speaker 11: I'm all you.
- 45:40Speaker 2: Don't you let me walker? Let No, we're not gone,
- 45:47Speaker 2: say that you love him? Baby, I'm the one say
- 45:51Speaker 2: that you love it. Don't let me escape? So me,
- 45:54Speaker 2: don't you let me walk away?
- 45:58Speaker 15: Talk you from the.
- 46:02Speaker 45: Way. Don't want don't felt.
- 46:22Speaker 1: Want to say the lad.
- 46:27Speaker 46: Dud what I really want to find? Fad Even though
- 46:37Speaker 46: one said.
- 46:40Speaker 38: I know.
- 46:42Speaker 4: That should have to go away, it's a way for
- 46:45Speaker 4: you to say it felt like that would be a
- 46:47Speaker 4: day would say it would carry you away from me,
- 46:51Speaker 4: from me. Don't leave, davey, baby, don't leave totally.
- 47:01Speaker 2: Don't you walk away.
- 47:03Speaker 43: From me that your maid and I'm dead said that you.
- 47:08Speaker 2: Let im trying to make you name said, I love.
- 47:11Speaker 44: Fabite, I'm all your Don't you let me walker?
- 47:17Speaker 2: That we're not Johns said that you let them. Maybe
- 47:22Speaker 2: I'm the one said I you love. Don't let me escape?
- 47:27Speaker 11: Stop me, don't you'll let me walk away?
- 47:32Speaker 45: Drop you from your hollowen.
- 47:35Speaker 11: My baby, let me walk away.
- 48:15Speaker 17: Ah.
- 48:16Speaker 5: It's one of my favorite songs that I've ever produced.
- 48:20Speaker 5: Can hear my voice in there too in the beatbox parts.
- 48:24Speaker 5: Shout out to Tisha, Thank you sister, it's great working
- 48:29Speaker 5: with you on this song. It's called Don't walk Away,
- 48:33Speaker 5: and it was featured in The Black Prince soundtrack in
- 48:38Speaker 5: a collaboration that put people like Sittinder Serfage, Tsha Campbell,
- 48:43Speaker 5: talib Quali, Nellie Fertado and so many other great artists
- 48:47Speaker 5: together on the same project. It was a soundtrack that
- 48:50Speaker 5: we did in collaboration with the film The Black Prince
- 48:55Speaker 5: and brl Stein Entertainment and so many other great folks
- 48:58Speaker 5: that get together for that one. That was a fun project. Now,
- 49:02Speaker 5: let's bring in Deuita Baz Gupta to this party. How
- 49:05Speaker 5: are you today, Douita?
- 49:07Speaker 47: Thanks Sammy, Hey, we want This is the Theta Roka
- 49:10Speaker 47: Sauni Radio Music correspondent back with some fun thoughts about
- 49:13Speaker 47: your favorite artists, and we're talking about Ap Dylan, the
- 49:16Speaker 47: Indo Canadian beat bizzard who's turned Punjabi music into a
- 49:19Speaker 47: global phenomenon. Remember Brown Monday, Ermachale the Nacha songs are
- 49:24Speaker 47: cultural anthems that conquered charts in the UK, India and beyond,
- 49:28Speaker 47: with over five billion streams globally. Dylan wrote out his
- 49:31Speaker 47: song from gooda Sport to Vancouver to worldwide fame. The
- 49:35Speaker 47: hold Up is brand new single Toriysi Theoro drops a
- 49:37Speaker 47: whole new vibe. The Surprise is his first track ever
- 49:40Speaker 47: with the legendary Chera Kochelle, and she brings elegance and
- 49:43Speaker 47: emotional depth to the mix. This one's produced under Republic
- 49:47Speaker 47: Records and Universal Music Canada a big mouse on this.
- 49:50Speaker 47: He's now officially on one of the world's biggest labels.
- 49:53Speaker 22: So if you're creating music.
- 49:54Speaker 47: That hits your heart and moves your soul, queue up
- 49:56Speaker 47: tot C Thor, shream it now and let Ap the
- 49:59Speaker 47: Lint take you into his world.
- 50:01Speaker 22: Bro Punjabi roots, meat, global resonance.
- 50:03Speaker 5: Well that's all for me.
- 50:05Speaker 22: Now back to you, Sammy.
