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Transcript

YUNK VINO_ KYAN _ DANZO - Podpah _1055 · Luke's English Podcast

• 1:00
  Speaker 1: Give me a training for me to kick better than
• 1:03
  Speaker 1: my brother.
• 1:29
  Speaker 2: Beleza.
• 1:30
  Speaker 1: Para acertar onde e quando quiser, o truque é repetição
• 1:33
  Speaker 1: com álcool pequeno. Faz esse treino 3 vezes por semana
• 1:37
  Speaker 1: por 30 a 45 minutos e tua precisão vai subir muito.
• 1:41
  Speaker 3: Dias 1 a 4. Pontaria.
• 1:59
  Speaker 1: We're live for another Podpá, next to me is.
• 2:07
  Speaker 3: Why did you do that? I don't get it.
• 2:11
  Speaker 4: I thought he was going to cut it.
• 2:13
  Speaker 1: Next to me is Kidion from Pará, McSteel from Belém.
• 2:17
  Speaker 3: Applause for Mítico Jovem! You're crazy!
• 2:19
  Speaker 4: What a beautiful.
• 2:20
  Speaker 1: Shirt, Mítico!
• 2:23
  Speaker 4: I need to talk about the sponsors.
• 2:25
  Speaker 2: Of this wonderful podcast, Mítico Jovem.
• 2:52
  Speaker 1: Starting with ChatGPT, who is sponsoring us, what is this?
• 2:56
  Speaker 2: And I'm using it a lot. You use it a lot?
• 2:58
  Speaker 2: It's very easy to talk about what we use, right, brother?
• 3:00
  Speaker 1: Geraldo is preparing for the Seleção games, there's barbecue, shouting
• 3:04
  Speaker 1: from start to finish, and I'm using ChatGPT because he
• 3:06
  Speaker 1: helps me sometimes, like, I'm going to receive the guys
• 3:08
  Speaker 1: from home, I say like this, bro, I'm going to
• 3:10
  Speaker 1: receive 8 people, make a list of the barbecue there
• 3:12
  Speaker 1: for me, that comports these 8 people.
• 3:14
  Speaker 2: Here, I asked, there's here, look. Show it there, young doctor.
• 3:16
  Speaker 5: And also, today I was at the meeting and I
• 3:18
  Speaker 5: was exchanging ideas with him, because tomorrow we are going
• 3:21
  Speaker 5: to talk about T-Rock too.
• 3:22
  Speaker 4: Do you exchange ideas?
• 3:23
  Speaker 2: I do, bro.
• 3:24
  Speaker 4: That's it. And remembering that the GPT chat also has
• 3:27
  Speaker 4: text or audio, as you prefer, okay?
• 3:29
  Speaker 1: It helps you in several tasks and you can, as
• 3:32
  Speaker 1: I said, use text or voice. It works for everything.
• 3:36
  Speaker 1: Even if you want to take care of the dogs
• 3:39
  Speaker 1: on the day of fire, what do I do? He
• 3:40
  Speaker 1: will give you an answer, okay?
• 3:41
  Speaker 4: It's for everything, for everything.
• 3:46
  Speaker 1: Acesse o chatgpt.com.br e deixe o.
• 3:49
  Speaker 4: Chatgpt te ajudar.
• 3:50
  Speaker 3: É que não é tudo, entendeu?
• 3:51
  Speaker 4: Se você estiver doente, você vai no médico.
• 3:54
  Speaker 3: He's consulting the inventory.
• 3:56
  Speaker 4: Consulting, changing ideas.
• 3:57
  Speaker 1: My head was like that from YouTube, I started to think. Guys,
• 4:00
  Speaker 1: let's talk about our sponsor, Master, let's talk about Amazon.
• 4:05
  Speaker 1: We're together, you see? Thank you very much for everything, always.
• 4:08
  Speaker 1: And the link is this, Mítico Jovem. There on the
• 4:09
  Speaker 1: Amazon app is rolling a ball, which is the Chutou won.
• 4:11
  Speaker 1: But there, and no, I'm just going to get it right,
• 4:13
  Speaker 1: I'm just going to win. If I get the placard right?
• 4:16
  Speaker 2: No.
• 4:17
  Speaker 4: If you make a mistake, you also win there. but
• 4:19
  Speaker 4: a little less, but you will also earn.
• 4:21
  Speaker 1: There he will generate coins, these coins you can exchange
• 4:25
  Speaker 1: for discount coupons, which can reach up to 80%, okay?
• 4:28
  Speaker 1: And remembering, young mythic, that the Amazon Prime Day is
• 4:32
  Speaker 1: from day 1 to day 7 of July, now, my month.
• 4:35
  Speaker 4: Oh man, I'm a cashier, I'm happy.
• 4:38
  Speaker 2: And who is a Prime member? Gain double, okay?
• 4:41
  Speaker 4: Exactly. And remembering that it starts today. Today is July 1st.
• 4:43
  Speaker 3: Let's go.
• 4:43
  Speaker 4: Let's go, Amazon.
• 4:44
  Speaker 2: Thank you. Are you already thinking about my gift? All
• 4:47
  Speaker 2: the projects, for sure, brother. I'm going to buy it
• 4:49
  Speaker 2: there on Amazon. All the projects. Amazon is with us.
• 4:52
  Speaker 2: I love you, Amazon. Thank you.
• 4:54
  Speaker 5: Follow Amazon on social media, because they are awesome.
• 4:57
  Speaker 1: Receive with a lot of affection. Clap your hands. Make
• 5:00
  Speaker 1: a real noise. Drop this studio for our guests today.
• 5:03
  Speaker 1: I want a lot of applause for Kian Dez and
• 5:06
  Speaker 1: Yank Vino.
• 5:08
  Speaker 6: Let's go!
• 5:09
  Speaker 4: Call, call, call, call, call! Fuck! How are you, my brothers?
• 5:13
  Speaker 4: To start in the right way?
• 5:15
  Speaker 3: I'm not well, bro.
• 5:16
  Speaker 7: Why?
• 5:16
  Speaker 3: I'm fine, I'm fine, I'm fine. Do you want more applause?
• 5:19
  Speaker 6: Applause for Danzo, you're crazy!
• 5:20
  Speaker 3: What is this?
• 5:20
  Speaker 1: Jardim Nakamura is at the base.
• 5:24
  Speaker 4: Do you want more applause?
• 5:25
  Speaker 3: I'll hug you. It's cool to meet the three, right, bro?
• 5:34
  Speaker 3: It's hard.
• 5:34
  Speaker 2: It's hard to get together. It's hard. It's impossible.
• 5:36
  Speaker 3: A lot of people asked where VEG was. You guys
• 5:38
  Speaker 3: started a scene.
• 5:38
  Speaker 5: VEG must be taking pictures for some underwear brand.
• 5:40
  Speaker 2: He's biting his pants. He's biting his pants. He's biting
• 5:41
  Speaker 2: his pants.
• 5:42
  Speaker 4: He's biting his pants. He's biting his pants. He's biting
• 5:43
  Speaker 4: his pants. He's biting his pants. He's biting his pants.
• 5:44
  Speaker 3: He's biting his pants.
• 5:45
  Speaker 2: He's biting his pants.
• 5:45
  Speaker 4: He's biting his pants.
• 5:46
  Speaker 3: He's biting his pants. He's biting his pants.
• 5:47
  Speaker 4: He's biting his pants.
• 5:48
  Speaker 3: He's biting his pants.
• 5:48
  Speaker 2: He's biting his pants.
• 5:49
  Speaker 4: He's biting his pants.
• 5:49
  Speaker 3: He's biting his pants.
• 5:50
  Speaker 2: He's biting his pants.
• 5:50
  Speaker 3: He's biting his pants.
• 5:51
  Speaker 4: He's biting his pants.
• 5:52
  Speaker 3: He's biting his pants.
• 5:53
  Speaker 4: He's biting his pants. He's biting his pants. He's biting
• 5:54
  Speaker 4: his pants. He's biting his pants. He's biting his pants.
• 5:57
  Speaker 4: He's biting his pants.
• 5:58
  Speaker 3: He's biting his pants.
• 5:59
  Speaker 2: He's Are you guys having sex lately?
• 6:01
  Speaker 5: We're going to change a lot of ideas, but I'm
• 6:04
  Speaker 5: asking this because when it starts a lot, it's hard, right?
• 6:06
  Speaker 2: Mano, Vino had his.
• 6:07
  Speaker 3: Birthday that day and we had sex with him, you know?
• 6:10
  Speaker 6: But apart from that, I think it's been a while
• 6:12
  Speaker 6: since we had sex.
• 6:13
  Speaker 4: It was only on the other birthday.
• 6:15
  Speaker 3: But on a show, we had sex on a show.
• 6:19
  Speaker 3: But Vino is now a father, so you can understand
• 6:22
  Speaker 3: the absence of the brother.
• 6:23
  Speaker 6: But I still try, bro.
• 6:25
  Speaker 2: You changed your skin, right?
• 6:26
  Speaker 6: Yes, I'm still with the guys. Your son is beautiful.
• 6:28
  Speaker 6: I'm Slime, right? Slime. Slime.
• 6:29
  Speaker 1: Slime.
• 6:30
  Speaker 3: Slime.
• 6:30
  Speaker 5: Slime.
• 6:30
  Speaker 4: Slime.
• 6:31
  Speaker 3: Slime. Slime. Slime. Slime. Slime. Slime. Slime.
• 6:32
  Speaker 4: Slime.
• 6:33
  Speaker 3: Slime. Because they keep.
• 6:51
  Speaker 6: Calling each other to play ball. It's happening to.
• 6:55
  Speaker 2: You, like, the guy is a father, let's not call
• 6:58
  Speaker 2: him anymore.
• 6:58
  Speaker 4: Leave him there, he's a father.
• 7:00
  Speaker 3: Sometimes my friends come to me and say, Igão, I
• 7:02
  Speaker 3: didn't even call you to that barbecue because you.
• 7:05
  Speaker 4: Didn't even leave the house. I said, but you didn't
• 7:07
  Speaker 4: have an invitation.
• 7:09
  Speaker 5: Sometimes it's nice to just see the invitation, even if
• 7:12
  Speaker 5: you don't go there.
• 7:13
  Speaker 2: It's normal for me to.
• 7:14
  Speaker 6: Say, bro, it's not going to happen.
• 7:16
  Speaker 4: As long as I'm with you, right?
• 7:19
  Speaker 2: But life has changed a lot, Vino, now that you're
• 7:21
  Speaker 2: a dad.
• 7:21
  Speaker 6: Man.
• 7:21
  Speaker 3: Yes and no. No, it's.
• 7:24
  Speaker 8: Because, like, it changes a lot, like, it changes a
• 7:27
  Speaker 8: lot of things, like, mentally, as a person and everything else.
• 7:30
  Speaker 8: But at the same time, you can have a game
• 7:33
  Speaker 8: of the waist, like, let's say.
• 7:39
  Speaker 4: I got it.
• 7:40
  Speaker 2: You can take it easy.
• 7:41
  Speaker 6: You can balance the work and the stuff.
• 7:42
  Speaker 3: And the son.
• 7:43
  Speaker 6: The stuff is awesome.
• 7:44
  Speaker 3: The work and the son, you know?
• 7:47
  Speaker 6: Family, house, like that.
• 7:49
  Speaker 4: If you're a trapper, your son will think it's cool
• 7:51
  Speaker 4: that you.
• 7:52
  Speaker 3: Call him a stuff. Sorry, my dad was a trapper.
• 7:55
  Speaker 4: My dad was a trapper.
• 7:56
  Speaker 2: Fuck, he didn't call me a son.
• 7:57
  Speaker 4: He'd say, it's the stuff. It's the stuff.
• 7:59
  Speaker 3: It's the stuff.
• 8:01
  Speaker 6: It's the stuff.
• 8:02
  Speaker 2: It's the stuff.
• 8:02
  Speaker 4: It's the stuff.
• 8:04
  Speaker 3: It's the stuff. Que da hora.
• 8:08
  Speaker 4: Eu só queria mandar um salve aí.
• 8:10
  Speaker 3: Muito bom.
• 8:11
  Speaker 4: Dona Rosa Albana, I love your mom.
• 8:13
  Speaker 2: What's up?
• 8:13
  Speaker 6: We're together.
• 8:14
  Speaker 4: A hug for you.
• 8:15
  Speaker 3: We love you, man.
• 8:16
  Speaker 1: Your mom understood the trap lifestyle from the beginning because
• 8:22
  Speaker 1: she seems more trap than you, man.
• 8:23
  Speaker 2: True.
• 8:24
  Speaker 3: No, no.
• 8:25
  Speaker 4: How did that happen?
• 8:25
  Speaker 3: Because today I look at her and say, what's this?
• 8:27
  Speaker 4: She sings all the songs, does lots. She always is there.
• 8:31
  Speaker 3: She joins the guys.
• 8:32
  Speaker 2: Adquires. Adquires.
• 8:33
  Speaker 6: But the thing is, like, at the beginning, at the beginning,
• 8:37
  Speaker 6: it wasn't... Easy.
• 8:42
  Speaker 3: How was the beginning?
• 8:43
  Speaker 4: Did you get some syrup at home? How was it?
• 8:47
  Speaker 3: More or less, more or less.
• 8:49
  Speaker 8: I already had a kind of crazy lifestyle with my
• 8:53
  Speaker 8: friends since before I started making music and trap.
• 8:57
  Speaker 2: What is a crazy lifestyle? Just so we can understand.
• 8:59
  Speaker 3: In the eyes of a mother.
• 9:00
  Speaker 6: Man, I really liked to roll. I liked to smoke, drink.
• 9:08
  Speaker 2: You know?
• 9:08
  Speaker 3: It's f * * * ed up, man. Your dad
• 9:09
  Speaker 3: doesn't do that. So, like, before rap... Before rap.
• 9:11
  Speaker 7: You already lived.
• 9:12
  Speaker 4: My mom was already used to it, but.
• 9:13
  Speaker 3: She already fought with me because of some things I did. So...
• 9:16
  Speaker 3: But I was a good son. I studied, I was normal, smooth.
• 9:19
  Speaker 2: Respectful.
• 9:20
  Speaker 6: F * * *, dude, grade 10. It was me.
• 9:36
  Speaker 8: So, before the song, I already did some shit, but
• 9:40
  Speaker 8: I was responsible at the same time. I exchanged ideas
• 9:42
  Speaker 8: with my mom, I said, oh, this, this, this, I'm
• 9:43
  Speaker 8: going there. I went, oh, I'm crazy about this, this,
• 9:48
  Speaker 8: and this.
• 9:48
  Speaker 6: Like, I had to say, you know?
• 9:49
  Speaker 8: I think I had to say that I think it's
• 9:51
  Speaker 8: important for my mom to know, because otherwise... And how
• 9:53
  Speaker 8: was she?
• 9:53
  Speaker 3: Fuck!
• 9:53
  Speaker 2: Elementary!
• 9:56
  Speaker 1: School!
• 9:56
  Speaker 6: Fuck me!
• 9:56
  Speaker 3: Marcus Vinicius! Fuck!
• 9:58
  Speaker 8: So, like, when I started with the music, I was
• 10:01
  Speaker 8: no longer living with my mother.
• 10:03
  Speaker 6: Like, I already had.
• 10:04
  Speaker 8: My mother had gone to the countryside and I had
• 10:06
  Speaker 8: stayed here in São Paulo. So, for her, like, my
• 10:10
  Speaker 8: mother is a super protective woman.
• 10:12
  Speaker 6: So, for her, she was like, fuck, what is this
• 10:14
  Speaker 6: boy doing?
• 10:14
  Speaker 3: Is this boy okay?
• 10:15
  Speaker 6: Is he eating? Pa, I don't know what.
• 10:17
  Speaker 4: Like.
• 10:19
  Speaker 8: I was living the normal life, you know? I was
• 10:22
  Speaker 8: trying to turn things around there. When it started to
• 10:25
  Speaker 8: turn around, when I started to meet more people, stick
• 10:29
  Speaker 8: in studios and etc. Even when I met Kian, he's
• 10:33
  Speaker 8: a good example. I was very extreme, I think I
• 10:37
  Speaker 8: was very exaggerated with things, you know? So when I
• 10:40
  Speaker 8: met him, I was crazy.
• 10:41
  Speaker 2: So.
• 10:44
  Speaker 3: But it was cool. As I.
• 10:49
  Speaker 3: It was key, man. No, it was a very good day, man.
• 10:52
  Speaker 8: So, as I got to know more people and everything else,
• 10:56
  Speaker 8: I got access to more things, so I got crazier.
• 10:58
  Speaker 3: Okay.
• 10:59
  Speaker 4: I need you to say, I was calming down.
• 11:00
  Speaker 3: Nah.
• 11:02
  Speaker 2: More possibilities, right?
• 11:03
  Speaker 8: No, I was getting more, like, pô, there's this here,
• 11:06
  Speaker 8: there's a good syrup, there's a.
• 11:08
  Speaker 4: More resources, yes, I understood.
• 11:09
  Speaker 6: More resources, right?
• 11:10
  Speaker 8: We were, like, strong in resources, full of resources. For her,
• 11:14
  Speaker 8: at the beginning, it was very complicated. But then she
• 11:17
  Speaker 8: started to understand, because she started to stick to some shows,
• 11:22
  Speaker 8: to some things. And then I think that you see
• 11:27
  Speaker 8: the affection of people, both with your.
• 11:30
  Speaker 6: Son and with you.
• 11:31
  Speaker 4: It's amenizing, right?
• 11:33
  Speaker 6: It's giving a... But when you.
• 11:34
  Speaker 2: Came with the first songs for her, like... Look, mom,
• 11:36
  Speaker 2: look at my sound. What are you talking about? No,
• 11:39
  Speaker 2: she liked it.
• 11:40
  Speaker 6: When I came with the first song, she said.
• 11:44
  Speaker 2: Did she feel the vibe already?
• 11:46
  Speaker 6: Because I was coming.
• 11:47
  Speaker 8: From the battles, so for her it made more sense
• 11:53
  Speaker 8: to see a song made than a battle. She understood,
• 11:56
  Speaker 8: but she was like, what's going on here? So a
• 11:58
  Speaker 8: song was better. So the first song she liked, it
• 12:01
  Speaker 8: wasn't very good, but it has a future if you want.
• 12:05
  Speaker 8: But what was the moment that you looked at.
• 12:07
  Speaker 4: Your mother and said, what? She's living the trap now.
• 12:11
  Speaker 1: Because I look at her and say, what is this?
• 12:15
  Speaker 4: She knows all the songs.
• 12:16
  Speaker 3: Man, but do you know what's the worst?
• 12:17
  Speaker 8: Like, do you know what's the worst? I'm going to
• 12:20
  Speaker 8: talk about it too, play a little bit of.
• 12:22
  Speaker 6: Responsibility.
• 12:22
  Speaker 8: Responsibility, no, of guilt, on my brother. Because my brother
• 12:27
  Speaker 8: also keeps calling her to stick in various things.
• 12:30
  Speaker 3: And then, like... The guys are like.
• 12:32
  Speaker 6: You're not helping, boy.
• 12:34
  Speaker 3: Boy, you're not helping, boy. Because she's messing with you?
• 12:36
  Speaker 6: No, she's not messing with me, but like.
• 12:40
  Speaker 3: My mom is... Mom. My mom is mom. You know?
• 12:43
  Speaker 3: I got it, I got it. Mom is mom.
• 12:45
  Speaker 2: It's cool, I like that she goes on this tour,
• 12:46
  Speaker 2: but sometimes she exaggerates.
• 12:48
  Speaker 6: I got it. She also has to preserve her image,
• 12:50
  Speaker 6: you know? Yes, yes.
• 12:50
  Speaker 8: If I say so, I think she understands. I understand
• 12:53
  Speaker 8: what you're saying. I was sharing a little bit of
• 12:55
  Speaker 8: the same thing. I think, at least in my life,
• 12:56
  Speaker 8: I come from a family.
• 12:57
  Speaker 1: With little resources. And soon you'll see that your son
• 13:09
  Speaker 1: has the resources. I don't know if you've watched... I'll
• 13:13
  Speaker 1: Patronize the Children. There's an episode when the... The parents,
• 13:18
  Speaker 1: I forgot their names now. Michael Kyle and Lady... Jay.
• 13:22
  Speaker 1: They go to Claire's dance party. And they appear more
• 13:27
  Speaker 1: than her. And they win the prize. And she gets
• 13:29
  Speaker 1: really pissed off. I think it's like that. What happened
• 13:32
  Speaker 1: in that episode is that Jay didn't have her daughter's day.
• 13:35
  Speaker 1: And she took her daughter's day for her. And sometimes
• 13:39
  Speaker 1: that happens at home too.
• 13:40
  Speaker 4: I have to say.
• 13:41
  Speaker 1: I give a slap to my mother and say, calm.
• 13:44
  Speaker 4: Down, Patricia.
• 13:45
  Speaker 6: It's like that.
• 13:45
  Speaker 8: It's that we who are younger and understand a little
• 13:49
  Speaker 8: of the street scene, party, these things, we know that
• 13:51
  Speaker 8: it's a little dangerous.
• 13:53
  Speaker 6: Too, you stay.
• 13:54
  Speaker 4: There's a lot of evil.
• 13:54
  Speaker 9: Totally, for sure.
• 13:55
  Speaker 8: Being in certain places that, like, bro, people, at the
• 13:58
  Speaker 8: same time that he loves you, he doesn't love you, man.
• 14:01
  Speaker 6: It's just a theme, that's right. You have to be careful.
• 14:03
  Speaker 1: It's cool, it's cool to exchange these ideas, bro. Oh, Danza,
• 14:06
  Speaker 1: has your family always supported you?
• 14:08
  Speaker 9: You're crazy, man.
• 14:09
  Speaker 10: Who wants to support this evilness?
• 14:14
  Speaker 9: Someone who wants to make music like this is hard, man.
• 14:17
  Speaker 2: Piquinho.
• 14:18
  Speaker 3: It's something that no one will.
• 14:18
  Speaker 9: Know what will happen.
• 14:19
  Speaker 4: It's a very distant dream, right?
• 14:21
  Speaker 9: It's a very distant dream, you know? It's like, like,
• 14:23
  Speaker 9: in Quebrada. There are a lot of kids who want
• 14:26
  Speaker 9: to be players too. You look at them and you.
• 14:29
  Speaker 3: Say, damn, I'm not going to be a player either,
• 14:31
  Speaker 3: you know?
• 14:32
  Speaker 4: You can even have a job, you know?
• 14:34
  Speaker 3: It's very difficult. It's like that. I think my mom
• 14:35
  Speaker 3: always looks at me like that. Man, it can be
• 14:37
  Speaker 3: very difficult too, right?
• 14:39
  Speaker 2: But how were the first times? You arrived.
• 14:41
  Speaker 5: How was the first time you showed a sound or said, mom,
• 14:44
  Speaker 5: I'm trying?
• 14:45
  Speaker 9: I took a while to show it. I hid the
• 14:47
  Speaker 9: game at the beginning. I did, I showed it once
• 14:50
  Speaker 9: in a while. I said, grandma, can you see? Cool.
• 14:53
  Speaker 3: Bye, bye.
• 14:54
  Speaker 9: I'm doing it. But I always did my things and
• 14:57
  Speaker 9: music together, you know? I think that's why she didn't call.
• 15:00
  Speaker 9: And also young, right, bro? With 17, 18 years old.
• 15:05
  Speaker 9: I was making music at home, several songs already. Then
• 15:08
  Speaker 9: I didn't even stick to the studio anymore, like I
• 15:10
  Speaker 9: used to do before. And I changed from funk to rap,
• 15:12
  Speaker 9: to trap, I was migrating. Then I started to make
• 15:15
  Speaker 9: more music, a lot. So she listened at home and
• 15:19
  Speaker 9: I went to live with my sister too.
• 15:20
  Speaker 4: You know? So it was softer.
• 15:22
  Speaker 9: Was she older than you? Yeah, my sister is 30 now,
• 15:24
  Speaker 9: you know? So, like, I lived with her, I was 16.
• 15:26
  Speaker 4: But was she rigid with you, your sister?
• 15:28
  Speaker 9: No, bro, my sister is soft. She was, but I
• 15:30
  Speaker 9: didn't listen that much, you know?
• 15:33
  Speaker 3: Pequim. He said, yeah, you know. Did you work? Always, man. Always,
• 15:38
  Speaker 3: all my life.
• 15:38
  Speaker 9: Until today, I'm working. You can't work, man.
• 15:42
  Speaker 4: Ah, but to have lyrics, right?
• 15:45
  Speaker 3: To the world, the world is working. Yeah, you know.
• 15:52
  Speaker 9: In the streets, in the streets, in the streets.
