Latest / The Breakfast Club / FULL SHOW: Jay-Z's Investment Firm Nears Deal To Acquire 50% Stake In Rihanna's Fenty Beauty + John Cena, Teyonah Parris and Arturo Castro Interview
Transcript
- 0:00Speaker 1: Woke up, woke up, wake you up, wake you up,
- 0:03Speaker 1: wake that ass up, program your alarm to power 105.1
- 0:05Speaker 1: on iHeartRadio.
- 0:07Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>.
- 0:14Speaker 1: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> Oh,
- 0:24Speaker 1: guess what day it is? Guess what day it is?
- 0:27Speaker 2: Pump Day!
- 0:30Speaker 1: How y'all feel out there? I feel blessed, black, and
- 0:33Speaker 1: highly favored. Happy to be here. Another day to serve
- 0:36Speaker 1: our beautiful listeners. See, when you do the beginning, it's
- 0:37Speaker 1: like a rhythm, you know what I mean? So we're
- 0:40Speaker 1: like a band. You know, one band, one sound. So
- 0:42Speaker 1: when the people aren't here, it throws the rhythm off,
- 0:44Speaker 1: but it's okay.
- 0:46Speaker 2: And you know... I truly am grateful to be here.
- 0:49Speaker 1: You know, I say that every morning because I really
- 0:52Speaker 1: mean it when they ask me how I'm doing. I
- 0:53Speaker 1: say I'm blessed, black and highly favored. Happy to be here.
- 0:56Speaker 1: Another day to serve our beautiful listeners. I truly believe
- 0:59Speaker 1: that because that's how I live my life. I wake
- 1:01Speaker 1: up and I say thank you, God, for the gift
- 1:03Speaker 1: of waking up today. I thank God for the breath
- 1:06Speaker 1: in my lungs and I thank God for another chance.
- 1:10Speaker 2: To begin again. OK, I ask God to guide my steps.
- 1:13Speaker 1: I ask God to guide my words and my heart
- 1:15Speaker 1: is truly filled with gratitude for life. So I hope
- 1:18Speaker 1: you feel that way this morning as well. OK, I
- 1:20Speaker 1: don't care what's going on in your world. If God
- 1:22Speaker 1: still has you here, you are here for a reason.
- 1:24Speaker 1: So thank God and figure out what that reason may be.
- 1:28Speaker 1: Drop on the clues bombs for God, man. OK, and
- 1:32Speaker 1: walking in grace, kindness and purpose today. Okay, Envy is
- 1:36Speaker 1: in China. He landed safely. He just texted me a
- 1:38Speaker 1: little while ago. I know they're looking at him over
- 1:40Speaker 1: there like, that's a real yellow man. Okay, he's never
- 1:43Speaker 1: seen a real yellow man until Envy stepped foot in China,
- 1:47Speaker 1: but he's there safely. John Cena will be joining us
- 1:51Speaker 1: this morning, as well as Tiana Paris and Arturo Castro.
- 1:55Speaker 1: They're starring in the new movie Matchbox, which premieres on
- 1:58Speaker 1: Apple TV this Friday.
- 1:59Speaker 2: So they'll be here to talk to us about that.
- 2:02Speaker 1: Not to mention, man, if you're a comic book head
- 2:04Speaker 1: like myself, you want to know what's going on with
- 2:06Speaker 1: Peacemaker season three. You know, we had Daniel Brooks here
- 2:08Speaker 1: a couple of weeks ago. She said it's not happening.
- 2:10Speaker 1: I want to talk to John Cena about it. And
- 2:12Speaker 1: Tiana Paris plays Monica Rambeau in all the Marvel movies.
- 2:15Speaker 1: And the last time we seen her, she was in
- 2:17Speaker 1: the post credit scene that introduced the X-Men and we
- 2:20Speaker 1: haven't seen nothing since.
- 2:21Speaker 2: So we need to talk to.
- 2:22Speaker 1: Her about that as well. But yeah, Let's get the
- 2:26Speaker 1: show cracking. Mimi Brown is up next with Front Page News.
- 2:28Speaker 1: Let's get into some belly gain, Cushington, and 21 Savage.
- 2:31Speaker 1: It's the Breakfast Club. It's the world's most dangerous one
- 2:33Speaker 1: to show the Breakfast Club. DJ Envy, Just Hilarious. I
- 2:36Speaker 1: go by the name of Charlemagne Tha God. Laura LaRosa
- 2:38Speaker 1: will be here shortly as well. But it's time for
- 2:40Speaker 1: Front Page News with Tamisha Brown from Howard University.
- 2:44Speaker 2: Good morning, Mimi.
- 2:45Speaker 3: Good morning, Charlemagne.
- 2:47Speaker 4: Front Page News is sponsored by Morgan & Morgan, America's
- 2:50Speaker 4: largest injury law firm. So we start this morning with
- 2:53Speaker 4: President Trump's latest response to the soaring diesel prices. But
- 2:57Speaker 4: the fuel industry, they are already warning that it may
- 3:00Speaker 4: not make a difference. So President Trump is temporarily cutting
- 3:04Speaker 4: a federal diesel tax for truckers. with the hope that
- 3:07Speaker 4: cheaper fuel will eventually bring down the cost of moving
- 3:10Speaker 4: goods across the country and therefore affect everyone. But normally,
- 3:13Speaker 4: you know, truckers, they pay about 24 cents a gallon
- 3:16Speaker 4: on federal tax, but Trump is now allowing them to
- 3:19Speaker 4: use dyed diesel, the tax-free fuel that is normally reserved
- 3:23Speaker 4: for farming and for construction equipment. Now, Governor Greg Abbott,
- 3:29Speaker 4: he made a similar move last week, and now Trump
- 3:31Speaker 4: is taking it nationwide. But some truckers say... They are
- 3:34Speaker 4: not sure how much this will actually help.
- 3:36Speaker 5: Let's listen.
- 3:38Speaker 6: For somebody like me, it's not really going to change
- 3:40Speaker 6: anything because where can I take a tractor trailer and
- 3:44Speaker 6: get off of a diesel? Well, it's not like your
- 3:46Speaker 6: mainline truck stops are going to start supplying off-road diesel, right?
- 3:51Speaker 6: So for a business like mine or really any over-the-road
- 3:54Speaker 6: trucking company, I don't think it's going to make a
- 3:57Speaker 6: huge implication.
- 3:59Speaker 1: That's what I was thinking. Like, where the hell did
- 4:00Speaker 1: they get that from for their trucks? And how does
- 4:03Speaker 1: that impact their trucks? Like, I would think that, you know,
- 4:05Speaker 1: if it's used for tractor trailers, it could have a
- 4:07Speaker 1: negative effect on their actual trucks.
- 4:10Speaker 2: But, I mean, I don't know. I'm not a trucker.
- 4:11Speaker 2: The truckers would have to answer that question.
- 4:13Speaker 7: Yeah.
- 4:13Speaker 4: Yeah. That's a very good question, and that trucker is saying, listen,
- 4:17Speaker 4: we're not even going to find a place to pull
- 4:19Speaker 4: up and put that in our truck in the first place.
- 4:22Speaker 4: Diesel is averaging about $ 6. 31 a gallon. Now, back in February,
- 4:26Speaker 4: it was $ 3. 30 a gallon. But the administration is hoping
- 4:30Speaker 4: lowering these costs will lower the price on groceries, clothes,
- 4:34Speaker 4: and other.
- 4:34Speaker 3: Goods that Americans buy.
- 4:36Speaker 4: So, again, the fuel industry, though, is warning truck stops
- 4:39Speaker 4: against selling dyed diesel. Several major industry groups say they
- 4:43Speaker 4: don't expect most major diesel retailers who even carry this
- 4:47Speaker 4: so uh we'll have to see how this one plays out.
- 4:50Speaker 2: You know how much money truckers have lost mimi like
- 4:52Speaker 2: do you know how many truckers have told me that
- 4:53Speaker 2: they have parked their trucks because they couldn't afford gas
- 4:56Speaker 2: like always remember people will forget what you said they'll
- 4:58Speaker 2: forget what you did but they'll never forget how you
- 5:00Speaker 2: made uh how you made them feel and you know
- 5:03Speaker 2: yeah trump has made these truckers feel horrible.
- 5:06Speaker 4: Yeah um some have gone from filling up i think
- 5:08Speaker 4: they said eight hundred dollars to like fourteen fifteen hundred
- 5:11Speaker 4: dollars That's crazy.
- 5:14Speaker 5: It's crazy.
- 5:15Speaker 4: And President Trump, he was in Maryland yesterday to announce
- 5:18Speaker 4: one of the state's biggest private sale investments in more
- 5:23Speaker 4: than a decade.
- 5:24Speaker 3: So there's a defense company.
- 5:26Speaker 4: It's building a massive submarine manufacturing facility in Baltimore County.
- 5:30Speaker 3: This is expected to create thousands of jobs.
- 5:33Speaker 4: And Maryland Governor Wes Moore says his administration helped put
- 5:36Speaker 4: this deal together. But when it came down, Down to
- 5:39Speaker 4: announce it, Moore says the White House told him he
- 5:42Speaker 4: was not allowed to speak.
- 5:44Speaker 5: Let's listen.
- 5:45Speaker 8: I will not be there later on today.
- 5:47Speaker 2: This was a deal that we helped bring.
- 5:50Speaker 8: This is going to be the largest private investment that
- 5:52Speaker 8: we have seen in over a decade inside of the
- 5:55Speaker 8: state of Maryland.
- 5:55Speaker 2: It's bringing 3,100 jobs. We are very proud of the
- 5:58Speaker 2: fact that we have been working with them for over
- 6:00Speaker 2: a year to bring them on board.
- 6:02Speaker 8: And we're excited about what it's going to mean to
- 6:04Speaker 8: the area. But if the president of the United States
- 6:07Speaker 8: wants to bring the circus into town and tell me
- 6:10Speaker 8: that I'm not allowed to speak the fact that we
- 6:12Speaker 8: were the ones that helped bring the deal, then I
- 6:14Speaker 8: will let the circus be conducted while I go back
- 6:16Speaker 8: to the work of.
- 6:17Speaker 2: The people in my home. Wes should actually wear that
- 6:19Speaker 2: as a badge of honor. Like, Wes should be happy
- 6:21Speaker 2: about that.
- 6:22Speaker 1: He should be happy that, you know, they are blocking
- 6:23Speaker 1: him from speaking because that means that they're scared of him.
- 6:26Speaker 9: And this is not the first time they blocked him
- 6:28Speaker 9: from something, right? Like Trump said, it was something else
- 6:30Speaker 9: that they had blocked him from before as well earlier
- 6:32Speaker 9: this year.
- 6:34Speaker 10: What?
- 6:34Speaker 3: I know they've had a.
- 6:35Speaker 9: No, it was like all the governors were coming to
- 6:38Speaker 9: do something and he wasn't.
- 6:40Speaker 3: That's right.
- 6:40Speaker 5: I'm sorry.
- 6:41Speaker 7: He wasn't.
- 6:42Speaker 5: But he wasn't invited to. That's right.
- 6:44Speaker 11: And he was.
- 6:47Speaker 5: Absolutely.
- 6:48Speaker 3: You're right. That did happen.
- 6:50Speaker 4: Moore says his administration spent more than a year working
- 6:52Speaker 4: to bring this company to Maryland. But during his speech yesterday,
- 6:56Speaker 4: Trump highlighted his administration's role in the billions of dollars
- 6:59Speaker 4: in federal funding that's going to the project. Let's listen
- 7:01Speaker 4: to Trump's speech and how he took credit for this.
- 7:05Speaker 12: Today, we're officially launching the construction of the largest new
- 7:09Speaker 12: shipyard in the United States. This is since World War II.
- 7:13Speaker 12: There's been nothing like what we're doing today.
- 7:16Speaker 2: And it's big. This is going to be some big yard.
- 7:19Speaker 12: When I came into office for my second term, less
- 7:23Speaker 12: than two years ago, this national treasure was abandoned and
- 7:28Speaker 12: it was totally forgotten.
- 7:30Speaker 2: But it's not forgotten any longer. Yeah.
- 7:35Speaker 3: So the White House.
- 7:38Speaker 2: I don't even care.
- 7:39Speaker 7: Yeah.
- 7:40Speaker 4: The White House says that more or they're accusing more
- 7:43Speaker 4: of trying to make the announcement about himself. And the
- 7:45Speaker 4: White House said that he was still invited to attend
- 7:48Speaker 4: as a guest.
- 7:49Speaker 3: Just not speak.
- 7:50Speaker 5: So I think I think.
- 7:51Speaker 1: West did the right thing. You know, if he wanted
- 7:53Speaker 1: to speak and they blocked him from speaking. And, you know,
- 7:56Speaker 1: when they ask him about it, he lets them know, hey,
- 7:58Speaker 1: we're the ones who bought this, you know, to Maryland.
- 8:03Speaker 1: Like simple as that. Take credit for what you did.
- 8:06Speaker 1: You don't think that administration takes credit for the things
- 8:08Speaker 1: that they do? That's the problem is they don't do anything.
- 8:12Speaker 3: But then take the credit for exactly something else.
- 8:15Speaker 5: Yeah.
- 8:17Speaker 4: And lastly, this morning, you know, we've been following the
- 8:19Speaker 4: journey of the USS Abraham Lincoln. And today, after an
- 8:22Speaker 4: unusually long deployment, the aircraft carrier is finally coming home.
- 8:26Speaker 4: So the ship is scheduled to dock in San Diego
- 8:28Speaker 4: today after spending more than 280 days without.
- 8:30Speaker 13: A port call.
- 8:32Speaker 3: While supporting U.S. military operations in the Middle East.
- 8:35Speaker 4: Now, you guys remember we've been talking about their difficult deployment.
- 8:39Speaker 3: Last month, the Navy revealed.
- 8:40Speaker 4: That eight sailors on board had attempted suicide. They were
- 8:43Speaker 4: also concerned about food supplies, living conditions, and the mental
- 8:47Speaker 4: health of the sailors on board. Members of Congress, they've
- 8:50Speaker 4: been demanding answers about why the deployment was so long.
- 8:54Speaker 4: But today, that ship is going to be docking in
- 8:58Speaker 4: San Diego, and Defense Secretary Pete Hegseth is expected to
- 9:02Speaker 4: welcome the crew home. So sure, there will be lots
- 9:05Speaker 4: of new information that will come from, you know, once
- 9:08Speaker 4: they get home and they're able to get back on
- 9:10Speaker 4: the ground.
- 9:10Speaker 3: I know families have contacted me to tell me some
- 9:13Speaker 3: of the things that were going on.
- 9:14Speaker 4: And so I'm sure more will come from the story
- 9:17Speaker 4: once they're finally, you know, back home.
- 9:19Speaker 5: To where they live. They're on their way and they're
- 9:21Speaker 5: closest to home.
- 9:22Speaker 7: Yeah.
- 9:22Speaker 2: Well, we got next hour, Mimi.
- 9:25Speaker 4: Well, coming up in the next hour, we have a
- 9:28Speaker 4: woman who pretended to be a substitute teacher.
- 9:32Speaker 3: Pretty interesting but her fake.
- 9:33Speaker 4: Day on the job it ends with a very real
- 9:35Speaker 4: criminal charge so we're going to get into that but
- 9:39Speaker 4: before we get out of here this hour is sponsored
- 9:41Speaker 4: by morgan and morgan injured know your worth america's largest
- 9:44Speaker 4: injury law firm visit for the people.com that's right.
- 9:47Speaker 1: Now it's time for get it off your chest uh
- 9:49Speaker 1: this is the moment where you can call up and
- 9:50Speaker 1: tell us why you're blessed or tell us why you're
- 9:52Speaker 1: stressed remember what i said about your heart being filled
- 9:56Speaker 1: with gratitude for life this morning, okay?
- 9:57Speaker 2: Let's talk about that. It's the world's most dangerous morning show,
- 10:00Speaker 2: The Breakfast Club.
- 10:00Speaker 14: This is your time to get it off your chest.
- 10:03Speaker 13: 800-585-1051.
- 10:03Speaker 14: We want to hear from you on The Breakfast Club.
- 10:07Speaker 2: Good morning. Who's this?
- 10:09Speaker 7: TT.
- 10:09Speaker 2: Peace, TT.
- 10:10Speaker 5: Hey, CC.
- 10:11Speaker 2: Hi, Jess.
- 10:12Speaker 1: Oh, my goodness.
- 10:14Speaker 7: Hey, Dora.
- 10:15Speaker 10: Peace, TT.
- 10:16Speaker 11: Where's Mandy at?
- 10:17Speaker 7: China.
- 10:17Speaker 5: In China, over there with the peoples.
- 10:20Speaker 3: Oh, my God.
- 10:21Speaker 2: They're like, that's a real yellow man right there.
- 10:24Speaker 5: He working, though.
- 10:26Speaker 2: He working. He working.
- 10:28Speaker 7: Oh, my goodness.
- 10:29Speaker 15: I'm so happy.
- 10:30Speaker 7: I called my husband.
- 10:31Speaker 5: Like, yeah, I was on the radio.
- 10:34Speaker 2: Okay, but. Well, get it off your chest. Tell us
- 10:36Speaker 2: why you blessed. Tell us why you stressed. What's happening?
- 10:38Speaker 10: Well, I'm blessed.
- 10:39Speaker 3: I just had my second-born boy.
- 10:44Speaker 2: Congratulations, boo. Yes.
- 10:46Speaker 10: After 12 years, I had my daughter first, and now
- 10:51Speaker 10: we pray for my son.
- 10:52Speaker 7: He's two months old.
- 10:53Speaker 10: I just want to give a shout-out to all my
- 10:54Speaker 10: mamas who are out here every two.
- 10:56Speaker 3: Hours with these babies.
- 10:58Speaker 7: Okay, God.
- 11:00Speaker 5: Girl, people don't know. People don't understand.
- 11:02Speaker 9: But you know, you got a 12 year gap between
- 11:04Speaker 9: your children like I do. My daughter, my son is
- 11:06Speaker 9: 14 and my daughter is two.
- 11:08Speaker 5: Oh, my God, girl.
- 11:10Speaker 10: Yes. I love it, though. I think it's the best
- 11:13Speaker 10: outcome instead of going back to back.
- 11:15Speaker 5: Back to back, yeah.
- 11:17Speaker 7: I think this was way.
- 11:19Speaker 5: Better, you know.
- 11:19Speaker 2: I agree.
- 11:20Speaker 1: And you got a built-in babysitter because your daughter, what,
- 11:23Speaker 1: you said 12 now?
- 11:25Speaker 2: 12, yes.
- 11:25Speaker 1: In a few years, she's going to be able to
- 11:27Speaker 1: watch that little one-year-old or three-year-old or whatever old he's
- 11:30Speaker 1: going to be for y'all.
- 11:33Speaker 7: Yeah, she's a great big sister.
- 11:35Speaker 11: I'm really proud of her.
- 11:36Speaker 7: That's awesome.
- 11:38Speaker 10: Shout out to my moms, my stay-at-home moms.
- 11:39Speaker 3: We're doing the thing.
- 11:40Speaker 7: We are doing it.
- 11:41Speaker 5: Yes, honey.
- 11:42Speaker 10: I'm here raising babies, okay?
- 11:45Speaker 2: You know what you should watch? You should watch Your Mother,
- 11:46Speaker 2: Your Mother, Your Mother while you're home because you're going
- 11:50Speaker 2: to have a whole new perspective on breast milk. It's
- 11:53Speaker 2: that Mersha Ali movie.
- 11:54Speaker 7: Oh, wow. Where is that at? What is that on?
- 11:56Speaker 2: It's on Amazon, I believe. I think it's on Amazon.
- 11:59Speaker 10: It better be free because they must be on there
- 12:01Speaker 10: to charge people for stuff.
- 12:02Speaker 2: Yes, they do. You're paying for your.
- 12:06Speaker 9: Yeah but do you know although we pay monthly for
- 12:10Speaker 9: prime it's still movies that you have to pay for
- 12:12Speaker 9: like it's oh yeah and that's the new movie so
- 12:15Speaker 9: you don't have to pay for it but yeah i.
- 12:19Speaker 2: Don't know it came out in september let me see
- 12:22Speaker 2: it might be on amazon i.
- 12:23Speaker 9: Don't know there's no movies that are like crazy prices
- 12:27Speaker 9: but like you know if it's good.
- 12:29Speaker 2: Oh actually it's still in theaters i'm bugging oh yeah
- 12:31Speaker 2: so it's gonna be $ 58.
- 12:33Speaker 17: 99 Charlamagne's in it together listen I'm trying we trying
- 12:37Speaker 17: but no it's a good movie cause it's I don't
- 12:40Speaker 17: wanna say it's centered around breast milk but breast milk
- 12:43Speaker 17: plays a big.
- 12:43Speaker 18: Role it's crazy well you know me I'm exclusively breastfeeding
- 12:48Speaker 18: period that's a whole nother job itself but I'm doing
- 12:52Speaker 18: it I'm doing the.
- 12:53Speaker 9: Thing absolutely well congratulations babe Yes, all right.
- 12:58Speaker 3: Thank you, guys.
- 12:59Speaker 2: No problem. I'm 12-year gaps.
- 13:01Speaker 5: Be serious. Hello, who's this?
- 13:02Speaker 11: Hello, this is Val from Atlanta.
- 13:05Speaker 2: What up, Val?
- 13:05Speaker 19: Come on, Val.
- 13:06Speaker 5: This our favorite stick.
- 13:08Speaker 2: This is not a stud.
- 13:09Speaker 7: Yes, okay. Yes, this is Val from Atlanta.
- 13:11Speaker 13: I called like around July 30th.
- 13:15Speaker 2: Yeah, I'm about to say this ain't Val the stud.
- 13:17Speaker 5: Oh, this is a guy. No, no, no, no.
- 13:19Speaker 2: Val the transition completely.
- 13:21Speaker 7: No, no, no. This is not Val the stud. I
- 13:24Speaker 7: know the one that you're talking about.
- 13:26Speaker 5: Exactly.
- 13:26Speaker 2: Okay, okay, okay.
- 13:27Speaker 10: I was the one that complained about Arthur.
- 13:30Speaker 2: Oh, yeah.
