Latest / Dished at Birth / S1E25 - 'The Shock of Being Seen'

Transcript

S1E25 - 'The Shock of Being Seen' · Dished at Birth

• 0:00
  KARA: I wanted to talk about the Nyle DiMarco video you
• 0:02
  sent me.
• 0:02
  DANI: Oh my god, yeah.
• 0:02
  KARA: So, it's graduation
• 0:05
  season. Nyle DiMarco was the commencement speaker
• 0:08
  for Gallaudet. Yeah. And I guess the gist of
• 0:12
  the commencement speech was, you know, he was
• 0:14
  a former student and that Gallaudet gave him
• 0:17
  the tools to be an adaptable person as a Deaf
• 0:20
  man in the hearing world. And he kind of just
• 0:24
  talks about his whole life experience and his
• 0:26
  work experience. And the first one being, I think
• 0:29
  his first acting gig was Switched at Birth.
• 0:29
  DANI: Yeah.
• 0:32
  KARA: So he flies out to LA. I know.
• 0:32
  DANI: Sorry, Lenny's
• 0:35
  licking Kara's foot.
• 0:35
  KARA: And she won't stop, even
• 0:37
  though I explicitly told her.
• 0:37
  DANI: I'm sorry.
• 0:37
  KARA: It's
• 0:40
  fine.
• 0:40
  DANI: She doesn't really understand about consent.
• 0:42
  KARA: I know.
• 0:42
  DANI: Also, guys, the windows are open because
• 0:45
  it is 91 degrees today. So if you're catching
• 0:48
  outside noise, we're sorry. But we have to put
• 0:52
  ourselves first.
• 0:52
  KARA: It's true.
• 0:52
  DANI: And Lenny has to
• 0:54
  put herself first.
• 0:54
  KARA: She has to lick my toes.
• 0:54
  DANI: Yeah,
• 0:57
  she's got to lick them.
• 0:57
  KARA: I'm just accepting my
• 0:59
  fate at this point.
• 0:59
  DANI: The dog mouth sounds on mic
• 1:03
  is a bit much. Sorry, girl. Anyway.
• 1:03
  KARA: Nyle DiMarco's
• 1:07
  first gig, I believe, was Switched at Birth.
• 1:07
  DANI: That
• 1:10
  is the way he presented it in the speech.
• 1:10
  KARA: He
• 1:13
  flies out to LA and he - I don't remember
• 1:16
  this episode. It's been a long time, but he was
• 1:18
  Bay's love interest.
• 1:18
  DANI: He's in it for like two
• 1:21
  seconds.
• 1:21
  KARA: Yeah, two.
• 1:21
  DANI: And I remember watching it,
• 1:24
  I think maybe the way the cycle of TV came out,
• 1:28
  or maybe I was watching it on a delay, so I really
• 1:31
  don't know. But I feel like I recognized him
• 1:33
  from America's Next Top Model when he was
• 1:37
  on Switched at Birth, when I saw Switched
• 1:39
  at Birth. So I didn't realize that Switched at
• 1:40
  Birth had happened first for him.
• 1:40
  KARA: I think he
• 1:43
  was like an influencer online first. He was like
• 1:46
  a YouTuber.
• 1:46
  DANI: So maybe I recognized him from that?
• 1:49
  KARA: I don't know. I just like always knew about him.
• 1:52
  Since I was in maybe high school.
• 1:52
  DANI: Yeah.
• 1:52
  KARA: Just
• 1:55
  from online.
• 1:55
  DANI: He's extremely hot.
• 1:55
  KARA: He's a beautiful
• 1:58
  man.
• 1:58
  DANI: If you don't know, Nyle DiMarco is like
• 2:01
  the human male embodiment of a husky.
• 2:01
  KARA: Yeah.
• 2:01
  DANI: Like
• 2:06
  he has beautiful striking eyes.
• 2:06
  KARA: Blue eyes.
• 2:06
  DANI: And
• 2:10
  just like.
• 2:10
  KARA: He has salt and pepper hair now, which
• 2:12
  is really nice. It really suits him.
• 2:12
  DANI: Yeah,
• 2:13
  it really suits him. Just like gorgeous. Gorgeous
• 2:16
  man.
• 2:16
  KARA: Gorgeous man. Nice beard.
• 2:16
  DANI: Yes.
• 2:16
  KARA: Or short
• 2:18
  beard. Anyway, he's on the Switched at Birth set.
• 2:21
  He's looking around and he's like, wait, everyone
• 2:24
  in this room is hearing, including the ASL master.
• 2:29
  DANI: Yeah.
• 2:29
  KARA: And he does say that he was hoping to get
• 2:33
  like a longer role and be in more episodes for
• 2:36
  Switched at Birth and it kind of seemed like it was
• 2:39
  just a one-off thing.
• 2:39
  DANI: Yeah.
• 2:39
  KARA: He was in this one
• 2:41
  episode and one episode only.
• 2:41
  DANI: It was always going
• 2:44
  to be one episode, but there was potential for
• 2:46
  him and Bay to be spun off into true love interests,
• 2:50
  which I would have loved to have seen.
• 2:50
  KARA: Right.
• 2:52
  DANI: So that's really tragic. And that, yeah, that
• 2:54
  he found his experience on set to be frustrating
• 2:58
  because he specifically wanted to ask questions
• 3:01
  about language.
• 3:01
  KARA: Yeah, he was saying, well, Vanessa
• 3:05
  Marano's character, Bay, is new to sign so should
• 3:08
  I sign fluently or should I slow down my signing
• 3:11
  to make it more accessible for Bay?
• 3:11
  DANI: Yes.
• 3:11
  KARA: And then,
• 3:15
  it seems like the writers and the ASL instructors
• 3:18
  were kind of wishy-washy and they'll kind of
• 3:21
  DANI: Yeah.
• 3:21
  KARA: I think they said do whatever you want.
• 3:21
  DANI: It
• 3:23
  was like well I don't know ASL so that's not
• 3:25
  a question for me and then he went to the ASL
• 3:27
  master who was hearing. He noted that he was under
• 3:31
  the impression that the ASL master was Deaf before
• 3:34
  he got on the set.
• 3:34
  KARA: I thought the ASL master was
• 3:38
  Deaf also. I thought it was Cameron,
• 3:40
  Emmett Bledsoe, his father.
• 3:40
  DANI: This is season three.
• 3:40
  KARA: Oh,
• 3:44
  it's later.
• 3:44
  DANI: So maybe they got -
• 3:44
  KARA: Maybe he left.
• 3:44
  DANI: Yeah.
• 3:47
  Yeah we don't really know all the details yet
• 3:49
  because we haven't reached that season yet. it
• 3:53
  might even be season two. but anyway it's
• 3:55
  beyond what we've really done research about
• 3:57
  but I feel like from what I've heard of the
• 4:01
  show, too, the signing gets worse.
• 4:01
  KARA: Ooh.
• 4:01
  DANI: So maybe
• 4:06
  they did switch to a hearing ASL master.
• 4:06
  KARA: Okay,
• 4:09
  good to know.
• 4:09
  DANI: I mean, maybe. They clearly did,
• 4:11
  because I believe Nyle's story like his experience
• 4:15
  of what happened but I'm interested to know like
• 4:18
  what went down there.
• 4:18
  KARA: I know.
• 4:18
  DANI: and so then the ASL
• 4:21
  master was like, well no because it's for TV, just
• 4:24
  like sign it full out the way you would but Nyle
• 4:26
  was like, but I wouldn't sign it that way because
• 4:28
  Bay doesn't know ASL that fluently still. so.
• 4:28
  KARA: yeah
• 4:33
  he was asking smart questions about his acting
• 4:37
  role and they were just like whatever you're
• 4:39
  the Deaf guy so just sign and he was like all
• 4:41
  right and then he is notices - he looks around
• 4:45
  the room he's like all these people are hearing
• 4:47
  and they're writing stories about people like
• 4:50
  me and they're controlling the narrative for
• 4:52
  people like me.
• 4:52
  DANI: yeah.
• 4:52
  KARA: and then you know it's a
• 4:55
  commencement speech so it's supposed to be inspirational
• 4:57
  and he's telling all these Deaf students at Gallaudet
• 5:00
  like you have the ability to adapt and also, you
• 5:05
  know, make your own seat at the table so it's
• 5:08
  not all hearing people making the big decisions.
• 5:10
  DANI: yeah.
• 5:10
  KARA: but then he created Deaf U on Netflix.
• 5:15
  It's a reality TV show on Netflix and it's college
• 5:18
  students at Gallaudet. It's a shame it wasn't
• 5:20
  renewed, but yeah, I think it showed a lot, especially
• 5:24
  about, I remember one of the things they talked
• 5:26
  about was the hierarchy of deafness at Gallaudet.
• 5:30
  Like people who are born Deaf in a Deaf family
• 5:33
  tend to be like Deaf elites compared to, you
• 5:37
  know, people like me who have cochlear implants
• 5:39
  and also speak English, you know?
• 5:39
  DANI: Yeah.
• 5:39
  KARA: So that
• 5:42
  was interesting to see represented. And then,
• 5:45
  yeah, one of the things he was talking about
• 5:47
  was like, I had the power to, you know make
• 5:51
  it a set where I could hire the very first Deaf
• 5:53
  producer and the very first Deaf cinematographer
• 5:55
  and create these very one-of-a-kind roles.
• 5:58
  And then he also directed Deaf President Now,
• 6:01
  and he has his own production studio.
• 6:01
  DANI: Very cool,
• 6:03
  Nyle.
• 6:03
  KARA: Yeah.
• 6:03
  DANI: And sorry about his experience.
• 6:06
  KARA: Yeah, sorry about that. I mean, am I surprised?
• 6:09
  Not really.
• 6:09
  DANI: No, me either. I was like, I would
• 6:12
  like to hear more. He's more famous than everyone
• 6:16
  on that show, except for Melody, Marlee Matlin,
• 6:19
  obviously.
• 6:19
  KARA: And she's back this episode. Thank
• 6:21
  God.
• 6:21
  DANI: Thank God. Okay, should we get into it?
• 6:24
  KARA: Let's do it. [UPBEAT JAZZY THEME MUSIC]. Season 1, Episode 25, The Shock
• 6:40
  of Being Seen. September 17, 2012. I could not
• 6:45
  find this art anywhere online.
• 6:45
  DANI: I'm looking on
• 6:48
  Reddit right now.
• 6:48
  KARA: The art is by Gor Sudan. I
• 6:51
  believe he's from Kenya. And I clicked on many
• 6:55
  links to this piece of art. And it was taken
• 6:58
  down. Maybe it was a copyright issue or something?
• 7:00
  But I could not find this art anywhere.
• 7:00
  DANI: Sorry,
• 7:04
  guys. See if you can find it.
• 7:04
  KARA: Yeah. If you can
• 7:06
  find it, that'd be great. And we can post it.
• 7:08
  But just use your imagination.
• 7:08
  DANI: Okay.
• 7:08
  KARA: Every time
• 7:11
  I Googled The Shock of Being Seen, they're like,
• 7:13
  do you mean The Scream? And I'm like, no.
• 7:13
  DANI: Interesting.
• 7:16
  What if the art piece is, like, non-existent?
• 7:20
  And it's a rumor that he started.
• 7:20
  KARA: That'd be awesome.
• 7:22
  DANI: That'd be really - like the art is that it doesn't
• 7:24
  exist. But the thing is shock of being seen and
• 7:26
  no one can see it.
• 7:26
  KARA: That's so meta.
