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Your Turn: Season 6 Fan Q & A Part 2 · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in.
• 0:08
  Speaker 2: You.
• 0:17
  Speaker 3: I am all in with Scott Patterson, an iHeartRadio podcast.
• 0:21
  Speaker 1: Hey everybody, Scott Patterson, I I'm all in podcast. This
• 0:25
  Speaker 1: is going to be part two of The Collins the
• 0:28
  Speaker 1: season six wrap up, Q and A, Carol and High.
• 0:32
  Speaker 1: How are you doing? You're what part of us? Are
• 0:33
  Speaker 1: you in Melbourne?
• 0:35
  Speaker 2: No, I'm in Adelaide? Okay?
• 0:39
  Speaker 3: And what time is it? Is it tomorrow?
• 0:43
  Speaker 2: It's tomorrow, it's ten am.
• 0:45
  Speaker 1: Oh my goodness, gosh, it's three thirty pm in Californias.
• 0:51
  Speaker 3: I just I'm so bad. But it makes me think
• 0:53
  Speaker 3: of Dumb.
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  Speaker 1: And Dummer Friday Friday morning.
• 0:56
  Speaker 3: Do you guys know? You know in Dumb and Dummer
• 0:58
  Speaker 3: and he's like, put on all the shrimp on the mom.
• 1:03
  Speaker 2: Say that.
• 1:04
  Speaker 3: I Oh, that's why it's so dumb and that and dumber.
• 1:08
  Speaker 1: It's so great.
• 1:09
  Speaker 2: It's a good good movie, good movie.
• 1:13
  Speaker 4: Oh everything.
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  Speaker 1: Are you a big fan? You're a big Gilmour.
• 1:18
  Speaker 2: Fan of course? Of course.
• 1:20
  Speaker 1: How many times have you seen the show?
• 1:24
  Speaker 5: I probably watched it once a year from maybe sixteen
• 1:28
  Speaker 5: years old and I'm thirty five now, so however many
• 1:32
  Speaker 5: times that is?
• 1:37
  Speaker 2: Now?
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  Speaker 3: When did it first? Have you? Obviously you're born and
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  Speaker 3: raised in Australia. When did you first get it?
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  Speaker 2: Oh?
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  Speaker 1: When did Australia get it?
• 1:48
  Speaker 2: I'm not sure.
• 1:49
  Speaker 5: I think I think i'd heard about it and it
• 1:52
  Speaker 5: sounded like my kind of thing, and I bought the
• 1:55
  Speaker 5: fourth season, so I think I actually started with the
• 1:58
  Speaker 5: fourth season and then went back.
• 2:03
  Speaker 2: DVD. Yes, oh wow, that.
• 2:07
  Speaker 3: Would be weird to start in season four.
• 2:09
  Speaker 2: It's a good season, so it was fine.
• 2:11
  Speaker 3: Yeah, oh my god, but what if you think of
• 2:15
  Speaker 3: Susan's sucks?
• 2:19
  Speaker 2: It has some really excellent bits.
• 2:23
  Speaker 5: I don't love everything, but it's still really good quality television.
• 2:27
  Speaker 5: And that last episode with I think is that the
• 2:30
  Speaker 5: last episode with all the troubadours?
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  Speaker 2: And yep, that's so good.
• 2:35
  Speaker 5: It's so fun, really good cameos from some amazing musicians.
• 2:40
  Speaker 2: So I had a good time with that one.
• 2:43
  Speaker 1: Good.
• 2:44
  Speaker 3: But how did you feel about the ending when she
• 2:47
  Speaker 3: goes to Christopher?
• 2:50
  Speaker 2: I mean, not great. Don't feel great about that one.
• 2:56
  Speaker 2: I think that was a choice.
• 2:58
  Speaker 3: How do you feel about Christopher? I'm still trying to
• 3:01
  Speaker 3: find one human being that does not dislike it.
• 3:05
  Speaker 1: It's not You're the only one, Amy, You're the only one.
• 3:10
  Speaker 5: I'm so sorry, Amy, look, I think I think he's
• 3:13
  Speaker 5: an interesting character to a degree.
• 3:16
  Speaker 1: That's being generous, very generous.
• 3:20
  Speaker 5: I'm trying to be nice to Amy.
• 3:26
  Speaker 2: I don't love I don't love Christopher.
• 3:27
  Speaker 3: No, what's your take on why she runs back to him?
• 3:34
  Speaker 2: That kind of ties into my question a little bit
• 3:37
  Speaker 2: to me, what is your question? Okay? I wrote it
• 3:41
  Speaker 2: down because I'm really forgetful.
• 3:42
  Speaker 5: So so in terms of loot character development as well
• 3:49
  Speaker 5: as character consistency, do you feel like season six has
• 3:54
  Speaker 5: too much conflict for the sake of conflict?
• 3:58
  Speaker 1: Yes, I do. I do. That's an excellent question, and
• 4:02
  Speaker 1: it's a it's a really good observation, and I think
• 4:06
  Speaker 1: it it becomes you know, I I if there's gosh.
• 4:13
  Speaker 1: I don't want to sound like I'm being critical, but
• 4:16
  Speaker 1: here it goes. I think it's really important for from
• 4:23
  Speaker 1: a writing perspective, to a character emanates, I'm sorry, plot
• 4:28
  Speaker 1: emanates from character. That's the best kind of writing. But
• 4:33
  Speaker 1: when things start getting plotty, then that, yes, that's a criticism,
• 4:38
  Speaker 1: and that means you're imposing on these characters behaviors that
• 4:43
  Speaker 1: are out of character to fit into a plot. And
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  Speaker 1: that's I think what your question encapsulates I think that's
• 4:51
  Speaker 1: that's the concern. So, yeah, you framed it beautifully, yes,
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  Speaker 1: so I agree, I agree. I think it got ploty.
• 4:58
  Speaker 5: Yeah, yeah, I just think that as well. Luke and
• 5:04
  Speaker 5: Lareli has been set up from the beginning. There's been
• 5:06
  Speaker 5: a lot of foreshadowing in earlier seasons. Luke loves Lauraai
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  Speaker 5: so so much and has fought so hard to get
• 5:14
  Speaker 5: where they are that I.
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  Speaker 2: Just don't believe that he wouldn't fight harder for her.
• 5:20
  Speaker 2: That's just my take.
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  Speaker 1: Yeah, it's out of character.
• 5:22
  Speaker 3: That's a good take. I do agree with that, which
• 5:25
  Speaker 3: is kind of been one of my points.
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  Speaker 1: Right And I think we've tried to justify this, and
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  Speaker 1: I personally have tried to justify it to defend him,
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  Speaker 1: but there really is no defense for it other than
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  Speaker 1: things got imposed on the character that drive him farther
• 5:44
  Speaker 1: away from his character than he would normally act what
• 5:48
  Speaker 1: has already been established in what kind of a solid
• 5:51
  Speaker 1: person he is.
• 5:53
  Speaker 3: I also think Laureli could have given him more time,
• 6:00
  Speaker 3: more grace. As I've said, more just chill or lie chill.
• 6:07
  Speaker 3: A little bit of that is how I feel like,
• 6:10
  Speaker 3: just chill. He's been through this major thing he loves you.
• 6:14
  Speaker 3: He's repeatedly really made that clear in his Luke way.
• 6:19
  Speaker 3: I don't know. It's not a popular take, but it's mine.
• 6:22
  Speaker 1: But it is television. It's not film, right, it is television.
• 6:28
  Speaker 1: You need to have events, you need to have, you know,
• 6:31
  Speaker 1: story points. You need to hit them hard to keep
• 6:35
  Speaker 1: an audience engaged, especially when a show is in declining
• 6:38
  Speaker 1: ratings like season six. It was right, and I think
• 6:41
  Speaker 1: it peaked in four and five, and then it started
• 6:45
  Speaker 1: coming down a little bit in six, so I think
• 6:50
  Speaker 1: that was a concern. So yeah, it's just writing for
• 6:52
  Speaker 1: television has got to be a nightmare. It's got to
• 6:56
  Speaker 1: be so hard to keep it real and keep these
• 6:59
  Speaker 1: care characters resembling themselves. But sometimes you've got to make
• 7:05
  Speaker 1: some tough choices and to retain an audience. I guess,
• 7:08
  Speaker 1: I don't know.
• 7:09
  Speaker 2: It happens.
• 7:10
  Speaker 5: I think in a lot of really good TV shows
• 7:12
  Speaker 5: towards the later seasons where they maybe just don't get
• 7:16
  Speaker 5: the balance quite right. So there's maybe a little bit
• 7:20
  Speaker 5: too much conflict, maybe not enough comedy or something to
• 7:25
  Speaker 5: offset that conflict, which I think in the earlier seasons
• 7:29
  Speaker 5: is done so well.
• 7:30
  Speaker 1: So here's what happens what television shows experience that are
• 7:38
  Speaker 1: ramping up the first couple of years and becoming successful.