- 13:30Speaker 1: I got to complain about Arthur this morning, too. But
- 13:32Speaker 1: that's behind the scenes. But good morning.
- 13:35Speaker 14: How are you, Val?
- 13:36Speaker 7: I'm doing great.
- 13:37Speaker 13: I'm about to get in line and get some empanadas
- 13:40Speaker 13: for work.
- 13:41Speaker 2: Damn! So is Jess's husband?
- 13:44Speaker 5: No, he's not in line to get empanadas for work.
- 13:47Speaker 2: Somebody on that side of your family is in line
- 13:49Speaker 2: right now getting empanadas for work. You know she married
- 13:51Speaker 2: to a Mexican. What's going on, Val? How you doing?
- 13:53Speaker 5: Get it off your chest, man.
- 13:54Speaker 11: I'm doing all right. So first of all, I.
- 13:58Speaker 13: Forgot last time to say hello to Mimi, Tamisha Brown,
- 14:04Speaker 13: aka from Howard University.
- 14:07Speaker 11: Also, I would like to request.
- 14:10Speaker 10: Yes, I would like to request.
- 14:11Speaker 7: Her to have a little bit more time to present
- 14:14Speaker 7: the news because I feel like she.
- 14:16Speaker 10: Never gets enough time to tell all what she wants
- 14:19Speaker 10: to say.
- 14:20Speaker 2: I literally just said that.
- 14:21Speaker 7: You're right.
- 14:22Speaker 14: Girl, you need.
- 14:23Speaker 2: To segment your damn self. Mimi got the time she got.
- 14:26Speaker 2: Mimi got the time she got.
- 14:38Speaker 11: Oh, my gosh.
- 14:39Speaker 7: And also, I don't know if I said hello to
- 14:42Speaker 7: Lauren last time. Lauren, you're always doing everything great with
- 14:46Speaker 7: the hip hop news and everything that you're always getting
- 14:49Speaker 7: the tea on everything. So I appreciate you as well.
- 14:52Speaker 5: And Zoo and Zoo. I'm going to tell you, you
- 14:54Speaker 5: said that.
- 14:55Speaker 16: All right, then.
- 14:56Speaker 7: And OK, so for Arthur, I have receipts.
- 15:00Speaker 10: I have all the dates that he cuts off early.
- 15:03Speaker 7: Okay, so July 31st, August 18th, August 25th, August 26th.
- 15:14Speaker 10: Uh september 3rd and september.
- 15:16Speaker 2: 30th and what's the all day.
- 15:19Speaker 10: That it cuts off it all cuts off early.
- 15:21Speaker 2: What do you mean cuts off early what cuts off early.
- 15:24Speaker 10: As it as in as in like i don't even
- 15:26Speaker 10: it doesn't get to the end to like at least
- 15:28Speaker 10: to the positive note like it sometimes it cuts off
- 15:31Speaker 10: like when you.
- 15:32Speaker 13: Know nyla talking or lauren talking or something oh you're talking.
- 15:35Speaker 2: About the podcast the breakfast club podcast.
- 15:37Speaker 7: Yeah yes the podcast on spotify.
- 15:40Speaker 2: Well, you know what? I want to thank you because
- 15:41Speaker 2: you're doing a better job keeping track of stuff like
- 15:43Speaker 2: that than our producers. Okay? It's crazy when the listeners
- 15:48Speaker 2: do a better job than the producers.
- 15:49Speaker 7: It's not enough. I need to have some receipts. I
- 15:52Speaker 7: was all like, no, I need to have some receipts.
- 15:54Speaker 7: So I'm like, it's not just me.
- 15:56Speaker 2: Thank you for doing our producers' job, sir. You want
- 15:58Speaker 2: a job?
- 15:58Speaker 5: He sound like, oh, yes.
- 16:01Speaker 2: I would love a job.
- 16:02Speaker 7: I would love a job.
- 16:04Speaker 2: Thank you for caring. I appreciate you for caring.
- 16:07Speaker 7: I know he's going to pay more than me.
- 16:10Speaker 11: I know that for a fact.
- 16:11Speaker 7: So, like, come on.
- 16:14Speaker 5: Well, thank you, Val.
- 16:16Speaker 2: I appreciate that. We appreciate you for caring, sir. Damn,
- 16:19Speaker 2: my guy got a logbook. I mean, keep the record.
- 16:23Speaker 5: I mean, shoot.
- 16:24Speaker 2: But that is the world we live in.
- 16:25Speaker 1: We live in a world where, you know, people feel
- 16:28Speaker 1: like they got their own platform. So they're micromanaging everything
- 16:33Speaker 1: that we do.
- 16:34Speaker 12: Yeah.
- 16:35Speaker 1: And the producers do, and everybody else. That's why everybody
- 16:37Speaker 1: needs to do their job to the best of their ability.
- 16:39Speaker 1: But get it off your chest, 1-800-585-1051. You can call
- 16:42Speaker 1: us right now and tell us why you're blessed or
- 16:44Speaker 1: tell us why you're stressed. It's The Breakfast Club.
- 16:47Speaker 11: Ray, Ray, Ray!
- 16:48Speaker 19: Yo, Charlemagne, Envy, what up?
- 16:50Speaker 16: Are we live?
- 16:51Speaker 14: This is your time to get it off your chest.
- 16:52Speaker 10: I got an indoor pool, an outdoor pool.
- 16:55Speaker 14: We want to hear from you on The Breakfast Club.
- 16:57Speaker 5: We can get on the phone right now and he'll
- 16:58Speaker 5: tell you.
- 16:59Speaker 19: What it is.
- 16:59Speaker 11: Are we live?
- 17:00Speaker 5: Hello, who's this?
- 17:01Speaker 10: This is Sin City Kingmaker from the Bronx.
- 17:04Speaker 7: What's going on?
- 17:05Speaker 2: What's happening, King?
- 17:07Speaker 7: Peace. I see NVA in the building.
- 17:09Speaker 10: I want to get it off my chest about this
- 17:11Speaker 10: bunkie stuff and all that stuff. I got to talk
- 17:13Speaker 10: to this man about that. First of all, when.
- 17:16Speaker 1: You talk about bunkies, please understand that came from the 843,
- 17:21Speaker 1: the low country, okay?
- 17:22Speaker 2: Charleston, South Carolina. All right?
- 17:25Speaker 10: So let me tell you this. I used to be
- 17:28Speaker 10: in South Carolina, all through Monk's Corner, Goose Creek, West Ashley,
- 17:33Speaker 10: all of those places.
- 17:34Speaker 7: I had a Coming up to Hanahan.
- 17:36Speaker 10: You know where that's at?
- 17:37Speaker 2: Of course I know where Hanahan's at. You had one
- 17:39Speaker 2: of them big, bulky guys down there. You had one
- 17:41Speaker 2: of them big, bulky guys down there.
- 17:43Speaker 7: Uh-oh. Hey, listen.
- 17:45Speaker 10: I had an apartment in a spot called Park Place Apartments.
- 17:47Speaker 10: I had a swimming pool. I was like 21. I
- 17:50Speaker 10: was into a whole nother different lifestyle back then. But listen,
- 17:53Speaker 10: we need to set some wild rules on this. We
- 17:55Speaker 10: can't be calling the pretty brown round no bunkies, man.
- 17:58Speaker 10: We can't do this no more.
- 17:59Speaker 1: Listen, I'm telling you, if you from the low country,
- 18:03Speaker 1: that's just a way of life.
- 18:04Speaker 2: That's just regular everyday slang.
- 18:06Speaker 1: When I was in Charleston, I used to have a
- 18:08Speaker 1: segment when I used to do radio on Hot 98.9.
- 18:10Speaker 1: I used to say, you are babunky, babunky, babunky.
- 18:14Speaker 17: Well, look, that makes sense, though, but we can't use
- 18:18Speaker 17: it in intimate places, though.
- 18:20Speaker 10: You feel what I'm saying?
- 18:21Speaker 11: Like, listen, let's set some ground rules.
- 18:23Speaker 7: You feel me?
- 18:23Speaker 20: Like, listen, if you got a lady, right, and you
- 18:27Speaker 20: call it the bookie, maybe you could call the bookie
- 18:29Speaker 20: on the cycle days when she got on those one underwear.
- 18:33Speaker 20: You know, every lady got those one underwear that she
- 18:35Speaker 20: wear when she don't.
- 18:36Speaker 10: Want to mess up the good underwear.
- 18:37Speaker 2: Yes.
- 18:38Speaker 7: It could be a bookie there in them days.
- 18:42Speaker 2: Okay.
- 18:43Speaker 10: It can't be a boogie at the strip club, man.
- 18:45Speaker 7: No, man.
- 18:47Speaker 2: I love a big boogie gal at the strip club.
- 18:49Speaker 2: Shake that boogie. Man, who was the artist?
- 18:51Speaker 1: There was an artist in Charleston one time had a
- 18:53Speaker 1: song called Ooh Girl, Your Boogie Stink. Ooh, girl, your
- 18:56Speaker 1: boogie stink. Come out with that thing for me.
- 18:59Speaker 10: If the boogie stinks, then that's a good word for
- 19:01Speaker 10: it because boogie sounds like it stinks.
- 19:02Speaker 9: Yes, like I don't want, yeah, that's crazy. I would
- 19:05Speaker 9: hate to have a clean butt and you calling it
- 19:07Speaker 9: a boogie. It sounds like it's supposed to stink.
- 19:10Speaker 10: Once a thong and a D-string get slipped on it,
- 19:13Speaker 10: it's no longer a bunkie, though. You know what I mean?
- 19:16Speaker 7: Yeah.
- 19:17Speaker 2: I don't have no problem with the word bunkie.
- 19:19Speaker 9: No, because it rhymes with dookie, and I don't like it.
- 19:22Speaker 5: It just sounds like it stinks.
- 19:23Speaker 2: No, it don't rhyme with dookie. It'd be bookie if
- 19:26Speaker 2: it was dookie. It's bunkie with an N.
- 19:29Speaker 7: Sound closer.
- 19:30Speaker 2: Sound closer to dookie.
- 19:33Speaker 10: You got to let the ladies have a vote on this.
- 19:35Speaker 7: Though, Sharla. Right.
- 19:36Speaker 2: Damn. That was so nasty.
- 19:38Speaker 7: The ladies got to have a say.
- 19:39Speaker 11: I didn't know that was a spelling word.
- 19:41Speaker 10: I wasn't familiar with the word. I just know one
- 19:43Speaker 10: dude I knew growing up used to use it, and
- 19:45Speaker 10: he was kind of half slow.
- 19:46Speaker 21: So I didn't know nothing about the word.
- 19:49Speaker 8: Man.
- 19:50Speaker 22: Word.
- 19:50Speaker 2: What you trying to say about my people, man? Exactly.
- 19:53Speaker 19: Okay.
- 19:54Speaker 2: That's crazy, yo. Hey, thank you for calling, brother.
- 19:57Speaker 10: Hey, bro, stay up, man. Love y'all, man. Keep doing
- 19:59Speaker 10: the good work.
- 20:00Speaker 2: Love you back, man. Yes, sir. Listen, get it off
- 20:03Speaker 2: your chest. We do that every morning.
- 20:05Speaker 7: 1-800-585-1051.
- 20:06Speaker 1: You can call up and tell us why you're blessed
- 20:08Speaker 1: or tell us why you're stressed. Now, when we come back,
- 20:11Speaker 1: we got the latest with Lauren LaRosa. She's running in
- 20:13Speaker 1: here right now. Hey, LL Cool Bay.
- 20:15Speaker 2: Hey, boo. What's happening?
- 20:17Speaker 5: All right, so coming up in the latest, we're actually
- 20:19Speaker 5: going to start off this hour really positive. There's a
- 20:21Speaker 5: lot going on for artists, music artists, and one of
- 20:24Speaker 5: the biggest artists in the world is supporting them. His
- 20:26Speaker 5: name is A $ AP Rocky, and we're going to tell
- 20:27Speaker 5: you all about it and how it's happening.
- 20:29Speaker 7: Okay.
- 20:29Speaker 8: Okay.
- 20:29Speaker 1: All right, all of that and more when we come back.
- 20:31Speaker 1: It's The Breakfast Club. It's the world's most dangerous morning show,
- 20:33Speaker 1: The Breakfast Club. DJ Envy, Jess Hilarious, Charlamagne Tha God,
- 20:36Speaker 1: and it's time for the latest with Lauren LaRosa.
- 20:37Speaker 7: Let's go.
- 20:38Speaker 2: What, what, what, what, what you want to know?
- 20:40Speaker 14: This is with Lauren La Rosa.
- 20:42Speaker 2: Because you particularly are bringing the energy to mainstream radio,
- 20:45Speaker 2: the black radio. That source is trusted. Did you hear
- 20:47Speaker 2: that exclusive?
- 20:47Speaker 5: Lauren, I'm the homegirl that knows a little bit about
- 20:50Speaker 5: everything and everything.
- 20:51Speaker 2: She be having the latest on things.
- 20:53Speaker 23: You ask the questions that need to be answered.
- 20:55Speaker 14: On The Breakfast Club.
- 20:56Speaker 5: Little brown girls look at you and go, I want
- 20:58Speaker 5: to be like you.
- 20:59Speaker 2: LL Cool Bay. Talk to me. LL Cool Bay.
- 21:02Speaker 7: Yes, guys.
- 21:03Speaker 5: Good morning.
- 21:03Speaker 7: Hey, girl.
- 21:04Speaker 2: Good morning.
- 21:05Speaker 12: Hey.
- 21:05Speaker 5: So to start off the morning, I want to take
- 21:07Speaker 5: a moment. to send some love to the family of
- 21:10Speaker 5: Freddie Jackson. It was announced yesterday via his social media accounts.
- 21:14Speaker 5: that he had passed away. There's no cause of death
- 21:17Speaker 5: that was revealed, but they did let us know that,
- 21:19Speaker 5: you know, that he is no longer here. You guys
- 21:21Speaker 5: should know the Grammy-nominated artist, R & B legend, for
- 21:24Speaker 5: You Are My Lady.
- 21:25Speaker 2: I'm not even talking to people that don't know Freddie Jackson.
- 21:27Speaker 5: I have a little mix-up, you know, just to, you know,
- 21:30Speaker 5: remind us and feel the love this morning.
- 21:32Speaker 1: When I was younger, I thought Freddie Jackson and Luther
- 21:34Speaker 1: Vandross was the same person.
- 21:35Speaker 7: Really?
- 21:36Speaker 3: For real?
- 21:37Speaker 5: I understand that, though.
- 21:38Speaker 2: At least brothers and stuff.
- 21:39Speaker 5: I understand it.
- 21:40Speaker 12: I didn't.
- 21:41Speaker 5: I didn't think that they were brothers, but I can...
- 21:44Speaker 5: I can understand the energy and the vibes. The similarity
- 21:47Speaker 5: in their music and everything. What it brings to the
- 21:49Speaker 5: household and what your aunties start doing.
- 21:50Speaker 2: When the music drops. He was young too, man.
- 21:52Speaker 1: But then the crazy part is he was young because
- 21:55Speaker 1: 70 is young to me, but then I thought he
- 21:56Speaker 1: was older.
- 21:57Speaker 5: I thought he was.
- 21:58Speaker 7: Older as well.
- 21:58Speaker 9: That's that soul. That's all that soul in that music.
- 22:01Speaker 9: Let's hear your mix. Yeah, let's take a listen to
- 22:03Speaker 9: some of the music.
- 22:04Speaker 2: Well, y'all ain't know nothing about this. Neither one of y'all.
- 22:09Speaker 5: That was so crazy.
- 22:10Speaker 2: A man ain't never turn that on for neither one
- 22:12Speaker 2: of y'all.
- 22:14Speaker 8: Aye.
- 22:16Speaker 2: Just tonight.
- 22:18Speaker 7: Period.
- 22:19Speaker 5: Your family don't stop.
- 22:20Speaker 2: Hit them jingles. Jess only hear that when her daddy
- 22:22Speaker 2: playing it DJing.
- 22:23Speaker 5: No, my girl. Your mom, your aunts. My husband plays
- 22:28Speaker 5: You Are My Lady for me. Like, don't play with me.
- 22:30Speaker 2: He has a black tie.
- 22:32Speaker 5: You're not even playing with him.
- 22:34Speaker 2: Your husband liked the debauches.
- 22:36Speaker 9: He did too.
- 22:38Speaker 2: He liked them too. Rest in peace, Freddie Jackson.
- 22:41Speaker 5: Yeah, rest in peace. That music is so full of.
- 22:43Speaker 7: Love, man.
- 22:43Speaker 5: I thought Freddie Jackson was Dwayne Martin.
- 22:45Speaker 7: Four of them.
- 22:47Speaker 12: Yeah.
- 22:47Speaker 5: So you look like Dwayne Martin.
- 22:49Speaker 2: He might be. Yeah.
- 22:50Speaker 7: All right.
- 22:51Speaker 4: Peace.
- 22:52Speaker 5: And they did say via his Instagram account that they
- 22:55Speaker 5: will be, you know, letting us know more details about
- 22:57Speaker 5: arrangements and different things that will honor his legacy. So
- 22:59Speaker 5: we'll keep you guys posted on that.
- 23:00Speaker 2: How old was Luther when he passed?
- 23:03Speaker 5: He had to be young too.
- 23:04Speaker 2: Yeah. Yeah.
- 23:05Speaker 5: Just a while ago. Well, while you look that up,
- 23:09Speaker 5: shifting gears a bit, Ace at Rocky.
- 23:11Speaker 2: So yes, 54.
- 23:13Speaker 5: 54 is so young. Why did Luther Vandross feel older?
- 23:18Speaker 5: I know.
- 23:20Speaker 9: It was just the way he sang, the way he,
- 23:21Speaker 9: you know, get the women going, you know?
- 23:24Speaker 5: Well, and the men, but, you know, the women. Oh,
- 23:26Speaker 5: my gosh.
- 23:28Speaker 8: All right.
- 23:29Speaker 5: So, A $ AP Rocky, it was announced yesterday that he
- 23:31Speaker 5: will be doing a full tuition scholarship for Keep... Stay focused, Charlamagne.
- 23:36Speaker 5: Full tuition scholarship for the Roc Nation School. Now, this
- 23:39Speaker 5: is dope. So he says he's a big believer in
- 23:41Speaker 5: creating your own lane and giving people the opportunity to
- 23:43Speaker 5: do the same. So, you know, with this scholarship, students
- 23:46Speaker 5: will be able to go to the Roc Nation School
- 23:48Speaker 5: on a full ride, which is a huge deal for
- 23:51Speaker 5: people that are trying to figure out and understand how
- 23:54Speaker 5: to make it through school. So it's a four-year scholarship fund.
- 23:57Speaker 5: now the scholarship gives an incoming freshman the opportunity to
- 23:59Speaker 5: earn a four year degree at the Roc Nation school
- 24:01Speaker 5: so you benefit from an educational experience so it'll blend
- 24:04Speaker 5: classroom instruction with hands on exposure and career building opportunities
- 24:07Speaker 5: throughout the entertainment industry there's also a mentoring aspect to
- 24:11Speaker 5: it as well yeah just fire it's a one on
- 24:17Speaker 5: one mentoring you get like direct guidance from top music
- 24:20Speaker 5: industry pros studio access to learn hands on different things
- 24:24Speaker 5: like you know the programs that they use in music
- 24:26Speaker 5: and then There's a dean scholar status, so you automatically
- 24:29Speaker 5: get enrolled into their exclusive academic and mentorship program.
- 24:32Speaker 2: Love it.
- 24:33Speaker 19: I'm so fired.
- 24:34Speaker 5: I love this as well. There was something, too, that
- 24:37Speaker 5: I saw that Mayor Mamdani was doing here in New
- 24:39Speaker 5: York where he was giving, I think it's like $ 10, 000
- 24:42Speaker 5: away to different- To up-and-coming artists. Yeah, to up-and-coming artists.
- 24:46Speaker 5: I love stuff like that. So Mamdani is like killing it, okay?
- 24:48Speaker 2: I like that, but I got to hear your music first.
- 24:51Speaker 2: You know what I'm saying? You can't just be giving
- 24:52Speaker 2: $ 10, 000 to everybody that want to be in music, man.
- 24:55Speaker 5: Yo but my daddy used to rap too.
- 24:57Speaker 2: Remember i know that and i don't want him to
- 24:58Speaker 2: buy and because of his rap i don't want.
- 25:00Speaker 9: Him to be the judge okay no not no not
- 25:04Speaker 9: you bring a kid and now that ain't it yes
- 25:07Speaker 9: you got charlamagne you.
- 25:08Speaker 21: Gotta be honest with these kids you can use that
- 25:10Speaker 21: money for something it's a ten thousand dollar grant to
- 25:12Speaker 21: fund you know their their uh the rappers and other
- 25:15Speaker 21: creators so i i want to know what the other
- 25:17Speaker 21: creators are doing as well Yeah, and this.
- 25:20Speaker 5: Is the first time in nearly 20 years, according to NYC.gov,
- 25:23Speaker 5: that the city will be doing something like this. Well,
- 25:25Speaker 5: the city will increase the size of the city-funded grants.
- 25:27Speaker 2: Yeah, because it used to be five grand.
- 25:29Speaker 5: Yeah, it went from five grand to $ 10, 000. I mean,
- 25:33Speaker 5: I understand what you said, but I do think when
- 25:34Speaker 5: kids are dreaming, you got to kind of like at
- 25:36Speaker 5: least allow them to figure out that's not what they're
- 25:38Speaker 5: supposed to be doing.
- 25:39Speaker 2: That is not true. Why not? Let me tell you something.
- 25:42Speaker 2: Didn't you rap? And you know what? I had an
- 25:45Speaker 2: OG in my life who said, you suck as a rapper.
- 25:48Speaker 2: And don't do that.
- 25:49Speaker 1: You need to figure something else out and he told
- 25:51Speaker 1: me what I was actually good at which at the
- 25:53Speaker 1: time was radio who's my guy Dr.
- 25:55Speaker 5: Robert but it's not even just about rap that's.
