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S1-Ep.8: The Masterpiece · The Teamup Play Show Podcast

• 0:00
  Speaker 1: You're listening to a lily Pad production.
• 0:05
  Speaker 2: This is the Team Up Play Show podcast.
• 0:27
  Speaker 1: Previously in the City of Bones.
• 0:41
  Speaker 3: Clank Industries is under attack. What we think is a
• 0:45
  Speaker 3: man is changing form. He's been seen with bare arms,
• 0:51
  Speaker 3: a giant lizard tail, buzzing wings attacking the factory. He's
• 0:56
  Speaker 3: smashing down walls.
• 0:57
  Speaker 2: The power is astounding.
• 1:00
  Speaker 4: Jumps out of the clp hops on his bike and.
• 1:04
  Speaker 3: Speeds off, and you see some footage of a monster
• 1:10
  Speaker 3: tentacles wings, smashing into the building and screaming.
• 1:15
  Speaker 1: George alson Jill, I think, I think I'm gonna have
• 1:20
  Speaker 1: to reheat my chicken. I pull on my Botta clava
• 1:23
  Speaker 1: and open a window, run a couple of blocks before
• 1:25
  Speaker 1: a lightning strike. So it's away from Jillian's apartment.
• 1:32
  Speaker 5: Arthur, I'm gonna go to the bathroom. I run out
• 1:37
  Speaker 5: of the door, skate skating towards a towards the action.
• 1:50
  Speaker 3: In the founding age of New Babble, there was a
• 1:53
  Speaker 3: young woman named Francis Olsen. She went by Frank the Clank.
• 2:01
  Speaker 3: She saw great opportunity in New Babbel. She worked with
• 2:04
  Speaker 3: the great scientists of the age to create the first
• 2:08
  Speaker 3: hovering gas powered cars. She was a visionary, a pioneer,
• 2:14
  Speaker 3: and by all accounts, a good woman. Clank Industries has
• 2:19
  Speaker 3: been building cars for the citizens of New Babel ever since.
• 2:23
  Speaker 3: Outside of Ellington Electric, they are the only car manufacturer
• 2:27
  Speaker 3: in New Babel. When Frank the Clank was in charge,
• 2:32
  Speaker 3: cars were affordable, cars were unaffordable convenience. Under her son
• 2:39
  Speaker 3: and grandson, however, they have become a symbol of luxury
• 2:44
  Speaker 3: and decadence. They have become unnecessarily gaudy, curvacous, and long
• 2:53
  Speaker 3: in worship to their lack of self awareness. They named
• 2:56
  Speaker 3: their newest and most opulent model of cars after their founder,
• 3:00
  Speaker 3: who would have hated them. So if you want to
• 3:04
  Speaker 3: roll up and be somebody in this town, and you
• 3:07
  Speaker 3: better roll up in a Frank from Clank Industries.
• 3:12
  Speaker 2: Is a grandson's name. Also rhyme with clank.
• 3:15
  Speaker 1: Nope, I'm just imagining like the Oscar, Myer Wiener car.
• 3:21
  Speaker 6: And curvaceous, damn phallic s car. No wheels to get
• 3:33
  Speaker 6: the way because it hovers. It's a hovering hot Do you.
• 3:37
  Speaker 3: Think when I would be writing this, I would have
• 3:39
  Speaker 3: noticed that I was just talking about hot talk car.
• 3:45
  Speaker 3: Fuck me, No, They're long and sexy like the Batmobile.
• 3:50
  Speaker 2: But they're not.
• 3:52
  Speaker 3: They're not for utility, they're for They're for parties and sex.
• 3:56
  Speaker 2: Like the Oscar Mayerwenamobile.
• 4:04
  Speaker 3: Jason, that's me. You arrive first as the headquarters of
• 4:10
  Speaker 3: this storied pillar of the community is being smashed into
• 4:15
  Speaker 3: by a monster. The oaths the rubble and dust envelope
• 4:21
  Speaker 3: you as you get as you get close, you catch
• 4:24
  Speaker 3: a wriggling lizard tail as something moves into a hole
• 4:29
  Speaker 3: that it made in the side of the building. The
• 4:32
  Speaker 3: headquarters is not their main production facility. There is, however,
• 4:36
  Speaker 3: like a small show factory where they could make a
• 4:39
  Speaker 3: singular car for investors or high high pain customers.
• 4:43
  Speaker 2: A prototype hot dog car.
• 4:45
  Speaker 7: Yeah, God damn it, they're fancy their fancy car all
• 4:53
  Speaker 7: beef mustard, Italian sausage. This is the area that the
• 5:00
  Speaker 7: the monster has entered into. This small show factory is
• 5:05
  Speaker 7: on the ground floor, but it is attached to a
• 5:08
  Speaker 7: high rise that contains like the rest of the company's offices.
• 5:12
  Speaker 3: Here's what we're gonna do. You guys are all gonna
• 5:14
  Speaker 3: arrive here at different times and enter the order at
• 5:17
  Speaker 3: different times because you were different parts of the city. Yep,
• 5:22
  Speaker 3: Jason was closest, Jamir was the next closest, and Kant
• 5:25
  Speaker 3: was the furthest away. So we're gonna roll a ready
• 5:28
  Speaker 3: check against each other. Jason. If you lose, you'll enter
• 5:32
  Speaker 3: the order three l's away from this creature. For every
• 5:36
  Speaker 3: point you beat me by, that'll move you one l
• 5:39
  Speaker 3: closer heard when you enter the order. So roll already,
• 5:43
  Speaker 3: put me in the hole. Put me in the hole.
• 5:46
  Speaker 3: Eight nice?
• 5:48
  Speaker 5: Just a curvacious lot long, like looking at two hot dogs,
• 5:54
  Speaker 5: but from the front, on top of each other.
• 6:01
  Speaker 3: Jesus, Okay, you beat me by six. I rolled it
• 6:05
  Speaker 3: too nice. So Jason, how do you enter in?
• 6:08
  Speaker 8: Uh?
• 6:09
  Speaker 3: So you're gonna get so he's crawling through. So he's
• 6:11
  Speaker 3: basically where the where the sidewalk becomes this building, and
• 6:17
  Speaker 3: there's a hole in it that he's made. You catch
• 6:20
  Speaker 3: this slithering lizard detail. There are some people scattered about,
• 6:26
  Speaker 3: seem down, bleeding from wounds. How do you approach You're
• 6:32
  Speaker 3: going to start your turn in his.
• 6:33
  Speaker 2: L Yeah, I'm so.
• 6:34
  Speaker 5: I'm covered from head to toe in like library book
• 6:37
  Speaker 5: paper at this point, and I'm I'm just going to
• 6:40
  Speaker 5: cling to the shadows. I want to find the hole
• 6:43
  Speaker 5: and try and sneak in there. Afterwards, I see that
• 6:46
  Speaker 5: the people are in pain, but I understand the phantom
• 6:51
  Speaker 5: is hungry and ready for ready for blood. So I'm
• 6:55
  Speaker 5: a sneak sneak in through the hole. Oh and I too,
• 6:59
  Speaker 5: My double dog becomes my ready score right, okay an eight.
• 7:03
  Speaker 1: Double boys and double dogs.
• 7:06
  Speaker 3: Takes two boys have two ducks. Woof, thank you. So
• 7:12
  Speaker 3: why don't you go ahead and roll a sneak check?
• 7:15
  Speaker 5: Yeah, I am gonna empower this bad boy.
• 7:19
  Speaker 3: My cloak total of ten and got it. As far
• 7:24
  Speaker 3: as you know, you're hidden. It is this creature's turn.
• 7:29
  Speaker 3: You see mostly a man. The tail that you saw
• 7:34
  Speaker 3: slither into the building kind of sucks up into the
• 7:37
  Speaker 3: rest of his body, and it is a healed, normal
• 7:41
  Speaker 3: kind of man.
• 7:42
  Speaker 2: Here.
• 7:43
  Speaker 3: He kind of spreads his arms out and he says, George,
• 7:48
  Speaker 3: screaming out into this warehouse. There are workers in here
• 7:53
  Speaker 3: that have been kind of cowering as they heard something
• 7:56
  Speaker 3: pounding into the side of this wall. They are scattered
• 8:02
  Speaker 3: throughout this area. But coward and this man is screaming
• 8:06
  Speaker 3: out George, George, and he's gonna take a movement for
• 8:12
  Speaker 3: his turn.
• 8:13
  Speaker 5: Do I clock anybody turn around? Does anybody look like
• 8:16
  Speaker 5: anybody look like a George? We'll come check. Is that
• 8:19
  Speaker 5: to see if somebody's got the face of a George?
• 8:21
  Speaker 5: Why don't you just roll like a sense check for
• 8:23
  Speaker 5: the room?
• 8:26
  Speaker 9: Oh?
• 8:26
  Speaker 5: Can I also add my paper sense to this if
• 8:28
  Speaker 5: I'm checking their name badgies?
• 8:30
  Speaker 2: Oh sure, let's go.
• 8:34
  Speaker 1: They're not plastic. They all have paper name back.
• 8:36
  Speaker 2: They're laminated. I don't know. That's six six some sense?
• 8:40
  Speaker 3: Great, I'm rolling a average check for you.
• 8:46
  Speaker 2: I rolled a three.
• 8:47
  Speaker 3: Yeah, you don't gather a name George on anyone's stuff.
• 8:52
  Speaker 3: And it doesn't seem like anyone in the room reacts
• 8:56
  Speaker 3: to George specifically, more just scared of whatever the fuck
• 8:59
  Speaker 3: is going on. All right, Jamiir, you're going to enter
• 9:02
  Speaker 3: this round, so let's have a let's have a ready
• 9:07
  Speaker 3: check from.
• 9:07
  Speaker 4: You ready for me as a D six and I
• 9:12
  Speaker 4: got a six damn four.
• 9:15
  Speaker 3: So you can also start your turn here when you
• 9:19
  Speaker 3: enter order in in the l of this monster.
• 9:23
  Speaker 2: Wonderful.
• 9:24
  Speaker 3: So Jason, we're back up to the top that I
• 9:25
  Speaker 3: can claze your turn. Okay, so this is phase two, correct, gotcha?
• 9:30
  Speaker 3: I want to try something stupid, as as always, I
• 9:33
  Speaker 3: want to try and from from my Heidi Heidi hole
• 9:36
  Speaker 3: sort of in the in the rafters of the factory here.
• 9:39
  Speaker 3: I'd like to you went up if that's possible. Yeah,
• 9:43
  Speaker 3: Or is he's he's on the ground floor. Yes, he's
• 9:45
  Speaker 3: walking the ground You're welcome to be in the rafters,
• 9:47
  Speaker 3: but you're just one l above him.
• 9:49
  Speaker 9: Yeah.
• 9:50
  Speaker 1: I think i'll because it's like an office building, right,
• 9:53
  Speaker 1: it's not a factory.
• 9:55
  Speaker 3: This part is a factor. Oh I misheard that. That's okay,
• 9:58
  Speaker 3: there are like two l's than this section. But he
• 10:01
  Speaker 3: seems to be moving towards the more office part of it.
• 10:06
  Speaker 3: He has moved since it was your last turn. But
• 10:08
  Speaker 3: you were hidden up in the rafters.
• 10:10
  Speaker 5: Okay, I'm gonna try and Shu, I I should capitalize
• 10:14
  Speaker 5: on the fact that I'm hidden, and I'm just going
• 10:16
  Speaker 5: to start gathering paper to me from around. I won't
• 10:21
  Speaker 5: be stupid yet, I promise I will.
• 10:24
  Speaker 2: Be stupid, but not.
• 10:25
  Speaker 1: We're gonna hold you to it.
• 10:26
  Speaker 5: Yeah, I'm just gonna gonna charge up my my my cloak.
• 10:31
  Speaker 2: Sounds good, jamir. It's your turn.
• 10:35
  Speaker 3: You're gonna start your turn within this guy's l So
• 10:37
  Speaker 3: it's up to you what you want to do.
