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ABRAMELIN Unleash Unholy Gory Glorified Sins · HEAVY Music Interviews

• 0:00
  Speaker 1: This is Matt and this is Simonde away from a
• 0:02
  Speaker 1: Bremlain and you're listening to heavy magazine special of.
• 0:10
  Speaker 2: Cold of course covers, dots, day, chilter, j.
• 0:31
  Speaker 3: Staker cock some tools als of salt.
• 0:37
  Speaker 4: Ji sar.
• 0:39
  Speaker 2: Jaws versus so sober down cold cold torture saltstrs Hi
• 1:00
  Speaker 2: you shy.
• 1:19
  Speaker 5: Stop dot dotles some first swords.
• 1:23
  Speaker 6: Us off first dog can dolepus three. There's dog thirty
• 1:29
  Speaker 6: yards what dog don't bart fire yards.
• 1:33
  Speaker 2: Or dog jumps big pack doll some so b doll
• 1:40
  Speaker 2: So do all the dolls drop some trucks rub drums
• 1:47
  Speaker 2: o dolls, the dolls and.
• 2:22
  Speaker 7: The old charm or cross or fall shirt drop and
• 2:28
  Speaker 7: storm or stood shirt bold girl about.
• 2:34
  Speaker 3: Drying light else I out.
• 2:38
  Speaker 2: Or the course or corser cross and love the lies
• 2:44
  Speaker 2: and start a lies.
• 2:46
  Speaker 4: Or SoRs or girls go door door doors by.
• 2:52
  Speaker 6: Already clies over doors p spirits are gold young days
• 2:58
  Speaker 6: and house starlies motols for a brillar source. The high
• 3:06
  Speaker 6: chats between your bish counts, big.
• 3:28
  Speaker 4: S so.
• 3:34
  Speaker 2: Dry dogs das trucks come of your docks, a vast
• 3:41
  Speaker 2: balls the most store her stored to cross the older
• 3:51
  Speaker 2: colder colder tars old words and by job her covers.
• 4:15
  Speaker 8: What I've been thinking today over in my mind for
• 4:26
  Speaker 8: probably the last couple of days, and the reason being
• 4:29
  Speaker 8: is that Simon, I've known you for over thirty years,
• 4:33
  Speaker 8: not as a close friend or whatever, but since the
• 4:36
  Speaker 8: since the days back in that fucking little cubicle that
• 4:41
  Speaker 8: was Modern Invasion music and you used to.
• 4:44
  Speaker 9: Have that that long hair down the front, you know,
• 4:46
  Speaker 9: being ast medal as fuck, Matt.
• 4:49
  Speaker 8: I've known you since twenty seventeen when I first saw
• 4:53
  Speaker 8: you play with Abramawin. Simon, some of my closest, sorry,
• 4:58
  Speaker 8: fondest memories of being a metal journalist and doing what
• 5:03
  Speaker 8: I've done for so long is having you as a
• 5:07
  Speaker 8: part of my metal existence. And I'm not going to
• 5:13
  Speaker 8: fanboy with this at all, but those times when I
• 5:16
  Speaker 8: used to ring you, when you used to work at
• 5:17
  Speaker 8: Shock and stuff, and you and Sally used to come
• 5:20
  Speaker 8: into the studio and you know we used to kind
• 5:24
  Speaker 8: of hang out and stuff. You know, they actually formed
• 5:27
  Speaker 8: a very very big part of who I am as
• 5:31
  Speaker 8: an extreme metal fan and where I am today. I
• 5:36
  Speaker 8: would like to ask you what made you who you
• 5:40
  Speaker 8: are today?
• 5:41
  Speaker 10: Wow?
• 5:49
  Speaker 1: Look God saying well, I mean Look, it's a whole
• 5:52
  Speaker 1: lot of life experiences really, and I mean it's a
• 5:55
  Speaker 1: lot of that is from the places I worked, and
• 6:01
  Speaker 1: probably more so than definitely spoken much time that I
• 6:08
  Speaker 1: worked working track when I was there for over ten
• 6:12
  Speaker 1: years the first time, so being being part of the industry,
• 6:19
  Speaker 1: you know, like working all of the big international metal
• 6:22
  Speaker 1: labels that I worked, and you know, going overseas and
• 6:25
  Speaker 1: hanging with said labels, touring with all the bands that
• 6:29
  Speaker 1: we toured back then.
• 6:32
  Speaker 11: Yeah, it's everything I suppose and then and then I
• 6:36
  Speaker 11: think a big part of that too for me, like
• 6:38
  Speaker 11: you know, being you know, doing what I do in
• 6:41
  Speaker 11: today with them, and just in my life in general too.
• 6:46
  Speaker 1: I mean, of course for anyone who knows me, like
• 6:47
  Speaker 1: horror in general has been a massive.
• 6:50
  Speaker 11: Influence in my life and and and still is to
• 6:54
  Speaker 11: this very day.
• 6:54
  Speaker 1: I mean I've been reading Horror for over forty years
• 6:57
  Speaker 1: and watching it for as long as I can remember,
• 6:59
  Speaker 1: back into my childhood.
• 7:00
  Speaker 11: So that's always shaped things for me.
• 7:03
  Speaker 1: So yeah, nasty music, nasty films, nasty books makes a
• 7:06
  Speaker 1: happy guy.
• 7:10
  Speaker 9: And a perfect husband and father as well. Yeah, for sure, Matt,
• 7:17
  Speaker 9: I don't know you that.
• 7:18
  Speaker 8: Well, but we have spoken a fair bit, and yes,
• 7:21
  Speaker 8: we have talked a lot about Abramlain And I realized
• 7:24
  Speaker 8: today when I had my T shirt on, I've actually
• 7:26
  Speaker 8: it was at the Parkas show, when we're at the
• 7:28
  Speaker 8: Northcott Norcott Theater, which is when you surprised me with
• 7:31
  Speaker 8: that beautiful news.
• 7:34
  Speaker 9: You are prolific, you are extreme, You've been You've been
• 7:37
  Speaker 9: around for a long time. Saying back at you, mate,
• 7:40
  Speaker 9: what made you the person that you are today?
• 7:44
  Speaker 12: Well, this is going to all sound a bit sort
• 7:46
  Speaker 12: of a bit contrived and weird, but I've got to say,
• 7:51
  Speaker 12: fucking a Bremla and Blake is it played a big
• 7:56
  Speaker 12: part of who I am now and sort of why
• 8:00
  Speaker 12: and where I am. You know, I was, I mean,
• 8:04
  Speaker 12: as well as fucking everything else in life, of course,
• 8:07
  Speaker 12: you know, experiences and people and bands and everything. But
• 8:13
  Speaker 12: you know I used to go and see a Bremlin play.
• 8:15
  Speaker 12: The first time I saw a Bremlin play, I was,
• 8:18
  Speaker 12: I was underage, and it was it was at the
• 8:21
  Speaker 12: fucking all ages Campbell Corps show. You're right and yeah,
• 8:27
  Speaker 12: and after seeing that, seeing a Bremlin there, that sort
• 8:32
  Speaker 12: of just set me on a bit of a path.
• 8:33
  Speaker 12: And you know, I was already into death metal of course,
• 8:36
  Speaker 12: but yeah that like you know me and you know
• 8:42
  Speaker 12: on the people sort of my age. So I mean,
• 8:45
  Speaker 12: like you know Dave, Dave Hailey, he's the same lot
• 8:48
  Speaker 12: we both loved of Bremlin when we were younger, you know.
• 8:52
  Speaker 12: And if it wasn't for sort of me, you know,
• 8:59
  Speaker 12: all that years ago sort of you know, tracking down
• 9:02
  Speaker 12: Simon at shop and saying, look, you know, if you
• 9:05
  Speaker 12: guys need a guitarist, I'll play, and then it all
• 9:09
  Speaker 12: came to fruition and then me sort of you know,
• 9:11
  Speaker 12: sitting there learning all those old songs of the self
• 9:14
  Speaker 12: titled album and the the EP prior. You know, like
• 9:18
  Speaker 12: if I hadn't learned those songs all that time ago,
• 9:22
  Speaker 12: you know, I'd be a different guitarist than what I
• 9:24
  Speaker 12: am now. And given the guitar is obviously such a
• 9:28
  Speaker 12: fucking massive part of my life, I'd be a different
• 9:31
  Speaker 12: person than what I am now if it wasn't for
• 9:34
  Speaker 12: you know, joining at Bremlin when I was young and
• 9:38
  Speaker 12: just learning all that stuff and just being for me
• 9:40
  Speaker 12: with that album when I was young as well. So yeah,
• 9:43
  Speaker 12: all of the usual shit in life. And also a
• 9:46
  Speaker 12: Remblin twenty five years ago with me on the path
• 9:49
  Speaker 12: of who I am and where I am Now.
• 9:51
  Speaker 8: That is beautiful, Matt, like, that is the epitome of
• 9:56
  Speaker 8: a Bramla and Simon, and I promise I'm not going
• 9:59
  Speaker 8: to fan and my dog. Actually a couple of months
• 10:02
  Speaker 8: ago wrecked my Carcass heartwork to a poster frame that
• 10:08
  Speaker 8: the post is still fine. But that was when, like
• 10:11
  Speaker 8: the first time I saw you, I have that I
• 10:13
  Speaker 8: have the modern in vision mud Invasion makes modern people,
• 10:16
  Speaker 8: you know. I still have that black and yellow and
• 10:18
  Speaker 8: red acron supporting supporting Carcass.
• 10:22
  Speaker 9: And it was on Australian Music Day.
• 10:24
  Speaker 8: In nineteen ninety three and I traveled four and a
• 10:27
  Speaker 8: half hours from Warnable to see you and Carcass that day.
• 10:31
  Speaker 8: That's like, I cannot understate how important that Abramlin are
• 10:37
  Speaker 8: not only in Australian music but in death metal overall period.
• 10:44
  Speaker 8: Like when I found out that you were reforming, I
• 10:47
  Speaker 8: fucking lost my mind. The only two other bands that
• 10:49
  Speaker 8: I would ever do that for is Damaged an Acid
• 10:53
  Speaker 8: Bath right transgression from Acron is it still holds up to.
• 10:57
  Speaker 9: This day, Mate, thirty years later.
• 10:58
  Speaker 8: You have to agree human Able Avatoire and Humbler Bow,
• 11:02
  Speaker 8: the two of the like the greatest metal songs ever written, Matt,
• 11:05
  Speaker 8: would you agree.
• 11:06
  Speaker 12: Yep, I'd say human averatoise, like fucking just timeless, you know,
• 11:11
  Speaker 12: Like I love that song. I'm so happy that we
• 11:12
  Speaker 12: play it every you know, it's just like it's the
• 11:15
  Speaker 12: one that I'm waiting for in the scent anyway, because
• 11:21
  Speaker 12: it's the easiest, so.
