Latest / Podcast Extra Anormal / Historias y experiencias paranormales

Transcript

Historias y experiencias paranormales · Podcast Extra Anormal

• 0:00
  Speaker 1: Lo chistoso es que al día siguiente se le ocurre
• 0:04
  Speaker 1: checar la grabación de la sala. Y por curiosidad, checó
• 0:08
  Speaker 1: pues cuando él se levantó al baño, güey. Él me dice,
• 0:13
  Speaker 1: me compartió unas fotografías del video porque me dijo que
• 0:15
  Speaker 1: no lo podía compartir porque.
• 0:17
  Speaker 2: Salía él en ropa, pues muy poca ropa.
• 0:21
  Speaker 1: Y sale él, por ejemplo, donde él pasa en la sala, viejo,
• 0:26
  Speaker 1: en su sofá había un tipo sentado. and he passed
• 0:30
  Speaker 1: him to one side and he didn't realize because he was,
• 0:33
  Speaker 1: he was washed in his cell phone, güey. Hello, how
• 0:45
  Speaker 1: are you, friends? Welcome to one more chapter of Extra
• 0:48
  Speaker 1: Normal Podcast. My name is Paco Arias and I am
• 0:51
  Speaker 1: very happy to be here with you again. Today is
• 0:53
  Speaker 1: a very special occasion. The truth is that today a
• 0:55
  Speaker 1: great friend accompanies me.
• 0:57
  Speaker 3: A person I've known for a long time, also a
• 0:59
  Speaker 3: content creator, he makes some awesome videos.
• 1:02
  Speaker 2: Today he's with me, El Buen Sin Nombre. How are you, friend?
• 1:07
  Speaker 2: I'm very good, brother, thank you. Come, come, come. Very happy,
• 1:09
  Speaker 2: very happy, excited, and that's it. Perfect, brother. Hey, bro,
• 1:12
  Speaker 2: I'm going to be honest with you.
• 1:14
  Speaker 1: You were one of the first people I thought of
• 1:16
  Speaker 1: when I started the project, because I know you've also
• 1:18
  Speaker 1: had good experiences. Entonces, sinceramente, no sé si tú antes
• 1:28
  Speaker 1: ya hayas visto este contenido, hayas visto las teorías más
• 1:30
  Speaker 1: o menos que manejamos, las leyendas, las experiencias.
• 1:33
  Speaker 3: Sí, estuve justamente hace unos días viendo aquí en TikTok,
• 1:37
  Speaker 3: porque ya sabía que estabas haciendo tu proyecto, pero los
• 1:40
  Speaker 3: números que tienes en TikTok son bárbaros.
• 1:41
  Speaker 2: De hecho, ahorita que me están viendo allá.
• 1:43
  Speaker 1: Gracias, de hecho, estamos transmitiendo también en vivo. Saludos a
• 1:46
  Speaker 1: los que se están conectando.
• 1:47
  Speaker 2: Sí, y sí lo he visto, sí lo he visto.
• 1:49
  Speaker 2: Me parece bastante interesante, está muy cool. Son temas que
• 1:52
  Speaker 2: normalmente a la gente... Yo creo que está bien dividido
• 1:55
  Speaker 2: entre los que les gusta y los que no.
• 1:57
  Speaker 3: Pero hay un común que a todos les interesa saber,
• 2:00
  Speaker 3: porque yo creo que mínimo a todos una cosa nos
• 2:02
  Speaker 3: ha pasado.
• 2:02
  Speaker 1: Yo siempre he dicho que los temas paranormales son muy populares,
• 2:06
  Speaker 1: sobre todo en México, porque se mueve mucho el tema paranormal,
• 2:10
  Speaker 1: el tema del terror. Yo creo que, por ejemplo, aquí
• 2:14
  Speaker 1: el espectro más conocido es la famosa Llorona,¿ no? Entonces
• 2:19
  Speaker 1: yo creo que todos tenemos un amigo, un conocido, una tía.
• 2:22
  Speaker 2: Un familiar.
• 2:23
  Speaker 1: That always, no, that is the one who saw La Llorona,
• 2:26
  Speaker 1: that the grandma found La Llorona. No, of all the
• 2:28
  Speaker 1: things that you can find here, La Llorona never fails. No,
• 2:30
  Speaker 1: it's like the favorite spectrum in Mexico. And I think
• 2:33
  Speaker 1: it's a great part of Latin America, because a few
• 2:36
  Speaker 1: days ago, people who see me from Peru, from Colombia,
• 2:38
  Speaker 1: told me, no, it's that also here La Llorona is present.
• 2:40
  Speaker 1: And well, the truth is that it is something very famous,
• 2:44
  Speaker 1: at least in Mexico. And we are going to start
• 2:46
  Speaker 1: in matter, brother. But first, I want to send some
• 2:48
  Speaker 1: greetings out there for some people who... They already subscribed
• 2:52
  Speaker 1: to the channel, they were also commenting. I want to
• 2:54
  Speaker 1: send greetings to Daniel Ovalle, Nayel Condori, Uriel García, Brian Daniel,
• 2:59
  Speaker 1: Simri and his sister Betancur, who are always present in
• 3:03
  Speaker 1: all the videos. For Jonathan Ureña, for Gabriel Guerra, for
• 3:06
  Speaker 1: Jorge Hernández, alias El Canelo. And above all, a very
• 3:10
  Speaker 1: special greeting for the liberation of Villahermosa, who listen to
• 3:13
  Speaker 1: us whenever they drive on the road. Entonces, yo siempre
• 3:17
  Speaker 1: he dicho que este podcast se disfruta bastante si vas
• 3:20
  Speaker 1: manejando en carretera, si vas.
• 3:22
  Speaker 2: A las 3 de la mañana. A las 3 de
• 3:23
  Speaker 2: la mañana.
• 3:23
  Speaker 1: Sí, de hecho, tengo un seguidor que hace poco me
• 3:26
  Speaker 1: escribió por medio de Instagram y me dice, Paco, yo
• 3:30
  Speaker 1: escucho tu contenido cuando voy manejando en carretera de noche
• 3:34
  Speaker 1: y no manches, hay un capítulo que estuvo muy pesado.
• 3:40
  Speaker 1: Ya ves que cuando hablamos acerca de estos temas, como
• 3:44
  Speaker 1: que atraes un poquito... That kind of stuff.
• 3:47
  Speaker 2: Yes, yes, yes.
• 3:48
  Speaker 1: So, in that chapter, maybe you don't know it, some
• 3:50
  Speaker 1: followers maybe do know it, here things happen when sometimes
• 3:56
  Speaker 1: we play very strong songs, sincerely.
• 3:58
  Speaker 2: And you tell me that. Behind this wall that we
• 4:02
  Speaker 2: have here.
• 4:02
  Speaker 3: They threaten me after I'm already sitting here.
• 4:07
  Speaker 1: The truth is that behind this wall, brother, there is nothing.
• 4:09
  Speaker 1: There is a huge fence that we... Divide a factory
• 4:12
  Speaker 1: and your house and it's pure land. So when we
• 4:15
  Speaker 1: start with this type of songs, they start to hit
• 4:17
  Speaker 1: us on the wall very hard. And they start to
• 4:20
  Speaker 1: hear noises here on the sheet and then the light
• 4:22
  Speaker 1: goes off. So in that chapter, I don't remember what
• 4:25
  Speaker 1: song we played, which honestly was a song, well, something strong.
• 4:28
  Speaker 1: That honestly, I don't like to play them so much
• 4:32
  Speaker 1: or very above it for the same reason.
• 4:35
  Speaker 2: Okay.
• 4:36
  Speaker 1: Y este, y varios seguidores me empezaron a decir que
• 4:38
  Speaker 1: cuando ellos escucharon en su cuarto les apagaron las luces,
• 4:41
  Speaker 1: o sea, a ellos también les empezó a pasar algo.
• 4:42
  Speaker 2: Ah, bestia. Y este seguidor me dijo.
• 4:44
  Speaker 1: Paco, cuando yo iba manejando el Thornton.
• 4:48
  Speaker 2: Que yo llevaba, se empezaba como a querer apagar. Dije,
• 4:51
  Speaker 2: no manches, y.
• 4:52
  Speaker 1: Lo peor es que iba yo por las cumbres, iba
• 4:54
  Speaker 1: a Ciudad de México de madrugada, y esta cosa pues
• 4:57
  Speaker 1: me iba, este, apayando.
• 5:00
  Speaker 2: Entonces, sinceramente, sinceramente, este, pues vaya.
• 5:04
  Speaker 1: Yo creo que es algo ya muy Muy común cuando
• 5:07
  Speaker 1: tocamos ciertos temas.
• 5:08
  Speaker 2: A ti te ha pasado algo de esto sin nombre?
• 5:10
  Speaker 3: Fíjate que experiencias, o sea, sí he tenido experiencias y
• 5:15
  Speaker 3: me han tocado varias veces. No creo que muy seguido
• 5:19
  Speaker 3: y tampoco han sido muchas, pero sí me han tocado
• 5:22
  Speaker 3: cosas así. Y en relación a lo que dices de
• 5:25
  Speaker 3: que estás escuchando o estás diciendo, o cuando estás hablando,
• 5:28
  Speaker 3: incluso cuando estás chismeando con los compas y estás diciendo, no,
• 5:31
  Speaker 3: yo cuando era niño me hacían esto.
• 5:32
  Speaker 2: You can feel it, the vibration, you can feel it.
• 5:34
  Speaker 2: Of course.
• 5:35
  Speaker 3: You can feel the chin skin and sometimes the nerves
• 5:37
  Speaker 3: that you breathe in your neck. It feels really good,
• 5:40
  Speaker 3: you really enjoy that feeling. But yes, several things have
• 5:43
  Speaker 3: happened to me. Any experience you've had?
• 5:45
  Speaker 2: Look, I have one in mind, quite a lot. It's been,
• 5:46
  Speaker 2: I don't know, about five years, I think. Five years.
• 5:48
  Speaker 3: There in my house, near your house, there's a football field. So,
• 5:52
  Speaker 3: every night we'd go play football. And once we were friends,
• 6:02
  Speaker 3: we were four, it was me and three others. So
• 6:05
  Speaker 3: we threw ourselves on the couch, we were on the
• 6:08
  Speaker 3: floor talking, relaxing. And we were watching the sky, I
• 6:11
  Speaker 3: remember that time the sky was clean, it was very good.
• 6:14
  Speaker 2: And we started to see the stars, we started to
• 6:18
  Speaker 2: check everything.
• 6:20
  Speaker 3: And I, for example, I do believe in life outside
• 6:23
  Speaker 3: of this world.
• 6:24
  Speaker 2: Aliens. Aliens, extraterrestrials or whatever is out there.
• 6:28
  Speaker 3: Y me acuerdo que justamente estábamos hablando eso como de película,
• 6:31
  Speaker 3: cuando estás viendo el cielo.
• 6:34
  Speaker 2: Y te van así. Y vimos una lucecita que iba
• 6:36
  Speaker 2: despacito así. Y yo justo dije, no, pues.
• 6:38
  Speaker 3: Yo seguramente sea el satélite Morelos o sea un avión,
• 6:41
  Speaker 3: que de hecho aquí casi no pasan aviones.
• 6:43
  Speaker 2: Es muy raro. Somos un pueblito todavía. Y yo dije, no,
• 6:47
  Speaker 2: pues a lo mejor es un avión o quién sabe.
• 6:49
  Speaker 2: Y yo les dije a mi amigo, no, si estás viendo. Sí, dice,
• 6:52
  Speaker 2: sí lo veo. Y iba despacito, muy, muy lento, se
• 6:55
  Speaker 2: iba midiendo.
• 6:56
  Speaker 3: Y como al minuto de que estábamos viendo eso, así
• 6:58
  Speaker 3: de la nada, en el cielo oscuro, se prendió otra lucecita,
• 7:01
  Speaker 3: así a la par.
• 7:02
  Speaker 2: Y dije, no mames.
• 7:03
  Speaker 3: Dije, a lo mejor es una estrella,¿ no? Pero así
• 7:05
  Speaker 3: mientras el otro iba avanzando, el otro empezó a avanzar también.
• 7:07
  Speaker 3: Entonces ya iban dos.
