Latest / Tecuento / Tecuento T3 P 09 - Patricia Galante / El Ego, los artistas y otros / La Novia

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Tecuento T3 P 09 - Patricia Galante / El Ego, los artistas y otros / La Novia · Tecuento

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A program to share. Daniel Linsonic drives Friday to fourteen hours on Radio Trentopic
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the stories to or the gallar. I write without thinking, without thinking where
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I know my wave and that are many different pomato about sable x fun you
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call home. I know it means goodbye to us. Those pictures are very
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good afternoon, dear friends, very good night for good parts of the world,
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very good morning for others. And you know, according to when you
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hear us, when you see us, you are now beginning to listen to
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a new program of telling you from Radio Train Topic' s biggest studio,
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the radio after half number one in Argentina. Today I am accompanied by the
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operation and musicalization Matías esquivel, so we welcome him and good to let us
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see passes the usual to eleven twenty- six, forty- two, two,
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one thousand forty- two and from the outside to putting the prefix plus
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fifty- four, nine and then the number eleven, twenty- six,
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forty- two, twenty forty- two. Today at Mass we have a
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very dear guest, Patricia Galante. How are you, Patricia? How are
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you doing? Good afternoon, Daniel. Thank you for the invitation. All
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right, all right, all right, thanks to the radio, too,
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for the opportunity. Patricia is an entrepreneur and amate mater of fairy Patricias delantables
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Aca has passed many entrepreneurs and always the idea of ours and each writer,
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each explains his or her life experiences, because some detail of those help us
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to clarify some doubt that we can have. Patricia when you started this.
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Well, almost fourteen years ago I started well, I' m the creator
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of Patricia Adelantales. It' s an undertaking that found me. I didn
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' t find it. I never thought I was going to be an entrepreneur.
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I was in another category. I have a training in business management,
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so I' ve always been working in companies, but well it came out
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that I was already an age when I wasn' t called to work in
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offices. So, well, a friend proposed. It was actually, it
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was the idea of a friend who told me why I don' t know
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if aprons. For us she' s an initial teacher and besides, that
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psychopedagogue and well, she like giving me a say in a hand of idea
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that I could do something on my own proposed this day that at first made
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me very angry. I thanked her because, well, I was thinking,
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let' s say ideas for me to get ahead in the economics, but
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I got very angry because I thought, but why she thinks that I can
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sew to be forward and good. When time passed and I saw that the
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work did not arrive, I said well, let' s try and with
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an investment, I remember that it was 150 pesos fourteen years ago. That
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' s it. I don' t know how much to calculate it right
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now, but it hit me to make six aprons. With those six aprons,
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I went to school where she worked and I tried I said well,
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I mean I' m a good quotient. I did it in a way
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like a hobby to be ropita for my kids when they were little and I
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said good how about last, I do it as a hobby until I get
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something formal in a company. And that' s how it started. I
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went to sell them at six on the same day and also went out with
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a request of four more forwards. So, well, I' m not
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saying I got excited because I still didn' t see it viable the possibility
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of working as an entrepreneur, but well, that' s how I started
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and well the business took me, it took me and well, then the
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name came up. The slogan. Let' s say I built a branding
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around that business and when I wanted to remember the years went by and why
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I was going to Patricia, ah Patricia, Well, my name was particularly
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chosen by my brother, my brother. I have a brother five years older
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than me and when they were going to be I was in my mom'
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s belly. My brother was watching Fairy Patricia' s comics in the anteojito.
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I don' t know if mbh you don' t eyes. Yeah,
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well, those of my generation are gonna remember it and he said I
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want her to be called Patricia as Ice Cream Patricia. And, well,
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that' s how it was. They gave me that name and when I
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thought of my name idea, the first thing I came to my head was
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that aside, because it came in a way I don' t know.
