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EP186 - Friday The 13th Part VI - Jason Lives (Thirsty For Gore) · Thirsty For More - Movie Review

• 0:00
  Speaker 1: Hello everyone, Hello everyone, and welcome to Thirsty for Gore. I,
• 0:05
  Speaker 1: of course, and your host Milane cow and I am Alex.
• 0:11
  Speaker 1: Nice to meet you today. We're going to have a
• 0:14
  Speaker 1: different Tommy with us.
• 0:19
  Speaker 2: Because we're talking about nineteen eighty six. Is Jason Part
• 0:26
  Speaker 2: six Friday the thirteenth, six six six Jason is Alive or.
• 0:33
  Speaker 1: What is it Jason Jesson? This one, this one definitely
• 0:37
  Speaker 1: has a much more has a much more Jason is
• 0:39
  Speaker 1: a live feeling. Yeah, well yeah, Jason is Alive Part five,
• 0:43
  Speaker 1: Part time, part five. But I mean this one definitely
• 0:49
  Speaker 1: has a lot of the like finally he's Frankenstein's monstering. Yeah. Yeah,
• 0:57
  Speaker 1: there's a kind of.
• 0:58
  Speaker 2: Like almost like a delivery on on some of the
• 1:03
  Speaker 2: things that we've been talking a lot about.
• 1:07
  Speaker 1: I mean, forty year old Tommy first of all, that
• 1:10
  Speaker 1: delivered this guy who looks like Dennis from Phillainelia had
• 1:16
  Speaker 1: kind of behaved like him too, man like just.
• 1:19
  Speaker 2: Like the most erratic maniac where he's got this friend
• 1:23
  Speaker 2: Hooper or whatever. The guy's name is, haw Hawes, that's it. Yeah,
• 1:26
  Speaker 2: and he's like I like, haws, I met you at
• 1:29
  Speaker 2: the institution. Like you can tell that like he's just
• 1:33
  Speaker 2: giving Hawes, like the extra prescriptions. He's not using like
• 1:38
  Speaker 2: he's just like giving Sanny prescriptions.
• 1:42
  Speaker 3: Sandy feels in I feel my body's started on.
• 1:48
  Speaker 1: But Hawes is like, is like a little bit like,
• 1:52
  Speaker 1: I don't know what this guy. He's kind of.
• 1:54
  Speaker 2: Like he's like yeah, yeah, but like also like raised eyebrow.
• 1:59
  Speaker 1: You well, you got me out of the hospital. I
• 2:01
  Speaker 1: appreciate that, dude, But.
• 2:03
  Speaker 2: It does seem like it's that kind of vibe between
• 2:05
  Speaker 2: the two.
• 2:05
  Speaker 1: But it also implies, like it seems to imply that,
• 2:08
  Speaker 1: oh yeah, he grabbed the mask from the end of
• 2:11
  Speaker 1: the fifth one and he's just just continue like it's
• 2:13
  Speaker 1: the same day almost, And it's like, but I like that.
• 2:17
  Speaker 1: I liked that. I liked the beginning of the last
• 2:20
  Speaker 1: one where he just gets like, you're just right in it.
• 2:23
  Speaker 1: And I liked this one too, where they're just fright
• 2:25
  Speaker 1: in it.
• 2:26
  Speaker 2: Yeah, you're right in it.
• 2:27
  Speaker 1: They're going to the grave of Jason, and it has
• 2:30
  Speaker 1: like a dream quality, Like definitely, if part five was
• 2:35
  Speaker 1: like kind of Freddy, part six is very Freddy. Like
• 2:40
  Speaker 1: the overhead shots, so many overhead shots, it's super like Spielbergo.
• 2:46
  Speaker 1: The making of it. There's a lot of kids.
• 2:50
  Speaker 2: There's also a very like I mean, he used this
• 2:56
  Speaker 2: three million dollar budget very very well.
• 3:00
  Speaker 1: Yeah, it's like really well done. It looks like a
• 3:03
  Speaker 1: good movie. I was pretty excited from the get go
• 3:09
  Speaker 1: gross wormy Jason. At the beginning, Oh man, the worms
• 3:13
  Speaker 1: crawl in, the worms crawl though, the worms crawl in
• 3:17
  Speaker 1: and play pinacle in your snow, your eyes fall out,
• 3:22
  Speaker 1: your teeth dickay, It's like it was. That's a very holloween.
• 3:26
  Speaker 1: One man will change everything dying Hallowey. He does die
• 3:40
  Speaker 1: in that scene, Thoughllowey. What happens is he takes a
• 3:45
  Speaker 1: pumpkin from a giant puppet.
• 3:47
  Speaker 2: Well you're talking about Christopher Lloyd. And when good ghouls
• 3:50
  Speaker 2: go bad, that's it. Yeah, two thousand ones when good goulsts.
• 3:54
  Speaker 1: Go bad and he throws up the pumpkin and it
• 3:59
  Speaker 1: says Holley, and then the entire pockets all on him
• 4:05
  Speaker 1: and he dies. Dude.
• 4:08
  Speaker 2: Something that I really wanted to do some video element
• 4:12
  Speaker 2: episodes for the Jason series because man, I don't know,
• 4:16
  Speaker 2: sometimes it's so much funny, Like when you do the
• 4:18
  Speaker 2: happy yelloween, you also do the most hilarious accompanying face so.
• 4:24
  Speaker 1: I feel like, you know, we're really depriving the audience. Man,
• 4:28
  Speaker 1: But yeah, Tommy basically freaks out and post traumatically stabs
• 4:34
  Speaker 1: Jason a bunch of times with like.
• 4:36
  Speaker 2: A stick, presumably kind of like arousing Jason's spirit into
• 4:42
  Speaker 2: like awakeness. What happens is through his magical hatred.
• 4:46
  Speaker 1: Thunder and lightning terminator terminator, lightning hits him also again
• 4:53
  Speaker 1: with the Frankenstein motive, like he's a dead girl.
• 4:57
  Speaker 2: Yeah, well, what did Case keep calling him calling? He
• 5:00
  Speaker 2: kept calling him revenant Jason, not zombie Jason. And like
• 5:05
  Speaker 2: it's very specifically now Jason is.
• 5:09
  Speaker 1: I'm Jason Lancaster. I sing and play guitar and go
• 5:12
  Speaker 1: radio thick. Oh he's not. He was lean in this, dude, No,
• 5:17
  Speaker 1: he was. He was much thicker in this than he was.
• 5:22
  Speaker 1: Look at his body. It's so much thicker than smell
• 5:25
  Speaker 1: to Jason, right, but he had like yeah, he had
• 5:28
  Speaker 1: like that workout ass though. But he's yeah, he looks
• 5:31
  Speaker 1: like he works out fucking gest.
• 5:34
  Speaker 2: You can tell that the body is body.
• 5:36
  Speaker 1: But also when he does get up and he's still
• 5:40
  Speaker 1: creamy faced. Jason before the mask sets in, lodges into
• 5:44
  Speaker 1: the scalp and skin. I love the face. I love
• 5:49
  Speaker 1: the face, the melty like chewed up worm face. And
• 5:54
  Speaker 1: then when he just stands there and like fucking worms
• 5:57
  Speaker 1: are falling and Tommy keeps trying to light him on fire,
• 6:02
  Speaker 1: but then the rain comes.
