Latest / Frightmares / Ep. 394 - Cocaine Bear (2023)

Transcript

Ep. 394 - Cocaine Bear (2023) · Frightmares

• 0:01
  Speaker 1: You are now listening to the Someone's Favorite Productions podcast network.
• 0:07
  Speaker 2: Hey, this is Jason Kleeberg from the Force five podcast,
• 0:10
  Speaker 2: a show that forces a guest to come up with
• 0:12
  Speaker 2: a movie themed top five list topic and then we
• 0:15
  Speaker 2: reveal our picks on air. Top five heist Films, top
• 0:18
  Speaker 2: five tier Jerkers, Top five movie dogs. Every show you'll
• 0:22
  Speaker 2: be asking yourself what would be on my list. Guests
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  Speaker 2: include directors, screenwriters, actors, podcasters, musicians, authors, and even a
• 0:29
  Speaker 2: professional wrestler. Subscribe to the Force five podcast and you
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  Speaker 2: won't just be a listener, you'll be a list nerd
• 0:35
  Speaker 2: The Force five podcast available wherever you are listening now.
• 0:39
  Speaker 3: The following podcast will contain spoilers, tangents, hot takes, and
• 0:44
  Speaker 3: excessive foul language. Viewer discretion is advised.
• 0:48
  Speaker 4: Enjoy the show. Welcome back to Frida Man's podcast. I'm
• 1:31
  Speaker 4: your host Austin Proctor and joining me today for episode
• 1:34
  Speaker 4: three ninety four is my good friend Derek Farrera.
• 1:39
  Speaker 3: What's up?
• 1:42
  Speaker 4: Oh my god, I dated myself right there. All the
• 1:44
  Speaker 4: gen z's out there was Yeah, that's go google that anyways,
• 1:50
  Speaker 4: goll Lee Today on another installment of Animalgous Attack, we're
• 1:54
  Speaker 4: discussing our modern cocaine Bear from twenty twenty three, and
• 1:57
  Speaker 4: I mean, it's a fucking bear on cocaine. Don't need
• 2:00
  Speaker 4: a witty one liner. The movie rights itself at this point,
• 2:04
  Speaker 4: So nothing from me. Let's see where this lands on
• 2:07
  Speaker 4: the nightmare index. Oh shit, Okay, Derek, have you watched
• 2:18
  Speaker 4: anything recently, sir? I don't know why it took so
• 2:23
  Speaker 4: long to say that.
• 2:24
  Speaker 3: That's fine. Uh, page Master? The fuck is? Hey? What
• 2:29
  Speaker 3: the fuck is page Master? The page Master with Macaulay
• 2:33
  Speaker 3: Cochin where he's sucked into the animated world.
• 2:37
  Speaker 4: Why don't I know that one?
• 2:39
  Speaker 3: Oh yeah, I don't know. It's I literally put it
• 2:41
  Speaker 3: on one night because it's like an hour and fifteen
• 2:43
  Speaker 3: minutes long, and I was like, I'll just check this out.
• 2:47
  Speaker 3: Not a shit. Grave Dancers one of the after dark
• 2:50
  Speaker 3: horror fast movies from back when that used to be
• 2:54
  Speaker 3: a thing.
• 2:55
  Speaker 4: There are those like those eight horror movies you would like,
• 2:58
  Speaker 4: it was like an eight pack of movies or whatever.
• 3:00
  Speaker 3: Yeah, the eight films to Die For. Yeah, oh no,
• 3:04
  Speaker 3: I've been slowly recollecting them all. That one was solid enough.
• 3:10
  Speaker 4: It gave it gave me straight vibes of this didn't
• 3:16
  Speaker 4: get a theatrical release because there wasn't enough star power
• 3:20
  Speaker 4: in it.
• 3:20
  Speaker 3: Other than that. Graphically plot, everything was no different than
• 3:26
  Speaker 3: like The Boogeyman or Darkness Falls from back in the
• 3:29
  Speaker 3: early two thousands. But nobody to carry it because I
• 3:33
  Speaker 3: want to say, the biggest name and I don't even
• 3:35
  Speaker 3: remember his name is the brother from prison Break, not
• 3:40
  Speaker 3: the one who's trying to break out, the brother, but
• 3:42
  Speaker 3: the one who's already.
• 3:43
  Speaker 4: In Yeah, yeah, yeah, yeah, fucking uh. I want to
• 3:47
  Speaker 4: say Daryl, but I know that's not right, Sam. No, uh,
• 3:54
  Speaker 4: fucking Dominic Purcell, that guy, yep, that's.
• 3:59
  Speaker 3: That's That's about the biggest name in that movie. Other
• 4:01
  Speaker 3: than that, what did I give it? A two and
• 4:03
  Speaker 3: a half? I watched House on Haunted Hill in preparation
• 4:08
  Speaker 3: to do Return to House on Haunted Hill because I
• 4:11
  Speaker 3: had never seen it, but I know you said that
• 4:13
  Speaker 3: it was really good. And then Night of the Dribbler,
• 4:18
  Speaker 3: which is a micro budget from Canada, and yeah, it
• 4:24
  Speaker 3: was a movie didn't so I had no idea that
• 4:28
  Speaker 3: it was an actual comedy horror going into it. We're
• 4:33
  Speaker 3: talking like student Bodies. If you've ever seen that that
• 4:37
  Speaker 3: kind of comedy.
• 4:38
  Speaker 4: What were they dribbling? Was it basketball's or.
• 4:41
  Speaker 3: Oh yeah, yeah? The killer is a man with a
• 4:43
  Speaker 3: basketball on his head.
• 4:45
  Speaker 4: Man, I went to some weird places there with that. Okay,
• 4:50
  Speaker 4: what you got it right behind you?
• 4:53
  Speaker 3: Of course you do. So I got it in this
• 4:56
  Speaker 3: shooting slashers from terror terror visions, right yeah, terror? Oh yeah.
• 5:02
  Speaker 3: Let me tell you. They want to make sure that
• 5:04
  Speaker 3: you can't get the movies out of their boxes. Look,
• 5:06
  Speaker 3: these are in there tight.
• 5:08
  Speaker 4: Okay. Look, so I am gonna say something that everyone's
• 5:13
  Speaker 4: gonna think I'm lying about. So I bought that.
• 5:16
  Speaker 3: What that?
• 5:16
  Speaker 4: Remember that Twilight box set that came out a while
• 5:19
  Speaker 4: back that had all the movies in it. I bought
• 5:22
  Speaker 4: that for my wife. Everyone's probably thinking I'm lying. I
• 5:25
  Speaker 4: the movies are great trash to watch. But I bought
• 5:27
  Speaker 4: that for her. And it had a case like that,
• 5:30
  Speaker 4: you know how normal Normally when you get like a
• 5:33
  Speaker 4: steel case box set, they have like the padding in
• 5:37
  Speaker 4: there so they can easily get them in and out.
• 5:39
  Speaker 4: This was a paper This was a like laminated cardboard case. Literally,
• 5:47
  Speaker 4: I fucking ripped that thing to shreds and I put
• 5:49
  Speaker 4: them in. I put them in steel case. Malco protectors
• 5:52
  Speaker 4: and put them on my shelf because it was the
• 5:54
  Speaker 4: most horrid fucking box I had ever seen in my life.
• 5:58
  Speaker 4: See but those are just all stacked on top of
• 6:00
  Speaker 4: each other, right, They're just like one two three yeah,
• 6:02
  Speaker 4: one two three yeah. See the fucking Twilight one had
• 6:05
  Speaker 4: little cardboard in between all of them. It was impossible
• 6:10
  Speaker 4: to get them out. Yeah, off fucking tangent. But yes,
• 6:14
  Speaker 4: that's from Terror Vision. I wanted to I thought, for
• 6:16
  Speaker 4: some reason, I thought shoestring Slashers was vinegar syndrome. I
• 6:20
  Speaker 4: don't know why, but I wanted. I've I've been wanting
• 6:23
  Speaker 4: to get that one.
• 6:24
  Speaker 3: I specifically got it because I saw somebody doing an
• 6:27
  Speaker 3: unboxing and there was this one in there too, the
• 6:30
  Speaker 3: nineties Nightmare. And although I haven't heard of a single
• 6:34
  Speaker 3: movie in this, I'm a sucker for the artwork that
• 6:37
  Speaker 3: was on the front. You can really see it with
• 6:39
  Speaker 3: my twelve mechanistic camera here, and uh, I was like,
• 6:44
  Speaker 3: you know what, Yeah, it looks like trash. I would
• 6:46
  Speaker 3: have watched on USA Network or whatever. But Night of
• 6:48
  Speaker 3: the Dribbler two because there is a second one. No no,
• 6:53
  Speaker 3: sorry no no, I gave it a two.
• 6:55
  Speaker 4: Oh, like there's two of these movies.
• 7:00
  Speaker 3: There were a couple of parts in it that like
• 7:02
  Speaker 3: legitimately gave me a good laugh. But I did not
• 7:05
  Speaker 3: expect the satirical comedy going into it. I expected so
• 7:09
  Speaker 3: bad it's funny kind of yeah. I was like, oh,
• 7:12
  Speaker 3: this is actually a comedy movie. Okay, well the comedy worked.
• 7:16
  Speaker 3: The horror Holy shit, no wear wolves on wheels. Yeah,
• 7:21
  Speaker 3: this was This was kind of like that where there
• 7:23
  Speaker 3: was a lot of scenes of like people playing basketball
• 7:26
  Speaker 3: while they were trying to be funny and there wasn't.
• 7:28
  Speaker 3: It was like watching a like no, no, I can't anything.
• 7:33
  Speaker 3: I don't even know what to compare it to. It
• 7:36
  Speaker 3: would be like watching, well maybe not around you, because
• 7:40
  Speaker 3: you're in Florida, watching the high school basketball team play
• 7:44
  Speaker 3: on the community channel here. Like that's the vibe that
• 7:48
  Speaker 3: it gave was like, oh, okay.
• 7:50
  Speaker 4: It's no Luck of the Irish. Okay, if you know
• 7:53
  Speaker 4: that movie from Disney Channel, the crowd went silent Oh no,
• 7:58
  Speaker 4: I absolutely remember, Well, wait, what did you think of
• 8:01
  Speaker 4: Return to Silent Hill, Because like it's I legitimately like
• 8:05
  Speaker 4: it's not okay. It's so hard to explain, like it's
• 8:09
  Speaker 4: not a good movie, but I have such a great
• 8:12
  Speaker 4: time with it. I don't know. Did you like? Did
• 8:14
  Speaker 4: you like return?
• 8:15
  Speaker 3: Is that the newest, newest one?
• 8:16
  Speaker 4: Return to Return to House on Hanted Hill from two
• 8:18
  Speaker 4: thousand and seven?
• 8:19
  Speaker 3: Oh? No, so I haven't. I watched the first one,
• 8:22
  Speaker 3: First Operation, but I have not watched the second one yet.
• 8:25
  Speaker 3: Got you.
• 8:25
  Speaker 4: I enjoy it more than the first one, but really
• 8:29
  Speaker 4: mainly because the first one, even though you have Jeffrey Combs,
• 8:32
  Speaker 4: you have fucking Captain Barbosa. I can never remember his
• 8:35
  Speaker 4: goddamn name. And it's that that ending CG sequence is
• 8:40
  Speaker 4: just so bad. But Return to House on Haunted Hill
• 8:44
  Speaker 4: is so much fun, so much gore. Uh, Jeffrey Combs
• 8:48
  Speaker 4: is back, By the way, it's not really a spoiler.
• 8:50
  Speaker 4: He's back again. I don't know why. It's it's a
• 8:52
  Speaker 4: difference of like a three star and a three and
• 8:54
  Speaker 4: a half I gave, like, does it deserve a three
• 8:56
  Speaker 4: and a half? Return? No, But it's the time I
• 8:59
  Speaker 4: had with it, fucking great time.
• 9:01
  Speaker 3: Speaking of bad CGI, I also rewatched The Final Girls
• 9:04
  Speaker 3: the other night. Does that have you ever seen that?
• 9:07
  Speaker 4: I love that movie? Where's what does it have? Bad CGI?
• 9:11
  Speaker 3: Oh my god? The whole scene in the theater where
• 9:13
  Speaker 3: like right before they go into I forgot that. I
• 9:16
  Speaker 3: forgot how bad it was too, because it had been
• 9:18
  Speaker 3: a while since I've watched it, and I was like,
• 9:20
  Speaker 3: oh yeah, like the dude lights up the joint and
• 9:22
  Speaker 3: then there's bad CG as it hits the line of
• 9:25
  Speaker 3: liquor causing the fire and stuff, okay, and then the
• 9:28
  Speaker 3: part when they initially try to escape the camp. I
• 9:31
  Speaker 3: don't know if it was bad, but it was really
• 9:33
  Speaker 3: wonky CG. And it kind of gave me a headache
• 9:35
  Speaker 3: for a split second. But fuck man, crime fucking crime
• 9:40
  Speaker 3: example of a great PG thirteen horror movie.
• 9:44
  Speaker 4: Yeah, no one expects that to beat PG thirteen, but it.
