Latest / Fake Doctors, Real Friends with Zach and Donald / 615: My Long Goodbye

Transcript

615: My Long Goodbye · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: Hey friends, this is DJ Daniel. The following episode contains
• 0:03
  Speaker 1: spoilers for the show OBI one. If you would like
• 0:06
  Speaker 1: to avoid these spoilers, they begin five minutes and fifteen
• 0:10
  Speaker 1: seconds after I'm done speaking. The spoiler conversation ends at
• 0:14
  Speaker 1: fifteen minutes when the theme song kicks. In a special note,
• 0:17
  Speaker 1: these timings do not include the ads place at the
• 0:20
  Speaker 1: beginning of the episodes. Those are placed by region, and
• 0:23
  Speaker 1: therefore I do not know how long they may be,
• 0:26
  Speaker 1: So to keep it simple, five minutes and fifteen seconds
• 0:29
  Speaker 1: after I'm done speaking is when the spoilers begin, and
• 0:32
  Speaker 1: fifteen minutes after I Am done speaking is when the
• 0:35
  Speaker 1: theme song begins. If you want to hear the conversation
• 0:37
  Speaker 1: spoilers at all, sit back, relax, and enjoy the show. Wait,
• 0:41
  Speaker 1: so how do we talk about this without any spoilers? Okay,
• 0:46
  Speaker 1: so you got to be in Star Wars. That's really exciting,
• 0:49
  Speaker 1: ABI one. Okay, I got to be in an episode
• 0:52
  Speaker 1: of OBI one and you get to talk about let's
• 0:55
  Speaker 1: talk about seeing your name in the start with the
• 0:58
  Speaker 1: Star Wars background. Very exciting. It was very exciting, and um,
• 1:03
  Speaker 1: I'm not in person as myself, I can say I'm
• 1:06
  Speaker 1: a creature. Okay, that's not really a spoiler, and we
• 1:10
  Speaker 1: can talk about how that was really cool because the
• 1:12
  Speaker 1: way the creatures designed it was a puppet UM with
• 1:16
  Speaker 1: a person inside and then two puppeteers using UM. It
• 1:22
  Speaker 1: had like seventy servos in its head and there's two
• 1:25
  Speaker 1: different puppeteers using like RC remotes that are moving. All
• 1:28
  Speaker 1: the features of the seventy servos in its faces are
• 1:32
  Speaker 1: gears that operate the puppet. Yeah, they're like little motors
• 1:36
  Speaker 1: and UM and and this, you know, the different tents,
• 1:40
  Speaker 1: the tentacles and the eyebrows and you know, UM and
• 1:43
  Speaker 1: UM and then and then the way it's rigged is
• 1:46
  Speaker 1: that I wear this headpiece I posted on in my
• 1:48
  Speaker 1: Instagram if you're curious what it looks like. And when
• 1:50
  Speaker 1: I talk UM, the jaw moves. And so that was
• 1:54
  Speaker 1: what was so cool about UM getting to do it.
• 1:57
  Speaker 1: It wasn't you know, I would have I would have
• 1:58
  Speaker 1: flipped out if it was just a voiceover assignment. UM,
• 2:01
  Speaker 1: But I got to be on set. You're you had
• 2:04
  Speaker 1: the character, had your mannerisms in your face. Even though
• 2:11
  Speaker 1: it did it looked nothing like you, you know what
• 2:15
  Speaker 1: I mean, But it still felt like you you know
• 2:19
  Speaker 1: what I mean? And that's what that's what makes that
• 2:22
  Speaker 1: so cool, you know, because it's like you're acting. You're
• 2:25
  Speaker 1: acting with somebody else's face kind of, but your face
• 2:32
  Speaker 1: still shines through through it, you know what I mean?
• 2:34
  Speaker 1: And your and because your voice is different, Like there's
• 2:36
  Speaker 1: so many things that were really spectacular about this for me. One,
• 2:41
  Speaker 1: your voice is different, but you're still telling the story
• 2:44
  Speaker 1: so well. You play us a pro Empire character. But
• 2:51
  Speaker 1: that's a bit of a spoiler, isn't it, Joel, Not
• 2:54
  Speaker 1: really the line of it. We got a lot of
• 2:57
  Speaker 1: tweets asking how does Donald feel? People were really worried
• 3:00
  Speaker 1: about the friendship. Yes, well I know I saw that
• 3:05
  Speaker 1: on my Instagram too, because I don't read Twitter anymore.
• 3:07
  Speaker 1: But Donald, um all our fans because they know this
• 3:11
  Speaker 1: is your fantasy. I saw fun The funniest version of
• 3:13
  Speaker 1: it was um someone wrote, did you and Donald accidentally
• 3:16
  Speaker 1: mix up your whiteboards? I hope I'm directing something real good,
• 3:25
  Speaker 1: real soon. I do want to say that Donald um
• 3:29
  Speaker 1: and and and he can he can make jokes about
• 3:33
  Speaker 1: hating it, but he has been and I was nervous
• 3:36
  Speaker 1: to tell him that I got I got the part.
• 3:39
  Speaker 1: But of course, but he as as every good best
• 3:43
  Speaker 1: friend should be, was nothing ever more than holy shit,
• 3:47
  Speaker 1: I'm so excited for you. Oh. I cried for like
• 3:50
  Speaker 1: a day. Don't get it twisted, all right, I was wrong.
• 3:55
  Speaker 1: I cried. I cried for a day. But then my
• 3:58
  Speaker 1: fucking once, my ego let it go. I was like, dude,
• 4:01
  Speaker 1: Zach has an opportunity to do something that's so fucking cool,
• 4:05
  Speaker 1: and you let me finish. Dude, let me finish. And
• 4:09
  Speaker 1: you know he's gonna fricking kill it. And he's gonna
• 4:13
  Speaker 1: and you know he's gonna freaking kill it, you know,
• 4:16
  Speaker 1: And dude, you you were amazing. Man, it was really
• 4:19
  Speaker 1: it was a It was um refreshing to say, not
• 4:23
  Speaker 1: only for that, but you brought my kids back to
• 4:25
  Speaker 1: Star Wars. Also, my kids, you know, they adore you
• 4:28
  Speaker 1: and they love you tremendously, and I shoved Star Wars
• 4:33
  Speaker 1: down their throats so hard that they were turned off
• 4:36
  Speaker 1: by it to the point where they won't watch Marvel.
• 4:39
  Speaker 1: If you could be in a Marvel movie next, that
• 4:41
  Speaker 1: would be great. First of all, because they don't like,
• 4:45
  Speaker 1: Thank you, they don't like they don't like uh, Star
• 4:48
  Speaker 1: Wars anymore. Or they didn't like Star Wars anymore, and
• 4:51
  Speaker 1: they won't watch Marvel because I obsess over it too much. Right,
• 4:56
  Speaker 1: And so when you so Cheaper Boy Doesn't came out
• 5:00
  Speaker 1: and my kids went to the premiere, and you are
• 5:03
  Speaker 1: now like an a lister in our house. You're not
• 5:06
  Speaker 1: you know, you are like freaking to you know how
• 5:10
  Speaker 1: Dindell and Harrison Ford was to me. You're that to
• 5:13
  Speaker 1: my children right now. And so I've seen Cheaper by
• 5:17
  Speaker 1: the Doesn't quite a few times, and you are the
• 5:19
  Speaker 1: king of sauce. I get you know what I mean,
• 5:22
  Speaker 1: I get all of that, right. And so Star Wars
• 5:26
  Speaker 1: comes out, and I haven't told anybody about this at all.
• 5:30
  Speaker 1: Obi Wan comesn't told anyone either, because I'm so afraid
• 5:32
  Speaker 1: of uh, you know obviously on the podcast, these guys
• 5:35
  Speaker 1: knew forever and uh we were being a little bit
• 5:38
  Speaker 1: cheeky about saying, ohbi obi Wan looks really good, but
• 5:41
  Speaker 1: we would have said that anyway because Donald and you know,
• 5:43
  Speaker 1: I'm a freak about it and you know well about it,
• 5:47
  Speaker 1: and so we had to keep it under wraps because
• 5:51
  Speaker 1: you know, it was supposed to be a surprise, top
• 5:54
  Speaker 1: secret thing, but we've known about it since before you
• 5:57
  Speaker 1: shot it, I was doing it actually simultaneously with Cheaper
• 5:59
  Speaker 1: by the Does, And we're gonna talk about a little
• 6:01
  Speaker 1: bit more in depth. So if you don't want to
• 6:02
  Speaker 1: know anything about Obi wan h, if you haven't watched
• 6:05
  Speaker 1: any of it, I guess step ahead before you go on.
• 6:08
  Speaker 1: Spoiler alert, spoiler alert or spoiler alert alert. Okay, So, um,
• 6:21
  Speaker 1: so that's so fucking cool. I'm sorry, dude, that's the
• 6:24
  Speaker 1: coolest shit ever. When you're done with this, let me
• 6:26
  Speaker 1: finish my story too. Go ahead. Oh it's sorry, I
• 6:28
  Speaker 1: don't story but anyway, Um, like the Mandalorian, a lot
• 6:32
  Speaker 1: of this stuff is shot on that this thing called
• 6:34
  Speaker 1: the Volume, which is the state of the art stage
• 6:36
  Speaker 1: where it's not green screen, it's it's live projected, you know,
• 6:40
  Speaker 1: four K resolution. And so when you're in this thing
• 6:42
  Speaker 1: called the Volume, it's all really there, all that stuff
• 6:45
  Speaker 1: with the in the fish in that wacky market where
• 6:48
  Speaker 1: Laya escapes and it's you know, in the in the
• 6:51
  Speaker 1: it's sort of futuristic marketplace where they have the chase
• 6:54
  Speaker 1: scene in episode two, that's like a small only a
• 6:57
  Speaker 1: few set pieces. Everything you're seeing is the is a
• 7:01
  Speaker 1: volume screen. Wow, so it's just insane technology, even her
• 7:05
  Speaker 1: jumping on across the roof and all of that. I'm saying,
• 7:08
  Speaker 1: anything like they're interacting with is a set piece, like
• 7:11
  Speaker 1: a roof would be a set piece, but like anything
• 7:13
  Speaker 1: beyond it, like where a green screen would be, is
• 7:16
  Speaker 1: projected live. So when you're on, when you're in the volume,
• 7:19
  Speaker 1: I've never been, but Deborah said, you've got to come
• 7:21
  Speaker 1: check it out. It's it's the most insane thing you've
• 7:23
  Speaker 1: ever seen. Because what's crazy is it's happening. It's live.
