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Fun Size Halloween - Meltdown Horror Club · Movie Meltdown

• 0:04
  Speaker 1: Hey, this is Danielle Harris from some of the Halloween movies,
• 0:25
  Speaker 1: and you are listening to Movie Meltdown. What's up, and
• 0:35
  Speaker 1: welcome to Movie Meltdown. I'm Brian.
• 0:37
  Speaker 2: And I'm Phillip.
• 0:37
  Speaker 1: And we're coming to you live via digital recording from
• 0:40
  Speaker 1: the haunted firehouse for Halloween fun. Happy Halloween!
• 0:45
  Speaker 2: Happy Halloween!
• 0:47
  Speaker 1: It's pretty exciting. It's a crisp 89 degrees out.
• 0:53
  Speaker 2: Is it? I meant to look at the temperature.
• 0:55
  Speaker 1: I don't know. It's definitely... cooler than it has been
• 0:58
  Speaker 1: but it's it's concerning you know in general that like
• 1:01
  Speaker 1: why is it still freaking hot.
• 1:03
  Speaker 2: Typical this part of the country yeah it's right now
• 1:07
  Speaker 2: the current temperature on what is this october 3rd or
• 1:12
  Speaker 2: 4th yeah october 4th It's October.
• 1:15
  Speaker 1: We've crossed over in October. It's officially fall.
• 1:18
  Speaker 2: And I got 76 degrees and sunny on my phone.
• 1:20
  Speaker 1: Last week it was still over 90 one of the days. Yeah. So, yeah,
• 1:26
  Speaker 1: it doesn't really chill out like it used to.
• 1:29
  Speaker 2: But here's, you know, bullshit about living in this part
• 1:32
  Speaker 2: of the country. I walk outside at 530 this morning.
• 1:36
  Speaker 2: I don't know why I was outside. I don't even
• 1:39
  Speaker 2: remember leaving the apartment. I just know I was outside.
• 1:42
  Speaker 1: I like wandering around in the dark.
• 1:43
  Speaker 2: It was dark, but it was also hot out.
• 1:46
  Speaker 1: Yeah, yeah.
• 1:47
  Speaker 2: In October, at 5.30 in the morning, it should be
• 1:50
  Speaker 2: chilly outside.
• 1:51
  Speaker 1: Yeah, it's better. That's one of the reasons I go
• 1:54
  Speaker 1: out when it's that early. I'm like, ah, I like
• 1:56
  Speaker 1: this comparatively. It's still freaking hot for October, but it's
• 2:01
  Speaker 1: almost comfortable compared to what it's going to be in
• 2:03
  Speaker 1: a few hours.
• 2:04
  Speaker 2: I mean, I am wearing jeans for the first time
• 2:06
  Speaker 2: in four months.
• 2:08
  Speaker 1: I try to wear jeans at all times. Or pants
• 2:11
  Speaker 1: of some sort.
• 2:12
  Speaker 2: I wear the short pants, you know.
• 2:15
  Speaker 1: Jorts.
• 2:16
  Speaker 2: If you like.
• 2:17
  Speaker 1: I saw a pair the other day and I was like, yeah,
• 2:19
  Speaker 1: they're still cranking these things out, aren't they?
• 2:21
  Speaker 2: Yeah. Yeah.
• 2:23
  Speaker 1: I remember the first time I was shamed for wearing
• 2:25
  Speaker 1: some of those. I was like, oh, maybe I guess
• 2:27
  Speaker 1: I'm done with short pants.
• 2:28
  Speaker 2: You know, I wore them for a long time before
• 2:30
  Speaker 2: someone- Yeah, me too. Bought me for wearing jorts.
• 2:33
  Speaker 1: I didn't think about it.
• 2:34
  Speaker 2: Specifically jorts.
• 2:34
  Speaker 1: And then this- She was an asshole. Of course. As
• 2:38
  Speaker 1: long as I knew her, she was an asshole. And
• 2:40
  Speaker 1: I'm assuming still is to this day. Thankfully, I don't
• 2:42
  Speaker 1: see this woman anymore. But yeah, made some comment about jorts.
• 2:46
  Speaker 1: And I was like, oh, well, I guess I'm done
• 2:48
  Speaker 1: with shorts now. Because that's pretty much all I had, really.
• 2:52
  Speaker 2: Yeah.
• 2:52
  Speaker 1: I didn't dress like a grown up.
• 2:53
  Speaker 2: I had them for a long time, too. And now
• 2:56
  Speaker 2: I am the first to admit I am the cargo
• 2:59
  Speaker 2: short wearing guy. And somebody was mocking me for having
• 3:03
  Speaker 2: all these pockets with nothing in them. And I proved
• 3:06
  Speaker 2: that I had at least one thing in each pocket sometimes, too.
• 3:11
  Speaker 1: I feel like cargo shorts works okay. Cargo pants always
• 3:15
  Speaker 1: seems silly.
• 3:16
  Speaker 2: I haven't worn cargo pants in a very long time.
• 3:20
  Speaker 1: Yeah, I've had people try to defend those to me lately.
• 3:22
  Speaker 1: And I'm like, it's fine if you want to wear them.
• 3:23
  Speaker 1: I'm just like, it just seems like it's... Like cargo
• 3:27
  Speaker 1: shorts is already casual because you're in shorts. So who cares?
• 3:30
  Speaker 1: And like, you can have giant stuff in your pockets
• 3:32
  Speaker 1: and it's cool. But like cargo pants always seems like, well,
• 3:36
  Speaker 1: now you look like you're wearing like khakis and you
• 3:37
  Speaker 1: want to be fancy, but you got these big dumb
• 3:39
  Speaker 1: looking pockets on the side. And now it's no longer,
• 3:42
  Speaker 1: it's casual in a way that's too casual. I don't know.
• 3:45
  Speaker 1: It's weird.
• 3:46
  Speaker 2: Well, I lived with a person who I used to
• 3:49
  Speaker 2: have to do their laundry. And this person, um, I'm
• 3:55
  Speaker 2: trying to limit the details here.
• 3:57
  Speaker 1: It's for the best.
• 3:57
  Speaker 2: For legal reasons. No, this person had to wear cargo
• 4:03
  Speaker 2: pants for their job. And like I said, I did
• 4:07
  Speaker 2: the laundry in the house and they would never empty
• 4:10
  Speaker 2: their pockets. So I would spend literally 20 minutes just
• 4:13
  Speaker 2: emptying emptied and not only emptying but looking for pockets
• 4:18
  Speaker 2: on these pants.
• 4:19
  Speaker 1: If you have a job that's fitting like if you
• 4:21
  Speaker 1: are in fact a ghostbuster you know they got a
• 4:24
  Speaker 1: lot of.
• 4:24
  Speaker 2: Stuff this person was not a ghostbuster brand.
• 4:26
  Speaker 1: Just saying i'm giving a good example as opposed to
• 4:29
  Speaker 1: that party but if you if you have a reason
• 4:32
  Speaker 1: to have again you're like a soldier and you got
• 4:34
  Speaker 1: bullets down your leg you know and like those cool.
• 4:37
  Speaker 2: Little uh.
• 4:39
  Speaker 1: It's not a bandolier when it's attached to you, but
• 4:41
  Speaker 1: if you've got those little attachments so you can like
• 4:43
  Speaker 1: load it right into your, like a cowboy's hat on
• 4:45
  Speaker 1: their vest and you can just load bullets right into
• 4:47
  Speaker 1: your vest.
• 4:48
  Speaker 2: Yeah, I don't know what that's called.
• 4:49
  Speaker 1: Yeah, it's a cool look if you want to, you know,
• 4:51
  Speaker 1: go out and shoot a lot of people, which I,
• 4:52
  Speaker 1: you know, try not to do, but I said try.
• 4:55
  Speaker 2: We all have our moments.
• 4:56
  Speaker 1: I said try. But yeah, that's a cool look if
• 5:01
  Speaker 1: you have like specific things that need to go on
• 5:03
  Speaker 1: your person and you have clothes for that. But yeah, otherwise, cargo,
• 5:09
  Speaker 1: I don't know. Write in. Tell us what you think.
• 5:11
  Speaker 2: Yeah.
• 5:12
  Speaker 1: Go to the website. There's an email on there.
• 5:14
  Speaker 2: I understood why this person had so much crap in
• 5:17
  Speaker 2: their pockets. What I didn't understand was why they couldn't
• 5:23
  Speaker 2: empty their pockets before throwing everything in the laundry basket.
• 5:26
  Speaker 1: That's a very grown-up behavior. Does that seem like what
• 5:29
  Speaker 1: would be fitting of this party?
• 5:30
  Speaker 2: No, that's true.
• 5:31
  Speaker 1: That's what I'm saying.
• 5:33
  Speaker 2: I mean, the pants went into the hamper, Brian, with
• 5:36
  Speaker 2: stuff in them. That's all I'm going to say about that.
• 5:39
  Speaker 1: I have these grown-up complaints every once in a while. Again,
• 5:43
  Speaker 1: I behave like a 12-year-old most of my life.
• 5:45
  Speaker 2: As do I.
• 5:46
  Speaker 1: So it's weird to me when I'm the one, here's one,
• 5:49
  Speaker 1: here's a regular world thing. This is just pretending to
• 5:52
  Speaker 1: be a grown-up talk. Why can't you just put your
• 5:58
  Speaker 1: trash can out and then bring it back in? Isn't
• 6:01
  Speaker 1: that the grown-up thing to do?
• 6:02
  Speaker 2: I would think so, yeah.
• 6:03
  Speaker 1: I mean... I have parties where I live that just
• 6:07
  Speaker 1: put it out there and then just leave it. I'm like,
• 6:11
  Speaker 1: but we don't all want to drive around your garbage
• 6:14
  Speaker 1: can in the way. Just be a grown up and
• 6:16
  Speaker 1: take your damn trash can back like you're supposed to.
• 6:19
  Speaker 1: I don't know. These are the kind of things as
• 6:20
  Speaker 1: a grown up you have to deal with. And so
• 6:22
  Speaker 1: it's weird when I'm the one being like, come on,
• 6:25
  Speaker 1: be a grown up, do your responsible thing. Cause I'm
• 6:27
  Speaker 1: just like, as I'm going to go eat candy for dinner,
• 6:30
  Speaker 1: which is not true, but most of my life has
• 6:33
  Speaker 1: operated along those lines.
• 6:34
  Speaker 2: Sure, sure. And on your street, too, with the trash cans,
• 6:39
  Speaker 2: there's no way to go up and down it.
• 6:41
  Speaker 1: There's no room. That's why I'm like, dude, seriously, just
• 6:45
  Speaker 1: be a responsible adult and move your damn trash.
• 6:48
  Speaker 2: I feel like people in your area probably, I wouldn't
• 6:53
  Speaker 2: put it past them to put trash cans in empty
• 6:56
  Speaker 2: parking spaces that belong- To somebody who lives there.
• 7:00
  Speaker 1: I could see that. It doesn't seem like it's that bad.
• 7:02
  Speaker 2: No, that's good.
• 7:03
  Speaker 1: But you never know. Weird things go on over there
• 7:07
  Speaker 1: in the murder lot. Speaking of spooky things.
• 7:09
  Speaker 2: Did somebody get murdered recently?
• 7:11
  Speaker 1: Not that I've seen, but I don't go back there either.
• 7:13
  Speaker 1: So there's a creepy gravelly lot that I used to
• 7:16
  Speaker 1: make them park at when we still recorded there. So
• 7:19
  Speaker 1: it's referred to as the murder lot. Mostly by me.
• 7:22
  Speaker 1: I don't know that the other neighbors do because I
• 7:23
  Speaker 1: don't talk to my neighbors.
• 7:24
  Speaker 2: God forbid. I... The first time I went there, I
• 7:28
  Speaker 2: was like, this is where I get... This is where
• 7:31
  Speaker 2: my life ends, is right here. And it hasn't yet.
• 7:34
  Speaker 1: They won't even have a real knife. It'll be a
• 7:36
  Speaker 1: makeshift knife.
• 7:37
  Speaker 2: Yeah.
• 7:37
  Speaker 1: Yeah. Shiv gonna grab a lot somewhere. It's bound to
• 7:41
  Speaker 1: happen eventually. Happy Halloween! Happy Halloween! On our Halloween note,
• 7:48
  Speaker 1: I didn't want to break too far from tradition, but
• 7:51
  Speaker 1: at the same time, I'm also trying... to control myself
• 7:57
  Speaker 1: as referenced in eating candy for dinner. I don't try
• 8:01
  Speaker 1: to do those sort of things now, but I didn't
• 8:02
  Speaker 1: want to too far break from tradition. So I found
• 8:06
  Speaker 1: the smallest bag of candy I could come up with.
• 8:09
  Speaker 2: All right.
• 8:11
  Speaker 1: But I also, these are oddly shaped like pumpkins, and
• 8:14
  Speaker 1: I was like, I want to try Reese cups that
• 8:16
  Speaker 1: are shaped like pumpkins, not in the way the other
• 8:18
  Speaker 1: ones are that are flat shaped like a pumpkin. These
• 8:21
  Speaker 1: are round shaped like a pumpkin. So... I also don't
• 8:25
  Speaker 1: know that they didn't get melty on the way here because,
• 8:27
  Speaker 1: as previously mentioned, it's not cool outside. So, we can
• 8:30
  Speaker 1: test those out, but I specifically wanted to go minimal. Oh, sure.
• 8:34
  Speaker 1: Because I'm trying not to be able to dress like
• 8:36
  Speaker 1: Jabba the Hutt for Halloween. I at least want to
• 8:39
  Speaker 1: graduate up to Robba the Hutt. I mean... I gotta
• 8:42
  Speaker 1: keep working those abs.
• 8:43
  Speaker 2: I mean, Jabba's cool if it's an option, but if
• 8:46
  Speaker 2: it's your only option, it's less cool.
• 8:48
  Speaker 1: If that's your life. Not good, but... Well, I.
• 8:51
  Speaker 2: Happen to have And the funny thing is, I bought
• 8:54
  Speaker 2: these the other day, totally forgetting that today's episode was
• 9:00
  Speaker 2: coming up. But I have the Mike and Ike Sour
• 9:03
  Speaker 2: Spooky Treats that I have tried. And I will say,
• 9:07
  Speaker 2: these are better than the Skittles that taste like dirt.
• 9:10
  Speaker 1: I will, just for Halloween's sake, give these a shot.
• 9:13
  Speaker 2: And I'm going to try the pumpkins, if you're cool
• 9:16
  Speaker 2: with me opening these.
• 9:17
  Speaker 1: Definitely.
• 9:18
  Speaker 2: But.
• 9:18
  Speaker 1: I don't know if we need utensils if we have
• 9:20
  Speaker 1: to George Costanza our candy because they aren't individually wrapped
• 9:23
  Speaker 1: according to the package. Oh, these look.
• 9:26
  Speaker 2: Oh, they smell good. Yeah, these are not all melted together.
• 9:31
  Speaker 1: All right. That's a bonus.
• 9:32
  Speaker 2: And these look like.
• 9:35
  Speaker 2: I'm going to be honest with you. If I didn't
• 9:36
  Speaker 2: take it out of a bag that said mini pumpkins,
• 9:38
  Speaker 2: my first thought would not be this is a pumpkin.
• 9:41
  Speaker 1: Yeah, it's just kind of round.
• 9:42
  Speaker 2: Well, it's kind of round.
• 9:44
  Speaker 1: And flat on the bottom. But in a different way
• 9:46
  Speaker 1: than the other typical ones they do for Halloween.
• 9:49
  Speaker 2: It almost looks like a football with a toenail. Weird.
• 9:55
  Speaker 1: I like the color on these.
• 9:57
  Speaker 2: It's quite delicious.
• 9:57
  Speaker 1: These Mike and Ikes are orange and purple and green.
• 9:59
  Speaker 1: which are very spooky.
• 10:01
  Speaker 2: Yeah, the flavors for that are sour ghoulish grape, sour
• 10:07
  Speaker 2: orange scream, and sour wicked watermelon, which it seems like
• 10:13
  Speaker 2: they ran out of steam when they got to naming
• 10:15
  Speaker 2: the watermelon, but they're actually not bad.
• 10:19
  Speaker 1: Just got purple i like purple.
• 10:22
  Speaker 2: Yeah the purple was the uh sour ghoulish grape.
• 10:26
  Speaker 1: Yeah the watermelon's a weird mixture it's a little weird
• 10:29
  Speaker 1: with the other two the other two kind of work
• 10:31
  Speaker 1: together and then you're like oh and watermelon.
• 10:35
  Speaker 2: The mini pumpkins are are decent they could use a
• 10:38
  Speaker 2: little bit more peanut butter but uh.
• 10:40
  Speaker 1: That was half my reason i wanted to see that
• 10:42
  Speaker 1: I wanted to see how they worked consistency-wise, because that
• 10:46
  Speaker 1: becomes a thing for me with candy. Again, trying to
• 10:49
  Speaker 1: not eat candy all the time. But one of my
• 10:51
  Speaker 1: favorite aspects of it is like, how does it work?
• 10:55
  Speaker 1: How does it break down as you're eating it? That's
• 10:57
  Speaker 1: a big part of eating candy to me.
• 11:00
  Speaker 2: Yeah, these are pretty good. Yeah. I'm not complaining about them.
• 11:04
  Speaker 1: I also feel like there's different levels of peanut butter
• 11:06
  Speaker 1: with the Reese's. And they'll probably pretend like it's not.
• 11:12
  Speaker 1: But I feel like some of the holiday ones are
• 11:14
  Speaker 1: like a cheaper grade of peanut butter. Like your original
• 11:17
  Speaker 1: regular old Reese cups are like grade A, top of
• 11:20
  Speaker 1: the line peanut butter.
• 11:21
  Speaker 2: Yes.
• 11:22
  Speaker 1: And then the weirder shaped ones, sometimes they're like, I
• 11:24
  Speaker 1: don't know, just put some of this crap in there.
• 11:26
  Speaker 2: I don't know if the weirder shaped ones, if it
• 11:30
  Speaker 2: is a cheaper version of peanut butter or if it's
• 11:34
  Speaker 2: an older tub of peanut butter that they get it from.
• 11:38
  Speaker 1: They're just recycling the old stuff. Mm-hmm.
• 11:41
  Speaker 2: But it is, in my opinion, it is grainier.
• 11:45
  Speaker 1: Yes.
• 11:46
  Speaker 2: It does not have as rich of a flavor in
• 11:50
  Speaker 2: the peanut butter. It's not as smooth.
• 11:54
  Speaker 1: This is somewhere in the middle. I don't know that
• 11:56
  Speaker 1: this is 100% regular O'Reathy Cup grade A. But it's
• 12:01
  Speaker 1: not as bad as some of the cheap ones I've had. Oh, no, no.
• 12:04
  Speaker 2: It's a lot better than the Christmas tree ones.
• 12:08
  Speaker 1: I also had one in... You've worked places that probably
• 12:12
  Speaker 1: had candy there at some point. At one point when
• 12:15
  Speaker 1: they were supposed to be throwing out the old candy,
• 12:18
  Speaker 1: and then some idiots that worked there, who shall remain nameless,
• 12:21
  Speaker 1: maybe me, was like, well, what if I just take
• 12:24
  Speaker 1: this and I can eat it? Yeah, when you're eating
• 12:27
  Speaker 1: Reese's Cups, and these were original style Reese's Cups, but
• 12:30
  Speaker 1: they were like well past the date, which you know
• 12:32
  Speaker 1: the date usually lasts until like the end of time.
• 12:35
  Speaker 2: Pretty much.
• 12:36
  Speaker 1: Like they're meant to last through a nuclear apocalypse. But,
• 12:40
  Speaker 1: This was past that?
• 12:42
  Speaker 2: Yeah.
• 12:43
  Speaker 1: Grainy is an understatement. Yes. It breaks down in a
• 12:47
  Speaker 1: weird way that's not food-like anymore.
• 12:49
  Speaker 2: Well, it almost turns into a powder in your mouth.
• 12:52
  Speaker 1: Yeah, it's not good. So just in case you were wondering,
• 12:55
  Speaker 1: should I eat really old candy?
• 12:57
  Speaker 2: No, don't.
• 12:58
  Speaker 1: Public service announcement.
• 13:01
  Speaker 2: Now and laters are the only candies that I have
• 13:04
  Speaker 2: found I won't say they get better with age, but
• 13:08
  Speaker 2: at a certain point, they get rock hard, so you
• 13:11
  Speaker 2: can't just chew into them.
• 13:12
  Speaker 1: It's an all-day event.
• 13:13
  Speaker 2: Because you will lose a tooth. Yeah, it is. But
• 13:15
  Speaker 2: it becomes an all-day sucking candy. And, you know, Lifesavers,
• 13:21
  Speaker 2: you can't do that with because they get all gooey
• 13:23
  Speaker 2: after a while. It's really weird. What's the one? Starburst. Starburst.
• 13:28
  Speaker 2: They get old, and then they eat the paper.
• 13:30
  Speaker 1: Like, the candy eats the paper. Yeah, they attach themselves
• 13:32
  Speaker 1: to the paper in a way that they do not
• 13:34
  Speaker 1: separate anymore, so you just have to also eat the paper.
• 13:36
  Speaker 2: But are really old now and later?
• 13:40
  Speaker 1: I would say it's a case-by-case basis. This depends on
• 13:43
  Speaker 1: the person you talk to. Some parties will vote for peeps,
• 13:47
  Speaker 1: and I would say that's not a holiday, but now
• 13:49
  Speaker 1: they make peeps for every holiday, and just year-round for
• 13:52
  Speaker 1: regular old occasions, so. They have like 4th of July Peeps,
• 13:57
  Speaker 1: which seems like a weird combination.
• 13:59
  Speaker 2: I can't decide. Full disclosure, not a Peeps fan.
• 14:05
  Speaker 1: I thought you were not a Peeps person anyways, though.
• 14:07
  Speaker 1: That's why I was like, I'll bring it up, but
• 14:09
  Speaker 1: you're not going to be on board more than likely.
• 14:10
  Speaker 2: But I can't figure out if they fall specifically into
• 14:16
  Speaker 2: a candy category. Because they're mostly marshmallow.
• 14:21
  Speaker 1: It's certainly not good for you. How about that?
• 14:24
  Speaker 2: Well, that's true. But are we considering marshmallows to be candy?
• 14:32
  Speaker 1: The sprinkles is candy you like. Whatever it is. It's
• 14:37
  Speaker 1: just grade of some sort sugar, but I don't know
• 14:42
  Speaker 1: what level of sugar, like, If you're just eating packets
• 14:45
  Speaker 1: of sugar, does that count as candy? Wait, pixie sticks.
• 14:48
  Speaker 1: So yes, yes it does.
• 14:52
  Speaker 2: Pixie sticks have added coloring.
• 14:55
  Speaker 1: And that Coke straw, which is really what we're all
• 14:57
  Speaker 1: looking for. Just mainlining that shit.
• 15:01
  Speaker 2: Yep, putting my Cap'n Crunch on my sandwich and using
• 15:04
  Speaker 2: my pixie stick as a straw.
• 15:08
  Speaker 1: Candy talk. That's what we're really here for in October.
• 15:11
  Speaker 1: Candy talk. So, also, just update, I guess we should
• 15:18
  Speaker 1: welcome our newest Horror Club member.
• 15:21
  Speaker 2: We have a new member?
• 15:22
  Speaker 1: As you know, we only have three members, except now
• 15:25
  Speaker 1: I guess we have three and a half.
• 15:26
  Speaker 2: Oh, yeah.
• 15:27
  Speaker 1: Because our other party cranked out a child. I'm sure
• 15:31
  Speaker 1: she would love that I described it that way.
• 15:33
  Speaker 2: Oh, absolutely.
• 15:33
  Speaker 1: Actually, we'll have to get the story firsthand. We just
• 15:37
  Speaker 1: got a photo going, look, here's one of these kids.
• 15:40
  Speaker 2: You got a photo?
• 15:41
  Speaker 1: Yeah.