• 9:47
  Speaker 3: Is, and and it was. I remember liking it, but
• 9:51
  Speaker 3: on a rewatch, I was like, this hits maybe because
• 9:54
  Speaker 3: I have a child who's that age, and like I
• 9:57
  Speaker 3: saw like the whole fucking like mother daughter thing. Obviously
• 10:00
  Speaker 3: I have a son, but like, yeah, you know, that's
• 10:03
  Speaker 3: still that dynamic of like the mother being like, well,
• 10:05
  Speaker 3: you're the best thing that ever happened to me, and
• 10:07
  Speaker 3: then like it hit me in the fields because of
• 10:08
  Speaker 3: my wife and shit, and I was like, oh, yeah,
• 10:11
  Speaker 3: this is so good, and where the fuck is the sequel?
• 10:13
  Speaker 3: Forgot that it left us on a cliffhanger spoiler.
• 10:16
  Speaker 4: Yeah, but come on, well, anybody's sequel, not even to
• 10:20
  Speaker 4: fucking mention. You have Tayssa Farmiga, Malin Akerman, who is
• 10:23
  Speaker 4: literally one of my heart throbs. She is gorgeous. I
• 10:26
  Speaker 4: love Malan Ackerman. And then you have Nina do Brev.
• 10:29
  Speaker 4: You've got Adam Divine. Uh before he well that might
• 10:34
  Speaker 4: have been during Workaholics now that I think about it.
• 10:36
  Speaker 4: But you've got Adam Devine. You've got Thomas middle Dish
• 10:38
  Speaker 4: if you don't know the name. He's been in so dude,
• 10:41
  Speaker 4: so many movies. He's been in a lot of the
• 10:43
  Speaker 4: Godzilla movies. He's been in Congskull Island, Zombie Land, Double Tap,
• 10:47
  Speaker 4: you know the face, great fucking cast. And then you
• 10:49
  Speaker 4: have Ali a Shawkat who is in Green Room. It's
• 10:52
  Speaker 4: such a great cast and it's so fucking funny, and yeah,
• 10:56
  Speaker 4: you would not guess that that is a PG thirteen
• 10:58
  Speaker 4: movie and and uh it's so good. Yeah, that was
• 11:02
  Speaker 4: episode something on this podcast. We did that like a
• 11:05
  Speaker 4: year or two ago. Now two years ago. We didn't
• 11:08
  Speaker 4: do it last year. Yeah, we did it two years ago.
• 11:10
  Speaker 4: I love that movie. Anything else you got that it?
• 11:15
  Speaker 3: That was it?
• 11:15
  Speaker 4: All right, let's go look out the old letterboxed here.
• 11:19
  Speaker 4: I remember the last thing I talked about? Oh yes,
• 11:22
  Speaker 4: I do. Oh did I mention Hungry on the last episode.
• 11:25
  Speaker 4: I don't think I did. So I watched Hungary Sun
• 11:27
  Speaker 4: over by Alliance Entertainment, and let me see what the
• 11:31
  Speaker 4: description says, because I don't want to like ruin anything. Okay,
• 11:34
  Speaker 4: it does. There's a fucking hippo in the Louisiana swamp plans.
• 11:39
  Speaker 4: I'm not even sure that's real. I don't even think
• 11:42
  Speaker 4: that can happen. I'm pretty sure hippos are like native
• 11:44
  Speaker 4: to not this country. Maybe I'm fucking stupid. I don't know.
• 11:48
  Speaker 4: But it's essentially hatchet, but instead of Victor Crowley, it's
• 11:53
  Speaker 4: a fucking hippo's so.
• 11:56
  Speaker 3: I also heard that it takes a while for the hippo.
• 12:00
  Speaker 4: It's like Jaws in that respect. It does take a bit,
• 12:03
  Speaker 4: and sometimes the hippo looks fantastic, and then sometimes it doesn't.
• 12:10
  Speaker 4: It's fun. It's like a good stupid movie two and
• 12:13
  Speaker 4: a half stars. Like it's fine, it don't it's not
• 12:15
  Speaker 4: really good, but it's not bad, It's enjoyable.
• 12:20
  Speaker 3: It's currently sitting in my DVD player. It made it
• 12:23
  Speaker 3: that far, made it that fun. I went to watch
• 12:26
  Speaker 3: it and I fell asleep, not while watching it, just
• 12:28
  Speaker 3: prior to hitting play.
• 12:32
  Speaker 4: Okay, and then my cold movie challenge for last week,
• 12:35
  Speaker 4: because I'm behind on all this shit, it was Psychotronic
• 12:38
  Speaker 4: Encyclopedia week. Don't even ask me what that shit is
• 12:41
  Speaker 4: because I didn't even I didn't even research it. This time.
• 12:44
  Speaker 4: I went to the letterbox list and there was thousands
• 12:47
  Speaker 4: of movies to choose from, so I filtered it through
• 12:50
  Speaker 4: horror and what is readily streaming, and I fucking hit
• 12:54
  Speaker 4: shuffle and the first thing that popped up, funny enough,
• 12:57
  Speaker 4: was a movie called Dementia, because the week before I
• 12:59
  Speaker 4: watched it mentioned thirteen. This movie's from nineteen fifty five.
• 13:03
  Speaker 4: It is a silent film, which is very strange because
• 13:06
  Speaker 4: the talkies have been a thing for about twenty years
• 13:09
  Speaker 4: at this point. And it was one of the craziest
• 13:14
  Speaker 4: movies I've seen in quite some time. Nothing made sense,
• 13:18
  Speaker 4: but then at the end, it's that's when everything snaps
• 13:21
  Speaker 4: it together. It's a fifty eight minute movie. Just go
• 13:25
  Speaker 4: watch it. It is streaming on Prime. I want to say,
• 13:30
  Speaker 4: uh oh to be in plex. Okay, so whatever, but yeah,
• 13:33
  Speaker 4: it's literally fifty eight minutes. It's the craziest shit I've
• 13:37
  Speaker 4: seen in so long, especially for the time too. Did
• 13:41
  Speaker 4: it come out nineteen fifty five? Technically nineteen fifty three,
• 13:44
  Speaker 4: but then it got banned for I can't remember what
• 13:47
  Speaker 4: it's I have a huge review I did on it,
• 13:49
  Speaker 4: but it got banned because of definitely two scenes. I
• 13:53
  Speaker 4: can understand why it got banned because it's nineteen fifty
• 13:56
  Speaker 4: five and they hadn't done shit like that. Uh, and
• 13:59
  Speaker 4: then eventually it got released in nineteen fifty five instead
• 14:02
  Speaker 4: of nineteen fifty is dude, it's a whole thing. I
• 14:04
  Speaker 4: went down a rabbit hole with this movie. My review
• 14:07
  Speaker 4: is five paragraphs because it's part of my Cult Movie Challenge,
• 14:10
  Speaker 4: and I'm reviewing all of those movies, So go read
• 14:13
  Speaker 4: that if you have time.
• 14:15
  Speaker 3: What and I'm sorry, what the fuck did you say?
• 14:16
  Speaker 4: The subject was, oh, like the prompt, Yeah, psychotronic encyclopedia.
• 14:24
  Speaker 4: All right, okay, yeah, which is fitting for dementia. Rewatched
• 14:30
  Speaker 4: basket Case because I gave that a two star for
• 14:32
  Speaker 4: some reason.
• 14:33
  Speaker 3: I don't know. Why.
• 14:34
  Speaker 4: I was probably drunk or something because that was like
• 14:37
  Speaker 4: six years ago. That's a three and a half star movie. Great,
• 14:40
  Speaker 4: great time. I have basket Case two and three to
• 14:43
  Speaker 4: watch soon. Don't know how that's going to be a thing,
• 14:45
  Speaker 4: because if you've seen the ending of basket Case, I
• 14:48
  Speaker 4: don't know how they're going to continue. Watched Mobeta Blues
• 14:52
  Speaker 4: for another podcast, so that a shameless picture show, Spike
• 14:55
  Speaker 4: Lee Joint three and a half stars. New movie for
• 14:58
  Speaker 4: that Three new movies for this year year actually Bury
• 15:01
  Speaker 4: the Devil, which is a one shot movie sent over
• 15:04
  Speaker 4: by Pixels Media. Really like that one, three and a
• 15:09
  Speaker 4: half stars. It's a one shot. It's really good. Night
• 15:13
  Speaker 4: Borne with Rupert Grint and some finish lady that I
• 15:17
  Speaker 4: don't know. That was a upsetting movie and I don't
• 15:21
  Speaker 4: really think I understood. Me and my wife are both
• 15:23
  Speaker 4: like what, what's what's going on? Three stars for their
• 15:27
  Speaker 4: performances in the set pieces. And then a movie called
• 15:30
  Speaker 4: Hellcat that just dropped as well on Shutter a bottle
• 15:35
  Speaker 4: film in an RV or in a trailer that's attached
• 15:39
  Speaker 4: to a truck. Crazy shit, crazy shit, four stars. So
• 15:44
  Speaker 4: I recommend all of them. Nightbourne's there's just they don't
• 15:49
  Speaker 4: explain enough right, and then hellcat, it was just so
• 15:53
  Speaker 4: well done for being in It's literally takes like ninety
• 15:57
  Speaker 4: percent of this movie takes place in the fucking back
• 16:00
  Speaker 4: of a trailer RV, like a like one of the
• 16:02
  Speaker 4: ones you pull behind a truck whatever, those fucking yeah yeah,
• 16:05
  Speaker 4: like silver bullet whatever. So that one was really good.
• 16:09
  Speaker 4: People I haven't even heard of in the movie. The
• 16:12
  Speaker 4: main actress was great, main guy was great. There's like
• 16:16
  Speaker 4: three people in the movie. It was so impressed. And
• 16:19
  Speaker 4: there's a kind of a twist that you'll never see
• 16:23
  Speaker 4: coming fucking so out of left field. But those were
• 16:26
  Speaker 4: all really good. And then this weekend is insidious, uh
• 16:31
  Speaker 4: seeing it Saturday like fucking way too late. It's gonna
• 16:34
  Speaker 4: be past my bedtime. There will be a bonus episode
• 16:37
  Speaker 4: ideally out on that I don't even know if I'm
• 16:39
  Speaker 4: gonna have time at this point, but I am excited
• 16:41
  Speaker 4: because I have this many expectations for the listeners at home.
• 16:45
  Speaker 4: I have two zero's up. We don't need this movie,
• 16:49
  Speaker 4: but it's a different family and it's a different story. So,
• 16:54
  Speaker 4: as Corey put it, the only thing this movie can
• 16:57
  Speaker 4: do is impress me because I have zero expectations. So
• 17:00
  Speaker 4: that's where I'm at with that. If that's all we have,
• 17:03
  Speaker 4: we can move on. I think that's that's all. I've
• 17:06
  Speaker 4: gone trying to think if I had another announcement for
• 17:08
  Speaker 4: a movie I watched, but I can't think of anything.
• 17:11
  Speaker 4: Get you good to move on?
• 17:12
  Speaker 3: You'p good to move on.
• 17:14
  Speaker 4: Let's deal with let's go into the body count. I
• 17:20
  Speaker 4: have a fan on underneath me because I get so
• 17:23
  Speaker 4: hot in here, and I'm hoping that it's not like
• 17:25
  Speaker 4: I can hear it, but I'd like, I don't know,
• 17:27
  Speaker 4: we'll see. So this is oh so two things from
• 17:30
  Speaker 4: the corrections department real quick. So the Bay actually landed
• 17:34
  Speaker 4: at a three point zero nine out of five and
• 17:37
  Speaker 4: fell in between Vampire and Brooklyn at a two point
• 17:39
  Speaker 4: eight four and at a three point one to three. Also,
• 17:43
  Speaker 4: the Bay on tub had the glitches that Corey was
• 17:47
  Speaker 4: talking about, because I checked my DVD and there were
• 17:50
  Speaker 4: no glitches, and I counted forty two glitches on the
• 17:55
  Speaker 4: two B version of the Bay. So apologies to anybody
• 17:58
  Speaker 4: who watched that on tub. They have some corrupt as version.
• 18:02
  Speaker 4: Go buy the DVD. I don't know what the fuck
• 18:04
  Speaker 4: that was about. It was baffling to me. Anyways. This
• 18:07
  Speaker 4: is Cocaine Bear from twenty twenty three, released on February.
• 18:10
  Speaker 4: I think that should be February twenty fourth. I think
• 18:14
  Speaker 4: I don't know whatever in February. Fuck it perfect time
• 18:16
  Speaker 4: for Valentine's Day. Rated R for bloody violence, gore, drug content,
• 18:20
  Speaker 4: no shit and language throughout, no sex and nudity, severe
• 18:24
  Speaker 4: violence and gore, severe profanity, severe alcohol, drugs and the
• 18:27
  Speaker 4: smoking again no duh. And moderate frightening and intense scenes.
• 18:30
  Speaker 4: Runtime of an hour and thirty five minutes. This isn't
• 18:33
  Speaker 4: even a fucking horror movie, which I okay, it's a
• 18:37
  Speaker 4: comedy crime thriller.