• 7:26
  DANI: That would
• 7:29
  be good. I hope that's what it is. I don't think
• 7:31
  so.
• 7:31
  KARA: It's because the AV Club covered every episode
• 7:36
  of Switched at Birth and they did a review. So
• 7:38
  I went on the AV Club.
• 7:38
  DANI: Bring that back. I guess
• 7:40
  we're bringing that back.
• 7:40
  KARA: Yeah. We're the AV
• 7:42
  Club really. But I went on the AV Club website
• 7:45
  and they linked the art and they were like the
• 7:47
  art is so cool.
• 7:47
  DANI: Oh, and it's not there?
• 7:47
  KARA: And then
• 7:50
  you notice that error 404. And I was like, ugh.
• 7:53
  DANI: Oh, my God. Okay. Maybe I'll go on a journey
• 7:56
  myself and try to find it.
• 7:56
  KARA: Yeah, it's really
• 7:59
  frustrating.
• 7:59
  DANI: But if anyone wants to take it upon
• 8:01
  themselves and then send it to us via email,
• 8:03
  we would love that.
• 8:03
  KARA: Please do.
• 8:03
  DANI: Dishedatbirth@gmail
• 8:06
  .com.
• 8:06
  KARA: Yes. Bay is in the junkyard. It's nighttime.
• 8:10
  She is answering Zarra's piece with the empty
• 8:14
  frame on the school bus. But she hears some chattering.
• 8:17
  And she decides to follow it. And she sees Zarra
• 8:20
  and other street artists doing art.
• 8:20
  DANI: Yeah. Doing
• 8:24
  their art.
• 8:24
  KARA: And then she's like, oh, my God. I
• 8:27
  have to be their friend. They're so cool.
• 8:27
  DANI: This
• 8:29
  was so after school special. I know that's what
• 8:32
  ABC Family essentially is.
• 8:32
  KARA: They're bad kids.
• 8:34
  DANI: But, like, they're laying it on thick.
• 8:34
  KARA: It's too
• 8:38
  much.
• 8:38
  DANI: It's so much.
• 8:38
  KARA: And the names they gave them,
• 8:42
  they're like, this is JT. This is 8-Ball.
• 8:42
  DANI: Isn't
• 8:44
  one of them Bulldog or something?
• 8:44
  KARA: I don't remember.
• 8:47
  I just remember 8-Ball.
• 8:47
  DANI: He's like 16 years old.
• 8:51
  KARA: I know. And then they look at Bay and they go,
• 8:53
  are you like a Brittany or a Courtney? And she
• 8:56
  goes, no, it's Bay. Bay Vasquez.
• 8:56
  DANI: She whipped
• 9:00
  out that Vasquez. She said, it's Vasquez, actually.
• 9:03
  KARA: Like Daphne, a couple episodes back.
• 9:03
  DANI: They only
• 9:06
  use it when it's convenient for them.
• 9:06
  KARA: Exactly.
• 9:08
  DANI: Yeah, and then Bay's like, I'd love to work with
• 9:11
  you guys. And they're like, whoa, whoa. We got
• 9:14
  to see your stuff first. She's like, well, it
• 9:16
  already worked with Zarra. Zarra? Is that her name?
• 9:19
  KARA: Yeah, Zarra.
• 9:19
  DANI: Okay, retail store.
• 9:19
  KARA: Z-A-R-R-A.
• 9:19
  DANI: Yeah.
• 9:22
  And Zarra's like, whoa, whoa, it's cool. Pulls
• 9:25
  her aside. And then once again, they have excellent
• 9:29
  chemistry.
• 9:29
  KARA: I know.
• 9:29
  DANI: They really should have pursued
• 9:32
  this. Whatever. And so she's like, I'll hit you
• 9:35
  up. We're pretty much finished here, but I'll
• 9:37
  hit you up. And then we're at the kitchen with
• 9:40
  Daphne.
• 9:40
  KARA: At the restaurant, yes.
• 9:40
  DANI: Fucking side
• 9:42
  braid is back.
• 9:42
  KARA: Yes. Scuba is there. They're preparing
• 9:47
  for, I guess, a bridal party the next day because
• 9:49
  there's a tray of very cute little mini cupcakes.
• 9:53
  And he takes one.
• 9:53
  DANI: He slanders them first and
• 9:56
  then takes one.
• 9:56
  KARA: And right in the center.
• 9:56
  DANI: Yeah.
• 9:59
  KARA: So it's very obvious that someone took a cupcake.
• 10:02
  So Daphne's going to have to rearrange the arrangement.
• 10:04
  DANI: I'm sure they're, like, putting them on little
• 10:06
  tiered cake holders or something.
• 10:06
  KARA: Anyways, Daphne
• 10:10
  takes the box of cupcakes and she brings it into
• 10:12
  the walk-in fridge, puts it on the shelf, and
• 10:15
  then the shelf collapses.
• 10:15
  DANI: Yeah.
• 10:15
  KARA: Everything's
• 10:17
  made of sticks.
• 10:17
  DANI: And she's freaking out, rightfully.
• 10:20
  And also, okay, so the cupcakes, like, get crumpled.
• 10:25
  Chef Jeff comes in. He's like, it's okay. I should
• 10:28
  have fixed that shelf. You just, like, had a
• 10:31
  broken shelf in the walkway.
• 10:31
  KARA: And you didn't warn
• 10:32
  anyone?
• 10:32
  DANI: And you didn't, like, put a little sign
• 10:34
  up or a little piece of caution tape? Nothing?
• 10:37
  Okay. He's so chill about it. So uncharacteristically
• 10:41
  chill about it. And also, Daphne looks at the
• 10:43
  cupcakes that I'm pretty sure. Okay, the other
• 10:46
  things on the shelf were, like, vegetables and
• 10:48
  shrimp and sauce. And the sauce goes everywhere.
• 10:52
  And it looks like the sauce gets on the cupcakes.
• 10:54
  KARA: It looks like the cupcakes are inedible now.
• 10:57
  DANI: Yeah. But she's like, I can fix it. I'm really
• 10:59
  good with a frosting piper. It's, like, it's
• 11:02
  beyond that.
• 11:02
  KARA: It's beyond fixed. Like, I thought
• 11:05
  Daphne was, is going to have to make a new
• 11:07
  batch. The cake of the cupcake is smushed.
• 11:07
  DANI: Not
• 11:11
  only smushed, but, like, saucy. There's shrimp
• 11:14
  sauce on them.
• 11:14
  KARA: I don't know.
• 11:14
  DANI: Like, I just.
• 11:17
  Shrimp is so pungent. There's no way. Even
• 11:20
  if it's just on the cardboard box on the outside,
• 11:22
  like, those cupcakes are ruined.
• 11:22
  KARA: I agree.
• 11:22
  DANI: And
• 11:25
  they're like, no, no, we're just gonna refrost
• 11:26
  them.
• 11:26
  KARA: And Chef Jeff says, I hope you don't have
• 11:28
  plans tonight.
• 11:28
  DANI: Skin crawling.
• 11:28
  KARA: Yeah. Now we're at
• 11:31
  the Kennish house at the home gym. I guess they
• 11:34
  have a home gym.
• 11:34
  DANI: Yeah, new Kennish location unlocked.
• 11:38
  KARA: Yeah. Which is just -
• 11:38
  DANI: Their home gym, which
• 11:40
  is -
• 11:40
  KARA: It's just John and Kathryn's bedroom,
• 11:42
  but they switched out the bed and put a treadmill
• 11:44
  in there.
• 11:44
  DANI: No, for sure. Not just a treadmill.
• 11:46
  There is so much workout equipment in there.
• 11:49
  There's like several machines. I know he's an
• 11:52
  athlete.
• 11:52
  KARA: It's impressive.
• 11:52
  DANI: But it's a little.
• 11:56
  KARA: And there's a TV and Angelo is running on the
• 11:58
  treadmill watching a marine life documentary.
• 12:01
  DANI: Yeah.
• 12:01
  KARA: John walks in and he's like, oh, wow, you're
• 12:04
  using the machine that I wanted to use.
• 12:04
  DANI: Angelo's
• 12:07
  like, I thought you worked out in the morning.
• 12:09
  And John is really bitter about it. He's like,
• 12:11
  sometimes. Sometimes I work out in the afternoon.
• 12:14
  That's sort of the privilege of having your own
• 12:15
  home gym, but whatever.
• 12:15
  KARA: Wipe everything down.
• 12:18
  DANI: Yeah.
• 12:18
  KARA: When you're done, please.
• 12:18
  DANI: Yeah. Clearly
• 12:20
  they're butting heads a little bit. I get it.
• 12:22
  I'm like John. I don't like when people are in
• 12:25
  my space.
• 12:25
  KARA: Again, he should not be in this house.
• 12:27
  He should be in the guest house.
• 12:27
  DANI: No, he should
• 12:28
  not. Just move Daphne.
• 12:28
  KARA: Just move Daphne.
• 12:28
  DANI: Daphne
• 12:30
  would be so happy in that house.
• 12:30
  KARA: As I was watching
• 12:32
  this, I was like, none of this would have happened
• 12:34
  if he was just in the guest house.
• 12:34
  DANI: No. And Daphne
• 12:38
  wouldn't care. She's not even there.
• 12:38
  KARA: No.
• 12:38
  DANI: She's
• 12:40
  working at the kitchen getting groomed every
• 12:42
  night. She does not care.
• 12:42
  KARA: Exactly.
• 12:42
  DANI: So, and then
• 12:46
  we switch to Emmett.
• 12:46
  KARA: He's watching the same
• 12:50
  movie.
• 12:50
  DANI: He's watching the same, but did you catch
• 12:52
  what was being said on the TV?
• 12:52
  KARA: No.
• 12:52
  DANI: Via the captions?
• 12:56
  So obviously he's watching with captions and
• 12:58
  the captions say, when the male shark feels threatened,
• 13:01
  he is prone to attack. So that's a nice little
• 13:06
  meta commentary. And Melody is back.
• 13:06
  KARA: Marlee Matlin
• 13:09
  is back.
• 13:09
  DANI: Thank God. They heard our cries.
• 13:09
  KARA: She's
• 13:13
  back from a date that didn't go too well.
• 13:13
  DANI: Yeah.
• 13:15
  KARA: The guy kept checking himself out on the kitchen
• 13:18
  knife.
• 13:18
  DANI: Yeah, and things seem pretty good between
• 13:21
  her and Emmett now. He makes a joke about, like,
• 13:23
  we're going to get four cats. It's fine.
• 13:23
  KARA: Yeah.
• 13:26
  DANI: They seem okay.
• 13:26
  KARA: Yeah, they seem good.
• 13:26
  DANI: They seem
• 13:28
  back to normal. He makes, like, a reference about
• 13:29
  that he's seeing his dad on select weekends still.
• 13:34
  KARA: Yeah, he's seeing his dad on select weekends.
• 13:37
  DANI: Which is how his dad should have always been
• 13:39
  parenting. Clearly not prepared to be a full
• 13:42
  -time parent.
• 13:42
  KARA: yeah. but they're good and I'm happy
• 13:44
  you see that.
• 13:44
  DANI: yeah and then that's all ruined
• 13:46
  by sexy cupcake time. inappropriate sexy cupcake
• 13:49
  time. so they're like, first of all we're about
• 13:53
  to learn that Chef Jeff went to MIT and I just
• 13:56
  feel that if he had gone to MIT, he should know
• 14:00
  how to frost a cupcake. But he is so shit at
• 14:02
  it. Like, he has an engineering degree. Figure
• 14:05
  it out.