• 15:42
  Speaker 2: Of the kid?
• 15:42
  Speaker 1: You did, too. Of the kid, though? She's holding it.
• 15:45
  Speaker 2: I don't remember.
• 15:46
  Speaker 1: And then there's the other one where she said he
• 15:47
  Speaker 1: was a vampire baby. She sent one where he was sleeping,
• 15:51
  Speaker 1: and I asked if she'd seen him turn into a
• 15:53
  Speaker 1: bat yet. That seems very much like me. You can't
• 15:57
  Speaker 1: argue that. It does. It does.
• 16:00
  Speaker 2: But, you know, I have the mind of a spider monkey, so....
• 16:08
  Speaker 1: Well, I'm sure he's smarter than the rest of us.
• 16:11
  Speaker 1: So now she's in charge and then he's like second
• 16:14
  Speaker 1: and then we're down at the bottom in this horror club.
• 16:17
  Speaker 1: And I was going to give him a shout out
• 16:18
  Speaker 1: by name, but I don't think she's officially announced him
• 16:21
  Speaker 1: by name.
• 16:21
  Speaker 2: I don't remember hearing a name.
• 16:23
  Speaker 1: I'm just calling him Pierce Jr. until we get a
• 16:25
  Speaker 1: different name. So welcome little Pierce Jr. He may or
• 16:29
  Speaker 1: may not be a vampire. We're still not sure.
• 16:31
  Speaker 2: I mean, it's a pretty safe bet that he's a vampire.
• 16:36
  Speaker 2: Giving parties. See, there you go. Oh, that's definitely a
• 16:40
  Speaker 2: vampire baby.
• 16:40
  Speaker 1: Yeah, yeah.
• 16:41
  Speaker 2: He's a vampire.
• 16:42
  Speaker 1: We're pretty sure. I can't.
• 16:43
  Speaker 2: It's hard to tell by the way this picture is framed,
• 16:46
  Speaker 2: but he may be hanging from the ceiling as he's sleeping.
• 16:50
  Speaker 1: That's what I'm saying.
• 16:51
  Speaker 2: Anyway, congratulations, Pierce and Nora. Yes.
• 16:55
  Speaker 1: We are glad to have, again, as I've said many times,
• 16:58
  Speaker 1: I ain't looking for kids. But if anybody, and most
• 17:01
  Speaker 1: people I come in contact with in the world, I
• 17:04
  Speaker 1: tell them stop having children. But I think I even
• 17:06
  Speaker 1: said to her, I was like, you know, if anybody
• 17:09
  Speaker 1: is okayed by me to have kids, it's you two. Like,
• 17:12
  Speaker 1: if anybody's actually going to be a good and responsible
• 17:15
  Speaker 1: parent and needs to have a child, it's you guys.
• 17:18
  Speaker 1: So I'm okay.
• 17:18
  Speaker 2: Yeah, yeah, yeah.
• 17:20
  Speaker 1: Very few people in the world will say that, too.
• 17:23
  Speaker 1: So she's a very special breed.
• 17:24
  Speaker 2: All I know is one day this kid will be
• 17:26
  Speaker 2: one more person I have to fight for a parking spot.
• 17:29
  Speaker 2: But until that day, welcome to the world.
• 17:33
  Speaker 1: He also inherits this podcast, I assume. Of the three
• 17:37
  Speaker 1: of us, she's the first one to have a child.
• 17:40
  Speaker 2: I think it's safe to say only one.
• 17:43
  Speaker 1: I mean, if I have my way and I'm assuming
• 17:45
  Speaker 1: you have your way, and he's first born of her,
• 17:48
  Speaker 1: so he's next in line. So, good luck, kid.
• 17:53
  Speaker 2: You know, that's comforting to me.
• 17:54
  Speaker 1: Yeah, it's not on us anymore.
• 17:55
  Speaker 2: I feel horrified for him, but comforted for us.
• 17:58
  Speaker 1: It's not on us anymore. Somewhere down the line, you're
• 18:01
  Speaker 1: going to have to take this over and keep this
• 18:02
  Speaker 1: train running. So, good luck, kid. so there you go
• 18:09
  Speaker 1: there's our update that's why it's just the two of
• 18:11
  Speaker 1: us sitting here in this truncated holiday special because we're
• 18:15
  Speaker 1: down one thanks to childbirth so she says she'll be
• 18:19
  Speaker 1: back we're hoping because we've got more horrible things planned
• 18:23
  Speaker 1: for her to watch.
• 18:24
  Speaker 2: So yeah and we need a smart person on this.
• 18:26
  Speaker 1: Show yeah really I mean otherwise we just sit here
• 18:28
  Speaker 1: and talk about candy and having to drag trash cans
• 18:31
  Speaker 1: yeah This is why we need somebody who's responsible to
• 18:35
  Speaker 1: be in charge of this.
• 18:36
  Speaker 2: Sure, sure, sure.
• 18:38
  Speaker 1: So, if we're pretending like it's a normal Horror Club episode,
• 18:42
  Speaker 1: have you seen anything creepy lately?
• 18:45
  Speaker 2: I am almost finally, I know it's been years, but
• 18:50
  Speaker 2: finally almost caught up with Stranger Things.
• 18:53
  Speaker 1: All right. Watch season three.
• 18:55
  Speaker 2: I actually- I just got to the mall. Last week,
• 18:59
  Speaker 2: I watched season four. Today I started season five.
• 19:03
  Speaker 1: You are almost up to six or eight months ago,
• 19:05
  Speaker 1: however long it's been now.
• 19:07
  Speaker 2: However long, yeah.
• 19:09
  Speaker 1: People have moved on. Little Eleven's already got six more
• 19:13
  Speaker 1: Netflix things and projects.
• 19:15
  Speaker 2: Oh, does she really?
• 19:16
  Speaker 1: Man, she is hooked up with some Netflix, let me
• 19:18
  Speaker 1: tell you. Good for her. Outside of Godzilla, I don't
• 19:21
  Speaker 1: know if she's ever done anything that wasn't. Everything she's
• 19:23
  Speaker 1: done over the years has been Netflix-backed. Yeah. And I've
• 19:28
  Speaker 1: seen her in interviews recently. After the fifth season there,
• 19:30
  Speaker 1: she did some interviews. And she was just... She knows
• 19:34
  Speaker 1: where that bread is buttered, man. She was just like, Netflix,
• 19:37
  Speaker 1: all right. I was just like, I don't blame you, man.
• 19:40
  Speaker 1: I will take a check.
• 19:41
  Speaker 2: From them right now.
• 19:43
  Speaker 1: Oh, yeah. Yeah, that was interesting. And really, it's it's
• 19:47
  Speaker 1: a shame for her because my opinion the world now
• 19:50
  Speaker 1: revolves around sadie sink so i hate to tell you
• 19:55
  Speaker 1: she's gonna take over oh pretty much yeah i'm all
• 19:57
  Speaker 1: for it she seems awesome so anything she wants to
• 20:00
  Speaker 1: be in even if she's an ex-woman they never really
• 20:04
  Speaker 1: upgraded that they're still x-men after all these years That's true.
• 20:08
  Speaker 1: Even though half of them are women, so it's really weird.
• 20:11
  Speaker 2: Yeah, what do you do? Because, I mean, X-Men, well, yeah,
• 20:16
  Speaker 2: but there's also women and then X-Women, but you've still
• 20:20
  Speaker 2: got the X-Fellas and X-People.
• 20:24
  Speaker 1: X-People just sounds dorky.
• 20:25
  Speaker 2: It just hits the ear holes weird.
• 20:27
  Speaker 1: Yeah, yeah. But she was good in that movie. Sure.
• 20:31
  Speaker 1: I'm looking forward to where they go with that one. Yeah.
• 20:35
  Speaker 1: Not so. On the creepy end, what do you think of,
• 20:39
  Speaker 1: we'll say four first. What did you think of season four?
• 20:42
  Speaker 2: Season four I really liked. Was really, really bummed out
• 20:48
  Speaker 2: when they killed one of the new characters that they
• 20:50
  Speaker 2: introduced for that season.
• 20:54
  Speaker 1: Let me guess. gas the one that everybody loved and
• 20:58
  Speaker 1: whined about when they killed them which I was just
• 21:00
  Speaker 1: like I understand I feel that way too also because
• 21:03
  Speaker 1: it was a pointless way to kill them just like
• 21:06
  Speaker 1: oh cause it's gonna look cool that's reason enough to
• 21:09
  Speaker 1: kill off the character that everybody likes cause it'll be
• 21:11
  Speaker 1: an album cover moment yeah I mean that's pretty much
• 21:14
  Speaker 1: what it was dude that looks bitchin oh wait he's
• 21:17
  Speaker 1: dead that was stupid so yeah why did you need
• 21:21
  Speaker 1: to do that other than it looked cool for a
• 21:22
  Speaker 1: minute whatever Yeah. That was one that I wondered if
• 21:29
  Speaker 1: they were going to cave. Because each season, they've brought
• 21:33
  Speaker 1: in this new lovable character and then killed them off
• 21:36
  Speaker 1: very quickly. It happened every time, I feel like. Yeah, even...
• 21:41
  Speaker 1: I mean, third one, they also brought in a villain-type
• 21:45
  Speaker 1: character and killed them off. But definitely one and two,
• 21:49
  Speaker 1: there was a big fan favorite that they killed off
• 21:52
  Speaker 1: halfway into the run.
• 21:53
  Speaker 2: When they killed off Mikey from Goonies, I was.
• 21:55
  Speaker 1: That was season two, yeah. I was upset. I was like, Barb.
• 21:58
  Speaker 1: Barb was the big sacrifice season one. Everybody loved Barb.
• 22:03
  Speaker 1: And then we got Mikey. And then I'm trying to think.
• 22:06
  Speaker 1: I mean, they killed the brother off by season three.
• 22:08
  Speaker 1: Spoilers for... I don't know who hasn't seen freaking Stranger
• 22:11
  Speaker 1: Things at this point. They killed.
• 22:13
  Speaker 2: Was his name Billy?
• 22:14
  Speaker 1: Well, the brother, yeah. Yeah, but he was creepy. That's
• 22:17
  Speaker 1: what I'm saying. He was the villain of that season,
• 22:19
  Speaker 1: kind of. But by the end, you were like, oh, well,
• 22:21
  Speaker 1: I still... I mean, he's a racist asshole, but I
• 22:23
  Speaker 1: still kind of feel he also was that way because
• 22:26
  Speaker 1: of his horrible upbringing. So it's not totally his fault,
• 22:29
  Speaker 1: but he still sucked. So you felt a little bad
• 22:32
  Speaker 1: for at least Sadie because she still cared about her brother.
• 22:35
  Speaker 2: Yeah.
• 22:35
  Speaker 1: Even though he sucked.
• 22:36
  Speaker 2: Well, and I thought they were going to kill her off, too.
• 22:39
  Speaker 2: And I was not going to.
• 22:40
  Speaker 1: Well, they play that card for two seasons.
• 22:42
  Speaker 2: Well, I know, but I'm just saying at the end
• 22:44
  Speaker 2: of season four, I thought that they were going to.
• 22:47
  Speaker 2: She was gone and I was not going to be
• 22:49
  Speaker 2: happy about that.
• 22:50
  Speaker 1: Don't worry, that will continue.
• 22:52
  Speaker 2: Oh, I know. I'm dealing with the.
• 22:55
  Speaker 1: I mean, at least they give her something to do
• 22:57
  Speaker 1: in this season, but she's still in a coma, and
• 23:01
  Speaker 1: yet they give her something to do. And then we
• 23:03
  Speaker 1: get a whole new character that kind of takes over
• 23:05
  Speaker 1: the show, but I'm not complaining.
• 23:07
  Speaker 2: Because they're cool, too. I haven't gotten that far yet, so.
• 23:09
  Speaker 1: You probably have. The extra little sister.
• 23:12
  Speaker 2: Oh, yeah, yeah, yeah, yeah, yeah.
• 23:15
  Speaker 1: But she's like a big focus of this season now,
• 23:17
  Speaker 1: so it's weird that she... Just like she was there before,
• 23:21
  Speaker 1: but you didn't pay any attention to her as a character.
• 23:24
  Speaker 1: And now it's just like, oh no, we've graduated. These
• 23:26
  Speaker 1: people are all in their 40s now. Pretend like it's
• 23:29
  Speaker 1: still the same month and they're all in high school.
• 23:31
  Speaker 1: But realistically, all these people are old. So we're going
• 23:33
  Speaker 1: to bring up this new kid. The new kid.
• 23:35
  Speaker 2: That's what's funny about season four is it all takes
• 23:38
  Speaker 2: place while they're on spring break. Exactly. So it's all
• 23:41
  Speaker 2: in about the span of a week's time.
• 23:44
  Speaker 1: Even though they're all pushing 30 now.
• 23:46
  Speaker 2: Uh-huh.
• 23:47
  Speaker 1: It's like these high school kids are all pushing 30.
• 23:48
  Speaker 1: This has been going on for a decade.
• 23:51
  Speaker 2: There was one person that they showed a close-up on,
• 23:54
  Speaker 2: and I think they're supposed to be 17 or 18.
• 23:57
  Speaker 2: And I'm like, that person is clearly in her early 30s.
• 24:01
  Speaker 2: Looks great for early 30s, but... They all do.
• 24:04
  Speaker 1: But you're not children anymore.
• 24:06
  Speaker 2: Let's... But to be fair, though, I remember... You know,
• 24:11
  Speaker 2: because those... The older kids in that series are in
• 24:14
  Speaker 2: high school about the same time my aunt, who's seven
• 24:17
  Speaker 2: years older than me, would have been in high school.
• 24:19
  Speaker 2: And I remember at that time thinking those people looked like... Grownups.
• 24:24
  Speaker 2: They looked more like grownups than when I finally made
• 24:28
  Speaker 2: it to that age.
• 24:30
  Speaker 1: Plus, this is just a tradition of television.
• 24:33
  Speaker 2: Oh, sure, that too.
• 24:34
  Speaker 1: Everybody looked like they were in their mid-30s on 90210,
• 24:36
  Speaker 1: even though it was supposed to be high school, so...
• 24:40
  Speaker 1: That's always kind of how TV works. Yeah. Even happy days. Like,
• 24:44
  Speaker 1: Richie was not a teenager. He'd been making freaking Roger
• 24:50
  Speaker 1: Corman movies for the last decade before that. So he
• 24:53
  Speaker 1: wasn't really a teenager.
• 24:55
  Speaker 2: Well, and Fonzie, I mean, I don't know how old
• 24:57
  Speaker 2: he's supposed to be in the show, but he's clearly
• 24:59
  Speaker 2: way older than.
• 25:00
  Speaker 1: Well, it's one of those, like, shouldn't we all be
• 25:03
  Speaker 1: weirded out? This old dude's just kind of hanging out
• 25:05
  Speaker 1: with a bunch of high school kids. Granted, once again,
• 25:08
  Speaker 1: I operate like I'm at best in high school, but
• 25:12
  Speaker 1: I still don't hang out with those kids.
• 25:14
  Speaker 2: I feel like I operate in that summer between 8th
• 25:18
  Speaker 2: and 9th grade, you know?
• 25:20
  Speaker 1: I do reference usually, I'm like, maybe 12, you know?
• 25:23
  Speaker 2: Yeah.
• 25:23
  Speaker 1: But then, like, I got to the point I could
• 25:25
  Speaker 1: drive so I could go places. I still do that.
• 25:28
  Speaker 1: So somewhere between 12 and 16, you know, seems about
• 25:31
  Speaker 1: right for my mentality.
• 25:32
  Speaker 2: Yeah.
• 25:33
  Speaker 1: And the way I operate on my day-to-day life.
• 25:35
  Speaker 2: Yeah.
• 25:37
  Speaker 1: Anyway.
• 25:37
  Speaker 2: Which comes in handy for the movie we'll be talking
• 25:40
  Speaker 2: about later.
• 25:40
  Speaker 1: Most definitely. Was that all you had seen?
• 25:45
  Speaker 2: That's all I remember seeing. I think I watched something else,
• 25:48
  Speaker 2: but I couldn't tell you what. I've had a long week.
• 25:52
  Speaker 1: Well, I saw one recently, and I once again am
• 25:54
  Speaker 1: just now catching up, but it's not my fault because
• 25:57
  Speaker 1: they kept putting it on. First of all, they didn't.
• 26:00
  Speaker 1: It was only available to rent at home when it
• 26:02
  Speaker 1: left the theaters, which I didn't get to in theaters. Sure.
• 26:04
  Speaker 1: And then they kept putting it on streaming services I
• 26:06
  Speaker 1: didn't have.
• 26:07
  Speaker 2: Which was annoying.
• 26:08
  Speaker 1: So it just now finally hit. And then by the
• 26:11
  Speaker 1: time I saw it, they were like, leaving soon. I'm like, bastards,
• 26:14
  Speaker 1: they just showed up. So I finally watched The Substance. Ooh.
• 26:20
  Speaker 1: Have you seen The Substance?
• 26:21
  Speaker 2: Yes, I have seen The Substance.
• 26:22
  Speaker 1: Yeah.
• 26:23
  Speaker 2: I mean, I knew. That's a journey of a movie.
• 26:27
  Speaker 1: I knew to some extent, like at least what I
• 26:30
  Speaker 1: was getting myself into, which is, Like, for people that
• 26:33
  Speaker 1: went there and were shocked by it, I'm like, really? Like,
• 26:35
  Speaker 1: pay attention. Like, duh. That's the whole point of this movie.
• 26:39
  Speaker 1: But I did not know how weird it was going
• 26:41
  Speaker 1: to be in the process. Like, I expected gross at
• 26:44
  Speaker 1: least to a good amount. But it is all kinds
• 26:47
  Speaker 1: of body horror. And then on top of that, it's
• 26:50
  Speaker 1: just weird. Like, just the concepts that come into play.
• 26:53
  Speaker 1: I'm like, it's just a weird movie.
• 26:56
  Speaker 2: It's an odd movie when you really stop to think
• 26:59
  Speaker 2: about what, The character or characters, however you want to
• 27:03
  Speaker 2: define it.
• 27:04
  Speaker 1: Kind of the same, but not really.
• 27:06
  Speaker 2: Yeah. Whatever they're going through is weird. And then the
• 27:12
  Speaker 2: last 15 minutes just takes a left turn.
• 27:16
  Speaker 1: I'd say more than 15 minutes.
• 27:17
  Speaker 2: Well, yeah, it did go on fairly long.
• 27:19
  Speaker 1: 20 to 25. I was like, how many? It's like
• 27:22
  Speaker 1: 11 endings. I keep thinking, all right, we're there. What
• 27:25
  Speaker 1: a weird way to go out. Nope, still more. Okay.
• 27:28
  Speaker 1: But now, I mean, we're wrapping up. geez, how long
• 27:31
  Speaker 1: is this?
• 27:31
  Speaker 2: I mean, I get it.
• 27:32
  Speaker 1: It's on purpose. It's not like it's bad filmmaking. It's
• 27:37
  Speaker 1: meant to be. No, it never gets bad.
• 27:38
  Speaker 2: It just gets so bizarre.
• 27:41
  Speaker 1: It's very long.
• 27:42
  Speaker 2: And it's like Japanese level bizarre.
• 27:47
  Speaker 1: Insanity. Yeah. The thing that I thought was really interesting
• 27:52
  Speaker 1: was also just how popular it got. Like it was
• 27:58
  Speaker 1: mainstream popular. And then I watched it and was like,
• 28:00
  Speaker 1: this is really weird for something that got like, I mean,
• 28:04
  Speaker 1: to the point of getting like Oscar nominations level of
• 28:07
  Speaker 1: mainstream popular. I was just like, that's not normally how
• 28:11
  Speaker 1: this kind of crazy nonsense works. Like there's plenty of
• 28:14
  Speaker 1: movies like this out there, but it's usually just weirdos
• 28:16
  Speaker 1: like us that are sitting around talking about them. But
• 28:18
  Speaker 1: the fact that this was like super high level, like
• 28:22
  Speaker 1: in the spotlight showbiz. And I was just like, No,
• 28:26
  Speaker 1: I mean, I get it. It's top tier, A game,
• 28:30
  Speaker 1: big budget movie, but at the same time, it is
• 28:32
  Speaker 1: a weird movie.
• 28:33
  Speaker 2: It's a weird, weird movie. I recommend it to anybody
• 28:39
  Speaker 2: with a strong stomach as far as gore goes, because
• 28:42
  Speaker 2: it It's weird. It's gross. 15 minutes into it, it
• 28:45
  Speaker 2: gets gross. And just, and just when you think that's
• 28:49
  Speaker 2: going to level off it.
• 28:50
  Speaker 1: And I, yeah, it's one of those, like, I knew
• 28:52
  Speaker 1: that much of it. So like, I didn't have any
• 28:54
  Speaker 1: problem with it. Yeah. I was just surprised that it kept, like,
• 28:57
  Speaker 1: it just didn't, I assume we were going there and
• 28:59
  Speaker 1: then it would move on with the plot. But I'm like,
• 29:01
  Speaker 1: That's just the plot. It just continues on with the
• 29:04
  Speaker 1: grossness for the next two hours. Cause it's a long movie.
• 29:07
  Speaker 2: It is a long movie.
• 29:08
  Speaker 1: And yeah, it is just, it is a lot of
• 29:10
  Speaker 1: weirdness and a lot of gross things going on, which again,
• 29:13
  Speaker 1: I'm all good with that. But I will say, I
• 29:17
  Speaker 1: want to ask when, when we lure her back out
• 29:21
  Speaker 1: of baby dumb, I want to see if Nora has
• 29:23
  Speaker 1: seen it and what her opinion on not just this.
• 29:27
  Speaker 1: Cause I I'm okay with how I feel about this.
• 29:30
  Speaker 1: But I was just like, who is this director? And
• 29:32
  Speaker 1: then I realized it's the same director who did Revenge,
• 29:35
  Speaker 1: which I don't know if you saw that one.
• 29:37
  Speaker 2: Yeah, I can't remember.
• 29:39
  Speaker 1: I watched it. it because I heard such good things
• 29:41
  Speaker 1: about it. And I felt creepy about Revenge because it
• 29:46
  Speaker 1: felt like it was almost exploitative to the female character.
• 29:50
  Speaker 1: And then I saw it was directed by a woman.
• 29:52
  Speaker 1: And I was just like, wait, what? It didn't feel right. Right.
• 29:57
  Speaker 1: and this is the same director. And I'm like, okay,
• 29:59
  Speaker 1: now it feels like it works. Like this is meant, like,
• 30:02
  Speaker 1: I feel like what's going on in this movie is
• 30:04
  Speaker 1: satire first and foremost. And it's like on an extra level,
• 30:08
  Speaker 1: like it's dialed to 11 on purpose in the way
• 30:11
  Speaker 1: that it's sexualizing specifically the younger version, because that's the
• 30:15
  Speaker 1: point because that's the joke. That's the, the level of
• 30:19
  Speaker 1: like satire is like, everything is about this girl's looks.
• 30:24
  Speaker 1: Like everything is, that she is like top tiered, the
• 30:29
  Speaker 1: hottest thing in the world right now. And like, so
• 30:31
  Speaker 1: we're going to play with that. We're going to use
• 30:35
  Speaker 1: the camera as a way to look at her in
• 30:37
  Speaker 1: a creepy way. And that's the point of what I'm doing,
• 30:41
  Speaker 1: which is fine in this ridiculous, silly over the top satire. Right.
• 30:45
  Speaker 1: The other one's just like a revenge movie. That's like, again,
• 30:50
  Speaker 1: she's like sexually assaulted. Like it's horrifying what's going on
• 30:53
  Speaker 1: in the first half of this movie. And then she
• 30:55
  Speaker 1: gets revenge by the title of the movie. But they,
• 31:00
  Speaker 1: I don't know, like it still felt like a creepy
• 31:02
  Speaker 1: tone in that first movie. So I want to see
• 31:05
  Speaker 1: if you're not a dude, like so specifically I go
• 31:08
  Speaker 1: to Nora, I respect her opinion and she's a woman.
