Latest / Cuff’s Basement / Angus part 2

Transcript

Angus part 2 · Cuff’s Basement

• 0:00
  Speaker 1: So we were just talking about commercials, and I know
• 0:02
  Speaker 1: I do a lot of ad reads at the beginning,
• 0:04
  Speaker 1: but I wanted to just talk about ad reads for
• 0:07
  Speaker 1: a second because I think that there was a moment
• 0:10
  Speaker 1: where I was like, oh, commercials have died because Netflix
• 0:15
  Speaker 1: and DVDs didn't really have commercials. Although some DVDs, there's
• 0:19
  Speaker 1: two kinds of DVDs that have previews. Some DVDs will
• 0:23
  Speaker 1: make you watch the previews when you put in the
• 0:25
  Speaker 1: disc and it's not possible to skip it.
• 0:28
  Speaker 2: In fear.
• 0:29
  Speaker 1: And I love, there's two versions of that. One is
• 0:32
  Speaker 1: the DVD, this is like more modern, will connect to
• 0:35
  Speaker 1: the internet and play relevant trailers for like current movies.
• 0:40
  Speaker 1: But the old version is it would always be a
• 0:43
  Speaker 1: snapshot in time. So you would always, like if you
• 0:46
  Speaker 1: wanted to watch the DVD for, I don't know, you know,
• 0:51
  Speaker 1: like Armageddon, and it came out at the time of
• 0:56
  Speaker 1: How to Lose a Guy, the DVD came out At
• 0:59
  Speaker 1: the time How to Lose a Guy in 10 Days
• 1:00
  Speaker 1: came out, you're watching that trailer for How to Lose
• 1:02
  Speaker 1: a Guy in 10 Days every time you ever want
• 1:04
  Speaker 1: to watch Armageddon.
• 1:06
  Speaker 2: Yeah.
• 1:07
  Speaker 1: That's amazing. But now we have in our screensavers for
• 1:13
  Speaker 1: our TVs are commercials. You just had a Candy Crush
• 1:15
  Speaker 1: commercial as your screensaver on your TV. The Roku screensaver
• 1:20
  Speaker 1: is like it just pans over this cartoon cityscape, which
• 1:24
  Speaker 1: I was fine with. But then they started putting commercials
• 1:26
  Speaker 1: in it. So like in the cityscape that's just cartoon
• 1:31
  Speaker 1: panning around, you would see like a Burger King or
• 1:34
  Speaker 1: something in the skyline. And there was a story that
• 1:38
  Speaker 1: came out. People are very, very mad at the gaming
• 1:40
  Speaker 1: companies for a lot of reasons. Like you don't own
• 1:43
  Speaker 1: games anymore. You just sort of are like if you
• 1:47
  Speaker 1: buy a game for $ 70, you're just long-term renting it
• 1:50
  Speaker 1: until the company decides to take it away from you.
• 1:53
  Speaker 1: But a new thing that came out is while you
• 1:55
  Speaker 1: were playing, Sony, I don't know if this is a rumor,
• 1:58
  Speaker 1: but I saw online today that Sony is planning to,
• 2:01
  Speaker 1: while you're playing a game, like in the middle of
• 2:04
  Speaker 1: a cut scene or whatever, there'll be a break for
• 2:07
  Speaker 1: commercials while you're playing the video game, which has never
• 2:10
  Speaker 1: happened before in the history of video games. And that
• 2:13
  Speaker 1: is disgusting. Like, disgusting. These companies have no shame. I
• 2:19
  Speaker 1: hate it. I hate the world we live in.
• 2:21
  Speaker 2: It's the same thing with Amazon Prime that drives me insane.
• 2:25
  Speaker 2: You pay for that subscription and there's still ads during
• 2:29
  Speaker 2: stuff with them. I don't get that at all.
• 2:33
  Speaker 1: We can't go on a rant again about why physical
• 2:36
  Speaker 1: media is great and how you buy a movie on
• 2:39
  Speaker 1: Comcast and you own it forever or until you get
• 2:41
  Speaker 1: rid of Comcast. I can't get into that rant again.
• 2:45
  Speaker 1: But this podcast episode is brought to you by nothing.
• 2:49
  Speaker 1: Fuck you. Buckle your shoes. Oh, Ryan, correction on that.
• 3:13
  Speaker 1: I just got an email. This podcast is actually brought
• 3:17
  Speaker 1: to you by McDonald's, General Electric, and Raytheon.
• 3:21
  Speaker 2: Whoa.
• 3:22
  Speaker 1: All wonderful sponsors that I appreciate. Love you guys. So
• 3:28
  Speaker 1: thank you for that.
• 3:31
  Speaker 2: They'll send you a spray bottle for the cat. They'll
• 3:33
  Speaker 2: send you one.
• 3:34
  Speaker 1: They'll send me something. Welcome back. We're continuing to talk
• 3:39
  Speaker 1: about Anjus. Is that how you pronounce it?
• 3:43
  Speaker 2: Yeah, Anjus.
• 3:46
  Speaker 1: Krangus. That's what I kept telling in text to Ryan.
• 3:49
  Speaker 1: I always said Krangus. I'm not trying to trash Bridget,
• 3:55
  Speaker 1: but I remember a Bridget moment that infuriated me. Keep
• 3:58
  Speaker 1: in mind, like, I'm 14, she's 19. So we're both stupid.
• 4:01
  Speaker 1: This was a million years ago. And I don't think
• 4:03
  Speaker 1: Bridget would be this close-minded. But I remember Bridget said,
• 4:08
  Speaker 1: without knowing anything about the movie, said to me, because
• 4:11
  Speaker 1: I had it on VHS, I think I bought it
• 4:13
  Speaker 1: at Suncoast Video at the Natick Mall, only you would
• 4:16
  Speaker 1: like a movie called Angus. And I was like, what
• 4:19
  Speaker 1: the hell does that mean? And she said, obviously a
• 4:21
  Speaker 1: movie that's called Angus is stupid and bad. And I
• 4:25
  Speaker 1: was so infuriated at the time. I was 14. I'm like,
• 4:29
  Speaker 1: You know nothing about this.
• 4:33
  Speaker 2: So, yeah.
• 4:35
  Speaker 1: There's a lot of reasons why this movie was not
• 4:37
  Speaker 1: a financial success. One of them being the name. One
• 4:40
  Speaker 1: of them being the two stars of the film. But nonetheless,
• 4:43
  Speaker 1: it's great.
• 4:45
  Speaker 2: Do you remember seeing commercials for it when it was
• 4:46
  Speaker 2: coming out? Yes.
• 4:48
  Speaker 1: Because there's a line that's coming up that was in
• 4:51
  Speaker 1: every single trailer.
• 4:53
  Speaker 2: Yeah. I remember them dancing. Troy and Angus dancing when
• 4:57
  Speaker 2: they were like practicing in his room I remember that
• 4:59
  Speaker 2: was a big thing in the commercials.
• 5:01
  Speaker 1: And I just said to Shannon cause Shannon's not tapped
• 5:03
  Speaker 1: in on movies but she's tapped in on 90's movies
• 5:05
  Speaker 1: especially high school movies and she was like oh yeah
• 5:09
  Speaker 1: Angus that vaguely sounds familiar and I said you know
• 5:11
  Speaker 1: who's the villain and she said who James Van Der
• 5:14
  Speaker 1: Beek and she was like oh James Van Der Beek
• 5:16
  Speaker 1: love him Rick Sanford so Angus was just elected homecoming
• 5:24
  Speaker 1: king Winter ball king. I'm going to say homecoming because whatever.
• 5:27
  Speaker 1: It's the same thing. As a joke, as a prank.
• 5:30
  Speaker 1: And Ryan, the monsters in my class, the sociopaths in
• 5:34
  Speaker 1: my class in high school, this actually happened in my
• 5:37
  Speaker 1: high school.
• 5:38
  Speaker 2: Really?
• 5:39
  Speaker 1: Yes. It was, I believe, freshman year. And I would
• 5:45
  Speaker 1: never do– there was a girl in my class who
• 5:47
  Speaker 1: was very unfortunate looking. She was kind and she was normal.
• 5:54
  Speaker 1: She would talk. She wasn't like a complete introvert, recluse weirdo.
• 5:59
  Speaker 1: She was like a normal personality. But she happened to
• 6:01
  Speaker 1: be very unattractive. And we'll pretend her name is Teresa.
• 6:06
  Speaker 1: It wasn't. But Teresa was elected homecoming queen freshman year
• 6:12
  Speaker 1: along with some loser guy that everybody thought was a dork.
• 6:16
  Speaker 1: And my class did it as a prank. And then
• 6:20
  Speaker 1: the way that the faculty reacted– is without discussing it
• 6:24
  Speaker 1: with the class, without announcing anything, like, on the day
• 6:28
  Speaker 1: of homecoming, they just went to a couple, like a
• 6:31
  Speaker 1: known normal couple that were dating at the time at Marion,
• 6:35
  Speaker 1: and said, like, you guys are homecoming king and queen.
• 6:38
  Speaker 1: And they said, okay. And then they, like, never addressed
• 6:41
  Speaker 1: it again. So they didn't actually have to.
• 6:45
  Speaker 2: Probably a good way to handle that.
• 6:47
  Speaker 1: That's a good way to handle that. They didn't have
• 6:48
  Speaker 1: to suffer the embarrassment of actually, like, Being paraded because
• 6:53
  Speaker 1: there's literally a homecoming parade where we would make floats.
• 6:57
  Speaker 1: They would be paraded as a mockery of like, wow,
• 7:00
  Speaker 1: what a loser you are. You're going to be in
• 7:02
  Speaker 1: this parade so we can all laugh at you. What
• 7:04
  Speaker 1: the fuck is wrong with 14-year-old people?
• 7:09
  Speaker 2: Kids are mean, man.
• 7:10
  Speaker 1: And this was democracy. Like the election happened and the
• 7:15
  Speaker 1: Rick Sanford in my class, it wasn't really– there wasn't
• 7:18
  Speaker 1: really a Rick Sanford. It was more like a collection
• 7:19
  Speaker 1: of people. They said, everybody vote for this. And everybody
• 7:22
  Speaker 1: was like, oh yeah, this is really funny. I certainly
• 7:25
  Speaker 1: fucking didn't. There was no fucking way I was going
• 7:27
  Speaker 1: to vote for Teresa in The Loser Kid. But they won. So,
• 7:34
  Speaker 1: if Bridget listens to this, she's going to be really upset.
• 7:38
  Speaker 1: Because she texted me, like, what happened to Fat Bitch Holly?
• 7:42
  Speaker 1: During the Breakfast Club podcast? Because it talked about how...
• 7:45
  Speaker 1: that the overweight girl in the locker next to mine
• 7:47
  Speaker 1: was relentlessly bullied and was called a fat bitch. And
• 7:49
  Speaker 1: her name was Holly. Bridget was like, what happened to
• 7:52
  Speaker 1: fat bitch Holly? I go, I don't know. I haven't
• 7:53
  Speaker 1: seen her.
• 7:54
  Speaker 2: And hopefully she, uh, yeah, she moved on to better things. Yeah.
• 7:58
  Speaker 1: I haven't seen her in 26 years. So I said
• 8:01
  Speaker 1: to Bridget, she's probably dead. That's what I said.
• 8:03
  Speaker 2: Wow.
• 8:06
  Speaker 1: Uh, so Angus says to Troy, there is absolutely no
• 8:10
  Speaker 1: way I'm going to this dance. I know what they're doing.
• 8:12
  Speaker 1: This is a prank. Cause Rick Sanford is an asshole. Uh,
• 8:15
  Speaker 1: And Troy says, you have to go to the dance
• 8:17
  Speaker 1: because you literally will get to dance with Melissa. The
• 8:20
  Speaker 1: homecoming queen have a dance.
• 8:23
  Speaker 2: I like this. I like that Troy does this. I do.
• 8:26
  Speaker 2: I really like this. Yeah.
• 8:27
  Speaker 1: And Angus says, he's trying to rationalize. He goes, maybe
• 8:31
  Speaker 1: Melissa will view the dance with me like a trip
• 8:33
  Speaker 1: to the dentist. Uh, which was the perfect analogy for this. Uh, like,
• 8:37
  Speaker 1: you know, you gotta do it and it's not fun,
• 8:39
  Speaker 1: but it's fine. I'm not going to freak out about it. Um, Well,
• 8:44
  Speaker 1: go ahead.
• 8:44
  Speaker 2: Go ahead, Ryan. I like the line, because it plays
• 8:48
  Speaker 2: into later, where Troy's like, you have to do, you
• 8:52
  Speaker 2: have to do. He's like, are you kidding me? Melissa's
• 8:54
  Speaker 2: probably puking her guts out somewhere. Yes.
