Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / The Saint: Death of a Cowboy (EP1671)

Transcript

The Saint: Death of a Cowboy (EP1671) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

• 0:28
  Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
• 0:34
  Speaker 1: This is your host, Adam Graham. If you have a comment,
• 0:38
  Speaker 1: email it to me Box thirteen at Great Detectives dot net,
• 0:43
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• 0:47
  Speaker 1: of our friends on Facebook, Facebook dot com slash Radio Detectives.
• 0:52
  Speaker 1: Well before we do get started, our listener support campaign
• 0:56
  Speaker 1: continues and you can support the show on an ongoing
• 0:59
  Speaker 1: basis at Patreon dot Great Detectives dot net. And I
• 1:03
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• 1:06
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• 1:11
  Speaker 1: to our premium site and helps us towards our goals.
• 1:14
  Speaker 1: Among the goals we do have for this Patreon campaign
• 1:18
  Speaker 1: is when we hit the level of eight hundred dollars
• 1:21
  Speaker 1: or more, we'll be looking at an upgraded server, and
• 1:23
  Speaker 1: then we have removing ads from the front of the show,
• 1:27
  Speaker 1: upgraded equipment, and then replacing the listener support campaign with
• 1:31
  Speaker 1: listener appreciation specials, and then launching another old time radio podcast.
• 1:38
  Speaker 1: A full list of all our goals, as well as
• 1:40
  Speaker 1: all the rewards that come with the various donation levels,
• 1:44
  Speaker 1: is at Patreon dot Great Detectives dot net. You can
• 1:49
  Speaker 1: also support the show on an one time basis at
• 1:52
  Speaker 1: support dot great Detectives dot net or by mailing at a
• 1:56
  Speaker 1: donation to the address shown there. All right, well, now
• 2:00
  Speaker 1: it's time for today's episode of The Saint. The original
• 2:04
  Speaker 1: air date July of nineteen fifty one and the title
• 2:09
  Speaker 1: is the Death of a Cowboy.
• 2:35
  Speaker 2: The Adventures of the Saint, starring Tom Conway. The Saint,
• 2:50
  Speaker 2: based on characters created by Leslie Charterists and known to
• 2:54
  Speaker 2: millions from books, magazines, and motion pictures. The robin Hood
• 2:58
  Speaker 2: of Modern Crime now comes transcribed to radio, starring Hollywood's
• 3:02
  Speaker 2: brilliant and talented actor Tom Conway as the Saint.
• 3:11
  Speaker 3: Coming. Oh yes, ain't you gonna ask me in partney?
• 3:18
  Speaker 3: Hello cowboy, if you've lost your horse? I mean I
• 3:20
  Speaker 3: gotta talk to you. I gotta all right to come
• 3:23
  Speaker 3: in partner? What can I do for you? You templar
• 3:29
  Speaker 3: the man they call the Saint. That's what's engraved on
• 3:32
  Speaker 3: my halo. Well, I'm McGowan, they call me text. Well
• 3:37
  Speaker 3: it fits. Born and raised in Texas and aiming to
• 3:40
  Speaker 3: die there. Somebody's topping you. Somebody don't care where it happens,
• 3:44
  Speaker 3: just so long as it's now here. Look at this hat.
• 3:48
  Speaker 3: A funny place for air holes. Not so funny when
• 3:51
  Speaker 3: they're bullet holes though. Run out of Rustler's to shoot hands.
• 3:54
  Speaker 3: I was bushwhacked, partner. I was stepping out of a
• 3:57
  Speaker 3: taxi in some side wine and bushwhack and pool cat
• 4:00
  Speaker 3: took a shot at me. Well, we'll head him off
• 4:02
  Speaker 3: at Eagle Pass. Go on. I came to New York
• 4:07
  Speaker 3: to have fun, not to be killed. That's logical. You reckon,
• 4:11
  Speaker 3: you can ride shotgun on me. You've got me confused
• 4:14
  Speaker 3: with the police department. I understand they've a special bureau
• 4:16
  Speaker 3: that does nothing but protect visiting car. I don't want
• 4:19
  Speaker 3: the police department. I'll be I'm not in business. Look,
• 4:24
  Speaker 3: money's money and you're human. So you've noticed that, have you?
• 4:28
  Speaker 3: And I ain't exactly a poor man. Raising beef's a
• 4:31
  Speaker 3: big money business these days. Yes, so is buying it.
• 4:34
  Speaker 3: What do you fellas fatten those cars on? That makes
• 4:37
  Speaker 3: a stake so expensive?
• 4:38
  Speaker 4: Broccoli ha. You don't want the money, it's only money.
• 4:44
  Speaker 3: How about a cow. That's an interesting thought. But the
• 4:47
  Speaker 3: management of this apartment house is so stuffy. The only
• 4:50
  Speaker 3: life stock permitted his dogs and cats. I don't mean
• 4:53
  Speaker 3: a cow on the hoof, one for the broiler. I
• 4:57
  Speaker 3: beg your pardon when I get home. I'll personally here
• 5:00
  Speaker 3: mail you once a week. The best durned stake this
• 5:03
  Speaker 3: side of Fort Worth. You interest me, well, I'm borught,
• 5:07
  Speaker 3: go ahead and brand me good. Made me feel better,
• 5:13
  Speaker 3: You made me feel hungry.
• 5:14
  Speaker 4: You see that I.
• 5:15
  Speaker 3: Don't get killed, partner. That's all you're supposed to do.
• 5:18
  Speaker 3: I always like to do a little more than I'm
• 5:21
  Speaker 3: supposed to. I'll see that neither of us gets killed. Now,
• 5:24
  Speaker 3: what's all the shooting for. In a couple of days,
• 5:27
  Speaker 3: I'm going to Chicago to have a talk with a fella.