• 15:55
  Speaker 1: Paquinha, I want to talk to you about this subject, bro,
• 15:57
  Speaker 1: because I think you three share this, right? You are
• 16:00
  Speaker 1: very young and suddenly you become the head of the family, bro.
• 16:03
  Speaker 2: You know?
• 16:03
  Speaker 1: And how is it for you with your family, you
• 16:05
  Speaker 1: have your grandparents there that I see that they like
• 16:07
  Speaker 1: a lot, your father and such, your brothers, your uncle
• 16:10
  Speaker 1: working with you, Niltinho and such.
• 16:11
  Speaker 4: How is that?
• 16:12
  Speaker 1: Because you are the front, but you remember when you
• 16:15
  Speaker 1: were always the youngest.
• 16:17
  Speaker 3: Uh-huh.
• 16:17
  Speaker 4: How is that for you today?
• 16:19
  Speaker 3: Man, like this, my family always treated me, in a way,
• 16:22
  Speaker 3: I was always a little pampered by Niltinho, by Kaique,
• 16:26
  Speaker 3: by my family when I was a child. But I
• 16:29
  Speaker 3: was always very convinced of some things that I wanted,
• 16:32
  Speaker 3: you know? So, from my 10 years ahead, my family
• 16:36
  Speaker 3: already understood that this boy will evolve, But why did
• 16:41
  Speaker 3: they feel that? Do you remember any subject that.
• 16:43
  Speaker 4: They talked about? I'll give an example of my aunt Priscila.
• 16:47
  Speaker 3: You know? When my aunt Priscila would go out, she
• 16:50
  Speaker 3: would ask me if she was beautiful or not. She
• 16:51
  Speaker 3: would ask everyone at home, and people would say, it's.
• 16:53
  Speaker 4: Cool, it's cool.
• 16:54
  Speaker 3: And when I looked at the key, I would say...
• 16:57
  Speaker 3: But I had other things too, I learned to read
• 16:59
  Speaker 3: very fast, I learned to read at 5, 6 years old,
• 17:00
  Speaker 3: several things that I did with my family, since I
• 17:03
  Speaker 3: was a child, my family would say, Reynan is different,
• 17:16
  Speaker 3: you know?
• 17:16
  Speaker 5: But with 10 years the music was already in you,
• 17:18
  Speaker 5: you already sang, you already showed this way.
• 17:20
  Speaker 3: Man, my family has always been musical, you know? Like,
• 17:22
  Speaker 3: Niltinho even knows how to play cavaquinho, he already did...
• 17:26
  Speaker 3: Do you really know? You know, man, I already did
• 17:28
  Speaker 3: music classes at the music university, Niltinho. It's that he
• 17:32
  Speaker 3: became an MC now, you know? With the release of Irmandade,
• 17:35
  Speaker 3: but he's been in music for a long time, through samba,
• 17:38
  Speaker 3: you know? Kaique was the first MC of my family,
• 17:40
  Speaker 3: you know? We also have an uncle of ours called
• 17:43
  Speaker 3: Maurício Black Magic, who was like a precursor in the
• 17:46
  Speaker 3: black culture music of Black Charm, you know? So he
• 17:50
  Speaker 3: used to do a lot of bars.
• 17:52
  Speaker 2: Full of references within the family itself, right?
• 17:54
  Speaker 3: Yes, my family is like a giant and there are
• 17:57
  Speaker 3: several black people, several black people in the club, you know?
• 18:00
  Speaker 3: So I grew up in this middle, in the middle
• 18:02
  Speaker 3: of samba, carnaval, my grandfather really likes carnaval. My grandmother
• 18:06
  Speaker 3: is more of a gospel singer. The Brazilian family! Yeah,
• 18:09
  Speaker 3: I had different cultures. So when you said that your
• 18:11
  Speaker 3: family was the music, is that it?
• 18:12
  Speaker 2: I was like, I'm going to become an MC.
• 18:21
  Speaker 3: I made my profile on Facebook, Renan MC, posted my previews,
• 18:25
  Speaker 3: I already had my team, my friends with 13 years old,
• 18:27
  Speaker 3: you know? So I was like, I'm going to make
• 18:29
  Speaker 3: a living out of this, man, fuck it. What's the importance.
• 18:32
  Speaker 4: Of the kids around you?
• 18:32
  Speaker 1: Because let's assume that there are no kids around you
• 18:35
  Speaker 1: and you were the only one dreaming of being MC.
• 18:38
  Speaker 1: Because in my head now, you're talking to a lot
• 18:41
  Speaker 1: of kids, all of you kids are talking like this.
• 18:44
  Speaker 1: I'm the MC, I'm the producer, I'm the DJ, the
• 18:47
  Speaker 1: dream is there. So while you're still dreaming, the flame
• 18:49
  Speaker 1: is on. So I wanted to know what's the importance
• 18:52
  Speaker 1: of them there, because I see that you guys are.
• 18:55
  Speaker 3: United until today, right? Like, we had a lot of
• 18:58
  Speaker 3: influence from the KM band, who were the oldest guys here.
• 19:02
  Speaker 3: We were three years older. At the time, they had
• 19:04
  Speaker 3: a group called Menor Descontrolado. Why would it be? Why
• 19:09
  Speaker 3: would it be? It was Menor Descontrolado. And then, man,
• 19:15
  Speaker 3: how funny, I don't remember that name. And then it
• 19:17
  Speaker 3: was a bank where the guys had several MCs, and
• 19:19
  Speaker 3: there was an MC called Pedrinho JR, who later became
• 19:21
  Speaker 3: my godfather in funk, you know? And we already saw
• 19:26
  Speaker 3: the guys cheating with the structure, Lucas cheated with Pedrinho
• 19:29
  Speaker 3: at the time, so he understood that there was a
• 19:31
  Speaker 3: team structure and we, at 12 years old, said, okay,
• 19:33
  Speaker 3: you have a structure, so Paulinho wants to be a DJ,
• 19:36
  Speaker 3: so now he's the DJ, Alemão is going to be
• 19:38
  Speaker 3: the producer, there was no show, there was no show schedule,
• 19:41
  Speaker 3: there was nothing to mark Alemão as a producer. 13
• 19:43
  Speaker 3: years old, so we kind of established and created this
• 19:45
  Speaker 3: flag that we were going to.
• 19:50
  Speaker 6: A joint purpose.
• 19:50
  Speaker 3: Very new, you know?
• 19:52
  Speaker 2: And what was your perception of the people around you?
• 19:54
  Speaker 5: Okay, the family is very cool, but the people, usually
• 19:56
  Speaker 5: when they are very young, they say like this, are
• 19:58
  Speaker 5: you MC? The school friends, the people around you say,
• 20:00
  Speaker 5: get out of there, MC. And you were already structured,
• 20:04
  Speaker 5: let's say, right?
• 20:05
  Speaker 3: Man, even for my family, man, singing funk or trap
• 20:10
  Speaker 3: rap was a very new thing. I think it happens
• 20:12
  Speaker 3: with everyone, there won't be this readiness support if you
• 20:17
  Speaker 3: become an artist. Because it's a very selective thing, it
• 20:20
  Speaker 3: happens to a few people, the success. And when success happens,
• 20:24
  Speaker 3: it can also happen after the success and you lose
• 20:26
  Speaker 3: everything very quickly. So people won't create a huge expectation
• 20:29
  Speaker 3: like you. You think, I'm going to become an MC.
• 20:32
  Speaker 3: I'm going to be rich and buy a car. People
• 20:35
  Speaker 3: are already seeing it from the outside, like, wow, another
• 20:37
  Speaker 3: one who is dreaming, you know?
• 20:39
  Speaker 2: Go there, Renan, MC Renan.
• 20:40
  Speaker 3: Like, all the support was welcome at the time, my
• 20:43
  Speaker 3: friends supported me and such, but I never thought that
• 20:47
  Speaker 3: they had to stop, maybe their dream, their stop, or
• 20:49
  Speaker 3: even their own family to dream with me alone. So,
• 20:51
  Speaker 3: at various times, I had to dream alone myself. and
• 20:54
  Speaker 3: in my core. So there were moments when I had
• 20:56
  Speaker 3: my team, there were moments when the guys got another job,
• 20:58
  Speaker 3: got all the stuff and I would go to the
• 21:01
  Speaker 3: studio alone, I would do my stuff alone and keep
• 21:03
  Speaker 3: fighting alone. So I think that, like, we understand from
• 21:08
  Speaker 3: the beginning that, like, bro, okay, I became an MC, fuck,
• 21:11
  Speaker 3: we think that when we say this to everyone, everyone
• 21:15
  Speaker 3: will say, fuck, now we have an MC friend. But
• 21:16
  Speaker 3: the bank says, poor person, shouting your name. You're going
• 21:18
  Speaker 3: to fight the front of the show. Yeah, you know? No,
• 21:21
  Speaker 3: it's a conquest. And, like, I had a lot of
• 21:22
  Speaker 3: people who supported me, that helped me a lot, you know? So,
• 21:27
  Speaker 3: my guy and the guy of these people is what
• 21:29
  Speaker 3: sustains me until today.
• 21:30
  Speaker 2: Foda, foda, foda.
• 21:31
  Speaker 1: Danzo, when do things start to get more professional for you?
• 21:35
  Speaker 1: When does Bug Naip show up and you can say
• 21:37
  Speaker 1: to your mom, look, mom, it's serious.
• 21:41
  Speaker 9: No, because we were already lining up some tapes. Dali
• 21:45
  Speaker 9: e Boné, in this case, too. How do you know
• 21:47
  Speaker 9: each other?
• 21:48
  Speaker 4: Do you know Jorge?
• 21:50
  Speaker 9: Man, because I'm already from the South Zone. We're already
• 21:52
  Speaker 9: from the South Zone. Bug is also from the South Zone,
• 21:54
  Speaker 9: you know? So when I started to release some songs
• 21:57
  Speaker 9: that I already released at home, I already did some stuff,
• 22:01
  Speaker 9: so it already reached certain people, which was Neck Bolha
• 22:04
  Speaker 9: back then. Then Jorge already met me, the guys already
• 22:07
  Speaker 9: heard my sound, you know? Then the guys sent me
• 22:10
  Speaker 9: a video, they sent me a message to chat and
• 22:13
  Speaker 9: as it was close, I also went to exchange ideas
• 22:15
  Speaker 9: with Jorge. And then we talked about it.
• 22:17
  Speaker 4: What was your thought when you went to talk to him?
• 22:20
  Speaker 1: Because I remember the first time I went to talk
• 22:22
  Speaker 1: to a businessman when I.
• 22:23
  Speaker 3: Was a kid.
• 22:24
  Speaker 9: I was like, I was like you. No, I was like.
• 22:28
  Speaker 1: You, MC.
• 22:28
  Speaker 3: I'm going to buy a car.
• 22:31
  Speaker 9: You know, making the sound happen. Because I was 19
• 22:34
  Speaker 9: years old, you know? 19 to 20 years old. You
• 22:35
  Speaker 9: weren't nervous, right?
• 22:37
  Speaker 2: You were feeling what you wanted. I was smooth.
• 22:38
  Speaker 9: I said, man, when I play a song, I'm going
• 22:40
  Speaker 9: to sign it with a recorder or something.
• 22:42
  Speaker 3: Smooth.
• 22:45
  Speaker 9: So when I exchanged ideas with Jorge, he introduced me
• 22:47
  Speaker 9: to the project. We had been together, we exchanged ideas,
• 22:50
  Speaker 9: I met him there, on the same tape. And it
• 22:52
  Speaker 9: was like, you also feel confident in the ideas. What
• 22:53
  Speaker 9: was the exchange of ideas with you? Ah, I forgot
• 22:55
  Speaker 9: to say, confidential, the talk of a rascal.
• 22:58
  Speaker 4: Oh my God, the rascal! You see?
• 23:00
  Speaker 9: It won't come anymore, it's going to be crazy.
• 23:10
  Speaker 3: You don't remember, do you?
• 23:12
  Speaker 1: I don't remember what happened.
• 23:34
  Speaker 9: Like I told you, I already had wine, and I
• 23:36
  Speaker 9: already had a project, and I already knew what I
• 23:38
  Speaker 9: was going to do, you know?
• 23:39
  Speaker 6: From now on.
• 23:40
  Speaker 9: That's what you said. It was the time I said, no,
• 23:41
  Speaker 9: it's getting professional.
• 23:42
  Speaker 4: It's because I wanted to talk about it, because normally, brother,
• 23:45
  Speaker 4: we know.
• 23:45
  Speaker 9: And I didn't understand so much about the stuff. I'm
• 23:47
  Speaker 9: going to cut you off, but I didn't understand so
• 23:49
  Speaker 9: much about the stuff.
• 23:50
  Speaker 3: Then you know, right, brother?
• 23:51
  Speaker 9: You have to feel confidence in a person who has
• 23:54
  Speaker 9: the same dream as you, who wants to grow like you,
• 23:57
  Speaker 9: you know?
• 23:57
  Speaker 1: Yeah, because I wanted to touch on this subject. Because normally, bro,
• 24:01
  Speaker 1: we're going to look... I don't know, maybe record companies,
• 24:05
  Speaker 1: bigger labels that are full of MCs and stuff, you'll
• 24:10
  Speaker 1: look and say, no, that's the place I have to be.
• 24:13
  Speaker 4: But sometimes in that place you won't be so well
• 24:14
  Speaker 4: worked up, you know? People won't pay attention to you.
• 24:16
  Speaker 1: So I think this is one of the countless advantages
• 24:19
  Speaker 1: that Boogie should have, you know? Because if you look there,
• 24:22
  Speaker 1: are it just the three of you still?
• 24:25
  Speaker 4: Danzo, Vino and Duquesa?
• 24:27
  Speaker 6: Duquesa is from Boogie.
• 24:28
  Speaker 4: So, aren't you?
• 24:30
  Speaker 3: We're from Label.
• 24:31
  Speaker 2: Ah, damn. Sorry.
• 24:32
  Speaker 1: Anyway, but there are three people who are working with
• 24:36
  Speaker 1: the same people and they are three very beautiful works,
• 24:39
  Speaker 1: you know? We don't see that, I don't know, we
• 24:42
  Speaker 1: don't get the impression of like, where's Danza? Danza went
• 24:44
  Speaker 1: to the fridge because it's not working, the guys cut
• 24:45
  Speaker 1: him off. So what's the importance of being in a
• 24:47
  Speaker 1: place that is more crowded, but has a lot more
• 24:50
  Speaker 1: attention and works a lot better, from what I see?
• 24:53
  Speaker 9: Ah, because we have more flexibility to cheat, right, bro?
• 24:56
  Speaker 9: We're always doing something, you know? There's no way, like,
• 24:58
  Speaker 9: we're participating in a lot of things. We are making albums,
• 25:03
  Speaker 9: we have a lot of music, we are always in
• 25:05
  Speaker 9: the studio, you know? So I think it's this thing,
• 25:08
  Speaker 9: doing the gear is always spinning, you know? Like, because
• 25:10
  Speaker 9: if something gets stuck too, man, we'll be there, man,
• 25:13
  Speaker 9: let's go, let's go, we're also boring, we're also not stupid, right, man?
• 25:17
  Speaker 9: We stay, like, on top of the thing too, right?
• 25:18
  Speaker 9: Let's work, damn it, let's go. And making our stuff happen,
• 25:21
  Speaker 9: I think that's the gear. And with excellent people by
• 25:26
  Speaker 9: your side.
• 25:27
  Speaker 3: Right, master?
• 25:28
  Speaker 5: And for you, Vino, how was the committee of the law?
• 25:30
  Speaker 5: We're talking here from the beginning, it's nice to remember too.
• 25:33
  Speaker 5: When the message arrived, how was it that you said, hey,
• 25:36
  Speaker 5: they're looking at me, they're watching me.
• 25:38
  Speaker 8: I'm the type of person who has more chance of
• 25:41
  Speaker 8: not remembering.
• 25:42
  Speaker 3: Very well details.
• 25:45
  Speaker 8: No, I say that because when this chat and this
• 25:48
  Speaker 8: connection between us started, I used a lot of things.
• 25:54
  Speaker 2: What year was it?
• 25:55
  Speaker 6: Man, it was from 2020 to 2021.
• 25:57
  Speaker 8: Wow, man, you've.
• 25:59
  Speaker 2: Been walking for a while. I think it was 2019, actually. Wow.
• 26:03
  Speaker 8: We started to exchange ideas in 2019, then in 2020
• 26:06
  Speaker 8: we started to work... What phase were you in your career?
• 26:08
  Speaker 6: 237, right? Man, I was going to start 237, more
• 26:11
  Speaker 6: or less.
• 26:11
  Speaker 2: Like, I was a little earlier, I was launching some
• 26:12
  Speaker 2: things like that.
• 26:13
  Speaker 3: It was in the AECL era.
• 26:22
  Speaker 5: But in the scene you were already making a noise.
• 26:25
  Speaker 6: I was already making a noise.
• 26:26
  Speaker 8: It's because I was in a phase that I think
• 26:30
  Speaker 8: I was doing a lot of fit, you know?
• 26:32
  Speaker 4: But do you think that's bad? No, no, no.
• 26:35
  Speaker 6: I think it's normal.
• 26:36
  Speaker 2: It was appearing in the scene.
• 26:38
  Speaker 6: Yes, I was doing my name in some way.
• 26:41
  Speaker 3: But you already lived from the song, master.
• 26:43
  Speaker 6: Man, the shit is that... That's cool, huh?
• 26:45
  Speaker 3: Yeah, man.
• 26:46
  Speaker 2: You can ask.
• 26:48
  Speaker 8: When I left my mother's house, when this happened.
• 26:52
  Speaker 6: No, please, I want this.
• 26:53
  Speaker 8: When this separation happened, like, my mother going to the
• 26:55
  Speaker 8: countryside and I staying in São Paulo, there I had to.
• 26:58
  Speaker 6: Make the music work somehow. You stayed alone.
• 27:01
  Speaker 8: I stayed alone and I had never lived alone. So, like, man,
• 27:04
  Speaker 8: I had no experience at all. What was the biggest
• 27:08
  Speaker 8: difficulty of living alone?
• 27:10
  Speaker 4: A task, like, wow, this is not possible, man. The responses, like, at.
• 27:13
  Speaker 6: The beginning, man, everything.
• 27:17
  Speaker 8: Because, like, I think the biggest responsibility of living alone
• 27:22
  Speaker 8: is the bills, the.
• 27:23
  Speaker 6: Responsibilities that you have to have.
• 27:25
  Speaker 3: Okay.
• 27:26
  Speaker 8: But this, in a scenario where you don't have a job,
• 27:30
  Speaker 8: then it becomes a little more difficult. Because you're like,
• 27:33
  Speaker 8: you're like, man, the song.
• 27:35
  Speaker 6: Has to work. So you make music and release music.
• 27:39
  Speaker 8: If you have listeners, it's going to take about three
• 27:42
  Speaker 8: months for any mess to fall.
• 27:43
  Speaker 6: Yes. Now, like, think about it, I had just started
• 27:47
  Speaker 6: my career, bro, I had started in 2018.
• 27:48
  Speaker 4: You didn't even have a 20 yet.
• 27:50
  Speaker 3: I didn't have... Damn, man, really? Because, like, I saw
• 27:54
  Speaker 3: some of your tricks and I also saw that you
• 27:57
  Speaker 3: already did some things with fashion, I saw you being
• 28:01
  Speaker 3: a model, like, that.
• 28:02
  Speaker 2: In a year of career.
• 28:03
  Speaker 3: Yeah, like... Like, from 2018 to 2019, which was the
• 28:05
  Speaker 3: time that... More or less that.
• 28:06
  Speaker 8: Like, bro, it's like, like, like, after people started... As
• 28:10
  Speaker 8: páginas começou a postar YSL e tudo mais, um monte
• 28:13
  Speaker 8: de gente começou a me chamar pra colaborar.
• 28:16
  Speaker 6: Então, tipo, eu nunca tinha saído de São Paulo.
• 28:18
  Speaker 8: Aí eu lembro que a UCLAM me chamou e aí, tipo,
• 28:20
  Speaker 8: eu fui pro Rio pela primeira vez, andei de avião
• 28:22
  Speaker 8: pela primeira.
• 28:23
  Speaker 6: Vez e, tipo.
• 28:24
  Speaker 4: Foi surreal essa experiência.
• 28:25
  Speaker 8: Os cara me deixou numa gestão, viado, que eu, tipo assim,
• 28:29
  Speaker 8: nunca no melhor cenário eu ia imaginar que eu ia
• 28:32
  Speaker 8: viver aquilo, tá ligado?
• 28:33
  Speaker 4: Tá, tá, entendi.
• 28:34
  Speaker 8: Tipo, mano, era 2019 isso, era antes da pandemia. Eu
• 28:37
  Speaker 8: cheguei lá no Rio de Janeiro, os cara já, tipo,
• 28:38
  Speaker 8: falou assim, ó, You'll stay here... I think it was
• 28:41
  Speaker 8: three days. Three days. We'll give you 150 conto per day.
• 28:46
  Speaker 8: And then you'll.
• 28:48
  Speaker 6: Eat the stuff. You'll eat well.
• 28:50
  Speaker 2: No.
• 28:50
  Speaker 3: We'll help you. You know?
• 28:51
  Speaker 6: No, but these 150 is for you to turn around
• 28:53
  Speaker 6: during these three days.
• 28:54
  Speaker 4: Man, the 150 was for me to spend with.
• 28:56
  Speaker 3: Bullshit, man. I got it.
• 28:57
  Speaker 6: Besides the food, there's this 150 there.
• 28:59
  Speaker 4: Are you getting me? Get comfortable.
• 29:00
  Speaker 3: Yeah, man.
• 29:01
  Speaker 4: So, like this, man.
• 29:06
  Speaker 2: Imagine this bullshit that he spent.
• 29:08
  Speaker 4: 2G and Laricas.
• 29:10
  Speaker 3: The thing was very, for me, it was a shock
• 29:13
  Speaker 3: of reality, man.
• 29:14
  Speaker 8: Because for me to make 150 counts, because what happened?
• 29:18
  Speaker 8: When I left my mother's house, I started to see
• 29:22
  Speaker 8: videos on YouTube of mixing, mixing in FL and everything.
• 29:26
  Speaker 8: And then I started, at the same time that I
• 29:29
  Speaker 8: started to make my songs and launch, I started to
• 29:32
  Speaker 8: post on Instagram, like, oh, seeing... Mixing master.
• 29:34
  Speaker 6: I didn't know.
• 29:35
  Speaker 3: You know how to produce?
• 29:36
  Speaker 6: I didn't know anything.
• 29:37
  Speaker 3: But what about today?
• 29:40
  Speaker 1: Funny?
• 29:40
  Speaker 8: It's like, I've always guided myself by ear, man. As
• 29:44
  Speaker 8: much as I didn't know.
• 29:46
  Speaker 2: Listen.
• 29:46
  Speaker 6: Now I listen, brother, because now I'm an auditory device.
• 29:49
  Speaker 3: Now I have two ears, anyway.
• 29:52
  Speaker 6: But I only use.
• 29:57
  Speaker 8: I only use it for some occasions, because in the
• 30:02
  Speaker 8: studio I don't like to use an auditory device.
• 30:04
  Speaker 6: It's bad.
• 30:04
  Speaker 3: But anyway.
• 30:05
  Speaker 8: So I started selling mixes and stuff. And then, as
• 30:09
  Speaker 8: the kids liked the way my voice sounded, many kids
• 30:12
  Speaker 8: bought it.
• 30:13
  Speaker 6: So, like, that was my trap. Preset.
• 30:16
  Speaker 3: Yeah, me too.
• 30:17
  Speaker 8: I paid my bills with that. And then I started
• 30:18
  Speaker 8: working more and more. Did you get to mix and master, like, who?
• 30:22
  Speaker 4: At that time?
• 30:23
  Speaker 2: Me.
• 30:25
  Speaker 4: Okay, but you didn't have any clients?
• 30:27
  Speaker 8: No, man, I did, but, like, from the people I
• 30:31
  Speaker 8: made a deal with, I didn't see anyone, you know?
• 30:35
  Speaker 6: I didn't see anyone coming and also.
• 30:37
  Speaker 1: Okay, so those first months living alone must have been that.
• 30:40
  Speaker 4: Agony of, like, man, I need to get money, fast.
• 30:42
  Speaker 6: Man, yeah, every day was like that.
• 30:44
  Speaker 4: I don't have anything.
• 30:45
  Speaker 6: Every day was like that, because, like, I need to
• 30:47
  Speaker 6: get money to pay the bills.
• 30:48
  Speaker 3: Was the guy at Cuiba? Uh-huh.