• 6:04
  Speaker 2: Okay, So does Tommy know some magical like secret that
• 6:10
  Speaker 2: we don't know? Because Tommy keeps saying random things, like
• 6:13
  Speaker 2: he keeps like he has all these ideas about how
• 6:16
  Speaker 2: to kill Jason, but it doesn't sound like there's ever
• 6:19
  Speaker 2: really like any logic behind it or like plan even
• 6:23
  Speaker 2: It's just like he just like kind of arbitrarily decides
• 6:27
  Speaker 2: that Jason needs to be buried where he died. Okay,
• 6:30
  Speaker 2: So then this is also like a question that I
• 6:33
  Speaker 2: have in general for the movie. Okay, does because Tommy
• 6:39
  Speaker 2: says that Jason died and drowned in the lake? Yeah,
• 6:43
  Speaker 2: so presumably Okay, hear me out. I had this theory
• 6:47
  Speaker 2: that I've been mulling over that Jason. This is I
• 6:52
  Speaker 2: want to get into the spirit mechanics of Jason. Jason
• 6:56
  Speaker 2: did drown. Jason did drown, and he his spirit got
• 7:01
  Speaker 2: so roused by the killing of his mother in the
• 7:04
  Speaker 2: place where he was murdered, that that he or in
• 7:08
  Speaker 2: the place where he died, sorry, drowned, that his spirit
• 7:12
  Speaker 2: began to occupy the bodies of like vagrants that live
• 7:16
  Speaker 2: in the in the forest. And that's why he keeps
• 7:19
  Speaker 2: like coming back, because he's just like a spirit.
• 7:22
  Speaker 1: And that's why he slightly changes from a gross balding
• 7:25
  Speaker 1: guy to an even balder guy with like string.
• 7:30
  Speaker 2: I don't know what do you think of that theory?
• 7:33
  Speaker 2: Do you think it holds any water?
• 7:35
  Speaker 1: Dude? Well, his body we now hold so much.
• 7:38
  Speaker 2: That's why the bloat happened.
• 7:41
  Speaker 1: When he punches paws through the heart.
• 7:45
  Speaker 2: Because Pause tries to like smash his head with a
• 7:51
  Speaker 2: with a shovel and he's just too strong. Like Jason
• 7:57
  Speaker 2: now is like tank. Jason like nothing, nothing can.
• 8:01
  Speaker 1: He picks up his spike and that turns towards the
• 8:03
  Speaker 1: camera and the camera punches into his eyeball, where a
• 8:07
  Speaker 1: tiny Jason slashes it like James Bond. Yeah, it's like
• 8:13
  Speaker 1: a James Bond in Troe. Jason. It's amazing, dude, I
• 8:16
  Speaker 1: laughed so much. It was great. It was great. Yeah,
• 8:19
  Speaker 1: and then the blood out of the eyeball creates Jason lives. Yeah,
• 8:25
  Speaker 1: pretty iconic dude. Yeah, I had a great time. And
• 8:29
  Speaker 1: also I gotta say, I gotta say, I gotta say
• 8:35
  Speaker 1: Tom McLaughlan lachlan, the director, the director and writer of
• 8:41
  Speaker 1: the movie, I think did the best. I think this
• 8:45
  Speaker 1: is the best written one. Okay, Well you want a
• 8:49
  Speaker 1: little bit of like backloor to this.
• 8:51
  Speaker 2: I just found out from K's today.
• 8:52
  Speaker 1: Yeah, hit me.
• 8:53
  Speaker 2: So do you know who Frank Mancuso Junior is?
• 8:57
  Speaker 1: How did you guess?
• 8:59
  Speaker 2: It sounds familiar? The Mancuso family is responsible for Jason.
• 9:03
  Speaker 2: I think the head of Mancuso was like the like
• 9:06
  Speaker 2: lead Mancuster was like a Logan Roy type. According to
• 9:09
  Speaker 2: Kay's dad, Yeah, exactly, And Frank Mancuster Junior is the
• 9:14
  Speaker 2: Kenny Roy who and so like he gave him the
• 9:17
  Speaker 2: Jason project. The dad produced the first one and then
• 9:20
  Speaker 2: he gave him the Jason series to like see if
• 9:23
  Speaker 2: he could make it work. And I guess that's why
• 9:26
  Speaker 2: there's so many sequels, because he just kept trying to
• 9:28
  Speaker 2: make it work, but liked work. Part five was so
• 9:31
  Speaker 2: bad and like did so poorly for the studios that
• 9:35
  Speaker 2: Frank Mancuster Junior had like a huge hand in doing
• 9:40
  Speaker 2: this one and he gave Tom McLachlan like full creative
• 9:45
  Speaker 2: brains to make like a really good movie so that
• 9:48
  Speaker 2: they could make like so that it would do well.
• 9:50
  Speaker 1: And it did.
• 9:50
  Speaker 2: This movie made nineteen million dollars in the box office.
• 9:53
  Speaker 1: That's crazy. That's three million dollar, three million dollar movie.
• 9:56
  Speaker 1: That's that's really good.
• 9:58
  Speaker 2: And also, like I think I think this one is another
• 10:03
  Speaker 2: fan favorite in addition to Part four. This one's another
• 10:05
  Speaker 2: fan favorite, which makes sense once you see it, because
• 10:09
  Speaker 2: I think this one does a lot of like Jason
• 10:12
  Speaker 2: Lohr building that like you kind of are wondering about
• 10:16
  Speaker 2: throughout all of the movies, and then when it gets
• 10:18
  Speaker 2: to this one, it's like, oh, whoever made this, like
• 10:21
  Speaker 2: did know at least about all of them?
• 10:24
  Speaker 1: Yeah? I think so too. And also the feeling I
• 10:28
  Speaker 1: got between the characters feeling very very like real, very
• 10:39
  Speaker 1: real reactions to each other, Like when Tommy first interacts
• 10:43
  Speaker 1: with say, Sheriff Garris, just the sheriff being a sort
• 10:50
  Speaker 1: of it felt like they were like, I don't know,
• 10:53
  Speaker 1: have you seen that Body Snatchers movie? Get someone like that,
• 10:56
  Speaker 1: you know, Donald Sutherland, like, and they got it. Donald's
• 11:00
  Speaker 1: Sutherland looking guy, and he did of Donald Sutherland performance
• 11:03
  Speaker 1: to where it was just like constantly wearing thin the patients,
• 11:09
  Speaker 1: but like being patient because he's the good guy and like,
• 11:15
  Speaker 1: I don't know, it just like felt like his reactions
• 11:19
  Speaker 1: to Tommy being like, there's some fucking Nutcaes, what are
• 11:23
  Speaker 1: you doing. It's like Jason's out.
• 11:26
  Speaker 2: There, But Tommy comes in with like the most insane
• 11:30
  Speaker 2: erratic energy. If you thought that there was actually ad
• 11:33
  Speaker 2: Jason out there and you wanted to convince someone, this
• 11:36
  Speaker 2: would be the last way to do it. Yeah, absolutely,
• 11:38
  Speaker 2: Like he comes in and he is acting like he's
• 11:42
  Speaker 2: totally unhinged. He tries to take a gun. They also
• 11:46
  Speaker 2: are acting unhinged because they're like immediately like threatening to
• 11:49
  Speaker 2: shoot him and like quipping about how they will shoot
• 11:53
  Speaker 2: him and stuff like and then like he tries to
• 11:57
  Speaker 2: steal a gun and they cage him.
• 12:00
  Speaker 1: Then it comes to Tony Goldwyn the Eyebrows from Ghost,
• 12:06
  Speaker 1: and it was just great to see him because he's
• 12:08
  Speaker 1: so good. He's so even in this Danny Ball rude roll.
