Latest / Cuff’s Basement / The Top 5 Films of 2025

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The Top 5 Films of 2025 · Cuff’s Basement

• 0:02
  Speaker 1: This episode is sponsored by Lunar Grace Ministries and frankly,
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• 1:11
  Speaker 3: Out Everything.
• 1:16
  Speaker 1: Welcome Brack Too Cuff's Basement. I am joined by the
• 1:22
  Speaker 1: co hostess with the co mostess, Ryan Hey, and we
• 1:28
  Speaker 1: have also Andy Hey Hey. These are resident.
• 1:37
  Speaker 3: The resident bonds.
• 1:39
  Speaker 1: But so I screwed up and we're supposed to do
• 1:42
  Speaker 1: ten for six, but I ended up spoiling Andy's five
• 1:46
  Speaker 1: because Andy's five was Marty Supreme, which was Ryan's six.
• 1:51
  Speaker 1: So we're gonna start with Andy's six, which we didn't
• 1:54
  Speaker 1: talk about last time, and that is a film called
• 1:57
  Speaker 1: Highest to Lowest.
• 2:00
  Speaker 2: Thanks him.
• 2:01
  Speaker 4: This was an Apple film was I don't know if
• 2:04
  Speaker 4: it was in theaters, but it was released on Apple.
• 2:06
  Speaker 2: Spike Lee his latest.
• 2:08
  Speaker 4: It's the first time he's worked with Denzel Washington since
• 2:11
  Speaker 4: Inside Men and Denzel Washington play So it's based on
• 2:15
  Speaker 4: High and Low, which is an Akira Kirasawa film from
• 2:19
  Speaker 4: the fifties that is just one of the greatest films
• 2:21
  Speaker 4: ever made. It's and it's it's about this sort of
• 2:23
  Speaker 4: botched kidnapping and it's a very it's a it's a
• 2:27
  Speaker 4: modernized version of it. And Denzel Washington plays like a
• 2:30
  Speaker 4: record producer, record mobile mogul, guy who owned a company,
• 2:33
  Speaker 4: sold his ownership stake of it and he wants to
• 2:35
  Speaker 4: buy it back, and he's kind of buying it back
• 2:37
  Speaker 4: behind his wife's back.
• 2:39
  Speaker 2: And a lot of the film is shot in.
• 2:40
  Speaker 4: This beautiful penthouse in in Brooklyn in I think it's
• 2:44
  Speaker 4: Dumbo and he his son yets kidnapped, and they get
• 2:51
  Speaker 4: a message that his son has been kidnapped, but then
• 2:53
  Speaker 4: his son comes home and then they realized that it
• 2:56
  Speaker 4: was the son of his his his son's friend, who
• 2:59
  Speaker 4: was the son of his his driver, Jeffrey Wright. His son,
• 3:03
  Speaker 4: Jeffrey Wright song has been kidnapped and the person has
• 3:06
  Speaker 4: the wrong person, and then he has to make the
• 3:07
  Speaker 4: decision that I'm gonna pay this huge vansom for his
• 3:09
  Speaker 4: son's friend rather than his son.
• 3:12
  Speaker 2: It's a very similar thing that happens in High and Low.
• 3:15
  Speaker 4: And there was a there was a TV show on
• 3:17
  Speaker 4: Showtime with I think it was clear Danesh like it
• 3:21
  Speaker 4: was soder Burke at it and it's it was on
• 3:24
  Speaker 4: maybe last year or two years ago, and it's it's
• 3:27
  Speaker 4: it's based on High and High and Low is also
• 3:29
  Speaker 4: it's the same similar storyline.
• 3:30
  Speaker 2: Yeah, and but this movie was excellent.
• 3:33
  Speaker 4: That was Spikely doing his best Fightly impersonation, the same
• 3:38
  Speaker 4: crane shots and all the cool hamrat shots that he does.
• 3:41
  Speaker 4: The soundtrack absolutely rules. I'm not a person who usually
• 3:43
  Speaker 4: listens to movie soundtracks. We've been playing this one in
• 3:46
  Speaker 4: my house a lot asap Rocky is in this movie.
• 3:49
  Speaker 4: Like I said, Jeffrey Wright, uh, I love love loves movie.
• 3:53
  Speaker 4: I saw this a long time ago, and it has
• 3:56
  Speaker 4: stayed on my list for for quite a long time,
• 4:00
  Speaker 4: and I cannot recommend ther.
• 4:02
  Speaker 2: I believe it's on Apple.
• 4:03
  Speaker 1: Plus, I would say, you're just like an Are you
• 4:06
  Speaker 1: sponsored by Apple? You're secretly getting money.
• 4:08
  Speaker 4: I know it's weird that a lot of the stuff
• 4:09
  Speaker 4: is Apple. I never really until I started doing this
• 4:11
  Speaker 4: right now, I didn't realize that.
• 4:12
  Speaker 1: Ryan, did you see this?
• 4:14
  Speaker 3: I did? Yeah, it was really good.
• 4:17
  Speaker 1: You thought it was really good. I used to love
• 4:19
  Speaker 1: Spike Lee Inside Man is awesome. I don't like love
• 4:24
  Speaker 1: him now. I haven't seen him. Like his remake of
• 4:27
  Speaker 1: Old Boy was very bad.
• 4:29
  Speaker 2: It was real bad.
• 4:31
  Speaker 1: It was really bad, although we did get Elizabeth Olsen
• 4:36
  Speaker 1: naked in it, So thank you for that. That's gonna
• 4:39
  Speaker 1: be on my list, Like thank you Martin Scorsese forgetting The.
• 4:43
  Speaker 2: Five Bloods, the last movie that he did.
• 4:45
  Speaker 1: No I haven't.
• 4:47
  Speaker 2: That's really good.
• 4:50
  Speaker 3: Is fucking amazing, amazing, amazing, So goddamn, Yeah, Tim.
• 4:54
  Speaker 2: I would add that to your list. That's fans.
• 4:56
  Speaker 1: Yeah, I'm always wary of directors that put themselves in
• 4:59
  Speaker 1: their movies, and I know they did that.
• 5:02
  Speaker 2: But about Miracle Stana, I have not seen that.
• 5:07
  Speaker 3: Yeah, I didn't love that one.
• 5:08
  Speaker 2: I gotta say that's what I really liked as well.
• 5:12
  Speaker 1: I'm looking at his filmography, so.
• 5:15
  Speaker 3: I didn't Summer That had Clark Peters. I didn't love
• 5:18
  Speaker 3: that one.
• 5:19
  Speaker 2: I didn't see Iraq, so yeah, so.
• 5:24
  Speaker 1: I mean, let's just go through this really really quick.
• 5:26
  Speaker 1: She's got to have a school days, do the right thing.
• 5:28
  Speaker 1: Do the right thing obviously, is like in the National
• 5:31
  Speaker 1: Historic Registry for Film No Better Blues, Jungle Fever, and
• 5:34
  Speaker 1: Malcolm X. Crooklyn Clockers, Love Clocks, Great Girls, Get on
• 5:39
  Speaker 1: the Bus, He Got Game, Summer of Sam Bamboozled. I
• 5:42
  Speaker 1: fucking hated, but then twenty fourth Hour, I Love, She
• 5:49
  Speaker 1: Hate Me, Inside Man is Great, Miracle Santa and a
• 5:52
  Speaker 1: Red Hook Summer, Old Boy does Sweet Blood of Jesus, Shyraq,
• 5:56
  Speaker 1: Black poolsmon To Fly to fy Bloods and Highest Lost
• 6:00
  Speaker 1: Black Clan se was good.
• 6:02
  Speaker 3: I like Black Clansmen of Jesus very good. I actually
• 6:06
  Speaker 3: like that one a lot.
• 6:06
  Speaker 1: And see that I have not seen that, but I
• 6:09
  Speaker 1: kind of gave up on him after Old Boy. I
• 6:11
  Speaker 1: was like, because Old Boy, we still need to do
• 6:13
  Speaker 1: a pod with Eric because Old Boys like maybe one
• 6:16
  Speaker 1: of the best movies ever. And he did a remake
• 6:19
  Speaker 1: of that, so I was like, oh my god, Spike
• 6:20
  Speaker 1: Lee is remaking this classic Japanese film like a modern classic.
• 6:25
  Speaker 1: Let's see it, and it was just very bad.
• 6:28
  Speaker 2: Did I tell you guys? I tell you guys the story.
• 6:30
  Speaker 4: But last year was the twenty fifth anniversary but Old
• 6:32
  Speaker 4: Boy and Aaron and I really don't go to the
• 6:34
  Speaker 4: movie too often, and we went.
• 6:36
  Speaker 2: I took her to see the.
• 6:39
  Speaker 4: Romantic Yes at the anniversary of Old Boy, and and.
• 6:43
  Speaker 3: You'll love it. You'll love it.
• 6:44
  Speaker 4: She was just horrified at the end of that film.
• 6:46
  Speaker 4: And I was in the bathroom taking a leak after
• 6:48
  Speaker 4: the movie, and there was there was a guy next
• 6:51
  Speaker 4: to me at the urinal and he said out loud, wait,
• 6:54
  Speaker 4: so now it's just going to be happily ever after
• 6:57
  Speaker 4: with his effing daughter and the other guy, the guy
• 7:00
  Speaker 4: who wasn't with him. So the next year on all
• 7:02
  Speaker 4: Oiver goes yep and the guy screams what But and
• 7:06
  Speaker 4: then I came out of the bathroom and Karen goes
• 7:08
  Speaker 4: what happened in there? And she could hear it out
• 7:10
  Speaker 4: of the lobby, and I was like, someone just realized.
• 7:11
  Speaker 4: The end of that film is so good, so good.
• 7:15
  Speaker 2: But yes, there's no reason to remake that movie. But
• 7:19
  Speaker 2: that is Park ten Wioko, We're gonna talk about soon.
• 7:20
  Speaker 1: Spoiler in there, all right, Higher the Lowest and now Ryan,
• 7:28
  Speaker 1: I saw this film. This is on Netflix and it's
• 7:31
  Speaker 1: a beautiful ninety minutes. This is another movie that Andy
• 7:35
  Speaker 1: implied was on his top ten and then wasn't. It
• 7:38
  Speaker 1: is the Perfect Neighbor.
• 7:41
  Speaker 3: Yeah, I don't really recommend this to me. Yeah, yeah,
• 7:45
  Speaker 3: this is I think everyone should see this, especially now.
• 7:50
  Speaker 3: It's a hard watch, it really is. It's all told
• 7:53
  Speaker 3: through bodycam footage of police encounters.
• 7:55
  Speaker 1: It's a documentary that is. The entire documentary is actual
• 7:59
  Speaker 1: police body him and nothing else.
• 8:01
  Speaker 3: There's there's no talking heads, there is no.
• 8:04
  Speaker 1: Well that's not for there's talking heads narration, but that's
• 8:08
  Speaker 1: during the police body game. There's talking head narration.
• 8:13
  Speaker 3: About a woman who keeps calling the police consistently about
• 8:19
  Speaker 3: quote unquote the kids in her neighbor neighborhood coming onto
• 8:22
  Speaker 3: her property, coming onto the house next door's property, bothering her,
• 8:26
  Speaker 3: antagonizing her, et cetera. The movie gets to a point
• 8:33
  Speaker 3: where there's a very very terrible encounter where this woman
• 8:39
  Speaker 3: who's calling complaining shoots a person through her front door
• 8:44
  Speaker 3: and is the mother of one of these kids. When
• 8:49
  Speaker 3: they tell the ex husband that the wife did not survive.
• 8:54
  Speaker 3: I was like, I wanted to run out of his
• 8:57
  Speaker 3: fucking house. It is unfun bearable.
• 9:02
  Speaker 1: You not only that though you see a fall, this
• 9:07
  Speaker 1: is real life, Like police bodycam footage in this documentary,
• 9:10
  Speaker 1: you see a father tell his children that their mother
• 9:14
  Speaker 1: is dead in real life. I've never experienced that. I've
• 9:17
  Speaker 1: never seen in real life that.
• 9:19
  Speaker 4: I could not believe that scene happened in that movie.
• 9:23
  Speaker 1: In the driveway. I thought I would take them inside,
• 9:26
  Speaker 1: but that's I'm not going to judge. But it's in
• 9:28
  Speaker 1: the driveway in front of the police and he does that,
• 9:31
  Speaker 1: and you see their reaction and you want your heart
• 9:34
  Speaker 1: just implodes during that moment.
• 9:38
  Speaker 3: It's so you're you're still, you are a witness to
• 9:41
  Speaker 3: everything here, and it's really.
• 9:46
  Speaker 1: It's it's and it's not even it's hard. She's she's
• 9:49
  Speaker 1: a renter and she's constantly calling the cops because because
• 9:55
  Speaker 1: the kids are playing in the yard adjacent to hers,
• 9:57
  Speaker 1: and the cops are like, it's not your yard. And
• 10:00
  Speaker 1: I love how police bodycam records everything. I will record everything, Tommy.
• 10:04
  Speaker 1: Why so, But there's a there's a female cop and
• 10:07
  Speaker 1: she responds to one of the many, many, many calls,
• 10:10
  Speaker 1: and she's talking to the lady who's a Karen. No
• 10:13
  Speaker 1: offense to real life Karen Adie General's wife. It's really
• 10:17
  Speaker 1: unfortunate she has that.
• 10:20
  Speaker 2: She has strong opinions on the name Karen.
• 10:22
  Speaker 1: I bet there's not gonna be a Karen junior. I imagine.
• 10:27
  Speaker 3: That name.
• 10:28
  Speaker 1: But so the cop is explaining to the Karen, you know,
• 10:32
  Speaker 1: these are just normal this is normal kids stuff, Like
• 10:34
  Speaker 1: they're running around and screaming because it's four o'clock and
• 10:38
  Speaker 1: they're playing football in a yard that's not yours and
• 10:40
  Speaker 1: their children, so there's nothing we're gonna do. And the
• 10:43
  Speaker 1: woman was like, that's ridiculous and turns around and walks away,
• 10:46
  Speaker 1: and then you hear the cops say on the body camp,
• 10:48
  Speaker 1: fucking bitch.
• 10:50
  Speaker 2: I loved that.
• 10:51
  Speaker 1: I was like, yes, yes, every.
• 10:54
  Speaker 4: Time the cops come, because it happens, you know, ten times.
• 10:58
  Speaker 4: So the cops come and they go across the street
• 11:00
  Speaker 4: talk to the parent of the kid of whoever there
• 11:01
  Speaker 4: she's complaining about. They're like, look, we know what's going
• 11:04
  Speaker 4: on here and the parents and the best interactions in
• 11:07
  Speaker 4: that documentary are between the cop and the person they
• 11:10
  Speaker 4: have to go and speak to, and they're just like, yeah,
• 11:12
  Speaker 4: and the cops is completely human about it.
• 11:15
  Speaker 3: Yeah.
• 11:15
  Speaker 4: And I don't think the cops saw that elevating to
• 11:20
  Speaker 4: the point that it happened too, right, and so and
• 11:23
  Speaker 4: so they were just like, we're just doing our job.
• 11:25
  Speaker 2: Doing your best to keep the kids.
• 11:26
  Speaker 4: And even in the film, like I don't know who
• 11:28
  Speaker 4: talks about it, but like, these are kids just doing
• 11:30
  Speaker 4: exactly what we want kids to do. They're playing outside, right,
• 11:33
  Speaker 4: you can't ask for anything more than that, any in
• 11:35
  Speaker 4: any part of of the upbringing or area.
• 11:41
  Speaker 1: Repeatedly they're repeated that they go would they say to
• 11:44
  Speaker 1: the woman, We're happy these kids are playing outside, They're
• 11:46
  Speaker 1: not sitting inside playing whatever.
• 11:51
  Speaker 3: Yeah.
• 11:51
  Speaker 4: And the best part it is the guy who shares
• 11:54
  Speaker 4: the lot next door, like goes out and plays football
• 11:56
  Speaker 4: with the kids in the lot, like to really turn
• 11:58
  Speaker 4: the knife on that woman and tells she's like they're
• 12:01
  Speaker 4: allowed to be here.
• 12:02
  Speaker 3: Yeah.
• 12:02
  Speaker 2: And the part with her in the car in the
• 12:05
  Speaker 2: in the she stuck the car in the lot and
• 12:07
  Speaker 2: couldn't get out, and she flipped out and broke the
• 12:09
  Speaker 2: gate like that she drove. It was really weird.
• 12:12
  Speaker 3: Yeah, yeah, I think it was supposed to show that
• 12:14
  Speaker 3: she had like very erratic behavior. Yes, yes, And it's
• 12:18
  Speaker 3: just like what gets me the most is like, if
• 12:21
  Speaker 3: you just ignored those kids, they probably get sick of
• 12:24
  Speaker 3: your yard in about a week and go somewhere else.
• 12:26
  Speaker 4: And also the the because it's not just body camer
• 12:30
  Speaker 4: it's also like CCTV footage of her in the in
• 12:33
  Speaker 4: the the police station, being interviewed, and you can tell
• 12:38
  Speaker 4: throughout all of her interviews she has no idea that.