• 7:43
  Speaker 1: What happens is there are so many shows that each
• 7:47
  Speaker 1: network is producing on a yearly basis, that ones that
• 7:53
  Speaker 1: usually they're seeing flagging ratings right away for most of them,
• 7:58
  Speaker 1: so they kill those off. They don't put a lot
• 8:01
  Speaker 1: of assets or time into those. They know those aren't
• 8:03
  Speaker 1: going to make it. They can just see the numbers
• 8:05
  Speaker 1: and say, well, this is just not We're not going
• 8:08
  Speaker 1: to invest in this further. But the ones that do
• 8:11
  Speaker 1: hit the view and far between, and Gilmour's in that category,
• 8:15
  Speaker 1: that's when the studio steps in and starts imposing notes
• 8:20
  Speaker 1: on the creatives. And that's when the problems begin, and
• 8:25
  Speaker 1: that's where the disagreements begin, and that's when you notice
• 8:33
  Speaker 1: it on the TV show because the creatives are like, no,
• 8:36
  Speaker 1: we're not going to impose this on these characters. These
• 8:39
  Speaker 1: characters wouldn't say this, they wouldn't act this way. But
• 8:43
  Speaker 1: when a network or a studio feels they've got to
• 8:46
  Speaker 1: hit on their hands, then they start getting very hands
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  Speaker 1: on with the notes and the impositions and the plot points,
• 8:53
  Speaker 1: and it's got to go in this diriction. So so
• 8:56
  Speaker 1: it's an ephema to the creative process, but they're paying
• 9:00
  Speaker 1: for it, and it's their money invested in this. So
• 9:07
  Speaker 1: either do it or we're going to fire you, or
• 9:10
  Speaker 1: you know, you're going to have problems with us going forward.
• 9:13
  Speaker 1: And a lot of creatives just sort of like, gosh,
• 9:15
  Speaker 1: you know, we don't want to we don't want to
• 9:19
  Speaker 1: make it hard for ourselves, and how do we do this?
• 9:22
  Speaker 1: And they try to figure out a way to do it.
• 9:23
  Speaker 1: Sometimes they do it very successfully, sometimes you don't. So yeah,
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  Speaker 1: it's just a nature of the beasts.
• 9:28
  Speaker 2: That's all absolutely just a nature of it.
• 9:32
  Speaker 5: Just it must be really difficult for people on the
• 9:35
  Speaker 5: creative end. This is something they really really care about.
• 9:39
  Speaker 5: It's something they pour a lot into. I imagine it
• 9:42
  Speaker 5: must be really hard to have. So so I like
• 9:44
  Speaker 5: to I'd like to do a little caveat. I'm not
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  Speaker 5: trying to be overly critical either, because I know there's
• 9:49
  Speaker 5: a lot of moving parts and when people make something
• 9:52
  Speaker 5: that they put a lot into it, it must be
• 9:54
  Speaker 5: really hard to have that overhead kind of interfering with
• 9:58
  Speaker 5: your vision.
• 10:00
  Speaker 1: So at the ground level on set, when you see
• 10:05
  Speaker 1: a script come in in a last minute rewrite and
• 10:08
  Speaker 1: you look at it and you go, oh god, this
• 10:13
  Speaker 1: and then you go to the writer, you go to
• 10:16
  Speaker 1: the creators and you go, guys, what's going on here?
• 10:19
  Speaker 1: Where are these notes coming from? Well, it's a network,
• 10:22
  Speaker 1: and it's like, uh huh, of course it is. Well
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  Speaker 1: I'm not going to say this, and I'm not going
• 10:27
  Speaker 1: to say this, and I'm not because I you know,
• 10:31
  Speaker 1: I don't tell them how to do their job and
• 10:33
  Speaker 1: they can't tell me how to do mine. Yeah, but
• 10:36
  Speaker 1: they're But the thing is is they're driving the bus,
• 10:39
  Speaker 1: they're paying for it, they're promoting it, and somehow it's
• 10:44
  Speaker 1: got to be pulled off and there are a lot
• 10:46
  Speaker 1: of compromises that are made.
• 10:49
  Speaker 2: I'm gonna have to you have to play the game.
• 10:52
  Speaker 6: This brings them.
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  Speaker 3: Not always, this brings up my question. Bring this brings
• 10:57
  Speaker 3: up my question, And Suzanne, I'd love for you to
• 11:00
  Speaker 3: jump in. You know how, there's the theory I think
• 11:03
  Speaker 3: you mentioned it that that Palladino's sort of intentionally through
• 11:10
  Speaker 3: for lack of a better word, part of season six.
• 11:14
  Speaker 4: MM.
• 11:15
  Speaker 3: I don't believe that because as like someone who produces shows,
• 11:21
  Speaker 3: right and Scott, you can weigh in and Carolyn, I
• 11:23
  Speaker 3: want to hear your take too. If this is your
• 11:26
  Speaker 3: baby and it's so important to you, even though you
• 11:29
  Speaker 3: can't work out your contract, I can't imagine ever intentionally
• 11:35
  Speaker 3: doing bad work for something that has my name on it,
• 11:40
  Speaker 3: even if I'm not coming back. I just can't imagine
• 11:43
  Speaker 3: doing that. I just can't imagine they would do that.
• 11:46
  Speaker 3: That's just my sort of thought question for you guys.
• 11:51
  Speaker 4: I think it kind of ties back to the question
• 11:56
  Speaker 4: is there drama just for the sake of drama or
• 12:00
  Speaker 4: was it necessary to drive the story? And you know,
• 12:07
  Speaker 4: I don't know. Like I've said before, I don't I've
• 12:09
  Speaker 4: never met Amy and Dan, I don't know them. I'm
• 12:12
  Speaker 4: I'm not saying for sure that that's what happened. I it.
• 12:17
  Speaker 4: It just wouldn't surprise me. I mean, I I get
• 12:20
  Speaker 4: that it must have been incredibly difficult for them to
• 12:23
  Speaker 4: take what they had created and nurtured and built and
• 12:27
  Speaker 4: then just turn it over to somebody else like that
• 12:30
  Speaker 4: must have been incredibly difficult. So I can't even, you know,
• 12:33
  Speaker 4: say that I know how that feels, all right.
• 12:35
  Speaker 1: Let me let me let me let me give you
• 12:36
  Speaker 1: an analogy here. Imagine Picasso meeting with and he used
• 12:47
  Speaker 1: to meet with people used to give him a couple
• 12:48
  Speaker 1: of minutes, and he'd say, this one's five million, this
• 12:51
  Speaker 1: one's ten million, this one's fifteen million. You got two
• 12:55
  Speaker 1: minutes to design. Can you imagine one of these people saying, well,
• 13:00
  Speaker 1: I really like this one, but can you maybe put
• 13:06
  Speaker 1: a little more daba red over there right right? Because
• 13:10
  Speaker 1: my thing, my wife would really like it. I'm paying
• 13:13
  Speaker 1: for it, so you better do it, pal.
• 13:16
  Speaker 3: And I bet you somebody did say that to Picasso,
• 13:18
  Speaker 3: because somebody says that to everybody.
• 13:20
  Speaker 1: And do you know what Picasso's probably said, get the
• 13:24
  Speaker 1: f out of my studio. And Amy and Dan are
• 13:32
  Speaker 1: Picassos of the television writing world, and they were back then,
• 13:37
  Speaker 1: and they took great pride in creating these characters, and
• 13:39
  Speaker 1: they took great pride in crafting these shows. And for
• 13:45
  Speaker 1: somebody to come in and a not give them a
• 13:49
  Speaker 1: two year deal, which is really really unusual, it's really contentious.
• 13:55
  Speaker 1: It means the relationship was bad. I mean, the question
• 14:03
  Speaker 1: is is can you see them, you know, reckon one
• 14:06
  Speaker 1: of their own paintings at the end as a few
• 14:08
  Speaker 1: to the studio.
• 14:09
  Speaker 3: I don't know.
• 14:10
  Speaker 1: I mean It's like, these are human beings, these are
• 14:13
  Speaker 1: these are highly gifted creative people who fight for their choices,
• 14:18
  Speaker 1: you know, because you know, real artists fight for their choices.
• 14:22
  Speaker 3: I think if they had the vision to know, and
• 14:24
  Speaker 3: maybe they did at that point because of the DVDs
• 14:27
  Speaker 3: that the show was really going to have.
• 14:29
  Speaker 1: A but if, but they know, you know, like we
• 14:32
  Speaker 1: gotta play ball. What if they you know, the process
• 14:35
  Speaker 1: is like we gotta play ball. You know, we want
• 14:38
  Speaker 1: to tell other stories, We have other ideas in the future,
• 14:41
  Speaker 1: and we gotta you know, we gotta part. It has
• 14:44
  Speaker 1: to be a good parting, a peaceful party, you know,
• 14:49
  Speaker 1: there can't be bad blood. So maybe we just did.
• 14:53
  Speaker 1: I mean, who knows why people do these things.
• 14:56
  Speaker 4: I mean, it doesn't It doesn't really matter in the
• 14:59
  Speaker 4: end what motivation was, because we're as viewers, but we're.
• 15:04
  Speaker 1: Talking, we're exploring all the possibilities of it. No, I agree,
• 15:07
  Speaker 1: it doesn't really matter. But you know, I'm a person
• 15:13
  Speaker 1: who fights for my choices on set. Yeah, And the
• 15:19
  Speaker 1: reason I fight for my choices is because I trust
• 15:23
  Speaker 1: myself implicitly. I know myself as an actor. I know
• 15:27
  Speaker 1: what I can act, I know what I can't possibly act.
• 15:31
  Speaker 1: I know what is actable. I know what is going
• 15:34
  Speaker 1: to make me look like a bad actor, and that
• 15:37
  Speaker 1: is my butt up there on screen, and that's forever.
• 15:43
  Speaker 3: So there's a there aren't any times to compromise your art.
• 15:53
  Speaker 1: So that's that's the challenge for artists, quote unquote artists
• 15:58
  Speaker 1: working in a medium that thrives on compromise. Yeah, it's difficult,
• 16:05
  Speaker 1: it's difficult.
• 16:06
  Speaker 3: Well, Carolyn, you know, you started quite a conversation.
• 16:13
  Speaker 5: I'll just add one point and then I'll I'll let
• 16:16
  Speaker 5: you guys got.