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I see it from the beginning my business. I see it as magical and
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then with other components that were given over the course of the clade years looking
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at the monitor, because I left that sentence of my widow not summon me
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you are not in unity or you were not in unity. At that point,
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I imagine fourteen years ago. Critic, no, but, well,
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what happened was that there were many girls or my age or younger than me,
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then I was forty forty- one, forty- two in which already
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what I had was no longer enough. Then they had other languages, i
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e they had English, plus they had German. So it was like it
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was a rabbit race, after the carrot, the technological change, in the
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circumstances still and then my social situation. Let' s say familiar, because
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I had very small children at the time and it was hard to get in
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too. Well, I guess it' s still hard for a lot of
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women, but well, that' s why I' m very grateful to
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my business, because my business allowed me not only to raise my kids when
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they were still very young, but also to study because I' m then
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a career, another college career over the course of these years. So,
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well, I' m very grateful for multiple factors. You were your ceremonial
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language and protocol. I' m a university technician, in ceremony, in
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protocol with the University of the Massacre. Very well, very well and soon
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also teacher, because I will teach one nut per week in a very good.
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I liked it, I liked it better, and that' s teaching.
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Yeah, that' s something new for me too that doesn' t
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take me away. Let' s say time for my business, because I
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' m going to do it in the evening night, once a week and
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well I' m going to try no line. Yeah, yeah, once
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he grabs your teaching bug, yeah, he didn' t figure it out.
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I thought it was never more. I was surprised by the curl I
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work on, because always, I mean, I never had it as an
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alternative to studying. Well, then he was a magisterium. Well now being
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primary school teachers a starting level. I never thought of it as an alternative.
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I never saw myself I never thought it was a teacher' s niche,
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because I said good I started, because I started in February, at
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the beginning of January, at the beginning of February and I thought good I
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do now everyone was saying good. You' re going to work until March,
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until April, and then it came about that in April there were some
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teachers' practices and in May, because it was the country holidays in June.
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For this, in July and when I wanted to remember I worked all
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year. It' s more than people. Sometimes my family is surprised how
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I work. I work most in December and January, because in December they
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are all in schools that want to renew for the following year and or teachers
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that want to say good before going on vacation, I buy the apron.
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Then it' s something I' ve been discovering over the years, too.
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Not a thing. I' m from another generation and for me the
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teachers had white dust guard. Yeah, yeah, when he started changing that
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dust ranger thing with guard colors or it' s for a certain kind of
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degrees. I saw the process of that myself. When I started it was
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in the two thousand ten when I started we were in the I eats,
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in the free market, we were me was the third, I went in
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and it was the third. We were three people who sold. One of
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them was good, I don' t want to name the competition, but
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good some. Some of them disappeared. Two of them disappeared and one continues
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with the business and they were all like inside the ponchitos, i e ponchito
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is called a sleeveless apron. It' s a shirt style, but without
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a neck or with a Babby neck, whatever baby we say and kangaroo pocket
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or two pockets were the classics. They had some blank tipper detail, but
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mostly they were white. There was not very little detail and the detail was
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pale and pastel and good when I started. I don' t know how
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the idea of starting to put colors came up. I mean, I always
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say I' m the one, let' s say I was the pioneer.
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Let' s say in this thing of putting color in it and getting
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guaso into the fabrics and well, then, then, the competition is like
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it was a great inspiration of the competition I' ve seen. Well,
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Patricia' s one. So, well, you' ve compared someone there
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to another country that does this. Once my brother gave me some photos of
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u that is something pending. Also that I have to take some pictures of
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some German aprons. In Germany they make aprons not for twelve years, but
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for very nice cooks, and I think I inspired myself a little bit in
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them because they have a lot of color, they have a lot like very
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painting, very year sixties of the time of the housewife Rococo with the voladitos
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and the tips and I think I got a little inspired in that one.
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But anyway, I think the great designers are the customers, because she'
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s been guiding me where I wanted to go, where the teachers' taste
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goes. And well, today I see that there is a taste for It
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is the classic sign, the sign that wants a nice forward, but white,
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with some detail in broderillo, tipilla but white. And then there'
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s the psychedelic sign that he likes multiple colors, that he likes embroidery.
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I don' t know what to do with this one here. Yes,
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yes, that you sold me that ah yes, yes, this is Patricia
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' s favorite, because it' s the Princess Pampiana model. This is
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your thread, a little bit and show it to the House. That'
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s great. They look good there. This apron was designed, let'
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s say, for a dream that bought us the wholesale that was left in
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the south in his house and she charged us. I want something original,
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something that doesn' t have anyone, and I made it up for a
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weekend. I remember I said I have to make an apron that is not
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the classic ponchito or straight fastened forward, it has to be something different.