• 7:09
  Speaker 2: Y se juntaron? Y yo así, no, no, no. Iban separados.
• 7:11
  Speaker 2: O sea, iba uno arriba y uno abajo, como así,
• 7:13
  Speaker 2: ponle tú,¿ no? Punto y punto. Y empezaron a caminar.
• 7:16
  Speaker 2: Y yo me quedé y digo, no mames,¿ sí lo
• 7:18
  Speaker 2: estás viendo?
• 7:19
  Speaker 3: Y el otro, sí, sí, lo estamos viendo todos. Ya
• 7:21
  Speaker 3: estábamos y justamente hablábamos,¿ no?¿ Cómo será si hacen cosas,
• 7:25
  Speaker 3: debatiendo cosas? And in the time that they had for here,
• 7:29
  Speaker 3: we did not realize that there were two more here, but.
• 7:32
  Speaker 2: In the opposite direction.
• 7:33
  Speaker 3: Then I got scared, I said to myself, man, something, something,
• 7:37
  Speaker 3: something is. And they say, no, it's an airplane, it's
• 7:40
  Speaker 3: a satellite. And I say, no, because wherever it is,
• 7:42
  Speaker 3: there are some that blink.
• 7:43
  Speaker 2: Of course.
• 7:43
  Speaker 3: Or even you see that there are stars that are blue,
• 7:45
  Speaker 3: red and blink in colors. I said, no, this mother
• 7:48
  Speaker 3: is not a star. No, especially because of the proximity
• 7:50
  Speaker 3: that it had.
• 7:50
  Speaker 2: Yes. Sí, sí, claro. Entonces,¿ qué pasa, güey? Que lo
• 7:53
  Speaker 2: estábamos viendo y nosotros nos quedamos,¡ y no mames!
• 7:56
  Speaker 3: O sea, lo estamos viendo, lo estoy viviendo y no
• 7:58
  Speaker 3: había duda de lo que estábamos viendo todos.
• 8:00
  Speaker 2: Claro,¿ y nadie lo grabó? Nadie lo grabó, no teníamos
• 8:02
  Speaker 2: teléfono en ese entonces. Ah, ya, sí, cierto.
• 8:04
  Speaker 3: Digo, o sea, no tampoco es hace muchos años, pero
• 8:06
  Speaker 3: no teníamos ahí en ese momento teléfono.
• 8:08
  Speaker 2: Claro, claro.
• 8:09
  Speaker 3: Entonces empezamos y esa sensación de que es verlo o
• 8:13
  Speaker 3: no verlo, o sea, eso es que no te puedes mover.
• 8:15
  Speaker 2: Y estás bien concentrado.
• 8:16
  Speaker 3: Y en ese lapso que se iban, se toparon, o sea,
• 8:19
  Speaker 3: ya iban las dos arriba y.
• 8:20
  Speaker 2: Pasa la tercera por abajo. Y nosotros así de, wey,
• 8:23
  Speaker 2: no mames.
• 8:24
  Speaker 3: Cuando ya casi iban bastante alejados los otros, uno se desapareció.
• 8:29
  Speaker 2: Se apagó.
• 8:30
  Speaker 3: Y así de, ah, pues quedó uno, wey. Y justamente
• 8:32
  Speaker 3: estábamos haciendo eso y el puntito que quedaba se paró.
• 8:34
  Speaker 2: Y se paró en seco.
• 8:36
  Speaker 3: Y yo me quedé así como, y nos quedamos y
• 8:38
  Speaker 3: se hizo el silencio bien recio, así como, qué pedo,¿ no?
• 8:42
  Speaker 2: A ver qué pedí. And suddenly that same star that stopped,
• 8:44
  Speaker 2: started to go backwards and took a reverse. No, and
• 8:47
  Speaker 2: it went away?
• 8:48
  Speaker 3: No, I mean, the lapso that followed and stopped, now
• 8:51
  Speaker 3: it was going backwards, I mean, it was going in reverse.
• 8:53
  Speaker 2: I was like, no way, no way.
• 8:55
  Speaker 3: And you will say that it really is not much,
• 8:58
  Speaker 3: but it is quite surprising to see out of nowhere
• 9:01
  Speaker 3: two points in the sky that are crossing and going
• 9:04
  Speaker 3: and everything, because you know that there.
• 9:06
  Speaker 2: Is no way.
• 9:07
  Speaker 1: Of course, in fact, what often happens too, and I
• 9:08
  Speaker 1: have been seeing, for example, a few days ago Roger
• 9:11
  Speaker 1: was here with us. He, for example, he said, no,
• 9:14
  Speaker 1: it's just that I always have my finger on the
• 9:16
  Speaker 1: trigger of the camera, because anything tracks, right?
• 9:18
  Speaker 2: I mean, at the moment.
• 9:19
  Speaker 1: And he also says that once, you see that he
• 9:21
  Speaker 1: is half adventurous, he goes to the hills, to the
• 9:24
  Speaker 1: ranches to take photos, which, by the way, are very cool.
• 9:27
  Speaker 1: Greetings to the good Roger, if he is listening to us.
• 9:30
  Speaker 1: He says that once in the car where they were going,
• 9:32
  Speaker 1: they saw a very low UFO that came, even came
• 9:35
  Speaker 1: following them.
• 9:36
  Speaker 2: But no one recorded it.
• 9:37
  Speaker 1: They trusted each other that one was already recording it
• 9:40
  Speaker 1: and no one was really recording it.
• 9:42
  Speaker 2: It's just that sometimes you don't think about those moments. No, man.
• 9:45
  Speaker 3: Because they are things that happen so suddenly and in
• 9:48
  Speaker 3: so much time that even taking out the cell phone,
• 9:51
  Speaker 3: just thinking about taking it out is losing the chance.
• 9:53
  Speaker 2: No, man. Yes, I remember that I saw it and said,
• 9:55
  Speaker 2: damn it.
• 9:50
  Speaker 3: Mucho tiempo, que incluso sacar el celular, nada más pensar
• 9:53
  Speaker 3: en sacarlo, es perder la chance.
• 9:55
  Speaker 2: No manches.
• 9:57
  Speaker 3: Sí, yo me acuerdo que yo lo vi y dije,
• 9:59
  Speaker 3: yo supongo que debieron haber sido ovnis o alguna cosa,
• 10:02
  Speaker 3: pero se vio bien clarito como el punto que iba
• 10:05
  Speaker 3: avanzando de repente se para en seco.
• 10:07
  Speaker 2: Y va para atrás otra vez. Y yo dije,¿ lo viste?
• 10:09
  Speaker 3: Y estábamos en un campo donde tampoco había nada y
• 10:12
  Speaker 3: eran como las 12 de la noche.
• 10:14
  Speaker 2: A la vida. Todo oscuro, entonces sí se sentía como...¿
• 10:16
  Speaker 2: En ese entonces eran como los drones? Sí. No, right?
• 10:19
  Speaker 3: No.
• 10:20
  Speaker 2: I think it was just a little while ago that
• 10:21
  Speaker 2: they started to see each other here. Yes, put it that, ah,
• 10:24
  Speaker 2: like four years, three years. No, man.
• 10:25
  Speaker 3: Yes, no, no, no, I mean, the most difficult thing
• 10:28
  Speaker 3: is that it would have been a satellite, but no,
• 10:31
  Speaker 3: I mean, a satellite does not brake and returns.
• 10:32
  Speaker 2: No, of course. And a plane less, here planes do
• 10:34
  Speaker 2: not pass, and if they pass it is very rare.
• 10:36
  Speaker 2: Of course. And the planes are distinguishable by the blinker
• 10:38
  Speaker 2: they have. Exactly.
• 10:39
  Speaker 1: No, man, I mean, the subject of the UFOs, I
• 10:42
  Speaker 1: think it is very popular, just as very common, here
• 10:46
  Speaker 1: in the comments they say it.
• 10:47
  Speaker 2: I thought you were with Carlos Vallarta. Here we are. Technically,
• 10:51
  Speaker 2: there's nothing wrong. It's like something doesn't fit. It's not
• 10:55
  Speaker 2: the same, but it's something similar. Here we are.
• 10:59
  Speaker 1: So, the good without name, I tell you, the subject
• 11:01
  Speaker 1: of UFOs is a subject that, at least here, also
• 11:03
  Speaker 1: to the public of Extra Normal Podcast, it fascinates them
• 11:06
  Speaker 1: a lot. I've already made several videos talking about experiences,
• 11:11
  Speaker 1: talking about anecdotes, even talking about very famous abductions. Te digo,
• 11:15
  Speaker 1: son temas que sinceramente pegan y llaman bastante la atención. Pero,¿
• 11:19
  Speaker 1: alguna experiencia que hayas tenido o que conozcas, por ejemplo,
• 11:22
  Speaker 1: ya en el ámbito paranormal? Ya sabes, ese terror, miedo,
• 11:27
  Speaker 1: un frío que te recorre el cuerpo. Y, sinceramente, si
• 11:32
  Speaker 1: eres ateo, crees en Dios porque crees.
• 11:34
  Speaker 2: Ah, su bestia, sí, sí se siente hardcore. Mira, pues...
• 11:41
  Speaker 2: I don't know how much you can relate it. Tell me.
• 11:44
  Speaker 3: For example, there are people who say and justify that
• 11:48
  Speaker 3: the things that happen or you see in the end
• 11:51
  Speaker 3: have a context that has nothing to do. For example,
• 11:53
  Speaker 3: if you saw maybe a shadow out there, maybe it
• 11:55
  Speaker 3: was nothing.
• 11:56
  Speaker 2: Of course.
• 11:56
  Speaker 3: Or you saw such a thing and no. But I
• 11:58
  Speaker 3: do believe that there are visions. que tienes, que al
• 12:02
  Speaker 3: final sí se transforman en cosas X.
• 12:06
  Speaker 2: No sé cómo explicártelo.
• 12:07
  Speaker 3: Imagínate que yo te voy, yo sé que tú vienes
• 12:09
  Speaker 3: hasta allá al fondo, pero cuando vienes tú, yo estoy viendo,
• 12:11
  Speaker 3: por ejemplo, a una mujer que venga, porque has escuchado,
• 12:15
  Speaker 3: por ejemplo, está la de la charra negra también, hay
• 12:17
  Speaker 3: muchas cosas así. Entonces, que al final sepa que eres tú,
• 12:20
  Speaker 3: pero yo estoy viendo otra cosa, no significa que yo
• 12:22
  Speaker 3: lo pensé, o sea, pasa. Y a mí me ha
• 12:24
  Speaker 3: pasado muchas veces, aquí en Tux, en la glorieta que
• 12:27
  Speaker 3: va del TEC, A mí no me ha tocado ver
• 12:29
  Speaker 3: a la famosa mujer que se aparece y se sube
• 12:31
  Speaker 3: a los taxistas, que esa es otra historia bastante.
• 12:33
  Speaker 2: Ah, sí, esa es una historia tremenda.
• 12:34
  Speaker 3: Pero sí, sí me ha tocado verla o distinguirla y confundirla.
• 12:38
  Speaker 3: Hace tiempo, viniendo del trabajo, justamente pasamos por esa.
• 12:42
  Speaker 2: Por esa curva. Por ese lapso, ajá, por la curva.
• 12:45
  Speaker 3: Y me acuerdo que yo venía bromeando con mi compa,
• 12:47
  Speaker 3: le digo, güey, ahorita que se nos suba la morra
• 12:49
  Speaker 3: aquí ahorita y nos pare, o se nos aparezca aquí enfrente,¿ no?
• 12:51
  Speaker 2: de este lado.
• 12:53
  Speaker 3: Y me acuerdo que entre broma y broma sí vimos
• 12:55
  Speaker 3: hasta ahí.
• 12:55
  Speaker 2: Enfrente una persona que iba a Jagger. No, mames, no, güey. No,
• 12:59
  Speaker 2: ese era un vato. Y no, güey, no. Y me
• 13:00
  Speaker 2: acuerdo que mi compa iba en el volante y vi
• 13:02
  Speaker 2: cómo se le hicieron los brazos así. Y dije, no, güey, no,
• 13:04
  Speaker 2: porque nos vamos a chocar.