• 8:59
  Speaker 1: Very good, Ryan. Foreshadowing. Very good. Angus is doing homework
• 9:03
  Speaker 1: in his room, and he has a framed picture of
• 9:05
  Speaker 1: Melissa on his desk. Hmm.
• 9:09
  Speaker 2: Very 1995. Yeah, very. Yikes. Yikes. Yeah.
• 9:15
  Speaker 1: And because because Angus says in all these years, I've
• 9:20
  Speaker 1: never spoken to Melissa.
• 9:23
  Speaker 2: Yes. Yikes.
• 9:26
  Speaker 1: Troy gives it shows a picture like her cheerleading photo
• 9:30
  Speaker 1: to Angus and says, this is your motivation. You need
• 9:33
  Speaker 1: to you need to be motivated by this to want
• 9:35
  Speaker 1: to go to the dance to prepare to go to
• 9:37
  Speaker 1: the dance. And he's like describing her body and saying, like,
• 9:41
  Speaker 1: look at her tight little stomach muscles. Look at her legs.
• 9:44
  Speaker 1: And I'm like, hmm, I don't– I'm a little uncomfortable
• 9:47
  Speaker 1: with this scene. But Troy says, we're going to give
• 9:52
  Speaker 1: you a makeover. And this is the line that was
• 9:55
  Speaker 1: always in the trailer. He says, we're gonna turn you
• 9:57
  Speaker 1: from a large pathetic virgin to a large pathetic virgin
• 10:00
  Speaker 1: with a new look.
• 10:03
  Speaker 2: That was a great line uh so.
• 10:05
  Speaker 1: Grandpa being a great friend he tells grandpa about this
• 10:09
  Speaker 1: grandpa says why is this so bad and angus is
• 10:12
  Speaker 1: like i don't know how to dance so grandpa takes
• 10:14
  Speaker 1: him to dance lessons like pays for a professional to
• 10:17
  Speaker 1: give him dance lessons and how does that go.
• 10:19
  Speaker 2: Ryan Rough at first, they meet up with Madame Rolenska.
• 10:27
  Speaker 2: Grandpa has a history with her from the way that
• 10:30
  Speaker 2: energy in that room is.
• 10:32
  Speaker 1: Grandpa's the man.
• 10:34
  Speaker 2: And he's describing before they get there about... the Irish swoon.
• 10:39
  Speaker 2: It's this thing that like, it's this trick you learned
• 10:42
  Speaker 2: to sweep them off their feet. Yes. Uh, Angus has
• 10:45
  Speaker 2: just got two left feet, not a great dancer. And
• 10:48
  Speaker 2: they're just like, follow the feet. Like there's like a
• 10:50
  Speaker 2: little map of how to dance on the floor and
• 10:52
  Speaker 2: he's just not doing it. And he finally just does
• 10:57
  Speaker 2: his own thing. It gets a little bit better. And
• 11:00
  Speaker 2: the grandfather just says, screw them. Just dance.
• 11:05
  Speaker 1: I think I've said this on the podcast before, but
• 11:07
  Speaker 1: my roommate, Chris Cameron, who is very, very good with women,
• 11:11
  Speaker 1: he was always bringing different girls home and having one-night stands.
• 11:15
  Speaker 1: And I asked him, what is the key? What is
• 11:18
  Speaker 1: the key to your success? And he said, it's all
• 11:20
  Speaker 1: irrational confidence. So he's like, I just dance my ass off.
• 11:25
  Speaker 1: If I'm at a club or at a bar with
• 11:28
  Speaker 1: music or at a wedding, I dance my ass off.
• 11:30
  Speaker 1: And I'm not good at dancing. I look like an idiot.
• 11:32
  Speaker 1: But I don't care. And women love that. And I
• 11:35
  Speaker 1: always remembered that advice. Confidence is key, as my dad
• 11:41
  Speaker 1: told you one day, Ryan.
• 11:43
  Speaker 2: Words I've never forgot. We should also say, Madame Rolinska,
• 11:47
  Speaker 2: played by Rita Moreno, another Oscar winner in this movie.
• 11:50
  Speaker 1: There's three of them. I did see, okay, somebody's having
• 11:53
  Speaker 1: a freak out, Yoda, I think. But I did see
• 11:56
  Speaker 1: three Oscar winners in this movie, and it was Grandpa, Mom,
• 11:59
  Speaker 1: and Madame Rolinska. I was like, what?
• 12:01
  Speaker 2: So strange.
• 12:03
  Speaker 1: So strange. And I also saw Oh, this was the
• 12:06
  Speaker 1: last ever role of some actor who had been in
• 12:09
  Speaker 1: Little Rascals. And he plays the priest at the very
• 12:13
  Speaker 1: end of the movie.
• 12:13
  Speaker 2: I was like, what? Weird.
• 12:16
  Speaker 1: Yeah, weird. Anyways, so that goes very, very poorly. And
• 12:21
  Speaker 1: Grandpa takes Angus to the Tux rental store to get him.
• 12:24
  Speaker 1: I feel like people don't do this anymore. I feel
• 12:26
  Speaker 1: like Tux rentals is a thing of the past. I
• 12:29
  Speaker 1: feel like it's all for weddings and stuff. It's always
• 12:32
  Speaker 1: you have to buy a suit now. And the logic is, hey,
• 12:35
  Speaker 1: you know, a tux rental is maybe like $ 100 to $ 200,
• 12:38
  Speaker 1: but you never use it again. If I make you
• 12:40
  Speaker 1: buy a suit, it's going to be more. But tuxes
• 12:43
  Speaker 1: are kind of viewed as like cheesy now. And if
• 12:46
  Speaker 1: you buy a suit, you'll have it forever. And like
• 12:49
  Speaker 1: all the suits that I wear to work events are
• 12:51
  Speaker 1: all suits I got at weddings.
• 12:53
  Speaker 2: Oh, so you have used them again. Oh, yeah. 100%. Really? Yeah.
• 12:56
  Speaker 1: Because if you have to buy like a black suit,
• 12:58
  Speaker 1: I think Eric made me buy a black suit. Pat
• 13:01
  Speaker 1: made me buy a navy blue suit. I feel like
• 13:03
  Speaker 1: I don't really wear a black suit a lot like
• 13:04
  Speaker 1: except for funerals. But navy blue suit, a navy blue
• 13:07
  Speaker 1: suit you can wear every day.
• 13:10
  Speaker 2: Wow.
• 13:10
  Speaker 1: I mean if somebody makes you buy like an olive
• 13:12
  Speaker 1: green suit, then that might be a little tough. I
• 13:15
  Speaker 1: made everybody rent the tux because I'm an asshole. But yeah.
• 13:21
  Speaker 1: So– Uh, so they go to the Tuck's store and
• 13:26
  Speaker 1: the guy says, who's also a famous actor. Who's this guy?
• 13:28
  Speaker 1: The guy, the Tuck's store guy.
• 13:31
  Speaker 2: Um, I, he looked familiar. I don't know. Um.
• 13:35
  Speaker 1: Oh, it's, uh, Jimity Shardadushu.
• 13:42
  Speaker 2: Yes.
• 13:43
  Speaker 1: Uh, his name is Perry Enzi Enzalotti. You'd recognize him
• 13:48
  Speaker 1: if you saw him. He explains, uh, There are no
• 13:52
  Speaker 1: black tuxes in your size. They've all been rented out. Like,
• 13:54
  Speaker 1: we have some big and tall tuxes here, but they've
• 13:56
  Speaker 1: all been rented out. And then what happens, Ryan?
• 14:00
  Speaker 2: He's like, we have another one, though. And it's a
• 14:07
  Speaker 2: giant purple suit. No, it's plum. And I love that's
• 14:12
  Speaker 2: the running joke.
• 14:14
  Speaker 1: Yeah, because Angus says it's purple, and the tux guy goes,
• 14:17
  Speaker 1: it's plum. So that's like the joke is to correct
• 14:20
  Speaker 1: someone who says purple.
• 14:21
  Speaker 2: I actually think this suit looks great.
• 14:26
  Speaker 1: Yeah.
• 14:27
  Speaker 2: I thought it looked really good.
• 14:30
  Speaker 1: He says, Grandpa, everyone's going to be wearing black. And
• 14:32
  Speaker 1: Grandpa says, you'll be different. Who cares? And he says,
• 14:35
  Speaker 1: I don't want to be different. I want to be normal.
• 14:38
  Speaker 1: But they have to get the plum tux because there's
• 14:39
  Speaker 1: no other tuxes available. And Troy says, we have to
• 14:43
  Speaker 1: practice dancing. I got you a blow-up doll. Her name
• 14:47
  Speaker 1: is Wanda.
• 14:48
  Speaker 2: Yeah.
• 14:49
  Speaker 1: And I'm going to videotape you dancing with her. And
• 14:52
  Speaker 1: Angus is like, there's no way I'm going to let
• 14:53
  Speaker 1: you record this. He says, this is what jocks do
• 14:55
  Speaker 1: when they play football. They watch film. They see how
• 14:58
  Speaker 1: they can be better. And Angus is like, fine, but
• 15:01
  Speaker 1: you have to promise no one will ever see this tape,
• 15:03
  Speaker 1: including your mom. And then Troy says, I swear on
• 15:07
  Speaker 1: my life, no one will ever watch this except for
• 15:09
  Speaker 1: you and me.
• 15:09
  Speaker 2: I also love that we never see the mom the
• 15:12
  Speaker 2: entire movie. We never see Troy's mom. It's just this
• 15:14
  Speaker 2: fabled person. I do want to call out Troy's line
• 15:19
  Speaker 2: in the tuck shop, though. It's like, what do you think?
• 15:21
  Speaker 2: Put it on a dead guy and bury it, was
• 15:24
  Speaker 2: the description for the suit.
• 15:26
  Speaker 1: Somebody says later a great line is, he looks like Barney.
• 15:30
  Speaker 1: I enjoyed that. So they're watching the tape. Or no,
• 15:35
  Speaker 1: Angus is dancing with the blow-up doll. Yeah. He's like,
• 15:41
  Speaker 1: this is weird. I don't want to touch a blow-up doll.
• 15:43
  Speaker 1: And Troy says, hey, a girl's bod is a girl's bod.
• 15:47
  Speaker 1: And Angus says, there's more to girls than just their bods.
• 15:51
  Speaker 1: And Troy says, oh, so you like Melissa because of
• 15:53
  Speaker 1: her grades? Which is a fair point. Angus, you're in
• 15:56
  Speaker 1: love with Melissa, who's beautiful. Who you don't talk to.
• 16:00
  Speaker 1: Who you've never talked to.
• 16:01
  Speaker 2: Yeah.
• 16:03
  Speaker 1: And he says, I don't know how to describe it,
• 16:08
  Speaker 1: but whenever I see Melissa, I get a pain in
• 16:10
  Speaker 1: my stomach. And Troy says you famously, I think this was,
• 16:14
  Speaker 1: might've been in the trailer too. You got a boner
• 16:16
  Speaker 1: in your stomach.
• 16:17
  Speaker 2: It had to have been. I remember when I heard it,
• 16:19
  Speaker 2: I was like this thing being so memorable throughout the
• 16:21
  Speaker 2: entire movie. Yeah. Yeah.
• 16:23
  Speaker 1: So did you have a Melissa Lefevre, like a girl
• 16:25
  Speaker 1: that you were just, you thought she was 10 out
• 16:28
  Speaker 1: of 10 beautiful. You're obsessed with her, but you never
• 16:29
  Speaker 1: spoke to her in middle school or high school.
• 16:32
  Speaker 2: Um, yes, but not, not never spoke. Like definitely my,
• 16:38
  Speaker 2: my game was DNA, which is doing an approach. Um,
• 16:42
  Speaker 2: But you eventually had to speak to these people. So yeah,
• 16:45
  Speaker 2: but it was never like anything remotely attempting anything close
• 16:50
  Speaker 2: to this. Yeah.
• 16:52
  Speaker 1: So my Melissa Lefevre in middle school was Kim Sullivan.
• 16:56
  Speaker 1: Kim Sullivan was a straight up babe. She had like
• 17:02
  Speaker 1: big lips, big eyelashes, was super hot. Again, it's fucked
• 17:06
  Speaker 1: up that I'm talking about like a middle school girl,
• 17:08
  Speaker 1: but this is from my perspective when I was her
• 17:10
  Speaker 1: exact same age. Please keep in mind. And, um, I
• 17:14
  Speaker 1: sat next to her, like we had interacted. It's not
• 17:16
  Speaker 1: like I didn't say a word to her, but I
• 17:18
  Speaker 1: didn't really say a word to her. And all my
• 17:20
  Speaker 1: friends knew that I had like the biggest crush on her.