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So if from a molding in which it is the apron is cut at once,
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it has no seams, that is, it joins nothing but the shoulders.
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And well, it' s very comfortable, because, apart from when
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you put it on, they have the effect that it' s another expression
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that was also very much taken by the dress style competition. That' s
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not something that came up, Patricia. The dressy style is fairy, Patricia,
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where it is evacuated and has like a certain flight. There' s
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no BIEs that. That' s what I notice in other aprons. It
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' s not albis. It is simply cut with an effect that looks like
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a short empire dress. And now it' s also common that you travel
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with your apron before you didn' t travel with your front. In the
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collective he says yes, yes, in the good collective. I sometimes,
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when I travel a collective or when I walk down the street I have little
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cards, delivery and I say show take advantage of showing good. This is
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the classic gardener model. It' s not for gardeners, it' s
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not for grade teachers, it' s just that the model the monkey,
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he' s a gardener with the shooters and, well, then, what
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has another particularity. In Lada Patricia, you can choose the print and color
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you want. This is an idea, but you can now choose another color,
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another print. They can choose two pockets, that is, to advance
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the idea is an apron. After that, creativity belongs to girls. How
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they communicate with you To someone who might be listening to this and say good
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to see Patricia. The instagram is mainly in the networks. That Patricia two
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thousand twenty- one. It' s very new. My daughter made it
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because she insisted that I had to have an Instagram. But the reality is
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that teachers are more managed by Facebook. Besides, because Facebook is the one
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that' s the longest. Let' s just say, since two thousand
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ten, it' s a generational issue. Yes, there are many young
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ladies but I was surprised to be contacted by Instagram and then they write to
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me on Facebook. It' s very particular. That too I noticed,
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but well I Instagram is to Patricio Vesten trump Patricia two thousand twenty- one
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and if not well, the facebood Facebook is Patricia Galante in parentheses. Fairy
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Patricia Adelantales. I also googlean puts nothing Patricia Delantales and I am fourteen years
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old on the web. So I just went out alone there you see the
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models, because I see you post your models. Yeah, yeah, I
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' ve got the initials here, some of them don' t, too.
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Okay. This is also a model that we used to make them semi
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- crossed. But, well, then that microso was that they had a
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crossover back, no and well it opened up a little bit. So now
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let' s say we choose to do it. Ponchito taken advantage of on
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one side more practical. It' s more practical. You don' t
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have to be contorting to put it on. And besides, it' s
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very cool, very comfortable, because it doesn' t throw them away.
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And well, you go over the clothes, you go over the clothes.
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If you want to put a sack down, you don' t throw them,
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too, because it' s quite comfortable. So, yeah, what
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was the best thing that happened to you in this whole fourteen- year process
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since you started so far, what an anecdote, what a situation it was,
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what a shock it was to you. Yeah, well, what impacted
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me was very early on and that' s what I took as a part,
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let' s say, when I came up with the business idea,
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already thinking of it as a business. I took it as a slogan and
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I took it as let' s say part of the branding, which was
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a situation that happened to me in the few months that I started incorporating them
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in primary because I started with the initials that started calling me or texting me
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the teachers and they told me, oh, patric you know, what you
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brought me. Luckily, thanks to your apron, and I don' t
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know what they called me to headline that I was waiting for him years ago,
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or they told me, Patrick, you know, what I bought the
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apron. I don' t have a job, but I bought it because
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a partner told me that yours brought you luck, so I' m waiting
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for them to call me and then they called me Homeland. I can'
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t believe it. They called me to make a substitute. I' ve
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been waiting for months and well, I said there' s something magical.