• 10:39
  Speaker 2: Okay, do I is this guy like actively destroying things
• 10:45
  Speaker 2: slush being a threat to people's lives.
• 10:48
  Speaker 3: It doesn't seem you haven't you You do see the
• 10:52
  Speaker 3: people that have been hurt. Okay, you, but you you
• 10:55
  Speaker 3: also as you kind of enter, whether you enter from
• 10:58
  Speaker 3: above or from the ground level, you do hear him
• 11:00
  Speaker 3: screaming as it seems to be looking for someone specific.
• 11:05
  Speaker 3: I think that's all you get from like a first rate.
• 11:08
  Speaker 4: Yeah, Jamiir will zoom in, gripping the front of his
• 11:12
  Speaker 4: flight Star, and I'll let go and kind of stand
• 11:17
  Speaker 4: up as tall as I can, and I will look
• 11:22
  Speaker 4: confidently toward this freak and I'll say, hey, buddy, I
• 11:28
  Speaker 4: don't know who George is, but we need to calm
• 11:31
  Speaker 4: this down. People are getting hurt, and I'll use my
• 11:35
  Speaker 4: utility action to steal up. So, yeah, JIMMYR will brace
• 11:39
  Speaker 4: himself just in case this guy attacks, but I'm not
• 11:43
  Speaker 4: gonna I'm not gonna aggress right now.
• 11:46
  Speaker 3: Sounds good? As Jamiir swoops in, both of you notice
• 11:49
  Speaker 3: something here. People will peek their head in from the
• 11:54
  Speaker 3: hole that's created now twenty feet from the monster. Since
• 11:57
  Speaker 3: he's moved in and there are people with cam video cameras,
• 12:02
  Speaker 3: tape recorders, photo cameras starting to take notice, and Jamier
• 12:08
  Speaker 3: stands before this monster taking a stand. Blue do rag
• 12:14
  Speaker 3: and all or is the blue is the.
• 12:18
  Speaker 9: Oh?
• 12:19
  Speaker 4: Yes, still got the do rag with the eyeholes cut
• 12:21
  Speaker 4: out for the top half my face, and still got
• 12:24
  Speaker 4: the bandana for the bottom half of the face. Still
• 12:27
  Speaker 4: wearing the athletic wear in the combat boots, but not
• 12:31
  Speaker 4: real combat boots, just thick souled black boots.
• 12:36
  Speaker 3: Yes, mal Goth. I think you described them as sure.
• 12:40
  Speaker 2: That would be a fair assessment.
• 12:43
  Speaker 3: The world is starting to see you stand in front
• 12:46
  Speaker 3: of this monster. He looks down at you, He looks,
• 12:51
  Speaker 3: he takes your words into consideration. He looks around at
• 12:55
  Speaker 3: the people frightened of him and says, it wouldn't work.
• 13:00
  Speaker 9: Is implicit in any way, They're already dead.
• 13:06
  Speaker 3: I think you mean complicit. He is going to attack you.
• 13:15
  Speaker 3: His face becomes long and pronounced like a crocodile, and
• 13:21
  Speaker 3: he comes in and he tries to snap at your
• 13:24
  Speaker 3: throat with crocodile tear. He is going to attack you.
• 13:38
  Speaker 3: He's going to use a power attribute to terrorize you.
• 13:44
  Speaker 3: I rolled shit free damage coming to you, Jamir.
• 13:47
  Speaker 4: Okay, so I'm already stealed up and I get to
• 13:52
  Speaker 4: roll my resilience, which is now.
• 13:55
  Speaker 3: At the eighth plus, then you get to add one.
• 14:00
  Speaker 2: Hell yeah, I rolled an eight, so I reseal for five.
• 14:04
  Speaker 3: Damn these crocodile teeth try to close in on your
• 14:09
  Speaker 3: neck and scare the living shit out of you. This
• 14:13
  Speaker 3: is a terrorizing attack from a super villain in this city,
• 14:19
  Speaker 3: from a man the likes of which these people with
• 14:23
  Speaker 3: their cameras have never before seen. How does Jamiir take
• 14:28
  Speaker 3: it in this moment?
• 14:30
  Speaker 4: I think Jamiir's gonna just grab the top and bottom
• 14:35
  Speaker 4: of the crocodile's mouth, the crockman's mouth, and just kind
• 14:40
  Speaker 4: of flexing, just holding it open from closing around him.
• 14:46
  Speaker 3: Gurgles at you as you hold him at bay.
• 14:52
  Speaker 2: Aws. You don't want this, my brother, Boo.
• 15:05
  Speaker 3: We roll for Quanta or no, not roll? Yes, we
• 15:09
  Speaker 3: do roll.
• 15:10
  Speaker 1: Ready.
• 15:10
  Speaker 3: It's a ready check to see where you enter the
• 15:12
  Speaker 3: initiative and where you enter physically here.
• 15:16
  Speaker 1: I don't think you're ready, phone, it's ready five five.
• 15:22
  Speaker 3: You beat me by three, So you can also start
• 15:25
  Speaker 3: with in his l if you'd like.
• 15:27
  Speaker 1: Great, I strike into the room on a lightning bolt.
• 15:33
  Speaker 1: I also still have on have on once again my
• 15:35
  Speaker 1: sweatpants and balaclava and my headphones with my VHS tapeholster
• 15:42
  Speaker 1: on my hip, and look around taking it all in.
• 15:45
  Speaker 3: Yeah, you see Jamir holding back the jaws of a
• 15:49
  Speaker 3: crocodile face man who otherwise looks like a man.
• 15:53
  Speaker 10: Jeel little help here, got it? I will. So now
• 15:58
  Speaker 10: we go back to the door. This is you and initiative.
• 16:01
  Speaker 10: As you do you swing kind of in the hole
• 16:04
  Speaker 10: he made? Or do you come from the roof?
• 16:06
  Speaker 2: Yeah?
• 16:06
  Speaker 1: I crash in through the hole.
• 16:08
  Speaker 3: Okay, So you crash right past this group of reporters
• 16:13
  Speaker 3: and journalists, people taking notes holding up their little their
• 16:17
  Speaker 3: little tape recorders as you zip over them. So we're
• 16:21
  Speaker 3: back up to the top. It's Jason's turn. All right,
• 16:23
  Speaker 3: I'm gonna drop down on this fool. I charge up
• 16:26
  Speaker 3: cloak and I'm gonna try and blind him with p Oh,
• 16:30
  Speaker 3: it's gonna be ten damage. Oh sorry eleven with the
• 16:33
  Speaker 3: plus one. I'm so sorry, eleven damage coming coming to
• 16:37
  Speaker 3: you and I'm hidden the So suck it.
• 16:40
  Speaker 5: I guess you can't. Yeah, we're gonna suck it. Yes, Yeah,
• 16:46
  Speaker 5: as I'll as I'll come down. I'm trying to wrap
• 16:48
  Speaker 5: the paper around his his head, his eyes, his crocodile face.
• 16:54
  Speaker 2: Let's say nighty night.
• 17:02
  Speaker 3: He cannot react because you're hidden. He only reseals. I'm
• 17:08
  Speaker 3: rolling ass. He reseals for two, which means you do
• 17:14
  Speaker 3: find damage nine damage. Nice, and he'll be blinded and
• 17:18
  Speaker 3: he's blinded, which means he cannot react until he's unblinded.
• 17:22
  Speaker 2: What else does blind do? Can't react and we'll roll
• 17:26
  Speaker 2: low on all attacks.
• 17:27
  Speaker 3: Damn, that's nice, very jamiir. You see paper come out
• 17:33
  Speaker 3: of nowhere. You didn't even know that the paper phantom
• 17:37
  Speaker 3: was here when you came in, and paper covers the
• 17:41
  Speaker 3: head of this crock face.
• 17:43
  Speaker 2: It's your turn.
• 17:44
  Speaker 9: Great.
• 17:46
  Speaker 4: With my hands still holding his mouth, I'm just gonna.
• 17:53
  Speaker 2: Try to quickly let go with my right.
• 17:56
  Speaker 4: Hand, try to duck out of the closing jaw, and
• 18:00
  Speaker 4: just punch this guy.
• 18:02
  Speaker 2: In the gut.
• 18:03
  Speaker 3: Awesome, roll your damage, rolling with precision. Because I'm close
• 18:09
  Speaker 3: up and I got a six.
• 18:14
  Speaker 1: I was just gonna make a silly joke about punching
• 18:18
  Speaker 1: King k Rule in the tom tongue.
• 18:20
  Speaker 9: Exactly.
• 18:22
  Speaker 2: What's the joke. That's not the joke is his belly
• 18:25
  Speaker 2: golden and.
• 18:27
  Speaker 1: Isn't a big is it a big round tummy?
• 18:31
  Speaker 2: Shout out to Kinks.
• 18:34
  Speaker 3: He's tummy right now is just human but six packed
• 18:39
  Speaker 3: six pack. He rolls all resilience and well, okay, he
• 18:46
  Speaker 3: rolls pretty good on his resilience. He rolls a six,
• 18:49
  Speaker 3: so that turns into three. So he does get a
• 18:51
  Speaker 3: little golden kingk he tightens up those albs. Yeah, he
• 18:58
  Speaker 3: goldens up those abs. As your strike still hits him,
• 19:04
  Speaker 3: he does get the wind knocked out of him here
• 19:07
  Speaker 3: for three more damage. Yikes, Jason just gonna poke out
• 19:12
  Speaker 3: from behind. Ride to Quanta, Hey Wave, thanks for phantom
• 19:18
  Speaker 3: Quanta your turn.
• 19:19
  Speaker 1: As soon as I arrive. I want to have done
• 19:22
  Speaker 1: a sense of the situation of him, of the people
• 19:26
  Speaker 1: around here, the people that are down in particular. Yeah,
• 19:29
  Speaker 1: and are they alive? What is his state? Even though
• 19:33
  Speaker 1: it's kind of obvious he's flipset.
• 19:36
  Speaker 3: Yeah, roll a roll of a sense check four. Okay,
• 19:40
  Speaker 3: this is a challenging check. I'm rolling a D ten.
• 19:43
  Speaker 3: There's a lot going on here. I rolled a seven,
• 19:46
  Speaker 3: so that's a failure. Do get obviously his anger he
• 19:50
  Speaker 3: has a mission here. You do also see that the
• 19:53
  Speaker 3: people that are you all see the people. There's people
• 19:56
  Speaker 3: that have moved to the outer edge of this warehouse space.
• 20:01
  Speaker 3: And then the people that are knocked out outside don't
• 20:04
  Speaker 3: seem dead. They seem knocked out. But that's all you get, Okay,
• 20:07
  Speaker 3: I say.
• 20:07
  Speaker 1: Oh, why is it always animals? As I let mine
• 20:10
  Speaker 1: whip make out of my hands and we'll crack at him.
• 20:14
  Speaker 2: Got it? Six six damage? Yes, damn, he reseals for two.
• 20:22
  Speaker 1: I would love it too. So the papers wrapped around
• 20:24
  Speaker 1: his head, I would love this to wrap around his
• 20:27
  Speaker 1: snout like I'm a crocodile hunter.
• 20:30
  Speaker 3: Yes, wraps around his snout. Her with the paper around
• 20:34
  Speaker 3: his head, the thing around his snout, trying to scream
• 20:39
  Speaker 3: it's his turn. He's going to use a utility action
• 20:44
  Speaker 3: to try to break the blinded condition. So all there
• 20:47
  Speaker 3: is is paper around his head. So he's gonna roll
• 20:50
  Speaker 3: strength plus might to rip it off. You are going
• 20:54
  Speaker 3: to roll hmmm, You're gonna roll cokes plus your papermancy
• 21:01
  Speaker 3: to keep it on. Eleven whoo, fourteen, His hands turn
• 21:10
  Speaker 3: into big old claws and he shreds it off like
• 21:14
  Speaker 3: a Tasmanian devil, ripping it off of his face. He
• 21:18
  Speaker 3: is no longer blinded. He enraged yells at you all stampers.