• 12:40
  Speaker 2: She's going to jail. She thinks she's.
• 12:42
  Speaker 4: Defending herself and that's totally fine and whatever. And like
• 12:45
  Speaker 4: there's like a moment there where she starts to realize, like, whoa,
• 12:47
  Speaker 4: wait a minute, I might I might not be in
• 12:49
  Speaker 4: trouble for that. I might be in trouble because like
• 12:51
  Speaker 4: that's crazy she's even know.
• 12:54
  Speaker 1: Yeah, and I think that, Like I I kind of
• 12:56
  Speaker 1: wore I was talking about about this. I'm worried about
• 12:58
  Speaker 1: myself recently at because I just I genuinely there's been
• 13:04
  Speaker 1: a couple of incidences in the news that I won't
• 13:07
  Speaker 1: speak about because I don't want to cause a necessary controversy.
• 13:10
  Speaker 1: But I was watching this movie, and I was like,
• 13:12
  Speaker 1: if one of these parents before the incident happens, and
• 13:16
  Speaker 1: one of these parents walked over into her yard and
• 13:19
  Speaker 1: blew her brains out, I would be happy, Yeah, I
• 13:23
  Speaker 1: would be. I would not be I would want that
• 13:25
  Speaker 1: woman set free if someone went over to her yard
• 13:28
  Speaker 1: and murdered her.
• 13:29
  Speaker 2: Because she is She's just the worst of society is
• 13:32
  Speaker 2: the problem.
• 13:33
  Speaker 1: And I know obviously she was racist and she was
• 13:36
  Speaker 1: only calling the cops on black kids, but even if
• 13:37
  Speaker 1: she wasn't, even if she was calling the cops on
• 13:40
  Speaker 1: white kids, I feel the same way, because kids is awful.
• 13:45
  Speaker 2: Everybody has a person like that in their neighborhood, right,
• 13:47
  Speaker 2: Like growing up, there was always the person that would
• 13:49
  Speaker 2: call the copts are no reason, or you couldn't go
• 13:51
  Speaker 2: near their house or whatever. This is just the modern
• 13:53
  Speaker 2: version of it, right.
• 13:54
  Speaker 4: Like I bet, I'm sure these people are all over
• 13:56
  Speaker 4: the country, right and so and so. I just yeah,
• 14:00
  Speaker 4: it was such a defeating just a defeating film, and
• 14:03
  Speaker 4: and nobody wins.
• 14:05
  Speaker 3: It's true, like it's a pretty awful ending, but I
• 14:09
  Speaker 3: feel like how to say it best, but like the
• 14:12
  Speaker 3: reality of it being like we're telling you through bodycam footage,
• 14:16
  Speaker 3: was showing you like, there's no other real than this.
• 14:19
  Speaker 2: There's no opinion there.
• 14:20
  Speaker 3: Yeah, yeah, there's no this. This this, you're just a
• 14:23
  Speaker 3: witness to this. We're gonna make you see this.
• 14:24
  Speaker 2: There was a short that there was a short that
• 14:27
  Speaker 2: was not any for documentary last year that was all
• 14:28
  Speaker 2: bodycam footage as well, and it was it's incredible.
• 14:31
  Speaker 1: I think I recommend you ged it.
• 14:34
  Speaker 4: Yes, yeah, yeah, it's it's a chilling right, it's about
• 14:38
  Speaker 4: it's I think a police officer shot a person in
• 14:41
  Speaker 4: the street or something.
• 14:42
  Speaker 2: Yeah, that's what it was, right, And I don't know
• 14:44
  Speaker 2: where that was, but it feels right.
• 14:47
  Speaker 4: Yeah, and yeah, it's the same thing, like you what
• 14:51
  Speaker 4: you watch on that film, you saw what happened, right,
• 14:53
  Speaker 4: and the same thing with this this movie. You see
• 14:55
  Speaker 4: the whole you see the build up to this, and
• 14:57
  Speaker 4: there's no other way to interpret it.
• 14:58
  Speaker 1: And and that shows no right, you go ahead.
• 15:04
  Speaker 3: I thought that was really also really like it's again,
• 15:08
  Speaker 3: the whole movie is a very tough experience. But like
• 15:11
  Speaker 3: the ending, her family, the mother's family talking about how
• 15:18
  Speaker 3: like because a lot of their life is you know,
• 15:21
  Speaker 3: I think her mom was a big church person and whatnot.
• 15:25
  Speaker 3: How much bizarre, not bizarre. That woman doesn't deserve the
• 15:29
  Speaker 3: grace they gave her the woman who shot their daughter,
• 15:33
  Speaker 3: and they're just like, I pray for that woman too
• 15:34
  Speaker 3: because she's not well. And you're like you shouldn't you
• 15:37
  Speaker 3: shouldn't write she killed your kid and the mother was
• 15:41
  Speaker 3: saying that and I was just like wow.
• 15:43
  Speaker 1: Wow, And in the in the interrogation, I'm like, obviously
• 15:48
  Speaker 1: this woman is guilty, and I'm glad she talked to
• 15:50
  Speaker 1: police because she can rot in hell. But guilty or innocent,
• 15:52
  Speaker 1: you should never talk to the police, and this like
• 15:54
  Speaker 1: shows that. But the police are like, do you call
• 15:57
  Speaker 1: these boys playing football? Did you call them recharge to
• 16:00
  Speaker 1: their faces? And she was like I did, they were
• 16:03
  Speaker 1: just yelling and yeah, I called them retards. And then
• 16:05
  Speaker 1: the cops said, would do you ever call black people
• 16:08
  Speaker 1: the N word? And she was like I mean yeah,
• 16:11
  Speaker 1: And the cops like, okay, well, what context would that
• 16:13
  Speaker 1: be if you call a black person the N word?
• 16:15
  Speaker 1: And she's like, I mean if black people are being
• 16:17
  Speaker 1: ridiculous and they're acting a certain way and it's justified,
• 16:21
  Speaker 1: I will call them the N word. It's like you
• 16:23
  Speaker 1: don't know, like, how does this lady not know how
• 16:26
  Speaker 1: bad that sounds.
• 16:27
  Speaker 3: Right, Well, she clearly lives in her own world.
• 16:32
  Speaker 4: And there's a part of the film where she says
• 16:34
  Speaker 4: something like I didn't really I never knew that that
• 16:36
  Speaker 4: was so bad, or said something insane like that.
• 16:40
  Speaker 3: She's the person ran their doorbell and she shot them
• 16:42
  Speaker 3: through a door. She has fucking no clue who that was.
• 16:45
  Speaker 1: That's that's what's so scary about Staniel Ground laws. And
• 16:47
  Speaker 1: like one of the reasons I'm you know, Massachusetts as
• 16:50
  Speaker 1: cold as fuck and the housing costs a billion dollars,
• 16:52
  Speaker 1: but like one of the many reasons we live here
• 16:55
  Speaker 1: is because there's extremely minimal gun violence and the Stanior
• 17:00
  Speaker 1: laws are so dangerous because people think, like it's like
• 17:03
  Speaker 1: we just saw this in the news. With Ice, like
• 17:06
  Speaker 1: is if you don't obey my commands, I get to
• 17:08
  Speaker 1: kill you. And with Staniel Ground laws, it's like, Okay,
• 17:11
  Speaker 1: if I'm afraid, I get to kill you. And thank
• 17:15
  Speaker 1: god that like Florida law enforcement does not see it
• 17:18
  Speaker 1: that way. And often people are are prosecuted because they
• 17:22
  Speaker 1: believe they're standing on their ground, but the police believe
• 17:25
  Speaker 1: they're not, and that they murdered someone. And that's wonderful
• 17:27
  Speaker 1: and that actually happens, but a lot of the time
• 17:29
  Speaker 1: it doesn't happen, and these people are let off the
• 17:31
  Speaker 1: hook because they were just standing alone. Rest of that well,
• 17:36
  Speaker 1: she essentially did I think she got like twenty years
• 17:39
  Speaker 1: but she's so old. She's so old, that's life. But
• 17:42
  Speaker 1: she didn't. She was convicted of manslaughter and not like
• 17:44
  Speaker 1: first degree murder.
• 17:45
  Speaker 3: But what Andy is saying and he was saying too
• 17:48
  Speaker 3: about that was so interesting, where like she had her
• 17:51
  Speaker 3: person her arms, like she was ready to leave, like
• 17:53
  Speaker 3: this was going to be just like I'll fill out
• 17:54
  Speaker 3: a form and go home.
• 17:55
  Speaker 2: Yeah.
• 17:56
  Speaker 3: Yeah, thought the scary party.
• 17:58
  Speaker 1: Scary not to spoil it, but when they tell her
• 18:01
  Speaker 1: in the interrogation room like okay, like you're being arrested
• 18:04
  Speaker 1: from anslaughter, she just goes, no, I'm not. I'm not
• 18:07
  Speaker 1: being arrested. I'm not gonna I'm not gonna go with you. You
• 18:09
  Speaker 1: can't arrest me.
• 18:10
  Speaker 2: Yeah, she won't go, but that's insane. That scene is insane.
• 18:15
  Speaker 1: Yeah, And then like three cops come in and they're like, listen,
• 18:17
  Speaker 1: you are gonna go to jail, so you can either
• 18:21
  Speaker 1: get up and cooperate and it'll be nice or we're
• 18:23
  Speaker 1: gonna like drag you kicking and screaming. So I really
• 18:25
  Speaker 1: think you shouldn't do this, and she just looks at
• 18:27
  Speaker 1: them and goes, no, I'm not being arrested. I'm not
• 18:30
  Speaker 1: going to jail. And then they're just like, so you
• 18:34
  Speaker 1: can do this, Yeah you are so.
• 18:38
  Speaker 2: But this was this one another one. Yeah, this is
• 18:40
  Speaker 2: another one that's Netflix and it's a hard watch, but
• 18:42
  Speaker 2: people should say this.
• 18:43
  Speaker 1: It's one of those things were like the leads are
• 18:46
  Speaker 1: of the Lost Prophets. What's his name, Ian whatever? He
• 18:49
  Speaker 1: got murdered in prison this year, and it's like, good
• 18:54
  Speaker 1: that you got murdered in prison. Like, I'm fine with that.
• 18:57
  Speaker 1: I have no moral issue with it. That's how I
• 19:00
  Speaker 1: feel about this lady.
• 19:02
  Speaker 2: Yeah.
• 19:03
  Speaker 1: But anyways, so moving on the perfect Neighbor. That's the
• 19:09
  Speaker 1: little libronic. Number five for Andy was Marty Supreme. Number
• 19:15
  Speaker 1: four for Andy.
• 19:16
  Speaker 2: Well, do we do five for Ryan now?
• 19:21
  Speaker 1: It was the perfect neighbor? Oh sorry, yeah, yeah, sorry
• 19:25
  Speaker 1: I should have explained that. Number four for Andy is
• 19:27
  Speaker 1: another documentary that was ninety minutes that I did watch.
• 19:30
  Speaker 1: It was oh nice, predator, Predators, Predators.
• 19:33
  Speaker 2: Yeah, this is on Paramount and.
• 19:37
  Speaker 4: It is about the TV show To Catch a Predator
• 19:39
  Speaker 4: and about the background of it. It's it's it's a
• 19:42
  Speaker 4: tough documentary to talk about because it's going to make
• 19:43
  Speaker 4: me sound like I'm standing up for pedophiles, but it is.
• 19:47
  Speaker 4: It is about the unethical practices of the TV show
• 19:50
  Speaker 4: To Catch Predator and how like a well intended idea
• 19:53
  Speaker 4: of like, hey, let's get these pedophiles off the street, which.
• 19:56
  Speaker 2: Is hey all four that.
• 19:59
  Speaker 4: They took a lot of short cuts and they really
• 20:01
  Speaker 4: started to capitalize on the phenomenon that it was.
• 20:04
  Speaker 2: And it came to a head in a moment where
• 20:06
  Speaker 2: they had a guy who was who was like the
• 20:10
  Speaker 2: assistant district attorney of a town and they they had
• 20:14
  Speaker 2: him talking to a young what he thought was a
• 20:17
  Speaker 2: young boy on online and when it came time to
• 20:21
  Speaker 2: set up the meet up that's you know, all for
• 20:22
  Speaker 2: television for the Catcher Predator show with Chris Hansen, the
• 20:25
  Speaker 2: guy backed out and he was like, you know, I
• 20:26
  Speaker 2: don't think this is a good idea.
• 20:27
  Speaker 3: I'm not going to do it.
• 20:28
  Speaker 4: They went with house and sort of you know, uh
• 20:32
  Speaker 4: entrapment wise, went to his house and when they the
• 20:36
  Speaker 4: pop started his house, he saw them Outsidi he killed
• 20:38
  Speaker 4: himself and the I mean the kind of blood is
• 20:41
  Speaker 4: on the hands of the show.
• 20:42
  Speaker 2: And it shows. The documentary shows like Chris Hansen meeting
• 20:45
  Speaker 2: Poles that the guy did it. It's a really cold scene.
• 20:47
  Speaker 2: It shows like how like blood they're see.
• 20:49
  Speaker 4: The television show was for footage and.
• 20:53
  Speaker 2: And they interview.
• 20:54
  Speaker 4: A lot of the show is given through the voice
• 20:57
  Speaker 4: of the folks who played the characters on the show.
• 20:59
  Speaker 4: So if anyone has ever seen to Catch Predator that
• 21:01
  Speaker 4: the concept is they chat up someone online who thinks
• 21:04
  Speaker 4: that they're talking to typically a young girl, and it's
• 21:06
  Speaker 4: an older guy underage girl, and she invites him to
• 21:11
  Speaker 4: the house, and the guy shows up thinking he's gonna
• 21:12
  Speaker 4: have sex with this underage girl, and.
• 21:15
  Speaker 2: Then Chris Hansen is there and says hey.
• 21:17
  Speaker 4: But in between that time, he meets up with an
• 21:20
  Speaker 4: actor who is a person who's over eighteen, but he's
• 21:22
  Speaker 4: playing the person who is under eighteen.
• 21:24
  Speaker 2: And there's that period of time where they.
• 21:27
  Speaker 4: The offender is sitting with it what he thinks is
• 21:30
  Speaker 4: a young girl and they're like trying to get to
• 21:32
  Speaker 4: he's trying to get to have sex with this girl.
• 21:33
  Speaker 4: And then Chris Hansen walks in and then the whole scene.
• 21:36
  Speaker 4: Then Chris Hansen let them go and they get arrested outside.
• 21:39
  Speaker 4: What was really crazy to me was like the scene
• 21:42
  Speaker 4: in the documentary where they're talking to one of the
• 21:45
  Speaker 4: young people who who was playing a young person. Then
• 21:50
  Speaker 4: she said, I was a college freshman at the time
• 21:53
  Speaker 4: and I was playing like a fifteen year old girl
• 21:54
  Speaker 4: and this guy thought he was talking to a fiteen
• 21:55
  Speaker 4: year old girl and he was nineteen. And he came
• 21:59
  Speaker 4: and we're sitting by the be you know, I'm supposed
• 22:01
  Speaker 4: to be talking to him, waiting for Chris Hansen to
• 22:02
  Speaker 4: walk in, and he said he's talking about his college
• 22:06
  Speaker 4: classes and he's like, I want to change my major.
• 22:07
  Speaker 2: I think I picked the wrong one.
• 22:09
  Speaker 4: And she said, I'm sitting in pross with him, thinking
• 22:10
  Speaker 4: this is the same stuff that I'm going through in
• 22:12
  Speaker 4: my life, and I want to just get up and
• 22:13
  Speaker 4: tell him just leave, just get out, don't be here
• 22:15
  Speaker 4: for this, And like it kind of showed like kind
• 22:18
  Speaker 4: of the gray area of what they were touching on
• 22:20
  Speaker 4: with that show and how they were just trying to
• 22:22
  Speaker 4: ruin people's lives. And there was an incident where someone
• 22:25
  Speaker 4: who's found innocent where like he wasn't He said he
• 22:29
  Speaker 4: was over eighteen, but he wasn't over eighteen, and he
• 22:31
  Speaker 4: really wasn't committing a crime by talking to this young
• 22:33
  Speaker 4: person online.
• 22:34
  Speaker 2: And then.
• 22:36
  Speaker 4: It turned out that when it came to court or whatever,
• 22:38
  Speaker 4: he got off. And they said to Chris Hansen, you
• 22:43
  Speaker 4: know this person, if you google this person's name, well,
• 22:45
  Speaker 4: Chris Hansen says, oh, no, he didn't go to jail.
• 22:47
  Speaker 4: He's fine, his life is fine now. And they said, well,
• 22:49
  Speaker 4: if you google this person's name like the first twelve
• 22:51
  Speaker 4: hits on the internet or him being a pedophile, and
• 22:53
  Speaker 4: you've ruined his life, and the and Chris Hansen the thing.