• 5:30
  Speaker 3: The fella knows I'm coming, and he ain't hankering them
• 5:33
  Speaker 3: to see me. Oh so he sends someone to hit
• 5:35
  Speaker 3: you off with a gun him. Why, that's just a
• 5:39
  Speaker 3: little business matter, you see. He Ah, But come on, Pardner,
• 5:43
  Speaker 3: tell you all about it somewhere else. This is New
• 5:46
  Speaker 3: York City. Let's go live it up some and we
• 5:48
  Speaker 3: can talk during it.
• 5:49
  Speaker 4: And what if you got in mind heard about.
• 5:52
  Speaker 3: A saloon where a dozen pretty girls come out and dance.
• 5:54
  Speaker 3: The can can I'm fixing the cut one up from
• 5:58
  Speaker 3: the herd.
• 5:59
  Speaker 5: You, hey, what's the matter?
• 6:19
  Speaker 4: Pardner?
• 6:20
  Speaker 3: All out of bubble water?
• 6:21
  Speaker 4: No, but that little talk for a gun waiter. Where's
• 6:24
  Speaker 4: that other case of champagne? I ordered? You haven't told
• 6:28
  Speaker 4: me what he did?
• 6:29
  Speaker 3: Who's that Simon?
• 6:30
  Speaker 4: The fillain chy? Conquer all him?
• 6:33
  Speaker 3: Avarman's only been short weight me on my beef, that's all.
• 6:36
  Speaker 3: Know what I mean? Yes, my butcher invented it. A
• 6:38
  Speaker 3: thousand headed.
• 6:40
  Speaker 5: That's it.
• 6:41
  Speaker 3: Boys, Fill up them glasses.
• 6:42
  Speaker 4: We're gonna liver up tonight.
• 6:55
  Speaker 3: Where are we now, mister Templar, Greenwich Village.
• 6:58
  Speaker 4: Fifty second Street. Now about Chicago?
• 7:02
  Speaker 3: You know I got a sudden hanking to see that
• 7:06
  Speaker 3: old horse, am Ie. Uh huh uh, Please text don't
• 7:10
  Speaker 3: cry now when you get to Chicago. It's an old
• 7:13
  Speaker 3: cow pony. But I wouldn't swap him for all the
• 7:16
  Speaker 3: horses in Kentucky. Yes, I've got that way about a
• 7:19
  Speaker 3: girl once. Now about the man in Chicago.
• 7:22
  Speaker 4: That crinching pool cat.
• 7:24
  Speaker 3: Oh, so you do remember he under weighed a thousand
• 7:28
  Speaker 3: ahead of my steers on a rigged up scale. Cost
• 7:31
  Speaker 3: me twenty maybe thirty pounds a head. That's a lot
• 7:35
  Speaker 3: of tea bones. Who is this fellow? All easy? Just
• 7:41
  Speaker 3: now decided something? What next time I come to New
• 7:44
  Speaker 3: York City, I'm bringing that old horse with me. Got
• 7:48
  Speaker 3: a feeling he'd kind of like all this. Well we know, partner,
• 8:02
  Speaker 3: fifty second Street, No Greenwich Village.
• 8:05
  Speaker 4: Who'd you say? The man in Chicago?
• 8:06
  Speaker 3: Why the gritter who's been shoving all my cattle of
• 8:10
  Speaker 3: the Chicago market the last ten years or so?
• 8:15
  Speaker 4: Yeah, who proses?
• 8:17
  Speaker 3: No telling how many pounds of beef he bamboozled me
• 8:21
  Speaker 3: out of and all that time?
• 8:22
  Speaker 4: So you are going to blow the whistle on him?
• 8:24
  Speaker 4: Huh huh? Meaning what kill the police?
• 8:28
  Speaker 3: Nope, I ain't even telling you, Partner. I want this
• 8:33
  Speaker 3: critter all myself. Texas style?
• 8:36
  Speaker 6: Yeah?
• 8:36
  Speaker 3: Who That Yankee music is wonderful, warms of WA's Blood.
• 8:42
  Speaker 3: Where do we go from here?
• 8:44
  Speaker 4: Home? Yeah? But it hotel went with just wait here
• 9:04
  Speaker 4: a moment?
• 9:04
  Speaker 3: Drive on. That's a new twist.
• 9:17
  Speaker 4: Always take a little walk before you pay off the cap.
• 9:20
  Speaker 4: Drive it only when I'm playing bodyguard?
• 9:23
  Speaker 3: How much one forty?
• 9:25
  Speaker 4: It says, who are you looking for?
• 9:26
  Speaker 3: Brownies? Help me hold my cowboy friend inside with you?
• 9:30
  Speaker 3: I don't think I'll be able to wake him, not
• 9:32
  Speaker 3: to wake him, he laughed.
• 9:34
  Speaker 7: What there's a saloon across the street, buddy, he's making
• 9:37
  Speaker 7: a bee line for it.
• 9:40
  Speaker 3: Buck forty, Yeah, keep the change, tex Tex Wait a minute,
• 9:48
  Speaker 3: you're down pull ticks ticks stand by?
• 9:57
  Speaker 4: Do you want it to you?
• 9:58
  Speaker 3: Murderous?
• 9:59
  Speaker 4: Rack? You you do want it?
• 10:01
  Speaker 3: Okay, you're the lasting good Damn. Now it's going to
• 10:07
  Speaker 3: be jammed down your throat killer. I'm going to Oh,
• 10:11
  Speaker 3: come on, let's.