• 30:51
  Speaker 8: And I need to get a way for the music
• 30:53
  Speaker 8: to explode, man. Like, because I have these two, and
• 30:57
  Speaker 8: the cool thing when you mess with mixing without mixing,
• 31:02
  Speaker 8: is that the line of, like, the mess you make
• 31:07
  Speaker 8: and your mess sound kind of similar, it's very, very easy,
• 31:11
  Speaker 8: you know, for that to happen. So I had to
• 31:16
  Speaker 8: keep trying to find a way to differentiate.
• 31:20
  Speaker 3: You know?
• 31:21
  Speaker 8: And then when I started to work with other people
• 31:23
  Speaker 8: from other states, with the clan and the staff, then
• 31:26
  Speaker 8: I started to leave the mixing on the side and
• 31:29
  Speaker 8: started to sell fit. Because having passed through the clan,
• 31:35
  Speaker 8: recorded a thing with the clan, brought me a lot
• 31:37
  Speaker 8: of public that I didn't have. Like, bro, I didn't
• 31:39
  Speaker 8: have almost anything, let's say, I was starting to mix.
• 31:41
  Speaker 6: So then I went and.
• 31:44
  Speaker 3: And what did the clan say to you at that time?
• 31:46
  Speaker 2: Like, man, you're very good, what was it? Man, it
• 31:47
  Speaker 2: was very crazy at that.
• 31:49
  Speaker 6: Time, because everyone said a lot of things. Like, I
• 31:51
  Speaker 6: heard a lot of things from all sides.
• 31:52
  Speaker 8: So, at the same time that this is good, it
• 31:55
  Speaker 8: was kind of bad, because you're like, man, I can't
• 32:01
  Speaker 8: listen to everything that's going on.
• 32:04
  Speaker 3: It was for me to be rich then, man.
• 32:06
  Speaker 8: I'll be like, fuck, I'm the star of the moment. No, man, so, like,
• 32:10
  Speaker 8: I tried to collaborate with everyone, To see who my
• 32:14
  Speaker 8: energy really hit, so I could keep working, with who not.
• 32:16
  Speaker 6: And then the thing was flowing, bro.
• 32:17
  Speaker 2: But what was the label like, if you remember?
• 32:21
  Speaker 8: It was like this, I was releasing, I had already
• 32:24
  Speaker 8: released some clips and everything. And then I was going
• 32:29
  Speaker 8: to do a show in Curitiba.
• 32:31
  Speaker 6: At that time, it was for me to sign with
• 32:34
  Speaker 6: another record company.
• 32:35
  Speaker 8: I was in a chat, in a negotiation, and having
• 32:39
  Speaker 8: a experience with another record company.
• 32:42
  Speaker 2: And then.
• 32:43
  Speaker 8: There was going to be a show in Curitiba, and
• 32:47
  Speaker 8: Buggy's people... It was a 30 years old Racionais show,
• 32:49
  Speaker 8: and I think Buggy's people needed some artist that was
• 32:53
  Speaker 8: kind of close to open the show. And then, in
• 32:56
  Speaker 8: that recording studio, there was a carrosser. And then the
• 32:59
  Speaker 8: carrosser was going to open and I needed another one.
• 33:02
  Speaker 8: Then the guys included me in this.
• 33:03
  Speaker 4: In this tour.
• 33:04
  Speaker 8: In this tour, and then I went with this recording studio,
• 33:06
  Speaker 8: I didn't go with Buggy.
• 33:07
  Speaker 4: Got it.
• 33:07
  Speaker 8: Arriving there, I did the show and everything. Then I
• 33:11
  Speaker 8: remember that after the show I went to the dressing
• 33:13
  Speaker 8: room to meet the staff and everything, and then a
• 33:16
  Speaker 8: chat started, me and Jorge, like, ah, what's up?
• 33:18
  Speaker 6: How's it going? What's up?
• 33:21
  Speaker 3: Are you single? You know?
• 33:22
  Speaker 5: What's up?
• 33:23
  Speaker 2: Are you single?
• 33:24
  Speaker 3: Are you on the track this week? Are you on
• 33:26
  Speaker 3: the track? Let's have dinner, let's have dinner. This is
• 33:29
  Speaker 3: a great fashion, right? The pen in the corner there,
• 33:34
  Speaker 3: the pen is here.
• 33:36
  Speaker 4: Danzo, how is it for you, my brother, Yes, sir.
• 33:41
  Speaker 4: You're crazy. I think you're crazy.
• 33:59
  Speaker 9: I was already in that expectation.
• 34:01
  Speaker 1: Who had this idea of, let's replicate this?
• 34:03
  Speaker 3: Man, Caio, you're crazy.
• 34:05
  Speaker 9: Caio is the biggest part of the idea too, of
• 34:07
  Speaker 9: the mind, you're crazy. We were already with the ideas
• 34:09
  Speaker 9: of the album, of making a cover for the album, right?
• 34:12
  Speaker 9: And before the album, we had the song SP that
• 34:14
  Speaker 9: we were going to release, you know?
• 34:16
  Speaker 3: Like, before.
• 34:17
  Speaker 9: Then we were changing ideas. Then Caio said, bro, what
• 34:20
  Speaker 9: if we did this and that? You know? Then I said, bro,
• 34:23
  Speaker 9: very crazy.
• 34:24
  Speaker 4: Then I was like, But did you think it would
• 34:29
  Speaker 4: be easy?
• 34:29
  Speaker 9: No, at that time, finding it crazy was the easiest part.
• 34:32
  Speaker 3: How is the execution of this thing going to be?
• 34:34
  Speaker 3: I said, wow, man.
• 34:35
  Speaker 2: Then we said, let's see if this.
• 34:37
  Speaker 9: Place is still there, it's smooth. Let's see any tape,
• 34:41
  Speaker 9: because it's in the south, so it's around, let's go.
• 34:44
  Speaker 9: We looked for it, we found the same place, it
• 34:46
  Speaker 9: was over. Where is the place?
• 34:48
  Speaker 3: It's there in.
• 34:56
  Speaker 3: Man, it's in Apurá. It's in.
• 34:58
  Speaker 9: It's in Apurá, right? There, look.
• 35:01
  Speaker 3: You're crazy at first.
• 35:03
  Speaker 9: I was remembering, like, man... It's Grajaú, right? Also close
• 35:06
  Speaker 9: to Grajaú. Like, a well-known area. I like to talk
• 35:09
  Speaker 9: about Zona Sul, right, bro? Zona Sul. Then, Piqui, we
• 35:13
  Speaker 9: went to Apurá, right? In the same place to take
• 35:15
  Speaker 9: the picture. And I was in the breeze of the
• 35:18
  Speaker 9: camera 2000, right?
• 35:19
  Speaker 6: Give him a kiss.
• 35:20
  Speaker 3: Give him a kiss. Of the camera 2000, you know?
• 35:25
  Speaker 3: Do you want some whiskey? Do you want some whiskey?
• 35:26
  Speaker 3: Do you want some whiskey? Do you want some whiskey?
• 35:27
  Speaker 6: Do you want some whiskey?
• 35:28
  Speaker 3: Do you want some whiskey? Do you want some whiskey?
• 35:29
  Speaker 3: Do you want some whiskey? Do you want some whiskey?
• 35:30
  Speaker 3: Do you want some whiskey?
• 35:32
  Speaker 2: Do you want some whiskey?
• 35:32
  Speaker 3: Do you want some whiskey? Do you want some whiskey?
• 35:33
  Speaker 2: Do you want some whiskey? Do you want some whiskey?
• 35:35
  Speaker 2: Do you want some whiskey? Do you want some whiskey?
• 35:37
  Speaker 3: Do you want some whiskey?
• 35:37
  Speaker 9: Do you want some whiskey?
• 35:38
  Speaker 3: Do you want some whiskey?
• 35:38
  Speaker 4: Do you want some whiskey? Do you want some whiskey?
• 35:40
  Speaker 4: Do you want some whiskey? Do you want some whiskey?
• 35:43
  Speaker 4: Do you want some whiskey? Do you want some whiskey?
• 35:45
  Speaker 4: Do you want some whiskey? Do you want some whiskey?
• 35:46
  Speaker 3: Do you want some whiskey? Do you want some whiskey?
• 35:48
  Speaker 3: Do you want some whiskey?
• 35:48
  Speaker 9: Do you want some whiskey? Do you want some whiskey?
• 35:49
  Speaker 9: Do you want some whiskey?
• 35:50
  Speaker 3: Do you want some whiskey? Do you want some whiskey?
• 35:51
  Speaker 9: Do you want some whiskey? Do you I thought, man,
• 35:53
  Speaker 9: let it happen, let it happen naturally. Then the thing
• 35:57
  Speaker 9: is that the guys said, like, man, Jorge must have
• 36:02
  Speaker 9: shown the song, of course. Then he listened, he must
• 36:05
  Speaker 9: have said, very cool, because the song is very cool,
• 36:08
  Speaker 9: of course.
• 36:08
  Speaker 4: Then, he, on the day, like, for me it was.
• 36:11
  Speaker 9: A surprise too, you know? Like, I said, damn, it's
• 36:14
  Speaker 9: going to stick, maybe it sticks, you know? Then he touched,
• 36:17
  Speaker 9: put the same tape, we exchanged an idea, we recorded
• 36:19
  Speaker 9: a clip there. We had a great time. We had
• 36:22
  Speaker 9: a great idea exchange. I said, man.
• 36:26
  Speaker 4: I think it's a day that no one forgets. The
• 36:28
  Speaker 4: day we met Mano Brown. I remember when you met him,
• 36:31
  Speaker 4: you posted a lot on Instagram. Wasn't it in a
• 36:33
  Speaker 4: dressing room?
• 36:33
  Speaker 3: I don't remember. When Luquinhas took the picture, right?
• 36:36
  Speaker 4: Luquinhas was working.
• 36:36
  Speaker 3: He came back. I'm here to correct it.
• 36:37
  Speaker 1: I told everyone that Luquinhas didn't take any more pictures.
• 36:40
  Speaker 3: He's taking them now.
• 36:48
  Speaker 5: Man, the guys entered the label, Paul, and I imagine
• 36:49
  Speaker 5: that in your career there were several record companies, several
• 36:53
  Speaker 5: labels coming to you.
• 36:54
  Speaker 2: Yes, man.
• 36:54
  Speaker 3: I don't know how long Danzo had contact with the label,
• 36:59
  Speaker 3: but the guys were already trap talent, you know? When
• 37:02
  Speaker 3: I came, when I released my first song. Vino already
• 37:06
  Speaker 3: did the sound, already had the music mixed up. Vino
• 37:08
  Speaker 3: already had the aesthetics, he already had everything. Also hitting,
• 37:11
  Speaker 3: you know? But ours was close. Yeah, it was very close,
• 37:14
  Speaker 3: you know? It's just that I don't know, because as
• 37:16
  Speaker 3: I was from the Bachata, I don't know about the lifestyle,
• 37:21
  Speaker 3: how it was happening here and there, it was like nothing,
• 37:23
  Speaker 3: you know? When did you come here?
• 37:25
  Speaker 4: When did you come here?
• 37:25
  Speaker 6: Man, I came here in 2020, you know?
• 37:26
  Speaker 3: It was right at the beginning of 2020, my song burst,
• 37:29
  Speaker 3: my first Trap song burst on November 19th, it's November 19th, no,
• 37:31
  Speaker 3: November 7th, 2019, and then in 2020 I came here,
• 37:33
  Speaker 3: you know?
• 37:44
  Speaker 6: So it wasn't a long time after.
• 37:46
  Speaker 3: But, Pique, if it was a week of difference, at
• 37:49
  Speaker 3: that time it was worth a lot, because... A lot
• 37:52
  Speaker 3: of music, a lot of people... No, think about it,
• 37:53
  Speaker 3: when Vino came out, Trap was already a new thing
• 37:56
  Speaker 3: that was growing, you know? Obviously, people had been doing
• 37:59
  Speaker 3: it for a long time, but at that time the
• 38:01
  Speaker 3: thing was hot, you know? So if Vino came out
• 38:03
  Speaker 3: a week before, he already got a very big vacuum,
• 38:06
  Speaker 3: you know? He already became, whether you like it or not,
• 38:08
  Speaker 3: a reference for those who were also doing it.
• 38:11
  Speaker 1: That moment was a moment that... A sound would position
• 38:15
  Speaker 1: you differently, right? Nowadays it's all a trap, something more consolidated.
• 38:18
  Speaker 3: Before it was like this, bro, the man took a risk,
• 38:22
  Speaker 3: created an identity and reached an aesthetic every time, and
• 38:25
  Speaker 3: people started to pay attention to that. So a lot
• 38:27
  Speaker 3: of people were chasing this wave, you know? Then Danzo
• 38:30
  Speaker 3: was doing the trap thing with funk too, already making
• 38:32
  Speaker 3: this union, and the stuff was already getting strong, you know?
• 38:36
  Speaker 1: What was crazy about Danzo was that when I went
• 38:38
  Speaker 1: to see Nike Bole, I was playing a lot, when
• 38:41
  Speaker 1: I watched the clip and saw a lot of people,
• 38:44
  Speaker 1: And I was like, damn it. And I was like,
• 38:47
  Speaker 1: this guy is a movement. At least in his break,
• 38:50
  Speaker 1: it's already happening a lot. Because I saw that clip,
• 38:52
  Speaker 1: it wasn't like a clip of you alone, you know?
• 38:54
  Speaker 1: It was like this, people on the rails singing the thing.
• 38:57
  Speaker 1: I was like, damn, it's already a success to break there.
• 39:00
  Speaker 1: So I've already judged you a success, you know?
• 39:02
  Speaker 4: Since then.
• 39:03
  Speaker 3: For fuck's sake, man. You're crazy. Even more so, like,
• 39:06
  Speaker 3: when I heard it for the first time, I felt that...
• 39:08
  Speaker 3: The mix of funk and no melody, and at the
• 39:10
  Speaker 3: time I listened to a lot of trap and no
• 39:12
  Speaker 3: melody and I didn't know how to do it, I
• 39:13
  Speaker 3: knew how to do it in funk. I was like, damn, man,
• 39:15
  Speaker 3: it's impossible to do something like that. And then he
• 39:17
  Speaker 3: joined these two things, you know? And he communicated a
• 39:19
  Speaker 3: lot with those who were fans of funk or of Quebrada, man.
• 39:22
  Speaker 6: So it was a mess. Man, and you know what
• 39:23
  Speaker 6: I think is cool?
• 39:24
  Speaker 8: That Nike Bull is a very cool sound for car.
• 39:27
  Speaker 3: For car, for show too, you know? You know what,
• 39:32
  Speaker 3: I mixed this at home. Really? It's the key, man.
• 39:34
  Speaker 3: You know? I left the thing at the maximum. But
• 39:37
  Speaker 3: when it was ready, you said, this is a hit.
• 39:38
  Speaker 3: What was the feeling?
• 39:39
  Speaker 2: Man, I was listening several times. I did the thing,
• 39:41
  Speaker 2: I mixed it and I was listening like this.
• 39:43
  Speaker 9: Then I called Kioto to see. I said, man, listen
• 39:46
  Speaker 9: to this. Then he put it to listen. I said, man,
• 39:49
  Speaker 9: see if it's good.
• 39:50
  Speaker 3: Then I put the chorus later, you know?
• 39:52
  Speaker 9: Because there wasn't this thing here, Bolha de Alta Parada.
• 39:55
  Speaker 9: What was it? I don't even remember, there was another
• 40:01
  Speaker 9: chorus and there was the whole verse, you know? I said, man,
• 40:03
  Speaker 9: I have to go back and do it again. No,
• 40:04
  Speaker 9: the Nike Bole was just the verse from the end.
• 40:06
  Speaker 9: Then I went back to the beginning, you know?
• 40:08
  Speaker 3: It started like this. That's all I did.
• 40:10
  Speaker 2: I went to 1 and mixed the voice.
• 40:12
  Speaker 3: And how was it?
• 40:12
  Speaker 2: How long did it take you to start making a noise?
• 40:15
  Speaker 9: Man, first I left it in SoundCloud, you know?
• 40:16
  Speaker 3: I played there.
• 40:17
  Speaker 9: Then I hadn't played on YouTube yet. Because it was
• 40:21
  Speaker 9: a very trap time, right? Trap, trap, trap. I said, man, really?
• 40:24
  Speaker 9: I was in that insecurity too.
• 40:25
  Speaker 3: I said, man.
• 40:27
  Speaker 9: I'm going to do a close-up here, man, because it's
• 40:30
  Speaker 9: already something that only those who listen to trap will hear,
• 40:33
  Speaker 9: I said. Only those who listen to trap will hear, bro.
• 40:36
  Speaker 9: I played, then it gave like 10,000 views, I said, wow,
• 40:39
  Speaker 9: I burst.
• 40:39
  Speaker 6: That's crazy, man.
• 40:40
  Speaker 9: Because there was none. Then Negueba, from NGKS, posted a
• 40:45
  Speaker 9: video dancing with her.
• 40:46
  Speaker 4: You know? Fuck, what a story.
• 40:47
  Speaker 9: At the same time on.
• 40:48
  Speaker 3: Instagram, it marked me, it was already a force.
• 40:51
  Speaker 9: Then I took the thing and made the cover, I
• 40:53
  Speaker 9: already dropped it, I already uploaded it, I already threw
• 40:57
  Speaker 9: the thing on YouTube and left it. Then it took
• 40:59
  Speaker 9: a week, two, in the third it started to go up,
• 41:00
  Speaker 9: like 10,000 views. Then it went to a Facebook group.
• 41:02
  Speaker 3: The thing, it escalated very fast, you know?
• 41:05
  Speaker 6: You posted the thing for a week.
• 41:06
  Speaker 3: After nothing, the guys posted it in Facebook groups. That
• 41:10
  Speaker 3: was the time of the trap audience and it is
• 41:12
  Speaker 3: until today, I believe that is so, you know? People
• 41:16
  Speaker 3: get involved.
• 41:17
  Speaker 4: In a lot of things at the same time.
• 41:19
  Speaker 3: That's because when it's new, they get involved a lot more.
• 41:22
  Speaker 3: But then it was like... Man, there were some groups
• 41:24
  Speaker 3: that sent... I met Caveirinha, it was one of the
• 41:26
  Speaker 3: trap groups of Fizz. Caveirinha, I met Caveirinha on Face
• 41:29
  Speaker 3: as well.
• 41:29
  Speaker 4: Kai Black, you know?
• 41:30
  Speaker 3: His mother washing his clothes in the tank, he sang
• 41:31
  Speaker 3: the song in front of the camera. Wow, he was amazing.
• 41:34
  Speaker 2: I liked it.
• 41:35
  Speaker 3: I think a lot of artists from that time.
• 41:38
  Speaker 8: Got a rise because of the groups on Facebook, the
• 41:42
  Speaker 8: status of WhatsApp.
• 41:44
  Speaker 6: Yes, of the community itself.
• 41:46
  Speaker 1: And what did you do to not fall into the
• 41:47
  Speaker 1: same thing of... For example, when you come out, there
• 41:50
  Speaker 1: are still few people making success on Trap. The chance
• 41:54
  Speaker 1: of you replicating what Vino was doing was great.
• 41:56
  Speaker 8: Or wanting to do what others were doing.
• 41:59
  Speaker 6: But it was softer than it is today, man.
• 42:01
  Speaker 3: Yeah.
• 42:02
  Speaker 4: Today it's like... Creating an identity, did you say?
• 42:05
  Speaker 6: Man, it was much easier. You know why? Because.
• 42:08
  Speaker 8: I see that from 2020 on, there's been a lot
• 42:10
  Speaker 8: of trap and beat styles, a lot of artists.
• 42:13
  Speaker 6: And that's it, everyone is trying to reinvent.
• 42:16
  Speaker 8: Themselves every day.
• 42:18
  Speaker 6: Or bring something new, right, Piqui?
• 42:21
  Speaker 9: Yeah, so I think.
• 42:22
  Speaker 8: That in the past, since there wasn't all of that.
• 42:26
  Speaker 2: Everything was very new.
• 42:27
  Speaker 8: It was easier for Kian to be this type, this style,
• 42:31
  Speaker 8: have this aesthetic.
• 42:33
  Speaker 3: Hearing it like that.
• 42:35
  Speaker 1: I think it's true, but I think betting on it
• 42:37
  Speaker 1: is much more difficult, man.
• 42:38
  Speaker 4: Because what the two came doing....
• 42:42
  Speaker 1: I'm sorry, it was very judged before. Maybe it was,
• 42:47
  Speaker 1: you can say. But the trap was what Vino did.
• 42:50
  Speaker 1: What they did was not.
• 42:51
  Speaker 4: But I imagine at.
• 42:52
  Speaker 5: The same time it was very judged, but it was
• 42:54
  Speaker 5: also very different.
• 42:56
  Speaker 2: Let's pay attention to these guys. Nobody is doing that.
• 42:58
  Speaker 3: It was coming out of the trap with a funk.
• 43:00
  Speaker 3: At the same time that Vino was coming out as
• 43:04
  Speaker 3: a golden boy on the trap. what the guys were
• 43:07
  Speaker 3: doing for six years, Vino was doing from 2018 to 2019, man.
• 43:10
  Speaker 3: You know?
• 43:10
  Speaker 2: He was like.
• 43:11
  Speaker 3: The guys are doing it now, right?
• 43:12
  Speaker 4: But it's cool because.
• 43:13
  Speaker 8: I also feel like I was judged at that time
• 43:15
  Speaker 8: because the guys were saying, ah, Travis Scott, Travis Scott,
• 43:17
  Speaker 8: Travis Scott. It had nothing to do with Travis Scott.
• 43:20
  Speaker 3: Yeah, but it's because I think it's more the unknown
• 43:23
  Speaker 3: of the guys about the player too. But the guys
• 43:24
  Speaker 3: also put you in a place like... Like, as if
• 43:27
  Speaker 3: you didn't have a.
• 43:34
  Speaker 6: It's your aesthetic, you know?
• 43:36
  Speaker 8: It's like you're 100% copying an artist, both visually and musically,
• 43:41
  Speaker 8: you know?
• 43:42
  Speaker 3: Ah, bro, but I have to say this, like, sorry
• 43:44
  Speaker 3: for all the respect, but... Majority of the Trap audience
• 43:48
  Speaker 3: are white people and imbeciles, man.
• 43:50
  Speaker 4: If you.
• 43:50
  Speaker 3: Bro, seriously, if you have a dredge and you're black,
• 43:53
  Speaker 3: you're Travis Scott. It's like, fuck it, you're gonna fuck
• 43:56
  Speaker 3: up your repertoire about black people and references. It's stupid,
• 43:59
  Speaker 3: you know? But Vino already did something very different, even
• 44:02
  Speaker 3: from the gringo guys. I went to show it to
• 44:04
  Speaker 3: a friend from France, a song by Vino, and the
• 44:06
  Speaker 3: guy said, fuck, what a trap is this, you know?
• 44:10
  Speaker 6: It's cool, these things.
• 44:11
  Speaker 2: Where did you get these references at that time?
• 44:13
  Speaker 3: The guy is crazy. I was crazy, man. I was crazy.
• 44:15
  Speaker 3: The madness helped you. The madness guided me, man.
• 44:17
  Speaker 2: Do you remember the first scene you did.
• 44:18
  Speaker 3: The show there? I think it's me watching Danzo Vegas.
• 44:21
  Speaker 1: Kian is extremely excited watching your show. We're like in
• 44:23
  Speaker 1: a Sandy Junior, damn it. Man, I think this scene
• 44:25
  Speaker 1: was the second. Because my first scene was from 2019. Yeah,
• 44:28
  Speaker 1: so it was the second, it wasn't 2019. This scene, like,
• 44:30
  Speaker 1: who was it?
• 44:31
  Speaker 4: The thing was.
• 44:31
  Speaker 6: It was VT1, right?
• 44:42
  Speaker 3: It was 21, right? No, it was 2019, bro.
• 44:43
  Speaker 6: The first one.
• 44:44
  Speaker 3: Yeah, the first one.
• 44:45
  Speaker 6: This one you're talking about was 2021. That's it.
• 44:47
  Speaker 1: My brothers, talking about this subject that we've been talking about, like, ah,
• 44:53
  Speaker 1: it's Trap, isn't it? These discussions come and go. This
• 44:56
  Speaker 1: is Trap, this is not.
• 44:58
  Speaker 3: Does this exist?
• 44:58
  Speaker 1: Something that is Trap? What is Trap? What does it
• 45:01
  Speaker 1: need to be Trap? Which elements?
• 45:03
  Speaker 9: Or.
• 45:04
  Speaker 4: No, there are no defined boxes. What do you feel
• 45:07
  Speaker 4: about that?