• 21:25
  Speaker 9: I I'm the good guy here.
• 21:27
  Speaker 2: You fools. He's going to use his supervillain action.
• 21:34
  Speaker 9: Oh no.
• 21:35
  Speaker 3: So he gets two actions per round, and he rolled
• 21:40
  Speaker 3: two and a one in his order. So he goes
• 21:43
  Speaker 3: back to back. So that was a utility action. He
• 21:47
  Speaker 3: is using a second utility action for free or. His
• 21:51
  Speaker 3: arms spread out and starting with his fingers, his hands
• 21:56
  Speaker 3: unlined and uncurl into enormously long tentacles, strong and under
• 22:03
  Speaker 3: his full control. He reaches out on either side of
• 22:07
  Speaker 3: him and uses the utility actions to grab two people.
• 22:13
  Speaker 3: Oh no, and he throws them up into the air
• 22:18
  Speaker 3: and say.
• 22:18
  Speaker 1: Good guys, don't do that.
• 22:20
  Speaker 3: That's his turn, and then that's the end of this round.
• 22:25
  Speaker 3: So we're back up to the top. So everything resets
• 22:28
  Speaker 3: tree with Jason right, two people in the air. They
• 22:32
  Speaker 3: will hit the ground at the end of this phase.
• 22:34
  Speaker 5: Yeah, I'm gonna try, And I don't think I can
• 22:36
  Speaker 5: save both of them with one action, can I? Does
• 22:39
  Speaker 5: one of them look like their live matters more than
• 22:42
  Speaker 5: the well, so you can get friends, So you can certainly.
• 22:48
  Speaker 5: So there's there's the difference, and this is important there's
• 22:51
  Speaker 5: the difference between the save action, which is just kind
• 22:54
  Speaker 5: of for free for one person, but there's also like
• 22:57
  Speaker 5: you can use a utility action to make a paper
• 23:00
  Speaker 5: slide that they slide down, sure, and then that would
• 23:03
  Speaker 5: just be a utility check that but that would cause
• 23:06
  Speaker 5: a check, whereas just the save action is only one
• 23:09
  Speaker 5: person but it doesn't have a check. Whereas you can
• 23:11
  Speaker 5: always try something else with your other stuff, but you
• 23:14
  Speaker 5: don't have to.
• 23:15
  Speaker 2: I'm just saying that's the rules.
• 23:17
  Speaker 5: Yeah, yeah, okay, great. In accordance with the rules, then
• 23:22
  Speaker 5: I'd like to make two paper parachutes for people.
• 23:28
  Speaker 3: Awesome, Okay, there's two people then, so this is that
• 23:32
  Speaker 3: ups the difficulty, so this will be a challenging check.
• 23:36
  Speaker 3: So I'm rolling a D ten. You roll street Smarts
• 23:38
  Speaker 3: plus your paper manipulation three three. I rolled a four.
• 23:45
  Speaker 1: Oh no, you make.
• 23:46
  Speaker 2: These two parachutes? And why is parachutes? Streets smarts.
• 23:52
  Speaker 3: They connect to these people for just a second and
• 23:55
  Speaker 3: then the straps made of your paper break and rip
• 23:59
  Speaker 3: and they continue to fall.
• 24:01
  Speaker 2: Jamir, you're up. It's their lives. Didn't look like they
• 24:04
  Speaker 2: mattered that much. Damn it to be here.
• 24:08
  Speaker 4: It's still on his flight star through this cup, but
• 24:12
  Speaker 4: I never dismissed it. I'm gonna try, because I have
• 24:16
  Speaker 4: two l's of movement on this bad boy. I'm gonna
• 24:20
  Speaker 4: try to swoop in an arc to try to scoop
• 24:25
  Speaker 4: both and kind of uh scoop them as I'm descending,
• 24:30
  Speaker 4: so I can kind of usher them to the ground,
• 24:34
  Speaker 4: not in a painful smashy way.
• 24:37
  Speaker 3: Yes, so this will be a swift check plus your strength, Jmir.
• 24:41
  Speaker 4: Okay, swift for me, he's a deep eight, and then
• 24:46
  Speaker 4: just plus my strength.
• 24:47
  Speaker 2: Die.
• 24:48
  Speaker 3: Yes, I'm rolling a challenging check, just like I did
• 24:53
  Speaker 3: for Jason. Okay, that's a nun. I rolled a ten.
• 25:00
  Speaker 3: Oh god, on such a close failure, you do, grab
• 25:05
  Speaker 3: one of these people and get them safely to the ground.
• 25:08
  Speaker 3: The other person slips through your fingertips, no quanta, your.
• 25:12
  Speaker 1: Turn, all right. As I see the other person slip
• 25:15
  Speaker 1: through Jimir's fingers, I will use my save action and
• 25:22
  Speaker 1: lightning whip just like a rope up to the ceiling
• 25:26
  Speaker 1: swing and catch them mid fall and try to land sameely,
• 25:31
  Speaker 1: even though I'm not very strong.
• 25:33
  Speaker 2: Yeah, that's great.
• 25:34
  Speaker 3: You catch this person midfall, you lay them down and
• 25:39
  Speaker 3: they both run off the man who is standing here,
• 25:45
  Speaker 3: whose legs now become long elephant legs, and he grows
• 25:51
  Speaker 3: tall and starts to take huge enormous steps over you
• 25:56
  Speaker 3: and past you. Starts just chuckling to himself.
• 26:03
  Speaker 9: They're all dead anyway. He killed my wife and might
• 26:08
  Speaker 9: as well be dead.
• 26:10
  Speaker 7: SHO.
• 26:12
  Speaker 3: He's going to take one of his actions to move.
• 26:15
  Speaker 3: He just walks two l's, and he's going towards the
• 26:20
  Speaker 3: office area of this building, which is kind of in
• 26:23
  Speaker 3: a different area. There are some glass windows that separate
• 26:28
  Speaker 3: this showroom floor and the more.
• 26:32
  Speaker 2: Office like spot.
• 26:34
  Speaker 3: While he walks, He's going to take his other action,
• 26:37
  Speaker 3: use a utility action, and one of his arms becomes
• 26:42
  Speaker 3: hairy and enormous, huge shoulder becomes the arm of a
• 26:48
  Speaker 3: mighty ape, and he grabs underneath like one of the
• 26:53
  Speaker 3: show cars, and he flings it over towards some people that.
• 26:57
  Speaker 2: Are scared on the wall.
• 27:02
  Speaker 3: As a car is hurtling towards them. That's his utility action.
• 27:06
  Speaker 9: Damn.
• 27:08
  Speaker 1: Can I react? Yes, okay, I will react and try
• 27:14
  Speaker 1: to use control electricity as I've done with appliances, but
• 27:17
  Speaker 1: with this car to stop it.
• 27:20
  Speaker 2: Oh that's fucking cool.
• 27:22
  Speaker 9: Damn.
• 27:23
  Speaker 1: So just like Quanta, without thinking, just looks over at
• 27:26
  Speaker 1: the car, reaches her hands out and tries to stop it. Yeah,
• 27:31
  Speaker 1: mid very fampiral through the air.
• 27:34
  Speaker 3: Awesome, Okay, roll a, I would take swift or strength here.
• 27:40
  Speaker 5: I love that the car is spiraling like a football
• 27:43
  Speaker 5: because it's so curvacious.
• 27:44
  Speaker 1: It's so curvacous. I just need to stop this hot
• 27:47
  Speaker 1: dog before it goes anywhere else? Do you Okay?
• 27:52
  Speaker 3: So my or I think I would also take knowledge
• 27:55
  Speaker 3: because the inner electricity in the car.
• 27:59
  Speaker 1: In the car, I'm gonna do swift, swift and control.
• 28:02
  Speaker 3: Electricity, and I'm rolling his strength plus his might.
• 28:06
  Speaker 1: Oh boy, I'm gonna have to get lucky. What'd you roll?
• 28:13
  Speaker 2: I rolled poorly?
• 28:14
  Speaker 1: Okay? I rolled a five.
• 28:16
  Speaker 2: I rolled a six.
• 28:17
  Speaker 1: Oh it hurts.
• 28:22
  Speaker 2: You reach out. We have till the end of the
• 28:24
  Speaker 2: phase still okay.
• 28:25
  Speaker 3: So yes, No, how this works is that anyone can
• 28:28
  Speaker 3: use their reaction to try to stop this is a
• 28:31
  Speaker 3: utility action on his part.
• 28:33
  Speaker 2: Okay.
• 28:34
  Speaker 3: So you can use a reaction here to try to
• 28:36
  Speaker 3: stop these people from getting smashed by this car. I'll
• 28:40
  Speaker 3: use I'll burn my reaction as well.
• 28:42
  Speaker 2: What are you doing, Jamir?
• 28:43
  Speaker 9: Jamir?
• 28:44
  Speaker 2: Who's the person that I saved.
• 28:46
  Speaker 3: The person that you saved has a sort of like
• 28:50
  Speaker 3: mechanic clothes on, but very crisp, like nice mechanic clothes.
• 28:56
  Speaker 3: They're part of this kind of show room of fancy cars,
• 29:00
  Speaker 3: big old glasses on. He's got like a balding pate
• 29:05
  Speaker 3: and a sharp looking comb over. He's panicking you as
• 29:08
  Speaker 3: you set him down. The other thing you can do,
• 29:11
  Speaker 3: Jamir is you can use a reaction help action to
• 29:16
  Speaker 3: help Quanta with her check because she rolled pretty well
• 29:20
  Speaker 3: and I rolled poorly. So if you want to like
• 29:22
  Speaker 3: just aid with that somehow, you can tell me how
• 29:24
  Speaker 3: you want to do that.
• 29:25
  Speaker 4: I will, I'll help Quanta. I'll I'll look at him
• 29:30
  Speaker 4: quickly and say it's gonna be all right, and then
• 29:33
  Speaker 4: turn extend one arm in a fist and just kind
• 29:37
  Speaker 4: of punch the air with a magic blast to try
• 29:41
  Speaker 4: to help steer this car off course from the innocent
• 29:46
  Speaker 4: souls it's careening toward.
• 29:47
  Speaker 3: Yeah, awesome, So all you roll for this is so
• 29:51
  Speaker 3: The other thing about a help action is that you
• 29:53
  Speaker 3: just add a power die. You don't add a skill die.
• 29:56
  Speaker 3: So you'll just add your magic blast.
• 29:59
  Speaker 2: Great, got a five on the magic blast.
• 30:03
  Speaker 3: Oh yeah, Quanta reaches out and tries to stop this car,
• 30:08
  Speaker 3: and you do. It slows to just like, but it's
• 30:11
  Speaker 3: still a one two ton piece of metal gonna crush
• 30:15
  Speaker 3: these people. And all of a sudden, Jamir's magic blast
• 30:19
  Speaker 3: comes from behind us smashes it out of the way.
• 30:30
  Speaker 2: Hell yeah, and we're back up at the top. Jason's turn.
• 30:41
  Speaker 5: I look at you guys, thumbs up, and I'm just
• 30:43
  Speaker 5: gonna follow. I'm gonna skulk after this, this hulking creature
• 30:49
  Speaker 5: still in the ceiling. I'll move into his l Actually,
• 30:52
  Speaker 5: I'll just kind of try and drop down. He's he
• 30:54
  Speaker 5: knows I'm there. I'm just gonna get up behind him.
• 30:57
  Speaker 5: What's your movement with my cloak? I've got five ill
• 31:01
  Speaker 5: Oh damn, yeah you live.
• 31:03
  Speaker 3: You are fast from your little perch in the industrial
• 31:09
  Speaker 3: industrial rafters. You fly down and arrive in his l
• 31:16
  Speaker 3: right behind him.
• 31:17
  Speaker 2: Nice where you go? And what's going on? You said?
• 31:20
  Speaker 2: Everyone's dead? What has are you?
• 31:22
  Speaker 9: Okay?