• 11:25
  Speaker 13: Dave, But no, you're right, I want to go back
• 11:28
  Speaker 13: to ninety three, ninety four, sorry ninety two when you
• 11:32
  Speaker 13: when you wrote that and playing it now, do you like,
• 11:36
  Speaker 13: are you obviously readinvigorator because you're back in a Bromlin,
• 11:41
  Speaker 13: But does it take you back to a time.
• 11:43
  Speaker 9: That was very very special? Yeah?
• 11:45
  Speaker 6: It does.
• 11:45
  Speaker 1: I mean when we recorded that EP back in Jesus
• 11:49
  Speaker 1: was ninety three, ninety four whatever it was when we
• 11:51
  Speaker 1: did it was you know, like I started at shocking
• 11:54
  Speaker 1: ninety four and then it wasn't too long after that.
• 11:56
  Speaker 1: I jumped on board and said, right, you needn straight away,
• 12:01
  Speaker 1: and they did, which was pretty cool. But yeah, I mean,
• 12:04
  Speaker 1: that was such an amazing time in metal back then.
• 12:06
  Speaker 1: You know, it was a particularly amazing time for metal,
• 12:10
  Speaker 1: Like all the bands we were playing with back then,
• 12:12
  Speaker 1: it was it was fucking.
• 12:13
  Speaker 11: So good, and that whole experience of recording back then.
• 12:16
  Speaker 1: I was ironically, I was doing an interview earlier on
• 12:18
  Speaker 1: Today and they were asking about the recording process of
• 12:23
  Speaker 1: Sins of the Father, and I was comparing it to
• 12:26
  Speaker 1: the recording process of like when we did Transgression all
• 12:29
  Speaker 1: the way back then, and like how different it was,
• 12:32
  Speaker 1: you know, as opposed.
• 12:33
  Speaker 11: To how I do it now. It's just like or
• 12:35
  Speaker 11: how we all do it now. Yeah, it's very, very different.
• 12:39
  Speaker 1: So the recording process that like doing it, like Justin
• 12:42
  Speaker 1: who was playing bass for us back at the time, did.
• 12:46
  Speaker 11: In house at our commercial radio station in the city,
• 12:49
  Speaker 11: which makes it even more hilarreous.
• 12:51
  Speaker 4: Yeah, and.
• 12:54
  Speaker 11: Yeah, yeah, look, it definitely does take me back.
• 12:57
  Speaker 1: But like I still I really enjoy playing Human in
• 13:00
  Speaker 1: this day at age two because it's like I sing
• 13:03
  Speaker 1: it differently to the way I used to sing it
• 13:04
  Speaker 1: back then, and I like the way that the energy
• 13:08
  Speaker 1: of every time we play, like we know what we
• 13:10
  Speaker 1: create on the stage where it brings on the crown
• 13:12
  Speaker 1: always gets people.
• 13:15
  Speaker 9: Yeah, yeah, always like that said, exactly right, all.
• 13:19
  Speaker 11: Right, this is asignment from a bremlin and.
• 13:20
  Speaker 14: This is human happy.
• 13:45
  Speaker 4: Yeah m hm.
• 15:00
  Speaker 14: Oh.
• 16:21
  Speaker 5: The ball.
• 16:28
  Speaker 4: By the door, the.
• 16:56
  Speaker 5: Door both got to do.
• 18:58
  Speaker 11: Signon from a bremlin again and this is.
• 19:01
  Speaker 15: Coolers okay bird, oh oh s.
• 19:34
  Speaker 2: S. Don don.
• 19:53
  Speaker 5: Stop work.
• 19:58
  Speaker 2: Work a little word.
• 20:10
  Speaker 16: No, no.
• 20:34
  Speaker 4: The don.
• 20:36
  Speaker 2: For the berber or for.
• 20:45
  Speaker 4: The word or.
• 20:53
  Speaker 2: No, don't over orner go there, don't, don't around the
• 21:02
  Speaker 2: door to go, don't don't got start after doll, don't
• 21:07
  Speaker 2: do don't.
• 21:08
  Speaker 16: Go right after bird?
• 21:13
  Speaker 4: No oh no, no, no no.
• 23:04
  Speaker 8: So there's been a lot of different recording processes and
• 23:07
  Speaker 8: stuff throughout Abramolin's career. You recorded with DW a couple
• 23:12
  Speaker 8: of times, you know, then you went on to Never
• 23:15
  Speaker 8: Enough and now you've got Sins of the Father coming out,
• 23:18
  Speaker 8: and you were talking about the differences in recording and
• 23:20
  Speaker 8: stuff like that. Tell us about how the recording process
• 23:26
  Speaker 8: for Death Battal from thirty years ago has progressed with
• 23:30
  Speaker 8: you through to now.
• 23:32
  Speaker 6: Matt.
• 23:32
  Speaker 9: Could you answer that.
• 23:34
  Speaker 12: Yeah, I'm still I mean things have changed obviously. I
• 23:38
  Speaker 12: guess I was always in the digital age, Like I
• 23:43
  Speaker 12: don't think I ever recorded anything to tape, certainly nothing
• 23:46
  Speaker 12: that could wound up being released. So yeah, the first
• 23:51
  Speaker 12: the first thing is I did, like I guess, in
• 23:54
  Speaker 12: a professional level, they were they were all on protals,
• 23:57
  Speaker 12: so it was it was always digital. I guess the
• 24:01
  Speaker 12: main things that have changed, like for me is and
• 24:06
  Speaker 12: perhaps like just recording bands in general, is things are
• 24:12
  Speaker 12: a lot more. There's a lot more that you can
• 24:15
  Speaker 12: do yourself these days. I mean, I'll always record for
• 24:20
  Speaker 12: a long time. I've recorded all my own guitars, and
• 24:23
  Speaker 12: I'll take them to a proper studio to just to
• 24:26
  Speaker 12: basically re anthem. So I'll do all the you know,
• 24:30
  Speaker 12: I'll play the same with twenty times until I get
• 24:32
  Speaker 12: it right, or I'll fucking throw the guitar out of
• 24:34
  Speaker 12: the window, or I'll do all the painful work at home.
• 24:38
  Speaker 12: That way, at least I'm not spending money sort of
• 24:41
  Speaker 12: sat in the studio trying to nail performances or whatever.
• 24:45
  Speaker 12: Or if I'm having a bad day and I can't,
• 24:47
  Speaker 12: I just can't play properly, then I can just stop
• 24:50
  Speaker 12: come back the next day.
• 24:52
  Speaker 4: So for me to.
• 24:53
  Speaker 12: Record, it's it's pretty easy, and it's it's a it's
• 24:59
  Speaker 12: a it's a really cost effective way because I can
• 25:01
  Speaker 12: do all my parts. I can take them all to
• 25:03
  Speaker 12: the studio someone that really knows what they're doing with
• 25:05
  Speaker 12: pulling sounds and making out amps and rooms and using
• 25:09
  Speaker 12: different equipment, and then they can, you know, they can
• 25:13
  Speaker 12: spend however much time it needs to get those sounds
• 25:17
  Speaker 12: and then just essentially press play and run the whole
• 25:20
  Speaker 12: thing back and that's you know, that's the same with
• 25:23
  Speaker 12: the bass. A lot of stuff can be done at
• 25:25
  Speaker 12: home to sort of save money, I guess, even sort
• 25:27
  Speaker 12: of pre production sort of stuff like click tracks and
• 25:31
  Speaker 12: guy guitars and things for you know, for things to
• 25:35
  Speaker 12: day to play drummers onto, Like he'll have all the
• 25:37
  Speaker 12: click tracks and all the tempos, everything sort of ready
• 25:40
  Speaker 12: to go before he goes to the studio, which I
• 25:44
  Speaker 12: think maybe quite a few years ago that might have
• 25:48
  Speaker 12: been a little bit different, and perhaps drummers weren't so
• 25:52
  Speaker 12: used to playing to click tracks and all that sort
• 25:55
  Speaker 12: of stuff. So I think it's just a matter of preparation,
• 25:58
  Speaker 12: Like the ability to be sort of well prepared is
• 26:03
  Speaker 12: a bit more available now. And I guess even with Simon,
• 26:09
  Speaker 12: like we with this album, we spent a fair bit
• 26:11
  Speaker 12: of time working together as opposed to rehearsing the songs
• 26:17
  Speaker 12: in the studio in a live band setting. We spent
• 26:20
  Speaker 12: a bit of time together. It's just messing around with
• 26:23
  Speaker 12: vocal arrangements like that's want to go next. You know,
• 26:27
  Speaker 12: I'm sure someone can speak a little bit more about
• 26:29
  Speaker 12: how different that has been from previous sort of previous
• 26:34
  Speaker 12: albums that he's done. But yeah, like you know, we
• 26:37
  Speaker 12: would just catch up once or twice a week and
• 26:40
  Speaker 12: just maybe roughly plan out the arrangement of a song,
• 26:43
  Speaker 12: and then he would go away fine tunit and then
• 26:47
  Speaker 12: just go to.
• 26:47
  Speaker 11: The studio without necessarily having.
• 26:51
  Speaker 12: Rehearsed as a full band.
• 26:53
  Speaker 8: Yeah right, Simon sane for you because your vocals are
• 26:57
  Speaker 8: very different. You know, You've got those beautiful like love
• 27:00
  Speaker 8: breathy bits, the extreme shrills, and those beautiful extreme.
• 27:07
  Speaker 4: Brutal parts.
• 27:08
  Speaker 11: Is it different for you?
• 27:10
  Speaker 1: Yeah, Look, I've I've definitely tried to make some adjustment
• 27:15
  Speaker 1: to my voices, my voice over the years, I mean,
• 27:18
  Speaker 1: back in you know, Transgression, and I suppose even on
• 27:21
  Speaker 1: the self titled too is a little more one dimensional,
• 27:24
  Speaker 1: whereas now I try and mix it up as much
• 27:27
  Speaker 1: as I can, and exactly like you said, with the
• 27:29
  Speaker 1: deep stuff, with the higher stuff, some rusty stuff in between,
• 27:31
  Speaker 1: and even some you know, borderline spoken word bits and
• 27:34
  Speaker 1: pieces too.
• 27:35
  Speaker 11: I do as a death metal vocalist.
• 27:37
  Speaker 1: Although I try and make it as heavy as I
• 27:41
  Speaker 1: possibly can, I do actually want people to understand what
• 27:43
  Speaker 1: I'm saying.
• 27:45
  Speaker 11: Yeah, And you have a lot of people go with
• 27:48
  Speaker 11: death betal.
• 27:49
  Speaker 1: I can't understand it, and I'm like, well, I compare
• 27:52
  Speaker 1: like singing well with death metal vocals to like listening
• 27:55
  Speaker 1: to someone who speaks with a thick accent. You know,
• 27:57
  Speaker 1: once you get to hit around the sort of the accent, Okay,
• 28:00
  Speaker 1: I can actually understand what you're saying. Yeah, if they
• 28:03
  Speaker 1: look at the lyrics and then go actually, yeah, it's
• 28:05
  Speaker 1: really obvious what you're saying when they get their head
• 28:08
  Speaker 1: around it.