• 16:19
  Speaker 1: It's great being on your podcast. I love it.
• 16:24
  Speaker 3: Give it to us, Carolyn, give it to us.
• 16:27
  Speaker 5: Scared, I think, no, no, not at all. Not scary,
• 16:31
  Speaker 5: given all of that context together, I think it's also
• 16:35
  Speaker 5: entirely possible that if you know, you thought you had
• 16:38
  Speaker 5: two years, but now you've got one year, and you
• 16:42
  Speaker 5: had all of these directions for all of these wonderful characters.
• 16:46
  Speaker 2: I wonder if that's why.
• 16:47
  Speaker 5: It feels a bit too plotty, And that's why it
• 16:50
  Speaker 5: feels a bit too stacked, because they wanted to do
• 16:54
  Speaker 5: all of these things and they had a very limited
• 16:56
  Speaker 5: time to do them. So I just wonder if that's
• 16:59
  Speaker 5: another reason why it could be.
• 17:01
  Speaker 1: Yeah, I guess we'll never know unless we get the
• 17:05
  Speaker 1: Great Lady and the great Man on the show to
• 17:09
  Speaker 1: pound them pound away.
• 17:12
  Speaker 3: Yeah, we actually need it. We have not asked them yet,
• 17:15
  Speaker 3: and we should.
• 17:15
  Speaker 1: Yeah, you should, we should do it.
• 17:19
  Speaker 3: Carolyn, enjoy a whole different day than we're in.
• 17:25
  Speaker 2: It's very hot here, so it.
• 17:28
  Speaker 3: Is there.
• 17:31
  Speaker 2: It's going to be close to forty degrees today.
• 17:33
  Speaker 4: Oh my god, forty degrees.
• 17:35
  Speaker 1: That's like in the nineties. No, that's nineties. That's like
• 17:40
  Speaker 1: ninety five.
• 17:42
  Speaker 4: Yeah.
• 17:43
  Speaker 1: Oh that's hot. Still stand in doorstors on the bobby. Yeah.
• 17:50
  Speaker 1: Put another log on the fire there, Carolyn.
• 17:53
  Speaker 3: Oh my god, I don't know anything.
• 17:54
  Speaker 1: Day warm.
• 17:55
  Speaker 4: Oh my gosh.
• 17:58
  Speaker 1: Thank you thanks for calling in. We had a blast.
• 18:01
  Speaker 2: Thank you so much for having me.
• 18:03
  Speaker 4: Thank you.
• 18:04
  Speaker 1: Be well.
• 18:04
  Speaker 2: Bye guys, bye.
• 18:15
  Speaker 3: Hi, hi hi. You're stuck with us only for a second.
• 18:19
  Speaker 3: Scott's coming back. But Linda, where are you?
• 18:23
  Speaker 6: I live in South Georgia, Valdosta.
• 18:28
  Speaker 3: Whoa, that's the town Valta.
• 18:30
  Speaker 6: That's the towns It's about ten minutes north of Florida.
• 18:35
  Speaker 3: Oh wow, okay cool.
• 18:36
  Speaker 6: It's Moody Air Force Base And how.
• 18:39
  Speaker 3: Far from Atlanta about four.
• 18:42
  Speaker 6: Hours all right, Oh cool, four hours with four hours south.
• 18:46
  Speaker 6: We lived in Atlanta for thirty something years ago. Way, yes,
• 18:51
  Speaker 6: and then my daughter went off and got married and
• 18:52
  Speaker 6: had a child, so we had to move close.
• 18:56
  Speaker 3: I so get it. That's awesome. So is that your
• 18:58
  Speaker 3: first brand baby?
• 18:59
  Speaker 6: Yes, yes, ma'am.
• 19:01
  Speaker 3: Oh yeah, there's this grandma's need to be right by
• 19:05
  Speaker 3: those babies.
• 19:07
  Speaker 6: Oh yes, yes, he's nine, so it doesn't matter.
• 19:11
  Speaker 3: You'll be there until least twenty five.
• 19:13
  Speaker 2: Who cares.
• 19:13
  Speaker 6: I will be there until I take my last breath.
• 19:17
  Speaker 4: For sure.
• 19:18
  Speaker 3: It's so sweet. So Scott is going to come back,
• 19:22
  Speaker 3: but it makes before he does. I'd love to hear
• 19:24
  Speaker 3: your question about Christopher, as I am the only person
• 19:27
  Speaker 3: who possibly likes Christopher it seems at all. And I'm
• 19:30
  Speaker 3: not saying I love him and he's you know, I
• 19:32
  Speaker 3: want her to marry him, but I'm just saying I
• 19:35
  Speaker 3: don't hate him.
• 19:37
  Speaker 6: Well, I don't hate Christopher either. And my take is
• 19:42
  Speaker 6: I think Laura Lai uses Christopher as her safe space.
• 19:46
  Speaker 2: Yeah.
• 19:47
  Speaker 3: I think you're very accurate with that. He is her.
• 19:50
  Speaker 3: We sort of talked about it earlier, like when you
• 19:52
  Speaker 3: go through something tough. You immediately go to to that
• 19:56
  Speaker 3: person that's like always going to be there for you,
• 19:58
  Speaker 3: and you know they're going to be there, and you
• 19:59
  Speaker 3: know they sort of worship you, right, and you don't
• 20:03
  Speaker 3: love them as much exactly.
• 20:06
  Speaker 6: And Christopher love him or hate him, he wants Laura
• 20:11
  Speaker 6: I all the time anytime.
• 20:13
  Speaker 3: See I agree. Now, Suzanne, you have a different take
• 20:17
  Speaker 3: on that, right, Like I agree that I think he
• 20:20
  Speaker 3: loves her and wants to be with.
• 20:22
  Speaker 6: Her, oh one hundred percent. But I also think that
• 20:26
  Speaker 6: Laurrela I doesn't deny it. I mean they've been together
• 20:30
  Speaker 6: their entire lives. They are the only two people besides
• 20:33
  Speaker 6: their parents that have known them their entire lives. So
• 20:37
  Speaker 6: where does she go for safety and security? We already
• 20:40
  Speaker 6: know she had a tumultuous relationship being Yes, I agree
• 20:48
  Speaker 6: he's selfless. He is selfish and arrogant because he knows
• 20:54
  Speaker 6: he can get Laura I. Because she's never going to
• 20:57
  Speaker 6: say no when there is any tie of chaos going
• 21:03
  Speaker 6: on around her with whomever, who does she run to?
• 21:07
  Speaker 6: She runs to Christopher.
• 21:08
  Speaker 3: You know you you just said something there Linda too
• 21:10
  Speaker 3: that really made me think she can't say no to him,
• 21:13
  Speaker 3: because even after they have the worst blow up in
• 21:17
  Speaker 3: the history of blow ups. She still is like, I'll
• 21:21
  Speaker 3: take Gigi, I'll take care of it. What do you need?
• 21:24
  Speaker 3: Let me come over to your house when your father
• 21:26
  Speaker 3: passed away. She can't. She can't, she can't get rid
• 21:30
  Speaker 3: of him.
• 21:31
  Speaker 6: She has not been wanted to right. She does not
• 21:34
  Speaker 6: have the ability to say no to him. And that's
• 21:36
  Speaker 6: proven because they've had sex multiple times, and multiple times
• 21:40
  Speaker 6: she could have said no.
• 21:41
  Speaker 3: I totally called that out too, that I know people
• 21:46
  Speaker 3: don't like him, but she does. She likes him.
• 21:49
  Speaker 6: I'm not a now, I'm not a Christopher fan. I'm
• 21:52
  Speaker 6: a Luke. I've been I've watched the show hundreds of times,
• 21:59
  Speaker 6: and I'm per Luke. My thing is she uses Christopher
• 22:04
  Speaker 6: as her one and only safe space where I or
• 22:07
  Speaker 6: another woman. I would never go to my ex if
• 22:10
  Speaker 6: I had a problem with my mine now, I would
• 22:13
  Speaker 6: go to a girlfriend, right, I would go to a girlfriend.
• 22:19
  Speaker 6: I would never go to an ex. Where does she
• 22:21
  Speaker 6: go to the one person she feels absolutely the safest
• 22:25
  Speaker 6: with because she knows when she's with him nothing can happen.
• 22:30
  Speaker 3: Mm hmm. And she also is very who she is
• 22:34
  Speaker 3: with him. There's no walls up. There's no, she's not
• 22:39
  Speaker 3: putting up up front. She doesn't have to pretend she
• 22:41
  Speaker 3: didn't have the childhood. She had the good and the bad,
• 22:45
  Speaker 3: the rich and the you know, all of it. He
• 22:48
  Speaker 3: can goally relate and they have this they have rory,
• 22:52
  Speaker 3: so like they have this thing right forever. As much
• 22:57
  Speaker 3: as everybody doesn't want to hear.
• 22:58
  Speaker 6: It, he's they're but they're connected on not just the
• 23:04
  Speaker 6: roy level. They're connected on a primal level. They're connected
• 23:09
  Speaker 6: on a level that nobody outside of the two of
• 23:13
  Speaker 6: them can understand. When she had problems with Maxi Medina,
• 23:16
  Speaker 6: who did she go to? She called? She called Christopher
• 23:21
  Speaker 6: the night of her bachelorette party. To Max Medina, she
• 23:27
  Speaker 6: runs to him. She ran to him when she when
• 23:30
  Speaker 6: they had that when Francine and Strobe, we're all Strobe
• 23:34
  Speaker 6: was all up in her will. What did they do
• 23:37
  Speaker 6: go and have sex? She never says no, She never
• 23:41
  Speaker 6: says no.