• 18:38
  Speaker 3: Oh, if you google it, it says horror comedy.
• 18:40
  Speaker 4: And I looked on IMDb and Letterbox crime comedy thriller,
• 18:45
  Speaker 4: what the fuck?
• 18:46
  Speaker 3: So, to be fair, it does fall more into those categories,
• 18:49
  Speaker 3: but I guess we'll have to go by Google because
• 18:51
  Speaker 3: it says horror comedy. And so it's a.
• 18:53
  Speaker 4: Bear on cocaine attacking people. That is an animal attack
• 18:57
  Speaker 4: horror movie. So this is the one time I don't
• 19:01
  Speaker 4: agree with Letterbox or IMDb. Rarely do I disagree with them,
• 19:06
  Speaker 4: but I wouldn't have had this on my Honorable Mentions
• 19:09
  Speaker 4: list if it wasn't listed. I swear to god they
• 19:11
  Speaker 4: changed this shit sometimes, Because there was a time when
• 19:14
  Speaker 4: I checked IMDb and it listed The Sixth Sense as
• 19:17
  Speaker 4: a horror movie, and then I checked it again when
• 19:19
  Speaker 4: I was gonna add it to the roster, not a
• 19:21
  Speaker 4: horror movie. I'm like, I swear to god, they changed
• 19:24
  Speaker 4: these things from time to time. Or maybe it's some
• 19:25
  Speaker 4: weird fucking Mandela effect. I don't know. That's besides the
• 19:29
  Speaker 4: point I'm already rambling here. This was directed by Elizabeth Banks.
• 19:32
  Speaker 4: She's only directed two other movies, Pitch Perfect two and
• 19:36
  Speaker 4: Charlie's Angels in twenty nineteen. Don't know what the fuck
• 19:39
  Speaker 4: made her want to do this, but I love the
• 19:42
  Speaker 4: arc there of directing. We have Jimmy Warden, Sorry, we
• 19:46
  Speaker 4: have written by Jimmy Warden. He also wrote The Babysitter
• 19:50
  Speaker 4: Killer Queen composed by Mark mothersbaw and he composed Happy
• 19:55
  Speaker 4: Gilmore twenty one, Jump Street, and Thor Ragnarok Fucking Okay.
• 20:01
  Speaker 4: Cinematography by John Julis Sorian. He did the cinematography for
• 20:05
  Speaker 4: Candy Man twenty twenty one, edited by Joel Negron. He
• 20:09
  Speaker 4: did Sleepy, Hollow, House of Wax and Project Hail Mary
• 20:12
  Speaker 4: again just Wild Projects starring Kerrie Russell as I guess
• 20:17
  Speaker 4: I never heard her name, but it's s A R.
• 20:20
  Speaker 4: I is not sorry or Sary, don't. I don't think
• 20:24
  Speaker 4: I fucking ever heard her name said in the movie.
• 20:28
  Speaker 4: So that's her name.
• 20:29
  Speaker 3: Pronounce a goddamn thing. So I am not the person
• 20:32
  Speaker 3: ye turn that.
• 20:33
  Speaker 4: I'm thinking it's Sari. I did fucking whatever. She was
• 20:35
  Speaker 4: in Antlers as Julia Meadows, which we were viewed last year,
• 20:39
  Speaker 4: I believe. Then we have Alden echin Reich as Eddie.
• 20:42
  Speaker 4: He was in Solo as Don Solo, Osha Jackson Junior
• 20:46
  Speaker 4: as David, who was also in Straight out of Compton
• 20:48
  Speaker 4: his ice Cube. I guess ice Cube was fucking busy
• 20:51
  Speaker 4: to play himself, which is weird. Ray Leota has said
• 20:55
  Speaker 4: I shouldn't have to tell you who he is, but
• 20:57
  Speaker 4: he was in Good Fellows as Henry Hill. Then he
• 20:59
  Speaker 4: had Isaiah Whitlock Junior as Bob, who was into Five
• 21:02
  Speaker 4: Bloods as Melvin. This is a This is just a
• 21:05
  Speaker 4: god awful name and I feel bad for this child,
• 21:08
  Speaker 4: Brooklyn Prince. It's not a great name as d D.
• 21:12
  Speaker 4: She was in The Florida Project as Mooney. The Florida
• 21:15
  Speaker 4: Project is one of the most detestable movies on planet Earth,
• 21:18
  Speaker 4: and I will stand by that she was fine, but
• 21:21
  Speaker 4: I fucking hate that movie. And so was a norm.
• 21:24
  Speaker 3: Track for like, can we backtrack for like two seconds
• 21:26
  Speaker 3: because I just wanted to go back to the music
• 21:29
  Speaker 3: composed by Yeah, you said the name, and I was like,
• 21:32
  Speaker 3: I had to google it real quick. It is the
• 21:34
  Speaker 3: same guy who composed the music for Rugrats too, by the.
• 21:37
  Speaker 4: Way, yeah, oh yeah Rugrats. Yeah he did the movies
• 21:39
  Speaker 4: and the sum of the show, right, yeah, yeah, yeah, yeah, yeah,
• 21:42
  Speaker 4: one hundred percent.
• 21:42
  Speaker 3: You said the name and I was like, I've seen
• 21:44
  Speaker 3: that name a million fucking times Rugrats and bunch of other.
• 21:49
  Speaker 4: Do Do Do do probably gonna get up.
• 21:52
  Speaker 3: But I also never realized that he was the keyboardist
• 21:54
  Speaker 3: for Devo either, So yes, man has done a lot. Uh.
• 21:59
  Speaker 4: Then we have Christian Convury as Henry. He was in
• 22:02
  Speaker 4: The Monkey as Young Hal estimated budget of thirty five
• 22:07
  Speaker 4: million dollars, which is crazy. I guess they had to
• 22:10
  Speaker 4: spend a lot of money on the cocaine. I'm not
• 22:11
  Speaker 4: sure and then a worldwide box office grows of eighty
• 22:14
  Speaker 4: eight point three million, filmed in Dublin, Ireland because apparently
• 22:18
  Speaker 4: all the woods in America were being used at that time,
• 22:22
  Speaker 4: and also Universal Studios in California. You can watch this
• 22:26
  Speaker 4: on Peacock Movies that came out around the same time.
• 22:29
  Speaker 4: We were fucking spoiled for horror movies. Now not all
• 22:33
  Speaker 4: of these are horror movies, but just just wait. It's
• 22:35
  Speaker 4: also the year that every movie had the longest title ever,
• 22:38
  Speaker 4: so John Wick, Chapter four, Dungeons and Dragons, Honor among Thieves,
• 22:42
  Speaker 4: ant Man in the Wasp, Quantumanium, Fuck but Evil, Dead, Rise,
• 22:47
  Speaker 4: Scream six, Late Night with the Devil, Shazam, Fury of
• 22:50
  Speaker 4: the Gods, Knock at the Cabin, Creed three sixty five.
• 22:54
  Speaker 4: That a dinosaur movie with Adam Driver that fucking everyone
• 22:58
  Speaker 4: forgot about. We have a Ghost and the Wrath of Becky.
• 23:01
  Speaker 4: We were spoiled and that's like, that's between January and March.
• 23:06
  Speaker 4: Wild Shit IMDb summary. An autball group of cops, criminals, tourists,
• 23:10
  Speaker 4: and teens converge on a Georgia forest where a huge
• 23:13
  Speaker 4: black bear goes on a murderous rampage after unintentionally ingesting cocaine.
• 23:18
  Speaker 4: Let's go into the autopsy. I love how it's said
• 23:23
  Speaker 4: in Georgia, and they filmed so many fucking movies in Georgia,
• 23:26
  Speaker 4: but they were like Ireland, gorobably going down.
• 23:29
  Speaker 3: I mean, it always comes down to money. Yeah, it's
• 23:31
  Speaker 3: probably cheaper and it looks the most like Georgia.
• 23:34
  Speaker 4: But also it was thirty five million dollars. What the fuck?
• 23:39
  Speaker 4: You don't have any locations except outside. You could go
• 23:42
  Speaker 4: film in my backyard and you'll probably run into an
• 23:45
  Speaker 4: actual fucking black bear. So just eat a cocaine you're
• 23:48
  Speaker 4: good to go. Golly all right, So had you seen
• 23:52
  Speaker 4: this movie before? Yes, okay, what are your overall thoughts
• 23:56
  Speaker 4: on Cocaine Bear.
• 23:57
  Speaker 3: Cocaine Bear is a oneful, untrue true story, fun fucking time.
• 24:05
  Speaker 4: Yeah, plain and simple. I remember when they well, I
• 24:08
  Speaker 4: saw the announcement for this. I remember seeing a while
• 24:12
  Speaker 4: back it was like Cocaine Bear directed by Elizabeth Banks,
• 24:15
  Speaker 4: and I was like, yeah, sure, okay, and then obviously
• 24:19
  Speaker 4: this is a real movie now because we're reviewing it.
• 24:21
  Speaker 4: But I thought it was hilarious because I was like,
• 24:23
  Speaker 4: what the fuck is this? What do you cocaine Bear.
• 24:25
  Speaker 4: What And then I did some research and I was like, oh,
• 24:29
  Speaker 4: we'll get into it because I have a whole bunch
• 24:30
  Speaker 4: of notes. But it is based on a true story.
• 24:33
  Speaker 4: Obviously much of it is fictionalized. But it is a
• 24:36
  Speaker 4: great time. I mean, it's a bear on cocaine ripping
• 24:40
  Speaker 4: people apart. It's hilarious at times, it's horrifying at other times.
• 24:45
  Speaker 4: It's all shot beautifully. I mean, this movie is so
• 24:48
  Speaker 4: much better than people give it credit because it has
• 24:51
  Speaker 4: really bad ratings. And this goes back to my fucking
• 24:55
  Speaker 4: thing about people just not being able to have a
• 24:58
  Speaker 4: good time with movies. This movie, by all accounts, is
• 25:00
  Speaker 4: a fantastic time. It really is. And if you can't
• 25:04
  Speaker 4: have fun with this, I can't fucking help you. That's
• 25:06
  Speaker 4: what I'm gonna leave you.
• 25:07
  Speaker 3: We went into this expecting nothing but just a fun time.
• 25:10
  Speaker 3: Like it's called Cocaine Bear. That's like watching Fractoon and
• 25:14
  Speaker 3: expecting something from it.
• 25:15
  Speaker 4: That's what I'm saying. You know, the name, like this
• 25:17
  Speaker 4: is one of those movies where you know what you're
• 25:20
  Speaker 4: getting into just by the name. Typically, typically there's times
• 25:24
  Speaker 4: where you like have to watch a trailer and know
• 25:26
  Speaker 4: what you're getting into its cocaine bear. If you don't
• 25:29
  Speaker 4: expect to see a bear on cocaine going crazy and
• 25:32
  Speaker 4: you're expecting some fucking masterpiece, you're not gonna get it.
• 25:36
  Speaker 4: I mean, my god, it's a masterpiece for for completely
• 25:39
  Speaker 4: different reasons, not for conventional standards. But I went to
• 25:44
  Speaker 4: rate this and I was like, I cannot believe the
• 25:46
  Speaker 4: terrible rating on letterbox. It has people just don't know
• 25:49
  Speaker 4: how to fucking have fun. Whatever, dude, Anyways, this is base. Okay,
• 25:54
  Speaker 4: you know what, I'm not evenna say, bass. This is
• 25:56
  Speaker 4: inspired by real events, right, It's not. It's not based
• 26:04
  Speaker 4: on But in nineteen eighty five, there was a one
• 26:06
  Speaker 4: hundred and seventy five pound mail American black bear found
• 26:09
  Speaker 4: a duffel bag full of cocaine that had been dumped
• 26:11
  Speaker 4: in the wilderness by drug smuggler Andrew Thornton. The bear
• 26:15
  Speaker 4: ingested the cocaine, fatally overdosed, and then eventually discovered was
• 26:20
  Speaker 4: eventually discovered dead in northern Georgia. He was later taxi
• 26:23
  Speaker 4: dermied and became something of a bizarre pop culture icon
• 26:28
  Speaker 4: in the shopping mall in Kentucky. He's also named Pablo
• 26:33
  Speaker 4: esca bear which is hilarious, and so that's obviously so
• 26:38
  Speaker 4: much less exciting than the movie because the bear didn't
• 26:41
  Speaker 4: go on a ccaine.
• 26:43
  Speaker 3: No, but I didn't know he was Taxi dermid somewhere
• 26:45
  Speaker 3: because I kind of want to see that.
• 26:47
  Speaker 4: That's a fun fact. But yeah, he did not go
• 26:50
  Speaker 4: on a cocaine fueled killing spree. He ate cocaine, he
• 26:53
  Speaker 4: died and blah blah blah. So I love how someone knew, Like,
• 27:00
  Speaker 4: so obviously clearly someone Elizabeth Banks saw the story and
• 27:03
  Speaker 4: was like, I can make a movie out of this.