• 17:22
  Speaker 1: And there was a math class, Mr. Man is math class.
• 17:25
  Speaker 1: I sat and I happened to, we had assigned seats.
• 17:27
  Speaker 1: I happened to sit next to her. So I would
• 17:28
  Speaker 1: occasionally interact with her and she'd be like, Hey, Tim,
• 17:31
  Speaker 1: can I borrow a pencil? And I'd just be like, yeah, yeah, yeah. Yeah,
• 17:39
  Speaker 1: I have pencils.
• 17:40
  Speaker 2: Yeah. It's the slow motion scene. It's just all there.
• 17:43
  Speaker 2: It's right there. It's ready to go.
• 17:44
  Speaker 1: And I would hand her a pencil and I'd be like, oh,
• 17:47
  Speaker 1: my God, she's using my pencil. And then at the
• 17:49
  Speaker 1: end of class, she would say, oh, here you go
• 17:51
  Speaker 1: and hand it back to me. And I'm like, no, Kim,
• 17:53
  Speaker 1: you keep this forever. But the last time I ever
• 17:56
  Speaker 1: talked to her in my life was it was the
• 17:58
  Speaker 1: last day of eighth grade. and we were in the
• 18:01
  Speaker 1: front lobby of the school leaving, and I knew she
• 18:04
  Speaker 1: was going to Neda Kai with everybody else, and I'm
• 18:06
  Speaker 1: going to Marion, private Catholic school, so I'd never see
• 18:09
  Speaker 1: her or talk to her again. So I said to her,
• 18:11
  Speaker 1: and she had to have known, like had to have
• 18:14
  Speaker 1: known to some extent. We interacted enough. I said to her, hey, Kim,
• 18:19
  Speaker 1: and I never approached her or talked to her. I said, hey, Kim,
• 18:22
  Speaker 1: it's the last day of school. I'm going to Marion,
• 18:25
  Speaker 1: so I probably won't see you again, and she went like, Oh, okay, Tim.
• 18:29
  Speaker 2: Bye.
• 18:29
  Speaker 1: You know, like, cause we're not friends. And then I said,
• 18:31
  Speaker 1: I don't know if this is weird, but like, could
• 18:35
  Speaker 1: I hug you goodbye? And she said, yeah, you, you can.
• 18:39
  Speaker 1: And she gave me like a big hug.
• 18:41
  Speaker 2: Oh.
• 18:42
  Speaker 1: And, uh, and I was like, thank you. And then
• 18:44
  Speaker 1: I just sort of floated out of the school after that.
• 18:47
  Speaker 1: But the balls on me to ask for that. I can't,
• 18:49
  Speaker 1: I mean, even at that age, I was like, must've
• 18:52
  Speaker 1: been terrifying.
• 18:53
  Speaker 2: And for her to just say, sure.
• 18:56
  Speaker 1: She understood, and she knew I wasn't a bad kid.
• 18:58
  Speaker 1: I was always nice. So she was like, yeah, you can.
• 19:01
  Speaker 2: What wisdom.
• 19:03
  Speaker 1: Wow. Yeah, so appreciate that, Kim.
• 19:05
  Speaker 2: And then you float out, and they play JAR. That's
• 19:09
  Speaker 2: the end credits of Krangus.
• 19:12
  Speaker 1: Krangus, Kennedy Middle School, Krangus. And maybe five, ten years ago,
• 19:17
  Speaker 1: I said to Eric and Ben, because they went to
• 19:22
  Speaker 1: middle school with me, I go, I would bet my
• 19:24
  Speaker 1: life that Kim Sullivan is a hot adult. And I
• 19:28
  Speaker 1: looked her up on Facebook and I found her wedding
• 19:30
  Speaker 1: photos and she looked fucking amazing. And I was like, yup,
• 19:34
  Speaker 1: this is what I, she had a lot of tattoos
• 19:36
  Speaker 1: on her arm. That was the only like maybe surprising thing,
• 19:39
  Speaker 1: but she looked amazing. And I thought, yeah, that's, that's, yeah,
• 19:42
  Speaker 1: I could have bet.
• 19:43
  Speaker 2: Shout out to Kim Sullivan. Yeah.
• 19:45
  Speaker 1: Kim Sullivan. I know you're listening. Hit me up. I mean,
• 19:47
  Speaker 1: if your marriage didn't work out, my marriage is, like
• 19:50
  Speaker 1: kind of going a little south so.
• 19:52
  Speaker 2: Whoa whoa joe joe schlub please call in.
• 19:57
  Speaker 1: Oh and also she dated of course this happened she
• 20:00
  Speaker 1: dated a kid in high school who at least at
• 20:03
  Speaker 1: the time the rumor was he was like actively on
• 20:06
  Speaker 1: heroin And I thought, why? Why is she dating that kid?
• 20:11
  Speaker 1: That's not good. She didn't marry that kid, though, so
• 20:14
  Speaker 1: don't worry. All the Kim.
• 20:15
  Speaker 2: Sullivan fanatics out there. Okay. Okay.
• 20:19
  Speaker 1: Okay, we're back. And montage of Angus trying new looks,
• 20:26
  Speaker 1: trying different hairstyles, working on a science experiment, working out
• 20:30
  Speaker 1: and practicing his dancing. And go ahead.
• 20:34
  Speaker 2: Go ahead. I think you're going to this. Go ahead.
• 20:37
  Speaker 1: The radio segment.
• 20:39
  Speaker 2: Absolutely hilarious.
• 20:41
  Speaker 1: Amazing. Can I can I read it? I have it.
• 20:42
  Speaker 2: Please read this.
• 20:43
  Speaker 1: Unless you have this.
• 20:45
  Speaker 2: No, please read this.
• 20:47
  Speaker 1: So I guess it's just like working out and listening
• 20:49
  Speaker 1: to the radio. And you hear on the radio, the
• 20:51
  Speaker 1: DJ goes, all right, we got the winner for the
• 20:54
  Speaker 1: Green Day concert. Two tickets. Here we have Rick Sanford.
• 20:58
  Speaker 1: Tell us how you won, Rick. And then it's James
• 21:00
  Speaker 1: Van Der Beek on the radio. He goes, well, I
• 21:02
  Speaker 1: happen to be walking by a phone booth. And at
• 21:04
  Speaker 1: the exact moment, a car drove by playing Green Day.
• 21:07
  Speaker 1: So I figured I'd give it a shot and call.
• 21:10
  Speaker 2: The universe just worked out for me.
• 21:12
  Speaker 1: Everything works. And then you hear like a clink, clink,
• 21:14
  Speaker 1: clink noise. And he goes, oh, my God, the phone
• 21:16
  Speaker 1: just gave me my quarterback. Troy. Troy is in. school
• 21:26
  Speaker 1: now and he's wearing a shirt that would immediately get
• 21:29
  Speaker 1: him banned in 2026 it's a happy face that says
• 21:32
  Speaker 1: have a great day but it's brains have been blown
• 21:35
  Speaker 1: out by a bullet hole would not be allowed in
• 21:38
  Speaker 1: school today and Troy says like Rick and his cronies
• 21:42
  Speaker 1: walk by he goes Angus is going to blow you
• 21:45
  Speaker 1: off the dance floor he can really dance and so
• 21:48
  Speaker 1: in response Rick and his friends hang him from a
• 21:50
  Speaker 1: locker by the back of his shirt I.
• 21:53
  Speaker 2: Did love his friend's reaction. Not Kevin Connolly. The other
• 21:56
  Speaker 2: guy is like Angus can dance and weirdly like Vanderbeek
• 22:00
  Speaker 2: feels threatened by it. Yeah. He's like, Oh shit. And
• 22:03
  Speaker 2: then I love, and then his friend is just like,
• 22:05
  Speaker 2: I mean, you better hope he's not better than you.
• 22:08
  Speaker 2: Cause you dance like a white person.
• 22:11
  Speaker 1: And he does later in the movie at the dance,
• 22:18
  Speaker 1: they show James Vanderbeek dancing and he very much dances
• 22:20
  Speaker 1: like a white person. So he's basically worried, like, what
• 22:23
  Speaker 1: if Angus can really dance and he has a nice moment?
• 22:26
  Speaker 1: This moment is solely to disgrace and embarrass him. What
• 22:29
  Speaker 1: if he has a nice moment? So Rick starts to
• 22:31
  Speaker 1: get a little worried.
• 22:32
  Speaker 2: Were you really impressed, especially, like, at this part? I
• 22:36
  Speaker 2: feel like the conceit of this movie where, like, it's
• 22:40
  Speaker 2: the whole idea of, like, him being set up to
• 22:41
  Speaker 2: be embarrassed is, like... she's all that is Carrie is
• 22:46
  Speaker 2: all these movies where like the whole engine is the
• 22:49
  Speaker 2: anxiety of what's going to happen when this night, um,
• 22:53
  Speaker 2: when this whole thing takes place, this point is such
• 22:55
  Speaker 2: a good job of making it part of the movie,
• 22:57
  Speaker 2: but not the whole thing. Yeah. Even though it is
• 23:00
  Speaker 2: the kind of plot, you know, kind of engine, but
• 23:03
  Speaker 2: I don't know. I just really like, and they made
• 23:04
  Speaker 2: it so believable that Rick would feel threatened by Angus.
• 23:09
  Speaker 1: Yeah, no, I, I agree. I think that's a good point. Um,
• 23:14
  Speaker 1: And now it's after football or after gym. And thank God,
• 23:20
  Speaker 1: I have never in my life taken a communal shower.
• 23:25
  Speaker 1: And I'm so happy for that. I know Eric is
• 23:28
  Speaker 1: rolling over in his grave even though he's not dead.
• 23:30
  Speaker 1: Eric loves communal showers with other men. He's talked to
• 23:33
  Speaker 1: me about it. I never took a communal shower. And
• 23:36
  Speaker 1: when we went to Iceland, Mark was like, hey, just
• 23:38
  Speaker 1: to let you know, we're probably going to have to
• 23:39
  Speaker 1: take a communal shower together. It's very normal in Iceland
• 23:42
  Speaker 1: before we go into the what's it called? The Lagoon.
• 23:48
  Speaker 1: The Hot Lagoon. And I was like, that's not okay
• 23:51
  Speaker 1: with me. That's just, I don't like that. And you
• 23:55
  Speaker 1: had said to me, oh, because Mark's gay. And I said, no.
• 23:58
  Speaker 1: Not because he's gay. I just don't. I've never done
• 24:01
  Speaker 1: that with anyone. That's not what you said.
• 24:04
  Speaker 2: Not what I said.
• 24:04
  Speaker 1: But thank God we didn't. We had stalls. So we
• 24:07
  Speaker 1: did not have to do that. I didn't have to
• 24:08
  Speaker 1: see Ryan naked.
• 24:10
  Speaker 2: I have never done that myself. And... I'm doing you
• 24:15
  Speaker 2: a favor as much as you're doing me a favor
• 24:16
  Speaker 2: when that situation. Yeah.
• 24:18
  Speaker 1: Like even we got changed in front of each other.
• 24:21
  Speaker 1: Like we all turned away and we're in the locker
• 24:23
  Speaker 1: room changing. And even that, I'm like, this is so weird,
• 24:26
  Speaker 1: but Hey, Europeans, man, they're, they're free. But Troy, who's
• 24:31
  Speaker 1: tiny is a tiny redhead. Uh, he's not showering. And
• 24:36
  Speaker 1: the coach goes, Redbird hit the showers. No, I have
• 24:40
  Speaker 1: a note from my doctor. Uh, This is from your father.
• 24:42
  Speaker 1: My father's a doctor. Your father's a dentist. Hit the
• 24:46
  Speaker 1: showers every day with this kid.
• 24:47
  Speaker 2: I love it. I have sore gums. Yeah.
• 24:51
  Speaker 1: Yeah, so poor Troy being, like, such a small kid.
• 24:54
  Speaker 1: He's probably not hung like a horse. He doesn't want
• 24:56
  Speaker 1: to shower in front of the popular kids at school.
• 24:58
  Speaker 2: Also, coach, relax. Relax, coach. Why do you need this?
• 25:01
  Speaker 1: This is the thing with teachers, especially back in the day. Like,
• 25:03
  Speaker 1: fuck you, coach.
• 25:05
  Speaker 2: Yeah. So.
• 25:08
  Speaker 1: rick goes up and taunts angus and troy knowing that
• 25:11
  Speaker 1: angus can't do anything about it because he doesn't want
• 25:12
  Speaker 1: to blow a shot at um the school and he
• 25:16
  Speaker 1: says angus melissa has been bitching my ear off because
• 25:18
  Speaker 1: she has to dance with you and angus is like
• 25:23
  Speaker 1: give give troy give me my shirt back because rick
• 25:26
  Speaker 1: stole his shirt out of his locker um but angus
• 25:29
  Speaker 1: also realized after the fact he goes oh shit he
• 25:32
  Speaker 1: rick also stole my underwear and now ryan why don't
• 25:34
  Speaker 1: you explain what happens from.