• 23:42
  Speaker 3: And do you think they have chemistry? I do, but
• 23:44
  Speaker 3: a lot of people shoot.
• 23:45
  Speaker 2: That now, No, I don't.
• 23:48
  Speaker 6: Again, I don't think they have chemistry because they know
• 23:52
  Speaker 6: each other on a primal level, which is a lot
• 23:55
  Speaker 6: different than having chemistry, like she and the oh, this
• 24:00
  Speaker 6: is all kinds of chemistry. Let me just say there
• 24:02
  Speaker 6: are certain episodes I will watch over and over and
• 24:05
  Speaker 6: over again just for their cameras try. But I think
• 24:11
  Speaker 6: again there are they are such primal human beings that
• 24:15
  Speaker 6: when they're together, she knows that he knows that nothing
• 24:22
  Speaker 6: can go on, nothing can happen. And once she is
• 24:26
  Speaker 6: away from him, when the chaos ensues, where does she go?
• 24:30
  Speaker 6: And I know that I know that Scott and Danielle
• 24:33
  Speaker 6: haven't seen season seven, but season seven is is? That
• 24:39
  Speaker 6: is that place? Season seven?
• 24:42
  Speaker 2: Is that place?
• 24:43
  Speaker 6: Until as we get into the As we get into
• 24:45
  Speaker 6: the season.
• 24:46
  Speaker 1: I think, I think I understand what you're saying. Maybe
• 24:50
  Speaker 1: I'm not looking forward to seeing.
• 24:51
  Speaker 3: That's what I was going to say.
• 24:53
  Speaker 6: I'm not gonna yeah season Yeah, I have.
• 24:56
  Speaker 3: Something for all three of you. So you know how
• 24:58
  Speaker 3: like in life, you sort of have a traumatic event,
• 25:01
  Speaker 3: right and part of you is always sort of frozen
• 25:04
  Speaker 3: at that moment?
• 25:06
  Speaker 2: Are both of them?
• 25:08
  Speaker 3: Like we always talk about Christopher being so teenagery ish, right, Well,
• 25:12
  Speaker 3: maybe Loralai has a lot of that in her too.
• 25:15
  Speaker 3: She is like childlike in a lot of ways. And
• 25:18
  Speaker 3: you know, they maybe the pregnancy and the birth like
• 25:24
  Speaker 3: did have trauma for them, and in some ways it's
• 25:27
  Speaker 3: why they're always sort of drawn back to each other
• 25:29
  Speaker 3: just as teenagers. You know, that's very teenagery to run
• 25:33
  Speaker 3: back to yours, right an adult. Yeah, yeah, Scott, you
• 25:40
  Speaker 3: talked about that, that's right.
• 25:42
  Speaker 6: I think she goes back to that. She goes back
• 25:45
  Speaker 6: to that time as a teenager, no worries, don't have
• 25:49
  Speaker 6: to pay bills, don't have my own business. She goes
• 25:51
  Speaker 6: back to that spot immediately when she's with Christopher, and
• 25:55
  Speaker 6: he allows it, right, he opens up and he allows
• 26:02
  Speaker 6: the fact that she could come back to him, where
• 26:05
  Speaker 6: Luke would be like you're a grown ass woman, pulla
• 26:10
  Speaker 6: bridges up, and.
• 26:14
  Speaker 4: You know, kind of still lives in that immaturity like
• 26:18
  Speaker 4: he didn't have to immediately like Laura I did. And
• 26:21
  Speaker 4: I think when he when Gigi came along, is kind
• 26:25
  Speaker 4: of where he grew up a little bit. He suddenly
• 26:28
  Speaker 4: had that that single parent responsibility that has had for
• 26:33
  Speaker 4: you know, twenty years now. So I think that's why
• 26:37
  Speaker 4: he is always like wanting her to come back in
• 26:40
  Speaker 4: because he's just still living in that.
• 26:44
  Speaker 6: Agreed agreed and he even with Gigi he still had
• 26:50
  Speaker 6: all that child like I can't say no, you know,
• 26:54
  Speaker 6: all of that stuff. I can't say no to her.
• 26:56
  Speaker 6: And then then he when he tries to connect with Rory,
• 27:02
  Speaker 6: there is that he doesn't understand. Rory can see that
• 27:05
  Speaker 6: he's still a child, like when he goes to his dorm,
• 27:09
  Speaker 6: when he goes to her dorm room, or he goes
• 27:10
  Speaker 6: to the apartment and he's like, we have to go
• 27:12
  Speaker 6: out to breakfast. We have to do this, we have
• 27:13
  Speaker 6: do that, and she's like, no.
• 27:15
  Speaker 3: Right, and he's all about he loves Logan. He grew
• 27:19
  Speaker 3: up a little bit with Sherry, like she got you know,
• 27:22
  Speaker 3: whether right or wrong, good, bad, He got that job,
• 27:27
  Speaker 3: got the haircut, he's sort of buttoned up, got a
• 27:29
  Speaker 3: Volvo or whatever it was right, and then he had
• 27:32
  Speaker 3: to grow up a bit when she just bails, which
• 27:34
  Speaker 3: is such a Christopher move.
• 27:36
  Speaker 6: But you notice he grew up. And then Lorelai, I
• 27:41
  Speaker 6: can't get her to stop crying.
• 27:43
  Speaker 2: Can you do this?
• 27:43
  Speaker 6: Can you come babysit? And what does she do? She
• 27:46
  Speaker 6: runs right to him again, her safe place. It just
• 27:52
  Speaker 6: it always goes back to Christopher being her safety net,
• 27:57
  Speaker 6: her not. He doesn't criticizes her yeah, they fight, but
• 28:01
  Speaker 6: they fight like siblings. If you've ever yeah, yeah, yeah, yeah,
• 28:05
  Speaker 6: they fight like siblings. They don't fight like a relationship couple.
• 28:11
  Speaker 6: They fight like siblings. And I think that's what teenagers. Yes, yes,
• 28:18
  Speaker 6: and Laura l I. I think she uses that to
• 28:23
  Speaker 6: her advantage, and Christopher certainly does because Christopher knows he's
• 28:28
  Speaker 6: getting some Laura like tail whenever she comes over.
• 28:33
  Speaker 1: He knows that she's just say, Laurel, I tail.
• 28:37
  Speaker 3: I remember when you called it the bad thing. I
• 28:40
  Speaker 3: was calling it the bad thing.
• 28:41
  Speaker 1: I call it the bad thing, Laurel I tale every
• 28:47
  Speaker 1: time she cuts off.
• 28:49
  Speaker 3: Oh my god, Linda, you're funny. How are you feeling about.
• 28:55
  Speaker 6: About Scott? Thank you?
• 28:58
  Speaker 3: Season seven? Like, what what advice do you We made
• 29:01
  Speaker 3: Danielle go away because we're afraid of spoilers, but what
• 29:04
  Speaker 3: advice do you stop? For season seven?
• 29:08
  Speaker 6: Strap In? It's going to be a bumpy ride, that's all.
• 29:16
  Speaker 6: That's all I'm gonna say is strap In, it's going
• 29:18
  Speaker 6: to be a bumpy ride. Yeah. But but yeah, I
• 29:23
  Speaker 6: think you know, he's her soft place to land. Yeah,
• 29:29
  Speaker 6: and he let and he and he lets it happen.
• 29:32
  Speaker 2: He likes it. Yeah, of course he does.
• 29:35
  Speaker 6: Yeah, of course he does. There's no there's no denying that.
• 29:40
  Speaker 6: But like I said, season seven, just strap in. But actually,
• 29:44
  Speaker 6: I mean my daughter and I started watching Gilmore Girls
• 29:48
  Speaker 6: the minute it came on when she was a teenager.
• 29:50
  Speaker 6: She's thirty five now, and now we've gotten both of
• 29:54
  Speaker 6: our husbands to watch. We watch on Netflix, and both
• 29:58
  Speaker 6: of our husbands like, because my daughter, his name is
• 30:00
  Speaker 6: Nina and she's my own, she's our only child. So
• 30:04
  Speaker 6: she and I called each other Laurea Ian Rory all
• 30:07
  Speaker 6: through her growing up.
• 30:08
  Speaker 3: That's so good.
• 30:09
  Speaker 6: Yeah, we do it. We still do it now. People
• 30:12
  Speaker 6: are like what we're like, never mind, But our husbands
• 30:18
  Speaker 6: now are like, we'll sit there and we'll watch and
• 30:20
  Speaker 6: we'll repeat lines and we'll say lines, and they look
• 30:22
  Speaker 6: at us like, would you girls, fuley shut up or
• 30:24
  Speaker 6: go in the other room think of Gilmour Girls. My
• 30:28
  Speaker 6: husband wasn't a fan at first, but now he is
• 30:30
  Speaker 6: really into it. And he likes Luke. He says, I
• 30:34
  Speaker 6: like Luke. Luke's a stand up guy. He does not
• 30:36
  Speaker 6: like Christopher. He thinks Christopher is a slimy worm, but
• 30:41
  Speaker 6: he is. Sometimes he likes Jess and sometimes he likes Logan.
• 30:46
  Speaker 6: He's not a big Dean fan, but he he fluctuates
• 30:51
  Speaker 6: between Jess and Logan. That's that's that's his fluctuation between
• 30:58
  Speaker 6: Jess and Logan. And I'm not sure of my son
• 31:01
  Speaker 6: in law. I'm not really who do I like.
• 31:05
  Speaker 3: For Yeah, it's between Jess.