• 27:06
  Speaker 4: This hasn't been done before. Name a movie before this
• 27:10
  Speaker 4: where an animal ingests a drug and goes crazy. I mean,
• 27:14
  Speaker 4: Kujo got rabies, right, That's not the same fucking thing.
• 27:18
  Speaker 4: And I should have done more research to prepare for this,
• 27:20
  Speaker 4: because I'm bringing up a topic that I did no
• 27:22
  Speaker 4: research for. But if you can name a movie where
• 27:25
  Speaker 4: an animal touches a substance that they're not supposed to
• 27:27
  Speaker 4: have and goes killing people, please let me know. But
• 27:31
  Speaker 4: I can't think of anything not a drug substance. Honestly,
• 27:34
  Speaker 4: I'm blanking. If there's even like a toxic waste substance
• 27:36
  Speaker 4: where this movie happens. I think any movie where an
• 27:40
  Speaker 4: animal gets into drugs came as a mockbuster to this movie.
• 27:45
  Speaker 4: I mean, you do have the host from Bong June
• 27:48
  Speaker 4: Ho where they dump a bunch of fermeldehyde into the
• 27:51
  Speaker 4: water system in South Korea, But then that's like a
• 27:55
  Speaker 4: mutated monster. That's not the same thing either. That's not
• 27:58
  Speaker 4: the yeah no, so yeah, anyways, let's get into this
• 28:01
  Speaker 4: movie here before we even get to the bear, because
• 28:04
  Speaker 4: we get to the bear right off the like right
• 28:06
  Speaker 4: off the rip. It's fucking great. But we get text
• 28:10
  Speaker 4: on screen, and this is one of my favorite things
• 28:12
  Speaker 4: about a movie. It says, typically black bears aren't like territorial,
• 28:17
  Speaker 4: They rarely attack humans in their vicinity, and people have
• 28:20
  Speaker 4: a higher probability of surviving an attack by fighting back
• 28:23
  Speaker 4: rather than submitting. And then it's like source Wikipedia. That
• 28:27
  Speaker 4: sets the tone for the rest.
• 28:28
  Speaker 3: Of the movie.
• 28:29
  Speaker 4: And you know what, that might be a part of
• 28:31
  Speaker 4: the movie where people got lost and they were like,
• 28:33
  Speaker 4: fuck this movie, this is gonna be terrible because of that.
• 28:37
  Speaker 4: For me, I laughed so hard I almost puked my pants.
• 28:40
  Speaker 4: I don't know what do you feel about that?
• 28:43
  Speaker 3: Much like you, I already went into this knowing that
• 28:45
  Speaker 3: it was gonna be what it was, So seeing something
• 28:47
  Speaker 3: like that, it was like, oh, yes, yes, I appreciate.
• 28:50
  Speaker 3: I appreciate that subtle humor thrown right in at the beginning.
• 28:53
  Speaker 4: And yeah, they lean into it immediately, like it's called
• 28:57
  Speaker 4: Cocaine Bear. We're starting with the ridiculous caption that we see.
• 29:00
  Speaker 4: You know, they they say sourced by Wikipedia. I think
• 29:03
  Speaker 4: they just made it up and then and then said that,
• 29:05
  Speaker 4: but I'm assuming they had to pay Wikipedia something to
• 29:07
  Speaker 4: use their name. But it's such a it's such a
• 29:11
  Speaker 4: great opening because it's like, here's a fact about black bears.
• 29:14
  Speaker 4: Now forget every single one of those facts, because we're
• 29:17
  Speaker 4: in a movie where a BlackBerry becomes a cocaine fueled
• 29:20
  Speaker 4: killing machine. And I think right away the movie is
• 29:23
  Speaker 4: that establishes how ridiculous the movie is right away. It's
• 29:26
  Speaker 4: not trying to convince the convince us this is going
• 29:29
  Speaker 4: to be some serious, you know, horror thriller. It's not
• 29:33
  Speaker 4: pretending that the bear is like fucking scientifically accurate. It's
• 29:37
  Speaker 4: a giant, stupid, self aware horror comedy and commits to
• 29:42
  Speaker 4: that premise immediately. And I appreciate that because it doesn't.
• 29:46
  Speaker 4: It's not trying to be something. It's not right off
• 29:49
  Speaker 4: the bat, They're like, this is how stupid this is
• 29:52
  Speaker 4: gonna be. And I really appreciate when a movie does that.
• 29:55
  Speaker 4: So that's just my take on that. I don't want
• 29:58
  Speaker 4: you to try and sit here and tell me I'm
• 29:59
  Speaker 4: a about to see like a Christopher Nolan Lovell mind fuck.
• 30:03
  Speaker 4: You're like, no, this is how stupid we're gonna be.
• 30:06
  Speaker 4: Thank you movie. Thank you Elizabeth Banks, who randomly directed
• 30:09
  Speaker 4: this movie. Did you catch the random Frozen reference in
• 30:12
  Speaker 4: the beginning in this movie? No? The only reason I
• 30:16
  Speaker 4: did is because I watch movies with captions because I'm deaf.
• 30:19
  Speaker 4: The two people that get attacked in the beginning are
• 30:22
  Speaker 4: named Olaf and Elsa.
• 30:25
  Speaker 3: I guess I just didn't put two and two together.
• 30:27
  Speaker 4: Yeah, and considering that that movie has a snowy backdrop
• 30:34
  Speaker 4: and there's some snow in this movie, I guess it
• 30:38
  Speaker 4: feels appropriate. I just I never noticed that until I
• 30:42
  Speaker 4: had the subtitles on, because it'll say Elsa, you know,
• 30:44
  Speaker 4: Simmy Colon her line, ol Off, Simmy Colin his line.
• 30:48
  Speaker 4: I was like, are they fucking referencing Frozen right now?
• 30:52
  Speaker 4: Jesus Christ. But Elsa doesn't make it very far. She
• 30:57
  Speaker 4: gets she gets gooshed pretty fucking quick, which I find
• 30:59
  Speaker 4: interesting because usually in those situations it's the guy that dies.
• 31:02
  Speaker 4: But they were like, fuck this lady her first, and
• 31:05
  Speaker 4: she gets brutally attacked. I fucking love that. And then
• 31:08
  Speaker 4: ole Off, well, you know, he's we don't really know
• 31:11
  Speaker 4: what finds that, We don't really know what happens to
• 31:13
  Speaker 4: him until later in the movie. Did you think he
• 31:15
  Speaker 4: died right away or did you think he was gonna
• 31:17
  Speaker 4: come back.
• 31:18
  Speaker 3: With something like this, I would have just assumed that
• 31:20
  Speaker 3: he would have been shrugged off is dead if I
• 31:23
  Speaker 3: was if I had gone into this as like a
• 31:25
  Speaker 3: fucking scream who done it? Or just like a regular slasher,
• 31:29
  Speaker 3: not seeing his death might have made me be like, hmm,
• 31:31
  Speaker 3: he could come back. But with something like this, it
• 31:33
  Speaker 3: was kind of like that, you know, does it matter
• 31:36
  Speaker 3: if he comes back at all? Anyway?
• 31:38
  Speaker 4: And it really didn't matter that he came back. It
• 31:40
  Speaker 4: was just funny because it's like, yeah, that man has
• 31:43
  Speaker 4: seen some shit. Poor ole Off, what the fuck he
• 31:45
  Speaker 4: lost the love of his life. So yeah, that was
• 31:49
  Speaker 4: a great opening, you know, and the CG on the
• 31:51
  Speaker 4: bear is a little wonky, but I did see some
• 31:54
  Speaker 4: BTS photos of the bear and they do have a
• 31:58
  Speaker 4: I don't know if they were just they had a
• 32:01
  Speaker 4: practical bear head that I'm assuming they were kind of
• 32:03
  Speaker 4: just using and then built.
• 32:05
  Speaker 3: See.
• 32:05
  Speaker 4: I don't know exactly the process, but I know I
• 32:07
  Speaker 4: did see a practical bear head at one point, so
• 32:10
  Speaker 4: when they used it, I'm not sure. But that's besides
• 32:13
  Speaker 4: the point getting into kind of the meat and potatoes
• 32:15
  Speaker 4: here of this story. There are two children in this movie,
• 32:20
  Speaker 4: as I mentioned, and surprisingly they're fantastic kid actors, not
• 32:24
  Speaker 4: just because they're good at acting, but because I liked them.
• 32:29
  Speaker 4: And usually one of two things happens with kid actors.
• 32:32
  Speaker 4: They're not good or I fucking hate them. And for me,
• 32:35
  Speaker 4: I enjoyed both of the kid performances in this I
• 32:37
  Speaker 4: think they were great together. But I'm wondering if that
• 32:40
  Speaker 4: was just me or if you enjoyed their performances as well.
• 32:43
  Speaker 3: Oh, I think they did a while. You know, they
• 32:44
  Speaker 3: did a good enough job. I know either way, Like,
• 32:47
  Speaker 3: obviously there are plenty of movies where kids need to
• 32:49
  Speaker 3: be part of it, But like I guess you're right,
• 32:52
  Speaker 3: they're either just good or they're not really guys. You know,
• 32:56
  Speaker 3: they work together well and their performances. You can kind
• 33:00
  Speaker 3: of tell when a kid actor's gonna get left in
• 33:03
  Speaker 3: the dust, like real, like it's it's sad and it
• 33:07
  Speaker 3: sucks because like especially if these kids are like, you know,
• 33:09
  Speaker 3: like this is what they want to do, but like
• 33:11
  Speaker 3: it's it's it's bad.
• 33:14
  Speaker 4: Dude.
• 33:15
  Speaker 3: You know I can't act. I'll admit it, and yeah,
• 33:17
  Speaker 3: kids can't act. So yeah.
• 33:18
  Speaker 4: So that's what I loved about this because it's d
• 33:21
  Speaker 4: Dye and Henry and they're both believable. I like DDI's
• 33:25
  Speaker 4: uh kind of not attitude, but the relationship she has
• 33:29
  Speaker 4: with her mom, Carrie Russell, it felt very real. It
• 33:31
  Speaker 4: felt very genuine. And then she has her friend Henry,
• 33:34
  Speaker 4: and they had great chemistry together. Because, like I said,
• 33:36
  Speaker 4: I either don't like the kid actors, like they're they're
• 33:39
  Speaker 4: good kid actors, but I just don't like them because
• 33:41
  Speaker 4: their pieces, like they're annoying. Like the Florida Project. Going
• 33:44
  Speaker 4: back to that, all the kids in that movie, I
• 33:46
  Speaker 4: wanted to fucking punt to the moon. They were so
• 33:49
  Speaker 4: goddamn annoying. But in this movie, I felt that they
• 33:51
  Speaker 4: were great. I don't know if they were a necessity
• 33:54
  Speaker 4: for this movie, because you do have a lot of
• 33:56
  Speaker 4: moving pieces with how many different people are going into
• 34:00
  Speaker 4: the forest for different reasons.
• 34:02
  Speaker 3: Yeah, but as a.
• 34:03
  Speaker 4: Father I did now, at least as a father, because
• 34:07
  Speaker 4: when I first saw this, obviously I wasn't a dad,
• 34:09
  Speaker 4: But now as a father, I connect to that aspect
• 34:11
  Speaker 4: of my kid just wanted to go see the waterfall,
• 34:14
  Speaker 4: you know. I wanted to take her to see my
• 34:16
  Speaker 4: new kind of you know. She was like, I want
• 34:17
  Speaker 4: to go take you to see my new boyfriend. I
• 34:19
  Speaker 4: can understand that resistance. And they bring up a thing
• 34:22
  Speaker 4: that's a trope and a lot of movies where the
• 34:25
  Speaker 4: single parent meet somebody new and the kids just bashed
• 34:28
  Speaker 4: with that person, but they don't even reveal the guy
• 34:31
  Speaker 4: that she's seeing. She just wanted to go paint the
• 34:33
  Speaker 4: waterfall before she went. So her kid going missing and
• 34:38
  Speaker 4: Carrie Russell tracking her down, I fell a connection, dude,
• 34:42
  Speaker 4: because I'd be like, fucked my kid. I gotta go
• 34:44
  Speaker 4: find this goddamn kid in the fucking Shadohoochie forest. So
• 34:48
  Speaker 4: I related to that as a dad.
• 34:50
  Speaker 3: Yeah, No, there's a lot of I guess subplots, like
• 34:54
  Speaker 3: if you were gonna keep them in, obviously you need
• 34:57
  Speaker 3: the drug dealer. It's almost like they shoehorned in a
• 34:59
  Speaker 3: bunch of sub lots of why people ended up in
• 35:01
  Speaker 3: the forest to amp up the kills.
• 35:04
  Speaker 4: Yeah, I mean, I feel like they kind of had
• 35:06
  Speaker 4: to add as many it's many different care because you
• 35:09
  Speaker 4: really have like four different let me see here I
• 35:13
  Speaker 4: wrote this down. Yeah, you have like four different people
• 35:16
  Speaker 4: going into the woods. You have Carrie Russell looking for
• 35:18
  Speaker 4: her son or sorry, her daughter, and Henry who is
• 35:22
  Speaker 4: accompanied by the park ranger Liz and Matt or whatever
• 35:26
  Speaker 4: his name with the goofy the guy with the goofy
• 35:28
  Speaker 4: fucking hair in the bandana around his neck. Then you
• 35:32
  Speaker 4: had the guys who are working for Eddie's father going
• 35:36
  Speaker 4: to look for the cocaine.