• 7:26
  Speaker 1: Like you're just saying, they're looking at it, and she
• 7:28
  Speaker 1: could be like, oh, those two extras deep in the background,
• 7:31
  Speaker 1: can you delete them? And the guy at the computers
• 7:32
  Speaker 1: like do do dude, and then they're gone, and it's like,
• 7:35
  Speaker 1: you know, we should probably add like a spaceship landing
• 7:37
  Speaker 1: on that building, and like do do do doo doo.
• 7:39
  Speaker 1: All of a sudden, there's a spaceship landing on that
• 7:41
  Speaker 1: building and you're watching you dude, that's so cool. It's
• 7:44
  Speaker 1: so cool. And I believe Mandalorian was the first big
• 7:48
  Speaker 1: show to develop this, but now it's becoming a new
• 7:52
  Speaker 1: if you can afford it, the new way to do futuristic, well,
• 7:56
  Speaker 1: any sort of anything, anything with a budget, anything with
• 7:59
  Speaker 1: a budget that can afford it. But anyway, so the
• 8:01
  Speaker 1: point is that my scenes, though, um we're all lighting
• 8:06
  Speaker 1: and everything, my my scenes were actually shot out in
• 8:10
  Speaker 1: the desert, on this ranch ranch desert thing about. She
• 8:14
  Speaker 1: had the most practical part in the right and it
• 8:17
  Speaker 1: was so hot. I felt so bad for the gentleman
• 8:19
  Speaker 1: in the suit because it was really hot, and they
• 8:22
  Speaker 1: had like things going inside the suit to help him
• 8:25
  Speaker 1: be cool, like cool air being pumped in. But um,
• 8:30
  Speaker 1: but it looks so everything you're seeing on the on
• 8:33
  Speaker 1: on my scenes were shot on location and and and
• 8:37
  Speaker 1: I remember turning to Deborah and there's just that expansive,
• 8:40
  Speaker 1: incredible view and I go, you know, people are gonna
• 8:42
  Speaker 1: think this is fake, right, the people are gonna think
• 8:44
  Speaker 1: this is the volume. She's like, I know, we spend
• 8:47
  Speaker 1: all this time and money and effort bringing this enormous
• 8:50
  Speaker 1: crew out here, and they're gonna think it's fake because
• 8:52
  Speaker 1: it looked so beautiful. But it was just so cool
• 8:55
  Speaker 1: and I had to be so top secret about it.
• 8:57
  Speaker 1: But they wouldn't even let me to take my sides,
• 9:00
  Speaker 1: Like sides are the things, Um, an actor gets on
• 9:02
  Speaker 1: the day, they're like a small script of just what
• 9:04
  Speaker 1: you're what you're saying that day, and like, never in
• 9:08
  Speaker 1: my life has a PA come up to me and like, hey,
• 9:10
  Speaker 1: we have to take those I was like, hey, I
• 9:12
  Speaker 1: was like, I came have these other superir She's like, no,
• 9:15
  Speaker 1: you know that's that's that's that's the crazy thing though,
• 9:18
  Speaker 1: when would you ever take sides home as a super No, No,
• 9:21
  Speaker 1: of course not. That ship goes in the trash when
• 9:24
  Speaker 1: you're done anyway, after her days of work. Yeah, man,
• 9:27
  Speaker 1: it's really interesting. Man. Like I was saying, my kids
• 9:31
  Speaker 1: now are back on Star Wars because cheaper by the doesn't.
• 9:34
  Speaker 1: It is such a huge success in my household. All
• 9:37
  Speaker 1: I had to say was Uncle Zach's and Star Wars
• 9:41
  Speaker 1: this morning. That is a good sentence though, to say
• 9:43
  Speaker 1: to you, my godchildren, right, and they go he is,
• 9:50
  Speaker 1: and my son then goes because I forced them to
• 9:53
  Speaker 1: watch episode one and they were like, oh god, that's
• 9:57
  Speaker 1: your nightmare. Yeah, at least you got him on basketball, dude,
• 10:00
  Speaker 1: at least you got that, no doubt. He's he's totally
• 10:02
  Speaker 1: playing basketball. And so he goes to me after he
• 10:05
  Speaker 1: hears that he goes, maybe I should watch episode two
• 10:08
  Speaker 1: first good And I was like a word yeah, And
• 10:14
  Speaker 1: I was like, all right, let's put an episode two. Now.
• 10:16
  Speaker 1: I could watch this ship all day, It's me, you
• 10:18
  Speaker 1: know what I mean. I could watch the Great, I
• 10:20
  Speaker 1: could watch the Bad, I could watch the so so
• 10:23
  Speaker 1: it doesn't matter to me. It's Star Wars. I'm in right.
• 10:26
  Speaker 1: He sits down and he starts watching. Now he's laughing
• 10:30
  Speaker 1: through the ship too, you know what I mean. So
• 10:32
  Speaker 1: now he's getting the jokes that, uh, I don't want
• 10:36
  Speaker 1: to spoil anything. We're still in the spoiler mode. You
• 10:38
  Speaker 1: can talk? Are we still in the spoiler mode? Okay? Cool?
• 10:40
  Speaker 1: All right. So he's saying he's laughing at the ship.
• 10:42
  Speaker 1: The Ley is saying, So now I'm like, wow, this
• 10:45
  Speaker 1: little girl's really make it. So now the impact after
• 10:49
  Speaker 1: watching it the second time that this little girl has
• 10:51
  Speaker 1: on my son is like, oh, snap, she's she works
• 10:55
  Speaker 1: perfectly for this, right, you know what I mean? And
• 10:58
  Speaker 1: so uh and so and so now every speech Ce has,
• 11:02
  Speaker 1: I'm listening to what she's saying instead of listening to
• 11:06
  Speaker 1: what you know, Obi wan and and and what everybody
• 11:10
  Speaker 1: else is saying. And so that's scene where he talks
• 11:12
  Speaker 1: about how you know, you know, you remind me of someone.
• 11:16
  Speaker 1: It hits home all of a sudden. Now it's like, oh,
• 11:19
  Speaker 1: it's gut wrenching, you know what I mean. It's right anyway,
• 11:21
  Speaker 1: So let me finish. Okay, so let me finish. So
• 11:26
  Speaker 1: we get through that episode, and we watched the next episode,
• 11:33
  Speaker 1: which has you in it, and he's freaking over well, actually,
• 11:38
  Speaker 1: he goes away. I put on the next episode. I say,
• 11:42
  Speaker 1: this is the part Uncle Zach's, and he comes running in.
• 11:45
  Speaker 1: They sit down and watch the rest of the episode
• 11:47
  Speaker 1: from that moment on right right, and so uh then anyway,
• 11:51
  Speaker 1: so this morning I'm sleeping, he comes down. He wakes
• 11:55
  Speaker 1: up early every morning. I walk into we call it
• 11:58
  Speaker 1: the Cool Room. It's the room we have the video
• 12:00
  Speaker 1: games where we have the arcade. It's like the arcade, right.
• 12:03
  Speaker 1: It started off as the kid's room and he named
• 12:06
  Speaker 1: it the cool room as a kid. So I walk
• 12:08
  Speaker 1: into the room and he's in there watching Obi Wan
• 12:12
  Speaker 1: Kenobi and it's your part. He goes, this is one
• 12:15
  Speaker 1: of my favorite shows. Dad. Yes I brought them back, Yes,
• 12:22
  Speaker 1: I brought them backing zib he came through all I
• 12:27
  Speaker 1: want now I'm just praying for an action figure, that's
• 12:30
  Speaker 1: all I all I want, or a Lego set. Well
• 12:33
  Speaker 1: you have, you have the opportunity to come thinks gonna
• 12:36
  Speaker 1: get a figure. I'm not dead, so i'man I could
• 12:38
  Speaker 1: come back in. And that was a freaking awesome scene too.
• 12:41
  Speaker 1: If you're listening to this, please write in. Um uh
• 12:46
  Speaker 1: you guys better bring back Frek. He was amazing. Anyway,
• 12:52
  Speaker 1: I gotta think Deborah Chow and Joel is wearing a
• 12:55
  Speaker 1: directed by Deborah Chow t shirt which is very cute. Um,
• 12:58
  Speaker 1: it's just incredible the amount of pressure that was on
• 13:01
  Speaker 1: her shoulders. She directed every single one of these episodes.
• 13:05
  Speaker 1: She should get a movie. Man, she should get a movie. Oh,
• 13:08
  Speaker 1: I'm sure she'll get They should do an over. I mean,
• 13:10
  Speaker 1: I don't know how this ends, so I don't want to,
• 13:12
  Speaker 1: you know, if this is it, if this is a
• 13:13
  Speaker 1: limited series, I don't want to. But this would be
• 13:16
  Speaker 1: a dope movie. Also, all I can say is, uh,
• 13:19
  Speaker 1: you know, most of these shows, as you know, several
• 13:23
  Speaker 1: directors do them, and she did them all. And she's
• 13:26
  Speaker 1: just the amount of pressure on this woman's shoulders. And
• 13:30
  Speaker 1: she was always cool and always calm, and you know,
• 13:35
  Speaker 1: she's just the number one stream show ever in Disney
• 13:38
  Speaker 1: Plus history. Yeah ever, Yeah, And she had all the
• 13:43
  Speaker 1: pressure of the fans desires and the studio's desires and
• 13:47
  Speaker 1: Ewan's desires and everyone all down on her shoulders and
• 13:51
  Speaker 1: every doing every single episode. So she's a pretty incredible
• 13:54
  Speaker 1: person and filmmaker, and I want to give her a
• 13:57
  Speaker 1: shout out all right before we before we in the
• 14:01
  Speaker 1: spoiler section, there is one thing that we have to
• 14:03
  Speaker 1: talk about. We can't talk about the positive without talking
• 14:06
  Speaker 1: about the little bit of negative. First of all, all
• 14:08
  Speaker 1: of these people out there that are bullying or talking
• 14:12
  Speaker 1: shit about young Moses. You can eat a capital d
• 14:19
  Speaker 1: I c K or your racist comments, dude. Uh, it's
• 14:23
  Speaker 1: one thing to not like a performance, but to go
• 14:26
  Speaker 1: in on her because of the color her skin. It's
• 14:28
  Speaker 1: some bullshit, dude, And or whatever the fuck you identify
• 14:33
  Speaker 1: as you can eat and you can that's so that's horrible.