• 28:08
  Speaker 11: So there's a level of weight. You can go really deep.
• 28:11
  Speaker 11: And I do see of a vocalist not saying it's.
• 28:16
  Speaker 1: A bad thing or whatever, but doing like the mic
• 28:18
  Speaker 1: cupping to sort of like get that deeper sort of
• 28:21
  Speaker 1: like vocal sound, whereas I actually try and do it
• 28:23
  Speaker 1: odd school from like back here for me, it's like
• 28:25
  Speaker 1: what you conjure up and everything else here is like
• 28:27
  Speaker 1: then it's for me. For me, that's more real and
• 28:30
  Speaker 1: that's the way. But plus like old school as buck,
• 28:32
  Speaker 1: so that's not But getting back to like for the
• 28:36
  Speaker 1: question and what Matt was talking about. Yeah, like for
• 28:39
  Speaker 1: I think we might have done something similar for Never
• 28:43
  Speaker 1: Enough Stuff as well, but definitely for Sins of the Father.
• 28:47
  Speaker 11: The vocals wouldn't sound like they do it all if
• 28:49
  Speaker 11: it wasn't for Matt. Like Matt was just fucking awesome
• 28:53
  Speaker 11: like I had. He was like his song and I've
• 28:56
  Speaker 11: like written lyrics and I bring it in and He's
• 28:58
  Speaker 11: just like, no, mate, how about we chop out this?
• 29:01
  Speaker 14: This? This?
• 29:01
  Speaker 11: This okay? As long as the story, because like everything.
• 29:04
  Speaker 1: I do, when I write the lyrics, it has to
• 29:06
  Speaker 1: have like a bit of a story, and it's a
• 29:08
  Speaker 1: mini horror film or a minion horror whatever else. Ye
• 29:13
  Speaker 1: got to like flow and be it's its own little
• 29:16
  Speaker 1: little things. So as long as I can keep that
• 29:17
  Speaker 1: and like drop a few words here and there and
• 29:19
  Speaker 1: bring it together. But this time was very much me
• 29:23
  Speaker 1: and Matt bringing it together, and a little bit from
• 29:25
  Speaker 1: Market the studio as well, who recorded all the vocals,
• 29:28
  Speaker 1: and I'm Never Enough Stuff. We had Dave in the
• 29:30
  Speaker 1: mix as well too. But yeah, because I'm still very
• 29:34
  Speaker 1: attuned to what was happening in the nineties with Death
• 29:37
  Speaker 1: Matter really dragged myself into the modern age. I would
• 29:42
  Speaker 1: sing probably like I used to it, it would be
• 29:44
  Speaker 1: a little bit more one dimensional. So yeah, if it
• 29:47
  Speaker 1: wasn't up from that with the vocal arrangements, it has
• 29:51
  Speaker 1: made it a massive difference.
• 29:54
  Speaker 9: Look at you, Matt, like just playing with one of
• 29:56
  Speaker 9: the fucking gas that. Hey, we're talking about Never Enough Snuff.
• 30:02
  Speaker 9: Let's play a track from that, Matt. Do you want
• 30:04
  Speaker 9: to pick a song from Never Enough Snuff and tell
• 30:07
  Speaker 9: us why you chose it.
• 30:09
  Speaker 12: I'm gonna pick moon Dogs from Never Enough Stuff. And
• 30:13
  Speaker 12: I'm gonna pick it just because I guess the moon
• 30:15
  Speaker 12: Dog is a were wolf. Really, isn't it kind of
• 30:18
  Speaker 12: seems fitting really, so yeah.
• 30:34
  Speaker 6: Go cross or store shot Dog Dogs starts first car,
• 30:39
  Speaker 6: drunk car, Foxler Stars drug car, well car, build Baby, I'll.
• 30:48
  Speaker 4: Get arry eisode us stars, sold.
• 30:52
  Speaker 3: Guard, no car.
• 30:56
  Speaker 2: Most rolls are.
• 31:00
  Speaker 4: Scars or lusts, soldier.
• 31:04
  Speaker 16: Why a name?
• 31:20
  Speaker 4: Theirs are older, doors are dolls, rost.
• 31:24
  Speaker 2: Sauce bottles, ultra ponts.
• 31:28
  Speaker 4: Ultra colfer, ultivorceles.
• 31:31
  Speaker 2: House earls are called old dolts.
• 31:34
  Speaker 3: All the person.
• 31:54
  Speaker 4: Stuffert There are stuffer sei a doll birds.
• 31:58
  Speaker 6: All darts, urspro over sorry pray do so old so
• 32:07
  Speaker 6: broad a rock shuttle over gard, turk dog burrow.
• 32:12
  Speaker 4: Surce goltur arst sarce gas.
• 32:17
  Speaker 2: A post sorry.
• 33:00
  Speaker 4: Over arre sort.
• 33:09
  Speaker 6: Balls so sor sturn, rolls of darts, rollsurs brow bo
• 33:15
  Speaker 6: go boat bow closer nor fer a dance that styn
• 33:37
  Speaker 6: so ross hard through hard park so sure soros er Arrior,
• 33:44
  Speaker 6: don r s roster sir bay got john cats to
• 33:48
  Speaker 6: bag dance gay hey no by gurds, dolls, dirt, bardy dance,
• 34:17
  Speaker 6: th old, trunk dark corntllar.
• 34:20
  Speaker 2: Work dog curse very all where yards don't dirt, todd
• 34:24
  Speaker 2: slar doll dollar short story bust. We all try all
• 34:28
  Speaker 2: for they all.
• 34:30
  Speaker 17: Stars arst holler.
• 34:32
  Speaker 4: I get botalls and starts first ally all.
• 34:36
  Speaker 6: The stars outballs your shop and gard turn oncoll from
• 34:42
  Speaker 6: We all don't burst doll somewhere lard stalls, some holls
• 34:47
  Speaker 6: say hosties.
• 34:57
  Speaker 4: Or cars no curse James.
• 35:02
  Speaker 11: Now, this is Matt and this is Simon.
• 35:07
  Speaker 1: We're from a Bremelain and you're listening to Heavy magazine
• 35:10
  Speaker 1: special of a Brelin.
• 35:12
  Speaker 9: We're back.
• 35:13
  Speaker 8: This is melv talking about Matt Simon from a Bramlin
• 35:17
  Speaker 8: like one of my favorite bands of all time.
• 35:19
  Speaker 9: On June twenty three, I've got it in front of me.
• 35:22
  Speaker 8: Lots of news in the in the Abramelain camp and
• 35:25
  Speaker 8: after the writing process, Tim Oldridge decided to step away. Simon, First,
• 35:31
  Speaker 8: to you, being collaborating with him for all those years,
• 35:35
  Speaker 8: how did you take that?
• 35:37
  Speaker 9: And is Tim okay?
• 35:39
  Speaker 11: Yeah?
• 35:39
  Speaker 1: To answer the second question, first, it's I'm not sure
• 35:43
  Speaker 1: how Tim is doing because we've sort of lost touch
• 35:45
  Speaker 1: with Tim okay and we had for a while there.
• 35:48
  Speaker 11: So without going into too much detail.
• 35:51
  Speaker 1: Like Matt wrote into the Father in Lockdown and then
• 35:55
  Speaker 1: basically said, look, I've written a new album while he
• 35:58
  Speaker 1: was sitting on his ass like we all were not
• 36:00
  Speaker 1: doing much, and Tim would you like to contribute some tracks?
• 36:03
  Speaker 1: And we waited and waited and waited and nothing was
• 36:06
  Speaker 1: really forthcoming. So it was like, okay, well we're going
• 36:09
  Speaker 1: to roll with Matt songs and one of Rob's as
• 36:11
  Speaker 1: well too, And then it.
• 36:13
  Speaker 11: Was like, right, well, here's the tracks.
• 36:14
  Speaker 1: Can we get you into the studio record And we
• 36:17
  Speaker 1: waited and waited and waited again, and he just once
• 36:19
  Speaker 1: again wouldn't come to the party and get to the studio,
• 36:22
  Speaker 1: which was pretty frustrating for us. So, I mean realistically,
• 36:25
  Speaker 1: since the father probably would have come out over a
• 36:27
  Speaker 1: year ago.
• 36:28
  Speaker 11: If they could have been able to pull everything together
• 36:31
  Speaker 11: at the time.
• 36:32
  Speaker 1: But of course it didn't happen, so unfortunately, Matt, well
• 36:36
  Speaker 1: not unfortunately Matt had to go back into the studio and.
• 36:38
  Speaker 11: Then back all those and after doing all the solos
• 36:43
  Speaker 11: and everything else too. But it's yeah, it is what
• 36:46
  Speaker 11: it is. Look, it was.
• 36:47
  Speaker 1: It was a shame to lose Tim, but he just yeah,
• 36:50
  Speaker 1: just just wouldn't come to the party. His heart was
• 36:52
  Speaker 1: and it was either we wait for him eternally or
• 36:57
  Speaker 1: we we just roll on without. I was able, like
• 37:00
  Speaker 1: we ever kept going without, and it was we were like, no,
• 37:03
  Speaker 1: fuck that, We're going to keep going.
• 37:05
  Speaker 8: So I just wanted to ask that question. It was
• 37:08
  Speaker 8: just a Tim is Tim Okay? You answered it, Swim.
• 37:11
  Speaker 8: If you want me to cut it out, I'm happy
• 37:12
  Speaker 8: to do that.
• 37:13
  Speaker 11: I mean, it's the truth. That's a story without getting
• 37:15
  Speaker 11: into too much nitty gritty what do you reckon?
• 37:17
  Speaker 12: Yeah, I mean I think it's cool. I mean it's
• 37:20
  Speaker 12: It was pretty frustrating because me and David done basically recorded.
• 37:25
  Speaker 12: David recorded the drums such a long time ago and
• 37:29
  Speaker 12: recorded one guitar, like the left guitar, so to speak
• 37:33
  Speaker 12: again a long time.
• 37:35
  Speaker 4: Ago, and.
• 37:37
  Speaker 12: Yeah, I mean I felt I felt a bit weird.
• 37:41
  Speaker 12: I did feel a bit weird sort of doing the
• 37:45
  Speaker 12: other guitar and doing the solos because I mean, you know,
• 37:49
  Speaker 12: like like fucking Tim's playing is like I said earlier,
• 37:54
  Speaker 12: it's it's what sort of brought.
• 37:56
  Speaker 4: Me to where I am now.
• 37:57
  Speaker 12: You know, that's where I learned to play sort of
• 37:59
  Speaker 12: extreme metal, you know, when I was like a fucking teenager.