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There' s a magical component, just like the business came up. There
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' s something magical behind all this, really, ada Patricia, there'
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s a fairy that flies over in the workshop. There' s something magical
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that well excited me and I took it as a sign that I should go
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on with this and I took it as it is out there so I could
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get a little air. We' re a little bit of water. I
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' m excited about Patricia talking about emotion. That' s why magical designs
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came to mind and we know each other like, ten years ago and I,
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the short time I started the business, a couple of years ago and
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went to the trainings that I offered, that it provides like, I learned
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a lot. One of the things that Mr Daniel Valinsone taught me, that
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is, well, the business because I said and I manufacture aprons and he
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told me no, not to say it correctly, is making and marketing aprons
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for teachers remembers it. Yes, the speech and the most difficult one seems
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when you say it, when you end up incorporating it how easy. But
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it' s the most difficult thing to synthesize one' s idea of your
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business to crush it, which is the famous one- minute speech wasn'
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t elevator or so. I' ve got it, yeah, that'
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s something that really marked us. I gotta get him in there. But
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who gave you the hand, I mean, there' s a hand that
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may or may not have been economic. But who doesn' t. There
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wasn' t, there wasn' t, there was, but the impulse
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that came from your friend. Well, the idea was my friend' s.
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Actually, later on, because of some life issues. I think that
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' s what I had to do, that is, her mission, was
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because we were actually mom from a partner, from a little partner, from
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my garden daughter, we were friends, let' s say moms from the
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school doors, and she also taught at that school as a garden teacher.
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That' s how and then life. It' s like she changed school
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the baby and it' s like we never saw each other again. But
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equally where if you are listening to me, if at any time someone tells
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you, I am very grateful to me to leave because she was the one
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who gave me the idea and then what took me. Signs were the teachers.
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She was the one who pushed me, because I wasn' t so
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sure what I was doing, I mean, I wasn' t so sure
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it was so good. What I do is so well done. And I
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saw that from what I was told, from what I said no, no
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patrick or people coming back and saying no, like yours, no no.
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One of the characteristics that throw away the patricities that the other aprons did not
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have And well, because they were changing is that they have the preparation,
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it is very well done, that is, they have seams of reinforcement,
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double seam. Before they didn' t make the aprons with double seam.
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The do cost is the typical seam of shirts. They were fine details,
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which were typical of a dress. Let' s say to get out,
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to get dressed, not for an apron, not for a uniform. And
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I incorporated it because, well, I don' t know if because I
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inherited it a little bit. Let' s say my father- in-
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law' s way of working. He had shirts, he made shirts and
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well, he taught me and he said no, you have to do them
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right, you have to make a difference. If you want to work on
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this, you have to do very well, very well for the man.
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Yes, yes, yes, also José, Well, José is a good
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person who is no longer on this plane, but he was one of the
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people who told me. I trusted you. I knew you were gonna do
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something with the seam, because he was telling me. When I' m
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going to sew things up for my kids, you' re telling me to
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do something with the seam. And well, what a thing that, when
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following the line, you' re in a professional career, you' re
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working with a company and you' re not looking at that other detail,
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that other skill or skills that you can have, that you can help it,
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because you sometimes qualify it as something minor or sewing. Of course it
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' s okay if I' m in a company and I work in an
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administration and sew, but a reality puts us in situations where boop. Yeah,
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well, now with this let' s say this economic situation is coming
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up a lot, because good. In fact, where I' m going
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to give event organizing classes is a place, it' s an academy that
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gives multiple courses and the interview told me one of the owners. I'
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m surprised at the number of people who sign up for trades, to learn
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a trade from whatever it is, it' s kind of coming up.
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Not because there' s little work, let' s say institutionally, they
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' re volcanic to do something and because we kill the country' s system,
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the name they want to name it. He killed the apprentices, the
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professionals. Yes, if capitalism took them to say, for sure, the
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system what it did was good, the system that works well, I have
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the elements I need and, above all, the change of machinery. Of
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course, even if they' re going to still need it, and that
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' s a big discussion of human beings. It reduces some things by not
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updating, because there are details, there are jobs, how this or others
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that are very required by doing them out here. Then we do not have
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the vision, because that vision was also closed to the world. We come
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like this, you sign, oh yes, it' s more, we
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didn' t see our insides. We do not know our provinces, as
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the road we do not know. It' s true, to see what
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needs do you have now, what project Patricia has idea of here wave,
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what idea you have. Well, actually, I got a little carried away
25:33
in the business. Not sometimes, when I have ideas, I always have
25:37
to do both hospitables. I' m not very excited about the idea because
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I like to play and when I short ahead, when I mean, I
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feel like I' m not working, I' m playing, I mean,
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I like colors and both hospitables are classics, they' re boring.