• 31:09
  Speaker 6: I like Logan in her college years, but I like
• 31:13
  Speaker 6: Jess as an adult, not so much as a teenager,
• 31:16
  Speaker 6: because I unfortunately dated a Jess many many Yes, Luke
• 31:24
  Speaker 6: and I are of the same age. I mean, Scott
• 31:26
  Speaker 6: and I are the same age, and I dated a
• 31:29
  Speaker 6: Jess and it did not end well, let's just say
• 31:35
  Speaker 6: so I have when I see Jess, it brings up
• 31:38
  Speaker 6: a lot of Oh, yeah, I know where this is going.
• 31:43
  Speaker 6: I'm more of a I'm more of a Logan.
• 31:45
  Speaker 3: I'm a Logan fan. Although when we get to the movies,
• 31:49
  Speaker 3: there's a whole there's gonna be so many discussions because
• 31:52
  Speaker 3: Logan and y are a mess in the movie.
• 31:55
  Speaker 6: I think I not who gives Scott any spoilers on
• 32:02
  Speaker 6: the movies, but I don't think they did Logan and
• 32:05
  Speaker 6: Rory justice.
• 32:06
  Speaker 3: And I agree with you, Yeah, I think somewhere Scott
• 32:09
  Speaker 3: might agree to.
• 32:10
  Speaker 6: Yeah, I don't think they did them. I don't think
• 32:12
  Speaker 6: they did them justice. But see I married my Logan,
• 32:15
  Speaker 6: so I'm.
• 32:15
  Speaker 3: All good, Oh that's so cute. Yeah, they did Jess.
• 32:19
  Speaker 3: They did Jess right multiple times. Yeah, they they really
• 32:25
  Speaker 3: make him turn out great.
• 32:28
  Speaker 6: Oh I think Jess as an adult. Rory should have
• 32:32
  Speaker 6: gone with Jess as an adult because he pulled a
• 32:35
  Speaker 6: lot more out of her intellectually than I think Logan did.
• 32:40
  Speaker 3: He's a stand up guy. He's he's Luke, yes.
• 32:44
  Speaker 6: Oh absolutely, he is a He is a mini me
• 32:48
  Speaker 6: Luke for sure. Yeah.
• 32:50
  Speaker 3: I mean we kind of know that Luke as a
• 32:52
  Speaker 3: teenager had some Jess tent Like Luke wasn't perfect that
• 32:55
  Speaker 3: probably as a teenager, and we kind of know that
• 32:58
  Speaker 3: a little bit. So anyway, Linda, you must say hi
• 33:03
  Speaker 3: for us.
• 33:05
  Speaker 6: Oh, I certainly will. I told her yesterday that I
• 33:08
  Speaker 6: was going to be on the podcast and she was
• 33:09
  Speaker 6: all jealous and like, I can't believe you're gonna do that.
• 33:14
  Speaker 6: I'm like, yes, I'm gonna get to talk to my
• 33:16
  Speaker 6: my Scott Patterson. I'm so excited.
• 33:20
  Speaker 3: Say something swoony, Scott, say.
• 33:22
  Speaker 6: Something swoony, Say something swoony, say something to look like
• 33:26
  Speaker 6: Linda in a different time and place maybe maybe. Oh yes, absolutely.
• 33:31
  Speaker 6: And by the way, Sullivan's Crossing Rocks. Oh, thank you,
• 33:36
  Speaker 6: yes it absolutely. I grew up my summers in Canada,
• 33:41
  Speaker 6: so oh dig you yes, yes, grew up in Ontario.
• 33:44
  Speaker 1: Wow.
• 33:45
  Speaker 6: So but Sullivan's Crossing Rocks. I can't wait till April
• 33:48
  Speaker 6: when season two comes out.
• 33:50
  Speaker 1: That's right, Yeah, they're gonna. I'm doing the ad R
• 33:53
  Speaker 1: on season one right now.
• 33:55
  Speaker 6: I'm very excited because season one was definitely emotion season two.
• 34:01
  Speaker 1: But by the way, the show looks a lot better now.
• 34:04
  Speaker 1: Oh really, okay, yeah, it looks like it kind of
• 34:07
  Speaker 1: looks like a film. It looks like movies. It's it's
• 34:10
  Speaker 1: really they I don't know what they did. It's just wild,
• 34:13
  Speaker 1: but it just looks a season.
• 34:15
  Speaker 3: Season two hasn't not aired in Canada yet, right, no?
• 34:18
  Speaker 1: Soon?
• 34:18
  Speaker 3: Oh wow?
• 34:19
  Speaker 6: Okay, So if Scott Patterson is on the TV, it's
• 34:23
  Speaker 6: on my house much.
• 34:29
  Speaker 3: Wait, Scott, is it Soft four, which I can't see.
• 34:34
  Speaker 6: I can't see it.
• 34:34
  Speaker 1: Are we bringing that into the.
• 34:37
  Speaker 3: No, I can't.
• 34:38
  Speaker 6: See any of those. I can only see I can
• 34:40
  Speaker 6: only see Scott. I can't see those movies. I'm not
• 34:43
  Speaker 6: I'm not that kind of movie person.
• 34:46
  Speaker 1: So oh my gosh, what does your husband say when
• 34:50
  Speaker 1: when when I'm on TV?
• 34:52
  Speaker 6: Oh, He's like, oh my god, your boyfriend's on TV again.
• 34:55
  Speaker 6: I'm like, yuess, I have it on. I mean I've
• 34:58
  Speaker 6: watched Gilmore Girls so much, and it was on at
• 35:00
  Speaker 6: Thanksgiving when they put it on up and it's on
• 35:02
  Speaker 6: for that whole week. It's on constantly. I never turn
• 35:05
  Speaker 6: it off. And he's like, is your boyfriend on the
• 35:07
  Speaker 6: TV again? I'm like, yes, go away.
• 35:09
  Speaker 3: I get Linda out of ten like Apple.
• 35:12
  Speaker 6: Pies, but oh my gosh, you guys are out of ten.
• 35:16
  Speaker 6: I listened to your podcast all. I mean, I'm caught up.
• 35:21
  Speaker 6: I listen to it every night as much as possible.
• 35:23
  Speaker 6: Whenever it's on, I'm listener.
• 35:25
  Speaker 1: Are you what part of the country I.
• 35:27
  Speaker 6: Live in, South Georgia, Valdosta?
• 35:29
  Speaker 1: How are you in Valdosta? Okay? Yeah?
• 35:31
  Speaker 6: Which is near Moody Air Force Base.
• 35:33
  Speaker 1: Okay cool.
• 35:35
  Speaker 6: So, like I was telling Amy earlier, my my daughter
• 35:39
  Speaker 6: decided to go to school down here and find her
• 35:41
  Speaker 6: husband and start procreating. So my husband and I lived
• 35:44
  Speaker 6: in Atlanta for thirty something years and I said bye,
• 35:47
  Speaker 6: So you gotta go be with the grandson.
• 35:49
  Speaker 1: Yeah, there you go.
• 35:50
  Speaker 6: And I know my grandson is I also relate Scott
• 35:53
  Speaker 6: because my grandson is the age of your son. He's nine.
• 35:56
  Speaker 6: Oh really, yes he's not. And actually we have a
• 35:59
  Speaker 6: he calls me because my husband's Sicilian and so we
• 36:04
  Speaker 6: haven't known a gab that his name's Gavin. We haven't
• 36:06
  Speaker 6: known a Gavin. Date tomorrow.
• 36:07
  Speaker 1: Oh that is very nice.
• 36:09
  Speaker 6: Yeah, we're dressing up. He's taking me to dinner.
• 36:13
  Speaker 2: That is so cute.
• 36:14
  Speaker 1: Yeah, so well, listen best your husband.
• 36:17
  Speaker 6: Thank you, thank you very much.
• 36:19
  Speaker 1: He sounds like a solid dude.
• 36:23
  Speaker 2: He is.
• 36:24
  Speaker 6: We've been together for we've been married for forty years.
• 36:27
  Speaker 6: Whoa and we've been together for forty four.
• 36:31
  Speaker 3: Wow, it's so great.
• 36:32
  Speaker 6: So yeah, we're lifers, as they say, we're lifers. But
• 36:38
  Speaker 6: it was wonderful talking to y'all. Good talking to Thank you.
• 36:44
  Speaker 6: You have a wonderful afternoon and evening. And I hope
• 36:47
  Speaker 6: the California snow doesn't get you, Tony.
• 36:52
  Speaker 1: Now, I'm in southern California. I think Amy's in northern
• 36:55
  Speaker 1: California here.
• 36:57
  Speaker 3: I like, went outside a sweatshirt and I don't even
• 36:59
  Speaker 3: need a sweatshirt that.
• 37:00
  Speaker 1: You got like ten feet a snow to deal with,
• 37:02
  Speaker 1: don't you.
• 37:03
  Speaker 3: I'm going up to Tahoe next weekend.
• 37:04
  Speaker 6: So thank y'all, thanks so much, thank you.
• 37:09
  Speaker 1: All right, it is a pleasure.
• 37:19
  Speaker 2: There.
• 37:19
  Speaker 1: He is Tyler Conray, Ladies and gentlemen, only Tyler from
• 37:25
  Speaker 1: Instagram fame there as we got him. Everybody wants them.
• 37:31
  Speaker 1: How you doing, Bud, I'm doing so good.
• 37:33
  Speaker 3: This is Oh my god, you're so cute Tyler.
• 37:38
  Speaker 2: Oh my gosh.
• 37:39
  Speaker 3: Wait, we need to explain for people that are just listening.
• 37:42
  Speaker 3: So Tyler is watching Gilmore Girls and you know, films
• 37:47
  Speaker 3: himself shoots himself watching and the ending he just I
• 37:52
  Speaker 3: know you've gone past it now, but your video of
• 37:54
  Speaker 3: you watching season six went fully viral because Tyler didn't
• 38:01
  Speaker 3: love the ending.