• 22:57
  Speaker 4: And then they talked to some people in law for
• 23:00
  Speaker 4: law enforcement who were working with I guess it was
• 23:04
  Speaker 4: NBC at the time, and they said, like, there were
• 23:08
  Speaker 4: times where we were taking direction from the television producers,
• 23:11
  Speaker 4: like as police officers of like what to ask these
• 23:13
  Speaker 4: people in the interrogation.
• 23:14
  Speaker 2: We're like, what are we doing here?
• 23:16
  Speaker 3: Right?
• 23:16
  Speaker 4: So it asks a lot of really really good questions
• 23:20
  Speaker 4: about what's ethically right to put on TV and what
• 23:23
  Speaker 4: is what are we really doing here in the end right,
• 23:25
  Speaker 4: So sure many of those people should be in jailing
• 23:28
  Speaker 4: off the streets. But the reality is they were definitely
• 23:31
  Speaker 4: doing some really ethical things. And now Chris Hansen works
• 23:34
  Speaker 4: for some bootlicking network that.
• 23:37
  Speaker 2: Is all like, yeah, I get the bad guys off
• 23:41
  Speaker 2: the streets. Network.
• 23:41
  Speaker 4: Kindn't even know what it's called, but it's some third
• 23:43
  Speaker 4: rate internet cable channel that's about police some point, right.
• 23:47
  Speaker 3: Were you fascinated by while they're doing the part with
• 23:52
  Speaker 3: like the ethics of like the police procedure. They talked
• 23:55
  Speaker 3: to a sheriff of a town that to catch a
• 23:59
  Speaker 3: party try to go to. The guy said they can't
• 24:01
  Speaker 3: come here, and they were like why, and he goes,
• 24:03
  Speaker 3: do you guys watch your own show. These people have
• 24:05
  Speaker 3: no idea. You've not read that person their rights. Chris
• 24:09
  Speaker 3: Hansen has no clue who he's dealing with. He goes this,
• 24:12
  Speaker 3: so much of this is not due process. There's no
• 24:15
  Speaker 3: fucking way you can come to this town. There's no way.
• 24:18
  Speaker 2: I got one of those things that you know, it
• 24:20
  Speaker 2: gives you a lot of faith and like there are
• 24:21
  Speaker 2: good people out there doing police work for the right reasons.
• 24:24
  Speaker 4: Right, there's a lot of them, And like that that
• 24:26
  Speaker 4: type of thing like made you feel really good where
• 24:27
  Speaker 4: there's people acting the right questions, right. That guy thought immediately,
• 24:30
  Speaker 4: immediately they were breaking off what they were doing.
• 24:32
  Speaker 3: Right. Also, he said too like I thought it was
• 24:34
  Speaker 3: a fascinating thing he pointed out, which is again I
• 24:37
  Speaker 3: think what sadly, the guy who committed suicide was probably
• 24:42
  Speaker 3: for Chris Hanson a quote unquote best case scenario, because
• 24:45
  Speaker 3: the guys like you catch these people at an incredibly
• 24:48
  Speaker 3: desperate moment, their life is over. One of those persons
• 24:52
  Speaker 3: is carrying a weapon. There you have no clue what
• 24:55
  Speaker 3: they're gonna fucking do. You have no clue? And he's like,
• 24:57
  Speaker 3: you guys are not prepared for that at all.
• 24:59
  Speaker 2: Yeah, playing with fire with that show.
• 25:01
  Speaker 3: Yeah, Yeah.
• 25:02
  Speaker 1: It made me really sad that the guy that killed
• 25:04
  Speaker 1: himself when the cops came into his house, he had
• 25:07
  Speaker 1: a gun and he said, don't worry, I'm not going
• 25:09
  Speaker 1: to hurt you, and then he killed himself. And I
• 25:12
  Speaker 1: really like he was telling the truth. He had no
• 25:14
  Speaker 1: intention of hurting anybody but himself. I have so many
• 25:17
  Speaker 1: thoughts about this, so many thoughts. Well, first of all, Andy,
• 25:20
  Speaker 1: what you said was slightly inaccurate. It was even worse
• 25:24
  Speaker 1: than what you said. There was an eighteen year old
• 25:26
  Speaker 1: who's a registered sex offender who got arrested because he
• 25:30
  Speaker 1: met up with a fifteen year old on to Catch
• 25:32
  Speaker 1: a Predator. And in the interview they point out that's
• 25:36
  Speaker 1: actually not illegal in most states, so like they were
• 25:40
  Speaker 1: in Michigan, let's say, and they were like, in Wisconsin,
• 25:42
  Speaker 1: that's not illegal, and the producer said, yeah, but we
• 25:45
  Speaker 1: were in Michigan and it was illegal in Michigan. Like
• 25:48
  Speaker 1: end of story. And then Chris Hansen said, but we
• 25:51
  Speaker 1: didn't air it because we knew that was kind of
• 25:53
  Speaker 1: borderline and we felt bad for the kids, so we
• 25:55
  Speaker 1: didn't air it. And then the director was like, but
• 25:58
  Speaker 1: if you google his name, it's the first ten results
• 26:02
  Speaker 1: and he's a registered sex offender. And they were like, well,
• 26:04
  Speaker 1: he broke the lot at the end of the day,
• 26:07
  Speaker 1: so that's awful. And I think that So an important
• 26:12
  Speaker 1: thing to mention is the director as a victim of
• 26:14
  Speaker 1: child sexual abuse, and he said that the reason that
• 26:17
  Speaker 1: he was fascinated by to Catch Your Predator, which I love,
• 26:20
  Speaker 1: like I have an encyclopedic knowledge to Catch your Predator.
• 26:24
  Speaker 1: When they started the documentary with Lorne in the Red
• 26:27
  Speaker 1: Sox hat Lorn from Maine and they show him coming in.
• 26:31
  Speaker 1: I'm like, oh my god, of course they start with Lorne.
• 26:35
  Speaker 1: I know all these guys' names. I've seen them all
• 26:37
  Speaker 1: a million times. The guy was the director was like
• 26:41
  Speaker 1: I because it was abused. I always watched the show
• 26:43
  Speaker 1: because I want to understand why do these guys do this?
• 26:46
  Speaker 1: And the show never explained why these guys do this.
• 26:49
  Speaker 1: It was just about their monsters. Punish them, throw them
• 26:52
  Speaker 1: in a dungeon, and throw away the key. And especially nowadays,
• 26:57
  Speaker 1: there's this like obsession with pedophiles. And I've seen and
• 27:01
  Speaker 1: you know, adrenochrome and conspiracy theories and you know, pedophiles
• 27:06
  Speaker 1: should be taken, dragged into the street and executed. And
• 27:09
  Speaker 1: I was watching it and I was like, I don't
• 27:10
  Speaker 1: think there's a big mystery about pedophiles. And I am
• 27:14
  Speaker 1: not defending pedophiles in any way, but like their motivation
• 27:17
  Speaker 1: I think is very clear to me, because there's there
• 27:21
  Speaker 1: like legally, there are sliding scales of pedophiles because there's
• 27:24
  Speaker 1: a difference between a guy an adult man that is
• 27:28
  Speaker 1: trying to have sex with sixteen year olds versus an
• 27:30
  Speaker 1: adult man is trying to have sex with toddlers. Like
• 27:32
  Speaker 1: there's legally a difference between that. I think that a
• 27:36
  Speaker 1: lot of pedophiles, like almost all of them, who are
• 27:40
  Speaker 1: on the worst level of offenders, were abused themselves. Like, please,
• 27:46
  Speaker 1: if somebody's listening, find me an example of this where
• 27:49
  Speaker 1: that's not true. Like almost everyone who's offending in that
• 27:54
  Speaker 1: way was abused themselves when they were younger, and it
• 27:57
  Speaker 1: like warped their development of their sexuality. And Louis c
• 28:00
  Speaker 1: k has a great bit about this about how powerful
• 28:03
  Speaker 1: sexuality is, and he's like, I love mounds bars. I
• 28:07
  Speaker 1: think they're the fucking best. I would eat fifty Mounds
• 28:09
  Speaker 1: bars a day. I could never give up mounts bars.
• 28:12
  Speaker 1: They're my favorite thing. If somebody said, Louis, if you
• 28:15
  Speaker 1: have another Mounds bar ever again, your wife's gonna leave you, your
• 28:18
  Speaker 1: children will never speak to you again, you're gonna be
• 28:21
  Speaker 1: a registered sex offender. You're gonna go to jail, all
• 28:23
  Speaker 1: your friends will stop talking to you, you'll never work again.
• 28:26
  Speaker 1: I'd be like, oh, okay, no problem, no problem, Mounds
• 28:30
  Speaker 1: bars are gone for my life. I'm not even tempted
• 28:32
  Speaker 1: by Mounts bars. So, like the joke is, these guys
• 28:35
  Speaker 1: must be like really into it. You know what I mean.
• 28:40
  Speaker 1: I think that a lot of these guys who are
• 28:41
  Speaker 1: meeting with sixteen year olds, a lot of these guys
• 28:43
  Speaker 1: on the show are fucking losers. Like you see that
• 28:46
  Speaker 1: time and time again. These guys are fucking losers, and
• 28:48
  Speaker 1: they're like thirty five, they're single, they're pathetic, and they're
• 28:53
  Speaker 1: not gonna meet a woman that's like remotely into them
• 28:56
  Speaker 1: or attractive that to their age. So they're on the
• 28:59
  Speaker 1: internet because losers, and they meet a sixteen year old
• 29:02
  Speaker 1: and they're so desperate and the sixteen year old is
• 29:04
  Speaker 1: like pretty and talking to them.
• 29:06
  Speaker 2: Yeah, extremely low self esteem.
• 29:08
  Speaker 1: Right, They're gonna be like, I have nothing else, I'm
• 29:12
  Speaker 1: gonna go meet with the sixteen year old. Now, I'm
• 29:13
  Speaker 1: not saying that that's okay, that's like disgusting and wrong,
• 29:17
  Speaker 1: but it's I don't think it's a mystery to me,
• 29:19
  Speaker 1: Like what are these guys' motivations? And yeah, like I
• 29:26
  Speaker 1: there's nothing else like to catch a predator. To see
• 29:29
  Speaker 1: these guys in the worst moment of their lives, live
• 29:32
  Speaker 1: on television committing a heinous crime that everybody would think
• 29:35
  Speaker 1: they should be drawn and quartered for it is insane.
• 29:40
  Speaker 1: That's why I did so well, and there are so
• 29:41
  Speaker 1: many classic examples of guys. And I remember they interviewed
• 29:45
  Speaker 1: a guy who was like totally anti the show, and
• 29:47
  Speaker 1: he was one of the investigators that interrogated the the
• 29:52
  Speaker 1: the offenders, and I remember they didn't even play this
• 29:55
  Speaker 1: in the dock, but I remember a moment where he
• 29:58
  Speaker 1: asked the guy, so, what is the you brought like
• 30:01
  Speaker 1: a sex toy? And he goes, I don't think so.
• 30:04
  Speaker 1: I think it's like a finger indexer for flipping paper
• 30:08
  Speaker 1: and the and the guy goes, no, it's not a
• 30:11
  Speaker 1: finger indexer. It's it vibrates, so I don't think it's
• 30:14
  Speaker 1: for flipping paper. That guy was like in the documentary
• 30:18
  Speaker 1: talking about how like to Catch a Predator is an
• 30:20
  Speaker 1: evil show and is like anti police work, so it was, Yeah,
• 30:27
  Speaker 1: it's a tough watch, and nobody wants to talk about
• 30:29
  Speaker 1: like the nuances of child sex offenses, but there there
• 30:34
  Speaker 1: obviously are nuances, and like, the worst the world worse
• 30:40
  Speaker 1: than going to jail, in my opinion, is being on
• 30:42
  Speaker 1: the show. That's like literally the scarlet letter for the
• 30:46
  Speaker 1: rest of your life. I mean, there's nothing worse than that.
• 30:49
  Speaker 3: So what did what did you guys. Think of what
• 30:52
  Speaker 3: I thought it was fascinating was the last third of
• 30:55
  Speaker 3: them of the documentary is the director. He puts his
• 31:00
  Speaker 3: voice in like Andy's I'm sorry. Like Tim mentioned, he
• 31:03
  Speaker 3: says that he himself was sexually abused, he would wanted
• 31:07
  Speaker 3: to know the why for what happened. And then he
• 31:11
  Speaker 3: gets to interview Chris Hansen and he asks him that
• 31:14
  Speaker 3: question of you ask everyone the why and you guys
• 31:17
  Speaker 3: never got the answer, and Chris Hansen gives him some
• 31:21
  Speaker 3: fucking cortient response or whatever it was, yes, and then
• 31:25
  Speaker 3: it just it just the camera just hangs on him.
• 31:28
  Speaker 3: You finally they finally show you him, and then it
• 31:31
  Speaker 3: ends with predators. And I was kind of thinking, like,
• 31:36
  Speaker 3: was the whole point of this to be like you
• 31:38
  Speaker 3: trap them, I trap you. We all want the same
• 31:42
  Speaker 3: we all want an answer from each other. And what
• 31:46
  Speaker 3: does that say about me compared to what says about you?
• 31:49
  Speaker 3: In this incredibly complex, dense and hurtful, say the least experience.
• 31:56
  Speaker 3: And I thought that was really interesting that that guy
• 31:58
  Speaker 3: making this documentary would do that to himself in a
• 32:01
  Speaker 3: weird way. I was very surprised by that.
• 32:04
  Speaker 4: Yeah, I didn't think that I don't think the documentary
• 32:06
  Speaker 4: is gonna turn that way at the end. And I
• 32:08
  Speaker 4: don't know anything about that guy, but I know he's
• 32:09
  Speaker 4: been involved in other did like No Man's Land and
• 32:11
  Speaker 4: and and he's got some other big films, but and yeah,
• 32:14
  Speaker 4: that one feel personal.
• 32:16
  Speaker 3: What I also thought, if you guys noticed this too,
• 32:19
  Speaker 3: the YouTuber who had a Chris Hansen take on his name.
• 32:22
  Speaker 4: Yeah, yeah, he was like a new version of it.
• 32:26
  Speaker 3: Was awful because obviously the situation he's Again, what I
• 32:30
  Speaker 3: really respected a lot about this documentary was showing you, like,
• 32:33
  Speaker 3: this TV show should not be handling these situations. They
• 32:36
  Speaker 3: shouldn't be. That's the whole point of this, Like that's
• 32:38
  Speaker 3: the issue, Like why do we want this.
• 32:40
  Speaker 2: Well, this is why we have turtle Boy, right, this
• 32:42
  Speaker 2: is the same thing. This is, this is what turtle
• 32:44
  Speaker 2: Boy is.
• 32:45
  Speaker 3: And it's like, this dude does this and he's like
• 32:48
  Speaker 3: his whole his whole safety net in this whole process
• 32:51
  Speaker 3: that this guy does. The YouTuber is that I will
• 32:54
  Speaker 3: call the police and the police will come come help
• 32:56
  Speaker 3: me because this whole situation is bad. Then when it
• 32:59
  Speaker 3: happens and the guy he catches completely decomposes in front
• 33:04
  Speaker 3: of him, and it's like, I'm gonna kill myself. They
• 33:07
  Speaker 3: try to call the cops, and the cops go, hey man,
• 33:09
  Speaker 3: we're busy, we can't come, and he's like, oh fuck,
• 33:12
  Speaker 3: what do I do?
• 33:14
  Speaker 2: Right?
• 33:14
  Speaker 3: Because he can't handle this again. The idea is that,
• 33:16
  Speaker 3: like you're dealing with terrible stuff, you are doing this
• 33:20
  Speaker 3: for your own self game. You're not doing this for
• 33:23
  Speaker 3: anything for your noble cause is quite frankly fucking horseshit.
• 33:26
  Speaker 3: It's for your own YouTube channel likes, and like you
• 33:30
  Speaker 3: you can't hand exactly it's for you.
• 33:35
  Speaker 1: And that's what really bothered me about Chris Hansen, because
• 33:37
  Speaker 1: I think he asked an entirely fair question, which is like,
• 33:40
  Speaker 1: objectively stopping pedophiles is good, right obviously, but you know,
• 33:47
  Speaker 1: do you feel conflicted at all about like the sensationalism
• 33:50
  Speaker 1: of this and like you're you know, you're doing it
• 33:52
  Speaker 1: for views? And Chris Hansen's like, no, I was not
• 33:56
  Speaker 1: doing it to be famous or be a successful journalist
• 33:59
  Speaker 1: or get money or get views. I'm genuinely a hero.
• 34:04
  Speaker 1: And I was like, really, Chris, like.
• 34:07
  Speaker 3: Why their camera's there? If they told you no cameras,
• 34:09
  Speaker 3: would you do it?
• 34:10
  Speaker 1: Yeah?
• 34:10
  Speaker 3: Right? Right?
• 34:13
  Speaker 1: And there's like there's a slot. I've seen every episode
• 34:16
  Speaker 1: of To Catch a Predator. I know all these guys.