• 12:12
  Speaker 2: Like he's just I thought you I was kind of
• 12:14
  Speaker 2: excited to see him be a bigger role in the movie,
• 12:17
  Speaker 2: and he is like the way that a lot of
• 12:19
  Speaker 2: the movies start OUs like with like the new camp
• 12:21
  Speaker 2: counselor is coming to like figure out what the like
• 12:25
  Speaker 2: how this is gonna work In Forrest Green now renamed
• 12:29
  Speaker 2: from Personal Lake, which we get the backstory of from the.
• 12:34
  Speaker 1: Sheriff, which I liked that.
• 12:36
  Speaker 2: I like that stuff and the town wants to leave
• 12:39
  Speaker 2: behind their Jason pass.
• 12:40
  Speaker 1: Totally, and also I liked the idea of who gives
• 12:45
  Speaker 1: a fuck about the camp counselor. Let the people come
• 12:48
  Speaker 1: and then we'll deal with them. Who cares? You know, Well,
• 12:51
  Speaker 1: they've done it so many times that they were just like, well,
• 12:53
  Speaker 1: let's just kill him off now. And that brings me to.
• 12:56
  Speaker 2: A point actually that I think this movie more than
• 12:59
  Speaker 2: any of the other ones, plays out like an actual
• 13:02
  Speaker 2: movie with a plot than any of them. Yeah, because
• 13:06
  Speaker 2: it has kind of like inciting moment that like leads
• 13:10
  Speaker 2: to something, and it also it's carrying forward like a
• 13:13
  Speaker 2: lore that we sort of already know, so like they
• 13:15
  Speaker 2: don't need to they have some cool like oh, the
• 13:19
  Speaker 2: daughter says and then Jason. She kind of retells the
• 13:21
  Speaker 2: Jason story, which is like a way of honoring the past.
• 13:25
  Speaker 1: Without like dwelling on it. Yeah, totally totally. And also
• 13:28
  Speaker 1: people have feel like they have relationships with each other.
• 13:32
  Speaker 1: It's not just I don't know a lot of in
• 13:38
  Speaker 1: the past was we know each other, but also like
• 13:43
  Speaker 1: even seats like this where Tony Goldwate is like, well,
• 13:47
  Speaker 1: we should just drive out of here, and they drive
• 13:49
  Speaker 1: like Jason's just standing there, and.
• 13:51
  Speaker 2: They back up and they hit like this really deep
• 13:54
  Speaker 2: ditch and he's like, oh shit, if we go back further,
• 13:57
  Speaker 2: we're gonna get stuck in that ditch and then we're
• 13:59
  Speaker 2: gonna die anyway, So maybe what you should do is
• 14:03
  Speaker 2: drive at this guy and scare him. And then she does,
• 14:06
  Speaker 2: and she's like, great idea, dude. Now we're just closer
• 14:08
  Speaker 2: to him, and he wasn't scared. Oh here, hold on,
• 14:12
  Speaker 2: and then Jason just stabs the tire and then immediately
• 14:16
  Speaker 2: kills Sony gold But it's.
• 14:18
  Speaker 1: It's funny because he takes the gun and he like out.
• 14:21
  Speaker 1: She's like where did you get that, and he's like,
• 14:22
  Speaker 1: don't worry, I'll worry about it, sweetheart. Yeah, don't worry, honey.
• 14:27
  Speaker 1: But then but then she tries to offer him money
• 14:29
  Speaker 1: and he likes and she's like, well, he needs.
• 14:34
  Speaker 2: To wonder about that. Deal, dude, he's like his forty
• 14:37
  Speaker 2: bucks worth.
• 14:37
  Speaker 1: Not kills her. I don't know. Yeah, a lot of
• 14:43
  Speaker 1: head crushed.
• 14:44
  Speaker 2: Like for what the last movie did with eyes, this
• 14:47
  Speaker 2: one did with heads.
• 14:48
  Speaker 1: It was definitely a lot of head crushing. Just a
• 14:51
  Speaker 1: lot of like balloons getting slightly deflated from behind with
• 14:56
  Speaker 1: a wig on them. Absolutely, Yeah, it was cool. Tommy
• 15:01
  Speaker 1: wakes up the next day in the cell and the
• 15:06
  Speaker 1: sheriff Garris's daughter comes in, who's like, are you an
• 15:10
  Speaker 1: appropriate age?
• 15:11
  Speaker 2: I think I think she's just I think she's like
• 15:14
  Speaker 2: either like nineteen or twenty, okay, okay, But what I
• 15:18
  Speaker 2: think the movie's implying is that he's in his like
• 15:20
  Speaker 2: mid twenties and that she's like in her maybe earlier or.
• 15:24
  Speaker 1: Yeah, yeah, yeah, totally totally. It's like, yeah, this guy
• 15:28
  Speaker 1: with eyeliner and eyeshadow, this handsome.
• 15:32
  Speaker 2: Like guy, the guy with like the like like amazing
• 15:36
  Speaker 2: sort of like pompadour hairstyle and the like tank top
• 15:40
  Speaker 2: or not tank top, but like crop top with like
• 15:43
  Speaker 2: the ripped jeans, and the guy's like, doesn't your mom
• 15:46
  Speaker 2: know how to sew?
• 15:48
  Speaker 1: Yeah? Vagrant?
• 15:50
  Speaker 2: But the daughter is like the thirstiest, she never met
• 15:54
  Speaker 2: anyone as hot as Tommy. Yeah, because he's in prison
• 15:58
  Speaker 2: and she wants to make her dad mad.
• 16:00
  Speaker 1: Yeah, totally. And he's got the Dennis Reynolds method, dude,
• 16:03
  Speaker 1: where he harasses women. Oh yeah, like the weird like
• 16:09
  Speaker 1: well we'll get to it, but like the weird kind
• 16:11
  Speaker 1: of like in cell quality. I mean, Tommy is traumatized, dude.
• 16:15
  Speaker 1: You gotta no, no, I know, like it's not about that.
• 16:18
  Speaker 1: It's just like what keeps happening in the movies, you
• 16:22
  Speaker 1: know what I mean. Uh? And then we meet her
• 16:25
  Speaker 1: gang and they're the gang who are trying to re
• 16:28
  Speaker 1: reopen Crystal Lake.
• 16:30
  Speaker 2: Do you think they're related because but they never brought
• 16:32
  Speaker 2: back the Christie's. Do you think it's related to the Christies?
• 16:35
  Speaker 1: Dude? Wait what the Christie family from the first one?
• 16:40
  Speaker 1: Maybe maybe.
• 16:43
  Speaker 2: Doesn't care about the law, Alex.
• 16:45
  Speaker 1: I mean it's not that I don't care about the lore,
• 16:48
  Speaker 1: but I do care about this. Uh. Speaking of vagrants,
• 16:52
  Speaker 1: we have a new guy, the love fucking what is
• 16:57
  Speaker 1: it called the Mortician of the Mortician, the grave Digger
• 17:00
  Speaker 1: or whatever, who keeps like sipping. Yeah. Well, we have
• 17:03
  Speaker 1: like our new Ralph. He's like you do, but he's
• 17:06
  Speaker 1: like I'm doomed. Yeah, I want to keep the shitty job.
• 17:10
  Speaker 1: These kids keep digging up this boy. I can't believe
• 17:13
  Speaker 1: they took up Jason. Oh my god, I'm scared of Jason.
• 17:16
  Speaker 1: Oh my god, he's like drinking alcohol and shift looking
• 17:19
  Speaker 1: around instantly.
• 17:22
  Speaker 2: I gotta say they kept Like the acting in the
• 17:26
  Speaker 2: movie is like insane. It's almost as insane as the
• 17:30
  Speaker 2: previous movie. It's it's they rained it in a little bit,
• 17:33
  Speaker 2: but but I like it. It works, got like a
• 17:37
  Speaker 2: Freddy Part six kind of quality of like to we're fucking.