• 10:12
  Speaker 4: Get out of here.
• 10:28
  Speaker 8: Well now, mister Templar, And how are we today?
• 10:33
  Speaker 3: You're fine? How am I?
• 10:36
  Speaker 8: I'll let you know just as soon as I've checked
• 10:37
  Speaker 8: your pause.
• 10:38
  Speaker 3: What are you doing for dinner tonight?
• 10:41
  Speaker 8: I have a day too bad, Lisa. You're not leaving
• 10:44
  Speaker 8: the hospital until tomorrow.
• 10:46
  Speaker 6: How can you ask me out?
• 10:47
  Speaker 3: It's just a form of exercising. You're very beautiful, mister Templar.
• 10:53
  Speaker 8: If you keep me talking, how can I check your
• 10:56
  Speaker 8: pause to see if it's normal?
• 10:59
  Speaker 6: Of course, if my.
• 11:01
  Speaker 3: Pulse is normal when you check it, then I'm not.
• 11:04
  Speaker 8: Oh you and your jokes. Oh I forgot you have
• 11:09
  Speaker 8: another visitor?
• 11:10
  Speaker 3: Oh blonde or brunette?
• 11:11
  Speaker 8: Redhead?
• 11:13
  Speaker 3: Cute?
• 11:14
  Speaker 8: I think so?
• 11:16
  Speaker 6: But you wouldn't.
• 11:17
  Speaker 8: No, it's that nice young lieutenant from the homicide you are,
• 11:20
  Speaker 8: oh again?
• 11:22
  Speaker 3: I uh, I suppose it would be pointless to tell
• 11:25
  Speaker 3: him I'm mouth.
• 11:28
  Speaker 8: Obviously keenant, Lieutenant Baden. I was just going, thank you, Molly,
• 11:32
  Speaker 8: You're welcome.
• 11:33
  Speaker 3: Lieutenant you. You don't have to ask Lieutenant Bardden to
• 11:38
  Speaker 3: answers no.
• 11:39
  Speaker 4: Thanks. Now it's the question, have.
• 11:40
  Speaker 3: I remembered anything I forgot to mention about text Megan's Killer,
• 11:43
  Speaker 3: isn't it?
• 11:44
  Speaker 4: No?
• 11:45
  Speaker 3: This time I'm here with an invitation, Oh, a party,
• 11:47
  Speaker 3: the morgue and oh, the doctor told me I was
• 11:51
  Speaker 3: past the critical stage the picture morgue down at headquarters
• 11:55
  Speaker 3: more romantically known as Rugg's Gallery. You want me to
• 11:57
  Speaker 3: look at faces.
• 11:58
  Speaker 4: As as he's strong enough.
• 12:00
  Speaker 3: Might just be that the guy who dumped McGowan left
• 12:02
  Speaker 3: his face with us one time or another. Well, it
• 12:05
  Speaker 3: will be a nice change in the routine getting out
• 12:08
  Speaker 3: of here. Hand with my clothes, Lieutenant. Now, wait a minute,
• 12:10
  Speaker 3: you're not doing to bow this joint till tomorrow. Lieutenant Arden,
• 12:14
  Speaker 3: Are you a public servant?
• 12:15
  Speaker 4: I'm a cop, so I'm a public servant.
• 12:17
  Speaker 3: Hand me my clothes, be sure positive. Besides, there's a
• 12:22
  Speaker 3: very little point in the patient staying in the hospital,
• 12:24
  Speaker 3: and he's making so little progress.
• 12:26
  Speaker 4: Clearing up a concussion in three days time is in progress.
• 12:29
  Speaker 3: I mean with that nurse, I'm not getting anywhere. Yeah,
• 12:32
  Speaker 3: I know, you know, because I am. Oh, I don't
• 12:37
  Speaker 3: look at me like that, saint. We public servants got
• 12:39
  Speaker 3: to live too, you know. Well, come on, we'll go
• 12:43
  Speaker 3: look at pictures.
• 12:52
  Speaker 4: Well, no, this one, no, and take a look through these.
• 12:59
  Speaker 3: No, oh, I don't take this one. Huh oh for
• 13:05
  Speaker 3: how did a pin up girls picture get in you?
• 13:07
  Speaker 3: I don't know, but it certainly breaks the monotony.
• 13:15
  Speaker 4: This one? No, this, Nope, I'm bad. No one of these. Well, well,
• 13:28
  Speaker 4: the guy who killed Text McGowan.
• 13:29
  Speaker 3: I know, my old geometry teacher. This hell, pardon me?
• 13:47
  Speaker 3: No him? Hey, yeah, I know.
• 13:51
  Speaker 4: The boy most likely to succeed in your graduating club.
• 13:54
  Speaker 3: The boy most likely to get the electric chair for
• 13:56
  Speaker 3: shooting down Text McGown At last, you're sure, like Stanley
• 13:59
  Speaker 3: Fine Livingston seeing Nick Mushenko checked Chicago police files. That's
• 14:05
  Speaker 3: practically done. Thanks up, Thanks refused. I've got a slight
• 14:09
  Speaker 3: interest in this tricker man myself. You know, if you
• 14:11
  Speaker 3: don't believe me, ask my head.
• 14:14
  Speaker 4: I see what you mean. Will you stay until I
• 14:16
  Speaker 4: check on the Mushenka.
• 14:17
  Speaker 3: I'll stay.
• 14:26
  Speaker 4: Well.
• 14:27
  Speaker 3: I got a Mushenko where Chicago cap sat there, grabbed
• 14:31
  Speaker 3: him when he came off a plane. Good you going?
• 14:34
  Speaker 4: Uh huh? You want to that?