• 31:11
  Speaker 1: So I kind of want to know what her take is. She,
• 31:14
  Speaker 1: if she's seen Revenge and, And then if she's seen Substance,
• 31:17
  Speaker 1: how to compare and contrast.
• 31:19
  Speaker 2: Well, I watched The Substance with a woman. I mean,
• 31:24
  Speaker 2: it was her. I had no idea. And I saw
• 31:29
  Speaker 2: Demi Moore in the description.
• 31:31
  Speaker 1: Who is amazing. Absolutely. They both are amazing. Oh, my God.
• 31:34
  Speaker 1: They were both incredible.
• 31:35
  Speaker 2: And, you know, what's funny is it tells you a lot.
• 31:41
  Speaker 2: Because I'm sure every actress in Hollywood... could relate to that,
• 31:47
  Speaker 2: you know, to the aging out thing. And then especially
• 31:50
  Speaker 2: when you have a, uh, a person who is, is frankly,
• 31:55
  Speaker 2: Demi Moore is just gorgeous in this movie, you know,
• 31:59
  Speaker 2: but she's treated like crap because she's getting older, you know,
• 32:02
  Speaker 2: that's a setup, but yeah, no, I watched it with
• 32:05
  Speaker 2: a woman. She suggested it. She was like, yeah, right
• 32:10
  Speaker 2: away was picked up on, you know, all the life.
• 32:13
  Speaker 1: Yeah. This is how it works. It's just, like, extra
• 32:17
  Speaker 1: intensified when you're in the media spotlight. Yeah. But, you know, otherwise,
• 32:21
  Speaker 1: this is still how it works for every woman out there. Like,
• 32:25
  Speaker 1: guys get old and lame, but, you know, guys are
• 32:26
  Speaker 1: already kind of lame, so, like, nobody cares.
• 32:29
  Speaker 2: Right.
• 32:29
  Speaker 1: Occasionally, there's, like, a hot dude out there, and he
• 32:32
  Speaker 1: might have a little extra, but still not even close to, like,
• 32:35
  Speaker 1: women in general.
• 32:36
  Speaker 2: Right.
• 32:37
  Speaker 1: Dealing with this bullshit that goes on.
• 32:38
  Speaker 2: Right.
• 32:39
  Speaker 1: So, yeah, it was definitely interesting.
• 32:42
  Speaker 2: It was very interesting. Yeah.
• 32:45
  Speaker 1: I liked, again, I liked the filmmaking, the performances. And again,
• 32:49
  Speaker 1: even the end, it's overlong, but it's doing it on purpose.
• 32:53
  Speaker 1: Like it's making a point. Like that is the, like
• 32:56
  Speaker 1: the overkill of it is the point I feel like.
• 33:00
  Speaker 1: So I was kind of artistically okay with it. I
• 33:04
  Speaker 1: get why I still would be okay if it was
• 33:07
  Speaker 1: a little shorter runtime, but I understand why that end
• 33:11
  Speaker 1: goes on like it does. definitely interesting it's yeah and
• 33:18
  Speaker 1: full-on again like i knew some extent of the body
• 33:21
  Speaker 1: horror but like yeah if you want body horror it
• 33:25
  Speaker 1: is so much body horror like yeah it is finding
• 33:29
  Speaker 1: new ways to be body horror i was like yeah
• 33:31
  Speaker 1: yeah i've seen a lot of body horror and this
• 33:33
  Speaker 1: is definitely a whole new entry here i would um.
• 33:38
  Speaker 2: I would definitely put this up with cronenberg level.
• 33:42
  Speaker 1: Of it's very Very having just in the last couple
• 33:46
  Speaker 1: of years, watched Videodrome and loving it. Well, man, in
• 33:51
  Speaker 1: the worst part. I mean, it's so weird and it's
• 33:53
  Speaker 1: so messed up. And I'm like, that's why it's amazing.
• 33:56
  Speaker 2: Even the fly, which is probably one of his. less
• 34:00
  Speaker 2: grotesque movies has some pretty intense.
• 34:03
  Speaker 1: It's definitely the most like acceptable mainstream of his, of
• 34:07
  Speaker 1: that era of his movie. Again, later he got respectable
• 34:09
  Speaker 1: and he was on the Oscars, you know, it's like he,
• 34:11
  Speaker 1: he got to be a full fledged film director for
• 34:14
  Speaker 1: regular people, not just weirdos like us. So, but yeah,
• 34:17
  Speaker 1: the fly, I mean, in the moment where her character
• 34:21
  Speaker 1: ear falls off, I was just like, all right, there's
• 34:22
  Speaker 1: your little shout out. Like that is definitely a, a
• 34:25
  Speaker 1: brundle fly moment.
• 34:26
  Speaker 2: Yeah. Yeah. Yeah.
• 34:29
  Speaker 1: It's a, It's a fun moment when his ear falls off. Yeah.
• 34:36
  Speaker 1: But I was impressed with it.
• 34:38
  Speaker 2: Oh, yeah.
• 34:38
  Speaker 1: It's massively well made.
• 34:40
  Speaker 2: It's a fine movie. I mean, the only time I got,
• 34:45
  Speaker 2: the only time I was like, why am I still
• 34:47
  Speaker 2: watching this, was in that last segment that just goes
• 34:51
  Speaker 2: on and on and just gets so weird.
• 34:56
  Speaker 1: Yes.
• 34:56
  Speaker 2: Yes, it does. Yeah. And it's not that I'm not
• 35:00
  Speaker 2: trying to give anything away. I just don't know how
• 35:02
  Speaker 2: to describe that ending.
• 35:03
  Speaker 1: Well, I mean, again, there's so many. It's different aspects
• 35:07
  Speaker 1: of it, too. Because I kept thinking, and this is where, okay,
• 35:10
  Speaker 1: this would work as its own ending. And then it
• 35:12
  Speaker 1: becomes a different thing. And I'm like, okay, well, this
• 35:15
  Speaker 1: would also work as an ending. And then eventually it
• 35:17
  Speaker 1: sort of bookends the opening scene. And that's the part
• 35:21
  Speaker 1: I was just like, all right, well... I would hope
• 35:24
  Speaker 1: this is where it ends because now it at least
• 35:26
  Speaker 1: makes sense to counterbalance the opening. So yeah, it was,
• 35:30
  Speaker 1: it was impressive in its own weird artistic way. Oh yeah. Yeah.
• 35:38
  Speaker 2: All right.
• 35:40
  Speaker 1: Any other fun activities before we roll into the movie?
• 35:43
  Speaker 2: I think that's all I got for now.
• 35:45
  Speaker 1: All right. It's time for Sofa Theater.
• 35:51
  Speaker 3: Ugh, Halloween. All the lame-o's come to school in costumes.
• 35:55
  Speaker 1: Watch it. Like they have bat signal. Aaron Riley is
• 36:00
  Speaker 1: crazy hot. You got the invite to his party tonight, right?
• 36:03
  Speaker 1: I noticed you and I are listed in the top 200.
• 36:06
  Speaker 2: I think it's alphabetical.
• 36:07
  Speaker 1: Oh, my God. He's coming over. You're coming to the party, right?
• 36:10
  Speaker 1: We will definitely be there.
• 36:11
  Speaker 2: It's all falling into place.
• 36:15
  Speaker 1: Invited to Aaron Riley's party. Costume figured out. As for April?
• 36:20
  Speaker 1: I'm betting sexy kitty. Which just leaves my little brother. Albert! Gross.
• 36:26
  Speaker 2: Whatever. For once, he's not my problem.
• 36:28
  Speaker 1: Oh no, I forgot to tell you. You're gonna watch
• 36:30
  Speaker 1: Albert tonight.
• 36:31
  Speaker 2: No.
• 36:32
  Speaker 1: Mom, the party. Don't do this to me. I love you.
• 36:34
  Speaker 2: Thank you.
• 36:34
  Speaker 1: You're welcome.
• 36:35
  Speaker 3: This sucks.
• 36:37
  Speaker 1: I can't believe we're missing the party. It's Erin. A
• 36:40
  Speaker 1: smiley face emoticon?
• 36:41
  Speaker 2: That seals the deal, Ren.
• 36:43
  Speaker 1: That is how love works. Where's Albert?
• 36:45
  Speaker 2: Albert!
• 36:47
  Speaker 1: Albert! Albert! My mom is gonna kill me. What's up, Spidey?
• 36:52
  Speaker 1: You just chilling out here by yourself? You don't have
• 36:54
  Speaker 1: any friends or anything? I'll tell you what.
• 36:56
  Speaker 2: I need a man for a mission to avenge one
• 36:58
  Speaker 2: broken heart. Are you in?
• 37:01
  Speaker 1: Take your time.
• 37:04
  Speaker 2: Bam!
• 37:05
  Speaker 1: If we don't find your brother soon, we're gonna miss
• 37:07
  Speaker 1: the party.
• 37:08
  Speaker 2: Oh, nerd alert.
• 37:10
  Speaker 1: Hey, guys, we need a car. The thing is, I
• 37:12
  Speaker 1: can't drive with anyone outside my immediate social circles.
• 37:15
  Speaker 2: But we're friends. Uh.
• 37:22
  Speaker 1: Should go.
• 37:23
  Speaker 2: Prostitution.
• 37:24
  Speaker 1: I know a place we can ask 200 people if
• 37:26
  Speaker 1: they've seen us.
• 37:26
  Speaker 2: I don't really get all the hype about Aaron.
• 37:28
  Speaker 1: Well, A, he's gorgeous. And B, please refer to A.
• 37:32
  Speaker 1: I'm actually a worse parent than my mom.
• 37:35
  Speaker 3: Come on.
• 37:36
  Speaker 1: How much trouble could he get into? You might want
• 37:37
  Speaker 1: to put your mask on.
• 37:38
  Speaker 2: You're about to be an accessory to a major crime.
• 37:40
  Speaker 1: It's my duty to tell you you are one step
• 37:42
  Speaker 1: away from total social suicide. Trick or treat, bitch! Please,
• 37:53
  Speaker 1: we have a situation involving a musket and a drumstick.
• 37:57
  Speaker 2: I have this.
• 38:03
  Speaker 1: I did not have it. This Halloween Truncated Horror Club
• 38:16
  Speaker 1: Sofa Theater feature is fun size. The year is 2012.
• 38:21
  Speaker 1: The director is Josh Schwartz, and the plot, according to IMDb,
• 38:26
  Speaker 1: Rin's Halloween plans go awry when she's made to babysit
• 38:30
  Speaker 1: her brother, who disappears in a sea of trick-or-treaters. With
• 38:33
  Speaker 1: her best friend and two nerds at her side, she
• 38:36
  Speaker 1: needs to find her brother before her mom finds out
• 38:38
  Speaker 1: he's missing. Spoiler alert! That's pretty accurate, because there's not
• 38:44
  Speaker 1: much else going on in this movie. So, yes. Full
• 38:48
  Speaker 1: spoilers for a movie that you probably wouldn't have bothered
• 38:51
  Speaker 1: to watch because only a child would pick this movie. And, oh, wait,
• 38:54
  Speaker 1: I came up with this idea.
• 38:55
  Speaker 2: Yeah.
• 38:56
  Speaker 1: So in my usual maybe around 12-year-old mind, I was like, yeah, yeah,
• 39:03
  Speaker 1: I think we should talk about this. Because it wouldn't
• 39:05
  Speaker 1: come up in a normal Halloween year because Nora would
• 39:08
  Speaker 1: be there and she'd want to watch like a real
• 39:10
  Speaker 1: horror movie probably and not this child nonsense. And I
• 39:14
  Speaker 1: was like, well, we're already doing silly stuff this last
• 39:18
  Speaker 1: run of the last half of the year here. So
• 39:21
  Speaker 1: this is a very silly movie.
• 39:23
  Speaker 2: When you recommended or assigned or however it works.
• 39:27
  Speaker 1: I just came up with this dumb idea.
• 39:28
  Speaker 2: Yeah, well, when you... you said, let's watch this movie.
• 39:31
  Speaker 2: I said, fine. I've, I've never heard of this movie.
• 39:34
  Speaker 2: I know nothing about it.
• 39:35
  Speaker 1: I was kind of surprised by that.
• 39:37
  Speaker 2: And then as soon as it started and the whole, um,
• 39:42
  Speaker 2: when the Nickelodeon logo popped up, I.
• 39:44
  Speaker 1: Was like, Oh, now I know.
• 39:47
  Speaker 2: And, and just some clarification. Um, And I don't say
• 39:52
  Speaker 2: this is a bad way. I just know that Brian,
• 39:54
  Speaker 2: myself included, but Brian is the sort of person that
• 39:58
  Speaker 2: has continued to watch Nickelodeon far after most people considered
• 40:02
  Speaker 2: it acceptable.
• 40:04
  Speaker 1: Yeah, I will say it's weird that I will have
• 40:07
  Speaker 1: a tie in for that avenue, but I wasn't. When
• 40:12
  Speaker 1: it came to the sitcoms that they started cranking things out,
• 40:16
  Speaker 1: I was way less Nickelodeon. Sure. I saw a lot
• 40:19
  Speaker 1: more of those Disney Channel shows than a normal human being,
• 40:21
  Speaker 1: certainly an adult without children, should have seen. So, yeah,
• 40:27
  Speaker 1: I've seen a lot of those, especially that era. Whatever
• 40:30
  Speaker 1: they're making now, I don't see because now everything's streaming
• 40:32
  Speaker 1: and I don't like purposely put anything on streaming. When
• 40:36
  Speaker 1: it was literally a channel, it was just on a
• 40:38
  Speaker 1: lot because I'd have TV on in the background all
• 40:40
  Speaker 1: the damn time. And yeah, I just saw a lot
• 40:44
  Speaker 1: of those shows. Whereas now that you have to like
• 40:46
  Speaker 1: seek them out and do it, I don't really do
• 40:48
  Speaker 1: that anymore.
• 40:49
  Speaker 2: And I'm not knocking it. I am saying as a
• 40:53
  Speaker 2: youngish adult with his own place, I would specifically drive
• 40:57
  Speaker 2: over to your house to watch certain shows that were
• 41:01
  Speaker 2: on Nickelodeon.
• 41:03
  Speaker 1: Because we're children.
• 41:03
  Speaker 2: Because we are children. We are children. It's fine.
• 41:06
  Speaker 1: So that was the thing. I remember when this trailer
• 41:11
  Speaker 1: came out back in the day, back in the 2012 day,
• 41:14
  Speaker 1: and I remember seeing the ads on TV. I don't
• 41:18
  Speaker 1: even think I saw... Again, I wasn't going to the
• 41:20
  Speaker 1: theater in front of which they would have been playing
• 41:23
  Speaker 1: that trailer. So I probably only saw TV ads. And
• 41:27
  Speaker 1: I just remember going... the hell is this? I just
• 41:31
  Speaker 1: remember in the trailer, they played the humping chicken scene.
• 41:36
  Speaker 1: And I was just like, what kind of kids movie
• 41:39
  Speaker 1: is this? And that will be the theme of this episode.
• 41:43
  Speaker 2: Sure.
• 41:43
  Speaker 1: So that was why the more I thought about it,
• 41:45
  Speaker 1: because I just watched it like a couple of years ago.
• 41:47
  Speaker 1: I didn't see it when it first came out. I
• 41:49
  Speaker 1: didn't watch it in years after when it probably came
• 41:52
  Speaker 1: on cable. And I just ran across a copy of
• 41:55
  Speaker 1: it and went, I wanted to see this mostly for
• 41:57
  Speaker 1: Jane Levy. Let's check this out. And I finally watched
• 42:00
  Speaker 1: it a couple years ago and went, what kind of
• 42:02
  Speaker 1: a kid's movie is this?
• 42:04
  Speaker 2: For a PG-13 rated movie distributed by Nickelodeon, it is
• 42:12
  Speaker 2: awfully bawdy.
• 42:13
  Speaker 1: It is. Well, it's just weird the choices it makes. Yeah.
• 42:17
  Speaker 1: That's why, I mean, in addition to it being very
• 42:20
  Speaker 1: Halloween themed, so it was fitting for our ongoing series
• 42:23
  Speaker 1: of Halloween movies during October. But I thought if nothing else,
• 42:29
  Speaker 1: that aspect, like if it were just a dumb kids movie,
• 42:31
  Speaker 1: I don't think there'd be that much to talk about.
• 42:34
  Speaker 1: But the fact that it's this weird, can't decide who
• 42:37
  Speaker 1: it's for movie. I'm like, there'll be a lot of
• 42:40
  Speaker 1: that to discuss if nothing else. So that's mostly why
• 42:43
  Speaker 1: I was like, that's what we should watch this month.
• 42:45
  Speaker 1: We should watch fun size. So yeah, I'd say we
• 42:51
  Speaker 1: just kind of can address all of these things as
• 42:53
  Speaker 1: we go. So, Weird tone, I'm just going to say.
• 43:01
  Speaker 1: Do we want to address the, mostly it's just the, well, no,
• 43:05
  Speaker 1: that's not true. There's a lot of weird casting in this. Yeah.
• 43:09
  Speaker 1: There's a lot of recognizable names. Yeah. And very 2012.
• 43:13
  Speaker 2: Very 2012.
• 43:15
  Speaker 1: In the moment of, oh, look who it is in 2012.
• 43:18
  Speaker 2: Huh.
• 43:19
  Speaker 1: I forgot about them.
• 43:20
  Speaker 2: Two in particular stand out. I mean, there were several
• 43:23
  Speaker 2: that it was like, oh, it's good to see this person.
• 43:25
  Speaker 2: But there were two that I was like, I was
• 43:27
  Speaker 2: not expecting to see them in a PG-13 Nickelodeon movie.
• 43:32
  Speaker 2: A phrase I'm probably going to be saying a lot today.
• 43:35
  Speaker 1: Well, and that's, as I said, if I would reference
• 43:38
  Speaker 1: a show, I get to make, I don't normally have
• 43:42
  Speaker 1: an excuse to talk about Victoria Justice. So this is
• 43:45
  Speaker 1: my chance to make the comment that I make anytime
• 43:48
  Speaker 1: I think about her show, which is probably more than
• 43:51
  Speaker 1: a normal human, but still not that often because I
• 43:54
  Speaker 1: didn't love it. but I saw a lot of episodes
• 43:57
  Speaker 1: of victorious, which was her Nickelodeon show and how she
• 44:00
  Speaker 1: got this movie.
• 44:01
  Speaker 2: Which one was that?
• 44:03
  Speaker 1: Was it the, and that's the, that's the, the artisty
• 44:06
  Speaker 1: kids show. Oh, and that's the one that this is
• 44:09
  Speaker 1: why I think is so funny. And, and so weird
• 44:13
  Speaker 1: of her as an actress that you're going to build
• 44:16
  Speaker 1: this movie around because she is definitely the lead of
• 44:19
  Speaker 1: this movie. Even though to me, Jane Levy is definitely
• 44:24
  Speaker 1: more of a, an, interesting actress to watch yeah and
• 44:27
  Speaker 1: will like you could feel she's already above and beyond
• 44:31
  Speaker 1: this movie like i feel like i feel like she
• 44:33
  Speaker 1: signed the contract before everything kicked in because she's already
• 44:38
  Speaker 1: on suburgatory at this point so like she really i'm
• 44:40
  Speaker 1: like she had a network show already she didn't need
• 44:43
  Speaker 1: to be doing nickelodeon crap but i'm sure once again
• 44:46
  Speaker 1: she made the deal a while ago and like was
• 44:47
  Speaker 1: just like oh okay whatever but So it's weird that
• 44:52
  Speaker 1: they build it around their star, I'm using air quotes,
• 44:55
  Speaker 1: Victoria Justice, because the whole point of that show, and
• 44:59
  Speaker 1: once again, that show was also built around her. It
• 45:03
  Speaker 1: has her name in the title.
• 45:04
  Speaker 2: It's Victorious.
• 45:07
  Speaker 1: So it's just like weird that they put all their
• 45:10
  Speaker 1: eggs in this Victoria Justice basket because... She's just so bland.
• 45:18
  Speaker 1: She's just not a leading... Or maybe she's a leading
• 45:22
  Speaker 1: character in the way that most leading characters in sitcoms
• 45:25
  Speaker 1: are the most boring one. Jerry's the most boring character
• 45:29
  Speaker 1: of the four of them. It's like you watch... Everybody
• 45:32
  Speaker 1: Loves Raymond, which I hadn't watched much of, but now
• 45:34
  Speaker 1: it's on repeat all the time, and I keep seeing episodes,
• 45:37
  Speaker 1: and I'm going, well, the parents are way more entertaining.
• 45:41
  Speaker 1: His brother's more entertaining. Like, even his wife's more entertaining.
• 45:43
  Speaker 1: I'm like, so again, I guess you put the most
• 45:46
  Speaker 1: boring person there to build the interesting stories around, because
• 45:51
  Speaker 1: then you're not distracted by them doing anything distracting, because
• 45:54
  Speaker 1: they're just kind of like, meh, here they are. That
• 45:57
  Speaker 1: is Victoria Justice.
• 45:58
  Speaker 2: But her character was so... Strange in this movie because
• 46:04
  Speaker 2: she looked like the cool kid. But she didn't act
• 46:08
  Speaker 2: like the cool kid. But she had the cool kid friends.
• 46:11
  Speaker 1: Kind of, but not really.
• 46:13
  Speaker 2: But the coolest kid in school invited her to his party.
• 46:18
  Speaker 1: Again, this is why, and this is what I think
• 46:20
  Speaker 1: is so weird. I'll get back to her show in
• 46:22
  Speaker 1: a minute because it makes this point. But I think
• 46:25
  Speaker 1: that's how she got the show. That's how she got
• 46:27
  Speaker 1: the movie. On paper, she should be the biggest star
• 46:30
  Speaker 1: in the world.
• 46:31
  Speaker 2: Sure.
• 46:31
  Speaker 1: She is. aesthetically it makes sense. Look at her. Okay.
• 46:36
  Speaker 1: I get it. She's like competent as an actress. She
• 46:39
  Speaker 1: like everything about her seems like you should be the
• 46:42
  Speaker 1: biggest star in the world. And yet somehow it just
• 46:46
  Speaker 1: falls flat. And I don't, I, again, I think it's
• 46:50
  Speaker 1: just like, there's just not a spark to her that
• 46:53
  Speaker 1: like even one step over in the cast and Jane
• 46:56
  Speaker 1: Levy has. And like you watch suburgatory and it's like
• 46:59
  Speaker 1: a million times more entertaining than because it's built around her.
• 47:02
  Speaker 1: And it's like, it's just whether you have that, that charisma.
• 47:06
  Speaker 1: And I'm like, no offense to Victoria, but I'm like,
• 47:09
  Speaker 1: she just doesn't have it. But the thing that I
• 47:12
  Speaker 1: think is so funny about her show that they built
• 47:14
  Speaker 1: around her and the whole thing is about being like,
• 47:17
  Speaker 1: essentially it's all forms of artists. It's just like an
• 47:21
  Speaker 1: artisty kind of a school for showbiz kids.
• 47:23
  Speaker 2: Gotcha.
• 47:24
  Speaker 1: And they all kind of have a different thing that
• 47:26
  Speaker 1: they're into. So that again, as a generic sitcom, everybody
• 47:29
  Speaker 1: has their thing in quotes. but they're still mostly music oriented. Yeah.
• 47:35
  Speaker 1: And so it's all kids who want to be like
• 47:37
  Speaker 1: big music stars one day. So it's so funny to
• 47:41
  Speaker 1: watch the show now because you're like, it's a classroom
• 47:45
  Speaker 1: and unusual classroom sitcoms. There's like eight people in the class, right?