• 14:05
  KARA: It's true.
• 14:05
  DANI: But he cannot do it. So Daphne
• 14:08
  is teaching him. It's like the pottery scene
• 14:12
  in Ghost, except it's cupcake frosting.
• 14:12
  KARA: With
• 14:14
  Demi Moore.
• 14:14
  DANI: Yeah. And then she makes a comment
• 14:18
  about the fact that she's a vegetarian.
• 14:18
  KARA: Yeah,
• 14:20
  he goes, you're really good at piping. Have you
• 14:22
  considered getting into pastry? And she's like,
• 14:25
  Well, baking's just easy for me because I'm vegetarian.
• 14:28
  And then he's like, ugh, that's worse than the
• 14:30
  Deaf thing.
• 14:30
  DANI: That is an exact quote.
• 14:30
  KARA: I hate this
• 14:33
  man. I hate this man.
• 14:33
  DANI: And we're supposed to find
• 14:36
  it cute. Daphne, like, finds that cute. She's
• 14:39
  like, ha ha.
• 14:39
  KARA: Also, again, she's not vegetarian.
• 14:42
  She eats fish. She eats salmon later.
• 14:42
  DANI: She's pescatarian.
• 14:46
  Guys, it does matter. The words do matter.
• 14:46
  KARA: I
• 14:49
  know.
• 14:49
  DANI: Because when I was vegetarian, the amount
• 14:52
  of times people would be like, but you eat fish,
• 14:54
  right? Because they don't understand.
• 14:54
  KARA: That is
• 14:57
  meat. Whatever.
• 14:57
  DANI: And it's just like when I say
• 14:59
  I don't eat red meat to people and they say,
• 15:01
  so you're vegetarian. And I say, no, not anymore.
• 15:04
  I eat chicken and turkey. Like I eat poultry.
• 15:07
  These words mean something.
• 15:07
  KARA: They do.
• 15:07
  DANI: Okay. Anyway.
• 15:11
  KARA: They just get into this very annoying discourse
• 15:13
  about meat-eating, something you've heard all
• 15:16
  the time.
• 15:16
  DANI: It's like, he goes so hard, though.
• 15:19
  He's like, that's terrible. Like, that's so whatever.
• 15:23
  And then Daphne goes even harder back. She's
• 15:25
  like, if they teach you to be this close-minded
• 15:28
  in culinary school, then I don't want to go.
• 15:30
  And he's like, well, actually, I went to MIT.
• 15:32
  And she's like, oh.
• 15:32
  KARA: Oh, I know MIT.
• 15:32
  DANI: And then
• 15:35
  I started feeling sick to my stomach. And then
• 15:38
  he's like, put some animal fat in your coffee.
• 15:41
  KARA: It's cream.
• 15:41
  DANI: It's whipped cream.
• 15:41
  KARA: It's whipped
• 15:44
  cream. And then she takes a sip of her coffee
• 15:46
  and she gets some cream on her lips. And then
• 15:49
  he goes, you have a little something.
• 15:49
  DANI: And they
• 15:52
  have like a cute moment. Mind you, the whole
• 15:55
  time, her hair is in a side braid.
• 15:55
  KARA: She is 16.
• 15:59
  DANI: That too. But almost more importantly, her hair
• 16:02
  is in a side braid.
• 16:02
  KARA: I know.
• 16:02
  DANI: That's too, it's,
• 16:06
  anyway.
• 16:06
  KARA: I know. They're really forcing it in
• 16:09
  Our face. They're like, you need to like Chef
• 16:11
  Jeff. He's cute and smart.
• 16:11
  DANI: Yeah, they're trying
• 16:12
  to make him so likable. Ugh. And then, okay,
• 16:15
  so then back at the Kennish house the next day,
• 16:18
  Angelo doesn't have a fucking job, so he's just
• 16:20
  loitering around the house all day.
• 16:20
  KARA: Yeah, he
• 16:22
  sees Toby strumming on the guitar outside. Inside
• 16:26
  the house, John and Kathryn are doing a separate
• 16:28
  thing. They're meeting with Craig Tebbe about the
• 16:30
  lawsuit.
• 16:30
  DANI: Also, Craig Tebbe's back.
• 16:30
  KARA: Yay!
• 16:30
  DANI: Well,
• 16:33
  kind of yay.
• 16:33
  KARA: Sort of yay.
• 16:33
  DANI: Yay for us. Sad for
• 16:36
  Kathryn.
• 16:36
  KARA: Yeah. Toby's like, hey, how's it going
• 16:40
  living here? And Angelo doesn't really answer.
• 16:42
  He says, he just says, it's nice of them to have
• 16:45
  me here.
• 16:45
  DANI: Yeah, I did. Okay. I'm no better than
• 16:49
  Regina. Cause like when he came in and was like.
• 16:51
  do you want a croissant? They gave me an extra
• 16:53
  one. In no way does the script imply this, but
• 16:56
  to me, I was like, I feel like he bought that
• 16:58
  croissant so that he could bond with someone
• 17:00
  else.
• 17:00
  KARA: He's always getting two pastries.
• 17:00
  DANI: He's
• 17:03
  always getting two of things and then being like,
• 17:05
  they gave me, I mean, I think what they're trying
• 17:07
  to say is like, Angelo is handsome and charming
• 17:09
  and he gets extra things. But I was just like,
• 17:12
  I feel bad that he feels so out of place, even
• 17:15
  though I shouldn't. It's not deserved at all.
• 17:18
  KARA: This episode, I did feel for him a little bit.
• 17:21
  DANI: Just, like, must be. There's truly nowhere for
• 17:23
  him to go. And the thing to do is, like, okay,
• 17:25
  get a job. But I don't know. Maybe he can't.
• 17:28
  KARA: Bay made you those beautiful business cards.
• 17:30
  DANI: Yeah. Do something. Do something productive.
• 17:34
  KARA: He asks Toby, you're great at guitar. Have you
• 17:37
  ever been in a band before? And Toby goes, yeah.
• 17:39
  But my bass player, Wilke, got shipped off to
• 17:42
  boarding school. And my drummer slept with my
• 17:43
  girlfriend. So I'm on my own right now.
• 17:43
  DANI: Tough.
• 17:46
  KARA: I'm kind of nowhere. And Angelo's like, I can
• 17:49
  also relate. I'm also nowhere.
• 17:49
  DANI: Yeah.
• 17:49
  KARA: So kind
• 17:52
  of bonding between them a little bit.
• 17:52
  DANI: But he's
• 17:54
  about to get a job, in a sense. The job is Father.
• 17:57
  KARA: The job is Father. Now we're inside the Kennish
• 18:00
  house, cutting to Craig Tebbe and John and
• 18:03
  Kathryn. They don't seem to have a lot of proof
• 18:05
  for this upcoming trial.
• 18:05
  DANI: That's not true. Their
• 18:09
  proof is their daughters were Switched at Birth.
• 18:12
  KARA: Which Kathryn says. She's like, we have DNA.
• 18:15
  DANI: Yeah, we have true evidence. But it is true
• 18:18
  that they have one crazy nurse.
• 18:18
  KARA: Yeah.
• 18:18
  DANI: And that's
• 18:21
  it.
• 18:21
  KARA: But then Angelo apparently has a source and
• 18:24
  he claims that it was an anonymous phone call
• 18:26
  tipping him off about a nurse.
• 18:26
  DANI: Which obviously
• 18:29
  is not true.
• 18:29
  KARA: No. But they don't know who it is.
• 18:32
  DANI: Yeah.
• 18:32
  KARA: John leaves the room because he gets a
• 18:35
  phone call. Wonder what that's about. And Craig
• 18:37
  Tebbe and Kathryn have this awkward moment
• 18:40
  because a couple episodes ago they had this...
• 18:44
  They had like a moment between them and then
• 18:46
  they almost kissed and then Kathryn pulled
• 18:48
  away.
• 18:48
  DANI: Yeah.
• 18:48
  KARA: This was the day they met the real
• 18:51
  antichrist lactation consultant.
• 18:51
  DANI: This was the
• 18:55
  day of the prom.
• 18:55
  KARA: Prom. Yes. Okay.
• 18:55
  DANI: Very dramatic
• 18:58
  episode.
• 18:58
  KARA: Yes. But she's like, so, um, hi, I'm
• 19:03
  going to go on a local talk show. That's fun.
• 19:06
  And they're going to interview Regina and I in
• 19:08
  front of the hospital. And Craig's like, that's
• 19:10
  great, honey.
• 19:10
  DANI: Yeah, it's really awkward between
• 19:12
  them.
• 19:12
  KARA: But then John comes in to cut the tension
• 19:15
  and he goes, that phone call was from the
• 19:18
  Dean of Buckner. You and I need to talk because
• 19:20
  Bay is on academic probation.
• 19:20
  DANI: Mind you, it's
• 19:24
  three weeks into the school year.
• 19:24
  KARA: Oh my God,
• 19:26
  yeah.
• 19:26
  DANI: Yeah, because Bay says, how could that
• 19:28
  be true? It's only been three weeks. And John
• 19:30
  says, well, it's true.
• 19:30
  KARA: The dean was impressed
• 19:33
  too. It's a new record. And then she goes, well,
• 19:35
  I'm Latina. What can I do? And referencing Kathryn's
• 19:39
  racist mother. And John goes, this has nothing
• 19:42
  to do with your racist grandmother.
• 19:42
  DANI: Kathryn
• 19:44
  goes, she's not racist. And John goes, oh, honey,
• 19:46
  please.
• 19:46
  KARA: But I was also a little frustrated with
• 19:49
  Bay in this moment because she was so concerned
• 19:51
  about Emmett's grades slipping.
• 19:51
  DANI: I know!
• 19:51
  KARA: And does not
• 19:55
  care about her own.
• 19:55
  DANI: Does not care about her own.
• 19:57
  Yeah, I was really - I loved John this whole episode.
• 20:00
  KARA: Me too.
• 20:00
  DANI: This is a real good John episode. But
• 20:03
  she's like, I don't need good grades because
• 20:06
  I'm going to go to art school and all they care
• 20:08
  about is my work. And he goes, Bay, I know you're
• 20:11
  in pain and that's wonderful, but I'm going to
• 20:13
  need you to try to apply yourself.
• 20:13
  KARA: Please. And
• 20:16
  he knows that she's acting out because Emmett just
• 20:18
  cheated on her.
• 20:18
  DANI: They don't know that he cheated
• 20:21
  on her.
• 20:21
  KARA: Well, she went through a breakup.
• 20:21
  DANI: Yeah.
• 20:21
  KARA: Two
• 20:23
  breakups in fact because Alex just left the party.
• 20:26
  DANI: True, but she did not give a fuck about that man.
• 20:28
  KARA: Vacation boyfriend, right.
• 20:28
  DANI: yeah.
• 20:28
  KARA: but he knows she's
• 20:31
  going through stuff and Angelo just moved in
• 20:33
  so she's feeling weird things.
• 20:33
  DANI: She wanted Angelo
• 20:36
  to move in though.
• 20:36
  KARA: but I think she regrets it,
• 20:38
  maybe.
• 20:38
  DANI: I know. I - yeah. I - Bay was pissing me off
• 20:42
  this episode. I know she's 16, but then Angelo
• 20:44
  comes in and she basically -
• 20:44
  KARA: Mid-fight.
• 20:44
  DANI: Mid-fight.
• 20:47
  and she basically weaponizes Angelo against her
• 20:50
  parents and is like Angelo will help me.