• 14:40
  Speaker 1: Then this also happened to the the the Asian woman
• 14:42
  Speaker 1: who was the star of the horrible aspect of the
• 14:47
  Speaker 1: fan base that that uh, that that of some of
• 14:50
  Speaker 1: the fan base obviously that that happens. It's it's really disheartening,
• 14:54
  Speaker 1: but it makes it. I mean, come on, this is
• 14:56
  Speaker 1: supposed to be somebody's big break, and your idea a
• 15:00
  Speaker 1: fandom is unnecessary and not wanted and not needed. So
• 15:05
  Speaker 1: please keep that to yourself. If ever you feel like
• 15:10
  Speaker 1: the way I'm gonna express how I feel about somebody's
• 15:14
  Speaker 1: performances to go directly at their heart and feelings or
• 15:19
  Speaker 1: at their race. You are not a fan. You are
• 15:22
  Speaker 1: a fucking piece of shit. That's how I go ahead
• 15:26
  Speaker 1: like that. There good here here here, WU tank forever
• 15:31
  Speaker 1: I think we should. I fell. That's the end of
• 15:33
  Speaker 1: the boiler section down. You'll figure out the time there.
• 15:37
  Speaker 1: And now let's get into the show. Donal count us
• 15:39
  Speaker 1: in five six seven eight about show we made about
• 15:45
  Speaker 1: a bunch of doc nurses and stories. So gata around here,
• 15:57
  Speaker 1: yeata around here for you. Well, the first thing we
• 16:05
  Speaker 1: have to say is Judy Rays. Judy Rays, Judy Rays
• 16:08
  Speaker 1: in this episode. Holy, I mean, I just think that
• 16:14
  Speaker 1: Judy Ray is that she's just her real of actors
• 16:19
  Speaker 1: should just be this scene. Yes, she's just so talented,
• 16:24
  Speaker 1: and I'm excited it will have already happened when you
• 16:26
  Speaker 1: hear this. But we are all going down to Austin
• 16:31
  Speaker 1: and we're all going to reunite and I'm so excited, um,
• 16:34
  Speaker 1: Donald to have fun with you. Bill is coming, um uh,
• 16:37
  Speaker 1: Donald Knight and Sarah we're planning on going down a
• 16:40
  Speaker 1: night early just to have some some fun together. And
• 16:43
  Speaker 1: Bill just texted me that he's going to join us
• 16:45
  Speaker 1: a day early. Um. And then the whole cast, the
• 16:49
  Speaker 1: whole lead, all the leads except for Ken Um, Um
• 16:52
  Speaker 1: understandably are are going down to do this panel and
• 16:56
  Speaker 1: we're all going to have dinner Saturday night together. Which
• 16:59
  Speaker 1: is I mean, we have a dinner together probably? I
• 17:02
  Speaker 1: mean ever know, well, yeah, remember after we lost, well
• 17:07
  Speaker 1: remember a few times, you know, every time we lost
• 17:10
  Speaker 1: an Awards show, we would go to dinner right after
• 17:12
  Speaker 1: we lost. I remember that was the one thing that
• 17:15
  Speaker 1: I was like, I appreciate Bill for this so much.
• 17:18
  Speaker 1: We'd lose and he'd be like, you are ready to go?
• 17:22
  Speaker 1: We feel like yeah, it's like we're not, we're not
• 17:25
  Speaker 1: sitting here. Well. I couldn't help but think that Judy
• 17:28
  Speaker 1: should have been nominated for her performance in this episode.
• 17:31
  Speaker 1: Absolutely see it's just so heartbreaking at the end. And um,
• 17:36
  Speaker 1: and but we'll get there. Um. So Laverne. If you
• 17:39
  Speaker 1: recall this is a to be continued episode, this is
• 17:42
  Speaker 1: what's the name of it, Joel. This episode Goye My Long,
• 17:45
  Speaker 1: Goodbye and Um, written by Dave Tennant and directed by
• 17:49
  Speaker 1: Victor Nella Junior. Um. Laverne is in a coma from
• 17:54
  Speaker 1: her car accident and UM, and everybody is dealing Yeah,
• 18:00
  Speaker 1: go ahead, we're just saying to say. Everybody's dealing with
• 18:03
  Speaker 1: the grief of it in their own different way. Right.
• 18:06
  Speaker 1: Elliot's fucking like crazy. Elliot just decided to fuck like crazy. Yeah,
• 18:11
  Speaker 1: that's her. That's her go to and we know that
• 18:14
  Speaker 1: she's doing it by the number of scratches on Keith's back, right,
• 18:19
  Speaker 1: And she gets to the cross mark comes five? Yeah,
• 18:26
  Speaker 1: what do they call that? When you're doing the it's
• 18:30
  Speaker 1: the cross mark? I thought, right, No, what do they
• 18:32
  Speaker 1: call that thing? When you do one, two, three, four?
• 18:34
  Speaker 1: And then you put a hash to the five marks? Hash? Hash?
• 18:41
  Speaker 1: I keep wanting to say hash, but not hashtag comes
• 18:45
  Speaker 1: up in Google is accurate? Oh, hashtag does tally marks?
• 18:49
  Speaker 1: Tally marks? Okay, there you go. Okay, so we put
• 18:52
  Speaker 1: so she's she's had sex with them five times, so
• 18:54
  Speaker 1: she's put she puts the fifth tally mark on, but
• 18:56
  Speaker 1: then wants to go again. Then yeah, then wants to
• 18:59
  Speaker 1: go again. Remember the Penis doctors, Doctor Penis, he told
• 19:03
  Speaker 1: us that that that's called the refractory period. How I
• 19:06
  Speaker 1: believe how quickly the man can go again? Keith has
• 19:09
  Speaker 1: a very low refractory period. Yes, it is, it is,
• 19:12
  Speaker 1: it is. One would say lightning quick. I would say
• 19:16
  Speaker 1: it's seconds, because she says, let's go again, and Kee's
• 19:19
  Speaker 1: ready and he yes, I do not have. I do
• 19:25
  Speaker 1: not have that. It's quick, but it's not that quick. Well,
• 19:28
  Speaker 1: you're also forty eight. When I was young, it wasn't
• 19:32
  Speaker 1: that quick. Yeah, I was young. My refractory period wasn't
• 19:35
  Speaker 1: that quick either. I think only in the movies and
• 19:38
  Speaker 1: TV it's that quick, right, especially on this, But I
• 19:41
  Speaker 1: don't know. There's probably someone listening who's like, no, my
• 19:44
  Speaker 1: refractory period is like five seconds, man. And that person
• 19:52
  Speaker 1: has a lot of kids. Yeah, that person has a
• 19:54
  Speaker 1: lot of kids. So um JD and Turk have decided
• 19:59
  Speaker 1: to do something they've always want to do, which is
• 20:02
  Speaker 1: mailbox baseball at Kelso's house. Yes, and Kelso has reinforced
• 20:10
  Speaker 1: his mailbox with titanium because Enid, what did she do?
• 20:15
  Speaker 1: She hit it with the RV too many times driving.
• 20:19
  Speaker 1: I don't think though she had dementia. Sorry, I'm not
• 20:24
  Speaker 1: laughing at dementia. I'm laughing at the fact that Enid
• 20:26
  Speaker 1: with dementia is driving the RV. I don't think she
• 20:29
  Speaker 1: should be. No, I don't think that's a good idea.
• 20:33
  Speaker 1: But anyway, you you get kicked off. Now you're stunt man.
• 20:37
  Speaker 1: I went back and froze. Frame doesn't look anything like you.
• 20:41
  Speaker 1: Um Now, Now, of course, when you're watching something in
• 20:44
  Speaker 1: normal speed, you would never notice this. Wow, But I
• 20:47
  Speaker 1: was curious by the way the fellow, whoever he is,
• 20:49
  Speaker 1: I'm sorry, I don't have your name, he did take
• 20:52
  Speaker 1: a very nice uh fall off a scooter. But um,
• 20:56
  Speaker 1: but I but I saw that it was clearly not you. Well,
• 20:58
  Speaker 1: you know there's the most infamous not the person stunt
• 21:02
  Speaker 1: man from Beverly Hills Cop when Eddie Murphy throws the
• 21:05
  Speaker 1: guy over the table. The stunt man looks like Richard Pryor,
• 21:09
  Speaker 1: and at least the dude had a bald head in
• 21:11
  Speaker 1: this one. Yeah, Anie in a mustache. I don't know
• 21:13
  Speaker 1: if it was fake or not. Wait and Beverly and
• 21:16
  Speaker 1: Beverly Hills cop. No in this one, Oh no, they
• 21:19
  Speaker 1: really did the Beverly Hills cop maneuver. Well, just put
• 21:21
  Speaker 1: a mustache on the guy. No, if you did, I
• 21:24
  Speaker 1: have a much I didn't have a mustache at this
• 21:26
  Speaker 1: point this episode. You have a mustache? Really, I'm not.
• 21:30
  Speaker 1: I only knew. I only knew because I went back
• 21:33
  Speaker 1: and looked at it. I was like, the guy looks
• 21:34
  Speaker 1: nothing like him. But I froze frame and it was like, Wow,
• 21:36
  Speaker 1: at least they put the mustache on him. Wow. Do
• 21:40
  Speaker 1: you remember me rocking a mustache all the time? I
• 21:43
  Speaker 1: just remember that sometimes you would and sometimes you wouldn't,
• 21:46
  Speaker 1: and when we when we needed to highlight them all,
• 21:49
  Speaker 1: we would shake it off. Right, you didn't shake the mustache.