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So, like, the idea is to look for a workshop, let'
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s say to make it. No, because, well, now my son
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' s in the south, living in Bariloche, and good is the one
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we say he' s going to take care of the south area And,
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well, he' s constantly telling me Mom here, you have to bring
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both of us, you have to send us both. And, well,
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that would also be like an idea, but well and then the truth that
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I don' t know, no, no, I live day to day
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with my business and I get carried away. No. It' s not
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good, not because it' s not, but good. Thus, it
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is not good in the sense that there were no temptations that can lead you
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to a path that if you are not convinced. Sure, I can'
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t. I was going to embitter you for saying something, you' re
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not going to be having fun, it' s just something like that happened
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to me, that I had to deviate a little bit that was a pandemic.
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Let us not forget that in pandemics the teachers were not going to teach.
27:07
Of course that was two years when I thought I was really gonna be
27:11
nothing without a job. And well, well, the beards came up,
27:18
I mean, I never stopped working. Then the barbijos emerged, first in
27:22
particular form, selling them by free market, also by networks. But then
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it emerged within a few months of the pandemic, the pandemic and the teachers
27:37
were declared. When they taught again, but obviously with beards, they asked
27:41
me for inclusive beards and that was also a novelty. That' s why
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it' s something I didn' t know. I didn' t know
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them and they called me look. They are barbejos that are inclusive, because
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both hypocusic people and six- year- olds can see their mouths when you
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teach them. If they can' t see their mouths, they don'
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t know what you' re saying, because it' s hard for people
28:11
with disabilities. Let' s say hypocosic, like the little neitos talk about
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it, and well, that' s how it came out. I also
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had to put together the molding all right, that was a bool. It
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was a year in which I don' t know how many thousands and thousands
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of inclusive barbs distributed across the country. So that was also a little aneudotic.
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Let' s tell you the truth, it' s very nice.
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Let' s say it says ranto, but I' ll ask you yes
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what consi son. Theory is someone who starts an idea now, a little
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advice. Well, it' s a suggestion, not advice, because well
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I' m not in authority to give advice, but a suggestion that'
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s something I' m implementing. A little bit And now it' s
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business is a little plant. It' s not something that' s very
29:06
trite, but the reality is that. Business is a little plant. You
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can' t move it. The land all the time to see if it
29:11
' s growing. You have to let it grow and that' s why
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you don' t put the focus on the plant and don' t neglect
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it, but don' t touch it. I mean, let' s
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not just think that in a year this didn' t leave me. Not
29:29
this. You don' t have to give it time, it has to
29:33
grow, it has to develop. Let' s not think a business will
29:37
feed us the first few months. You have to give him love, you
29:42
have to give him dedication love, and when we least expect him, we
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' re just keeping with our business. It is the Council of love and
29:56
dedication and approach. But you don' t have to handle it, you
30:00
have to leave what grows alone. Patricia, thank you for coming, thank
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you for showing us what you' re doing. And well, as we
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always say to everyone who approaches whenever you want, this Mass is free.
30:15
Thank you so much for the invitation. You' re calling us. I
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loved it and well, nothing stays now I love it. Thanks for everybody,
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thanks to the radio. Thank you, Daniel Thank you very much Good
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afternoon, everyone. Or a little cut. Thank you. S n n
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N N O n O n o r s s n N. The gra
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was breast, redhead and computer engineer in that particular order of things, and
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had been Fernández' s girlfriend for two months. Then they cultivated a long
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friendship of low intensity. One day they met for dinner at a restaurant on
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the coast and he saw that she was coming with her hair and barefoot and
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a little cheerful, that she was ordering drinks to begin with and that she
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praised Fernández' s sack with the confidence she had, told him what happened
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to you that you were like this and then she went to cry. Laura
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had not told anyone until then that they had dated a married man for six
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months. The truth is that they had a visceral, absorbent romance, a
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kind of double life. Lived minute by minute in hiding, at nap time
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and with so- called letters and e- mails smoke signals from Monday to
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Friday, from morning to night and the two managed to meet, follow and
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stay in that fourth dimension that always forms forbidden love. It was called Carlos
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and he was a national public accountant who said that his marriage was going down
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and she came from an old separation and quickly fell in love with that man.