• 34:18
  Speaker 1: I've seen them all multiple times. There are guys where
• 34:21
  Speaker 1: I'm like, thank fucking god they are on this show
• 34:25
  Speaker 1: and they can never do this again. They caught a
• 34:27
  Speaker 1: guy twice, the same guy twice. Jesus, it's like, get
• 34:32
  Speaker 1: this guy. Put shoot this guy into the sun. But
• 34:35
  Speaker 1: then there are there are the college students who are like,
• 34:39
  Speaker 1: there's an eighteen year old meeting a sixteen year old
• 34:41
  Speaker 1: and he's like, I'm in school to be an engineer
• 34:44
  Speaker 1: and now I'm gonna get expelled and my life is over.
• 34:46
  Speaker 1: And Chris is like, well, you made the decision to
• 34:49
  Speaker 1: come here, and it's like, well I thought, you know,
• 34:52
  Speaker 1: like I don't know. It's it's very uh, it's it's problematic.
• 34:58
  Speaker 2: The reason why this makes my list. And I you
• 35:00
  Speaker 2: guys know, I love documentaries.
• 35:03
  Speaker 4: A documentary that's asking good questions, right, It's there's not
• 35:07
  Speaker 4: it's not a it's not a given.
• 35:08
  Speaker 2: You know all there's a ton of crap on.
• 35:10
  Speaker 4: Netflix that aren't asking good questions and or difficult questions
• 35:13
  Speaker 4: or opposing like really good conversation. Yeah, and I thought,
• 35:16
  Speaker 4: I thought, this film let you make a lot of
• 35:19
  Speaker 4: decisions yourself, but asked a lot of really good questions
• 35:21
  Speaker 4: and instead of document but not believe it was not
• 35:23
  Speaker 4: nominated for Best Documentary.
• 35:25
  Speaker 2: And I actually didn't see all the matter.
• 35:27
  Speaker 1: That's why.
• 35:28
  Speaker 2: Yeah, it's not easy, it's not easy, but.
• 35:31
  Speaker 3: But I definitely agree. Yeah, it was extraordinary, like how
• 35:36
  Speaker 3: they handled their subject matter was extraordinarily well made, really truly.
• 35:40
  Speaker 1: Yeah, yes, all right, number four for Ryan.
• 35:47
  Speaker 3: Sorry one second, Oh do you need.
• 35:49
  Speaker 1: To take a break? Eddington Eddington. I watched this morning. Ryan.
• 35:57
  Speaker 1: I got caught by you because I said, like a
• 36:00
  Speaker 1: an adorable picture of CC, and you noticed that the
• 36:03
  Speaker 1: background the TV was Eddington. You said, oh holy, how
• 36:07
  Speaker 1: did CC like Eddington? And I said she wasn't a man?
• 36:10
  Speaker 1: But yeah, well you know, except for the last fourth
• 36:16
  Speaker 1: of the movie, like really nothing happens, it's just like talking.
• 36:20
  Speaker 1: So it was fine, but yeah, not my best moment.
• 36:24
  Speaker 1: But anyways, Eddington.
• 36:26
  Speaker 3: She was born on the Friday the thirteenth franchise, so
• 36:29
  Speaker 3: I think it's anything.
• 36:30
  Speaker 1: She's fine, right, right, she had like not developed site
• 36:35
  Speaker 1: yet when I watched that in front.
• 36:37
  Speaker 3: Of I know, but still like that's a solid twenty
• 36:40
  Speaker 3: four hours.
• 36:41
  Speaker 1: For the rest of her life, she will know the
• 36:43
  Speaker 1: first movie we ever watched together as a father daughter
• 36:46
  Speaker 1: was I genuinely love this movie Friday the thirteenth, three D.
• 36:51
  Speaker 3: Hey never look at clotheslines the same again, or that's true,
• 37:00
  Speaker 3: that's true. Yeah, I I love ari Asta. No one
• 37:08
  Speaker 3: does what he does. This is a pretty ugly movie
• 37:13
  Speaker 3: in a good way. It is I know this sounds insane,
• 37:19
  Speaker 3: but like it is so again darkly funny. It is
• 37:23
  Speaker 3: so insanely darkly fucked up and funny. The most shocked
• 37:29
  Speaker 3: I was by was at the end of this movie
• 37:32
  Speaker 3: is one of an action scene that I just didn't
• 37:36
  Speaker 3: know a human being could make. Like I was like,
• 37:38
  Speaker 3: I was so blown away by the ANTIFAA attack on Eddington.
• 37:43
  Speaker 3: I was just like, how is he doing this? I
• 37:46
  Speaker 3: was just stunned by this. I also think that Katy
• 37:52
  Speaker 3: perry fireworks scene is incredible. When he goes into the
• 37:54
  Speaker 3: party to turn the music off and then he turned
• 37:56
  Speaker 3: it back on. His fucking gets slacked is incredible.
• 38:00
  Speaker 2: Again.
• 38:00
  Speaker 3: The reason why I say this movie is ugly, I
• 38:02
  Speaker 3: think it deals with a lot of shit that people
• 38:03
  Speaker 3: don't want to deal with. It takes place in twenty twenty.
• 38:05
  Speaker 3: It is a city in New Mexico, or a fake
• 38:10
  Speaker 3: city New Mexico, I believe. And it's a sheriff who
• 38:14
  Speaker 3: is running for mayor and going against an existing mayor
• 38:17
  Speaker 3: who's much more progressive, played by Pedro Pascal and he's
• 38:23
  Speaker 3: played by sorry Joaquin Phoenix, and it is a conflict
• 38:27
  Speaker 3: of their ideals, conflict of interests. It's pretty much what
• 38:30
  Speaker 3: we have now in the United States, which already is
• 38:34
  Speaker 3: ugly enough. I the reason this is so high in
• 38:39
  Speaker 3: my list is I was just so floored by this movie.
• 38:42
  Speaker 3: I watched it again when it came on HBO Max
• 38:44
  Speaker 3: and still it worked. It's still so good. I kind
• 38:49
  Speaker 3: of want to watch it again just because, like, there's
• 38:52
  Speaker 3: probably more to it. Each storyline for each character has
• 38:57
  Speaker 3: some other thing added to it that is so interesting.
• 39:02
  Speaker 3: Great use of Austin Butler in this movie, even though
• 39:05
  Speaker 3: it's pretty minimal, I thought he was used really well.
• 39:10
  Speaker 3: Don't get me wrong, this is an incredibly not like
• 39:12
  Speaker 3: Perfect Neighbor, hard watch. There's a lot of gross shitt
• 39:16
  Speaker 3: in here, but I think important to see. If that
• 39:20
  Speaker 3: sounds crazy, ari.
• 39:23
  Speaker 1: Ast for those who don't know, he made Midsummer, which
• 39:26
  Speaker 1: is a favorite of the podcast. He made uh Hereditary,
• 39:30
  Speaker 1: which is terrifying. There's something about the Johnson's which if
• 39:35
  Speaker 1: you haven't seen that, go watch it on YouTube. You'll
• 39:38
  Speaker 1: love it. And anyone tell your mom about it.
• 39:42
  Speaker 2: Yeah, share with your family.
• 39:44
  Speaker 1: So I really wanted to see this, and we were
• 39:47
  Speaker 1: talking about it off pod and Ryan was like, oh,
• 39:50
  Speaker 1: this didn't get nominated for anything, and I think Andy said, like,
• 39:53
  Speaker 1: everybody's like no, thanks, given what this was about. It
• 39:56
  Speaker 1: was about COVID, it was about Black lives matter, and
• 40:00
  Speaker 1: and I loved because at first you think Joaquin Phoenix
• 40:04
  Speaker 1: is this mask denying this is the first movie about
• 40:07
  Speaker 1: COVID I've seen, period, and he's this mask denying sheriff
• 40:12
  Speaker 1: that's about like freedom and personal choice, and he's like,
• 40:15
  Speaker 1: I have asthma, so I can't wear a mask because
• 40:17
  Speaker 1: I can't breathe, which is obviously like idiotic. But so
• 40:20
  Speaker 1: then I thought that Pedro Pascal would just be like
• 40:22
  Speaker 1: a normal good guy, but he wasn't at all, Like
• 40:25
  Speaker 1: the other side was also portrayed as idiotic, and I
• 40:29
  Speaker 1: thought that was so funny, like how these white high
• 40:32
  Speaker 1: school students in this town that had no, black people
• 40:36
  Speaker 1: were the most they would like, they would literally die
• 40:40
  Speaker 1: for the BLM movement. They were screaming in the streets.
• 40:43
  Speaker 2: And this is the meme I sent you with Bradley
• 40:47
  Speaker 2: Wifford saying to and get out Daniel Klua. Uh.
• 40:53
  Speaker 4: You know, I would have voted for Obama a third time,
• 40:55
  Speaker 4: but the beam was I would have given Sinners a
• 40:58
  Speaker 4: seventeenth nomination if I could.
• 41:00
  Speaker 2: Right, Like, that's that's these people. So they're poking holes
• 41:03
  Speaker 2: at everything in this movie.
• 41:04
  Speaker 1: Yes, and not to spoil it, but there's this white
• 41:06
  Speaker 1: kid who he becomes obsessed with Black Lives Matter just
• 41:10
  Speaker 1: because he wants to have sex with the girl who's
• 41:13
  Speaker 1: into Black Lives Matter who's also white. And then at
• 41:16
  Speaker 1: the end of the movie, not to spoil it, but
• 41:18
  Speaker 1: he becomes like a conservative influencer, which I absolutely loved.
• 41:23
  Speaker 1: But yeah, and Pedro Pascal is throwing out stuff like
• 41:27
  Speaker 1: he's like, hey, there's a mask mandate, will you will
• 41:29
  Speaker 1: you just wear your mask? And Woking Phoenix says, but
• 41:31
  Speaker 1: if you're vaccinated, Like who cares if I wear a
• 41:33
  Speaker 1: mask or not? And he says, well, if I'm vaccinated
• 41:37
  Speaker 1: and you're not, then I have a one point four
• 41:39
  Speaker 1: chance of and then it's like where are you getting
• 41:42
  Speaker 1: Joaquin Phoenix even says where are you getting these numbers?
• 41:45
  Speaker 1: And even though Walking Phoenix is an idiot, like he's
• 41:47
  Speaker 1: right in that moment, and it's like, well, if you
• 41:50
  Speaker 1: touch paper, paper gives you a fourteen percent chance of
• 41:53
  Speaker 1: getting COVID and walking Thinging's like, what the fuck are
• 41:56
  Speaker 1: you talking about? And so you're are you kind of
• 41:59
  Speaker 1: like you're on No. One side the whole movie, which
• 42:01
  Speaker 1: I think is great everyone.
• 42:04
  Speaker 3: I think that's the whole thing. I think like that's
• 42:07
  Speaker 3: what we I think we don't want to deal with that.
• 42:10
  Speaker 3: I don't think we want to be shown that that
• 42:12
  Speaker 3: there is no like both sides have right and wrong
• 42:15
  Speaker 3: or both sides have so many deviations and hypocrisies it
• 42:20
  Speaker 3: can't possibly come with a clear idea. But I don't
• 42:25
  Speaker 3: think people want that. I think especially a movie about
• 42:28
  Speaker 3: like you said, this is the first movie about COVID.
• 42:30
  Speaker 3: There have been movies made that take place during COVID,
• 42:33
  Speaker 3: where like there's a bank heist where people wear masks,
• 42:36
  Speaker 3: but like this is about the what happened like in
• 42:39
  Speaker 3: terms of like the political conflict during COVID at least
• 42:42
  Speaker 3: sort of like social conflict during COVID. This movie's about that,
• 42:46
  Speaker 3: and obviously it's done an extreme way, but I think
• 42:50
  Speaker 3: it's really the severity of it is so gruesome and
• 42:57
  Speaker 3: quite frankly, the movie is so hopeless that like, I
• 43:02
  Speaker 3: think people are just like I'm good, I'm totally good, Like.
• 43:08
  Speaker 1: I agree, and like, I think one thing that people
• 43:10
  Speaker 1: did not like, especially in like the liberal Hollywood community,
• 43:13
  Speaker 1: is the joke about antifas, Like Antifa does not exist,
• 43:17
  Speaker 1: like Antifa on a national scale, like an organized group
• 43:21
  Speaker 1: that has a HQ or has a leader does not exist.
• 43:25
  Speaker 1: That's what like Fox News Blanket calls all these protesters
• 43:29
  Speaker 1: across the country, and the movie portrays Antifa like without
• 43:34
  Speaker 1: acknowledging how preposterous it is as an actual, like billion
• 43:40
  Speaker 1: dollar funded elite organization fly a private jet of assassins,
• 43:47
  Speaker 1: and it's like there, it's it's tongue in cheek, but
• 43:49
  Speaker 1: it never acknowledges its tongue in cheeks, So you're like,
• 43:52
  Speaker 1: what is he going for here portraying Antifa this way?
• 43:56
  Speaker 1: It's Yeah, there's many shocking moments, not very violent compared
• 44:02
  Speaker 1: to other Ariostra movies, but there's always moments of like
• 44:07
  Speaker 1: extreme violence where you're like, oh my god, I can't
• 44:09
  Speaker 1: believe that just happened.
• 44:11
  Speaker 3: WHOA.
• 44:12
  Speaker 1: Yeah.
• 44:12
  Speaker 3: One thing I think is fascinating is when a certain
• 44:18
  Speaker 3: character is killed, they are investigating their murder, and then
• 44:23
  Speaker 3: it's on the territory of another police county. That police
• 44:28
  Speaker 3: officer is a person who's doing their job right and
• 44:32
  Speaker 3: is kind of going through it all whatnot. That character
• 44:36
  Speaker 3: is then horrifyingly killed later in the movie. It's pretty horrific.
• 44:40
  Speaker 3: And then they almost make it a joke during the
• 44:43
  Speaker 3: ending montage that there's a mural made about this police
• 44:45
  Speaker 3: officer and you're kind of like, oh, it's like that ugly,
• 44:51
  Speaker 3: Like it's that ugly. We're going for this, like how
• 44:53
  Speaker 3: we materialize these horrifying moments. It's really Again, again, it's
• 45:00
  Speaker 3: not an easy watch, but I think people should see
• 45:03
  Speaker 3: it because I think it's very fascinating. But also I
• 45:08
  Speaker 3: think just Ari Astor just like loves to just completely like,
• 45:12
  Speaker 3: I should go to ten, but maybe twenty eight is better,
• 45:15
  Speaker 3: so I'll go to thirty six instead.
• 45:17
  Speaker 1: Yeah, it's just like and the Pedro Pascal because he's
• 45:20
  Speaker 1: running from Mayor. There's a there's a commercial early in
• 45:23
  Speaker 1: the film where he's like, because he seems like a
• 45:26
  Speaker 1: decent guy, and you know that he's a single dad,
• 45:30
  Speaker 1: and you just see this like ai cheesy commercial where
• 45:34
  Speaker 1: he's like, you know, I don't remember his name, but
• 45:37
  Speaker 1: he's like, Pedro Pascal raised his son alone because his
• 45:41
  Speaker 1: wife left him. And then it cuts to Pedro Pascal
• 45:44
  Speaker 1: like in a meeting with five black people, and that's
• 45:48
  Speaker 1: when Walking Phoenix is like, where are these black people?
• 45:51
  Speaker 1: This town has no black people. So it's it's just it. Everybody.
• 45:57
  Speaker 1: Everybody is a moron. Everybody is shown as handling COVID
• 46:02
  Speaker 1: and everything in the complete wrong way. And there's the
• 46:07
  Speaker 1: name of the Native Americans are portrayed as like the
• 46:09
  Speaker 1: one like rational group of normal people, and they, as
• 46:13
  Speaker 1: you said, get fucked in the and and everybody mentions
• 46:18
  Speaker 1: like what you're doing doesn't matter because you're on we're
• 46:21
  Speaker 1: on stolen land. We stole this from the Native Americans,
• 46:24
  Speaker 1: Like all the white people say that, but nobody's actually
• 46:26
  Speaker 1: doing anything to help Native Americans in the movie.
• 46:29
  Speaker 3: I mean, yes, I thought a great a great point
• 46:32
  Speaker 3: about this movie, and I think it was really well done.
• 46:35
  Speaker 3: Was it was an episode of the Big picture, and
• 46:38
  Speaker 3: Sean Fantasy was like, you know the scene when Peter
• 46:42
  Speaker 3: Pascal is at that bar and he's calling about Clifton
• 46:45
  Speaker 3: Collins Junior, because he's playing that crazy guy the movie
• 46:47
  Speaker 3: opens with and he's acting moniholy at the bar and joking.
• 46:52
  Speaker 3: Phoenix shows up and he's like, oh my god, it's
• 46:54
  Speaker 3: this fucking guy I'm running against from mayor, or potentially
• 46:57
  Speaker 3: run against from mayor, and he goes, if you want
• 47:00
  Speaker 3: that scene, the whole point they're making is that both
• 47:03
  Speaker 3: of them are not interested in truly solving the problem,
• 47:05
  Speaker 3: which is this guy. They're not interested in that at all.