• 14:36
  Speaker 3: I did nice of you to ask.
• 14:37
  Speaker 4: You can finch the identification for us.
• 14:39
  Speaker 3: When are we leaving?
• 14:41
  Speaker 4: There's a train at midnight. It's enough time for you.
• 14:44
  Speaker 3: I'll go home and bank a bag.
• 14:45
  Speaker 4: I suppose I picked up at your apartment. In about
• 14:48
  Speaker 4: half hour, i'd be ready.
• 14:50
  Speaker 3: Thanks again for the invitation. Pardon and lieutenant, I think
• 14:55
  Speaker 3: I'll forgive you forgive me for stealing my nurse when
• 14:58
  Speaker 3: I was unconscious.
• 15:09
  Speaker 9: By the time you got home. S what you know
• 15:12
  Speaker 9: what I am.
• 15:13
  Speaker 4: Uh, animal, vegetable or mineral.
• 15:16
  Speaker 9: I'm the fella that watched you come out of the
• 15:18
  Speaker 9: little building at police headquarters where they keep the pictures.
• 15:21
  Speaker 3: It's an interesting hobby, I admit, but I just.
• 15:23
  Speaker 9: Lugged you once sat when my cousin's gun jam Deptia.
• 15:27
  Speaker 9: Then I guess now I gotta make it more permanent.
• 15:31
  Speaker 4: Don't bother on my account.
• 15:32
  Speaker 9: It's how my cousin's an You're the only fella can
• 15:35
  Speaker 9: send him to the hot seat. You're the only eye
• 15:36
  Speaker 9: witness he killed that cowboy.
• 15:38
  Speaker 3: You'll excuse me while I get onto my packing.
• 15:41
  Speaker 4: Won't you where you're going?
• 15:43
  Speaker 3: Say?
• 15:44
  Speaker 9: You ain't gonna need to pack nothing for No, you
• 15:47
  Speaker 9: think you're going to Chicago, but you ain't seen.
• 15:50
  Speaker 3: Well, must you be poetic at a time like this?
• 15:52
  Speaker 9: You ain't gonna go to Chicago and put no finger
• 15:55
  Speaker 9: on Nick?
• 15:56
  Speaker 3: Now wait a minute, You're.
• 15:58
  Speaker 9: Gonna go to Chicago and I'm gonna beat you to
• 16:01
  Speaker 9: death right here in New York.
• 16:04
  Speaker 3: Wohst me? You call that in detective Lieutenant Varden? Would
• 16:15
  Speaker 3: you like to meet him?
• 16:17
  Speaker 4: We'll see you again. Come in, Varden. What are you
• 16:28
  Speaker 4: sitting on the floor for.
• 16:30
  Speaker 3: I've been entertaining you know company.
• 16:33
  Speaker 4: Yeah, what happened to him?
• 16:35
  Speaker 3: Oh well, no, he was going after them out the
• 16:37
  Speaker 3: service door. Frankly flu shy only of policemen bellachan, Hey
• 16:44
  Speaker 3: caught me with my vitality down. Remember I was a
• 16:47
  Speaker 3: hospital case on the day before. Yes, yeah, you need protecting.
• 16:51
  Speaker 3: Come on, let's catch that train. You can tell me
• 16:52
  Speaker 3: the whole sad story on the way to the station. Poor,
• 17:10
  Speaker 3: It's a good thing this train had a second coat
• 17:12
  Speaker 3: of painting, because that's what we caught it by.
• 17:14
  Speaker 4: Here this is a drawing room. Date.
• 17:17
  Speaker 10: Excuse me, good, one of you gentlemen, tell me where
• 17:20
  Speaker 10: to find drawing rooms.
• 17:21
  Speaker 3: See yeah, the one right now? You would better let
• 17:24
  Speaker 3: me handle it. Pardon you, policemen. Theself dropped a drawing room.
• 17:28
  Speaker 6: See h huh. I'm so helpless on trains.
• 17:32
  Speaker 3: That's a pity.
• 17:32
  Speaker 6: I'm always lost.
• 17:34
  Speaker 3: I'm always finding things.
• 17:35
  Speaker 6: Are you? I? Oh, there's drawing rooms see right next
• 17:39
  Speaker 6: to yours.
• 17:41
  Speaker 3: We're neighbors sometimes that's any interesting relationship. If you should
• 17:46
  Speaker 3: ever want to borrow anything, neighbor.
• 17:47
  Speaker 8: I've got everything, yes you have. But if you should
• 17:52
  Speaker 8: need something, well, after all, what a neighbor's for?
• 17:57
  Speaker 3: I never was really sure until now.
• 18:00
  Speaker 6: Well, goodbye neighbors.
• 18:07
  Speaker 3: You know, lieutenant, these trains are getting better equipment all
• 18:10
  Speaker 3: the time you deal garden, Lieutenant.
• 18:31
  Speaker 4: M oh, what's my day?
• 18:34
  Speaker 3: Get her off your mind. She'll be there when you
• 18:36
  Speaker 3: get back, although they are rather prone to a lope
• 18:39
  Speaker 3: with in terms templer, what are you talking about my
• 18:42
  Speaker 3: nurse or should I say our nurse? Get her off
• 18:46
  Speaker 3: your mind and start concentrating on who hired Nick nickers
• 18:49
  Speaker 3: range to smoke down.
• 18:50
  Speaker 4: Text macgons, Hey where are you going? Uh?
• 18:53
  Speaker 3: You don't have to be a detective to guess at
• 18:56
  Speaker 3: Oh ah, I'm tired of cards. I'm I'm going to
• 19:01
  Speaker 3: be neighborly for a while.