• 25:35
  Speaker 2: Here so they are walking outside of school. They hear
• 25:40
  Speaker 2: people laughing. Uh, Troy notices, um, that Angus's underwear is
• 25:47
  Speaker 2: under the flag on the flagpole on the front lawn
• 25:50
  Speaker 2: of the school. Um, and Troy says in a truly
• 25:55
  Speaker 2: like blown away moment, can you believe it? Your underwear
• 25:58
  Speaker 2: is almost as big as the flag. And the amazing
• 26:03
  Speaker 2: thing that this movie does is like the one time
• 26:04
  Speaker 2: they go really kind of wacky is, uh, As Angus
• 26:08
  Speaker 2: is fixating on it and he's seeing Melissa walking towards him,
• 26:12
  Speaker 2: the underwear gets so big. And at one point in time,
• 26:15
  Speaker 2: it is like two bedsheets. It is hilarious. And I
• 26:19
  Speaker 2: was like, oh, my God. So as Melissa is walking
• 26:25
  Speaker 2: across the front lawn, Angus is praying she does not
• 26:29
  Speaker 2: see this. she happens to walk by and not see
• 26:33
  Speaker 2: it happen. And then as people are taking, taking the
• 26:37
  Speaker 2: flag down to remove the underwear, the underwear gets blown
• 26:42
  Speaker 2: out of the guy's hands or off the clothespins, whatever.
• 26:46
  Speaker 2: And then I don't know if this was done intentionally.
• 26:48
  Speaker 2: You hear someone say, Hey Melissa. And Melissa turns around
• 26:53
  Speaker 2: and just gets the full underwear in her face. Like
• 26:55
  Speaker 2: it couldn't have been worse.
• 26:57
  Speaker 1: Um, um, do you remember what Troy says?
• 27:01
  Speaker 2: Now that is a slice of the old dick pie.
• 27:03
  Speaker 2: I do love Tim. They hide in the bushes and
• 27:12
  Speaker 2: they wait until everyone's gone to avoid this. When the
• 27:16
  Speaker 2: coast is clear, this kid killed me. They're walking back
• 27:21
  Speaker 2: on the front lawn and there's a kid, random kid,
• 27:23
  Speaker 2: just sitting there. in front of the tree stump.
• 27:26
  Speaker 1: Reading a book, yeah.
• 27:28
  Speaker 2: Reading a book. He's like, see, look, no one's here.
• 27:32
  Speaker 2: I don't think anyone knew it was your underwear. And
• 27:34
  Speaker 2: that kid bursts into laughter. That was your underwear, Angus?
• 27:40
  Speaker 1: That was great.
• 27:40
  Speaker 2: That was great.
• 27:41
  Speaker 1: Troy just totally ruining the moment.
• 27:44
  Speaker 2: And then Troy has disappeared behind Angus as Angus is
• 27:49
  Speaker 2: walking out. And we see that Rick and his cronies
• 27:55
  Speaker 2: have pretty much threatened Troy, pushed him on the ground,
• 27:59
  Speaker 2: really hurt his arm. That they're like, hey, we need
• 28:03
  Speaker 2: something on Angus and you have to give it to us.
• 28:06
  Speaker 2: Pretty much threatening him with this. I like how when
• 28:10
  Speaker 2: he pushed, when Rick pushes Troy... I don't think he
• 28:15
  Speaker 2: meant to inflict the level of pain that he did. No.
• 28:18
  Speaker 2: And you can tell from his face, he's like, oh fuck,
• 28:20
  Speaker 2: I went too far with this. Yeah. But now it's
• 28:22
  Speaker 2: like too late. Yeah.
• 28:23
  Speaker 1: This, this scene truly hurt my heart. Cause Troy's a
• 28:26
  Speaker 1: little guy, but he's, he has courage and he talks
• 28:28
  Speaker 1: shit to Rick and he like puts on a tough
• 28:31
  Speaker 1: front cause he, he has to. And they're, they're bullying him. They're,
• 28:35
  Speaker 1: you got to give us something really bad on Angus
• 28:37
  Speaker 1: or we're going to like beat you up. And Troy's like, no,
• 28:40
  Speaker 1: I'm not doing it. And he starts to run away.
• 28:42
  Speaker 1: And when Rick trips him, he lands on the ground
• 28:45
  Speaker 1: and breaks his arm. And the actor who plays Troy
• 28:48
  Speaker 1: does such a good job in this moment where Troy,
• 28:51
  Speaker 1: you forget, he's a kid. He's a kid. And he
• 28:55
  Speaker 1: just starts crying really hard. And then Rick's friends get
• 28:58
  Speaker 1: freaked out and they bail. They run. Because they're like,
• 29:01
  Speaker 1: oh shit, this has gone too far. And then Vanderbeek
• 29:03
  Speaker 1: is kind of freaking out too. And he's like, well,
• 29:06
  Speaker 1: you better give me something or I'm going to do
• 29:08
  Speaker 1: this again. And he runs away. Yeah. Truly awful. So
• 29:13
  Speaker 1: Angus goes to Grandpa's chess game, and he says, people suck, Grandpa.
• 29:17
  Speaker 1: Grandpa says, there's always going to be a quarterback, Angus. Well,
• 29:19
  Speaker 1: I can't go to this dance. Grandpa says, you're a
• 29:21
  Speaker 1: coward if you don't go to the dance. Well, I
• 29:23
  Speaker 1: could smash Rick's face in. You're a coward if you do.
• 29:26
  Speaker 1: He says, Grandpa, you don't get it. And this is
• 29:29
  Speaker 1: what's so funny about teenagers, and we're all guilty of this.
• 29:31
  Speaker 1: I was 100% guilty of this, is that they think
• 29:33
  Speaker 1: adults have no wisdom. They just think they're corny idiots
• 29:37
  Speaker 1: who have no idea what I'm going through. Yeah.
• 29:40
  Speaker 2: Absolutely.
• 29:41
  Speaker 1: And Grandpa's wedding is tomorrow. They go back home. Grandpa's
• 29:45
  Speaker 1: arguing with Kathy Bates. And Grandpa says, listen, this new
• 29:49
  Speaker 1: school you're going to send him to, Jefferson, it's crap.
• 29:53
  Speaker 1: And Meg says he needs to go to a school
• 29:56
  Speaker 1: where they won't make him homecoming kid as a prank.
• 29:59
  Speaker 1: Don't you know what they're doing? They're trying to embarrass him.
• 30:01
  Speaker 1: And Grandpa says, you're not giving the boy credit for
• 30:03
  Speaker 1: being strong. And then I love what Meg says, because
• 30:06
  Speaker 1: she's a fucking mom, and moms know. She says, do
• 30:10
  Speaker 1: you know that when he sits down at lunch, the
• 30:11
  Speaker 1: other kids jump up and pretend they're being thrown off
• 30:13
  Speaker 1: the bench? And Grandpa says, no, he didn't tell me that.
• 30:18
  Speaker 1: And Meg says, he didn't tell me that either. She
• 30:21
  Speaker 1: just knows, because she finds out, even though Angus doesn't
• 30:23
  Speaker 1: tell her. Do you know what they did with his underwear?
• 30:26
  Speaker 1: They ran it up the flagpole to humiliate him. And
• 30:29
  Speaker 1: he gets up every day and goes there. Every single day.
• 30:33
  Speaker 1: So don't you tell me I don't know how strong
• 30:36
  Speaker 1: my son is. And Grandpa says, listen, that was you, kid.
• 30:41
  Speaker 1: That was you. And look how you turned out. And
• 30:43
  Speaker 1: then Kathy Bates starts to cry and they hug each other.
• 30:46
  Speaker 1: But I thought that was a fucking great moment with
• 30:49
  Speaker 1: Kathy Bates.
• 30:50
  Speaker 2: Yeah. Really, really good.
• 30:52
  Speaker 1: And Kathy Bates comes in to talk about the interview
• 30:55
  Speaker 1: and And they're, they're just kind of like Angus's moody
• 30:59
  Speaker 1: is not happy. You just made a noise. So did
• 31:01
  Speaker 1: you love how she approached this?
• 31:03
  Speaker 2: Oh, it's great. And also I love this song too.
• 31:06
  Speaker 2: This is so good.
• 31:06
  Speaker 1: What song was it?
• 31:08
  Speaker 2: This is funny face by the muffs. Um, so I, I,
• 31:11
  Speaker 2: this was a big one. I, when I had this soundtrack, um, yeah,
• 31:16
  Speaker 2: this is, so like, um, he's dancing with the blow
• 31:19
  Speaker 2: up doll. And like, I always like the way she
• 31:23
  Speaker 2: handled this is like, She's caught him. He's dancing with it,
• 31:27
  Speaker 2: so it's not that bad as you could imagine it
• 31:29
  Speaker 2: could be. And she just kind of laughs and is like,
• 31:34
  Speaker 2: is she a friend? Like, who is this person? And
• 31:37
  Speaker 2: then Angus laughs, knowing he's caught. I think it's a
• 31:40
  Speaker 2: really good moment between them.
• 31:42
  Speaker 1: And he's just in a bad mood. He's pissed off.
• 31:44
  Speaker 1: And a great, like, mother-son moment. Because they're both overweight,
• 31:48
  Speaker 1: and they both love food, and so do I, so
• 31:50
  Speaker 1: does Ryan. And she goes... She knows Angus is pissed off.
• 31:53
  Speaker 1: She goes... hagen does and then then he jumps up
• 31:57
  Speaker 1: and they like race each other down the stairs which
• 31:59
  Speaker 1: i thought was a great little like mother-son moment great
• 32:03
  Speaker 1: um i want to mention the actress who plays april
• 32:10
  Speaker 1: where is april so did you recognize.
• 32:15
  Speaker 2: Her so she is in the crow she's she is.
• 32:19
  Speaker 1: In the crow She's in this, and she also is
• 32:23
  Speaker 1: one of the prostitutes. I think she's the prostitute that
• 32:26
  Speaker 1: gets sliced up in Unforgiven.
• 32:29
  Speaker 2: Yes, because it was funny. Not funny. It was interesting
• 32:33
  Speaker 2: watching this movie now because I was like, oh, they
• 32:35
  Speaker 2: really don't show her that much. Yeah. And it's kind
• 32:41
  Speaker 2: of a little bit similar with the Angus we'll see later,
• 32:44
  Speaker 2: Angus and Melissa. Yeah.
• 32:47
  Speaker 1: So her four most famous roles, according to IMDb, are
• 32:50
  Speaker 1: True Romance, Unforgiven, Desperately Seeking Susan, and The Crow.
• 32:57
  Speaker 2: Her name is.
• 33:00
  Speaker 1: Dodecan Shlampson. No, her name is Anna Thompson.
• 33:06
  Speaker 2: She's very good in this.
• 33:08
  Speaker 1: She is because she has a small role, but she's
• 33:09
  Speaker 1: good in this. So it's the day of the wedding.
• 33:15
  Speaker 1: april looks hot so grandpa you know he's not a
• 33:21
  Speaker 1: perfect person but he's confident he knows who he is
• 33:25
  Speaker 1: he's marrying a much hotter 42 year old he's 72
• 33:30
  Speaker 1: but he seems like he really does love her and
• 33:31
  Speaker 1: he's happy and angus is narrating as long as i
• 33:35
  Speaker 1: can remember my grandpa has been the big kid down
• 33:37
  Speaker 1: the hall it's funny how you get so comfortable with
• 33:39
  Speaker 1: someone you think they're always going to be there and
• 33:41
  Speaker 1: then one day they're not because grandpa after the wedding
• 33:44
  Speaker 1: is going to obviously move out of their house and
• 33:46
  Speaker 1: move in with April, Angus says to Grandpa, you know,
• 33:51
  Speaker 1: I'm sorry, I've been a jerk, you know, the past
• 33:54
  Speaker 1: couple days, especially recently, and I'm glad you're marrying April,
• 33:58
  Speaker 1: you seem happy, and you, you got balls, Grandpa, you
• 34:02
  Speaker 1: got balls more than me, and I respect that, basically,
• 34:07
  Speaker 1: at this point, Grandpa gives a speech that honestly forever
• 34:13
  Speaker 1: changed my life, I'm not kidding, like, I don't know
• 34:16
  Speaker 1: when I saw this movie. This came out when I
• 34:17
  Speaker 1: was nine. But I probably didn't see it until I
• 34:19
  Speaker 1: was like 12, 13. This speech changed my life. I
• 34:25
  Speaker 1: actually wrote... The first teacher in high school that really
• 34:28
  Speaker 1: believed in me and motivated me... I didn't give a
• 34:32
  Speaker 1: shit about high school. I didn't try. A couple of
• 34:35
  Speaker 1: times freshman year in high school, I got a D
• 34:38
  Speaker 1: in a class. And Mr. Trudeau, my English teacher, who
• 34:41
  Speaker 1: has since passed away... I wrote... we had to, we
• 34:44
  Speaker 1: had an assignment in one of our like English classes
• 34:47
  Speaker 1: and it was like, uh, write a speech or, or
• 34:51
  Speaker 1: something like that. And I, I took this speech and
• 34:54
  Speaker 1: I was like, this is a speech from a movie,
• 34:55
  Speaker 1: but I want to expand upon it and why I
• 34:58
  Speaker 1: think it's so great. And I wrote it and I
• 35:00
  Speaker 1: handed it to Mr.