• 47:50
  Speaker 1: No class I ever was in was like this, but
• 47:52
  Speaker 1: all right, whatever this classroom of eight people. And it's
• 47:56
  Speaker 1: right in the center. Here's Victoria justice. Who's going to
• 47:58
  Speaker 1: be a music superstar, right? Look over to desk. It's
• 48:02
  Speaker 1: Ariana Grande for fuck's sakes. I'm like, you built your
• 48:06
  Speaker 1: show around Victoria Justice when sitting right there is Ariana Grande,
• 48:11
  Speaker 1: who is now one of the biggest stars in the world. Nickelodeon,
• 48:15
  Speaker 1: you dropped the ball. I'm just saying. But even then,
• 48:19
  Speaker 1: it's even funnier these last couple of years because you
• 48:23
  Speaker 1: branch out in that room. I didn't really know by name,
• 48:28
  Speaker 1: but Leon Thomas... Is one of the other kids in
• 48:31
  Speaker 1: the room. He's gone on to be a big producer,
• 48:35
  Speaker 1: but he's also been a music artist every step of
• 48:37
  Speaker 1: the way. In the last couple of years, he's gotten
• 48:40
  Speaker 1: a couple of Grammys. Wow. So he is now. So
• 48:43
  Speaker 1: in that room, there are two Grammy winners, neither of
• 48:46
  Speaker 1: which is Victoria. Jeez. So I was like, you built
• 48:50
  Speaker 1: your show around being a music superstar around this one girl.
• 48:53
  Speaker 1: But meanwhile, you've got this whole room full of people
• 48:56
  Speaker 1: that go on to be music superstars.
• 48:58
  Speaker 2: Oh, that's Leon. Yeah.
• 49:00
  Speaker 1: He's been in a ton of stuff. He actually seems
• 49:02
  Speaker 1: pretty cool. I don't love that song. He just won a...
• 49:05
  Speaker 1: I just got sick of it. He just won a
• 49:07
  Speaker 1: Grammy for it, I think, or that album that it
• 49:09
  Speaker 1: came off of. But I was just like, I saw
• 49:12
  Speaker 1: him win. I was like, good for you, man. Way
• 49:14
  Speaker 1: to come out of that show. And once again, just
• 49:16
  Speaker 1: kind of stick it to Victoria Justice. Sure. Because he...
• 49:20
  Speaker 1: Elizabeth Gills is in there. I mean, hell, even she
• 49:22
  Speaker 1: went on to make a Christmas album with Seth MacFarlane.
• 49:27
  Speaker 1: Figure that out, by the way. That's a lot of
• 49:29
  Speaker 1: words that I have to put together. I don't understand
• 49:31
  Speaker 1: any of that. Even when I saw the album come out, like,
• 49:34
  Speaker 1: I know... He wants to be a crooner. He still
• 49:37
  Speaker 1: thinks he's Frank Sinatra Jr. I don't understand why exactly,
• 49:40
  Speaker 1: but he still wants to do that. But how she
• 49:44
  Speaker 1: ended up with him on this album, I don't know.
• 49:47
  Speaker 1: So once again, someone else sitting in that same classroom
• 49:50
  Speaker 1: has gone on to do more music stardom than Victoria Justice.
• 49:54
  Speaker 2: It's so funny because he is, on the one hand,
• 49:57
  Speaker 2: he is that whole Rat Pack swinging era, and also
• 50:01
  Speaker 2: a huge fan of Kiss.
• 50:04
  Speaker 1: Also, a big Star Trek nerd. And a big Star
• 50:07
  Speaker 1: Trek nerd. All of those things are way cooler than
• 50:11
  Speaker 1: being the offensive family guy comedy. I lost so much
• 50:16
  Speaker 1: respect for him when he was putting out some of
• 50:19
  Speaker 1: the garbage. Don't get me wrong. There's moments in Family
• 50:22
  Speaker 1: Guy that are very funny, amusing somewhat here and there.
• 50:27
  Speaker 1: It's still so lowest common denominator on its comedy a
• 50:31
  Speaker 1: lot of the time. And it just says things just
• 50:34
  Speaker 1: to be offensive. And I'm like, that gets old real fast, dude.
• 50:37
  Speaker 1: So like he has so much better in him. And
• 50:41
  Speaker 1: I don't think I realized it until he did his
• 50:43
  Speaker 1: own knockoff Star Trek show.
• 50:44
  Speaker 2: And I was just like, which is pretty kick.
• 50:46
  Speaker 1: This is actually a really well written show. And like,
• 50:50
  Speaker 1: you're not even bad in it. I just can't take
• 50:52
  Speaker 1: you seriously. Cause I know you're Seth MacFarlane. So nothing
• 50:56
  Speaker 1: comes serious coming out of your mouth. Like it seems
• 51:00
  Speaker 1: weird casting you in this. But, like, as the showrunner
• 51:04
  Speaker 1: writer that he was, I'm like, this is a solid
• 51:06
  Speaker 1: sci-fi show.
• 51:07
  Speaker 2: Oh, yeah, yeah.
• 51:08
  Speaker 1: That was, like, pushing the envelope, like, doing plot lines,
• 51:11
  Speaker 1: and I'm like, Star Trek wouldn't touch. And this is
• 51:14
  Speaker 1: way more interesting than some of the stuff they were doing. So, like, again,
• 51:18
  Speaker 1: he's an interesting guy, but how Elizabeth got hooked up
• 51:22
  Speaker 1: with him, I don't know. And why she became a
• 51:26
  Speaker 1: bigger star than Victoria Justice, well, you make up your
• 51:30
  Speaker 1: own mind, but... So that was my minor slamming of
• 51:34
  Speaker 1: Victoria justice. Now that we've got that out of the way,
• 51:37
  Speaker 1: I just think it's funny that once again, they just
• 51:40
  Speaker 1: much like the show, they just built this movie around her.
• 51:43
  Speaker 1: Like she's the biggest thing in the world.
• 51:44
  Speaker 2: Right.
• 51:46
  Speaker 1: Again, looking at the poster or the box when it
• 51:48
  Speaker 1: came out, I'm like, it's just this huge shot of her.
• 51:51
  Speaker 1: And Jane's like way in the back is a little
• 51:53
  Speaker 1: minor care. I was just like, really? I was like, whatever, man, whatever.
• 51:57
  Speaker 2: Like, Well, you were all excited about Jane Levy being
• 52:02
  Speaker 2: in it, and so I thought it was going to
• 52:05
  Speaker 2: be her movie until I sat down to watch it.
• 52:08
  Speaker 1: I mean, even as I went back to watch it,
• 52:12
  Speaker 1: like I said, a couple of years ago, and this
• 52:14
  Speaker 1: is the first time I've seen it since then, I
• 52:15
  Speaker 1: still remembered her being more of it.
• 52:17
  Speaker 2: Yeah.
• 52:18
  Speaker 1: I mean, and also, she's kind of an asshole friend
• 52:21
  Speaker 1: the whole movie.
• 52:22
  Speaker 2: She really is.
• 52:23
  Speaker 1: By the very end, she's like, oops, sorry about that. Like, that,
• 52:26
  Speaker 1: I guess, is supposed to make up for the fact
• 52:28
  Speaker 1: that she's just a terrible friend the whole rest of
• 52:30
  Speaker 1: the movie.
• 52:30
  Speaker 2: But I think that's the formula for when you've got
• 52:34
  Speaker 2: the kids that are trying to become part of the
• 52:36
  Speaker 2: cool group. One of them has to be an asshole to, like.
• 52:40
  Speaker 2: forego all the stuff that they do normally just so
• 52:43
  Speaker 2: they can become, you know, the popular kids.
• 52:45
  Speaker 1: And Victoria is such a goody goody. Like you have
• 52:48
  Speaker 1: to have, like, it's going to be the most boring
• 52:51
  Speaker 1: thing in the world. If Jane's also nice. So I'm like,
• 52:53
  Speaker 1: she has to counterbalance her being like the most square
• 52:57
  Speaker 1: person that's ever lived. So yeah, thankfully her little brother
• 53:02
  Speaker 1: is super cool. A little brother kicks ass.
• 53:05
  Speaker 2: I was a bit shocked. Uh, the first time we
• 53:09
  Speaker 2: see him, Which is a shot of him sitting naked
• 53:13
  Speaker 2: on the toilet.
• 53:14
  Speaker 1: Which is really a weird thing to work into any movie,
• 53:17
  Speaker 1: let alone this movie. But I was just like, yeah,
• 53:20
  Speaker 1: I mean, that didn't need to be our introduction to him.
• 53:22
  Speaker 1: But here we are. Here we are. Here we are.
• 53:25
  Speaker 2: And, you know, I mean, people sit naked on the
• 53:28
  Speaker 2: toilet all the time. I myself have done it at
• 53:30
  Speaker 2: least twice.
• 53:34
  Speaker 1: So... What the hell is that kid's name?
• 53:39
  Speaker 2: Um... in the movie or in real life.
• 53:42
  Speaker 1: Oh it's Jackson that's right Jackson Nicole I don't know
• 53:46
  Speaker 1: how you pronounce this it's N-I-C-O-L-L but Jackson is how
• 53:51
  Speaker 1: we will refer to him because I just talked about
• 53:54
  Speaker 1: him a lot earlier this year for his other movie
• 53:58
  Speaker 1: this is a spiritual prequel to Bad Grandpa Have you
• 54:03
  Speaker 1: seen Bad Grandpa?
• 54:05
  Speaker 2: No, but I know what you're talking about.
• 54:06
  Speaker 1: But yeah, you know what it is. The reason Bad
• 54:09
  Speaker 1: Grandpa exists is because of this movie. It's because the
• 54:13
  Speaker 1: whole end of the movie is Johnny Knoxville trying to
• 54:16
  Speaker 1: kidnap this kid. And I.
• 54:19
  Speaker 2: That's one of my two surprise guest stars.
• 54:22
  Speaker 1: My theory when I was discussing Bad Grandpa is how
• 54:27
  Speaker 1: they were so endeared to each other is the kid
• 54:29
  Speaker 1: went up and hit him in the nuts. And that's...
• 54:32
  Speaker 1: If anything is going to endear you to Johnny Knoxville.
• 54:35
  Speaker 2: That's the move. It's kidding. Yeah, I mean.
• 54:38
  Speaker 1: So... That, that is all it took. And Johnny Oxville's like,
• 54:42
  Speaker 1: I like this kid. Let's go make a movie together, kid.
• 54:44
  Speaker 1: So they did. And it's, it's as entertaining as any
• 54:48
  Speaker 1: jackass nonsense is.
• 54:50
  Speaker 2: Oh, sure.
• 54:50
  Speaker 1: Yeah. I enjoyed it as much as I like all
• 54:53
  Speaker 1: of the jackass things, which is a weird sliding scale
• 54:57
  Speaker 1: for me. It's like, I get it. Yeah. But it
• 54:59
  Speaker 1: also gets old too. I don't know. I'm more interested
• 55:03
  Speaker 1: in the real world of it sometimes of like, especially
• 55:05
  Speaker 1: that movie of like trying to figure out how did you,
• 55:08
  Speaker 1: plan this where you didn't get shot or somebody didn't
• 55:12
  Speaker 1: murder you in the pretend of this bullshit. Like, yeah, it's,
• 55:17
  Speaker 1: It's an interesting movie as well.
• 55:19
  Speaker 2: I remember the trailer for it thinking that exact same thing.
• 55:21
  Speaker 1: Yeah, because I hadn't seen it until this recent watch,
• 55:24
  Speaker 1: and I was just like, what is this? Like, this
• 55:27
  Speaker 1: is a weird... Because it's basically Jackass, but with a plot. Yeah.
• 55:31
  Speaker 1: It strings together, but they're still just like broken up
• 55:34
  Speaker 1: little bits. Like, you could watch those, and they stand
• 55:37
  Speaker 1: completely on their own. It's just then they put a
• 55:40
  Speaker 1: through line of him and the kid on this road trip.
• 55:43
  Speaker 2: But I mean, it's shot with like unsuspecting.
• 55:46
  Speaker 1: the rest of the time, most of the people, there's
• 55:49
  Speaker 1: a handful of plants along the way that are the, well, again,
• 55:53
  Speaker 1: you don't even see most of them, I think. But
• 55:55
  Speaker 1: every once in a while, I think we figured out
• 55:57
  Speaker 1: that there were a few sort of in there to
• 55:59
  Speaker 1: keep things going when need be. But for the most part,
• 56:02
  Speaker 1: most of the people that he deals with have no
• 56:05
  Speaker 1: idea what the hell is going on.
• 56:06
  Speaker 2: That is a bold move.
• 56:07
  Speaker 1: Yeah. Yeah.
• 56:10
  Speaker 2: Especially for the level of, The shenanigans that those guys
• 56:14
  Speaker 2: get into.
• 56:14
  Speaker 1: They always get into, yeah.
• 56:17
  Speaker 2: Well, still are.
• 56:17
  Speaker 1: I mean, they just put out a new movie. Yeah.
• 56:19
  Speaker 1: And one of them, well, actually, several of them already
• 56:22
  Speaker 1: are dead, but I don't think they're going to be
• 56:24
  Speaker 1: happy until one of them dies on camera as they're
• 56:27
  Speaker 1: launching him out of a port-a-potty or whatever stupid thing
• 56:29
  Speaker 1: they're about to do.
• 56:30
  Speaker 2: You know, the fact that there's, and not to get
• 56:32
  Speaker 2: a whole deranged with Jackass, but the fact that there
• 56:36
  Speaker 2: are bits where Steve-O has been like, no.
• 56:40
  Speaker 1: I'm not doing that.
• 56:41
  Speaker 2: That's too dangerous.
• 56:42
  Speaker 1: When you make Steve-O say no, you're in trouble. It
• 56:47
  Speaker 1: says a lot about your life, Johnny. So yes, there's
• 56:49
  Speaker 1: your big reveal of Johnny Knoxville.
• 56:53
  Speaker 2: I will say that kid in this movie totally kicked ass.
• 56:57
  Speaker 2: And at first I thought, okay, it's going to be
• 56:59
  Speaker 2: the dorky little brother. And no, this kid is... And
• 57:03
  Speaker 2: he inspired me for my next Halloween costume, which is
• 57:07
  Speaker 2: One-armed Spider-Man with a pumpkin stuck on my head.
• 57:12
  Speaker 1: Spider-Man with his arm ripped off is genius, I will say.
• 57:15
  Speaker 1: I was just like, yeah, I kind of forgot about
• 57:18
  Speaker 1: that part until I got back into this. I was like,
• 57:19
  Speaker 1: oh yeah, that is an epic costume. Gotta say, I
• 57:23
  Speaker 1: like that. He is good. This is like the one-two
• 57:28
  Speaker 1: punch of his career. Because as we dug into that movie,
• 57:31
  Speaker 1: I was like, dude, I think that's it. I think he...
• 57:35
  Speaker 1: he like grew up and went fishing, which is a
• 57:37
  Speaker 1: weird part in that movie. He wanted to be like,
• 57:40
  Speaker 1: let's go fishing. Like he kept talking about it in the,
• 57:43
  Speaker 1: in the grandpa movie. And then like the only thing
• 57:47
  Speaker 1: we had to go on was like finding him on
• 57:49
  Speaker 1: Instagram and it's all pictures of him catching fish. Like
• 57:52
  Speaker 1: he literally grew up and just like went to go
• 57:54
  Speaker 1: hang out on a boat. And like, it's just him
• 57:57
  Speaker 1: holding fish. And then by the end of it, I
• 57:59
  Speaker 1: think he actually got married. Cause he's like a grownup now.
• 58:01
  Speaker 1: And it's disturbing that he's a grownup, but like, Cause
• 58:04
  Speaker 1: he still seems like that dorky weird kid, but like
• 58:06
  Speaker 1: now he's old enough to get married and.
• 58:09
  Speaker 2: I mean, good for him if that's how he wanted
• 58:10
  Speaker 2: his life to go.
• 58:12
  Speaker 1: Catching fish and getting married. I guess those are good
• 58:15
  Speaker 1: things to happen if that's what you're looking for. But yeah,
• 58:19
  Speaker 1: he's like surprisingly entertaining in this movie. And especially since
• 58:25
  Speaker 1: it's mostly a wordless performance, he is, he's just pantomime
• 58:29
  Speaker 1: child for most of the movie. Like. Which is also,
• 58:33
  Speaker 1: I mean, this is a movie of cliches taped together. Like,
• 58:37
  Speaker 1: it's not the most inventive of plots, but that is
• 58:40
  Speaker 1: like the most, oh, it's the little kid who doesn't
• 58:43
  Speaker 1: say a thing until the end of the movie. It's
• 58:45
  Speaker 1: the tiny Tim and Scrooge. It's like, it's the same
• 58:48
  Speaker 1: thing it's always going to be. Like, they go around
• 58:51
  Speaker 1: and don't say anything until some poignant moment at the
• 58:53
  Speaker 1: end of the movie.
• 58:54
  Speaker 2: According to Wikipedia, since 2017, or 2017, however we're supposed
• 58:59
  Speaker 2: to say it, I don't give a fuck.
• 59:00
  Speaker 3: Anyway.
• 59:01
  Speaker 2: Since then, he has retired from acting and spends most
• 59:04
  Speaker 2: of his time chronicling his fishing excursions.
• 59:07
  Speaker 1: Yep.
• 59:07
  Speaker 2: He is a full-time captain for Algaron. Deep Sea Fishing
• 59:11
  Speaker 2: and Whale Watching.
• 59:12
  Speaker 1: There you go.
• 59:13
  Speaker 2: Good for him. That's pretty awesome.
• 59:15
  Speaker 1: That kid made his dreams come true.
• 59:17
  Speaker 2: Wow, he made... Jesus Christ. One, two, three, four, five, six, seven, eight, nine,
• 59:25
  Speaker 2: ten movies.
• 59:26
  Speaker 3: 11 well okay one of those was a short film
• 59:30
  Speaker 3: so we'll say nine movies 10 if you count uh
• 59:34
  Speaker 3: bad grandpa 0.5.
• 59:37
  Speaker 1: Which actually he's barely in i know because i also
• 59:40
  Speaker 1: watched that in preparation i did way more preparation than
• 59:43
  Speaker 1: any human being needs to do for bad grandpa by
• 59:46
  Speaker 1: the way But I also watched The 0.5, which is
• 59:50
  Speaker 1: an entire another feature length movie of just other things
• 59:54
  Speaker 1: they shot. And most of them, the kid isn't even
• 59:58
  Speaker 1: in because it's stuff that like most of the horrifying
• 1:00:02
  Speaker 1: stuff they kept him away from, really. Well, that's not
• 1:00:05
  Speaker 1: that I give much credit to that crew, but like
• 1:00:07
  Speaker 1: it's a lot more of of it's Johnny and the director,
• 1:00:13
  Speaker 1: Spike Jonze. Yeah. I forget how Spike Jones is like
• 1:00:17
  Speaker 1: knee deep in the jackass world. Like he's half the
• 1:00:19
  Speaker 1: reason that whole crew came together. So yeah, the episode,
• 1:00:24
  Speaker 1: the episodes in that don't have the through line of
• 1:00:27
  Speaker 1: a story. It's just like, here's another hour and a
• 1:00:30
  Speaker 1: half of more crap that we shot. And half of
• 1:00:33
  Speaker 1: it is Spike Jones in weird old lady makeup as
• 1:00:36
  Speaker 1: a counterbalance to Johnny and old man makeup. And it's inappropriate.
• 1:00:40
  Speaker 1: Things are going on. So fair warning. It's, It's even
• 1:00:44
  Speaker 1: more disturbing than Bad Grandpa.
• 1:00:45
  Speaker 2: Wow.
• 1:00:46
  Speaker 1: If that's what you're looking for. So, yeah. Thomas Middleditch, though.
• 1:00:53
  Speaker 1: I was glad to see that.
• 1:00:54
  Speaker 2: Which one was that?
• 1:00:55
  Speaker 1: Fuzzy. Fuzzy? Oh, man. Fuzzy's pretty entertaining. I feel like
• 1:00:58
  Speaker 1: Fuzzy could be his own version of this movie. He
• 1:01:00
  Speaker 1: kind of is. I mean, it's a separate storyline going on,
• 1:01:03
  Speaker 1: but you could have just given him his own Halloween movie,
• 1:01:06
  Speaker 1: and I would have been fine with that.
• 1:01:07
  Speaker 2: Fuzzy... The character Fuzzy was great... about saying out loud
• 1:01:15
  Speaker 2: questions i had in my head like right when i
• 1:01:18
  Speaker 2: started to think him he would address them as a
• 1:01:21
  Speaker 2: character like i'm not luring kids to my car when
• 1:01:25
  Speaker 2: he's clearly leering a child into his car.
• 1:01:29
  Speaker 1: My favorite is the reason he thinks the little kid
• 1:01:31
  Speaker 1: is cool he's just he's so like starstruck by this
• 1:01:36
  Speaker 1: kid that's super awesome at mario kart yeah well And
• 1:01:40
  Speaker 1: was just, like, literally kept going on about it. He's
• 1:01:42
  Speaker 1: just like, hey, man, next time I see you there,
• 1:01:44
  Speaker 1: I'll spot you some quarters, like, because you're, like, you know,
• 1:01:46
  Speaker 1: you're a superstar. He's just like, man, he is really, like,
• 1:01:50
  Speaker 1: enamored with this child.
• 1:01:53
  Speaker 2: And back to your point earlier, is sugar candy. I mean,
• 1:01:57
  Speaker 2: he does give them sugar packets.
• 1:01:58
  Speaker 1: He just gives them packets of sugar. He's mainlining it.
• 1:02:00
  Speaker 1: That's how you do it, man.
• 1:02:02
  Speaker 2: Yeah, Fuzzy was awesome.
• 1:02:04
  Speaker 1: Fuzzy is pretty good.
• 1:02:05
  Speaker 2: I didn't think I'd like him at first, but.
• 1:02:08
  Speaker 1: Again, he has the most entertaining plot, really. Yeah. Because
• 1:02:12
  Speaker 1: he gets into more ridiculous things as we go. And, like,
• 1:02:16
  Speaker 1: the other one is just the looking for my brother. And, like,
• 1:02:18
  Speaker 1: once you've set that up, it's just, like, they barely
• 1:02:21
  Speaker 1: wander around. They just kind of.
• 1:02:24
  Speaker 2: Well, and with Fuzzy's plot line, I mean, let's be honest.
• 1:02:27
  Speaker 2: Who has not tried.
• 1:02:29
  Speaker 1: Who.
• 1:02:30
  Speaker 2: Amongst us has not attempted to get revenge on an
• 1:02:33
  Speaker 2: ex-girlfriend only to... Get the neighbor next door by mistake.
• 1:02:39
  Speaker 2: I mean, we've all done it. Come on.
• 1:02:40
  Speaker 1: Come on.
• 1:02:41
  Speaker 2: We've all done it.
• 1:02:41
  Speaker 1: We've done it.
• 1:02:41
  Speaker 2: Right.
• 1:02:43
  Speaker 1: I also, again, minor tie in there, but the three
• 1:02:46
  Speaker 1: kids doing the same thing. The kids. Tonight we're out
• 1:02:51
  Speaker 1: for revenge. You know, she's like, she broke my heart, man.
• 1:02:55
  Speaker 1: It's just like, it was a great moment. And that's,
• 1:02:57
  Speaker 1: what's weird about this movie because there's so much of it.
• 1:03:01
  Speaker 1: That's like uneven. Yeah. Like, it's like, there's moments of
• 1:03:04
  Speaker 1: genius in there that I'm like that. was great like
• 1:03:07
  Speaker 1: that like she broke my heart man and i was
• 1:03:09
  Speaker 1: just like holy shit that is so like a great
• 1:03:13
  Speaker 1: little moment and then there's other parts of it that
• 1:03:15
  Speaker 1: are just the most routine made by nickelodeon no effort
• 1:03:21
  Speaker 1: paint by numbers genericness teen comedy and then there's other
• 1:03:25
  Speaker 1: stuff that i was like this has flair here and
• 1:03:27
  Speaker 1: there like it's moments of genius and i'm like that
• 1:03:30
  Speaker 1: makes it worth watching but like.