• 45:08
  Speaker 1: Because sometimes I see that these discussions, they rise much
• 45:11
  Speaker 1: more to divide than to unite.
• 45:14
  Speaker 3: You know? I understand.
• 45:15
  Speaker 6: But I also think, bro, it's very difficult.
• 45:20
  Speaker 4: To.
• 45:21
  Speaker 6: You can say what is trap and what is not.
• 45:24
  Speaker 5: Like....
• 45:26
  Speaker 1: Yeah, that's why I think no one can come as
• 45:28
  Speaker 1: a judge and say, this is not. Or this here,
• 45:30
  Speaker 1: only this here is.
• 45:32
  Speaker 2: Yeah, bro.
• 45:33
  Speaker 3: Man, I don't know, I think this is a community discussion,
• 45:37
  Speaker 3: you know? You think I'm a trap? You think I'm
• 45:41
  Speaker 3: a trap, bro? You think I'm a trap, bro? You
• 45:43
  Speaker 3: think I'm a trap, bro? If there are two sides
• 45:53
  Speaker 3: or where we will surf between this, you know? Because
• 45:56
  Speaker 3: fuck it at the end of the day. At the
• 45:58
  Speaker 3: end of the day, fuck it.
• 45:59
  Speaker 4: You know?
• 46:00
  Speaker 3: Think that the community discusses this. I'm being honest, bro.
• 46:03
  Speaker 3: I need to understand too, you know?
• 46:05
  Speaker 8: I'm not going to stay here just agreeing.
• 46:07
  Speaker 3: No, you can go. I just didn't understand.
• 46:09
  Speaker 6: Say it again.
• 46:10
  Speaker 3: The community discusses this. What is trap and what is not,
• 46:13
  Speaker 3: you know? But we've been doing this for six years.
• 46:15
  Speaker 3: This has already taken us to another level. And we
• 46:18
  Speaker 3: are also on another artistic level. We are three companies.
• 46:22
  Speaker 3: Today we will also analyze data and new market opportunities. So, man,
• 46:26
  Speaker 3: if it's not, it's easier for us to launch and
• 46:29
  Speaker 3: let people judge. Our concern, our discussion ends up being another, right?
• 46:35
  Speaker 3: Are you a trap at the end of the day?
• 46:38
  Speaker 9: At the end of the day, are you a trap
• 46:41
  Speaker 9: or not?
• 46:42
  Speaker 3: Comment, comment! We're talking about the beginning of your.
• 46:45
  Speaker 2: Career, but how are you seeing the trap scene?
• 46:48
  Speaker 5: Not only the trap, but musically speaking, the trap, the rap,
• 46:52
  Speaker 5: how are you seeing the current scene?
• 46:54
  Speaker 3: Man, I don't have contact with the trap universe in Brazil,
• 46:59
  Speaker 3: so I have to say that my opinion is based
• 47:02
  Speaker 3: in São Paulo, And in the capital of São Paulo,
• 47:05
  Speaker 3: where I live, and I have contact with the people
• 47:07
  Speaker 3: who are doing it here, you know? I have contact
• 47:09
  Speaker 3: with the guys from Golden Boys, and since it was
• 47:12
  Speaker 3: the X's project that... We did some exercises with the
• 47:16
  Speaker 3: artists and they developed. I saw that there are many
• 47:18
  Speaker 3: layers of gender, you know? Sometimes we are only focused
• 47:23
  Speaker 3: on one style of aesthetics and gender, when in fact there.
• 47:27
  Speaker 4: Are a lot. I see that people are breaking a
• 47:28
  Speaker 4: lot in.
• 47:29
  Speaker 3: KD, bro. In KD, in TV, in Boa Aventura, you know?
• 47:32
  Speaker 1: But I see that the aesthetics that KD put, people
• 47:35
  Speaker 1: are like, calm down, let me understand what this guy
• 47:38
  Speaker 1: is doing, you know?
• 47:38
  Speaker 4: He has a song there, I think it's Spider-Man, I
• 47:39
  Speaker 4: don't know if he put it in English or.
• 47:42
  Speaker 3: Sentida Aranha.
• 47:43
  Speaker 1: Sentida Aranha, that's it. Viado, that's the sound.
• 47:46
  Speaker 3: Brabo. Brabo, you know?
• 47:47
  Speaker 1: I get pissed that I can't increase it anymore.
• 47:51
  Speaker 6: You have to do a remix.
• 47:52
  Speaker 3: But what I see is that more and more artists
• 47:55
  Speaker 3: are creating a base in their genres, you know? To
• 47:58
  Speaker 3: have structure. So that they can start surfing in other
• 48:01
  Speaker 3: genres too. Like KD himself. He's a guy who's on
• 48:04
  Speaker 3: the trap and he's really cool. And I'm sure he's
• 48:06
  Speaker 3: going to be cool doing other types of genre concepts.
• 48:08
  Speaker 3: Because he's a cool artist.
• 48:10
  Speaker 4: He's singing melodic samba. Yeah, melodic samba.
• 48:12
  Speaker 3: With R & B at some point, you know? Or
• 48:14
  Speaker 3: even a boom bap, which I believe he already did.
• 48:16
  Speaker 3: The guys make music all the time. So it's a
• 48:19
  Speaker 3: bit like looking at three guys and saying, no, you
• 48:21
  Speaker 3: can only do what I want. Because now, if Kian
• 48:23
  Speaker 3: is going to make.
• 48:24
  Speaker 1: A song like that, I don't like it that much.
• 48:26
  Speaker 1: Because it's kind of like what you're saying, you know?
• 48:29
  Speaker 1: What do you think?
• 48:37
  Speaker 3: Man, I think it's a lot of what we have
• 48:40
  Speaker 3: to like because we are the first metric of the song,
• 48:42
  Speaker 3: you know? You made a song and you didn't like it, man.
• 48:45
  Speaker 3: I'm going to release it.
• 48:47
  Speaker 1: Just because I think it's going to work.
• 48:49
  Speaker 3: Yeah, okay. It may not happen like that, you know?
• 48:51
  Speaker 3: There are many people who go there and say, I'm
• 48:53
  Speaker 3: going to make a song now, mainstream. Then the song
• 48:56
  Speaker 3: sounds totally mainstream and has 100 views, because it's shit.
• 49:00
  Speaker 3: You know? There was no study about it. You just
• 49:02
  Speaker 3: used your sexism, went there and did it, you know, man? So, like,
• 49:06
  Speaker 3: doing what you like is the main point, but making
• 49:09
  Speaker 3: music is not the main point anymore, it's been a
• 49:11
  Speaker 3: long time, master, you know?
• 49:12
  Speaker 4: What is the main point?
• 49:14
  Speaker 3: Ah, bro, it's the artistic side, management, you know, understanding...
• 49:17
  Speaker 3: It's the environment. Phonogram, understanding of distribution, understanding of public,
• 49:22
  Speaker 3: understanding of data, you know? I believe that this is
• 49:24
  Speaker 3: also something that establishes artists. Like, Vino understands and knows
• 49:29
  Speaker 3: how to do all the possible waves, but he doesn't
• 49:31
  Speaker 3: understand where he can direct a wave to reach the public,
• 49:34
  Speaker 3: or like, this one is going to be my focus
• 49:36
  Speaker 3: band for such a thing. It's a thing that will
• 49:39
  Speaker 3: set the market right now, you know? It's a smarter market.
• 49:41
  Speaker 3: It's not a market just to risk, like me from Baixada,
• 49:44
  Speaker 3: come and make a clip of R $ 80, make
• 49:46
  Speaker 3: a song, play it in the world and say, a
• 49:47
  Speaker 3: Facebook group is going to explode.
• 49:49
  Speaker 6: But now it's also a point.
• 49:52
  Speaker 8: You also don't think that by the scenario being like.
• 49:56
  Speaker 6: I'm not going to say.
• 50:01
  Speaker 8: Agile, like, you launch a thing and the audience already wants.
• 50:06
  Speaker 3: Another week to come. Yeah, he wants every moment. So,
• 50:08
  Speaker 3: many times, man, it's really fucking you....
• 50:10
  Speaker 6: What's your method? I'm making a music page, but.
• 50:31
  Speaker 9: For me, I was releasing every day a song that
• 50:33
  Speaker 9: I wanted to teach again.
• 50:34
  Speaker 3: But you can't listen to a dance of this size today.
• 50:35
  Speaker 3: But then you can't. You have to structure a project,
• 50:38
  Speaker 3: you have to think. It's my thought, I would prefer.
• 50:39
  Speaker 9: If I could be making music now, releasing every day,
• 50:43
  Speaker 9: I would be.
• 50:44
  Speaker 3: For you, if you finished recording, you would post it.
• 50:46
  Speaker 4: If any guy who is watching now and wants.
• 50:48
  Speaker 9: Advice, for me it would be this. Launch several songs,
• 50:51
  Speaker 9: launch several, one after the other. Posts a lot of
• 50:56
  Speaker 9: videos of the stuff, makes your stuff.
• 50:58
  Speaker 4: I think this is one of the biggest mistakes of
• 50:59
  Speaker 4: the people who are starting it. They say like this, bro.
• 51:02
  Speaker 9: Yeah, I think these guys want to start, but they've
• 51:04
  Speaker 9: already done it.
• 51:05
  Speaker 3: That's the point I'm trying to get to, you know?
• 51:07
  Speaker 3: Like Danzo from the beginning, you know? He could release
• 51:10
  Speaker 3: a song every day, unlike Danzo today, who has to
• 51:12
  Speaker 3: think about his audience, the project, and how he presents
• 51:16
  Speaker 3: this project. You don't think that Danzo from the past, obviously,
• 51:18
  Speaker 3: you can't change the factors and not even say that
• 51:20
  Speaker 3: this would change a lot. But if you could, wouldn't
• 51:23
  Speaker 3: you present an album to Jorginho at some point, at
• 51:25
  Speaker 3: the beginning, instead of saying, let's start to trap you already, bro?
• 51:28
  Speaker 3: I have this structure of Trump, I have this thing,
• 51:30
  Speaker 3: you don't think that.
• 51:30
  Speaker 4: Yeah, and impress more.
• 51:32
  Speaker 3: They would be able to convince much more their art
• 51:34
  Speaker 3: like that or not?
• 51:35
  Speaker 9: But even if he has, he can have this idea
• 51:37
  Speaker 9: and release several songs yet, because he's still risking, you know?
• 51:40
  Speaker 3: Yeah, I think so, bro.
• 51:41
  Speaker 9: Like, he can be, like, studying, making several records and
• 51:44
  Speaker 9: releasing several songs yet, you know?
• 51:45
  Speaker 2: I think that also sometimes.
• 51:46
  Speaker 9: Like, the guys put the song like, ah, I'm going
• 51:48
  Speaker 9: to stop studying to make music, I'm going to focus
• 51:50
  Speaker 9: on this.
• 51:50
  Speaker 3: No, this is crazy. It doesn't exist, it's a excuse
• 51:52
  Speaker 3: of a rascal, man. Yes, yes, yes. I don't know,
• 51:54
  Speaker 3: I've used this excuse.
• 51:55
  Speaker 4: No, it's not the excuse of a jerk.
• 51:56
  Speaker 3: It's the excuse of an idiot. I've used this excuse sometimes, bro.
• 51:59
  Speaker 9: Like, bro, I'm not going to study today because I'm lazy.
• 52:02
  Speaker 3: And the other day, the other week, I said, bro,
• 52:03
  Speaker 3: if I didn't do it.
• 52:04
  Speaker 4: Wrong, I would be fucked, I would be back again.
• 52:06
  Speaker 3: Because what you're talking about here.
• 52:07
  Speaker 4: Pique, but I was releasing music. What you're talking about
• 52:09
  Speaker 4: is studying where you are, the music. Doing the stuff.
• 52:12
  Speaker 3: No, so, like, there's always time left, man.
• 52:13
  Speaker 9: There's always time for you to do these things, to
• 52:16
  Speaker 9: keep studying, to keep doing it. But you have to
• 52:18
  Speaker 9: be releasing a lot of stuff.
• 52:20
  Speaker 3: I think your name has to be running.
• 52:22
  Speaker 9: There's no way you can go to someone and not
• 52:23
  Speaker 9: present something. A lot of people don't even pay attention, man.
• 52:26
  Speaker 9: If a guy comes and says to you, hey, listen
• 52:28
  Speaker 9: to this song, this and that, and says a name there.
• 52:31
  Speaker 3: Difficult.
• 52:32
  Speaker 9: It's already difficult.
• 52:33
  Speaker 3: You know?
• 52:34
  Speaker 9: Now, if a guy comes to you and says, listen
• 52:36
  Speaker 9: to this thing here, you're going to listen and like it,
• 52:39
  Speaker 9: he already has a thing. Man, I have a whole
• 52:40
  Speaker 9: Trump there, my name is such.
• 52:42
  Speaker 3: When you search, you're buff. Exactly. A lot of times
• 52:45
  Speaker 3: an artist will introduce himself to me and I ask,
• 52:47
  Speaker 3: but do you have Instagram? No, I don't. Ah, but
• 52:49
  Speaker 3: you're releasing the songs, I don't. I can't even imagine
• 52:53
  Speaker 3: a step or two for you, man, still, you know?
• 52:55
  Speaker 3: I'm releasing some songs here, I have a profile on Spotify,
• 52:57
  Speaker 3: my profile on Instagram is also there. but I'm a
• 53:02
  Speaker 3: little stuck in some stuff, damn it, then I could
• 53:04
  Speaker 3: give him some advice.
• 53:05
  Speaker 2: But you said something that I also agree with.
• 53:07
  Speaker 5: You, especially in your size, that you already have a system,
• 53:10
  Speaker 5: you already have to have a study, but you don't
• 53:12
  Speaker 5: think that sometimes the artist also has to have a
• 53:15
  Speaker 5: freedom to reach either the businessman or yourself and say
• 53:19
  Speaker 5: like this, bro, this song here I think it fits,
• 53:21
  Speaker 5: we fuck it up, let go of nothing, out of
• 53:23
  Speaker 5: the project here, I have an album, I have this
• 53:26
  Speaker 5: project here, but bro, I'm feeling that it's time to
• 53:28
  Speaker 5: release this one, it's going to.
• 53:29
  Speaker 2: Hit, you know? Fuck it, you think you don't need
• 53:32
  Speaker 2: to have this freedom?
• 53:32
  Speaker 3: Actually, I think it has to be like this, just
• 53:34
  Speaker 3: like you have here in the week, the schedule of
• 53:36
  Speaker 3: several programs, it has to have this. Songs that I'm
• 53:39
  Speaker 3: going to release, like, dates that I'm going to release, bro,
• 53:43
  Speaker 3: I'm going to release a song in the feeling, you know?
• 53:45
  Speaker 3: As I'm creating and feeling that it's the moment. already
• 53:48
  Speaker 3: established projects that will be released in the year too,
• 53:50
  Speaker 3: you know? Because this shows your professional side too, not
• 53:53
  Speaker 3: just for the public, but for the person who is
• 53:55
  Speaker 3: managing you.
• 53:55
  Speaker 1: What is the most decisive factor that the artist who
• 53:58
  Speaker 1: is going to start now has to know? That normally
• 54:00
  Speaker 1: you would make a mistake in the beginning, or even
• 54:02
  Speaker 1: made a mistake. Because I see that you are very.
• 54:06
  Speaker 1: You're very involved with the music business, the phonograms, to
• 54:09
  Speaker 1: know how it works. I'm there with your best friends,
• 54:12
  Speaker 1: it's very cool when you put those guidelines there. But
• 54:14
  Speaker 1: I think you should speak openly, you know? So, but
• 54:18
  Speaker 1: if I speak openly.
• 54:19
  Speaker 3: To all people, because what I understand, sometimes we have
• 54:24
  Speaker 3: these creative conversations, we kind of discover the secrets of music,
• 54:27
  Speaker 3: you know? So it's much easier for me to have...
• 54:31
  Speaker 3: a conversation environment with artists than to expose to people
• 54:33
  Speaker 3: who are not at the same level of knowledge. Then
• 54:36
  Speaker 3: they will bring new theories to the artists who are
• 54:40
  Speaker 3: starting and getting lost in the way. So I leave
• 54:44
  Speaker 3: to have these conversations when I'm with my artist friends
• 54:47
  Speaker 3: or when I'm at X and we're having an artistic
• 54:50
  Speaker 3: meeting there.
• 54:51
  Speaker 1: But do you think if one day you take a script,
• 54:54
  Speaker 1: make a Reels and say that it is directed for
• 54:56
  Speaker 1: the fans and for the artists who are starting, I
• 54:58
  Speaker 1: think it's a very cool content, bro, because what is
• 55:02
  Speaker 1: the tape? Sometimes people will think that someone who is
• 55:04
  Speaker 1: going to talk about it is an old guy, a
• 55:07
  Speaker 1: guy with another stereotype. And when he looks at you,
• 55:09
  Speaker 1: who is the artist himself, but is talking about Trump,
• 55:12
  Speaker 1: normally who is going to talk about your Trump is
• 55:14
  Speaker 1: your businessman. You say the thing, you young boy talking there,
• 55:17
  Speaker 1: I think it's a much more tactful, you know, it's
• 55:20
  Speaker 1: something more palpable. Anyway, it's just so we can talk
• 55:25
  Speaker 1: more about these ideas, because it's cool, man.
• 55:28
  Speaker 3: Yes, it's for fuck's sake. Man, we've been talking a
• 55:30
  Speaker 3: lot lately about these things, because at the same time
• 55:33
  Speaker 3: that we already live from the song, we've already released
• 55:37
  Speaker 3: the song, we're also thinking about a way of, like, man,
• 55:41
  Speaker 3: what can I add now here? It's like if we
• 55:44
  Speaker 3: had a car and we said, okay, man, let's change
• 55:46
  Speaker 3: this and that, now, should I change the wheels? What
• 55:48
  Speaker 3: can I do for my car to still be a
• 55:50
  Speaker 3: more key thing, you know? So right now we have
• 55:53
  Speaker 3: a lot of conversations like this, but I have enough
• 55:56
  Speaker 3: humility to recognize that I'm still a music learner, you know?
• 55:59
  Speaker 3: I'm talking about a lot of things here, but based
• 56:02
  Speaker 3: on my career or on careers that I've followed, from
• 56:05
  Speaker 3: my friends, that they share things with me, you know?
• 56:07
  Speaker 1: But as long as you position yourself like that, you'll
• 56:09
  Speaker 1: keep learning. If you position yourself as a guy who.
• 56:12
  Speaker 3: Knows, What do people have to teach you?
• 56:14
  Speaker 4: Nothing, right?
• 56:15
  Speaker 1: You're already a monster. No, but you understand what I mean?
• 56:19
  Speaker 1: But it's very cool for you to be talking about it,
• 56:23
  Speaker 1: because I think it's... Most of the people who follow you,
• 56:27
  Speaker 1: besides being fans, I think you should see it. I
• 56:30
  Speaker 1: think many dream of being one day, not you literally,
• 56:34
  Speaker 1: but to be in that place, to be on a
• 56:35
  Speaker 1: relevant stage.
• 56:35
  Speaker 4: You know?
• 56:39
  Speaker 1: I think it's beyond the fan, it's the person who's like, man,
• 56:42
  Speaker 1: I want to do a show like Danzo.
• 56:43
  Speaker 4: Even you're scary doing a show, my brother.
• 56:46
  Speaker 2: That's right, bro.
• 56:46
  Speaker 9: Thank you very much.
• 56:47
  Speaker 4: He's a monster, bro.
• 56:48
  Speaker 3: Danzo is a lot. You know?
• 56:49
  Speaker 9: Yes.
• 56:49
  Speaker 3: How was this thing of having a stage presence with
• 56:51
  Speaker 3: such a low age?
• 56:53
  Speaker 1: Man, I think I just, I just followed the instinct
• 56:55
  Speaker 1: of the dream, you know?
• 56:57
  Speaker 9: Like, man, I want to do this, I'm going to
• 57:01
  Speaker 9: do the best of myself, you know? Because, man, so
• 57:04
  Speaker 9: much that I.
• 57:08
  Speaker 9: I can barely see when I'm singing, man. I'm there jumping,
• 57:10
  Speaker 9: so much adrenaline, doing stuff and so much with my
• 57:13
  Speaker 9: heart for it to happen.
• 57:15
  Speaker 6: You're in a trance?
• 57:15
  Speaker 9: Yeah, I'm crazy, man. And then I'm watching the videos
• 57:19
  Speaker 9: to see, damn, what happened?
• 57:20
  Speaker 3: You have to be careful with your voice. And I'm soft,
• 57:25
  Speaker 3: really soft. Like, in my first shows. Soon you're going
• 57:28
  Speaker 3: to rock, man. Look what his thoughts would say to him,
• 57:32
  Speaker 3: you know? You had to make a joke, bro. Just kidding, bro.
• 57:36
  Speaker 3: I'm sorry. I was kidding. I'm very quiet, you know?
• 57:39
  Speaker 3: I was kidding. What you did there.
• 57:41
  Speaker 1: Especially the two at the end, Danza and Kian, do
• 57:44
  Speaker 1: you realize that when you appeared, part of the audience,
• 57:47
  Speaker 1: who was more funk, said, now I can say that
• 57:49
  Speaker 1: I like this thing too.
• 57:50
  Speaker 4: I'll be honest, I could say that our audience is totally.
• 57:52
  Speaker 1: Broken, but I also showed some broken people who said
• 57:55
  Speaker 1: they didn't understand.
• 57:56
  Speaker 9: So, like.
• 58:05
  Speaker 3: We are still in this construction of conquering several breaks
• 58:08
  Speaker 3: for trap and funk, you know? It's hard, I think.
• 58:11
  Speaker 3: Nowadays it's more difficult because our wave was f *
• 58:15
  Speaker 3: * * ed up, so I think it's in a
• 58:17
  Speaker 3: moment of big wheel, you know?
• 58:18
  Speaker 9: So, the guys today are like, enjoy the thing, but
• 58:22
  Speaker 9: in the break to get there, it's very difficult to
• 58:25
  Speaker 9: get there.
• 58:25
  Speaker 3: But bro, I don't have the right to say, you know?
• 58:27
  Speaker 4: Why?
• 58:31
  Speaker 8: Because I don't do trap funk, but I do it
• 58:32
  Speaker 8: when people invite me.
• 58:34
  Speaker 4: But when you did it, it was... Yes, but.
• 58:36
  Speaker 8: For example, I think that now maybe the public is
• 58:39
  Speaker 8: accepting trap funk more easily, because the guys that people
• 58:44
  Speaker 8: used to hear doing only funk, now they're doing trap
• 58:47
  Speaker 8: funk too.
• 58:48
  Speaker 6: So, like, Iggy, people that the public itself, the favela periphery,
• 58:53
  Speaker 6: used to hear already, Now it's more.
• 58:56
  Speaker 4: I think it's Kevin himself, right? Unfortunately, he passed away after...
• 58:59
  Speaker 4: For me, he's a great reference of trap and funk.
• 59:00
  Speaker 2: He did.
• 59:01
  Speaker 3: Without being entitled like that. He took the beat, went
• 59:03
  Speaker 3: there and....
• 59:07
  Speaker 4: Did what?
• 59:08
  Speaker 3: Kevin on the trap, you know?
• 59:09
  Speaker 5: But when I started, not only me, but when I
• 59:11
  Speaker 5: started listening to you guys, And it was crazy, because
• 59:18
  Speaker 5: it was like, man, what aesthetic is that? And they're
• 59:21
  Speaker 5: talking a lot about Brazil, a lot about Quebrada, so
• 59:23
  Speaker 5: it was different, you know? So, like, man, that's cool,
• 59:26
  Speaker 5: I've heard it, I've heard other types of trap too,
• 59:28
  Speaker 5: but when you got there, Kai Black, Caiveirinha, it was like, man,
• 59:32
  Speaker 5: they're using the SP riffs, they're talking about Cunhada in
• 59:36
  Speaker 5: the song, with a beat of.
• 59:37
  Speaker 3: Trap, what the fuck is that, you know?
• 59:38
  Speaker 4: When Kai Black was taking the knife from Cunhada, I
• 59:40
  Speaker 4: was like, oh.
• 59:42
  Speaker 3: Isn't that crazy?
• 59:43
  Speaker 5: When you see Kian talking about some really cool beats.
• 59:47
  Speaker 2: I was like, man, what a new, original thing. My
• 59:49
  Speaker 2: art had a Digimon evolution. It started with.
• 59:51
  Speaker 3: Dracos, and then I'm singing electronic music, drum bass. So
• 59:55
  Speaker 3: I went through a lot of things. I learned that
• 59:57
  Speaker 3: with the guys from Grime. They were talking, and I
• 1:00:00
  Speaker 3: was like.