• 35:00
  Speaker 2: Trudeau.
• 35:01
  Speaker 1: And ever since that moment, Mr. Trudeau was like, you,
• 35:03
  Speaker 1: you are special. Like you have something, you're a smart kid.
• 35:06
  Speaker 1: You're a great writer. I loved this. Like do more
• 35:09
  Speaker 1: of this. And if you ever want to write in
• 35:12
  Speaker 1: your free time, like, For no reason, you should do that.
• 35:16
  Speaker 1: And he was the first teacher in high school when
• 35:18
  Speaker 1: I was older that really believed in me and inspired me.
• 35:21
  Speaker 1: When I think like most teachers in high school, and
• 35:23
  Speaker 1: I don't blame them because high school kids suck. Most
• 35:26
  Speaker 1: of them are kind of like they've cashed it in
• 35:28
  Speaker 1: a long time ago. You know what I mean?
• 35:30
  Speaker 2: Jaded, yeah.
• 35:32
  Speaker 1: Very, very jaded. So Grandpa says to Angus, Angus, Superman
• 35:38
  Speaker 1: isn't brave. And Angus says, Grandpa, did you forget to
• 35:41
  Speaker 1: take your pill? Great response. Grandpa says, you don't understand.
• 35:47
  Speaker 1: Superman is smart, handsome, even decent, but he's not brave.
• 35:52
  Speaker 1: Now listen to me. Superman is indestructible, and you can't
• 35:56
  Speaker 1: be brave if you're indestructible. It's people like you and
• 35:59
  Speaker 1: your mother, people who are different, and can be crushed
• 36:02
  Speaker 1: and know it if they keep going on out there
• 36:05
  Speaker 1: every time. Angus says, I'm not brave, Grandpa. I'm so
• 36:08
  Speaker 1: afraid of going to this dance, and I know everyone
• 36:11
  Speaker 1: but you thinks I'm stupid. I wish I could stop
• 36:14
  Speaker 1: liking Melissa, but I can't. I know she won't be
• 36:16
  Speaker 1: struck blind and ask me to take her home for
• 36:18
  Speaker 1: the dance or anything, but it's the only chance I have.
• 36:21
  Speaker 1: I just want my moment. And then Angus notices that
• 36:26
  Speaker 1: Grandpa has fallen asleep. Now, before we go further, this
• 36:31
  Speaker 1: is absolutely true. This is why I always hated Superman
• 36:35
  Speaker 1: as a character. I like him now, and I've talked
• 36:37
  Speaker 1: about that in the podcast, how I appreciate him now,
• 36:39
  Speaker 1: because his superpower is being a good person. even though
• 36:43
  Speaker 1: he's a god. But because of this speech, I always
• 36:46
  Speaker 1: hated Superman and I always loved Batman because every day
• 36:50
  Speaker 1: Superman is risking pretty much nothing. And Batman is risking everything.
• 36:54
  Speaker 1: And you cannot be brave without being afraid. It's not possible.
• 37:00
  Speaker 2: Without the rope.
• 37:04
  Speaker 1: Without the rope?
• 37:06
  Speaker 2: From the Dark Knight Rises. To make the jump out
• 37:08
  Speaker 2: of the pit.
• 37:09
  Speaker 1: Without the rope. That's a very good point. Very good point.
• 37:15
  Speaker 1: So Angus, because Grandpa's falling asleep, what happens from here, Ryan?
• 37:22
  Speaker 2: Angus goes to play the horns. Reveille. Reveille, I'm sorry.
• 37:27
  Speaker 2: The track. It goes on for a bit. They do
• 37:32
  Speaker 2: a really good job with this. They do. And it
• 37:36
  Speaker 2: just keeps playing. They cut to Kathy Bates... Sorry, Angus'
• 37:41
  Speaker 2: mom talking to somebody at the reception. She hears the
• 37:45
  Speaker 2: horns are playing for a long time. So she looks
• 37:47
  Speaker 2: over and she just sees Angus standing crying in the stairway.
• 37:52
  Speaker 2: And her face is so great in this moment. Because
• 37:55
  Speaker 2: it's not like instant sadness. She's like, I know what
• 37:59
  Speaker 2: happened here. Yeah.
• 38:02
  Speaker 1: Grandpa didn't wake up. He didn't wake up from Reveille
• 38:05
  Speaker 1: this time. So he had essentially... Just like Angus's dad
• 38:10
  Speaker 1: died of a heart attack.
• 38:12
  Speaker 2: And....
• 38:15
  Speaker 1: The montage after with the song... I don't know who
• 38:19
  Speaker 1: the band is, but it's... Will the river carry me on?
• 38:23
  Speaker 1: This montage is amazing.
• 38:25
  Speaker 2: This is Washing of the Water by Peter Gabriel. A
• 38:27
  Speaker 2: great one. Oh, okay.
• 38:29
  Speaker 1: All right. Yeah, this montage is amazing.
• 38:32
  Speaker 2: Also not on the soundtrack.
• 38:33
  Speaker 1: Not on the soundtrack, correct. But the way that he...
• 38:37
  Speaker 1: I think it's so beautiful. So describe your boy, um, Kirshner,
• 38:41
  Speaker 1: who's the elderly chess player that meets with him every day.
• 38:44
  Speaker 1: How does Angus break the news to him that Grimp
• 38:48
  Speaker 1: is dead?
• 38:49
  Speaker 2: So he comes over to the chessboard and he lays
• 38:53
  Speaker 2: down the king chess piece. And then Angus just sits
• 38:57
  Speaker 2: down quietly, looks over and the guy puts his arm
• 39:01
  Speaker 2: on Angus's shoulder, his hand on Angus's shoulder. Um, Just
• 39:06
  Speaker 2: great quiet face acting. Really great.
• 39:09
  Speaker 1: Yeah. Yeah. This is– it's not saying a word, just
• 39:14
  Speaker 1: putting the king chest piece down and the old man
• 39:17
  Speaker 1: starts to cry. So he sees Troy. Troy comes to
• 39:23
  Speaker 1: talk to him because he knows like my best friend's
• 39:26
  Speaker 1: grandfather died. And it's sort of like Rose, Paul's grandfather.
• 39:30
  Speaker 1: who lived in the house with him. It's a totally
• 39:33
  Speaker 1: different relationship. Like I love my grandparents. I'm sure you
• 39:35
  Speaker 1: love your grandparents and were sad when they died, but
• 39:37
  Speaker 1: if they lived in your house for years, it's a
• 39:40
  Speaker 1: completely different relationship.
• 39:41
  Speaker 2: It's like a sibling. Yeah, totally. Totally. Yeah. Um, this
• 39:47
  Speaker 2: scene i like i like this a lot with him
• 39:49
  Speaker 2: and troy because do you know what i thought again
• 39:51
  Speaker 2: i didn't listen to such a long time i thought
• 39:54
  Speaker 2: i'm like oh because of what angus is going through
• 39:58
  Speaker 2: troy because we see a shot before the wedding of
• 40:03
  Speaker 2: troy handing something to rick on the bleachers um And
• 40:09
  Speaker 2: I thought here, oh, Troy is going to warn Angus
• 40:13
  Speaker 2: about what's going to happen. And it doesn't happen, which
• 40:15
  Speaker 2: I think every other movie would have done.
• 40:18
  Speaker 1: I understand both sides here. So Troy approaches Angus and says,
• 40:23
  Speaker 1: Angus is like, what happened to your arm? Because Rick
• 40:25
  Speaker 1: broke his arm. And Troy says, oh, I fell off
• 40:26
  Speaker 1: my bike. And the reason that Troy does what he does,
• 40:29
  Speaker 1: which will later be explained, is he knows he has
• 40:31
  Speaker 1: no protection anymore. Angus can't protect him. And he's just
• 40:34
  Speaker 1: in a really bad spot. Uh, so Troy's tries to
• 40:38
  Speaker 1: cheer Angus up and he says, Hey, I got a
• 40:40
  Speaker 1: Cindy Crawford, uh, new button thigh workout video that on
• 40:43
  Speaker 1: VHS that we could watch in my, in my room
• 40:45
  Speaker 1: or something like that. And Angus is like, shut up, Troy.
• 40:49
  Speaker 1: Cause he's not in the mood for Troy to just
• 40:51
  Speaker 1: be like a perverted teenager and crack jokes. But at
• 40:54
  Speaker 1: the same, at the same, and I get that. Like
• 40:56
  Speaker 1: it's not appropriate when my, one of my best friends,
• 40:58
  Speaker 1: my grandfather just died to come and talk to me
• 41:01
  Speaker 1: about Cindy Crawford's ass. Um, shout out Kaya Gerber. But
• 41:05
  Speaker 1: Troy's like, well, this is all I know how to do.
• 41:07
  Speaker 1: I'm trying to cheer you up. You're my friend. I
• 41:09
  Speaker 1: know this will make you happy. And so I'm just
• 41:11
  Speaker 1: trying to cheer you up. I understand both sides in
• 41:13
  Speaker 1: this scenario.
• 41:14
  Speaker 2: Yeah.
• 41:16
  Speaker 1: And Angus says to Troy, you don't know how it feels,
• 41:20
  Speaker 1: which I like even watching it now. I was like,
• 41:23
  Speaker 1: I mean, Troy has it worse than you. At least you're,
• 41:25
  Speaker 1: you're smart and at science and you're big and strong.
• 41:29
  Speaker 2: Yes. You have some power over the situation in some way.
• 41:32
  Speaker 1: Yeah. And Troy goes, I don't know how it feels.
• 41:35
  Speaker 1: You think you're the only person on Earth wishing they
• 41:38
  Speaker 1: were someone else? If you don't want to go to
• 41:40
  Speaker 1: the dance, then why aren't you going? And then Angus says,
• 41:42
  Speaker 1: I have to stop wanting things so much, which is
• 41:45
  Speaker 1: so sad. Because that's like, it goes back to the
• 41:47
  Speaker 1: breakfast club. When you become an adult and you get older,
• 41:49
  Speaker 1: your soul dies. Because you learn you have to stop
• 41:52
  Speaker 1: wanting things so much. Because they don't work out. And
• 41:55
  Speaker 1: it's just a very sad line. Angus goes back home,
• 42:02
  Speaker 1: and April... Grandpa's widow stops by and says, basically, Angus,
• 42:07
  Speaker 1: I found this box that Grandpa left for you. And
• 42:10
  Speaker 1: it's a cardboard box. And do you know what's written
• 42:12
  Speaker 1: on the cardboard box?
• 42:15
  Speaker 2: Not for Superman.
• 42:16
  Speaker 1: Yeah, do not open this if you are Superman.
• 42:19
  Speaker 2: Oh, sorry.
• 42:20
  Speaker 1: What is inside, Ryan?
• 42:22
  Speaker 2: The plum suit.
• 42:24
  Speaker 1: The plum tuxedo.
• 42:27
  Speaker 2: I also really like the little moment here with April
• 42:30
  Speaker 2: where her watch goes off and she says... Time for
• 42:33
  Speaker 2: a spill. I did remember. And I wonder if there
• 42:37
  Speaker 2: was parts in the movie that were maybe not shot
• 42:40
  Speaker 2: or deleted where like she thought people thought she couldn't
• 42:45
  Speaker 2: take care of him. Yes.
• 42:47
  Speaker 1: Everybody, part of the thing with grandpa was like, you
• 42:50
  Speaker 1: think I'm oblivious to how everybody thinks we're idiots. April's
• 42:54
  Speaker 1: marrying a 72 year old. So people think she's dumb
• 42:58
  Speaker 1: and I'm marrying a 42 year old and people think
• 42:59
  Speaker 1: I'm dumb. You think I don't know this? I just
• 43:02
  Speaker 1: don't care. I want to marry April. She's hot. I
• 43:04
  Speaker 1: really love her. She makes me happy. I don't give
• 43:07
  Speaker 1: a fuck what people think. That's what he was trying
• 43:08
  Speaker 1: to tell Angus this whole movie.