• 21:53
  Speaker 1: I thought that was Lonnie playing the guy who gets
• 21:56
  Speaker 1: bad news, didn't you? I did, But then I realized
• 21:59
  Speaker 1: it was a Lonnie look alike. Yes, because Bill was
• 22:02
  Speaker 1: pretty good about not repeating characters ever. Um, I think
• 22:06
  Speaker 1: there's like a handful of examples. Maybe, but I was like,
• 22:10
  Speaker 1: why is Lonnie getting the bad news from the bad
• 22:13
  Speaker 1: news robot? Now the bad news robot is pretty funny.
• 22:17
  Speaker 1: It's made of a garbage I don't know what it's
• 22:20
  Speaker 1: made of, but that's a freaking very funny soap opera
• 22:24
  Speaker 1: fantasy of that with the robot yeah the kid, wait,
• 22:31
  Speaker 1: don't get it first. That starts with the guard for
• 22:33
  Speaker 1: the first of all, it's the bad news robot. It
• 22:35
  Speaker 1: comes in and it's a garbage can with like a
• 22:37
  Speaker 1: scooter handabar. Johnny almost have made this thing. It's well, okay, right,
• 22:44
  Speaker 1: and it comes in to give bad news, to give
• 22:47
  Speaker 1: bad news, and it gives a kid the news that
• 22:50
  Speaker 1: he has cancer, and then it dies. No. Wait, and
• 22:52
  Speaker 1: then it says, press the button for a pep talk,
• 22:57
  Speaker 1: or press the button if you give up. Yeah, And
• 23:00
  Speaker 1: the kid presses the button for the pep talk, and
• 23:02
  Speaker 1: the robots you have pressed the button for a pep talk.
• 23:06
  Speaker 1: You are going. You are strong, you are And then
• 23:10
  Speaker 1: he starts smoking because because it breaks him. And then
• 23:15
  Speaker 1: the robot dies, and then we cut to the robots
• 23:19
  Speaker 1: now in the bed right, and and I had to
• 23:23
  Speaker 1: give his robot kids two little smaller robots bad news.
• 23:29
  Speaker 1: And then one takes out a laser and blasts you
• 23:32
  Speaker 1: and shoots me. Yeah, and then the other one, the
• 23:36
  Speaker 1: other one comes through and that was very funny. That
• 23:45
  Speaker 1: was yeah, that was very very ston very stonery hilarious. Yeah,
• 23:50
  Speaker 1: Jordan and Cox are having the baby. They don't want
• 23:53
  Speaker 1: anyone to know about it. She didn't even tell him, right.
• 23:57
  Speaker 1: I like that he puts on a Rutger's T shirt
• 23:59
  Speaker 1: to represent Jerseys. But I did. I got Rutgers. I
• 24:05
  Speaker 1: don't know. I know he went to ny Uh. I
• 24:08
  Speaker 1: think it went to Syracuse too, I'm not sure. I
• 24:10
  Speaker 1: don't know. But I got in the Rutgers I remember, dude.
• 24:12
  Speaker 1: I remember getting into Rutgers. And this the only college
• 24:15
  Speaker 1: that I got into. And I only got in because
• 24:17
  Speaker 1: my mom went to Rutgers. This is such a bad story,
• 24:19
  Speaker 1: but my mom went to Rutgers and her her college professor,
• 24:23
  Speaker 1: her drama professor, was Avery Brooks. Right, And so anyway,
• 24:27
  Speaker 1: I go out for Rutgers. My grades in the high
• 24:30
  Speaker 1: school are shit. I didn't go to high school. I
• 24:33
  Speaker 1: was a horrible I mean high school. I cut a
• 24:38
  Speaker 1: lot and I have a lot of teachers there that
• 24:41
  Speaker 1: helped push me through, and I appreciate you all, but um,
• 24:44
  Speaker 1: in all honesty, I wasn't a good student. And so
• 24:47
  Speaker 1: my mom's dream was for me to go to Rutgers.
• 24:50
  Speaker 1: I went, and I did the audition and I got in,
• 24:53
  Speaker 1: and I remember my guidance counselor's face, mister Nap, when
• 24:57
  Speaker 1: I told him, Oh, I'm not going to go to college.
• 24:59
  Speaker 1: My dream was to go to LA and make it
• 25:01
  Speaker 1: as an actor. And I remember his face when I
• 25:03
  Speaker 1: said that shit. He was like, oh, Donald, don't you
• 25:07
  Speaker 1: oh man like? And I was like nah. He was
• 25:08
  Speaker 1: like my My guidance counselor, who was also my history teacher,
• 25:13
  Speaker 1: couldn't believe that I got into college. Also, so when
• 25:16
  Speaker 1: I saw Johnny See with that Rutgers shirt hunt, I
• 25:19
  Speaker 1: was like, holy shit, this is full circle. Man. I
• 25:22
  Speaker 1: remember this moment. I remember the moment when I told
• 25:25
  Speaker 1: him and my mom that not that should ain't happening.
• 25:28
  Speaker 1: Asked Johnny when we see him, why why he decided
• 25:31
  Speaker 1: to give Rutgers a shout out. He must have some
• 25:33
  Speaker 1: connection to it. There has to be a Jersey pride,
• 25:35
  Speaker 1: Jersey Pride Rutgers represent. My dad taught law at Rutgers,
• 25:40
  Speaker 1: and he was very loyal, very loyal to UH to
• 25:43
  Speaker 1: their football team. He would actually go to the games,
• 25:45
  Speaker 1: even though I don't even know if Rutgers was any
• 25:47
  Speaker 1: good ever, Oh gosh, yeah, they were absolutely At one
• 25:50
  Speaker 1: point they won an into or were in the NC
• 25:53
  Speaker 1: double a game, okay, championship, how little line though, right,
• 25:58
  Speaker 1: I think they played for I think they played for.
• 26:00
  Speaker 1: My stepfather was a professor there too. Uh yeah, let's
• 26:04
  Speaker 1: take a break. We'll be right back after these fine words.
• 26:13
  Speaker 1: By the way, did you notice that, um it's a
• 26:14
  Speaker 1: small little easter egg, but when Kelsel comes out of
• 26:17
  Speaker 1: his house after you on the grounds, he's holding a
• 26:19
  Speaker 1: plum Ox mug, which is the from yeah, yeah, I
• 26:25
  Speaker 1: like the little easter egg that he's still rocking a
• 26:27
  Speaker 1: plum Ox mug. Um. So Carr, Cox and Jordan don't
• 26:33
  Speaker 1: want anyone to know about there that they're having the
• 26:36
  Speaker 1: C section, and um, they've asked JD for a favor,
• 26:40
  Speaker 1: but he's so worked up in his head about trying
• 26:44
  Speaker 1: to be the godfather and and the fact that he's
• 26:47
  Speaker 1: going to be the only one who knows the secret
• 26:48
  Speaker 1: that he doesn't hear what Cox is one request is
• 26:53
  Speaker 1: and um, and so he misses it. But he's like,
• 26:57
  Speaker 1: don't But he's like, should I ask again? No? No No, no,
• 26:59
  Speaker 1: And then he'll think he trust you. So he has
• 27:02
  Speaker 1: a plan too, well, he was. He remembers he was
• 27:07
  Speaker 1: still looking at Cox while he's daydreaming. He just wasn't listening.
• 27:12
  Speaker 1: So he goes he has a plan to go to
• 27:15
  Speaker 1: some doctor, an audiologist. I guess, right, who can read
• 27:19
  Speaker 1: the lips here? Right? He tries to recreate you remembering, Yeah,
• 27:29
  Speaker 1: I do a Cox impression, and then I try and
• 27:31
  Speaker 1: recreate which is which is bizarre that Jad has such
• 27:35
  Speaker 1: a memory that he can remember Cox is what Cox's
• 27:38
  Speaker 1: lips were doing. And then the audiologist says, yes, he
• 27:42
  Speaker 1: wants you to go buy some more film for his camera.
• 27:46
  Speaker 1: And that makes perfect sense because there's a baby on
• 27:49
  Speaker 1: the way, so right, So Jad believes that and goes
• 27:51
  Speaker 1: to good and for your kids out there. You used
• 27:54
  Speaker 1: to put film in a camera. Now what camera used
• 27:58
  Speaker 1: to be separate from your eye phone? It used to
• 28:02
  Speaker 1: be a whole another apparatus actually. So Elliot's the first
• 28:06
  Speaker 1: person to go say goodbye to Laverne. Uh she just
• 28:10
  Speaker 1: in case, uh something bad happens before the the cat
• 28:16
  Speaker 1: scan comes back. Elliot's the first person to go in
• 28:19
  Speaker 1: and she you know, it's a wonderful job. Everybody who
• 28:23
  Speaker 1: went into the room to say goodbye to nurse Roberts,
• 28:28
  Speaker 1: that's such a wonderful job, including you. You were you were,
• 28:30
  Speaker 1: you were very good in your scene. Thank you very much.
• 28:33
  Speaker 1: But when Elliott goes, this is what Laverne daughter, Yeah,
• 28:40
  Speaker 1: this is Laverne. I want to thank you for all
• 28:43
  Speaker 1: the things that you taught me, Like when why do
• 28:46
  Speaker 1: people come out of the rain? They smell like wet dog?
• 28:52
  Speaker 1: And then Elliott gets caught up in Now Elliot's moved
• 28:59
  Speaker 1: by that, and she goes, they do they really do
• 29:04
  Speaker 1: we do? Or did she say we do? And then
• 29:08
  Speaker 1: there's another moment and she goes, we really do? It
• 29:15
  Speaker 1: was great. It was a very funny moment, very hard.
• 29:18
  Speaker 1: But also we learned that when uh, we learned that
• 29:22
  Speaker 1: when uh, when Carl is being followed around by this ghost,
• 29:27
  Speaker 1: that also Cox is followed around by a ghost as well.