• 1:00:01
  Speaker 4: I don't like electronic music. Then I took a class.
• 1:00:10
  Speaker 4: Funk is electronic music, right?
• 1:00:11
  Speaker 3: Yeah, most of the songs we listen to are electronic.
• 1:00:13
  Speaker 4: Exactly, so I think that.
• 1:00:15
  Speaker 1: Man, this must have been recorded, I just don't know
• 1:00:16
  Speaker 1: if people will find it, because... I didn't make so
• 1:00:19
  Speaker 1: many views at the time, I was doing a live
• 1:00:21
  Speaker 1: on Facebook.
• 1:00:22
  Speaker 3: And then I remember.
• 1:00:24
  Speaker 1: I listen to you live, the first time, and I
• 1:00:26
  Speaker 1: get scared, man.
• 1:00:28
  Speaker 3: And he started talking to me, to invite you to
• 1:00:30
  Speaker 3: the Podpah.
• 1:00:30
  Speaker 5: In the first month of Podpah, Igão said, man, you
• 1:00:31
  Speaker 5: have to meet Kian, you have to listen to Kian,
• 1:00:33
  Speaker 5: this boy is new, let's call the first episodes of Podpah.
• 1:00:36
  Speaker 2: I said, man, where is he? Let me see the boy.
• 1:00:38
  Speaker 2: Then Igão showed me, I said, man... Let's call it
• 1:00:49
  Speaker 2: a podpah?
• 1:00:50
  Speaker 5: We didn't have a lot of audience, we didn't know
• 1:00:52
  Speaker 5: how yours was, but it was already this desire to
• 1:00:54
  Speaker 5: show it to people.
• 1:00:54
  Speaker 1: And it was shot in the dark too, because we
• 1:00:56
  Speaker 1: didn't have a record of what we were talking about.
• 1:00:58
  Speaker 3: We didn't think so.
• 1:01:00
  Speaker 2: How should he be?
• 1:01:01
  Speaker 5: How should this kid be talking?
• 1:01:02
  Speaker 3: It was this in our opinion. I listened a lot
• 1:01:05
  Speaker 3: to this first episode of the trailer, they always talk,
• 1:01:07
  Speaker 3: it was a milestone in my life.
• 1:01:08
  Speaker 1: You were telling me that you were at the snack
• 1:01:10
  Speaker 1: bar there.
• 1:01:11
  Speaker 6: Yeah.
• 1:01:11
  Speaker 4: Very funny, man.
• 1:01:12
  Speaker 3: That's funny.
• 1:01:13
  Speaker 5: It was very crazy the appearance of both in the scene,
• 1:01:16
  Speaker 5: it was very different each one, right?
• 1:01:18
  Speaker 3: It was very cool and at the same time the
• 1:01:20
  Speaker 3: way we got to know each other, we got to
• 1:01:21
  Speaker 3: know each other through the music in a camping, you know?
• 1:01:25
  Speaker 3: How did you get to know each other? Man, it
• 1:01:26
  Speaker 3: was in a camp from the cast, right? We stumbled
• 1:01:30
  Speaker 3: there and.
• 1:01:31
  Speaker 2: How did you get there?
• 1:01:34
  Speaker 3: Então, viado, pique, eu fui, acho que eu fui escalado
• 1:01:36
  Speaker 3: nos 45.
• 1:01:36
  Speaker 6: Porque, mano, eu mesmo não lembro como eu fui parar lá.
• 1:01:40
  Speaker 3: E você tava louco lá?
• 1:01:41
  Speaker 6: Não, não, eu fiquei louco lá.
• 1:01:43
  Speaker 3: Ah, tá.
• 1:01:43
  Speaker 8: Mas eu não tenho uma memória de, tipo assim, quem
• 1:01:46
  Speaker 8: foi que.
• 1:01:51
  Speaker 2: Who was the one who said, come on? Yeah, who
• 1:01:52
  Speaker 2: started this talk?
• 1:01:53
  Speaker 6: Who organized it? Who called who? Now it's going to
• 1:01:55
  Speaker 6: appear in the 80s. I don't know. I don't know.
• 1:01:57
  Speaker 3: I don't know.
• 1:01:58
  Speaker 4: I don't know. I don't know.
• 1:02:14
  Speaker 3: I had never been to a camp before. Like, man, Gomona, Morumbi,
• 1:02:19
  Speaker 3: stuff like that. Tell the audience what a camp is.
• 1:02:21
  Speaker 3: I'm poor and... Man, if I say a few things,
• 1:02:24
  Speaker 3: they'll let me go crazy. What a crazy place, what
• 1:02:26
  Speaker 3: an absurd place. I'm poor, right, bro? Yeah, I mean,
• 1:02:28
  Speaker 3: I got there and.
• 1:02:32
  Speaker 3: I didn't even want to touch the stuff. I had
• 1:02:36
  Speaker 3: an elevator in my house. I had an elevator in
• 1:02:39
  Speaker 3: my house. You can't leave a mark on your finger.
• 1:02:41
  Speaker 3: Once I went to her house, she bought a pizza
• 1:02:44
  Speaker 3: for me and the kids. And there was a big hallway,
• 1:02:46
  Speaker 3: I started to pass my hand on the walls, I
• 1:02:48
  Speaker 3: passed the game and everything. I said, aunt Bia will
• 1:02:50
  Speaker 3: never invite me again to take me to McDonald's and
• 1:02:53
  Speaker 3: eat pizza. So when I got to this Morumbi camp,
• 1:02:55
  Speaker 3: it was a crazy group. It was the biggest team.
• 1:03:00
  Speaker 3: I'm already shy by nature, but I got there very shy,
• 1:03:03
  Speaker 3: I made a deal with Caio, Caio called me to
• 1:03:05
  Speaker 3: make a deal with him, who was the key person
• 1:03:08
  Speaker 3: in Djokovic.
• 1:03:09
  Speaker 4: This is a lot of keys.
• 1:03:10
  Speaker 3: And then I stayed there in the camp, bro. The
• 1:03:12
  Speaker 3: camp is basically the following, it's when you bring together
• 1:03:15
  Speaker 3: producers and music artists, put there, oops, the camera here,
• 1:03:20
  Speaker 3: the camera here, put there food, right, for the artist
• 1:03:24
  Speaker 3: not to die of hunger, drink to... You're going to
• 1:03:28
  Speaker 3: be a prisoner, huh?
• 1:03:30
  Speaker 2: The other things... Who's stopping.
• 1:03:32
  Speaker 6: You more in this camp?
• 1:03:33
  Speaker 3: Man, there was a lot of people. Man, there was everyone. Everyone.
• 1:03:36
  Speaker 3: We made a song, I, GP, listening to Danzo, which
• 1:03:38
  Speaker 3: never came out. I made a song with Caio this.
• 1:03:40
  Speaker 8: Day, that we don't know where this song went to stop.
• 1:03:42
  Speaker 8: Caio Passos, you know?
• 1:03:44
  Speaker 3: Imagine, there was only Mestre getting to know each other. Hello, Mestre.
• 1:03:49
  Speaker 2: So the energy was crazy. I was in Hamburg.
• 1:03:50
  Speaker 3: I was in Hamburg. It was raining in Hamburg. It
• 1:03:53
  Speaker 3: was raining in Hamburg. It was raining in Hamburg. It
• 1:03:58
  Speaker 3: was raining in Hamburg. It's okay, man. I went there
• 1:04:06
  Speaker 3: with two hamburgers. Man, we turned into trutas after that day.
• 1:04:10
  Speaker 6: That day I still slept on the street in front.
• 1:04:12
  Speaker 3: Of the house. You slept with KM at that time.
• 1:04:15
  Speaker 3: How did you sleep on the street, man?
• 1:04:17
  Speaker 8: Why did you sleep on the street? Man, because I
• 1:04:20
  Speaker 8: went to buy a cigarette. A cigarette, I was already crazy. Ah,
• 1:04:23
  Speaker 8: Vila was crazy, man. And then, like, the guys didn't
• 1:04:26
  Speaker 8: want me to leave the house because I was already
• 1:04:28
  Speaker 8: very crazy. And then, like, alone until the post wouldn't work.
• 1:04:33
  Speaker 2: Then, something happened and Wei.
• 1:04:35
  Speaker 6: Opened the gate and I... Like a dog, you know?
• 1:04:38
  Speaker 6: The owner opened the gate, man. The dog never leaves.
• 1:04:41
  Speaker 6: The dog, when he sees the breach, he's like.
• 1:04:43
  Speaker 8: I'm going to stay with the toro on the street.
• 1:04:45
  Speaker 4: No, calm down, man.
• 1:04:46
  Speaker 3: Then I left.
• 1:04:46
  Speaker 8: Then I knocked on a guy on the street. I said, bro,
• 1:04:51
  Speaker 8: where is the nearest post? I want to buy a cigarette.
• 1:04:55
  Speaker 8: The guy already looked. It was like, bro, it was
• 1:04:58
  Speaker 8: going to dawn. It was going to start to dawn.
• 1:05:03
  Speaker 8: The guy said, it's far, huh? Then, when he said that, bro,
• 1:05:07
  Speaker 8: I already discouraged, you know? I already said, vish, you
• 1:05:10
  Speaker 8: want to know? I'm not going to buy any cigarettes.
• 1:05:14
  Speaker 9: I came back.
• 1:05:15
  Speaker 8: Before I came back home, there, because the kids were,
• 1:05:18
  Speaker 8: I kept ringing the bell, ringing the bell, ringing the bell,
• 1:05:20
  Speaker 8: and no one answered me.
• 1:05:22
  Speaker 3: Because, bro, I'm a high, pa.
• 1:05:23
  Speaker 2: Then, I'm very crazy, I think I just... Man, my
• 1:05:24
  Speaker 2: cell phone was discharged.
• 1:05:26
  Speaker 8: Then, I just touched, I touched the gate, like this,
• 1:05:29
  Speaker 8: and I said, bro, one hour someone will open the gate,
• 1:05:31
  Speaker 8: and then I enter.
• 1:05:33
  Speaker 6: Man, I don't know.
• 1:05:34
  Speaker 3: Man, I think it could have been quick.
• 1:05:36
  Speaker 6: Like, it could have been about 15 minutes, I don't
• 1:05:50
  Speaker 6: do academia.
• 1:06:17
  Speaker 1: The gym is a 100% satanic environment. The gym is
• 1:06:22
  Speaker 1: a 100% satanic environment. Everyone who is there is absurdly
• 1:06:26
  Speaker 1: in need. They use vanity in excess. Men full of
• 1:06:30
  Speaker 1: hormones are identified. Between quotes.
• 1:06:32
  Speaker 3: Drugs.
• 1:06:33
  Speaker 4: Forcing situations with insecure women.
• 1:06:35
  Speaker 1: Satan has acted with freedom inside the gyms.
• 1:06:38
  Speaker 2: Fuck, man.
• 1:06:38
  Speaker 3: And I believe because everything that has this energy... No,
• 1:06:41
  Speaker 3: I'm going to bring the point. He brought a very
• 1:06:45
  Speaker 3: important point. But everything that has this energy grows in
• 1:06:48
  Speaker 3: absurd franchises, man. A guy who owns a club that
• 1:06:52
  Speaker 3: has this energy, he will have 10, man. A guy
• 1:06:55
  Speaker 3: who owns an academy with this energy, he has 50.
• 1:06:57
  Speaker 3: It's a good deal, Rafa.
• 1:06:58
  Speaker 2: But do you think Santana is in the academy?
• 1:07:00
  Speaker 6: Man, I don't know.
• 1:07:01
  Speaker 3: I don't do academy. I don't like to exercise in
• 1:07:04
  Speaker 3: front of others, you know? I don't know, man.
• 1:07:08
  Speaker 6: You're in another frequency.
• 1:07:11
  Speaker 3: You know? I am, man. I am. That's why it's awesome.
• 1:07:14
  Speaker 3: I stick to podcasting once in a while because of that.
• 1:07:15
  Speaker 3: I'm in another frequency, another energy.
• 1:07:17
  Speaker 2: But.
• 1:07:18
  Speaker 3: I believe it can be like this. Luquez usually says, man,
• 1:07:21
  Speaker 3: I hate academia, bro. Man, the problem with this academia
• 1:07:23
  Speaker 3: today is.
• 1:07:24
  Speaker 4: That you have to skip the cell phones that are
• 1:07:26
  Speaker 4: on the floor.
• 1:07:26
  Speaker 9: Really?
• 1:07:27
  Speaker 1: Oh, it's like that? Seriously, seriously. Then the other day
• 1:07:31
  Speaker 1: I entered the video.
• 1:07:32
  Speaker 3: Of the woman.
• 1:07:33
  Speaker 4: She made an ugly guy for me.
• 1:07:35
  Speaker 3: Of course, man. It disturbed the woman's video. You're crazy, man.
• 1:07:38
  Speaker 4: You didn't pass the cell phone test, man.
• 1:07:39
  Speaker 3: In this video it wasn't for you to.
• 1:07:40
  Speaker 9: Appear, man.
• 1:07:41
  Speaker 3: Damn, but she was on the way to pass. Man, wait, man. Academy, man.
• 1:07:47
  Speaker 6: Repetition.
• 1:07:48
  Speaker 3: Danzo is going to the academy. What do you think, Danzo?
• 1:07:51
  Speaker 4: Do you agree?
• 1:07:52
  Speaker 3: I hate it. Whoever goes, I hate it.
• 1:07:53
  Speaker 6: But I will.
• 1:07:54
  Speaker 3: Whoever goes, I hate it.
• 1:07:55
  Speaker 9: But do you agree with the tweet?
• 1:07:56
  Speaker 6: But do you think.
• 1:07:57
  Speaker 3: Satan is there?
• 1:07:59
  Speaker 9: Mano, na minha eu acho que não.
• 1:08:02
  Speaker 3: Nunca vi. Eu nunca vi ele lá. Eu nunca vi
• 1:08:06
  Speaker 3: ele lá.
• 1:08:07
  Speaker 9: Se ele for, ele vai em outro horário.
• 1:08:13
  Speaker 3: Nunca vi Satanás lá, não.
• 1:08:14
  Speaker 2: Já vi outros bagulho, mas Satanás, não.
• 1:08:17
  Speaker 3: Quando ele chega lá, o pão já tá amassado.
• 1:08:19
  Speaker 8: Cara, vai tomar no fudo.
• 1:08:23
  Speaker 3: Você treina?
• 1:08:25
  Speaker 1: You're still selling your head?
• 1:08:45
  Speaker 5: No.
• 1:08:45
  Speaker 3: Do you want to buy the head of the wine?
• 1:08:46
  Speaker 3: I wanted to buy the head of the stone. The
• 1:08:48
  Speaker 3: friends already reserved it.
• 1:08:49
  Speaker 4: It's over?
• 1:08:50
  Speaker 6: There's no more?
• 1:08:51
  Speaker 3: No.
• 1:08:51
  Speaker 1: You swear to God that there's no more for me
• 1:08:53
  Speaker 1: to leave here in this pot of straw? Man, I
• 1:08:55
  Speaker 1: didn't even want to sell it, man. I have to
• 1:08:56
  Speaker 1: tell the.
• 1:08:56
  Speaker 3: Guys to do it, man.
• 1:08:57
  Speaker 6: What's up, Jorge? Os amigos, os amigos já... Acabou?
• 1:08:52
  Speaker 4: Não tem mais nenhuma? Você jura por Deus que não
• 1:08:54
  Speaker 4: tem nenhuma pra eu deixar aqui na estética do Podpah?
• 1:08:56
  Speaker 3: Mano, nem quis entender, mano.
• 1:08:57
  Speaker 6: Vou ter que falar pros caras fazerem, mano.
• 1:08:59
  Speaker 4: E aí, Jorge? Eu pago, mano.
• 1:09:01
  Speaker 3: Eu pago, mano.
• 1:09:03
  Speaker 2: Não, ia ficar mó estético aqui.
• 1:09:05
  Speaker 4: Ia ficar mó chato.
• 1:09:08
  Speaker 6: Tá ligado?
• 1:09:10
  Speaker 4: Eu quero ter você aqui, abençoando, mano.
• 1:09:12
  Speaker 8: Mas não pode tirar, hein? Tem que, tipo, fixar o bagulho.
• 1:09:15
  Speaker 8: Não dá pra mudar o cenário, nunca.
• 1:09:16
  Speaker 2: Não, mudar.
• 1:09:17
  Speaker 3: Dá pra.
• 1:09:17
  Speaker 6: Mudar o cenário, mas não dá pra tirar a cabeça
• 1:09:19
  Speaker 6: de lá.
• 1:09:20
  Speaker 4: No, your head will always be here with us. Confirmed, man.
• 1:09:23
  Speaker 1: Okay, what was the idea of doing this merch?
• 1:09:28
  Speaker 4: So different, I thought it was absurd, man.
• 1:09:30
  Speaker 3: Dude, I saw the video there too, talking about my key.
• 1:09:32
  Speaker 6: The thing is, man, the guys, all that was cheating,
• 1:09:36
  Speaker 6: it's all a thousand marks, man.
• 1:09:39
  Speaker 8: Everyone is very creative, very intelligent, only the thinking head.
• 1:09:42
  Speaker 8: Who came up with this idea?
• 1:09:43
  Speaker 4: Was it you?
• 1:09:44
  Speaker 8: Man, look, there's a partner of mine who was the
• 1:09:46
  Speaker 8: guy who developed the head itself, the mold, the stuff, which.
• 1:09:50
  Speaker 6: Is Estevam Davi, you know?
• 1:09:53
  Speaker 8: His trick comes a little in these things of raw material,
• 1:09:56
  Speaker 8: you know?
• 1:09:57
  Speaker 3: Like iron.
• 1:10:08
  Speaker 8: Concrete, these things like that. That are spilled, right?
• 1:10:13
  Speaker 6: Yes, yes, yes.
• 1:10:14
  Speaker 8: So, we met through a friend of mine called Cadi.
• 1:10:17
  Speaker 6: You know Cadi, right? Cadi? Yeah, Cadi, who cheats with FK,
• 1:10:23
  Speaker 6: a white guy with a mustache.
• 1:10:26
  Speaker 2: I know.
• 1:10:26
  Speaker 1: He.
• 1:10:27
  Speaker 4: I don't know this name.
• 1:10:28
  Speaker 6: For Rafael?
• 1:10:29
  Speaker 4: Maybe yes. Okay.
• 1:10:30
  Speaker 6: Then, like, he introduced me to the guy, you know?
• 1:10:34
  Speaker 8: We started a connection like that, and I.
• 1:10:37
  Speaker 8: I liked his work at first, you know? I thought
• 1:10:40
  Speaker 8: his work was very cool. So much so that I
• 1:10:44
  Speaker 8: have a piece of his work at home. And then
• 1:10:47
  Speaker 8: we changing ideas, he asking what I was doing recently,
• 1:10:50
  Speaker 8: if I was planning to make an album, some project,
• 1:10:54
  Speaker 8: because he was enjoying the stuff I was doing recently.
• 1:10:56
  Speaker 6: And I was starting, I think.
• 1:10:58
  Speaker 8: The album, but I was still understanding where I wanted
• 1:11:03
  Speaker 8: to go, you know? I wanted it to be mysterious,
• 1:11:08
  Speaker 8: but I was still trying to understand the aesthetics. I
• 1:11:10
  Speaker 8: was exchanging ideas with Caio, with the guys.
• 1:11:12
  Speaker 4: Why the name?
• 1:11:14
  Speaker 3: Mister.
• 1:11:14
  Speaker 8: Because Mister, I think it's a serious name. It's a
• 1:11:20
  Speaker 8: strong name. Regardless of your age, if you're a Mister,
• 1:11:23
  Speaker 8: you're crazy. You have to respect it.
• 1:11:26
  Speaker 3: And the guy has the nickname of being a Mister
• 1:11:29
  Speaker 3: for 3 years.
• 1:11:32
  Speaker 6: Yeah, but I was the Mr. Lin before, but then
• 1:11:34
  Speaker 6: I stopped with the Lin and.
• 1:11:35
  Speaker 3: Then you became the Mr.
• 1:11:36
  Speaker 6: You became the Mr.
• 1:11:37
  Speaker 3: yeah.
• 1:11:37
  Speaker 1: Master.
• 1:11:38
  Speaker 6: Nice goal, you know?
• 1:11:39
  Speaker 4: Man, I didn't know you were the Mr.
• 1:11:42
  Speaker 6: It's like this, my mom always wanted me to be
• 1:11:44
  Speaker 6: a doctor. I didn't go.
• 1:11:48
  Speaker 4: Yes, I think.
• 1:11:49
  Speaker 3: We realized it. That's good for.
• 1:11:52
  Speaker 6: The medicine world.
• 1:11:53
  Speaker 3: No, the trap world, thank you.
• 1:11:55
  Speaker 6: No, the trap world even more. But Mister is because
• 1:11:57
  Speaker 6: of that.
• 1:11:58
  Speaker 2: It's very cool, very cool.
• 1:12:01
  Speaker 8: And then, guys, we were thinking, trying to understand what
• 1:12:04
  Speaker 8: we were going to do from aesthetics to the album,
• 1:12:07
  Speaker 8: and then we were uniting forces and understanding that maybe
• 1:12:11
  Speaker 8: it was possible to do a head, like, in a
• 1:12:15
  Speaker 8: way that we could manipulate the color and the erosions, etc. So,
• 1:12:20
  Speaker 8: we already started to have a north through there. Like,
• 1:12:25
  Speaker 8: I think the sculpture itself was one of the first
• 1:12:28
  Speaker 8: things that we.
• 1:12:30
  Speaker 8: Concretized both the idea and the material, you know, let's say.
• 1:12:34
  Speaker 8: And then we went on through that.
• 1:12:37
  Speaker 6: Caio, bro, we.
• 1:12:38
  Speaker 8: thinking a lot about the reference, he brought a lot
• 1:12:40
  Speaker 8: of reference too, that gave to.
• 1:12:44
  Speaker 8: It was like, it impacted me even more, it filled
• 1:12:48
  Speaker 8: the idea of what.
• 1:12:49
  Speaker 6: We already had, you know?
• 1:12:49
  Speaker 4: Was that the house you lived in?
• 1:12:51
  Speaker 8: Yeah, bro, it was there that I, like, when I
• 1:12:54
  Speaker 8: left my mom's house, I went there, bro.
• 1:12:56
  Speaker 6: How was it for you to go back there?
• 1:12:58
  Speaker 3: I don't know, it was tense.
• 1:12:59
  Speaker 4: Was it tense or emotional?
• 1:12:59
  Speaker 3: It was tense because, like.
• 1:13:01
  Speaker 6: There was the energy of the gym.
• 1:13:06
  Speaker 3: Not like that, you know?
• 1:13:07
  Speaker 6: There was a weird energy there, you know?
• 1:13:11
  Speaker 8: I was a little chaotic, but it was good. It's
• 1:13:12
  Speaker 8: always good, man. Because the place where I recorded was there,
• 1:13:15
  Speaker 8: with the foam, with the stuff. No one else lived there?
• 1:13:19
  Speaker 3: No, man.
• 1:13:19
  Speaker 6: And it was your first album, right? It was my
• 1:13:22
  Speaker 6: first serious contact with music.
• 1:13:23
  Speaker 2: Like, now it's me for me and I have to
• 1:13:25
  Speaker 2: do this shit.
• 1:13:26
  Speaker 6: Somewhere, you know? And then... Look, there I did.
• 1:13:39
  Speaker 6: Man, from my first song until... I think like.
• 1:13:45
  Speaker 8: I did the whole off there, then I think that
• 1:13:49
  Speaker 8: after the off came 237, so that's when I started
• 1:13:51
  Speaker 8: to ally with other people, I had already left there.
• 1:13:52
  Speaker 8: So like, from off to back, it was all done there,
• 1:13:56
  Speaker 8: in that rubber band, you know?
• 1:13:58
  Speaker 2: Key, key.
• 1:13:58
  Speaker 6: Nice job.
• 1:13:59
  Speaker 1: And you, Nazo, with your album that you released recently too,
• 1:14:05
  Speaker 1: I was reading, you gave an interview, I was reading about,
• 1:14:08
  Speaker 1: you said you stopped listening to Trap to make this
• 1:14:11
  Speaker 1: sound from now, this last album.
• 1:14:13
  Speaker 4: Yeah, I was.
• 1:14:13
  Speaker 3: Breaking other songs.
• 1:14:15
  Speaker 9: What were you breaking?
• 1:14:15
  Speaker 4: Man, anything that wasn't Trap, you know?
• 1:14:17
  Speaker 9: Like, asking for directions, you know? Talking to anyone and saying, man,
• 1:14:21
  Speaker 9: say a song that you like there.