• 13:05
  Speaker 3: Y me acuerdo que ya después cuando empezó a distinguirse bien,
• 13:09
  Speaker 3: sí era una persona. Pero te lo juro que en
• 13:11
  Speaker 3: el momento en que cambian, no fue como, ah, ya
• 13:13
  Speaker 3: distinguí bien. No, realmente lo vi cambiarse. Realmente lo vi cambiarse.
• 13:17
  Speaker 3: Y ahí es donde relaciona lo que dicen con los nahuales.
• 13:20
  Speaker 3: Una persona a persona, no los nahuales son animales.
• 13:22
  Speaker 2: But it has touched me, it has touched.
• 13:24
  Speaker 3: Me to see things that I say, no, I'm sure
• 13:27
  Speaker 3: it was something else.
• 13:29
  Speaker 2: And no longer, even in animals. It has touched me
• 13:32
  Speaker 2: several times to see dwarfs.
• 13:33
  Speaker 3: I don't know if they are dwarfs, because I've never
• 13:35
  Speaker 3: seen dwarfs as they describe them.
• 13:37
  Speaker 2: I've seen dwarfs.
• 13:38
  Speaker 3: There's a very old video that I've never found on
• 13:40
  Speaker 3: YouTube and if I've looked for it. From a person
• 13:44
  Speaker 3: who goes out to his patio in broad daylight and
• 13:46
  Speaker 3: goes to a dwarf with a black bag.
• 13:47
  Speaker 2: He's very old.
• 13:48
  Speaker 3: That's how I've seen them. That's how I've seen them.
• 13:50
  Speaker 3: That's how I've seen them.
• 13:52
  Speaker 2: And it feels good, man. How it runs through your back.
• 13:54
  Speaker 2: I don't know, man. It feels very impotent, man. You
• 13:57
  Speaker 2: feel like something is there.
• 13:58
  Speaker 1: In fact, let's put it in context. You brought that
• 14:01
  Speaker 1: legend of what happened in the TEC very well.¿ Qué
• 14:08
  Speaker 1: fue lo que pasó ahí sin nombre?¿ Creo que hubo
• 14:09
  Speaker 1: una matanza o algo así?
• 14:11
  Speaker 3: Se supone que, a ver, hasta donde yo me acuerdo,
• 14:14
  Speaker 3: era una pareja, no sé qué versión te sepas, según
• 14:18
  Speaker 3: yo sé, era una pareja que tenía muchos problemas, la
• 14:21
  Speaker 3: mujer huyó y en esa parte que iban para allá
• 14:24
  Speaker 3: la correteó el esposo y algo tuvieron que ver, no
• 14:26
  Speaker 3: sé si la familia se metió y.
• 14:28
  Speaker 2: La mataron en esa parte.
• 14:29
  Speaker 1: Yo me sabía de la versión de que mataron a
• 14:31
  Speaker 1: estudiantes ahí.
• 14:33
  Speaker 2: Ah, todavía me la cambiaron. Entonces era otra, yo vi
• 14:36
  Speaker 2: a otra.
• 14:37
  Speaker 1: I knew that there, for example, there were several students,
• 14:41
  Speaker 1: and there was like a movement, it was many years ago,
• 14:46
  Speaker 1: it was almost 40, 50 years ago that that happened,
• 14:49
  Speaker 1: here in my city there is a technological, and I
• 14:53
  Speaker 1: tell you what I knew, that there was a killing
• 14:55
  Speaker 1: of students, there was like, there was, it is supposed
• 14:58
  Speaker 1: to be a manifestation.
• 14:59
  Speaker 2: And you know, right?
• 15:02
  Speaker 3: At that time they tried to calm them down, Terminó
• 15:04
  Speaker 3: como que en un tipo masacre.
• 15:06
  Speaker 2: Mataron a varios estudiantes.
• 15:09
  Speaker 1: Y supuestamente en esa zona hay muchas anécdotas de una
• 15:15
  Speaker 1: mujer o de un estudiante o de una esposa. Hay
• 15:18
  Speaker 1: muchas versiones que se les sube a los taxistas. Y
• 15:22
  Speaker 1: es que varía. A veces dicen que es una muchacha.
• 15:25
  Speaker 1: A veces dicen que es una señora.
• 15:26
  Speaker 2: O sea, grande. Por eso te digo que... Exacto. Yo
• 15:29
  Speaker 2: me hice una versión, por ejemplo, de ahí de que....
• 15:33
  Speaker 1: The taxi driver goes and the woman stops him and
• 15:35
  Speaker 1: tells him a address and supposedly when the woman gets
• 15:39
  Speaker 1: on the back of the taxi, before leaving the TEC area,
• 15:43
  Speaker 1: that is, from this section, when you enter another colony,
• 15:47
  Speaker 1: the woman is no longer behind, so it is something
• 15:50
  Speaker 1: very popular here in my city, it is something very,
• 15:52
  Speaker 1: even sometimes when I go with Isa in the car,
• 15:55
  Speaker 1: we are going to go through the TEC curve sometimes,
• 15:59
  Speaker 1: And it's night, let's see what we see, right? So
• 16:02
  Speaker 1: it's something that, honestly, is one of the stories.
• 16:04
  Speaker 2: Here in my city.
• 16:05
  Speaker 1: You know, I was remembering another one. I don't know
• 16:07
  Speaker 1: if you remember the one about the hanging bridge. You know,
• 16:11
  Speaker 1: the dad and the kid. I made that video, man,
• 16:14
  Speaker 1: when I recently said that I wanted to start on Facebook.
• 16:17
  Speaker 1: One of the videos I made and I received a
• 16:20
  Speaker 1: lot of.
• 16:20
  Speaker 2: A lot of annoyance from the family because it's.
• 16:23
  Speaker 1: A topic that, honestly... It's very delicate. It's a very
• 16:26
  Speaker 1: delicate topic and, honestly, it did happen. I'm going to
• 16:29
  Speaker 1: tell you a story because this was something real.
• 16:32
  Speaker 2: Do you remember what year it was? A long time ago.
• 16:36
  Speaker 3: My mom told me when she was like 10.
• 16:40
  Speaker 2: Okay, she's already many years old. She's more than 50
• 16:43
  Speaker 2: years old.
• 16:44
  Speaker 1: Well, that story, for example, here in my city, let's
• 16:46
  Speaker 1: put it in context to those who are looking at us.
• 16:48
  Speaker 2: In my city there is a bridge. What happens is
• 16:50
  Speaker 2: that my city is surrounded by a river. It's like
• 16:53
  Speaker 2: a river. It's like a river, exactly. We're surrounded by
• 16:56
  Speaker 2: a river.
• 16:58
  Speaker 1: And there was a city or a colony on the
• 17:01
  Speaker 1: other side of the river.
• 17:02
  Speaker 2: And there was a hanging bridge, go, of wood, old.
• 17:05
  Speaker 1: And supposedly a very rainy night, of storm. A man,
• 17:08
  Speaker 1: a father came with his little one, I think five
• 17:11
  Speaker 1: years old. And the rain was very strong. So I
• 17:13
  Speaker 1: don't remember the time. I think it was between 8
• 17:17
  Speaker 1: and 10 at night. That they were going to their house.
• 17:20
  Speaker 2: And the boy gets up.
• 17:27
  Speaker 1: And I think there was a wood that was already
• 17:28
  Speaker 1: a little rotten, it was a little bad. The child
• 17:31
  Speaker 1: steps on it and falls into the river. The river
• 17:34
  Speaker 1: was growing because of the rainy season. So the father
• 17:37
  Speaker 1: in his desperation throws himself into the river in order
• 17:41
  Speaker 1: to rescue his son. And unfortunately the two end up drowned,
• 17:45
  Speaker 1: they end up dying. So that was a very tragic
• 17:48
  Speaker 1: event here in my city. It is something that really
• 17:52
  Speaker 1: did happen. Sincerely, that did happen. Este, lo raro es
• 17:59
  Speaker 1: que dicen que el cuerpo del.
• 18:01
  Speaker 2: Niño no lo encontraron. No, encontraron nada más al papá.
• 18:03
  Speaker 1: Encontraron el cuerpo del papá y las personas que, este,
• 18:08
  Speaker 1: vienen a Tuxpec, vienen a mi ciudad y tienen que
• 18:10
  Speaker 1: regresar a su colonia y tienen que pasar el puente,
• 18:14
  Speaker 1: muchas personas aseguran que ven a child walking in the
• 18:19
  Speaker 1: middle of the bridge or that the child is standing
• 18:23
  Speaker 1: in the area around or that he is standing looking
• 18:25
  Speaker 1: at the river.
• 18:26
  Speaker 2: So it's a story that sincerely when.
• 18:28
  Speaker 1: I see it or when I remember it, it gives
• 18:32
  Speaker 1: me even a certain nostalgia.
• 18:34
  Speaker 2: I feel, the truth is, I feel very, very sad.
• 18:36
  Speaker 1: I feel like, oh, poor thing, because, I mean, I
• 18:38
  Speaker 1: as an old father, I think I would have done
• 18:40
  Speaker 1: the same, man.
• 18:41
  Speaker 2: I wind myself to the river and if my son dies,
• 18:43
  Speaker 2: we both die, man, because, oh, his life.
• 18:46
  Speaker 1: Imagine the desperation of the father when he sees that
• 18:50
  Speaker 1: the little one falls and screams.
• 18:52
  Speaker 3: I don't know what you would have done, but... Yes,
• 18:55
  Speaker 3: I would have done exactly the same.
• 18:57
  Speaker 1: I would have done the same, sincerely. But it's a
• 18:59
  Speaker 1: very sad story. And sometimes there are people, for example,
• 19:03
  Speaker 1: I have a friend who lives in that colony. And who,
• 19:06
  Speaker 1: for example, worked with me in a famous department store
• 19:09
  Speaker 1: a long time ago.
• 19:10
  Speaker 2: And sometimes we had night sales.
• 19:13
  Speaker 1: And he had to go through that area after 12
• 19:15
  Speaker 1: o'clock at night. And he says that he had to,
• 19:18
  Speaker 1: on one occasion, see a man, I mean, you see,
• 19:22
  Speaker 1: you see a person holding the hand of a little man.
• 19:25
  Speaker 1: They were standing in the middle of the bridge, looking down.
• 19:30
  Speaker 2: They were standing there.
• 19:31
  Speaker 1: In the middle of the bridge. So they say that
• 19:34
  Speaker 1: when they, a lot of people have already seen them,
• 19:35
  Speaker 1: they pass, they dedicate a prayer, they leave them like
• 19:38
  Speaker 1: an offering, because, well, No sé, o sea, son muchas
• 19:42
  Speaker 1: las cosas que se cuentan de ese lugar y sinceramente
• 19:44
  Speaker 1: yo lo digo con mucho respeto, lo digo con mucho respeto,
• 19:47
  Speaker 1: sinceramente es un hecho que sí pasó y es muy fuerte. because,
• 19:40
  Speaker 1: I don't know, there are many things that are told
• 19:42
  Speaker 1: about that place, and sincerely, I say it with a
• 19:45
  Speaker 1: lot of respect, I say it with a lot of respect, sincerely,
• 19:47
  Speaker 1: it's a fact that did happen, and it's very strong,
• 19:51
  Speaker 1: so it's.
• 19:51
  Speaker 2: An anecdote, it's not a story, it's an anecdote that really.
• 19:54
  Speaker 1: Happened here in my city, and we wanted to share
• 19:56
  Speaker 1: it here to the extra-normal podcast audience.
• 19:59
  Speaker 3: Yes, because, for example, even that bridge, fortunately, right now,
• 20:02
  Speaker 3: that is already remodeled, and that already has a little
• 20:05
  Speaker 3: more security, in any case, it feels, I mean, it feels,
• 20:07
  Speaker 3: because that part, you already see that, to start, between
• 20:11
  Speaker 3: the evilness that there is there, of the plants, and
• 20:13
  Speaker 3: the river that sometimes is grown, right?
• 20:15
  Speaker 2: Yes. So, it does feel very dense.
• 20:16
  Speaker 3: I know of one, too, that happened on the bridge,
• 20:18
  Speaker 3: but the vehicular, the one that comes from here to here.
• 20:21
  Speaker 2: Ah, ok, the vehicular. That one was, it wasn't many
• 20:23
  Speaker 2: years ago, either.