• 47:07
  Speaker 3: They're gonna yell at each other, they're gonna scream at
• 47:09
  Speaker 3: each other, they're gonna do whatever. They don't give a
• 47:11
  Speaker 3: shit about solving the problem with this guy. And he's like,
• 47:14
  Speaker 3: that's the whole thing about that, that's the whole movie.
• 47:16
  Speaker 3: In a nutshell, It's like both of them are just
• 47:18
  Speaker 3: there to throw in each other's face and they don't
• 47:19
  Speaker 3: actually care about the issue, which is this guy. So
• 47:22
  Speaker 3: that was fascinating.
• 47:23
  Speaker 1: I thought a great moment with Clifton Collins Junior. And
• 47:25
  Speaker 1: if you guys don't know who that is, google him.
• 47:27
  Speaker 1: You'll recognize him. He's great, but he's he's this like
• 47:30
  Speaker 1: homeless derelict. And these these white teenagers are having a
• 47:34
  Speaker 1: Black Lives Matter protest in this town of like a
• 47:37
  Speaker 1: thousand people where there's no black people, and they're in
• 47:41
  Speaker 1: the street and the cops come and they're like, you
• 47:43
  Speaker 1: need to move. They're like, I would rather die than
• 47:47
  Speaker 1: move off this street. And then Clifton Collins Junior is
• 47:50
  Speaker 1: this disgusting, dirty, like raving, homeless derelict and he wanders
• 47:53
  Speaker 1: towards the white kids and they all immediately disperse. They're like,
• 47:57
  Speaker 1: give me, give me, give me the fuck away from
• 47:59
  Speaker 1: this guy. And I thought that was perfect, like perfect.
• 48:03
  Speaker 3: I also thought the truly like darkness of this movie
• 48:09
  Speaker 3: with the idea of like this new data center coming
• 48:12
  Speaker 3: in that was gonna be this great opportunity for jobs
• 48:16
  Speaker 3: and whatnot, and you realize that the data center is
• 48:19
  Speaker 3: the nucleus for all of this shit going on. And
• 48:22
  Speaker 3: then like these two were fighting, like Joaquin Phoenix and
• 48:27
  Speaker 3: Peedro Pascal were competing for kind of like the ideals
• 48:31
  Speaker 3: and quote unquote in their minds moral soul of Eddington.
• 48:35
  Speaker 3: But it's already gone, right, Like you guys gave it
• 48:37
  Speaker 3: to this company. They're going to become the big people
• 48:39
  Speaker 3: in the block who decide everything. You're gonna bounce everything
• 48:41
  Speaker 3: off of this group.
• 48:44
  Speaker 1: I almost think I'll giveing the movie to credit. I
• 48:46
  Speaker 1: thought this is the other movie that I thought too
• 48:48
  Speaker 1: much credit. Sorry, this is the other movie that I
• 48:50
  Speaker 1: thought was too long. I thought it was way too long.
• 48:53
  Speaker 1: And the plot there was like no plot. It just
• 48:55
  Speaker 1: kept going and going in this unexpected direction.
• 48:58
  Speaker 2: So this was a bomb too, right, It was a huge.
• 49:01
  Speaker 3: Yeah, there's no way they could have imagined this movie's
• 49:03
  Speaker 3: going to make money. There's just no way. No, really,
• 49:06
  Speaker 3: there's no way if.
• 49:07
  Speaker 2: You get it made though, Like.
• 49:11
  Speaker 1: Em Stone, Emma Stone, emmastone is the raining heavyweight champion
• 49:15
  Speaker 1: for actresses, and she has like a tiny role in
• 49:20
  Speaker 1: this movie. Yeah, yeah, I mean this cast is insane. Yeah,
• 49:26
  Speaker 1: Austin Butler, tiny role, walking Phoenix. I mean, even Petro
• 49:30
  Speaker 1: Pascal is like not that big of a role.
• 49:33
  Speaker 3: But kind of Also the weird thing too, is the
• 49:36
  Speaker 3: mother of Emma Stone is kind of also the major
• 49:41
  Speaker 3: villain of this because like she's a wreck and at
• 49:44
  Speaker 3: the end she's totally put together and fine, and she
• 49:46
  Speaker 3: becomes kind of the face of control. Yeah, it's very
• 49:50
  Speaker 3: very interesting too, but again not an easy watch in
• 49:54
  Speaker 3: a different way, but I think worth watching.
• 49:56
  Speaker 1: Yeah, all right, let's move on. I really I wanted
• 50:00
  Speaker 1: to focus on that, but okay. Number three for Andy Juno.
• 50:05
  Speaker 1: I've not seen this. It is called No Other Choice.
• 50:10
  Speaker 4: Yeah, this is from the Goat part Chan Wook we
• 50:13
  Speaker 4: talked about Old Boy. He absolutely rules South Korean filmmaker.
• 50:18
  Speaker 2: This movie.
• 50:20
  Speaker 4: It's based on a novel by Donald Westlake called The Acts,
• 50:23
  Speaker 4: and it's about a guy who works for a paper company.
• 50:26
  Speaker 4: He works for a paper company. They get off by
• 50:29
  Speaker 4: a big corporation. He gets laid off, and it's about
• 50:31
  Speaker 4: like the sort of toxic culture in South Korea where
• 50:34
  Speaker 4: like a man's job is you know, obviously really important
• 50:36
  Speaker 4: and having no job is like no identity. And he
• 50:40
  Speaker 4: takes like several he plans to go back into the
• 50:43
  Speaker 4: paper and she's.
• 50:43
  Speaker 2: Really good at his job.
• 50:44
  Speaker 4: And the movie after he gets laid off, he it
• 50:47
  Speaker 4: puts forward like a year and he's been working with
• 50:49
  Speaker 4: all these sort of crummy.
• 50:50
  Speaker 2: Retail jobs and he.
• 50:54
  Speaker 4: What he decides to do is make a posting for
• 50:59
  Speaker 4: his his role for a pretend paper company. And finds
• 51:04
  Speaker 4: all the best candidates and murder those candidates.
• 51:06
  Speaker 3: And so.
• 51:08
  Speaker 4: It's done in like a bugs bunny level, like mad
• 51:13
  Speaker 4: cap comedy way. But he he's hunting down these people
• 51:17
  Speaker 4: and killing them and like like I'm telling you, like
• 51:19
  Speaker 4: dropping potted plants on their head from like a high
• 51:22
  Speaker 4: place and like, but part ten Work is doing all
• 51:25
  Speaker 4: these crazy camera angles and things that I've never seen
• 51:28
  Speaker 4: in movies before. This movie is absolutely incredible. But it
• 51:32
  Speaker 4: preys on like toxic male culture in Korea and social
• 51:35
  Speaker 4: media and and black humor and and.
• 51:38
  Speaker 2: Just all these great things.
• 51:39
  Speaker 4: It's it's part Work doing hitchcock, right, So because it's
• 51:42
  Speaker 4: it's very hitchcocky and like where it's it's kind of funny.
• 51:44
  Speaker 2: But but the but what he's going for is really dark.
• 51:47
  Speaker 2: The ending is is bleak and and and and funny.
• 51:52
  Speaker 2: And I absolutely love this movie. Parten Wok. If you
• 51:54
  Speaker 2: haven't seen any of his film, see.
• 51:57
  Speaker 4: Stoker and Miss VENs and Misvenge and Sympathy for Mister
• 52:01
  Speaker 4: Vengeance and.
• 52:02
  Speaker 3: Old Boy, what's.
• 52:06
  Speaker 4: The one who just did last year or two years ago?
• 52:10
  Speaker 4: I can't think of this decision to leave Yep, this
• 52:13
  Speaker 4: guy is amazing. I don't know how this movie wasn't
• 52:16
  Speaker 4: nominated for Best Picture. It should be in there. It
• 52:19
  Speaker 4: should be language.
• 52:22
  Speaker 2: Yeah, it doesn't make any sense.
• 52:24
  Speaker 4: There's all kinds of like crazy things that like his
• 52:27
  Speaker 4: daughter is neurodivergent. She but she's like a wizard at
• 52:31
  Speaker 4: a at an instrument and that's part of the storyline.
• 52:33
  Speaker 2: And I don't want to spoil this movie. You could
• 52:35
  Speaker 2: spoil it prettyasily.
• 52:36
  Speaker 3: But I can't wait to see it. Honestly. The posture
• 52:39
  Speaker 3: of plant over his head is amazing.
• 52:42
  Speaker 2: Yeah, it's it's insane.
• 52:44
  Speaker 4: The movie is insane, but it's so so entertaining and
• 52:47
  Speaker 4: just the best of what partin work offers.
• 52:49
  Speaker 2: I can't recommend it hig enough.
• 52:51
  Speaker 1: Yeah, that sounds pretty stupid. So Ryan's number three Best
• 52:58
  Speaker 1: Picture nominee that I know I want to dive into
• 53:01
  Speaker 1: too much. But it was nominated for a couple Oscars.
• 53:04
  Speaker 1: It is called Sinners.
• 53:07
  Speaker 3: Yeah, yeah, we had to go too deep into this.
• 53:14
  Speaker 3: Love this movie. I just I'm how to say it best.
• 53:20
  Speaker 3: I just love the idea when like directors do, like, Okay,
• 53:24
  Speaker 3: I'm Ryan Coogler, I'm gonna do a vampire movie. I'm
• 53:26
  Speaker 3: in sure. Let's see what you fucking do with this,
• 53:29
  Speaker 3: I can't wait. I'm in with that completely. I just
• 53:33
  Speaker 3: like that.
• 53:34
  Speaker 1: I totally agree Ryan, because like, yeah, Okay, this is
• 53:36
  Speaker 1: more than a vampire movie. It's about race and culture.
• 53:39
  Speaker 1: It's nominated for Best Picture Ryankoler, blah blah blah blah blah.
• 53:43
  Speaker 1: Forget all that. Vampire movies are awesome. When good vampire
• 53:47
  Speaker 1: movies are good, they're fucking awesome. So when like a
• 53:50
  Speaker 1: good cast and a good director want to make a
• 53:52
  Speaker 1: vampire movie, I'm in.
• 53:54
  Speaker 3: I'm totally in. And also the brilliance of it is
• 53:58
  Speaker 3: he is not undercutting. Okay, because this is a vampire movie,
• 54:01
  Speaker 3: I can put those ideas in it. I can't put
• 54:04
  Speaker 3: those things in it. That's why I think it's great
• 54:06
  Speaker 3: about it. Where like the like like watching interviews. I
• 54:10
  Speaker 3: think people should check them out on YouTube. There's tons
• 54:12
  Speaker 3: with Ryan Coogler and he I love. He always talks
• 54:15
  Speaker 3: about John Carpenter with this movie because he's like John
• 54:18
  Speaker 3: Carpenter did this, Like this is what he did for
• 54:20
  Speaker 3: a job. He put all of his ideas into these
• 54:23
  Speaker 3: insane sci fi horror plots, but they were all clear
• 54:27
  Speaker 3: as fucking day what they were saying. And it's here,
• 54:30
  Speaker 3: it's fucking all here again. There's so many things you
• 54:33
  Speaker 3: can go into what the movie's about thematically, the performances,
• 54:37
  Speaker 3: the music, everything. This was such a like a like
• 54:43
  Speaker 3: I didn't see this may like three or four weeks
• 54:45
  Speaker 3: after it came out, and it was the hype was
• 54:47
  Speaker 3: so crazy. I'm like, there's no way this can be
• 54:49
  Speaker 3: this good or even be like meet the imagined version
• 54:52
  Speaker 3: of it in your head. And then when I saw it,
• 54:54
  Speaker 3: it was just so Like I said this to a
• 54:58
  Speaker 3: friend recently, I was like a lot of movies that
• 55:01
  Speaker 3: try to be more like elevated horror would be like,
• 55:05
  Speaker 3: it's kind of like twenty eight days later. They're not zombies.
• 55:08
  Speaker 3: They're the infected. They're different than zombies even though they're zombies.
• 55:13
  Speaker 3: I love that the character in this movie just says like, Nope,
• 55:16
  Speaker 3: these are vampires, but then just say it all right.
• 55:18
  Speaker 3: They just there's no like elevation of it, like these
• 55:20
  Speaker 3: are just vampires in they're here to kill us.
• 55:22
  Speaker 4: All.
• 55:23
  Speaker 3: I thought it was just wonderful.
• 55:24
  Speaker 1: And like I first heard of this, you know, Ryan
• 55:27
  Speaker 1: Coolger's making vampire movie awesome, I'll definitely see it. Sounds great,
• 55:31
  Speaker 1: And then it became it exploded because it came out
• 55:33
  Speaker 1: in April, but it had a budget of ninety million.
• 55:36
  Speaker 1: It made three hundred and seventy million, so four times
• 55:40
  Speaker 1: the budget, and everybody was talking about at the time,
• 55:44
  Speaker 1: and Ryan said, oh, this is a slam dunk Best
• 55:47
  Speaker 1: Picture nominee, and I was like, no, it's not, Ryan,
• 55:49
  Speaker 1: that's stupid. It's a vampire movie. And turns out I
• 55:53
  Speaker 1: was right no. But so I was like, all right,
• 55:55
  Speaker 1: I gotta watch this, but it was so overhyped. I
• 55:58
  Speaker 1: was like, all right, is this gonna try to be
• 56:01
  Speaker 1: more than a vampire movie? Is it not gonna be
• 56:03
  Speaker 1: fun or enjoyable? It's just gonna be about like being different.
• 56:08
  Speaker 1: This isn't your typical vampire movie. No, it was everything.
• 56:11
  Speaker 1: It was everything it was as a vampire movie. It
• 56:14
  Speaker 1: was fucking awesome. It was entertaining as hell, it was fun,
• 56:17
  Speaker 1: it was enjoyable. But then it also was about race
• 56:21
  Speaker 1: and class and culture and the villain being Irish. First
• 56:24
  Speaker 1: of all, I love that fucking guy, the guy, the
• 56:26
  Speaker 1: Irish villain. He was so it was so good. And
• 56:29
  Speaker 1: then the Rocky Road to Dublin dance scene. Fucking love that.
• 56:33
  Speaker 1: But I was fascinated by, like why is the villain Irish?
• 56:36
  Speaker 1: So I was watching interviews with Ryan Coogler when he
• 56:39
  Speaker 1: was talking about Irish culture and like, I'll save it
• 56:42
  Speaker 1: for the podcast where we do the oscars, But yeah,
• 56:45
  Speaker 1: Love Centers. I did not. It's one of the rare
• 56:48
  Speaker 1: situations where I thought the movie lived up to the
• 56:50
  Speaker 1: hype and and it was kind of like being a
• 56:54
  Speaker 1: nerd who loves horror, it's like, no, you don't get
• 56:57
  Speaker 1: to love vampire movies. That's that's our thing, you know
• 57:00
  Speaker 1: what I mean. So now you have your oh you
• 57:02
  Speaker 1: have your mainstream vampire movie. What is this fucking Twilight?
• 57:05
  Speaker 1: It's like, no, this is an awesome vampire This is
• 57:08
  Speaker 1: if like John Carpenter's Vampires was nominated for Best Picture,
• 57:11
  Speaker 1: you know what I mean.
• 57:12
  Speaker 4: I heard an interview with Coogler already talked about inspirations
• 57:16
  Speaker 4: growing up. In one of his inspirations, he loved Robert
• 57:18
  Speaker 4: Robritguez and from Dustal don love.
• 57:22
  Speaker 2: Yeah, this which is great, And you watching this film
• 57:25
  Speaker 2: it has from Dustal down vibes for sure.
• 57:28
  Speaker 1: I mean literally, I felt literally that's what it is.
• 57:32
  Speaker 3: I felt almost in a weird way, that had like
• 57:33
  Speaker 3: the kind of like Dark Knight energy of like, this
• 57:37
  Speaker 3: is nerdy comic book stuff, but there is something else
• 57:40
  Speaker 3: in here that is attracting people to it that would
• 57:42
  Speaker 3: not normally watch this kind of thing. And also on
• 57:46
  Speaker 3: top of that, it has these ideas and these comments
• 57:50
  Speaker 3: and these allegorical themes that are applicable to so many things.
• 57:57
  Speaker 3: And also clear as day, the person and who did
• 58:00
  Speaker 3: this did their fucking homework, clearest fucking day. It's unreal.
• 58:04
  Speaker 1: Yeah, yeah, yeah, I think we should move on.
• 58:10
  Speaker 2: Yeah, I have this. This was on my I don't
• 58:13
  Speaker 2: mentions with Eddington as well.
• 58:14
  Speaker 1: So okay, all right, So we're going to that was
• 58:18
  Speaker 1: Ryan's number three. We're going to Andy's number two, and
• 58:24
  Speaker 1: it is five nights at Freddy's two. I'm very surprised
• 58:27
  Speaker 1: by this.
• 58:28
  Speaker 2: Yeah to Charlotte, she loved it. Ah, no, it is
• 58:33
  Speaker 2: my number two. Is my number two? Is dime? I
• 58:36
  Speaker 2: love Uh? Then Okay, okay, Okay, Tim, I know, I know, Tim.