• 1:14:24
  Speaker 1: Did you make any discoveries in the process of making
• 1:14:26
  Speaker 1: this album?
• 1:14:27
  Speaker 4: Like, wow, this artist here is very good.
• 1:14:28
  Speaker 9: I made some random music playlists and I listen to
• 1:14:32
  Speaker 9: them in the satirical academy.
• 1:14:34
  Speaker 3: Then I listen to it, you know?
• 1:14:36
  Speaker 9: But without getting attached to the artist's music, no.
• 1:14:41
  Speaker 3: I listened to it more like.
• 1:14:45
  Speaker 9: To better understand each thing, what the breeze is. Because
• 1:14:49
  Speaker 9: if you look at a person like that, you will
• 1:14:50
  Speaker 9: never know what they hear, what their breeze is.
• 1:14:53
  Speaker 1: But what was the challenge of making this album now,
• 1:14:56
  Speaker 1: coming from a very successful album, you know? The scenario there,
• 1:15:01
  Speaker 1: I think it was a very important album for your career.
• 1:15:04
  Speaker 3: You know?
• 1:15:06
  Speaker 9: I think I already have in my mind what I'm
• 1:15:08
  Speaker 9: going to do, you know? I'm going to be convinced,
• 1:15:10
  Speaker 9: you know? I look at it and say, bro, I
• 1:15:11
  Speaker 9: want to do something like... more mature, because the song
• 1:15:15
  Speaker 9: is about that, you know? I can't hold on to anything,
• 1:15:17
  Speaker 9: otherwise I park there and I'll keep pressing the same
• 1:15:21
  Speaker 9: key and also because I'm always doing other things besides
• 1:15:24
  Speaker 9: what I do inside, like I make my albums, but
• 1:15:27
  Speaker 9: I'm also always in a feat, I'm participating with some
• 1:15:30
  Speaker 9: stuff on some album there so I'm always looking for
• 1:15:33
  Speaker 9: a way to diversify my thing, you know? because I'm
• 1:15:35
  Speaker 9: in other songs, I want to do something more of
• 1:15:37
  Speaker 9: my own but also about myself, so I think that's
• 1:15:41
  Speaker 9: what always stands out in my work.
• 1:15:43
  Speaker 3: You know?
• 1:15:44
  Speaker 9: I do a very personal thing, when people look and say, damn,
• 1:15:46
  Speaker 9: it's from Danzo, that's it.
• 1:15:49
  Speaker 4: That's true, Danza.
• 1:15:50
  Speaker 1: You can see that your song is very authentic, but
• 1:15:54
  Speaker 1: what I think is even more authentic is your.
• 1:15:56
  Speaker 4: You three, right?
• 1:15:57
  Speaker 1: But Vino has a very big particularity in the studio.
• 1:16:02
  Speaker 4: You also make eight songs on the same beat, you know? Like,
• 1:16:05
  Speaker 4: in a single take.
• 1:16:07
  Speaker 1: Where did you find this... You said, like, damn, I'm fucked, man.
• 1:16:09
  Speaker 1: I'm fucked in the studio. Because, really, man, when we
• 1:16:12
  Speaker 1: recorded there a long time ago... I didn't change anything,
• 1:16:16
  Speaker 1: but I was already very scared, you know?
• 1:16:19
  Speaker 4: Today, knowing a little.
• 1:16:20
  Speaker 3: I stay even more, you know? Word! When you listen
• 1:16:23
  Speaker 3: to it, you will understand the thing and you will say, damn,
• 1:16:25
  Speaker 3: how did that guy do that, you know? Like, I'm
• 1:16:28
  Speaker 3: like that, man. I'm like that, man. Damn, man. God
• 1:16:30
  Speaker 3: is also blurry in the studio. Every person you see,
• 1:16:33
  Speaker 3: you are impressed, man, by the way.
• 1:16:34
  Speaker 9: I think this was always my way, like, I liked
• 1:16:37
  Speaker 9: to make music in the time that was left.
• 1:16:39
  Speaker 2: So, man, one....
• 1:16:42
  Speaker 9: One more, one more, one more, and then I would
• 1:16:43
  Speaker 9: go to sleep. So, from home, I already did a
• 1:16:46
  Speaker 9: lot of music, you know? You did it dreaming too.
• 1:16:47
  Speaker 2: You know? I already dreamed, I already woke up, that's it.
• 1:16:49
  Speaker 9: When you're not in the studio, do you write something?
• 1:16:52
  Speaker 3: Like, in.
• 1:16:54
  Speaker 2: A breeze?
• 1:16:55
  Speaker 6: Yeah, I write in a breeze, several things, you know? Like,
• 1:16:56
  Speaker 6: I listen to some beat on.
• 1:16:57
  Speaker 9: The internet too, sometimes I write, then I leave the
• 1:16:59
  Speaker 9: lyrics there for when I'm listening to another beat, if
• 1:17:02
  Speaker 9: I remember.
• 1:17:07
  Speaker 6: But what is your process?
• 1:17:08
  Speaker 2: Is it the melody, the lyrics, the beat?
• 1:17:11
  Speaker 9: Man, I like to listen to the beat and write
• 1:17:15
  Speaker 9: on top of the beat. It's the best part, I
• 1:17:18
  Speaker 9: think it's the best way, you know? That I like.
• 1:17:21
  Speaker 9: But I also like to write, so I'm always writing something.
• 1:17:23
  Speaker 9: Or writing a beat that maybe I won't even use.
• 1:17:26
  Speaker 9: Or using the beat of a song that I like
• 1:17:28
  Speaker 9: just to make one more song.
• 1:17:30
  Speaker 3: So I'm always making music.
• 1:17:31
  Speaker 9: In any way, you know?
• 1:17:33
  Speaker 4: So your hobby is to make music?
• 1:17:34
  Speaker 9: Yeah, you know?
• 1:17:35
  Speaker 4: Besides work.
• 1:17:36
  Speaker 9: Yeah, I like to make music for fuck's sake too.
• 1:17:39
  Speaker 3: Make soccer, play soccer.
• 1:17:41
  Speaker 2: Go to the gym?
• 1:17:42
  Speaker 3: Yeah, I don't like it, I already said it. Gym,
• 1:17:45
  Speaker 3: now with this information.
• 1:17:46
  Speaker 1: Do you write a lot of records in the studio?
• 1:17:48
  Speaker 9: No. No.
• 1:17:50
  Speaker 6: Like, most of my stuff I'm recording at home. So
• 1:17:54
  Speaker 6: my studio.
• 1:17:55
  Speaker 4: Is at home.
• 1:17:55
  Speaker 3: Listen to this mix and master it. To explain to
• 1:17:58
  Speaker 3: an artist. That's it, man. That's what I used to
• 1:18:00
  Speaker 3: do before. You learned it back there.
• 1:18:01
  Speaker 6: But you still do it today, man.
• 1:18:03
  Speaker 4: But nowadays I don't do it, man.
• 1:18:05
  Speaker 8: You don't do it because you say, like, today I
• 1:18:06
  Speaker 8: have contact with any guy who will do this mix,
• 1:18:08
  Speaker 8: but you pick for me.
• 1:18:08
  Speaker 3: No, man, today I have a guy, let's say, that
• 1:18:11
  Speaker 3: he's my right ear, you know? Like, it's Tuti, man.
• 1:18:12
  Speaker 6: He's a kid who's very unruly, he's a producer, and then.
• 1:18:22
  Speaker 8: Most of the things I do, I send to him
• 1:18:24
  Speaker 8: and then I say, dude, do you think this makes sense?
• 1:18:26
  Speaker 8: Do you think it doesn't make sense? And then he
• 1:18:29
  Speaker 8: gives his honest opinion. Many of the things make sense.
• 1:18:31
  Speaker 8: Many of the things make sense, but there are also
• 1:18:34
  Speaker 8: things that don't make sense for him.
• 1:18:35
  Speaker 1: Because the easiest thing for you to put around is, bro,
• 1:18:39
  Speaker 1: that you're just going to spit it out.
• 1:18:41
  Speaker 2: No, fuck it.
• 1:18:41
  Speaker 3: Yes, yes. Fuck, but I don't know, energetically, it distances
• 1:18:44
  Speaker 3: me from the person, bro. If it's like, man, I'm
• 1:18:46
  Speaker 3: looking for a truth in some way, this person is
• 1:18:48
  Speaker 3: always talking... You feel it, you know? Sometimes you know... Exactly, bro.
• 1:18:53
  Speaker 3: You know that... It's not that good, man. Just ask
• 1:18:55
  Speaker 3: for the education. Yeah, bro. If you ask for the education,
• 1:18:59
  Speaker 3: we understand. We say, he was really educated.
• 1:19:02
  Speaker 2: You know?
• 1:19:03
  Speaker 3: But how are you... And how are you in the
• 1:19:05
  Speaker 3: studios nowadays, Kiana?
• 1:19:07
  Speaker 2: How are you nowadays in the studios? Man, this year
• 1:19:10
  Speaker 2: I'm playing soccer.
• 1:19:18
  Speaker 3: I'm an artist, I'm trying to study, I started a
• 1:19:20
  Speaker 3: lot of things, I started boxing, I stopped to play ball,
• 1:19:25
  Speaker 3: my year, man, it's crazy, it's been 6 years, but
• 1:19:28
  Speaker 3: it didn't last, I did a lot of things this year.
• 1:19:32
  Speaker 3: And music was one of the things that I'm doing
• 1:19:35
  Speaker 3: a lot too, you know? My process, man, I don't know,
• 1:19:37
  Speaker 3: I don't... Like, that's why Danzo is a talent, this thing,
• 1:19:41
  Speaker 3: you know? Because it's not my hobby to make music,
• 1:19:44
  Speaker 3: you know?
• 1:19:44
  Speaker 4: Danzo is the CLT of music, man.
• 1:19:46
  Speaker 3: Man, he is the... Man, he's like a farm, actually.
• 1:19:50
  Speaker 3: He'll grow and fuck off, you know? So you have
• 1:19:51
  Speaker 3: to be like, man, I need to make some sounds,
• 1:19:53
  Speaker 3: I'll go there.
• 1:19:54
  Speaker 2: And do it. It's like, man, today I have a commitment,
• 1:19:56
  Speaker 2: you know?
• 1:19:57
  Speaker 3: You're with the myth, man. Foda, mas o Mítico é
• 1:20:03
  Speaker 3: mó da hora, nós pelo menos vai ter uma conversa
• 1:20:04
  Speaker 3: da hora, isso pode ser uma música da hora. Aí
• 1:20:06
  Speaker 3: eu colo lá, nós fomos baseados, troco uma ideia, pá.
• 1:20:09
  Speaker 4: O Ken no estúdio não chegou pra fazer a música.
• 1:20:11
  Speaker 1: Vamos conversar, vai ficar agradável o suficiente pra gente fazer
• 1:20:15
  Speaker 1: a música.
• 1:20:15
  Speaker 5: Então já rolou sensões que não saiu nenhuma.
• 1:20:18
  Speaker 6: Eu tava calado, eu tava calado pra fazer música.
• 1:20:22
  Speaker 4: I was thinking to myself, do I say something or not?
• 1:20:24
  Speaker 6: Kian is the person you call to do a session,
• 1:20:27
  Speaker 6: and he says, let's.
• 1:20:28
  Speaker 8: Have an ice cream. You don't want to skate?
• 1:20:30
  Speaker 3: You don't want to do something? Let's play something.
• 1:20:32
  Speaker 4: I said, no, let's do a song.
• 1:20:33
  Speaker 6: Okay, this session... It's gonna take a while to happen, bro.
• 1:20:50
  Speaker 6: It's gonna take a while.
• 1:20:51
  Speaker 4: No, I only recorded one session with them.
• 1:20:53
  Speaker 3: You're crazy.
• 1:20:54
  Speaker 6: It's awesome.
• 1:20:55
  Speaker 3: No, but you're skating, we're gonna have a experience together.
• 1:20:57
  Speaker 3: You're crazy, we're partners. But it's gonna sound better. No,
• 1:21:00
  Speaker 3: it was a great day. I saw Vino skating with
• 1:21:01
  Speaker 3: his son. It's awesome. It's a great moment, bro. It's awesome.
• 1:21:05
  Speaker 4: You know, Vino?
• 1:21:05
  Speaker 1: It's true.
• 1:21:06
  Speaker 3: I saw Vino's son skating. No, it can be a
• 1:21:08
  Speaker 3: great session. No, but tell me how was your session
• 1:21:10
  Speaker 3: with them, then. It wasn't. Yeah, man. But there was FIFA.
• 1:21:21
  Speaker 3: There was FIFA, Esfirra. There was everything.
• 1:21:23
  Speaker 2: FIFA, Esfirra, Brisa.
• 1:21:27
  Speaker 4: Talk about E.T.
• 1:21:28
  Speaker 2: Talk about Hyundai. It was unforgettable.
• 1:21:29
  Speaker 3: If it was just a studio session, I would have forgotten.
• 1:21:32
  Speaker 4: That's the point.
• 1:21:33
  Speaker 1: For me to make a song, you have to be
• 1:21:35
  Speaker 1: in that mood and make the song.
• 1:21:37
  Speaker 3: Sometimes we don't make the song. But sometimes I have
• 1:21:39
  Speaker 3: to deliver the song. I try to do it as
• 1:21:43
  Speaker 3: fast as I can. But it's a trap song. The
• 1:21:44
  Speaker 3: process of your last trap with Enzo, Joga Bonito. Because....
• 1:21:57
  Speaker 4: Why did you go to the source of Fifa Street?
• 1:21:59
  Speaker 1: Because it's such a cultural game for us, but I
• 1:22:01
  Speaker 1: wanted to know what you wanted to extract from.
• 1:22:03
  Speaker 4: The game for your trap.
• 1:22:06
  Speaker 3: And why with Enzo, this trap? It took a while. Like,
• 1:22:10
  Speaker 3: this work with Enzo is awesome. I feel like I'm
• 1:22:13
  Speaker 3: going to say it now, but I don't want to
• 1:22:15
  Speaker 3: say so much. This took a while. If you want
• 1:22:17
  Speaker 3: to know, it took a while.
• 1:22:19
  Speaker 2: This trap with Enzo, the idea of playing.
• 1:22:21
  Speaker 3: Nice is like this. My career is very much based
• 1:22:27
  Speaker 3: on the scene of Sport Life too, with Trap, with
• 1:22:30
  Speaker 3: the song currently, the aesthetics also walks together. I don't
• 1:22:33
  Speaker 3: know if it was always like that in the song,
• 1:22:36
  Speaker 3: I believe that many times the song arrived before the aesthetics,
• 1:22:38
  Speaker 3: today the aesthetics arrives together, you know? So we've been
• 1:22:41
  Speaker 3: working on the aesthetics of Sport Life since I know
• 1:22:44
  Speaker 3: myself and exist, and now through the song. And in
• 1:22:46
  Speaker 3: the World Cup I was thinking, man, I want to
• 1:22:48
  Speaker 3: do something. that reminds me of soccer in the World Cup,
• 1:22:52
  Speaker 3: but I talk about it every day, I see myself
• 1:22:55
  Speaker 3: in it, I live the soccer thing, so I wanted
• 1:22:58
  Speaker 3: something more descriptive, you know? And I wanted this sound
• 1:23:02
  Speaker 3: to sound in a way, how can I say, digital,
• 1:23:05
  Speaker 3: because many people listen to the sound through Spotify, or
• 1:23:08
  Speaker 3: through a sound car, but there are people who listen
• 1:23:12
  Speaker 3: through playlists of games, or listened in a movie, you know?
• 1:23:17
  Speaker 3: So I was really trying to look at this kind
• 1:23:19
  Speaker 3: of music market, you know, bro? Which is not a
• 1:23:22
  Speaker 3: market that we will have so much demand for views
• 1:23:24
  Speaker 3: and such, but it's another map, another opportunity.
• 1:23:28
  Speaker 4: Would your song on FIFA be a dream?
• 1:23:30
  Speaker 3: It would, bro. It would be awesome, it's my dream actually,
• 1:23:34
  Speaker 3: I've already won some awards, and I don't deserve it,
• 1:23:37
  Speaker 3: but I'm not a guy that's so attached to this
• 1:23:40
  Speaker 3: kind of achievement, so I never put it there to
• 1:23:43
  Speaker 3: idolize it, but if I had a song on FIFA,
• 1:23:46
  Speaker 3: I would have a picture there, because it's a game
• 1:23:49
  Speaker 3: that I've been playing since 2010, so it would be
• 1:23:51
  Speaker 3: a very personal achievement, regardless of whether it's a big
• 1:23:54
  Speaker 3: prize or not.
• 1:23:58
  Speaker 1: And all the Brazilian songs that went to FIFA, I
• 1:24:00
  Speaker 1: think they are very Brazilian.
• 1:24:02
  Speaker 4: I think it's all the same if you.
• 1:24:03
  Speaker 3: It's all the same, bro. So, exactly. FIFA changed a
• 1:24:06
  Speaker 3: lot from what I had of musical perception, because I
• 1:24:09
  Speaker 3: listened to many different songs there, you know?
• 1:24:10
  Speaker 6: Me too.
• 1:24:11
  Speaker 3: And why Enzo, man?
• 1:24:12
  Speaker 2: Besides him being very cool, but why Enzo?
• 1:24:15
  Speaker 3: Man, Enzo is my best friend from outside Brazil, you know?
• 1:24:18
  Speaker 6: He's very good, man.
• 1:24:20
  Speaker 3: Man, he's angry, bro. Enzo is angry and I identify
• 1:24:22
  Speaker 3: with many things with him in relation to Sport Life
• 1:24:25
  Speaker 3: and fashion.
• 1:24:25
  Speaker 4: How old is he, bro?
• 1:24:27
  Speaker 3: Enzo is about my age, I think. He's 32? Fuck,
• 1:24:29
  Speaker 3: Enzo is 32, so.
• 1:24:30
  Speaker 9: Fuck, Enzo is 32.
• 1:24:30
  Speaker 2: That's right.
• 1:24:31
  Speaker 3: But, like, this deal with Enzo, the idea was to
• 1:24:33
  Speaker 3: bring back this nostalgia of Fifa Street, not to bring
• 1:24:35
  Speaker 3: such a thing about the World Cup and such, because
• 1:24:39
  Speaker 3: this stuff is something that we already approach, other people
• 1:24:42
  Speaker 3: would approach, so it wasn't our quota, you know? And
• 1:24:55
  Speaker 3: also aiming to hit FIFA, to hit these things. So
• 1:24:58
  Speaker 3: that was the trap. And with Enzo, because he's my
• 1:25:01
  Speaker 3: friend from France, it was a trap that I was
• 1:25:03
  Speaker 3: aiming at international things, in relation to... Since I'm an
• 1:25:06
  Speaker 3: artist and my music comes first, so my music comes
• 1:25:09
  Speaker 3: to a guy who traps in a brand, to a
• 1:25:11
  Speaker 3: guy who traps in some place in Europe, and he,
• 1:25:14
  Speaker 3: through that, has some insight or... For us to do
• 1:25:18
  Speaker 3: a collab, it's a way for me to get to
• 1:25:20
  Speaker 3: the person and introduce myself. It's like I'm leaving a
• 1:25:21
  Speaker 3: resume somewhere, you know? So I decided to do this
• 1:25:24
  Speaker 3: deal with Enzo, very much based on personal growth of career,
• 1:25:28
  Speaker 3: you know? And it has given very good this, because
• 1:25:31
  Speaker 3: it positioned me very differently in Europe, I managed to
• 1:25:34
  Speaker 3: do some advertising and such. We were taking a picture
• 1:25:38
  Speaker 3: yesterday for Snipes, which is like a Centauri from there. So,
• 1:25:42
  Speaker 3: this was a goal that I aimed, not aiming at views,
• 1:25:45
  Speaker 3: nor at demand, nor in Brazil, which I would never
• 1:25:49
  Speaker 3: do forever in my career. But it already brought me
• 1:25:52
  Speaker 3: some benefits, you know?
• 1:25:53
  Speaker 4: Imagine if I don't trample the footloose.
• 1:25:55
  Speaker 6: Exactly, you know?
• 1:25:56
  Speaker 3: Because a lot of times we think that we are
• 1:25:59
  Speaker 3: in a rat race, when in fact we didn't even
• 1:26:02
  Speaker 3: look at the other opportunities.
• 1:26:04
  Speaker 1: But how is the scene in Europe, the young people,
• 1:26:07
  Speaker 1: the Europeans, are looking at the Brazilian music?
• 1:26:11
  Speaker 4: I asked this to Yuri who was also there. The
• 1:26:13
  Speaker 4: guys love funk, man.
• 1:26:14
  Speaker 3: Brazil is the king there.
• 1:26:16
  Speaker 2: The funk is famous there, right?
• 1:26:18
  Speaker 3: Brazil is the king, you know? But the guys have
• 1:26:20
  Speaker 3: access to basically all the music in the world. So
• 1:26:23
  Speaker 3: there are niches that like it a lot. But in general,
• 1:26:27
  Speaker 3: if you put it anywhere, people will enjoy it. Do
• 1:26:29
  Speaker 3: you have the morals to make an album.
• 1:26:30
  Speaker 4: Just funk, Danzo?
• 1:26:31
  Speaker 7: No, I don't.
• 1:26:31
  Speaker 4: I still need to make several songs, you know?
• 1:26:33
  Speaker 9: Like I said, now we're doing rap, we're enjoying it.
• 1:26:42
  Speaker 9: doing a lot of things, but exploring is the thing.
• 1:26:44
  Speaker 9: I made a lot of tapes, man. I made a
• 1:26:46
  Speaker 9: lot of things, you know? You have to do it, man.
• 1:26:49
  Speaker 3: Funk, a lot of funk stuff I'm going to do.
• 1:26:51
  Speaker 3: I came from funk, you know?
• 1:26:52
  Speaker 2: I'm sure he was going to make a lot of tapes.
• 1:26:54
  Speaker 3: He was going to make a lot of tapes.
• 1:26:56
  Speaker 1: Man, I was here with Pereira the other day, Jay Pereira,
• 1:26:58
  Speaker 1: and I said like this, Pereira, tell me a guy who,
• 1:27:00
  Speaker 1: if he records funk, takes a scene for him.
• 1:27:03
  Speaker 4: He said, FK. I said, fuck, man.
• 1:27:05
  Speaker 3: FK is a master, right, man? So, Vino couldn't jump into.
• 1:27:08
  Speaker 4: Funk a little bit, a little bit, man.
• 1:27:12
  Speaker 3: Like two, three sounds. You're only going to jump in
• 1:27:14
  Speaker 3: the trap.
• 1:27:14
  Speaker 4: Yeah.
• 1:27:15
  Speaker 3: You're only going to jump in the trap.
• 1:27:18
  Speaker 7: Yeah, dude.
• 1:27:18
  Speaker 3: You're a chicken, bro.
• 1:27:19
  Speaker 4: Respect the fight. Respect the fight. Respect the fight.
• 1:27:23
  Speaker 6: I thought it was smooth, bro.
• 1:27:24
  Speaker 3: It was smooth, bro.
• 1:27:25
  Speaker 7: You know?
• 1:27:25
  Speaker 6: You know, bro. It was smooth.
• 1:27:27
  Speaker 3: It was smooth, bro.
• 1:27:28
  Speaker 8: But, like, when the partners send the songs, I record smoothly, bro,
• 1:27:33
  Speaker 8: in the funk. Like, I'm not very.
• 1:27:37
  Speaker 6: You gave a mission.
• 1:27:38
  Speaker 8: Fuck, the funk, no. But these days I tried to
• 1:27:40
  Speaker 8: pull a song, I tried to pull a funk, like,
• 1:27:42
  Speaker 8: from scratch. It's not possible, man.
• 1:27:45
  Speaker 4: It's hard, man.
• 1:27:46
  Speaker 6: The videos came.
• 1:27:47
  Speaker 8: Dude, like, I couldn't kind of centralize the idea.
• 1:27:50
  Speaker 6: You know? Like, the thing was kind of... Then I, no, man.
• 1:27:56
  Speaker 8: I think I have to participate in more songs from
• 1:27:59
  Speaker 8: the partners to be able to understand how I.
• 1:28:03
  Speaker 6: Understand?
• 1:28:04
  Speaker 3: Funk didn't come, man. Why don't you write, then, in
• 1:28:07
  Speaker 3: a trap, all the ideas of the song, and then
• 1:28:09
  Speaker 3: you just change the beat to funk?
• 1:28:11
  Speaker 2: Look at that.
• 1:28:12
  Speaker 8: It can be, but I think it has to be
• 1:28:14
  Speaker 8: a trap that is close to funk.