• 38:05
  Speaker 7: I just I wasn't happy she was reverting back like
• 38:09
  Speaker 7: she was going back and I felt like she was
• 38:13
  Speaker 7: going back in time and Rory was kind of maturing.
• 38:15
  Speaker 7: And I don't know if that was the writers on
• 38:19
  Speaker 7: that to have them like mature in the opposite direction.
• 38:22
  Speaker 3: Yeah, that's a good take. We haven't talked about that.
• 38:24
  Speaker 3: That's a good take.
• 38:25
  Speaker 7: Valentine's episode about the vineyard like her and Logan are
• 38:29
  Speaker 7: so mature and Luke looked like they're a high school couple, Like.
• 38:33
  Speaker 2: Not right, So were you shocked?
• 38:40
  Speaker 6: Oh?
• 38:40
  Speaker 7: I was gagged. I was absolutely gagged. I was just
• 38:44
  Speaker 7: I love Luke and Laura. I was so happy at
• 38:46
  Speaker 7: the end of season five when she was like, Luke,
• 38:48
  Speaker 7: will you marry me? Like that was actually my first
• 38:50
  Speaker 7: reaction that I posted. My friend Trudy was like I
• 38:53
  Speaker 7: told her I was watching for the first time, and
• 38:54
  Speaker 7: she was like, Okay, these are the episodes I need
• 38:55
  Speaker 7: you to film just because I want to see your reaction.
• 38:58
  Speaker 7: She was like, and five the end of season six
• 39:01
  Speaker 7: and the end of season seven, and I was like, okay,
• 39:04
  Speaker 7: and then she was like, you should absolutely post this,
• 39:08
  Speaker 7: And now it has almost like three million views the
• 39:14
  Speaker 7: end of season seven one I think also almost has
• 39:17
  Speaker 7: uh or end of season the year in the life.
• 39:19
  Speaker 3: So I'm not, oh, yeah, we aren't there yet because
• 39:22
  Speaker 3: we're protecting Danielle from knowing what happens. But so good, no, no, no,
• 39:28
  Speaker 3: you're fine, You're fine. So I don't know. Maybe I
• 39:31
  Speaker 3: would love to just hear your thoughts on season six
• 39:35
  Speaker 3: and the ending and just sort of you can just
• 39:38
  Speaker 3: talk to us.
• 39:40
  Speaker 7: I mean season six. I we know Luke doesn't like
• 39:46
  Speaker 7: to be like sprung on like he does. That's not
• 39:49
  Speaker 7: his energy. He doesn't know what to do. Loralai comes
• 39:52
  Speaker 7: in like a wrecking ball during like rush hour at
• 39:54
  Speaker 7: the diner and is like ultimatum now, and it's just
• 39:59
  Speaker 7: like like I know why she did it because she
• 40:03
  Speaker 7: had been pushed by Emily. She had been pushed by
• 40:06
  Speaker 7: April's mother to be like, I don't want you on
• 40:08
  Speaker 7: my daughter unless you're married. But I also wanted Laurala
• 40:11
  Speaker 7: to just enjoy being engaged to Luke, like, enjoy that time.
• 40:16
  Speaker 7: If June wasn't gonna work, he was, he was so
• 40:18
  Speaker 7: like in the Valentine's Day episode, he was all like
• 40:21
  Speaker 7: you know, yes, like, well, let's pick a date. If
• 40:23
  Speaker 7: having a date makes you feel better, then let's talk
• 40:26
  Speaker 7: about it, like maybe it's not June third, but and
• 40:29
  Speaker 7: then enjoy being engaged and enjoy like Luke discovering himself
• 40:32
  Speaker 7: with April and discovering being a father him never happened
• 40:36
  Speaker 7: really that moment before.
• 40:38
  Speaker 1: Right, Why isn't she happy for him?
• 40:40
  Speaker 3: I agree?
• 40:40
  Speaker 1: Why isn't she supportive for him? He's got it? Exactly? Good?
• 40:44
  Speaker 1: Great point.
• 40:45
  Speaker 7: Great point, and so I get like she was definitely
• 40:49
  Speaker 7: feeling pressure from everything else. And then poor Lane's wedding.
• 40:57
  Speaker 2: Out.
• 40:57
  Speaker 7: Actually, oh god, oh my god, how can you block
• 41:01
  Speaker 7: that out? Also, missus Kim is truly one of my
• 41:04
  Speaker 7: favorites in the entire series, like in season six when
• 41:07
  Speaker 7: she makes Zach write a song before you get from.
• 41:11
  Speaker 3: A hit and it had to be a hit.
• 41:13
  Speaker 7: Ionic, so iconic and just like go missus Kim, love
• 41:17
  Speaker 7: love her one of my favorite characters on the show. Yeah,
• 41:21
  Speaker 7: and I Lorlai could have gone to anybody, right, But
• 41:24
  Speaker 7: I do think they said, you guys talked about this
• 41:26
  Speaker 7: last week on the podcast, they did set it up
• 41:28
  Speaker 7: really well where you saw that Lourlai kind of was
• 41:32
  Speaker 7: disconnected from her normal crew. She can't relate to Sochi
• 41:35
  Speaker 7: anymore because she has that whole family life now and
• 41:38
  Speaker 7: she can't really relate to that and so and Soukie
• 41:41
  Speaker 7: doesn't really get what's going on with her. She's like no,
• 41:43
  Speaker 7: she won't say anything, like I can't get her to
• 41:44
  Speaker 7: open up, and she can't talk to her mother. You know,
• 41:46
  Speaker 7: her mother is really not team Luke. And the episode
• 41:51
  Speaker 7: where her mom gets high surgery iconic. I made my
• 41:54
  Speaker 7: mom watch the series after I finished it, and she
• 41:57
  Speaker 7: was like, do you think I'm like Emily, like is
• 41:59
  Speaker 7: that why you want me to watch this? And I'm like, well,
• 42:01
  Speaker 7: like sometimes I see you and Emily, and sometimes I
• 42:04
  Speaker 7: see like your mom to you and Emily. So I
• 42:05
  Speaker 7: just thought, you know, but so I get anybody to
• 42:13
  Speaker 7: go to. But she could have gone to Luke, like
• 42:16
  Speaker 7: she could have gone back, and I'm like, I'm sorry,
• 42:18
  Speaker 7: I could have just gone home. I get what she
• 42:20
  Speaker 7: want to be alone. She just got Planka. She's got
• 42:22
  Speaker 7: a dog, go to your little dog Palka instead of
• 42:26
  Speaker 7: Christopher and a stupid buzz cut in his toxic relationship
• 42:30
  Speaker 7: with him, and like.
• 42:33
  Speaker 4: A dog would be preferable.
• 42:36
  Speaker 7: Absolutely, go to Dean. Know, Dean loves cheating. I think
• 42:43
  Speaker 7: I would have been less mad if it was anybody
• 42:45
  Speaker 7: but christ.
• 42:48
  Speaker 2: Show.
• 42:49
  Speaker 7: Dean stuck on for season seven, Like that's that's a
• 42:56
  Speaker 7: show right there.
• 43:00
  Speaker 3: I made it. I'm the only one on planet Earth
• 43:03
  Speaker 3: that was like, this is exactly what she would do, exactly.
• 43:08
  Speaker 7: You're right, because they were really reverting her, like I said, like,
• 43:10
  Speaker 7: it felt like the writers were reverting her maturity. You're
• 43:13
  Speaker 7: watching Rory mature and to an adult, and you're watching
• 43:16
  Speaker 7: LAURAAI kind of like descend maturity level.
• 43:19
  Speaker 3: So like it.
• 43:19
  Speaker 7: Yeah, like Rory also kind of did the same thing,
• 43:22
  Speaker 7: like she slept with with Dean while he was married,
• 43:24
  Speaker 7: and so they kind of gave that to Laura I,
• 43:27
  Speaker 7: and they're kind of like shifting their maturity pass.
• 43:29
  Speaker 3: I agree with that. We didn't really address that, but
• 43:32
  Speaker 3: I we did talk about how it's one of the
• 43:35
  Speaker 3: most amazing sort of Rory Logan moments, and you're right
• 43:41
  Speaker 3: in that it's because they are making the hard choice
• 43:46
  Speaker 3: because it's the best choice in that moment for Logan,
• 43:51
  Speaker 3: and so Rory is sacrificing herself for Logan to go
• 43:56
  Speaker 3: do what he needs to do. And I would have
• 43:59
  Speaker 3: liked to see or Lie sacrifice herself to allow Luke
• 44:03
  Speaker 3: to do what he needed to do.
• 44:05
  Speaker 4: That's what she was doing the whole time, though. That's
• 44:08
  Speaker 4: I think that's what I'm not connecting with.
• 44:10
  Speaker 3: You, because she never really is. She's all but hurt
• 44:16
  Speaker 3: all the time, even though she's not expressing it.
• 44:19
  Speaker 4: I disagree. I I disagree she looking around. She did
• 44:24
  Speaker 4: everything Luke wanted her to do, but but she wanted
• 44:27
  Speaker 4: her to stay away and stay in the background, and
• 44:30
  Speaker 4: she did.
• 44:30
  Speaker 3: But she wasn't doing it. So here there's a difference.
• 44:34
  Speaker 3: It's I always say it like this, there's playing hard
• 44:37
  Speaker 3: to get and there's being hard to get. So so
• 44:41
  Speaker 3: in those same terms, she was doing it, but not
• 44:45
  Speaker 3: she wasn't doing it. Truly, she's upset about it, she's
• 44:50
  Speaker 3: bummed about it. She's not doing it all truistically for him.