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They both believed that the ship would come to a good port and that
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they were building something serious. But one day, Carlos realized that he had
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nothing to reproach his wife and that, before making an irreparable mistake, he
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had to give him one last chance. Laura broke when she found out and
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told her with disgust that there could be no hope between the two of us
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and that she couldn' t wait for him at the alternates' bank.
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So she asked him not to call her and never write her an email.
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He didn' t want to hold on to a word no matter how small
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it was and get his hopes up. They said goodbye with a kiss on
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their cheek and the play. He was crying for two days without going to
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work and checking, and again and again the mail looking for a message from
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Carlos, a message that I would tell him even if it wasn' t
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more I miss you or I understand your pain, but he had taken her
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request seriously and there was only silence. When she returned to the office,
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she realized that, for the first time, withdrawal was impacting her. Carlos
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had become an addiction and his absence was very bad. It made her feel
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with an obelisk in her stomach and a tremor in her mouth. He looked
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at the clock every time and, as he knew the detail of the accountant
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' s routine, he imagined for a moment, a moment what the man
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had to do he had to tie his hands so that he could not write
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or dial his number out of his head, he wanted to see him crossing
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the street or coming down the hall. Anyway, obsession was winning her.
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He did many things and among them consulted a therapist who explained that everything he
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did was useless. I had to realize that Carlos had to go back alone
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and ask him to come back with him. And if that doesn' t
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usually happen, that' s if when you' re somewhere else, so
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Laura has to be somewhere else, you can' t wait for him.
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Laura is aware, they left you. I' m done taking it.
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Laura admitted it with her mind, but she couldn' t get that monstrous
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idea of getting down to the body. I couldn' t accept that there
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was only the pain left and that I had to mourn and that I had
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to walk barefoot on those ground glass until I forgot it clearly, it was
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impossible not to think about it. And then I thought and thought, I
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checked and it had gone wrong. Again and again to infinity, a very
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pragmatic friend told him look at this, this pure physics, a love displaces
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another love, so walk out and start circulating. Use the breast. Red
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dye, pick up a guy for God' s sake. Fernández' s
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friend used the breast several times, but she always went back to her computer.
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She always found herself in front of an email that didn' t show
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up. The miracle did not occur and so the days passed. He looked
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for other men who looked like carlos, but found nothing. He settled for
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a funeral- pomp entrepreneur who turned out to be dead. And then with
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a cavalry officer, who liked to use the whip, and later with a
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dontologist who collected bonsai and key chains. None of them were the size of
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Carlos. When she was with them, Laura would hear them, but she
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wouldn' t listen to them, she would just listen to that old music
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in her voice and remember the smoothness of her hands and the smooth beating of
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her kisses. At one point, however, her friends introduced her to an
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ungracious pediatrician, but with a touching sincerity. She laughed at herself and made
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her laugh a lot. It' s been seven months since the computer engineer
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didn' t laugh with the whole body. The third appointment of the pedita
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asked forgiveness for him is abrupt and confessed to him that he was completely in
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love. Fernández' s friend had the highest defenses. After so many obvious
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sufferings, so he kept it at bay as much as he could, but
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he could little because the pediatrician listed one day her hilarious flaws and explained to
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her in the end that those flaws were majestic and that he loved her for
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those flaws and Laura had no less to give herself how she would avoid it.
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They experienced 60 incredible days, barely overshadowed because the redhead dared not name
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that passionate feeling. That feeling looked so much like love, but so much
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so that only an expert could write down the differences. That robbing kept her
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away from her hurtful memory and one morning she warned with amazement that she no
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longer missed Carlos. It was a luminous Saturday and had a sense of unspeakable
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fullness. Next Saturday, on returning carelessly from a walk, he found an
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email from Carlos' accountant saying I just miss you. This is a story
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by Jorge Fernández Díez and is called the bride of oblivion How cute. Jorge
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Fernández Diez Díaz is a very good journalist writer on these issues, especially in
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this book of loves. A few days ago, a friend told me about
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the explosive meeting he had with a plastic artist who wanted to present his paintings
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in the gallery he owns, even if they did not meet the quality requirements.