• 1:28:16
  Speaker 6: Or it has to be something that you're creating, like,
• 1:28:18
  Speaker 6: it's my funk.
• 1:28:19
  Speaker 3: So, from the beginning, it has to be funk.
• 1:28:21
  Speaker 8: Also, because I think the language will end up going
• 1:28:24
  Speaker 8: somewhere else, right?
• 1:28:26
  Speaker 2: Yeah.
• 1:28:27
  Speaker 4: I have questions for Bate Bola Jogo Rápido. Can it be?
• 1:28:30
  Speaker 3: Of course.
• 1:28:31
  Speaker 1: A super-estimated gringo rapper.
• 1:28:34
  Speaker 3: Man, a super-estimated gringo rapper... Say the first... question. No, no, no.
• 1:28:42
  Speaker 3: It's the most important question here.
• 1:28:44
  Speaker 6: I'm thinking, but I'm thinking so I don't say the
• 1:28:45
  Speaker 6: black ones, you know?
• 1:28:47
  Speaker 3: You, Gão. Say what's in your heart. Super esteemed? Start there,
• 1:28:51
  Speaker 3: in your opinion. Drake. Ah, Drake is overestimated, why? You've
• 1:29:00
  Speaker 3: heard it several times already. So, but I wanted a discussion.
• 1:29:03
  Speaker 4: If I say something that you.
• 1:29:05
  Speaker 3: Will agree, it's boring, right? It's good, right? It's like
• 1:29:08
  Speaker 3: a master, bro.
• 1:29:09
  Speaker 4: Yeah, bro. It's good, it's going to give a f
• 1:29:10
  Speaker 4: * * * ing cut, guys.
• 1:29:10
  Speaker 3: Oh, I like Drake, and... I don't have money in
• 1:29:13
  Speaker 3: my pocket.
• 1:29:13
  Speaker 5: F * * *.
• 1:29:13
  Speaker 2: Man, I.
• 1:29:14
  Speaker 3: It's hard, right, bro?
• 1:29:15
  Speaker 6: Man, for me, it's.
• 1:29:18
  Speaker 2: Because I listen a lot more.
• 1:29:22
  Speaker 8: I don't listen to Drake a lot. I listen to
• 1:29:25
  Speaker 8: him a lot.
• 1:29:26
  Speaker 1: But he's a guy that gives a lot of value
• 1:29:28
  Speaker 1: to him and he's not all that.
• 1:29:30
  Speaker 6: He's good, but he's not all that.
• 1:29:31
  Speaker 8: But, like, I know a lot of names that maybe
• 1:29:34
  Speaker 8: you don't know.
• 1:29:36
  Speaker 2: So, for me.
• 1:29:38
  Speaker 3: You want to fuck, bro?
• 1:29:38
  Speaker 6: But the guys are connected.
• 1:29:40
  Speaker 8: Sometimes I listen to some artists that, bro, the guys have,
• 1:29:42
  Speaker 8: I don't know, 30,000 monthly listeners.
• 1:29:44
  Speaker 6: When he introduces you.
• 1:29:45
  Speaker 3: To an artist, it's like.
• 1:29:46
  Speaker 4: Playboy Kari, is he overestimated?
• 1:29:49
  Speaker 6: Maybe, a little. I think he's in an era that...
• 1:29:53
  Speaker 6: I don't understand.
• 1:29:55
  Speaker 4: Is Lil Uzi super esteemed?
• 1:29:57
  Speaker 3: Never.
• 1:29:57
  Speaker 4: No, that's what I wanted to hear.
• 1:29:58
  Speaker 3: Never. Like, never.
• 1:29:59
  Speaker 6: But Playboy Kari?
• 1:30:00
  Speaker 1: Now.
• 1:30:01
  Speaker 3: Now.
• 1:30:01
  Speaker 8: Because I like Playboy Kari, Rolada Ray, a little before.
• 1:30:06
  Speaker 6: Like the fans.
• 1:30:11
  Speaker 3: Yeah, man, it's like.
• 1:30:12
  Speaker 8: It's because, man, I was watching one of his shows,
• 1:30:15
  Speaker 8: one musical thing, and then it became totally different. So, like,
• 1:30:20
  Speaker 8: now I just don't like this phase. Then I'm not
• 1:30:22
  Speaker 8: going to say that the man is overestimated, you know?
• 1:30:26
  Speaker 4: Shhh, don't even try.
• 1:30:27
  Speaker 6: A dream party.
• 1:30:28
  Speaker 4: A dream party.
• 1:30:29
  Speaker 3: Damn, a dream party, man.
• 1:30:37
  Speaker 6: Young Thug, mine, sorry.
• 1:30:39
  Speaker 3: Wow, man. I'm listening to Young Thug. I've already included it.
• 1:30:44
  Speaker 3: I'm sorry, man.
• 1:30:45
  Speaker 2: Done.
• 1:30:46
  Speaker 3: English summary. English summary. Damn, man. I don't know, man.
• 1:30:51
  Speaker 3: A song with Travis Scott. I don't know. It would
• 1:30:54
  Speaker 3: be cool, man.
• 1:30:54
  Speaker 2: Damn, Travis Scott.
• 1:30:55
  Speaker 9: It would be cool, right, man? Let me see. Man,
• 1:30:58
  Speaker 9: NBA Young Boy, man. Wow.
• 1:30:59
  Speaker 6: Chave too.
• 1:31:00
  Speaker 3: He's awesome. Take him to Nakamura. You know?
• 1:31:02
  Speaker 6: He's going to be scared.
• 1:31:03
  Speaker 4: He has to be scared. Best Playstation 2 game?
• 1:31:12
  Speaker 3: Street, dude. The 2. The 2, the 2.
• 1:31:13
  Speaker 2: Tony Hawk.
• 1:31:14
  Speaker 3: Which one? Which one? The first one.
• 1:31:16
  Speaker 2: Oh, shit. Bombapet?
• 1:31:16
  Speaker 3: Bombapet, there's no way.
• 1:31:17
  Speaker 6: It has to start somewhere.
• 1:31:19
  Speaker 3: No, three games.
• 1:31:20
  Speaker 4: They never made a Bombapet. Bombapet?
• 1:31:21
  Speaker 3: Which Bombapet? Updated. Ah, the most.
• 1:31:23
  Speaker 2: 16.1.9.4. Bombapet had several.
• 1:31:24
  Speaker 9: An artist who disappears when he owes voice, he owes fit.
• 1:31:39
  Speaker 3: Fuck me, bro. Fuck, bro. I owe a lot of money,
• 1:31:43
  Speaker 3: I can't do.
• 1:31:43
  Speaker 6: This shit, bro. But you're kind of bad at answering everything.
• 1:31:48
  Speaker 6: It's not even just with... Yeah, bro. Like, slow motion,
• 1:31:53
  Speaker 6: you know?
• 1:31:54
  Speaker 4: No, Kian is in 93, you have to go to
• 1:31:55
  Speaker 4: his door.
• 1:31:56
  Speaker 3: Oh, Kian!
• 1:31:56
  Speaker 8: You have to call him, you have to call him.
• 1:31:59
  Speaker 3: No, one thing is a fact. If Kuala Lama calls me,
• 1:32:03
  Speaker 3: I'll do the mission. It can be the mission of
• 1:32:05
  Speaker 3: the whole day. That's what I'm talking about, man. If
• 1:32:07
  Speaker 3: you go to Kuala Lama's house, without talking to him,
• 1:32:09
  Speaker 3: I can only talk to him.
• 1:32:10
  Speaker 4: If he comes to pick me up.
• 1:32:10
  Speaker 2: He has to go there.
• 1:32:11
  Speaker 3: No, but I'm going on the mission. No, you came here,
• 1:32:13
  Speaker 3: so I'll go to the end, bro. You're crazy, but
• 1:32:18
  Speaker 3: you're with me.
• 1:32:20
  Speaker 9: Let's go.
• 1:32:21
  Speaker 3: What was the question again? The artist who disappears when
• 1:32:24
  Speaker 3: he owes the FIT. Was that it? Everyone, I think.
• 1:32:26
  Speaker 3: It depends. Thanks. It depends on the moment.
• 1:32:29
  Speaker 2: Everyone disappears a little.
• 1:32:31
  Speaker 9: Sometimes you even try to do it, but you can't.
• 1:32:33
  Speaker 3: What to expect from Racionais' album? Ok, everyone is watching.
• 1:32:36
  Speaker 4: I was going to say yours.
• 1:32:37
  Speaker 2: Show it, I'll say it.
• 1:32:42
  Speaker 6: Show it, now you're shy.
• 1:32:43
  Speaker 3: It's obvious that you're shy now.
• 1:32:52
  Speaker 6: Let's talk about the coupons.
• 1:32:55
  Speaker 2: Okay.
• 1:32:56
  Speaker 3: Show us the coupons.
• 1:32:59
  Speaker 6: Calm down, bro.
• 1:33:00
  Speaker 8: This one is for the show, so the guys can
• 1:33:03
  Speaker 8: stick it with us.
• 1:33:04
  Speaker 3: Are you crazy? There will be a show on the audio. Really?
• 1:33:08
  Speaker 4: There will be a Vino show on the audio.
• 1:33:10
  Speaker 8: On the 17th of July, the biggest weight team will
• 1:33:12
  Speaker 8: be there. The day before the anniversary. So you will
• 1:33:15
  Speaker 8: stick it, because the show will probably be on the
• 1:33:18
  Speaker 8: day of your anniversary.
• 1:33:19
  Speaker 3: At dawn.
• 1:33:22
  Speaker 7: Um.
• 1:33:23
  Speaker 4: Are you going to sing.
• 1:33:24
  Speaker 3: Congratulations to me?
• 1:33:26
  Speaker 4: No, man. I'm kidding.
• 1:33:27
  Speaker 3: In the best spatial way. Let's go. I'm going to
• 1:33:29
  Speaker 3: be there.
• 1:33:30
  Speaker 9: Mr.
• 1:33:30
  Speaker 3: 10 coupon in the bag. It gives you 10% discount.
• 1:33:33
  Speaker 3: Is that right?
• 1:33:33
  Speaker 4: I'm right?
• 1:33:33
  Speaker 1: July 17th, now, at the Audio Club. Enter there on Instagram, Mr. Tourney,
• 1:33:36
  Speaker 1: for you to see the.
• 1:33:38
  Speaker 6: Weight team that is going to be with us. And you, Mosca,
• 1:33:40
  Speaker 6: there will be tickets for you, viu?
• 1:33:42
  Speaker 4: Audio Club fits more or less 3,000 heads there. It's
• 1:33:44
  Speaker 4: for you to eat. It's for you to eat. It's
• 1:33:45
  Speaker 4: for you to eat. It's for you to eat. It's
• 1:33:46
  Speaker 4: for you to eat.
• 1:33:47
  Speaker 3: It's for you to eat.
• 1:33:48
  Speaker 4: It's for you to eat. It's for you to eat.
• 1:33:50
  Speaker 3: Man, I almost took this gift that I saw there. No,
• 1:33:53
  Speaker 3: you'll never take it. You'll sign it later. Is it
• 1:33:55
  Speaker 3: for me? It wasn't for me.
• 1:33:56
  Speaker 4: One of the most beautiful covers of Trap. Yeah, he
• 1:33:59
  Speaker 4: told me to buy it.
• 1:34:00
  Speaker 3: I'm going to buy it, man. Okay. I don't want
• 1:34:02
  Speaker 3: to buy anymore, I just want to win.
• 1:34:04
  Speaker 6: No, no, now you're going to buy it, man.
• 1:34:15
  Speaker 3: I'll keep it.
• 1:34:16
  Speaker 8: I'll wait for you to appreciate the gift, then I'll
• 1:34:18
  Speaker 8: give it to you too.
• 1:34:19
  Speaker 4: Crazy, man.
• 1:34:19
  Speaker 6: Just you and me.
• 1:34:20
  Speaker 3: Calm down, calm down.
• 1:34:20
  Speaker 4: Another color, vinyl, you're crazy.
• 1:34:22
  Speaker 3: Damn, man, you're a little crazy.
• 1:34:23
  Speaker 2: It's absurd, huh? Can you guarantee this vinyl one day?
• 1:34:26
  Speaker 6: It's there in the build.
• 1:34:30
  Speaker 3: Run there.
• 1:34:30
  Speaker 4: I don't want a lot of people to have it,
• 1:34:33
  Speaker 4: I want it to be rare.
• 1:34:35
  Speaker 3: Really?
• 1:34:35
  Speaker 9: Really, man.
• 1:34:36
  Speaker 3: After you sign it, we'll have this here as.
• 1:34:43
  Speaker 4: It's a work of art.
• 1:34:44
  Speaker 2: Wow, that's crazy. Look at this.
• 1:34:46
  Speaker 3: I'll sign it later.
• 1:34:48
  Speaker 6: It's a well-made thing, man.
• 1:34:49
  Speaker 2: No, this is a well-made thing.
• 1:34:50
  Speaker 4: What do you expect from Racionais' album?
• 1:34:54
  Speaker 3: Ah, man, for me, man, it's already a plus, you know?
• 1:34:56
  Speaker 3: But it's already in profit, right? I'm just going to
• 1:34:59
  Speaker 3: thank you for the album that came out. Racionais' album
• 1:35:02
  Speaker 3: is crazy. I'm just like my fans with me. Throw, throw, throw,
• 1:35:04
  Speaker 3: you know?
• 1:35:09
  Speaker 8: Thank you for living at the same time, man. To
• 1:35:11
  Speaker 8: be able to listen to the new project of the legends.
• 1:35:15
  Speaker 6: You're crazy.
• 1:35:16
  Speaker 9: You're crazy. Man, there's a song that I heard once there. No,
• 1:35:20
  Speaker 9: there's a song there that I heard that I've been
• 1:35:22
  Speaker 9: trying to hear for years, man. I've only heard it once,
• 1:35:25
  Speaker 9: and I've been trying.
• 1:35:27
  Speaker 3: To listen to it for years, but no one shows me, man.
• 1:35:31
  Speaker 2: It's weird.
• 1:35:31
  Speaker 3: Have you heard it, Jorge? Have you heard it? We've
• 1:35:35
  Speaker 3: been listening to it for a long time, man. GTA VI,
• 1:35:38
  Speaker 3: Racionais' album, and Pro-1 relaunched it, man. We're living the
• 1:35:44
  Speaker 3: dreams of the kids of 2012, bro.
• 1:35:45
  Speaker 6: I'm going to say something.
• 1:35:46
  Speaker 3: One time I heard a sound.
• 1:35:48
  Speaker 4: And I wanted to know if that sound One day
• 1:35:55
  Speaker 4: it will come out.
• 1:35:55
  Speaker 2: I also heard that sound.
• 1:35:57
  Speaker 3: What are you looking at me?
• 1:35:59
  Speaker 4: I'm looking at you two here.
• 1:36:00
  Speaker 3: What sound is that?
• 1:36:02
  Speaker 6: What sound is that?
• 1:36:04
  Speaker 3: You're falling in the IA, right? Oh, man, I'm... What
• 1:36:10
  Speaker 3: did he say? I didn't get it.
• 1:36:11
  Speaker 6: You're not believing in the song, right? I made a disclaimer.
• 1:36:15
  Speaker 1: I wanted to wait for the Abudo Racionais. And that
• 1:36:17
  Speaker 1: sound will come out. Then you have to connect the dots.
• 1:36:21
  Speaker 1: Because I say that you have a sound with Mano Brown,
• 1:36:25
  Speaker 1: it sucks.
• 1:36:26
  Speaker 3: So, will this sound come out or not? You were
• 1:36:29
  Speaker 3: in secret.
• 1:36:29
  Speaker 4: You were not even linking.
• 1:36:30
  Speaker 3: I'm like you, man. I'm like you.
• 1:36:31
  Speaker 2: I don't know, man.
• 1:36:32
  Speaker 3: Jorge, ask Jorge.
• 1:36:32
  Speaker 6: Will this sound come out, Jorge?
• 1:36:40
  Speaker 3: Maybe. Yeah, maybe.
• 1:36:42
  Speaker 4: I just wanted to know that. Just so people know that.
• 1:36:45
  Speaker 2: It can happen.
• 1:36:46
  Speaker 3: If it stops, we were in the selection, you know?
• 1:36:50
  Speaker 3: There was the selection of monsters, we were... I don't know.
• 1:36:53
  Speaker 4: I've already talked about this a lot of times. This
• 1:36:55
  Speaker 4: sound is awesome. This sound is awesome. Man, you're crazy.
• 1:36:57
  Speaker 3: There's every song there, bro.
• 1:36:58
  Speaker 2: Everyone will be shocked.
• 1:37:00
  Speaker 3: Like this, bro.
• 1:37:04
  Speaker 6: There's also one.
• 1:37:05
  Speaker 3: Oh, I won't say it, sorry. No, but I think you.
• 1:37:08
  Speaker 4: You don't need to say.
• 1:37:09
  Speaker 1: You don't need to give details, but you give this warm-up,
• 1:37:12
  Speaker 1: it's fucking awesome, right?
• 1:37:13
  Speaker 8: Man, there's a lot of great music. And I say, like,
• 1:37:15
  Speaker 8: it's not even my music. There are other songs with
• 1:37:18
  Speaker 8: other artists that, like, man, the thing is way ahead, really.
• 1:37:21
  Speaker 2: It's like.
• 1:37:21
  Speaker 3: It's current. Man, that's too much, man.
• 1:37:25
  Speaker 3: .
• 1:37:26
  Speaker 4: .
• 1:37:33
  Speaker 9: .
• 1:37:46
  Speaker 1: Man, the joy of 230 million people in a nation.
• 1:37:50
  Speaker 9: I wouldn't say it, but there's someone who would do that, bro.
• 1:37:54
  Speaker 3: Around there, man.
• 1:37:55
  Speaker 4: Look at Higão, at his disposal.
• 1:37:56
  Speaker 3: Man, I made a question.
• 1:37:57
  Speaker 2: Higão Mamaria, for sure.
• 1:37:58
  Speaker 4: For Exa, for Exa, bro.
• 1:37:59
  Speaker 3: No, who asked me that question?
• 1:38:00
  Speaker 9: Do it for us, do it for us.
• 1:38:01
  Speaker 3: Higão Mamaria, for sure.
• 1:38:02
  Speaker 2: But without saying... I.
• 1:38:03
  Speaker 4: Don't know who you are, Dando.
• 1:38:06
  Speaker 3: You Mamaria, he.
• 1:38:08
  Speaker 4: Got it?
• 1:38:09
  Speaker 3: For Exa.
• 1:38:10
  Speaker 2: All we go!
• 1:38:21
  Speaker 4: Humor, humor, jokes. Jokes, bro.
• 1:38:23
  Speaker 3: I think my audience is like this now.
• 1:38:26
  Speaker 4: Look at.
• 1:38:29
  Speaker 3: The big eye, look at.
• 1:38:31
  Speaker 4: The big eye.
• 1:38:31
  Speaker 3: But at least Brazil is with Exo, bro.
• 1:38:33
  Speaker 2: There has to be one to suck, bro. Someone has
• 1:38:36
  Speaker 2: to suck to represent us.
• 1:38:37
  Speaker 4: No, no, no, no, no, no.
• 1:38:38
  Speaker 3: You're going to release something here?
• 1:38:40
  Speaker 6: I was going to pull this subject now.
• 1:38:48
  Speaker 3: What?
• 1:38:48
  Speaker 6: Man, the guys don't... Man.
• 1:38:50
  Speaker 1: There are all the devices there.
• 1:38:52
  Speaker 3: The guys are very difficult, man. The controller, microphones... What
• 1:38:55
  Speaker 3: are you singing, Adan? Just one, man.
• 1:38:57
  Speaker 4: Just one, man.
• 1:38:58
  Speaker 3: Before we.
• 1:38:59
  Speaker 4: Ah, yes.
• 1:39:00
  Speaker 3: Calm down, calm down, man. Fuck, there's a gift for me.
• 1:39:03
  Speaker 6: What is it?
• 1:39:03
  Speaker 3: I liked it here, huh?
• 1:39:04
  Speaker 2: Hey, learn from the guys, man.
• 1:39:05
  Speaker 5: When you come here, bring a cheap one, a tapioca.
• 1:39:13
  Speaker 3: Sérgio is the meme.
• 1:39:14
  Speaker 2: No, but it's only Brazilians.
• 1:39:15
  Speaker 3: Calm down, bro. There's for you too. Calm down. Dança
• 1:39:17
  Speaker 3: also won. Calm down.
• 1:39:17
  Speaker 6: No, there's for us too.
• 1:39:18
  Speaker 3: There's for you too. Calm down.
• 1:39:20
  Speaker 2: Calm down. This is the.
• 1:39:21
  Speaker 6: Guest of respect. Let's sing now.
• 1:39:25
  Speaker 3: Let's sing for all the beautiful people. Show it.
• 1:39:27
  Speaker 6: Why do I have to start?
• 1:39:28
  Speaker 3: Damn, Vinho. This is the key.
• 1:39:30
  Speaker 7: This is for the smarts.
• 1:39:30
  Speaker 4: Damn, you give the string of yours.
• 1:39:42
  Speaker 6: You don't want to trade with me?
• 1:39:45
  Speaker 3: You can become a new type of market, huh?
• 1:39:48
  Speaker 4: No one.
• 1:39:49
  Speaker 3: So, you don't want to trade?
• 1:39:50
  Speaker 2: Why do you want to trade?
• 1:39:52
  Speaker 6: Because it's green, right?
• 1:39:54
  Speaker 4: I'm kidding.
• 1:39:55
  Speaker 6: Calm down, calm down.
• 1:39:58
  Speaker 4: Now everyone is like the trapper, right? Alkian knows how
• 1:40:02
  Speaker 4: to be a trapper.
• 1:40:03
  Speaker 3: We are like you, right? He looks like a crazy person.
• 1:40:06
  Speaker 3: Tell us what we are going to launch. Heavy.
• 1:40:09
  Speaker 4: What will happen? No, you told me he's 5 years old, Kian.
• 1:40:13
  Speaker 3: Yeah, no.
• 1:40:14
  Speaker 6: Kian, bro, he's... I say he's difficult, bro.
• 1:40:16
  Speaker 4: Let's launch it on Podpah.
• 1:40:17
  Speaker 6: Let's go.
• 1:40:18
  Speaker 4: Animation?
• 1:40:18
  Speaker 3: Let's go, bro.
• 1:40:19
  Speaker 8: You never told me that outside of the podcast.
• 1:40:21
  Speaker 3: What, bro? Do you really think it's difficult? Oh, bro, yes.
• 1:40:24
  Speaker 8: We're not going to start washing dirty clothes.
• 1:40:28
  Speaker 3: Dirty clothes here. Put the phone, the beat will.
• 1:40:31
  Speaker 4: Come out on the phone. Kian is going to start, huh? Fuck,
• 1:40:34
  Speaker 4: you guys are the trap.
• 1:40:37
  Speaker 2: That was a trap.
• 1:40:38
  Speaker 4: I don't know, bro.
• 1:40:39
  Speaker 3: I have to start.
• 1:40:40
  Speaker 6: Oh, I'm the one who has to start, because.
• 1:40:43
  Speaker 3: Oh, but... Fuck, because... Hey, Grizz, you don't like me, right?
• 1:40:45
  Speaker 6: I don't know, I didn't even test it.
• 1:40:48
  Speaker 2: Hey, Grizz, since they're indecisive.
• 1:40:50
  Speaker 4: Wait, wait. Decide who starts, bro. No, it won't start. Hey, Grizz,
• 1:40:52
  Speaker 4: straight talk.
• 1:40:52
  Speaker 3: The guys won't... Do you guys want to sing a
• 1:40:56
  Speaker 3: solo song.
• 1:40:57
  Speaker 6: Of yours, too?
• 1:41:03
  Speaker 2: No, I only sing if I want to.
• 1:41:05
  Speaker 6: So put a summary there.
• 1:41:07
  Speaker 8: Put a summary for everyone to sing there, because the
• 1:41:10
  Speaker 8: guys were.
• 1:41:10
  Speaker 4: Going to play B.O. just for me. Yeah, but they're
• 1:41:12
  Speaker 4: also going.
• 1:41:13
  Speaker 6: To sing solo.
• 1:41:13
  Speaker 3: No, the guys didn't even know. You're crazy.
• 1:41:16
  Speaker 2: They're getting crazy.
• 1:41:17
  Speaker 3: No, you didn't know. I'm stuck with this, I don't
• 1:41:19
  Speaker 3: know if you're aware. But then, man, put the sound there, bro, man.
• 1:41:22
  Speaker 3: There it was.
• 1:41:22
  Speaker 6: Fuck, it was a mess.