• 17:41
  Speaker 1: Crazy in this all of us is totally and and
• 17:44
  Speaker 1: the fact that what is the I was gonna say
• 17:46
  Speaker 1: the crypt keeper, what is the groundskeeper say? He like
• 17:51
  Speaker 1: looks at the camera and he's like stupid kids or whatever.
• 17:55
  Speaker 2: No, he he says, he says, uh, because who would
• 17:59
  Speaker 2: like to be scared or something. There's a couple of
• 18:01
  Speaker 2: lines in the movie. The kids say a line to
• 18:04
  Speaker 2: that that refers self reflexively in the movie about like
• 18:08
  Speaker 2: we're dead meat, who would want to be scared? So?
• 18:11
  Speaker 2: How did you guess?
• 18:12
  Speaker 1: Another?
• 18:12
  Speaker 2: How did you guess? And I think I'm getting this right,
• 18:15
  Speaker 2: hopefully not spreading misinformation, but case told me that this
• 18:20
  Speaker 2: movie singlehandedly inspired the Scream series. Apparently, maybe it's the
• 18:26
  Speaker 2: next one. I don't know.
• 18:29
  Speaker 1: Fuck now, I don't I think that might be the
• 18:30
  Speaker 1: next one.
• 18:31
  Speaker 2: Is it the next one?
• 18:31
  Speaker 1: I think? So?
• 18:32
  Speaker 2: Okay, Well, I was gonna say maybe the self reflexive
• 18:34
  Speaker 2: nature was, you know, because there was the kind of
• 18:36
  Speaker 2: like nods to camera a couple of times. But I
• 18:38
  Speaker 2: could be wrong, you're you're right. I don't want to say,
• 18:40
  Speaker 2: you know what, scratch that scratch from the record. I'm
• 18:44
  Speaker 2: trying to be better about this. We do have a
• 18:46
  Speaker 2: journalistic we do have a problem, major mis misinformation problem.
• 18:53
  Speaker 1: Yeah, I mean, what's his name? Jason is walking through
• 18:59
  Speaker 1: the woods. Yeah, Jason is walking through the woods. And
• 19:06
  Speaker 1: the camp counselors, for some reason, are pulling in foods
• 19:10
  Speaker 1: that I don't think anybody would be eating at the campgrounds.
• 19:15
  Speaker 1: Like it's not like and they don't have to be
• 19:17
  Speaker 1: like fun foods or anything, just like it's like it
• 19:20
  Speaker 1: looks like they just have a bunch of turnips. Uh.
• 19:23
  Speaker 1: And then the daughter basically explains the Jason Laura again
• 19:29
  Speaker 1: to her friends and the kids come in and I
• 19:32
  Speaker 1: was like, man, kids, that's really raising some steaks. It is.
• 19:36
  Speaker 1: It is because it's a bunch of kids. It's not
• 19:39
  Speaker 1: like the.
• 19:39
  Speaker 2: Other movies where like it's like you know Reggie the
• 19:42
  Speaker 2: Reckless or Tommy as Yeah, one, one or two.
• 19:47
  Speaker 1: It's like a lot of them. And then we get
• 19:49
  Speaker 1: this like nerd who's like on a like retreat doing
• 19:55
  Speaker 1: paintball with a bunch of his coworkers. And he's like
• 19:59
  Speaker 1: dow like other Dweebye coworkers who were like, I'm hungry.
• 20:04
  Speaker 1: You're not hungry enough to fucking shoot people? And he's
• 20:07
  Speaker 1: like no, I'm just fucking hungry. So like they're on
• 20:11
  Speaker 1: like a corporate retreat. Yeah, and they have their like
• 20:14
  Speaker 1: a bitchy boss that's there, and she's like, I'm better
• 20:18
  Speaker 1: than both of you. He so cunty. But I loved
• 20:23
  Speaker 1: her was when when she kills them. I was like, good,
• 20:27
  Speaker 1: I fucking ate these dude.
• 20:29
  Speaker 2: And they kind of were they like twin casts, these guys.
• 20:32
  Speaker 1: They look so very similar. Yeah, and when she's like
• 20:37
  Speaker 1: where the Bandanas boys because they said they're dead. Yeah,
• 20:43
  Speaker 1: And there's like other Danny mulroon's who are like there's
• 20:48
  Speaker 1: like a psycho guy who's like, yeah, he's like cutting
• 20:51
  Speaker 1: through the woods with a machete and he's like, fucking
• 20:54
  Speaker 1: bitch lied to me being dead, And I was like, good, dude,
• 20:59
  Speaker 1: you see like ducks masculinity like, but also like random
• 21:05
  Speaker 1: gave more character to this character than some of than
• 21:08
  Speaker 1: so many other characters with more screen time and other movies.
• 21:12
  Speaker 1: And then Jason grabs the knife from him and throws
• 21:15
  Speaker 1: his body across and he hits a tree and his
• 21:18
  Speaker 1: face MUSHes into it and then falls down and it
• 21:22
  Speaker 1: covers the tree in blood and the tree has a
• 21:24
  Speaker 1: little happy face in it. Okay, nobody gets thrown into
• 21:29
  Speaker 1: a room in this one. Someone gets thrown one time
• 21:33
  Speaker 1: out of a room, but not even completely out.
• 21:36
  Speaker 2: Of a room. And I was like, whoa dude? The
• 21:39
  Speaker 2: movie and nobody gets stabbed from underneath.
• 21:42
  Speaker 1: And that's true. Nobody gets stabbed through a bed. But
• 21:45
  Speaker 1: Jason does cut off three people's heads at once, and.
• 21:50
  Speaker 2: So much head squishing dude's head like from behind deep
• 21:54
  Speaker 2: lads slightly, It's like, no, no, I wouldn't compress like that.
• 21:59
  Speaker 2: You gotta think that there's like bones in there too. Okay, well,
• 22:03
  Speaker 2: what about how would this look? What about like a melon?
• 22:06
  Speaker 2: Do you want to get a melon, who.
• 22:07
  Speaker 1: Did this one one? Who did the special effects on
• 22:09
  Speaker 1: this one? Again? I forget it's the guy from the
• 22:12
  Speaker 1: last last one? Yeah, Tony something what see should I take?
• 22:19
  Speaker 1: It's fried and fed and gotta get down. And this
• 22:29
  Speaker 1: is like Walker Jason. He just walks in this one.
• 22:32
  Speaker 1: He doesn't run.
• 22:33
  Speaker 2: Yeah, he kind of like he even it's a little
• 22:36
  Speaker 2: bit of like a swagger to totally like.
• 22:38
  Speaker 1: I'm like, whoa tight pants millennial Jason? He's not.
• 22:43
  Speaker 2: He's not new metal though, No.
• 22:45
  Speaker 1: He's not new metal. This is very not metal, but.
• 22:47
  Speaker 2: There is a I know why new metal and two
• 22:51
  Speaker 2: thousands started doing twisty head because he does a slight
• 22:54
  Speaker 2: twist twist, but it's not like a twist, it's like
• 22:57
  Speaker 2: a lean almost, And like they the twisty Head, they
• 23:01
  Speaker 2: started doing too much twisty head, too.
• 23:02
  Speaker 1: Much twisty head, way too much twisty Head. I hate
• 23:08
  Speaker 1: twisty Head me too.
• 23:09
  Speaker 2: It's so annoying, dude.
• 23:11
  Speaker 1: Yeah. Sheriff Garris leads wants to lead Tommy out of
• 23:16
  Speaker 1: the city, but then Tommy has another outrageous idea to
• 23:19
  Speaker 1: go back to the the fucking graveyard to see if
• 23:24
  Speaker 1: the hole was dug and it's not.