• 19:20
  Speaker 5: Yeah.
• 19:21
  Speaker 6: Oh it's you, neighbor.
• 19:23
  Speaker 3: See I knew it had come to this. I'd like
• 19:28
  Speaker 3: to borrow something.
• 19:29
  Speaker 8: What have you got in mind?
• 19:31
  Speaker 3: Oh? Anything? What have you got?
• 19:35
  Speaker 6: Maybe we'd better talk it over. My name's Linda.
• 19:38
  Speaker 3: Jarvis Simon Templar.
• 19:39
  Speaker 8: Oh it sounds very distinguished.
• 19:42
  Speaker 6: Won't you come in?
• 19:43
  Speaker 3: All my life I've been easily persuaded.
• 19:48
  Speaker 10: Now I want you to tell me all about yourself.
• 19:50
  Speaker 10: You're going to Chicago for business pleasure.
• 19:53
  Speaker 3: Well it started out to be business and your friend.
• 19:57
  Speaker 11: When I first mentioned the quarter before, didn't I use
• 20:00
  Speaker 11: say he was a policeman. Did you be fascinated by
• 20:03
  Speaker 11: crime and policeman? And I bet you're going to Chicago
• 20:07
  Speaker 11: to arrest somebody. Oh you must tell me about it.
• 20:10
  Speaker 8: Please.
• 20:11
  Speaker 6: It's so fascinating the man you're going to arrest. What
• 20:15
  Speaker 6: did he do? Is he a bank robber or murderer?
• 20:18
  Speaker 6: Please tell me everything. I'm all ears you.
• 20:20
  Speaker 12: Are I fancy that oh sign, so enjoyed the trip,
• 20:39
  Speaker 12: but he didn't tell me half of what I expected
• 20:42
  Speaker 12: to hear about crime and criminals.
• 20:44
  Speaker 4: Well, there were many more important things to talk about.
• 20:48
  Speaker 3: Uh. Do you happen to have a phone number? Hand him?
• 20:51
  Speaker 6: Only my own?
• 20:53
  Speaker 8: But I don't think I'm going to give it to you.
• 20:58
  Speaker 4: Why we were?
• 20:59
  Speaker 3: Oh, Lieutenant Varden on his way to fetch me, and
• 21:03
  Speaker 3: there's an impatient.
• 21:04
  Speaker 4: Look on his face. Look, Linda, when can I see
• 21:06
  Speaker 4: you again?
• 21:07
  Speaker 3: All right?
• 21:07
  Speaker 4: I don't mean to break up what appears to be
• 21:09
  Speaker 4: a beautiful friendship, but we're expected at Chicago Police headquarters today.
• 21:12
  Speaker 4: In other words, right about keep.
• 21:17
  Speaker 3: Me in the arm. Now, only in the arm, Linda,
• 21:22
  Speaker 3: she blew right after the shot.
• 21:25
  Speaker 4: I'd be all right. You go after her?
• 21:26
  Speaker 3: All right, bardon, excuse me, please bet me, please Pleawaylet
• 21:31
  Speaker 3: me come on, buddy girl to Brunette. You see him
• 21:43
  Speaker 3: in that cab.
• 21:44
  Speaker 7: I want to turn it out up there, follow her, Harry, Hey, missy.
• 22:08
  Speaker 7: Her cab stopped, so I see pull up to the
• 22:10
  Speaker 7: curb right here. He's getting up. Run in that apartment out.
• 22:18
  Speaker 3: Okay, this is the end of the line. Wait for me.
• 22:21
  Speaker 7: It ain't gonna be long is it? I shift ins
• 22:24
  Speaker 7: and a half an hour. I've been pushing this hack
• 22:25
  Speaker 7: all night.
• 22:26
  Speaker 3: I'll be back in a few minutes. Don't worry about it. Awesome,
• 22:41
  Speaker 3: Miss Jervis wows all right? So I'm not a rogue.
• 22:47
  Speaker 6: No, you can't come here.
• 22:49
  Speaker 4: Sure I can't see I'm in. This is outrageous, not nearly.
• 22:53
  Speaker 3: As outrageous as putting a finger on a fellow so
• 22:56
  Speaker 3: that a rifleman knows who to shoot down.
• 22:57
  Speaker 6: I haven't the slightest idea what you're talking about.
• 23:00
  Speaker 3: Sure you have, baby, Sure you have? That bullet was
• 23:03
  Speaker 3: for me, wasn't it. Lieutenant Barton just happened to stroll
• 23:06
  Speaker 3: into it?
• 23:06
  Speaker 10: Diamond darling? Why should Why should I want to have
• 23:10
  Speaker 10: you killed? I don't know you that well, but.
• 23:13
  Speaker 3: You know me well enough to know that I'm the
• 23:15
  Speaker 3: only eyewitness to a murder and that I should be eliminated,
• 23:19
  Speaker 3: don't you?
• 23:19
  Speaker 6: But I what reason would I have if.
• 23:22
  Speaker 3: I should fail to identify certain Nick Nimoshenko as the
• 23:25
  Speaker 3: gunman who shot down text McCarn Then the possibility of
• 23:29
  Speaker 3: mister Nimoshenko's telling who hired him to do the job
• 23:32
  Speaker 3: is very slightly.
• 23:32
  Speaker 8: I still have no idea what you're talking about.
• 23:34
  Speaker 3: Then suppose we go down to police headquarters and I'll
• 23:37
  Speaker 3: tell you all.
• 23:37
  Speaker 6: About Well, it's about time.
• 23:41
  Speaker 10: How long was I supposed to keep him talking before
• 23:43
  Speaker 10: you were ready to swing that club?