• 20:50
  KARA: With
• 20:53
  French.
• 20:53
  DANI: Yeah, with French. And also just will
• 20:55
  like help me because you guys suck. Obviously,
• 20:58
  classic 16 year old behavior but it is - yeah, it's
• 21:02
  pissing me off because I feel like she had so
• 21:04
  much awareness of the way Emmett was behaving
• 21:06
  and how toxic he was being. Like, playing his parents
• 21:10
  off of each other and then now she's doing the
• 21:12
  same thing.
• 21:12
  KARA: I know I was like she is manipulating
• 21:14
  Angelo this whole episode.
• 21:14
  DANI: Anyway in the kitchen.
• 21:18
  we're back in the kitchen with Daphne.
• 21:18
  KARA: She is
• 21:21
  dressed like a middle schooler. she's wearing
• 21:24
  a graphic floral, like lavender-color top and a
• 21:27
  cropped pink denim jacket.
• 21:27
  DANI: yeah. mind you she's
• 21:30
  at work. why is she the only - I understand she's
• 21:33
  washing dishes. it feels like she should still
• 21:35
  have a uniform for that. why is she the only person
• 21:39
  in the whole kitchen - it's giving her being in
• 21:41
  the kitchen at Buckner. I know she's the main
• 21:43
  character and that's like why.
• 21:43
  KARA: so strange.
• 21:43
  DANI: but
• 21:44
  in - at Buckner when she like didn't have to wear
• 21:47
  a uniform and everyone else did.
• 21:47
  KARA: yeah.
• 21:47
  DANI: Same energy.
• 21:50
  KARA: because everyone else is wearing white coats.
• 21:52
  DANI: yeah. this is like a fancy professional kitchen.
• 21:56
  KARA: No one wants your beads from your graphic t-shirt
• 22:00
  falling in the food.
• 22:00
  DANI: Exactly.
• 22:00
  KARA: And her long hair.
• 22:03
  Not tied back.
• 22:03
  DANI: Not tied back right now. Oh, so
• 22:06
  she comes in. I'm sorry to slander. She will
• 22:09
  later do the same thing, but she comes in on
• 22:12
  her day off. That's why she's dressed. That's
• 22:14
  why her hair is down. It's her day off and she's
• 22:17
  come in because she's made a special dish for
• 22:20
  Chef Jeff to try that's vegetarian.
• 22:20
  KARA: Yes.
• 22:20
  DANI: And
• 22:23
  she also wants to check on how that - she just
• 22:25
  wants to see him. But like her excuse is like,
• 22:27
  oh, I wanted to see about the cupcakes, like
• 22:29
  how they were. And then she's in and she sees
• 22:32
  a hot adult woman. She's the produce provider
• 22:36
  for the kitchen. Who comes in, flirts a little
• 22:39
  with Scuba. Hand feeds him a strawberry. And
• 22:42
  then Chef Jeff comes in and Daphne's like, hey,
• 22:45
  I made you something with cauliflower. What -
• 22:48
  KARA: Cauliflower gratin.
• 22:48
  DANI: Yeah, he pronounces it like
• 22:51
  [FRENCH ACCENT] gratin.
• 22:51
  KARA: I don't know.
• 22:51
  DANI: I don't fucking know. Whatever.
• 22:54
  KARA: I'm sure it's lovely. Gratin is just a lot of
• 22:57
  dairy and cheese. It's a lot of milk and cheese.
• 23:00
  So I'm sure it tastes wonderful.
• 23:00
  DANI: Okay. Yeah,
• 23:02
  I'm sure it's very good. But she like gives him
• 23:05
  this sad little tray and he's like, thanks. And
• 23:08
  then walks right past her to go to the hot adult
• 23:10
  produce provider who then hand feeds him a strawberry
• 23:14
  very sensually. Awesome.
• 23:14
  KARA: Daphne does not like
• 23:16
  this.
• 23:16
  DANI: Awesome for Chef Jeff. That's great. He
• 23:19
  should direct his attention there.
• 23:19
  KARA: Agreed.
• 23:19
  DANI: That
• 23:21
  woman is very sexy.
• 23:21
  KARA: It should've just end there.
• 23:24
  DANI: Yeah.
• 23:24
  KARA: Now Daphne magically transported back to
• 23:27
  the Kennish house because she is teaching Bay
• 23:29
  trigonometry.
• 23:29
  DANI: Well, it's her day off.
• 23:29
  KARA: Yeah, that's
• 23:33
  true.
• 23:33
  DANI: She's not working. She's teaching Bay trigonometry
• 23:36
  and SOHCAHTOA, which is still stuck to my head
• 23:39
  this day.
• 23:39
  DANI: That did really work.
• 23:39
  KARA: Yeah. A, who
• 23:42
  learned trig in a different country also learned
• 23:45
  that.
• 23:45
  DANI: Math is a universal language.
• 23:45
  KARA: Like Mean
• 23:48
  Girls.
• 23:48
  DANI: Exactly. I love this. I love that Daphne's
• 23:51
  tutoring Bay.
• 23:51
  KARA: And they have a little sisterhood
• 23:53
  moment because Bay's like, thank you so much.
• 23:55
  You saved my life. What can I do for you? And
• 23:57
  Daphne goes, actually, can I borrow this really
• 24:00
  sexy see-through black shirt that you have?
• 24:02
  DANI: Okay. When she said that, did you have a top
• 24:05
  in mind of Bay's? Because Bay is more blessed
• 24:08
  cleavage-wise.
• 24:08
  KARA: Yes.
• 24:08
  DANI: She has a million sexy lacy
• 24:13
  semi see-through tops that are, like, wonderful
• 24:16
  on her.
• 24:16
  KARA: I was thinking maybe long-sleeve lacy.
• 24:20
  DANI: Yes. She wears that one, like, it's almost meshy.
• 24:23
  KARA: Yeah.
• 24:23
  DANI: She wears that one a lot. Basically, I
• 24:26
  was not expecting the one that she pulled out.
• 24:28
  KARA: No, and it's fine.
• 24:28
  DANI: It's not sexy on Daphne at
• 24:32
  all. it's not -
• 24:32
  KARA: Bay pulls it out of the closet and
• 24:35
  it's like a boxy cropped black mesh.
• 24:35
  DANI: yeah.
• 24:35
  KARA: T-shirt
• 24:39
  and it has some lace detailing on the top and
• 24:41
  the bottom.
• 24:41
  DANI: it's very 2012, yes.
• 24:41
  KARA: Yes, it's something
• 24:45
  I absolutely would've worn with like
• 24:48
  a tank top underneath to a party.
• 24:48
  DANI: Right but it's
• 24:50
  something I never would have worn because I have
• 24:53
  very similar coloring to Daphne and also did
• 24:57
  not have a lot of boobs in high school. and so
• 25:00
  that shirt would have done absolutely nothing
• 25:02
  for me.
• 25:02
  KARA: Right.
• 25:02
  DANI: Daphne does not know this, so she's
• 25:05
  like I'm gonna wear it with a little cami that
• 25:08
  she's also borrowing from Bay.
• 25:08
  KARA: Because she doesn't
• 25:11
  have a black tank top?
• 25:11
  DANI: Yeah.
• 25:11
  KARA: But then she has
• 25:13
  bright blue.
• 25:13
  DANI: Yes. She's wearing a bright blue -
• 25:17
  a turquoise - turquoise bra.
• 25:17
  KARA: Yes.
• 25:17
  DANI: With very visible
• 25:22
  straps.
• 25:22
  KARA: Yes. They, like, poked out of this cami
• 25:25
  sole.
• 25:25
  DANI: And not that I want this teenager to be
• 25:29
  showing boob correctly anyway but it is not - it
• 25:32
  is a t-shirt bra. it's not a push-up bra. it's
• 25:35
  not like a Victoria's Secret sexy lacy bra. it's
• 25:38
  not a bra that you like want to show off. it's
• 25:40
  a functional cover-your-boobs bra.
• 25:40
  KARA: It's from Uniqlo.
• 25:40
  DANI: yeah exactly.
• 25:44
  it's from Forever 21 if we're being honest but -
• 25:47
  KARA: it's from Forever 21.
• 25:47
  DANI: it is not - it does - none of
• 25:50
  the elements of the outfit do anything for each
• 25:53
  other.
• 25:53
  KARA: It just doesn't work at all.
• 25:53
  DANI: She is showing
• 25:56
  so much stomach.
• 25:56
  KARA: It's strange.
• 25:56
  DANI: Wow, say that
• 25:59
  three times fast.
• 25:59
  KARA: We're going to get to that
• 26:00
  because Regina's going to see the outfit and
• 26:02
  I have a comment on it. But Bay is handing
• 26:05
  over the camisole and the black top to Daphne
• 26:08
  and goes, cool, is this for Wilke? And Daphne
• 26:11
  goes, no, we're not going to do long distance.
• 26:13
  This is for a new boy and he's older. And Bay
• 26:16
  does not ask any questions.
• 26:16
  DANI: No, she's just like,
• 26:18
  awesome. That tracks.
• 26:18
  KARA: She's got other things
• 26:21
  on her mind.
• 26:21
  DANI: Yeah. Also for Bay to hear he's
• 26:24
  so much older or he's older, I feel like she'd
• 26:27
  be like, oh, freshman in college.
• 26:27
  KARA: Sure.
• 26:27
  DANI: I don't
• 26:30
  think Daphne even says he's from work.
• 26:30
  KARA: No, she
• 26:33
  just says he's older.
• 26:33
  DANI: So that could be.
• 26:33
  KARA: Yeah,
• 26:35
  18, whatever.
• 26:35
  DANI: Yeah.
• 26:35
  KARA: 18 and 16, okay. But yeah,
• 26:39
  Bay doesn't know he's like 29.
• 26:39
  DANI: Yeah.
• 26:39
  KARA: I was just
• 26:42
  thinking. I am 28. And I was like, can I? Me
• 26:46
  meeting a 16-year-old, first of all, I would
• 26:48
  immediately clock that they're 16.
• 26:48
  DANI: Right.
• 26:48
  KARA: And
• 26:50
  second of all, I was like, I talk to 16-year
• 26:53
  -olds the way I talk to, like, 7-year-olds.
• 26:55
  I'm like, how was school today?
• 26:55
  DANI: Right.
• 26:55
  KARA: Do you
• 26:58
  like your classes? What's your favorite movie?
• 27:00
  DANI: Like, can you spell circle?
• 27:00
  KARA: Literally, that's
• 27:05
  how I feel talking to a 16-year-old.
• 27:05
  DANI: Yeah.
• 27:07
  KARA: The way I would talk to, like my nieces and
• 27:10
  nephews.
• 27:10
  DANI: The way Steve talks on Blue's Clues.
• 27:13
  KARA: Literally.
• 27:13
  DANI: Like, where's the chair?
• 27:13
  KARA: Dora the
• 27:16
  Explorer.
• 27:16
  DANI: Backpack. Backpack.
• 27:16
  KARA: I was like, in
• 27:20
  what universe do they have anything in common?
• 27:22
  DANI: No.
• 27:22
  KARA: Like, I can't imagine myself having anything
• 27:25
  in common with a 16-year-old. So, like, what?
• 27:28
  DANI: Again, she's rocking a side braid this entire
• 27:31
  time.
• 27:31
  KARA: Dani's, like, physically hitting her head.
• 27:35
  DANI: It's just so upsetting to me. And I know that.