• 23:26
  Speaker 2: Dug like, it doesn't make any sense.
• 23:34
  Speaker 1: And this is the first time the Sheriff's like the
• 23:38
  Speaker 1: sheriff's partner. We see the gun that has the laser
• 23:41
  Speaker 1: pointer on it. Oh yeah, misappropriation of funds. Yeah, totally
• 23:53
  Speaker 1: misappropriation of funds. No, this seems like a personal thing
• 23:56
  Speaker 1: that he bought and like stuck on and like seriously, dude,
• 24:03
  Speaker 1: like this groundskeeper is severe alcoholic. Like he see just
• 24:08
  Speaker 1: the sight of people even thinking something bad happened. He
• 24:12
  Speaker 1: was like, I need a drink, and he's just like downing. Yeah. Yeah,
• 24:17
  Speaker 1: he's definitely like one of those things. You know, they
• 24:21
  Speaker 1: used to call it combat shock when I was a boy. Yeah,
• 24:24
  Speaker 1: I think like it's one of those things where like
• 24:27
  Speaker 1: if he stopped.
• 24:27
  Speaker 2: Drinking, he would die.
• 24:29
  Speaker 1: Yeah, definitely.
• 24:31
  Speaker 2: Like yeah, so like he he's he's like super intense
• 24:37
  Speaker 2: and then like Jason just kills him right in this scene.
• 24:41
  Speaker 1: I'm just Jason, it's just right now. No, he doesn't
• 24:45
  Speaker 1: And it cuts to uh, like the daughter like what
• 24:49
  Speaker 1: is there? Oh, me get Megan and people keep calling
• 24:52
  Speaker 1: them her Meggie and it's like Meggie Meghan, Like it's
• 24:58
  Speaker 1: like trying to cheer on the kids or whatever, and
• 25:00
  Speaker 1: they're like having a really good time and they're like, yeah,
• 25:03
  Speaker 1: what are we gonna eat? Yeah, we're gonna trick the boys. Yeah,
• 25:08
  Speaker 1: and the boys are like this fucking sucks the boys.
• 25:12
  Speaker 1: Like there's like two really like existential Danny mulroon kids
• 25:16
  Speaker 1: that are like roon, I don't know what that means.
• 25:20
  Speaker 2: They kind of focus in on them a little bit extra,
• 25:22
  Speaker 2: like it seems like maybe they probably had a name
• 25:24
  Speaker 2: in the script and like no, So you play Eddie
• 25:29
  Speaker 2: and and you play Derek, and you just like turn
• 25:32
  Speaker 2: to Derek and you say, like a quippie kind of
• 25:34
  Speaker 2: like a more like an adult, you know, like an
• 25:36
  Speaker 2: adult would say, you know you've seen you've seen home Alone. Wait,
• 25:39
  Speaker 2: home alone doesn't exist exist in this universe.
• 25:41
  Speaker 1: Dude, and this guy the like handsome like eyeliner guyliner guy,
• 25:48
  Speaker 1: and him name he had a great name. Was it
• 25:52
  Speaker 1: like Greg or something, but call him lawyer Paul Court.
• 25:57
  Speaker 1: It was Court. That's right, That's Court, is fucking like
• 26:02
  Speaker 1: describing like it seemed like they just got this dude
• 26:06
  Speaker 1: to improvise because he was just like, well, I don't know,
• 26:09
  Speaker 1: just like the point of the rocks here and I
• 26:12
  Speaker 1: don't know. Somebody else came and they were like shattered
• 26:16
  Speaker 1: this because they didn't want to be known, were to
• 26:19
  Speaker 1: be found. It's like, what none of that made said?
• 26:21
  Speaker 2: They're talking about.
• 26:24
  Speaker 1: The kids are so bored and I would be fucking
• 26:27
  Speaker 1: bored too.
• 26:28
  Speaker 2: Is this gonna be what the entire summer is?
• 26:30
  Speaker 1: Like?
• 26:32
  Speaker 2: I would think that.
• 26:33
  Speaker 1: I would no boring birds.
• 26:39
  Speaker 2: Uh, there's nothing worse than being bored when you're a kid, dude.
• 26:43
  Speaker 1: Yeah, And also like the shitty thing about being bored
• 26:47
  Speaker 1: and then growing into your teens and then forming anxiety,
• 26:50
  Speaker 1: and then that's supplementing boredom and then being like am
• 26:53
  Speaker 1: I bored? And but you're really just worried all the time.
• 26:56
  Speaker 1: And then as an adult, when you're bored, you're like, oh, yeah,
• 27:00
  Speaker 1: that's okay, I could do something else, you know what
• 27:02
  Speaker 1: I mean when you're cognizant. Tommy gets left by Sheriff
• 27:10
  Speaker 1: Garris at the edge of town because he's a drifter
• 27:14
  Speaker 1: and he doesn't want him. He's like, get out of
• 27:16
  Speaker 1: this town, yeah, and stay out, and he's like, you
• 27:19
  Speaker 1: two first blood, We don't take two kinds of yeah, exactly.
• 27:24
  Speaker 1: And this is where the crowdskeeper is oh, heir shitty
• 27:29
  Speaker 1: where the girls are so pretty. I first set my
• 27:36
  Speaker 1: eyes on dear Mally malloy man he's he's drinking while
• 27:43
  Speaker 1: two other I guess young adults, but they look kind
• 27:47
  Speaker 1: of like shriveled, like older people that they tried to
• 27:51
  Speaker 1: young of by a little bit having like a weird picnic,
• 27:54
  Speaker 1: like dark picnic. Picnic was weird. It was just like
• 27:58
  Speaker 1: to raise the kill count a little bit. It was, and.
• 28:03
  Speaker 2: The movie was preoccupied with the kill count in a
• 28:08
  Speaker 2: way that I I don't think any of them have
• 28:12
  Speaker 2: had to be.
• 28:12
  Speaker 1: I know, I know, I know what you mean. It
• 28:15
  Speaker 1: feels a little bit like, yeah, just put in another pair.
• 28:18
  Speaker 1: We got the groundskeeper there, we can kill him. But
• 28:21
  Speaker 1: they're walking through the woods. Something happens in the woods.
• 28:24
  Speaker 2: It's what it's really like, you know, Okay, Fine, At
• 28:27
  Speaker 2: this point, six movies into this series, Danny Mulroon's getting
• 28:32
  Speaker 2: killed is laurified, absolutely laurified.
• 28:34
  Speaker 1: So you have to ni mulroon. I don't know what
• 28:38
  Speaker 1: that means.
• 28:39
  Speaker 2: Deliver on it to a degree, but like, I don't know,
• 28:41
  Speaker 2: I I would like to kind of see a subversion
• 28:44
  Speaker 2: of that. I think that maybe coming maybe in one
• 28:47
  Speaker 2: of the movies and something probably I don't.
• 28:49
  Speaker 1: Know, maybe we'll get less head gushing in the next one.
• 28:53
  Speaker 1: Definitely cut off some weird eye stuff. There is weird
• 28:58
  Speaker 1: eye stuff all throughout Jason, Like you don't see his eyes.
• 29:02
  Speaker 1: Sometimes you see his eyes, you know. Sometimes it's like
• 29:06
  Speaker 1: the hockey mask has the like little foam, Yeah, the underneath,
• 29:10
  Speaker 1: the underneath where you're like, can I see his eyes
• 29:12
  Speaker 1: or whatever?
• 29:13
  Speaker 2: I think, Yeah, sometimes you're supposed to wonder even if
• 29:16
  Speaker 2: he has eyes.