• 35:37
  Speaker 3: And you got this.
• 35:38
  Speaker 4: Rogue cap from like a county over something like that.
• 35:43
  Speaker 4: Just like, I have to be involved in this. I
• 35:45
  Speaker 4: knew the guy that fell from the plane. He's like
• 35:48
  Speaker 4: my white whale. And even the lady was like, well,
• 35:50
  Speaker 4: that's not even in your jurisdiction. He's like, I'm gonna
• 35:53
  Speaker 4: go there and I'm gonna solve this fucking crime. Because
• 35:55
  Speaker 4: I need to get him. And then there was there's
• 35:58
  Speaker 4: one more, right David and Eddie the mom, and then
• 36:03
  Speaker 4: you had the cop and I mean, I guess you could.
• 36:06
  Speaker 4: I guess you could rope in sid Rayleiota's character because
• 36:10
  Speaker 4: he comes out there by himself home, so you have
• 36:12
  Speaker 4: like four different people going into the woods. But I don't.
• 36:16
  Speaker 4: And we'll get to that in a second, because I
• 36:17
  Speaker 4: think the storytelling is actually surprisingly good. But before we move,
• 36:21
  Speaker 4: I wanted to talk about the kids doing cocaine because
• 36:23
  Speaker 4: that was that was so fucking hilarious. When they find
• 36:27
  Speaker 4: the cocaine in the forest and they go to open
• 36:30
  Speaker 4: it and they take the knife and they scoop out
• 36:32
  Speaker 4: probably like two or three grams of cocaine. And I
• 36:35
  Speaker 4: remember watching that in the theater, in the theater, in
• 36:38
  Speaker 4: front of God and everyone. I was like, oh, that's
• 36:40
  Speaker 4: too much, like really loudly, and I was like, oh fuck.
• 36:43
  Speaker 4: I was like, okay, Whoopsie's And then of course they
• 36:46
  Speaker 4: end up spitting most of it out because I was like,
• 36:49
  Speaker 4: that would have been an overdose right there. Kids that
• 36:52
  Speaker 4: size jamming an eight ball down their throat, Oh my god.
• 36:57
  Speaker 4: So that was hilarious. I thought that was funny. I mean,
• 36:59
  Speaker 4: I'm not I don't want kids doing drugs out there,
• 37:02
  Speaker 4: but I thought that was I thought that was absolutely
• 37:04
  Speaker 4: hilarious because the kids, you know, Henry's trying to seem
• 37:07
  Speaker 4: cool in front of Deedy, like, oh, I do drugs
• 37:09
  Speaker 4: all the time, and then he eats and he's like, oh,
• 37:11
  Speaker 4: these are terrible. These aren't the drugs I normally do.
• 37:14
  Speaker 3: It's fucking great.
• 37:16
  Speaker 4: So I really love that. I thought that was funny.
• 37:18
  Speaker 4: And again I'm not advocating children doing fucking drugs, but anyways,
• 37:23
  Speaker 4: so the storytelling is what I wanted to talk about
• 37:25
  Speaker 4: next because it's I do feel like it's pretty strong.
• 37:28
  Speaker 4: We mentioned there's like four or five timelines or not timelines,
• 37:32
  Speaker 4: but like four or five storylines. But I don't really
• 37:35
  Speaker 4: feel like it's overwhelming or they're trying to do too
• 37:37
  Speaker 4: much at once. How do you feel about how many
• 37:40
  Speaker 4: people were involved and the end goal for everyone?
• 37:43
  Speaker 3: Personally? I don't think it was too much at all,
• 37:46
  Speaker 3: but like, upon watching it and then reading reviews and
• 37:49
  Speaker 3: stuff for like the I was just like, yeah, I mean,
• 37:52
  Speaker 3: I guess I can see why that might have turned
• 37:54
  Speaker 3: some people off, because like they were a handful of
• 37:56
  Speaker 3: reviews that I read where people were like, hoo much
• 37:58
  Speaker 3: going on. I'm like, yeah, like there's a lot of
• 38:01
  Speaker 3: subplots going on, But at the same time, is there
• 38:04
  Speaker 3: too much, because like, really, nothing's it's just bringing them
• 38:06
  Speaker 3: all together so they can all be in the forest
• 38:08
  Speaker 3: and get fucking killed.
• 38:09
  Speaker 4: Like, yeah, it would be one thing if you had
• 38:12
  Speaker 4: four different plot lines where people were going different ways,
• 38:16
  Speaker 4: but they all nearly everyone arrives at the ranger station
• 38:20
  Speaker 4: and goes from there. So you're just watching people at
• 38:23
  Speaker 4: different moments in time arrive at this ranger station and
• 38:26
  Speaker 4: continue on with their day. So I really enjoyed that.
• 38:31
  Speaker 4: So obviously, the beginning opens with the guy, and this
• 38:34
  Speaker 4: is such a great opening.
• 38:35
  Speaker 3: It's just a.
• 38:35
  Speaker 4: Guy who's clearly geeked out of his mind on cocaine,
• 38:40
  Speaker 4: just fucking throwing bags out the window, just freaking yeating bags,
• 38:45
  Speaker 4: and he straps a bunch to himself, goes to jump
• 38:48
  Speaker 4: out of the plane and thunk right in the head
• 38:50
  Speaker 4: and just falls to his death. So again with the
• 38:54
  Speaker 4: the parrot opening with the text and then seeing that,
• 38:56
  Speaker 4: I was like, this is so great. So, like I said,
• 39:01
  Speaker 4: the cop recognizes the man from the local news report
• 39:05
  Speaker 4: realizes something is going on and goes into the area
• 39:07
  Speaker 4: to investigate. Then you have Henry and de Ede skipping
• 39:10
  Speaker 4: school to go to the mountain. Oh, I forgot, forgot
• 39:12
  Speaker 4: to include them. Then you have David and Eddie who
• 39:16
  Speaker 4: actually owned the cocaine well you know their boss does.
• 39:19
  Speaker 4: And then ranger Liz Peter there we go. Indeede's mother
• 39:22
  Speaker 4: go down there as well. So you have all these
• 39:24
  Speaker 4: people going in there. And what I love about the
• 39:26
  Speaker 4: structure is everyone is moving through the same physical space
• 39:32
  Speaker 4: without realizing how interconnected their paths are. And at one
• 39:35
  Speaker 4: moment you see Liz, Peter and Sari go to the
• 39:41
  Speaker 4: right on one path, and then you see David and
• 39:44
  Speaker 4: Eddie with that the punk guy that David beats the
• 39:48
  Speaker 4: shit out of in the bathroom, which was great, go
• 39:51
  Speaker 4: down another path. And the funniest thing to me about
• 39:54
  Speaker 4: that is the cop arrives last, but somehow beats everybody
• 39:59
  Speaker 4: to the gazebe Oh did you notice that.
• 40:03
  Speaker 3: It's like he just fucking knew where to go.
• 40:07
  Speaker 4: Well, I have a feeling that the guy that was
• 40:09
  Speaker 4: leading David and Eddie was kind of beating them around
• 40:12
  Speaker 4: the bush, you know, and Eddie or sorry, you know, Julie,
• 40:18
  Speaker 4: damn it. Sari, Liz and Peter were going to the falls,
• 40:23
  Speaker 4: which was not the gazebo. So I feel like somehow
• 40:25
  Speaker 4: that cop just like knew and he blined there beat
• 40:29
  Speaker 4: everybody and I thought that was hilarious.
• 40:32
  Speaker 3: So and then gets up on the roof like a stuck. Wait,
• 40:37
  Speaker 3: how do I get down? Well, I don't know how
• 40:39
  Speaker 3: the fuck did you even get up?
• 40:41
  Speaker 4: That's exactly what I said. He's on top of the
• 40:45
  Speaker 4: gazebo when David Eddie and that punk guy arrived, and
• 40:49
  Speaker 4: I'm like, how in the fuck did you get up there?
• 40:52
  Speaker 4: And he's like, how do I get down? I'm like, no,
• 40:54
  Speaker 4: you answer my question first, pal like wait a second,
• 40:57
  Speaker 4: hold on, And of course by this point, the bear
• 41:01
  Speaker 4: is already coked up. I mean he I can't believe
• 41:05
  Speaker 4: that Dedi got away from the bear because when Liz
• 41:09
  Speaker 4: and Sari meet Henry, because they find Henry first, because
• 41:13
  Speaker 4: Dede has fucked off somewhere else because she got attacked,
• 41:17
  Speaker 4: and that whole scene where Henry's in the tree and
• 41:22
  Speaker 4: the bear comes around and starts attacking people, and then
• 41:24
  Speaker 4: Peter climbs a tree and Henry's like, bears can't climb trees,
• 41:27
  Speaker 4: and Peter's like, no, that's like the thing they're good at.
• 41:30
  Speaker 4: Like Jesus Christ, what is happening in this movie? That
• 41:34
  Speaker 4: whole scene was great because fucking' uh. Peter doesn't make it,
• 41:37
  Speaker 4: he gets he gets real killed, real fast. Sari and
• 41:41
  Speaker 4: Henry managed to make it, and they continue to track
• 41:43
  Speaker 4: down Dedi, and then ranger Liz just fucks off. She's like,
• 41:46
  Speaker 4: I'm going to get help, like you are the help,
• 41:51
  Speaker 4: aren't you. You've got the gun, don't you have her raining? Yeah,
• 41:56
  Speaker 4: I'm getting I'm getting better back up, which is hilarious.
• 41:59
  Speaker 4: What happens to her, which we'll get to. So the
• 42:02
  Speaker 4: Bear wants more cocaine. I mean, that's it. That's the
• 42:04
  Speaker 4: whole that's the whole thing. All these people are here
• 42:06
  Speaker 4: for these different reasons. The bear is just like, I
• 42:08
  Speaker 4: need more cocaine in my system. And all of these
• 42:12
  Speaker 4: individual storylines keep colliding until the movie reaches the point
• 42:15
  Speaker 4: where there's basically no longer a plot, it's just momentum.
• 42:19
  Speaker 4: And that's when Cocaine Bear really starts cooking. In my opinion,
• 42:25
  Speaker 4: Like I said, you have the first encounter with Sari,
• 42:28
  Speaker 4: Liz and Peter. That whole scene was great. She fucks
• 42:32
  Speaker 4: off to the cabin to get real help, and just
• 42:35
  Speaker 4: when you think it can't get any more ridiculous, at
• 42:37
  Speaker 4: that point, the EMTs arrive and they have no idea
• 42:42
  Speaker 4: what they're walking into, which was great.
• 42:44
  Speaker 3: I think, am I.
• 42:46
  Speaker 4: Getting my shit confused? No, before the EMTs are EMTs arrived,
• 42:50
  Speaker 4: the punks are in the in that little lodge that
• 42:53
  Speaker 4: are still kind of you know, recuperating after you know,
• 42:56
  Speaker 4: having a skateboard thrown in their face, and Ranger Liz
• 42:59
  Speaker 4: comes back and one of the punks is like, oh
• 43:01
  Speaker 4: my god, it's outside the door the bear. So he
• 43:04
  Speaker 4: opens the door and then he accidentally gets shot in
• 43:07
  Speaker 4: the head. I can't fucking tell you how much I
• 43:10
  Speaker 4: laugh every time that happens.
• 43:12
  Speaker 3: I know, it's totally unexpected.
• 43:15
  Speaker 4: I always I always forget about that moment, and every
• 43:18
  Speaker 4: time it happened, literally every time it happens, Like Jesus,
• 43:23
  Speaker 4: I shouldn't be laughing. Someone just accidentally got killed. And
• 43:26
  Speaker 4: the whole conversation was like, did you just shoot my budget?
• 43:29
  Speaker 3: Like it was an accident.
• 43:30
  Speaker 4: He jumped in front of the gun. Uh ten out
• 43:33
  Speaker 4: of ten no notes. It is so fucking hilarious. I mean,
• 43:36
  Speaker 4: I don't think he really deserved to die, but goddamn it,
• 43:38
  Speaker 4: like you just stepped in front of a fucking person
• 43:40
  Speaker 4: with a gun.
• 43:41
  Speaker 3: What are you doing? Yeah? No, that was one of
• 43:44
  Speaker 3: those things because like the first time I watched it,
• 43:46
  Speaker 3: of course I wasn't expecting that. And then I haven't
• 43:48
  Speaker 3: watched it since it initially released. Oh yeah, I wasn't
• 43:51
  Speaker 3: expecting that.
• 43:53
  Speaker 4: So then of course the bear barges his way into
• 43:56
  Speaker 4: that ranger station, and then and then the EMTs arrived there.