• 27:39
  I just cannot imagine it, genuinely. I have friends
• 27:42
  very dear to me who are 24. And sometimes I'm
• 27:45
  like, oh my god, you're 24.
• 27:45
  KARA: I know.
• 27:45
  DANI: Sometimes
• 27:48
  they say something and I'm like, huh, jump scare.
• 27:51
  And I just turned 27.
• 27:51
  KARA: Right.
• 27:51
  DANI: So that is not a
• 27:53
  dramatic age gap at all.
• 27:53
  KARA: No, to me, because I
• 27:56
  have a younger brother who is going to be 23
• 27:59
  soon. Anyone around that age or younger, I'm
• 28:02
  like, that's a baby.
• 28:02
  DANI: Yeah.
• 28:02
  KARA: I have a baby brother.
• 28:06
  DANI: Yes.
• 28:06
  KARA: So I'm like, no, you're a baby. You know
• 28:08
  nothing.
• 28:08
  DANI: Weird. That's how I feel about my brother,
• 28:11
  too. And he's much, much older.
• 28:11
  KARA: Right. Regina
• 28:13
  walks into Daphne's bedroom. Daphne is now dressed
• 28:17
  in the black top.
• 28:17
  DANI: And we get the full fit. And
• 28:19
  I must note that she's put barrettes in her hair.
• 28:22
  KARA: Yes.
• 28:22
  DANI: And they are the same blue of the bra. There's
• 28:26
  heavy eye makeup.
• 28:26
  KARA: Heavy eye makeup, a dark lip.
• 28:29
  DANI: This was exactly, did I tell you a couple weeks
• 28:32
  ago when I went to get my makeup done for a press
• 28:34
  event and I left feeling like a drag queen with
• 28:37
  the amount of makeup that they put on my face?
• 28:39
  KARA: Was it that?
• 28:39
  DANI: Yeah, that's how I felt. That's
• 28:42
  how I imagined Daphne must be feeling.
• 28:42
  KARA: The color
• 28:44
  just doesn't work with her.
• 28:44
  DANI: No.
• 28:44
  KARA: It's like she
• 28:46
  borrowed mommy's makeup.
• 28:46
  DANI: Yeah.
• 28:46
  KARA: Which is probably
• 28:49
  exactly what she did.
• 28:49
  DANI: And that's how I felt.
• 28:51
  KARA: Regina walks in and goes, and why aren't you
• 28:53
  dressed like a toddler?
• 28:53
  DANI: Yeah.
• 28:53
  KARA: So she's wearing
• 28:56
  a tank top.
• 28:56
  DANI: The stomach is the big problem for
• 28:59
  me.
• 28:59
  KARA: It's so much stomach.
• 28:59
  DANI: Low rise jeans, mind
• 29:03
  you. Well, they're like mid rise. It's a lot
• 29:06
  of stomach.
• 29:06
  KARA: Because Daphne. Not Daphne. Because
• 29:09
  Regina says, like, you're not wearing that. And
• 29:12
  Daphne goes, well, Bay wears this. Why can't
• 29:14
  I? But Bay would never wear something like that.
• 29:17
  Because Bay has never shown that much stomach.
• 29:19
  DANI: No. Kara: Bay always has her tummy covered.
• 29:19
  DANI: Yeah. I
• 29:22
  think the tummy is the more - ugh, I don't like
• 29:24
  the word tummy.
• 29:24
  KARA: The stomach.
• 29:24
  DANI: In this context.
• 29:27
  The stomach is the more, like, shocking. Especially
• 29:30
  because Daphne's so pale.
• 29:30
  KARA: Yeah.
• 29:30
  DANI: It's like, it
• 29:33
  is shocking. It's not - again, she doesn't have -
• 29:36
  there's no cleavage happening in this shirt.
• 29:38
  So it's just like, okay, arms, shoulders, bra
• 29:41
  strap. Whoa, a lot of stomach.
• 29:41
  KARA: And then also -
• 29:44
  DANI: Mind you, she's going to work. She's going to
• 29:47
  her job.
• 29:47
  KARA: She's going to work in this.
• 29:47
  DANI: To a professional
• 29:48
  work setting. That's a lot of stomach for someone
• 29:51
  who's working with food.
• 29:51
  KARA: It's just so unprofessional
• 29:54
  to go work in that.
• 29:54
  DANI: It's very unprofessional.
• 29:55
  KARA: Also, the blue bra is - the cups are visible.
• 30:00
  DANI: Yeah. Because she's, like, pulled down the camisole.
• 30:02
  KARA: She's pulled down the camisole so you can see
• 30:04
  the top of the bra and the straps.
• 30:04
  DANI: It's very
• 30:07
  16-year-old, actually.
• 30:07
  KARA: I know.
• 30:07
  DANI: It's very, like,
• 30:10
  yeah.
• 30:10
  KARA: Yeah.
• 30:10
  DANI: But God, it's so hard to look at.
• 30:13
  KARA: Yeah. Regina and Melody that night, though, are
• 30:15
  coming to the restaurant for dinner. But before
• 30:18
  they leave, Regina says, please put on a jacket.
• 30:20
  And Daphne says, but you never said anything
• 30:22
  like that to Bay. Why can't I do the same? And
• 30:24
  Regina immediately clocks that this is for a
• 30:27
  boy. And she's like, you don't have to dress
• 30:29
  like this to impress anyone. And Daphne's like,
• 30:32
  Mom, that's not what this is for.
• 30:32
  DANI: This is for
• 30:35
  me. My bright blue bra, it's for me.
• 30:35
  KARA: My bad makeup?
• 30:39
  It's for me.
• 30:39
  DANI: It's for me.
• 30:39
  KARA: I am dying to know
• 30:41
  what she was wearing on her feet.
• 30:41
  DANI: I know, because
• 30:44
  we don't really get a look at it.
• 30:44
  KARA: No.
• 30:44
  DANI: I feel
• 30:46
  like it had to be like a wedge. A wedge heel.
• 30:49
  KARA: In the kitchen?
• 30:49
  DANI: Under bootcut jeans.
• 30:49
  KARA: In the kitchen?
• 30:52
  DANI: Tough.
• 30:52
  KARA: No clogs?
• 30:52
  DANI: I know. It's not safe.
• 30:52
  KARA: It's
• 30:57
  interview time. We are in front of the children's
• 30:59
  hospital. The moms, Regina and Kathryn, sit
• 31:02
  down with local reporter, Marcia Grace.
• 31:02
  DANI: I like
• 31:05
  that you wrote her full name.
• 31:05
  KARA: I think it's a
• 31:07
  riff of Nancy Grace.
• 31:07
  DANI: Oh.
• 31:07
  KARA: Yeah, who's like the
• 31:10
  Fox News girlie.
• 31:10
  DANI: I'm going to be honest. I didn't
• 31:12
  care about this storyline.
• 31:12
  KARA: I'm going to go through
• 31:14
  it fast.
• 31:14
  DANI: Go through it.
• 31:14
  KARA: The interviewer is like,
• 31:17
  we're here to talk about the Switched at Birth story.
• 31:19
  Here's Kathryn and Regina.
• 31:19
  DANI: We do get a reveal
• 31:22
  of the title of the novel.
• 31:22
  KARA: What did you see?
• 31:25
  It's just called Switched at Birth, right?
• 31:25
  DANI: No,
• 31:27
  it's called The True Story of a Mother's Journey.
• 31:30
  KARA: I think it was Switched at Birth, colon, The
• 31:33
  True Story of a Mother's Journey.
• 31:33
  DANI: But Marcia
• 31:34
  Grace only says the author of A True Story of
• 31:38
  a Mother's Journey.
• 31:38
  KARA: Interesting. Because the
• 31:41
  book itself -
• 31:41
  DANI: Because I was like, that's a terrible -
• 31:42
  I know, it has Switched at Birth on the title.
• 31:44
  On the, like, the words.
• 31:44
  KARA: Yeah, if it just had
• 31:47
  A True Story of a Mother's Journey, that's bad.
• 31:49
  DANI: It's a really bad book title.
• 31:49
  KARA: Yeah.
• 31:49
  DANI: That's Kathryn's
• 31:52
  first book.
• 31:52
  KARA: But surely the publicists will
• 31:54
  fix that. Or the editors. Whatever.
• 31:54
  DANI: Well, she
• 31:57
  churned it out pretty fast.
• 31:57
  KARA: She asked Kathryn.
• 31:59
  Well, she doesn't ask Kathryn anything, actually.
• 32:02
  DANI: She doesn't give a fuck about Kathryn.
• 32:02
  KARA: No.
• 32:04
  She brushes everything Kathryn says off and
• 32:07
  goes, Regina, tell me about life as an alcoholic
• 32:10
  single mother with a Deaf child. Your life is
• 32:12
  fascinating. How'd you do it? And she just kind
• 32:15
  of like insinuates that Regina was a better parent
• 32:18
  because Regina had doubts about Daphne.
• 32:18
  DANI: Yes.
• 32:21
  And that Regina had more to overcome.
• 32:21
  KARA: Yeah.
• 32:21
  DANI: Parenting.
• 32:25
  KARA: And then she goes, tell us about how you found
• 32:28
  the time to become fluent in sign language. She's
• 32:30
  not fluent in sign language.
• 32:30
  DANI: I know. I was like,
• 32:33
  oh.
• 32:33
  KARA: Yeah. But the whole interview, she's like,
• 32:36
  Regina, you're amazing. Kathryn, I don't give
• 32:37
  a shit about you. Then the interview is done
• 32:39
  and Regina's like, that was fun. I kind of loved
• 32:42
  that.
• 32:42
  DANI: She was uplifted.
• 32:42
  KARA: Yeah. And then she invites
• 32:45
  Kathryn to the restaurant with her and Melody
• 32:47
  tonight.
• 32:47
  DANI: Anyway, now we're at the kitchen.
• 32:47
  KARA: Daphne
• 32:51
  looks crazy.
• 32:51
  DANI: Daphne looks fucking crazy.
• 32:51
  KARA: Everyone
• 32:53
  else is wearing -
• 32:53
  DANI: Under the, like, bright lights
• 32:55
  of the kitchen, too. It's rough.
• 32:55
  KARA: Everyone else
• 32:57
  is wearing normal kitchen clothes. And she's
• 32:59
  wearing her slutty outfit.
• 32:59
  DANI: Yeah.
• 32:59
  KARA: Scuba says,
• 33:02
  nice shirt. Are you going to a stripper's funeral?
• 33:04
  Thankfully, I don't think Daphne understood what
• 33:06
  he was saying.
• 33:06
  DANI: No. Or she just pretended not
• 33:09
  to, to protect her feelings. She did look kind
• 33:11
  of sad after he said it.
• 33:11
  KARA: Yeah. Chef Jeff sees
• 33:14
  her and goes, why are you dressed like that?
• 33:16
  DANI: And she says, I have family coming in. Girl.
• 33:20
  That's not for your family.
• 33:20
  KARA: No. Now we're back
• 33:23
  at the Kennish house. Bay and Angelo are watching
• 33:26
  a French movie. John walks in and he's like,
• 33:29
  honey, why aren't you studying?
• 33:29
  DANI: And she's changed
• 33:32
  her essay topic to French New Wave so that they
• 33:34
  can watch movies.
• 33:34
  KARA: I guess.
• 33:34
  DANI: It's fine. Whatever.
• 33:38
  KARA: Yeah, I'm kind of like, whatever, as long as
• 33:40
  you do the paper.
• 33:40
  DANI: It's cute. They're bonding.