• 44:54
  Speaker 3: She's doing it because he told her to. She should
• 44:58
  Speaker 3: have done it because it was what he needed. I mean,
• 45:01
  Speaker 3: you don't have degree.
• 45:01
  Speaker 2: I see you know your face.
• 45:03
  Speaker 4: I don't agree.
• 45:04
  Speaker 3: You don't have to. That's the beauty of it. We
• 45:07
  Speaker 3: don't have to agree to both. It doesn't make one
• 45:10
  Speaker 3: of us right or wrong. I think Loralai could have
• 45:14
  Speaker 3: been more supportive of supportive of Luke and this major.
• 45:17
  Speaker 4: How would she like, what should she have done that
• 45:20
  Speaker 4: would be more supportive, so instead of.
• 45:23
  Speaker 3: Just staying away, she would understand.
• 45:27
  Speaker 1: People like an out of control, impulsive teenager.
• 45:32
  Speaker 3: Yeah, that's right.
• 45:33
  Speaker 4: When did she do that other than those last episode?
• 45:35
  Speaker 3: He just did it, thank you, Tyler. Tyler agrees no,
• 45:38
  Speaker 3: but because she's been doing it all along. First of all,
• 45:40
  Speaker 3: it's very teenagery to make up a staff meeting and
• 45:43
  Speaker 3: hide in your bedroom and have miss Patty lie and
• 45:48
  Speaker 3: say you're not home. That's like insane. That to me
• 45:52
  Speaker 3: was where I was like, Oh, she's gone, wait what Tyler,
• 45:56
  Speaker 3: she's taking like at exactly that teenager too and getting
• 46:01
  Speaker 3: up there and making that embarrassing toast and being so unhinged.
• 46:05
  Speaker 3: The other thing is she's doing it, but she's not
• 46:10
  Speaker 3: doing it for the right reasons. And I know, I
• 46:11
  Speaker 3: say sound like I'm on the Bachelor, but it's like,
• 46:14
  Speaker 3: if she truly supported Luke and really was in it
• 46:18
  Speaker 3: with him, she would have had no issue giving him
• 46:22
  Speaker 3: that space. She wouldn't if she really understood this is
• 46:27
  Speaker 3: a life changing thing that has just happened to him.
• 46:30
  Speaker 3: I need to sacrifice my own needs and wants and
• 46:33
  Speaker 3: give him the time. And he never indicated he didn't
• 46:36
  Speaker 3: love her and that the wedding wasn't happening. She made
• 46:38
  Speaker 3: that up in her head, in my opinion, allegedly. Okay,
• 46:45
  Speaker 3: but but then say what you think, Say what you think.
• 46:50
  Speaker 4: I think that she was doing I think by how
• 46:56
  Speaker 4: do I phrase it, like, by staying in the background
• 47:00
  Speaker 4: because Luke wanted her to. That's how she was supporting him.
• 47:03
  Speaker 4: She never pressured Luke to say, like let me meet April,
• 47:07
  Speaker 4: let me hang out with you guys, like let's all
• 47:10
  Speaker 4: be friends, like she she was. That's how she was
• 47:14
  Speaker 4: trying to support him was by following his wishes. And
• 47:18
  Speaker 4: I agree with that.
• 47:19
  Speaker 3: But the reason she exploded is because she wasn't doing
• 47:23
  Speaker 3: it from her heart. She was doing it because he
• 47:26
  Speaker 3: told her to. If she was doing it truly like selfish,
• 47:32
  Speaker 3: selflessly unconditional love for him, there would be no reason
• 47:37
  Speaker 3: to have an ultimatum or explode because she would be
• 47:41
  Speaker 3: so like, he needs time, and I'm good with it
• 47:44
  Speaker 3: because I know we're going to get married. She's just
• 47:47
  Speaker 3: totally gone insecure because if she truly.
• 47:50
  Speaker 1: Believes so is so this here we go again. We
• 47:56
  Speaker 1: are forcing who's forcing behaviors on characters to so that
• 48:03
  Speaker 1: they are acting unlike characters that they've long established, Right?
• 48:10
  Speaker 3: Is confident?
• 48:12
  Speaker 1: Are you recognizing Luke? Are you recognizing Laurel I? In
• 48:18
  Speaker 1: these scenes? Do they seem like they are Luke and
• 48:21
  Speaker 1: Laurel I? Do they seem like they are these people
• 48:23
  Speaker 1: that something has been imposed upon them somewhat?
• 48:28
  Speaker 3: They seem like themselves?
• 48:29
  Speaker 7: Tyler, go ahead, Oh, I was just I fully agree
• 48:33
  Speaker 7: with like Lorelai, just there were like you see little
• 48:37
  Speaker 7: moments like you see her when she gets to like
• 48:40
  Speaker 7: be a part of April's life and she's so excited,
• 48:41
  Speaker 7: and then April's mom is like, no, like I need
• 48:43
  Speaker 7: someone who's committed. I need to know someone's committed. So
• 48:45
  Speaker 7: in Laura's mind, she's making up the false reality that
• 48:48
  Speaker 7: because she's not married, that she's not committed. So she
• 48:52
  Speaker 7: wants to be a part of April. She liked having
• 48:53
  Speaker 7: that and now she's not gonna be able to have
• 48:55
  Speaker 7: that unless she's married. She wants to get married now,
• 48:58
  Speaker 7: and she's but it is very like childish, like I think,
• 49:01
  Speaker 7: like Scott, like you said, like she she's just acting.
• 49:04
  Speaker 7: She's acting the mature and she's acting impulsively instead of
• 49:06
  Speaker 7: listening to her partner like a mature adult who made
• 49:09
  Speaker 7: post to therapy like you think.
• 49:15
  Speaker 3: Because I agree with you, Tyler, I agree with you.
• 49:19
  Speaker 3: He told her we're gonna get married and we can
• 49:21
  Speaker 3: have lobster at the wedding. He's never indicated to her
• 49:25
  Speaker 3: they're not going to get married.
• 49:27
  Speaker 4: But actions speak louder than words. I tell my kids
• 49:29
  Speaker 4: that all the time. It's like you say you're going
• 49:32
  Speaker 4: to wash the dishes, but I know you're not going
• 49:34
  Speaker 4: to wash the dishes until you actually go wash the dishes.
• 49:38
  Speaker 4: I'm going to change the topic because Tyler, you said
• 49:40
  Speaker 4: something like ten minutes ago that I like latched onto
• 49:45
  Speaker 4: and you made a comment about Dean and Rory, and
• 49:48
  Speaker 4: I realized there's a parallel. If you think about that
• 49:52
  Speaker 4: disaster date where Rory was in the bar with the
• 49:56
  Speaker 4: guy that Emily set her up with. Yeah, Paul's Dean, right.
• 50:01
  Speaker 3: She didn't have to call Dean.
• 50:03
  Speaker 2: She could have.
• 50:03
  Speaker 4: Called any other number of people. She could have called
• 50:06
  Speaker 4: me grandmother and be like, you know, you set me
• 50:08
  Speaker 4: up with a drunk driver, did you know that?
• 50:11
  Speaker 3: And that completely.
• 50:12
  Speaker 4: Parallels what could have been anywhere. She didn't have to
• 50:17
  Speaker 4: go to Christopher's house. She could have anyways. I just
• 50:20
  Speaker 4: hadn't thought of that great note. So I just had
• 50:25
  Speaker 4: a great call out.
• 50:26
  Speaker 3: And we did at the time say why did she
• 50:28
  Speaker 3: call Dean?
• 50:30
  Speaker 6: Right?
• 50:31
  Speaker 4: And you know, it's like Amy's writing Amy Sherman Palladino
• 50:35
  Speaker 4: is It's very big on the you know, the full circle.
• 50:38
  Speaker 4: And so there's so many parallels between Loral and Rory
• 50:43
  Speaker 4: and that was one that I had never even caught
• 50:45
  Speaker 4: before until you mentioned that.
• 50:46
  Speaker 3: So that's a good note. That's so true, like mother
• 50:52
  Speaker 3: like daughter.
• 50:53
  Speaker 7: Exactly, And because the next day, Roy's like, look, that's
• 50:56
  Speaker 7: just like my Dean, like he didn't cheat because he's not.
• 50:59
  Speaker 7: I'm not wrecking my Dean. And I feel like Laura
• 51:01
  Speaker 7: is the same impression, like is also that's one of
• 51:04
  Speaker 7: my favorite lines from the show. And Gg's like, I
• 51:06
  Speaker 7: also don't sleep in my night gown when I'm sick,
• 51:09
  Speaker 7: like's gonna wake up and be like, oh well, like
• 51:18
  Speaker 7: that was just like my Christopher, Like that means nothing.
• 51:20
  Speaker 7: I'm gonna go marry Luke now and still be with Luke,
• 51:22
  Speaker 7: and he's gonna he's gonna think this is so funny.
• 51:24
  Speaker 3: Ha ha. It's a lot. I mean it's a lot,
• 51:34
  Speaker 3: like we saw it in Tyler's reaction. It's a lot.
• 51:40
  Speaker 7: Because after season five, I'm like, yes, I've been waiting
• 51:44
  Speaker 7: five seasons for this to happen, for like Luke and
• 51:46
  Speaker 7: Laurili to get together, to have this like beautiful life together,
• 51:50
  Speaker 7: and then Laura I just really took a turn. I
• 51:53
  Speaker 7: don't know if it was like Rory joining the you know,
• 51:56
  Speaker 7: the d A R and then right. But also she
• 52:00
  Speaker 7: was maturing, and I think she was maturing past Lurla
• 52:03
  Speaker 7: and LAURAAI didn't know what to do with that. She
• 52:05
  Speaker 7: was like, no, I want like a teenager, Like I
• 52:09
  Speaker 7: want that, like I'm healing my owner child through my
• 52:13
  Speaker 7: own teenage daughter. And now she's maturing, and now what
• 52:17
  Speaker 7: do I do. I've never got She's still stuck. That
• 52:20
  Speaker 7: we talked about that she's sort of stuck. I don't know, Susanne.