• 43:10
  Speaker 2: Yeah.
• 43:13
  Speaker 1: Angus decides, I'm going to go to the dance. He
• 43:16
  Speaker 1: puts on the plum suit, and he's about to leave,
• 43:18
  Speaker 1: and then what happens?
• 43:21
  Speaker 2: I love this line, though. I look like Moby Grape.
• 43:24
  Speaker 2: It's a great line. The interviewer from... jefferson shows up
• 43:30
  Speaker 2: mr kessler.
• 43:33
  Speaker 1: Um mr kessler is a famous character actor.
• 43:38
  Speaker 2: Very much so uh kessler is a bit of a
• 43:42
  Speaker 2: different movie in my opinion i think kessler's a little
• 43:45
  Speaker 2: too broad.
• 43:45
  Speaker 1: Yeah a little too cartoony you mean yeah.
• 43:48
  Speaker 2: A little too cartoony i get it but he's a
• 43:50
  Speaker 2: little too cartoony.
• 43:51
  Speaker 1: Yeah yeah so okay here we go hold on i'm
• 43:54
  Speaker 1: gonna pause for a And he says, I'm horribly late
• 44:01
  Speaker 1: because the traffic was bad. I'm so sorry, but you're
• 44:04
  Speaker 1: not going anywhere, right? And then Angus says, no. And
• 44:06
  Speaker 1: he's like, I guess I'm not going to go to
• 44:07
  Speaker 1: the dance. And Kessler says, this is going to take
• 44:10
  Speaker 1: several hours, and you're going to have to talk about
• 44:12
  Speaker 1: your experiment or show me your experiment. So Angus is like, fuck,
• 44:15
  Speaker 1: I'm not going to be able to go to the dance.
• 44:17
  Speaker 2: And what other fatal mistake did Kessler make? Apparently there's
• 44:21
  Speaker 2: a lot of traffic for some football game, and it's
• 44:23
  Speaker 2: like useless sport. It makes a comment, but it's something
• 44:25
  Speaker 2: that's really part of who Angus is as a person. Correct.
• 44:29
  Speaker 1: So this is the interview between Mr. Kessler and Angus.
• 44:32
  Speaker 1: I will be playing Mr. Kessler, and Angus in the
• 44:35
  Speaker 1: scene will be played by Mr. Ryan McDonald. Now, if
• 44:39
  Speaker 1: I could see your science experiment, Mr.
• 44:41
  Speaker 2: Bethune.
• 44:42
  Speaker 1: You have a science experiment, Mr. Bethune.
• 44:46
  Speaker 2: Yes. Yes, I do.
• 44:48
  Speaker 1: May I see it?
• 44:49
  Speaker 2: You're looking at it.
• 44:51
  Speaker 1: Is this a joke, Mr.
• 44:52
  Speaker 2: Bethune? No. I'm hoping to prove that within every normal system,
• 44:56
  Speaker 2: there exists an aberration. Something different.
• 45:00
  Speaker 1: The chaos theory.
• 45:01
  Speaker 2: The buffoon theory.
• 45:03
  Speaker 1: Your hypothesis?
• 45:05
  Speaker 2: When a small, abnormal element is forced into a larger,
• 45:08
  Speaker 2: normal system, the element will either be rejected or destroyed. Obviously.
• 45:13
  Speaker 2: But it doesn't have to be that way if... If?
• 45:17
  Speaker 2: If the element is brave. Brave? Brave? If the element
• 45:21
  Speaker 2: can hold out long enough and face the torment of
• 45:24
  Speaker 2: the system until the system's energy is depleted. If the
• 45:27
  Speaker 2: element can look the system in the eye and say,
• 45:29
  Speaker 2: I'm still here, asshole. And the system will have to change, adapt, mutate.
• 45:35
  Speaker 2: And if this happens, it will have proved my fucking point.
• 45:38
  Speaker 1: Which is what?
• 45:41
  Speaker 2: There is no normal.
• 45:44
  Speaker 1: Where are you going?
• 45:47
  Speaker 2: To mutate.
• 45:49
  Speaker 1: Mic drop. Angus leaves, goes to the dance, doesn't do
• 45:53
  Speaker 1: the rest of the interview with Jefferson. And when he
• 45:56
  Speaker 1: walks in, Troy says, they're outside the door. Troy says,
• 46:00
  Speaker 1: don't go in here. Rick is going to do something.
• 46:02
  Speaker 1: And Angus is like, yes, obviously I know Rick's going
• 46:04
  Speaker 1: to do something. But you know what? Tell your mom,
• 46:07
  Speaker 1: get a life. And he shoves Troy. And then Troy says,
• 46:10
  Speaker 1: do you want to walk in together? And Angus goes, yeah.
• 46:13
  Speaker 1: The way he says that is so great.
• 46:14
  Speaker 2: Yeah. Love it. Love it. Um.
• 46:20
  Speaker 1: Now they're going to do a segment for the homecoming
• 46:23
  Speaker 1: king and queen. Angus has to go backstage with Melissa,
• 46:27
  Speaker 1: and he has a corsage for her. And I remember this, overanalyzing,
• 46:31
  Speaker 1: going to dances, panicking. Angus is trying to open the
• 46:34
  Speaker 1: box and pin it on Melissa, and he's sweating. He's red.
• 46:39
  Speaker 1: He's fumbling with the box. He puts his crown in
• 46:42
  Speaker 1: his mouth at one point. He looks like an idiot.
• 46:44
  Speaker 1: And he's just panicking in this moment.
• 46:47
  Speaker 2: I like when she laughs when the crown is in
• 46:50
  Speaker 2: his mouth. I did like this because here is one
• 46:52
  Speaker 2: thing that blew my mind rewatching this. I'm like, oh,
• 46:55
  Speaker 2: we literally never hear her talk this entire movie. Yes. Yeah. Yeah.
• 47:01
  Speaker 1: And why is Melissa dating Rick?
• 47:05
  Speaker 2: Yeah. Red flag. But I think to what she says later,
• 47:10
  Speaker 2: it might be part of that. Yeah.
• 47:13
  Speaker 1: And 14-year-old girls, 16-year-old girls, 18-year-old girls, they're very stupid.
• 47:17
  Speaker 1: As are boys, but they're very stupid and they date
• 47:19
  Speaker 1: the wrong people. I think I've said this on the
• 47:20
  Speaker 1: pod before, but the most complimentary and insulting comment a
• 47:24
  Speaker 1: woman ever told me, there was a girl when I
• 47:26
  Speaker 1: was like 18 that was really into me. Or maybe
• 47:29
  Speaker 1: I was older than that, but I was young. Sorry,
• 47:33
  Speaker 1: I said it was into me. No, I was into
• 47:35
  Speaker 1: her and she was not into me. And she was like, Tim,
• 47:40
  Speaker 1: you're the type of guy that every girl is going
• 47:43
  Speaker 1: to want to date when they're 30. And then I
• 47:46
  Speaker 1: just looked at her sideways and I was like, that's
• 47:48
  Speaker 1: 12 years from now. Like, I don't want to wait
• 47:52
  Speaker 1: 12 years for that. And she was like, well, you're
• 47:54
  Speaker 1: going to have to. And then, and she was completely right.
• 47:59
  Speaker 1: Completely right. Younger women don't want to date a guy
• 48:02
  Speaker 1: like me because they're dumb. Not that I'm perfect, but
• 48:05
  Speaker 1: like they're into different kinds of guys. And then when
• 48:08
  Speaker 1: I was 30, I got married to a woman that
• 48:10
  Speaker 1: was way out of my league and smarter than me
• 48:13
  Speaker 1: and hotter than me. And, um, yeah, so she was right,
• 48:16
  Speaker 1: but it's tough. It's tough to swallow that pill. Uh,
• 48:20
  Speaker 1: Melissa says to Angus, I sweat when I'm nervous. Do
• 48:23
  Speaker 1: you get angry? Uh, do you Angus? And Angus is like, uh, well,
• 48:26
  Speaker 1: you know, I will. And she says, well, I guess
• 48:30
  Speaker 1: guys are kind of supposed to be sweaty. And he says, well, yeah,
• 48:32
  Speaker 1: you know.
• 48:34
  Speaker 2: I just love cause like she couldn't have said a
• 48:37
  Speaker 2: more relatable thing to him. And he's just so freaked
• 48:39
  Speaker 2: out by it. It's like, I think it's just so crazy.
• 48:42
  Speaker 1: And the interactions with Melissa here at the end of
• 48:43
  Speaker 1: the movie are so great because Angus thinks, Oh, Rick
• 48:47
  Speaker 1: and Melissa have it easy. Cause their life is great.
• 48:50
  Speaker 1: And it's like, no, nobody's life in high school is great.
• 48:53
  Speaker 1: Nobody in high school has it easy. Even Rick, like Rick,
• 48:56
  Speaker 1: fuck Rick. He's an asshole. I'm not saying let's give
• 48:58
  Speaker 1: him a pass, but do you think he's a happy person?
• 49:02
  Speaker 1: Do you think that like his parents treat him well?
• 49:04
  Speaker 1: Rick is an incredibly insecure human being.
• 49:06
  Speaker 2: Yeah. Yeah.
• 49:10
  Speaker 1: There's no way he's happy. When he's laying down at
• 49:14
  Speaker 1: night alone thinking thoughts in the darkness, there's no way
• 49:17
  Speaker 1: he's a happy person.
• 49:18
  Speaker 2: Yeah.
• 49:19
  Speaker 1: Just like I said to Bridget, I go, the kid,
• 49:22
  Speaker 1: the bully that slapped the books out of Holly's hands
• 49:25
  Speaker 1: and called her a fat bitch, he probably had it
• 49:28
  Speaker 1: worse than all of us. What was his life like?
• 49:31
  Speaker 2: Yeah.
• 49:33
  Speaker 1: Anyways.
• 49:33
  Speaker 2: Yeah.
• 49:34
  Speaker 1: She says, everybody's going to be staring at us when
• 49:37
  Speaker 1: we go out there. I hate that. And Angus says,
• 49:38
  Speaker 1: aren't you used to people staring at you?
• 49:41
  Speaker 2: Yeah.
• 49:42
  Speaker 1: And then when they walk out, they're both quietly saying
• 49:44
  Speaker 1: to themselves simultaneously, don't trip, don't trip, don't trip.
• 49:48
  Speaker 2: Again, it's really well done how like spot on they
• 49:51
  Speaker 2: feel this. I mean, again, the point of the movie,
• 49:53
  Speaker 2: they are the same as much as they are different. Yeah.
• 49:56
  Speaker 1: And then all of a sudden on the projector screen
• 50:00
  Speaker 1: at the dance, it's a video of Angus dancing with
• 50:04
  Speaker 1: a blow-up doll and talking about how he has a
• 50:05
  Speaker 1: crush on Melissa. So you know that Troy gave it
• 50:08
  Speaker 1: to Rick and then Rick played it. It cuts to– oh, sorry.
• 50:13
  Speaker 1: Go ahead, Ryan.
• 50:15
  Speaker 2: My note was this video is just as embarrassing for
• 50:17
  Speaker 2: Troy because of the things he's saying on the video.
• 50:20
  Speaker 1: Yeah, and you hear Troy go, you have a boner
• 50:23
  Speaker 1: in your stomach? And then everybody laughs. And everybody– it
• 50:26
  Speaker 1: cuts to the crowd and everybody is laughing and like
• 50:29
  Speaker 1: pointing at Angus like what an idiot. And then in
• 50:31
  Speaker 1: the midst of that, you see Troy sobbing. And that's, again,
• 50:36
  Speaker 1: great acting performance by Troy. That moment really hurt my heart.
• 50:42
  Speaker 2: And it's awful, too, because you think of the fire
• 50:45
  Speaker 2: alarm in the beginning of the movie where he took
• 50:47
  Speaker 2: this huge L to help Angus and to do this
• 50:51
  Speaker 2: because he was backed into a corner.
• 50:55
  Speaker 1: So Melissa... is so horrified by this she runs out
• 50:58
  Speaker 1: of the dance and angus also runs out of the
• 51:00
  Speaker 1: dance rick starts to follow them and i love the
• 51:02
  Speaker 1: principal like for once doing a good thing the principal
• 51:06
  Speaker 1: stops rick and says rick there's no in and out
• 51:08
  Speaker 1: privileges at dances you know that because they're worried about
• 51:10
  Speaker 1: kids like drinking or smoking or whatever yeah and rick
• 51:14
  Speaker 1: says but what about them melissa and angus they're the
• 51:16
  Speaker 1: king and queen so i'm making an exception for them
• 51:22
  Speaker 1: so yeah talk about talk about the what you just
• 51:24
  Speaker 1: said ryan.