• 1:41:24
  Speaker 3: I have a doubt that I'll sing too if he wants. Yeah,
• 1:41:26
  Speaker 3: but sing yours. Intelligent, smart, dedicated, want more new. Dedicated,
• 1:41:31
  Speaker 3: want more new. Put your headphones on!
• 1:41:35
  Speaker 1: Yeah!
• 1:41:36
  Speaker 2: Yeah!
• 1:41:37
  Speaker 4: Yeah!
• 1:41:37
  Speaker 3: Yeah! Yeah! Yeah!
• 1:41:38
  Speaker 1: Yeah!
• 1:41:39
  Speaker 3: Yeah! Yeah!
• 1:41:40
  Speaker 9: Yeah!
• 1:41:40
  Speaker 5: Yeah!
• 1:41:40
  Speaker 3: Yeah!
• 1:41:41
  Speaker 10: Yeah!
• 1:41:41
  Speaker 3: Yeah! Yeah! Yeah!
• 1:41:41
  Speaker 2: Yeah!
• 1:41:42
  Speaker 9: Yeah!
• 1:41:42
  Speaker 3: Yeah!
• 1:41:42
  Speaker 9: Yeah!
• 1:42:03
  Speaker 3: EKM, that smelly one over there.
• 1:42:06
  Speaker 8: He's got a return speed of zero.
• 1:42:09
  Speaker 3: Leave the thing and voice of robot.
• 1:42:14
  Speaker 3: .
• 1:42:26
  Speaker 4: We're turning on the engines.
• 1:42:27
  Speaker 3: The show is live. The shit was even happening on Gugu.
• 1:42:30
  Speaker 3: Mix it up. Mix it up, bro.
• 1:42:32
  Speaker 9: Feel free.
• 1:42:34
  Speaker 1: If you were Gugu, would you fix the air conditioning, bro?
• 1:42:38
  Speaker 3: Bro, I would.
• 1:42:38
  Speaker 2: I would.
• 1:42:38
  Speaker 4: Yeah, right?
• 1:42:52
  Speaker 8: Hey, you know that this stuff is a big theory,
• 1:42:53
  Speaker 8: there's a theory on top of that.
• 1:42:55
  Speaker 4: You know? I know, I know. I love talking about
• 1:42:58
  Speaker 4: this stuff.
• 1:42:59
  Speaker 1: Let's go home, without camera, just to talk about the theories.
• 1:43:03
  Speaker 3: Let's go, let's go. Podcast.
• 1:43:04
  Speaker 4: Podcast, without cast, without pod. Just with ice cream and FIFA.
• 1:43:10
  Speaker 3: I don't need to use this one, right? We're going
• 1:43:13
  Speaker 3: to sing everything in one song, right? Because I wanted
• 1:43:16
  Speaker 3: to do the doubles, you know? We're a group, I
• 1:43:18
  Speaker 3: don't know if you know.
• 1:43:19
  Speaker 6: This is crazy.
• 1:43:20
  Speaker 3: I love him. He is my idol at the moment.
• 1:43:23
  Speaker 3: You saw Bruno went to give him a tennis, but
• 1:43:25
  Speaker 3: he had to talk about parachute.
• 1:43:27
  Speaker 6: No, never.
• 1:43:28
  Speaker 4: I hate parachutes. I hate parachutes. He's angry. I want
• 1:43:38
  Speaker 4: him here, bro.
• 1:43:39
  Speaker 3: Bring him, bro. You're coming? I'm coming, bro. I stay
• 1:43:42
  Speaker 3: in the corner, just scratching. I want him. I want him.
• 1:43:44
  Speaker 6: I want him.
• 1:43:44
  Speaker 3: I want him. I want him.
• 1:43:46
  Speaker 6: I want him.
• 1:43:46
  Speaker 5: I want him.
• 1:43:47
  Speaker 6: I want him.
• 1:43:48
  Speaker 3: I want him. I want him.
• 1:43:49
  Speaker 2: I want him.
• 1:43:50
  Speaker 4: I want him.
• 1:43:50
  Speaker 2: I want him.
• 1:44:07
  Speaker 4: What's going on?
• 1:44:08
  Speaker 3: Who knows how to do it live? It's very low, bro.
• 1:44:13
  Speaker 3: It's very low, very low.
• 1:44:14
  Speaker 2: MS, give a little more base.
• 1:44:15
  Speaker 4: More base.
• 1:44:16
  Speaker 3: It's coming, it's coming. Give more base.
• 1:44:20
  Speaker 2: More, more, more.
• 1:44:21
  Speaker 3: A little more. A little more, a little more.
• 1:44:24
  Speaker 4: A little more, a little more.
• 1:44:25
  Speaker 2: A little more, a little more.
• 1:44:26
  Speaker 3: A little more, a little more. A little more, a
• 1:44:27
  Speaker 3: little more.
• 1:44:39
  Speaker 2: It's coming out, but you have to increase.
• 1:44:41
  Speaker 3: It a little more. It's coming out very low.
• 1:44:44
  Speaker 9: Increase the beat a little more, brother. This bandit is
• 1:44:47
  Speaker 9: smoking in the ring.
• 1:44:48
  Speaker 3: The guy is a key, huh, Vino? Are you going
• 1:44:51
  Speaker 3: to set up a feat for me?
• 1:44:53
  Speaker 4: To use me with this?
• 1:44:54
  Speaker 3: It's going to be hot. It took a while. We
• 1:45:09
  Speaker 3: took some pictures already. It's not to kill the idea.
• 1:45:13
  Speaker 3: Can you sing? It's low here.
• 1:45:14
  Speaker 6: Are you listening to the music?
• 1:45:25
  Speaker 3: It's your turn, man.
• 1:45:26
  Speaker 4: It's your turn, man.
• 1:45:27
  Speaker 3: I'm the last one. You don't know why you're listening.
• 1:45:30
  Speaker 3: It's low, it's low, man. We're not going to send
• 1:45:32
  Speaker 3: it now, honestly. Hurry, hurry. Are you high on music?
• 1:45:34
  Speaker 9: No, no, no.
• 1:45:34
  Speaker 3: Ah, then. It's going to work out, it's going to
• 1:45:37
  Speaker 3: work out.
• 1:45:37
  Speaker 2: While that's going on.
• 1:45:39
  Speaker 9: I know we're cheating.
• 1:45:49
  Speaker 4: Ah, to restart the PC?
• 1:45:50
  Speaker 2: Oi, Gão!
• 1:45:51
  Speaker 4: Oh, my brother, I love you, I'm sorry!
• 1:45:54
  Speaker 5: Are you crazy?
• 1:45:54
  Speaker 9: But we need to tromb ourselves without being trombosed.
• 1:45:56
  Speaker 3: No, but every time we tromb.
• 1:45:58
  Speaker 1: Ourselves, it's the same talk.
• 1:46:00
  Speaker 4: We need to have a barbecue.
• 1:46:01
  Speaker 3: But you don't answer, man.
• 1:46:02
  Speaker 2: I think you only.
• 1:46:03
  Speaker 3: Answer the rate, bro.
• 1:46:05
  Speaker 2: At the most.
• 1:46:05
  Speaker 6: At the most.
• 1:46:14
  Speaker 3: If you don't answer, then... Then, because there's the B.O. Then,
• 1:46:18
  Speaker 3: it's worth it, right? I don't know.
• 1:46:22
  Speaker 2: I don't know. I don't know.
• 1:46:24
  Speaker 4: I don't know.
• 1:46:24
  Speaker 2: I don't know.
• 1:46:25
  Speaker 4: I don't know.
• 1:46:25
  Speaker 6: I don't know.
• 1:46:26
  Speaker 3: I don't know. It's fixed here. Under the Santos emblem. Wow,
• 1:46:32
  Speaker 3: she's going.
• 1:46:34
  Speaker 4: To say a lot of things now that she's home.
• 1:46:36
  Speaker 3: But it's here.
• 1:46:37
  Speaker 2: No, I'm kidding.
• 1:46:37
  Speaker 3: It's a joke.
• 1:46:38
  Speaker 4: You don't understand.
• 1:46:40
  Speaker 9: Exactly.
• 1:46:40
  Speaker 3: Exactly.
• 1:46:41
  Speaker 4: Are you crazy?
• 1:46:41
  Speaker 2: You're crazy, man.
• 1:46:42
  Speaker 3: You're crazy, man.
• 1:46:43
  Speaker 6: Ah, it's here.
• 1:46:44
  Speaker 3: Yeah, yeah. Yeah, yeah, yeah. Uh-huh, uh-huh. Yeah, yeah, yeah.
• 1:47:01
  Speaker 3: You're the big, you're the big. Each one with his mic.
• 1:47:09
  Speaker 3: .
• 1:47:25
  Speaker 9: Essa bandida
• 1:47:32
  Speaker 9: fumando narguilha Tomando bala, cê é um mau caminho Joga
• 1:47:36
  Speaker 9: na bunda, me olha o sonho E não foge a
• 1:47:38
  Speaker 9: noite toda sem ousar Postura e cara de mal Se joga,
• 1:47:42
  Speaker 9: cê toma pau Bota na garupa e grau Cê tá
• 1:47:46
  Speaker 9: no baile do mal Não quero ver, eu só quero
• 1:47:49
  Speaker 9: resumir Vê que não fumo bagulho No rádio já tô
• 1:47:53
  Speaker 9: mergulhando Tamo fazendo barulho.
• 1:47:55
  Speaker 3: Duas garotas no carro jogando pra mim Meia noite é
• 1:47:59
  Speaker 3: ruim I thought he was going to sing for us.
• 1:48:03
  Speaker 2: Sing it, man.
• 1:48:05
  Speaker 4: Sing it, man.
• 1:48:10
  Speaker 3: Thank you, caralho! We'll be right back. Porque amanhã nós
• 1:48:58
  Speaker 3: pode virar luta e também pra jogar Vem, vem, vem, vem,
• 1:49:01
  Speaker 3: pra cá Porque nós tem pressa e vamos viver Se
• 1:49:03
  Speaker 3: o corre cantar, fecha o cama e rasga as notas
• 1:49:06
  Speaker 3: na dor de rir Desculpa, mas não sei o que
• 1:49:09
  Speaker 3: é sofrer Como tá sendo tirar um lazer Pra nós
• 1:49:12
  Speaker 3: tá normal gastar dez na noite Coco, bambu de jantar
• 1:49:15
  Speaker 3: no apê Mas não pode esquecer Que pra ter tive
• 1:49:18
  Speaker 3: que correr Na corrida que vocês caminham Eu correr no
• 1:49:21
  Speaker 3: dobro tipo cantei Iê, eu fiz por onde e por
• 1:49:25
  Speaker 3: merecer Iê, quero eu te ver viver pra ver Eu
• 1:49:28
  Speaker 3: passar na sua quebrada e roubar tensão, menino Música.
• 1:49:32
  Speaker 8: Como ela sabe que eu tô No estado da sua
• 1:49:34
  Speaker 8: marca favorita eu tô Vai.
• 1:49:35
  Speaker 3: Me desculpar se eu não virei doutor Filhando essa nota.
• 1:49:38
  Speaker 8: Eu virei consultor Hoje eu sei se eu quero, eu
• 1:49:40
  Speaker 8: consigo Sei quem tá comigo, só me viu no mundo
• 1:49:42
  Speaker 8: You want to call me a friend?
• 1:49:44
  Speaker 3: I'll send you to hell in this tape with me.
• 1:49:45
  Speaker 6: I'll pay you to see, you'll get fucked.
• 1:49:48
  Speaker 3: Blunt plus M, I know that almost no one understands me.
• 1:49:51
  Speaker 6: Bright, so sweet, it seems even hot.
• 1:49:52
  Speaker 3: Like a body, it creates my own lens. Trap, in
• 1:49:56
  Speaker 3: addition to everything, is oscillating. Pronto, I guarantee, this is
• 1:49:58
  Speaker 3: not a joke. Yeah, yeah, yeah, yeah, yeah.
• 1:50:00
  Speaker 6: Okay, okay.
• 1:50:01
  Speaker 3: Okay, okay, okay. Caralho, vindo. What are you going to send? Man,
• 1:50:43
  Speaker 3: where is it?
• 1:50:44
  Speaker 6: Is there.
• 1:50:46
  Speaker 10: Any on the ball, Grisão?
• 1:50:50
  Speaker 7: Where is it? It's on the ball.
• 1:50:52
  Speaker 3: It's on the ball.
• 1:51:21
  Speaker 7: .
• 1:51:45
  Speaker 9: I play, two ice in my dose, I
• 1:51:48
  Speaker 9: drink from Virote.
• 1:51:49
  Speaker 4: I'm going to buy.
• 1:51:50
  Speaker 9: A Japanese car just to throw the maneuvers. Investing what
• 1:51:54
  Speaker 9: I earn in the month, I make a monopoly. I
• 1:51:57
  Speaker 9: don't eat Japanese food, I only smoke Temaki. Weekend is
• 1:52:01
  Speaker 9: pipa in the store, listening to Tupac. I launch Big N, W, E, Racionais, Sabotage.
• 1:52:08
  Speaker 9: Nothing's coming out of this, I just send heavy. There's
• 1:52:12
  Speaker 9: no beat, there's nothing, I'm fitting my time.
• 1:52:16
  Speaker 2: He's back, he's back.
• 1:52:18
  Speaker 7: He's back now, I swear to God.
• 1:52:19
  Speaker 4: But it was awesome.
• 1:52:21
  Speaker 3: It was awesome.
• 1:52:23
  Speaker 5: I thought it was a performance.
• 1:52:26
  Speaker 4: Did you find a beat? No, no, stop the beat,
• 1:52:28
  Speaker 4: stop it.
• 1:52:28
  Speaker 3: I think it's cool.
• 1:52:45
  Speaker 10: Rebolando, vem, vem, vem, vem, vem. Rebolando, vem, vem, vem, vem, vem. Rebolando, vem, vem, vem, vem, vem.
• 1:52:55
  Speaker 9: Forte abraço pros meus aliados que dividem o pódio. Frustrado
• 1:53:00
  Speaker 9: é frustrado, nunca vai.
• 1:53:01
  Speaker 3: Ser digno de dó.
• 1:53:03
  Speaker 9: Entendo de moda e de carro eu quero mais veloz
• 1:53:07
  Speaker 9: Entendo o gosto dessa gostosa por isso ela volta Meu
• 1:53:11
  Speaker 9: som tocando em todo lugar até parece virose Se eu
• 1:53:14
  Speaker 9: jogo dois gelo na minha dose eu bebo de virote
• 1:53:18
  Speaker 9: Vou comprar um carro japonês só pra lançar as manobras
• 1:53:21
  Speaker 9: Investindo o que eu ganho no mês eu faço um
• 1:53:24
  Speaker 9: monopólio It's.
• 1:53:26
  Speaker 3: Dekian and Yankee, yeah.
• 1:53:30
  Speaker 9: Rigão and Ome Chico can go to Vem. After here
• 1:53:34
  Speaker 9: I'll drink and I'll stop at Além.
• 1:53:39
  Speaker 1: Yeah.
• 1:53:41
  Speaker 2: Clap your hands!
• 1:53:41
  Speaker 3: Wow!
• 1:53:42
  Speaker 1: You don't have the lala beat there, right?
• 1:53:46
  Speaker 2: You tried.
• 1:53:46
  Speaker 3: The thing was cool, bro. You were crazy, Sati.
• 1:53:51
  Speaker 2: Who made this beat? It was me!
• 1:53:52
  Speaker 3: It was me!
• 1:53:52
  Speaker 5: I bought it when he was selling it at the
• 1:53:54
  Speaker 5: time of RSL.
• 1:53:54
  Speaker 1: I bought the beat there, the production.
• 1:53:59
  Speaker 2: Forget it.
• 1:53:59
  Speaker 3: It's crazy, man.
• 1:54:00
  Speaker 9: The thing was there, Buga, Galdino, the kids there, you know?
• 1:54:03
  Speaker 4: Ronizer, the partners, Pernova, Vambora, the kids.
• 1:54:06
  Speaker 3: What a sensational beat.
• 1:54:07
  Speaker 2: Rhythm, Pula Pula.
• 1:54:08
  Speaker 3: Pernova, man.
• 1:54:20
  Speaker 4: Oh, so I want the one from... Do you have
• 1:54:21
  Speaker 4: two smart breaks? Do you have two smart breaks?
• 1:54:23
  Speaker 6: It was bad, it was bad, bro.
• 1:54:24
  Speaker 4: It was bad, it was bad, bro. It was bad,
• 1:54:25
  Speaker 4: it was bad, bro. It was bad, it was bad, bro.
• 1:54:26
  Speaker 6: It was bad, it was bad, bro.
• 1:54:27
  Speaker 3: It was bad, it was bad, bro.
• 1:54:28
  Speaker 6: It was bad, it was bad, bro.
• 1:54:29
  Speaker 3: It was bad, it was bad, bro. It was bad,
• 1:54:32
  Speaker 3: it was bad, bro. It was bad, it was bad, bro.
• 1:54:34
  Speaker 9: It was bad, it was bad, bro.
• 1:54:35
  Speaker 3: It was bad, it was bad, bro.
• 1:54:38
  Speaker 6: It was bad, it was bad, bro.
• 1:54:39
  Speaker 2: It was bad, it was bad, bro.
• 1:54:40
  Speaker 3: It was bad, it was bad, bro.
• 1:54:41
  Speaker 2: It was bad, it was bad, bro.
• 1:54:42
  Speaker 4: It was bad, it was bad, bro.
• 1:54:43
  Speaker 6: It was bad, it was bad, bro.
• 1:54:44
  Speaker 4: It was bad, it was bad, bro. It was bad,
• 1:54:45
  Speaker 4: it was bad, bro. It He's the beat. Look, the
• 1:54:48
  Speaker 4: police guy.
• 1:54:48
  Speaker 3: Where's the beat?
• 1:54:50
  Speaker 9: I'm going to use yours.
• 1:54:50
  Speaker 3: Hey, buddy, play yours, and we.
• 1:54:53
  Speaker 2: Damn!
• 1:54:53
  Speaker 4: There's none?
• 1:54:54
  Speaker 3: There's a gringo trap? Very good!
• 1:54:56
  Speaker 2: If there's a gringo trap, it's great, huh? Take that one.
• 1:55:00
  Speaker 9: There, so you can check it out.
• 1:55:02
  Speaker 3: Yeah, man, and do the doubles.
• 1:55:03
  Speaker 4: But also, at the same time, it's a song from Naldo. No,
• 1:55:05
  Speaker 4: but that one doesn't come out.
• 1:55:06
  Speaker 3: But this one is mine, man.
• 1:55:08
  Speaker 6: That's why, man. Vodka. That's it, that's it.
• 1:55:10
  Speaker 3: That's it. Uh-huh, uh-huh, uh-huh, uh-huh Brazilian version. Hey, hey, hey, hey.
• 1:55:50
  Speaker 3: Inside the room, a meeting formed, ten black brains thinking
• 1:55:54
  Speaker 3: about the next step to collect my money. We talk
• 1:55:57
  Speaker 3: about car, today home, apartment. We talk about drugs, today whore. Oh!
• 1:56:03
  Speaker 3: He looked! Nah, nah, nah. He looked.
• 1:56:26
  Speaker 9: Yeah. Yeah.
• 1:56:26
  Speaker 2: Yeah.
• 1:56:46
  Speaker 3: Tipo um filme de traficante Cozinhando algo que faz os
• 1:56:50
  Speaker 3: boy comer com fome Uma grana socialite A cura pra
• 1:56:54
  Speaker 3: que é do gueto Inspirando os cara preto Enquanto eu
• 1:56:57
  Speaker 3: faço o dinheiro E o Enzo tem vergonha de olhar
• 1:57:01
  Speaker 3: no próprio espelho Os pretão deixou que rola e cresceu
• 1:57:04
  Speaker 3: os dread memo Esqueci a letra memo O resto vocês
• 1:57:10
  Speaker 3: vão ver quando eu lançar Bagulho é louco Ave Maria,
• 1:57:15
  Speaker 3: que isso.
• 1:57:16
  Speaker 2: Que beat caminhoso.
• 1:57:17
  Speaker 9: Ah, porra.
• 1:57:17
  Speaker 3: Aham, aham. Vai girar outro, vai girar outro, Gris. Quer
• 1:57:21
  Speaker 3: mandar uma, Danzo? Vino. Vai mandar, vai mandar, Vino.
• 1:57:25
  Speaker 9: Sim, Gris. Ó, manda.
• 1:57:33
  Speaker 8: I was going to send one of the new ones,
• 1:57:34
  Speaker 8: but I'm going to leave everything for those who are
• 1:57:37
  Speaker 8: watching the show.
• 1:57:37
  Speaker 6: It's the 17th. Do you want to see it live
• 1:57:39
  Speaker 6: or do.
• 1:57:39
  Speaker 3: You want a dialogue?
• 1:57:40
  Speaker 4: Because he's going to enjoy it now, right? Let's have
• 1:57:43
  Speaker 4: a dialogue, then. Enjoy it, my brothers. I loved it.
• 1:57:46
  Speaker 3: I love being here. Thank you. You are very important
• 1:57:49
  Speaker 3: in my life. We are together.
• 1:57:58
  Speaker 1: Follow Kian, Kian Kivino, Danzo on social media, follow Podpah too,
• 1:58:02
  Speaker 1: it'll be.
• 1:58:02
  Speaker 4: In the description.
• 1:58:02
  Speaker 3: Follow us, follow us.
• 1:58:03
  Speaker 8: There, Santos FC shirt with X.
• 1:58:05
  Speaker 4: Awesome, right, Santos? Listen, I'm the brotherhood, I'm the one
• 1:58:00
  Speaker 4: who represents our family. Listen, I'm the brotherhood, I'm.
• 1:58:02
  Speaker 6: The one who represents our family.
• 1:58:04
  Speaker 4: Listen, I'm the brotherhood. So now, stay with Yankee Vino
• 1:58:27
  Speaker 4: to end this wonderful episode. We're together.
• 1:58:29
  Speaker 2: We have a flight, Mítico Jorge.
• 1:58:31
  Speaker 4: Dignity.
• 1:58:31
  Speaker 9: Bye, bye.
• 1:58:31
  Speaker 4: Let's go.
• 1:58:46
  Speaker 8: Me sinto estranho longe da minha zona Esse drink me
• 1:58:50
  Speaker 8: relaxa mais fácil Leva a calma E mesmo assim me
• 1:58:55
  Speaker 8: traz à tona Me traz à tona Isso mais de
• 1:58:59
  Speaker 8: uma vez Me acompanha se eu tô alone Yeah E
• 1:59:05
  Speaker 8: eu só queria saber O que você tem pra me
• 1:59:12
  Speaker 8: dizer Vendo essas quedas de condomínio Babies dancing on my dick,
• 1:59:17
  Speaker 8: só querendo estar no dominio. Rebola e quer seduzir, querendo
• 1:59:21
  Speaker 8: me deixar em pânico.
• 1:59:22
  Speaker 3: Vem só. I forgot.
• 1:59:25
  Speaker 1: Just behind Hollywood Pokemon wherever.
• 1:59:30
  Speaker 3: I go It looks like.
• 1:59:33
  Speaker 8: I'm in Hollywood With my cup, I'm releasing purple Reabastei
• 1:59:36
  Speaker 8: Nonoke Simplice I'll show you how it works Me sinto
• 1:59:49
  Speaker 8: estranho longe da minha zona E espero que me relaxe
• 1:59:53
  Speaker 8: mais fácil Levar a cama E mesmo assim me traz
• 1:59:59
  Speaker 8: a tona, me traz a tona Isso mais de uma
• 2:00:03
  Speaker 8: vez Me acompanha se eu tô alone, se eu tô
• 2:00:08
  Speaker 8: E é que eu só queria saber O que você
• 2:00:13
  Speaker 8: tem pra me dizer Yeah, yeah, yeah, yeah Tamo junto,
• 2:00:19
  Speaker 8: pode falar, tamo junto muito.
• 2:00:24
  Speaker 4: See you tomorrow. See you tomorrow.
• 2:00:52
  Speaker 1: Give me a training for me to kick better than
• 2:00:55
  Speaker 1: my brother.
• 2:01:21
  Speaker 4: Beleza.
• 2:01:22
  Speaker 1: Para acertar onde e quando quiser, o truque é repetição
• 2:01:25
  Speaker 1: com alto pequeno.
• 2:01:27
  Speaker 3: Faz esse treino 3 vezes por.
• 2:01:28
  Speaker 5: Semana por 30 a 45 minutos e tua precisão.
• 2:01:31
  Speaker 2: Vai subir muito.
• 2:01:33
  Speaker 3: Dias 1 a 4. Bom daria.