• 33:43
  This is what they should be doing.
• 33:43
  KARA: Yeah.
• 33:43
  DANI: This
• 33:45
  is good.
• 33:45
  KARA: It's just, I'm sure for John, it must
• 33:47
  feel so weird.
• 33:47
  DANI: Yeah, and he's clearly weirded
• 33:50
  out that she tries to invite him to join. he
• 33:52
  says no. I feel like he should - he should join.
• 33:55
  KARA: but maybe he's like, I feel like I'm intruding
• 33:57
  on their moment so I'm just gonna let it be.
• 33:57
  DANI: yeah.
• 34:00
  so and then after he's gone Bay gets a text.
• 34:00
  KARA: Yes.
• 34:05
  from Zarra. it's time to do street art.
• 34:05
  DANI: Yeah she's
• 34:09
  like meet me in the corner right now. and so Bay's
• 34:11
  like, Angelo, do you mind covering for me? and she's
• 34:15
  being so manipulative.
• 34:15
  KARA: Well, he first correctly
• 34:18
  says, I don't think it's a good idea. And then
• 34:20
  she goes, well, you're my dad too. You also have
• 34:23
  a say.
• 34:23
  DANI: And he thinks it's not a good idea.
• 34:23
  KARA: And
• 34:25
  I think it's one thing to let her go, but the
• 34:27
  two of them have to go up to John and fully outright
• 34:30
  lie to him.
• 34:30
  DANI: Yeah.
• 34:30
  KARA: That they're going to go to
• 34:33
  a French cafe to work on this paper together.
• 34:36
  And John's like, okay, whatever. Be home by 10:30.
• 34:38
  Oh, and while she's there, she's presenting all
• 34:41
  the work that she's finished.
• 34:41
  DANI: Yeah.
• 34:41
  KARA: And John
• 34:44
  says, you're always wonderful. But if you do
• 34:47
  your work, you could really be somebody. Ouch.
• 34:50
  DANI: Yeah, ouch.
• 34:50
  KARA: Yeah, it was the ouch moment. So
• 34:54
  Bay, I think, internally is like, fuck you. I'm
• 34:56
  going to go out and do this. Back at the restaurant.
• 34:58
  Regina, Kathryn, and Melody are there. And
• 35:02
  they meet Chef Jeff. They are starstruck.
• 35:02
  DANI: Melody
• 35:04
  especially.
• 35:04
  KARA: Regina is interpreting Melody's stories
• 35:08
  to Kathryn. The three of them are sitting at
• 35:10
  the table. Melody's talking about all her bad
• 35:12
  dates. So obviously she's horny and she needs
• 35:15
  a guy.
• 35:15
  DANI: Yeah.
• 35:15
  KARA: One of the bad dates they talked
• 35:18
  about was some guy carried his pug with him everywhere,
• 35:20
  which to me sounds awesome.
• 35:20
  DANI: I don't know.
• 35:20
  KARA: Depends
• 35:23
  on the dog.
• 35:23
  DANI: Depends on the man.
• 35:23
  KARA: Two things.
• 35:23
  DANI: Yeah.
• 35:27
  Yeah.
• 35:27
  KARA: Chef Jeff is, like, serving them.
• 35:27
  DANI: Yeah,
• 35:30
  he, okay, so he, they are introduced to him in
• 35:34
  the entryway and Daphne's like, I'm gonna deal
• 35:37
  with them. And he's like, no, no, we need you.
• 35:39
  You go back there. You're our secret weapon.
• 35:41
  KARA: She's wearing her crazy outfit and just an apron
• 35:43
  over it. Hair still down.
• 35:43
  DANI: Yeah, really bad.
• 35:47
  And she's handling desserts that night. So, like,
• 35:50
  she's fully handling food.
• 35:50
  KARA: Oh, I didn't know that.
• 35:50
  DANI: Because
• 35:52
  he asks Scuba to have her help him.
• 35:52
  KARA: She was helping
• 35:56
  with the pear tart.
• 35:56
  DANI: So yeah, so her hair's for
• 35:59
  sure getting in someone's pear tart. And Jeff
• 36:02
  is like, let me play waiter for some reason.
• 36:06
  And the reason is that he kind of is catching
• 36:09
  that Melody is eyeing him. Melody is really laying
• 36:13
  it on thick. You know, the way she was like episode
• 36:15
  three with John.
• 36:15
  KARA: Yeah.
• 36:15
  DANI: When she was flirting,
• 36:18
  even though he was married. Yeah, exactly.
• 36:18
  KARA: Heart
• 36:20
  eyes.
• 36:20
  DANI: Heart eyes. And Chef Jeff's maybe kind
• 36:23
  of into it, which is -
• 36:23
  KARA: But he doesn't know anything
• 36:26
  she's signing.
• 36:26
  DANI: No.
• 36:26
  KARA: He just catches a vibe.
• 36:26
  DANI: Yeah,
• 36:29
  the vibe is strong.
• 36:29
  KARA: Yeah.
• 36:29
  DANI: I don't think they
• 36:32
  need to share a language for him to understand.
• 36:35
  KARA: He serves them in an amuse bouche. And he explains
• 36:38
  it means an amusement for the mouth. And Melody
• 36:41
  signs, you can amuse my mouth anytime you want.
• 36:44
  And Regina interprets that as she loves scallions.
• 36:47
  DANI: Fair.
• 36:47
  KARA: But there's no way Melody would've wanted that
• 36:50
  interpreted.
• 36:50
  DANI: No.
• 36:50
  KARA: That's a fun secret for her.
• 36:53
  DANI: Yeah, she likes to play that game.
• 36:53
  KARA: Meanwhile,
• 36:55
  Kathryn is downing like 12 cups of wine, 12
• 36:58
  glasses of wine.
• 36:58
  DANI: Yeah, Kathryn's really going
• 37:01
  for it.
• 37:01
  KARA: Yeah, and she keeps making snide comments
• 37:03
  about Regina being a hero and the best mother
• 37:06
  ever. So Kathryn's having a time right now.
• 37:09
  Bay is off to do some street art now. She meets
• 37:12
  up with Zarra and Zarra goes, hey girl. You have
• 37:15
  to do a solo piece, and it needs to be in a risky,
• 37:17
  highly visible place to gain the group's respect.
• 37:20
  This could have been a phone call.
• 37:20
  DANI: This could
• 37:22
  have been a text!
• 37:22
  KARA: She just leaves.
• 37:22
  DANI: Yeah.
• 37:22
  KARA: Does
• 37:25
  Bay have to do it now?
• 37:25
  DANI: Yes.
• 37:25
  KARA: Why now?
• 37:25
  DANI: We find
• 37:28
  out later that yes, she has to do it right now,
• 37:30
  which she doesn't have any of her art supplies
• 37:32
  with her.
• 37:32
  KARA: Maybe it's in her car?
• 37:32
  DANI: Maybe.
• 37:32
  KARA: Again,
• 37:35
  yeah.
• 37:35
  DANI: Okay, whatever. So her and Angelo drove
• 37:37
  separately?
• 37:37
  KARA: I don't know. Back in the restaurant
• 37:39
  kitchen, Daphne is serving a pear tart with creme
• 37:44
  anglaise. It looks pretty good, actually.
• 37:44
  DANI: It
• 37:46
  does look good, but her smug face is pissing
• 37:49
  me off this episode so much.
• 37:49
  KARA: She's like, I'm
• 37:51
  helping Scuba with the dessert. I'm amazing.
• 37:53
  DANI: He tries it, and she's got this smile on her
• 37:56
  face as he's trying it because she knows how
• 37:59
  good it is. And it just made me so mad.
• 37:59
  KARA: I know.
• 38:02
  DANI: With her stupid top on.
• 38:02
  KARA: Yeah. Chef Jeff comes
• 38:05
  in. She runs off to do dishes. But then he asks
• 38:08
  her for help with tomorrow's brunch. And he
• 38:11
  wants her to stay. And she's thrilled.
• 38:11
  DANI: She is
• 38:13
  stoked. Did you clock that she sees him coming.
• 38:17
  She runs over to the dishes.
• 38:17
  KARA: Yes.
• 38:17
  DANI: Is fully facing
• 38:21
  away from him. He says Daphne. And she turns.
• 38:26
  KARA: You're right.
• 38:26
  DANI: Do you think that that was a mistake
• 38:28
  on Katie LeClerc's part? Or do you think that
• 38:30
  they were trying to imply, like, Daphne's just
• 38:32
  pretending and, like, knows he's coming.
• 38:32
  KARA: She
• 38:35
  has magic hearing.
• 38:35
  DANI: Right. It's just her magic
• 38:37
  ears.
• 38:37
  KARA: Well, maybe she heard, like, a tiny bit.
• 38:39
  I don't know. The kitchen's noisy, though.
• 38:39
  DANI: Yeah.
• 38:41
  I don't think. I don't think so.
• 38:41
  KARA: Yeah, this is
• 38:43
  Katie LeClerc's fault. I'm going to put it on her.
• 38:46
  DANI: Okay.
• 38:46
  KARA: Now, Angelo's on the Kennish property,
• 38:49
  goes up to Toby again, who is once again strumming
• 38:52
  a guitar.
• 38:52
  DANI: Yeah, Toby didn't really have a lot
• 38:54
  to do this episode.
• 38:54
  KARA: But Angelo looks stressed.
• 38:57
  It's past curfew.
• 38:57
  DANI: He's like, hey, do you know
• 38:59
  where your sister is? He doesn't realize this
• 39:01
  about Bay, that she's never once been able to
• 39:03
  make a curfew ever. And then John finds them
• 39:06
  in there, and he's like, where's Bay? And Angelo
• 39:10
  does the right thing and confesses he doesn't
• 39:13
  know. he was swindled by the 16 year old. John
• 39:16
  has a fantastic monologue about like, god damn
• 39:19
  it, you cannot be her friend. you are her father.
• 39:22
  he yells, you are her father. and then he's like
• 39:25
  you're her father.
• 39:25
  KARA: You need to say no to her sometimes.
• 39:28
  your job is not to make her like you. But you
• 39:31
  have to protect her.
• 39:31
  DANI: Yeah.
• 39:31
  KARA: And now what do we
• 39:34
  do? We sit, we worry, and we wait.
• 39:34
  DANI: Yeah.
• 39:34
  KARA: Yeah.
• 39:37
  I wrote great acting from DW Moffet here.
• 39:40
  DANI: Yeah. He's doing a great job.
• 39:40
  KARA: Yeah. Now, this
• 39:43
  scene made me crack up. We're in the restaurant
• 39:45
  parking lot now. Regina's designated driver because
• 39:48
  Kathryn is like 12 drinks in.
• 39:48
  DANI: Yeah. And we're
• 39:51
  back in the fancy Toyota with the Pandora radio.
• 39:54
  DANI: It's a really good moment for some product placement.
• 39:56
  KARA: Kathryn drunkenly says, you can turn the car
• 39:59
  on with the button.
• 39:59
  DANI: And then Regina's like, now
• 40:01
  the center console screen is trying to sell me
• 40:03
  movie tickets.
• 40:03
  KARA: On movieticket.com.
• 40:03
  DANI: It was not
• 40:07
  subtle.
• 40:07
  KARA: And Kathryn goes, no one cares what
• 40:09
  I have to say. They just want to hear your story.
• 40:11
  You kept my daughter away from me for 13 years
• 40:14
  and I'm the bad guy because I'm rich and out
• 40:16
  of touch. How did I know she wasn't my daughter?