• 31:22
  Speaker 2: What's up?
• 31:23
  Speaker 9: Get out of my way? He has to be stopped.
• 31:28
  Speaker 9: Do you want to.
• 31:28
  Speaker 2: Stand walk me through it?
• 31:30
  Speaker 5: I mean, maybe it's not too late for you to
• 31:33
  Speaker 5: still be the good guy, even though you juggle those
• 31:35
  Speaker 5: people with your tentacle arms.
• 31:37
  Speaker 9: I'm putting them out of their misery in this place
• 31:40
  Speaker 9: is misery, all right?
• 31:42
  Speaker 5: I mean, look that one guy maybe, but come on,
• 31:45
  Speaker 5: you don't indiscriminately kill people.
• 31:47
  Speaker 9: That's what he does. We have to answer in kind.
• 31:53
  Speaker 9: I'm coming for you alone.
• 31:56
  Speaker 2: Jamiir, your turn. Okay, how many l's over? Two?
• 32:01
  Speaker 9: Yeah?
• 32:01
  Speaker 3: Phase two? I burn my reaction. How many l's is
• 32:04
  Speaker 3: he away from me?
• 32:05
  Speaker 2: Two l's from great?
• 32:08
  Speaker 4: Jamiir is going to just slightly rise up on my
• 32:13
  Speaker 4: flight star and just say, buddy, you're going about this
• 32:18
  Speaker 4: the wrong way, and I'm gonna shoot some magic blasts
• 32:23
  Speaker 4: at him. I will use an energy point, yes, to
• 32:29
  Speaker 4: try to get my goodies. But those only happen if I.
• 32:34
  Speaker 2: Do a certain amount of damage.
• 32:35
  Speaker 9: Yep.
• 32:36
  Speaker 4: So I am two l's away. So I am rolling
• 32:41
  Speaker 4: with precision, and I quit. Damn, I'm not close enough
• 32:48
  Speaker 4: to the button. Quough.
• 32:51
  Speaker 3: So I got I? Yes, I got a four. That's
• 32:54
  Speaker 3: still fun, juicy four. Do you have a perm bonus
• 32:58
  Speaker 3: on that I do not? That's fine, I wish I did.
• 33:01
  Speaker 2: You want to roll? For what kind of damage you're doing?
• 33:03
  Speaker 9: Jamier?
• 33:04
  Speaker 2: Sure? I roll my D six ooh I got a six,
• 33:08
  Speaker 2: so that is magic, so it'll be magical damage. And
• 33:13
  Speaker 2: for Jamir that.
• 33:14
  Speaker 4: Is lulling, so it'll be a lulling attack if he
• 33:18
  Speaker 4: doesn't reseal good enough.
• 33:20
  Speaker 3: Okay, sounds good. Here comes his resilience. He is focused,
• 33:25
  Speaker 3: he's looking ahead and talking in a deep conversation with Jason,
• 33:31
  Speaker 3: and so he's not going to react to you this
• 33:35
  Speaker 3: go round. He's just rolling his resilience. Oh my god,
• 33:39
  Speaker 3: he rolled a two, so that turns into one, which
• 33:43
  Speaker 3: means you do three damage.
• 33:44
  Speaker 2: But for lulling, I need at least four. Oh close.
• 33:49
  Speaker 2: Lulling's good.
• 33:50
  Speaker 4: Lulling, yeah, it's but I do hit him with a
• 33:53
  Speaker 4: magic blast and hopefully.
• 33:55
  Speaker 2: Get his intermension.
• 33:56
  Speaker 3: Jamiir, I want to kind of take a minute with
• 33:58
  Speaker 3: this moment here, because this is powerful magic, and most
• 34:02
  Speaker 3: of your magic just kind of looks like energy blasts, right, yeah,
• 34:06
  Speaker 3: but this is different. This this you start to feel
• 34:09
  Speaker 3: like you could have the power to change this person,
• 34:13
  Speaker 3: like he is transforming in front of your eyes.
• 34:15
  Speaker 2: You might have the.
• 34:16
  Speaker 3: Ability to magically shift his mind. Is this what is
• 34:21
  Speaker 3: happening in this moment with Jamir and his magic?
• 34:23
  Speaker 4: Yeah, Jamir's Jamir is used to just kind of shooting
• 34:27
  Speaker 4: out some kind of elemental force. But this is the
• 34:31
  Speaker 4: first time that, like Jamir sees some sort of control.
• 34:38
  Speaker 4: When he shoots out this blast, he recognizes in the
• 34:42
  Speaker 4: beam shooting on from him, maybe a familiar feeling within
• 34:48
  Speaker 4: his gut that he almost can connect with it. But
• 34:52
  Speaker 4: it flies away from him.
• 34:56
  Speaker 2: Beyond his reach.
• 35:00
  Speaker 3: It still strikes this beast in the back who's back
• 35:04
  Speaker 3: because he's walking away from you, guys has scaled over
• 35:07
  Speaker 3: with hard animal scales of some kind, snake scales, and
• 35:12
  Speaker 3: you still do three damage to him, but he does
• 35:15
  Speaker 3: reseal against some of it.
• 35:20
  Speaker 2: Quanta, your turn.
• 35:21
  Speaker 1: First, I want to try, if you'll let me use
• 35:23
  Speaker 1: free action to coax him to stand up behind him
• 35:27
  Speaker 1: and say, like, hey, try to get him to turn around. Yeah,
• 35:30
  Speaker 1: just by yelling.
• 35:31
  Speaker 3: Hey, absolutely, you don't want to add any power to
• 35:34
  Speaker 3: it or anything, or just regular cokes, I mean regular cokes.
• 35:39
  Speaker 2: Alrighty, he's going to roll guts against you.
• 35:41
  Speaker 1: I guess I could try to make his brain a
• 35:43
  Speaker 1: little bit more pliable to suggestion with some controller.
• 35:46
  Speaker 2: Yeah, I think you certainly could.
• 35:48
  Speaker 11: All right, Oh, I rolled a one on twenty, so
• 35:54
  Speaker 11: I got a three three he rolled a seventeen on
• 35:58
  Speaker 11: his so close his intention to move forward.
• 36:05
  Speaker 3: You stand up and say hey, and all of the
• 36:08
  Speaker 3: reporters look at you as this burly crocodile ape man continues.
• 36:15
  Speaker 2: To roll forward.
• 36:16
  Speaker 1: Right then, I will just keep yelling at him it
• 36:18
  Speaker 1: must be your lucky day, and lightning whip him and say, because.
• 36:23
  Speaker 11: Lightning rarely strikes the same place twice, well that's pretty good.
• 36:30
  Speaker 1: And attack him and I am going to try to
• 36:31
  Speaker 1: pull him to a PA. So I wanted to wrap around, yes,
• 36:36
  Speaker 1: and by using like electricity of coursing through his body,
• 36:40
  Speaker 1: but then also just strength turn around with the whip
• 36:43
  Speaker 1: over my shoulder and just start leaning trying to pull him.
• 36:46
  Speaker 3: Awesome, great roll that damage seven ooh seven. Having both
• 36:51
  Speaker 3: Jamir and you attack at him, well no, I just
• 36:55
  Speaker 3: he just rolled a seventeen on moving forward. So maybe
• 36:57
  Speaker 3: he won't I think because of what I just said
• 37:01
  Speaker 3: for flavor, I don't think he is going to that
• 37:04
  Speaker 3: one paid off. I don't think he is going to defend.
• 37:07
  Speaker 3: But he still reseals okay, seven, that's big. He gets
• 37:11
  Speaker 3: three on his resilience, no, sorry, four on his.
• 37:15
  Speaker 1: Okay, but I still do three damage. So I pull
• 37:18
  Speaker 1: him one l back towards me. Nice.
• 37:21
  Speaker 2: That's awesome.
• 37:23
  Speaker 3: The lightning whip around his waist yanks him back a step.
• 37:29
  Speaker 3: He kind of is pulled right past you, Jason Bye.
• 37:34
  Speaker 2: He looks at you. It's his two turns. He just says,
• 37:39
  Speaker 2: who are you?
• 37:42
  Speaker 9: Who are you? Three?
• 37:45
  Speaker 1: Where are the good guys?
• 37:47
  Speaker 5: No?
• 37:48
  Speaker 9: No, no, he said I was, He said I was
• 37:52
  Speaker 9: masterpiece was only.
• 37:54
  Speaker 1: One who said that the more.
• 37:58
  Speaker 9: Are you hinder me, the more these people are in danger.
• 38:02
  Speaker 3: He goes over to a small portion of the conveyor
• 38:06
  Speaker 3: belt system in here. He rips a chunk of the
• 38:09
  Speaker 3: conveyor belt off and he flings it across the room
• 38:13
  Speaker 3: at a group of these people that are still over here.
• 38:19
  Speaker 5: I'll use my reaction. I'm gonna try and try and
• 38:23
  Speaker 5: cut this thing out of the air.
• 38:25
  Speaker 2: Got it nice?
• 38:27
  Speaker 3: So roll swift plus your papermancy Yeah mm hmm, come on.
• 38:36
  Speaker 2: Five? Five?
• 38:38
  Speaker 3: He rolled ten. Two of these people are struck with
• 38:44
  Speaker 3: this big thing and it seems like kind of smashed
• 38:48
  Speaker 3: into the wall.
• 38:49
  Speaker 2: He looks at you all, so.
• 38:53
  Speaker 3: Growing out of his back are two leathery bat wings enormous.
• 38:58
  Speaker 2: He supposed to flap and he starts flying.
• 39:03
  Speaker 3: He's gonna use his second action to move okay, because
• 39:07
  Speaker 3: he's flying. He gets he's a flying man with really
• 39:10
  Speaker 3: long elephant legs. He gets four l's, and so he
• 39:15
  Speaker 3: smashes through the glass window into the like office build
• 39:21
  Speaker 3: Like there's just like an entryway, like imagine you're going
• 39:24
  Speaker 3: to like a car blaze. There's like an entryway where
• 39:27
  Speaker 3: there's a booth and people would greet you there. He
• 39:30
  Speaker 3: gets into that space. In this space, there's also a
• 39:32
  Speaker 3: stairwell to the right and elevators to the left. He
• 39:35
  Speaker 3: smashes through the glass windows to get into this entryway,
• 39:39
  Speaker 3: and it looks like he's gonna.
• 39:40
  Speaker 5: Try to take the stairs up, not the crappy coffee machine.
• 39:46
  Speaker 3: Jason, your turn, I've I've reacted?
• 39:49
  Speaker 2: Is phase three? Right, Yes, I've reacted.
• 39:51
  Speaker 1: I've reacted, Jimmy, or I've reacted.
• 39:54
  Speaker 2: All right, you've all reacted.
• 39:56
  Speaker 1: That was two rounds.
• 39:57
  Speaker 3: That Well, it's his turn. Oh I'm sorry. So he,
• 40:01
  Speaker 3: having left you guys in the dust a little bit,
• 40:03
  Speaker 3: is going to take two full movement actions and get
• 40:08
  Speaker 3: all the way up to his goal, which is the
• 40:10
  Speaker 3: fourth floor.
• 40:12
  Speaker 1: Okay, how many l's is that?
• 40:16
  Speaker 3: It is only two l's up okay, okay, but you
• 40:20
  Speaker 3: guys are south of it, if that makes sense, So
• 40:23
  Speaker 3: you're at an angle like you.
• 40:24
  Speaker 1: Yeah, So how many l's is it from us if
• 40:26
  Speaker 1: we're going to follow his path?
• 40:28
  Speaker 3: Five for the Phantom, seven for Jamier and Quanta. Okay, okay,
• 40:33
  Speaker 3: hold on, let me make sure I'm taking off all
• 40:35
  Speaker 3: the energy for him because he's moving a lot energy.
• 40:40
  Speaker 2: G G g E. Oh yeah, he's running out of
• 40:46
  Speaker 2: movement energy, which is good for y'all.