• 38:02
  Speaker 12: So yeah, well I can probably speak confidently saying that
• 38:07
  Speaker 12: both me and Dave were a little bit hesitant to
• 38:10
  Speaker 12: sort of to carry on. But you know, Simon Rob
• 38:16
  Speaker 12: said to us both, like you've written an album, has
• 38:19
  Speaker 12: done this, like let's let's do it.
• 38:22
  Speaker 4: And the more the more I.
• 38:23
  Speaker 12: Thought about it, the more appropriate it seemed to just
• 38:26
  Speaker 12: carry on and you know we've we've done a good album.
• 38:29
  Speaker 12: And it's yeah, personally speaking, it's you know, like it's
• 38:34
  Speaker 12: a real shame that Tim couldn't sort of get himself involved,
• 38:40
  Speaker 12: but because it is what it is now, So there
• 38:43
  Speaker 12: you go.
• 38:44
  Speaker 11: Thank you guys.
• 38:45
  Speaker 9: I really appreciate that open and openness and honesty. What
• 38:49
  Speaker 9: Simon you.
• 38:50
  Speaker 8: Pick a track from any of your back catalog and
• 38:54
  Speaker 8: tell us why you've picked it, and then we'll come back.
• 38:57
  Speaker 9: And talk about your new album.
• 39:00
  Speaker 12: Pickle instead. He's obviously not all right.
• 39:01
  Speaker 11: Yeah, I can't think of what off the top of
• 39:03
  Speaker 11: my head.
• 39:04
  Speaker 12: The second of those star Guyser.
• 39:06
  Speaker 11: Songs guysing, Yeah, yeah, you can play by it if
• 39:12
  Speaker 11: you want to, fucking this guy, Star guysing stars, Okay, cool.
• 39:26
  Speaker 4: By the guys go.
• 40:03
  Speaker 5: Uh ball of birds or bolder or door b b
• 40:33
  Speaker 5: a ba bir.
• 40:34
  Speaker 4: Do doder doll doll bur Yeah like a y doll
• 40:38
  Speaker 4: by doll.
• 40:48
  Speaker 5: Ball girl says a ball beer all tup a doctor
• 40:51
  Speaker 5: doll sce older, don't try.
• 40:54
  Speaker 6: About all right, no fash guy ball for full Sada,
• 41:12
  Speaker 6: I died full source of bulls that.
• 41:58
  Speaker 10: So or so over.
• 42:04
  Speaker 4: Right, not go under.
• 42:15
  Speaker 6: Or sortal over so go Bert, Yeah, I got dark guy.
• 42:28
  Speaker 14: Uh, that's I got for door.
• 42:38
  Speaker 4: H that's that's I got.
• 42:40
  Speaker 6: Go for.
• 42:56
  Speaker 4: Hot water.
• 43:18
  Speaker 9: All right, heavy mag Talking to Simon and Matt from
• 43:21
  Speaker 9: a Bramlin.
• 43:22
  Speaker 8: The last two kind of conceptual pieces of never Enough
• 43:26
  Speaker 8: Snuff and continuing on to Sins of the Father. Now
• 43:30
  Speaker 8: pretty graphic, but a lot of thought and love has
• 43:32
  Speaker 8: been put into it, Simon obviously courtesy of you. Tell
• 43:35
  Speaker 8: us about the artistic process creating like the cadavers and
• 43:40
  Speaker 8: the blood and the gore, and how much fun was
• 43:43
  Speaker 8: it and how much of a voice does it have
• 43:47
  Speaker 8: to what you created?
• 43:48
  Speaker 1: For me, it's become seems never enough snuff and having
• 43:50
  Speaker 1: the opportunity to do what I did.
• 43:54
  Speaker 11: So when when we came back from our break.
• 43:58
  Speaker 1: That we had from two thousand and two twenty fourteen,
• 44:02
  Speaker 1: we were in the studio and as well as going
• 44:04
  Speaker 1: over the old stuff, Tim's like, I've got a new
• 44:06
  Speaker 1: song and that new song was never for enough Snuff,
• 44:09
  Speaker 1: And I'm like, oh, well, the guys are learning a
• 44:11
  Speaker 1: new song.
• 44:12
  Speaker 11: Like what the fuck am I going to do here?
• 44:13
  Speaker 1: I'm like a bit of a fifth wheel literally, so
• 44:15
  Speaker 1: I'm just going to sit down and smash out some
• 44:17
  Speaker 1: lyrics and never enough stuff. That was the first song
• 44:19
  Speaker 1: that I wrote, and I just wrote it in one go.
• 44:21
  Speaker 1: I just sat there and went bang bang bang bang
• 44:23
  Speaker 1: bang bang bang. I just recently read a book called
• 44:26
  Speaker 1: Survivor by J. F. Gonzales, which is it's about snuff
• 44:29
  Speaker 1: films pressure of my mind. So I thought, great, I'll
• 44:32
  Speaker 1: write a snuff sting, and at that moment I thought,
• 44:36
  Speaker 1: if we ever do an album, I'm.
• 44:37
  Speaker 11: Going to recreate a snuff film as the cover.
• 44:42
  Speaker 12: So I went to.
• 44:45
  Speaker 1: I went to my friend Lee, who does special effects
• 44:48
  Speaker 1: make up and film and television, and said, here's what
• 44:52
  Speaker 1: I want to do. So yeah, we went over to
• 44:54
  Speaker 1: their place, set up in their garage, got about Tim
• 44:57
  Speaker 1: on board with his partner Michelle to be the victim,
• 45:00
  Speaker 1: and yeah, another friend of mine, Mardy, who as a photographer.
• 45:03
  Speaker 11: And just went ahead and Never Enough Snuff moving on
• 45:06
  Speaker 11: to Sins of the Father a lot more complicated.
• 45:09
  Speaker 1: So we had eight people including myself in the crew
• 45:13
  Speaker 1: to create the cover art for Never Enough Stuff.
• 45:16
  Speaker 4: So there was.
• 45:18
  Speaker 1: Firstly, we went down to see a guy called Larry
• 45:21
  Speaker 1: who works at Scarecrew Studios and have a look at
• 45:23
  Speaker 1: what he had available. So he's just like, we'll knock
• 45:26
  Speaker 1: himself out whatever you want in there. There was like corpses, limbs, vetuses,
• 45:32
  Speaker 1: fucking whatever. So I went down there with Lee and
• 45:35
  Speaker 1: the photographer Pauli, and then like we just you know,
• 45:37
  Speaker 1: went down had to look at all the stuff, went
• 45:39
  Speaker 1: out for lunch that day and said, well, what do
• 45:41
  Speaker 1: you reckon?
• 45:41
  Speaker 11: There was that prosthetic that.
• 45:43
  Speaker 1: We've got on the cover of the priest with his
• 45:46
  Speaker 1: like you know, the ribs that you can see inside
• 45:47
  Speaker 1: his guts and everything else too, and I want to
• 45:50
  Speaker 1: use that. How could we use that in something? And
• 45:52
  Speaker 1: I'm like, I want that with hands inside or whatever
• 45:56
  Speaker 1: else too, And we came up with the concept of
• 45:58
  Speaker 1: using a priest that we were going to fuck up.
• 46:02
  Speaker 1: And then yeah, I mentioned to my daughter, as hell,
• 46:06
  Speaker 1: woud you like to be on the album cover and
• 46:08
  Speaker 1: she was like yeah, And then she was like yeah
• 46:11
  Speaker 1: nah because she had her youth plub fans on. But
• 46:15
  Speaker 1: it was all the delays with the recording and everything,
• 46:17
  Speaker 1: we actually got to push the whole thing back, So
• 46:19
  Speaker 1: then she was back on board. Another friend of mine, Martin,
• 46:21
  Speaker 1: who's also where else, to work as a priest, and
• 46:25
  Speaker 1: then his wife is second photographer Lee again to do
• 46:29
  Speaker 1: all the makeup, and then of course none other than
• 46:34
  Speaker 1: the lovely missus Sally, who's done all of our albums
• 46:37
  Speaker 1: since the self titled, to get back on board again
• 46:40
  Speaker 1: to do all the after effects. And she fucking worked tirelessly,
• 46:45
  Speaker 1: put in so many hours. Like it's like the original
• 46:48
  Speaker 1: shots were good, but what sal did with.
• 46:50
  Speaker 8: It was just like wow, right, okay, we talked about
• 46:54
  Speaker 8: never enough Snuff. Yeah, let's play that because that was
• 46:58
  Speaker 8: the first song you wrote that. You said, reply that
• 47:00
  Speaker 8: and then we'll come back. I want to talk about
• 47:02
  Speaker 8: the concept two sins of the father.
• 47:27
  Speaker 4: For soldier, doors for Palmer sal joel ster.
• 47:31
  Speaker 6: We tall those dons adlgos all for wall or burners
• 47:36
  Speaker 6: call gloss and little dog besur s or SoRs or
• 47:49
  Speaker 6: stars so dirt waters orders, the dods a die that's
• 47:56
  Speaker 6: just my tirdagor b dodars.
• 47:59
  Speaker 18: Or don't down stone dim down stone stone die stoe down.
• 48:50
  Speaker 2: She don't figure before yong posa serdar or.
• 49:03
  Speaker 5: Soldiers horse four bars.
• 49:06
  Speaker 2: No car robos t car sold so yt r out
• 49:11
  Speaker 2: sold story dorst.
• 49:12
  Speaker 4: A hies and whys I saw your.
• 49:16
  Speaker 6: Sort cards at your stish a car star call pard
• 49:23
  Speaker 6: for a car do gorge also yo besh.
• 49:48
  Speaker 4: Bro h.
• 50:52
  Speaker 5: Parsolsold you were tall cost.
• 50:55
  Speaker 4: Four alphants possor hut where my show.
• 51:07
  Speaker 5: Dot com.
• 51:29
  Speaker 11: This is Matt and this is Simon.
• 51:31
  Speaker 1: We're from a Bremlain and you're listening to Heavy magazine
• 51:33
  Speaker 1: special of a Breblin.
• 51:36
  Speaker 9: Simon.
• 51:37
  Speaker 8: You mentioned and that you also mentioned about having pretty
• 51:43
  Speaker 8: much the album written, and Simon you were talking about
• 51:45
  Speaker 8: writing never enough snuff in one hit that I know
• 51:49
  Speaker 8: what your work schedule is and you smash out, you know,
• 51:52
  Speaker 8: thirty songs a day. Did you actually have Since of
• 51:55
  Speaker 8: the Father written out? And then Simon you came in
• 51:57
  Speaker 8: with the concept music or yeah, yeah, both musically and lyrically.
• 52:03
  Speaker 12: So so musically it's all pretty straightforward as far as
• 52:07
  Speaker 12: I'm concerned. I think I don't know where it came from,
• 52:11
  Speaker 12: but I had an idea I was right right do
• 52:15
  Speaker 12: another album. So over the course of a month or so,
• 52:19
  Speaker 12: I basically just wrote an album's worth of material and yeah,
• 52:24
  Speaker 12: that was it. That my part was done.