- 25:57Speaker 1: Why in my first book I have a chapter called
- 25:59Speaker 1: F Your Dreams If It's Not Your Dream because a
- 26:01Speaker 1: lot of times we see things working for other people
- 26:03Speaker 1: and we say to ourselves you know what I need
- 26:04Speaker 1: to be doing that too that ain't what you should
- 26:06Speaker 1: be doing you just see it working for everybody else
- 26:08Speaker 1: that's why everybody wanted to pick up a goddamn microphone
- 26:10Speaker 1: when you need to pick up a hammer you're damn.
- 26:12Speaker 5: Right you had to explore though to do that and
- 26:14Speaker 5: with this grant so it's a wide range of artists
- 26:16Speaker 5: that you mentioned so it includes filmmakers dancers writers painters
- 26:20Speaker 5: and more across the five boroughs. But if you're an
- 26:22Speaker 5: artist and you want to try these things out, rent
- 26:25Speaker 5: is expensive. These programs should do all this stuff. It's expensive.
- 26:28Speaker 5: You got to try it. You had to put that
- 26:30Speaker 5: mixtape out there for your OG to tell you something.
- 26:32Speaker 2: What's that $ 10, 000 going for? I don't know if that
- 26:33Speaker 2: $ 10, 000 is one of your pockets for rent. Who said that?
- 26:36Speaker 5: Because it mentions, it says, while the cost of living
- 26:38Speaker 5: in the city has increased dramatically over the last two decades,
- 26:40Speaker 5: the grant funding available for artists has not. With today's announcements,
- 26:44Speaker 5: artists will be able to apply for up to $ 10, 000
- 26:46Speaker 5: in grant funding each. double the previous amount. So they
- 26:49Speaker 5: mention the cost.
- 26:50Speaker 2: Of living themselves. What is that money going to be
- 26:52Speaker 2: used for once you get it?
- 26:53Speaker 9: Yeah, because it'll be gone quick. You know, it's still
- 26:56Speaker 9: 10K and, you know, expensive living and everything like that.
- 26:59Speaker 9: You can't, like, pay your rent and chase your dream.
- 27:01Speaker 2: All I'm saying is... We need more plumbers.
- 27:05Speaker 7: Absolutely. Yes.
- 27:06Speaker 2: We need more people to install HVAC.
- 27:08Speaker 5: You know what I mean?
- 27:09Speaker 2: Electricians. All right? So that $ 10 can go to trade
- 27:12Speaker 2: school as well. Absolutely. So therefore, I need to hear
- 27:15Speaker 2: your boss.
- 27:16Speaker 5: Everybody don't need to be ripping it on any beat.
- 27:18Speaker 5: Like everybody don't need to be doing that.
- 27:20Speaker 19: Yeah.
- 27:21Speaker 5: Exactly. Well, for those who are qualified and talented, congratulations
- 27:26Speaker 5: in advance for this support. Absolutely.
- 27:29Speaker 2: Yes.
- 27:29Speaker 5: Shout out to mom, honey.
- 27:30Speaker 8: Yeah.
- 27:31Speaker 7: Yeah.
- 27:31Speaker 22: Yeah.
- 27:32Speaker 5: All righty, y'all.
- 27:32Speaker 9: That was the latest for the hour. ASAP and Mom Donnie.
- 27:35Speaker 9: I think he's doing a really good job.
- 27:37Speaker 2: Is it brought to you by anybody?
- 27:39Speaker 7: Not this hour?
- 27:40Speaker 13: Not yet.
- 27:40Speaker 5: It's when Envy's here.
- 27:41Speaker 2: All right.
- 27:42Speaker 5: Well, when we come back, it's Front Page News with
- 27:44Speaker 5: Mimi Brown.
- 27:45Speaker 2: It's The Breakfast Club.
- 27:46Speaker 1: It's the world's most dangerous morning show, The Breakfast Club.
- 27:47Speaker 1: DJ Envy, Jess Hilarious, Charlamagne Tha God. Envy is not
- 27:50Speaker 1: here today. What the rest of the gang is. And
- 27:53Speaker 1: it's time for Front Page News with Mimi Brown.
- 27:54Speaker 2: Good morning.
- 27:57Speaker 3: Good morning, guys. How you doing, Jess?
- 27:59Speaker 2: Doing good, girl.
- 27:59Speaker 5: How you doing?
- 28:01Speaker 24: Good morning.
- 28:01Speaker 7: I'm good.
- 28:02Speaker 4: Okay, so Front Page News is sponsored by Morgan & Morgan,
- 28:05Speaker 4: America's largest injury law firm.
- 28:07Speaker 3: So, guys, we start this hour with a 23-year-old.
- 28:10Speaker 4: Woman accused of sneaking into her old high school and
- 28:14Speaker 4: pretending to be.
- 28:15Speaker 3: A substitute teacher.
- 28:16Speaker 7: For what?
- 28:17Speaker 3: Police say.
- 28:18Speaker 4: Amy Jones, she blended with students to get into Rufus
- 28:22Speaker 4: King High School.
- 28:23Speaker 3: It's in Milwaukee.
- 28:24Speaker 4: So the school happened to be short a substitute teacher
- 28:26Speaker 4: that day, and so Jones ended up filling the spot.
- 28:29Speaker 4: A real teacher even helped her get into the classroom
- 28:32Speaker 4: and set up.
- 28:34Speaker 3: Yeah, but students say the minute the teacher walked out,
- 28:36Speaker 3: things took a turn.
- 28:38Speaker 4: They say Jones started yelling and cursing, using racial slurs,
- 28:41Speaker 4: separating students by race and gender. She allegedly made Asian
- 28:46Speaker 4: students sit together and told two white students they look
- 28:48Speaker 4: like future school shooters. Students say that she made sexual comments.
- 28:53Speaker 4: She asked who was gay, who was still a virgin.
- 28:56Speaker 4: And then she asked if anyone had weed or vape
- 28:59Speaker 4: and then referred to one kid as fat boy. Let's
- 29:03Speaker 4: listen to one of the children in the classroom.
- 29:06Speaker 24: They heard her saying like racial things they heard her
- 29:09Speaker 24: saying like inappropriate things like raise your hand if you're
- 29:12Speaker 24: if you've like had sex before and like you've lost
- 29:15Speaker 24: your virginity and she was like you're black like well
- 29:18Speaker 24: we know you like raise your put your hand down
- 29:20Speaker 24: because we know you've lost your virginity.
- 29:23Speaker 2: What is the point oh my god of doing all
- 29:26Speaker 2: that and not recording it you know and not recording
- 29:30Speaker 2: it and uploading it for our viewing.
- 29:32Speaker 1: Pleasure as much as you need her ass beat okay
- 29:34Speaker 1: I still want to see I know.
- 29:35Speaker 11: I thought this.
- 29:36Speaker 3: Was going to be.
- 29:37Speaker 5: A whole different turnout. Mimi, I ain't going to hold you.
- 29:39Speaker 5: I'm going to be in trouble. I know that's why,
- 29:40Speaker 5: because she was just trying to help. I thought, you know,
- 29:43Speaker 5: and she used to go there. But obviously... No, it
- 29:45Speaker 5: gets better, guys.
- 29:46Speaker 3: It gets better.
- 29:47Speaker 4: Students eventually, they reported her, school officials. They escorted her
- 29:50Speaker 4: out before she could. So she did two periods. So
- 29:53Speaker 4: they escorted her out before she could do a third
- 29:55Speaker 4: period class. And then detectives, they questioned her a few
- 29:58Speaker 4: days later, and she admitted she wasn't a teacher.
- 30:00Speaker 3: She allegedly told them.
- 30:02Speaker 4: That she went to the school because she was bored,
- 30:04Speaker 4: she hated kids, and she just wanted to mess around.
- 30:07Speaker 2: But you know why?
- 30:07Speaker 1: That's also very dangerous and it shows how, you know,
- 30:10Speaker 1: these schools have sloppy security measures because that could have
- 30:14Speaker 1: been somebody who just came in that classroom and wanted
- 30:16Speaker 1: to do harm to those kids as well.
- 30:18Speaker 7: Yep.
- 30:20Speaker 2: How nobody could recognize that this woman was trespassing on
- 30:23Speaker 2: school grounds.
- 30:24Speaker 5: So crazy.
- 30:24Speaker 9: And she stereotyped those kids, profiled those two white kids,
- 30:28Speaker 9: talking about, you know, you look like y'all going to
- 30:29Speaker 9: be school shooters and she could have came in and
- 30:31Speaker 9: shot the kids like anything, anything could have happened.
- 30:34Speaker 3: Yeah.
- 30:35Speaker 4: Well, she's now facing six felony charges, one for impersonating
- 30:39Speaker 4: a public employee and five for exposing.
- 30:41Speaker 3: Children to harmful material.
- 30:43Speaker 4: Now, if convicted on all six, she could face up
- 30:46Speaker 4: to 21 years in prison. She went before judge earlier
- 30:50Speaker 4: this week and her attorney told the court what happened
- 30:52Speaker 4: that day.
- 30:53Speaker 3: Let's listen to that.
- 30:54Speaker 6: This Jones manages bipolar disorder and was experiencing an acute
- 30:58Speaker 6: manic episode.
- 31:00Speaker 5: Caused by delayed home prescription delivery.
- 31:03Speaker 2: So she was off her meds. So you're just scaring
- 31:06Speaker 2: me even more.
- 31:07Speaker 1: So a person that was off their meds was able
- 31:09Speaker 1: to get on a school campus and get in front
- 31:11Speaker 1: of all of these kids like that. That could have
- 31:14Speaker 1: been really, really bad. We could be reporting a whole
- 31:16Speaker 1: different type of story this morning.
- 31:17Speaker 2: Thank God we're not.
- 31:18Speaker 9: But the problem is her prescription was delayed.
- 31:21Speaker 5: You know what I'm saying? Like, that's the real problem, right? Like,
- 31:24Speaker 5: she couldn't get it. Like, why was it delayed? Yeah,
- 31:26Speaker 5: why was it delayed?
- 31:27Speaker 3: Why was it delayed?
- 31:28Speaker 4: Yeah. Well, her attorney also said that she had voluntarily
- 31:31Speaker 4: checked herself into a psychiatric hospital right after that happened.
- 31:35Speaker 3: And that's where police arrested her five days later.
- 31:37Speaker 4: And she was released on a $ 5, 000 signature bond.
- 31:41Speaker 3: And her next hearing, guys, is October 20th.
- 31:44Speaker 2: And what kind of school was this? How old were
- 31:46Speaker 2: these kids?
- 31:46Speaker 3: This was a high school.
- 31:48Speaker 5: Oh, they should have jumped out.
- 31:49Speaker 19: Yeah.
- 31:49Speaker 9: And then imagine the class, you know, the day after.
- 31:52Speaker 9: Imagine what the conversations are.
- 31:55Speaker 2: Yeah, she picked the right school because there's some high schools.
- 31:57Speaker 2: Them kids was not going to play that with her.
- 31:59Speaker 5: Stop playing. Who you? And then you, yeah, you high
- 32:01Speaker 5: school and the agents actually went over there together. I
- 32:03Speaker 5: don't know if they knew.
- 32:06Speaker 2: She told them. Ain't no way.
- 32:09Speaker 3: She told them to move.
- 32:10Speaker 4: I don't know if they did, but she said they
- 32:12Speaker 4: were grouping them by gender, by race, all the different
- 32:16Speaker 4: things that.
- 32:16Speaker 2: She could think of, apparently.
- 32:18Speaker 5: You said you would have did what that day? I
- 32:20Speaker 5: would have been a ninja that day. Don't even play.
- 32:22Speaker 2: At some point, as a teenager.
- 32:26Speaker 9: In high schools, you can make decisions for yourself. You
- 32:28Speaker 9: know what I mean?
- 32:29Speaker 2: That's what I said.
- 32:30Speaker 1: She picked the right school because there's some schools, them
- 32:32Speaker 1: high school kids would have jumped on her ass.
- 32:34Speaker 2: Exactly.
- 32:34Speaker 5: I'm like, what?
- 32:35Speaker 2: All just fried her up. You trying to make jokes? Right.
- 32:37Speaker 2: You know what I'm saying?
- 32:39Speaker 5: Yeah, he just did what she said.
- 32:40Speaker 16: That's horrible, man.
- 32:41Speaker 2: That's crazy, man. And the funny part is, she wasn't
- 32:43Speaker 2: dealing with mental health issues.
- 32:44Speaker 1: I was about to say, you know, she could have
- 32:46Speaker 1: just actually took in the proper steps to become a
- 32:49Speaker 1: real substitute teacher, but clearly she was off her match.
- 32:52Speaker 2: Yeah.
- 32:52Speaker 19: Yeah.
- 32:55Speaker 7: Yeah.
- 32:55Speaker 4: And lastly, this morning, before we go, guys, the Tennessee
- 32:58Speaker 4: woman who survived that attempt to try to execute her
- 33:02Speaker 4: last week, she is now awake and talking. Her attorney
- 33:06Speaker 4: says 50 year old Krista Pike says she is remain
- 33:08Speaker 4: hospitalized this morning. Those two injections of the execution drug,
- 33:12Speaker 4: they failed to kill her. They say she said she
- 33:15Speaker 4: suffered significant injuries to her arms and could face a
- 33:17Speaker 4: long recovery. But her attorneys believe there may have been
- 33:20Speaker 4: a problem with the I.V. lines causing the drug to
- 33:23Speaker 4: go into her tissue instead of into her bloodstream. The
- 33:26Speaker 4: governor of Tennessee, he has paused all executions for the
- 33:29Speaker 4: rest of the year and ordered an independent investigation. Pike's attorneys,
- 33:34Speaker 4: they are expected to speak later today about this.
- 33:37Speaker 2: This is why God knew not to make me a doctor.
- 33:39Speaker 1: Because if I was in that hospital, as soon as
- 33:41Speaker 1: she woke up by the toilet, you know you're dead.
- 33:43Speaker 7: This is heaven.
- 33:44Speaker 5: Playing around.
- 33:46Speaker 7: Dummy. Crazy.
- 33:47Speaker 2: This is actually just the limbo between heaven and hell
- 33:50Speaker 2: right now.
- 33:50Speaker 5: Not the limbo.
- 33:51Speaker 10: Oh, man.
- 33:51Speaker 2: She'd have thought she was dead as soon as she
- 33:52Speaker 2: woke up.
- 33:53Speaker 5: Not this, the flight lounge. All right, y'all.
- 33:57Speaker 4: We're back to Front Page News, sponsored by Morgan & Morgan,
- 34:00Speaker 4: Injured and Know Your Worth, America's largest injury law firm.
- 34:03Speaker 3: Visit ForThePeople.com.
- 34:05Speaker 2: All right. Thank you, Mimi Brown.
- 34:06Speaker 17: Thank you, Mimi.
- 34:07Speaker 1: And make sure you check out the Front Page News podcast,
- 34:10Speaker 1: hosted by Mimi Brown on the Black Effect podcast network, okay?
- 34:13Speaker 2: Available everywhere you listen to podcasts. She puts out daily
- 34:17Speaker 2: Front Page News.
- 34:18Speaker 1: So all of these stories that you hear her doing
- 34:20Speaker 1: Front Page News, she expounds upon and does interviews and
- 34:23Speaker 1: all that good stuff on her podcast.
- 34:25Speaker 2: Thank you, Mimi.
- 34:26Speaker 3: Absolutely.
- 34:27Speaker 19: Thank you.
- 34:27Speaker 1: Now, when we come back, the cast of Matchbox, the movie,
- 34:30Speaker 1: that's John Cena, Arturo Castro, and Hopkins, South Carolina's own
- 34:35Speaker 1: Tiana Paris. Okay, they'll be joining us to talk about Matchbox,
- 34:39Speaker 1: the movie, which premieres on Apple TV this Friday.
- 34:42Speaker 2: So don't go nowhere. It's The Breakfast Club.
- 34:43Speaker 19: Morning, everybody.
- 34:44Speaker 5: It's DJ Envy, Jess Hilarious, Charlamagne Tha Guy.
- 34:48Speaker 2: We are The Breakfast Club.
- 34:49Speaker 14: Lauren LaRose is here as well.
- 34:50Speaker 2: We got a special guest in.
- 34:51Speaker 5: The building today.
- 34:52Speaker 2: Yes, indeed. From the movie Matchbox, we have John Cena.
- 34:55Speaker 8: Yes.
- 34:55Speaker 5: Tiana Paris and Arturo Castro.
- 34:58Speaker 7: Welcome.
- 34:58Speaker 2: How y'all feeling? How y'all feeling? Bless black and highly favored.
- 35:05Speaker 19: Amen.
- 35:05Speaker 23: Not just South Carolina, Hopkins.
- 35:07Speaker 2: You from Columbia, right? I'm from Monk's Corner, South Carolina.
- 35:17Speaker 5: Oh, Monk's Corner.
- 35:17Speaker 2: Yeah, born in Charleston, raised in Monk's Corner, but I
- 35:19Speaker 2: live in Columbia, too.
- 35:20Speaker 7: Okay.
- 35:20Speaker 23: I grew up listening to you on the radio.
- 35:22Speaker 7: Oh, really? Yes.
- 35:23Speaker 4: Oh, wow.
- 35:24Speaker 2: Yes, legit. That makes sense.
- 35:26Speaker 7: Holy shit.
- 35:30Speaker 2: Now let's talk about matchbox all right so explain what
- 35:32Speaker 2: matchbox is so.
- 35:33Speaker 5: Obviously people have an idea there's a lot of folks
- 35:36Speaker 5: that have an idea of.
- 35:39Speaker 1: What the matchbox toys are of course matchbox cars the
- 35:41Speaker 1: origins comes from the metallite.
- 35:54Speaker 22: It's basically the adaptation of the Mattel IP into a movie.
- 35:57Speaker 22: And it's a great thrill ride about a bunch of
- 36:00Speaker 22: friends who get stuck in a crazy scenario. And a
- 36:04Speaker 22: lot of the through line of the movie is nostalgia
- 36:07Speaker 22: because we lean into nostalgia in times of crisis, times
- 36:10Speaker 22: of the unknown. We think of a simpler time. We
- 36:12Speaker 22: think of, man, I used to listen to you as
- 36:13Speaker 22: a kid and this was what it meant to me.
- 36:16Speaker 22: So I love about the movie how Mattel uses the
- 36:20Speaker 22: Matchbox cars as nostalgia it's not like hey you put
- 36:24Speaker 22: a drop of water on a small car and it
- 36:25Speaker 22: becomes big like a magic it's really a story of
- 36:29Speaker 22: friends in some pretty crazy circumstances just trying to get by.
- 36:33Speaker 1: And it's about when somebody comes from your past, they
- 36:35Speaker 1: come back into your life and completely disrupt who you are.
- 36:37Speaker 22: That's a great takeaway, too. Man, that's a great thing
- 36:41Speaker 22: about film. You can have more than one perspective. That's
- 36:44Speaker 22: a great takeaway as well.
- 36:45Speaker 1: Do any of y'all have people from your childhood who
- 36:47Speaker 1: can still bring out a version of you that doesn't
- 36:49Speaker 1: exist anywhere else?
- 36:50Speaker 2: My sisters, man. There's nobody that.
- 36:53Speaker 15: Trolls me harder than my sisters. You can see me
- 36:57Speaker 15: on the big screen and they're like... little chubby ass
- 36:59Speaker 15: kid in my life.
- 37:01Speaker 5: I'm like, what was that?
- 37:02Speaker 2: How was that necessary? But nobody liked family, you know
- 37:06Speaker 2: what I mean?
- 37:07Speaker 22: Yeah.
- 37:07Speaker 15: And this movie has those themes also about... When we
- 37:11Speaker 15: all learn how to use our imagination, you know, as
- 37:13Speaker 15: you get more adult and you lose that sense of play,
- 37:16Speaker 15: I think it strikes to me at the heart of
- 37:18Speaker 15: what it was like, like growing up in Guatemala and
- 37:20Speaker 15: like dreaming about big things. And we have some of
- 37:23Speaker 15: the craziest action we've ever seen. I mean, this man
- 37:26Speaker 15: has a fear of heights and he's hanging from a helicopter,
- 37:28Speaker 15: jumping off ledges. I almost hurt myself like running to
- 37:32Speaker 15: the snack table, which is also dangerous.
- 37:34Speaker 2: You know what I'm saying?
- 37:35Speaker 15: But I think you can come for the action, you
- 37:37Speaker 15: can come for the heart, or you can come for
- 37:38Speaker 15: the comedy.
- 37:39Speaker 2: You do your own stuff, yeah? Normally, no. Oh. This one, yes.
- 37:43Speaker 7: Why?
- 37:43Speaker 2: They didn't have the budget on this one.
- 37:45Speaker 11: Hey, kid, you got to get out there.
- 37:47Speaker 2: We're a little short.
- 37:48Speaker 22: No, our director, Sam Hargrave, his origin story is a
- 37:51Speaker 22: stunt performer, a stunt coordinator, second unit director, and now
- 37:54Speaker 22: a director. And he's been through it all. And he's
- 37:57Speaker 22: brought his whole crew with him along the way. So
- 37:59Speaker 22: he works with the best, most capable folks in the world.
- 38:02Speaker 22: And it's one of those things where the producers are like,
- 38:05Speaker 22: normally we don't do this. Sam would go plead his
- 38:07Speaker 22: case and be like, this is why it's safe. This
- 38:09Speaker 22: is what I expect John to do. These are my
- 38:10Speaker 22: wishlist things for John. And all those things I hated.
- 38:14Speaker 2: It was really, really scary.
- 38:16Speaker 22: And I didn't, I did them. And it's not like
- 38:18Speaker 22: I conquered my fear. I was, I'm still very scared.
- 38:21Speaker 2: So you're scared of heights.
- 38:23Speaker 22: Dude, like jumping off of a building, like side saddle,
- 38:27Speaker 22: pommel horsing a building and looking over and seeing there's
- 38:31Speaker 22: nine stories down in the concrete. And I got this
- 38:33Speaker 22: rope that I know holds like 3000 pounds stress and
- 38:37Speaker 22: a single carabiner. Hmm. To save my life. Like, it's
- 38:40Speaker 22: envisioning you're going to die. Like, that's not normal. Hanging
- 38:44Speaker 22: from a helicopter and, like, eight fingers between you and
- 38:47Speaker 22: the icy Danube, you know, hundreds of feet below, going
- 38:50Speaker 22: 65 miles an hour. Like, yo, this doesn't feel right. So, like,
- 38:54Speaker 22: I'm not going to be like, oh, I did it. No,
- 38:55Speaker 22: I didn't do anything.