• 58:42
  Speaker 4: We've talked about Then Ramsey before you some of the
• 58:44
  Speaker 4: film for films are not your favorite, but uh, this
• 58:48
  Speaker 4: movie blew me away with my favorite performance of the
• 58:50
  Speaker 4: year by Jennifer Lawrence.
• 58:52
  Speaker 2: I thought it was unbelievable. It's about a husband and wife. Yeah,
• 58:55
  Speaker 2: husband and wife Rob Pattinson.
• 58:58
  Speaker 1: They're they're sort of wait, sorry, sorry I'm interrupting you.
• 59:02
  Speaker 1: What what movies of hers do?
• 59:04
  Speaker 2: I not like you didn't like the Joaquin Phoenix one.
• 59:07
  Speaker 2: You you said you hated that movie.
• 59:09
  Speaker 3: You were never here?
• 59:10
  Speaker 2: Yeah, you were never here?
• 59:12
  Speaker 1: We oh, you were never really here? Okay, sorry, I
• 59:15
  Speaker 1: love we need to talk about Kevin.
• 59:17
  Speaker 2: Oh good, yeah, which is not my favorite of hers.
• 59:20
  Speaker 2: I like Rat Catcher and I actually like You're Never
• 59:24
  Speaker 2: really Here. Yeah. She's kind of a volatile person, like
• 59:26
  Speaker 2: she's had liked r Yeah, she had like a movie
• 59:32
  Speaker 2: she got in a fight with the producer and they
• 59:33
  Speaker 2: threw her off the film, and like she's been replaced
• 59:35
  Speaker 2: a couple of times. She seems that it's like, you
• 59:37
  Speaker 2: know that that thing like if you leave.
• 59:39
  Speaker 4: Your house and you run into an asshole like that
• 59:40
  Speaker 4: Preton's ashole, but if everybody you run into was an asshole.
• 59:44
  Speaker 4: Lynn Ramsey seems to get in a lot of fights
• 59:46
  Speaker 4: for some reason. I don't really know why that is,
• 59:47
  Speaker 4: but uh, this movie is produce by Martin says. There's
• 59:51
  Speaker 4: like a story about it where he sent the script
• 59:52
  Speaker 4: to Jennifer Lawrence and her production company made the movie
• 59:55
  Speaker 4: or whatever.
• 59:55
  Speaker 2: But uh, they're like a sort of bohemian husband and wife.
• 1:00:01
  Speaker 2: She's a writer.
• 1:00:02
  Speaker 4: He's working on the road and he inherits a house
• 1:00:06
  Speaker 4: from his uncle in Montana, and they move out there,
• 1:00:08
  Speaker 4: and she they have a baby. She has a baby,
• 1:00:10
  Speaker 4: and she suffering from postpartum depression, and he's out on
• 1:00:15
  Speaker 4: the road, like clearly cheating on her, and she just
• 1:00:19
  Speaker 4: loses it, like loses it to a level that I
• 1:00:22
  Speaker 4: cannot describe.
• 1:00:24
  Speaker 2: You have to see the film.
• 1:00:25
  Speaker 3: To see it.
• 1:00:25
  Speaker 2: But there's this scene where she just annihilates their bathroom,
• 1:00:31
  Speaker 2: like just just rips the sink off the wall, just
• 1:00:33
  Speaker 2: destroys the film. And the next scene is the two
• 1:00:37
  Speaker 2: of them showing up at like a like a birthday
• 1:00:39
  Speaker 2: party for like a child. They ring the doorbell and
• 1:00:42
  Speaker 2: out loud, I said, oh no, And in the middle
• 1:00:45
  Speaker 2: of the birthday party, t him.
• 1:00:47
  Speaker 4: In the middle of the birthday party, she just takes
• 1:00:48
  Speaker 4: off her clothes and goes swimming, like in her underwear.
• 1:00:50
  Speaker 4: There's a child's birthday party with like these normal moms
• 1:00:53
  Speaker 4: and like and there's it's just about the like the
• 1:00:56
  Speaker 4: mundane aspects of life and how it makes you go crazy,
• 1:00:58
  Speaker 4: Like it's I read this review that said it's billed
• 1:01:01
  Speaker 4: as like a postpartum depression story, but that's not what that's.
• 1:01:03
  Speaker 4: It's way more than that. I totally agree it is.
• 1:01:08
  Speaker 4: It is like a horrifying spiral into insanity and and
• 1:01:13
  Speaker 4: I don't even know how to describe it.
• 1:01:14
  Speaker 2: And Robin Patterson is a bad person in this film,
• 1:01:16
  Speaker 2: but at some points you're like, I don't know what
• 1:01:18
  Speaker 2: you would do here, buddy, Like he's trying his best. Yeah,
• 1:01:23
  Speaker 2: it's it is.
• 1:01:25
  Speaker 4: It is as bleak and as bizarre as a film
• 1:01:28
  Speaker 4: you would see. But but the but the but the performance,
• 1:01:30
  Speaker 4: and it like I think there's a larger forest fire
• 1:01:33
  Speaker 4: than the one in Train Dreams.
• 1:01:34
  Speaker 2: In this movie.
• 1:01:36
  Speaker 4: Yeah, And there's like so many scenes, like there's a
• 1:01:40
  Speaker 4: scene where she's she's just talking to like some other
• 1:01:43
  Speaker 4: soccer mom, and the the soccer mom is like well intended, but.
• 1:01:46
  Speaker 2: What she's saying is like horrible, Like I heard you're
• 1:01:48
  Speaker 2: an author and and and I can't general larn horrible. Yeah,
• 1:01:54
  Speaker 2: she's just so horrible and so mean that like she
• 1:01:57
  Speaker 2: can't have.
• 1:01:58
  Speaker 4: That normal conversation even though that conversation is awful and
• 1:02:01
  Speaker 4: the woman is like judgy and and horrible and like
• 1:02:04
  Speaker 4: all that. But but I don't even know what else
• 1:02:07
  Speaker 4: to say. They fight like they fight like her and
• 1:02:10
  Speaker 4: Rob Pattinson fight like pats and dogs in this movie,
• 1:02:12
  Speaker 4: and uh, it just goes down her. It just she
• 1:02:17
  Speaker 4: keeps getting dark. At one point, so they're not I said, run,
• 1:02:20
  Speaker 4: they're not married. And then at one point like she's like,
• 1:02:22
  Speaker 4: let's get married. What deep into her insanity and he
• 1:02:25
  Speaker 4: agrees to do it because he thinks like maybe this
• 1:02:27
  Speaker 4: will make things better, and it just makes it way worse.
• 1:02:31
  Speaker 4: I cannot recommend this enough. It's on It's on movie,
• 1:02:34
  Speaker 4: which I know all of our listeners.
• 1:02:35
  Speaker 3: Have, and it's on Prime. I watched it on Prime, so.
• 1:02:40
  Speaker 4: There, Yeah, die Keith stand Hill pops up in this movie.
• 1:02:45
  Speaker 3: Another person You turn on the corner and he's there.
• 1:02:47
  Speaker 2: Yeah, Sissy's basic.
• 1:02:50
  Speaker 1: You know what's worth it is? I got a QR
• 1:02:52
  Speaker 1: code tattoo. It's the only tattoo I have. But if
• 1:02:54
  Speaker 1: you stand it and it pulls up my movie account,
• 1:02:56
  Speaker 1: so if anybody wants to watch it, they're with me
• 1:02:58
  Speaker 1: in person. I think it's very interesting about Jennifer Lawrence
• 1:03:02
  Speaker 1: because her arc is. Obviously we all remember her from
• 1:03:05
  Speaker 1: the Bill ang Vall Show, and then she became but
• 1:03:11
  Speaker 1: she became the most famous person on earth, like the
• 1:03:13
  Speaker 1: most famous woman on earth. She was so beautiful. Everybody
• 1:03:16
  Speaker 1: loved her, and everybody was like, she's so likable, she's
• 1:03:19
  Speaker 1: so relatable, and then we all kind of got sick
• 1:03:22
  Speaker 1: of her and she was like too relatable and too normal,
• 1:03:25
  Speaker 1: and then people were kind of like, ick, she kind
• 1:03:27
  Speaker 1: of gives me the ick, and she went away a
• 1:03:29
  Speaker 1: little bit. And now she's sort of back on like
• 1:03:32
  Speaker 1: a more DL level and I like her, Like I'm
• 1:03:39
  Speaker 1: back on a like subtler level tour. And what's that
• 1:03:43
  Speaker 1: rated comedy that she was in, Ryan, Yeah, I like
• 1:03:50
  Speaker 1: that a lot. I thought it was good.
• 1:03:53
  Speaker 3: Oh my god.
• 1:03:54
  Speaker 1: Where else? Yeah she's like basically higher girl as a prostitute.
• 1:04:01
  Speaker 1: Yeah yeah, yeah, I like you. I like Jay Law,
• 1:04:05
  Speaker 1: and I like where she is now because I think
• 1:04:07
  Speaker 1: everybody was kind of America was kind of sick of
• 1:04:10
  Speaker 1: her at one point.
• 1:04:11
  Speaker 2: No hard feelings, right, no hard feelings.
• 1:04:13
  Speaker 3: Yeah, I almost attached. But that's uh. That's the other
• 1:04:17
  Speaker 3: American classic with Ashton Kutcher and Natalie Reportman, My Bad
• 1:04:21
  Speaker 3: Guy sorry, yeah.
• 1:04:25
  Speaker 4: Yeah, there's like a scene with a dog where the
• 1:04:27
  Speaker 4: he from pats Bridge log for the reason.
• 1:04:30
  Speaker 3: And I, honestly andy, I wanted to punch him.
• 1:04:34
  Speaker 2: I was like, what are you doing?
• 1:04:36
  Speaker 3: Are you doing?
• 1:04:37
  Speaker 2: Idea?
• 1:04:39
  Speaker 1: So this made me think of this how I always
• 1:04:42
  Speaker 1: like love thinking of this example of marriage. So like
• 1:04:46
  Speaker 1: people in the South, they get married younger. So I
• 1:04:48
  Speaker 1: worked with a girl in Baltimore who was twenty five
• 1:04:52
  Speaker 1: and she was divorced. And I was like, you know,
• 1:04:55
  Speaker 1: no offense, but I'm just not like, no one from
• 1:04:58
  Speaker 1: the Northeast that I know is to divorce at twenty five.
• 1:05:01
  Speaker 1: And she was like, yeah, he was my high school sweetheart.
• 1:05:04
  Speaker 1: We got married, we got divorced. So I said what happened?
• 1:05:07
  Speaker 1: And she was telling me all these stories. He didn't
• 1:05:09
  Speaker 1: have a job, he was a loser. He was like
• 1:05:11
  Speaker 1: getting drunk all the time. And she was like the
• 1:05:14
  Speaker 1: straw that broke the Campbell's back because she would come
• 1:05:16
  Speaker 1: home from work at five at five point thirty and
• 1:05:19
  Speaker 1: he would be like blacked out drunk and he wasn't
• 1:05:21
  Speaker 1: working and they didn't have a kid, and it was like,
• 1:05:24
  Speaker 1: what are you doing? But she said the strather that
• 1:05:26
  Speaker 1: brought the Campbell's back is like he's not working, He's
• 1:05:29
  Speaker 1: getting drunk every day. We have no money. I came
• 1:05:32
  Speaker 1: home one day and he had bought a Harley Davidson motorcycle.
• 1:05:35
  Speaker 1: And I love that, like love what I would? I
• 1:05:39
  Speaker 1: want to like get a I want to get somehow
• 1:05:42
  Speaker 1: to like I want to see inside your brain and
• 1:05:46
  Speaker 1: understand your decision making process, because that is like I
• 1:05:49
  Speaker 1: would sooner piss and Ryan's face than buy a Harley
• 1:05:53
  Speaker 1: Davidson in that scenario with my wife. So anyways, okay,
• 1:06:04
  Speaker 1: we have two more movies left. Why do we have
• 1:06:06
  Speaker 1: two more movies left? I thought we had three. You're wrong.
• 1:06:10
  Speaker 1: Andy's number one is Ryan's number two, which I don't
• 1:06:14
  Speaker 1: want to. I don't want to step on. I don't
• 1:06:17
  Speaker 1: want to. I don't want I don't want to step
• 1:06:18
  Speaker 1: on this because this will be heavily talked about in
• 1:06:21
  Speaker 1: the Oscar Pod, the Paul Thomas Anderson Leonardo DiCaprio vehicle
• 1:06:26
  Speaker 1: one battle after another.
• 1:06:30
  Speaker 2: Yes, wait, it's my number one. Why is Ryan talking
• 1:06:36
  Speaker 2: about it?
• 1:06:38
  Speaker 1: Because he doesn't know his place?
• 1:06:46
  Speaker 3: Go ahead, go ahead, and this is your again. You
• 1:06:54
  Speaker 3: have to put a lot of movies this year. I
• 1:06:56
  Speaker 3: was so genuinely shocked. There's so many things in this movie,
• 1:07:00
  Speaker 3: how funny, entertaining. I thought at first maybe it was
• 1:07:05
  Speaker 3: something different because Andy, as you know, we were there
• 1:07:10
  Speaker 3: with Eric, that crowd was ready to rock. I'll put
• 1:07:13
  Speaker 3: it that way. The crowd we saw it with was ready.
• 1:07:15
  Speaker 4: To see that good of a film experience as zilverheat.
• 1:07:19
  Speaker 4: It was for real film nerds. It was in seventy millions.
• 1:07:21
  Speaker 4: It was fantastic, ready to.
• 1:07:24
  Speaker 3: That crowd was ready to go. So I was like, okay,
• 1:07:27
  Speaker 3: that crowd was like we were in a biased crowd,
• 1:07:30
  Speaker 3: if you will, Is this that good? So it was September.
• 1:07:33
  Speaker 3: I saw in November in theaters like and it was
• 1:07:38
  Speaker 3: like that whole like I don't know how to describe
• 1:07:40
  Speaker 3: it more, but like that electricity level of like when
• 1:07:44
  Speaker 3: that movie just goes, you just follow it. And for
• 1:07:47
  Speaker 3: all of the movies, like again, like the social allegory,
• 1:07:51
  Speaker 3: the political ramifications of it. This movie is so entertaining,
• 1:07:55
  Speaker 3: so thrilling in a weird way. I'm like, this guy
• 1:08:00
  Speaker 3: made an action movie. I don't know how to describe it,
• 1:08:02
  Speaker 3: Like it truly is an action movie, though there's not
• 1:08:04
  Speaker 3: like a super like epic action scene it's just so
• 1:08:09
  Speaker 3: fun to watch that. Like, I'm kind of surprised about
• 1:08:12
  Speaker 3: this movie more than anything else.
• 1:08:14
  Speaker 4: Because I test that the car chase at the end
• 1:08:16
  Speaker 4: on the highway, that that long shot with the rolling
• 1:08:21
  Speaker 4: hills in California, I think, I think that's that's an
• 1:08:23
  Speaker 4: action scene.
• 1:08:24
  Speaker 3: It's an action scene. But like I feel like with
• 1:08:27
  Speaker 3: like when people were talking about Oppenheimer in twenty twenty three,
• 1:08:32
  Speaker 3: they were saying, like, it's a drama movie that shot
• 1:08:35
  Speaker 3: like an action movie, and I was I felt I
• 1:08:37
  Speaker 3: never wrapped my head around that. But I think the
• 1:08:40
  Speaker 3: opposite is with this movie. And it's right where like
• 1:08:44
  Speaker 3: the whole scene with see Sergerio when Bob is activated
• 1:08:49
  Speaker 3: if you will, it's not super action packed, but it's
• 1:08:55
  Speaker 3: just so thrilling. You're like the scene'es am, I like,
• 1:08:58
  Speaker 3: what is this is fucking amazing? Like you're just watching
• 1:09:01
  Speaker 3: someone walk through buildings and this is incredible. Again, we'll
• 1:09:05
  Speaker 3: go into deeper in this later, or honestly, you could
• 1:09:08
  Speaker 3: do an entire podcast on this movie by itself, beat
• 1:09:11
  Speaker 3: by beat. Also, I said this when we did the
• 1:09:14
  Speaker 3: DiCaprio podcast because I had just seen Once upon a
• 1:09:19
  Speaker 3: Time in Hollywood where It's like DiCaprio needs to play
• 1:09:23
  Speaker 3: more chill people, and this was just the perfect answer
• 1:09:27
  Speaker 3: to that. I love this movie.
• 1:09:31
  Speaker 4: Yeah, yeah, totally a great this This was my favorite
• 1:09:34
  Speaker 4: movie of the year. I don't think there was anything close.
• 1:09:36
  Speaker 4: This is the one film this year that I'll remember
• 1:09:38
  Speaker 4: and probably return to at some point. I watched it
• 1:09:41
  Speaker 4: twice this year. DiCaprio's amazing, and I thought he would
• 1:09:44
  Speaker 4: win the Oscar, and then I saw Mari Supreim and
• 1:09:46
  Speaker 4: I was like, probably Shall May's Oscar, I guess.