• 52:24
  Speaker 3: I am interested in your take if you see that
• 52:26
  Speaker 3: Lurla I imploded throughout the season. Or is it because
• 52:32
  Speaker 3: Luke wasn't leveling up to where she needed him to be.
• 52:37
  Speaker 2: I think he.
• 52:39
  Speaker 4: I think she just she just was worn down, like
• 52:44
  Speaker 4: she thought she was doing the right thing by staying
• 52:48
  Speaker 4: back because Luke wanted her to. But she said herself
• 52:52
  Speaker 4: in that last episode, She's like, you know, I feel
• 52:54
  Speaker 4: crappy all the time. You know, she just she just
• 52:58
  Speaker 4: knew that it didn't feel right, and so I forgot.
• 53:06
  Speaker 3: No, that was a good answer. It totally Look I'm
• 53:08
  Speaker 3: going way deep now and I'll let everybody go.
• 53:11
  Speaker 1: But maybe she was just feeling like she couldn't control
• 53:14
  Speaker 1: the situation. So I have a lot of anxiety in
• 53:18
  Speaker 1: her because she's used to controlling all these subject and.
• 53:20
  Speaker 3: That's right, Scott. I think she's making herself feel how
• 53:25
  Speaker 3: she's feeling. No one's doing it to her. She's kind
• 53:29
  Speaker 3: of what Tyler said, sort of creating it in her
• 53:32
  Speaker 3: own mind. I do think she's making matters worse for
• 53:37
  Speaker 3: herself rather than just being confident and saying, yes, this
• 53:41
  Speaker 3: is a giant hiccup, but we're gonna be good.
• 53:44
  Speaker 1: Susanne, how do you feel about that?
• 53:48
  Speaker 4: I mean, I think Luke could have helped. I mean,
• 53:50
  Speaker 4: Luke could have been more reassuring.
• 53:53
  Speaker 3: And I don't know if anybody knows who, If anybody
• 53:59
  Speaker 3: Abraham Hicks, Tyler, do you know who Abraham Hicks is? No,
• 54:03
  Speaker 3: you guys all got a YouTube it because basically this
• 54:05
  Speaker 3: so she's sort of like a therapy guru, and her
• 54:08
  Speaker 3: whole thing would be Lorelai is doing this to herself.
• 54:11
  Speaker 3: It's not Luke doing it to her that she's creating
• 54:15
  Speaker 3: sort of this. She's making it worse for herself in
• 54:20
  Speaker 3: her own mind.
• 54:23
  Speaker 2: I don't know.
• 54:23
  Speaker 3: So the people I'm gonna get a one hundred thousand
• 54:26
  Speaker 3: mean emails.
• 54:27
  Speaker 1: Don't need them, don't I need them?
• 54:31
  Speaker 7: That Loralai exactly. She was getting hurt by false realities
• 54:34
  Speaker 7: that she was making up in her head, which is
• 54:36
  Speaker 7: a very sure thing to do in somebody who has
• 54:39
  Speaker 7: not done the growth or personal work and is secure
• 54:42
  Speaker 7: in themselves.
• 54:43
  Speaker 3: Yeah. I agree.
• 54:47
  Speaker 4: I think I made this point earlier when we had
• 54:51
  Speaker 4: a different caller on the whole. I don't blame Lorelai
• 54:55
  Speaker 4: for being insecure because this whole thing started with Luke
• 54:59
  Speaker 4: withholding information from her, and when she found out that
• 55:03
  Speaker 4: he had known about April for two months and didn't
• 55:06
  Speaker 4: tell her, I can see how that would feel like
• 55:08
  Speaker 4: a betrayal, and so I can say that was the
• 55:13
  Speaker 4: seed of insecurity in her mind. That Okay, if he
• 55:17
  Speaker 4: didn't think I was important enough to share that information with,
• 55:21
  Speaker 4: he's checking out, and.
• 55:22
  Speaker 1: Then it's it's like a domino.
• 55:24
  Speaker 3: That's a fair point. That's a fair point. He that's
• 55:27
  Speaker 3: a fair point. I'm going to totally agree with you
• 55:30
  Speaker 3: there that had he handled that initial thing different, now,
• 55:33
  Speaker 3: I don't totally fault him. I get it it was
• 55:35
  Speaker 3: overwhelming and he was terrified, right, But you're right, I
• 55:39
  Speaker 3: do think that started, like Scott said, a domino effect.
• 55:42
  Speaker 3: It was a it was just a train wreck from there.
• 55:44
  Speaker 1: Yeah, it just it looks fault. Just blame the guy.
• 55:47
  Speaker 1: Just always blame the guy. He can take it by
• 55:50
  Speaker 1: the dude, I'm trying to see take the shots. But
• 55:53
  Speaker 1: he did it his way.
• 55:54
  Speaker 4: I've tried so hard for the Hire show. If you
• 55:57
  Speaker 4: think about all the relationships, the entire show is founded
• 56:01
  Speaker 4: on a lack of communication. Every single pair of people,
• 56:07
  Speaker 4: except maybe like Marian bad Bet suffers from a lack
• 56:11
  Speaker 4: of communication at some point, like Suki, Richard and Emily.
• 56:15
  Speaker 4: All of them suffer from that. It's just a recurring
• 56:19
  Speaker 4: theme everywhere.
• 56:20
  Speaker 1: Well, it's a recurring theme in relationships.
• 56:23
  Speaker 3: That's why I always say it's a Three's Company episode.
• 56:27
  Speaker 1: There you go about the.
• 56:28
  Speaker 3: Miscommunication, right, Oh, Tyler, thank you for joining us for
• 56:36
  Speaker 3: our therapy Gilmore Girls therapy today.
• 56:39
  Speaker 7: Oh my gosh, thank you all so much. I've loved
• 56:41
  Speaker 7: this is this is so surreal to me, especially because
• 56:44
  Speaker 7: I truly just started watching this at like Thanksgiving.
• 56:47
  Speaker 3: So the fact that jam and dude, you've watched the
• 56:53
  Speaker 3: movies now, right.
• 56:54
  Speaker 7: Oh yeah, I've watched you watched everything even faster than me.
• 56:59
  Speaker 7: She's retired and so that's why she was like, what
• 57:01
  Speaker 7: do I what do I watch now? I'm like, Gilmore girls.
• 57:06
  Speaker 1: Where where are you? What part of the country you
• 57:09
  Speaker 1: I'm in New York City? Okay, all right, Suzanne.
• 57:12
  Speaker 3: I do think we need to tell people that we
• 57:14
  Speaker 3: genuinely like each other, because you, yes, we like each
• 57:18
  Speaker 3: other like so much.
• 57:19
  Speaker 1: Oh they do. It's disgusting.
• 57:22
  Speaker 3: We have to separate them like you can make we
• 57:25
  Speaker 3: can disagree, but we like totally love show.
• 57:28
  Speaker 1: We have to encourage them to mingle with other people.
• 57:30
  Speaker 4: When we have the live podcast event and we saw
• 57:33
  Speaker 4: each other, it was like big hugs, totally.
• 57:35
  Speaker 3: And it's look if we agreed all the time, what's
• 57:39
  Speaker 3: fun about that?
• 57:40
  Speaker 1: It's like, but Amy and I don't get along. No,
• 57:42
  Speaker 1: we That's it's like I see her coming, I run
• 57:47
  Speaker 1: the other way.
• 57:47
  Speaker 3: That's why I can't remember. I'm like, was that on
• 57:50
  Speaker 3: the air? Was that just one of our phone calls?
• 57:53
  Speaker 3: I think people don't realize, like we talk about this
• 57:55
  Speaker 3: show on the air, off the air context on the weekends.
• 58:00
  Speaker 3: Just like again, anyway, welcome to the mess, Tyler, honor
• 58:07
  Speaker 3: to be here.
• 58:08
  Speaker 2: Thank you all so much.
• 58:09
  Speaker 1: Yeah, I have a feeling we're going to be seeing
• 58:11
  Speaker 1: you again for sure. I just have a feeling. I
• 58:16
  Speaker 1: have a feeling somehow going to be a part of this,
• 58:19
  Speaker 1: somehow away. Thanks keep making those great videos. You're awesome
• 58:27
  Speaker 1: and appreciate the time.
• 58:29
  Speaker 3: Thank you very much.
• 58:31
  Speaker 4: Thanks, take care, good talking to you.
• 58:34
  Speaker 1: Good men, your body, take care.
• 58:35
  Speaker 3: It wouldn't be up I Am All In Podcast if
• 58:37
  Speaker 3: there wasn't a brawl.
• 58:42
  Speaker 1: Oh god, I was gonna wrap it up kids. Thanks
• 58:45
  Speaker 1: for everybody called in. We had a blast. Love you guys.
• 58:50
  Speaker 1: We're going to do this again. I really enjoyed it.
• 58:52
  Speaker 1: Thank you, Susanne, Thank you Amy, and we will see
• 58:55
  Speaker 1: you next time. Stay safe everywhere dot Hey, everybody to forget.
• 59:27
  Speaker 1: Follow us on Instagram at I Am All In Podcast
• 59:31
  Speaker 1: and email us at Gilmore at iHeartRadio dot com.