• 20:23
  Speaker 3: A girl, a girl committed suicide on that bridge, I
• 20:26
  Speaker 3: do remember.
• 20:26
  Speaker 2: I do.
• 20:26
  Speaker 3: It wasn't long ago, what do you like, about six years, too?
• 20:29
  Speaker 2: More or less.
• 20:29
  Speaker 3: Because I read it in the newspaper, a girl, en
• 20:38
  Speaker 3: la versión extraoficial, entre comillas, porque yo sé que no
• 20:41
  Speaker 3: fue la oficial, decían que a esa muchacha la habían
• 20:44
  Speaker 3: corrido de su casa por problemas del novio, entonces pelea
• 20:47
  Speaker 3: la familia y la muchacha se escapa de su casa,
• 20:50
  Speaker 3: pero no se va con el novio, se supone que
• 20:51
  Speaker 3: el punto es que ella se iba a ir, porque dijo,
• 20:53
  Speaker 3: ya no quiero estar contigo, me voy con él, pero
• 20:55
  Speaker 3: en el lapso que va, pues le llaman al muchacho
• 20:57
  Speaker 3: a ver qué onda, si está ahí con él, y
• 20:58
  Speaker 3: no estaba, entonces empiezan a buscar a la muchacha y todo,
• 21:01
  Speaker 3: entonces empiezan a buscar por todo Duxtepec, y en la
• 21:04
  Speaker 3: parte en la que cruzan hacia.
• 21:05
  Speaker 2: Acá, Because here where we are right now is part
• 21:08
  Speaker 2: of the center.
• 21:08
  Speaker 3: You have to cross the bridge that is passing the
• 21:11
  Speaker 3: river that we said a while ago. There was a
• 21:13
  Speaker 3: lot of people. There was a crowd of people and
• 21:15
  Speaker 3: there was traffic. They didn't let it pass. So they
• 21:17
  Speaker 3: started to ask me what had happened. They said that
• 21:19
  Speaker 3: a girl jumped off the bridge. So they went, they
• 21:21
  Speaker 3: go down to see. And there were the girl's shoes
• 21:23
  Speaker 3: and I think some things that she was wearing. So
• 21:25
  Speaker 3: the girl committed suicide. So in that bridge vehicle you.
• 21:28
  Speaker 2: Don't hear much that things happen.
• 21:32
  Speaker 3: Pero si se siente, o sea, de por sí esos
• 21:35
  Speaker 3: lugares junto al río en las noches, se siente bien
• 21:38
  Speaker 3: de eso.
• 21:38
  Speaker 2: Se siente bien. Bien pesado.
• 21:40
  Speaker 1: No te ha tocado que hay un youtuber igual en
• 21:42
  Speaker 1: la ciudad que le gusta hacer exploraciones urbanas.
• 21:44
  Speaker 2: En esa parte. Ay, así no me aventaría,¿ eh?
• 21:47
  Speaker 3: Es que sí está chingón, pero es que todo lo
• 21:50
  Speaker 3: que te.
• 21:51
  Speaker 2: Traes encima después. Si estoy en mi cama a las
• 21:53
  Speaker 2: 3 de la mañana y me empiezan a tocar, sí está. No, no, no.
• 21:55
  Speaker 2: Yo por eso le he dicho también aquí al público
• 21:57
  Speaker 2: de Podcast Extranormal que casi no me gusta hacer exploraciones urbanas.
• 22:02
  Speaker 2: For the same, wey. Because....
• 22:06
  Speaker 1: Honestly, I mean, they are experiences... Sometimes they don't put
• 22:09
  Speaker 1: so much the paranormal, wey. Also the security, that's what
• 22:11
  Speaker 1: I've always said. Because, for example, that lower part of
• 22:13
  Speaker 1: the bridge... Wow, there is.
• 22:16
  Speaker 2: Pure, what? Pure grass, pure mountain. Pure mountain grass. Pure mountain. So,
• 22:20
  Speaker 2: I have a drug addict there.
• 22:22
  Speaker 1: It's no longer paranormal, it's normal, what you are going
• 22:25
  Speaker 1: to feel. Exactly, so, well, yes, like that, if I
• 22:27
  Speaker 1: get it, man. Any other experience that you have, without name? Well, look,
• 22:30
  Speaker 1: this one was told to me.
• 22:31
  Speaker 2: By my mom, precisely.
• 22:32
  Speaker 3: I was talking to her a few days ago that
• 22:34
  Speaker 3: I was going to come here. She told me that
• 22:35
  Speaker 3: many years ago, when I was a child, I was
• 22:37
  Speaker 3: still six, five years old. My mom right now is
• 22:39
  Speaker 3: 60 years old, 62. fueron con mi familia materna.
• 22:47
  Speaker 2: A la catedral. A la catedral. En ese entonces la
• 22:50
  Speaker 2: catedral era diferente a como está construida ahorita. De hecho
• 22:53
  Speaker 2: no está construida.
• 22:53
  Speaker 3: Bueno, a lo que están construyendo ahorita de la catedral.
• 22:56
  Speaker 3: Estaba la parte de enfrente donde se supone que está
• 22:58
  Speaker 3: el sacerdote, el padre hablando. Están todas las sillas, las bancas.
• 23:05
  Speaker 3: Y en parte alta estaba la persona que tocaba el órgano.
• 23:08
  Speaker 3: La que tocaba el órgano en ese momento era mi
• 23:10
  Speaker 3: tía abuela. Entonces mi mamá Dice mi mamá que iba
• 23:15
  Speaker 3: con su hermana, con otra tía, y andaban jugando. Dice
• 23:17
  Speaker 3: mi mamá que ella cuando estaban aburridas en la misa,
• 23:21
  Speaker 3: como saben que mi tía estaba arriba, ellas se subían
• 23:23
  Speaker 3: a verla por una escalera en Caracol. Dice mi mamá
• 23:26
  Speaker 3: que subían como tres vueltas. Dice que cuando ya llegaban,
• 23:29
  Speaker 3: pues veían y ahí estaban. Y estaban las personas cantando. Entonces,
• 23:31
  Speaker 3: y ahí se metían ahí. Y bajaban otra vez. Y
• 23:35
  Speaker 3: estaban otra vez y volvían a subir. Dice que se
• 23:38
  Speaker 3: estuvieron una vez jugando entre bajada y subida y todo.
• 23:41
  Speaker 3: Y que una vez se empiezan a querer subir otra
• 23:43
  Speaker 3: vez a ver a mi tía. Y cuando empiezan a
• 23:45
  Speaker 3: subir las escaleras llegan con pared.
• 23:47
  Speaker 2: Y dice, mamá, chingado, pues aquí no es. Y se voltean.
• 23:50
  Speaker 3: Y aquí hay pared. Y se voltean al otro lado
• 23:53
  Speaker 3: y hay pared. Y ya no había cómo subir. O sea,
• 23:56
  Speaker 3: se toparon así de frente. Y dice, mamá, yo me acuerdo.
• 23:59
  Speaker 2: Tocar la pared. Y era pared.
• 24:01
  Speaker 3: O sea, como si de las cuatro veces que bajaste
• 24:04
  Speaker 3: a la quinta ya tocaste.
• 24:06
  Speaker 2: O sea, ya esquineaste. Y no hay nada. Y dice, mamá,
• 24:08
  Speaker 2: se sacó así como.¿ Y dónde?¿ Y dónde no?
• 24:11
  Speaker 3: Entonces, le habla a mi tía, mi tía niña también, sube,
• 24:14
  Speaker 3: y las dos lo ven, o sea, había pared.
• 24:16
  Speaker 2: Llegaron a tope. Dice,¿ pero cómo? O sea, nosotros, y
• 24:19
  Speaker 2: no había otra escalera.
• 24:20
  Speaker 3: No se confundieron y no llegaron porque ya habían subido
• 24:23
  Speaker 3: cuatro veces, ya habían bajado cuatro veces, y en esa
• 24:26
  Speaker 3: que vuelven a subir, ya topan con pared.
• 24:28
  Speaker 2: Entonces, mi mamá dice que se acuerdan, y se recargaron.
• 24:31
  Speaker 3: Y sacaron la pared total. Entonces, dice que mi mamá
• 24:34
  Speaker 3: se espantó mucho, y bajan,¿ no? Se bajan con mis abuelos.
• 24:37
  Speaker 3: Y se quedan así como,¿ qué onda, no? Dice que
• 24:40
  Speaker 3: mi mamá, todavía hasta la fecha, dice que lo que
• 24:42
  Speaker 3: ella pasaba por su mente era cómo iban a bajar,¿ no?
• 24:45
  Speaker 2: Cómo iba a bajar mi tía abuela. Claro, claro. Estaba arriba, oye,
• 24:47
  Speaker 2: si ya hay pared,¿ cómo van a bajar?
• 24:48
  Speaker 3: Y dice que ya después termina la misa y ellas
• 24:51
  Speaker 3: espantadas se asoman y baja, baja mi tía abuela normal
• 24:54
  Speaker 3: de la escalera.
• 24:55
  Speaker 2: Y cómo le hizo?
• 24:57
  Speaker 1: No sé.¿ Sabes qué me vino a la mente? No
• 25:00
  Speaker 1: sé si has escuchado las famosas crepipastas que se hacen
• 25:03
  Speaker 1: en un elevador, güey. That according to it says that
• 25:07
  Speaker 1: you go up, there I don't remember how it was,
• 25:10
  Speaker 1: but that first you go.
• 25:11
  Speaker 2: Up to the floor such, then you go down to
• 25:12
  Speaker 2: the floor such.
• 25:13
  Speaker 1: It is assumed that you do like a repetition of
• 25:15
  Speaker 1: going down, going up, going down, going up, and supposedly
• 25:19
  Speaker 1: when it ends, the elevator door opens and you are
• 25:21
  Speaker 1: already in another dimension.
• 25:22
  Speaker 2: Ah, I didn't know that. No? Like the combos of Maquinita, right?
• 25:25
  Speaker 1: That sounds to me something more or less like they
• 25:28
  Speaker 1: did it in rustic mode, not in elevator, but in stairs.
• 25:32
  Speaker 2: In stairs. But yes, there is out there on the internet.
• 25:34
  Speaker 1: These famous ones that you go up, supposedly it takes
• 25:38
  Speaker 1: you to another dimension. It has to be a building,
• 25:41
  Speaker 1: I don't know, I think it's 15 floors. And you
• 25:44
  Speaker 1: put first go up, go down, go down to that floor,
• 25:47
  Speaker 1: go down to that floor, go up. And supposedly when
• 25:49
  Speaker 1: you finish the sequence, the doors open and you're going
• 25:53
  Speaker 1: to see a totally different world. I mean, you're going
• 25:55
  Speaker 1: to see, it's like an alternate reality, but very somber,
• 25:58
  Speaker 1: with a lot of humidity, very, I don't know, very macabre.
• 26:02
  Speaker 1: And supposedly they say that you don't have to go
• 26:06
  Speaker 1: out to investigate exactly because it can be dangerous. So
• 26:10
  Speaker 1: supposedly you have to go back to your... With the
• 26:14
  Speaker 1: whole sequence the same?
• 26:15
  Speaker 2: No, you put again zero, that is, floor one.
• 26:19
  Speaker 1: And that's where the doors are supposed to open and
• 26:21
  Speaker 1: you're back again.
• 26:22
  Speaker 2: So, something like that sounded to me. I think so.
• 26:25
  Speaker 2: And I didn't know that. Look, it's cool. Yes, yes, yes.
• 26:27
  Speaker 2: No manches, look. Maybe that's where it can go. Chance.
• 26:30
  Speaker 3: And look, you'll say, how paranormal can it be? But
• 26:32
  Speaker 3: those impressions of pure logic. Because even if the interactions
• 26:36
  Speaker 3: you have with appearances and sensations are very heavy. But
• 26:41
  Speaker 3: when you're really seeing something and you touch it. Because
• 26:43
  Speaker 3: you say, mom, I remember.
• 26:44
  Speaker 2: I mean, I went up. Y yo estuve ahí, o.
• 26:47
  Speaker 3: Sea, entré y cuando salí y vuelvo a subir por
• 26:49
  Speaker 3: la misma escalera y tocó pared.