• 1:09:49
  Speaker 3: But just the.
• 1:09:55
  Speaker 4: Recurring theme of him trying to plug the cell phone
• 1:09:57
  Speaker 4: in is my favorite part of that movie. When he's
• 1:10:00
  Speaker 4: he's racing through and every single time, uh uh, del
• 1:10:04
  Speaker 4: Toro is like, no, no, this way, this way, buddy,
• 1:10:06
  Speaker 4: this way, you bring him along.
• 1:10:08
  Speaker 2: Fantastic.
• 1:10:10
  Speaker 4: Yeah, I love, love, love this movie. I can't speak
• 1:10:13
  Speaker 4: highly enough about it.
• 1:10:16
  Speaker 2: I don't know, I don't know. I feel like you
• 1:10:17
  Speaker 2: did his homework. I like the the arc of of
• 1:10:21
  Speaker 2: DiCaprio's character, like, you know, being an anarchist and going
• 1:10:27
  Speaker 2: through all that, and then where he comes to at
• 1:10:29
  Speaker 2: the end where he becomes the old cranky guy, like that,
• 1:10:31
  Speaker 2: all that stuff is so good.
• 1:10:33
  Speaker 4: Chase Infinity coming into the film at the end is fantastic.
• 1:10:37
  Speaker 4: Tiana Taylor, who I love. We talked about one thousand
• 1:10:40
  Speaker 4: and one what was it.
• 1:10:40
  Speaker 2: Called, which I don't understand what that movie didn't get
• 1:10:44
  Speaker 2: more attention that.
• 1:10:45
  Speaker 3: Was nominated for that right, she was incredible, that.
• 1:10:49
  Speaker 2: She was the best, That was the best.
• 1:10:51
  Speaker 3: That god and so incredible in that movie.
• 1:10:54
  Speaker 2: Yeah, so my god, she she got dominated for this.
• 1:10:57
  Speaker 3: Fine.
• 1:10:58
  Speaker 4: I don't think she should win. She wasn't in the movie.
• 1:11:00
  Speaker 4: But and I actually touched. This is my favorite Chompan movie.
• 1:11:05
  Speaker 2: His terrific.
• 1:11:09
  Speaker 3: Sean Pennis, Yeah, definitely, uh, definitely a creature in this movie.
• 1:11:14
  Speaker 3: It was also so great to see, Like I remember
• 1:11:17
  Speaker 3: talking to O'Leary when I think like twenty twenty, and
• 1:11:21
  Speaker 3: I had seen Support the Girls with Regina Hall. And
• 1:11:27
  Speaker 3: Regina Hall obviously known a lot for comedies, like with
• 1:11:30
  Speaker 3: scary movie.
• 1:11:31
  Speaker 1: That's about boobs.
• 1:11:33
  Speaker 2: I was just gonna say it was it about a bra.
• 1:11:35
  Speaker 3: Support the Girls about uh, well, waitresses who work at
• 1:11:37
  Speaker 3: a Hooters esque restaurant.
• 1:11:39
  Speaker 1: A Ryan call it, call it the appropriate genre. What
• 1:11:43
  Speaker 1: is the genre called a restaurant? Thank you, Andy?
• 1:11:49
  Speaker 3: Oh sorry, thank you?
• 1:11:51
  Speaker 4: And I was like, I you're not not a fan
• 1:11:54
  Speaker 4: of the Twin Peaks restaurant franchise.
• 1:11:56
  Speaker 1: Ryan was, actually, I have. Yeah, that's great that you
• 1:12:01
  Speaker 1: mentioned both of those franchises. I only went to a
• 1:12:04
  Speaker 1: Hooters once. I only went to a Hooters once with
• 1:12:08
  Speaker 1: Ben in Scottsdale. I've been to a Twin Peaks also
• 1:12:12
  Speaker 1: in Scottsdale. And then I went to the Tilted Kilt in.
• 1:12:15
  Speaker 2: Los Angeles, Tilted Kilts.
• 1:12:21
  Speaker 1: The Tilted Kilt. Quincy wanted to open a Tilted Kilt,
• 1:12:25
  Speaker 1: and the in the Residence of Quincy voted, no, that's
• 1:12:29
  Speaker 1: how disgusting the tilted Kilt is.
• 1:12:33
  Speaker 3: Witch you good fish, Marien, Marien, you were told to
• 1:12:41
  Speaker 3: stay away.
• 1:12:41
  Speaker 2: Ban was a rag at the Tilted Hilton.
• 1:12:44
  Speaker 3: Absolutely was the beers Worth seventy five cents less. She's
• 1:12:48
  Speaker 3: fucking there in a minute, Lenny.
• 1:12:50
  Speaker 1: You getting off work, honey, That's what Ryan said.
• 1:12:55
  Speaker 2: The podcast smells like Barborough lights.
• 1:13:00
  Speaker 3: But I was really I thought it was really cool,
• 1:13:02
  Speaker 3: Like Regina Hall was really good. I mean, everyone's got
• 1:13:05
  Speaker 3: this weet, but I was like, she's so good again.
• 1:13:09
  Speaker 3: The whole cast is amazing. This I watch on YouTube
• 1:13:12
  Speaker 3: all the time. The scene with Bob and set a
• 1:13:15
  Speaker 3: Sergery in the car. They have this really like it's
• 1:13:18
  Speaker 3: again everything this year was so funny. They have this
• 1:13:20
  Speaker 3: really dramatic scene where Bob is talking about how like
• 1:13:23
  Speaker 3: he can't relate to Willa or he has a hard
• 1:13:25
  Speaker 3: time being a dad to Willa, and then I fucking
• 1:13:28
  Speaker 3: love goes. Don't go dark on me, Bob. I just
• 1:13:31
  Speaker 3: love that line. And then and then like then Bob
• 1:13:33
  Speaker 3: is true. They're driving and then they're drinking and driving,
• 1:13:36
  Speaker 3: and then Bob just takes a sip of the drink
• 1:13:38
  Speaker 3: and they drive by a cruiser and Sergery. I was
• 1:13:40
  Speaker 3: just go whoa, Like he was just like whoa because
• 1:13:44
  Speaker 3: she's like put the beer down. I just I just
• 1:13:46
  Speaker 3: that always just amazing.
• 1:13:49
  Speaker 2: And then and then they asked him what are you
• 1:13:51
  Speaker 2: drinking today? So I had two small a couple of.
• 1:13:53
  Speaker 3: Small people colleg that d u I is a class.
• 1:13:59
  Speaker 2: He's doing the walk and he's dancing fantastic.
• 1:14:02
  Speaker 3: Always pretend you never heard their question. Is a genius. Hey,
• 1:14:07
  Speaker 3: I saw I saw you throw some something out of
• 1:14:09
  Speaker 3: your car while you were driving. What excuse me? And
• 1:14:12
  Speaker 3: she's like, I thought you saw some something out of
• 1:14:15
  Speaker 3: your car? What was that? And it was a human
• 1:14:17
  Speaker 3: because DiCaprio jumped out of his Oh just just in
• 1:14:19
  Speaker 3: trash and she goes really trash. It's like just not
• 1:14:23
  Speaker 3: giving into it at all is amazing.
• 1:14:26
  Speaker 1: Oh all right, well, I I don't know.
• 1:14:32
  Speaker 3: Right now, guys, I.
• 1:14:34
  Speaker 1: Don't want to talk about it anymore because I want
• 1:14:35
  Speaker 1: to save it for the Oscar pod. However, the only
• 1:14:39
  Speaker 1: one left is Ryan shows for number one. And last
• 1:14:42
  Speaker 1: year he had a controversial pick of I saw the TV,
• 1:14:46
  Speaker 1: which was no, no, no for everyone, for everyone, Ryan,
• 1:14:52
  Speaker 1: that was a controversial number one pick. And if you
• 1:14:55
  Speaker 1: don't think that that is a universal thought, you're delusional.
• 1:14:58
  Speaker 1: And this year he also, in my opinion, had a
• 1:15:02
  Speaker 1: controversial number one pick. It was not nominated for an
• 1:15:05
  Speaker 1: Oscar in any way. But when I no, no, no,
• 1:15:10
  Speaker 1: don't spoil it, I didn't know it was nominated for
• 1:15:13
  Speaker 1: an Oscar. But okay, it wasn't nominated for one of
• 1:15:16
  Speaker 1: the main oscars like Best Picture, Best Director, Best Actor,
• 1:15:19
  Speaker 1: blah blah blah, okay, And I I knew that Ryan
• 1:15:25
  Speaker 1: would do some funny stuff like with the Strangers and
• 1:15:29
  Speaker 1: not putting Jurassic I guess it. And wait, wait wait, wait,
• 1:15:32
  Speaker 1: wait for putting and for putting. I saw the TV
• 1:15:35
  Speaker 1: glows number one. I I have to say I loved that.
• 1:15:40
  Speaker 1: This was Brian's number one pick. I saw this and
• 1:15:42
  Speaker 1: I don't love it.
• 1:15:43
  Speaker 3: I don't love that.
• 1:15:44
  Speaker 1: I was like, no, this is fucking awesome that Ryan
• 1:15:47
  Speaker 1: chose this. Andy, what did he choose?
• 1:15:49
  Speaker 2: It's weapons.
• 1:15:50
  Speaker 1: It's weapons.
• 1:15:52
  Speaker 2: Pretty good happened.
• 1:15:54
  Speaker 1: Ryan. Now for the list for the listeners, because you're
• 1:15:57
  Speaker 1: not great at providing context. Provide context for what weapons is.
• 1:16:02
  Speaker 3: Weapons is a horror movie about the disappearance of twelve children.
• 1:16:09
  Speaker 3: At the same time, oh sure. It is directed by
• 1:16:15
  Speaker 3: Zach Kreger, who did Barbarian, another movie I love. Very
• 1:16:21
  Speaker 3: horror based obviously, but it is again a movie about
• 1:16:25
  Speaker 3: the disappearance of twelve children. People have seen the trailers.
• 1:16:28
  Speaker 3: I'm sure the trailers are probably more popular than the
• 1:16:30
  Speaker 3: movie as itself, and about how the movie uncovers why
• 1:16:35
  Speaker 3: these kids disappeared and the aftermath of that, if you will,
• 1:16:40
  Speaker 3: so the movie's told in perspectives of the different characters
• 1:16:44
  Speaker 3: in the movie. Why did I love this? I went
• 1:16:49
  Speaker 3: to see a movie and was like, Okay, here's what
• 1:16:51
  Speaker 3: I think this is going to be. I went and
• 1:16:54
  Speaker 3: saw this and I was like, Oh, this is not
• 1:16:56
  Speaker 3: what I thought this was going to be. But I
• 1:16:57
  Speaker 3: loved it so much more. Just blown away by this.
• 1:17:01
  Speaker 3: I think it has. The last line of this movie
• 1:17:05
  Speaker 3: I think is so good. I think this is a
• 1:17:07
  Speaker 3: wonderful I hate. I think Tim feels this way. Maybe
• 1:17:11
  Speaker 3: Andy does too. When in movies when groups of people
• 1:17:15
  Speaker 3: or characters are put under a curse or they're kind
• 1:17:18
  Speaker 3: of like under something, then when the villain is killed,
• 1:17:22
  Speaker 3: it's magically undone. I love when it's well. This curse
• 1:17:28
  Speaker 3: of whatever people are put under is like does long
• 1:17:31
  Speaker 3: term damage.
• 1:17:33
  Speaker 1: There are consequences. This isn't like a magic exactly.
• 1:17:38
  Speaker 3: It has one of the best endings I've ever seen
• 1:17:40
  Speaker 3: to anything. The ending of this movie is hilarious. This
• 1:17:46
  Speaker 3: was just the most satisfying experience I've had. I love
• 1:17:49
  Speaker 3: this movie so much. This was my This just was
• 1:17:54
  Speaker 3: my clear number one. Yeah.
• 1:17:55
  Speaker 1: So every every year I always say I'm a big
• 1:17:58
  Speaker 1: horror fan. I love horrorrror movies like a good There's
• 1:18:01
  Speaker 1: nothing better than a good horror movie in my opinion,
• 1:18:04
  Speaker 1: because horror. If you only like horror and like that's
• 1:18:07
  Speaker 1: your thing, then you're disgusting and you should not You
• 1:18:11
  Speaker 1: should like to go away to an island where no
• 1:18:14
  Speaker 1: one can talk to you, but someone who loves like
• 1:18:17
  Speaker 1: all genres and enjoys horror. When a horror movie is
• 1:18:21
  Speaker 1: actually good, that's so rare. It's like it's a diamond
• 1:18:24
  Speaker 1: in the rough. And I always say, every year, there's
• 1:18:26
  Speaker 1: one good horror movie. Every year, there's one really good,
• 1:18:30
  Speaker 1: like pushes past the genre and it's actually like a
• 1:18:33
  Speaker 1: critics Darling, and it was Barbarian? Was it last year
• 1:18:37
  Speaker 1: of the year before Ryan? Was it twenty four?
• 1:18:39
  Speaker 3: Make us say twenty twenty two or twenty twenty three.
• 1:18:41
  Speaker 1: Yeah, oh, let's say twenty three. And this guy made
• 1:18:46
  Speaker 1: after he made Barbarian, which was like the best horror
• 1:18:48
  Speaker 1: movie of the year, he made Weapons, And I was like, okay,
• 1:18:51
  Speaker 1: I have to see Weapons, because everybody knows this is
• 1:18:53
  Speaker 1: gonna be the best horror movie of the year. And
• 1:18:55
  Speaker 1: like Ryan said, the trailer, are these kids? Like the
• 1:18:58
  Speaker 1: plot of the movie is all these kids disappeared simultaneously
• 1:19:02
  Speaker 1: the same moment, and their parents can see on ring
• 1:19:05
  Speaker 1: cameras that they're running out of the house at this
• 1:19:08
  Speaker 1: particular moment of the night. All the kids ran out
• 1:19:11
  Speaker 1: of the same moment and they're all in different houses
• 1:19:13
  Speaker 1: across town, and their arms are spread out in this
• 1:19:16
  Speaker 1: really unsettling way. So the trailer is like all the
• 1:19:19
  Speaker 1: kids running in this really unsettling way with their arms
• 1:19:21
  Speaker 1: spread out, and you're so fascinated by the mystery of this,
• 1:19:25
  Speaker 1: And every movie is when there's a mystery like that,
• 1:19:28
  Speaker 1: it's not a satisfying explanation. But I thought that the
• 1:19:34
  Speaker 1: way they told the story from different perspectives. One was
• 1:19:39
  Speaker 1: like a cop, one was a drug addict, when was
• 1:19:41
  Speaker 1: a school teacher, one was a kid. I thought it
• 1:19:44
  Speaker 1: was like genius. I've never seen anything like this movie.
• 1:19:46
  Speaker 1: And when you find out what the explanation is, because
• 1:19:49
  Speaker 1: you're like, what's the explanation, what's the explanation? You're dying
• 1:19:51
  Speaker 1: to know why all these kids ran out in the
• 1:19:53
  Speaker 1: middle of the night. If I told you what it
• 1:19:56
  Speaker 1: was like what it actually is in the movie, if
• 1:19:58
  Speaker 1: I just told you that on paper, you'd be so
• 1:20:01
  Speaker 1: disappointed and be like, oh, that's so lame. But if
• 1:20:03
  Speaker 1: you watch the movie, it's not. It just like works.
• 1:20:07
  Speaker 1: And then the ending of what ends up happening, like
• 1:20:10
  Speaker 1: at the climax of the movie, I fucking loved that.
• 1:20:16
  Speaker 1: And the scene of the Principle, which I won't go into,
• 1:20:19
  Speaker 1: is like, so, like just fucked.
• 1:20:23
  Speaker 2: I like that guy that played the principal. He's really good.
• 1:20:26
  Speaker 1: Yeah, he's he's been.
• 1:20:27
  Speaker 3: He was in Sunshine, right, Sunshine, he was in Doctor Strange.
• 1:20:35
  Speaker 3: I don't think so. No, But that guy who is
• 1:20:37
  Speaker 3: mowing the lawn when the kids run by and chase. Yes,
• 1:20:42
  Speaker 3: and the Andy, you're right, he's the chief of police.
• 1:20:45
  Speaker 3: You're right.
• 1:20:45
  Speaker 1: I'm sorry, he's Toby is the chief of police. You're right, Andy.
• 1:20:49
  Speaker 1: And the villain is the wife in Fields of Dreams.
• 1:20:55
  Speaker 3: Yes, and also at Harris's wife in real life.
• 1:20:58
  Speaker 1: Shit, I did not know that, Amy, Amy again correct.
• 1:21:03
  Speaker 4: The original cast this movie involved Pedro Pascal and Orna
• 1:21:07
  Speaker 4: from Sinna.
• 1:21:07
  Speaker 3: The God Damn, we're not as the best.