- 38:56Speaker 2: No, I was scared. The tough part was, like, making
- 39:00Speaker 2: it look smooth. Like, yo, I got this.
- 39:02Speaker 22: I'm f * * * ing my pants in the
- 39:03Speaker 22: middle of it. Like, I'm still scared of that. I'm
- 39:06Speaker 22: not thinking about it like it's the top rope. So
- 39:08Speaker 22: here's the thing. Like, I think that's where the fear
- 39:10Speaker 22: might originate. I've fallen from the top rope and that hurts.
- 39:14Speaker 22: So that's like, that's like five feet. And I've fallen
- 39:17Speaker 22: from like seven feet, like nine feet through a table.
- 39:20Speaker 22: And it's like, yo, I barely made it through that.
- 39:22Speaker 22: I think that's the origin of like, I know what
- 39:24Speaker 22: a fall from this is going to feel like, you know,
- 39:27Speaker 22: maybe that's it. I'm trying to figure out why I'm
- 39:29Speaker 22: so afraid of it. So I can try to move
- 39:30Speaker 22: past it.
- 39:31Speaker 14: But when does your wife come in and say, all right, John,
- 39:32Speaker 14: enough's enough.
- 39:33Speaker 2: Stop all this.
- 39:34Speaker 22: Well, we have open conversations about that. And she was
- 39:38Speaker 22: over overwhelmingly supportive of Sam Hargreave. Cause again, you come
- 39:42Speaker 22: with a bunch of data to say like, Hey, I
- 39:45Speaker 22: know it doesn't look like it's safe, but the math
- 39:48Speaker 22: is in your favor.
- 39:50Speaker 2: Honestly, my wife's.
- 39:52Speaker 7: An engineer, man.
- 39:53Speaker 2: She's like, hey, the guy makes a great point.
- 39:55Speaker 22: Look at his resume. Look at his statistics. I think
- 39:58Speaker 22: he's not going to ask you. And we did have stuntmen.
- 40:00Speaker 22: I didn't do all the stunts. But in a normal movie,
- 40:03Speaker 22: I would do just the fight choreo. I'm in like 80%
- 40:07Speaker 22: of the stuff. And that's not normal. And it's not
- 40:11Speaker 22: that I don't want to do it. It's just not
- 40:12Speaker 22: normal for a movie for insurance purposes. And man, Sam's
- 40:16Speaker 22: moniker on life is I'm trying to push the envelope.
- 40:19Speaker 22: And that's aspirational for me and inspirational. And he kind
- 40:23Speaker 22: of struck a chord in me. And it's kind of
- 40:24Speaker 22: like one of those guys you want to be drawn
- 40:27Speaker 22: towards his gravity. I want to try to do right
- 40:28Speaker 22: by him, too. So he immediately, man, I don't want
- 40:32Speaker 22: to let this guy down either.
- 40:33Speaker 1: So you want to work hard for somebody like that.
- 40:36Speaker 1: You know, Tiana, what I like about you, I've seen
- 40:38Speaker 1: you in so many different things, right?
- 40:39Speaker 2: Like from WandaVision to the Marvels to the clone Tyrone,
- 40:43Speaker 2: now Matchbox. Do you feel like Hollywood actually knows what
- 40:46Speaker 2: to do with you?
- 40:47Speaker 9: I have definitely felt like I have been able to
- 40:49Speaker 9: like stay under a radar where people don't actually know exactly.
- 40:55Speaker 5: All that I can do.
- 40:56Speaker 23: And so I have no qualms with auditioning.
- 41:00Speaker 9: And so I think a lot of the things that
- 41:02Speaker 9: I have been able to get is because I'm not
- 41:04Speaker 9: afraid to go in a room and fight for it.
- 41:08Speaker 23: And that way I get to show that I can
- 41:11Speaker 23: do this.
- 41:11Speaker 5: I can do that.
- 41:12Speaker 9: I can go from stage to film, to theater, all
- 41:14Speaker 9: of these things.
- 41:15Speaker 23: And, I'm not afraid to fight for it. So whether
- 41:18Speaker 23: they know what to do with it or not, I'm
- 41:20Speaker 23: willing to fight to show you that I can do
- 41:22Speaker 23: whatever it is that you put in front of me.
- 41:24Speaker 1: So you don't feel like the industry is giving you
- 41:26Speaker 1: the role that has caused people to really see you?
- 41:28Speaker 23: I mean, I feel like I've.
- 41:31Speaker 5: Done some really cool shit.
- 41:33Speaker 9: Like, I'm very proud of it. Thank you, Monica Rambeau.
- 41:38Speaker 9: They cloned Tyrone. I feel like I'm doing what I
- 41:43Speaker 9: want to do and the art that I want to
- 41:45Speaker 9: share and the stories I want to tell. It's not
- 41:47Speaker 9: my place whether people get it or not or what
- 41:50Speaker 9: they see for me. I'm very proud of what I've
- 41:55Speaker 9: been able to accomplish out here and the artists I've
- 41:57Speaker 9: been able to collaborate with.
- 41:59Speaker 5: Girl, you killed, you killed your role in They Clones.
- 42:02Speaker 9: You carried the movie.
- 42:04Speaker 7: Thank you.
- 42:04Speaker 23: Now, that was a group project for sure.
- 42:06Speaker 5: Next to John Boye. Yeah, Jamie. That was crazy. You
- 42:10Speaker 5: know what I'm saying? Thank you. For the women. Thank you.
- 42:13Speaker 5: Take that down.
- 42:13Speaker 7: Thank you.
- 42:14Speaker 2: Can I hype my girl up for a second? Yes,
- 42:15Speaker 2: you can. Front row seats.
- 42:17Speaker 15: To watch T and to watch this cast do their thing.
- 42:21Speaker 15: You know, I'm still at that level, no matter how
- 42:23Speaker 15: much I work, that I'm so aware of how lucky
- 42:26Speaker 15: I am to do it. You know, when you're working
- 42:28Speaker 15: with somebody as alive as T is, you know, she's
- 42:31Speaker 15: just so loose with it, man. And that's something from
- 42:35Speaker 15: each one of these cast members that I wanted to
- 42:36Speaker 15: emulate something. But now that I'm focusing on Tiana... She
- 42:40Speaker 15: keeps it fresh every single take. And that's not something
- 42:43Speaker 15: you see usually.
- 42:44Speaker 2: You know what I'm saying?
- 42:45Speaker 5: My Venmo is ArturoCastro.com.
- 42:46Speaker 2: I paid for that. Shout out. Bro, you a knuckle.
- 42:51Speaker 5: You came here at 19 and you're killing it your
- 42:54Speaker 5: damn self.
- 42:54Speaker 15: Thank you very much. I thought that was a documentary, man.
- 42:56Speaker 15: I was just out there swinging stuff. And suddenly it's
- 43:00Speaker 15: like somebody had a camera.
- 43:01Speaker 2: I was like, whatever. This is my life. But you
- 43:04Speaker 2: know what's ironic? I'm an immigrant. And so every time
- 43:07Speaker 2: I'm too loud. Shut up.
- 43:12Speaker 15: But immigration officers were a lot nicer to me crossing
- 43:16Speaker 15: the border after Narcos. than before and i'm like they're
- 43:21Speaker 15: like we don't need to check you bro come on
- 43:22Speaker 15: and i was like what a good ploy that would
- 43:25Speaker 15: be if i am actually narco but i played one
- 43:28Speaker 15: so nobody would ever bother me you know what i'm
- 43:30Speaker 15: saying so mr escobar if you're listening.
- 43:33Speaker 1: When it comes to hollywood ontario have you ever had
- 43:34Speaker 1: to fight against like somebody's limited imagination of what you can.
- 43:38Speaker 15: Do my friend my first role On television was a
- 43:41Speaker 15: character called Dishwasher Juan on The Good Wife.
- 43:44Speaker 2: Wow.
- 43:44Speaker 5: Wait, your first TV show was The Good Wife?
- 43:47Speaker 2: Yeah, yeah. That was mine, too. Oh, were you Dishwasher, too?
- 43:50Speaker 5: Oh, yeah. That's crazy. But my only question about that is.
- 43:56Speaker 2: Like, how many.
- 43:57Speaker 15: Juans, were there in that episode that you have to
- 43:59Speaker 15: specify what.
- 44:00Speaker 2: I was doing? There's Dr.
- 44:02Speaker 7: Juan.
- 44:03Speaker 2: So maybe it was this Dr.
- 44:05Speaker 13: Juan.
- 44:05Speaker 2: And they're just like, I don't know, put a J
- 44:07Speaker 2: on it. You know what I mean?
- 44:08Speaker 15: So yeah, but it has, you know, we've had so
- 44:10Speaker 15: many pioneers, John Leguizamo, like Oscar, everybody's been doing such
- 44:13Speaker 15: great work that we get to do three-dimensional roles now.
- 44:16Speaker 15: But yeah, of course, at first you just have, like
- 44:18Speaker 15: Hollywood's like, I don't know what to do with you
- 44:21Speaker 15: unless Antonio Banderas is shooting at you.
- 44:23Speaker 2: And I'm like, yeah, I'll do it.
- 44:24Speaker 7: You know?
- 44:25Speaker 1: That is interesting, because all three of y'all, I'm sure,
- 44:27Speaker 1: have been stereotyped in different ways, right? Like, John, you
- 44:30Speaker 1: the wrestler, you know, big, muscular guy. They don't know
- 44:33Speaker 1: what you can do in front of the camera. Arturo,
- 44:35Speaker 1: you're the funny Latino guy. Tiana, of course, you're a
- 44:38Speaker 1: black woman. Wait, what?
- 44:40Speaker 15: What do you say to your Columbia?
- 44:46Speaker 2: Which stereotype do you think has been the hardest to
- 44:48Speaker 2: get over? Goodness, that's a complex question. We're humans.
- 44:53Speaker 22: We use snap judgment. We use first impressions. That's why
- 44:56Speaker 22: that term, you know, first impressions are so important. Uh,
- 45:00Speaker 22: we use our senses and our awareness and our wisdom
- 45:02Speaker 22: to formulate an opinion about somebody. I always, I'm not
- 45:06Speaker 22: afraid to lean into that. If somebody needs me to
- 45:08Speaker 22: be the big muscular guy, cause that's what they see.
- 45:10Speaker 22: And that's all they feel that I am. I'm just
- 45:12Speaker 22: going to do the best job I can with that.
- 45:14Speaker 22: And if someone's bold enough to place a bet on
- 45:17Speaker 22: me to be like, man, I think you could be this.
- 45:19Speaker 22: I'm going to try to make, make good on their investment.
- 45:21Speaker 22: And I think that's all, that's all we can do.
- 45:23Speaker 22: It's just like one, one step at a time, you know, one,
- 45:27Speaker 22: one piece of work at a time. And I believe
- 45:29Speaker 22: if you just do good work, that's the way you
- 45:31Speaker 22: open up, uh, doors and you open up a more
- 45:35Speaker 22: of yourself and more of your skillset. You know what
- 45:37Speaker 22: I'm saying? That's again, that's just my perspective, but that's
- 45:40Speaker 22: kind of what's worked for me.
- 45:41Speaker 2: Absolutely.
- 45:42Speaker 14: Do you want to take it out?
- 45:43Speaker 2: Do you want other roles outside of the typical roles?
- 45:45Speaker 2: They see John Cena in like, would you want to
- 45:47Speaker 2: do a Forrest Gump type of role? That's like, I
- 45:49Speaker 2: don't see John, but John killed it. Would you want
- 45:51Speaker 2: to do something? Man?
- 45:52Speaker 22: I'm, truly just leaning into gratitude at this point if
- 45:57Speaker 22: the powers that be who write the checks who I
- 45:59Speaker 22: have no control over sat down and be like hey
- 46:01Speaker 22: pal we're gonna let you create but you're always gonna
- 46:04Speaker 22: have to wave your hand in.
- 46:05Speaker 2: Front of your face.
- 46:07Speaker 22: I'd be like alright let's do it let's do it
- 46:10Speaker 22: and the next time and the last time like I'll
- 46:12Speaker 22: do it every night like the first time and I
- 46:15Speaker 22: did that for 23 years playing the hit every night
- 46:17Speaker 22: like it's the first time and never once was it
- 46:20Speaker 22: a burden it was always a blessing so Yes, of course,
- 46:25Speaker 22: you know, we have skills. We want to show the world,
- 46:27Speaker 22: but it's all about what the audience wants to see.
- 46:28Speaker 22: So it's like, yo, you might want to do this,
- 46:31Speaker 22: but we'd like to see you do this. We feel
- 46:33Speaker 22: comfortable with that. And there's moments where you can push
- 46:36Speaker 22: outside that comfort zone for people like, whoa, I didn't
- 46:38Speaker 22: know you had that. And if I get to play
- 46:41Speaker 22: dress up for a living by being what you see
- 46:43Speaker 22: is what you get. Gosh, man, I like playing dress
- 46:46Speaker 22: up for a living.
- 46:46Speaker 2: You know what I'm saying? So I'm okay with it.
- 46:49Speaker 14: And is that extra fee for that?
- 46:50Speaker 2: Like, do you say, I want this, but if you
- 46:52Speaker 2: want this, you want the hand. I'll be there, but
- 46:56Speaker 2: if you want that hand. I want to ask Tiana
- 47:00Speaker 2: and Arturo that question. What stereotype you had to overcome?
- 47:03Speaker 23: A stereotype?
- 47:06Speaker 5: I don't know, guys.
- 47:06Speaker 9: I don't, I mean, like you said, I exist as
- 47:09Speaker 9: a black woman, so I guess that's just always there,
- 47:12Speaker 9: but I don't look at that as a burden. like
- 47:15Speaker 9: a huge part of what I've wanted to do with
- 47:18Speaker 9: my work and with the opportunities God has blessed me.
- 47:22Speaker 23: With is to tell the stories across the diaspora.
- 47:25Speaker 9: And show that we have so many different levels and
- 47:30Speaker 9: layers to us and experiences and that that can look
- 47:33Speaker 9: any different way. And I, I, again, I do the
- 47:37Speaker 9: work that I want to do that. I am blessed
- 47:40Speaker 9: to be able to do. Like I, I, I, it's
- 47:43Speaker 9: very much like I can't control what y'all see or
- 47:45Speaker 9: what y'all experience. I can only focus on what I'm
- 47:48Speaker 9: trying to do and the stories I'm trying to tell.
- 47:50Speaker 23: And that has worked for me. Um, minding my business,
- 47:54Speaker 23: staying in my lane.
- 47:55Speaker 5: Like, you know what I mean?
- 47:56Speaker 9: Like do it, keeping my head down and doing the
- 47:58Speaker 9: work that that's it. I cannot control.
- 48:01Speaker 5: What other people think. It's very freeing watching you in
- 48:04Speaker 5: your career because you do, it doesn't seem like you
- 48:07Speaker 5: kind of just float through the things that you want
- 48:09Speaker 5: to do, not aimlessly, but.
- 48:10Speaker 9: Like, It's just a little bit like it feels unbothered.
- 48:13Speaker 9: You know what I mean? I would like to say
- 48:16Speaker 9: it feels intentional and very focused in a way that
- 48:21Speaker 9: I cannot control. And I really it doesn't matter what
- 48:26Speaker 9: is happening around me and what others think. I want
- 48:28Speaker 9: to work with this group of artists, this group of
- 48:30Speaker 9: artists to tell this story. And that's what I'm a
- 48:33Speaker 9: focus on. And I put my all into it. And
- 48:35Speaker 9: I've been like that since. the very beginning of like,
- 48:38Speaker 9: what are the stories I want to, and they're not
- 48:39Speaker 9: always going to be shiny and polished and pretty and funny.
- 48:42Speaker 23: Like this is really fun.
- 48:43Speaker 9: This is a group of people who have heart and
- 48:46Speaker 9: have gone through some crazy things together, but there's also
- 48:49Speaker 9: stories I've told where, you know, they are down and
- 48:52Speaker 9: out and those stories are just as important to tell.
- 48:54Speaker 23: And yeah, I just try to be really intentional about it.
- 48:57Speaker 9: Um, When we all first heard that they were making
- 49:00Speaker 9: a movie inspired by Matchbox Cars, what was the first reaction?
- 49:03Speaker 2: How the f * * * are they going to
- 49:06Speaker 2: do this? Is it an animation? They never had nobody
- 49:08Speaker 2: inside of them.
- 49:09Speaker 22: Not only that, I'm a fan. I don't have many
- 49:14Speaker 22: childhood memories, but some of the vivid ones are like,
- 49:17Speaker 22: I can still see the worn paint. There was a
- 49:19Speaker 22: journalist who brought a red fire truck he's like this
- 49:21Speaker 22: is this is from my mom's house and the paint
- 49:23Speaker 22: was worn and i grabbed the car and it like
- 49:25Speaker 22: took me to a another universe because like my oldsmobile
- 49:29Speaker 22: 442 was this red paint but it's now steel you
- 49:31Speaker 22: see it this is actually proof of concept the matchbox
- 49:34Speaker 22: paint wears off this was my car so immediately he
- 49:37Speaker 22: hands me this car and because of the way the
- 49:39Speaker 22: paint was I got transported back to this time and
- 49:43Speaker 22: the reason why I was like how the f * * *
- 49:44Speaker 22: are they going to do that because I was like
- 49:45Speaker 22: how are they going to take what's in here and
- 49:47Speaker 22: put it on screen and that's why I was really
- 49:50Speaker 22: proud about like the car is a unit of nostalgia
- 49:54Speaker 22: that way if you have a different memory if you
- 49:56Speaker 22: have a different memory it doesn't It doesn't poo-poo anyone's
- 49:59Speaker 22: memories because it captures the feeling of like, yo, this
- 50:03Speaker 22: brought me back to when I was a kid.
- 50:05Speaker 2: That's what the.
- 50:05Speaker 22: Cars are doing, bringing you back to that time when
- 50:08Speaker 22: it's like, dude, those were great.
- 50:10Speaker 2: Times, weren't they? Why don't you have any childhood memories?
- 50:13Speaker 7: You know what?
- 50:14Speaker 22: Honestly, my wife is like a steel trap. She will
- 50:17Speaker 22: rattle off things that happened to her like three, four, five.
- 50:20Speaker 2: And I'm like, I don't.
- 50:21Speaker 22: No, my timeline starts at 11, 12. For real, and
- 50:27Speaker 22: I don't know why.
- 50:27Speaker 2: I don't know. I didn't have a lot of photos
- 50:31Speaker 2: as a kid. As a baby, I did.
- 50:33Speaker 22: They couldn't see you in them? They couldn't. A little foreshadowing, maybe.
- 50:38Speaker 22: Bringing back that hand, man.
- 50:41Speaker 16: I don't know.
- 50:42Speaker 22: For some reason, that's kind of where my timeline starts.
- 50:44Speaker 22: That's a good question. I've tried to figure it out,
- 50:46Speaker 22: but I don't know why I can't remember anything from
- 50:48Speaker 22: that span.
- 50:49Speaker 2: Interesting.
- 50:50Speaker 9: This movie is very, very deep for you, too, because
- 50:53Speaker 9: that's a part of what you do remember.
- 50:54Speaker 22: Well, just those IPs, right? It's most famous in the
- 50:59Speaker 22: comic book genre. Are they going to do the comic
- 51:01Speaker 22: book justice? There are fans out there that you have
- 51:04Speaker 22: to please. It's not just making a great film. It's
- 51:07Speaker 22: like when you use.
- 51:08Speaker 2: An IP, you better please the fan base that got
- 51:11Speaker 2: you to the dance.
- 51:12Speaker 22: And that's when I was like, well, this could be bad.
- 51:16Speaker 22: And it ended up being like, oh, okay. know about Matchbox,
- 51:19Speaker 22: and our director was great enough to put, like, super
- 51:22Speaker 22: Easter eggs in there, if you're a collector. And if
- 51:24Speaker 22: you're not, and if you know nothing, it's a great film.
- 51:27Speaker 22: I thought they rode that balance well. Speaking of comics,
- 51:29Speaker 22: do you know what happened to Monica Rambeau after Marvels?
- 51:31Speaker 22: Or are you just waiting for Kevin Feige to tell
- 51:33Speaker 22: you about the rest of us?
- 51:35Speaker 16: The latter.
- 51:35Speaker 22: The latter.
- 51:37Speaker 2: She's talking about the latter.
- 51:40Speaker 5: The latter.
- 51:42Speaker 23: I mean, I saw what y'all saw.
- 51:44Speaker 9: I experienced what y'all experienced.
- 51:46Speaker 5: She ended up in a Different timeline. She said she's
- 51:50Speaker 5: going to keep them intentional.
- 51:51Speaker 2: You got Duels Day. You got Secret Wars. You got
- 51:53Speaker 2: X-Men films coming up. They haven't told you nothing.
- 51:56Speaker 23: They have not told me nothing.
- 51:58Speaker 9: I can confidently say they have not told me anything.
- 52:06Speaker 5: Just believe her. It's okay. It's okay to believe her.
- 52:08Speaker 5: She don't know.
- 52:09Speaker 2: That's the truth. That's the truth. I want to congratulate
- 52:13Speaker 2: you too, John, because Coyote vs.
- 52:15Speaker 7: Acme.
- 52:16Speaker 2: Oh, yes. It was... basically done, right? And that was
- 52:20Speaker 2: made over a hundred million worldwide. People love it. Do
- 52:23Speaker 2: you feel vindicated?
- 52:25Speaker 22: So that's an interesting perspective. I was never in search
- 52:28Speaker 22: for vindication. As a creative, you do work for audiences,
- 52:33Speaker 22: but also I don't, I didn't bankroll the movie.
- 52:37Speaker 2: Not my loss.
- 52:40Speaker 22: You, you, you, you know, we, we spent half a
- 52:42Speaker 22: year around the world. My body getting thrashed and thrown
- 52:46Speaker 22: around and And I was paid for my services. And
- 52:48Speaker 22: we had a great time. I made friends. For this
- 52:52Speaker 22: work not to see the light of day, God, that's disheartening.