• 40:19
  And then Regina's like, hold on. Let me turn
• 40:21
  on the navigation system in this Toyota and take
• 40:24
  us somewhere. And then she takes them to the
• 40:27
  children's hospital, which I guess has no security.
• 40:29
  DANI: Let's just wrap this up real quick because this
• 40:31
  is crazy. I see this in shows and movies all
• 40:34
  the time where people just like go to look at
• 40:36
  the babies.
• 40:36
  KARA: Like newborn viewing.
• 40:36
  DANI: Reflect on
• 40:39
  life or whatever. Is that even a thing that they
• 40:42
  have? Do they even have a like newborn viewing
• 40:44
  window?
• 40:44
  KARA: One, I hope so. And two, I don't know.
• 40:47
  DANI: You hope so so that we can go look at the newborn
• 40:50
  babies?
• 40:50
  KARA: No, but if like I'm in the hospital one
• 40:52
  day.
• 40:52
  DANI: You're like, I'm just going to take a -
• 40:52
  KARA: Take
• 40:55
  a gander.
• 40:55
  DANI: Take a gander.
• 40:55
  KARA: Babies are cute.
• 40:55
  DANI: So
• 40:58
  yes, for your viewing. Okay.
• 40:58
  KARA: I don't know.
• 40:58
  DANI: I
• 41:02
  just think it's weird to have it. Like, I don't
• 41:05
  think I'd want to put my baby in the baby viewing
• 41:07
  window.
• 41:07
  KARA: That's a good point.
• 41:07
  DANI: But they're just
• 41:09
  like in there. They roll up. They don't even
• 41:11
  have visitor's badges or anything on.
• 41:11
  KARA: Nothing.
• 41:13
  DANI: They're looking in the window to be like, wow,
• 41:15
  they're so small. They all kind of look the same.
• 41:19
  KARA: Distinguishing them isn't as easy as you think.
• 41:21
  DANI: Yeah. And Kathryn feels better. And then a
• 41:24
  nurse comes up and is finally like, you guys
• 41:27
  okay? You two random ladies okay? and they're
• 41:30
  also - it seems like she's about to let them meet
• 41:33
  one of the babies. she was like are you here to
• 41:35
  see anyone in particular? like of the babies.
• 41:35
  KARA: and
• 41:38
  they're like take a baby.
• 41:38
  DANI: Literally and they're
• 41:40
  like no.
• 41:40
  DANI: Right, they've learned nothing.
• 41:40
  KARA: Learned nothing.
• 41:43
  DANI: They're like no, we're just taking a trip down
• 41:45
  memory lane. red flag sentence. the nurse should
• 41:48
  be like okay, let me just call security really
• 41:50
  quick just in case. Nothing. They start to go
• 41:53
  off. And Kathryn, still drunk, visibly drunk.
• 41:56
  Again, another red flag for the nurse who's not
• 41:58
  doing her job.
• 41:58
  KARA: Still drunk.
• 41:58
  DANI: Looks back at the
• 42:01
  nurse.
• 42:01
  KARA: And she looks familiar.
• 42:01
  DANI: She looks familiar.
• 42:04
  KARA: The nurse is like a beautiful blonde woman.
• 42:04
  DANI: They
• 42:06
  go home. And Kathryn wakes up and goes through
• 42:10
  the box of Angelo's stuff.
• 42:10
  KARA: That they went in
• 42:13
  his storage room for many episodes ago.
• 42:13
  DANI: That
• 42:15
  I guess they never gave back to him.
• 42:15
  KARA: They still
• 42:18
  have it.
• 42:18
  DANI: And she pulls out the photograph of
• 42:21
  the woman that they found that really upset Regina
• 42:24
  and sent her into a spiral. And it's the nurse
• 42:27
  from the hospital.
• 42:27
  KARA: It's several pictures of Angelo
• 42:30
  and the nurse.
• 42:30
  DANI: Yes.
• 42:30
  KARA: And now we know that the
• 42:33
  source that Angelo has is her.
• 42:33
  DANI: Yeah. Potentially
• 42:37
  his ex-situationship.
• 42:37
  KARA: And then she calls Craig
• 42:40
  Tebbe. She's like, hey.
• 42:40
  DANI: She calls her ex-situationship.
• 42:43
  She says, hey.
• 42:43
  KARA: So that's the end of that.
• 42:43
  DANI: Yeah.
• 42:47
  KARA: Plot line.
• 42:47
  DANI: That's those girls wrapped up.
• 42:47
  KARA: Yeah.
• 42:50
  If I was drunk, I would never look at someone
• 42:52
  and be like, oh.
• 42:52
  DANI: I've seen a photo of you with
• 42:55
  them. I actually feel like I kind of would.
• 42:55
  KARA: Maybe.
• 42:57
  DANI: One time when I was drunk at a bar, I unlocked
• 43:00
  all of the Italian that I studied in high school
• 43:02
  and was able to have a fluent conversation.
• 43:02
  KARA: Sometimes
• 43:05
  I'm really good at signing when I'm drunk.
• 43:05
  DANI: Your
• 43:07
  inhibitions are lowered.
• 43:07
  KARA: Yeah. Feel the rain
• 43:10
  on your skin.
• 43:10
  DANI: Bay's finally home. She walks in,
• 43:14
  both dads on the stairs waiting for her.
• 43:14
  KARA: Stressed.
• 43:18
  DANI: Drama.
• 43:18
  KARA: John goes, hi, honey. We've turned our
• 43:21
  lives upside down so that Angelo can be a part
• 43:24
  of your life. And yet you are treating him like
• 43:26
  a convenient alibi. He deserves more than that.
• 43:29
  Good night.
• 43:29
  DANI: So good for him to do the guilt play
• 43:32
  because Bay is just immediately like, I'm sorry,
• 43:35
  I messed up. But you can tell she doesn't give
• 43:37
  a fuck.
• 43:37
  KARA: No.
• 43:37
  DANI: But he really lays on the guilt.
• 43:40
  KARA: Good.
• 43:40
  DANI: As he should. And I think it's effective.
• 43:43
  KARA: It works. I wrote that I think Angelo gets Bay,
• 43:46
  but John knows Bay.
• 43:46
  DANI: Yes.
• 43:46
  KARA: Like.
• 43:46
  DANI: Absolutely.
• 43:50
  KARA: And John is able to rightfully call Bay out for
• 43:52
  manipulating the situation.
• 43:52
  DANI: John is a good parent.
• 43:55
  KARA: He is.
• 43:55
  DANI: He is. He's involved. He cares.
• 43:55
  KARA: I just
• 43:57
  love seeing parents work together.
• 43:57
  DANI: We get so
• 44:00
  little of it in the show.
• 44:00
  KARA: Now we're back in the
• 44:02
  kitchen. The shift is over. And Chef Jeff is
• 44:05
  cooking salmon. And Daphne's doing the dishes.
• 44:07
  It's just the two of them, I think.
• 44:07
  DANI: Yeah.
• 44:07
  KARA: They
• 44:10
  share the salmon dish. And he goes, by the way,
• 44:12
  your moms at dinner, they're so cute together.
• 44:15
  Ally.
• 44:15
  DANI: Love. And Daphne's like, ugh, they're not
• 44:18
  together. It's a long story that she doesn't
• 44:21
  want to tell him. Probably because, okay, this
• 44:24
  is where I think that Daphne knows that he doesn't
• 44:27
  know that she's in high school. And if she tells
• 44:29
  him this, he's going to, like, Google the story
• 44:31
  and then find out that she's 16 years old.
• 44:31
  KARA: Good
• 44:34
  point. But she is hired legally, I assume.
• 44:34
  DANI: Yeah.
• 44:39
  KARA: So if he just looked at any paperwork of her
• 44:43
  being hired.
• 44:43
  DANI: He's never done that.
• 44:43
  KARA: If he did,
• 44:46
  he would find her birthday. It's 1995.
• 44:46
  DANI: Absolutely,
• 44:49
  he would. But he's never done that.
• 44:49
  KARA: Yeah, that's
• 44:52
  true.
• 44:52
  DANI: He's not reading that. He's not reading
• 44:54
  the ADA rules. None of it.
• 44:54
  KARA: No, but what he is
• 44:56
  doing is promoting her to garde manger.
• 44:56
  DANI: Yeah,
• 44:59
  which is salads.
• 44:59
  KARA: It's cold food.
• 44:59
  DANI: For layman's
• 45:03
  like me.
• 45:03
  KARA: It's salads and dressings.
• 45:03
  DANI: Yeah.
• 45:03
  KARA: You're
• 45:06
  going to work with Scuba. Daphne is jumping,
• 45:09
  physically jumping.
• 45:09
  DANI: Physically leaps into his
• 45:11
  arms.
• 45:11
  KARA: Yeah, goes in for a hug.
• 45:11
  DANI: And then is like,
• 45:14
  oh, sorry, shouldn't have done that. But yay!
• 45:18
  KARA: And then Chef Jeff is like, great, I'm going
• 45:20
  to go home for the night. I'm going to grab myself
• 45:21
  a bottle of wine, kind of. He doesn't say he's
• 45:24
  going to go home for the night.
• 45:24
  DANI: No, he says,
• 45:25
  can you go grab me the fancy wine that I can't
• 45:29
  pronounce? And she's like, what? I can't read
• 45:31
  your lips on that. And he says, never mind. I
• 45:34
  got it. You stay here and you work on your French.
• 45:36
  Fair. Those are, again, words I cannot pronounce.
• 45:39
  So he leaves. Before this, she was washing wine
• 45:43
  glasses.
• 45:43
  KARA: So she's like, oh, great. He's going
• 45:46
  to get minor intoxicated.
• 45:46
  DANI: Okay. So I think, again,
• 45:50
  this further confirms that she thinks that he
• 45:53
  thinks she is older.
• 45:53
  KARA: Right.
• 45:53
  DANI: She must think that
• 45:57
  he thinks that she's at least 21 because she
• 45:59
  pulls two wine glasses and puts them on the counter
• 46:03
  next to the salmon and then leans. Oh, the lean
• 46:06
  was so bad. She leans so awkwardly against the
• 46:09
  counter and her crop top. And that's the scene
• 46:12
  he walks out to.
• 46:12
  KARA: And then he's like, um, anyway.
• 46:17
  DANI: I don't need the glasses. Thanks. Scuba will
• 46:20
  be back soon.
• 46:20
  KARA: Did he just want this wine to bring
• 46:23
  home for himself?
• 46:23
  DANI: Not for himself, girl.
• 46:23
  KARA: Oh,
• 46:26
  because it's for Mel -
• 46:26
  DANI: He's going
• 46:28
  somewhere. He has plans. He asked her to stay
• 46:31
  late to prep brunch so that he can get off early.
• 46:34
  KARA: Yes.
• 46:34
  DANI: So that he can get off.
• 46:34
  KARA: Okay. It's coming
• 46:37
  together.
• 46:37
  DANI: So he - it's so cringe, this moment.
• 46:41
  It's so unfortunate. So Daphne, wounded from
• 46:45
  this rejection, what does she do? What does Daphne
• 46:47
  always do when she's wounded? She calls Emmett.
• 46:49
  KARA: Calls Emmett.
• 46:49
  DANI: Emmett shows up. She's slumped
• 46:53
  on her bench with her little puppy dog eyes.
• 46:55
  KARA: It's like a park bench. It's the middle of the
• 46:57
  night.
• 46:57
  DANI: Middle of the night. And he's like, what's
• 47:01
  up? And she's like, am I just like a toddler
• 47:04
  geek that like, can't be sexy?