• 52:27
  Speaker 9: That doesn't sound like you at all, mate, Musically, it's just.
• 52:31
  Speaker 12: The usual affair for me. Just get it done, write
• 52:33
  Speaker 12: album done and move on. So yeah, my part was easy.
• 52:37
  Speaker 8: And Simon, so from there, Mad had obviously written the
• 52:40
  Speaker 8: album and you talked that there was a theme to
• 52:43
  Speaker 8: Sins of the Father.
• 52:45
  Speaker 9: What made you think of a theme and not just
• 52:47
  Speaker 9: songs on their.
• 52:47
  Speaker 11: Own, Well, it's well yes and no.
• 52:50
  Speaker 1: I mean that the tracks into the Father links to
• 52:52
  Speaker 1: the album cover and what that's all about, which is
• 52:55
  Speaker 1: about a killer priest who like you know, kids and
• 53:01
  Speaker 1: mutilates them and then offers their flesh to his dark
• 53:04
  Speaker 1: gods because he's not really your average priest. But then
• 53:06
  Speaker 1: the concept of the cover is then that's sort of
• 53:09
  Speaker 1: like how all the demonic forces whatever you want to
• 53:12
  Speaker 1: call it, that's him getting his come up and so
• 53:14
  Speaker 1: them coming up and.
• 53:15
  Speaker 11: Then you know, getting fucked in the heart with a
• 53:17
  Speaker 11: crucifix as you do.
• 53:19
  Speaker 9: So oh man, I love you. That's fucking yeah.
• 53:24
  Speaker 11: So yeah, that that that was what we came up
• 53:27
  Speaker 11: with conceptually to do.
• 53:29
  Speaker 1: And then the same thing that we did, like with
• 53:30
  Speaker 1: never Enough Snuff, I thought, well, we can't really have
• 53:33
  Speaker 1: on the cover because I thought, let's come up with
• 53:35
  Speaker 1: a secondary cover, and that's the one that put the
• 53:38
  Speaker 1: one of my daughter playing.
• 53:39
  Speaker 11: With the inside of the neck of the seven hand.
• 53:42
  Speaker 1: That's that's what the cover that would be appearing on
• 53:45
  Speaker 1: the outside and would also go for like any digitals
• 53:48
  Speaker 1: and whatever else to do, and would also appear on
• 53:51
  Speaker 1: the majority of the merchandise as well.
• 53:53
  Speaker 8: Can I just ask is your daughter like daughter like that?
• 53:56
  Speaker 8: She she loves horror, loveschool, loves that just a part
• 54:00
  Speaker 8: of it. Because Dad asked her too, option.
• 54:04
  Speaker 11: Bright definitely not yeah, a little bit.
• 54:09
  Speaker 1: It's just yeah, no, no, that dad with no filter
• 54:13
  Speaker 1: like saturated the kids with horror films when they were young, traumanized.
• 54:22
  Speaker 9: Now I know you've got two tracks or you've got
• 54:25
  Speaker 9: sorry one track.
• 54:26
  Speaker 8: Released, which is kind of flag Duration of the Dreamers,
• 54:29
  Speaker 8: Sins of the Father is coming out.
• 54:31
  Speaker 4: Have got that right?
• 54:31
  Speaker 1: Yeah, that's that's that one where that one is due
• 54:34
  Speaker 1: from release on the thirteenth of September. Yeah, depending on
• 54:37
  Speaker 1: when this rolls, you can most definitely play that, Okay.
• 54:40
  Speaker 11: I mean as it gets closer to the street day
• 54:43
  Speaker 11: as well too, Like I'm.
• 54:44
  Speaker 9: Going to ask that question, So let's let's play the
• 54:48
  Speaker 9: first single.
• 54:49
  Speaker 8: The cover is coming out on the twenty six, so
• 54:51
  Speaker 8: I think we're going to be okay for playing Sins
• 54:54
  Speaker 8: of the Father.
• 54:55
  Speaker 9: Obviously there's a theme to the album, but is there
• 54:57
  Speaker 9: a theme to those songs?
• 55:00
  Speaker 1: Well, yeah, well I'll just a lyrically Conflagation of the
• 55:05
  Speaker 1: Dreamers is a is like part two of Flash Furnace,
• 55:09
  Speaker 1: So it's like a follow up of what that young
• 55:12
  Speaker 1: boy who sets the Sleeping on fire, which is the
• 55:16
  Speaker 1: whole thing in the title.
• 55:17
  Speaker 11: That's that's what it's all about. So that's part two
• 55:20
  Speaker 11: of flash Furnace from Dead Speak.
• 55:22
  Speaker 1: And then there is another track on the album called
• 55:27
  Speaker 1: Deceased to State, which is sort of like a follow
• 55:28
  Speaker 1: up to humbler Bode, not musically but but lyrically. So
• 55:34
  Speaker 1: stuck at a bomb point with lyrics. And I was
• 55:36
  Speaker 1: like writing stuff, and I always like to try and
• 55:38
  Speaker 1: come up with something fresh, you know, like rather just
• 55:41
  Speaker 1: regurgitating the same ship, like have a different theme, have
• 55:44
  Speaker 1: a different story each time, so it's not all the
• 55:46
  Speaker 1: same same And and I was a little bit stuck.
• 55:49
  Speaker 11: And I was talking to a friend of a good
• 55:51
  Speaker 11: friend of mine, Steve, and it's just like, well, what
• 55:52
  Speaker 11: do you do some like you know, follow ups? He's like, well,
• 55:55
  Speaker 11: what's what about the pillow? What's he up to these days?
• 55:58
  Speaker 11: And you know whatever. I was just what no idea? Actually,
• 56:01
  Speaker 11: let's do some some sequel prequels. That's what Hollywood does.
• 56:04
  Speaker 1: So when I drag that into yeah, So so those
• 56:08
  Speaker 1: two tracks are surprising earlier tracks and everything else is
• 56:13
  Speaker 1: just sort of more standalone original.
• 56:16
  Speaker 19: Yeah, alright, disas to start thing called flag Dear actual Arena, sword.
• 57:09
  Speaker 2: Stop Bolter, fill girl or you all got no saw
• 57:13
  Speaker 2: cosh star saw girl.
• 57:16
  Speaker 6: All y'all goltrecord tell by those cultures frost sells that staf.
• 57:27
  Speaker 16: Also frossor.
• 57:31
  Speaker 5: It's coming all roll.
• 57:36
  Speaker 4: For sell.
• 57:39
  Speaker 2: Dot or go girlfold bad guys fris house four soldier.
• 57:45
  Speaker 6: Curs, strikest guy signs and balls started brock the same.
• 57:51
  Speaker 2: Persis sae bird go.
• 57:54
  Speaker 4: All wrong This guy say hasty.
• 57:56
  Speaker 2: Sause as.
• 58:08
  Speaker 20: I sat watts.
• 58:12
  Speaker 4: U s.
• 58:38
  Speaker 20: S side It was a story, the story of fiord
• 58:45
  Speaker 20: side all four birds words guy say concerts or stories
• 58:55
  Speaker 20: or girl the murder of chorus fos teble your stars
• 59:02
  Speaker 20: are false of all of the society.
• 59:20
  Speaker 5: Girls all good.
• 59:26
  Speaker 2: Cos old story.
• 59:33
  Speaker 4: Expose calledstal.
• 59:40
  Speaker 20: Cold girl sold gold.
• 59:45
  Speaker 3: Cool as no sor saut go.
• 1:00:12
  Speaker 20: What g door dor so or square rds cat or
• 1:00:26
  Speaker 20: spend or went god or request or a turch come
• 1:00:31
  Speaker 20: dost call dirty or hurt your dos, No burs call
• 1:00:36
  Speaker 20: their sir crust off artall boy or George to door
• 1:00:41
  Speaker 20: to door yard, no dots or burns at work well.
• 1:00:46
  Speaker 5: Don blas go tall so start your sauery guard.
• 1:00:52
  Speaker 6: Gots get out found out by a dry old dirt
• 1:00:57
  Speaker 6: draw shut.
• 1:00:58
  Speaker 2: Doll spur short stuck an ras spurs y'all salt yards.
• 1:01:09
  Speaker 17: Out the five four class sery, salt roll story, start short,
• 1:01:15
  Speaker 17: all keball roll bo call, sports of salt or don't
• 1:01:20
  Speaker 17: get on bocca box car story, got shibout bird call.
• 1:01:25
  Speaker 6: Three spurts, it's fo sixty dollars, cut stall seven or sperms.
• 1:01:39
  Speaker 5: Or save or storms, doll jernky star short dolls, spor stuff,
• 1:01:53
  Speaker 5: got dollas, springs, yall story yards.
• 1:02:01
  Speaker 10: I would the fine.
• 1:02:04
  Speaker 14: Art, sert, soul, rose.
• 1:02:27
  Speaker 4: Well or God, sir or your or shore. Some of
• 1:02:37
  Speaker 4: you talk for such.
• 1:02:38
  Speaker 5: Your sauls tell you are sure you.
• 1:02:58
  Speaker 2: Find out they guess, not.
• 1:03:02
  Speaker 6: For the guess herberstole, desire to start borders, oh goal,
• 1:03:51
  Speaker 6: alder floss short bowl, your start car boarders.
• 1:03:59
  Speaker 16: Square.
• 1:04:00
  Speaker 4: So I was.
• 1:04:06
  Speaker 5: Sold roll.
• 1:04:25
  Speaker 4: All sor.
• 1:04:29
  Speaker 5: Odysse coll sorry.
• 1:04:38
  Speaker 4: Bock sold to sis.
• 1:04:43
  Speaker 9: We're writing for Matt Simon.
• 1:04:46
  Speaker 8: You mentioned before about Abramlin twenty fourteen, but yet we
• 1:04:51
  Speaker 8: didn't see you until twenty seventeen at the medal for
• 1:04:54
  Speaker 8: Melbourne Show.
• 1:04:56
  Speaker 1: Is that when you it was two thousand and two,
• 1:04:58
  Speaker 1: two thousand and sixty, which is fourteen years. We got
• 1:05:01
  Speaker 1: together at the back end of twenty sixteen to rehearse
• 1:05:04
  Speaker 1: to get ready for that show in January of twenty seventeen.
• 1:05:07
  Speaker 8: Yeah, right, so had you basically said no more of
• 1:05:11
  Speaker 8: Bremlin and then Rob came and spoke to you, like,
• 1:05:14
  Speaker 8: how was the reformation? Was it just going to be
• 1:05:16
  Speaker 8: for that Metal for Melbourne show, you know, like you know,
• 1:05:19
  Speaker 8: blast of the past kind of thing.