- 52:55Speaker 22: But also, not my choice. I didn't bankroll it. If
- 52:59Speaker 22: I had bankrolled Coyote Acme and chosen to shelve it, well,
- 53:02Speaker 22: maybe I got to look within and ask myself why.
- 53:04Speaker 22: But I was paid for my services. I made great friends.
- 53:07Speaker 2: And Will and BJ and Dave Green, the director, and
- 53:10Speaker 2: a lot of folks on the cast.
- 53:13Speaker 22: I got better as a performer. So the drawback was, oh, man,
- 53:17Speaker 22: this movie that everybody seems to like isn't going to
- 53:19Speaker 22: see the light of day. That's disheartening. But I wasn't
- 53:22Speaker 22: searching for an I told you so or vindication at all.
- 53:26Speaker 22: The fact that the fans weren't BSing about.
- 53:30Speaker 2: Like, put this movie out and we'll go see it.
- 53:31Speaker 2: They have gone to see it in droves.
- 53:34Speaker 22: And that's cool because something creative entertained their day and
- 53:37Speaker 22: got them to lighten their backpack a little bit. So
- 53:40Speaker 22: I understand why there might be that sentiment of, like,
- 53:42Speaker 22: we did this. Why aren't you putting it out? Mm-hmm.
- 53:44Speaker 2: The simple answer is because we own it and we
- 53:46Speaker 2: can do what we want with it.
- 53:48Speaker 7: Yeah, yeah, yeah.
- 53:48Speaker 22: You know, like everybody was paid. Everybody was even paid
- 53:51Speaker 22: because we shelved it.
- 53:53Speaker 2: Like, I don't know, guys.
- 53:55Speaker 22: It's kind of our deal. So they take the heat
- 53:58Speaker 22: and they're the ones accountable for their choice. But, you know,
- 54:01Speaker 22: we got the movie out and people actually like it,
- 54:03Speaker 22: which is– Absolutely. I think it's a very cool success story.
- 54:06Speaker 22: I mean, somebody got it wrong, clearly, though. And, man–
- 54:09Speaker 22: create the creative business is just that like it's only
- 54:12Speaker 22: people's perspective of like i think the audience will love
- 54:15Speaker 22: this it's just a guess i'm just trying to guess
- 54:18Speaker 22: you know so yes someone got it wrong and it's
- 54:21Speaker 22: a it's a nice success story absolutely yeah tiana what's
- 54:26Speaker 22: up with.
- 54:26Speaker 1: You have you had any conversations with kevin about monica's future.
- 54:32Speaker 9: Um no actually i can confidently say that no i
- 54:35Speaker 9: told you earlier nobody caught me you confidently know what
- 54:38Speaker 9: she's talking about i have not spoken.
- 54:40Speaker 1: To you i just like these moments when they pop
- 54:42Speaker 1: up in the movies later then everybody goes back to
- 54:43Speaker 1: these interviews and say damn she played that.
- 54:45Speaker 5: Good I'm not asking.
- 54:47Speaker 23: I'm here as Tiana telling you.
- 54:49Speaker 2: I'm not talking to nobody. How far out do you
- 54:51Speaker 2: get that?
- 54:56Speaker 9: You don't get like a heads up or like, because
- 54:58Speaker 9: normally they'll put you on hold for certain stuff sometimes too.
- 55:01Speaker 23: That is how movies normally look.
- 55:04Speaker 7: That is.
- 55:05Speaker 2: I've heard that too.
- 55:06Speaker 9: If you're on hold for anything, then you might know something.
- 55:11Speaker 2: I told y'all. Well, she's here today.
- 55:12Speaker 13: Yeah.
- 55:15Speaker 23: Holding my breath till October 9th.
- 55:18Speaker 2: That's right.
- 55:19Speaker 23: Matchbox.
- 55:19Speaker 7: Matchbox.
- 55:20Speaker 9: I'm going to just assume you're going to be in G.I.
- 55:25Speaker 7: Joe, John.
- 55:26Speaker 2: Because then you had an appearance in.
- 55:27Speaker 7: Barbie, too.
- 55:27Speaker 2: Am I making that up?
- 55:30Speaker 11: No, no.
- 55:30Speaker 2: I was a merman in Barbie. Matchbox.
- 55:33Speaker 22: I love Danny McBride. I know he's writing that. I
- 55:35Speaker 22: know Bradley just got cast in that. Dude, Dan, if
- 55:37Speaker 22: you're listening. I've worked with Jody Hill, directed Peacemaker. I'm trying,
- 55:42Speaker 22: I'm trying right now. I don't have control over the decisions,
- 55:46Speaker 22: but love the property. I love working with those guys, man.
- 55:50Speaker 22: I'd just walk across the screen with a broom on
- 55:51Speaker 22: that one.
- 55:51Speaker 2: It would only make sense. There's a need for a sidekick,
- 55:54Speaker 2: I believe.
- 55:57Speaker 22: I got the hand, and the hand could make it
- 55:59Speaker 22: come to me.
- 56:00Speaker 5: I don't know.
- 56:02Speaker 2: We had my South Carolina sister, Danielle Brooks.
- 56:04Speaker 1: She was up there, and she said that Peacemaker 3,
- 56:08Speaker 1: she said there's no Peacemaker 3.
- 56:09Speaker 14: No, there isn't.
- 56:10Speaker 2: That's a certainty. They can't be doing this stuff. They
- 56:12Speaker 2: just sent you in a whole other universe, just like
- 56:14Speaker 2: they did Tiana, and just left you there.
- 56:16Speaker 22: You know that conversation we just had a few seconds
- 56:18Speaker 22: ago about, like, I do the work and that's the thing.
- 56:21Speaker 2: I don't own any of it.
- 56:22Speaker 22: It's beyond my control. Sometimes folks are like, hey, this
- 56:26Speaker 22: isn't where we're going. As far as that goes, James
- 56:29Speaker 22: wrote Peacemaker when he was done with Disney. He got
- 56:33Speaker 22: to direct the Suicide Squad when he was done with Guardians.
- 56:36Speaker 22: And then COVID happened and he got bored. I got
- 56:38Speaker 22: killed off in the Suicide Squad. There's a James Gunn rule.
- 56:41Speaker 22: It's like, if I kill somebody off, I never bring
- 56:43Speaker 22: them back.
- 56:44Speaker 2: He calls me up in COVID. He's like, hey, you
- 56:45Speaker 2: want to do Peacemaker? I'm like, Peacemaker's dead.
- 56:48Speaker 14: What are you doing?
- 56:48Speaker 2: He's like, no, no, I figured it out. Don't worry
- 56:50Speaker 2: about it.
- 56:51Speaker 22: We're good. So, you know, now we're off to the
- 56:53Speaker 22: races with this unknown character that some people like and
- 56:56Speaker 22: they want to see more of. And then James gets
- 56:59Speaker 22: the head job at DC. And instead of having to
- 57:03Speaker 22: create toys that he can orchestrate play with, now he
- 57:05Speaker 22: has the responsibility for some high-end IP that.
- 57:09Speaker 2: You have to get out. You have to serve the
- 57:12Speaker 2: fan base.
- 57:12Speaker 19: Mm-hmm.
- 57:13Speaker 22: Superman got to figure out the direction of Batman. And
- 57:16Speaker 22: then there's the Joker. And then there's Wonder Woman. And
- 57:18Speaker 22: then there's Supergirl. There's so many lanterns. There's so many
- 57:22Speaker 22: entities that he has to, not gets to, you have
- 57:26Speaker 22: to get that out to the fan base. And I
- 57:29Speaker 22: know I was like a utility guy getting that ninth
- 57:32Speaker 22: spot in the lineup. And I'm sitting on a bench
- 57:35Speaker 22: for a bit. But I'd like to believe that we
- 57:38Speaker 22: did good work and, you know, Hopefully, crossing my fingers,
- 57:42Speaker 22: we'll figure something out.
- 57:43Speaker 2: But, like, I get it.
- 57:45Speaker 14: I get it.
- 57:46Speaker 22: I get that there's more important stories to be told
- 57:48Speaker 22: than the one we've told. And I also get that
- 57:51Speaker 22: there's an audience around the world who likes what we did.
- 57:53Speaker 22: I just hope that that's enough to get us another shot.
- 57:56Speaker 2: Matchbox comes out this Friday. One more question. Tiana, have
- 58:00Speaker 2: you filmed anything with Monica Randall?
- 58:03Speaker 7: No, no, no.
- 58:04Speaker 5: Persistence, persistence, persistence.
- 58:08Speaker 7: I love it, man.
- 58:09Speaker 2: Matchbox is out. We appreciate you for joining us.
- 58:11Speaker 14: Tiana, I am so sorry about your South Carolina bedroom.
- 58:14Speaker 2: I am so sorry.
- 58:14Speaker 5: I see how you do me.
- 58:16Speaker 2: Thank you for joining us, John Cena.
- 58:18Speaker 14: Thank you for coming again.
- 58:19Speaker 2: Matchbox comes out this Friday. Go see it. It's on
- 58:22Speaker 2: Apple TV. See it wherever you want.
- 58:23Speaker 7: That's right.
- 58:24Speaker 2: Watch it on a big screen. Watch it on your phone.
- 58:25Speaker 2: I don't care.
- 58:25Speaker 7: Just watch it.
- 58:26Speaker 2: Just watch it. It's the Breakfast Club. Good morning.
- 58:28Speaker 1: Salute to the cast of Matchbox, the movie, John Cena,
- 58:31Speaker 1: Tiana Paris, and Arturo Castro for joining us this morning.
- 58:34Speaker 1: Make sure you go check out that film on Apple
- 58:36Speaker 1: TV this Friday. And it's time for the latest with Lauren.
- 58:40Speaker 14: What what what what what you wanna know the latest
- 58:42Speaker 14: with lauren la rosa.
- 58:43Speaker 2: Because you particularly are bringing the energy to mainstream radio
- 58:46Speaker 2: the black radio.
- 58:47Speaker 5: That sources trust did you hear that exclusive lauren i'm
- 58:50Speaker 5: the homegirl that knows a little bit about everything and.
- 58:52Speaker 2: Everything she be having the latest.
- 58:54Speaker 9: On things you ask the questions that need to be
- 58:56Speaker 9: answered on the breakfast club little brown girls look at
- 58:59Speaker 9: you and go i want.
- 59:00Speaker 5: To be like you ll cool baby talk to me Alrighty, y'all.
- 59:04Speaker 5: So Jay-Z and Rihanna, they're business relationship artists. I don't
- 59:08Speaker 5: even know. We can consider Jay-Z and Roc Nation management.
- 59:11Speaker 19: No, right?
- 59:12Speaker 5: Yeah. Yeah, management. It's crazy.
- 59:14Speaker 2: That's a family, but yeah, that's our business partners.
- 59:19Speaker 5: Yeah, right. Well, that can be or will be taking
- 59:22Speaker 5: a new phase if all goes well, because there's a
- 59:24Speaker 5: deal that they've been working on. We talked about this
- 59:26Speaker 5: a while ago when it was rumored that this may
- 59:28Speaker 5: be happening. Jay-Z's Marcy... Marcy Penn Capital Partners is set
- 59:34Speaker 5: to acquire a sizable ownership. People are pointing at maybe
- 59:38Speaker 5: even 50% ownership stake in Rihanna's Fenty Beauty brand. So
- 59:42Speaker 5: you guys know that Fenty Beauty, or maybe you don't,
- 59:44Speaker 5: Fenty Beauty was in partnership with LVMH. They partnered with
- 59:48Speaker 5: Rihanna back in 2016 to help develop Fenty Beauty. And
- 59:51Speaker 5: it launched in 2017 alongside a couple other brands. And
- 59:55Speaker 5: it became an instant success. Now it's reportedly grossing $ 100
- 59:59Speaker 5: million in sales just within its first 100 days on
- 1:00:02Speaker 5: the market. And it has done so much since then.
- 1:00:05Speaker 5: But yeah, Jay-Z, the update here is the fact that
- 1:00:08Speaker 5: that 50% stake that LVMH would have held, Jay-Z's Marcy
- 1:00:13Speaker 5: Penn partners, they're closer to finalizing terms of an agreement,
- 1:00:17Speaker 5: which is the details haven't been released yet. And they'll
- 1:00:20Speaker 5: own that 50%, which would mean that they would be
- 1:00:22Speaker 5: 50-50 in that deal, which would be amazing.
- 1:00:24Speaker 2: Makes sense to me. Yeah.
- 1:00:26Speaker 5: And you know how people have that capitalism conversation when
- 1:00:28Speaker 5: it comes to like rich black people. This is an
- 1:00:32Speaker 5: example of capitalism working because it's what you want.
- 1:00:34Speaker 2: I'm not having conversations with people about business when they
- 1:00:37Speaker 2: don't have none of their own. They just wouldn't understand.
- 1:00:39Speaker 5: Yeah. You always say that.
- 1:00:40Speaker 7: That is true.
- 1:00:41Speaker 19: Yeah.
- 1:00:41Speaker 2: Clearly that relationship, that relationship, management relationship, business relationship, Rihanna
- 1:00:45Speaker 2: and Roc Nation has been very fruitful.
- 1:00:47Speaker 5: Yes, exactly. Fenty is everywhere. I mean, it's good. I
- 1:00:53Speaker 5: swear by Fenty. The lip glosses, I use her powders. Yes,
- 1:00:57Speaker 5: it's amazing.
- 1:00:58Speaker 2: Do you know your number?
- 1:01:01Speaker 5: I know I use, it's like a banana powder. I
- 1:01:03Speaker 5: don't use her foundation. Yeah, I don't use the foundation.
- 1:01:05Speaker 5: I use Estee Lauder for foundation, but I use. Everything else?
- 1:01:08Speaker 5: Mine changes depending on the season. It's like winter and
- 1:01:11Speaker 5: summer is different for me. But I use her bronzers.
- 1:01:13Speaker 5: I use all her lip glosses. I'm wearing Ruby Woo
- 1:01:16Speaker 5: right now, which is her. Remember, she did that with MAC.
- 1:01:18Speaker 5: But she has her own version of it with the
- 1:01:20Speaker 5: M50 as well, too.
- 1:01:21Speaker 7: Oh, she does?
- 1:01:22Speaker 13: Yeah, she has.
- 1:01:23Speaker 5: She did like the lip with MAC. See, I don't
- 1:01:24Speaker 5: wear red lip, but I didn't know that she actually
- 1:01:26Speaker 5: introduced the defense. See, that's dope. It's not called the
- 1:01:28Speaker 5: same thing, but it's the same vibe, though.
- 1:01:31Speaker 7: Fire.
- 1:01:31Speaker 5: You know your number?
- 1:01:32Speaker 2: Yeah, I'm like a mad powder 470, maybe 480, 490.
- 1:01:35Speaker 2: Depending on the season. I love when you.
- 1:01:36Speaker 5: Just make us out of jazz, you know what I mean?
- 1:01:38Speaker 5: Why would you know that?
- 1:01:39Speaker 2: You being awesome? Don't ask me questions if you don't
- 1:01:41Speaker 2: want to answer. You asked me a question, didn't you?
- 1:01:42Speaker 5: Oh, my God. Baby, you just ate us up knowing
- 1:01:47Speaker 5: your number exact like that, okay?
- 1:01:48Speaker 2: It's not a real number.
- 1:01:49Speaker 7: For real.
- 1:01:51Speaker 9: Oh i thought it's like and y'all not looking uh
- 1:01:55Speaker 9: go ahead okay now shifting gears a bit speaking of
- 1:02:00Speaker 9: uh partnerships in music so young thug you guys know
- 1:02:03Speaker 9: young thug has been touring and promoting it's like new
- 1:02:06Speaker 9: age of ysl it's a bunch of younger artists that
- 1:02:08Speaker 9: are coming up under him out of atlanta so he
- 1:02:11Speaker 9: sat down with the crew has it which are the
- 1:02:13Speaker 9: guys for power uh gianni apollo and um They have
- 1:02:17Speaker 9: a conversation about Young Thug and the fact that he
- 1:02:19Speaker 9: has new music coming.
- 1:02:20Speaker 5: He says he's about to do R & B. Let's
- 1:02:22Speaker 5: take a listen.
- 1:02:23Speaker 2: So what's next?
- 1:02:24Speaker 5: Like, you've got music, you're touring, you have an album
- 1:02:27Speaker 5: coming out potentially next year?
- 1:02:29Speaker 2: This year. This year? Solo?
- 1:02:31Speaker 8: Yeah.
- 1:02:31Speaker 2: R & B, my friend. I'm going R & B. Oh, Chris.
- 1:02:33Speaker 2: I'm going R & B. I'm going R & B.
- 1:02:36Speaker 2: It's going to be more like punk, but less, even
- 1:02:39Speaker 2: more R & B.
- 1:02:40Speaker 7: But it is real.
- 1:02:41Speaker 2: It's Mary J. I'm going R & B. I'm going real.
- 1:02:44Speaker 25: Most of the songs are sexual though. It's about like
- 1:02:46Speaker 25: two or three heartbreak songs. Most of them is just
- 1:02:48Speaker 25: like fun times. And I like to live it out though.
- 1:02:50Speaker 25: Like right now I'm like super in love with my girl.
- 1:02:53Speaker 25: So you just have so many of them moments and
- 1:02:55Speaker 25: it's just, I think I ain't making that many heartbreak
- 1:02:57Speaker 25: songs in an R & B.
- 1:02:58Speaker 2: Album because we just like having fun right now.
- 1:03:01Speaker 25: I feel like if it was bad, I probably would
- 1:03:03Speaker 25: make more like heartbreak songs, but I try to just
- 1:03:05Speaker 25: be real.
- 1:03:06Speaker 2: I'm not mad at that. I like when artists experiment.
- 1:03:08Speaker 2: But he got to change his name. Absolutely. No R &
- 1:03:10Speaker 2: B songs. No love making songs from no young thug.
- 1:03:13Speaker 16: By young thug.
- 1:03:14Speaker 5: Yeah, I know.
- 1:03:14Speaker 2: It's wild. You can call yourself Jeffrey.
- 1:03:16Speaker 14: I'll go to that.
- 1:03:16Speaker 2: He had that other moniker where it was just six.
- 1:03:19Speaker 2: You remember when he used to call himself Six?
- 1:03:21Speaker 5: No, I do not remember that. It was a part
- 1:03:23Speaker 5: of his rock star phases. Okay.
- 1:03:25Speaker 9: But I would love for him to just be Jeffrey.
- 1:03:28Speaker 9: Throw in that joint by Jeffrey. That love making joint
- 1:03:30Speaker 9: by Jeffrey. And you can't say things like Mariah. I mean,
- 1:03:33Speaker 9: he didn't say Mariah Carey.
- 1:03:34Speaker 5: Mariah J.
- 1:03:35Speaker 11: Blige.
- 1:03:36Speaker 7: He can't.
- 1:03:36Speaker 5: He can sit like Mariah the Scientist. You know what
- 1:03:38Speaker 5: I'm saying? I don't think he can. He don't need
- 1:03:40Speaker 5: to compare himself to anybody in the space because when
- 1:03:42Speaker 5: Thug does it, it's going to be melodic like what
- 1:03:44Speaker 5: he's been, but it's not going to be. Wait, it's
- 1:03:46Speaker 5: not Mary. But that's his girl, though. No, it's definitely
- 1:03:48Speaker 5: not going to be Mary. But Mary don't.
- 1:03:50Speaker 2: Make love-making music either, though. Mary makes mood music, but
- 1:03:52Speaker 2: it's not love-making.
- 1:03:53Speaker 5: Yeah, but it's still R & B. It's still, you
- 1:03:55Speaker 5: know what I mean? He can't. But nowadays, I feel
- 1:03:58Speaker 5: like R & B has so many different... vibes to
- 1:04:00Speaker 5: it because you have so many melodic rappers who are
- 1:04:03Speaker 5: leaning into R & B and that's kind of what
- 1:04:05Speaker 5: I would think his R & B would sound like
- 1:04:06Speaker 5: because he's done that before he.
- 1:04:08Speaker 9: Should start with his girl though I think that would
- 1:04:09Speaker 9: be dope like they should they should start off together.
- 1:04:11Speaker 2: Oh I see what you're saying yeah like do duets together.
- 1:04:14Speaker 9: Yeah and then he break off you know what I
- 1:04:16Speaker 9: mean I think he should go that route you know
- 1:04:17Speaker 9: cause he already I.
- 1:04:19Speaker 7: Get what you're saying.
- 1:04:19Speaker 2: That would make sense.
- 1:04:20Speaker 16: Yeah, yeah, yeah.
- 1:04:21Speaker 5: But was Tariq there? No, he was not there. It
- 1:04:23Speaker 5: was Gianni Paolo, Brayden, and Chris D. Lofton, who plays Jannar. Oh,
- 1:04:28Speaker 5: my God!
- 1:04:28Speaker 7: Yeah, that was there.
- 1:04:29Speaker 5: And they actually were sitting and talking to Young Thug
- 1:04:30Speaker 5: after Young Thug came off the stage with some of
- 1:04:32Speaker 5: his artists.
- 1:04:33Speaker 7: Okay.
- 1:04:33Speaker 5: Yeah, but they were just excited. They were at the concert,
- 1:04:35Speaker 5: and Thug was like, yeah, I'm down to talk.
- 1:04:36Speaker 12: Yeah.
- 1:04:37Speaker 5: That's the podcast? The crew has it, yep. That is
- 1:04:40Speaker 5: what's up. Shout out to Christy Lofton, Jannard. I love that.
- 1:04:42Speaker 5: He just got off drugs. Not Christy Lofton.
- 1:04:45Speaker 7: Jannard.
- 1:04:46Speaker 11: Jannard.
- 1:04:47Speaker 5: She's talking about on the show.
- 1:04:48Speaker 9: Yeah, on Power Force, Power Book 4 Force. I'm at
- 1:04:52Speaker 9: the point right now where he just got off drugs.
- 1:04:54Speaker 9: So shout out to Jannard.
- 1:04:55Speaker 5: Just as crazy.
- 1:04:57Speaker 7: Yes.
- 1:04:58Speaker 5: Yeah, that was the latest in the hour. And the
- 1:04:59Speaker 5: next latest we're going to be talking about, speaking of
- 1:05:01Speaker 5: music and business, Will Smith and Jazzy Jeff have a
- 1:05:04Speaker 5: collaboration coming. I'm going to tell you guys exactly what
- 1:05:07Speaker 5: that may be.