• 40:48
  Speaker 5: Is his skin he's still like it's like the texture
• 40:53
  Speaker 5: is changing, but it's still just like flesh colored like
• 40:57
  Speaker 5: the hole tiaac Grosse. Good question.
• 40:58
  Speaker 2: When it change is there is a level of how
• 41:01
  Speaker 2: squishy is it? If I wanted to touch like his butt?
• 41:04
  Speaker 12: Yeah?
• 41:04
  Speaker 1: How does it feel like I wanted to eat a sandwich?
• 41:09
  Speaker 3: Is you could definitely eat off his butt?
• 41:13
  Speaker 2: His skin.
• 41:14
  Speaker 3: There is a little bit of body horror with him, certainly,
• 41:17
  Speaker 3: But but uh, when but the color shifts, it's fully animals,
• 41:23
  Speaker 3: but it's just parts of him and his whole body
• 41:25
  Speaker 3: never turns into animals.
• 41:27
  Speaker 5: Okay, that makes me feel better than like them being
• 41:30
  Speaker 5: flesh colored elephant legs.
• 41:32
  Speaker 3: That's upsetting, upsetting. Yeah, but i'd still touch it. Okay,
• 41:37
  Speaker 3: all right, so we're round three. Yeah, yeah, Jason, you're.
• 41:42
  Speaker 5: I'll look over. Are those people just fucking dead that
• 41:46
  Speaker 5: that got some by a conveyor belt? Are dead?
• 41:50
  Speaker 1: Is always fantom?
• 41:53
  Speaker 7: Hey?
• 41:53
  Speaker 2: Are you guys dead? All dead?
• 41:55
  Speaker 9: Over there?
• 41:56
  Speaker 3: I'll just say you do see like movement under the Okay,
• 42:01
  Speaker 3: they don't seem to be folded.
• 42:02
  Speaker 5: All right, I'll be responsible and like schluff some paper
• 42:07
  Speaker 5: their way to fucking stabilize them. Yeah, I've got how
• 42:11
  Speaker 5: many how many people are over are crush under this thing?
• 42:14
  Speaker 2: Two? All right, I'll give each of them one HP
• 42:18
  Speaker 2: of healing paper. Goodness, got it? Begrudgingly they stabilize. You're
• 42:24
  Speaker 2: good now.
• 42:28
  Speaker 3: The phantom, in a moment of selflessness, heals with some paper.
• 42:34
  Speaker 3: Reluctant selflessness, Jim, your turn to be able to reach
• 42:41
  Speaker 3: out a hand toward Quanta.
• 42:44
  Speaker 1: Dorothy, reach my handback.
• 42:47
  Speaker 4: Yeah, I'm hoping with my free Actually, the scoop Quanta
• 42:50
  Speaker 4: and then do three l's of flight star to try
• 42:54
  Speaker 4: to catch both of us up to this guy.
• 42:56
  Speaker 1: I do. I twirl into into Rigel's arms. Would you
• 43:01
  Speaker 1: like the ooh step out and twirl in like a
• 43:06
  Speaker 1: dance move.
• 43:06
  Speaker 3: If you want to use your powers in a way
• 43:09
  Speaker 3: to like combine your movements, you can so you both
• 43:13
  Speaker 3: could go whatever, like the the maximum of your movement
• 43:18
  Speaker 3: is here.
• 43:19
  Speaker 1: I will to help us move further. I will can
• 43:23
  Speaker 1: I Like last time we were in combat, I used
• 43:27
  Speaker 1: my lightning went like a little shield. But now I
• 43:29
  Speaker 1: want to use it like a propeller on the back
• 43:31
  Speaker 1: of the floor.
• 43:31
  Speaker 2: Yes, it's awesome.
• 43:35
  Speaker 3: Awesome, you've been into Jamiir's flight stars. The two of
• 43:40
  Speaker 3: you ride it and then you turn around and like
• 43:43
  Speaker 3: a little propeller propel the flight star onwards.
• 43:46
  Speaker 2: So how much do you add to Jamir's movement?
• 43:48
  Speaker 1: Fine?
• 43:48
  Speaker 3: Whoa, yeah, shit, are you going up the stairs?
• 44:00
  Speaker 1: Might as well.
• 44:00
  Speaker 2: Yeah, let's not smash too much. Let's just try to
• 44:04
  Speaker 2: keep up with them.
• 44:05
  Speaker 1: As we pass by the phantom, I say.
• 44:09
  Speaker 2: Come on, keep up, I twirl, but like a minute
• 44:12
  Speaker 2: too late.
• 44:14
  Speaker 1: Oh scarecrow.
• 44:15
  Speaker 3: You guys zip up the stairwell and bash into the
• 44:21
  Speaker 3: fourth floor, where you do go fast enough to see
• 44:25
  Speaker 3: the fourth floor door kind of shutting close. Here's what
• 44:29
  Speaker 3: you find on the fourth floor. You actually don't find
• 44:33
  Speaker 3: an office building at all. Instead, it is a gaudy
• 44:39
  Speaker 3: den of Pleasures. Oh, as you were entering this floor,
• 44:46
  Speaker 3: you saw a placard that said the board and the
• 44:50
  Speaker 3: board of Olsen Industries is here. Loud music. They are
• 44:56
  Speaker 3: getting drunk, They are getting high while are enjoying watching
• 45:01
  Speaker 3: nude dancers up on the bars and the tables. It
• 45:05
  Speaker 3: is dark and stuffy, it's moist and smells of sweat.
• 45:11
  Speaker 1: At least it's before the alcohol cut off. It's like
• 45:14
  Speaker 1: five pm.
• 45:15
  Speaker 3: The man you've been following shouts here you sit.
• 45:20
  Speaker 9: As wallowing in your filth and aware of the horrors
• 45:27
  Speaker 9: that go out in your own house, not thirty feet
• 45:30
  Speaker 9: below you, sick of it.
• 45:33
  Speaker 3: Cord and he raises his wings to fly right at
• 45:38
  Speaker 3: a specific man in a dark black suit watching two
• 45:43
  Speaker 3: dancers at his own table.
• 45:45
  Speaker 2: You guys both used a movement with eight.
• 45:49
  Speaker 3: You could get one l like in between this guy
• 45:53
  Speaker 3: and the people in this room, or you could get
• 45:55
  Speaker 3: in his.
• 45:55
  Speaker 1: L you're the pilot.
• 45:57
  Speaker 4: Yeah, let's kind of zoom past him and kind of
• 45:59
  Speaker 4: get in between him and them.
• 46:02
  Speaker 3: Great sounds good. This fourth floor floor is certainly not
• 46:06
  Speaker 3: as big as the lower factory space below. It's it's
• 46:12
  Speaker 3: much smaller, and it is dark and crowded up here,
• 46:17
  Speaker 3: and these people listening to their music seem to have
• 46:20
  Speaker 3: no idea what was happening below, so they are shocked
• 46:24
  Speaker 3: to see three superpowered beings bust in here.
• 46:36
  Speaker 2: Clear out everybody, clear out, shows over.
• 46:39
  Speaker 3: It is this man's turn. He looks at the two
• 46:43
  Speaker 3: of you. He's going to, in anger, just attack at
• 46:49
  Speaker 3: both of you with his two actions. So two attacks.
• 46:54
  Speaker 3: He's going to use two energy points to make them
• 46:58
  Speaker 3: both slowing. Tax interesting Jamiir. Five damage to you, okay, Quanta?
• 47:07
  Speaker 3: Three damage to you?
• 47:08
  Speaker 4: All right, Zial I rolled my resilience. I got a four,
• 47:14
  Speaker 4: so I have that, so I take three.
• 47:17
  Speaker 3: Damage, yes, and thus you are slowed Jamir. Okay, your
• 47:22
  Speaker 3: movement is halved and you are limited to two actions
• 47:25
  Speaker 3: per round. As his strike comes out to you, Jamir,
• 47:30
  Speaker 3: it becomes the sticky and strong tentacles of some beast
• 47:36
  Speaker 3: of the deep waters, and it wraps around you and
• 47:40
  Speaker 3: tightens around you, hindering your movement.
• 47:43
  Speaker 1: Quanta, I rolled a six on my resilience, so I
• 47:46
  Speaker 1: rezal for three.
• 47:48
  Speaker 3: Damn yeah, these same tentacles try to wrap around you
• 47:51
  Speaker 3: and they just shock off.
• 47:53
  Speaker 2: Rchel Jason, your turn. How much wallpapers in this building. Uh,
• 47:59
  Speaker 2: so much wallpaper? Oh in this building? Yeah?
• 48:02
  Speaker 3: You said it's kind of ornate, right, decorated building certainly.
• 48:05
  Speaker 2: Yeah. I guess what I'd like to do this is
• 48:07
  Speaker 2: just would definitely be a branch. Okay, great branch, britch branch.
• 48:12
  Speaker 5: I want to I know that there's action. I can
• 48:15
  Speaker 5: hear it coming from upstairs.
• 48:17
  Speaker 2: Yes. I put my hand on the paper walled wallpaper,
• 48:21
  Speaker 2: and I want to travel via the paper. Whoa, I
• 48:26
  Speaker 2: want to go into the paper and come out another
• 48:28
  Speaker 2: piece of paper.
• 48:29
  Speaker 3: Wow, very fucking cool if it works. So a branching
• 48:36
  Speaker 3: power for sure. So you have to succeed on this
• 48:39
  Speaker 3: first one is a Titanic Checkah. So I'm rolling a
• 48:43
  Speaker 3: D twenty in a D eight and it costs two energy.
• 48:46
  Speaker 1: Okay, I want this to work so bad.
• 48:52
  Speaker 2: I know me too. What skill do I need here?
• 48:55
  Speaker 2: What do you think?
• 48:57
  Speaker 9: Like?
• 48:57
  Speaker 3: How is Jason going about this? This is the interesting question,
• 49:01
  Speaker 3: like your connection to paper and like I think this
• 49:04
  Speaker 3: could be a spirit check.
• 49:05
  Speaker 2: Weirdly, I think it could be knowledge.
• 49:08
  Speaker 5: What do you think I'm I'm sort of envisioning this
• 49:11
  Speaker 5: as like I want to disappear into the paper. So
• 49:15
  Speaker 5: I was thinking of it as like a sneak check,
• 49:17
  Speaker 5: but I would I think knowledge or spirit also makes
• 49:20
  Speaker 5: sense to me.
• 49:20
  Speaker 3: Mmm, giving you sneak is because that's your D twenty,
• 49:26
  Speaker 3: you fucko?
• 49:28
  Speaker 2: Is it? Is it sneaky?
• 49:33
  Speaker 1: It is sneaky, It's so sneak.
• 49:36
  Speaker 5: Yeah, I'm thinking like because I'm I'm imagining this is
• 49:38
  Speaker 5: like I can go if I can get into paper,
• 49:42
  Speaker 5: like that opens up a lot of but like it's
• 49:45
  Speaker 5: it is in my mind, like disappearing.
• 49:47
  Speaker 3: Yeah, I'm gonna give you sneak, you fuck yeah, dirty
• 49:52
  Speaker 3: little very fuck. I rolled poorly, Okay. I rolled a
• 49:56
  Speaker 3: two on my D twenty and I rolled a six
• 49:59
  Speaker 3: on my D eight, so I rolled eight.
• 50:02
  Speaker 2: All right, you rolling.
• 50:03
  Speaker 5: I'm rolling a D twenty for sneak and a D
• 50:06
  Speaker 5: eight for paper manipulation.
• 50:08
  Speaker 2: Let's go, let's go, let's go, let's go. I shouldn't
• 50:10
  Speaker 2: have given you sneak.
• 50:11
  Speaker 3: You you guy, Well, good news for you.
• 50:15
  Speaker 5: I rolled a four on my D twenty, okay, but
• 50:19
  Speaker 5: I also got a seven on the D eight for
• 50:23
  Speaker 5: thirteen or no, not thirteen.
• 50:25
  Speaker 2: I'm sorry, my math is wrong. Eleven eleven does it?