• 47:04
  KARA: Am I a cardigan-
• 47:07
  wearing opposite-of-sexy, hopeless geek?
• 47:07
  DANI: Girl,
• 47:10
  yeah, kind of.
• 47:10
  KARA: Her signing did say though, do
• 47:12
  I look like a geek with the cardigan, no style?
• 47:15
  DANI: And?
• 47:15
  KARA: Both are true.
• 47:15
  DANI: Both are true.
• 47:15
  KARA: Just the translation
• 47:18
  was silly. And Emmett's like, who is this guy?
• 47:21
  Don't let him mess with your head.
• 47:21
  DANI: Right. I really felt
• 47:24
  for Emmett. It's kind of getting a taste of his
• 47:26
  own medicine, but, like, she fully is like, well,
• 47:29
  what did you think of me? Like, when you had
• 47:31
  a crush on me for years and years and years.
• 47:34
  And it's like, Daphne, don't exploit Emmett's
• 47:37
  emotions.
• 47:37
  KARA: And he doesn't take the bait. He just
• 47:40
  goes, what do you think?
• 47:40
  DANI: Yeah.
• 47:40
  KARA: You have really
• 47:42
  bad timing. And that's kind of it for them.
• 47:42
  DANI: Yeah,
• 47:45
  that's it for that scene.
• 47:45
  KARA: Yeah.
• 47:45
  DANI: Oh, she also
• 47:47
  says, like, she says to him, like, this guy,
• 47:50
  he's just confusing me, like, one second, he's
• 47:53
  all buddy buddy with me and then next he's
• 47:56
  treating me like I'm just some kid he's stuck
• 47:57
  with. you are a kid!
• 47:57
  KARA: that he literally is stuck
• 48:01
  with.
• 48:01
  DANI: He is stuck with.
• 48:01
  KARA: yeah.
• 48:01
  DANI: so Emmett takes her
• 48:03
  home and then Emmett is headed home himself but
• 48:07
  he's staying at his dad's which is established
• 48:08
  so then in the morning we see a scene of him
• 48:12
  riding home to his mother's house and who is
• 48:15
  leaving his mother's house?
• 48:15
  KARA: After a kiss.
• 48:15
  DANI: After
• 48:19
  a kiss that made my skin crawl. But Chef Jeff,
• 48:24
  who clearly took that fancy bottle of French
• 48:27
  wine over to Melody's and [BLEEP].
• 48:27
  KARA: Yep.
• 48:27
  DANI: Which is crazy.
• 48:34
  KARA: Crazy.
• 48:34
  DANI: Okay, this was when I texted you a couple
• 48:36
  weeks ago, like, don't look up Chef Jeff because
• 48:38
  you're going to get it spoiled for yourself.
• 48:40
  Because I had completely forgotten that he hooks
• 48:43
  up with Melody before anything goes down with
• 48:45
  him and Daphne.
• 48:45
  KARA: Crazy, because he knows she is
• 48:47
  tied to Daphne, his co-worker.
• 48:47
  DANI: Yes, that, but,
• 48:51
  like, whatever, kind of.
• 48:51
  KARA: OK.
• 48:51
  DANI: Like if he wasn't
• 48:53
  interested in Daphne, it would be fine. And obviously
• 48:56
  in this episode, it's like played off that Daphne's
• 48:59
  imagining things with Chef Jeff. But we know
• 49:01
  that that's not true. We know that there is some -
• 49:03
  we know because we've seen ahead that there is
• 49:06
  something between her and Chef Jeff, that he is
• 49:08
  interested in her. So then the fact that he's
• 49:11
  like, and I'm going to fuck this woman who is
• 49:13
  best friends with both of her moms is crazy.
• 49:17
  And also, it's just icky. It's - Melody's basically
• 49:20
  her mom.
• 49:20
  KARA: I know.
• 49:20
  DANI: Like, what in The Odyssey is
• 49:24
  going on? It's so gross. And Emmett doesn't really
• 49:28
  recognize him. He's just, like, there's a glimmer.
• 49:29
  KARA: He doesn't know who Chef Jeff is.
• 49:29
  DANI: Yeah, so there's
• 49:31
  just a glimmer of, like, who's that guy getting
• 49:34
  into that very notable car?
• 49:34
  KARA: It's a red Jeep.
• 49:37
  DANI: Yeah.
• 49:37
  KARA: And then Chef Jeff drives away.
• 49:37
  DANI: Like, with
• 49:40
  the doors off.
• 49:40
  KARA: Yeah, no doors. It's Kansas City,
• 49:42
  and you don't need that.
• 49:42
  DANI: Okay, anyway, then back
• 49:45
  at the Kennish house. Bay, it's the next morning.
• 49:48
  She's up. She's like telling John like, oh, I
• 49:50
  want to show you my French paper. Does John speak
• 49:52
  French?
• 49:52
  KARA: No. He said, I'll look at it later.
• 49:52
  DANI: Crazy.
• 49:55
  KARA: But he's busy.
• 49:55
  DANI: He's busy. He has to go to the
• 49:57
  car wash. There's an issue. And he said, well,
• 50:00
  let me look at it before I call the police. And
• 50:02
  Bay says, the police? I'll just go with you to
• 50:04
  the car wash.
• 50:04
  KARA: Yeah.
• 50:04
  DANI: And they pull up to the car
• 50:07
  wash. And unsurprisingly, Bay has tagged the
• 50:12
  car wash with a very on the nose piece of artwork.
• 50:16
  KARA: It's a very signature Bay art of, like,
• 50:20
  a girl in a dress. And then in, like, bubble
• 50:23
  font, it says, I was here.
• 50:23
  DANI: Yeah. She's yelling,
• 50:27
  I was here.
• 50:27
  KARA: Yes.
• 50:27
  DANI: She's like, wow, that's kind
• 50:30
  of cool.
• 50:30
  KARA: It has nothing to do with the car wash.
• 50:32
  DANI: No. And John says.
• 50:32
  KARA: He just sees it as a nuisance.
• 50:36
  DANI: Well, yeah, he makes, like, a racially loaded
• 50:39
  comment.
• 50:39
  KARA: He does say, like, these people.
• 50:39
  DANI: These
• 50:42
  people ruin their own neighborhoods. And then
• 50:45
  they have to come and ruin ours, too.
• 50:45
  KARA: Yeah.
• 50:45
  DANI: Which
• 50:48
  is not great. But he is frustrated. And I think
• 50:52
  this is where I have a hard time being empathetic
• 50:55
  towards Bay. I think it's because I don't really
• 50:57
  have an appreciation for graffiti as art. Most
• 51:01
  of it. So I'm kind of like, yeah, to him, you
• 51:04
  did just sort of deface his business.
• 51:04
  KARA: It doesn't
• 51:08
  have anything to do with the car wash or the
• 51:10
  car wash logos. It doesn't -
• 51:10
  DANI: I just feel like
• 51:14
  he - he's such a supportive parent who's well
• 51:17
  -meaning and just like fucks up because he like
• 51:20
  doesn't know. Like with Toby's music stuff and
• 51:22
  so I feel like if Bay was - obviously she can't
• 51:25
  tell her parents that she's doing illegal street
• 51:26
  art.
• 51:26
  KARA: No.
• 51:26
  DANI: but I feel like if she was more honest
• 51:28
  about the type of art she was interested in doing
• 51:30
  or she asked John like, can I paint a mural on
• 51:33
  the car wash.
• 51:33
  KARA: He totally would.
• 51:33
  DANI: He would be so into that
• 51:37
  and supportive of it and so - it is like I see
• 51:41
  both sides.
• 51:41
  KARA: yeah.
• 51:41
  DANI: And even if he knew - if she had
• 51:45
  been like, well, I did that, I bet he would have
• 51:47
  been upset, but I bet he would not have painted
• 51:48
  over it. You know what I mean?
• 51:48
  KARA: I would paint
• 51:51
  over it. It's not that good.
• 51:51
  DANI: I know. I thought
• 51:52
  it was ugly, too. It's not her best work. Bay's
• 51:55
  had better pieces.
• 51:55
  KARA: Exactly.
• 51:55
  DANI: The birthday billboard
• 51:58
  is the best one so far.
• 51:58
  KARA: So the best one. And
• 52:00
  she didn't even do that.
• 52:00
  DANI: I know.
• 52:00
  KARA: But he doesn't
• 52:03
  know that. He goes, thank God you're here. You
• 52:05
  can help me paint over it.
• 52:05
  DANI: And then Bay is stuck.
• 52:08
  The last scene of the episode is her painting
• 52:11
  over the art. But first she sends a photo of
• 52:15
  it.
• 52:15
  KARA: To Zarra.
• 52:15
  DANI: To Zarra.
• 52:15
  KARA: Zarra apparently knows that
• 52:18
  that is a highly visible area. It's not clear
• 52:21
  in the photo.
• 52:21
  DANI: It's not clear. It's a close up.
• 52:23
  KARA: There's no location.
• 52:23
  DANI: And she's about to paint
• 52:24
  over it.
• 52:24
  KARA: Yeah. It's just a blue wall. Whatever.
• 52:27
  And Zarra's like, sick. Welcome to the crew.
• 52:27
  DANI: So
• 52:30
  Bay is joining a graffiti gang now.
• 52:30
  KARA: Yeah.
• 52:30
  DANI: That'll
• 52:34
  be fun.
• 52:34
  KARA: Welcome to the bad kids club.
• 52:34
  DANI: That'll
• 52:35
  be so fun.
• 52:35
  KARA: I feel like I'm watching Thirteen.
• 52:35
  DANI: Literally.
• 52:38
  KARA: That's it.
• 52:38
  DANI: I'm not feeling good about the direction
• 52:41
  that anyone is moving in right now in this show.
• 52:44
  I cannot.
• 52:44
  KARA: The Chef Jeff is really -
• 52:44
  DANI: And good for -
• 52:48
  the thing is, is like detached from Daphne. Good
• 52:51
  for Melody. You know, she wanted to get laid.
• 52:53
  She got laid. Happy for her. It's just like so
• 52:56
  gross in the context.
• 52:56
  KARA: I know.
• 52:56
  DANI: It's so icky.
• 52:56
  KARA: He's
• 53:01
  like a psychopath.
• 53:01
  DANI: Yeah. No, that is. It's psychotic.
• 53:05
  Fine. Sleep with Melody. Now leave the teenager
• 53:07
  alone. Sleep with the adult woman. Fine.
• 53:07
  KARA: Yeah.
• 53:11
  Or the produce woman.
• 53:11
  DANI: Or the produce woman. Sleep
• 53:14
  with them both. Who cares? Have a three-way
• 53:16
  with them. Melody would probably love that. She's
• 53:18
  horned up as hell right now.
• 53:18
  KARA: She really is.
• 53:18
  DANI: But
• 53:20
  leave Daphne and her sad mesh crop top out of
• 53:25
  it.
• 53:25
  KARA: They could have done this with Nyle DiMarco.
• 53:28
  And yet they had this guy.
• 53:28
  DANI: Well, I wouldn't have
• 53:30
  wanted Nyle to play this role.
• 53:30
  KARA: And what if the
• 53:33
  groomer was a Deaf person?
• 53:33
  DANI: Guys, representation
• 53:36
  matters.
• 53:36
  KARA: Thanks for listening.
• 53:36
  DANI: Thanks for listening,
• 53:39
  guys. Talk to you next week.
• 53:39
  KARA: Bye. [UPBEAT JAZZY THEME MUSIC]