- 1:05:08Speaker 7: Okay. All right.
- 1:05:10Speaker 5: Yeah, where are we going now?
- 1:05:11Speaker 2: I'm waiting for one of y'all to ask me a
- 1:05:12Speaker 2: simple question. Y'all been here working long? Y'all been working
- 1:05:14Speaker 2: here long enough to know? Well, you're giving that donkey
- 1:05:16Speaker 2: to me.
- 1:05:16Speaker 22: How you feeling? Exactly.
- 1:05:17Speaker 8: Oh, man.
- 1:05:17Speaker 7: How you feeling?
- 1:05:18Speaker 1: Before after the hour, if you ever want to, if
- 1:05:21Speaker 1: you believe women are crazy, okay, this story reinforces that belief.
- 1:05:26Speaker 2: We need a woman named Dawn Freeman to come to
- 1:05:27Speaker 2: the front of the congregation. We would like to have
- 1:05:29Speaker 2: a war with her. Oh, you want to defend Dawn?
- 1:05:30Speaker 12: No.
- 1:05:30Speaker 2: Okay, let's give you defender after donkey.
- 1:05:32Speaker 7: All right.
- 1:05:34Speaker 2: With a donkey? It's time for donkey of the day.
- 1:05:38Speaker 2: With a bunch of donkeys around here.
- 1:05:39Speaker 14: With a hee-haw.
- 1:05:42Speaker 2: Yes, you are a donkey. What the hell?
- 1:05:46Speaker 14: What the hell is it?
- 1:05:48Speaker 19: What do you mean you donkey?
- 1:05:49Speaker 2: Some donkey of the day has just sold himself.
- 1:05:51Speaker 17: Hee-haw.
- 1:05:52Speaker 2: Charlemagne, give it to him.
- 1:05:53Speaker 17: Breakfast club all day.
- 1:05:56Speaker 11: Give it to him.
- 1:05:57Speaker 2: Oh, man, Charlemagne.
- 1:05:59Speaker 11: Who you giving a donkey to.
- 1:06:00Speaker 14: Beat your man?
- 1:06:01Speaker 1: Well, Rob 49, donkey of the day for Wednesday, October 7th,
- 1:06:04Speaker 1: goes to 44-year-old Dawn Freeman of Adams Township, Pennsylvania. First
- 1:06:09Speaker 1: things first, rest in peace to her 40-year-old husband, Bradley Freeman.
- 1:06:13Speaker 2: Dawn killed him. Okay? Yes, this story is horrible and tragic.
- 1:06:17Speaker 1: A man is dead. A woman is facing a murder charge.
- 1:06:20Speaker 1: A family has been destroyed and it's all Don's fault.
- 1:06:24Speaker 2: Okay. Allegedly.
- 1:06:25Speaker 16: All right.
- 1:06:25Speaker 1: For anyone out there who loves to say women are crazy,
- 1:06:28Speaker 1: here's a story that will reinforce that thought.
- 1:06:31Speaker 7: Okay.
- 1:06:31Speaker 1: I don't know what Don's definition of a teachable moment is, but.
- 1:06:35Speaker 2: This ain't it. Let's go to NBC6 News for the report, please.
- 1:06:38Speaker 18: This is 44-year-old Dawn Freeman of Adams Township. Now, police
- 1:06:43Speaker 18: say that she admitted to shooting her husband, 40-year-old Bradley Freeman,
- 1:06:47Speaker 18: in their home yesterday after she wanted to, quote, show
- 1:06:51Speaker 18: him a lesson for leaving his gun out in the open.
- 1:06:54Speaker 5: This was the scene.
- 1:06:55Speaker 18: Along the 300 block of Mine 42 Road last night,
- 1:06:59Speaker 18: where Freeman is accused of pulling the trigger of her
- 1:07:01Speaker 18: husband's 9mm handgun during the argument. Freeman told police that
- 1:07:06Speaker 18: Bradley continually left the gun lying out in the open
- 1:07:09Speaker 18: in their home. and she reportedly begged him countless times
- 1:07:13Speaker 18: to put it away. Police say Freeman alleges she was
- 1:07:16Speaker 18: concerned for the safety of her two children and was
- 1:07:19Speaker 18: constantly worried that something bad would happen.
- 1:07:22Speaker 7: They say that just before.
- 1:07:24Speaker 18: 4.30 yesterday afternoon, Freeman noticed her husband's gun sitting on
- 1:07:28Speaker 18: the coffee table of the living room. Police say she
- 1:07:31Speaker 18: allegedly told Bradley to move the gun to a safe
- 1:07:34Speaker 18: location and he refused. Freeman told police that this made
- 1:07:38Speaker 18: her angry, so she allegedly picked up the gun and
- 1:07:41Speaker 18: to show him a lesson, pointed it at him and
- 1:07:44Speaker 18: pulled the trigger, shooting his chest.
- 1:07:47Speaker 7: What?
- 1:07:48Speaker 5: Wow.
- 1:07:49Speaker 1: Don, I wonder if you're sitting in jail thinking that
- 1:07:51Speaker 1: what you allegedly, well, not even allegedly, what you did
- 1:07:55Speaker 1: completely contradicts the point you were trying to make.
- 1:07:57Speaker 7: Okay.
- 1:07:58Speaker 2: I truly believe a lot of us don't think about
- 1:08:00Speaker 2: our thinking.
- 1:08:01Speaker 7: All right.
- 1:08:01Speaker 2: We just believe ourselves when we think it. Okay.
- 1:08:03Speaker 1: Now, Don, I agree with you in regard to gun safety.
- 1:08:06Speaker 1: You can't be leaving your firearms unsecured in your house.
- 1:08:09Speaker 7: Okay.
- 1:08:09Speaker 2: You got children.
- 1:08:10Speaker 1: So you were concerned one of the kids could get
- 1:08:13Speaker 1: their hands on the gun and somebody could.
- 1:08:15Speaker 2: Accidentally, okay, keyword accidentally, get hurt. That is a fair
- 1:08:19Speaker 2: and legitimate concern.
- 1:08:21Speaker 1: If you have children in your house, you shouldn't have
- 1:08:22Speaker 1: your firearms laying around unsecured where they can get them. Okay,
- 1:08:26Speaker 1: my brothers, you have to treat your guns the way
- 1:08:28Speaker 1: your woman treats her sex toys.
- 1:08:31Speaker 2: Don't think about what I just said too deep. Just
- 1:08:33Speaker 2: say exactly, okay? But not having your firearms laying around
- 1:08:39Speaker 2: unsecured is basic gun safety.
- 1:08:42Speaker 1: But Don, even if you thought Bradley didn't understand how
- 1:08:45Speaker 1: serious the situation was, why did your brain tell you
- 1:08:50Speaker 1: to pick up the same gun you was arguing with
- 1:08:52Speaker 1: him about, point it at his chest, pull the trigger,
- 1:08:55Speaker 1: and kill him?
- 1:08:56Speaker 7: Why?
- 1:08:57Speaker 5: Okay?
- 1:08:59Speaker 2: I need you to understand.
- 1:09:00Speaker 1: Why my brain is having trouble processing this, all right?
- 1:09:03Speaker 1: You were trying to teach this man that an accident
- 1:09:06Speaker 1: could happen.
- 1:09:07Speaker 2: An accident.
- 1:09:08Speaker 1: So you intentionally picked up the gun intentionally pointed it
- 1:09:13Speaker 1: at him, and intentionally pulled the trigger. Now, I tell
- 1:09:16Speaker 1: y'all every day, I am not the highest grade of
- 1:09:17Speaker 1: weed in the dispensary, nor am I the strongest Avenger,
- 1:09:20Speaker 1: but I know that's not how you demonstrate an accident, okay?
- 1:09:23Speaker 2: You can't manufacture an accident, all right?
- 1:09:25Speaker 1: I don't know what your intention was, because if you
- 1:09:28Speaker 1: were trying to teach him a lesson, last I checked,
- 1:09:31Speaker 1: a person gotta be alive to receive said lesson, okay?
- 1:09:33Speaker 1: Not to mention, you were trying to tell him that
- 1:09:36Speaker 1: an accident could happen. What you did wasn't an accident, okay?
- 1:09:40Speaker 1: I don't know if you meant to kill your husband.
- 1:09:42Speaker 1: You said you didn't, but according to police, picking up
- 1:09:45Speaker 1: the gun, pointing it at him, and pulling the trigger,
- 1:09:47Speaker 1: those were deliberate acts.
- 1:09:49Speaker 2: And I agree, okay? And that's the contradiction.
- 1:09:51Speaker 1: If you're trying to prove to somebody that an accident
- 1:09:54Speaker 1: could happen, that somebody could accidentally get hurt because a
- 1:09:56Speaker 1: gun isn't secured, you don't prove it by doing the
- 1:09:59Speaker 1: exact thing you're telling everybody else not to do, okay?
- 1:10:03Speaker 1: Your original point was right, Don. The gun should have
- 1:10:05Speaker 1: been secured, okay? You kept warning Bradley that somebody could
- 1:10:08Speaker 1: get hurt. You got children in the house. Something bad
- 1:10:11Speaker 1: could happen. but Don Bradley didn't need a warning about
- 1:10:14Speaker 1: the gun. He needed a warning about you.
- 1:10:17Speaker 2: Okay. Yes. All right.
- 1:10:19Speaker 1: Bradley probably needed all those warnings about the gun, but
- 1:10:22Speaker 1: how come nobody warned Bradley about Don's crazy ass.
- 1:10:26Speaker 7: All right.
- 1:10:27Speaker 1: Watch out for Don because the gun clearly wasn't the
- 1:10:30Speaker 1: only danger in that house.
- 1:10:31Speaker 2: All right.
- 1:10:32Speaker 1: Don, you spent all this time telling Bradley, you need
- 1:10:35Speaker 1: to put that gun away before somebody gets hurt.
- 1:10:38Speaker 2: Turns out Bradley didn't.
- 1:10:39Speaker 1: You know, should have been saying to himself, apparently I
- 1:10:42Speaker 1: need to put this gun away from your nut ass, okay?
- 1:10:44Speaker 1: And that, ladies and gentlemen, is the lesson from today's donkey.
- 1:10:47Speaker 1: Guns don't kill people. Crazy people with guns kill people,
- 1:10:51Speaker 1: all right? The gun didn't pick itself up, okay? Don
- 1:10:54Speaker 1: had to pick it up. And that's exactly why gun
- 1:10:56Speaker 1: safety rules exist, because humans do get angry.
- 1:10:59Speaker 2: We get emotional. We get impulsive. And then we make
- 1:11:02Speaker 2: terrible decisions like this one.
- 1:11:04Speaker 1: OK, sometimes we are so busy identifying what's wrong with
- 1:11:07Speaker 1: somebody else that we don't recognize what's happening with ourselves.
- 1:11:11Speaker 2: OK, evil will accuse you of what it's doing. All right.
- 1:11:15Speaker 1: Don spent all his time looking at Bradley saying, you
- 1:11:19Speaker 1: don't understand how dangerous you're being. Meanwhile, she didn't understand
- 1:11:23Speaker 1: how dangerous she could be. That's a hell of a
- 1:11:26Speaker 1: blind spot. OK, you can be completely right about somebody
- 1:11:29Speaker 1: else's behavior and still be completely wrong about your own.
- 1:11:33Speaker 2: And the saddest part about this is the children.
- 1:11:35Speaker 1: OK, this whole argument was supposedly about protecting them, making
- 1:11:41Speaker 1: sure they didn't get their hands on the firearm and
- 1:11:43Speaker 1: accidentally destroy somebody's life. Now, their father is dead and
- 1:11:47Speaker 1: their mother is facing a murder charge. and those kids'
- 1:11:49Speaker 1: lives could potentially be ruined forever. Oh, the trauma they're
- 1:11:53Speaker 1: going to have to deal with for the rest of
- 1:11:54Speaker 1: their lives, okay? The people, Don, you were supposedly trying
- 1:11:59Speaker 1: to protect are the ones who have to live with
- 1:12:03Speaker 1: the consequences. You spent all this time warning your husband
- 1:12:06Speaker 1: that the gun was dangerous. Nah, bae, the danger was you.
- 1:12:10Speaker 1: Please give Don Freeman the biggest hee-haw. Matter of fact,
- 1:12:16Speaker 1: let Remy Ma give Don Freeman the biggest hee-haw.
- 1:12:18Speaker 5: Hee-haw, hee-haw. You stupid motherfucker.
- 1:12:22Speaker 2: Are you dumb? Yes, she is. Yes, she is.
- 1:12:25Speaker 5: Yo, I wish we didn't show her picture. Yo, because
- 1:12:29Speaker 5: this story is not funny at all.
- 1:12:30Speaker 22: Why?
- 1:12:30Speaker 2: Because she fat? Yo. She look like she come in sections.
- 1:12:33Speaker 14: Like, yo.
- 1:12:34Speaker 2: Shorty look crazy.
- 1:12:35Speaker 5: She look like she come in sections.
- 1:12:37Speaker 7: Like, for real.
- 1:12:38Speaker 5: You got to put it together.
- 1:12:39Speaker 2: Yeah, you do.
- 1:12:40Speaker 19: She do.
- 1:12:40Speaker 7: Damn.
- 1:12:41Speaker 5: Yeah, yeah, yeah, yeah, yeah.
- 1:12:43Speaker 2: Yeah.
- 1:12:44Speaker 7: I know.
- 1:12:45Speaker 2: Somebody say thank you.
- 1:12:46Speaker 5: Thank you for that donkey at a date, y'all.
- 1:12:49Speaker 2: That's right. Now, we're moving along. Yesterday, we had Chris
- 1:12:52Speaker 2: Rock up here, right?
- 1:12:53Speaker 5: Yes, we did.
- 1:12:54Speaker 2: And it's this whole conversation.
- 1:12:55Speaker 1: About Chris Rock and Tony Rock. And, you know, Tony
- 1:12:59Speaker 1: expressed that he would like to go on tour with
- 1:13:02Speaker 1: his brother, like an official tour. Like, you know, Tony
- 1:13:04Speaker 1: has opened up for Chris before at spot dates, but
- 1:13:07Speaker 1: he wants to go on an official tour with his brother.
- 1:13:09Speaker 2: He said he wants to work with his brother in
- 1:13:11Speaker 2: some capacity. I don't know if he said film. I
- 1:13:12Speaker 2: think he specifically said tour.
- 1:13:14Speaker 7: Okay.
- 1:13:14Speaker 2: I'm not sure. So the conversation that we're having, the
- 1:13:17Speaker 2: question was what?
- 1:13:18Speaker 5: The question was, are you required to give your family opportunities.
- 1:13:22Speaker 2: If you can?
- 1:13:24Speaker 5: Not just your children. Your family. We have Chris Rock
- 1:13:27Speaker 5: when he was here. We also have Tony Rock's original
- 1:13:28Speaker 5: audio talking about what he wanted.
- 1:13:29Speaker 1: Do we have time to play both or should we
- 1:13:30Speaker 1: do it when we come back? When we come back,
- 1:13:33Speaker 1: we'll talk about it. Nepotism in regards to your siblings. Because,
- 1:13:36Speaker 1: you know, people always talk about nepotism in regards to,
- 1:13:38Speaker 1: you know, your children. But nepotism includes siblings, too. So
- 1:13:42Speaker 1: we'll talk about it when we come back. It's the
- 1:13:44Speaker 1: world's most dangerous morning show, The Breakfast Club.
- 1:13:49Speaker 14: It's topic time. Call 800-585-1051 to join in to the discussion.
- 1:13:54Speaker 7: With The Breakfast Club.
- 1:13:57Speaker 1: Yes, it's the world's most dangerous morning show, The Breakfast Club.
- 1:13:59Speaker 1: DJ Envy, Jess Hilarious, Charlamagne Tha God, Lauren LaRosa is
- 1:14:02Speaker 1: here as well. Envy's actually not here.
- 1:14:03Speaker 2: He's in China.
- 1:14:04Speaker 7: Yes, he is.
- 1:14:05Speaker 1: Okay, he's in China doing something with the NBA. But
- 1:14:07Speaker 1: we're having a discussion this morning. It's based off the
- 1:14:10Speaker 1: conversation we had with Chris Rock yesterday. Now, this conversation
- 1:14:14Speaker 1: started with my.
- 1:14:15Speaker 2: Guy, Tony Rock. Tony Rock was on Naeem Lynn's podcast.
- 1:14:18Speaker 2: I cannot remember the name of Naeem Lynn's podcast right
- 1:14:20Speaker 2: now off the top of my head. But he was
- 1:14:22Speaker 2: on with Naeem Lynn's podcast some weeks ago, and he
- 1:14:25Speaker 2: had this to say. Let's hear it.
- 1:14:26Speaker 26: This and this and this and this, because I just
- 1:14:27Speaker 26: wanted to be with y'all. I cannot wait for the
- 1:14:31Speaker 26: day that he says, yo, let's go on tour. Not, hey,
- 1:14:35Speaker 26: I'm on tour, come and do Brooklyn. I'm on tour,
- 1:14:37Speaker 26: come and do Houston, because that was my second home. Yo,
- 1:14:41Speaker 26: we're going out for 30 cities. I cannot wait. It
- 1:14:48Speaker 26: is a dream beyond a dream of mine. I am
- 1:14:52Speaker 26: putting all this work in With the hopes that one
- 1:14:55Speaker 26: day he'll just go, oh, he really doing it.
- 1:14:58Speaker 5: That was Deep Meaningful Conversations with Naeem Lynn.
- 1:15:01Speaker 2: That's what it's called?
- 1:15:01Speaker 12: Yes.
- 1:15:02Speaker 5: DMC, Deep Meaningful Conversations with Naeem Lynn.
- 1:15:05Speaker 2: Okay.
- 1:15:06Speaker 1: Well, we had Chris Rock on yesterday talking about it,
- 1:15:08Speaker 1: and he had this to say. When you hear Tony
- 1:15:14Speaker 1: say the things that he says, he loves you, he
- 1:15:15Speaker 1: supports you, he's not jealous of you, but he wishes
- 1:15:17Speaker 1: that you and him could do things together.
- 1:15:19Speaker 16: I mean, maybe we'll do something together. I mean, dude,
- 1:15:21Speaker 16: you ain't never going to get me to say anything
- 1:15:23Speaker 16: disparaging about my brother.
- 1:15:25Speaker 2: No, you shouldn't.
- 1:15:27Speaker 16: But he's doing fine. It's not like a situation where
- 1:15:30Speaker 16: I'm like, well, I got this guy. No, he's doing great.
- 1:15:33Speaker 16: And everybody, you know, Damon's not in a scary movie.
- 1:15:39Speaker 21: It's not an issue.
- 1:15:44Speaker 2: I don't think it's an issue.
- 1:15:46Speaker 7: Tom Hanks has three kids that are actors.
- 1:15:50Speaker 16: I said Denzel too.
- 1:15:52Speaker 9: I literally only knew Chet.
- 1:16:00Speaker 5: It's not like Tony doing bad.
- 1:16:02Speaker 2: But he said it from a place of admiration, not resentment. Yeah,
- 1:16:06Speaker 2: Tony's doing great.
- 1:16:08Speaker 1: So the question, are you obligated to give family members opportunity?
- 1:16:13Speaker 2: No.
- 1:16:13Speaker 16: Okay.
- 1:16:14Speaker 5: I don't think you are.
- 1:16:15Speaker 9: I think if you are in a position where you
- 1:16:17Speaker 9: can give them an opportunity and they deserve so, yes,
- 1:16:21Speaker 9: because everybody doesn't have the mindset that you have.
- 1:16:24Speaker 5: You know what I mean? Sometimes you.
- 1:16:26Speaker 9: you put people in certain positions and they F it
- 1:16:29Speaker 9: up because they don't have that mindset. As you know,
- 1:16:32Speaker 9: they don't work hard. Their work ethic may not be there. They,
- 1:16:35Speaker 9: you know, a lot of people look for handouts, you
- 1:16:38Speaker 9: know what I'm saying? But then they don't know what
- 1:16:39Speaker 9: to do when they even receive a blessing like that.
- 1:16:42Speaker 5: You know what I'm saying?
- 1:16:42Speaker 9: So, no, I don't think you're obligated to, but I
- 1:16:45Speaker 9: think if they deserve it and you are in a
- 1:16:46Speaker 9: position where you can, yes, do so. I think in
- 1:16:49Speaker 9: the situation of like Tony Rock and Chris Rock, though,
- 1:16:52Speaker 9: I feel like why not do the tour with him?
- 1:16:54Speaker 5: He's funny. He's working. Younger, fresher. Yeah, it's like, why not? Like,
- 1:16:58Speaker 5: you can. It seems like it would be just that
- 1:17:00Speaker 5: easy because you're Chris Rock. So, like, I don't know
- 1:17:02Speaker 5: if it's an obligation. Maybe that's not his thing. But
- 1:17:05Speaker 5: I don't know. I just feel like if you have
- 1:17:07Speaker 5: family members that are in line, right? Like, at least
- 1:17:10Speaker 5: in line enough where, like, they're doing enough on their own.
- 1:17:13Speaker 5: Where if you did give them an opportunity, they wouldn't
- 1:17:15Speaker 5: take it for granted and they would run with it.
- 1:17:17Speaker 7: For sure.
- 1:17:17Speaker 22: Why not?
- 1:17:18Speaker 1: Yeah, I mean, you know, he did say that, you know,
- 1:17:20Speaker 1: they'll probably go on tour together. I mean, because I
- 1:17:22Speaker 1: agree with that. I mean, Kevin Hart takes the Plastic
- 1:17:24Speaker 1: Cup boys with him.
- 1:17:25Speaker 11: Everywhere.
- 1:17:25Speaker 2: You know what I'm saying? Naeem Lynn and Spank and
- 1:17:28Speaker 2: the rest of the gang.
- 1:17:29Speaker 1: So if Chris Rock was out doing a tour, it
- 1:17:31Speaker 1: would make sense for Tony Rock to potentially be opening.
- 1:17:35Speaker 2: Up for him. I agree with Jess.
- 1:17:37Speaker 1: Like, you're not obligated to give family members opportunities, right?