• 44:00
  Speaker 4: You know, they see the they can't open the door
• 44:02
  Speaker 4: because the dead guy is behind it. They find ranger
• 44:05
  Speaker 4: Liz and the guy, the EMT guy is actually really
• 44:09
  Speaker 4: famous TikToker. I can't remember his name, Yeah, Scott Seiss. Yeah,
• 44:13
  Speaker 4: so he's actually like a really famous TikToker. He's in
• 44:16
  Speaker 4: this movie and he was great.
• 44:17
  Speaker 3: He did yeah, he did it. Fucking Like his tiktoks
• 44:20
  Speaker 3: are fucking hilarious because I'm also an angry, fucking retail worker,
• 44:23
  Speaker 3: so like I connect to him. But he's like a
• 44:27
  Speaker 3: pretty like at least you know, the little bit of
• 44:29
  Speaker 3: movie time that he got, like he's pretty genuinely decent actor.
• 44:32
  Speaker 3: It's unfortunate that he, like I guess he just does
• 44:35
  Speaker 3: his stand up comedy or whatever, but like he could
• 44:37
  Speaker 3: totally be in movies.
• 44:38
  Speaker 4: And be Yeah, no, I agree. He was great in
• 44:41
  Speaker 4: that because after they realize the bear is there, the
• 44:44
  Speaker 4: bear jumps on the door on top of him. Somehow
• 44:47
  Speaker 4: he gets it off I can't remember. But then the
• 44:50
  Speaker 4: other Emt chick gets Ranger Liz in the uh fucking gurney,
• 44:56
  Speaker 4: loads her up, and then he's like way and jumps
• 44:59
  Speaker 4: on the back. That whole scene is one of my favorite,
• 45:02
  Speaker 4: probably my favorite fucking scene because as soon as he
• 45:04
  Speaker 4: gets onto the truck he can't get the doors closed
• 45:07
  Speaker 4: and can't get the doors closed, and then that shot
• 45:09
  Speaker 4: of the bear jump, I mean, dude, bro jumps like
• 45:13
  Speaker 4: thirty forty feet into the van while it's moving. Such
• 45:17
  Speaker 4: a great shot, but he demolishes everybody in that van. Really,
• 45:21
  Speaker 4: he demolishes you know, Scott first, and then fucking Ranger
• 45:27
  Speaker 4: Liz like flies out and lands on her face and
• 45:30
  Speaker 4: skids down the road, which I also forgot.
• 45:34
  Speaker 3: That was crazy.
• 45:35
  Speaker 4: And then the lady Emt hits a tree and fucking
• 45:38
  Speaker 4: flies out the window and I'm like, oh my god,
• 45:41
  Speaker 4: I forgot how everyone in this scene dies. It was
• 45:45
  Speaker 4: very graphically, very graphically, and that shot of her flying
• 45:49
  Speaker 4: out the window was done so well. Obviously her flying
• 45:52
  Speaker 4: out with CG and once you hit a certain part
• 45:55
  Speaker 4: they flipped the CG into her rolling over. But that
• 45:58
  Speaker 4: was great. I was like, well, everybody's dead and the
• 46:00
  Speaker 4: bear just fucks off. He's like, yeah, I'm I'm done here.
• 46:02
  Speaker 4: I'm gonna go find some more cocaine and go have
• 46:04
  Speaker 4: some fun. But that was a great scene. The gazebo
• 46:08
  Speaker 4: standoff is another great example of how this movie balances
• 46:12
  Speaker 4: various characters and letting the situation spiral out of control.
• 46:16
  Speaker 4: And I love when the bear does show up wanting
• 46:21
  Speaker 4: more cocaine and it just like kind of it like
• 46:23
  Speaker 4: kind of starts bear hugging Eddie and like I don't
• 46:26
  Speaker 4: know what it's doing. It's kind of wrestling around, and
• 46:28
  Speaker 4: then it just falls asleep on top of him and
• 46:30
  Speaker 4: he's like.
• 46:31
  Speaker 3: What is he?
• 46:32
  Speaker 4: What does one of them say? He's like, hey, is
• 46:33
  Speaker 4: he still alive? And Eddie's like she and like what
• 46:36
  Speaker 4: do you mean? She's like his her vagina is on
• 46:38
  Speaker 4: my ear? How do you know that's the vagina?
• 46:43
  Speaker 3: Eddie?
• 46:43
  Speaker 4: How do you know so much about bear anatomy?
• 46:45
  Speaker 3: No? Fuck?
• 46:46
  Speaker 4: And then the officer just starts raining cocaine on the
• 46:49
  Speaker 4: bear and it's just it's just it's like peak cinema
• 46:53
  Speaker 4: in so many ways. It's just the most ridiculous, over
• 46:55
  Speaker 4: the top thing. But I love it. I mean, I
• 46:59
  Speaker 4: are we on this page here with how just fun
• 47:01
  Speaker 4: this movie is? Oh? Absolutely okay, I'm just making sure,
• 47:05
  Speaker 4: uh because really, I mean I feel like we're basically
• 47:09
  Speaker 4: almost in like a cartoon logic.
• 47:13
  Speaker 3: With human with real live live action. Right.
• 47:17
  Speaker 4: It feels like so cartoonish but it's really granted, and
• 47:22
  Speaker 4: so everybody dies, but it's very you know, like that
• 47:24
  Speaker 4: Home Alone asked, where like shit's happening that would never
• 47:27
  Speaker 4: really happen, and it's.
• 47:28
  Speaker 3: Very Looney Tunes. Only in Home Alone, they don't fucking die.
• 47:31
  Speaker 3: But I still really dead.
• 47:34
  Speaker 4: I still really I mean, we we kind of have
• 47:36
  Speaker 4: a like an adult Home Alone its saw, but like
• 47:39
  Speaker 4: I genuinely want to see like an adult like an
• 47:42
  Speaker 4: R rated Home Alone where it's set in a house
• 47:45
  Speaker 4: where this guy is setting you know, I would love
• 47:47
  Speaker 4: to see that. Fucking love to see that uh so, yeah,
• 47:52
  Speaker 4: you have all that happen. And then Raliota fucking shows
• 47:55
  Speaker 4: up out of nowhere. And this is also kind of
• 47:57
  Speaker 4: like an emotional moment too, when Radiota shows up because
• 48:00
  Speaker 4: Eddie and de Vite are like, fuck this, we're done,
• 48:02
  Speaker 4: we're leaving, and they run into ray Liota and he's like, no,
• 48:04
  Speaker 4: you don't understand. These people are going to be coming
• 48:08
  Speaker 4: after me if they don't care if they we don't
• 48:10
  Speaker 4: get this cocaine, they don't care what happens. They care
• 48:13
  Speaker 4: about the money that they're losing. So if they come
• 48:15
  Speaker 4: after me and I don't have it, they're gonna come
• 48:18
  Speaker 4: after my family. And I was like, ooh that hit
• 48:20
  Speaker 4: me on like a oh fuck, you're right, Like he
• 48:22
  Speaker 4: doesn't really want to do this either, but he's like,
• 48:24
  Speaker 4: I need to protect my family. And you can tell
• 48:27
  Speaker 4: that Eddie and Sid have had a very fucked up
• 48:31
  Speaker 4: relationship because his dad is a cocaine dealer. Also Eddie's
• 48:35
  Speaker 4: wife girlfriend something someone died. Yeah, and he was just say,
• 48:40
  Speaker 4: oh my god. When he's sitting there eating the chicken
• 48:42
  Speaker 4: wings at the edge of the bar. It's a sad moment,
• 48:44
  Speaker 4: but it's so goddamn funny. So there's actually like some
• 48:48
  Speaker 4: emotional stakes to this movie. I mean there really is,
• 48:50
  Speaker 4: which is which is interesting for Cocaine Bear. You don't
• 48:54
  Speaker 4: expect to like have those kind of heartfelt moments, but
• 48:57
  Speaker 4: they're in there. And I think I love Rayle Yoa
• 49:00
  Speaker 4: in this movie for many reasons. One it's Raaliota, he's
• 49:04
  Speaker 4: a legend. But two, this is actually the last movie
• 49:07
  Speaker 4: that was finished before he passed away. And he's usually
• 49:12
  Speaker 4: this tough guy being you know, like like Goodfellas and
• 49:16
  Speaker 4: like he's just.
• 49:17
  Speaker 3: Usually this tough guy.
• 49:18
  Speaker 4: But in this movie he gets maulled by Baby Bears,
• 49:22
  Speaker 4: and like it's like I love like that's how he
• 49:25
  Speaker 4: went out, you know what I mean. Like it's sad
• 49:28
  Speaker 4: because he literally died in real life, but it's like
• 49:31
  Speaker 4: this is the last thing, one of the last things
• 49:33
  Speaker 4: he did, and he's getting mauled by Baby Bears. I
• 49:36
  Speaker 4: just I think it's just a kind of a funny
• 49:38
  Speaker 4: way for for him to like leave a legacy.
• 49:41
  Speaker 3: And he's like, look, I've been in enough acclaimed fucking movie.
• 49:45
  Speaker 3: Not that he knew that this would be his last movie,
• 49:47
  Speaker 3: but you know, I think every actor of status gets
• 49:51
  Speaker 3: to a point where they're like, I can you know what,
• 49:54
  Speaker 3: I'm fucking Raleiota. I can do whatever I want. I
• 49:56
  Speaker 3: was in Good Fellas, I was in fucking like, dude,
• 49:58
  Speaker 3: I fucking love Raleota. Wild Hogs, Dude.
• 50:02
  Speaker 4: Dude, I love wild Hogs. It's like such a dumb movie,
• 50:05
  Speaker 4: but I fucking love wild Hogs.
• 50:07
  Speaker 3: And yeah, the same.
• 50:08
  Speaker 4: He's so serious in that movie when he really is
• 50:12
  Speaker 4: just it's like, there's no reason to be this angry
• 50:14
  Speaker 4: about suburban bikers. He's like, it's assholes like you who
• 50:19
  Speaker 4: think they're bikers and he gets so, you know, easy
• 50:22
  Speaker 4: rider on it. It's just it's so fucking funny. But yeah,
• 50:25
  Speaker 4: I legitimately love him and wild Hogs. I was gonna
• 50:27
  Speaker 4: say wild Hogs, but I didn't want for people to
• 50:29
  Speaker 4: be like, that's the fucking thing you pick, So thank
• 50:31
  Speaker 4: you for me.
• 50:33
  Speaker 3: Yeah, No, that was a I that was a movie
• 50:37
  Speaker 3: that like has no right to be as good as
• 50:39
  Speaker 3: it is.
• 50:40
  Speaker 4: Let's be real, it's hilarious. Honestly, it has terrible ratings,
• 50:44
  Speaker 4: but it's so funny to me. Of course, now I
• 50:47
  Speaker 4: can't remember his name. The shoveler from Mystery Men, William H.
• 50:51
  Speaker 4: Macy is yeah, peak comedy in that movie. He is
• 50:55
  Speaker 4: so fucking funny, and him together with Tim Allen, John Travolta,
• 51:00
  Speaker 4: and Martin Lawrence is so it's so funny. I love
• 51:05
  Speaker 4: it so much. It's definitely one of those guilty pleasure
• 51:08
  Speaker 4: movies because by all accounts it's really not like a
• 51:12
  Speaker 4: good movie, but it's so fucking funny. I mean that
• 51:15
  Speaker 4: scene at the end of the movie where they get
• 51:17
  Speaker 4: their bar rebuilt and that one guy is like crying
• 51:19
  Speaker 4: over it. It's like, what it is so fucking funny.
• 51:24
  Speaker 4: Hell yeah, Justice for Wild Hogs. Yeah, but yeah, Raleio
• 51:31
  Speaker 4: is a fucking legend, Like I mean him, him just
• 51:33
  Speaker 4: even being in this movie for the little bit that
• 51:35
  Speaker 4: he had was so. I remember seeing the trailer for
• 51:38
  Speaker 4: this and I was like, fucking Ralelyodo, what are you
• 51:41
  Speaker 4: doing in Cocaine?
• 51:42
  Speaker 3: Bear?
• 51:43
  Speaker 4: Like ten out of ten? Ten out of ten? No notes, Uh,
• 51:47
  Speaker 4: the bear itself is you know, we gotta talk about
• 51:51
  Speaker 4: the star of the movie here. It's not great, Like
• 51:53
  Speaker 4: I said, it's not great cg at sometimes, but other
• 51:55
  Speaker 4: times it's pretty solid. And I know there was definitely
• 51:58
  Speaker 4: some sort of a like bear head that was used
• 52:02
  Speaker 4: I'm assuming for like those close up moments, but then
• 52:05
  Speaker 4: at the end of the day, it's definitely fully CG
• 52:07
  Speaker 4: because there's I don't think there's a moment where any
• 52:09
  Speaker 4: part of that bear is real. I could be wrong.
• 52:12
  Speaker 3: Yeah, it's a definitely no. No, I think you're right.
• 52:17
  Speaker 3: It's all you know, even if it was a real bear,
• 52:21
  Speaker 3: they used CG to blend it with the rest of
• 52:23
  Speaker 3: the CG bear that they had to create.