• 1:03:32
  Speaker 2: I forgot about the the other kids who were out
• 1:03:35
  Speaker 2: doing that because they're Thinking back on it now, it's
• 1:03:38
  Speaker 2: like they almost wasted those characters, because I think you
• 1:03:42
  Speaker 2: see them twice, and that's it.
• 1:03:45
  Speaker 1: I think that's my bigger question. As I got to
• 1:03:48
  Speaker 1: the end of this, and I was like, this is
• 1:03:50
  Speaker 1: not a great movie, but there's great stuff in it.
• 1:03:53
  Speaker 2: There's great stuff in it.
• 1:03:54
  Speaker 1: And I'm like, that's why I was trying to decide,
• 1:03:56
  Speaker 1: what is it? Because there's many other movies that are
• 1:03:59
  Speaker 1: kind of this scenario.
• 1:04:02
  Speaker 2: There were things in this movie that I would compare... uh,
• 1:04:07
  Speaker 2: to super bad. Well, I was like, when did that
• 1:04:09
  Speaker 2: come out?
• 1:04:09
  Speaker 1: Well, I was like, can't hardly wait. Yeah. I was
• 1:04:12
  Speaker 1: like this cause I was like, it's such a huge
• 1:04:14
  Speaker 1: cast and we spend almost too much time on too
• 1:04:18
  Speaker 1: many characters. I was like, I feel like that's half
• 1:04:20
  Speaker 1: the problem is our two main leads. Like we don't
• 1:04:23
  Speaker 1: really know much about like one's boring. The other one
• 1:04:26
  Speaker 1: complains a lot. And like, that's pretty much all we
• 1:04:28
  Speaker 1: get out of them. And then there's a, wrap up
• 1:04:30
  Speaker 1: at the end. And like, we, we have so little
• 1:04:33
  Speaker 1: character development in any of the four of them, but
• 1:04:36
  Speaker 1: even our two main leads, we don't really have much from.
• 1:04:39
  Speaker 1: So I was like, is it just, we spend too
• 1:04:41
  Speaker 1: much time with all these, we had so many cameos
• 1:04:43
  Speaker 1: that like we had to make sure to work in
• 1:04:45
  Speaker 1: all these other people that we never spend time with
• 1:04:48
  Speaker 1: our main core characters. And so we don't care about
• 1:04:51
  Speaker 1: people that much, but I was like, But Can't Hardly
• 1:04:54
  Speaker 1: Wait kind of works. And there's a lot of actors
• 1:04:57
  Speaker 1: in that movie.
• 1:04:57
  Speaker 2: There's a lot of people in that movie.
• 1:04:58
  Speaker 1: So I'm like, why does that one work? Or Superbad,
• 1:05:01
  Speaker 1: at least that's kind of four once again. But you
• 1:05:04
  Speaker 1: feel like you get to know those four by the
• 1:05:05
  Speaker 1: end of it. I don't know. I've spent so much
• 1:05:08
  Speaker 1: time trying to decide what it is that's off about this.
• 1:05:13
  Speaker 1: And some of it, I think, is, again, just the
• 1:05:15
  Speaker 1: unevenness of the weird references and tone that also kind
• 1:05:19
  Speaker 1: of comes into play.
• 1:05:20
  Speaker 2: Yeah.
• 1:05:21
  Speaker 1: Yeah, I don't know. I just kept thinking of other
• 1:05:23
  Speaker 1: movies that had like a big cast that I'm like,
• 1:05:26
  Speaker 1: sometimes it works. So why is this one off? I
• 1:05:30
  Speaker 1: don't know. But I do feel like that's part of
• 1:05:32
  Speaker 1: the problem.
• 1:05:32
  Speaker 2: Yeah.
• 1:05:33
  Speaker 1: We still like... They're more than cameos sometimes, so we
• 1:05:37
  Speaker 1: spend too much time with them. But then there's other
• 1:05:41
  Speaker 1: ones that I like seeing them, so I'm like, well,
• 1:05:43
  Speaker 1: I don't want to say cut them out of the movie. Right.
• 1:05:45
  Speaker 1: So I'm like, I don't know what to do with
• 1:05:47
  Speaker 1: it as a plot. It's weird.
• 1:05:49
  Speaker 2: I mean, you really... We'll talk about my first surprise
• 1:05:55
  Speaker 2: in this movie was Chelsea Handler, who I think was
• 1:06:00
  Speaker 2: fantastic in this movie. But I almost feel like we
• 1:06:03
  Speaker 2: could have, and we don't get much, but I think
• 1:06:05
  Speaker 2: they could have cut out even more of her story
• 1:06:08
  Speaker 2: at being her bullshit party.
• 1:06:10
  Speaker 1: See, I don't love her in general. Like, no offense.
• 1:06:15
  Speaker 1: I don't know that much about her. I've seen Hit
• 1:06:17
  Speaker 1: and Miss, and I'm always like, eh, whatever. I kind
• 1:06:19
  Speaker 1: of get what she's putting out there as a comic
• 1:06:21
  Speaker 1: and I'm like, yeah, she's fine, whatever. But I don't
• 1:06:24
  Speaker 1: seek her out normally. I will say like the most
• 1:06:27
  Speaker 1: interesting thing was the her and the parents scene, which
• 1:06:30
  Speaker 1: is probably the one you would cut out. But I
• 1:06:32
  Speaker 1: was like, that's the most interesting thing that comes about
• 1:06:35
  Speaker 1: with her. Her just hooking up with a 20 something
• 1:06:37
  Speaker 1: guy is like, what is, why do we care about,
• 1:06:41
  Speaker 1: I don't know. But again, it's the closest thing we
• 1:06:44
  Speaker 1: have to character development there. It's her like coming to
• 1:06:47
  Speaker 1: terms with the fact that yes, she's just doing this
• 1:06:50
  Speaker 1: because she's horribly depressed and misses her husband. It's as
• 1:06:54
  Speaker 1: close as we get to character development there. I don't know.
• 1:06:58
  Speaker 1: Those were funny scenes with her. It was her with
• 1:07:00
  Speaker 1: the parents of like, tea? Would you like some tea?
• 1:07:04
  Speaker 2: I would like some tea. The dad's like, yeah, our
• 1:07:07
  Speaker 2: son's an idiot.
• 1:07:08
  Speaker 1: Yeah, he's an idiot. No, they're not wrong. Our kid's
• 1:07:11
  Speaker 1: an idiot. I don't know. There's just so many weird
• 1:07:16
  Speaker 1: I'm surprised we crossed the line moments in this. Yeah.
• 1:07:20
  Speaker 1: But also stuff that just only works if you're, as
• 1:07:23
  Speaker 1: previously mentioned, 12 year olds. So being a 12 year old,
• 1:07:28
  Speaker 1: I'm like, she nared her butt. Like that only works
• 1:07:31
  Speaker 1: if you're 12. Like if you're writing this for actual teenagers,
• 1:07:34
  Speaker 1: they're just like, what the, what, what is this plot?
• 1:07:38
  Speaker 1: Like it only works if you're a dumb kid that
• 1:07:40
  Speaker 1: thinks it's funny. Cause she said, but like, And then
• 1:07:43
  Speaker 1: the cat- But that was a whole- It's a whole thing.
• 1:07:47
  Speaker 1: The cat's losing consciousness. It's so dumb.
• 1:07:52
  Speaker 2: It's such a bizarre setup and payoff. It's so dumb.
• 1:07:59
  Speaker 1: But I'm laughing at it because I'm 12.
• 1:08:01
  Speaker 2: I don't know which came first. If they were like, okay,
• 1:08:07
  Speaker 2: she neared her butt so that burns. What's the payoff?
• 1:08:10
  Speaker 2: Or- We have a cat that has asthma that is
• 1:08:14
  Speaker 2: affected by certain odors. How do we get there?
• 1:08:17
  Speaker 1: It's so ridiculous.
• 1:08:20
  Speaker 2: What the fuck, man?
• 1:08:21
  Speaker 1: It's so ridiculous. And yet, once again, I'm like, oddly
• 1:08:26
  Speaker 1: inappropriate for a kid's movie.
• 1:08:29
  Speaker 2: Yeah.
• 1:08:29
  Speaker 1: But if this is a teen movie, it's not really
• 1:08:32
  Speaker 1: edgy enough. It's just weird.
• 1:08:35
  Speaker 2: Well, and like you said, though, I mean, we're both
• 1:08:37
  Speaker 2: the sort of person to be like, okay, that's funny.
• 1:08:41
  Speaker 2: You know, that's genuinely funny to me that the cat
• 1:08:44
  Speaker 2: starts having an asthma attack because some, you know, popularity
• 1:08:51
  Speaker 2: obsessed teenager decided to nair her butt that morning.
• 1:08:55
  Speaker 1: I think it was an accident, you know.
• 1:08:57
  Speaker 2: Well, she did say it was an accident.
• 1:08:58
  Speaker 1: Things get carried away with. your nair and your butt.
• 1:09:02
  Speaker 2: I don't know how they get carried away with the
• 1:09:04
  Speaker 2: nair and your butt.
• 1:09:05
  Speaker 1: It burns, let me tell you.
• 1:09:06
  Speaker 2: Anyway.
• 1:09:08
  Speaker 1: She said butt. That was hilarious.
• 1:09:11
  Speaker 2: She maybe even said ass. Once again, she did say
• 1:09:15
  Speaker 2: my ass is burning, which surprised me.
• 1:09:17
  Speaker 1: Yeah, there's several times that I'm like, they just keep
• 1:09:19
  Speaker 1: pushing the PG-13 of the language. I'm like, it doesn't
• 1:09:24
  Speaker 1: need to be. You could get away with a lesser
• 1:09:27
  Speaker 1: version sometimes. And they're just like, nope, we're PG-13, damn it,
• 1:09:30
  Speaker 1: and we're going to use it. Which, by the way,
• 1:09:34
  Speaker 1: let's see, I saw that fact too, the important facts
• 1:09:38
  Speaker 1: you'll learn about this movie. It received a PG-13 rating,
• 1:09:43
  Speaker 1: marks the second film from Nickelodeon movies after, are you
• 1:09:47
  Speaker 1: familiar with this one? Angus, Thongs, and Perfect Snogging.
• 1:09:52
  Speaker 2: No!
• 1:09:53
  Speaker 1: A 2008 movie, which also features a PG-13, and the
• 1:09:59
  Speaker 1: weird little clip I saw of it, I was like, oh,
• 1:10:01
  Speaker 1: this does seem like they're getting into weird territory for
• 1:10:04
  Speaker 1: a Nickelodeon movie, so... I don't know. Maybe work that
• 1:10:08
  Speaker 1: in somewhere down the line.
• 1:10:09
  Speaker 2: What was it? Angus. Angus. Angus songs and perfect. Okay.
• 1:10:13
  Speaker 2: It came up. Well, the poster doesn't look, I mean,
• 1:10:20
  Speaker 2: it looks like your typical teen.
• 1:10:22
  Speaker 1: It's tween girls, you know, and they're going to be
• 1:10:24
  Speaker 1: talking about inappropriate things.
• 1:10:26
  Speaker 2: What a weird title. Yeah. Yeah.
• 1:10:29
  Speaker 1: So another odd PG 13 movie from Nickelodeon. I feel
• 1:10:34
  Speaker 1: like maybe they've learned their lesson now. Are they still
• 1:10:37
  Speaker 1: putting out like Spongebob that are PG-13 rated?
• 1:10:41
  Speaker 2: I don't know if those are PG-13 rated.
• 1:10:42
  Speaker 1: Because those are the ones that make money. So if
• 1:10:45
  Speaker 1: they're smart, they just keep cranking out some Spongebob material.
• 1:10:48
  Speaker 2: Based on the young adult novels, Angus Thongs and Full
• 1:10:51
  Speaker 2: Frontal Snogging. Weird. And It's Okay, I'm Wearing Really Big Knickers.
• 1:10:59
  Speaker 1: So these are British is what it sounds like.
• 1:11:01
  Speaker 2: Yeah, yeah, yeah.
• 1:11:04
  Speaker 1: As if snogging wasn't already, knickers in particular.
• 1:11:06
  Speaker 2: Well, that's what, yeah.
• 1:11:08
  Speaker 1: So there's just times where the rating is weird.
• 1:11:12
  Speaker 2: Yeah.
• 1:11:12
  Speaker 1: They're all over the place with these different levels of
• 1:11:16
  Speaker 1: what's appropriate, how kiddified is this, how not kiddified is this? Like,
• 1:11:22
  Speaker 1: it's very strange, the tone of it all.
• 1:11:24
  Speaker 2: Yeah, yeah, yeah, yeah.
• 1:11:26
  Speaker 1: Because that was the other, like, I remembered that from
• 1:11:29
  Speaker 1: the ad, and I still, like, Chicken humping the car
• 1:11:34
  Speaker 1: is fucking funny. I'm sorry. It is funny. It just is.
• 1:11:38
  Speaker 1: And I'm just like, but how do you write that
• 1:11:42
  Speaker 1: for your teenage movie that's, again, teenagers don't watch stuff
• 1:11:47
  Speaker 1: made for teenagers. No. Teenagers are already watching R-rated stuff.
• 1:11:50
  Speaker 1: So at this point, a teenage movie is what maybe tweens,
• 1:11:54
  Speaker 1: the uncool tweens, might watch. So this is at best
• 1:11:58
  Speaker 1: like your 11-year-olds are going to be watching this. So
• 1:12:01
  Speaker 1: a giant chicken humping a car is just weird and
• 1:12:05
  Speaker 1: inappropriate for somebody to be writing in a room somewhere
• 1:12:08
  Speaker 1: to put out for 11-year-olds to watch. It's just weird.
• 1:12:12
  Speaker 1: It's just all weird.
• 1:12:13
  Speaker 2: It is weird.
• 1:12:14
  Speaker 1: I'm going to laugh every time.
• 1:12:15
  Speaker 2: It's funny, though.
• 1:12:16
  Speaker 1: It's funny.
• 1:12:17
  Speaker 2: Even though at a certain point I knew it was
• 1:12:20
  Speaker 2: going to happen, it was still funnier than what I
• 1:12:22
  Speaker 2: had pictured in my mind.
• 1:12:27
  Speaker 1: Chicken humping a car. Other weird, edgy, inappropriate moments.
• 1:12:34
  Speaker 2: I'm sure there's something.
• 1:12:36
  Speaker 1: Well, I mean, there's talk of touching a boob.
• 1:12:38
  Speaker 2: Yeah, yeah.
• 1:12:40
  Speaker 1: And then eventually we get there.
• 1:12:43
  Speaker 2: I wanted to... Yeah, I was... I was troubled by that, actually.
• 1:12:51
  Speaker 2: I mean. To a degree.
• 1:12:52
  Speaker 1: I wasn't as it went on, but it was weird
• 1:12:57
  Speaker 1: that that was used as a bargaining chip.
• 1:12:59
  Speaker 2: That's my point.
• 1:13:00
  Speaker 1: To someone she doesn't really like, as we think, and
• 1:13:03
  Speaker 1: she thinks. At that point, he's just a nerd and
• 1:13:05
  Speaker 1: she didn't like him. So it's a weird bargaining chip.
• 1:13:08
  Speaker 2: Well, I don't want to get too much into this,
• 1:13:12
  Speaker 2: but at the time that we're recording this, really big
• 1:13:16
  Speaker 2: story going on. uh, you know, involved with some really
• 1:13:20
  Speaker 2: majorly inappropriate things. And it's not, it's not on the
• 1:13:25
  Speaker 2: same level, but there's also a lot of discussion right
• 1:13:29
  Speaker 2: now about teaching young men what is, and you know,
• 1:13:34
  Speaker 2: what is and what is not okay.
• 1:13:36
  Speaker 1: That is certainly like a bigger lesson that like society
• 1:13:40
  Speaker 1: has needed to learn. Sure. Sure.
• 1:13:42
  Speaker 2: Sure.
• 1:13:42
  Speaker 1: Since the dawn of time of like, yeah, don't, Don't
• 1:13:45
  Speaker 1: teach your daughters how to defend themselves. Teach your sons
• 1:13:48
  Speaker 1: how to conduct themselves.
• 1:13:50
  Speaker 2: Absolutely.
• 1:13:51
  Speaker 1: Like a grown-up and an adult that doesn't violate other people,
• 1:13:56
  Speaker 1: specifically young women. So, yeah, that's all how it really
• 1:13:59
  Speaker 1: should go.
• 1:14:00
  Speaker 2: But then.
• 1:14:00
  Speaker 1: It's not how it goes.
• 1:14:01
  Speaker 2: You know, we've got a movie, and granted, this movie's
• 1:14:05
  Speaker 2: 13 years old. I don't know, but you see a
• 1:14:10
  Speaker 2: young woman making an offer of something that you can tell...
• 1:14:14
  Speaker 2: She doesn't want to do, but she's going to.
• 1:14:16
  Speaker 1: But she willingly threw that out there, which is weird.
• 1:14:20
  Speaker 2: I know, I know. And then as it.
• 1:14:22
  Speaker 1: Works out, like he's going to chicken out because he's
• 1:14:24
  Speaker 1: a nerd. The fact that she does it, essentially, she
• 1:14:28
  Speaker 1: grabs his hand. So like, I don't feel bad about
• 1:14:30
  Speaker 1: the way it plays out because she's in charge of it,
• 1:14:33
  Speaker 1: which is how it should be. But, and it's, it
• 1:14:37
  Speaker 1: is funny. Like it becomes a sweet moment because even
• 1:14:41
  Speaker 1: she realizes, oh wait, I'm okay with this. Like, I
• 1:14:43
  Speaker 1: didn't think I liked this guy, and as it turns out,
• 1:14:45
  Speaker 1: I'm like, oh.
• 1:14:46
  Speaker 2: See, I think that's where I'm upset by it, because
• 1:14:49
  Speaker 2: it almost like it puts out the message of there that,
• 1:14:51
  Speaker 2: you know, the girl's not going to want to do something,
• 1:14:55
  Speaker 2: but then she'll get in the middle of it, and
• 1:14:56
  Speaker 2: then she'll turn out liking it.
• 1:14:59
  Speaker 1: Yeah, that's a horrible lesson to be passed on.
• 1:15:01
  Speaker 2: Yeah, I think that's what.
• 1:15:02
  Speaker 1: Again, I think I was anchoring it a little more
• 1:15:04
  Speaker 1: in the character, which this is the minimal amount of
• 1:15:06
  Speaker 1: character we get from any of these people. So I
• 1:15:10
  Speaker 1: like the fact that she... realize this wasn't just a nerd,
• 1:15:14
  Speaker 1: that it was somebody she was actually interested in. I
• 1:15:16
  Speaker 1: like that aspect as it turned out by the end
• 1:15:19
  Speaker 1: of it, which we can jump to that. But yeah,
• 1:15:23
  Speaker 1: I mean, it's definitely a questionable exchange there of like,
• 1:15:27
  Speaker 1: when is it sending the wrong message and how in
• 1:15:33
  Speaker 1: charge of that message should we be, you know, taking
• 1:15:36
  Speaker 1: into account when you're writing stuff and feeling responsible for
• 1:15:39
  Speaker 1: when you're putting stuff out there.
• 1:15:42
  Speaker 2: I don't know.
• 1:15:42
  Speaker 1: Again, it's art, so you should be able to do
• 1:15:45
  Speaker 1: whatever you want, but also we should not be putting
• 1:15:48
  Speaker 1: the wrong messages out there because society is stupid and
• 1:15:52
  Speaker 1: men in particular are stupid and do stupid things all
• 1:15:55
  Speaker 1: the time. So, yeah, don't encourage that. I just like
• 1:15:59
  Speaker 1: that the nerd got the girl eventually.
• 1:16:01
  Speaker 2: I do like that.
• 1:16:03
  Speaker 1: I like that.
• 1:16:04
  Speaker 2: And I also liked seeing his little bit of a
• 1:16:07
  Speaker 2: character arc where it's like, okay, he's the creepy hypersexual
• 1:16:12
  Speaker 2: kid then finally he's confronted with it and he's like.
• 1:16:16
  Speaker 1: Once he has the opportunity he's just like oh no
• 1:16:19
  Speaker 1: no so yeah I thought that was actually very fitting
• 1:16:23
  Speaker 1: too a lot of times.
• 1:16:25
  Speaker 2: Though I was worried about that character in general like
• 1:16:29
  Speaker 2: the fact that he pulled a gun on somebody that.
• 1:16:32
  Speaker 1: Was another one again now we're just jumping around everywhere
• 1:16:35
  Speaker 1: but that's one of those that like there's so many
• 1:16:37
  Speaker 1: times in this movie where I'm like wait why is
• 1:16:39
  Speaker 1: this okay Why does, I mean, if you want to have,
• 1:16:44
  Speaker 1: at this point, you can't even walk around with a
• 1:16:46
  Speaker 1: toy gun that looks like a real gun because you
• 1:16:49
  Speaker 1: will get shot. But in particular, this was an actual
• 1:16:53
  Speaker 1: firearm and it was loaded. Why is it okay for
• 1:16:58
  Speaker 1: this movie to feature a child wandering around with a
• 1:17:01
  Speaker 1: loaded gun, even if it was an accident? We're going
• 1:17:05
  Speaker 1: to pretend like he didn't know it was loaded, but
• 1:17:07
  Speaker 1: they don't even address that ever. It's just like, oops.
• 1:17:10
  Speaker 1: My firearm went off. Oh, well, move on with the plot.
• 1:17:13
  Speaker 1: I'm like, well, okay. And nobody else is concerned about
• 1:17:18
  Speaker 1: a big open area full of people that you just
• 1:17:21
  Speaker 1: fired a gun? Like, in the world we live in,
• 1:17:24
  Speaker 1: and in the world of 2012, that was an issue.
• 1:17:28
  Speaker 2: And, I mean, yes, he shot a piece of chicken
• 1:17:33
  Speaker 2: instead of another person. But in reality, that could have
• 1:17:36
  Speaker 2: gone horribly sideways.
• 1:17:37
  Speaker 1: That was by random chance. It could have just as
• 1:17:41
  Speaker 1: easily taken that dude's head off. So whether he meant
• 1:17:44
  Speaker 1: to do it or not.
• 1:17:46
  Speaker 2: Or any number of bystanders. And then on top of that,
• 1:17:52
  Speaker 2: everybody's making fun of the kid who got shot at
• 1:17:55
  Speaker 2: for crying. But he just got shot at. Yeah.
• 1:18:00
  Speaker 1: Yeah. Which, once again, let's make fun of him. Again,
• 1:18:04
  Speaker 1: this is when it reverts even back to, like, eight-year-old. Like,
• 1:18:08
  Speaker 1: he's crying.
• 1:18:09
  Speaker 2: What a loser.
• 1:18:10
  Speaker 1: And I was just like, well, there's way bigger things
• 1:18:13
  Speaker 1: going on right now than to make fun of him
• 1:18:15
  Speaker 1: for crying. Like, if you shoot at.
• 1:18:18
  Speaker 2: Me with a musket... And then, later, somebody congratulates the
• 1:18:22
  Speaker 2: kid for shooting.
• 1:18:24
  Speaker 1: Again, as you do. Anytime you put the bully down,
• 1:18:26
  Speaker 1: you know, the other nerds get excited. So, there are...
• 1:18:30
  Speaker 1: Beats that make sense in a normal high school movie,
• 1:18:33
  Speaker 1: but then I'm like, well, this is not a normal
• 1:18:36
  Speaker 1: high school movie. You just shot at a dude with
• 1:18:40
  Speaker 1: a musket. That's just weird.
• 1:18:43
  Speaker 2: Weird.
• 1:18:44
  Speaker 1: It's just weird.
• 1:18:47
  Speaker 2: Why did your parents even let you out of the
• 1:18:49
  Speaker 2: house once?