- 50:06Speaker 5: Thank you, very very much there Doria. I'm a big
- 50:09Speaker 5: fan of a P I think he's one of the
- 50:11Speaker 5: best we have in this space. And he's also one
- 50:13Speaker 5: of the most fearless, and he's taken his sound design
- 50:16Speaker 5: into places that many just do not have the courage
- 50:19Speaker 5: to do. But he also has the chops for it,
- 50:21Speaker 5: as we say. And here he is on a song
- 50:24Speaker 5: with an artist named Stormsey and the song is called
- 50:28Speaker 5: Problems over Piece and Ape is collaborated with all kinds
- 50:31Speaker 5: of people, but this one right here is certainly one
- 50:34Speaker 5: of my favorite.
- 50:54Speaker 48: Anti does the s salvonology now kataboli go the lucky
- 51:05Speaker 48: cudy there kna the see savonology, now catarvlan got the
- 51:11Speaker 48: lucky cuddy? There not see Sarvonology, now Catabolkachari kajari package
- 51:24Speaker 48: colina coyot the.
- 51:30Speaker 1: Hen va.
- 51:37Speaker 48: Let's go go the lucky guy there not s Salvonology,
- 51:41Speaker 48: now catar.
- 51:44Speaker 5: Go the lucky cudy.
- 51:45Speaker 48: There the se Salvonology, now catarl go the lucky cudy
- 51:52Speaker 48: there na se Salvonology.
- 51:55Speaker 11: Now catar.
- 51:57Speaker 12: Okay I get it. You income a donor. You might
- 52:01Speaker 12: think I'm a joke man. Come out like grown ups.
- 52:04Speaker 12: Don't know what you feel but don't show us.
- 52:05Speaker 1: I don't show us. I don't really talk.
- 52:08Speaker 12: Too much that brow does everything that comes out of
- 52:09Speaker 12: my office.
- 52:10Speaker 1: Bro, that's twenty four carrot reps.
- 52:11Speaker 12: I'll just shut them. Can you flow you like? I've
- 52:13Speaker 12: got options? I come now, I say often they I
- 52:16Speaker 12: want peace, I want problems. Who's on what this?
- 52:18Speaker 2: Wait and see?
- 52:19Speaker 12: Me and AP had apgs me and AP got ap
- 52:21Speaker 12: money that we don't watch nothing that we hate TV.
- 52:24Speaker 48: Go to the luggy Goudy. There not good, I see solvinglogy. Now,
- 52:30Speaker 48: go to the lucky gutty. There not good us of
- 52:33Speaker 48: the I see solvinglogy now.
- 52:35Speaker 5: One of my favorites in our space for sure. He's
- 52:38Speaker 5: always been fearless with his sound design and got into
- 52:40Speaker 5: places that not many people have the chops to go into.
- 52:45Speaker 5: To be honest with you, he's great. Ap delone my
- 52:49Speaker 5: collaboration right there with Stormsy This song right here is
- 52:53Speaker 5: called Huss Huss and I think statistically one of the
- 52:58Speaker 5: most successful collaborations words with feel me.
- 53:02Speaker 9: I'm the breeze baby on the ocean sky and his baby,
- 53:06Speaker 9: I'm the forest and the tweeze baby, You're the price
- 53:09Speaker 9: and I'm the wheels baby.
- 53:12Speaker 17: You know.
- 53:14Speaker 1: You want to make me back.
- 53:17Speaker 11: I'll hold you.
- 53:17Speaker 7: Don't get some one of the but you do digit
- 53:25Speaker 7: sonian butter football cutting boo. I'm glad, sweet the child, I'm.
- 53:33Speaker 21: Glad to.
- 53:36Speaker 15: See the.
- 53:43Speaker 11: But don't stop.
- 53:48Speaker 17: The sal.
- 53:54Speaker 3: Y talk John over the safe hi opta coges and there.
- 54:09Speaker 7: By thread bolas. The bolas squeeze the charge of you.
- 54:30Speaker 32: But don't say.
- 54:47Speaker 7: Lay sis squeeze the college of anglais to squeeze the
- 54:56Speaker 7: joy of you.
- 54:57Speaker 17: And the.
- 55:07Speaker 5: Shout out to see her and a shout out to
- 55:10Speaker 5: see her because she's singing in Punjabi right here. Shout
- 55:18Speaker 5: out to see her. She is from Australia and singing
- 55:23Speaker 5: like a Punjabi girl on that track with Sje. This
- 55:28Speaker 5: one features got An Algily getting together with an artist
- 55:31Speaker 5: named Preston Pablo. The song is produced by Iky Singh
- 55:36Speaker 5: and it's from the Making Memories EP that these two
- 55:39Speaker 5: gentlemen dropped about two years ago.