• 23:44
  Speaker 13: Oh?
• 23:45
  Speaker 9: I thought i'd let him feel he was live him
• 23:47
  Speaker 9: for a while, you know. And I told Hsuka he
• 23:50
  Speaker 9: had not come to Chicago.
• 23:51
  Speaker 14: Oh, I told him, Oh.
• 24:05
  Speaker 3: George, I'm getting to wake up. Is he splendid? There's
• 24:11
  Speaker 3: some questions I must ask him.
• 24:12
  Speaker 9: He's beginning to flutter his eyes.
• 24:14
  Speaker 4: Boss? What?
• 24:16
  Speaker 3: Oh yes, sir? What are you three staring at him?
• 24:21
  Speaker 3: Haven't you ever seen a man with two heads before?
• 24:23
  Speaker 3: Dealing better?
• 24:24
  Speaker 4: Mister Templar? Not as good as when I was unconscious.
• 24:27
  Speaker 9: It can be a range. Making you unconscious is how
• 24:31
  Speaker 9: I earned my pay.
• 24:33
  Speaker 3: You had a better future when you were swinging through
• 24:36
  Speaker 3: the trees. At least you were your own boss.
• 24:39
  Speaker 9: I mean you calling me an ape the furf hits
• 24:42
  Speaker 9: wear it all right, wise guy?
• 24:43
  Speaker 15: Now, Stanley, Stanley, throw him a banana?
• 24:47
  Speaker 4: Why Stanley.
• 24:51
  Speaker 8: Better not irritating diamond Darling. He's hot headed.
• 24:56
  Speaker 3: As soon he'll be sitting in a chair. That's going
• 24:58
  Speaker 3: to make him hot all over and so will you, Linda.
• 25:02
  Speaker 8: And last night on the train you said such sweet
• 25:05
  Speaker 8: things to me.
• 25:06
  Speaker 3: Remember I remember. Next time I go anywhere, I'll write
• 25:11
  Speaker 3: Afraight you need a better class of tramps.
• 25:13
  Speaker 6: Georgie's grouchy, aren't you? Simon?
• 25:16
  Speaker 16: Darling barb pestering him? Linda, let's get on to this. Yes,
• 25:20
  Speaker 16: let's text mc gown as a talkative man?
• 25:23
  Speaker 4: Was he not?
• 25:24
  Speaker 16: You tell me it's hardly likely that you'd agree to
• 25:27
  Speaker 16: interest yourself in this affair.
• 25:28
  Speaker 15: Without knowing all the facts, facts concerning me?
• 25:32
  Speaker 4: Er, Who are you?
• 25:35
  Speaker 3: What you do besides the train apes?
• 25:37
  Speaker 15: George jaggedly? I'm a cattle broker.
• 25:39
  Speaker 3: Oh, I'll bet you haven't been called honest weight haggetty
• 25:43
  Speaker 3: much lately. Ah, sir, he did tell you what you
• 25:47
  Speaker 3: do to a scale? Could out moode reducing diets?
• 25:50
  Speaker 15: What else did mc gowan tell you you had it?
• 25:53
  Speaker 3: No springs? Stanley? Okay, both, the pleasure is mine?
• 25:58
  Speaker 16: All right, all right, let's keep him conscious for a while,
• 26:02
  Speaker 16: sall we you needn't bother, mister Temple.
• 26:06
  Speaker 3: I trust you don't think all this is just idle
• 26:08
  Speaker 3: curiosity on my part. Oh, don't apologize.
• 26:12
  Speaker 16: I want to know how much McGowan told you, so
• 26:14
  Speaker 16: that i'll know how much you might have told the police.
• 26:17
  Speaker 3: Thanks for the blueprint.
• 26:18
  Speaker 16: What I mean is, if certain facts are known to
• 26:21
  Speaker 16: the police, then it might be well, it's quite possible
• 26:24
  Speaker 16: that is that they'll be able to.
• 26:26
  Speaker 3: Stop stamping yourself. You want to know if the police
• 26:30
  Speaker 3: have anything that establishes you as nimushensk sponsor.
• 26:33
  Speaker 4: Well have they?
• 26:35
  Speaker 3: Next time you see old Boba, get the top of
• 26:37
  Speaker 3: your head shaved. The ones up at Sing Sing are
• 26:40
  Speaker 3: so messy.
• 26:40
  Speaker 4: You're lying. They don't know.
• 26:42
  Speaker 3: Okay, I'm lying. Sweat it out, killer, sweat it out?
• 26:46
  Speaker 3: You mean beat it out, don't you? Stanley?
• 26:50
  Speaker 4: I'm right, went over lightly again.
• 26:53
  Speaker 16: Not too lightly, but don't kill him until later. Oh well,
• 27:12
  Speaker 16: Temple going to talk to me?
• 27:14
  Speaker 3: Now?
• 27:14
  Speaker 6: What's the use, George.
• 27:15
  Speaker 8: You'll never tell the truth. I know I had a
• 27:19
  Speaker 8: date with him.
• 27:20
  Speaker 3: You're boasting.
• 27:21
  Speaker 8: It is just a waste of time. Let's Stanley, get.
• 27:23
  Speaker 3: It over with.
• 27:24
  Speaker 4: That's what I say. Boys.
• 27:25
  Speaker 9: If the cops knew anything about it, I say, they've
• 27:27
  Speaker 9: been here a long time ago.
• 27:28
  Speaker 15: Yes, I suppose you're right, all right, Stanley.
• 27:32
  Speaker 4: How do you want it done?
• 27:33
  Speaker 3: Oh?