• 51:26
  Speaker 2: Again, we did such a great thing of not over-dramatizing things,
• 51:30
  Speaker 2: but making them feel important and impactful. So when Angus
• 51:34
  Speaker 2: is running after Melissa because she's been humiliated, and so
• 51:39
  Speaker 2: is he, he sees Troy on the way out, and
• 51:42
  Speaker 2: he just makes this face at Troy of just sheer
• 51:45
  Speaker 2: anger and frustration, but like, I'll deal with you later
• 51:48
  Speaker 2: of how this is, but I'm just so disappointed you
• 51:51
  Speaker 2: as a human being.
• 51:52
  Speaker 1: It's a great little moment. You fundamentally betrayed me in
• 51:55
  Speaker 1: the greatest way possible.
• 51:57
  Speaker 2: Yes, exactly. Exactly. Exactly. And it's, oh, it's so good.
• 52:02
  Speaker 1: So he runs after Melissa. They're outside. Melissa says, what
• 52:04
  Speaker 1: a jerk. And then Angus says, I'm so sorry. Melissa says, no,
• 52:08
  Speaker 1: not you, Angus, him. Do you ever get tired of
• 52:10
  Speaker 1: who you are? Angus says, do you know who you're
• 52:13
  Speaker 1: talking to? Melissa, do you want to know something about me? Angus,
• 52:19
  Speaker 1: I'd like to know anything about you. And Melissa is crying.
• 52:23
  Speaker 1: She says, I'm bulimic. Do you know what that is?
• 52:26
  Speaker 1: And Angus says, yeah, that's something like you eat too
• 52:28
  Speaker 1: much and you chuck it up so you don't look
• 52:29
  Speaker 1: like me. And Melissa's response is close enough. Angus says,
• 52:35
  Speaker 1: I tried to be bulimic once and I was so
• 52:36
  Speaker 1: hungry I almost ate my arm.
• 52:39
  Speaker 2: It's an incredible line. Incredible line.
• 52:41
  Speaker 1: I feel like that's a line you would say.
• 52:45
  Speaker 2: She laughs at this. Is it really funny? Yeah. Yeah.
• 52:49
  Speaker 1: And Melissa says, I've never told anyone but you. I
• 52:52
  Speaker 1: think we have to go back inside now. And Angus says,
• 52:54
  Speaker 1: you don't understand. I cannot dance. And Melissa says, we
• 52:57
  Speaker 1: will survive. And then holds his hand. The principal announces
• 53:03
  Speaker 1: the king and queen will now dance when he sees
• 53:06
  Speaker 1: Melissa and Angus come back in. And Melissa says to Angus,
• 53:09
  Speaker 1: I picked a really slow song so we won't have
• 53:11
  Speaker 1: to move much.
• 53:13
  Speaker 2: What a nice person.
• 53:14
  Speaker 1: And then while they're dancing, she's telling Angus what to do.
• 53:18
  Speaker 1: how to dance to the slow, like, just whispering instructions
• 53:21
  Speaker 1: to him, which is so nice. She's obviously very kind.
• 53:26
  Speaker 1: And then a raptor jumps out and goes, Lex, I'm back!
• 53:32
  Speaker 1: And then disembowels her on the dance floor.
• 53:35
  Speaker 2: The whole movie was a giant setup for The Lost World.
• 53:39
  Speaker 1: And then you hear, na-na-na-na-na-na-na-na-na-na.
• 53:44
  Speaker 2: Grant comes in, we were too late! oh my god
• 53:51
  Speaker 2: um another soundtrack note here uh this is fade into
• 53:56
  Speaker 2: you by mazzy star a very big song um great
• 54:00
  Speaker 2: this song is forever in blaze whenever the song comes
• 54:03
  Speaker 2: on i think of this movie all the time of
• 54:05
  Speaker 2: course of.
• 54:06
  Speaker 1: Course and and then while they're slow dancing melissa rests
• 54:11
  Speaker 1: her cheek on angus's shoulder and he's basically like i
• 54:16
  Speaker 1: cannot believe this is actually happening And then this moment
• 54:19
  Speaker 1: is so wonderful, I almost want to cry. It cuts
• 54:23
  Speaker 1: to Troy in the crowd, and what does Troy say?
• 54:26
  Speaker 2: Go for it, Angus.
• 54:27
  Speaker 1: He just whispers to himself, go for it, Angus.
• 54:30
  Speaker 2: I also like that it's not... It's very earned, this moment.
• 54:39
  Speaker 2: It's done very... I don't want to say subtly, because
• 54:41
  Speaker 2: it's very blatant, but you buy it. You as a
• 54:45
  Speaker 2: viewer buy this connection they have now, and when they show,
• 54:49
  Speaker 2: especially actually to his credit, even though he's the villain
• 54:51
  Speaker 2: of the movie, when Vanderbeek looks at them, he sees
• 54:55
  Speaker 2: that there is a connection now and he's like, fuck,
• 54:58
  Speaker 2: like it, he did more damage than is good for
• 55:01
  Speaker 2: himself because he's insane. But, um, yeah, this is a great, uh,
• 55:07
  Speaker 2: dancing moment in a movie, I think. Yes.
• 55:11
  Speaker 1: And then when the song is over, everyone recognizes that
• 55:13
  Speaker 1: this actually was kind of a sweet moment and everybody
• 55:16
  Speaker 1: in the cloud craps. Craps.
• 55:18
  Speaker 2: Wow. Claps. Claps. Well, after the Velociraptor, I think they
• 55:22
  Speaker 2: probably would, right? They'd probably be pretty.
• 55:24
  Speaker 1: They all shit.
• 55:25
  Speaker 2: Holy shit!
• 55:28
  Speaker 1: So, Vanderbeek goes over to Melissa and goes, Melissa, what
• 55:32
  Speaker 1: are you doing?
• 55:33
  Speaker 2: Now he's pissed. Now he's back. Now he's completely... The
• 55:36
  Speaker 2: insecurity is entirely exposed.
• 55:38
  Speaker 1: Yeah, so he grabs her and says, what are you doing?
• 55:40
  Speaker 1: And then Angus steps in and grabs Vanderbeek and says,
• 55:43
  Speaker 1: don't touch her. And... he says, it's time I broke
• 55:49
  Speaker 1: your nose, Angus. And he says, take your best shot, asshole.
• 55:53
  Speaker 1: And I love that Van Der Beek actually knocks him
• 55:55
  Speaker 1: on his ass. Like, Van Der Beek, I think this
• 55:58
  Speaker 1: is such a great moment because it's doing the opposite
• 56:01
  Speaker 1: of what you as the viewer want to happen. You
• 56:03
  Speaker 1: want Angus to kick his ass. But Van Der Beek
• 56:06
  Speaker 1: breaks Angus' nose and punches him square in the face
• 56:09
  Speaker 1: and knocks him down. And in this moment, it's like,
• 56:13
  Speaker 1: it's the antithesis of what you want and it realizes...
• 56:16
  Speaker 1: You shouldn't want this.
• 56:17
  Speaker 2: Exactly right.
• 56:19
  Speaker 1: Angus punching Rick in the face is not the solution
• 56:21
  Speaker 1: to this. And this moment is, you've enjoyed it every
• 56:24
  Speaker 1: time that Angus has punched Rick in the face so
• 56:27
  Speaker 1: far in the movie. You've loved it. And now it's
• 56:29
  Speaker 1: showing you, oh, you actually shouldn't have loved it. This
• 56:32
  Speaker 1: is not a solution to anything. This sucks.
• 56:34
  Speaker 2: And you're beyond this now. There's no need for this. Yeah.
• 56:40
  Speaker 1: So, okay. Now this exchange is Rick Sanford, James Van
• 56:44
  Speaker 1: Der Beek. And Angus, I will be playing Rick Sanford,
• 56:47
  Speaker 1: and Angus will be played by Mr. Ryan McDonald. So Rick, me,
• 56:52
  Speaker 1: I just punched Ryan in the face, knocked him on
• 56:55
  Speaker 1: his ass, and I say, welcome to high school, Angus.
• 56:59
  Speaker 1: Good thing you're leaving.
• 57:00
  Speaker 2: I'm still here, asshole, and I'll always be here. You
• 57:06
  Speaker 2: push me down, and I'll get back up again and
• 57:09
  Speaker 2: again and again and again and again. I could beat
• 57:13
  Speaker 2: you right here, right now. But I want to be
• 57:16
  Speaker 2: better than you, Rick. I don't want to be better
• 57:17
  Speaker 2: than anybody. I want to be who I am. A
• 57:20
  Speaker 2: fat kid who's good at science and fair at football.
• 57:23
  Speaker 2: That's who I am. I can live with it. Why
• 57:25
  Speaker 2: can't you?
• 57:26
  Speaker 1: Because it's not normal. You're not normal.
• 57:29
  Speaker 2: And who is? You?
• 57:31
  Speaker 1: You bet your ass.
• 57:33
  Speaker 2: And so what? To be normal, we all have to
• 57:34
  Speaker 2: be like you. There are 400 people in this room
• 57:37
  Speaker 2: that are nothing like you. Some of them are fat.
• 57:39
  Speaker 2: Some of them are skinny. Some of them are tall.
• 57:41
  Speaker 2: Some of them are short. Some of them have braces.
• 57:44
  Speaker 2: Some of them have birthmarks or scars or frizzy hairs
• 57:46
  Speaker 2: or ears that stick out. But most of them probably walk. Sorry. Sorry. No, no.
• 57:51
  Speaker 1: I'm sorry to interrupt you. But when he says or
• 57:53
  Speaker 1: ears that stick out, Troy's head pops up and Troy
• 57:56
  Speaker 1: just has enormous ears. It's an amazing moment. But continue.
• 58:00
  Speaker 2: But most of them probably walk through these halls every day,
• 58:03
  Speaker 2: never telling anybody the truth about what they really want
• 58:06
  Speaker 2: or need or believe because of people like you. Normal
• 58:09
  Speaker 2: people like you have them terrified of being who they are.
• 58:12
  Speaker 2: I mean, if you're normal, what does that make them?
• 58:15
  Speaker 2: So which is it, Rick? Are you normal or are
• 58:17
  Speaker 2: you just one of us?
• 58:19
  Speaker 1: Whatever I am, it's something you're never going to be.
• 58:24
  Speaker 2: Thank God.
• 58:26
  Speaker 1: Mic drop. He walks off. Fantastic. And Angus walks up
• 58:31
  Speaker 1: to Melissa and Melissa says, hey, Angus, I just want
• 58:34
  Speaker 1: to dance one more time. And he goes, OK, I'll
• 58:36
  Speaker 1: go wait over here and like starts to walk away.
• 58:38
  Speaker 1: That's absolutely what he would assume in that moment. That's
• 58:44
  Speaker 1: what I would assume. And she goes, no, Angus, with you.
• 58:48
  Speaker 1: And he says, but I can't dance. And she says,
• 58:50
  Speaker 1: screw him.
• 58:52
  Speaker 2: I love that. Just that call back to the grandfather's line.
• 58:54
  Speaker 2: Screw him, Angus. Just dance.
• 58:57
  Speaker 1: So what was the line that you and Mark always reference?
• 58:59
  Speaker 1: Is it ears that stick out?
• 59:01
  Speaker 2: Ears that stick out because whenever we'll hear someone, if
• 59:04
  Speaker 2: we're at a family event or a wedding or whatever,
• 59:07
  Speaker 2: someone's making a speech, and we'll always just be like,
• 59:10
  Speaker 2: and ears that stick out just because like you're calling
• 59:12
  Speaker 2: on an individual person on without saying their name um
• 59:16
  Speaker 2: but yeah i always think of that line.
• 59:18
  Speaker 1: And then they they start playing the weezer song that's
• 59:21
  Speaker 1: so good.
• 59:22
  Speaker 2: You fucking great song.
• 59:25
  Speaker 1: To me softly i didn't know they wrote that for
• 59:28
  Speaker 1: the movie but they did.
• 59:30
  Speaker 2: Is it on Pinkerton, or am I wrong?
• 59:33
  Speaker 1: It could be. I don't know. But I know that
• 59:35
  Speaker 1: they were hired to write it for Angus.
• 59:38
  Speaker 2: But the guitar riff in this song, fucking so good. Oh,
• 59:42
  Speaker 2: my God.
• 59:43
  Speaker 1: So Angus walks over to Troy, and you don't know
• 59:46
  Speaker 1: if he's going to kill Troy based on what happened,
• 59:49
  Speaker 1: but Angus kind of knows, like, Troy is in a
• 59:52
  Speaker 1: bad spot. He's four feet tall. No one can protect him.
• 59:56
  Speaker 1: James Van Der Beek broke his arm. So he just says...
• 1:00:00
  Speaker 1: you want to go spaz out on the dance floor?