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The last thing he said to me was they can have an ego so
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big that he believes in gods and if I answered him in them, I
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tell him it' s potent. Although the ego is in all of us,
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it is within us whatever one does are on level or whatever status it
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is is there. Yes, the ego defines it in several ways. Personally,
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I choose this which is the instance that gives entity to the person.
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To all of us who educate us, parents, teachers, the social context
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is developing in our abilities in such a way that it enables us to adapt
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to the environment in which we will develop our existence, although not all will
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do so in the same way. There are those who encourage, to put
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it this way, that a child’ s ego since we go is greater
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than that of others. The example we all see when we take the boys
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to play football or the girls, to a sport or dance class always and
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there is a mother, a father, someone who encourages his pupil much more,
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encourages him that is encouraging him, is encouraging his ego. Let'
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s get back to the point. The ego is the irritable child that is
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within each one. He who chooses to do what he wants above anything else,
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has the need to be better than more than recognized. Beyond any reasonable
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utility, it is the sense of superiority and certainty that exceeds the limits of
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self- security. When the notion of ourselves and the world becomes so strong,
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it begins to distort the reality that surrounds us the security in oneself,
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it turns to arrogance the assertiveness, becomes obstinacy and the confidence in our abilities
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becomes carelessness. I mean, I believe myself more, but I am no
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longer looking at detail building, but I give, of course I am more
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than then the ego becomes the enemy of what we want and what we have.
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There are things that get dangerous in this case. Why, because it
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is useful to use what we can truly realize and succeed, it does not
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impact us that in our way of being, why it speaks of the artist
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and the others, Because the artist is in a situation of creativity, of
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total freedom, of expansion and is well. That now, when it became
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too good, the same medium begins to poison them and not only attacks the
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work of art, but by the way, attacks the artist and turns everything
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into a consumer product. We can see that there are many situations in which,
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when this occurs, the person begins to enter into a brutal conflict,
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depressions anger why, Because the person is demanding recognition, then he begins to
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manipulate, to criticize, to be hypocritical. And the work to be done
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to get out of this disease is long and requires effort. Sometimes they realize
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it, sometimes they notice it, and when they become aware, the one
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who is so affected is so empowered. What you need is to ask for
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professional help and like any situation is an exercise. This exercise takes time that
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we must try to be good within our humble aspirations in good success, to
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be be benevolent, not to succeed in killing the contra and in failure to
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be resilient so that we are not already running time. I tell you some
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of the figs that appear, the egojinet that takes out that copies all the
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ideas of others for some benefit, the prestigious ego that seeks applause, praise,
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praise, recognition in everything that it does, that is, it feeds
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on that. If you don' t feed on that, that' s
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where the psychological problems begin. There' s the ego switch. He who
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constantly interrupts others does not let them speak. In this week some of these
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switch egos have been seen in some television programs, either they invite someone to
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talk and they don' t let them talk, so they are looking for
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their silent realization, which is quiet, which seems attentive very understanding, but
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it is too critical and hypocritical and acts in a disloyal way. From behind
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he pretends to be a friend and he' s not that much. So
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of this there are a number of features that can be made you the idea,
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you can go looking directly in the networks and so on. Next week.
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The text of this that I have briefly developed here will have on my
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site blessing Daniel as a good note and we are already coming to the end.
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I want to remind you, if I haven' t reminded you of
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it so many times you can find us on Spreaker, YouTube, Spotify and
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all the other networks. You can listen to us again whenever you want through
50:14
the Radio Trein Topic com ar website and as always, I have a little
50:22
phrase for each of you. This one was brought to me by the friend
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not the cerisola, what she says. So it may not every day be
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good, but there' s something good about every day. In other words,
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let us look at the good fundamentally, which is what will encourage us,
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continue and continue to do what we are doing. Dear friends, good
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week, have a good time and it will be until next Friday. Here
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at three hours where on Radio three to and the program is called I tell you