• 27:33
  Speaker 15: Anyway, I don't care.
• 27:34
  Speaker 6: Well I do.
• 27:35
  Speaker 3: That's what attracted me to you from the start. And
• 27:38
  Speaker 3: you look like a neat house.
• 27:39
  Speaker 15: Keep up, all right, take him out of here and
• 27:42
  Speaker 15: throw him into Lake Michigan.
• 27:44
  Speaker 4: But I didn't bring my bathing.
• 27:46
  Speaker 8: Suit least idea. Shall I answer it?
• 27:50
  Speaker 3: You have to Domin knows you're in very well.
• 27:53
  Speaker 15: Whoever it is, get rid of him at the past.
• 27:57
  Speaker 14: Yes, let.
• 28:00
  Speaker 4: A guy, and I've got a penny's ears back.
• 28:02
  Speaker 7: That's what I'm gonna do.
• 28:03
  Speaker 6: Look here, you can't burst into here.
• 28:06
  Speaker 4: You'd be surprised at what I can do. And I'm sorry,
• 28:08
  Speaker 4: and believe me, I'm oh so there you hello, Captain Carson.
• 28:15
  Speaker 3: Given me no lip?
• 28:16
  Speaker 7: Brother, I told you I was off, dude in a
• 28:18
  Speaker 7: half an hour, and.
• 28:18
  Speaker 4: You said that you Hey, how'd you get your facehold?
• 28:21
  Speaker 14: Bang?
• 28:21
  Speaker 3: All it's all in the day's work. What's going on here?
• 28:24
  Speaker 3: You've got your men stationed at all possible exits, Captain, Well,
• 28:29
  Speaker 3: haven't you?
• 28:29
  Speaker 4: Captain?
• 28:32
  Speaker 3: You'll do this around the whole building. Fine, captain, and
• 28:35
  Speaker 3: here are your three murders, just as I promised. Now
• 28:38
  Speaker 3: we wait a minute. This doesn't look like any cop
• 28:41
  Speaker 3: I've ever seen. Don't let him reach for that gun.
• 28:45
  Speaker 4: Go get me there? Done?
• 28:48
  Speaker 3: Thank you.
• 28:50
  Speaker 4: Hit him, not me. I ain't gonna hit no cops
• 28:52
  Speaker 4: spoken like a gentleman of the old school, not when
• 28:55
  Speaker 4: they got all the exits covered. Especially I'm giving up.
• 28:58
  Speaker 3: That's using your head standing.
• 29:00
  Speaker 4: Yeah, captain, here's my gun. I'm ready to compare.
• 29:03
  Speaker 3: I don't want chuck gun. I just want to take it,
• 29:05
  Speaker 3: you fool, take it, oh trail. Now do I get
• 29:09
  Speaker 3: my fair?
• 29:10
  Speaker 4: Yes?
• 29:10
  Speaker 3: You get your fare, my friend, And you know what
• 29:13
  Speaker 3: I'm going to give you for a tip? What's that
• 29:15
  Speaker 3: a new cab? But first get on the phone until
• 29:18
  Speaker 3: the police to come over. Will you tell them there
• 29:20
  Speaker 3: are some people here I'd like him to meet.
• 29:35
  Speaker 2: You have been listening to another transcribed adventure of the
• 29:38
  Speaker 2: Saint the robin Hood of Modern Crime, and now here
• 29:42
  Speaker 2: is our star, Tom Conway.
• 29:45
  Speaker 3: Ladies and gentlemen. In our cast you heard Joyce mcmaskey
• 29:48
  Speaker 3: as Linda and Sandra Gould as the nurse broke temple
• 29:52
  Speaker 3: plate text deed the corsia, George la Mont Johnson was
• 29:56
  Speaker 3: the Lieutenant Ed Max Stanley, and Howard mcneh the camp driver.
• 30:01
  Speaker 3: This is Tom Conway inviting you to join us again.
• 30:04
  Speaker 3: Next week at the same time for another exciting adventure
• 30:07
  Speaker 3: of the Saint. Good Night.
• 30:33
  Speaker 2: Tonight's script of The Saint was written by Michael Cramoy.
• 30:37
  Speaker 2: The Saint, based on characters created by Leslie Charteris, is
• 30:40
  Speaker 2: a James L. Safire production and is directed by Helen
• 30:44
  Speaker 2: Mack Tom Conway as soon to be seen in the
• 30:47
  Speaker 2: Warner Brothers production Painting the Clouds with Sunshine and all
• 30:51
  Speaker 2: you Saint fans will be glad to know that the
• 30:53
  Speaker 2: Saint comic books are on sale at all newsstands.
• 30:57
  Speaker 3: You're announcer Hell Gidney.
• 31:05
  Speaker 17: It's the Silver Jubilee on NBC. I'll stay tuned for
• 31:09
  Speaker 17: more great mystery entertainment as Lloyd Nolan stars in Martin
• 31:12
  Speaker 17: Kain Private Eye. Yes, now here Martin Kain Private Eye
• 31:16
  Speaker 17: on this same NBC station. He's the daring private investigator
• 31:19
  Speaker 17: who has become a popular hero throughout the nation. Now
• 31:22
  Speaker 17: you'll hear Lloyd Nolan as Martin Kain every Sunday immediately
• 31:26
  Speaker 17: following The Saint. Listen first for The Saint, then stay
• 31:30
  Speaker 17: tuned for Martin Kain Private Eye starring Lloyd Nolan. Hear
• 31:34
  Speaker 17: him next on NBC the National Broadcasting company.