• 1:21:12
  Speaker 1: Peter Pascal said no to this and nothing else like weird.
• 1:21:16
  Speaker 2: Yeah, I don't know the story.
• 1:21:18
  Speaker 3: I'm guessing it's a scheduling conflict for real. That would
• 1:21:21
  Speaker 3: be my only reason why, honestly.
• 1:21:22
  Speaker 1: I also I love I love the teacher in this
• 1:21:25
  Speaker 1: movie like that.
• 1:21:26
  Speaker 3: What's the actress's name, Julia Gardner's name.
• 1:21:29
  Speaker 1: I was not really into Julia Gardner like I've seen
• 1:21:32
  Speaker 1: other things she's in and I'm like, she's fine, but
• 1:21:34
  Speaker 1: she was great in this.
• 1:21:36
  Speaker 3: I think they did a good job of making like
• 1:21:39
  Speaker 3: every character you were watching from their POV of course,
• 1:21:42
  Speaker 3: like no one is truly quote unquote innocent, even if
• 1:21:47
  Speaker 3: they are not involved what happened here, like yeah, of course,
• 1:21:50
  Speaker 3: Like when like when Archer Brolin's character is like, I'm
• 1:21:55
  Speaker 3: gonna be the bullhorn through all this, I'm gonna run
• 1:21:57
  Speaker 3: through it on the I want answers and all this
• 1:21:59
  Speaker 3: stuff like that, that strategy to figure this out can
• 1:22:02
  Speaker 3: get you somewhere, but can also be wrong, as can
• 1:22:06
  Speaker 3: her strategy as well, because they have the two characters
• 1:22:08
  Speaker 3: try to figure this stuff out. But what I love
• 1:22:11
  Speaker 3: is that the like the later segment where it focuses
• 1:22:14
  Speaker 3: on the kid who is the one kid who retained,
• 1:22:18
  Speaker 3: They showed how the kid is the one who figures
• 1:22:20
  Speaker 3: this out, and the kid is the one who learns
• 1:22:22
  Speaker 3: to survive the situation. Yeah, and also learns how to
• 1:22:25
  Speaker 3: turn the tables on people. Is really interesting. I just
• 1:22:30
  Speaker 3: absolutely love this. Like I rewatched Weapons, one Battle, Sinners, Eddington.
• 1:22:35
  Speaker 3: I saw One Battle twice in theaters, Sinners twice, Eddington
• 1:22:40
  Speaker 3: and Weapons. I've watched, I was like, there's like these
• 1:22:43
  Speaker 3: Top four were really tough, but like every time Weapons
• 1:22:47
  Speaker 3: was just so amazing.
• 1:22:49
  Speaker 1: And I thought the teacher that was so human where
• 1:22:53
  Speaker 1: she's accused of like somehow mystically hypnotizing like her entire
• 1:22:58
  Speaker 1: class and the entire time hates her and wants to
• 1:23:00
  Speaker 1: kill her, and it's like what does she do? She
• 1:23:03
  Speaker 1: goes to a liquor store and buys vodka.
• 1:23:06
  Speaker 3: I also love like when Brolin goes to Toby HUSS's
• 1:23:10
  Speaker 3: Andy pointed out the chief and he just goes like,
• 1:23:13
  Speaker 3: did you guys look into her? And then she just
• 1:23:14
  Speaker 3: goes all the camera footage shows at two seventeen, your
• 1:23:19
  Speaker 3: kids voluntarily left your house? Right, what do I do?
• 1:23:23
  Speaker 3: I can't accuse her of anything? What did she do? Like,
• 1:23:25
  Speaker 3: what do you think she did?
• 1:23:26
  Speaker 1: What did she? Yeah? What did she do?
• 1:23:28
  Speaker 3: Yeah?
• 1:23:29
  Speaker 1: So all right, so see Weapons if you remotely like
• 1:23:33
  Speaker 1: horror movies.
• 1:23:34
  Speaker 3: It's on HBO Max as well.
• 1:23:36
  Speaker 1: HBO Max. All right, well this is now how far
• 1:23:41
  Speaker 1: did we go? This is an hour and we had
• 1:23:44
  Speaker 1: to do bad ten minutes as well? Oh yeah, give
• 1:23:46
  Speaker 1: me your bad Andy, so really quickly.
• 1:23:51
  Speaker 2: Edward Berger.
• 1:23:52
  Speaker 4: Edward Berger, who did what's the one with the Pope?
• 1:23:56
  Speaker 4: Last year, The Lave like p d Kunk Lave Blasher.
• 1:24:01
  Speaker 4: I was really excited to watch this movie with Colin
• 1:24:03
  Speaker 4: Farrell called Ballad of It was an absolute disaster. It
• 1:24:07
  Speaker 4: looked weird, it didn't make any sense. It was about
• 1:24:09
  Speaker 4: a gambler. I should have loved this movie. I hated, hated,
• 1:24:12
  Speaker 4: heeded this movie.
• 1:24:13
  Speaker 2: Disaster. Materialist Selene Song, who did a movie that I
• 1:24:21
  Speaker 2: Past Lives, Past.
• 1:24:22
  Speaker 4: Lives, which was her debut, which was kind of like
• 1:24:24
  Speaker 4: loosely based on her life.
• 1:24:26
  Speaker 2: Beautiful film, fantastic, one of my favorite movies that year.
• 1:24:29
  Speaker 4: I was excited for her second film, Materialists, Dakota Johnson movie.
• 1:24:34
  Speaker 4: It was about this woman who worked for a company
• 1:24:37
  Speaker 4: that did matchmaking and Pedro Pascal was in it. Freaking
• 1:24:42
  Speaker 4: awful movie Disaster and I'm worried this is more Selene
• 1:24:46
  Speaker 4: Song than I'm worried. Past Lives was just good because
• 1:24:49
  Speaker 4: her story was so interesting. Also bad Happy Gilmore too.
• 1:24:53
  Speaker 4: Disaster just a million celebrities.
• 1:24:56
  Speaker 1: Awful, awful, pointless movie.
• 1:25:00
  Speaker 4: Actually pull this a movie that I saw called riff
• 1:25:02
  Speaker 4: Raff on Hulu. Disaster Pete Davidson just shit show of
• 1:25:06
  Speaker 4: a film Honey Honey, don't which I forget which Cohen
• 1:25:10
  Speaker 4: Brothers it is, but he's a bad one. Yeah, it sucked, unwatchable, pilot, crap,
• 1:25:17
  Speaker 4: Megan Who was the second worst movie I saw this movie?
• 1:25:19
  Speaker 2: Megan one pretty good film.
• 1:25:21
  Speaker 1: No no, no, no, no, no, no no. Megan One sucks.
• 1:25:25
  Speaker 1: Meghan One sucks. I was I fucking hate Bloomhouse, so
• 1:25:31
  Speaker 1: goddamn much, Sam.
• 1:25:32
  Speaker 2: You watch Megan too. If you hated Megan, They're they're ruining.
• 1:25:36
  Speaker 1: They're ruining horror single handedly. They can all go to
• 1:25:39
  Speaker 1: fucking hell. And I watched Megan One because I thought, oh,
• 1:25:43
  Speaker 1: I'm gonna love this and I hated Meghan One.
• 1:25:47
  Speaker 2: Okay, so the worst movie. I actually just clicked on
• 1:25:51
  Speaker 2: this movie.
• 1:25:52
  Speaker 4: I have it up on my screen and the director
• 1:25:54
  Speaker 4: does not have a Wikipedia page.
• 1:25:55
  Speaker 2: Was just not a good sign.
• 1:25:57
  Speaker 4: The film was called Oh Hi, this was the worst
• 1:26:00
  Speaker 4: movie I saw last year. This may be one of
• 1:26:02
  Speaker 4: the worst movies I've ever ever seen in my life.
• 1:26:05
  Speaker 4: It was starring Molly Gordon You Won't Know a Real
• 1:26:08
  Speaker 4: Kingdom and the Bear Yep. She's a great love her,
• 1:26:11
  Speaker 4: fantastic actor. She's dating a guy who is Ryan right
• 1:26:17
  Speaker 4: Logan Lerman, yeah, and so.
• 1:26:20
  Speaker 2: She's dating him.
• 1:26:22
  Speaker 4: They have like a they're like not been dating too long,
• 1:26:24
  Speaker 4: but they go on like a weekend trip to the country.
• 1:26:29
  Speaker 4: They they have like an airbnb. In the airbnb, they
• 1:26:32
  Speaker 4: find some like light like BDSM stuff like handcuffs and shit.
• 1:26:39
  Speaker 4: So they like have sex or whatever, and he basically
• 1:26:42
  Speaker 4: says like, I'm not that into you, let's just be
• 1:26:45
  Speaker 4: friends or whatever.
• 1:26:45
  Speaker 2: But they have sex or whatever. She handcuffs them the bed.
• 1:26:49
  Speaker 4: When they're done, She's like, what if I just left
• 1:26:52
  Speaker 4: you handcuffed to the bed and spend this time telling
• 1:26:56
  Speaker 4: you why we should be together and she He's like, no,
• 1:27:02
  Speaker 4: that's kidnapping, and so she says, no, I'm gonna leave
• 1:27:06
  Speaker 4: you a handcuff in the bed. She calls her friends,
• 1:27:10
  Speaker 4: and her friends come out to the airbnb in the
• 1:27:13
  Speaker 4: country where she is and they no one decides to
• 1:27:16
  Speaker 4: call the police, and they continue to leave this guy
• 1:27:20
  Speaker 4: handcuffed to the bed, and well, they decide what to do.
• 1:27:24
  Speaker 4: The worst cash grab in this movie is David Cross,
• 1:27:27
  Speaker 4: who I love has like a two second scene like
• 1:27:30
  Speaker 4: three times, and I wonder how much, like how much they're.
• 1:27:33
  Speaker 2: Paying him to be in this movie.
• 1:27:34
  Speaker 4: It's I cannot describe how bad this film is without
• 1:27:39
  Speaker 4: ruining the movie, Like folks need to see it just
• 1:27:41
  Speaker 4: to see how bad it is.
• 1:27:42
  Speaker 2: It's it's as bad as.
• 1:27:43
  Speaker 4: The Seinfelow pop tart movie. Like like, this movie infuriated me.
• 1:27:50
  Speaker 4: I don't know why it made me mad.
• 1:27:53
  Speaker 1: I just want to remind everyone that listen, that's listening.
• 1:27:55
  Speaker 1: And he said The Studio is his favorite TV show
• 1:27:58
  Speaker 1: of all time, So take this with a grain of salt.
• 1:28:04
  Speaker 2: So bad, no one should see. Oh hi, it's it's
• 1:28:06
  Speaker 2: it's so bad.
• 1:28:07
  Speaker 1: It's it's anything else, that's all. Yet, Ryan, do you
• 1:28:12
  Speaker 1: have any hatred movies?
• 1:28:14
  Speaker 3: I didn't. I mean, I'm sure.
• 1:28:18
  Speaker 1: Reading movies is too negative.
• 1:28:21
  Speaker 3: That's why I said to Tim I called them about that. No,
• 1:28:26
  Speaker 3: Like I felt like the same way like we talked
• 1:28:28
  Speaker 3: about earlier with like Honey Don't Wurst, like love the Casts,
• 1:28:32
  Speaker 3: like why Not? And it was just there was just
• 1:28:34
  Speaker 3: it's worse when it's empty, when there's just no engine
• 1:28:36
  Speaker 3: behind it. And that's the same thing with materialists. I
• 1:28:38
  Speaker 3: was like materialist. I saw in theaters like Opening Night
• 1:28:41
  Speaker 3: because I loved Past Last and I can't wait to
• 1:28:42
  Speaker 3: see this, and it was just nothing that's so, I agree,
• 1:28:44
  Speaker 3: but like, who fucking cares?
• 1:28:47
  Speaker 1: Yeah, twenty twenty five advice. Let's wrap this up. So
• 1:28:52
  Speaker 1: when you when you build an information kiosk, there's two
• 1:28:56
  Speaker 1: items you can sell. It's the park map and an umbrella. Now,
• 1:29:00
  Speaker 1: the park math you can only price at like a
• 1:29:03
  Speaker 1: dollar twenty that's the most guests will pay. But the
• 1:29:06
  Speaker 1: umbrella there's actually don't I don't know if the programmer
• 1:29:08
  Speaker 1: didn't realize this, but the umbrella, if it's raining in
• 1:29:12
  Speaker 1: the park and the guests are outside, they will pay
• 1:29:15
  Speaker 1: any amount of money for the umbrella. So in the
• 1:29:18
  Speaker 1: information kiosk, you can max out.
• 1:29:20
  Speaker 2: Say, I have one question, it's really important, it's really important.
• 1:29:23
  Speaker 2: Have to stop you what the thing you told me
• 1:29:25
  Speaker 2: about Michael Schumacher?
• 1:29:27
  Speaker 3: Right?
• 1:29:28
  Speaker 4: Yes, where did you find that information? Are you on
• 1:29:33
  Speaker 4: message boards?
• 1:29:34
  Speaker 1: It's this but I may have seen it on Reddit maybe,
• 1:29:39
  Speaker 1: But let me finished it. Let me finish. If you
• 1:29:44
  Speaker 1: max out the price, which is the maximum they allow
• 1:29:47
  Speaker 1: you to sell the umbrella at, which is twenty dollars,
• 1:29:49
  Speaker 1: when it rains, a guest will pay twenty dollars for
• 1:29:52
  Speaker 1: the umbrella. So it's a great way to get money
• 1:29:55
  Speaker 1: early in the game, all right, Ryan, twenty twenty five advice, Hey.
• 1:30:02
  Speaker 3: Everyone, make sure you stay tuned for the what was
• 1:30:06
  Speaker 3: the show with the four bros? Doing? Like the business
• 1:30:10
  Speaker 3: advice with the what was it called the one you.
• 1:30:12
  Speaker 1: Alpha h husband? I don't know man like you think?
• 1:30:16
  Speaker 3: Yeah, check it out, guys, they have great advice for you.
• 1:30:18
  Speaker 3: They're great people. Trust them with everything you do. They're
• 1:30:21
  Speaker 3: wonderfully kind, patient people who will listen to everything you
• 1:30:24
  Speaker 3: have to say. They will guide you in the best
• 1:30:26
  Speaker 3: way possible whatever you do. Listen to them.
• 1:30:29
  Speaker 1: Yes, I agree, I agree, Andrew.
• 1:30:32
  Speaker 3: Also, if you can venmo Tim two, the next year
• 1:30:38
  Speaker 3: is better.
• 1:30:39
  Speaker 1: Or or you know what if you if you don't
• 1:30:41
  Speaker 1: care and you want twenty twenty seven to just be
• 1:30:44
  Speaker 1: cursed and terrible, and maybe if family members die, then
• 1:30:47
  Speaker 1: don't veno me anything. Andy, Well, what's your twenty twenty
• 1:30:53
  Speaker 1: five advice?
• 1:30:56
  Speaker 2: Watch more movies. Don't be like Tim and show up
• 1:30:58
  Speaker 2: on your own podcast with no movies and no lists.
• 1:31:00
  Speaker 3: That's a fucking great call.
• 1:31:01
  Speaker 2: No movie.
• 1:31:02
  Speaker 3: I just judge everybody else's list.
• 1:31:04
  Speaker 2: Yeah, yeah, Ryan, I was right.
• 1:31:07
  Speaker 1: I'll read a text to Ryan. Ryan, I love your
• 1:31:10
  Speaker 1: movie list. I said that to him last night.
• 1:31:11
  Speaker 3: It was very nice.
• 1:31:13
  Speaker 1: I love your movie. You didn't get that texting because
• 1:31:18
  Speaker 1: you didn't fucking deserve it. That's why you didn't get that.
• 1:31:20
  Speaker 2: Text I'm rated. We not even on my honorable ventance. Fine.
• 1:31:28
  Speaker 1: Movie was fine, all right, thank you for listening.
• 1:31:33
  Speaker 3: See you all at the roller coaster park.
• 1:31:36
  Speaker 1: See you all if you want more roller coaster tycoon tips.
• 1:31:38
  Speaker 1: Just vendo me happy to give him out and we'll get.
• 1:31:42
  Speaker 3: To that person who does that. That person who does that,
• 1:31:46
  Speaker 3: we should be so worried.
• 1:31:48
  Speaker 2: The police sent.
• 1:31:50
  Speaker 3: Him seven thousand dollars. Holy ship.
• 1:31:54
  Speaker 2: Just see that.
• 1:31:55
  Speaker 3: It's a rtc uh huh, it's not.
• 1:32:01
  Speaker 1: Hey, Tim, have you fed cec are given her water today? Shinnon,
• 1:32:05
  Speaker 1: Shut up. I'm I'm reducing the price of my ferris
• 1:32:09
  Speaker 1: wheel to see if guests will ride it. But thank
• 1:32:12
  Speaker 1: you for listening. Cat you on the flip, I get
• 1:32:24
  Speaker 1: the movies to the fast food
• 1:32:27
  Speaker 2: Chaos and you same, crashing like a lost fist stream