• 1:05:22
  Speaker 11: I think originally, yes, that was is how it was
• 1:05:26
  Speaker 11: going to be.
• 1:05:28
  Speaker 1: But once we got into the studio and because the
• 1:05:31
  Speaker 1: Metal for meltourn thing, of course was a was a
• 1:05:33
  Speaker 1: benefit gig to feed the homeless and whatnot.
• 1:05:36
  Speaker 11: So charity show, no coin, and we thought, well and
• 1:05:39
  Speaker 11: I looked totally.
• 1:05:40
  Speaker 4: Good with that.
• 1:05:40
  Speaker 11: That's actually what got me out of retirement.
• 1:05:42
  Speaker 1: It was like good enough, you know, and we thought, well,
• 1:05:46
  Speaker 1: look we've got a set, why not take this on
• 1:05:48
  Speaker 1: the road and yeah, actually start performing again, and we
• 1:05:52
  Speaker 1: did and it was super well received. So yeah, and
• 1:05:57
  Speaker 1: then at that point after we you know, done a
• 1:06:02
  Speaker 1: I think we've done like the first show or two,
• 1:06:05
  Speaker 1: and then it was like the new material started coming
• 1:06:07
  Speaker 1: through and then of course the you know, which was
• 1:06:09
  Speaker 1: the first stages of never Enough stuff.
• 1:06:11
  Speaker 8: Yeah, it was it easy to kind of slop back
• 1:06:15
  Speaker 8: into Simon of old or Simon of New.
• 1:06:20
  Speaker 12: No, it wasn't.
• 1:06:22
  Speaker 11: Actually I.
• 1:06:24
  Speaker 1: Tend to a few people like you know how like
• 1:06:27
  Speaker 1: that's you know, the body regenerates like muscles and whatever
• 1:06:30
  Speaker 1: else to every seven years. It had been fourteen years,
• 1:06:33
  Speaker 1: so muscle memory is one thing. But like with my throat,
• 1:06:37
  Speaker 1: like it's tissue, so it's it's basically twice regenerated itself
• 1:06:43
  Speaker 1: over the course of fourteen years. I didn't know if
• 1:06:45
  Speaker 1: I could still sing jat metal, and I reckon, this
• 1:06:48
  Speaker 1: is gonna hurt, hurt a lot.
• 1:06:53
  Speaker 11: To try and do what I was doing, but it was, Yeah, it.
• 1:06:57
  Speaker 1: Came back pretty good, and I was pretty tough with
• 1:07:00
  Speaker 1: that and surprisingly not a lot of different.
• 1:07:03
  Speaker 11: I think. I say, if I listened to my voice
• 1:07:05
  Speaker 11: on Dead Speak and then listen to you know what
• 1:07:07
  Speaker 11: I was doing then on on Snuff.
• 1:07:11
  Speaker 1: Or even what I'm doing now and Sins of the Father,
• 1:07:13
  Speaker 1: and it's sort of yeah, I mean to my ears,
• 1:07:15
  Speaker 1: it sounds like like me still agreed, So.
• 1:07:18
  Speaker 4: Agree, And.
• 1:07:21
  Speaker 9: Can I say this with no disrespect, it's a better
• 1:07:24
  Speaker 9: version of you now.
• 1:07:25
  Speaker 4: I think. Mainly I think that's true.
• 1:07:28
  Speaker 1: Like I said earlier on Too, like I love what
• 1:07:29
  Speaker 1: I do with my voice now compared to you know,
• 1:07:32
  Speaker 1: back in the in the early days of what we
• 1:07:35
  Speaker 1: were doing, when we were sort of like just you know,
• 1:07:37
  Speaker 1: finding ourselves from I suppose, from the Deprived of Afterlife
• 1:07:42
  Speaker 1: seven inch to the Transgression and then even into the
• 1:07:45
  Speaker 1: self title, whereas I feel it was just a little
• 1:07:48
  Speaker 1: more right, Let's sing as heavy as you can, you know,
• 1:07:50
  Speaker 1: because that's a lot of the ship that I was
• 1:07:51
  Speaker 1: listening to, Whereas now that's that's.
• 1:07:54
  Speaker 4: Not the game.
• 1:07:55
  Speaker 1: The game is, as I said, as heavy as you can.
• 1:07:58
  Speaker 1: But have people understand what you're saying. I spent a
• 1:08:01
  Speaker 1: lot of time writing my lyrics and me you know,
• 1:08:03
  Speaker 1: they're disgusting, and I want people to do that.
• 1:08:08
  Speaker 8: I remember, I remember, I remember being at your house
• 1:08:11
  Speaker 8: for the first time after the show in Giolong, and
• 1:08:14
  Speaker 8: you came back and you wanted me to watch a
• 1:08:16
  Speaker 8: necromantic and I'm like.
• 1:08:17
  Speaker 11: No, I can't, I can't. I just can't.
• 1:08:21
  Speaker 9: And I've seen it unirous times since, but I'm like,
• 1:08:25
  Speaker 9: too much. Of course, you know, it was metal as fuck,
• 1:08:29
  Speaker 9: but there are some of us that couldn't.
• 1:08:32
  Speaker 4: Then.
• 1:08:32
  Speaker 1: I look, there was a lot of people that couldn't
• 1:08:34
  Speaker 1: be the amount of people over the years that I
• 1:08:35
  Speaker 1: subjected to watching just horrible.
• 1:08:38
  Speaker 6: And that was just like me.
• 1:08:40
  Speaker 1: It was all fun and games to like test people's
• 1:08:42
  Speaker 1: boundaries and touch the But.
• 1:08:43
  Speaker 8: There were a couple of tracks from from Dead Spoke Good,
• 1:08:46
  Speaker 8: I Love Pleasures, Your Casualty, Waste you're talking about Fresh Furnace,
• 1:08:50
  Speaker 8: which I've played earlier.
• 1:08:52
  Speaker 9: What would you pick from Dead Speak and why?
• 1:08:55
  Speaker 11: Yeah?
• 1:08:55
  Speaker 1: I was always a big fan of Your Casualty, which
• 1:08:58
  Speaker 1: we actually still I think that's the one track that
• 1:09:00
  Speaker 1: we play live at the moment, from Dead Speak, which
• 1:09:03
  Speaker 1: we tried to like pick at least a couple, you know,
• 1:09:05
  Speaker 1: one or two tracks for each album.
• 1:09:07
  Speaker 11: I'm also like, I think the most unusual not a
• 1:09:10
  Speaker 11: Bremlin track on that album was played the last.
• 1:09:13
  Speaker 1: Track, which I was always you know, and I think
• 1:09:16
  Speaker 1: that was the first track that I sort of started
• 1:09:18
  Speaker 1: experimenting vocally a little bit more so.
• 1:09:21
  Speaker 11: Let's climb both the mate sure.
• 1:09:54
  Speaker 14: One all of.
• 1:10:00
  Speaker 6: But it don't go stort go bolsovers, I call gotta
• 1:10:06
  Speaker 6: myself on the wine.
• 1:10:09
  Speaker 4: Girl dolls goa try doll work saws.
• 1:10:13
  Speaker 2: So do the hard thirty door tall.
• 1:10:17
  Speaker 4: All the girl so sords don't so fers.
• 1:10:21
  Speaker 2: Yeah, I say that I'll kind.
• 1:10:23
  Speaker 10: Of saull all.
• 1:10:45
  Speaker 6: Doll boy grout dopper go do boy ser st w
• 1:10:48
  Speaker 6: the do doll wor with the butter or the soldier
• 1:10:51
  Speaker 6: dot silvers got dolls. Uh talk of her, also of
• 1:11:19
  Speaker 6: her dat talking my dad let the rights ja of
• 1:11:23
  Speaker 6: her the darn thing or doll lager.
• 1:12:00
  Speaker 2: Schames with my mess. Well then your black fucking dorhole spots, your.
• 1:12:12
  Speaker 4: White man has made.
• 1:12:21
  Speaker 10: Uh uhlge for your four.
• 1:12:37
  Speaker 4: From my bunnets remains. My styp.
• 1:12:45
  Speaker 21: Had started seeing blood rounds. Like I said, if I
• 1:13:36
  Speaker 21: get as a thousand or older at a more hill, girls,
• 1:13:47
  Speaker 21: you'll find in my life a lots of lies.
• 1:13:52
  Speaker 4: Work with jo work for dolls, but do a dolts a.
• 1:13:57
  Speaker 2: Bunch of our doors.
• 1:14:07
  Speaker 11: This is Matt and this is Simon.
• 1:14:09
  Speaker 1: We're from a Bremlin and you're listening to heavy magazine
• 1:14:12
  Speaker 1: special of a breblon.
• 1:14:40
  Speaker 9: M m hmm.
• 1:15:12
  Speaker 2: Girl birds lawn.
• 1:15:29
  Speaker 6: A door door chose out dry and side outside doll
• 1:15:36
  Speaker 6: their bars star doll po bars out of holes un.
• 1:15:41
  Speaker 4: Star shore.
• 1:15:44
  Speaker 5: Before the wars the birds a ball.
• 1:15:48
  Speaker 4: Stick tip shocks that gans a rise the first.
• 1:15:52
  Speaker 5: Friends a roll of gol thirst or some ball car.
• 1:17:00
  Speaker 14: H what girl no p sol to little.
• 1:17:04
  Speaker 6: Birds, chill little taller all the bird of golfers, no roller, starver,
• 1:17:13
  Speaker 6: the roll third or roll her sollers a hard solibury,
• 1:17:18
  Speaker 6: all very doll.
• 1:17:19
  Speaker 16: Doll n seven as nine time.
• 1:17:38
  Speaker 4: So those to fall for first to all three girls
• 1:17:42
  Speaker 4: were thirds. So I said five of dunt saxe.
• 1:17:46
  Speaker 6: For a brus g car those thirds wall theirs.
• 1:17:50
  Speaker 4: Three dollars were starting tro hard. I s a floor
• 1:17:55
  Speaker 4: rad that's feel perfect start something from sixty six.
• 1:18:00
  Speaker 16: I say you say dollar.
• 1:18:18
  Speaker 4: Before the door, the sor dows, the roers.
• 1:18:21
  Speaker 5: All birds or the ball bird or wolver.
• 1:18:25
  Speaker 4: It's all the rollers or herd goat soldier words.
• 1:18:38
  Speaker 3: Uh let no lock and I like that sname.
• 1:18:44
  Speaker 5: B was go third bird that you say.
• 1:18:50
  Speaker 4: I had done was made natas by third.
• 1:18:55
  Speaker 2: I got a fine say it all doll does.
• 1:20:55
  Speaker 16: If I like y'all, that's like st.
• 1:20:57
  Speaker 4: Jot a white joe. I got all about that.
• 1:21:01
  Speaker 17: Sorry, I got well, I don't I like I thought,
• 1:21:05
  Speaker 17: I like father a law.