• 29:32
  Speaker 1: He's followed around by the ghost of Nicole Sullivan's character. Yes,
• 29:35
  Speaker 1: and I read on scrubs Wiki that it was originally
• 29:37
  Speaker 1: supposed to be bred in Frasier Um, but he was unavailable,
• 29:40
  Speaker 1: and so they asked Nicole Sullivan. Oh wow, well scrubs
• 29:45
  Speaker 1: WICKI trivia there for you. I think this rumor they
• 29:48
  Speaker 1: don't know how did they know? It may have been
• 29:51
  Speaker 1: something Sometimes scrubs Wiki, I think gets stuff off the
• 29:54
  Speaker 1: DVD commentaries. Um we did um uh so that I
• 30:00
  Speaker 1: have been something Bill said uh in he commentary something um.
• 30:04
  Speaker 1: Todd says, if doing you right now, gosh, that's the
• 30:07
  Speaker 1: best one. When the trio is in there, When that
• 30:10
  Speaker 1: trio is in there, that is the best one. Todd's
• 30:14
  Speaker 1: Todd's sweet words of of of of Do you want
• 30:17
  Speaker 1: to know what he says of pep talk is if
• 30:19
  Speaker 1: he goes, you know, he goes, you were the woman
• 30:22
  Speaker 1: I'd never do because you're a big girl. But if
• 30:26
  Speaker 1: doing you right now would save your life? What is that?
• 30:32
  Speaker 1: What do you say? I would right? Doing you right
• 30:34
  Speaker 1: now could help? Right? I would like like so sincere
• 30:38
  Speaker 1: I would? Um so. We also learned the janitor was
• 30:47
  Speaker 1: the lifeguard at LaVerne's pool party party. Yea, even though
• 30:52
  Speaker 1: he's not a strong swimmer, right, and he made abundant
• 30:55
  Speaker 1: but she somehow made abundantly clear. Yes. And then he
• 31:00
  Speaker 1: and he says something that that really is twisted. If
• 31:03
  Speaker 1: you see your dog up there, please tell him I'm
• 31:06
  Speaker 1: sorry sorry, which means that LaVerne's dog was killed at
• 31:10
  Speaker 1: her at one of her no in the pool when
• 31:16
  Speaker 1: the janitor was supposed to be a lifeguard. Yes, but
• 31:19
  Speaker 1: he couldn't do but he couldn't say the dog because
• 31:21
  Speaker 1: he couldn't swea I'm sorry, oh man, Okay, so then
• 31:30
  Speaker 1: he then the janet reveals that he converted to the
• 31:32
  Speaker 1: Norse religion, right because he thinks that LaVerne's going to Valhalla. Yes, okay,
• 31:41
  Speaker 1: we got to go back. Also, what Carla? Also, Carla
• 31:46
  Speaker 1: isn't such denial, but she also reveals that there was
• 31:49
  Speaker 1: a mister Wang in the hospital who went into a
• 31:54
  Speaker 1: coma in nineteen eighty four and just woke up. Yeah,
• 31:58
  Speaker 1: but when he woke up, he moonwalking into Michael Jackson
• 32:01
  Speaker 1: outfit and says, where's the beef? I love that he
• 32:10
  Speaker 1: had all that in his room for for for several years. Yeah,
• 32:13
  Speaker 1: look he's moonwalking in in was it the Michael Jackson. Yeah,
• 32:17
  Speaker 1: he's in the red Michael Jackson out fit. Thriller from
• 32:22
  Speaker 1: from Thriller. It's the Thriller or it was thriller. It
• 32:25
  Speaker 1: was thriller because Billy Jean is black. And then um
• 32:30
  Speaker 1: and then he and then he got the ruby scube.
• 32:32
  Speaker 1: And then he says Where's the beef? For those of
• 32:33
  Speaker 1: you who are too young. That was a famous Wendy
• 32:37
  Speaker 1: where this old woman would would open up her burger
• 32:41
  Speaker 1: button from different from various burger UH fast food place
• 32:47
  Speaker 1: and she became famous all around. It was like a
• 32:49
  Speaker 1: very very famous, very famous campaign. And she or the
• 32:52
  Speaker 1: burger meat was too small, and she go, where's the beef?
• 32:56
  Speaker 1: Where's the beef? Yeah? I do remember. The woman was
• 33:00
  Speaker 1: like nine years old. I had a T I had that.
• 33:03
  Speaker 1: I had one of those T shirts. You didn't have
• 33:04
  Speaker 1: it where's the Beef T shirt? When you had a
• 33:07
  Speaker 1: Where's the Beef? T shirt? Absolutely? I had Simpson. I dude,
• 33:10
  Speaker 1: I had a collection of Simpsons T shirts. And I
• 33:13
  Speaker 1: had never watched the Simpsons. But Bart Simpson was so
• 33:15
  Speaker 1: popular that fucking I had his face play. You were
• 33:18
  Speaker 1: a poser, dude. I said this many times in high school. Dude,
• 33:23
  Speaker 1: I walked around dressed as Bell bib de Vot. I
• 33:25
  Speaker 1: had hammer pants on. I was. But no, but you
• 33:28
  Speaker 1: at least loved those things. You're saying. You were a
• 33:30
  Speaker 1: Bart Simpson T shirt and didn't watch the Simpsons. Oh no,
• 33:33
  Speaker 1: I love Bart Simpson, but I didn't watch the Simpsons.
• 33:35
  Speaker 1: Because I didn't watch I love Bart Simpson because when
• 33:38
  Speaker 1: you would go to the movies and they would have
• 33:40
  Speaker 1: that those little shorts before the movies and it would
• 33:43
  Speaker 1: be the Simpson cartoon and that's how I knew who
• 33:46
  Speaker 1: they were. But as far as I remember, it starting
• 33:49
  Speaker 1: on the Tray Show as well. Yeah, but if you
• 33:52
  Speaker 1: went to the movies, like a couple of movies I
• 33:54
  Speaker 1: went to, there was like one where the Simpsons go
• 33:56
  Speaker 1: to uh therapist and they're all sitting on a therapist
• 34:00
  Speaker 1: chair and by the end of it, uh, Homer's choking
• 34:03
  Speaker 1: the shit out of Bart. But right, anyway, I had.
• 34:07
  Speaker 1: My favorite shirt was one where Bart a rasta man
• 34:10
  Speaker 1: and he's holding a blunt. Oh, I see, that would
• 34:14
  Speaker 1: made you look cool with your friends. This is right.
• 34:15
  Speaker 1: This is in high school too, So I got a
• 34:17
  Speaker 1: lot of like yearbook pictures with me wearing that shirt.
• 34:21
  Speaker 1: Really only only in a Manhattan school. Could only at
• 34:26
  Speaker 1: the professional children's school? Was that? Possibly at the professional
• 34:29
  Speaker 1: Children's School Manhattan? Can you take your class picture with
• 34:32
  Speaker 1: Bart as a roster man with a joints? Well, it
• 34:34
  Speaker 1: wasn't a class picture. It was like me on a
• 34:36
  Speaker 1: freaking uh. It was like a field day and where
• 34:39
  Speaker 1: the whole school was on a field. You know, it
• 34:41
  Speaker 1: was like in Central Park. We let's digress from and
• 34:44
  Speaker 1: how did you feel about the Miami Heat Celtics game.
• 34:47
  Speaker 1: I know how you felt. You felt it was over
• 34:49
  Speaker 1: after the first five minutes. I was trying to I
• 34:52
  Speaker 1: was tiring to convince donaland I was watching. So I
• 34:55
  Speaker 1: watched the first five minutes when they where they were
• 34:57
  Speaker 1: up by like ten, and I go, it's over. I
• 35:02
  Speaker 1: can't watch anymore. It's over. It's over. The lead's too big,
• 35:08
  Speaker 1: there's not enough, there's no it was. It was Guel
• 35:11
  Speaker 1: It was there really like the first two minutes of
• 35:12
  Speaker 1: the game, Dude, that game was. It's such a good
• 35:15
  Speaker 1: game until the last Listen, I'm gonna say one thing
• 35:21
  Speaker 1: and I'll probably get heat for it, no pun intended, right,
• 35:25
  Speaker 1: But he my dude, but he is my favorite player
• 35:29
  Speaker 1: in the NBA. But the decision he made at the
• 35:33
  Speaker 1: end of the game to pull that three, I'm sure
• 35:37
  Speaker 1: he's tired, and I know Al Horford is a beast
• 35:40
  Speaker 1: of a defender, but he had Al Horford backing up
• 35:44
  Speaker 1: on his heels and Jimmy Butler decided to pull almost
• 35:49
  Speaker 1: from the logo A three and you disagree with the decision.
• 35:56
  Speaker 1: I don't think that was the right decision. I thought
• 35:57
  Speaker 1: he should have put it in Al Horford's and tried
• 36:00
  Speaker 1: to get the M one at least, Dald do you
• 36:03
  Speaker 1: did you watch the game? Do you agree with Donald's assessment?
• 36:06
  Speaker 1: I mean, I definitely agree with Donald's assessment. Um, I
• 36:10
  Speaker 1: did not watch the game. I watched the highlights. I'm
• 36:12
  Speaker 1: a big Jimmy Butts fan. I love Jimmy Buckets, but
• 36:16
  Speaker 1: it's like the Michael Jordan quote, you're past the ball
• 36:18
  Speaker 1: to make that shot like forty times. You'll miss it
• 36:21
  Speaker 1: thirty times, but it's not going to stop you from trying. Right,
• 36:25
  Speaker 1: He missed it on the biggest stage to go to
• 36:26
  Speaker 1: the finals, though they would, Yeah, they would if he
• 36:30
  Speaker 1: made it, they go to the finals. Yeah, it's a
• 36:32
  Speaker 1: rat and he's freaking sports top ten for the year,
• 36:35
  Speaker 1: oh my for the for the year. It's freaking Kawhi Leonard.