• 50:28
  Speaker 9: Yeah?
• 50:30
  Speaker 2: Ill an eight?
• 50:32
  Speaker 5: Like I said, sweet, Yeah, I touched the wallpaper. Close
• 50:36
  Speaker 5: my eyes, I hear the rich history, the story of
• 50:39
  Speaker 5: people smoking in here, and it staining the walls, and
• 50:43
  Speaker 5: the paper, the glue binding it to the walls, and
• 50:47
  Speaker 5: my hand touches it. I fold flat, and I just
• 50:52
  Speaker 5: as a design on the intricate floral wallpaper.
• 50:56
  Speaker 2: Just walk my.
• 50:57
  Speaker 5: Ass upstairs in the two dimensions.
• 51:00
  Speaker 1: Amazing.
• 51:01
  Speaker 2: You walk up the wallpaper.
• 51:03
  Speaker 3: As you get to the ceiling, you sense like, is
• 51:06
  Speaker 3: there anything I could make the jump? And there's insulation
• 51:10
  Speaker 3: and things, paper covering the pipes, and you you skip
• 51:14
  Speaker 3: from paper surface to paper surface until you get to
• 51:17
  Speaker 3: the walls, this gilded, gaudy gold, golden black wallpaper in
• 51:24
  Speaker 3: this in this weird moist pleasure room, and you you
• 51:32
  Speaker 3: emerge out of the paper, part of the crew, part
• 51:37
  Speaker 3: of the ship.
• 51:39
  Speaker 2: Yes, that's awesome.
• 51:42
  Speaker 5: If possible, I'd like to not get Can I not
• 51:44
  Speaker 5: emerge just yet? Can I just be in the room
• 51:46
  Speaker 5: two dimensionally watching for right now?
• 51:49
  Speaker 2: Yes?
• 51:49
  Speaker 3: Because of your success on a Titanic check here, I'll
• 51:52
  Speaker 3: let you go where you want in this room. You
• 51:55
  Speaker 3: could get in the same l as.
• 51:58
  Speaker 2: Yeah, I'd love to. Okay, sounds good.
• 52:00
  Speaker 3: Then you are on the wall watching him. A literal
• 52:05
  Speaker 3: fly on the wall. Very fucking cool.
• 52:08
  Speaker 1: It's awesome.
• 52:09
  Speaker 2: One down, Jamir and Quanta, the two of you face
• 52:12
  Speaker 2: this monster. It's your turns. What are you doing?
• 52:15
  Speaker 9: All right?
• 52:16
  Speaker 4: I'm one l away from him now, Yes, we're in
• 52:19
  Speaker 4: between cool. I'm just gonna punch this guy. Jamiir is
• 52:23
  Speaker 4: just gonna rare back. I'm still slowed, but I'm still
• 52:26
  Speaker 4: able to get over to him and just slug him
• 52:28
  Speaker 4: as hard as I can, trying to stop this rampage.
• 52:34
  Speaker 3: Ben, I can definitely take this out because you can
• 52:37
  Speaker 3: totally do that. You can always as a utility action,
• 52:40
  Speaker 3: try to break your condition if you feel like you can.
• 52:43
  Speaker 2: Based on how it Ben, my.
• 52:45
  Speaker 10: Plan was to try to break it, since you're stronger
• 52:47
  Speaker 10: than me and at ducks.
• 52:49
  Speaker 4: Yeah, I'm just gonna punch him, So I think Jamiir
• 52:53
  Speaker 4: would just try to punch him. I spent last year
• 52:56
  Speaker 4: in flying. I'm ready to hurt this guy.
• 52:58
  Speaker 5: Oh it looks probably looks awesome and slow motion to
• 53:00
  Speaker 5: your explosion kill.
• 53:03
  Speaker 3: You kind of wade through the tentacles and get your
• 53:07
  Speaker 3: get your shoulder.
• 53:07
  Speaker 2: Out, get your arm out, and just sock this guy.
• 53:12
  Speaker 5: Just like Donkey Kong, a big donkey Kong punch for
• 53:15
  Speaker 5: King k Rule attacking with precision.
• 53:17
  Speaker 2: I got a six, nice, very good.
• 53:22
  Speaker 3: He is starting to feel stressed that you guys are
• 53:26
  Speaker 3: on his ass, so he is going to defend. He
• 53:31
  Speaker 3: holds up an arm on his forearm in an enormous
• 53:34
  Speaker 3: turtle shield.
• 53:36
  Speaker 2: Turtle shell shield.
• 53:38
  Speaker 3: Creates on his arm and you smash into that. Okay,
• 53:43
  Speaker 3: he rolled four, and his resilience he rolled resilience. He
• 53:48
  Speaker 3: rolled three, So he takes seven of.
• 53:51
  Speaker 2: This no damage because I rolled six to dimag but.
• 53:54
  Speaker 3: You used up one of his reactions. The shield comes
• 53:57
  Speaker 3: up and you smash into its mere brick.
• 54:01
  Speaker 2: Quanta Europe.
• 54:02
  Speaker 1: All right, I'll say, let my friend go and put
• 54:05
  Speaker 1: my hands on the tentacles and zap them and try
• 54:08
  Speaker 1: to use the utility action to stop the slow on Rachel.
• 54:15
  Speaker 3: So control electricity to get these off of him.
• 54:18
  Speaker 1: Yes, very cool as utility. So I don't know if
• 54:22
  Speaker 1: that would be cokes. I don't know if it would
• 54:24
  Speaker 1: be cokes. I don't know.
• 54:26
  Speaker 3: I'd give you cokes. All right, he's rolling mite and
• 54:30
  Speaker 3: strength to just hold.
• 54:31
  Speaker 1: On twenty three.
• 54:33
  Speaker 3: Oh gee, whoa he rolled at fifteen, which is huge.
• 54:38
  Speaker 2: That's huge. Uh, these tentacles just gripping around you.
• 54:43
  Speaker 1: Yeah, I put my hands on the tentacles. Let my
• 54:45
  Speaker 1: friend go and zack.
• 54:47
  Speaker 3: Them away, fall around your feet like a dress demer
• 54:52
  Speaker 3: and you're free.
• 54:55
  Speaker 1: What a fairy tale?
• 54:57
  Speaker 2: Whoa? There's no place like home. It is the monster's turn.
• 55:03
  Speaker 9: It must be stopped.
• 55:06
  Speaker 3: He with one last action with his tentacles. He is
• 55:10
  Speaker 3: going to try to grab Quanta and throw her across
• 55:14
  Speaker 3: the room. So Quanta, you can make might or swift
• 55:20
  Speaker 3: check here to dodge this situation.
• 55:23
  Speaker 1: All right. He also use lightning reflexes.
• 55:27
  Speaker 3: Yes, absolutely, to empower that he's rolling might and strength.
• 55:32
  Speaker 1: I'm going to do swift and lightning reflexes nine.
• 55:37
  Speaker 3: He rolled a twenty one. So he grabs you with
• 55:41
  Speaker 3: these tentacles, hurls you across the room. You smash into
• 55:45
  Speaker 3: the wall. Not the wall, Jason's on the far wall.
• 55:49
  Speaker 3: If you're on you're only three l's away though. Still,
• 55:53
  Speaker 3: but he does throw you across to get out of
• 55:56
  Speaker 3: his way. As he does that, the tentacles come into
• 56:00
  Speaker 3: his hand. He turns into a his legs turn into
• 56:05
  Speaker 3: like goat legs, and he just starts jumping around the room,
• 56:10
  Speaker 3: jumping over you, past you, and gets is going to
• 56:14
  Speaker 3: move for his second action into the same l as
• 56:18
  Speaker 3: George Olsen.
• 56:19
  Speaker 2: Am I able to use a reaction to halt that
• 56:22
  Speaker 2: or no?
• 56:23
  Speaker 3: Absolutely, you can try to do a trap, so just
• 56:26
  Speaker 3: keep him here.
• 56:27
  Speaker 2: Yeah, I'm gonna try to keep him here.
• 56:30
  Speaker 3: Great, he's gonna roll swift plus his speed, which is
• 56:35
  Speaker 3: not great to get.
• 56:36
  Speaker 4: I'm just gonna try to because I'm I was not
• 56:38
  Speaker 4: punching him, so I'm just gonna try to grab him
• 56:42
  Speaker 4: by the thigh, by the goat thigh and just be
• 56:46
  Speaker 4: just do a stay here buddy.
• 56:48
  Speaker 2: Yeah, awesome, you're the real goat. I understand that reference.
• 56:57
  Speaker 2: So what do I roll? What do I roll?
• 56:59
  Speaker 3: You'll roll strength plus might or might plus strength man
• 57:02
  Speaker 3: plus D and he's rolling swift plus speed to try
• 57:05
  Speaker 3: to jump over you. So that's only two D fours
• 57:07
  Speaker 3: for him. Oh I rolled good seven.
• 57:11
  Speaker 2: Nineteen.
• 57:13
  Speaker 1: Nice.
• 57:14
  Speaker 3: He turns into this half goat man, jumps like off
• 57:17
  Speaker 3: the wall right next to Jason's face and then tries
• 57:20
  Speaker 3: to go over your head, Jimir and.
• 57:22
  Speaker 4: You Yeah, I PIDs her around one of his thighs
• 57:28
  Speaker 4: and I just hold him aloft.
• 57:30
  Speaker 1: Nice.
• 57:31
  Speaker 2: Awesome, So good.
• 57:34
  Speaker 3: Jason, your turn. You're in the wall.
• 57:36
  Speaker 1: Were you at the top of phase three.
• 57:38
  Speaker 2: No, there's sorry, Yes phase three.
• 57:40
  Speaker 5: Yes, I'm going to form a paper sword and try
• 57:45
  Speaker 5: and stab him from the like the one that sword
• 57:47
  Speaker 5: to like like slide out from the wall into the
• 57:51
  Speaker 5: third dimension, just trying to catch him unawares. Awesome, that's
• 57:56
  Speaker 5: gonna be a seven damage. He's going to use his
• 58:02
  Speaker 5: having just been grabbed by Jamir getting a little panicky,
• 58:06
  Speaker 5: He's going to use his second reaction.
• 58:11
  Speaker 3: To defend against this. Jamir has his leg, but then
• 58:15
  Speaker 3: as the sword comes out and starts to stab at him,
• 58:19
  Speaker 3: he curls up into a little armadillo ball and as
• 58:22
  Speaker 3: the rest of him and the shield covers over him,
• 58:26
  Speaker 3: he defends for four and resals for Wait, hold on,
• 58:31
  Speaker 3: Hirl the wrong guy. He defends for four still and
• 58:36
  Speaker 3: he reseals for three.
• 58:39
  Speaker 2: So that's that seven that he does not take from
• 58:44
  Speaker 2: Hell's wallpaper. I don't stab at the Jamir. It's your turn.
• 58:51
  Speaker 3: You just used your reaction to Quanta three l's away
• 58:58
  Speaker 3: from it, amazing.
• 59:00
  Speaker 1: Up from slamming into the wall. Uh, you're super lucky.
• 59:04
  Speaker 1: Day lightning thrice. I don't know, And I'm gonna whip
• 59:08
  Speaker 1: at him with precision guys.
• 59:11
  Speaker 3: The long whip of Quanta streaks out from being smashed
• 59:16
  Speaker 3: into the wall.
• 59:18
  Speaker 1: Seven.
• 59:19
  Speaker 3: Oh, he's used both his reactions, so he cannot react.
• 59:24
  Speaker 3: He only can reseal. He reveals for three, so you
• 59:27
  Speaker 3: do four damage. He breathing heavily, goat legs turned back
• 59:32
  Speaker 3: into man legs. The armadillo uncurls. He looks at this
• 59:36
  Speaker 3: three of you. This is not the end, and he
• 59:40
  Speaker 3: starts to turn and try and looks like he's gonna
• 59:43
  Speaker 3: try to run.
• 59:44
  Speaker 1: Oh no, you don't.