• 1:21:06
  Speaker 2: Brother, bird, daughter daughter tall a doll about so one.
• 1:21:10
  Speaker 22: Si Ferta data back said, we.
• 1:22:38
  Speaker 8: Were talking about favorite past tracks from albums. You were
• 1:22:42
  Speaker 8: talking about Humble Abode and human Alaty and looking forward
• 1:22:46
  Speaker 8: to playing them. What's your favorite track to play, Matt
• 1:22:48
  Speaker 8: and why.
• 1:22:50
  Speaker 12: Grave ideals it's because there's a there's a because it's
• 1:22:53
  Speaker 12: just blasts the whole time, and there's a there's a
• 1:22:55
  Speaker 12: there's a mid section where the guitars and drums go
• 1:23:00
  Speaker 12: do it to the share. So that's that's that's my sad.
• 1:23:19
  Speaker 2: Roll Ptil Water.
• 1:23:21
  Speaker 6: Both doors bolder water bolder.
• 1:23:27
  Speaker 4: Flower start wor dollar on salt b bar bar b b.
• 1:23:50
  Speaker 5: B burner ball bar b b b.
• 1:23:57
  Speaker 4: B brow truck trump ball b bros out Dick Yeah.
• 1:24:09
  Speaker 2: Yeah yeah, foo sor foo dogs bo dot serve got.
• 1:24:41
  Speaker 4: The old the blocks your their third dogs, that's all?
• 1:24:45
  Speaker 4: What all dogs doll? What's all your bear? You're old
• 1:24:50
  Speaker 4: burr back, got.
• 1:25:07
  Speaker 6: Little scursi tost owners as bold your dolls who patrol
• 1:25:19
  Speaker 6: letto bo bolts first got that got eyes circles do go,
• 1:26:44
  Speaker 6: don't go dog, don't go, don't go to.
• 1:27:15
  Speaker 9: Greybody else a brollin Matt Simon and Metal V. What
• 1:27:19
  Speaker 9: can people look forward to with the upcoming album?
• 1:27:22
  Speaker 8: Since the Father the two are coming up, You've got
• 1:27:24
  Speaker 8: you've just got the support for Pestils coming up.
• 1:27:26
  Speaker 11: What are you looking forward to?
• 1:27:28
  Speaker 12: What are we looking forward to or what can people
• 1:27:30
  Speaker 12: look forward to?
• 1:27:31
  Speaker 9: Both?
• 1:27:32
  Speaker 12: I think the album is like the albums, it's pretty savage.
• 1:27:36
  Speaker 12: It's it turned out. It probably turned out better than
• 1:27:39
  Speaker 12: I think any of us maybe imagine that it would.
• 1:27:43
  Speaker 9: In what in what in?
• 1:27:44
  Speaker 8: What aspects Matt coming from the Rights Records and is
• 1:27:49
  Speaker 8: passionate about their art?
• 1:27:51
  Speaker 9: What makes you say that?
• 1:27:53
  Speaker 12: For me, it's all going well to sort of just
• 1:27:56
  Speaker 12: sit down and write, you know, maybe an album's worth
• 1:27:59
  Speaker 12: a material. But when the you know, the magic happens
• 1:28:03
  Speaker 12: when all the parts come together, like when you hear
• 1:28:06
  Speaker 12: it with the drums and go ah, fucking amazing, you know,
• 1:28:10
  Speaker 12: and then when the vocals happen, when the whole thing,
• 1:28:13
  Speaker 12: when it all comes together, when the mix sort of
• 1:28:16
  Speaker 12: hats to take shape, and it's like, wow, this is
• 1:28:18
  Speaker 12: this has kind of turned into something pretty special. I
• 1:28:21
  Speaker 12: think for me, like it really happened with this one.
• 1:28:24
  Speaker 12: It's yeah, it's it's got some pretty special moments in it.
• 1:28:29
  Speaker 12: And I think I could probably safely speak for all
• 1:28:32
  Speaker 12: of us by saying that it's, yeah, it turned out
• 1:28:36
  Speaker 12: really well. I hope that people are pretty you know,
• 1:28:40
  Speaker 12: pretty sort of blown away by how crushingly heavy it is,
• 1:28:46
  Speaker 12: and you know, just the performances as well. I also
• 1:28:49
  Speaker 12: can't wait to sort of, you know, we're just we're
• 1:28:52
  Speaker 12: including an extra song in an upcoming set that we're playing.
• 1:28:55
  Speaker 12: So I've just been going through another song today, just
• 1:28:58
  Speaker 12: sort of learning it and getting it up to up
• 1:28:59
  Speaker 12: to speed. I can't wait to play some of the songs,
• 1:29:02
  Speaker 12: a few more of the songs live. We've already done
• 1:29:04
  Speaker 12: a couple, but yeah, I'm looking forward to playing the shows,
• 1:29:07
  Speaker 12: doing a bit more off the new album.
• 1:29:10
  Speaker 11: Simon Hmmm.
• 1:29:12
  Speaker 9: As the founder and one of the godfathers of death
• 1:29:16
  Speaker 9: metal in this country and around the world, hearing.
• 1:29:21
  Speaker 8: That from Matt and someone who's you know, followed you
• 1:29:24
  Speaker 8: from day one, how does that make you feel and
• 1:29:27
  Speaker 8: how does that excite you to bring this album to
• 1:29:31
  Speaker 8: the world.
• 1:29:32
  Speaker 1: Doing the self title all those years ago was like
• 1:29:36
  Speaker 1: super exciting for me because that was like you knowing
• 1:29:38
  Speaker 1: it being album. But since that it's it's definitely this
• 1:29:43
  Speaker 1: Like I'm locking so pumped at his album.
• 1:29:47
  Speaker 11: It's an interesting one. Like you know, bands that have been.
• 1:29:50
  Speaker 1: Around a while and then you're like, you know, play
• 1:29:52
  Speaker 1: your old ship, but then the bands just want to
• 1:29:54
  Speaker 1: play their new ship. Well, I'm in that one of
• 1:29:57
  Speaker 1: that situation now where I just want to play the
• 1:29:58
  Speaker 1: new Ship because the new Ship awesome. When you said
• 1:30:05
  Speaker 1: the whole album I.
• 1:30:06
  Speaker 8: Have, yeah, sorry, it's rough that there are five Werewolves albums, right,
• 1:30:11
  Speaker 8: there's now five a Bramlin.
• 1:30:14
  Speaker 11: Album, so four I'm including their right, Yeah, yeah, cool.
• 1:30:19
  Speaker 8: But when you told when I saw your carcass and
• 1:30:22
  Speaker 8: you were sitting down and you're like, oh man, I've
• 1:30:24
  Speaker 8: got some good news.
• 1:30:25
  Speaker 9: I've got new a Bramlain for you.
• 1:30:27
  Speaker 8: I fucking lost my mind, dude, Like never enough stuff
• 1:30:31
  Speaker 8: was fucking ace and now we've got Sins of the Father.
• 1:30:34
  Speaker 9: You're fucking joking.
• 1:30:35
  Speaker 8: And when you were saying, I feel like I've been
• 1:30:36
  Speaker 8: when you said to me yesterday, I feel like I've
• 1:30:38
  Speaker 8: been talking to you forever about your Bramlain, like.
• 1:30:42
  Speaker 9: I couldn't wait to get my hands on it, and
• 1:30:43
  Speaker 9: when I did, oh my god, it's just magic. Right.
• 1:30:47
  Speaker 11: Yeah, I think I think it's with this one too.
• 1:30:49
  Speaker 1: This is probably the first time that we've had international
• 1:30:53
  Speaker 1: backing as well, which I hope is going to make
• 1:30:57
  Speaker 1: a big difference to, you know, to getting getting the
• 1:31:00
  Speaker 1: name out there. I mean a lot of people know
• 1:31:01
  Speaker 1: it's internationally from you. Yeah, I think I think with
• 1:31:07
  Speaker 1: having having ham My Heart on on board this time
• 1:31:10
  Speaker 1: too and really championing the album in Europe and US
• 1:31:13
  Speaker 1: through Napalm is going to make a big difference for us.
• 1:31:17
  Speaker 1: There's already I did an interview earlier on for for
• 1:31:21
  Speaker 1: a Megan in Italy just before actually doing this interview.
• 1:31:24
  Speaker 1: And I've got like some more more stuff coming up
• 1:31:26
  Speaker 1: as well too for internationals. So and that's the first
• 1:31:29
  Speaker 1: time I've really done international press. So a lot of
• 1:31:31
  Speaker 1: people might know of us, but I don't think they've
• 1:31:33
  Speaker 1: really had the opportunity to sort of like hear a
• 1:31:35
  Speaker 1: little bit more about us, and you know how long
• 1:31:38
  Speaker 1: we've been around for and what we're doing and everything
• 1:31:39
  Speaker 1: else too.
• 1:31:40
  Speaker 8: I got to look at like doing like Brutal of Soul,
• 1:31:43
  Speaker 8: you know, Vakan you know death first, all that kind
• 1:31:47
  Speaker 8: of stuff.
• 1:31:48
  Speaker 12: Is that on the cog.
• 1:31:50
  Speaker 1: Yeah, look how my heart have been you know. I
• 1:31:52
  Speaker 1: have said to us, look, you know, can we can
• 1:31:53
  Speaker 1: we get you to talk to our booking agents and
• 1:31:55
  Speaker 1: if we can organize something twenty twenty five. It's it's
• 1:32:00
  Speaker 1: something that I'd never I thought we would never do.
• 1:32:02
  Speaker 1: Like for me, it's always been hobby banned, and I
• 1:32:05
  Speaker 1: just want to I'm not really taking overseas, but now
• 1:32:09
  Speaker 1: that we're as I said, we've got to put the
• 1:32:10
  Speaker 1: back in the Hamahart and you know, let's see what
• 1:32:13
  Speaker 1: sort of interest into the Father gets internationally and if
• 1:32:16
  Speaker 1: there's call for it then and you know, I mean
• 1:32:19
  Speaker 1: you've also got like, you know, five guys to organize too,
• 1:32:22
  Speaker 1: and like you know, days bad and then I'm at
• 1:32:24
  Speaker 1: the other end of my kids are like just finishing school.
• 1:32:29
  Speaker 23: Yeah, there's there's a lot of things to coordinate whatever
• 1:32:32
  Speaker 23: else too. But I think, like you know, doing doing
• 1:32:35
  Speaker 23: two or three weeks Europe is feasible. So yeah, yeah,
• 1:32:40
  Speaker 23: we'll see what comes.
• 1:32:41
  Speaker 9: Matt, You're excited.