• 26:52
  Speaker 2: Sí, mamá, o sea,¿ cómo? Claro.
• 26:54
  Speaker 3: O sea, si me hubieran puesto alguna puerta, una mesa ahí,
• 26:56
  Speaker 3: pues te creo, pero era pared. Sí, sí, pero estaba completamente.
• 26:58
  Speaker 3: Imagínate que la escalera llegara.
• 27:01
  Speaker 2: A pared y no había nada más. Sí está raro,
• 27:03
  Speaker 2: sinceramente está raro. Y yo así digo, hola.
• 27:05
  Speaker 1: Cosas que sinceramente pues no sabemos qué onda, no sabemos
• 27:09
  Speaker 1: qué pasa. Aprovechamos para mandar unos saludos ahí para los
• 27:11
  Speaker 1: que nos están mirando por medio de TikTok. Y ahí
• 27:13
  Speaker 1: tenemos 5,300 me gusta. Gracias a los que nos están
• 27:16
  Speaker 1: dejando su corazoncito, chicos. Gracias a todos los que nos
• 27:19
  Speaker 1: están dejando su corazón. Entonces,¿ sabes qué me estaba también
• 27:21
  Speaker 1: acordando ahorita que me estabas platicando eso?
• 27:25
  Speaker 2: El tema de las Creepypastas.
• 27:28
  Speaker 1: Un seguidor me envió una evidencia, pero me dijo que
• 27:32
  Speaker 1: no la podía compartir porque salía él. Me dijo, Paco,
• 27:37
  Speaker 1: yo tengo una experiencia muy aterradora y gracias a mi
• 27:42
  Speaker 1: celular todavía vivo.
• 27:45
  Speaker 2: Or he didn't give me sugar, he said, explain to me.
• 27:47
  Speaker 1: And he says, I have security cameras in my house,
• 27:49
  Speaker 1: I have them in the living room, I.
• 27:51
  Speaker 2: Mean, everywhere, for security reasons.
• 27:53
  Speaker 1: And I once got up to the bathroom, before, for that,
• 27:56
  Speaker 1: when I lay down, the dogs were very annoying, just
• 28:00
  Speaker 1: like here, I have several dogs, they were very restless,
• 28:03
  Speaker 1: they barked, you could hear noises in their room. But
• 28:09
  Speaker 1: I'm a very agnostic person, or I don't think so,
• 28:13
  Speaker 1: or I always look for the logical side of things.
• 28:16
  Speaker 1: So he tells me, I stop at dawn, I feel
• 28:20
  Speaker 1: like going to the bathroom, and the first thing I
• 28:22
  Speaker 1: do is stop in my bed, I pull my cell phone,
• 28:25
  Speaker 1: I turn on the flashlight, and since I already made
• 28:28
  Speaker 1: my way to the bathroom, I don't even look up.
• 28:31
  Speaker 1: I mean, I go to the bathroom, I go walking,
• 28:33
  Speaker 1: I go with my phone, I go to the bathroom,
• 28:35
  Speaker 1: I still have my phone, I go out and I
• 28:37
  Speaker 1: go back to my bed and I still have my phone.
• 28:39
  Speaker 1: Lo chistoso es que al día siguiente se le ocurre
• 28:43
  Speaker 1: checar la grabación de la sala. Y por curiosidad, checó
• 28:48
  Speaker 1: pues cuando él se levantó al baño, güey. Él me dice,
• 28:52
  Speaker 1: me compartió unas fotografías del video porque me dijo que
• 28:55
  Speaker 1: no lo podía compartir porque salía él en ropa, pues
• 28:59
  Speaker 1: muy poca ropa.
• 29:01
  Speaker 2: Y sale él, por ejemplo, donde él pasa en la sala, viejo.
• 29:05
  Speaker 1: En su sofá había un tipo sentado. and he passed
• 29:10
  Speaker 1: him to one side and he did not realize because
• 29:13
  Speaker 1: he was, he was washed.
• 29:14
  Speaker 2: In his cell phone, dude.
• 29:16
  Speaker 1: He says, I thank my phone that I am still
• 29:18
  Speaker 1: alive or that it did not give me sugar, I
• 29:20
  Speaker 1: do not know what I would have done, he says,
• 29:21
  Speaker 1: with the impression, well, to see a fulano and what
• 29:25
  Speaker 1: you can see is, I mean, you do not see his.
• 29:26
  Speaker 2: Face, it is a huge silhouette, I mean, like a guy, easy.
• 29:31
  Speaker 1: Two meters high, a little more, sitting like this, look,
• 29:35
  Speaker 1: like this. Y el vato le pasa a un lado,
• 29:38
  Speaker 1: o sea, le pasó a un ladito y no lo vio, güey.
• 29:40
  Speaker 1: see him, man, and he left the bathroom and he
• 29:42
  Speaker 1: passed him again, there he is, the guy, man, and
• 29:45
  Speaker 1: in the recording, you just see that he gets up,
• 29:48
  Speaker 1: walks to an area where there is like a blind
• 29:50
  Speaker 1: spot of the camera, you can't see it anymore, and
• 29:53
  Speaker 1: that's it, but no door was opened, I mean, he
• 29:54
  Speaker 1: has cameras in the doors, and at no time does
• 29:56
  Speaker 1: he see the guy go out, he sees him enter,
• 29:58
  Speaker 1: even nothing, The guy was just there, he stops and
• 30:02
  Speaker 1: walks to a point where the camera couldn't record it
• 30:04
  Speaker 1: and that's it. I said, no way, man, I mean,
• 30:06
  Speaker 1: it's a topic that, ah, the beast, I mean, honestly,
• 30:08
  Speaker 1: I told him, no manches, let me share it, because
• 30:12
  Speaker 1: when they're like that, the anecdote is very strong.
• 30:13
  Speaker 2: Did you see it? Did you see it? Or did
• 30:14
  Speaker 2: you see the video?
• 30:15
  Speaker 1: He sent me the photos, because he tells me that
• 30:17
  Speaker 1: the video has it, I told him, send it to me,
• 30:20
  Speaker 1: and he said, I can't, man, because, well. Salgo sin rock.
• 30:24
  Speaker 1: Es que el vato pues estaba durmiendo, güey. Pues habemos
• 30:26
  Speaker 1: personas que les gusta pues dormir cómodos. O sea, entonces, este,
• 30:31
  Speaker 1: me dijo, no, cuéntala, te puedo mandar una foto, este,
• 30:34
  Speaker 1: donde se ve nada más el tipo sentado, pero el
• 30:37
  Speaker 1: video así completo, lo impresionante, pues no, no me dijo,
• 30:40
  Speaker 1: pues ni modo, nosotros respetamos cuando nos mandan anécdotas. Nosotros
• 30:43
  Speaker 1: respetamos la privacidad de, pues vaya, de los seguidores. Si
• 30:47
  Speaker 1: me dicen que es anónimo o que no se vea esto, adelante,
• 30:50
  Speaker 1: sin problemas.
• 30:51
  Speaker 3: Fíjate, yo, este, También he oído mucho. Es que te digo,
• 30:55
  Speaker 3: la verdad, a mí no me han pasado mucho, pero
• 30:56
  Speaker 3: sí he escuchado bastante. La que yo creo que debes
• 30:59
  Speaker 3: de saber, porque eso sí, incluso creo que ya es
• 31:01
  Speaker 3: como cultura popular aquí de terror en Tuxtepec, son el
• 31:07
  Speaker 3: edificio abandonado de la mueblería nueva.
• 31:10
  Speaker 2: Sí, güey. Y la radio. Y la radio. Sí, sí, sí,
• 31:13
  Speaker 2: claro que sí.
• 31:14
  Speaker 3: Para los que nos están viendo allá o acá donde
• 31:16
  Speaker 3: nos vean, el edificio que tiene la radio aquí en Tuxtepec,
• 31:20
  Speaker 3: Está pegado o es parte de un edificio muy grande
• 31:23
  Speaker 3: de muchos años y muy viejo. Creo que sí, tiene
• 31:27
  Speaker 3: más de 50 años, tope.
• 31:30
  Speaker 2: Casi.
• 31:31
  Speaker 3: Que antes era una mueblería y todo el show, pero
• 31:35
  Speaker 3: se habla de mucha gente o niños que se oyen ahí,
• 31:38
  Speaker 3: avientan piedras y todo. Y compañeros de radio con los que, bueno,
• 31:43
  Speaker 3: no comparto trabajo, comparto amistad, sí nos han dicho que
• 31:45
  Speaker 3: bastantes veces han visto en cámaras de seguridad Que incluso
• 31:49
  Speaker 3: los de radio, cuando entra alguien nuevo a trabajar, le dicen, bueno,
• 31:52
  Speaker 3: nada más te avisamos que aquí tales horas aparece alguien.
• 31:56
  Speaker 2: Entonces, si la ves, tú tranquila. Eso me estaba contando Abad,
• 31:59
  Speaker 2: que te dije que vino. Ajá.
• 32:00
  Speaker 1: Estaba diciendo que, pues, ves que la radio, pues, transmiten
• 32:04
  Speaker 1: igual toda la noche, güey. Hay un tipo ahí en
• 32:07
  Speaker 1: cabina y dice que una vez le tocó a él
• 32:10
  Speaker 1: estar con él.
• 32:11
  Speaker 2: And sometimes there is only one old man in that
• 32:13
  Speaker 2: whole building. Yes, they leave them alone. Only one, dude.
• 32:16
  Speaker 3: And they say that the one who stays, well, he
• 32:18
  Speaker 3: already knows what's up.
• 32:20
  Speaker 1: Yes, to machines or machines. Yes, dude, that you are
• 32:22
  Speaker 1: going to see a child, that you are going to
• 32:24
  Speaker 1: see shadows. Even, sometimes he told me that, well, inside,
• 32:26
  Speaker 1: as they are cabins, anti-noise, I mean, there are no windows,
• 32:29
  Speaker 1: there is nothing.
• 32:30
  Speaker 2: The doors close by themselves, dude. I mean, they say them,
• 32:32
  Speaker 2: you just listen, dude. And you stay thinking, how the
• 32:35
  Speaker 2: fuck do those doors close? And they are heavy doors,
• 32:37
  Speaker 2: they are cabin doors, there is no air. O sea,
• 32:41
  Speaker 2: pero pues ni modo, estás transmitiendo, güey, y a machinar,
• 32:45
  Speaker 2: o sea.
• 32:46
  Speaker 3: Sí, fíjate, estas, por ejemplo, yo no la he visto,
• 32:47
  Speaker 3: pero hay compañeros que sí que me han dicho, que
• 32:49
  Speaker 3: me dijeron que a un compañero, un conocido aquí, a
• 32:51
  Speaker 3: un locutor muy conocido, lo regañaron una vez porque dijeron
• 32:54
  Speaker 3: que qué hacía con una mujer en la cabina, si
• 32:56
  Speaker 3: saben que no tenían permitido entrar con nadie de fuera.
• 32:59
  Speaker 2: No te pases, de lanza.
• 33:00
  Speaker 3: Qué mujer, dice, si yo estaba trabajando ahí, si están
• 33:03
  Speaker 3: las cámaras de seguridad y estás tú trabajando y hay
• 33:05
  Speaker 3: una mujer sentada al lado tuyo, dice, no es cierto
• 33:07
  Speaker 3: y me quieren inventar o que no sé qué.
• 33:10
  Speaker 2: They show him the video, and he says that when
• 33:12
  Speaker 2: he saw the.
• 33:13
  Speaker 3: Video, he got white, white, because the man was working
• 33:16
  Speaker 3: like this in the office, and the woman next to
• 33:19
  Speaker 3: him like this.
• 33:20
  Speaker 2: Looking at him.
• 33:22
  Speaker 3: And companions have told me, I already saw that video,
• 33:24
  Speaker 3: but the guy doesn't want to share it, I imagine
• 33:26
  Speaker 3: that for the.
• 33:26
  Speaker 2: Same reason, or even the impression, I'm sure he won't
• 33:28
  Speaker 2: stop him, but dude, I mean, no, no, no, if
• 33:32
  Speaker 2: it's this one, I mean, who is it, do you
• 33:34
  Speaker 2: like the boy?
• 33:35
  Speaker 1: There are also, well, those are a little, maybe I'm
• 33:38
  Speaker 1: a little embarrassed to tell these experiences.