• 1:18:50
  Speaker 1: That why do you have a working musket like if
• 1:18:54
  Speaker 1: you get one for your costume at the spirit you
• 1:18:57
  Speaker 1: know it's it's plastic and at this point it has
• 1:19:01
  Speaker 1: a big orange cap on the end of it whether
• 1:19:03
  Speaker 1: it looks like a musket or not because cops will
• 1:19:05
  Speaker 1: shoot you they do not care at this point yeah
• 1:19:08
  Speaker 1: they don't care what it looks like. You don't even
• 1:19:10
  Speaker 1: have to be holding a gun. Like you don't mess
• 1:19:13
  Speaker 1: around with any of that behavior now. So yeah, this again,
• 1:19:19
  Speaker 1: if this were made in like the nineties, I could
• 1:19:21
  Speaker 1: see that not being an issue. Right. Right. But the
• 1:19:24
  Speaker 1: fact that it's made when it was, I was like, no,
• 1:19:26
  Speaker 1: this was definitely a concern of everyone involved at this
• 1:19:30
  Speaker 1: point in time. Why is this movie coming off? Like
• 1:19:34
  Speaker 1: it's not like, That's the weird part is when this
• 1:19:37
  Speaker 1: was made, it still should have been a huge red
• 1:19:40
  Speaker 1: flag for the people writing it. The characters in the
• 1:19:43
  Speaker 1: middle of the scene, like everything should have been different.
• 1:19:46
  Speaker 2: That whole scene is full of major crimes. I mean,
• 1:19:51
  Speaker 2: you've got your attempted murder. I don't know what the
• 1:19:55
  Speaker 2: laws are as far as age and a person owning
• 1:20:01
  Speaker 2: a firearm, but there's that. There's reckless driving. There's fleeing
• 1:20:06
  Speaker 2: the scene of an accident. There's a lot of that
• 1:20:09
  Speaker 2: going on. There's probably at least several, well, throughout the
• 1:20:12
  Speaker 2: whole movie, there's several incidents of endangering a minor.
• 1:20:16
  Speaker 1: Certainly.
• 1:20:17
  Speaker 2: I mean....
• 1:20:20
  Speaker 1: And just the bully dorks. I'm like, how old are they? Again,
• 1:20:23
  Speaker 1: they look like they're in their mid-twenties. I guess we're
• 1:20:25
  Speaker 1: pretending like they're seniors or whatever, but they still look
• 1:20:28
  Speaker 1: like they're going to beat up a minor, so that's
• 1:20:31
  Speaker 1: also a crime.
• 1:20:32
  Speaker 2: Yeah.
• 1:20:35
  Speaker 1: Yeah. It's all really weird.
• 1:20:39
  Speaker 2: I don't want to give the impression that I did
• 1:20:40
  Speaker 2: not enjoy this movie.
• 1:20:43
  Speaker 1: There's so much that I'm perplexed by in it. That
• 1:20:45
  Speaker 1: was my takeaway in particular this time. Like I still
• 1:20:48
  Speaker 1: had my fun viewing of it, but there were just
• 1:20:51
  Speaker 1: so many times I'm like, but, but like every time,
• 1:20:56
  Speaker 1: every scene would end and I'd be like, but wait
• 1:20:59
  Speaker 1: a minute. Like, yeah. There's just so many moments when
• 1:21:03
  Speaker 1: I'm just like, why?
• 1:21:04
  Speaker 2: What?
• 1:21:05
  Speaker 1: Why is it okay? Like we're almost at that same
• 1:21:12
  Speaker 1: area when the kid goes wandering in there and I'm like,
• 1:21:14
  Speaker 1: how did he get a bucket of chicken? The kid
• 1:21:17
  Speaker 1: doesn't have any money.
• 1:21:18
  Speaker 2: He doesn't have any money and he doesn't talk to anybody.
• 1:21:21
  Speaker 1: Yeah, but he just comes out toting a bucket of chicken.
• 1:21:23
  Speaker 1: I was like, does everybody just like him because he's cool?
• 1:21:26
  Speaker 1: Because he is.
• 1:21:26
  Speaker 2: He is cool.
• 1:21:27
  Speaker 1: I mean, that's how he got his slushie.
• 1:21:30
  Speaker 2: I mean, Ricky Lindholm really thought he was cool.
• 1:21:34
  Speaker 1: There's another extra point. super special guest star that i'm
• 1:21:37
  Speaker 1: like i liked her character so i'm like that's one
• 1:21:40
  Speaker 1: of those i'm like i don't want to take her
• 1:21:41
  Speaker 1: out of it but at the same time we don't
• 1:21:43
  Speaker 1: really spend enough time with her that we get anything
• 1:21:45
  Speaker 1: out of it other than look it's ricky lindholm like.
• 1:21:48
  Speaker 2: Yeah but i wish she would think i was cool.
• 1:21:50
  Speaker 1: Enough to hang out with just to hang out with
• 1:21:52
  Speaker 1: and especially.
• 1:21:53
  Speaker 2: There's contributing to the delinquency of a minor right there
• 1:21:56
  Speaker 2: because she took him into a nightclub well.
• 1:21:58
  Speaker 1: Especially if she's wearing her galaxy scout costume I do
• 1:22:03
  Speaker 1: like the universe that we've introduced Galaxy Scout and the
• 1:22:07
  Speaker 1: comic books thereof. So I'm hoping that, you know, picks
• 1:22:11
  Speaker 1: up and becomes its own offshoot thing.
• 1:22:13
  Speaker 2: Let's hope so.
• 1:22:14
  Speaker 1: I'd watch that movie. I'm sure. I mean, in the
• 1:22:17
  Speaker 1: era of the Netflix movies that are coming out, I
• 1:22:20
  Speaker 1: don't see how Galaxy Scout is any different. As long
• 1:22:24
  Speaker 1: as she eats like ramen noodles, like she'll be a
• 1:22:26
  Speaker 1: huge success. Like this will all work. Just. Before that,
• 1:22:31
  Speaker 1: we're also them rolling down the street, blasting some Groban.
• 1:22:36
  Speaker 1: That's when you know you're cool. I like that one
• 1:22:39
  Speaker 1: of the notes on that was like, well, actually, that
• 1:22:42
  Speaker 1: song was a really big hit. Yeah, with moms, not
• 1:22:47
  Speaker 1: high school kids. Like, come on, man. Don't pretend like
• 1:22:51
  Speaker 1: that would have been a factor that any kid would
• 1:22:53
  Speaker 1: have taken in. Over the years, I've gotten to the
• 1:22:57
  Speaker 1: point now that I think Groban is funny because he
• 1:22:59
  Speaker 1: does not take himself seriously at all. At the time,
• 1:23:03
  Speaker 1: I still would have thought, what a nerd. And did
• 1:23:05
  Speaker 1: when I first saw him as the performer and his
• 1:23:08
  Speaker 1: type of music seemed very serious. And then I finally
• 1:23:12
  Speaker 1: saw him on TV shows and I'm like, oh, this
• 1:23:14
  Speaker 1: guy doesn't take himself seriously at all. Like this guy
• 1:23:17
  Speaker 1: is first one to do something to make him look
• 1:23:20
  Speaker 1: like a dork.
• 1:23:20
  Speaker 2: Yeah.
• 1:23:21
  Speaker 1: Which makes him cool. So over the years, I've been like, oh, no,
• 1:23:24
  Speaker 1: Josh Groban. I like that guy. Don't really listen to
• 1:23:26
  Speaker 1: his music, but I like him.
• 1:23:28
  Speaker 2: As a person. I mean, yeah, could barely tell you anything.
• 1:23:31
  Speaker 1: He seems talented.
• 1:23:33
  Speaker 2: Sure.
• 1:23:34
  Speaker 1: Seems like he's very musically gifted, but not what I'm
• 1:23:37
  Speaker 1: looking for usually. But as a person, seems really cool
• 1:23:41
  Speaker 1: and does not take himself seriously. So that's bonus points
• 1:23:44
  Speaker 1: for him. We already discussed him luring the kid into
• 1:23:48
  Speaker 1: his car, which he definitely, like, why? Even in the
• 1:23:52
  Speaker 1: moment watching the movie, I'm like, why does this seem
• 1:23:54
  Speaker 1: like a good idea?
• 1:23:55
  Speaker 2: Good idea, yeah.
• 1:23:56
  Speaker 1: Like, I do understand you need your wingman, but, like,
• 1:23:59
  Speaker 1: the fact that you're going with an eight-year-old is not concerning,
• 1:24:03
  Speaker 1: even as you become aware of it in the moment.
• 1:24:05
  Speaker 1: You're still like, but I'm still gonna do it.
• 1:24:08
  Speaker 2: Well, and it's for a dumb plan, because how are
• 1:24:12
  Speaker 2: you going to TP a person's apartment?
• 1:24:16
  Speaker 1: Yeah.
• 1:24:17
  Speaker 2: That's connected to an apartment building.
• 1:24:19
  Speaker 1: He didn't really think the plan through, as we see,
• 1:24:22
  Speaker 1: as he's throwing toilet paper up into the air and
• 1:24:24
  Speaker 1: it falls right back down.
• 1:24:26
  Speaker 2: And that would have been the perfect excuse to use
• 1:24:29
  Speaker 2: Albert to have him climb up the ladder and TP
• 1:24:32
  Speaker 2: what turned out to be the wrong apartment that he
• 1:24:34
  Speaker 2: eventually set on fire, which is.
• 1:24:36
  Speaker 1: Of a sumo wrestler. Which... For some reason. Again, weird
• 1:24:40
  Speaker 1: moment for no reason, never explained. we don't really, he
• 1:24:45
  Speaker 1: doesn't have a costume, but like, dude looks like a
• 1:24:47
  Speaker 1: sumo wrestler.
• 1:24:48
  Speaker 2: Just a towel.
• 1:24:49
  Speaker 1: He's just wearing a towel. And crushes him. Yeah. Weird
• 1:24:54
  Speaker 1: moments throughout this movie. Yeah. That I, that are never explained.
• 1:24:58
  Speaker 1: And that's kind of how.
• 1:24:59
  Speaker 2: And we don't even, and the girl that he's going after,
• 1:25:02
  Speaker 2: we get maybe 45 seconds of screen time with.
• 1:25:06
  Speaker 1: Yeah. You keep thinking maybe she's going to come into play,
• 1:25:09
  Speaker 1: which she does show up again later, but then not
• 1:25:12
  Speaker 1: really to any.
• 1:25:14
  Speaker 2: We get more of her possibly friend.
• 1:25:19
  Speaker 1: She is eventually friends with Ricky Lindholm. So they're part
• 1:25:22
  Speaker 1: of the same little friend group.
• 1:25:25
  Speaker 2: Who it heavily implies that ends up dating Fuzzy by
• 1:25:29
  Speaker 2: the end of the movie. Which, good for Fuzzy!
• 1:25:31
  Speaker 1: We're like, yes, once again, we want the nerd to
• 1:25:33
  Speaker 1: get the girl. Good for you. Weird. So many weird
• 1:25:39
  Speaker 1: moments in this movie.
• 1:25:42
  Speaker 2: I think that... Ricky Lindholm has the line that makes
• 1:25:45
  Speaker 2: the most sense out of the entire movie because he's like, Hey, yeah,
• 1:25:49
  Speaker 2: maybe me, you and Spider-Man can hang out. And she's like,
• 1:25:53
  Speaker 2: maybe it's maybe just me and you hang out.
• 1:25:56
  Speaker 1: I do like earlier when she's like, she's so like,
• 1:25:58
  Speaker 1: everything is so normal with her and this kid though. Like,
• 1:26:01
  Speaker 1: Oh yeah, I know that dude. We partied with him.
• 1:26:03
  Speaker 1: It was just like, never seemed to register that he's
• 1:26:06
  Speaker 1: an eight year old. He's just cool. She just likes
• 1:26:09
  Speaker 1: hanging out with him. He's cool. He's a good dancer
• 1:26:12
  Speaker 1: as we saw. Yeah.
• 1:26:13
  Speaker 2: Yeah that's true.
• 1:26:16
  Speaker 1: We we skipped over the rap portion of this oh
• 1:26:22
  Speaker 1: her rapping her rapping and then the def jam of
• 1:26:25
  Speaker 1: it all that she's by the end like again like
• 1:26:29
  Speaker 1: it almost seems like it needs to be more of
• 1:26:32
  Speaker 1: the plot yeah but it's not and so by the
• 1:26:35
  Speaker 1: end you're like well i i get it it comes
• 1:26:37
  Speaker 1: back into play by the end but again, is just minimal. Like,
• 1:26:41
  Speaker 1: the jacket disappears for the middle portion of the movie,
• 1:26:44
  Speaker 1: and then she's wearing it again by the end, and
• 1:26:46
  Speaker 1: you're like, okay, yeah, that's right. But then we also
• 1:26:49
  Speaker 1: get her rapping at the beginning, which, again, you're not
• 1:26:53
  Speaker 1: showcasing the talents of Victoria Justice here.
• 1:26:56
  Speaker 2: No.
• 1:26:57
  Speaker 1: The explaining rap for nerds. So, yeah, these are weird choices, but...
• 1:27:05
  Speaker 1: I do like, I mean, no surprise that we get
• 1:27:07
  Speaker 1: sexy kitty from Jane, but like, I do like the
• 1:27:11
  Speaker 1: use of her going as Dorothy with the dark side
• 1:27:14
  Speaker 1: of the moon bag as a sidearm there. That's, that's
• 1:27:17
  Speaker 1: a fun little moment that again, Is a reference, but
• 1:27:21
  Speaker 1: I'm like, is it a reference that the kids watching
• 1:27:24
  Speaker 1: this even know what the hell you're talking about?
• 1:27:26
  Speaker 2: Yeah, because that was by 2012 or 13, that was
• 1:27:30
  Speaker 2: an old reference.
• 1:27:31
  Speaker 1: And it was only for like college kids at the
• 1:27:33
  Speaker 1: time originally. So now they're like in their 30s. So like,
• 1:27:37
  Speaker 1: who is this for? Which again is maybe the theme
• 1:27:40
  Speaker 1: of this entire movie. Who is this for? So that
• 1:27:44
  Speaker 1: was another moment. I was like, okay, I like the reference.
• 1:27:47
  Speaker 1: I like it as an obscure reason that this is
• 1:27:51
  Speaker 1: my costume, and that's the dumb reason, if it went
• 1:27:54
  Speaker 1: that far. But again, she just mentions it for a
• 1:27:56
  Speaker 1: second and has the bag, and then that's it. They
• 1:27:58
  Speaker 1: don't do anything with it.
• 1:27:59
  Speaker 2: Yeah, there's absolutely no payoff to that whatsoever.
• 1:28:02
  Speaker 1: I do like the ruby chucks, though.
• 1:28:04
  Speaker 2: Yeah, that was pretty sweet.
• 1:28:05
  Speaker 1: That was a good touch. I like that. I would
• 1:28:08
  Speaker 1: wear those.
• 1:28:09
  Speaker 2: Yeah, me too.
• 1:28:09
  Speaker 1: Those are pretty awesome. But yeah, Dorothy. i'm really impressed
• 1:28:16
  Speaker 1: with you and your non-sexualizing halloween good pickup line dude
• 1:28:21
  Speaker 1: way to go you're smooth yeah a lot of ruth
• 1:28:26
  Speaker 1: bader ginsburg talk in this movie yeah yeah the other
• 1:28:32
  Speaker 1: half of the three kids as they tp the cop
• 1:28:35
  Speaker 1: car yeah Cause again, barely making connections in the screenplay
• 1:28:40
  Speaker 1: of like the girl that he had a problem with
• 1:28:43
  Speaker 1: was the daughter of the cop that we only meet
• 1:28:45
  Speaker 1: in that scene right there for the first time and
• 1:28:48
  Speaker 1: the last time. So like they barely make these connections sometimes,
• 1:28:51
  Speaker 1: but I'm like, they're trying, like they're really working in
• 1:28:54
  Speaker 1: all these, like weaving the plot together. As the night
• 1:28:58
  Speaker 1: goes on, it's freaking after hours or something. I don't know.
• 1:29:02
  Speaker 1: They just barely brush on some of these things along
• 1:29:05
  Speaker 1: the way. I guess you guys are putting effort in,
• 1:29:08
  Speaker 1: but barely tying it together. Again, it's a funny moment
• 1:29:15
  Speaker 1: because I like those three kids.
• 1:29:18
  Speaker 2: This is one of those movies you see every now
• 1:29:23
  Speaker 2: and then where you start to wonder, is this like
• 1:29:26
  Speaker 2: two or three different movies that they just mashed together.
• 1:29:30
  Speaker 1: But I don't, I think it was written by one person.
• 1:29:33
  Speaker 2: Yeah.
• 1:29:33
  Speaker 1: The director did other things, but I think this was
• 1:29:38
  Speaker 1: like his big one-off feature directing job. So like, I
• 1:29:43
  Speaker 1: don't know, like it's even weirder if this is like,
• 1:29:45
  Speaker 1: this is my focused, this is my thing, man. Like
• 1:29:48
  Speaker 1: I'm going to get this movie made. This is my
• 1:29:50
  Speaker 1: dream project. Like this, this movie.
• 1:29:54
  Speaker 2: Okay.
• 1:29:54
  Speaker 1: Okay, dude. So back to Johnny. At that point, we
• 1:30:00
  Speaker 1: have a lot of Johnny in this movie.
• 1:30:02
  Speaker 2: Johnny Knoxville.
• 1:30:02
  Speaker 1: Who is uncredited. Johnny Knoxville.
• 1:30:05
  Speaker 2: Oh, I didn't know he was uncredited.
• 1:30:06
  Speaker 1: For the last half of the movie, he's in it
• 1:30:09
  Speaker 1: a lot.
• 1:30:09
  Speaker 2: He's in it a lot.
• 1:30:11
  Speaker 1: Not doing much, just being an asshole, but like he's
• 1:30:13
  Speaker 1: in the movie a lot to not be credited for
• 1:30:16
  Speaker 1: some reason. But yeah, there's like, once again, what a
• 1:30:21
  Speaker 1: weird character. Like the first thing we see him do
• 1:30:24
  Speaker 1: is take candy from a child. Yeah. Well, that puts
• 1:30:27
  Speaker 1: it all in perspective, doesn't it? Of like, this is
• 1:30:29
  Speaker 1: the kind of asshole we're dealing with. He steals a
• 1:30:32
  Speaker 1: kid's candy.
• 1:30:33
  Speaker 2: Steals a kid's candy and then kidnaps the child.
• 1:30:37
  Speaker 1: Well, sure. That's also, and maybe that's the best line
• 1:30:41
  Speaker 1: of our Galaxy Scout. It's not like I'm going to
• 1:30:44
  Speaker 1: hang out with a lame eight-year-old.
• 1:30:46
  Speaker 2: Yeah.
• 1:30:48
  Speaker 1: Like, well, yeah. That may be the best line in
• 1:30:51
  Speaker 1: the movie.
• 1:30:51
  Speaker 2: Fair enough.
• 1:30:52
  Speaker 1: It's not like I'm going to hang out with a
• 1:30:54
  Speaker 1: lame eight-year-old. But, yeah, we get, like, once again, like,
• 1:30:58
  Speaker 1: the level of maturity of this film that, like... Because
• 1:31:02
  Speaker 1: there's other stuff. Like, sometimes, like, if it gets to, like,
• 1:31:05
  Speaker 1: a big, ridiculous grand finale, but.
• 1:31:09
  Speaker 1: Dog poop and fireworks is, like, kind of the big...
• 1:31:14
  Speaker 1: In a movie where we already had actual firearms in use,
• 1:31:17
  Speaker 1: but that wasn't the big finality. Right. Dog poops and
• 1:31:20
  Speaker 1: fireworks is, like, our big grand finale of, like, prankdom is.
• 1:31:26
  Speaker 1: Yeah, silly. This is a silly movie. Oh, we haven't
• 1:31:30
  Speaker 1: even talked about the cool guy. Cool guy in the movie.
• 1:31:35
  Speaker 2: Who I think we see twice.
• 1:31:36
  Speaker 1: We see twice. Which is funny because I think, again,
• 1:31:40
  Speaker 1: real world of it all, I think that's Jane Levy's
• 1:31:46
  Speaker 1: baby daddy. Now, I think maybe they just started dating
• 1:31:51
  Speaker 1: at this point. Because I had to look it up.
• 1:31:53
  Speaker 2: I was like, were they.
• 1:31:54
  Speaker 1: Like, why is this? Was this the reason? But I
• 1:31:56
  Speaker 1: think it was right around this time. Because she'd gotten
• 1:31:59
  Speaker 1: out of some other relationship earlier. I had to Google
• 1:32:02
  Speaker 1: all this. And then, like, she met him around that time.
• 1:32:05
  Speaker 1: But then later, they've been together for years. They've had
• 1:32:08
  Speaker 1: a kid together. And I think are still together. So,
• 1:32:12
  Speaker 1: when she was dreamily wanting to get with the cool guy,
• 1:32:15
  Speaker 1: she did. As it turns out. Didn't get with the nerd.
• 1:32:18
  Speaker 1: She got with the cool guy in the real world.
• 1:32:20
  Speaker 2: I will say... This is something that I see in
• 1:32:23
  Speaker 2: a lot of teen movies that always irritates me. And
• 1:32:27
  Speaker 2: it's when the cool guy, the cool popular guy, is
• 1:32:33
  Speaker 2: all of a sudden, without warning, in a crazy rockin' band.
• 1:32:38
  Speaker 2: Because that is not how that works. It is never
• 1:32:41
  Speaker 2: the popular kids that are in the bands. They may
• 1:32:44
  Speaker 2: become popular because they're in a band. But the cool
• 1:32:47
  Speaker 2: kids with like the trust funds and that sort of stuff,
• 1:32:51
  Speaker 2: they're the ones that are beating up the kids that
• 1:32:53
  Speaker 2: are in the band.
• 1:32:53
  Speaker 1: Yeah, that's a little more like 80s comedies. The trust
• 1:32:56
  Speaker 1: fund kids that are beating up the nerds and the
• 1:32:59
  Speaker 1: nerds are the ones in the bands usually. I will
• 1:33:02
  Speaker 1: say this was one I was going to get your
• 1:33:04
  Speaker 1: take on as being exposed to the rock world. Mm-hmm.
• 1:33:10
  Speaker 1: Many a time have I seen a dude, be it
• 1:33:14
  Speaker 1: cool rock star guy or super lame guy in a band,
• 1:33:17
  Speaker 1: try to use I Wrote a Song for You as
• 1:33:20
  Speaker 1: the in. I can't remember if I've referenced this before,
• 1:33:23
  Speaker 1: but there was a band, this was many, many years ago,
• 1:33:28
  Speaker 1: some local band that at this point, I don't even
• 1:33:29
  Speaker 1: remember their name, but they had an, I don't even
• 1:33:32
  Speaker 1: know if it was a full, maybe it was a
• 1:33:34
  Speaker 1: full album, but it wasn't like even 10. I think
• 1:33:36
  Speaker 1: it was like eight tracks on it. Two of them
• 1:33:39
  Speaker 1: were girls' names. I was like, of your eight songs,
• 1:33:44
  Speaker 1: two of these were, oh, I'm going to make this happen.
• 1:33:47
  Speaker 1: If I write a song for Jenny, she's going to
• 1:33:49
  Speaker 1: have to hook up with me. I mean, that's the
• 1:33:52
  Speaker 1: thinking of this dumb high school kid, which this was
• 1:33:55
  Speaker 1: a dumb high school kid back when this story was
• 1:33:57
  Speaker 1: a thing. So this was many years ago. And I
• 1:34:01
  Speaker 1: think I knew a friend of this band. And I
• 1:34:03
  Speaker 1: went and saw them and yeah, they were selling their
• 1:34:05
  Speaker 1: album and two of the songs on the album were
• 1:34:08
  Speaker 1: girls' names. And I was like, that is the only
• 1:34:10
  Speaker 1: reason for that. I'm going to use this song to
• 1:34:13
  Speaker 1: try to make this girl get with me. So, in
• 1:34:18
  Speaker 1: your experience, you kind of see this happen a lot
• 1:34:22
  Speaker 1: with dorks in bands.