• 36:39
  Speaker 1: When he did it to Joel and beating Jimmy Bucket
• 36:41
  Speaker 1: with the bounds, with the bounce, you know what I mean? Yeah, totally,
• 36:45
  Speaker 1: I'm gonna pose back. This went beyond anyway you asked
• 36:49
  Speaker 1: you asked, No. I wanted for those sports lovers out
• 36:52
  Speaker 1: there who listen, I wanted to give you your your
• 36:54
  Speaker 1: your little little moment to talk about it. I tried.
• 36:59
  Speaker 1: I want you to know I tried. I gave it
• 37:02
  Speaker 1: a solid when the score, I'm happy for the Celtics.
• 37:06
  Speaker 1: When the Celtics were had seventeen points. Uh, I don't
• 37:10
  Speaker 1: think it ever got that big or ten points up whatever.
• 37:13
  Speaker 1: I was like, it's over, donaldon. But I was having
• 37:16
  Speaker 1: fun with all my friends being like this, I need this,
• 37:18
  Speaker 1: this is this is a big one, so stupid. All
• 37:24
  Speaker 1: right back, let's take a break. We're gonna say a
• 37:26
  Speaker 1: quick break and we'll be right back with some more
• 37:28
  Speaker 1: talk about the TV show Scrubs and we're bad. Yeah,
• 37:46
  Speaker 1: woo Tank forever, woo Tank forever. What you're trying to
• 37:50
  Speaker 1: get into a day of shoom. What you're trying to do, hey, speaking,
• 37:55
  Speaker 1: what you're trying to get into, Make sure you pace
• 37:57
  Speaker 1: tomorrow because I don't want you, Woozy. I can picture
• 38:00
  Speaker 1: you're getting on the plane. Oh you don't know, bro,
• 38:03
  Speaker 1: but you don't know. You ain't heard. I'm using this
• 38:08
  Speaker 1: trip to get off the marijuana. Okay, good, But you're
• 38:13
  Speaker 1: still I imagine going to have a mimosa or something
• 38:16
  Speaker 1: on the plane. Yeah, but I can't drink like I
• 38:19
  Speaker 1: used to be able to drink like that. You know.
• 38:20
  Speaker 1: That's why I'm telling you to pace, because you don't
• 38:22
  Speaker 1: need to tell me to pace. I'm already. I'm a
• 38:24
  Speaker 1: grown ass man. I know you still want You're gonna
• 38:27
  Speaker 1: get boozy. That's not fun for me. It's my point.
• 38:31
  Speaker 1: I don't like the feeling of the room spinning. I
• 38:34
  Speaker 1: don't like the feeling of I'm about to throw up.
• 38:37
  Speaker 1: So I'll have a drink and if that shit's too sweet,
• 38:39
  Speaker 1: I'm not gonna finish it. You honor me, listen. I
• 38:42
  Speaker 1: want to make sure that you don't mimosa out too
• 38:46
  Speaker 1: much on the plane. Yes, hope they die, and I
• 38:50
  Speaker 1: hope they burn in hell. What's that airplane? No? Sam Jackson?
• 38:57
  Speaker 1: Oh oh the snakes? No? Do you remember an airplane?
• 39:01
  Speaker 1: When they when they when they cut to the counterpoint segment,
• 39:03
  Speaker 1: and the guys like they bought their tickets, they knew
• 39:07
  Speaker 1: what they were getting into. I say, let him crash
• 39:17
  Speaker 1: um all right, as long as you promise not to
• 39:19
  Speaker 1: get woozy, because I got a nice dinner reservation for us.
• 39:22
  Speaker 1: Where are we eating? Is it me you, Sarah and Bill?
• 39:26
  Speaker 1: It's me you, Sarah and Bill and Ryan our friend
• 39:29
  Speaker 1: Ryan and right, Okay, we're gonna have fun. Just don't
• 39:33
  Speaker 1: get too woozy. I can't believe Sarah's coming. She never
• 39:36
  Speaker 1: does anything spontaneous. No, no disrespect to Sarah. But she's
• 39:41
  Speaker 1: sure sheptain. I'm sure she's sick of being in Canada. Well,
• 39:45
  Speaker 1: all I gotta tell us. I guarantee you. We've told
• 39:48
  Speaker 1: you on the podcast that, um, there's always a story
• 39:52
  Speaker 1: with Sarah, and I know that she's going to show
• 39:54
  Speaker 1: up and be like, you guys are not gonna believe
• 39:56
  Speaker 1: what happened. My COMMI citizenship is no longer. Yeah, I
• 40:01
  Speaker 1: guess the airport they had revoked my Canadians citizens my passport.
• 40:06
  Speaker 1: I didn't know it was expired. There's gonna be some
• 40:08
  Speaker 1: you never you will never not see Sarah with like
• 40:10
  Speaker 1: you're not gonna believe what happened today. It won't even
• 40:15
  Speaker 1: be yesterday. It'll be like today. I'm about then they're
• 40:19
  Speaker 1: about my passport and it falls through a great in
• 40:22
  Speaker 1: the floor. It's all. Sometimes it gets really action in
• 40:31
  Speaker 1: the adventury too, man like one time the car one time, Yeah,
• 40:34
  Speaker 1: one time it was a car was barreling down a
• 40:38
  Speaker 1: hill towards a picnic where Sarah and the kids were eating.
• 40:46
  Speaker 1: It was her car. She didn't put the brake on, right,
• 40:48
  Speaker 1: she didn't put the brake on, and so is it?
• 40:51
  Speaker 1: Was it her sister's husband or was it I don't know,
• 40:55
  Speaker 1: but anyway, somebody jumps in the car and you know,
• 41:00
  Speaker 1: the car's park, so the wheel is hard to turn
• 41:04
  Speaker 1: now and rips the wheel and the car spins out
• 41:08
  Speaker 1: and barely misses them. Yeah, this is a this is
• 41:12
  Speaker 1: a there's never there was, this is never dull moment
• 41:14
  Speaker 1: when when we story at lunch on our next segment,
• 41:16
  Speaker 1: on our next episode, we'll tell you what what Sarah's
• 41:21
  Speaker 1: assuming we're allowed to, We'll tell you what Sarah's drama
• 41:24
  Speaker 1: for the day was when we see her and she's
• 41:27
  Speaker 1: always had a breath for some reason. When she tell it,
• 41:29
  Speaker 1: and then listen, I'm so excited to see her. I
• 41:35
  Speaker 1: can't wait. I can't wait. We're gonna have fun. All right.
• 41:38
  Speaker 1: Back to the show. Um, So, we learned that Kelso
• 41:43
  Speaker 1: and Laverne had sex a bit. For a bit, he
• 41:48
  Speaker 1: goes to kiss her, which feels inappropriate. Um, But then
• 41:53
  Speaker 1: LaVerne's ghost tells Carlo like, I don't mind. We once
• 41:56
  Speaker 1: did it before, right before I was with mister Roberts. Roberts,
• 42:02
  Speaker 1: let me tell you something that man loves him some
• 42:04
  Speaker 1: brown sugar. Yeah, but remembered it fondly. It seemed like,
• 42:09
  Speaker 1: you know, the audience is a little bit like creeped
• 42:12
  Speaker 1: out at first, like why is Kelsel Kissinger? And then
• 42:14
  Speaker 1: you cut LaVerne's ghost revealing like it wasn't, as if
• 42:18
  Speaker 1: to imply like it was. It was, Oh, no, we
• 42:20
  Speaker 1: had a good Yeah, we had a good couple of
• 42:22
  Speaker 1: we had a good run. Yeah, we had a good
• 42:24
  Speaker 1: we had some good sessions. Yea. Unfortunately I couldn't get
• 42:28
  Speaker 1: past the racism and the misogyny. So then JD frantically
• 42:37
  Speaker 1: realizes that when Cox says did you go did you
• 42:40
  Speaker 1: do what I said? That the lip reading was very
• 42:42
  Speaker 1: off and it was will you go pick up my son? Yes,
• 42:45
  Speaker 1: So he frantically texts Lloyd, Wow. The fact that Lloyds
• 42:49
  Speaker 1: why did he choose Lloyd of all people? The fact
• 42:52
  Speaker 1: that Lloyd's go to I mean, I you know, ever
• 42:54
  Speaker 1: since Lloyd's reliable, well he's reliable on his with the job,
• 43:01
  Speaker 1: and he's reliable with the kid. It turns out to
• 43:04
  Speaker 1: I know, but he he yah, well he comes through. Yeah,
• 43:08
  Speaker 1: and we cut to Lloyd Um cranking speed metal? Is
• 43:11
  Speaker 1: that what it's called, Daniel speed metal? That is a
• 43:15
  Speaker 1: form of metal? Yeah, I think I think that's what
• 43:16
  Speaker 1: it was. I have to go back. I can't think
• 43:27
  Speaker 1: of a kind of music I like that kind of
• 43:30
  Speaker 1: what I can't think of. No disrespect to all the
• 43:33
  Speaker 1: wonderful artists who created it's just, you know, it's each
• 43:36
  Speaker 1: their own. I'm sure you don't like slow, sad, singer
• 43:39
  Speaker 1: songwriter music, but I just don't understand. No, no, no, no, no,
• 43:49
  Speaker 1: dann do you listen to any of that? At one point,
• 44:00
  Speaker 1: at one point, at one point, there's somebody that always
• 44:04
  Speaker 1: does this in that song, I get a good pig
• 44:08
  Speaker 1: squeal going, what's that called? What's that kind of music called?
• 44:12
  Speaker 1: I mean, it's it's metal. There's there's there's also that's
• 44:15
  Speaker 1: not metal. It's it's some type type of metal. There's
• 44:18
  Speaker 1: there's like guar is that gar? I'm trying to skip
• 44:22
  Speaker 1: to the point in the episode so I could hear
• 44:23
  Speaker 1: it again because I'm having trouble to remembering exactly what
• 44:25
  Speaker 1: the actual music part sounded like. But well, just cuts
• 44:28
  Speaker 1: a Lloyd. The kid loves it. The kid is jamming out.
• 44:31
  Speaker 1: The kid would not love that, no but really, I
• 44:34
  Speaker 1: think some kids anyway, what's cute in this in the
• 44:36
  Speaker 1: episode is that Cox's kid is jamming out to it.