• 33:40
  Speaker 2: But did they ever tell you that the cups were
• 33:41
  Speaker 2: from the devil? The cups, no.
• 33:43
  Speaker 1: The famous cups here in Mexico, there were like some
• 33:46
  Speaker 1: plastic cups, of plastic, of Pokémon, that began to popularize
• 33:48
  Speaker 1: a long time ago.
• 33:51
  Speaker 2: So, here in some families in Mexico....
• 34:02
  Speaker 1: It was said that, well, that Pokémon was satanic. Ah,
• 34:04
  Speaker 1: that's what I was going to say. That Pokémon is satanic,
• 34:06
  Speaker 1: that Dragon Ball Z is satanic. And when the tazos
• 34:09
  Speaker 1: came out, they said that the tazos were satanic. I mean,
• 34:11
  Speaker 1: it's something very absurd, honestly. I mean, it's something very stupid.
• 34:15
  Speaker 1: But there was a friend whose mom told us an experience, güey.
• 34:21
  Speaker 2: Okay.
• 34:21
  Speaker 1: His mom told this guy all the time... Stop playing that,
• 34:25
  Speaker 1: it's satanic. Stop playing that, it's satanic. He even says
• 34:28
  Speaker 1: that he decommissioned the tazos to the.
• 34:30
  Speaker 2: Guy, I mean, and he burned them or threw them
• 34:32
  Speaker 2: in the trash. And one morning, he.
• 34:34
  Speaker 1: Says that he hears, you know, the sound of that
• 34:38
  Speaker 1: you're playing tazos. And he says that his mom told
• 34:41
  Speaker 1: his wife, this guy is a cheater and he's playing
• 34:44
  Speaker 1: tazos with his brother.
• 34:46
  Speaker 2: And he says that.
• 34:50
  Speaker 1: Open the door of the room, the mother did not
• 34:52
  Speaker 1: leave completely, but he says that he saw them in
• 34:54
  Speaker 1: the room playing and the mother said, hey boy, go
• 34:56
  Speaker 1: to sleep, stop playing tazos. And he goes back to
• 34:59
  Speaker 1: bed and he no longer heard them. The next day
• 35:01
  Speaker 1: he told them, hey, what time was it?
• 35:03
  Speaker 2: They were playing tazos. And he says, my friend, mom,
• 35:06
  Speaker 2: I never played tazos. In fact, you took them from me.
• 35:09
  Speaker 1: He says that the lady got white because she saw
• 35:13
  Speaker 1: the silhouette. Of two kids that were playing in the
• 35:16
  Speaker 1: living room. And they weren't. Even the sound. The classic
• 35:21
  Speaker 1: sound of when you're playing. The plastic on the floor.
• 35:24
  Speaker 2: And yes. That's a. It's a bit of a shame
• 35:27
  Speaker 2: to tell. Because it's absurd. But they are anecdotes. I
• 35:30
  Speaker 2: like to share them. In this forum. Those are some
• 35:32
  Speaker 2: of the anecdotes. That I have told. That.
• 35:42
  Speaker 1: They have told me about everything and they have honestly
• 35:46
  Speaker 1: left me very surprised, because you look for the logic,
• 35:48
  Speaker 1: for example, of the type of recording, at what time
• 35:51
  Speaker 1: it came out, at what time it entered.
• 35:53
  Speaker 2: So, they are things, right? They are things that are
• 35:56
  Speaker 2: sincerely paranormal.
• 35:57
  Speaker 1: For those who are watching us, you will see that
• 35:59
  Speaker 1: we have a new member here in Extra Normal Podcast,
• 36:02
  Speaker 1: the famous puppy that I have here present.
• 36:04
  Speaker 2: And well, and the guest. And I. And the guest.
• 36:06
  Speaker 2: I mean, for me it's like that, man. I came
• 36:08
  Speaker 2: a good dog.
• 36:08
  Speaker 1: Well, we have here a toy that a follower sent
• 36:10
  Speaker 1: me recently. No está posido,¿ verdad? Bueno, voy a contar
• 36:17
  Speaker 1: como una anécdota. No me digas eso, mi amor, por favor.
• 36:19
  Speaker 1: Aquí tengo a este juguete que me lo hicieron llegar.
• 36:21
  Speaker 1: Lo muestro también aquí en TikTok. Supuestamente este juguete.
• 36:26
  Speaker 2: No.
• 36:27
  Speaker 1: Supuestamente este juguete por las noches.
• 36:30
  Speaker 2: Ves que cuando camina mueve sus patitas? Amigos, yo los
• 36:34
  Speaker 2: quiero mucho. Nos vemos para la próxima edición.
• 36:37
  Speaker 1: Supuestamente este juguete cuando le jalas la cuerdita y camina
• 36:41
  Speaker 1: va moviendo las patitas.
• 36:42
  Speaker 2: O sea, se mueve siempre y cuando tú lo muevas.
• 36:44
  Speaker 3: Y se popularizó que este juguete, no sé qué demonios tiene,
• 36:48
  Speaker 3: o qué demonios tiene, que por las noches se empieza
• 36:53
  Speaker 3: a mover como si lo jalaran y empieza a mover
• 36:55
  Speaker 3: las patitas. Y me dice un seguidor, el mío hace eso,
• 36:58
  Speaker 3: te lo voy a enviar para que lo veas, lo cheques.
• 37:02
  Speaker 1: Y ya le di el nombre de la paquetería, me
• 37:03
  Speaker 1: lo envió aquí por DHL. Hoy lo fui a recoger
• 37:06
  Speaker 1: y hoy nos acompaña aquí con nosotros en Podcast Extranormal.
• 37:11
  Speaker 2: Y aquí mi buen amigo sin nombres está.
• 37:13
  Speaker 3: A mí no me amenazan primero. Si me amenazan con
• 37:16
  Speaker 3: que va a haber cosas, sí, jalo y le pienso.
• 37:17
  Speaker 3: Y así me las pones aquí. No, fíjate, qué bueno
• 37:20
  Speaker 3: que lo dices. Yo me acordé de otra. Es que
• 37:22
  Speaker 3: tengo hasta mala suerte. A mí no me tocan eso.
• 37:24
  Speaker 3: Les tocan a personas cercanas. Un vecino, también de hace
• 37:27
  Speaker 3: muchos años, cuando era niño, cuando era bebé. Había tenido,
• 37:30
  Speaker 3: yo creo, sus dos, tres años porque ya hablaba o balbuceaba.
• 37:35
  Speaker 2: Tenían un Winnie Pooh. Tenían un Winnie Pooh, güey.
• 37:38
  Speaker 3: Y dice que pues el niño dormía con el peluche
• 37:42
  Speaker 3: y la mamá dormía con el niño, entonces estaba así.
• 37:44
  Speaker 2: Entonces dice que.
• 37:44
  Speaker 3: Luego el niño en la mañana no despertaba con el peluche,
• 37:48
  Speaker 3: que lo pateaba y la mamá lo regañaba porque se
• 37:50
  Speaker 3: ensucia o algo,¿ no? Y el niño le decía, no,
• 37:52
  Speaker 3: que no, le decía, no, peluche no, muelle, dice, me muerde.¿
• 37:56
  Speaker 3: Cómo te va a morder?
• 37:57
  Speaker 2: Dice, es un peluche. No, dice, me muelle.
• 37:59
  Speaker 3: Y la mamá decía, no, hombre, que no sé qué.
• 38:02
  Speaker 3: Y le ponía el peluche y el niño lloraba, güey.
• 38:04
  Speaker 3: Entonces dice la señora, pero pues es que yo ya
• 38:06
  Speaker 3: lo compré y es para ti, ahí tenlo.
• 38:07
  Speaker 2: Entonces, yo creo que.
• 38:08
  Speaker 3: También no pensaba,¿ no? Dicen que los niños ven cosas
• 38:11
  Speaker 3: que nosotros,¿ no? Eso me queda claro, viejo. Tenlo por seguro. Entonces,
• 38:16
  Speaker 3: pues ya dice que un día el niño no estaba.
• 38:18
  Speaker 3: O creo que sí estaba, pero no estaba ahí con ella,
• 38:20
  Speaker 3: estaba en otro lado. El chiste es que estaban dormidos
• 38:23
  Speaker 3: y la señora se quedó dormida.
• 38:24
  Speaker 2: Con el juguete al lado.
• 38:25
  Speaker 3: Entonces dice que sí, que la señora se acuerda que
• 38:27
  Speaker 3: ahí tenía el peluche y todo.
• 38:29
  Speaker 2: Dice que ya estaba y que empezó a sentir que lo...
• 38:32
  Speaker 2: como que la empujaba... Pero ella, yo creo, en la
• 38:34
  Speaker 2: costumbre creyó que era el bebé, güey. Y estaban y todo. Entonces,
• 38:37
  Speaker 2: dice que empezó a sentir, dice, pero como que sintió
• 38:39
  Speaker 2: muy raro,¿ no? Dice que de repente que siente que
• 38:41
  Speaker 2: la muerden, pero la mordieron recio. O sea, dice que
• 38:44
  Speaker 2: la dejaron, se murió. Dice,¡ ay!
• 38:45
  Speaker 3: Dice, y cuando ella despierta y hace el madrazo para
• 38:48
  Speaker 3: ver así, el peluche venía prensado.
• 38:51
  Speaker 2: Güey, de ella. No, macho. La agarró, o sea, y güey,
• 38:54
  Speaker 2: el peluche no tiene boca porque es un peluche. Claro.
• 38:56
  Speaker 3: Pero el peluche la agarró y en el momento en
• 38:59
  Speaker 3: que ella hace así, güey, claramente siente cómo se le
• 39:01
  Speaker 3: despega el peluche y caen. bestia marcado we la mordió
• 39:06
  Speaker 3: el peluche we dice no saca la gorra pues ya
• 39:08
  Speaker 3: lo tiró no sé si lo quemó o que le.
• 39:10
  Speaker 2: Fue a hacer yo ya lo hubiera quemado we.
• 39:12
  Speaker 3: Pero si dice we el peluche me mordió we mi
• 39:15
  Speaker 3: niño me dijo y no le.
• 39:16
  Speaker 1: Hice caso te voy a ser honesto wejo yo si
• 39:18
  Speaker 1: soy este medio no se coyón para esas cosas digo
• 39:21
  Speaker 1: hoy quería presentar a este pequeño pero es la última
• 39:25
  Speaker 1: vez que lo van a ver sinceramente estas cosas simplemente
• 39:28
  Speaker 1: que lo quería mostrar pero There is a question without
• 39:21
  Speaker 1: name that they made me.
• 39:22
  Speaker 2: Let's see, let's see.
• 39:49
  Speaker 3: Que me dicen, Paco,¿ cuál es la película que más
• 39:53
  Speaker 3: te ha gustado? Ves que te estaba platicando una película
• 39:56
  Speaker 3: que me gustó mucho ahorita antes de comenzar el programa.
• 39:58
  Speaker 2: Te la quiero comentar. A ver, a ver.
• 39:59
  Speaker 1: Porque veo una semejanza tremenda, sinceramente, con las cosas que
• 40:04
  Speaker 1: sí existen. O sea, yo tengo una fe, que siempre
• 40:08
  Speaker 1: he dicho que me la reservo, y he vivido muchos exorcismos,
• 40:12
  Speaker 1: he estado.
• 40:12
  Speaker 2: Presente en muchos exorcismos, sinceramente.¿ En serio? Claro que sí, hermano.
• 40:16
  Speaker 1: De hecho, tengo por ahí una experiencia que yo viví, Entonces,
• 40:19
  Speaker 1: ya le he contado otras veces, tranquilo, respira, no pasa nada.
• 40:23
  Speaker 1: Aquí mi amigo es medio, no sé, como que le
• 40:26
  Speaker 1: da un poco de miedo.
• 40:28
  Speaker 2: Es que no venía tan preparado. Nada, nada, nada. Yo
• 40:32
  Speaker 2: lo tengo bendito. Sí, hombre,¿ no? Pero bueno, bendita la
• 40:34
  Speaker 2: coca que está ahí.