• 59:45
  Speaker 3: But he has used both his reactions, so he's out.
• 59:48
  Speaker 3: So we are at the end of the round, back
• 59:52
  Speaker 3: up to the very top. So everything resets here. At
• 59:55
  Speaker 3: this point, this place is cleared out pretty much. The
• 59:58
  Speaker 3: people have mostly moved away. George Olsen is standing there,
• 1:00:02
  Speaker 3: still looking like he's gonna start to take the door,
• 1:00:06
  Speaker 3: the back door, not the way you guys came in.
• 1:00:08
  Speaker 3: He looks over, dropping just like a piece of food,
• 1:00:13
  Speaker 3: a sandwich he was munching on. He says, THEO. THEO
• 1:00:21
  Speaker 3: is that you. Oh God, I can't believe it. Who
• 1:00:26
  Speaker 3: the fuck did this to you? The monster looks up
• 1:00:30
  Speaker 3: this to me. No, no, that can't be right.
• 1:00:34
  Speaker 9: You did this to me, and you took my wife away.
• 1:00:37
  Speaker 2: Jason, your turn? Are we pivoting? We're killing this other guy?
• 1:00:43
  Speaker 1: No, only only one person here has been attacking people.
• 1:00:49
  Speaker 5: If if, if I can still be in the wallpaper,
• 1:00:53
  Speaker 5: what you said was like kind of golden ornate in nature.
• 1:00:58
  Speaker 5: I think I think we gotta knock this guy out.
• 1:01:02
  Speaker 5: And you see, uh, you see Jason in the wallpaper
• 1:01:04
  Speaker 5: like pointing, and I'm gonna if you'd like, i'd like
• 1:01:09
  Speaker 5: to team up. Yeah, I'd like to wrap my whole
• 1:01:12
  Speaker 5: paper body around Jamir's fist.
• 1:01:16
  Speaker 8: Whoa yes, and if yep, yeah, I will prepare my
• 1:01:24
  Speaker 8: whip to charge up the fist with the gold gold
• 1:01:28
  Speaker 8: leaf in the wallpaper.
• 1:01:30
  Speaker 3: Oh yeah, the classic charge up the gold leaf situation.
• 1:01:36
  Speaker 3: The classic all paper has a little bit of goal sometimes. Wow,
• 1:01:42
  Speaker 3: didn't see that coming, Jimmy, what do you do in
• 1:01:45
  Speaker 3: this moment here?
• 1:01:46
  Speaker 4: Yeah, sensing that he's gonna flee, Jamir is just gonna
• 1:01:50
  Speaker 4: kind of do a bit of a super leap and
• 1:01:54
  Speaker 4: kind of use gravity to come down and just pound
• 1:01:57
  Speaker 4: this guy to keep him here. And then I see
• 1:02:00
  Speaker 4: the paper wrap around my fist as I'm descending.
• 1:02:03
  Speaker 3: Yes, as you fall, the paper comes out and just
• 1:02:06
  Speaker 3: before you strike this man, the lightning whip just touches
• 1:02:10
  Speaker 3: it perfectly from across the room and it ignites with
• 1:02:15
  Speaker 3: cackling fury and you slam it down. So you all
• 1:02:31
  Speaker 3: roll damage together. Here this is a plus two team
• 1:02:35
  Speaker 3: up because that was sweet ship.
• 1:02:36
  Speaker 2: Tell ya.
• 1:02:38
  Speaker 1: Since I was just three away? Do I roll with precision? Yes?
• 1:02:43
  Speaker 2: I get my precision to yes? Same here? Oh so
• 1:02:48
  Speaker 2: close to critic all right, I got five with my damage.
• 1:02:51
  Speaker 2: I also got five six Oh jeez.
• 1:02:55
  Speaker 1: Because they are my bonus to this story.
• 1:02:58
  Speaker 2: Which bonus bonus? I probably?
• 1:03:00
  Speaker 9: Yeah?
• 1:03:00
  Speaker 2: Absolutely so what it was?
• 1:03:02
  Speaker 3: Sixteen? Yes, plus the two from the cool team up?
• 1:03:06
  Speaker 3: This man will defend.
• 1:03:09
  Speaker 1: This man, This man no longer a monster, this monster man.
• 1:03:15
  Speaker 3: He sees this, this combination of your powers coming together
• 1:03:19
  Speaker 3: in this beautiful moment, and everything. You kind of see
• 1:03:23
  Speaker 3: him running through his head like roly poly armadillo turtle
• 1:03:28
  Speaker 3: like everything.
• 1:03:29
  Speaker 2: He puts both arms up.
• 1:03:31
  Speaker 3: One's a roly poly scanned, one's the turtleskin, ones like
• 1:03:34
  Speaker 3: like freaking snake scales and dinosaur scales. Everything he tries.
• 1:03:40
  Speaker 3: As this thundering punch comes down, he's rolling defense. He
• 1:03:46
  Speaker 3: rolled a five on his defense rolling resilience rolled a
• 1:03:49
  Speaker 3: four which turns into two, so seven. He still takes
• 1:03:52
  Speaker 3: eleven damage. He had he had five hit points left.
• 1:03:58
  Speaker 9: Wow.
• 1:03:59
  Speaker 3: This punch sends him into the ground and we're out
• 1:04:06
  Speaker 3: of combat.
• 1:04:10
  Speaker 9: Wow.
• 1:04:11
  Speaker 5: Strom here unclenches his fist. I just like like get
• 1:04:14
  Speaker 5: pooped out by the paper.
• 1:04:19
  Speaker 4: I'm almost kind of like like after you wash your hands,
• 1:04:22
  Speaker 4: you're just kind of flicking off the left bits of water,
• 1:04:24
  Speaker 4: just kind of sloth the paper off.
• 1:04:28
  Speaker 2: Does this guy revert to a normal humid? Does he?
• 1:04:32
  Speaker 2: What does he do as he's knocked out? He stays.
• 1:04:35
  Speaker 3: Some of his animal parts stay animal, but his face
• 1:04:40
  Speaker 3: is human and his body is mostly human, but his
• 1:04:42
  Speaker 3: arms and kind of the top of his head are
• 1:04:45
  Speaker 3: different versions of animal shielding.
• 1:04:48
  Speaker 2: Is there a George here?
• 1:04:51
  Speaker 3: Guy who was talking to him, walks up. I'm George, Yeah,
• 1:04:55
  Speaker 3: George Olsen.
• 1:04:56
  Speaker 2: Good to me.
• 1:04:57
  Speaker 3: He sticks his hand out to shake your hands. Thank
• 1:04:59
  Speaker 3: you guys, so much, thank you. I can't believe this.
• 1:05:03
  Speaker 1: Yeah, yeah, I don't think I shake his hand.
• 1:05:05
  Speaker 4: Rigel will give him maybe a two firm handshake and say.
• 1:05:11
  Speaker 2: Oh, you're strong, you are you heroes?
• 1:05:15
  Speaker 4: Yes, this man had some serious problems with you and
• 1:05:22
  Speaker 4: your business here. Do you have any idea who this
• 1:05:27
  Speaker 4: person is and why he would want to kill you
• 1:05:31
  Speaker 4: and your workers?
• 1:05:32
  Speaker 11: Yeah?
• 1:05:33
  Speaker 2: Yeah, I knew him before.
• 1:05:35
  Speaker 1: As this is happening, can I this would be a
• 1:05:40
  Speaker 1: branch unless it would be the the like appliance. Think,
• 1:05:44
  Speaker 1: because there are all the people with the cameras and
• 1:05:46
  Speaker 1: the recorders and stuff. I want to amplify, like their
• 1:05:51
  Speaker 1: recording ability. So all of a sudden, the people out
• 1:05:54
  Speaker 1: there who can record things can hear what's happening in
• 1:05:57
  Speaker 1: this room. Now whoa or at least can record it?
• 1:06:01
  Speaker 2: That's crazy.
• 1:06:02
  Speaker 3: I think I would let you try this as a
• 1:06:05
  Speaker 3: knowledge check.
• 1:06:06
  Speaker 1: Okay, with with my appliances, or this would be a new.
• 1:06:10
  Speaker 3: Nope, this is this is not branching. Okay, yep, this
• 1:06:13
  Speaker 3: is knowledge plus your control electricity all right, and it
• 1:06:17
  Speaker 3: is an epic check. So I'm rolling a D twenty
• 1:06:20
  Speaker 3: and it costs one energy.
• 1:06:22
  Speaker 1: Okay, pray it up, boys, let's go.
• 1:06:25
  Speaker 2: Let's go five, roll to sixteen.
• 1:06:29
  Speaker 3: Cool thought, he said, yeah, yeah, this is THEO I
• 1:06:33
  Speaker 3: knew him before. He was all like this. He interrupted
• 1:06:37
  Speaker 3: a good party. That's too bad, but thank you guys
• 1:06:39
  Speaker 3: for putting him down.
• 1:06:41
  Speaker 1: Okay, since that didn't work. Can I do the move
• 1:06:43
  Speaker 1: appliances and just like like have one be traveling up
• 1:06:49
  Speaker 1: into my hand, like steal one a recorder from somebody
• 1:06:53
  Speaker 1: down there.
• 1:06:53
  Speaker 2: Yeah, sure, I just have it. Yeah great, and I'll
• 1:06:56
  Speaker 2: from from the floor.
• 1:06:57
  Speaker 5: My paper will like reform into the shape of the
• 1:06:59
  Speaker 5: fan him and like pick me up and put me
• 1:07:01
  Speaker 5: back into like the right direction that is facing him.
• 1:07:05
  Speaker 2: Did you deserve to be saved?
• 1:07:08
  Speaker 9: George?
• 1:07:09
  Speaker 3: Oh me, it's George George Olsen from Clank Industries.
• 1:07:14
  Speaker 2: Of course, paper sword forms in hand. Oh, I'm the
• 1:07:19
  Speaker 2: victim here, you know. Well, well let's that remains.
• 1:07:23
  Speaker 4: Let's get this victim and this I look at the
• 1:07:29
  Speaker 4: mutant before us and this monster down to the authorities.
• 1:07:37
  Speaker 4: I think I think we're gonna need some help untangling
• 1:07:41
  Speaker 4: this web.
• 1:07:42
  Speaker 2: I'll talk to him.
• 1:07:43
  Speaker 3: Hey, we've been this guy and I we've been in
• 1:07:45
  Speaker 3: the courts before.
• 1:07:48
  Speaker 2: We can go through it again if we need to, I.
• 1:07:50
  Speaker 4: Guess, yeah, if if it's okay with you guys, Jimmy
• 1:07:55
  Speaker 4: will kind of just look to you guys like should we.
• 1:07:57
  Speaker 2: Take him out front? Like it was kinda kind of motion, Yeah,
• 1:08:01
  Speaker 2: come with us.
• 1:08:02
  Speaker 4: Yeah, Jimir will some of the flight star pick up
• 1:08:05
  Speaker 4: the monster man, throw him over his shoulder, and yeah,
• 1:08:09
  Speaker 4: hover out with my buddies. As they're kind of walking, George,
• 1:08:13
  Speaker 4: I presume toward the front.
• 1:08:15
  Speaker 2: All of you head down the stairs, hand out into
• 1:08:19
  Speaker 2: the public eye. There are still recording are there's still
• 1:08:23
  Speaker 2: reporters here. Also, the police have arrived.
• 1:08:26
  Speaker 1: I released the recording device back to whoever I it wiped.
• 1:08:30
  Speaker 3: It magically goes back into the hand of this little
• 1:08:34
  Speaker 3: freckled guy. Oh, the police are here. They pull out
• 1:08:37
  Speaker 3: their weapons as they start to run up. Jamir, as
• 1:08:41
  Speaker 3: you are carrying this man down the stairs. I guess
• 1:08:44
  Speaker 3: before you get outside. You're carrying this man down the stairs,
• 1:08:46
  Speaker 3: Jamir incapacitated. Yes, he's not getting back up, but he is.