• 52:26
  Speaker 4: Yeah, but it's not like damaging to the movie. And
• 52:29
  Speaker 4: in my in my in my opinion, because like it's,
• 52:32
  Speaker 4: like I said, we're already kind of in this cartoonish world,
• 52:35
  Speaker 4: So this bear that doesn't look fully real isn't a
• 52:40
  Speaker 4: deal breaker for me because I'm like, it's it's already
• 52:42
  Speaker 4: so cartoonish. So it's one of those times.
• 52:45
  Speaker 3: But I mean it's it's good enough. It's not like
• 52:47
  Speaker 3: it's hut and paste from a clip art like sci
• 52:51
  Speaker 3: fi original style or whatever that would be. You know,
• 52:53
  Speaker 3: you you feel like these people are actually interacting with
• 52:56
  Speaker 3: this bear, whether they were or not.
• 52:58
  Speaker 4: Yeah, exactly, that's exactly my point. So you feel like
• 53:02
  Speaker 4: he's really there doing these crazy things, sniffing lines of cocaine,
• 53:06
  Speaker 4: it's fucking hilarious and so yeah, so like it doesn't
• 53:09
  Speaker 4: it doesn't really take away from the movie at all
• 53:11
  Speaker 4: for me, cause again, we're watching Cocaine Bear, like the
• 53:14
  Speaker 4: visual effects accomplish what they need to accomplish. A giant
• 53:18
  Speaker 4: black bear running around the woods, terrorizing people on cocaine
• 53:21
  Speaker 4: and occasionally behaving like it's having the best fucking day
• 53:26
  Speaker 4: of its life, which is hilarious because that moment when
• 53:29
  Speaker 4: the cop is like dangling all the cocaine off the side,
• 53:33
  Speaker 4: he's like on its hind legs just kind of like sniffing,
• 53:36
  Speaker 4: and then he's just doing this scene where he's like
• 53:38
  Speaker 4: got his tongue out and it's in slow motion and
• 53:40
  Speaker 4: it's hilarious. Like it doesn't even make sense. But that's
• 53:43
  Speaker 4: kind of the whole point, because I don't even think
• 53:46
  Speaker 4: the bear is hunting them because he hates people. They're
• 53:49
  Speaker 4: just obstacles between him and his next bump of coke.
• 53:53
  Speaker 4: He just wants a cocaine like this.
• 53:55
  Speaker 3: Yeah. Yeah, he's an animal who doesn't understand what's going on,
• 53:58
  Speaker 3: like most coke heads.
• 54:02
  Speaker 4: I need another bump, man, uh so yeah, I mean, really,
• 54:06
  Speaker 4: that's the only thing that doesn't work for me is
• 54:08
  Speaker 4: the CG. But like I said, it doesn't really impact
• 54:11
  Speaker 4: my rating. It's just sometimes I'm like, eh, that's that's
• 54:14
  Speaker 4: a little rough, especially when the baby bears pop up
• 54:17
  Speaker 4: and it's like the last it's like the last scene
• 54:19
  Speaker 4: of the movie where the new people are filming the
• 54:23
  Speaker 4: bear and the cubs pop up, and I was like, oh,
• 54:25
  Speaker 4: it's a little rough. But what I love about the
• 54:27
  Speaker 4: ending where le ray Liota is getting mauled to death
• 54:29
  Speaker 4: by these bears. It's just it's a dark scene by
• 54:31
  Speaker 4: a waterfall, so a lot of that CG is able
• 54:34
  Speaker 4: to be kind of masked within the darkness. And how
• 54:36
  Speaker 4: how how it's contrasted, so agreed, Yeah, that was a
• 54:40
  Speaker 4: great moment. And then yeah, he just gets his entrails
• 54:43
  Speaker 4: ripped open and then falls off the cliff, and doesn't
• 54:46
  Speaker 4: he get hot? Like he gets hung by his own entrails, right,
• 54:50
  Speaker 4: He like falls off the cliff and then is his
• 54:52
  Speaker 4: like fucking intestines get caught on a branch and then
• 54:55
  Speaker 4: he gets Yeah, he gets hung up, And I'm like, that.
• 54:57
  Speaker 3: Is that is just a terrible insult to inj My
• 55:01
  Speaker 3: good lord, you guys just don't know when to stop.
• 55:05
  Speaker 4: So I think the only thing I have is, uh,
• 55:08
  Speaker 4: the the ending, which kind of ties back in to
• 55:11
  Speaker 4: the beginning, where it says like authorities never recovered any
• 55:14
  Speaker 4: of Andrew Thornton's dumped cocaine. As far as we know,
• 55:17
  Speaker 4: it's still somewhere out in the forest. And I love
• 55:20
  Speaker 4: that because it's such a silly joke. Like, by the way,
• 55:22
  Speaker 4: we haven't still found the cocaine. It's probably not good
• 55:27
  Speaker 4: at this point anymore. You know, it's been thirty forty years,
• 55:31
  Speaker 4: probably not probably not good. It's probably unless it was
• 55:34
  Speaker 4: like vacuum sealed. But even then I probably wouldn't touch it.
• 55:38
  Speaker 4: And don't don't shut off the movie immediately, because there
• 55:41
  Speaker 4: are a couple of like mid credit scenes that you
• 55:44
  Speaker 4: see and then at the end of the credits you
• 55:47
  Speaker 4: hear this growl and then like a and I thought
• 55:50
  Speaker 4: that was hilarious. It is so so silly. Yeah, I
• 55:55
  Speaker 4: apparently there is a I mean, at least according to
• 55:58
  Speaker 4: the letterbox, there is a Cocaine Bear two on letterbox,
• 56:00
  Speaker 4: And I mean, sure, what the why the fuck not?
• 56:04
  Speaker 4: Why wouldn't you? I mean, come on, just more more carnage.
• 56:08
  Speaker 4: This doesn't even have to have so many working parts
• 56:10
  Speaker 4: because Raliot is dead, Eddie and fucking David left, Carrie
• 56:14
  Speaker 4: Russell has her kid back. You could just make this
• 56:17
  Speaker 4: about people just getting fucked up in the woods.
• 56:19
  Speaker 3: Fucking yeah, yeah. I could almost be just an animal
• 56:21
  Speaker 3: slasher movie. If you ever made a sequel.
• 56:24
  Speaker 4: Please give me a bear on cocaine with a giant machete.
• 56:28
  Speaker 4: That is exactly what I.
• 56:29
  Speaker 3: Well, I didn't mean like that, but I meant like
• 56:31
  Speaker 3: the camper style, five or six people go out into
• 56:34
  Speaker 3: the woods to camp and then they run into the
• 56:36
  Speaker 3: ban No I know, but I will gladly accept a
• 56:38
  Speaker 3: bear on cocaine fucking slashing people Jason style as well.
• 56:42
  Speaker 4: He just picks it up in his mouth and just
• 56:43
  Speaker 4: start fucking whipping it around. No, man, fuck that, Let's
• 56:47
  Speaker 4: just go all out grabs it with his paw, act
• 56:49
  Speaker 4: like Jason. If we're gonna go that balls to the wall, bonkers,
• 56:53
  Speaker 4: let's do.
• 56:54
  Speaker 3: Let's go.
• 56:54
  Speaker 4: My god, I really need that movie. Also completely unrelated
• 56:59
  Speaker 4: to co cane bear, but I just remembered because you
• 57:02
  Speaker 4: brought up were wolves on wheels at the beginning of this.
• 57:05
  Speaker 4: I am one hundred percent. After I finish editing my
• 57:09
  Speaker 4: wife's screenplay of her vampire movie. I am absolutely writing
• 57:14
  Speaker 4: a better version of were Wolves on Wheels because I
• 57:18
  Speaker 4: want to make I just like so, what I've heard
• 57:21
  Speaker 4: from the industry right is if you go pitch a movie,
• 57:24
  Speaker 4: you need to have like two or three done screenplays
• 57:28
  Speaker 4: so that that way people can see if you're like
• 57:31
  Speaker 4: a one hit wonder or eh, we're not so much
• 57:33
  Speaker 4: on this idea, what else do you have? So me
• 57:35
  Speaker 4: and her, me and her trying to bang out some
• 57:37
  Speaker 4: scripts one hundred percent. I don't even want to give
• 57:39
  Speaker 4: away the name of the movie because I don't want
• 57:40
  Speaker 4: someone to fucking copyright it or trademarkt I'll tell you later,
• 57:43
  Speaker 4: but I am in the process of starting that because
• 57:46
  Speaker 4: I'm gonna basically keep everything the same until they get
• 57:50
  Speaker 4: to the cults, and then after that it's gonna be
• 57:52
  Speaker 4: everything's gonna be different, because like, fuck that movie, what
• 57:55
  Speaker 4: a waste of time. And I don't normally shit on movies,
• 57:59
  Speaker 4: but don't call your movie wear Wolves on Wheels and
• 58:02
  Speaker 4: give me one were Wolf on one Wheels stupid. I'm
• 58:06
  Speaker 4: sorry I made you watch that. The lis It's okay
• 58:09
  Speaker 4: hanging over me for the rest of my life. So anyways,
• 58:12
  Speaker 4: my final thoughts here. Like we mentioned up top, Cocaine
• 58:15
  Speaker 4: Bear is exactly the movie the title promises. It is dumb,
• 58:20
  Speaker 4: it is ridiculous, There is a shocking amount of gore,
• 58:24
  Speaker 4: well structured, and most importantly, it's fun. Like, guys, this
• 58:27
  Speaker 4: movie is fun, okay, And it's not me sitting here
• 58:30
  Speaker 4: trying to convince you otherwise, but really, just turn your
• 58:34
  Speaker 4: brain off, fucking forget about everything in life and watch
• 58:38
  Speaker 4: a bear on cocaine mall people to death. I think
• 58:41
  Speaker 4: that's the biggest thing. Yeah, that's the biggest thing.
• 58:43
  Speaker 3: I want to see ultimate turn your brain off movie. Like, yeah,
• 58:46
  Speaker 3: off some fucking popcorn, grab a soda whatever you like
• 58:49
  Speaker 3: to drink, and sit down and forget that this terrible
• 58:52
  Speaker 3: world exists around us anyway, exactly.
• 58:56
  Speaker 4: And I think that's what I'm trying to emphasize here,
• 58:58
  Speaker 4: because the premise is so inherently stupid that the movie
• 59:01
  Speaker 4: could easily become a one joke novelty what if a
• 59:04
  Speaker 4: bear did cocaine? It's funny for like thirty seconds. But
• 59:07
  Speaker 4: the really the challenge with that statement is figuring out
• 59:11
  Speaker 4: how to turn that into an actual feature length story,
• 59:14
  Speaker 4: and Elizabeth Banks managed to do it well I mean,
• 59:17
  Speaker 4: I guess she directed it, someone else wrote it regardless,
• 59:21
  Speaker 4: Still they managed to do this and like in a
• 59:26
  Speaker 4: cohesive manner. That was all of the things I just mentioned.
• 59:29
  Speaker 4: It doesn't overstay, it's welcome, It never takes itself too seriously.
• 59:34
  Speaker 4: And if it understands that the audience showed up for
• 59:37
  Speaker 4: a specific reason, well at least the people who liked it,
• 59:39
  Speaker 4: at least, because this movie is not well liked. It
• 59:42
  Speaker 4: is not high art, it's not trying to be. It's
• 59:44
  Speaker 4: just can't be silly fun bear cocaine problems. I would
• 59:49
  Speaker 4: absolutely watch a sequel if there was one.
• 59:52
  Speaker 3: Literally one other fucking movie that I watched that I
• 59:55
  Speaker 3: forgot about, called The Boy from Below, and it has
• 59:58
  Speaker 3: d Wallace in it. But at one point, she's talking
• 1:00:01
  Speaker 3: with somebody because she owns a video store, and she says, no,
• 1:00:04
  Speaker 3: movies are escapism. You shouldn't be watching stuff that's just
• 1:00:07
  Speaker 3: gonna make you like real life. About the movie, that
• 1:00:11
  Speaker 3: movie was only like a two. But that that little
• 1:00:14
  Speaker 3: thing that she said just resonated with this whole friggin thing.
• 1:00:18
  Speaker 4: Yeah, No, you're you're right. Dreams are meant or dreams
• 1:00:21
  Speaker 4: movies are meant to be. They are this kind of
• 1:00:23
  Speaker 4: dream like fictional place where anything can happen. And I
• 1:00:29
  Speaker 4: feel that some movies, yes, deserve a critical eye, like
• 1:00:35
  Speaker 4: The Shinings The Shining, You deserves a critical eye to
• 1:00:38
  Speaker 4: watch that movie and enjoy it. But for this movie,
• 1:00:41
  Speaker 4: Cocaine Bear, there's no you don't need to be like.
• 1:00:45
  Speaker 4: We have not been analyzing or critiquing this movie. We
• 1:00:48
  Speaker 4: just literally, if you've listened to this episode all the
• 1:00:50
  Speaker 4: way up to now, we've been talking about the things
• 1:00:52
  Speaker 4: that were fun about this movie because there's nothing to create.
• 1:00:54
  Speaker 4: There's nothing really to analyze. There's no deeper meaning to
• 1:00:58
  Speaker 4: this movie or subtext or theming really happening here. It's
• 1:01:03
  Speaker 4: literally just a fun movie exactly. That's what this is.