- 1:17:40Speaker 1: Just because they're family. But if you can open a
- 1:17:43Speaker 1: door for a qualified family member, do it. If they
- 1:17:46Speaker 1: are qualified and there is an opportunity for them, sure.
- 1:17:51Speaker 7: Sure.
- 1:17:52Speaker 9: And listen, Chris Rock and Tony Rock have two different
- 1:17:56Speaker 9: comedy styles. You understand what I'm saying? So Chris is
- 1:17:58Speaker 9: probably looking at that. I can't speak for him, but
- 1:18:00Speaker 9: I'm just saying they have two different comedy styles, right?
- 1:18:03Speaker 9: And And like you also said, it's not like Tony
- 1:18:06Speaker 9: Rock was coming off angry. It was coming from a
- 1:18:10Speaker 9: place of admiration, but you can tell he really does
- 1:18:12Speaker 9: want to do something tour wise with his brother.
- 1:18:16Speaker 2: You know, so.
- 1:18:16Speaker 12: Yeah.
- 1:18:17Speaker 1: Because, yeah, to me, it's just all about, you know, qualifications,
- 1:18:21Speaker 1: you know, is that person ready? You know, if you
- 1:18:23Speaker 1: can open up a door for that person in the
- 1:18:26Speaker 1: field that they're qualified to be in, hey, do it.
- 1:18:29Speaker 1: Because sometimes putting somebody in a position they're unqualified for,
- 1:18:32Speaker 1: it doesn't empower them at all. It actually exposes them
- 1:18:36Speaker 1: and will probably cause them to crash and burn.
- 1:18:38Speaker 2: Now they're mad at you.
- 1:18:39Speaker 5: Right, and then that's on your name. You know what
- 1:18:41Speaker 5: I mean? Now you're responsible for that.
- 1:18:43Speaker 2: Let's go to the phones, right? Good morning, who's this?
- 1:18:46Speaker 19: Hello?
- 1:18:47Speaker 2: God damn. He's ready to go off on somebody in
- 1:18:50Speaker 2: his family.
- 1:18:50Speaker 5: Who is this?
- 1:18:52Speaker 2: This is Blue. This is Blue. Blue, are you obligated
- 1:18:54Speaker 2: to give family members opportunities?
- 1:18:57Speaker 19: So I feel like we're the only people that do this. Like,
- 1:19:00Speaker 19: I've worked with a lot of cultures over the years.
- 1:19:02Speaker 19: The Italians, the Jewish, the Hispanics. For us, for some.
- 1:19:07Speaker 11: Reason, we only think one at a time, one at
- 1:19:09Speaker 11: a time. Of course, you know, I don't get it.
- 1:19:13Speaker 11: It's an issue I feel.
- 1:19:14Speaker 19: Like amongst black people we have to have. That's the
- 1:19:17Speaker 19: conversation we're having. But I feel like that's an us issue.
- 1:19:22Speaker 2: Only happens with us, man. But what's your answer?
- 1:19:24Speaker 5: He's saying no.
- 1:19:25Speaker 2: Yes, you should.
- 1:19:25Speaker 19: Absolutely, you should.
- 1:19:27Speaker 5: I mean, yes, you should be obligated.
- 1:19:28Speaker 2: Okay, let me just.
- 1:19:29Speaker 19: Absolutely.
- 1:19:30Speaker 2: Let me play white devil's advocate for a minute.
- 1:19:32Speaker 22: Oh, Lord.
- 1:19:32Speaker 2: Oh, man. That's the problem.
- 1:19:34Speaker 11: That's how it started.
- 1:19:35Speaker 2: Well, listen to me. You said, yes, you should.
- 1:19:38Speaker 7: Sure.
- 1:19:38Speaker 1: But I don't think you're obligated to because I think
- 1:19:41Speaker 1: that you should give your qualified... members of your family
- 1:19:45Speaker 1: opportunities because sometimes people want us to open doors that
- 1:19:49Speaker 1: they're not I'm.
- 1:19:50Speaker 19: The only one that's gonna escape I don't care about nobody.
- 1:19:54Speaker 1: Else Harriet Tubman had no problem shooting the people that
- 1:19:57Speaker 1: didn't that was holding her down what the hell are
- 1:19:59Speaker 1: you talking about right what the hell are you talking about.
- 1:20:01Speaker 9: Couldn't keep their damn mouth shut and she wanted to
- 1:20:04Speaker 9: get get people out of there easy and some people
- 1:20:05Speaker 9: running their mouths some people just making too much noise
- 1:20:08Speaker 9: bang bang you gotta.
- 1:20:09Speaker 2: Go Harriet knew everybody couldn't go yeah Just like Noah
- 1:20:12Speaker 2: knew everybody couldn't get on the ark, sir. What are
- 1:20:14Speaker 2: you talking about?
- 1:20:14Speaker 7: Sorry.
- 1:20:15Speaker 2: I was being facetious.
- 1:20:17Speaker 7: Okay.
- 1:20:17Speaker 19: Now, I'm just saying that it's, I think you should,
- 1:20:20Speaker 19: I do think it's an obligation too. Culturally, I think
- 1:20:23Speaker 19: it's an obligation. I do.
- 1:20:24Speaker 2: I think it's a qualification to open the door.
- 1:20:26Speaker 11: I think it would solve a lot of issues that
- 1:20:28Speaker 11: we have.
- 1:20:29Speaker 12: Yes.
- 1:20:29Speaker 11: The hater issue, the envy issue, the jealousy issue.
- 1:20:33Speaker 1: Yeah, but like I said, putting somebody in a position
- 1:20:37Speaker 1: they're not, they're unqualified for, it does not empower them.
- 1:20:40Speaker 2: Well, no, no, no. Wait, wait.
- 1:20:41Speaker 11: I'm not talking about that.
- 1:20:42Speaker 19: I'm not saying unqualified.
- 1:20:43Speaker 11: I'm not saying that.
- 1:20:44Speaker 3: Okay.
- 1:20:45Speaker 5: Well, that's how you got to live it.
- 1:20:46Speaker 7: No, no, no.
- 1:20:47Speaker 2: No, I don't agree.
- 1:20:47Speaker 19: If you're unqualified, you should get, no, that's not what
- 1:20:50Speaker 19: I'm saying. Right.
- 1:20:50Speaker 2: Because a qualified person, you can open the door for them.
- 1:20:53Speaker 8: Right.
- 1:20:53Speaker 2: But some people want you to open the door and
- 1:20:55Speaker 2: then carry them through it. Exactly. That's two different things.
- 1:20:58Speaker 7: Mm-hmm.
- 1:20:59Speaker 5: Like, gosh.
- 1:20:59Speaker 1: All right, we'll come back and we talk about it
- 1:21:01Speaker 1: some more. Are you obligated to give family members opportunities?
- 1:21:05Speaker 1: It's The Breakfast Club.
- 1:21:07Speaker 2: It's topic time.
- 1:21:13Speaker 21: Call 800-585-1051 to join us for the discussion with The
- 1:21:16Speaker 21: Breakfast Club.
- 1:21:17Speaker 2: Let's talk about it. Yes, it's the world's most dangerous
- 1:21:19Speaker 2: morning show, The Breakfast Club.
- 1:21:20Speaker 1: DJ Envy, Jess Hilarious, Charlamagne Tha God, Lauren LaRosa is
- 1:21:23Speaker 1: here as well. And we're talking about Chris Rock, Tony Rock,
- 1:21:27Speaker 1: the conversation that started on Naeem Lim's podcast.
- 1:21:30Speaker 2: What's it called?
- 1:21:30Speaker 5: DMC, Deep Meaningful Conversations.
- 1:21:33Speaker 1: Deep Meaningful Conversations. When Tony Rock said he would love
- 1:21:35Speaker 1: to go on tour with Chris Rock. Chris Rock was
- 1:21:37Speaker 1: up here yesterday. Can we play those clips again, Ray?
- 1:21:40Speaker 1: Let's play what Tony Rock said on Naeem Lynch podcast.
- 1:21:43Speaker 1: This and this and this and this because I just
- 1:21:45Speaker 1: wanted to be with y'all. I cannot wait for the
- 1:21:49Speaker 1: day that he says, yo, let's go on tour. Not, hey,
- 1:21:52Speaker 1: I'm on tour. Come and do Brooklyn.
- 1:21:54Speaker 2: I'm on tour.
- 1:21:55Speaker 26: Come and do Houston because that was my second home.
- 1:21:57Speaker 2: Yo, we're going out. For 30 cities.
- 1:22:01Speaker 22: Yeah.
- 1:22:02Speaker 2: I cannot wait. It is a dream beyond the dream
- 1:22:07Speaker 2: of mine.
- 1:22:09Speaker 26: I am putting all this work in With the hopes
- 1:22:12Speaker 26: that one day he'll just go, oh, he really doing it.
- 1:22:15Speaker 9: He just looks up to his brother, like, just in
- 1:22:17Speaker 9: that conversation. I can tell, like, he said that's a dream.
- 1:22:19Speaker 2: I'll tell you something else Naeem said in there that
- 1:22:21Speaker 2: would be dope.
- 1:22:22Speaker 1: He's like, have Jordan host it, Tony is the opener,
- 1:22:25Speaker 1: and then Chris.
- 1:22:26Speaker 2: Because it's Chris Rock. He's going to sell out arenas
- 1:22:28Speaker 2: all over the world anyway. The Rock Boys. That would
- 1:22:30Speaker 2: be fire. That would be dope. This is what Chris
- 1:22:32Speaker 2: Rock had to say about that. Your brother, Tony.
- 1:22:34Speaker 1: When you hear Tony say the things that he says,
- 1:22:38Speaker 1: he loves you, he supports you, he's not jealous of you,
- 1:22:40Speaker 1: but he wishes that you and him could do things together.
- 1:22:42Speaker 16: I mean, maybe we'll do something together. I mean, dude,
- 1:22:45Speaker 16: you ain't never going to get me to say anything
- 1:22:47Speaker 16: disparaging about my brother.
- 1:22:48Speaker 2: No, you shouldn't. But he's doing fine.
- 1:22:51Speaker 16: It's not like a situation where I'm like, well, I
- 1:22:54Speaker 16: got this guy. No, he's doing great.
- 1:22:57Speaker 2: And everybody, you know.
- 1:22:58Speaker 16: Damon's not in a scary movie.
- 1:23:00Speaker 5: I don't think it's an issue. Tom Hanks has a.
- 1:23:12Speaker 2: kids that are actors.
- 1:23:14Speaker 5: But from the outside, wow. And from the outside looking
- 1:23:16Speaker 5: into it.
- 1:23:18Speaker 2: And everybody does it like, damn it ain't enough. Yeah,
- 1:23:21Speaker 2: it's not.
- 1:23:22Speaker 16: Like a thing.
- 1:23:23Speaker 2: I don't think it's a... It's not like Tony doing bad. Yeah,
- 1:23:26Speaker 2: Tony's doing... But he said it from a place of admiration,
- 1:23:29Speaker 2: not resentment. Yeah, yeah, yeah. Tony's doing great. That's the
- 1:23:31Speaker 2: other point, too, though. Even Ice Cube made his son
- 1:23:35Speaker 2: audition to play him in the NWA movie.
- 1:23:40Speaker 5: You're not just going to get it because you're my
- 1:23:41Speaker 5: son and you look just like me.
- 1:23:42Speaker 2: I agree.
- 1:23:43Speaker 5: I agree, but the qualifications got to be there. And
- 1:23:47Speaker 5: it's discipline and it's hard work. It's also teaching.
- 1:23:49Speaker 9: You can't just walk through this door because I did this.
- 1:23:53Speaker 5: You know what's crazy, though? Talking to Tony Robb and
- 1:23:57Speaker 5: just seeing how he is in real life, why did
- 1:24:00Speaker 5: Why is that narrative so big that he just don't
- 1:24:02Speaker 5: care about his brother? Like, he obviously cares about his family, his.
- 1:24:05Speaker 2: Brother, his people. He has put Tony in things before.
- 1:24:08Speaker 5: Everything else overshadows all that, though.
- 1:24:10Speaker 9: I think because Chris, I mean, not Chris, Tony has
- 1:24:13Speaker 9: conversations like this where people outside looking in is just like, yo,
- 1:24:16Speaker 9: it's easy just to take your brother on tour.
- 1:24:18Speaker 5: Like, they just think it's just so easy. But like
- 1:24:20Speaker 5: he said, when he was up here, you just have
- 1:24:21Speaker 5: to be around. He lives here. I live there and
- 1:24:24Speaker 5: you know what I mean?
- 1:24:24Speaker 9: But I've given opportunities to family before and they didn't
- 1:24:29Speaker 9: do what they were supposed to do with it. Like
- 1:24:30Speaker 9: if anybody knows, like if you're an avid Jessalarius fan
- 1:24:34Speaker 9: from day one, you'll see I always try to put
- 1:24:36Speaker 9: like my cousins, my son's father, my, you know, My parents,
- 1:24:40Speaker 9: not my mother, because she would never stop in front
- 1:24:42Speaker 9: of a camera. But just like certain people just don't
- 1:24:45Speaker 9: have that business. I've even created jobs for families, for
- 1:24:49Speaker 9: my family members, and ones that I didn't even need.
- 1:24:52Speaker 5: You know what I mean? Positions that I didn't even need.
- 1:24:54Speaker 5: And they just, they effed it up.
- 1:24:55Speaker 1: Yeah, I think we probably taking the Tony thing out
- 1:24:58Speaker 1: of context because Tony never said that Chris never put
- 1:25:01Speaker 1: him in anything.
- 1:25:02Speaker 19: Yeah.
- 1:25:02Speaker 2: He just said that he wants to actually do this tour.
- 1:25:05Speaker 2: That's his dream.
- 1:25:06Speaker 19: Yeah.
- 1:25:07Speaker 2: Tony played, what was the uncle name on Everybody Hates Chris?
- 1:25:10Speaker 5: Oh, my God. I forgot.
- 1:25:11Speaker 2: I remember Tony played an uncle on Everybody Hates Chris.
- 1:25:14Speaker 7: I can't remember the name.
- 1:25:15Speaker 9: And he was in the cartoon version as well, the
- 1:25:17Speaker 9: animated version of Everybody Hates Chris as well. But I
- 1:25:21Speaker 9: was more so talking about the question that we had.
- 1:25:23Speaker 2: Are you obligated to give family members opportunities?
- 1:25:26Speaker 7: Yeah, yeah, yeah.
- 1:25:26Speaker 2: The answer is no. Let's go to the phone. Good morning.
- 1:25:28Speaker 2: Good morning. Good morning. Good morning.
- 1:25:31Speaker 7: Talking about the topic.
- 1:25:32Speaker 2: Yes, sir. Are you obligated to give family members opportunities?
- 1:25:35Speaker 16: No, no.
- 1:25:36Speaker 2: Hell no. Okay. You want to expound? Yes.
- 1:25:40Speaker 7: What's going on, Charlamagne?
- 1:25:41Speaker 5: What's going on, Jess?
- 1:25:42Speaker 10: How you doing, baby?
- 1:25:43Speaker 5: What's happening to my brother?
- 1:25:44Speaker 2: How are you? Man, watch out.
- 1:25:46Speaker 10: What's going on?
- 1:25:46Speaker 11: Lauren, I see you on TV right now, girl.
- 1:25:49Speaker 5: Good morning.
- 1:25:50Speaker 7: Hey, listen here. You want to say, man, I love y'all, man.
- 1:25:53Speaker 11: Y'all doing a great job up there, man. Appreciate everything
- 1:25:56Speaker 11: y'all doing for the community, you know?
- 1:25:57Speaker 7: Love you, man.
- 1:25:58Speaker 2: We appreciate you. Love you back, brother.
- 1:26:00Speaker 7: My nephew. I'm the Unc.
- 1:26:02Speaker 11: I was born in 1972, so I'm Big Unc.
- 1:26:04Speaker 2: Okay, okay.
- 1:26:05Speaker 7: Big Unc.
- 1:26:06Speaker 2: Big Unc.
- 1:26:06Speaker 11: You know what I'm saying?
- 1:26:07Speaker 7: Y'all have a good day, man. And God bless you guys, man.
- 1:26:10Speaker 2: Thank you, brother.
- 1:26:11Speaker 13: Thank you.
- 1:26:11Speaker 5: I appreciate that.
- 1:26:12Speaker 2: Hey, Solomon, one more thing.
- 1:26:14Speaker 7: Yes, sir. Yes, sir.
- 1:26:15Speaker 11: Can I get a trucker hat?
- 1:26:17Speaker 2: We got you. Send my guy, put him on hold,
- 1:26:19Speaker 2: send him a Black Effect trucker hat, man.
- 1:26:21Speaker 11: That's what's up.
- 1:26:22Speaker 7: And Lauren, I know you got a dude now.
- 1:26:26Speaker 11: But man, back in the day, when my nephew gave me.
- 1:26:29Speaker 2: That name, you f * * * ing know. Oh,
- 1:26:31Speaker 2: my goodness. That's not funny.
- 1:26:34Speaker 5: Nothing about that, but that's who I was.
- 1:26:37Speaker 2: You know what I'm saying?
- 1:26:39Speaker 7: I know, I know. You had to.
- 1:26:41Speaker 10: I didn't have anything.
- 1:26:43Speaker 5: I had myself and God. Now, what they had is
- 1:26:46Speaker 5: a whole different story.
- 1:26:48Speaker 7: I was telling the truth.
- 1:26:51Speaker 2: We're going to put you on hold. He's going to
- 1:26:53Speaker 2: get your address for the hat. Listen, this is the
- 1:26:57Speaker 2: moral of the story to me.
- 1:26:58Speaker 1: You're not obligated to give family members opportunities just because
- 1:27:01Speaker 1: they're family. But if you can open a door for
- 1:27:04Speaker 1: a qualified person, do it. If they are qualified and
- 1:27:07Speaker 1: there's an opportunity for them.
- 1:27:09Speaker 7: Sure.
- 1:27:09Speaker 2: Okay. But I'm opening the door because you're qualified.
- 1:27:13Speaker 16: Yeah.
- 1:27:13Speaker 1: And I want y'all to remember that opening the door
- 1:27:15Speaker 1: and carrying somebody through it. Those are two different things.
- 1:27:18Speaker 1: Some of these folks want to get carried and they
- 1:27:20Speaker 1: think everybody around you just getting paid for no reason
- 1:27:23Speaker 1: when the reality is that's not how this works.
- 1:27:25Speaker 2: Okay. So, you know, that's, that's my moral of the story.
- 1:27:28Speaker 16: All right.
- 1:27:29Speaker 5: I think that's great.
- 1:27:30Speaker 2: We got the latest with Lauren coming up? We do.
- 1:27:32Speaker 5: We're going to get into Will Smith and Jazzy Jeff
- 1:27:34Speaker 5: and a new project that they have coming up. And
- 1:27:36Speaker 5: Drake may still be boycotting the Grammys. And I'm going
- 1:27:39Speaker 5: to tell you guys why I think it's happening.
- 1:27:40Speaker 7: All right.
- 1:27:41Speaker 2: We got all that and more when we come back
- 1:27:42Speaker 2: at The Breakfast Club.
- 1:27:43Speaker 1: Yes, it's the world's most dangerous morning show, The Breakfast Club.
- 1:27:45Speaker 1: DJ Envy, Jess Hilarious, Charlamagne Tha God. Lauren and Laurel
- 1:27:49Speaker 1: is around here somewhere. It's actually time for her segment,
- 1:27:51Speaker 1: but she's not around.
- 1:27:52Speaker 5: Are you ready for this weekend?
- 1:27:54Speaker 2: I am ready for this weekend.
- 1:27:55Speaker 5: Because you're about to heal some people in the building.
- 1:27:57Speaker 1: Well, it's my sixth annual Mental Wealth Expo. Drop on
- 1:28:00Speaker 1: the clues bombs for the sixth annual Mental Wealth Expo
- 1:28:02Speaker 1: happening at the Joelle and Diane Bloom Wellness and Event
- 1:28:05Speaker 1: Center in Newark, New Jersey. And as Jess said, this year,
- 1:28:10Speaker 1: our main focus is literally just about solutions. Like, you know,
- 1:28:13Speaker 1: last five years, we have a lot of conversations about
- 1:28:17Speaker 1: eradicating the stigma and it gets people on their pathway
- 1:28:19Speaker 1: to healing. But this year is literally just all about
- 1:28:22Speaker 1: solutions and pathways to healing. So My good sister Debbie
- 1:28:25Speaker 1: Brown is curating the whole thing.
- 1:28:27Speaker 2: We have Dr. Rita Walker is going to be there.
- 1:28:29Speaker 7: Dr.
- 1:28:30Speaker 2: Jay Barnett. Elliot Connie. Kiera Gaines is going to be there.
- 1:28:34Speaker 5: Shout out to Kiera Gaines.
- 1:28:35Speaker 2: He's dope. The good sister Michelle Williams is going to
- 1:28:38Speaker 2: be there. Ayanla Vanzana. going to be there. A whole
- 1:28:41Speaker 2: host of people, man. And it's a free event open
- 1:28:43Speaker 2: to all ages.
- 1:28:44Speaker 1: All you got to do is go to mentalwealthexpo.com and
- 1:28:46Speaker 1: RSVP to be there. And we'll see you this Saturday,
- 1:28:49Speaker 1: World Mental Health Day at the Joelle and Diane Bloom
- 1:28:51Speaker 1: Wellness and Adventure Center in Newark, New Jersey for the
- 1:28:53Speaker 1: sixth annual Mental Wealth Expo.
- 1:28:55Speaker 2: Period.
- 1:28:55Speaker 5: Now let's get to the latest with Lauren. Lauren be
- 1:28:58Speaker 5: coming with straight facts.
- 1:29:01Speaker 14: She gets them from somebody that knows somebody.
- 1:29:03Speaker 2: She gets the details.
- 1:29:04Speaker 5: I'm the homegirl that knows a little bit about everything.
- 1:29:07Speaker 2: She be having the latest on you.
- 1:29:11Speaker 14: The latest with Lauren La Rosa.
- 1:29:12Speaker 1: Sometimes you have facts, sometimes you have details, sometimes you
- 1:29:15Speaker 1: have a little bit of everything.
- 1:29:16Speaker 5: Well, it's the latest.
- 1:29:17Speaker 2: Brought to you by Top Dog Law.