• 40:35
  Speaker 1: Entonces, hay una película que cuando la vi, sinceramente me
• 40:38
  Speaker 1: gustó bastante. Es la película de la bruja. Right now
• 40:45
  Speaker 1: I'm looking for.
• 40:46
  Speaker 3: The name of the director because I don't remember the
• 40:48
  Speaker 3: name of the director. Honestly, from what I read, this director,
• 40:51
  Speaker 3: who is, it seems to me, Robert, Robert is his name.
• 40:54
  Speaker 1: Made this movie and I think it was his debut.
• 40:57
  Speaker 1: It was his first movie and, honestly, he said it's
• 41:00
  Speaker 1: one of my favorite movies.
• 41:01
  Speaker 2: Okay.
• 41:02
  Speaker 1: Because it's a very different movie from horror movies. You
• 41:07
  Speaker 1: see that normal horror movies, there's a lot of blood,
• 41:09
  Speaker 1: they're very bloody. Sometimes I don't even like to watch them,
• 41:12
  Speaker 1: not because of the fear. Sino porque te da hasta
• 41:15
  Speaker 1: cierto asco.
• 41:16
  Speaker 2: Lo gráficas que son luego,¿ no?
• 41:18
  Speaker 1: Exactamente, por ejemplo, Locausto Caníbal, o sea, La del Camino
• 41:21
  Speaker 1: hacia el Terror. Tienen suspenso, que sí me gusta, pero
• 41:24
  Speaker 1: cuando hay tanta sangre como que, no sé, me aburre cuando.
• 41:26
  Speaker 2: Veo tanto de eso.
• 41:28
  Speaker 1: Entonces, esta película no trae sangre así como tal, pero
• 41:33
  Speaker 1: es un terror muy diferente. O sea, es un terror
• 41:36
  Speaker 1: que te perturba eso. The movie, for those who have
• 41:41
  Speaker 1: not seen it, I really recommend it. And if you
• 41:43
  Speaker 1: don't like it, excuse me. The truth is that I
• 41:45
  Speaker 1: did like the movie a lot. This movie talks about
• 41:47
  Speaker 1: a family from New England.
• 41:50
  Speaker 2: Supposedly in the year 1630.
• 41:51
  Speaker 1: In the years when supposedly there was a woman. That
• 41:56
  Speaker 1: they began to catalog that she was a witch.
• 41:59
  Speaker 2: They burned her in the bonfire. I mean, it was
• 42:01
  Speaker 2: in those years. With the cold. Exactly.
• 42:04
  Speaker 1: So, this family was composed of a marriage of... of
• 42:07
  Speaker 1: five people, two parents, three children, sorry, five children, there
• 42:12
  Speaker 1: were seven people, the five children and the two parents,
• 42:14
  Speaker 1: they were some colonians who were Christians, they were parents
• 42:19
  Speaker 1: of five children, and they lived near a forest, to
• 42:22
  Speaker 1: which the popular legend attributes that it was a demoniac-like forest,
• 42:26
  Speaker 1: it was a very cursed forest, so here the story
• 42:31
  Speaker 1: or the plot revolves around the eldest daughter, she was
• 42:34
  Speaker 1: called Tomasín, Tomasín was called La Chica. It's a weird name.
• 42:38
  Speaker 1: It's called Tomasín.
• 42:41
  Speaker 2: Okay, Tomasín.
• 42:42
  Speaker 1: So, they were like Christians at the end of the line,
• 42:46
  Speaker 1: in the sense that you had to pray and ask
• 42:48
  Speaker 1: forgiveness from God. And, for example, this girl prayed and
• 42:52
  Speaker 1: asked forgiveness from God for having disobeyed her parents, for
• 42:55
  Speaker 1: not fulfilling her duties, because one day she didn't do
• 42:57
  Speaker 1: what her mom told her. And they were people like
• 43:00
  Speaker 1: very linked to Christianity and Y su miedo de ellos
• 43:05
  Speaker 1: pues era ir al infierno al morir. Entonces tenían muy
• 43:09
  Speaker 1: inculcados ese temor a Dios que cualquier cosa oraban.
• 43:12
  Speaker 2: Eran personas, te digo, muy cristianas.
• 43:15
  Speaker 1: Un día se encontraba la hija, esta muchacha, Tomasín, con
• 43:18
  Speaker 1: el hermanito más chiquito que era un bebé. Entonces estaba
• 43:21
  Speaker 1: en el bosque y mientras ella le jugaba al famoso
• 43:25
  Speaker 1: onda bebé que se tapaba los ojos y abría, en
• 43:27
  Speaker 1: una de esas la bebé no estaba, güey.
• 43:31
  Speaker 2: La bebé desaparece al momento.
• 43:33
  Speaker 1: Y pues era un bebé de brazos, entonces ahí empieza
• 43:36
  Speaker 1: como que la trama, porque empiezan a buscar a la
• 43:39
  Speaker 1: bebé y se ve viejo que el que robó a
• 43:42
  Speaker 1: la bebé pues fue una bruja, una bruja se lo
• 43:45
  Speaker 1: roba para luego matarlo y bañarse en su sangre, o
• 43:47
  Speaker 1: sea se ve la escena, no está tan gráfica la escena,
• 43:51
  Speaker 1: pero sí se logra ver lo que hace exactamente, entonces
• 43:56
  Speaker 1: te digo, te perturba, es un terror que te perturba.
• 43:59
  Speaker 1: Y dentro de la trama, pues, las brujas en esa
• 44:01
  Speaker 1: película tenían la habilidad de volar usando la sangre de
• 44:05
  Speaker 1: niños no bautizados. Entonces, ahí es donde se desata la trama,
• 44:09
  Speaker 1: donde empiezan como que los problemas en la familia. Por ejemplo,
• 44:13
  Speaker 1: la mamá queda muy traumada, muy dolida, a pesar de
• 44:15
  Speaker 1: que tenía cinco hijos. Perder a uno, pues, le dolió demasiado, digo,
• 44:18
  Speaker 1: cualquier padre.
• 44:19
  Speaker 2: Pero, este, empiezan.
• 44:22
  Speaker 1: Inside the siblings of this girl there were two little
• 44:24
  Speaker 1: twins of about 5 or 6 years old.
• 44:25
  Speaker 2: They were one of those annoying, annoying children.
• 44:28
  Speaker 1: And they started to say, they had animals, that a
• 44:33
  Speaker 1: goat that they had, had told them that their sister
• 44:37
  Speaker 1: was a witch. And she starts to say, yes, yes,
• 44:40
  Speaker 1: I'm a witch, and if they keep bothering me, I'm
• 44:42
  Speaker 1: going to eat them and I'm going to eat them
• 44:44
  Speaker 1: with their blood. The children get scared and start telling
• 44:48
  Speaker 1: their father that, as I told you, his father was
• 44:51
  Speaker 1: a very, very, very Christian man.
• 44:53
  Speaker 2: And to the extent that he begins to believe that
• 44:55
  Speaker 2: his daughter is a witch.
• 44:56
  Speaker 1: And they begin to interrogate him, they begin to tell
• 44:59
  Speaker 1: him that he sold his soul to the devil, that
• 45:02
  Speaker 1: he knew he was going to go to hell, etc.
• 45:05
  Speaker 2: So, what happens?
• 45:07
  Speaker 1: One day, the father, because they were exiled from his city.
• 45:12
  Speaker 1: They go to the forest, they were in the forest
• 45:14
  Speaker 1: and they ran out of food, so they try to
• 45:16
  Speaker 1: go hunting.
• 45:17
  Speaker 2: In the forest.
• 45:18
  Speaker 1: And being there, he realizes that there was a bunny,
• 45:23
  Speaker 1: a bunny that makes you call attention, that is watching
• 45:27
  Speaker 1: them from afar. It is attributed that supposedly it is
• 45:30
  Speaker 1: a witch who transforms into an animal, a famous Nahuatl.
• 45:32
  Speaker 2: A Nahuatl.
• 45:33
  Speaker 1: So, one day, the brother, he realizes that there was
• 45:36
  Speaker 1: the girl, Tomasín, of about 17 years old. There was
• 45:40
  Speaker 1: the brother who followed him, who was already a pre-puberty
• 45:43
  Speaker 1: of about 12, 13 years, that he already started to
• 45:45
  Speaker 1: attract the attention of women. I mean, like he was
• 45:47
  Speaker 1: looking at his sister, at the neck of his sister.
• 45:50
  Speaker 1: Then came the two little twins, that I told you
• 45:52
  Speaker 1: were the annoying ones, and the last, the fifth, the
• 45:54
  Speaker 1: child who disappeared. One day the brother, the second, so
• 45:56
  Speaker 1: to speak, takes seriously the fact that he was the
• 45:59
  Speaker 1: man of the house and decides to go look for
• 46:03
  Speaker 1: the baby. So he goes into the forest and finds
• 46:10
  Speaker 1: a very, very beautiful naked woman. And he starts to
• 46:16
  Speaker 1: seduce her, he starts to seduce her, he starts to
• 46:19
  Speaker 1: seduce her. And the boy falls. He was at the
• 46:23
  Speaker 1: age of, you know.
• 46:25
  Speaker 2: Yes, I was. Yes, I was. So the boy falls, disappears.
• 46:31
  Speaker 1: And the mom, I mean, the mom was like in
• 46:32
  Speaker 1: a nervous crisis from the first loss of her first baby.
• 46:37
  Speaker 1: Y después de que desaparece, empiezan a buscar el papá
• 46:40
  Speaker 1: y la muchacha empiezan a buscar a este niño. Y
• 46:44
  Speaker 1: los gemelos, no, se lo comió mi hermana. Se iban
• 46:48
  Speaker 1: tirándole a la hermana, güey. El caso es, y lo
• 46:51
  Speaker 1: que me llama la atención es que el niño aparece
• 46:54
  Speaker 1: a los pocos días y llega.
• 46:56
  Speaker 2: Solito a su casa, pero llega desnudo.
• 46:58
  Speaker 1: Completamente desnudo, pálido y estaba como que era un zombie.
• 47:03
  Speaker 1: Y todos felices de verlo. Pero el niño llega y
• 47:08
  Speaker 1: se dan cuenta que no está bien. O sea, que
• 47:10
  Speaker 1: llegué a un estado muy raro.
• 47:12
  Speaker 2: Malito. Sí, o sea, muy mal.
• 47:14
  Speaker 1: Y el papá se da cuenta que el hijo estaba embrujado.
• 47:19
  Speaker 1: Le habían hecho brujería. Para no hacerte el cuento largo,
• 47:22
  Speaker 1: el chico, estando ahí, empiezan a orar. Como que al
• 47:26
  Speaker 1: practicar una liberación en lo que yo he estado.
• 47:29
  Speaker 2: La del chavo. Exactamente.
• 47:31
  Speaker 1: Empiezan a orar. Empiezan a decir. Y el chavo, el niño, despierta.
• 47:36
  Speaker 1: But he says a tremendous prayer, that right now I'm
• 47:38
  Speaker 1: going to give my point of view about that, and
• 47:41
  Speaker 1: he spits an apple, or spits the curse or that
• 47:46
  Speaker 1: which engulfed him, and he automatically dies. So, the story
• 47:51
  Speaker 1: or the outcome of this story is when the family
• 47:54
  Speaker 1: begins to go to the brink of collapse due to
• 47:56
  Speaker 1: so many problems, the mother... With the nervous crises, the
• 47:59
  Speaker 1: father begins to say that God abandoned them. The children
• 48:03
  Speaker 1: screaming like crazy that the witch was there. I mean,
• 48:05
  Speaker 1: a disaster, a disaster. At the end, everyone dies. Everyone dies.
• 48:11
  Speaker 1: And this girl stays alive. She stays alive. The one
• 48:14
  Speaker 1: who said she was a witch. The one who said
• 48:16
  Speaker 1: she was a witch. She ends up killing her mother.
• 48:18
  Speaker 1: Because the mother, like they start to do witchcraft to her.
• 48:21
  Speaker 1: And the mother goes to the blows to her. And she,
• 48:23
  Speaker 1: with defending herself, ends up killing her. And the father
• 48:26
  Speaker 1: dies because a goat... He kills him. A black goat
• 48:30
  Speaker 1: kills him. Of the ones he had as animals. So
• 48:33
  Speaker 1: the movie ends.