• 1:01:07
  Speaker 4: So any closing thoughts from Derek on Cocaine Bear.
• 1:01:10
  Speaker 3: Just watch it and have a good time. If you've
• 1:01:12
  Speaker 3: never seen it, or if you have seen it and
• 1:01:14
  Speaker 3: it's been a while, it's just I'm gonna end it
• 1:01:17
  Speaker 3: with it's just a fun time. So just watch it,
• 1:01:20
  Speaker 3: enjoy it. What we just rambled on for about five minutes.
• 1:01:24
  Speaker 4: Yeah, you know, it's it's just just fucking check it out, man.
• 1:01:28
  Speaker 4: So that is Cocaine Bear from twenty twenty three. Let
• 1:01:31
  Speaker 4: us roll into the final cut. So two taglines here,
• 1:01:36
  Speaker 4: which are both fucking horrible. Get in line, like I
• 1:01:41
  Speaker 4: get it a line of cocaine, but yeah, get in
• 1:01:44
  Speaker 4: line for what like to bet whatever? And then inspired
• 1:01:47
  Speaker 4: it's inspired by true events. Okay, terrible. There were so
• 1:01:51
  Speaker 4: many other great like cocaine puns you could have. It's fine,
• 1:01:55
  Speaker 4: It's fine trivia. Raliota's final completed film, roll the or
• 1:02:00
  Speaker 4: his death on May twenty two. Fuck he's been dead
• 1:02:03
  Speaker 4: for four years, Collee. He passed away after he came
• 1:02:08
  Speaker 4: to re record his lines and post production. Elizabeth Banks
• 1:02:12
  Speaker 4: said that Leota praised the look of the Bear once
• 1:02:14
  Speaker 4: he got a look at it. Cocaine Bear was intended
• 1:02:17
  Speaker 4: to be a working title, but the producers decided to
• 1:02:19
  Speaker 4: release it under that name as they quote couldn't think
• 1:02:22
  Speaker 4: of anything else fair enough. Elizabeth Banks side of the
• 1:02:26
  Speaker 4: work of filmmakers John Carpenter, Sam Raimi, and Steven Spielberg
• 1:02:29
  Speaker 4: as influences on the film. She also noted that Jaws
• 1:02:32
  Speaker 4: and Jurassic Park played a role in how she shaped
• 1:02:35
  Speaker 4: the film. Goofs these are like some yeah, that's that's
• 1:02:39
  Speaker 4: fair goofs. You know, the two kids eat about a
• 1:02:41
  Speaker 4: tablespoon of cocaine each, and although they spent most of it,
• 1:02:44
  Speaker 4: doubt some would remain in their mouths, and they would
• 1:02:46
  Speaker 4: have inhaled some of what they sped out. Yet they
• 1:02:47
  Speaker 4: show no effects of having ingested cocaine. That's true, They
• 1:02:51
  Speaker 4: really didn't. They didn't act crazy this one.
• 1:02:54
  Speaker 3: I love.
• 1:02:54
  Speaker 4: Having a stethoscope in your ears does not prevent you
• 1:02:57
  Speaker 4: from hearing your colleague coming out calling out from the
• 1:02:59
  Speaker 4: other room. That's that's fair. Thornton is seen dead in
• 1:03:03
  Speaker 4: the stretcher, but his face and head are normal and undamaged.
• 1:03:06
  Speaker 4: A fall from an airplane would have severely smashed the
• 1:03:10
  Speaker 4: whole body, head included. And yeah, yeah, that's that's that's true.
• 1:03:14
  Speaker 4: And this one is the fucking petty one. The movie
• 1:03:17
  Speaker 4: is supposed to take place in nineteen eighty five, but
• 1:03:19
  Speaker 4: the ambulance that shows up to the ranger station is
• 1:03:22
  Speaker 4: a nineteen ninety four Ford Eco line get the fuck
• 1:03:25
  Speaker 4: out of here, NERD, Get out of here. That's no
• 1:03:29
  Speaker 4: one needs you, NERD. So rated five point nine out
• 1:03:35
  Speaker 4: of ten on IMDb. That is a two point nine
• 1:03:39
  Speaker 4: to five out of five for our purposes of the
• 1:03:42
  Speaker 4: nightmare index. Then it has a two point six out
• 1:03:46
  Speaker 4: of five on Letterbox, sixty five percent on the Tomato Meters,
• 1:03:50
  Speaker 4: seventy one percent audience score. What did you give this?
• 1:03:53
  Speaker 3: Give it a four?
• 1:03:54
  Speaker 4: Yeah, baby, I gave it a four as well. So
• 1:03:57
  Speaker 4: that is a freightmare certified slap and that gives us
• 1:04:04
  Speaker 4: a nightmare index of a three point four zero, which
• 1:04:12
  Speaker 4: is gonna stand in between Army of the Dead at
• 1:04:16
  Speaker 4: a three point three five and Ah Zombies at a
• 1:04:20
  Speaker 4: three point four to four out of five. Love that.
• 1:04:25
  Speaker 4: This is where shit gets crazy. Similar movies according to IMDb,
• 1:04:30
  Speaker 4: Violent Night, Renfield Strays, Knock at the Cabin, and Megan Okay.
• 1:04:38
  Speaker 4: Similar movies according to Letterbox, Over Your Dead Body, The
• 1:04:42
  Speaker 4: Suicide Squad, Lake Placid, The Hunt, and Ready or Not. Okay,
• 1:04:50
  Speaker 4: I have no words.
• 1:04:51
  Speaker 3: I nope, I'm at a blank where they even came
• 1:04:54
  Speaker 3: up with half that shit?
• 1:04:55
  Speaker 4: I don't even understands, as is customary on this show.
• 1:04:59
  Speaker 4: I forgot to remind you to get funny reviews, so
• 1:05:01
  Speaker 4: I'll just.
• 1:05:02
  Speaker 3: I actually tried to look, but ifortunately couldn't really find anything,
• 1:05:06
  Speaker 3: we were all just subpar.
• 1:05:07
  Speaker 4: All right, I've got you I've got you, Don't you worry?
• 1:05:12
  Speaker 3: Uh? Okay?
• 1:05:13
  Speaker 4: Three stars from Jim Kaddock. Was this supposed to put
• 1:05:16
  Speaker 4: me off? Cocaine? Question mark? Two stars from Sydney. This
• 1:05:21
  Speaker 4: would have been a masterpiece if it went ten percent
• 1:05:23
  Speaker 4: harder in some places and seventy percent harder in others.
• 1:05:27
  Speaker 4: Ambulance scene was best picture, though, agreed. No stars but
• 1:05:33
  Speaker 4: a heart from David chen. I liked it when the
• 1:05:35
  Speaker 4: Bear did cocaine okay. Five stars from Alex Vlajo. Can't
• 1:05:41
  Speaker 4: wait for Fentanyl Moose.
• 1:05:44
  Speaker 3: I would watch Fentanyl Moose three a half.
• 1:05:47
  Speaker 4: Well, that one would be the fucking Moos doing fentanyl
• 1:05:50
  Speaker 4: and passing out, like fentanyl is a downer that's not
• 1:05:54
  Speaker 4: gonna do anything.
• 1:05:57
  Speaker 3: Drugs.
• 1:05:58
  Speaker 4: I'm pretty sure fentanyl is a downer. It probably three
• 1:06:02
  Speaker 4: and a half stars from Jeeba. I can't believe that
• 1:06:04
  Speaker 4: Paddington Bear changed changed his first name to Cocaine What
• 1:06:11
  Speaker 4: Paddington Bear Cocaine Bear?
• 1:06:13
  Speaker 3: No? Why I get is but like these people trying
• 1:06:15
  Speaker 3: to be witty and they're failing. So our reaction to
• 1:06:19
  Speaker 3: your review is better than your review.
• 1:06:21
  Speaker 4: That's a fact. So this one I only wrote down
• 1:06:24
  Speaker 4: because it was This was so ahead of its time.
• 1:06:28
  Speaker 4: I guess because this was reviewed February twenty fourth, twenty
• 1:06:32
  Speaker 4: twenty three, when the movie, like the day of the
• 1:06:33
  Speaker 4: movie came out, Right, we can only hope that this
• 1:06:36
  Speaker 4: marks the beginning of a franchise where different animals take drugs.
• 1:06:39
  Speaker 4: Really looking forward to LSD cow. But you have meth Gator,
• 1:06:44
  Speaker 4: you have crack Coon, you have this movie.
• 1:06:47
  Speaker 3: Did that?
• 1:06:48
  Speaker 4: Like this is the best This is the best review
• 1:06:50
  Speaker 4: ever because this happened.
• 1:06:52
  Speaker 3: Yeah, it literally spawned a franchise.
• 1:06:56
  Speaker 4: Of Yeah, there's also Cocaine Shark. Pretty sure, there's a lot.
• 1:07:01
  Speaker 4: There's a lot now, like people have been definitely trying
• 1:07:05
  Speaker 4: to I guess profit off of Cocaine Bear by doing
• 1:07:09
  Speaker 4: things like meth Gator.
• 1:07:10
  Speaker 3: There's also Cocaine Shark, Cocaine Crabs from Outer Space, cocaine.
• 1:07:16
  Speaker 4: Wa ko wait, go back to Cocaine Crabs from outer Space.
• 1:07:22
  Speaker 4: That's a real movie.
• 1:07:24
  Speaker 3: Well I'm sure it's low budget shit, but it's alien
• 1:07:26
  Speaker 3: crabs forced into consuming cocaine crabs. Oh my god. There's yeah,
• 1:07:35
  Speaker 3: Attack of the meth Gate. There's a there's a whole
• 1:07:37
  Speaker 3: fucking list on IMDb.
• 1:07:39
  Speaker 4: Yeah, there's so many. So that that was yeah, right there, Wow,
• 1:07:42
  Speaker 4: twenty twenty two. Oh, twenty twenty two.
• 1:07:45
  Speaker 3: This was before Cocaine Bear, Yes, it was.
• 1:07:48
  Speaker 4: It was before Cocaine Bear. When a couple of intergalactic
• 1:07:52
  Speaker 4: space crabs land on Earth, they encounter the one thing
• 1:07:55
  Speaker 4: they didn't expect, a duo of dumbfrat boys force feeding
• 1:07:58
  Speaker 4: them cocaine. As it turned out, cocaines gives space crabs
• 1:08:02
  Speaker 4: an overbearing impulse to kill. Their string of peculiar homicides
• 1:08:06
  Speaker 4: has Detective Charlie Reese thinking that something smells fishy. Literally,
• 1:08:13
  Speaker 4: it's on screen box. I'm absolutely watching that. Okay, Okay,
• 1:08:16
  Speaker 4: I'm done. I'm done. Oh my god, h Derek. Where
• 1:08:20
  Speaker 4: can everybody find you on social media? Because you can't
• 1:08:22
  Speaker 4: ever remember, but I'll try.
• 1:08:24
  Speaker 3: You can find me on TikTok at Hfk's Movie House,
• 1:08:27
  Speaker 3: you can find me on Instagram as HfK forty eight,
• 1:08:30
  Speaker 3: and you can find me on Letterbox as just d
• 1:08:34
  Speaker 3: d I remember. Holy shit.
• 1:08:39
  Speaker 4: So if you enjoy the show, please rate and review
• 1:08:42
  Speaker 4: on your favorite podcast app of choice, Follow us on Facebook, Instagram, TikTok,
• 1:08:46
  Speaker 4: Slasher threads and YouTube at Frightmares Podcast, or email The
• 1:08:49
  Speaker 4: Stay Spooky a outlook dot com You can also follow
• 1:08:52
  Speaker 4: me personally on letterbox at Doctor Proctor. If you'd like
• 1:08:56
  Speaker 4: to expand your movie podcast listening, be sure to check
• 1:08:58
  Speaker 4: out the Shameless Picture Show, The Dead Eyed Millennial Film Club,
• 1:09:01
  Speaker 4: and One Week Rental as well. Next week, Gaby and
• 1:09:05
  Speaker 4: I will be doing of Unknown Origin from nineteen eighty
• 1:09:08
  Speaker 4: three as our international pick. It stars Peter Weller and Rats,
• 1:09:13
  Speaker 4: so have fun with that one. It is streaming on
• 1:09:16
  Speaker 4: fucking Watch Out Billy Prime for two ninety nine. I
• 1:09:19
  Speaker 4: say Billy because I have my Jigsaw guy right here
• 1:09:23
  Speaker 4: that no one saw that but Derek did, so check
• 1:09:26
  Speaker 4: out that one. I've never seen it, Gabby's never seen it,
• 1:09:28
  Speaker 4: but it's got a great rating in Peter Weller, so
• 1:09:30
  Speaker 4: it can't be bad. So until next week, guys, stay
• 1:09:32
  Speaker 4: tuned and stay spooky.
• 1:10:11
  Speaker 1: Thank you for listening to hear more shows from the
• 1:10:14
  Speaker 1: Someone's Favorite Productions podcast network. Please select the link in
• 1:10:18
  Speaker 1: the description.