• 29:17
  Speaker 1: Yeah, totally. But I loved that the reason I do
• 29:20
  Speaker 1: like some of the Danny maul roons getting killed, like
• 29:23
  Speaker 1: the groundskeeper gets killed and there's that wide shot of
• 29:26
  Speaker 1: Jason like murdering him, like the body's down and the
• 29:30
  Speaker 1: guy who's on the date runs over and he sees dude.
• 29:34
  Speaker 2: That was one thing that like Jason never has it before,
• 29:38
  Speaker 2: I think, been discovered like this doing something.
• 29:41
  Speaker 1: Doing something, and that he like he chases them down
• 29:44
  Speaker 1: like he does a lot of like I'm doing this.
• 29:48
  Speaker 1: Jason has a lot of intention in this one.
• 29:52
  Speaker 2: Yeah, yeah, and he's like he's very unstoppable.
• 29:55
  Speaker 1: Yeah it's not vague, but but but like the kill
• 30:00
  Speaker 1: count thing is like he'll stab. He stabs those two
• 30:04
  Speaker 1: when they right before they get onto the motorcycle and
• 30:06
  Speaker 1: run away, and then it just cuts to the next
• 30:08
  Speaker 1: scene where all the children, where one of the kids
• 30:12
  Speaker 1: is reading a cogbook, another kid is holding a picture,
• 30:15
  Speaker 1: and one of the kids is reading yeah amazing, which
• 30:21
  Speaker 1: was hilarious. And one kid is writing to their mom
• 30:25
  Speaker 1: and dad, which was cute. Uh. And then Cissy and
• 30:32
  Speaker 1: this other girl are like hanging out playing like Court. No,
• 30:39
  Speaker 1: not Court, it's the other girl, the core. Court is
• 30:41
  Speaker 1: the guy. Oh Sissy and the two Yeah, the two
• 30:44
  Speaker 1: girls are hanging out. Yeah uh. And one terrible little
• 30:48
  Speaker 1: girl actress is like really scared. Her name is Nancy
• 30:52
  Speaker 1: Nancy yeah.
• 30:54
  Speaker 2: Which definitely one is a reference because they ask her
• 30:58
  Speaker 2: her name and she's like, na see.
• 31:00
  Speaker 1: Yeah, of course. And she's having a bad dream. Yeah.
• 31:04
  Speaker 2: Yeah, she was dreaming about Freddy dude.
• 31:05
  Speaker 1: And so she's wearing this like fucking hot crop top
• 31:10
  Speaker 1: with with what's it called the suspenders uttered.
• 31:14
  Speaker 2: Eeth iconic and like like the number thirty seven on
• 31:17
  Speaker 2: the back. Also, I think.
• 31:20
  Speaker 1: The daughter, but my daughter, HER's a part.
• 31:25
  Speaker 2: She's wearing like boots that are very similar to the
• 31:29
  Speaker 2: boots of the last girl in part five, like the
• 31:32
  Speaker 2: chunky kind of mustardy or yellow look maybe brownie yellow
• 31:40
  Speaker 2: chunky boot. Anyway, it looked cool.
• 31:44
  Speaker 1: Court is having sex with his gal in the RV.
• 31:48
  Speaker 2: But are they having sex or she's like she's like
• 31:51
  Speaker 2: jumping up and down on him. But they somehow made
• 31:55
  Speaker 2: it less. This one was like the least sexy of
• 31:59
  Speaker 2: all of them. Sexy and like anti like it's very
• 32:02
  Speaker 2: it's almost like like.
• 32:05
  Speaker 1: Defiant in the face of the sexiness. Yeah, totally. There's
• 32:09
  Speaker 1: very little booby no boobies, yeah, which I don't like.
• 32:13
  Speaker 1: I only I didn't think it was boring. I didn't
• 32:18
  Speaker 1: like the it just was the boobies were because she's like,
• 32:23
  Speaker 1: I want to go ten more minutes. The song's not over.
• 32:26
  Speaker 1: And then he's like, oh yeah, but it's weird. And
• 32:31
  Speaker 1: then as Jason pulls the plug, he's like, well, I
• 32:34
  Speaker 1: just I came in you a long time ago. Okay,
• 32:38
  Speaker 1: my dick is slightly hard do that thing where it's
• 32:43
  Speaker 1: in there, but because of the suction, it's not coming out. Okay,
• 32:49
  Speaker 1: give me a break, and yeah, it's it's She wakes
• 32:55
  Speaker 1: up not satisfied, and he's like, well, I'm done. No no.
• 33:02
  Speaker 1: She's scared because she's like, what is that? What happened?
• 33:05
  Speaker 2: And he's like, I don't want to go outside, it's
• 33:06
  Speaker 2: too cold. And then he puts on his tattered jeans
• 33:09
  Speaker 2: that has cropped off to go outside. And he goes
• 33:13
  Speaker 2: out there to discover that the plug hasn't just been
• 33:16
  Speaker 2: like pulled out, it's been like ripped and she jumps
• 33:20
  Speaker 2: scare comes out of the side.
• 33:22
  Speaker 1: Yeah, and then they what happens then who He like
• 33:27
  Speaker 1: tries to turn on the car and she's like you
• 33:30
  Speaker 1: have to turn this thing on, stupid and he's like
• 33:34
  Speaker 1: it drives away and she falls down and he keeps
• 33:38
  Speaker 1: her Yeah, he keeps her reversing. Get yeah.
• 33:44
  Speaker 2: And then Jason like takes her into the washroom while
• 33:49
  Speaker 2: he's listening to the very eighties music.
• 33:52
  Speaker 1: He's just hiding in the bathroom and he pulls her
• 33:55
  Speaker 1: into the washroom and she's like, He's like it looks
• 33:57
  Speaker 1: sounds like you're having fun time in there. She like,
• 34:00
  Speaker 1: you take it a dump.
• 34:02
  Speaker 2: And then and she's dead because Jason gushes her face
• 34:07
  Speaker 2: through the side of the wall and like like imprints
• 34:12
  Speaker 2: the face.
• 34:12
  Speaker 1: Oh yeah, like push it pushy fronts her face through
• 34:17
  Speaker 1: the like metal part of the the r V and
• 34:23
  Speaker 1: like it forces the the pattern of her face into it.
• 34:28
  Speaker 1: Was a cool shot that was definitely a nightmare and
• 34:30
  Speaker 1: elm Street thing too, because Freddy does the same thing
• 34:33
  Speaker 1: in the first one where he pushes through the wall.
• 34:37
  Speaker 2: Yeah, for sure.
• 34:39
  Speaker 1: But then weirdly it it comes back to some Jason
• 34:43
  Speaker 1: lore where he's got like a hunting knife with him
• 34:46
  Speaker 1: and his pants and he like unclips it and stabs
• 34:50
  Speaker 1: Court in the neck. Oh yeah, like weird like hunter
• 34:54
  Speaker 1: Jason and like random like life skills Jason. Was was interesting.
• 35:00
  Speaker 1: It was interesting, And then they have a cool shot
• 35:03
  Speaker 1: where they fucking flip this RV and Jason just pushes
• 35:07
  Speaker 1: the door open and like climbs out. I kind of
• 35:10
  Speaker 1: liked the fact that, like we just saw Jason in
• 35:13
  Speaker 1: this Like I don't want to hesitate to say natural habitat,
• 35:18
  Speaker 1: but it is like it's just like, well, this is
• 35:20
  Speaker 1: what I do. I murder people and just calmly go
• 35:24
  Speaker 1: to the next person.