• 44:39
  Speaker 1: He loves it. You're your kids love noise because they
• 44:45
  Speaker 1: make so much of it. So I like, look, I
• 44:50
  Speaker 1: love this song. My kids love this song even more
• 44:53
  Speaker 1: than I do now. And we don't play the we
• 44:56
  Speaker 1: don't play the dirty version, but U Drick Lamars be humble, Yeah, grates.
• 45:03
  Speaker 1: They want that song so loud because that bass kick
• 45:06
  Speaker 1: in that ship is so hard that I'm telling you,
• 45:10
  Speaker 1: kids love that that whatever that is, they love that,
• 45:16
  Speaker 1: and speed metal has that hardcore. I just don't know,
• 45:23
  Speaker 1: and I'm sure our listeners are. Some of our listeners know.
• 45:25
  Speaker 1: I feel like there's probably a more specific term than
• 45:28
  Speaker 1: speed metal for the drum behind it, ra ra And
• 45:37
  Speaker 1: then it goes into the can you imagine can you
• 45:40
  Speaker 1: imagine coming home from work? Can you imagine coming home
• 45:43
  Speaker 1: from working? You put on that speed metal track? I
• 45:45
  Speaker 1: love what is it? Daniel? Did you hear it, I
• 45:54
  Speaker 1: think of speed Metal. Okay, there you go, good call.
• 45:58
  Speaker 1: All right, Well I didn't we reference it in the show,
• 46:01
  Speaker 1: so we can't take credit for that. Then we learned
• 46:03
  Speaker 1: Laverne from the chart and the CT scan is officially
• 46:07
  Speaker 1: brain dead. And and when Cox says by Laverne, I'm
• 46:11
  Speaker 1: getting goose bumps on my thighs as I as I
• 46:13
  Speaker 1: say it, because it was a very powerful moment. And
• 46:16
  Speaker 1: then I have the flashback to the pilot when um,
• 46:20
  Speaker 1: which was which was a really beautiful thing that Bill did.
• 46:24
  Speaker 1: Um cutting to the very first episode when she's like,
• 46:27
  Speaker 1: will you just pronounced him? So I can go home?
• 46:29
  Speaker 1: And then she hasn't a pilot too, isn't it is that? Um? No,
• 46:35
  Speaker 1: I think she's got another one. Okay, um maybe, but
• 46:39
  Speaker 1: we remember when we had a Loma on she said
• 46:41
  Speaker 1: she just thought she she didn't know she was going
• 46:42
  Speaker 1: to come back. Yeah, um, oh wait no, no, I
• 46:46
  Speaker 1: know you're right, you know what, because didn't the Loma
• 46:48
  Speaker 1: say she had two lines? And then when the episode
• 46:50
  Speaker 1: airs she had one or something? You just him? Will
• 46:55
  Speaker 1: you just pronounced him? So I can go home? And
• 46:57
  Speaker 1: then I and then jad so Cheesley goes you can
• 47:00
  Speaker 1: finally go home and she said that, she said that, yeah,
• 47:04
  Speaker 1: and she says, that's so cheesy. Do you Okay, if
• 47:08
  Speaker 1: you had to choose out of the whole show what
• 47:11
  Speaker 1: your favorite joke was in the show, what would it be?
• 47:14
  Speaker 1: I have too, Well, my mom had a uterus, I
• 47:17
  Speaker 1: lived in it. I think I improved that. And I
• 47:20
  Speaker 1: thought that was pretty funny. That it's very jd and
• 47:23
  Speaker 1: very random. I take it back, I have three jokes
• 47:26
  Speaker 1: that I thought it was funny. I thought because of
• 47:29
  Speaker 1: my geeked him, are you on call tonight? Are you
• 47:31
  Speaker 1: going to fight Superman? Because you look like Lex Luthor
• 47:34
  Speaker 1: was one of the funniest jokes. And it's so fast
• 47:38
  Speaker 1: and nobody picks up on it, right. Yeah. And by
• 47:41
  Speaker 1: the way, just I read on scrubs WICKI that if
• 47:43
  Speaker 1: you recalled Johnny c was bald headed um in the
• 47:47
  Speaker 1: previous episode or or was it the last one or
• 47:50
  Speaker 1: one before? It was just random? Yeah, yeah, because and
• 47:53
  Speaker 1: it was never explained because they changed the order. So
• 47:55
  Speaker 1: this was the episode where he shaved his head, Well,
• 47:59
  Speaker 1: this was that. So what Johnny showed up with the
• 48:01
  Speaker 1: shaped head? No, in the very top of this episode,
• 48:04
  Speaker 1: he shaves his head, he goes, He goes, Yeah, there
• 48:07
  Speaker 1: must have been a reason behind it. I feel like why,
• 48:09
  Speaker 1: why did I wonder why? I don't think Bill would
• 48:12
  Speaker 1: have written that in Johnny Seen may me hap. No,
• 48:13
  Speaker 1: that's what I'm trying to say. Johnny came in with
• 48:15
  Speaker 1: a shaved head. Oh, and that's how that happened. That's
• 48:19
  Speaker 1: where this saw comes from. Oh was it from a
• 48:21
  Speaker 1: roll or do he just decide to shake his head?
• 48:23
  Speaker 1: I don't know, that's a Johnny question. But yeah, I
• 48:26
  Speaker 1: remember they had to they had to figure out wheyd
• 48:28
  Speaker 1: to write it in. But anyway, it's it's it's it's
• 48:32
  Speaker 1: explained in this episode. So that was one of my favorite.
• 48:37
  Speaker 1: The other favorite one, other favorite one is when all
• 48:39
  Speaker 1: you guys are in the room and you're doing the
• 48:41
  Speaker 1: Shadow Public poly shit. We recreate Pearl Harbor. You recreate
• 48:51
  Speaker 1: pretty impressively. It's very impressively with planes crashing and fucking Ted. Yeah,
• 49:00
  Speaker 1: can't help it. It brings in the alligator. It has
• 49:03
  Speaker 1: to bring in the alligator. Yeah, and I go, Ted,
• 49:05
  Speaker 1: there were no alligators in Pearl Harbor. Oh, And then
• 49:09
  Speaker 1: I go, we can also do the get We can
• 49:11
  Speaker 1: do the Gettysburg and the first active Missigan. I would
• 49:16
  Speaker 1: have loved to see them do the first active mission,
• 49:18
  Speaker 1: or at least a number that would have been amazing.
• 49:21
  Speaker 1: And then finally, my last one was the one you said,
• 49:25
  Speaker 1: but it's when Elliot's uterus starts glowing like ET made
• 49:29
  Speaker 1: me laugh. So yeah, it was like phoning home. It
• 49:34
  Speaker 1: was like that. It was like that the uterus phoned home.
• 49:36
  Speaker 1: Did somebody just have a baby? Elliot? Elliot can always
• 49:40
  Speaker 1: sends and it's just like eats his finger. I've said
• 49:45
  Speaker 1: that before in life and forgot that it was a
• 49:47
  Speaker 1: scrubs joke. No, but freaking eats chest lights up too.
• 49:50
  Speaker 1: It's not his heart like that's I forgot about that.
• 49:54
  Speaker 1: I always thought it was just his finger. No, no, no,
• 49:56
  Speaker 1: it's chest. That's what freaking turn on your heart lights about.
• 50:00
  Speaker 1: Don't turn on your hot light. I think let it
• 50:03
  Speaker 1: shine wherever you go. Don't you think Neil Diamond wrote
• 50:07
  Speaker 1: that before ET. No, he wrote that for ET. It's
• 50:10
  Speaker 1: an ET. No, look it up, it's about turn on
• 50:15
  Speaker 1: your hot light. Well, this is mind blowing if true,
• 50:20
  Speaker 1: let it shine wherever you go. You're telling me that
• 50:25
  Speaker 1: Neil Diamond's heart Light song is about eat. He was
• 50:28
  Speaker 1: so inspired by et that he wrote turn on Your
• 50:33
  Speaker 1: Hot Light, a reported twenty five thousand dollars in Lawyers
• 50:41
  Speaker 1: for MCA felt this song infringed upon the copyright of
• 50:43
  Speaker 1: the film What Let It Shine Wherever You Go? Wait
• 50:48
  Speaker 1: a second, they suit him, so yeah, succoring Rolling Stone
• 50:52
  Speaker 1: they did. Wait, ain't this dude wrote the song inspire
• 50:58
  Speaker 1: inspired by eat See and then they sued it. What
• 51:05
  Speaker 1: a dumb lawsuit turn on your Hot Light. Sorry you
• 51:09
  Speaker 1: can't talk about her alien that way, but a stupid lawsuit. Um,
• 51:15
  Speaker 1: all right, shoutout puppet theater. Elliot's uterus is glowing. My
• 51:18
  Speaker 1: mom had a uterus, I lived in it. Um. And
• 51:22
  Speaker 1: then Jad finally gets to be godfather, and then then
• 51:25
  Speaker 1: he gets to name the baby's name is Jennifer Dillon,
• 51:29
  Speaker 1: and that was that was the best squeal ever in
• 51:31
  Speaker 1: the history of squeals. So thrilled, He's so thrilled. Um.
• 51:42
  Speaker 1: And then, of course, as we mentioned at the top,
• 51:44
  Speaker 1: it's just beautiful. And I cued up thirty seconds of
• 51:47
  Speaker 1: the song because it's a beautiful song by Keene, which
• 51:49
  Speaker 1: is a band that's disappeared. And I just used to love,
• 51:52
  Speaker 1: I still love. I woke alone. It's to plus yo.
• 52:04
  Speaker 1: You know what my song is? Oh Sep, where have
• 52:11
  Speaker 1: you gone? Fire? Yeah? You know why it's fired. It's
• 52:17
  Speaker 1: fired because it was it dude that that band was
• 52:21
  Speaker 1: so dope. They had so many dope songs. Man. Yeah,
• 52:23
  Speaker 1: if you don't know, Keen, go back and listen to
• 52:25
  Speaker 1: keene that band. We need more from you, Keeneen, come back.