• 48:34
  Speaker 2: When she stays completely alone. And goes to the herd.
• 48:38
  Speaker 2: And goes to the goat. And says. The twins say
• 48:40
  Speaker 2: that you talk. That you talk to them. That you
• 48:44
  Speaker 2: give them orders. And she starts to say. That's a lie.
• 48:47
  Speaker 1: I want you to talk to me. Let's see if
• 48:49
  Speaker 1: it's true that you talk to me. And she starts
• 48:51
  Speaker 1: to make the goat talk to her. Usually she doesn't
• 48:54
  Speaker 1: talk to her. Y ella se va y dice, sí,
• 48:58
  Speaker 1: ya sabía, tú no me vas a hablar, no es
• 49:00
  Speaker 1: cierto lo que ellos dijeron. Y cuando se da la vuelta, güey,
• 49:03
  Speaker 1: la cabra le dice,¿ para qué quieres que yo te hable?
• 49:06
  Speaker 2: O algo así. Y dije, bestia, aquí empieza lo chido, güey.
• 49:10
  Speaker 1: Y entonces, ahí se ve cómo ella se inicia, habla
• 49:14
  Speaker 1: con la cabra, se desnuda, le dice que ella, Ya
• 49:17
  Speaker 1: perdió todo, o sea ya le daba igual Y algo
• 49:20
  Speaker 1: así El caso es que esta chica El tipo le
• 49:24
  Speaker 1: dice muéstrate o enséñame Se desnuda completamente Y se ve
• 49:28
  Speaker 1: la escena güey Como ella va entrando al bosque Completamente
• 49:32
  Speaker 1: desnuda con la cabra por delante Y van a un
• 49:35
  Speaker 1: punto Donde se ven a un montón De mujeres desnudas floating,
• 49:40
  Speaker 1: doing as if something tickles her, that is, laughing like
• 49:43
  Speaker 1: crazy in the middle of a bonfire, and little by
• 49:46
  Speaker 1: little she begins to incorporate this, that is, she begins
• 49:50
  Speaker 1: to laugh, and until she begins to meditate too, that is,
• 49:53
  Speaker 1: the movie ends with this girl, who ends up becoming
• 49:56
  Speaker 1: a real witch, doing a demonic pact, so this is
• 49:59
  Speaker 1: one of my favorite movies, honestly, I liked it a lot,
• 50:02
  Speaker 1: because it's a horror, Que te perturban, no es un
• 50:07
  Speaker 1: terror de sanguinario. Es un terror psicológico,¿ no? Es un
• 50:10
  Speaker 1: terror muy padre. La verdad, una de mis películas favoritas.
• 50:12
  Speaker 1: Se las recomiendo si no la han visto.
• 50:13
  Speaker 3: Yo iba a decir que la de Shrek.
• 50:16
  Speaker 1: Pero sinceramente sí está con madre esa película.
• 50:21
  Speaker 2: Pero¿ sabes qué fue lo que me llamó mucho la atención?
• 50:23
  Speaker 2: Aquí quiero hacer énfasis.
• 50:25
  Speaker 1: La escena, güey, cuando el niño se libera o el
• 50:28
  Speaker 1: niño se exorciza.
• 50:30
  Speaker 2: Se exorciza.
• 50:31
  Speaker 1: Porque cuando... Eso es lo que yo he vivido y
• 50:33
  Speaker 1: eso es real porque... where I have been, they do
• 50:37
  Speaker 1: exactly the same thing, they are praying to the person
• 50:42
  Speaker 1: as it is, and when he is going to expel
• 50:46
  Speaker 1: something out of his mouth, well, in the scene the
• 50:49
  Speaker 1: child makes a prayer that the Christians, and I don't
• 50:52
  Speaker 1: know if the Catholics too, they tell him the prayer
• 50:54
  Speaker 1: of faith, which is when you accept the Lord your
• 50:57
  Speaker 1: God as your only sufficient Savior, in the movie the
• 51:01
  Speaker 1: child says it, I accept you, and the whole prayer
• 51:03
  Speaker 1: is made real, I mean, I mean, it was like,
• 51:06
  Speaker 1: I don't know, the director, I don't know if Indago
• 51:09
  Speaker 1: or what, but he got so into the role that
• 51:12
  Speaker 1: that scene was so realistic, dude. It was realistic, just
• 51:15
  Speaker 1: like I've seen it in the exorcisms where I've been. Well,
• 51:16
  Speaker 1: the liberations, the same, I mean, people say that prayer
• 51:19
  Speaker 1: and automatically they vomit. Only that the ones I've seen
• 51:23
  Speaker 1: don't die, they're like fainted, but in the movie the
• 51:25
  Speaker 1: boy does die. I mean, it was a very strong
• 51:28
  Speaker 1: scene that, honestly.
• 51:31
  Speaker 1: Me sacó mucho de onda, me sorprendió, porque es una
• 51:35
  Speaker 1: de las cosas que sí, yo he vivido, lo he visto,
• 51:38
  Speaker 1: y me sorprendió, güey, no sé si tú ya viste
• 51:40
  Speaker 1: esa película. La bestia, no la he visto, güey, no
• 51:42
  Speaker 1: la he visto, pero, o sea, digo, puede sonar spoiler
• 51:45
  Speaker 1: porque doy las cuentas, pero, o sea, verla, me imagino
• 51:47
  Speaker 1: que el peso ahí es verla, no la he visto, pero, güey. Sí,
• 51:50
  Speaker 1: la recomiendo, creo que Netflix la tiene, si no la tiene,
• 51:52
  Speaker 1: la pueden ver por otros medios.
• 51:53
  Speaker 3: Es que es muy denso el terror psicológico, porque el
• 51:56
  Speaker 3: terror habitual, por lo menos el que ves en películas,
• 51:59
  Speaker 3: A veces ya está muy chafeado, la verdad.
• 52:03
  Speaker 2: Muy repetitivo. Y no dudo que pasen así, o sea, digo,
• 52:06
  Speaker 2: porque ya.
• 52:07
  Speaker 3: Ves la película y se ve bien chafa, pero nada,
• 52:09
  Speaker 3: si fuera una vida real, sí, no, estaría muy cabrón.
• 52:13
  Speaker 3: Pero sí, el terror psicológico es muy pesado y sé
• 52:17
  Speaker 3: que también es un arte a veces incomprendido,¿ no?
• 52:21
  Speaker 2: Digo, a los.
• 52:22
  Speaker 3: Ojos de cada uno las cosas varían,¿ no? Trabajarlo de
• 52:30
  Speaker 3: manera que funcione. Porque es muy denso. Hay muchas personas
• 52:34
  Speaker 3: que para mí puede ser como muy traumante. Y para
• 52:37
  Speaker 3: otras no. Pero llegar a un punto en el.
• 52:38
  Speaker 2: Que hace todo muy bizarro. Que funciona.
• 52:42
  Speaker 1: Es que lo que tiene esa película es que tú
• 52:43
  Speaker 1: no sabes lo que va a pasar. Porque yo en
• 52:45
  Speaker 1: ningún momento pensé que una niña.
• 52:47
  Speaker 2: Como ella. Con su fe tan puesta. Terminar haciendo una bruja.
• 52:51
  Speaker 1: Haciendo un pacto. Es que como tú dices. Lo que
• 52:55
  Speaker 1: tiene esa película es que no es como las convencionales.
• 52:58
  Speaker 1: Que te muestran. A repetitive story, a typical friend who
• 53:04
  Speaker 1: goes on vacation and a maniac finds them and starts
• 53:06
  Speaker 1: killing them one by one. Here we talk about Jason,
• 53:09
  Speaker 1: we talk about Freddy, here we talk about Michael Myers.
• 53:14
  Speaker 2: It's like something that always repeats itself.
• 53:17
  Speaker 1: For example, the theme of the new Winnie Pooh movie,
• 53:20
  Speaker 1: which is already horror. the same scene, some friends are
• 53:24
  Speaker 1: in a camp and these guys come out, it is
• 53:26
  Speaker 1: something that is repeated, you already know how it ends,
• 53:28
  Speaker 1: you already know that there is going to be blood,
• 53:31
  Speaker 1: but this movie, you don't know what's up, you start
• 53:33
  Speaker 1: to see it, you get into the story, and especially
• 53:36
  Speaker 1: because the actors are very good, sincerely, and it goes
• 53:39
  Speaker 1: back to the 1600s when they burned the fleas, so
• 53:40
  Speaker 1: a movie that I recommend a lot, guys, sincerely, I
• 53:44
  Speaker 1: liked it a lot, I recommend it to you too, I'm.
• 53:49
  Speaker 2: Going to watch it.
• 54:07
  Speaker 3: Les mando un fuerte saludo a todos los que me
• 54:09
  Speaker 3: están mirando por acá. Hay bastantes nombres. Eslías Cáceres, Olvera, Isarano, Mr.
• 54:14
  Speaker 2: Bonnie. Saludos a todos. Gracias por estar también mirando.
• 54:16
  Speaker 3: Saludos en nombre porque sinceramente aquí no los puedo ver.
• 54:19
  Speaker 2: Sinceramente, gracias a todos los que.
• 54:20
  Speaker 1: Nos están también sintonizando y nos están mirando aquí por
• 54:23
  Speaker 1: medio de YouTube. Para los que nos escuchan por medio
• 54:25
  Speaker 1: de Spotify, Amazon Music, muchas gracias. Sinceramente, la verdad, hoy estamos,
• 54:30
  Speaker 1: pues ahora sí que of luxury because a good content
• 54:33
  Speaker 1: creator accompanies us, the good one without a name.
• 54:35
  Speaker 2: How do you find yourself without a name?
• 54:37
  Speaker 3: That's how you find me on all my social networks,
• 54:38
  Speaker 3: without an official name, Facebook, Instagram, YouTube, and TikTok.
• 54:41
  Speaker 2: Perfect.
• 54:42
  Speaker 3: TikTok I have a little bit, but if you are
• 54:44
  Speaker 3: watching right now and you help us to get there,
• 54:45
  Speaker 3: at least for transmissions, it would be great.
• 54:47
  Speaker 1: Thank you, there we invite you to take a walk
• 54:49
  Speaker 1: and visit the content that the good one without a
• 54:51
  Speaker 1: name does, sincerely you will like it a lot, you
• 54:53
  Speaker 1: are going to die laughing, the truth is that he
• 54:55
  Speaker 1: makes some content, some videos, Very cool. I recommend them.
• 54:59
  Speaker 1: You can find them as Sin Nombre Oficial on all
• 55:01
  Speaker 1: their social networks.
• 55:02
  Speaker 3: We have one with you, right? Yes, when was the event. Well,
• 55:04
  Speaker 3: it was not as such, but it was when the
• 55:06
  Speaker 3: event of Tux, right?
• 55:07
  Speaker 2: The Rock Festival. Exactly, there you will see me with
• 55:09
  Speaker 2: a few less kilos. We are all in black.
• 55:11
  Speaker 1: Yes, because there were some events out there that we
• 55:14
  Speaker 1: were doing. So, guys, we recommend the channel El Buen
• 55:17
  Speaker 1: Sin Nombre. The truth is that you are going to
• 55:19
  Speaker 1: like it a lot. Come support here to the guests
• 55:21
  Speaker 1: who are with us on Extra Normal Podcast. We thank
• 55:24
  Speaker 1: you very much for being in this new chapter. Honestly,
• 55:27
  Speaker 1: I enjoyed it a lot. I had a great time.
• 55:29
  Speaker 1: Me too.
• 55:29
  Speaker 2: Thank you for coming, for giving you the time, brother.
• 55:31
  Speaker 2: Tomorrow I'll tell you what I dreamed. Exactly. Tomorrow you
• 55:34
  Speaker 2: tell me. We also take the opportunity to say goodbye
• 55:36
  Speaker 2: to those who are watching us here through TikTok. Thank you.
• 55:37
  Speaker 2: You know we send greetings to those who see us live. Guys,
• 55:39
  Speaker 2: thank you for being here.
• 55:41
  Speaker 1: Thank you for being with us in one more chapter.
• 55:43
  Speaker 2: And we'll see you later in a new chapter. Take care.
• 55:45
  Speaker 2: I send you a big hug. Bye.
• 55:53
  Speaker 3: Thank you.