• 35:25
  Speaker 2: Comfort of Jason in this one, the like self assuredness
• 35:30
  Speaker 2: of Jason is pretty interesting, pretty impressive. Like he also
• 35:37
  Speaker 2: seemed very Terminator Jason. Yeah, definitely Terminator Jason. One hundred
• 35:42
  Speaker 2: percent one terminator.
• 35:45
  Speaker 1: Yeah, totally, one hundred percent. I also really like the
• 35:48
  Speaker 1: fact that this is like an hour and twenty seven
• 35:50
  Speaker 1: minutes perfect length through this.
• 35:51
  Speaker 2: Frame, perfect perfect length. It doesn't ever if you need
• 35:55
  Speaker 2: more time to tell your story, don't make the movie.
• 35:58
  Speaker 1: We're watching a Kreesha last week. That movie also like
• 36:02
  Speaker 1: eighty six minutes, and you're just like, fuck, yeah, dude,
• 36:05
  Speaker 1: one of my favorite movies I've seen this year. It's great.
• 36:07
  Speaker 1: I really liked the relationship between Megan and Sheriff Garris,
• 36:14
  Speaker 1: really really enjoyed it because daddy, but my daughter is important.
• 36:18
  Speaker 1: But yeah, because she's she's like like kind of like, yeah,
• 36:22
  Speaker 1: I'm gonna answer the phone and be a dick to
• 36:24
  Speaker 1: whoever's this in this police station because it's a small town.
• 36:29
  Speaker 1: Well and actually it kind.
• 36:31
  Speaker 2: Of raises the stakes in a way because we never
• 36:35
  Speaker 2: see any kind of really believable relation in any of
• 36:41
  Speaker 2: the movies.
• 36:42
  Speaker 1: You know, like even even when people are boyfriend girlfriend,
• 36:45
  Speaker 1: it's like, I don't do I don't even think you
• 36:47
  Speaker 1: guys know each other.
• 36:48
  Speaker 2: It doesn't seem like you know each other.
• 36:49
  Speaker 1: Yeah, totally, unless it's like like the family stuff I
• 36:52
  Speaker 1: feel like was okay in the fourth one. I mean
• 36:56
  Speaker 1: in part five with the mom and son. Yeah, I've
• 37:00
  Speaker 1: never seen a mom and something like that. Absolutely porn
• 37:03
  Speaker 1: no mom the same age as the son. Yeah totally,
• 37:09
  Speaker 1: but you know, like having some sort of in your belly.
• 37:12
  Speaker 4: I'll fail your belly and you filled my buzzy. I
• 37:22
  Speaker 4: don't fill your belly if you fill my buzzy.
• 37:27
  Speaker 1: No, But like, what what I mean is like I
• 37:30
  Speaker 1: really felt like Tommy Megan, Tommy Meghan and and Sheriff
• 37:39
  Speaker 1: Garris had like a good interesting like dynamic because it's
• 37:43
  Speaker 1: like a stay away from my daughter, but also like
• 37:46
  Speaker 1: for good reason because he's a psycho. Not in like
• 37:49
  Speaker 1: a creepy I want to fuck my daughter kind of way, no, but.
• 37:52
  Speaker 2: In the same way that they want to keep that
• 37:55
  Speaker 2: they want to keep away from the daughter.
• 37:59
  Speaker 1: In part oh yeah, totally totally. And then Tommy has
• 38:04
  Speaker 1: these like random books of the occult that he like
• 38:08
  Speaker 1: tries to spark notes before he does something with Jason,
• 38:12
  Speaker 1: but it never comes back. That bothered me a little
• 38:14
  Speaker 1: bit because I was like, I was hoping for a
• 38:16
  Speaker 1: little bit of a cult shit wait.
• 38:17
  Speaker 2: Which oh yeah, yeah, okay, so it does make it
• 38:21
  Speaker 2: seem like, well it does come back in a way
• 38:24
  Speaker 2: because Tommy randomly in and I.
• 38:28
  Speaker 1: Tommy and I were going down to the pier.
• 38:33
  Speaker 2: Now you threw me on.
• 38:34
  Speaker 1: Oh sorry dude, No, where were we a cult book? Yeah,
• 38:38
  Speaker 1: because Tommy magically knows stuff about like having to bury
• 38:42
  Speaker 1: him on consecrated ground and stupid shit like that, Like
• 38:46
  Speaker 1: like someff that doesn't make any sense, But for some
• 38:49
  Speaker 1: reason in Freddie it did make sense.
• 38:51
  Speaker 2: Well, no, because Freddy is all about that magic and
• 38:55
  Speaker 2: Jason still wants to be vague on the mask.
• 38:57
  Speaker 1: It does want to be vague on the magic. I like,
• 39:00
  Speaker 1: but I appreciated that in this one. It was like, Nope,
• 39:03
  Speaker 1: he's dead, he's come back to life. We don't know how.
• 39:06
  Speaker 1: Who cares?
• 39:07
  Speaker 2: Light struck Lightning struck. Yeah, so we know lightning struck
• 39:10
  Speaker 2: that thing thirty years ago.
• 39:16
  Speaker 1: Jason is looming in the city while the sheriff has
• 39:22
  Speaker 1: gone to a different spot to investigate some murders, and
• 39:26
  Speaker 1: for some reason, Megan is just answering calls at the
• 39:29
  Speaker 1: police station.
• 39:30
  Speaker 2: But I mean, I kind of liked that.
• 39:32
  Speaker 1: I kind of liked it too. I was pretty down
• 39:34
  Speaker 1: because she's doing the thing that I used to do
• 39:36
  Speaker 1: in school, where I had Ballance on two legs. Oh,
• 39:40
  Speaker 1: she was like switching legs. Yeah, I love that.
• 39:43
  Speaker 2: That was great, such a cool touch to put in
• 39:45
  Speaker 2: this movie.
• 39:46
  Speaker 1: Yeah, for sure. Tommy calls her and is trying to
• 39:50
  Speaker 1: I had a lot of like shots in this where
• 39:53
  Speaker 1: it's just like moving shots. There was a lot of
• 39:55
  Speaker 1: like production value in the movie. Yeah, dude, it's like
• 39:58
  Speaker 1: it's like the most directed one. Yeah, totally. It's not
• 40:01
  Speaker 1: like like Cameron sticks turning the camera.
• 40:04
  Speaker 2: You know, it's in so many overhead shots, like really
• 40:07
  Speaker 2: cool one, very overhead shots. And the fact that he
• 40:09
  Speaker 2: was like I met somewhere Carloff's General Store and it's
• 40:14
  Speaker 2: like Boris Karloff played played Frankenstein's.
• 40:17
  Speaker 1: Like I know exactly where that is. Yeah, maybe you
• 40:19
  Speaker 1: want to hide this truck. She was cool, Like she
• 40:23
  Speaker 1: was cool. Even though they're like kind of relationship and
• 40:27
  Speaker 1: his all of the acting and the motivations are pretty
• 40:31
  Speaker 1: insane and outrageous and don't really make a lot of sense.
• 40:36
  Speaker 1: They make it work and like you kind of wanted
• 40:40
  Speaker 1: to work for the movie. Totally. Absolutely. Jason comes back
• 40:45
  Speaker 1: to Crystal Lake for the first time the camp. This
• 40:49
  Speaker 1: was like pretty cool because it's like it felt very
• 40:55
  Speaker 1: menacing to be like, oh no, there's actual kids there now,
• 40:58
  Speaker 1: like not not thirty year olds playing teens, but actual children.
• 41:03
  Speaker 2: And it's more menacing too because we have this relationship
• 41:05
  Speaker 2: between the dad and the daughter and also Tommy who
• 41:08
  Speaker 2: is in a relationship with them, so we're like, you know,
• 41:11
  Speaker 2: there's stakes, there's stakes about people involved who we know
• 41:16
  Speaker 2: are all ultimately gonna die.