• 1:34:24
  Speaker 2: Sure. I mean, there's lots of songs named after girls.
• 1:34:29
  Speaker 1: Mm-hmm. That's the thing. I mean, most songs are written
• 1:34:32
  Speaker 1: about relationship stuff, good, bad, or otherwise. So that doesn't
• 1:34:36
  Speaker 1: surprise me. It's the ham-fisted, I'm going to write this
• 1:34:39
  Speaker 1: song for you, even less creative, going to name it
• 1:34:43
  Speaker 1: after you of it all that's so, like, dork. Just like, dude,
• 1:34:49
  Speaker 1: get a little style for God's sake. Work it into
• 1:34:52
  Speaker 1: your song. It can be about that. But, like, you
• 1:34:55
  Speaker 1: don't have to, like, title drop it. This one's for you, Ginny. Like, yeah,
• 1:35:00
  Speaker 1: we know. It's the title of the song, Genius.
• 1:35:03
  Speaker 2: I will say, and I'm proud to say this, I
• 1:35:06
  Speaker 2: have not done that.
• 1:35:08
  Speaker 1: I've certainly written stuff about, again, about the scenario, the situation.
• 1:35:15
  Speaker 1: Usually it's the other end of it, of the outcome,
• 1:35:18
  Speaker 1: the hopelessness of life.
• 1:35:20
  Speaker 2: Yeah.
• 1:35:20
  Speaker 1: Post-situation. Certainly that I understand. And I write songs that
• 1:35:24
  Speaker 1: I can't do anything with because I don't have any
• 1:35:26
  Speaker 1: functional musical skills. But I can write songs.
• 1:35:29
  Speaker 2: Yeah.
• 1:35:30
  Speaker 1: I'm actually okay with my writing of them. I just
• 1:35:32
  Speaker 1: have to then get someone else to do them, which
• 1:35:35
  Speaker 1: is more trouble than it's worth.
• 1:35:36
  Speaker 2: Oh, I'll make some calls. We'll have an album out
• 1:35:39
  Speaker 2: by next week.
• 1:35:40
  Speaker 1: I mean, sadly now you can AI that nonsense and
• 1:35:43
  Speaker 1: make your own thing, but I don't want to be that.
• 1:35:45
  Speaker 2: No.
• 1:35:47
  Speaker 1: But I'm interested in playing with the fake synthesized instruments
• 1:35:52
  Speaker 1: that I could then sort of make a song out
• 1:35:54
  Speaker 1: of it.
• 1:35:54
  Speaker 2: I might.
• 1:35:55
  Speaker 1: I'm still toying with that. that's a lot of work too.
• 1:35:59
  Speaker 1: It is. I'm busy editing this most of the time.
• 1:36:01
  Speaker 1: And then when I'm done, I'm like, I don't feel
• 1:36:03
  Speaker 1: like doing any other creative projects right now. So I'll
• 1:36:06
  Speaker 1: just come up with the songs and then they're stuck
• 1:36:08
  Speaker 1: in my head and no one else has to suffer.
• 1:36:09
  Speaker 1: So you're welcome world. I have not unleashed most of
• 1:36:14
  Speaker 1: them on you, but, but yeah, so I can see
• 1:36:18
  Speaker 1: that being a thing, but it is certainly equally as
• 1:36:22
  Speaker 1: badly put together and awkward a song in this movie. So,
• 1:36:27
  Speaker 1: It's really not well put together.
• 1:36:30
  Speaker 2: It was such a bad song, and yet the other
• 1:36:33
  Speaker 2: girls were visibly jealous of her. Where I feel like,
• 1:36:38
  Speaker 2: had I been one of the other girls at the party,
• 1:36:40
  Speaker 2: I'd have been like, well, at least he's not talking
• 1:36:42
  Speaker 2: about me. Yeah.
• 1:36:44
  Speaker 1: Which leads to, again, one of the better moments in
• 1:36:46
  Speaker 1: the movie. Well, who else wants to kiss me?
• 1:36:50
  Speaker 2: Yeah.
• 1:36:50
  Speaker 1: And the dude raises his hand. I was just like,
• 1:36:52
  Speaker 1: that guy. That guy in the Mad Hatter outfit and
• 1:36:56
  Speaker 1: or the bad Johnny Depp as Willy Wonka? I'm not sure.
• 1:37:00
  Speaker 2: I wasn't sure.
• 1:37:01
  Speaker 1: No, I think it's the Mad Hatter Johnny Depp. I
• 1:37:03
  Speaker 1: was like, it's definitely that era of Johnny Depp in
• 1:37:05
  Speaker 1: that weird costume. Yeah. But I think it was pre-Willy Wonka,
• 1:37:10
  Speaker 1: but he was post-Alice in Wonderland. Yeah. I think.
• 1:37:15
  Speaker 2: I don't know.
• 1:37:16
  Speaker 1: Those movies look terrible.
• 1:37:18
  Speaker 2: Clearly post-Pirates of the Caribbean. Well, obviously.
• 1:37:21
  Speaker 1: Yeah. Of course that guy was dressed up as his
• 1:37:24
  Speaker 1: favorite character. I was like, yeah, I was tired of
• 1:37:27
  Speaker 1: that character before that first movie was over with. I
• 1:37:29
  Speaker 1: was just like, yes, it's an amazing performance. I remember
• 1:37:33
  Speaker 1: watching it in the theater going, wow, he is really committed. Wow,
• 1:37:37
  Speaker 1: is this still going on? By the end of it,
• 1:37:38
  Speaker 1: I was just like, really?
• 1:37:39
  Speaker 2: Long, long movie.
• 1:37:40
  Speaker 1: All right, I get it. I get it. And then
• 1:37:42
  Speaker 1: they kept making them. And they're still potentially going to
• 1:37:46
  Speaker 1: make another one. I was like, Johnny Depp, please stop.
• 1:37:50
  Speaker 2: I know I got. two into the series.
• 1:37:52
  Speaker 1: I don't remember if I got the third one. I
• 1:37:53
  Speaker 1: think we saw the second one together.
• 1:37:55
  Speaker 2: We might have.
• 1:37:56
  Speaker 1: I think we went to the theater, because that's as far,
• 1:37:58
  Speaker 1: I don't think I made it to three. And I've heard, again,
• 1:38:02
  Speaker 1: I'm actually in the near future going to be talking
• 1:38:04
  Speaker 1: about a Gore Verbinski movie, so like the Gore Verbinski
• 1:38:08
  Speaker 1: of it all, I kind of want to revisit. I've
• 1:38:10
  Speaker 1: heard people that stand by two and three as like
• 1:38:13
  Speaker 1: good movies because of him. Yeah. But I just so
• 1:38:18
  Speaker 1: don't want I just remember not being impressed with the
• 1:38:21
  Speaker 1: second one. Like at least the first one works as
• 1:38:23
  Speaker 1: its own thing. It tells a piratey story. The characters
• 1:38:27
  Speaker 1: are all new and interesting at that point. By the
• 1:38:30
  Speaker 1: second one, I was like, all right, I get where
• 1:38:32
  Speaker 1: we're going here. But yeah, I, I don't think I
• 1:38:35
  Speaker 1: made myself watch the third one, but I feel like
• 1:38:37
  Speaker 1: I remember us at the theater watching that second movie.
• 1:38:41
  Speaker 1: And we were all like, really? That's where it's ending.
• 1:38:43
  Speaker 1: All right. We don't have to come back for the
• 1:38:45
  Speaker 1: third one.
• 1:38:46
  Speaker 2: Do we? So, I think that's exactly what multiple people
• 1:38:51
  Speaker 2: in our party said.
• 1:38:52
  Speaker 1: Yeah. Yeah.
• 1:38:53
  Speaker 2: Pretty sure.
• 1:38:54
  Speaker 1: Pretty sure.
• 1:38:55
  Speaker 2: Yeah.
• 1:38:57
  Speaker 1: I do feel like I said, that's where we're ending it.
• 1:39:00
  Speaker 1: All right.
• 1:39:00
  Speaker 2: Whatever. If you insist.
• 1:39:03
  Speaker 1: Yeah. Well, at least the credits are rolling. Good enough.
• 1:39:06
  Speaker 1: Let's get out of here. But again, Gore Vivensky. Good director.
• 1:39:12
  Speaker 1: Interesting director. I like what he does most of the time,
• 1:39:16
  Speaker 1: so I will return to that in a near episode,
• 1:39:18
  Speaker 1: so come back for that. So that guy dressed as
• 1:39:22
  Speaker 1: Captain Sparrow didn't surprise me, actually, because he seems like
• 1:39:26
  Speaker 1: a douche. Much like, not so much the captain in
• 1:39:30
  Speaker 1: the movies. He's just a drunk. But in the real world,
• 1:39:33
  Speaker 1: Johnny always comes off as that kind of a douche.
• 1:39:35
  Speaker 2: He kind of does.
• 1:39:36
  Speaker 1: Yeah. No offense. I don't know him personally.
• 1:39:39
  Speaker 2: I'm a fan of most of his work.
• 1:39:41
  Speaker 1: His early work, I'm very impressed with. As time's gone on,
• 1:39:46
  Speaker 1: there are times when I do not want to watch
• 1:39:48
  Speaker 1: movies because of his performances. One in particular I'm thinking
• 1:39:52
  Speaker 1: of right now. Actually, several now that I'm rolling through
• 1:39:55
  Speaker 1: many of his later performances. I'm like, no, no, please stop.
• 1:39:58
  Speaker 1: Please stop doing this. Like, you're not... Actually, there's another one. He's...
• 1:40:04
  Speaker 1: I don't know if you've seen this. I've certainly heard
• 1:40:06
  Speaker 1: it on other people talking about... They're doing another Ebenezer
• 1:40:12
  Speaker 1: Scrooge story. And it's him in bad Ebenezer Scrooge makeup.
• 1:40:16
  Speaker 2: Didn't he already do that once before?
• 1:40:19
  Speaker 1: No, that was the Jim Carrey... As the CG version.
• 1:40:22
  Speaker 2: That must be what I'm thinking.
• 1:40:23
  Speaker 1: That's probably what you're thinking of because that was a
• 1:40:25
  Speaker 1: silly over the top Ebenezer Scrooge. So this is going
• 1:40:28
  Speaker 1: to be a live action version, but he's in a
• 1:40:30
  Speaker 1: whole bunch of bad makeup like he likes to do.
• 1:40:32
  Speaker 1: And he's going to do a very exaggerated Johnny Depp
• 1:40:36
  Speaker 1: performance as Ebenezer Scrooge. I don't.
• 1:40:40
  Speaker 2: Okay.
• 1:40:42
  Speaker 1: You want it to get even weirder?
• 1:40:44
  Speaker 2: Not really, but.
• 1:40:45
  Speaker 1: Probably don't. Let me double check. So the not wanting
• 1:40:50
  Speaker 1: to watch a Johnny Depp movie doesn't surprise me. The
• 1:40:53
  Speaker 1: part that surprises me, would you like to know who
• 1:40:55
  Speaker 1: the director of this Ebenezer movie is?
• 1:40:58
  Speaker 2: I would like to know.
• 1:40:59
  Speaker 1: Ty West. The man who brought us... X, Pearl, Maxine.
• 1:41:05
  Speaker 2: That explains why when I saw your phone, it had
• 1:41:08
  Speaker 2: the thumbnail for X.
• 1:41:09
  Speaker 1: Yeah, it's the house of the devil. You're next. He
• 1:41:15
  Speaker 1: is like a master of making new era horror movies,
• 1:41:19
  Speaker 1: and he's making an Ebenezer Scrooge movie with Johnny Depp.
• 1:41:26
  Speaker 1: What the hell is going on? That's just a sidebar
• 1:41:31
  Speaker 1: in the middle of this episode with questions about horror movies.
• 1:41:34
  Speaker 1: What the hell is Ty West thinking?
• 1:41:36
  Speaker 2: I mean, Bob Gell did bring us a fantastic Christmas
• 1:41:41
  Speaker 2: movie after making Porky's.
• 1:41:42
  Speaker 1: It did not have Johnny Depp in it. I know,
• 1:41:45
  Speaker 1: I know. And he somehow would have ruined it. Like,
• 1:41:48
  Speaker 1: he would have shown up in a lot of bad
• 1:41:49
  Speaker 1: makeup trying to be the old man or something.
• 1:41:52
  Speaker 2: Yeah.
• 1:41:54
  Speaker 1: I would have started humping the leg lamp or something stupid.
• 1:41:57
  Speaker 1: And then I would be like, I hate this movie. Like,
• 1:42:00
  Speaker 1: so let's be thankful that Johnny Depp is not in
• 1:42:03
  Speaker 1: a Christmas story. Yeah.
• 1:42:05
  Speaker 2: Did I say Bob Gale? I meant, that's not who
• 1:42:08
  Speaker 2: directed Porky's, is it?
• 1:42:11
  Speaker 1: Bob, Bob Clark, Clark, Bob Gale.
• 1:42:14
  Speaker 2: Isn't that, that's, that's Hogan's here. Oh, okay.
• 1:42:18
  Speaker 1: No, that's, who was, who was Hogan? Yeah. Bob Crane.
• 1:42:27
  Speaker 2: Bob Crane. Man, I am all over the place today.
• 1:42:29
  Speaker 1: Bob Crane is Hogan's heroes and or a really weird
• 1:42:34
  Speaker 1: sexual deviant.
• 1:42:35
  Speaker 2: Right.
• 1:42:37
  Speaker 1: But I think everyone was willing. I think he was
• 1:42:38
  Speaker 1: just into weird shit.
• 1:42:40
  Speaker 2: He was, yeah.
• 1:42:41
  Speaker 1: I watched Autofocus. He's into weird shit.
• 1:42:46
  Speaker 2: Well, I'm turning into my mom as far as remembering
• 1:42:48
  Speaker 2: the names of celebrities.
• 1:42:50
  Speaker 1: You know, along with that guy in the thing. You're like, wait, what?
• 1:42:54
  Speaker 1: What are we talking about?
• 1:42:56
  Speaker 2: You know, when Bronson Pinchot was James Bond.
• 1:43:01
  Speaker 1: Wait, are you talking about Charles Bronson? Because that's also
• 1:43:06
  Speaker 1: not right. You're so wrong right now. So yeah, I
• 1:43:12
  Speaker 1: don't know. Once again, why is it a good idea
• 1:43:15
  Speaker 1: to hold an eight-year-old hostage at this point? Let alone
• 1:43:20
  Speaker 1: for ransom. Then he wants cash for him.
• 1:43:23
  Speaker 2: Well, he also kept calling him a terrorist. So he
• 1:43:28
  Speaker 2: already knows he's dangerous.
• 1:43:30
  Speaker 1: Well, he is.
• 1:43:31
  Speaker 2: He is very dangerous.
• 1:43:31
  Speaker 1: The kid's vicious. Don't mess with him.
• 1:43:33
  Speaker 2: And I remember at the beginning of the movie, him
• 1:43:36
  Speaker 2: having a lot more fireworks... So you'd think he'd be
• 1:43:41
  Speaker 2: able to blow his way out of the house.
• 1:43:42
  Speaker 1: But maybe they ended because by the end, Fuzzy had
• 1:43:47
  Speaker 1: a bunch. So did he leave some like in his car?
• 1:43:51
  Speaker 1: But those were mostly like smoke bombs. Sometimes there were
• 1:43:54
  Speaker 1: smoke bombs that would also explode.
• 1:43:56
  Speaker 2: Like, I don't know.
• 1:43:57
  Speaker 1: They weren't real descriptive of what type of fireworks these were.
• 1:44:00
  Speaker 1: Everyone did whatever they needed it to in that scene
• 1:44:02
  Speaker 1: at that moment.
• 1:44:03
  Speaker 2: I don't know why we're still trying to figure these
• 1:44:05
  Speaker 2: things out at this point, actually.
• 1:44:07
  Speaker 1: I mean, just assume that the movie is genius and
• 1:44:10
  Speaker 1: above our understanding.
• 1:44:12
  Speaker 2: That is a very likely scenario.
• 1:44:16
  Speaker 1: We'll never figure it out because, once again, I don't
• 1:44:19
  Speaker 1: understand why it seems like a good idea. Once again,
• 1:44:25
  Speaker 1: the inappropriateness of this movie. your movie that's been built
• 1:44:29
  Speaker 1: around inappropriate things happening around this eight year old. Then
• 1:44:33
  Speaker 1: the finale of it is I'm going to strip down
• 1:44:36
  Speaker 1: in front of this eight year old and run away. Yeah.
• 1:44:39
  Speaker 3: Yeah.
• 1:44:40
  Speaker 1: I was like, yes, I guess it's nice that you're
• 1:44:42
  Speaker 1: sacrificing yourself as a reason for them. Cause otherwise I
• 1:44:45
  Speaker 1: guess you could just run and, Maybe they would chase you,
• 1:44:48
  Speaker 1: but I suppose if you're unclothed, the cops are supposed
• 1:44:52
  Speaker 1: to go after.
• 1:44:53
  Speaker 2: You, so. They should. They really should. They probably should.
• 1:44:57
  Speaker 2: Although on Halloween, they probably do give you a little
• 1:45:00
  Speaker 2: bit of leeway on that.
• 1:45:01
  Speaker 1: They'd be like, ah, another drunken idiot on Halloween. I
• 1:45:04
  Speaker 1: don't feel like going after him.
• 1:45:06
  Speaker 2: And then he goes back to work. Again. Which makes
• 1:45:09
  Speaker 2: me wonder if he was just, if that's still the
• 1:45:13
  Speaker 2: same shift, or.
• 1:45:15
  Speaker 1: I mean, it's got to be close. I would assume
• 1:45:18
  Speaker 1: at least leading towards the next day because girl's still
• 1:45:21
  Speaker 1: in her scout uniform.
• 1:45:23
  Speaker 2: True.
• 1:45:23
  Speaker 1: So they're coming from the party before we get the
• 1:45:28
  Speaker 1: morning the next day by the end. So I was like, yeah,
• 1:45:31
  Speaker 1: this has got to be at some point in the
• 1:45:32
  Speaker 1: same night, which I had to go back and check
• 1:45:34
  Speaker 1: because I was also like, did he just go off
• 1:45:36
  Speaker 1: and leave work like unattended? But there was the other guy.
• 1:45:41
  Speaker 2: There was the one dude.
• 1:45:42
  Speaker 1: I did. Yeah, I did. I was like, I had
• 1:45:43
  Speaker 1: to go back and double check. So sadly, I went
• 1:45:46
  Speaker 1: back to double check whether or not there was someone
• 1:45:49
  Speaker 1: else working because I was like, did he close up
• 1:45:52
  Speaker 1: the store? I feel like it was still open when
• 1:45:54
  Speaker 1: he ran out holding toilet paper. So I was like,
• 1:45:56
  Speaker 1: was there someone else behind the counter? So I guess
• 1:45:59
  Speaker 1: that other dude quit mopping and went and stood behind
• 1:46:01
  Speaker 1: the counter at Red Comics, which is what you seem
• 1:46:03
  Speaker 1: to do while you're at work. But. But yeah, I
• 1:46:07
  Speaker 1: thought it was an odd choice for this once again
• 1:46:09
  Speaker 1: to expose this poor child to some weird naked dude
• 1:46:12
  Speaker 1: in the middle of the street. I was like, this
• 1:46:14
  Speaker 1: movie does a lot of inappropriate things specifically around this
• 1:46:18
  Speaker 1: poor small child. Yeah.
• 1:46:20
  Speaker 2: Well, he seems to be the least affected by everything
• 1:46:25
  Speaker 2: in this movie. True.
• 1:46:26
  Speaker 1: He does seem to sort of roll with it. I mean,
• 1:46:29
  Speaker 1: he is not a lame eight-year-old, so he's cool and
• 1:46:32
  Speaker 1: he just keeps on keeping on.
• 1:46:35
  Speaker 2: He has mastered the art of the prank phone call, though.
• 1:46:39
  Speaker 1: God. We jumped to that. We're jumping over the serious
• 1:46:44
  Speaker 1: part of this movie. Because I still got a little,
• 1:46:47
  Speaker 1: got a little verklempt as we get there. And I realized, oh,
• 1:46:51
  Speaker 1: they went to go see Dad on Halloween. Yeah. That's
• 1:46:53
  Speaker 1: kind of sad. If this were a real movie, I'd
• 1:46:55
  Speaker 1: be like legit sad right now. It's ridiculous. So I'm like,
• 1:46:59
  Speaker 1: I just have to like know that I'm a sap,
• 1:47:01
  Speaker 1: that it still kind of worked on me for a minute. Sure, yeah.
• 1:47:04
  Speaker 1: When he, you know, realizes, you know, we get the
• 1:47:08
  Speaker 1: moment where he actually says something and I'm like, all right,
• 1:47:11
  Speaker 1: this is almost a heartfelt moment in a ridiculous movie.
• 1:47:15
  Speaker 1: So there you go. Ridiculous movie.
• 1:47:23
  Speaker 2: Yeah, that's.
• 1:47:25
  Speaker 1: And then prank phone calls, which again. Again, doesn't even
• 1:47:28
  Speaker 1: fit the entire rest of this movie.
• 1:47:30
  Speaker 2: No, I know. I think they just wanted to, they
• 1:47:33
  Speaker 2: wanted to cram in.
• 1:47:34
  Speaker 1: Cause this kid's funny.
• 1:47:35
  Speaker 2: This kid being funny.
• 1:47:36
  Speaker 1: Let's let this kid be funny. Call people while he's
• 1:47:39
  Speaker 1: on the toilet again. Why do we need more footage
• 1:47:42
  Speaker 1: of him on the toilet? I don't know.
• 1:47:44
  Speaker 2: I don't know.
• 1:47:46
  Speaker 1: It's inappropriate.
• 1:47:48
  Speaker 2: Yeah.
• 1:47:50
  Speaker 1: What do we do with this movie?
• 1:47:52
  Speaker 3: I don't know.
• 1:47:52
  Speaker 2: I would like a peanut butter cup pancakes though. That, that,
• 1:47:57
  Speaker 2: It does sound enjoyable.
• 1:47:57
  Speaker 1: I mean, we have peanut butter pumpkins right there. That's true.
• 1:48:01
  Speaker 1: So if you have the fixings for pancakes, we can
• 1:48:03
  Speaker 1: round out this episode.
• 1:48:04
  Speaker 2: I don't, actually.
• 1:48:06
  Speaker 1: Damn it.
• 1:48:06
  Speaker 2: I know, I'm the worst.
• 1:48:07
  Speaker 1: Well, I do. Yeah, I think the leftovers for Halloween
• 1:48:12
  Speaker 1: breakfast is a good idea. Yeah. It was after his
• 1:48:16
  Speaker 1: mom kicks his ass. It was kind of funny. She's like,
• 1:48:21
  Speaker 1: I just, I don't have patience for you, child. Get
• 1:48:23
  Speaker 1: out of my way. And then she puts him in
• 1:48:25
  Speaker 1: some sort of wrestling mood. Second time someone's been pinned
• 1:48:28
  Speaker 1: that evening. Thank goodness she saved the jacket, so we
• 1:48:34
  Speaker 1: got that going for her.
• 1:48:35
  Speaker 2: Well, yeah.
• 1:48:36
  Speaker 1: The Def Jam of it all.
• 1:48:39
  Speaker 2: Which, I mean, that jacket was pretty sweet.
• 1:48:41
  Speaker 1: I mean, even if it didn't have his name, like,
• 1:48:44
  Speaker 1: embroidered in it, it's a pretty cool jacket. Probably would
• 1:48:47
  Speaker 1: have been falling apart by that time, realistically. Yeah. If
• 1:48:50
  Speaker 1: she were wearing it every day, like, sure, all the
• 1:48:54
  Speaker 1: lettering would have fallen off, but, you know, hey, whatever.
• 1:48:59
  Speaker 1: Not all of us get our name in the liner notes.
• 1:49:02
  Speaker 2: That is true. And I meant to check that album
• 1:49:06
  Speaker 2: to see if that name is in there, but.