- 55:41Speaker 20: There's out to mad kutar meat No they could get
- 56:16Speaker 20: the nod to get down.
- 56:23Speaker 11: That's the kid. Johnny John com includes.
- 56:28Speaker 2: VARs Coony Verus sol.
- 56:33Speaker 11: And Loo.
- 56:36Speaker 20: Okay that the guard to go Yay Tomas Yeah to
- 56:41Speaker 20: see I'm in a detO.
- 56:49Speaker 2: Magically out to mad kut.
- 56:54Speaker 5: O Jarney.
- 57:00Speaker 2: John Deny to see Who's come a good.
- 57:06Speaker 12: All.
- 57:06Speaker 36: His hook was a single class Yes you gotta love
- 57:09Speaker 36: you bad oo baby got your hands on me?
- 57:13Speaker 2: That gets old gerty what you look so kay.
- 57:16Speaker 36: I just want to show you when it's me you
- 57:22Speaker 36: could be lifetime. You don't want to make you mine
- 57:25Speaker 36: and never let you boo sob digg it Jesus.
- 57:32Speaker 5: Got a nodler Preston Pablo. The song is called Admiring You,
- 57:37Speaker 5: So I'm not making memories. EP. Great collaboration right there,
- 57:41Speaker 5: and I hope you enjoyed all of these collabs that
- 57:43Speaker 5: we played. You know, I've been making music for thirty years.
- 57:48Speaker 5: I've been part of some of these collaborations. I've sat
- 57:51Speaker 5: in those rooms, and I'll tell you something most listeners
- 57:54Speaker 5: never got to hear what an East West collaboration actually costs.
- 57:59Speaker 5: It's not a remix, it's not a fusion track. It's
- 58:02Speaker 5: two artists from two industries that don't share a language,
- 58:05Speaker 5: that don't share a publishing system, that don't share a
- 58:08Speaker 5: fan base, that don't share a release calendar, don't usually
- 58:11Speaker 5: share a label deciding to trust each other anyway. That's
- 58:15Speaker 5: months of email chains, and that's lawyers on both sides
- 58:19Speaker 5: untangling royalty splits and across countries that don't even have
- 58:23Speaker 5: the same copyright frameworks. That's translators in the studio making
- 58:27Speaker 5: sure the lyrics still means what it meant in the
- 58:30Speaker 5: first language. That's a label exec on one side having
- 58:33Speaker 5: to convince a label exec on another side that the
- 58:36Speaker 5: song will move the needle for both of them. And
- 58:39Speaker 5: by the time the listener here is the finished record
- 58:41Speaker 5: on the radio, every one of those obstacles has been
- 58:45Speaker 5: quietly solved. The artists made a third thing, something neither
- 58:50Speaker 5: side could have built alone. One plus one equals three.
- 58:54Speaker 17: Here.
- 58:54Speaker 5: That's the math of collaboration when it actually works. And
- 58:58Speaker 5: every single song you heard on this show today is
- 59:00Speaker 5: that math lived out. Every record on this hour was
- 59:04Speaker 5: an exact act of trust. Tomorrow, on the show, we
- 59:08Speaker 5: count down the twenty songs the Diaspora is moving this week.
- 59:12Speaker 5: I want you to listen for which one of these
- 59:14Speaker 5: records started rooms like the ones that I just described,
- 59:18Speaker 5: because the ones that did are the future of this
- 59:20Speaker 5: music business. See you guys tomorrow.
- 59:23Speaker 2: The data backet can happen laugh in the United States,
- 59:29Speaker 2: Brook of New York. Shit boy, you met me up too,
- 59:33Speaker 2: the data backet an get a con.
- 59:36Speaker 5: I'm speed trap.
- 59:40Speaker 49: We got the street slap over the season shop EMC
- 59:43Speaker 49: in the Rap. I came to see to my nies
- 59:46Speaker 49: in a spot. On the count of three, drop your body.
- 59:48Speaker 5: Like your side.
- 59:49Speaker 2: Want young too, You wan two three young
- 59:54Speaker 49: Hos of snake charm and move your body like a
- 59:56Speaker 49: snake mama to make me want to put the