• 1:32:42
  Speaker 12: Yeah, I'm excited. Man, it takes a lot for me
• 1:32:45
  Speaker 12: to get excited these days. Three story that. Yeah, I'm
• 1:32:49
  Speaker 12: excited about the release. I'm excited to start playing. And
• 1:32:53
  Speaker 12: I'm totally sort of in the same sort of camp
• 1:32:57
  Speaker 12: of you know, like we ain't fucking children, so it's
• 1:33:02
  Speaker 12: not easy to everyone to upsticks.
• 1:33:05
  Speaker 4: And go and do this or that.
• 1:33:07
  Speaker 12: But at the same time, you know, with a bit
• 1:33:10
  Speaker 12: of planning and a bit of forethought and a little
• 1:33:12
  Speaker 12: bit of luck, you know, we can, we could do
• 1:33:14
  Speaker 12: something or other. So you know, I'm excited about the
• 1:33:17
  Speaker 12: prospect of maybe going to do something other in Europe,
• 1:33:20
  Speaker 12: or at least maybe before that, maybe just taking the
• 1:33:24
  Speaker 12: next step. You know, like the band's done a bunch
• 1:33:27
  Speaker 12: of sort of Aussie stuff, whatever that next step may be.
• 1:33:33
  Speaker 12: You know, like just it's just giant just maybe steps,
• 1:33:36
  Speaker 12: one thing.
• 1:33:37
  Speaker 4: At a time.
• 1:33:37
  Speaker 12: You know, we've seed it in making an album, so
• 1:33:40
  Speaker 12: let's just do the next little step and see what happened.
• 1:33:43
  Speaker 11: You know what else is exciting that we haven't spoken
• 1:33:45
  Speaker 11: about yet? Go on, Joe.
• 1:33:49
  Speaker 9: Oh yeah, Joe, Yeah, I was I was getting I
• 1:33:53
  Speaker 9: was getting to the guitarist.
• 1:33:55
  Speaker 11: Yeah, do you want to talk about that and how
• 1:33:58
  Speaker 11: exciting that is for us?
• 1:34:00
  Speaker 12: When we were doing the album, obviously, with everything that
• 1:34:06
  Speaker 12: was happening, we talked about, you know, what we're going
• 1:34:11
  Speaker 12: to do in the future, and in terms of playing
• 1:34:15
  Speaker 12: the songs playing live, you know, was it going to
• 1:34:17
  Speaker 12: be one guitar or two guitar? How is it going
• 1:34:19
  Speaker 12: to work? Obviously the immediate connection is is Joe through
• 1:34:26
  Speaker 12: a Dave And you know, I've had enough dealings with
• 1:34:30
  Speaker 12: Joe mixing albums and doing stuff over the years that
• 1:34:33
  Speaker 12: it's like, yeah, cool, totally. I kind of didn't want
• 1:34:36
  Speaker 12: him to play on the album because if anything, like,
• 1:34:44
  Speaker 12: the whole situation was so sort of it was such
• 1:34:47
  Speaker 12: a tricky, sort of weird situation that it's like, you
• 1:34:50
  Speaker 12: know what, I think, if we're going to go forward,
• 1:34:52
  Speaker 12: the best thing to happen is for me to just
• 1:34:54
  Speaker 12: play the guitars. But obviously for live then we need
• 1:34:58
  Speaker 12: someone else. So yeah, we've got Joe and he was
• 1:35:03
  Speaker 12: called to do it, and he's obviously a very good guitarist.
• 1:35:06
  Speaker 12: So it fucking keeps me on my toes a little bit.
• 1:35:09
  Speaker 12: I've got to up my game to try and fucking
• 1:35:11
  Speaker 12: keep up with him.
• 1:35:13
  Speaker 24: But it's good because he's learned all the songs and
• 1:35:15
  Speaker 24: he can play it easily, and you're jelling quite well.
• 1:35:18
  Speaker 24: We've done a couple of shows and it's it's been good.
• 1:35:21
  Speaker 24: So yeah, very positive, Simon.
• 1:35:24
  Speaker 9: It's it's a pleasure to have known you for this long.
• 1:35:28
  Speaker 4: It really really is.
• 1:35:29
  Speaker 25: I Like I said, even though we don't hang out,
• 1:35:32
  Speaker 25: I consider you a very dear friend of mine and
• 1:35:34
  Speaker 25: an influence on my on my my metal journey, the
• 1:35:39
  Speaker 25: same as you, Matt. You've introduced me to a lot
• 1:35:41
  Speaker 25: in the last seven years that I've known you, So
• 1:35:44
  Speaker 25: I thank you. It's a pleasure to know you and
• 1:35:46
  Speaker 25: a pleasure to listen to you, both both personally and sonically.
• 1:35:53
  Speaker 25: I want one of you each to pick a song
• 1:35:56
  Speaker 25: that we haven't played yet, either from Sin to the Father,
• 1:36:00
  Speaker 25: Enough Dead, speak Transgression, whatever it is, and tell us
• 1:36:04
  Speaker 25: what and we'll close out.
• 1:36:05
  Speaker 4: Yeah.
• 1:36:06
  Speaker 12: Nice. As far as songs if we're off the new album,
• 1:36:11
  Speaker 12: I don't even know the names of the songs.
• 1:36:13
  Speaker 9: Do you want me to write him out to you?
• 1:36:16
  Speaker 1: Well, then Matt's got his what he called them originally,
• 1:36:19
  Speaker 1: and then when by the time I applied lyrics and
• 1:36:20
  Speaker 1: they've got their actual names.
• 1:36:24
  Speaker 11: He knows them as like Chainsaw Dead.
• 1:36:30
  Speaker 8: From since we've played Conflagration to Cease the State, Since
• 1:36:34
  Speaker 8: of the Father, we've got gloriole Man's best Friend, last Rite,
• 1:36:38
  Speaker 8: Shall of a Man, Meet the Mate street Art you
• 1:36:41
  Speaker 8: bleed I feet.
• 1:36:42
  Speaker 12: All right, I'm going to go with the Gory Hole
• 1:36:45
  Speaker 12: because yeah, it's got a good name as well.
• 1:36:49
  Speaker 4: Ye.
• 1:36:51
  Speaker 1: Well, and that's that's going to be the next track
• 1:36:53
  Speaker 1: that we're playing live as well too, So it actually
• 1:36:55
  Speaker 1: works pretty well that Glory would the next sort of
• 1:36:58
  Speaker 1: track to play outside of the bus and simon, what
• 1:37:02
  Speaker 1: would you pick without going to the gory hall as well,
• 1:37:05
  Speaker 1: because it's hilarious exactly what you think it's going to
• 1:37:07
  Speaker 1: be about.
• 1:37:08
  Speaker 11: I'm gonna go go with Bob song to go with
• 1:37:11
  Speaker 11: last night.
• 1:37:11
  Speaker 9: Thank you so much for your time, like getting beers
• 1:37:15
  Speaker 9: hanging out you.
• 1:37:16
  Speaker 8: Blake's made a lot to me and that's why I
• 1:37:18
  Speaker 8: wanted to make this one special for you for the
• 1:37:20
  Speaker 8: new album since the father, I really wish you all
• 1:37:23
  Speaker 8: the best and stay brutal cunts.
• 1:37:27
  Speaker 11: Amazing much Neil, You're welcome.
• 1:38:13
  Speaker 6: Talk sor spotsor the tall bright door, sir my lords
• 1:38:17
  Speaker 6: on the paracrs so calm tron fucking over my rope
• 1:38:21
  Speaker 6: out the door a hole.
• 1:38:23
  Speaker 4: To wort yaddath story start sharp call.
• 1:38:27
  Speaker 2: Whether I saw by work or the old gong door
• 1:38:30
  Speaker 2: trink k y'all stir some stars, Why do you got
• 1:38:34
  Speaker 2: sorry knock a hole correct.
• 1:38:36
  Speaker 4: Through and time, but very ya got till.
• 1:38:39
  Speaker 16: Dart tir yalls. That's all heard, says not all.
• 1:38:57
  Speaker 6: First, there's your word controls a reality to talk out
• 1:39:03
  Speaker 6: your heir sucks commas cocky.
• 1:39:08
  Speaker 2: Shun no chill us coma sucks east to calm down
• 1:39:16
  Speaker 2: collar clown or soldiers kills k out very drown.
• 1:40:00
  Speaker 4: R r saw pers person well you dogs.
• 1:40:05
  Speaker 2: Off the good and trum.
• 1:40:07
  Speaker 3: Let's say, how y'all.
• 1:40:09
  Speaker 4: Dot the sshold yeah ver sights.
• 1:40:15
  Speaker 5: Or your story of the glorial go.
• 1:40:19
  Speaker 4: Chick serve a bird order first jot sars.
• 1:40:25
  Speaker 20: Dog your dog, your dollar goes dol.
• 1:40:29
  Speaker 4: As a turn your soul of.
• 1:40:48
  Speaker 26: Your glorial go chickser the bird order, call bres your sarks, dolls,
• 1:40:56
  Speaker 26: your dies, your dollars go.
• 1:40:58
  Speaker 4: By and by b.
• 1:41:38
  Speaker 10: All ust.
• 1:41:40
  Speaker 6: Susperser colder saw as fer source has combine at childre
• 1:41:49
  Speaker 6: based mag Yes, coors charge sauce.
• 1:41:55
  Speaker 1: This is not This is simon away from a bremolon
• 1:41:58
  Speaker 1: and you're listening to heavy magazines.
• 1:41:59
  Speaker 4: But what the folks noise? Its god are circles, the
• 1:42:46
  Speaker 4: alt starts.
• 1:42:48
  Speaker 6: Patallary words, the dougals, recular.
• 1:42:51
  Speaker 4: Soul, the suckle, bristol la recutive.
• 1:42:57
  Speaker 27: Bolt, saucer ros the alder saw a soft boy stoll.
• 1:43:14
  Speaker 2: Stirs the drawers boys.
• 1:43:18
  Speaker 5: I got cat guy us or shut doll saucers go
• 1:43:40
  Speaker 5: cigar oh er war footballers urer the store doors stars
• 1:43:50
  Speaker 5: yeah as guy a ball print store store, say down
• 1:43:56
  Speaker 5: a light roder, Sir, jostle.
• 1:44:08
  Speaker 4: The soul.
• 1:44:28
  Speaker 3: Worstorst sort.
• 1:44:37
  Speaker 4: Or soul.
• 1:44:40
  Speaker 2: Or soss soul.
• 1:45:24
  Speaker 5: Operate, bird of balls blocking all the sort.
• 1:45:30
  Speaker 3: Serves the doctors, a.
• 1:45:34
  Speaker 4: N other sery, a great.
• 1:45:36
  Speaker 3: Or thesl dolly.
• 1:46:20
  Speaker 28: And a house patour of those foot dogs. The birds
• 1:46:25
  Speaker 28: ball by God of those dolls at toulture go the
• 1:46:47
  Speaker 28: stoles pasts the oder storms, Oh small and black lly
• 1:46:54
  Speaker 28: out rope
• 1:46:56
  Speaker 5: For the old stories.