• 31:54
  Speaker 13: This is Andrew Ryan's with Otrwesterns dot com, where we
• 31:57
  Speaker 13: stream live all time Radio Westerns twenty four hours a day,
• 32:01
  Speaker 13: seven days a week with a special twist. You select
• 32:05
  Speaker 13: the tracks that get to be played. We've got a
• 32:07
  Speaker 13: thousand different episodes from shows like Gunsmoke, Tales of the
• 32:11
  Speaker 13: Texas Rangers, Escape, Genautry, and many more. Come check us
• 32:16
  Speaker 13: out at OTR Westerns dot com slash live. Again, that's
• 32:19
  Speaker 13: OTR Westerns dot com slash Live. You're listening to the
• 32:24
  Speaker 13: great detectives of Old time Radio with Adam Graham. And
• 32:27
  Speaker 13: now let's get back into the show.
• 32:34
  Speaker 4: Welcome back.
• 32:35
  Speaker 1: Well, my post show commentary is gonna be a little
• 32:37
  Speaker 1: bit shorter than antssipated because I thought John Dayner played
• 32:42
  Speaker 1: the role of the cowboy, and I was all ready
• 32:45
  Speaker 1: to discuss all the ins and outs of John Dayner
• 32:49
  Speaker 1: as cowboys, but according to the closing credits, that wasn't
• 32:53
  Speaker 1: the case. So never mind. I do think it was
• 32:56
  Speaker 1: a nice twist at the end. And you know, it
• 33:01
  Speaker 1: is something that cavies on detective shows are shown to
• 33:07
  Speaker 1: be among the greatest allies that you can have in
• 33:11
  Speaker 1: the war against crime. All right, Well, now, time for
• 33:16
  Speaker 1: some listener comments and feedback and Lawrence comments. Tom Conway
• 33:23
  Speaker 1: has always been my favorite actor. I particularly like when
• 33:27
  Speaker 1: he played a detective, which he did a lot on
• 33:30
  Speaker 1: radio Sherlock Holmes and The Saint on television as Mark Saber,
• 33:35
  Speaker 1: or in the movies as The Falcon, which all of
• 33:38
  Speaker 1: his Simon Templar radio adventures were around to listen to
• 33:44
  Speaker 1: and in date. It's true that he has a lot
• 33:46
  Speaker 1: of lost episodes. If there's any good news for fans
• 33:50
  Speaker 1: of Tom Conway, it's that all of these missing episodes
• 33:55
  Speaker 1: were from nineteen fifty one, where NBC was transcribed so
• 34:00
  Speaker 1: many episodes, so the odds that there are some more
• 34:03
  Speaker 1: out there are probably better than for your average show.
• 34:08
  Speaker 1: And I think that the of all the sane episodes missing,
• 34:13
  Speaker 1: those that NBC transcribed and we're putting out are probably
• 34:18
  Speaker 1: the ones most likely to be found. And given that
• 34:21
  Speaker 1: most of Vincent Price NBC episodes are already in existence,
• 34:27
  Speaker 1: I wouldn't be surprised if some Tom Conway episodes showed up. Though, actually,
• 34:33
  Speaker 1: in following Old Time Radio very regularly for the past
• 34:38
  Speaker 1: six or seven years, the only new episode of The
• 34:41
  Speaker 1: Saint to show up was the miracle tea party pilot
• 34:46
  Speaker 1: from the World War two era, which is something I
• 34:49
  Speaker 1: never would have guessed in a million years would have
• 34:52
  Speaker 1: come into circulation. So you never know, but we will
• 34:56
  Speaker 1: all keep a eye and ear out for any more
• 35:00
  Speaker 1: Tom Conway scene episodes, and we still do have a
• 35:02
  Speaker 1: couple more to get to yet. Other comments on Tom Conway,
• 35:08
  Speaker 1: and this one from Paul who seconds the comments from
• 35:13
  Speaker 1: Lawrence and ads agreed, great voice and diction. Well, thanks
• 35:19
  Speaker 1: so much for the comments. Appreciate hearing from some Tom
• 35:23
  Speaker 1: Conway fans and definitely a very talented actor and we will,
• 35:32
  Speaker 1: as I said, hear more from him in the next
• 35:34
  Speaker 1: couple of weeks. All right, Well, that will do it
• 35:37
  Speaker 1: for today. Remember our listener support campaign continues and you
• 35:41
  Speaker 1: can support the campaign on a one time do nition
• 35:46
  Speaker 1: basis at support dot Great Detectives dot net. And among
• 35:50
  Speaker 1: the thank you items we do have available with a
• 35:53
  Speaker 1: donation of twenty dollars or more, we'll send you the
• 35:57
  Speaker 1: Innocence of Father Brown volume one or volume two through
• 36:02
  Speaker 1: audible dot com, and also at the one hundred dollars
• 36:08
  Speaker 1: or more level, we'll send you the George Sanders Saint Films,
• 36:13
  Speaker 1: a collection from the Warner Archive. And of course, as
• 36:16
  Speaker 1: I mentioned before, George Sanders is mister Conway's brother and
• 36:21
  Speaker 1: considered by many to be the definitive Saint. And that
• 36:24
  Speaker 1: is with a donation of one hundred dollars or more
• 36:26
  Speaker 1: to us and Canadian listeners. A full list of available
• 36:31
  Speaker 1: items is at support dot Great Detectives dot net. All right, well,
• 36:36
  Speaker 1: that will do it for today. Join us back here
• 36:38
  Speaker 1: tomorrow for the adventures of Ellery Queen, and then next
• 36:42
  Speaker 1: Monday another adventure with Tom Conway as the Saint from Boise, Idaho.
• 36:49
  Speaker 1: This is your host, Adam Grahamson and off