- 1:29:19Speaker 14: On The Breakfast Club.
- 1:29:20Speaker 2: So what's the meat? Top Dog Law.
- 1:29:22Speaker 7: Yes, so.
- 1:29:23Speaker 2: Three hour low. Well, third hour low.
- 1:29:27Speaker 5: I don't know what that means.
- 1:29:27Speaker 2: It's the third hour. You turn the top dog low
- 1:29:29Speaker 2: in the third hour.
- 1:29:30Speaker 5: OK. All right. So there's a conversation right now about
- 1:29:33Speaker 5: Drake in the Grammys. Now, this is not a new conversation,
- 1:29:36Speaker 5: but what's happening right now is there are reports that
- 1:29:39Speaker 5: and I tried to verify reports, but have heard nothing back.
- 1:29:42Speaker 5: that Drake is going to sit out of submitting Habib D,
- 1:29:47Speaker 5: Maid of Honor, and Iceman. Habib D. Remember he dropped
- 1:29:49Speaker 5: the three projects, Iceman, Habib D.
- 1:29:51Speaker 2: And Maid of Honor?
- 1:29:53Speaker 5: Am I saying that right?
- 1:29:55Speaker 1: Make sure to give Habib D five stars when he
- 1:29:58Speaker 1: drops you off this morning, okay?
- 1:30:00Speaker 5: That is crazy.
- 1:30:01Speaker 6: Oh!
- 1:30:02Speaker 5: Am I not saying it right? I don't know.
- 1:30:03Speaker 7: Whatever.
- 1:30:04Speaker 5: That's messed up.
- 1:30:05Speaker 2: Go ahead.
- 1:30:06Speaker 5: So y'all know Iceman was everywhere all summer. It was charting.
- 1:30:09Speaker 5: It was doing all the things. But, you know, Drake
- 1:30:11Speaker 5: alludes to on the project on Make Them Know that
- 1:30:14Speaker 5: he's not going to submit it. He says this album,
- 1:30:16Speaker 5: never submitting it. And, you know, famously back in twenty
- 1:30:19Speaker 5: twenty five, Not Like Us was awarded five Grammys during
- 1:30:23Speaker 5: the Grammys in twenty twenty five. And that was also
- 1:30:26Speaker 5: mentioned in the lawsuit that Drake has. But I said
- 1:30:29Speaker 5: that this is not new for Drake because Drake has
- 1:30:32Speaker 5: done this before where he's made it obvious that he's
- 1:30:34Speaker 5: not going to submit. He didn't submit more life in 2018.
- 1:30:38Speaker 5: He withdrew his submission of certified lover boy in 2022.
- 1:30:42Speaker 5: So I don't know what his thing is with the Grammys,
- 1:30:44Speaker 5: but I don't know. I thought Iceman would have been good.
- 1:30:47Speaker 5: Good contender.
- 1:30:48Speaker 9: Yeah, especially all the hype around the album that he created.
- 1:30:51Speaker 10: You know what I mean?
- 1:30:52Speaker 2: I mean, it's a weak year. So this is probably
- 1:30:54Speaker 2: his best opportunity to win. Yeah. Like what else came
- 1:30:57Speaker 2: out this year?
- 1:30:58Speaker 5: Dang, Charlamagne. Honestly, this year. J.
- 1:31:01Speaker 2: Cole came out earlier to fall off.
- 1:31:05Speaker 5: Dang, I was going to say the clips, but that
- 1:31:07Speaker 5: was last year. No, that was last year. It just
- 1:31:09Speaker 5: still feels like it just got here.
- 1:31:10Speaker 3: I know, right?
- 1:31:11Speaker 5: Because I still be bumping into my cousin.
- 1:31:13Speaker 2: I mean, it's a lot of good rap that's out,
- 1:31:14Speaker 2: but not like mainstream.
- 1:31:16Speaker 5: Yeah, nothing that really hit where it's like it sticks
- 1:31:18Speaker 5: with you.
- 1:31:19Speaker 19: T.I.
- 1:31:19Speaker 5: T.I. did release this year.
- 1:31:20Speaker 7: Oh, yeah, T.I.
- 1:31:21Speaker 2: Album.
- 1:31:22Speaker 7: Yeah, T.I.
- 1:31:23Speaker 2: Album did come out. Except Rocky came out in January.
- 1:31:27Speaker 5: I thought you were just being mean.
- 1:31:27Speaker 2: I think that was January.
- 1:31:28Speaker 5: Being mean, but I understand what you're saying, but I
- 1:31:30Speaker 5: don't know.
- 1:31:30Speaker 2: Don Toliver.
- 1:31:32Speaker 5: Oh, yeah. He's going to be in that conversation.
- 1:31:36Speaker 2: I think Ben Stable came out this year too, right?
- 1:31:37Speaker 2: Cry Baby.
- 1:31:38Speaker 5: Did Offset drop an album this year? I don't know
- 1:31:41Speaker 5: if he dropped an album. I don't know.
- 1:31:43Speaker 4: Okay.
- 1:31:43Speaker 5: But I know the album Quavo just dropped a Chrome Life.
- 1:31:46Speaker 2: I'm going to be honest with you. What? I don't care.
- 1:31:50Speaker 2: If Drake don't want to put out his music, if
- 1:31:51Speaker 2: you don't want to submit his music to the Grammys,
- 1:31:54Speaker 2: God bless.
- 1:31:55Speaker 5: I don't think that he cares for the institution. Look,
- 1:31:57Speaker 5: I'm not against it. He's still Drake and he's still charting,
- 1:31:59Speaker 5: so it don't matter.
- 1:31:59Speaker 1: He actually cares more about internet validation than he does
- 1:32:03Speaker 1: the Grammys. He cares more about what those digital D-heads
- 1:32:06Speaker 1: online think about.
- 1:32:07Speaker 2: Him than he does the Grammys.
- 1:32:11Speaker 5: I think he cares about his fan base.
- 1:32:12Speaker 1: He cares way more about what them people say about
- 1:32:15Speaker 1: him online than he do the Grammys.
- 1:32:16Speaker 7: Yeah.
- 1:32:17Speaker 5: He cares about the people. That's what I'm trying to...
- 1:32:18Speaker 5: That's because he be in the comments, though. He be
- 1:32:20Speaker 5: in the comments. He be on the streams. That's why
- 1:32:22Speaker 5: he cares. If he wasn't in the comments... He cares about.
- 1:32:26Speaker 2: What he can control.
- 1:32:27Speaker 1: And he can control a lot of the narrative about
- 1:32:31Speaker 1: him online, for.
- 1:32:32Speaker 2: The most part.
- 1:32:33Speaker 7: Okay.
- 1:32:33Speaker 5: I don't even think he can control that.
- 1:32:35Speaker 2: All the way.
- 1:32:35Speaker 7: Yes, he can.
- 1:32:35Speaker 5: He tries.
- 1:32:36Speaker 2: He does a good damn job.
- 1:32:38Speaker 5: Yeah, he tries.
- 1:32:38Speaker 11: Well.
- 1:32:40Speaker 5: Well, yeah. Real quick, before we get out of here,
- 1:32:42Speaker 5: I wanted to mention the Will Smith and Jazzy Jeff
- 1:32:46Speaker 5: project that is coming because yesterday it was announced via
- 1:32:49Speaker 5: deadline that they are going to be doing an inspiration-based
- 1:32:53Speaker 5: scripted series. It's going to be called 215. And this
- 1:32:58Speaker 5: is going to be a partnership between Westbrook Development and
- 1:33:01Speaker 5: the Mahler Group. Now, 215, this is going to be
- 1:33:04Speaker 5: based on Will Smith's early life and his rise alongside
- 1:33:08Speaker 5: DJ Jazzy Jeff as one of hip-hop's first ever crossover acts.
- 1:33:12Speaker 5: So it's going to follow a quick-rooted teenager and the DJ,
- 1:33:17Speaker 5: who is most musical and they're friends and they help
- 1:33:20Speaker 5: each other fuel their dream. And together, they chase a
- 1:33:22Speaker 5: record deal, they chase money, and a way to get
- 1:33:24Speaker 5: out of Philly and take over the hip-hop scene. I
- 1:33:27Speaker 5: know we talked about this earlier, but for a lot
- 1:33:29Speaker 5: of us, we thought that the Fresh Prince was really
- 1:33:31Speaker 5: Will Smith's life.
- 1:33:31Speaker 2: I don't know why, because Will Smith didn't even rap
- 1:33:34Speaker 2: on Fresh Prince.
- 1:33:35Speaker 5: No, but like.
- 1:33:36Speaker 2: He wasn't chasing a rap dream on Fresh Prince.
- 1:33:37Speaker 5: It just seemed like it was so Philly and so.
- 1:33:41Speaker 2: It wasn't Philly. He left Philly to go to Bel-Air.
- 1:33:43Speaker 5: I know, stupid, but what I'm saying is... It just
- 1:33:47Speaker 5: seemed like it was so, like, where he would have
- 1:33:49Speaker 5: been in his life once he left Philly. I mean,
- 1:33:50Speaker 5: as a kid, that's what you think, right?
- 1:33:52Speaker 9: But when I got older and I actually met Will
- 1:33:54Speaker 9: Smith's real sister, she, and I asked her that.
- 1:33:57Speaker 7: You asked her?
- 1:33:57Speaker 5: Yeah, she was like, hell no, it ain't about his
- 1:33:59Speaker 5: real life, girl.
- 1:34:00Speaker 2: He don't got no rich uncle.
- 1:34:00Speaker 5: You know what I'm saying? No, like, she confirmed other
- 1:34:04Speaker 5: things that weren't real, you.
- 1:34:05Speaker 7: Know what I mean? So, yeah.
- 1:34:06Speaker 2: But I'm the stupid one. right right and also a
- 1:34:09Speaker 2: lot of people who.
- 1:34:09Speaker 5: Thought that that was like a play on his real
- 1:34:12Speaker 5: life a lot.
- 1:34:12Speaker 1: Of people are stupid Lauren and it's okay DJ Jazzy
- 1:34:15Speaker 1: Jeff and Fresh Prince have a great life though if
- 1:34:16Speaker 1: you think about it in Philly I mean a great
- 1:34:18Speaker 1: story rather yeah because they go from you know Philadelphia
- 1:34:23Speaker 1: working class city to being actual crossover rap stars like
- 1:34:27Speaker 1: they were the first rappers to win a Grammy period
- 1:34:30Speaker 1: Like nobody ever, no rappers won Grammys before Fresh Prince
- 1:34:33Speaker 1: and Jazzy Jeff.
- 1:34:33Speaker 7: Wow.
- 1:34:34Speaker 2: That's a big deal.
- 1:34:35Speaker 5: That is a big deal. Something that I just learned.
- 1:34:37Speaker 5: Didn't they not go?
- 1:34:39Speaker 22: Huh?
- 1:34:39Speaker 5: Wasn't there like a boycott in there of some sort?
- 1:34:41Speaker 2: Oh, I don't remember.
- 1:34:42Speaker 5: It was something like, I don't know. Go ahead.
- 1:34:44Speaker 2: But if you read Will's book, like his early life.
- 1:34:47Speaker 1: In Philadelphia with him and Jeff and Charlie Mack and
- 1:34:50Speaker 1: all of them trying to make it out of Philadelphia,
- 1:34:52Speaker 1: it's a really good story.
- 1:34:54Speaker 13: Hmm.
- 1:34:54Speaker 5: Yeah, I think it's going to be dope. I'm excited
- 1:34:56Speaker 5: to see it. And DJ Jazzy Jeff looked like my
- 1:34:59Speaker 5: cousin Paul, so come on, Paul.
- 1:35:00Speaker 2: We don't know what Paul looks like.
- 1:35:01Speaker 5: I know, but DJ Jazzy Jeff.
- 1:35:04Speaker 7: Okay.
- 1:35:04Speaker 5: Yeah, there was a boycott.
- 1:35:06Speaker 2: Why you don't give Paul a job? No, Paul's a
- 1:35:09Speaker 2: damn knucklehead. Because he look like a DJ.
- 1:35:11Speaker 7: Can he DJ?
- 1:35:12Speaker 11: Now Paul got to get a job.
- 1:35:13Speaker 7: There's something wrong with Paul.
- 1:35:14Speaker 5: Oh, my God. All right, y'all.
- 1:35:18Speaker 7: Hell no.
- 1:35:18Speaker 5: No, you cannot DJ none of my shows, Paul. Don't
- 1:35:21Speaker 5: get no damn idea. Not DJ P? He actually is
- 1:35:24Speaker 5: a DJ.
- 1:35:25Speaker 2: Paul.
- 1:35:25Speaker 5: DJ Paul with Paul, honey. And he can't get a job?
- 1:35:30Speaker 5: Come on, stop playing, play.
- 1:35:31Speaker 2: Stop calling my father.
- 1:35:34Speaker 5: I know because he look like DJ P. How old
- 1:35:35Speaker 5: is Paul?
- 1:35:36Speaker 2: Paul older.
- 1:35:37Speaker 5: Paul like 48 now. And he can't get a job?
- 1:35:40Speaker 2: He got a job DJing all over Baltimore.
- 1:35:43Speaker 5: He done been all over Baltimore.
- 1:35:46Speaker 9: He better go to Philly and try to audition to.
- 1:35:49Speaker 2: Be DJ Jazzy Jazz. Let's wrap this up.
- 1:35:51Speaker 5: You guys get the latest from me. Now you can
- 1:35:54Speaker 5: get the latest from Top Dog Law. See how much
- 1:35:55Speaker 5: your case may be worth. Unleash Top Dog and fight
- 1:35:58Speaker 5: for the money you deserve. Go to topdoglaw.com.
- 1:36:01Speaker 7: All right.
- 1:36:01Speaker 1: Now, DJ Envy is in China, so I'm sure he
- 1:36:04Speaker 1: left y'all a mixed line to y'all. He's going to
- 1:36:05Speaker 1: be talking all through it, acting like he here, telling
- 1:36:07Speaker 1: y'all to call up and make requests, but he's not here.
- 1:36:10Speaker 2: The mix is pre-recorded. It's The Breakfast Club.
- 1:36:12Speaker 1: Yes, it's the world's most dangerous morning show, The Breakfast Club.
- 1:36:14Speaker 1: DJ Envy, Jess Hilarious, Charlamagne Tha God, Lauren LaRosa is
- 1:36:17Speaker 1: here as well.
- 1:36:18Speaker 2: Envy is in China. I think he might be joining
- 1:36:20Speaker 2: us tomorrow.
- 1:36:21Speaker 5: Tomorrow and Friday.
- 1:36:22Speaker 2: If he can get the equipment. Set up, right? You
- 1:36:25Speaker 2: know it's crazy if you went all the way to
- 1:36:26Speaker 2: China and don't have the technology to set up. I
- 1:36:28Speaker 2: know they got it over there. I was very excited.
- 1:36:29Speaker 5: Come on, that'll be wild. I couldn't even connect. That'll
- 1:36:32Speaker 5: be a damn lie.
- 1:36:33Speaker 2: I tell y'all.
- 1:36:34Speaker 5: I couldn't even connect over there.
- 1:36:35Speaker 2: They ain't got no Wi-Fi over here.
- 1:36:37Speaker 7: Really?
- 1:36:38Speaker 2: And you in China.
- 1:36:39Speaker 14: Okay.
- 1:36:40Speaker 7: Crazy.
- 1:36:40Speaker 1: Well, listen, I want to tell everybody I can't wait
- 1:36:42Speaker 1: to see you this Saturday at the 6th Annual Mental
- 1:36:45Speaker 1: Wealth Expo at the Joelle and Diane Bloom Wellness and
- 1:36:48Speaker 1: Events Center in Newark, New Jersey. I bring some of
- 1:36:51Speaker 1: the best mental health professionals in the business together. My
- 1:36:53Speaker 1: good sister, Debbie Brown's curating everything. Uh, Iyanla Vanzana is
- 1:36:57Speaker 1: going to be there.
- 1:36:58Speaker 7: Dr.
- 1:36:58Speaker 1: Rita Walker, Dr. Jay Barnett, Elliot Connie, Kiara Gaines. Um, uh, uh,
- 1:37:06Speaker 1: Michelle Williams is going to be there. Quite a few people, man. So, uh,
- 1:37:10Speaker 1: we'll see you this Saturday at the mental wealth expo.
- 1:37:12Speaker 1: It's a free event. All you got to do is
- 1:37:13Speaker 1: go to mentalwealthexpo.com and RSVP to be there.
- 1:37:17Speaker 2: Where you at this weekend, Jeff?
- 1:37:18Speaker 5: I'm going to be in Baltimore.
- 1:37:19Speaker 9: I got some work that I'm doing with my foundation
- 1:37:21Speaker 9: in Baltimore with the mayor and some.
- 1:37:24Speaker 5: Things like that.
- 1:37:24Speaker 9: But I've reached out to Fred Hammond and seen if
- 1:37:29Speaker 9: he could come to your mental health expo.
- 1:37:31Speaker 2: We need somebody to help put a stage up real fast.
- 1:37:36Speaker 21: Stop playing with my child, yo.
- 1:37:40Speaker 2: No, she can't build a damn stage. Damn, she's still
- 1:37:43Speaker 2: recovering from her birthday when she had to put all
- 1:37:44Speaker 2: that together. Anyway.
- 1:37:48Speaker 5: No, shut up. These are press ones, the best ones.
- 1:37:51Speaker 5: But no, no, no.
- 1:37:53Speaker 9: I won't be doing shows and on stage this weekend,
- 1:37:57Speaker 9: but I will be doing other work with the foundation
- 1:37:59Speaker 9: in Baltimore City. But next weekend, Cincinnati, Ohio, I will
- 1:38:02Speaker 9: be there at the Funny Bone Comedy Club next Friday
- 1:38:04Speaker 9: and next Saturday. That's October 16th and 17th. We got
- 1:38:07Speaker 9: four shows, so make sure you get your tickets for that.
- 1:38:10Speaker 9: Saturday is almost sold out already, y'all, so get them
- 1:38:13Speaker 9: Friday tickets. at JessHilariousOfficial.com. Can't wait to see y'all next Saturday, Cincinnati.
- 1:38:18Speaker 7: That's right.
- 1:38:19Speaker 2: Now listen, ask me a question, Jess.
- 1:38:21Speaker 5: No, before you ask a question, we gotta talk about
- 1:38:24Speaker 5: Del State homecoming this week Del State baby.
- 1:38:26Speaker 2: Oh what's going on at Del State it's our you.
- 1:38:28Speaker 5: Already know it's our homecoming this weekend it's yes happy
- 1:38:33Speaker 5: homecoming Delaware State University Hornets okay but they're doing remember
- 1:38:37Speaker 5: I told you they bring you Mr.
- 1:38:37Speaker 2: Cheeks Yes.
- 1:38:39Speaker 7: So Mr.
- 1:38:39Speaker 5: Chiefs will be on campus. What? He's going to be
- 1:38:42Speaker 5: on campus because we have this thing called the DSU slide.
- 1:38:45Speaker 5: We go to lights, camera, action.
- 1:38:46Speaker 2: Yes.
- 1:38:47Speaker 5: So we have the plots like where all the Greeks
- 1:38:49Speaker 5: cook out on Saturday and the tailgating for the game.
- 1:38:51Speaker 5: So they're bringing him so that we can do one
- 1:38:53Speaker 5: big lights, camera, action, DSU slide. Oh, that's going to
- 1:38:56Speaker 5: be fire. Yeah, but at first when I heard it too,
- 1:38:57Speaker 5: I said to Sean and me, I'm like, they bringing Mr.
- 1:38:59Speaker 7: Cheeks.
- 1:39:00Speaker 2: And I told you Mr. Cheeks got joints between the laws.
- 1:39:02Speaker 2: All I knew was lights.
- 1:39:04Speaker 3: Camera, action.
- 1:39:04Speaker 5: And then he started going down the things.
- 1:39:06Speaker 23: And I'm like, oh, that was him.
- 1:39:08Speaker 2: Lifestyles are rich in fame.
- 1:39:10Speaker 5: What are you talking about?
- 1:39:12Speaker 2: Coop's beamers in the bins. Yeah.
- 1:39:14Speaker 5: That's going to be lit. I just, I literally forgot.
- 1:39:16Speaker 19: Yep.
- 1:39:16Speaker 5: And then on Friday, they got Maya and Jadakiss for
- 1:39:20Speaker 5: the alumni. My DMV girl is coming. Yeah. We're going
- 1:39:24Speaker 5: to have a good time this weekend. So act like
- 1:39:25Speaker 5: you know us. Don't play with us. Period.
- 1:39:27Speaker 2: Hurry up.
- 1:39:27Speaker 5: Charlotte, what's the positive note?
- 1:39:29Speaker 2: The positive note is this. Boredom.
- 1:39:31Speaker 1: OK, is your unfair advantage. Everyone's trying to escape boredom
- 1:39:34Speaker 1: the second it shows up. You know, you get a
- 1:39:37Speaker 1: few seconds of silence and the first thing you do
- 1:39:38Speaker 1: is you reach for your phone. You want to be
- 1:39:40Speaker 1: on TikTok. You want to be on Instagram. You want
- 1:39:41Speaker 1: to be on YouTube. You just want, you know, some
- 1:39:44Speaker 1: random BS that keeps the brain busy. But boredom is
- 1:39:47Speaker 1: where your mind finally gets some freaking space. OK, that's
- 1:39:51Speaker 1: when ideas show up. That's when you start thinking about
- 1:39:53Speaker 1: your goals, your life, the stuff you've been avoiding. And honestly,
- 1:39:56Speaker 1: being bored might be one of the best things you
- 1:39:58Speaker 1: can give yourself. Sit with it, all right? Take a
- 1:40:01Speaker 1: walk without your phone. Let your brain wander.
- 1:40:03Speaker 2: Because while everybody else is constantly overstimulated, learning to be
- 1:40:06Speaker 2: comfortable with boredom gives you something rare, the ability to
- 1:40:09Speaker 2: focus when everything around you is screaming for attention. Y'all
- 1:40:12Speaker 2: have a great day. We'll see you tomorrow. It's The
- 1:40:14Speaker 2: Breakfast Club. Breakfast Club, bitches! You all finished or you
- 1:40:20Speaker 2: all done?