• 52:29
  Speaker 1: Let's get back together. I don't know what happened. I
• 52:32
  Speaker 1: had a great time backstage with y'all. Keen. If your
• 52:35
  Speaker 1: manager's listening, I please get back together. Do you remember
• 52:39
  Speaker 1: that time we hung out backstage with them at that
• 52:42
  Speaker 1: and they freaking when they tore down the house with
• 52:45
  Speaker 1: and if we have a man, and why don't we go?
• 52:49
  Speaker 1: The lead singer had the sickest voice. And do you
• 52:54
  Speaker 1: remember when they came and ate lunch at scrubs? No, yeah, dude,
• 52:58
  Speaker 1: they came to the whole, came to visit and sat
• 53:02
  Speaker 1: down and we ate lunch with them, This British band, dude.
• 53:05
  Speaker 1: And that's how and then me you raiden U Bill
• 53:10
  Speaker 1: was Bill with us when we went I think he was.
• 53:13
  Speaker 1: But we went to the freaking see that they met
• 53:15
  Speaker 1: that in New York. I told the story on here. Anyway,
• 53:19
  Speaker 1: I love them, and if anyone listening knows them, please
• 53:22
  Speaker 1: tell them to get back together. They're so talented. Um.
• 53:25
  Speaker 1: But anyway, I digress. That beautiful song um that's titled
• 53:31
  Speaker 1: a bad Dream if you want to listen to it,
• 53:33
  Speaker 1: I'm only allowed to play a little bit. Um is
• 53:36
  Speaker 1: underscores Judy's beautiful Goodbye to Laverne that I always see
• 53:42
  Speaker 1: people mentioning that's one of the most moving moments in
• 53:45
  Speaker 1: Scrubs Judy's Goodbye to Laverne. If anyone's ever lost someone
• 53:52
  Speaker 1: and and and had to say goodbye, is is I
• 53:55
  Speaker 1: have too many times? I H. It's just really so
• 54:00
  Speaker 1: elegantly done and so beautifully acted and h and I
• 54:04
  Speaker 1: just think Judy is such a gifted artist Scrubs. Wicky
• 54:08
  Speaker 1: mentioned that you can see a tear falling out of
• 54:12
  Speaker 1: Aloma's eye. I remember, which I remember, which is just
• 54:17
  Speaker 1: so beautiful, because I mean, the actress Aloma right was
• 54:25
  Speaker 1: so moved that she cried from from Judy's monologue. Dude,
• 54:31
  Speaker 1: I remember, I remember watching it and seeing Aloma crying
• 54:36
  Speaker 1: and being like, oh shit, because we were right there
• 54:39
  Speaker 1: for when for one of the shots we're right there.
• 54:42
  Speaker 1: It's a continuous shot. When she turns around, the three
• 54:45
  Speaker 1: of us are standing there and Judy comes out and
• 54:47
  Speaker 1: I hugger and everything like that. But I remember during
• 54:50
  Speaker 1: in that take you could see the tear coming down
• 54:55
  Speaker 1: Aloma's face. That was a very powerful moment. It was
• 54:58
  Speaker 1: a really really not only was the scene acted, not
• 55:02
  Speaker 1: only was the scene acted well, she she was very
• 55:08
  Speaker 1: strategic on how she did it too. I don't know
• 55:11
  Speaker 1: if Judy worked on I don't know what it was instinct,
• 55:13
  Speaker 1: I don't know what it was. But to be able
• 55:15
  Speaker 1: to start a scene and keep it on a joking
• 55:20
  Speaker 1: side and trying to be funny the whole way through,
• 55:24
  Speaker 1: and then getting to a moment where you can't be
• 55:27
  Speaker 1: funny anymore because it hurts so much, and being able
• 55:30
  Speaker 1: to convey that through camera is very, very difficult. It's
• 55:34
  Speaker 1: a very very challenging exercise in any form of acting
• 55:39
  Speaker 1: to do that. To be happy happy, I'm gonna project happiness,
• 55:43
  Speaker 1: but really I'm hurting, and then the tears come through, because,
• 55:46
  Speaker 1: at least for an actor, at least for me, when
• 55:48
  Speaker 1: I'm set on crying, I'm gonna trying get to crying,
• 55:51
  Speaker 1: you know what. I mean she didn't do that. She
• 55:53
  Speaker 1: started off. She had to start the scene, you know,
• 55:56
  Speaker 1: being in denial and trying to make some jokes and
• 55:59
  Speaker 1: just really elegantly done and uh and beautifully directed by
• 56:03
  Speaker 1: Victor Nelly. Yeah, well done. What else do we want
• 56:06
  Speaker 1: to say? I think we did the show. We don't
• 56:07
  Speaker 1: have a guest today. Anything you want to add? Donald
• 56:10
  Speaker 1: phase On legendary member of the Screen Actors Guild. Um,
• 56:17
  Speaker 1: I like Obi Wan and it's not you like Obie
• 56:20
  Speaker 1: and it's not because you're my friend. Check out Obi one.
• 56:23
  Speaker 1: Checkout episode three. It's masterfully done. I can't wait for
• 56:26
  Speaker 1: episode four. I'm not gonna lie either. And I'm very
• 56:30
  Speaker 1: interested to see what happens next. And there's something wait, no,
• 56:34
  Speaker 1: don't and I'm me. I'm talking about Star wars Man
• 56:37
  Speaker 1: who Tank Forever. I am so excited to see what
• 56:41
  Speaker 1: happens next because there are things that they need to redo.
• 56:46
  Speaker 1: Are you gonna go see Top Gun? It made a
• 56:48
  Speaker 1: zillion dollars. My wife wants to see it so bad.
• 56:52
  Speaker 1: You know it's so good. You love the well Okay,
• 56:55
  Speaker 1: so let me ask you a question. It was good
• 56:57
  Speaker 1: to be very very good weekend thing. Can I speak
• 57:00
  Speaker 1: even not letting you spoke the whole fucking show, dudek Um,
• 57:09
  Speaker 1: did you see Top Gun when you were a young person? Yes? Okay?
• 57:14
  Speaker 1: Is it fan service like Spider Man's a very fan services?
• 57:21
  Speaker 1: They definitely. It makes many a callback there. The camera
• 57:25
  Speaker 1: loves to linger on the photo of a goose and
• 57:28
  Speaker 1: Maverick classman hands. It's uh, you get the whole that
• 57:33
  Speaker 1: opening montage on the ship deck where they're well, don't
• 57:36
  Speaker 1: don't make to Daniel, Um, delineate another spoiler. Um, no
• 57:40
  Speaker 1: spoilers here, but yes, there are lots of moments that
• 57:42
  Speaker 1: reference the original movie Carrie Brothers. But Carrie Brothers who
• 57:48
  Speaker 1: is a very big movie fan and sees everything. Um. Donald.
• 57:52
  Speaker 1: We hung out with them on Memorial Day and he
• 57:55
  Speaker 1: could not He was like their publicist. He could not
• 57:57
  Speaker 1: stop talking about how amazing it was. He said, definitely,
• 58:01
  Speaker 1: go seeing an imax if you if you have access
• 58:05
  Speaker 1: to one, and here in La he said, go to
• 58:07
  Speaker 1: Man's Chinese. It's it's like it's like a ride. He said,
• 58:10
  Speaker 1: Oh my god, I want to see it so bad?
• 58:12
  Speaker 1: Is it for kids? Can kids watch it? Oh? Yeah,
• 58:15
  Speaker 1: because kids couldn't watch that first one. They was fucking
• 58:18
  Speaker 1: In the first one, there is a very brief love scene,
• 58:22
  Speaker 1: so brief, like, yeah, I can't take my kids, can't
• 58:25
  Speaker 1: watch that. They can handle. There's no there's no even
• 58:28
  Speaker 1: because then because then sex is out of the question
• 58:31
  Speaker 1: in my house, because if they hear any type of
• 58:33
  Speaker 1: any sound, they're gonna be like, it's literally Jennifer's tackle
• 58:37
  Speaker 1: kissing on a bed. She just falls back with Gabrielle,
• 58:42
  Speaker 1: Union and I begin to make out and cheaper by
• 58:44
  Speaker 1: the dozen. They couldn't have. All that is is tackle kissing. Okay,
• 58:47
  Speaker 1: that's not tackle kissing. They can handle. They can handle
• 58:52
  Speaker 1: tackle kissing. They can handle parents tackle kissing, okay. And
• 58:56
  Speaker 1: I can get away with when you kissing, I can't.
• 58:59
  Speaker 1: I can get away with if they were to walk
• 59:01
  Speaker 1: into the room and we were doing something being like
• 59:04
  Speaker 1: we're tackle kissing, we're tackle kissing. I could get away
• 59:07
  Speaker 1: with that. Probably when you kiss Casey, well it happened
• 59:11
  Speaker 1: to be, it ain't gonna is it not gonna be panicking? Joel, Joel?
• 59:15
  Speaker 1: Would it not be panicked? It would be the ruining
• 59:19
  Speaker 1: of their lives at that moment, kiss Casey in front
• 59:22
  Speaker 1: of them, do they go you yeah, absolutely, Oh my god,
• 59:26
  Speaker 1: they can't take it. They can't take it if it
• 59:29
  Speaker 1: happens on if it happens on screen. I don't think
• 59:32
  Speaker 1: they've seen you kiss Gabrielle Union and Cheaper about a dozen.
• 59:35
  Speaker 1: The minute you go in, they're like, oh god, here
• 59:37
  Speaker 1: it looked away. Yeah, they look away. Here goes that
• 59:41
  Speaker 1: nasty shit again. All right, everybody, we love you, We
• 59:46
  Speaker 1: appreciate you. Thank you so much for tuning in. We
• 59:49
  Speaker 1: really love it that you listen. And um, that's it.
• 59:53
  Speaker 1: A beautiful, blessed day. Donald kind of sound seven about
• 59:59
  Speaker 1: s we made about a bunch of docs and nurses
• 1:00:04
  Speaker 1: and the janitor who loved him. I said, here's the
• 1:00:07
  Speaker 1: stories net all should know. So Ganda around you, here
• 1:00:13
  Speaker 1: are