• 1:49:09
  Speaker 1: Maybe this is a true story.
• 1:49:12
  Speaker 2: Part of me wondered.
• 1:49:13
  Speaker 1: This all really happened, you know? That guy's dead now.
• 1:49:16
  Speaker 1: I hope you're happy. Just to make this movie, they
• 1:49:19
  Speaker 1: had to kill him.
• 1:49:21
  Speaker 2: Sometimes you gotta do that, you know?
• 1:49:23
  Speaker 1: This is the sacrifice you make for true art like
• 1:49:27
  Speaker 1: this movie.
• 1:49:28
  Speaker 2: You can't make a movie omelet without cracking a few
• 1:49:31
  Speaker 2: movie eggs. I mean....
• 1:49:34
  Speaker 1: Oh yeah, we skipped over the fact that they hooked up, right?
• 1:49:37
  Speaker 1: I mean, we definitely had a morning after moment. At best,
• 1:49:42
  Speaker 1: I guess you could pretend like they just made out hardcore.
• 1:49:45
  Speaker 1: But that certainly in any other teen movie is the
• 1:49:50
  Speaker 1: morning after they hooked up scene.
• 1:49:52
  Speaker 2: You had your coyote ugly moment where she wakes up
• 1:49:55
  Speaker 2: and is like, oh my God. And then she tackles him.
• 1:50:00
  Speaker 2: So if they... Didn't hook up the night before. They
• 1:50:02
  Speaker 2: definitely did the next morning.
• 1:50:03
  Speaker 1: It seemed like there was plenty going on between those two, which, again,
• 1:50:07
  Speaker 1: as yay dorks, you realize that you're made for each
• 1:50:11
  Speaker 1: other and just get it on. I'm all for that. But, again,
• 1:50:14
  Speaker 1: in this tween-oriented movie is a very weird moment of,
• 1:50:18
  Speaker 1: all right, so just go do it, kids.
• 1:50:21
  Speaker 2: It's fine.
• 1:50:22
  Speaker 1: As long as you like the person and all parties
• 1:50:24
  Speaker 1: are willing, it's cool, kids. Go get laid.
• 1:50:27
  Speaker 2: Well, you know.
• 1:50:29
  Speaker 2: This didn't occur to me until just now, but throughout
• 1:50:32
  Speaker 2: all the ridiculousness and what the hell's going on in
• 1:50:35
  Speaker 2: this movie, they never showed definitively whether or not the
• 1:50:40
  Speaker 2: kids were drinking. I mean, there's no.
• 1:50:43
  Speaker 1: There's definitely drinking at the other party. I don't know
• 1:50:46
  Speaker 1: about the teen part.
• 1:50:47
  Speaker 2: At the teen part, right.
• 1:50:48
  Speaker 1: The basement party, they were all drinking.
• 1:50:50
  Speaker 2: Well, sure.
• 1:50:50
  Speaker 1: Yeah. Yeah, out in the little center square there, everybody
• 1:50:56
  Speaker 1: was just sort of hanging out. So I don't know
• 1:50:58
  Speaker 1: if there was teen drinking there.
• 1:51:00
  Speaker 2: But at the popular kids party, I mean, were they drinking?
• 1:51:03
  Speaker 1: Seems like there would have been.
• 1:51:05
  Speaker 2: There would have been.
• 1:51:05
  Speaker 1: In a different teen movie.
• 1:51:08
  Speaker 2: In every other teen movie.
• 1:51:09
  Speaker 1: This being the weird Nickelodeon of it movie it is,
• 1:51:14
  Speaker 1: I don't know that we saw that really.
• 1:51:16
  Speaker 2: Because that's where it makes zero sense to... As to
• 1:51:21
  Speaker 2: why they were crashed out on the couch and she
• 1:51:23
  Speaker 2: wakes up and has that moment like, oh, what happened?
• 1:51:26
  Speaker 2: What happened?
• 1:51:28
  Speaker 1: Because in the rundown here, it also mentions drug use.
• 1:51:31
  Speaker 1: I'm trying to think of what other, maybe not the kids,
• 1:51:36
  Speaker 1: but I'm trying to think what other drug use we had.
• 1:51:39
  Speaker 2: I don't know.
• 1:51:42
  Speaker 1: Because it lists that as being one of the problematic
• 1:51:44
  Speaker 1: areas in this. And I will give you the language
• 1:51:47
  Speaker 1: is inappropriate many times. The attitude in general of like
• 1:51:53
  Speaker 1: nearing my butt and touching a boob and waking up
• 1:51:56
  Speaker 1: with this dude and like there's a lot of potential
• 1:52:00
  Speaker 1: things going on that are a little more sexual activity
• 1:52:02
  Speaker 1: than most places would want to in a tweeny kind
• 1:52:06
  Speaker 1: of a movie.
• 1:52:07
  Speaker 2: Well, the chicken raping car or the car raping chicken.
• 1:52:12
  Speaker 1: That's inappropriate and yet sells the movie. i did hear
• 1:52:17
  Speaker 1: they because they made up that restaurant it was like
• 1:52:20
  Speaker 1: a closed place that they turned into that sure and
• 1:52:22
  Speaker 1: they said in that little like town that they took
• 1:52:25
  Speaker 1: over there people were going up trying to apply for
• 1:52:27
  Speaker 1: a job because it looked like a chicken place so
• 1:52:31
  Speaker 1: they obviously did a pretty good job making it look
• 1:52:33
  Speaker 1: like a chicken place.
• 1:52:33
  Speaker 2: I want to go to captain chicken i'd go there.
• 1:52:37
  Speaker 1: I did like these songs anytime that there's a New
• 1:52:42
  Speaker 1: version of a Halloween song. There were several specifically Halloween themed,
• 1:52:47
  Speaker 1: which I always like. I'm a fan of old school.
• 1:52:50
  Speaker 1: I'm a monster bop kind of a dork.
• 1:52:53
  Speaker 2: Sure.
• 1:52:53
  Speaker 1: That is a term, if you're not familiar with it.
• 1:52:56
  Speaker 1: And yeah, it's its own post-Monster Mash, every person in
• 1:53:02
  Speaker 1: the world that could put out a poppy kind of
• 1:53:05
  Speaker 1: an album that was horror themed did. Yeah. And if
• 1:53:09
  Speaker 1: you go digging, there's a lot happening. a lot so
• 1:53:11
  Speaker 1: that's its own of that sort of late 50s all
• 1:53:14
  Speaker 1: the way through the 60s era but yeah anybody who
• 1:53:18
  Speaker 1: like modern era which I guess is dated now but
• 1:53:21
  Speaker 1: still these dorky bands like put together a couple of
• 1:53:24
  Speaker 1: specifically for the movie but one of them changed it
• 1:53:29
  Speaker 1: the one at the end of like making out in
• 1:53:31
  Speaker 1: the graveyard which I like this version in there it's
• 1:53:35
  Speaker 1: massively inappropriate the original way that it's written oh Let's
• 1:53:41
  Speaker 1: ruin this song for everyone. So....
• 1:53:45
  Speaker 2: What was the name of this song again?
• 1:53:47
  Speaker 1: Make Out in the Graveyard.
• 1:53:47
  Speaker 2: Oh, it is Make Out. Okay.
• 1:53:48
  Speaker 1: Is how it's billed now, but it used to be
• 1:53:52
  Speaker 1: Sex in the Graveyard.
• 1:53:53
  Speaker 2: Huh.
• 1:53:54
  Speaker 1: And let's see. It says, it was edited to be
• 1:53:59
  Speaker 1: less vulgar. The very first line of the song is,
• 1:54:01
  Speaker 1: I want to jump your bones, was changed to, let's
• 1:54:04
  Speaker 1: forget tricks or treats. The first line of the second verse,
• 1:54:08
  Speaker 1: I want to hump while the pumpkins watch.
• 1:54:10
  Speaker 2: Wow.
• 1:54:10
  Speaker 1: So flirt replaced pump.
• 1:54:13
  Speaker 2: Oh, okay. I want to flirt while the pumpkins watch.
• 1:54:16
  Speaker 1: Which is, I don't know.
• 1:54:17
  Speaker 2: I mean, I want to hump while the pumpkins watch.
• 1:54:21
  Speaker 2: It's a party.
• 1:54:21
  Speaker 1: Come on.
• 1:54:22
  Speaker 2: That's a party.
• 1:54:24
  Speaker 1: So that's, that's the movie. I don't know what to
• 1:54:28
  Speaker 1: do with it. We didn't know what to do with
• 1:54:29
  Speaker 1: it when we started. So we have come full circle
• 1:54:31
  Speaker 1: and I, yeah, I don't know.
• 1:54:33
  Speaker 2: It's weird.
• 1:54:33
  Speaker 1: It's inappropriate.
• 1:54:34
  Speaker 2: It's something.
• 1:54:35
  Speaker 1: It's, it's, it's a movie and it's around Halloween.
• 1:54:39
  Speaker 2: It's, Mostly entertaining. It had some what I thought were
• 1:54:44
  Speaker 2: genuinely funny parts.
• 1:54:45
  Speaker 1: Genuinely funny stuff along the way. Characters that I liked
• 1:54:49
  Speaker 1: for the most part.
• 1:54:49
  Speaker 2: For the most part.
• 1:54:50
  Speaker 1: There's a few weird ones that I'm like, why are
• 1:54:52
  Speaker 1: they in this movie? And then other ones that I'm like,
• 1:54:54
  Speaker 1: I need a whole real movie built around this character.
• 1:54:57
  Speaker 2: And a lot of storylines.
• 1:54:59
  Speaker 1: And a lot of storylines, some of which pan out,
• 1:55:01
  Speaker 1: some of which you don't ever see again. It's weird
• 1:55:07
  Speaker 1: how unfocused it can be along the way, but then
• 1:55:10
  Speaker 1: it still sort of bothers to tie things together by
• 1:55:13
  Speaker 1: the end. So like it's still competent enough. It totally
• 1:55:17
  Speaker 1: works as a movie, but in the end it still
• 1:55:19
  Speaker 1: feels a little scattered and you're like, I didn't feel
• 1:55:22
  Speaker 1: overly connected to a ton of people along the way.
• 1:55:25
  Speaker 1: So it's, it's a weird movie. but not necessarily for kids.
• 1:55:29
  Speaker 1: So what are we doing?
• 1:55:32
  Speaker 2: I don't know. I don't know. I don't know what age.
• 1:55:37
  Speaker 1: This is for. Like I said, it's too kiddified for
• 1:55:39
  Speaker 1: actual even teenagers for the most part. But at the
• 1:55:42
  Speaker 1: same time, it's inappropriate along the way for little kids.
• 1:55:46
  Speaker 1: So I don't know who this is for. I guess
• 1:55:49
  Speaker 1: you and I.
• 1:55:50
  Speaker 2: Well, if you'd showed it to me as a teenager,
• 1:55:53
  Speaker 2: I would have hated it. Uh, probably about my mid
• 1:55:57
  Speaker 2: to late twenties, I would have tolerated it. And then
• 1:56:01
  Speaker 2: after 35, I would have loved it.
• 1:56:04
  Speaker 1: Come back around to the weirdness of what the hell.
• 1:56:08
  Speaker 2: Is this movie? And I am well past 35. Yeah.
• 1:56:13
  Speaker 1: Yeah. It's all weird.
• 1:56:15
  Speaker 2: Yeah.
• 1:56:15
  Speaker 1: It's all weird.
• 1:56:17
  Speaker 2: You know, somebody would have to have a very specific, um, Like,
• 1:56:24
  Speaker 2: they'd have to request a very specific type of movie
• 1:56:28
  Speaker 2: for me to recommend this to them.
• 1:56:31
  Speaker 1: Again, this... I don't even know if we were using
• 1:56:33
  Speaker 1: the term tween when this was made. I think so. But, like,
• 1:56:36
  Speaker 1: it became a thing around that time. And I was like,
• 1:56:39
  Speaker 1: this is almost... Because, like I said, teenagers are way
• 1:56:42
  Speaker 1: too old for it. Little kids... want things that are
• 1:56:47
  Speaker 1: edgy in their mind that are a little inappropriate where
• 1:56:50
  Speaker 1: this is. So realistically, like that's kind of, I still
• 1:56:54
  Speaker 1: feel like the parents are going to have problems with
• 1:56:56
  Speaker 1: the things that are going on, but I feel like
• 1:56:59
  Speaker 1: kids that are right at that age that want something
• 1:57:02
  Speaker 1: a little, a little more than animated cartoons that are
• 1:57:06
  Speaker 1: made for little kids, but aren't ready for actual hardcore
• 1:57:10
  Speaker 1: horror yet, which I feel like most kids actually are.
• 1:57:12
  Speaker 1: They just jump right to that anyway. But if you
• 1:57:14
  Speaker 1: want a weird year that you haven't fully graduated up
• 1:57:17
  Speaker 1: to just watching Halloween yet, this might work.
• 1:57:21
  Speaker 2: I don't know.
• 1:57:22
  Speaker 1: I don't know. It works for weird people that want
• 1:57:25
  Speaker 1: to watch this and be confused like us. So I
• 1:57:28
  Speaker 1: guess that's who it's for.
• 1:57:29
  Speaker 2: I guess.
• 1:57:30
  Speaker 1: I mean, now I feel like at the time, I
• 1:57:34
  Speaker 1: don't know who it was for and neither did film goers.
• 1:57:36
  Speaker 1: And it was just not overly well received because nobody
• 1:57:41
  Speaker 1: knew what to do with it. So, yeah. Yeah. I
• 1:57:44
  Speaker 1: don't know.
• 1:57:45
  Speaker 2: I mean, I'm sitting here trying to think what, even
• 1:57:48
  Speaker 2: if somebody said to me, do you have a movie
• 1:57:52
  Speaker 2: where Chelsea Handler dresses like Britney Spears? Even then, I
• 1:57:57
  Speaker 2: don't think I would think of this movie to recommend it.
• 1:58:00
  Speaker 1: No, again, I wouldn't go looking for the Chelsea of
• 1:58:04
  Speaker 1: recommending it. Again, my go-to is Jane, but even she
• 1:58:08
  Speaker 1: has very little to do.
• 1:58:10
  Speaker 2: In this movie.
• 1:58:11
  Speaker 1: She is the best part of this movie and still
• 1:58:13
  Speaker 1: has very little to do. I guess other than that,
• 1:58:15
  Speaker 1: the brother. Yeah. You haven't seen him in much else.
• 1:58:18
  Speaker 1: If you haven't seen Bad Grandpa, you probably don't remember
• 1:58:20
  Speaker 1: him for anything else.
• 1:58:22
  Speaker 2: Maybe if somebody said, do you have a one-armed Spider-Man movie?
• 1:58:25
  Speaker 2: Then I might.
• 1:58:26
  Speaker 1: Starting to narrow things down.
• 1:58:27
  Speaker 2: Yeah.
• 1:58:29
  Speaker 1: Yeah.
• 1:58:29
  Speaker 2: Do you have a one-armed Spider-Man movie that Johnny Depp
• 1:58:32
  Speaker 2: makes an awkward appearance in?
• 1:58:35
  Speaker 1: So you've got.
• 1:58:36
  Speaker 2: Not Johnny Depp.
• 1:58:36
  Speaker 1: I mean, kind of.
• 1:58:38
  Speaker 2: Well, that's true.
• 1:58:39
  Speaker 1: Jack Sparrow's there. So you've got Marvel zombies and this movie,
• 1:58:43
  Speaker 1: and that's pretty much it.
• 1:58:45
  Speaker 2: That's true. I didn't think about it like that.
• 1:58:49
  Speaker 1: All right. Well, normally we will, you know, if you're
• 1:58:54
  Speaker 1: unfamiliar with this, we... We may have found new people
• 1:58:58
  Speaker 1: or maybe people have not crossed over from the old
• 1:59:00
  Speaker 1: dream yet. We're on a new feed now, so we're
• 1:59:02
  Speaker 1: not sure how the transition is going yet. We're hoping
• 1:59:06
  Speaker 1: new people have found us. So if so, welcome. And yes,
• 1:59:09
  Speaker 1: this is pretty much how it always goes. But we
• 1:59:13
  Speaker 1: usually roll a die to figure out what our horror
• 1:59:17
  Speaker 1: items are. And if you're one of these special Patreon people,
• 1:59:21
  Speaker 1: you get to pick what those movies are on that
• 1:59:23
  Speaker 1: list of 20. So plug for that. But we'll get
• 1:59:27
  Speaker 1: to that later next year. In the meantime, we're just
• 1:59:30
  Speaker 1: picking weird, silly movies that don't exactly fit the bill
• 1:59:33
  Speaker 1: because Nora's out due to baby. So in the meantime,
• 1:59:37
  Speaker 1: we're picking other... I mean.
• 1:59:39
  Speaker 2: Her super cute infant son.
• 1:59:42
  Speaker 1: We made her pay because we saved the nightmare that's
• 1:59:45
  Speaker 1: going to be thrown at her next Christmas. Yeah. I
• 1:59:47
  Speaker 1: don't know about Thanksgiving, but Christmas, she still has a
• 1:59:50
  Speaker 1: horror show waiting for her.
• 1:59:51
  Speaker 2: You know, I think the fact that we're putting that
• 1:59:53
  Speaker 2: off for a year makes it worse on all of us.
• 1:59:55
  Speaker 1: Yeah, on all of us. But she's not getting out
• 1:59:58
  Speaker 1: of it. We still suspect maybe that's why the baby
• 2:00:02
  Speaker 1: came into play was so she could escape, but her
• 2:00:04
  Speaker 1: plan did not work.
• 2:00:05
  Speaker 2: She's smart thinking on her part, but not smart enough.
• 2:00:09
  Speaker 2: Not when you're dealing with a couple of masterminds.
• 2:00:11
  Speaker 1: We're jerks. We'll wait until next year. We'll hold off
• 2:00:14
  Speaker 1: just to make you suffer with us. Yep. We'll get
• 2:00:17
  Speaker 1: back to that next year.
• 2:00:17
  Speaker 2: If you look up petty in the dictionary, our pictures
• 2:00:20
  Speaker 2: are right next to it.
• 2:00:21
  Speaker 1: But before we get to whatever nightmare we have this
• 2:00:24
  Speaker 1: year for Christmas, instead we're doing Thanksgiving next month and
• 2:00:28
  Speaker 1: we are going to go with Freebirds, which is a
• 2:00:33
  Speaker 1: weird animated movie that I don't know, once again, is
• 2:00:36
  Speaker 1: it for children? I don't know.
• 2:00:38
  Speaker 2: It's animated.
• 2:00:38
  Speaker 1: It's animated. It's got voices of recognizable people doing our
• 2:00:43
  Speaker 1: voice work. It's produced by somebody not really known for
• 2:00:48
  Speaker 1: kids stuff. So I don't know. I've been curious about
• 2:00:51
  Speaker 1: this since it came out in 2013. And yeah, we're
• 2:00:55
  Speaker 1: going to figure out what the hell is going on
• 2:00:56
  Speaker 1: with that movie next month. So plan accordingly. Get yourself
• 2:01:01
  Speaker 1: a copy of Freebirds between now and next month.
• 2:01:04
  Speaker 2: I think that's going to be a fun movie. I'm
• 2:01:06
  Speaker 2: looking forward to it.
• 2:01:07
  Speaker 1: I think it should be interesting. Once I found out
• 2:01:09
  Speaker 1: what the plot was, I thought it was just kind
• 2:01:12
  Speaker 1: of a chicken run, birds trying to not get eaten.
• 2:01:15
  Speaker 1: But once I found out there's a time travel aspect involved,
• 2:01:19
  Speaker 1: I was like, now I kind of want to watch
• 2:01:21
  Speaker 1: this for legit purposes just to figure out what's going
• 2:01:23
  Speaker 1: on in this movie. So, yeah, there you go. That's
• 2:01:28
  Speaker 1: what we'll be doing next time around.
• 2:01:30
  Speaker 2: A lot of people in this movie.
• 2:01:31
  Speaker 1: Yeah.
• 2:01:32
  Speaker 2: Some I've heard of, some I have not.
• 2:01:34
  Speaker 1: So it'll be interesting next month as well. So fair
• 2:01:38
  Speaker 1: warning for the next not horror club meeting. This was
• 2:01:41
  Speaker 1: the weird one off. I figured Halloween, we had to
• 2:01:43
  Speaker 1: at least do something Halloween themed. Not quite horror, but
• 2:01:47
  Speaker 1: it was Halloween themed. So we'll be back to our
• 2:01:51
  Speaker 1: more traditional horror fair post next year anyway. So probably.
• 2:01:58
  Speaker 1: We'll see.
• 2:01:58
  Speaker 2: Yeah, we'll see.
• 2:02:00
  Speaker 1: Anything else to pass along these spooky Halloween times?
• 2:02:04
  Speaker 2: Again, congratulations to Pierce and Nora and whatever their unnamed.
• 2:02:11
  Speaker 1: Spawn is.
• 2:02:13
  Speaker 2: Pierce Jr. Yeah, Pierce Jr.
• 2:02:14
  Speaker 1: Until we hear it differently.
• 2:02:16
  Speaker 2: But yeah, that's it. That's all I got.
• 2:02:17
  Speaker 1: Yeah. Go find something cool to do. Try not to
• 2:02:21
  Speaker 1: shoot anyone. Please don't strip down in front of eight-year-olds
• 2:02:25
  Speaker 1: or any other random children. The rest of the shenanigans
• 2:02:30
  Speaker 1: are up to you. If you want to have a
• 2:02:32
  Speaker 1: giant chicken hump your car, hey, that is you.
• 2:02:34
  Speaker 2: And who doesn't?
• 2:02:35
  Speaker 1: As long as you're into it and your car's into
• 2:02:37
  Speaker 1: it and the chicken's into it.
• 2:02:38
  Speaker 2: And your lesbian moms are cool with it.
• 2:02:40
  Speaker 1: All parties are willing. It's all good. Just enjoy yourself
• 2:02:44
  Speaker 1: because it's a fun sight to see. I'll give you that.
• 2:02:47
  Speaker 2: It was actually.
• 2:02:47
  Speaker 1: It's entertaining. I'm just telling you. That part's funny. I
• 2:02:51
  Speaker 1: will never not be amused by that.
• 2:02:53
  Speaker 2: Somebody had to build that big humping chicken statue and.
• 2:02:57
  Speaker 1: They did when they made the whole restaurant. That's what
• 2:02:59
  Speaker 1: I'm saying. And there's a shot behind the scenes of
• 2:03:00
  Speaker 1: them like doing the crane so that when it falls,
• 2:03:03
  Speaker 1: it doesn't actually kill anyone in the process. And they
• 2:03:06
  Speaker 1: put a whole lot of effort into making that chicken
• 2:03:09
  Speaker 1: hump a car.
• 2:03:09
  Speaker 2: They had to go to a firm and say, we
• 2:03:13
  Speaker 2: know you make motorized statues. Here's what we need, please.
• 2:03:18
  Speaker 1: I think more entertaining is they had to go and
• 2:03:21
  Speaker 1: work into the insurance policies, which you have to have
• 2:03:24
  Speaker 1: on any feature film that this giant humping chicken isn't
• 2:03:28
  Speaker 1: going to kill any of the kids involved as they're
• 2:03:30
  Speaker 1: loitering around down there. So yeah, somewhere that's in the paperwork.
• 2:03:35
  Speaker 1: I'm pretty sure. So yeah. Otherwise that about does it.
• 2:03:41
  Speaker 1: We will return next time. Same geek feed. Thanks for
• 2:03:44
  Speaker 1: listening and happy Halloween.
• 2:03:45
  Speaker 2: Bye everybody.
• 2:03:48
  Speaker 1: This episode is a production of Movie Meltdown, produced and
• 2:03:51
  Speaker 1: edited by The Oddity Studios. For more on how to
• 2:03:54
  Speaker 1: sponsor or support the show, email producer at moviemeltdown.com.
• 2:03:58
  Speaker 2: Talk hard!