• 1:00:03
  Speaker 1: And then Troy says, watch all the dildos.
• 1:00:06
  Speaker 2: And then Angus says, Ryan, Troy, we are the dildos.
• 1:00:12
  Speaker 1: And then Angus turns, but Troy thinks he's going for
• 1:00:16
  Speaker 1: a high five. So with his cast hand, he does
• 1:00:19
  Speaker 1: the aggressive buds high five that they did earlier in
• 1:00:22
  Speaker 1: the movie, but Angus isn't there. So he completely whiffs.
• 1:00:26
  Speaker 1: And what happens, Ryan?
• 1:00:29
  Speaker 2: He whacks the recycling girl from the school assembly.
• 1:00:36
  Speaker 1: No.
• 1:00:37
  Speaker 2: No?
• 1:00:37
  Speaker 1: Doesn't he hit Rick Sanford?
• 1:00:41
  Speaker 2: Oh, yes. Okay, I'm sorry. I thought that's how he
• 1:00:43
  Speaker 2: got her attention. Okay.
• 1:00:44
  Speaker 1: No, he whacks Rick Sanford in the nose and somebody says,
• 1:00:47
  Speaker 1: you broke his... Oh, and then the recycling girl says,
• 1:00:50
  Speaker 1: you broke his nose.
• 1:00:51
  Speaker 2: Oh, okay. Got you. Okay.
• 1:00:52
  Speaker 1: So he breaks James Van Der Beek's nose with his
• 1:00:55
  Speaker 1: cast and then the recycling girl, the hot recycling girl
• 1:00:58
  Speaker 1: walks by from earlier in the movie that gave Troy
• 1:01:00
  Speaker 1: a boner, and says, you broke his nose, what's your name?
• 1:01:03
  Speaker 1: And he says, Wedberg. Troy Wedberg. And Melissa, after the
• 1:01:11
  Speaker 1: dance is over, the Weezer song, says, hey Angus, will
• 1:01:14
  Speaker 1: you walk me home? So literally this is like the
• 1:01:18
  Speaker 1: greatest moment that's ever happened in Angus' life. So it
• 1:01:21
  Speaker 1: cuts to them walking home, and it's cold out, and
• 1:01:23
  Speaker 1: she's wearing a dress, so she wears Angus' plum suit jacket,
• 1:01:28
  Speaker 1: And she is swimming in it.
• 1:01:30
  Speaker 2: I love it. I love it. That was so good. Oh,
• 1:01:33
  Speaker 2: my God. That was so funny.
• 1:01:36
  Speaker 1: It is amazing. She is huge. So they just they
• 1:01:40
  Speaker 1: just walk home very innocently. He walks her to the
• 1:01:44
  Speaker 1: door and they don't like make out or anything, which
• 1:01:47
  Speaker 1: I think is super realistic. She just leans over and
• 1:01:50
  Speaker 1: kisses him on the cheek and then waves goodbye to
• 1:01:54
  Speaker 1: him and goes inside her house. And when he turns
• 1:01:57
  Speaker 1: to leave, he puts on his suit jacket and he
• 1:01:59
  Speaker 1: puts on his crown, which I fucking love.
• 1:02:02
  Speaker 2: Yeah.
• 1:02:04
  Speaker 1: And you hear Angus narrate, the dance ended, school closed
• 1:02:07
  Speaker 1: for the holiday. Rick got suspended for his little prank.
• 1:02:11
  Speaker 1: I got into Jefferson, but I didn't go. I said,
• 1:02:13
  Speaker 1: screw him. And I finally knew what it felt like
• 1:02:16
  Speaker 1: to be on top of the world. I finally had
• 1:02:18
  Speaker 1: my moment. And when it happened, I heard my grandpa's
• 1:02:20
  Speaker 1: voice say, now go have another. Maybe I will.
• 1:02:24
  Speaker 2: Who knows?
• 1:02:25
  Speaker 1: Maybe Melissa actually likes me. I don't know. All I
• 1:02:29
  Speaker 1: know is I'm still here. And then J.R. by Green
• 1:02:34
  Speaker 1: Day plays into the credits. The end of Angus.
• 1:02:40
  Speaker 2: I like how there's no epilogue. I really love that.
• 1:02:44
  Speaker 2: It just ends there.
• 1:02:45
  Speaker 1: Yeah, because it was like me and Melissa got married.
• 1:02:47
  Speaker 1: It's like, no. First of all, they probably would never
• 1:02:50
  Speaker 1: even date in high school. But, like, you think that
• 1:02:52
  Speaker 1: they're going to last all through high school and all
• 1:02:54
  Speaker 1: through college?
• 1:02:54
  Speaker 2: No.
• 1:02:55
  Speaker 1: I mean, almost certainly not. So, yeah. It would be
• 1:02:59
  Speaker 1: really dumb if they had, like, some fantastical epilogue that
• 1:03:02
  Speaker 1: was perfect. And it's just like, I don't know if
• 1:03:04
  Speaker 1: Melissa likes me. Maybe she does. Maybe she doesn't. But
• 1:03:07
  Speaker 1: this was an awesome moment, and I'm happy now. And, yeah.
• 1:03:11
  Speaker 1: It was just chef's kiss. It was perfect. Loved it.
• 1:03:14
  Speaker 2: Yeah.
• 1:03:16
  Speaker 1: Absolutely loved it.
• 1:03:18
  Speaker 2: Um....
• 1:03:20
  Speaker 1: So I think this is probably, in my opinion, obviously biased,
• 1:03:24
  Speaker 1: most underrated high school movie of all time, because nobody
• 1:03:27
  Speaker 1: really even knows what this movie is.
• 1:03:29
  Speaker 2: It really has not gotten much of like a reclamation either,
• 1:03:33
  Speaker 2: to be honest with you. I don't think at least.
• 1:03:36
  Speaker 1: So you bought me the DVD, which was very kind,
• 1:03:39
  Speaker 1: but it also, it is on YouTube, uh, for rental.
• 1:03:42
  Speaker 1: I don't think, I don't think it's streaming free anywhere.
• 1:03:45
  Speaker 1: And for a long time, like you couldn't find it.
• 1:03:48
  Speaker 2: Yeah, it was not, um, it's a new, it's a
• 1:03:51
  Speaker 2: new line. Um, and I think Warner brothers just started,
• 1:03:58
  Speaker 2: I think maybe like four or five years ago, putting
• 1:03:59
  Speaker 2: it like doing like a DVD that they would burn
• 1:04:01
  Speaker 2: for you.
• 1:04:02
  Speaker 1: Yeah.
• 1:04:02
  Speaker 2: That you could get it that way. But it, I
• 1:04:05
  Speaker 2: don't think it ever was like publicly like readily available releases,
• 1:04:08
  Speaker 2: a DVD in like the two thousands. Um, and it, again,
• 1:04:13
  Speaker 2: it's so weird. I used to see it on TV
• 1:04:15
  Speaker 2: all the time. I think when it was on video
• 1:04:17
  Speaker 2: and like would be on a paid channel, um, But
• 1:04:19
  Speaker 2: it was not circulating, I mean, to me at least,
• 1:04:22
  Speaker 2: ever on any of the major networks in the rest
• 1:04:25
  Speaker 2: of the 90s and 2000s. Yeah. But I'm really glad
• 1:04:31
  Speaker 2: that this just aged so well. I was just so,
• 1:04:35
  Speaker 2: so blown away by this.
• 1:04:36
  Speaker 1: It really did. It was not... There was not... So
• 1:04:41
  Speaker 1: I know they removed the gay father storyline, but there
• 1:04:43
  Speaker 1: was no casual homophobia or like really problematic, toxic, like
• 1:04:50
  Speaker 1: depictions of women. I mean, they talk about Melissa's body,
• 1:04:52
  Speaker 1: but it's really, it's like Angus is the one that
• 1:04:56
  Speaker 1: says like, Hey, let's not do that. That's kind of gross. Um,
• 1:04:59
  Speaker 1: this is, yeah, this movie, it really captures what high
• 1:05:06
  Speaker 1: school is actually like in middle school. Cause it's sort
• 1:05:10
  Speaker 1: of like a, on the crux age frame, um, age range.
• 1:05:15
  Speaker 1: I mean, If you're not cool. And they cast two
• 1:05:21
  Speaker 1: people that actually wouldn't be cool.
• 1:05:24
  Speaker 2: Yeah. And also. Yeah. No, go ahead. Sorry. No, no, no.
• 1:05:28
  Speaker 2: Go ahead. again, like to do with about freshman year,
• 1:05:33
  Speaker 2: I think is so interesting where like, it's not like
• 1:05:35
  Speaker 2: if freshmen versus seniors, like you'd seen other movies, it's like,
• 1:05:38
  Speaker 2: it's everybody in this movie is a freshman, but that
• 1:05:41
  Speaker 2: there's no like pressure of them being new. It's almost
• 1:05:44
  Speaker 2: like they're very established in the school. It's very strange.
• 1:05:47
  Speaker 2: You just don't see that that often either.
• 1:05:49
  Speaker 1: Well, I couldn't believe. So it was like, there's my,
• 1:05:51
  Speaker 1: somebody said some teacher or something goes like, there's my
• 1:05:53
  Speaker 1: quarterback of the JV team. And I'm like, Rick is
• 1:05:55
  Speaker 1: on the JV team. And then later they say, Oh,
• 1:05:59
  Speaker 1: you know, freshman year. And I'm like, they're freshmen.
• 1:06:02
  Speaker 2: That's like, I was so blown away by that. The whole,
• 1:06:04
  Speaker 2: everyone in the cast is freshmen. Yeah. Yeah.
• 1:06:09
  Speaker 1: Yeah. I, I love this movie. Superman isn't brave. Um,
• 1:06:15
  Speaker 1: that's my advice. Angus advice. Superman isn't brave. Superman isn't brave.
• 1:06:21
  Speaker 1: The hold on. Let me go through my notes. I
• 1:06:23
  Speaker 1: have it in capital letters. This is Angus, right?
• 1:06:29
  Speaker 2: Yeah, it is.
• 1:06:31
  Speaker 1: Here we go. Nope, that's the raptor jumping out and
• 1:06:34
  Speaker 1: killing Lex.
• 1:06:35
  Speaker 2: That was written down?
• 1:06:37
  Speaker 1: It was in my notes.
• 1:06:38
  Speaker 2: Really? Wow.
• 1:06:40
  Speaker 1: He's smart, he's handsome, even decent, but he's not brave.
• 1:06:42
  Speaker 1: He's indestructible, and you can't be brave if you're indestructible.
• 1:06:45
  Speaker 1: It's people like you and your mother, people who are
• 1:06:47
  Speaker 1: different and can be crushed and know you can be crushed,
• 1:06:50
  Speaker 1: yet they keep going on out there every time. That's
• 1:06:52
  Speaker 1: my Angus advice.
• 1:06:55
  Speaker 2: That's great. Yeah.
• 1:06:58
  Speaker 1: What's your Angus advice?
• 1:07:00
  Speaker 2: Screw them. Just dance.
• 1:07:03
  Speaker 1: Even better. Honestly, even top. It's very rare that you
• 1:07:06
  Speaker 1: taught my advice, but you sure did.
• 1:07:08
  Speaker 2: I never think of it ahead of time, but I
• 1:07:09
  Speaker 2: was like, this is the best one to go with. Yeah. Yeah.
• 1:07:12
  Speaker 1: I love there's so many podcasts where I go, Ryan,
• 1:07:15
  Speaker 1: what's your advice?
• 1:07:15
  Speaker 2: And you go.
• 1:07:16
  Speaker 1: Ooh, advice. And I say, we do this every time.
• 1:07:20
  Speaker 1: Every time we do it, Ryan.
• 1:07:21
  Speaker 2: I think it's better to never think of it. There's
• 1:07:22
  Speaker 2: only a few times I'm like, okay, this might be
• 1:07:24
  Speaker 2: a good one. Yeah. And it's always bad, as you
• 1:07:26
  Speaker 2: all heard on Breakfast Club. So there we go. Yep. Yep.
• 1:07:30
  Speaker 1: But yeah, thank you for listening. Love this movie. If
• 1:07:36
  Speaker 1: you've never seen it, go watch it.
• 1:07:37
  Speaker 2: Check it out, guys.
• 1:07:38
  Speaker 1: It's not ruined for you.
• 1:07:40
  Speaker 2: Check it out. You'll love it.
• 1:07:42
  Speaker 1: Loved it.
• 1:07:43
  Speaker 2: Yeah.
• 1:07:45
  Speaker 1: That's it. Catch you on the flip. Don't forget to
• 1:07:49
  Speaker 1: buckle your shoes. Anything else, Ryan?
• 1:07:55
  Speaker 2: No, that's it.