• 1:08:51
  Speaker 3: He starts to speak to your in your ear, whispering
• 1:08:55
  Speaker 3: to you, I was hurt in a in a factory accident.
• 1:09:01
  Speaker 3: Industrial accident. They've denied my worker's comp fired me outright.
• 1:09:10
  Speaker 3: I couldn't pay I couldn't pay for my wife's treatments.
• 1:09:15
  Speaker 3: And he passes out again on your shoulder. I want
• 1:09:20
  Speaker 3: the paper phantom to do a paper sense check or
• 1:09:24
  Speaker 3: or excuse me, an investigate check with your paper sense.
• 1:09:29
  Speaker 2: It's a nine.
• 1:09:30
  Speaker 3: Okay, this is a difficult check. So I'm rolling a
• 1:09:32
  Speaker 3: T twelve. I rolled a five. You scan over his
• 1:09:36
  Speaker 3: body with your paper sense, just because it's habit for you.
• 1:09:39
  Speaker 3: It's something you do, pressed in ink in his skin.
• 1:09:43
  Speaker 3: There's an M eleven on his right calf, M eleven,
• 1:09:48
  Speaker 3: M eleven. Is this bring any bells for me? Or
• 1:09:52
  Speaker 3: that's all? That's all? Well interesting? You're a book boy.
• 1:09:57
  Speaker 3: I am a book boy. Roll a knowledge check? Also
• 1:10:00
  Speaker 3: a difficult chick. That's going to be an eleven for me?
• 1:10:03
  Speaker 2: Dog ten?
• 1:10:07
  Speaker 3: Yes, you think, does this ring any bills? You start
• 1:10:11
  Speaker 3: thinking back the wealth of knowledge that you go to
• 1:10:14
  Speaker 3: our books, right, this is what Jason grew up knowing
• 1:10:17
  Speaker 3: and learning. You think of another m in literature who
• 1:10:22
  Speaker 3: created strange animals. Doctor Moreau gave them numbers. A doctor Moreau, my.
• 1:10:30
  Speaker 2: Real world's knowledge of literature helped. Well done.
• 1:10:34
  Speaker 3: You guys come to the outside of this building. The
• 1:10:39
  Speaker 3: police are here. They seem to be helping the people
• 1:10:43
  Speaker 3: that were a part of this, that aren't you guys
• 1:10:46
  Speaker 3: out of the building trying to get people to safety.
• 1:10:50
  Speaker 3: As they see you guys coming down, a few of
• 1:10:52
  Speaker 3: them come over and put their hands on their guns.
• 1:10:56
  Speaker 3: The reporters just start flooding you, taking pictures. George goes
• 1:11:00
  Speaker 3: in front of everyone. Hey, hey, everybody, I'm okay, I'm okay,
• 1:11:05
  Speaker 3: I'm okay.
• 1:11:07
  Speaker 2: These brave heroes saved me on this day. We just
• 1:11:11
  Speaker 2: awkwardly stand looking at one another. Yeah.
• 1:11:15
  Speaker 4: I a glance at my compatriots, and then I'll look
• 1:11:19
  Speaker 4: to the bright lights, squinting a little, and say, seems
• 1:11:24
  Speaker 4: we have a superpowered, disgruntled employee who was beat down
• 1:11:32
  Speaker 4: in the legal system, mistreated by his employer here, turned
• 1:11:39
  Speaker 4: to violence and turned to violence as a solution, which
• 1:11:44
  Speaker 4: we do not condone. But nor do we condone the
• 1:11:48
  Speaker 4: desperation this man was driven to. And I will gently
• 1:11:53
  Speaker 4: lay lay this person down.
• 1:11:56
  Speaker 3: One of the reporters comes up to you in the
• 1:11:59
  Speaker 3: crowd here and says, that's a very nuanced answer to
• 1:12:02
  Speaker 3: this problem. Were there people in danger? Oh yeah, that's
• 1:12:05
  Speaker 3: why he had to be stopped. There were many workers
• 1:12:09
  Speaker 3: inside whose lives were being threatened by this wanted violence.
• 1:12:15
  Speaker 3: I kind of looked a Quanta and uh and uh
• 1:12:18
  Speaker 3: paper fandom for support.
• 1:12:20
  Speaker 1: Quanta, not wanting to speak, just tries to give her
• 1:12:24
  Speaker 1: best encouraging nod to jamieir Uh, I.
• 1:12:27
  Speaker 5: Will look to George. I will just put my hand
• 1:12:29
  Speaker 5: on the shoulder of George and say the real he
• 1:12:34
  Speaker 5: wrote today is George who has generously decided to donate
• 1:12:38
  Speaker 5: a new wing to the new Babyl Hospital. Isn't that right, George?
• 1:12:42
  Speaker 3: Yeah, make a coke check. Plus, like, are you doing
• 1:12:48
  Speaker 3: like your paper? Yeah, I'd like to do any power.
• 1:12:52
  Speaker 1: Yeah.
• 1:12:52
  Speaker 5: I think what I'd like to do is sort of
• 1:12:54
  Speaker 5: with my hand on his shoulder, just like paper starting
• 1:12:57
  Speaker 5: to cut in dam just a little, just.
• 1:12:59
  Speaker 2: A little average. That's gonna be a twilve for.
• 1:13:06
  Speaker 3: Me, he says, Yeah, Yes, isn't that something amazing stuff
• 1:13:13
  Speaker 3: for the people that were hurt here today? A new
• 1:13:16
  Speaker 3: wing to the new Babbel Hospital an excellent idea.
• 1:13:22
  Speaker 4: Yes, it will be keeping an eye on things over here,
• 1:13:28
  Speaker 4: making sure everyone is safe.
• 1:13:31
  Speaker 2: With that this city needs us.
• 1:13:35
  Speaker 4: Rider will summit a flight star at his feet, step
• 1:13:39
  Speaker 4: up on it, look look to my compatriots and say
• 1:13:46
  Speaker 4: should we be off friends, And.
• 1:13:49
  Speaker 5: A bunch of paper will will flutter to Jason, large
• 1:13:54
  Speaker 5: billowing cloak in the wind as he starts to drift
• 1:13:57
  Speaker 5: in the same direction as Jamir, reaching a hand out
• 1:14:00
  Speaker 5: for Quanta.
• 1:14:01
  Speaker 1: Yeah, I think I will join jimyr up on the
• 1:14:05
  Speaker 1: star rather than lightning striking away cool.
• 1:14:09
  Speaker 3: As you drift off the crowd of reporters and people here,
• 1:14:15
  Speaker 3: swells towards you, hands in the air, trying to brush
• 1:14:21
  Speaker 3: at your feet as you leave, in awe that you're
• 1:14:25
  Speaker 3: defying gravity before their eyes as you drift away into
• 1:14:30
  Speaker 3: the city, and then coming to the edge of the crowd,
• 1:14:33
  Speaker 3: as you find some distance in between you and the
• 1:14:36
  Speaker 3: mass of people. There's the two people that you saved today.
• 1:14:43
  Speaker 3: You saved a lot of people, but the two that
• 1:14:46
  Speaker 3: you held in your arms that would have perished without you.
• 1:14:52
  Speaker 3: A man freckled with glasses and a comb over and
• 1:14:57
  Speaker 3: a middle aged woman with brown, curly hair. They both
• 1:15:03
  Speaker 3: look up in mouth the words thank you as you
• 1:15:09
  Speaker 3: drift off into the city. And we will end this
• 1:15:27
  Speaker 3: episode right there. Oh fun combat, yea very fun. We're
• 1:15:36
  Speaker 3: gonna talk about all of.
• 1:15:37
  Speaker 5: This nuanced victory, a public relations regular dream, not ninemaire,
• 1:15:47
  Speaker 5: just just a regular someone will have to work cut
• 1:15:51
  Speaker 5: out for them.
• 1:15:52
  Speaker 3: We're gonna talk all about this. Let's save it for
• 1:15:54
  Speaker 3: the chat cave. We're gonna go over to our Patreon
• 1:15:58
  Speaker 3: join us there. Patrem slash Team Up RPG, and we'll
• 1:16:01
  Speaker 3: talk about this episode on the chat gave.
• 1:16:04
  Speaker 2: We'll see there, bye bye there. We're going to talk
• 1:16:07
  Speaker 2: about hot Dog.
• 1:16:09
  Speaker 12: So yeah, that was Ethan Goldman as the paper Fantom,
• 1:16:16
  Speaker 12: Stephanie Facla as Quanta Ben as Riijel, and Johnny Wilson
• 1:16:21
  Speaker 12: as your game director. If you're enjoying this, please rate
• 1:16:25
  Speaker 12: and review the podcast and share with friends and family.
• 1:16:29
  Speaker 2: That is what helps us the most.
• 1:16:31
  Speaker 12: Follow us across social media at Team Up RPG on
• 1:16:35
  Speaker 12: Blue Sky, Instagram, YouTube, and TikTok.
• 1:16:38
  Speaker 2: To tell these stories.
• 1:16:40
  Speaker 12: We are using Team Up the brand new superhero TTRPG,
• 1:16:45
  Speaker 12: and we're looking for beta testers. Purchase the early access
• 1:16:49
  Speaker 12: beta version of the game on our Patreon, Patreon dot
• 1:16:52
  Speaker 12: com slash Team Up RPG, or on our website Team
• 1:16:56
  Speaker 12: Up rpg dot com. Play the game and let us
• 1:17:00
  Speaker 12: know your feedback through our Discord community length that's in
• 1:17:03
  Speaker 12: the description below.
• 1:17:05
  Speaker 2: Thanks heroes, it is so sad but this week's episode's over,
• 1:17:39
  Speaker 2: but it's glad that we get to shout out our superheroes.
• 1:17:43
  Speaker 4: Shout out to Crank, Bilarus, Touch Tips, shut out to
• 1:17:47
  Speaker 4: Corn who sometimes runs an eight minute mile.
• 1:17:51
  Speaker 2: Hey, it's geohed Brandy. We love the podcast in Team
• 1:17:56
  Speaker 2: op Co.
• 1:17:57
  Speaker 4: Keep it up please. Shout out to Troyson. Shout out
• 1:18:01
  Speaker 4: to Matt, who's really trying to become an American this
• 1:18:04
  Speaker 4: year and we don't know why. Shout out to Audre
• 1:18:07
  Speaker 4: who just demolished yet another bowl of mashed potatoes.
• 1:18:10
  Speaker 2: Give it up.
• 1:18:11
  Speaker 4: Shout out to Jen who prefers the Star Wars prequels
• 1:18:15
  Speaker 4: to the original trilogy. Shout out to Chris who's currently
• 1:18:18
  Speaker 4: looking at IMDb. Shout out to pac Man, Pidgy, Norm
• 1:18:22
  Speaker 4: and Stettna mc kringle for saving Christmas in twenty twenty
• 1:18:25
  Speaker 4: four from the Yule Lads and Santa's evil twin brother.
• 1:18:29
  Speaker 4: Shout out to Farmer Bob and Mama Robin, Hummingbirds and Seahorses.
• 1:18:34
  Speaker 4: Shout out to Brian, the Colorado Home Hero working with
• 1:18:37
  Speaker 4: him is rolling in NAT twenty in a clutch moment
• 1:18:40
  Speaker 4: and in a different game system. Shout out to Kevin Feldman.
• 1:18:44
  Speaker 4: Shout out to Christina. Shout out to the Lusonator he
• 1:18:48
  Speaker 4: lost for our wins. You are our superheroes. We couldn't
• 1:18:53
  Speaker 4: have done this without you. We will say thank you
• 1:18:56
  Speaker 4: a million times, but it sadly won't be enough, so
• 1:18:59
  Speaker 4: you can play this back until we reach a billion times.
• 1:19:02
  Speaker 4: If you'd like to join this courageous group of superheroes,
• 1:19:05
  Speaker 4: you can do so by joining our superhero Tire on Patreon.
• 1:19:08
  Speaker 2: Bye bye for now.
• 1:19:26
  Speaker 1: This has been a lily Pad production