• 41:18
  Speaker 1: And having like a police investigation with a police officer
• 41:21
  Speaker 1: that seems like he actually does as supposed The other
• 41:25
  Speaker 1: police in this series that don't care clearly don't care
• 41:31
  Speaker 1: even in this movie.
• 41:32
  Speaker 2: The other ones are like like nihilistic belize, I don't know, man,
• 41:37
  Speaker 2: I got that Scoe recently, hafebe it was a good price.
• 41:41
  Speaker 2: They got the scope of Tamute.
• 41:44
  Speaker 1: Man, there's so many ah these the scope from Ali Express.
• 41:50
  Speaker 1: But yeah, he the sheriff is bummed that, like he
• 41:53
  Speaker 1: finds out that the kids that were supposed to both
• 41:56
  Speaker 1: the kids the adults who were supposed to work on
• 41:58
  Speaker 1: the on chris A Lake were killed. Well, how does
• 42:06
  Speaker 1: he discover that they like they call they find them,
• 42:10
  Speaker 1: and he like he just sees bodies everywhere, and he
• 42:13
  Speaker 1: assumes obviously that Tommy is Jason, and it's like, yeah,
• 42:17
  Speaker 1: of course trying to do this fucking copycat thing. They'll
• 42:21
  Speaker 1: bring back that that was great. He's trying to do
• 42:25
  Speaker 1: this copycat thing. We already know he's fucking crazy. We
• 42:28
  Speaker 1: already know he's Jason. Yeah, so Jason cuts the power
• 42:33
  Speaker 1: long or the phone chords while Cissy uh is looking
• 42:37
  Speaker 1: at like a magazine uh and like listening to music.
• 42:42
  Speaker 1: And man, I gotta say, like, Cissy gets done pretty dirty,
• 42:47
  Speaker 1: but in a hilarious way. Do you want to tell us? Yeah,
• 42:51
  Speaker 1: she she like hears something and then like poors beer outside,
• 42:57
  Speaker 1: thinking that, like thinking that, like it's like a boy
• 43:02
  Speaker 1: trying to like do something, but you love she'll like
• 43:05
  Speaker 1: I love like that. Yeah, such a weird moment. Yeah,
• 43:10
  Speaker 1: totally totally like what the fuck? Like I don't even
• 43:13
  Speaker 1: know what, like, I love that you had to think
• 43:15
  Speaker 1: about a kind of thing that she might be doing. Yeah,
• 43:19
  Speaker 1: I guess she was trying to like confuse a boy.
• 43:22
  Speaker 1: I don't know. Yeah, dude, but then she gets her
• 43:26
  Speaker 1: twisted around completely off. Yeah, her mouth is a gape
• 43:37
  Speaker 1: and then yeah, I mean, what's her name? Megan meets
• 43:41
  Speaker 1: up with with Tommy and she's like I could go
• 43:46
  Speaker 1: on an adventure with this boy. And he's like, I'm
• 43:49
  Speaker 1: a crazy person because a monster tried to traumatize me
• 43:53
  Speaker 1: when I was a kid.
• 43:56
  Speaker 2: A monster tried to traumatize him. He was a kid.
• 43:58
  Speaker 1: A monster did traumatize him as a kid. And like,
• 44:01
  Speaker 1: and he killed a dude. Yeah, he killed a dude
• 44:04
  Speaker 1: as a fucking kid. Dude.
• 44:05
  Speaker 2: Yeah, when would fuck you up? It would fuck you up.
• 44:08
  Speaker 1: When he was two separate actors before he killed a dude.
• 44:13
  Speaker 1: And we're supposed to believe that this same guy is
• 44:17
  Speaker 1: fucking a sentsion millennium. Dude. This is what a cention
• 44:21
  Speaker 1: millennium becomes.
• 44:22
  Speaker 2: Well, this is my favorite. This is my second favorite Tommy.
• 44:26
  Speaker 2: My first favorite Tommy is Corey Feldman.
• 44:28
  Speaker 1: This is my second favorite Tommy. He's much better, even
• 44:31
  Speaker 1: though he's less jacked.
• 44:33
  Speaker 2: Well, think about the think about the last guy carrying
• 44:35
  Speaker 2: the whole movie.
• 44:37
  Speaker 1: Oh no, definitely not. See this is what I wanted
• 44:40
  Speaker 1: more of in the first in the in the other
• 44:42
  Speaker 1: one where it's like, yeah, give us more Tommy Lore,
• 44:44
  Speaker 1: I'm so down.
• 44:46
  Speaker 2: Yeah, because if you're gonna make Tommy part of the story,
• 44:48
  Speaker 2: then make him a part of the story. Don't like
• 44:50
  Speaker 2: do this weird protector because it's like it's almost not
• 44:53
  Speaker 2: worthy of being called a trilogy. Barely consequentially. He is
• 44:58
  Speaker 2: consequential because like this kind of he is the inciting factor.
• 45:02
  Speaker 2: But like that's it. He doesn't matter in the story.
• 45:05
  Speaker 1: God, it doesn't even matter. He doesn't. He doesn't that
• 45:08
  Speaker 1: this kid Nancy fucking sees Jason carrying the headless corpse
• 45:13
  Speaker 1: of Sissy, which is carry it is scary.
• 45:17
  Speaker 2: They almost like kind of cut around the kids seeing
• 45:21
  Speaker 2: the gnarliest stuff. Yeah, because it's still weird for kids
• 45:24
  Speaker 2: to see super gnarly stuff, you know what I mean,
• 45:26
  Speaker 2: like for us to watch that.
• 45:28
  Speaker 1: But the movie is.
• 45:29
  Speaker 2: Talking about the like trauma, porn of it all. Like
• 45:33
  Speaker 2: the movie is even referencing all of it. It's like,
• 45:36
  Speaker 2: I guess kids think this is funny, even like the
• 45:39
  Speaker 2: she says to Nancy, one of the adults, I think
• 45:41
  Speaker 2: it's Chrissy or Sissy or whoever, says to Nancy, she's like,
• 45:45
  Speaker 2: adults like being scared sometimes Yeah, it's totally totally.
• 45:48
  Speaker 1: She's like what, yeah, and it's like why but why
• 45:52
  Speaker 1: but what's what's the What the movie is also doing
• 45:55
  Speaker 1: is making the astute idea. Like it's it's very astu
• 46:00
  Speaker 1: in its in its notion that it's like kids like
• 46:02
  Speaker 1: to be scared too. That's why it's made for kids
• 46:05
  Speaker 1: are scared dark. Yeah, you're fraid to do it dark too, exactly.
• 46:10
  Speaker 1: I mean, yeah, dude, you are. You are afraid of
• 46:12
  Speaker 1: the dark too, Marv.
• 46:15
  Speaker 2: We're afraid of different things as adults.
• 46:17
  Speaker 1: Yeah, I mean I have to pay mortgage, dude. Man,
• 46:23
  Speaker 1: do we get some moose knuckling happening? Not moose knuckling
• 46:26
  Speaker 1: camel towing happening? In this scene where uh uh Megan
• 46:32
  Speaker 1: is driving the car and sees two cops and she's like,
• 46:35
  Speaker 1: put your head down and they just constantly shoot her crotch.
• 46:42
  Speaker 1: I like that. I like that. And it's like, okay,
• 46:48
  Speaker 1: all right, cool, we get it. Yeah, I know you
• 46:50
  Speaker 1: like it. Like, but it was it was weird. It
• 46:55
  Speaker 1: was weird.
• 46:55
  Speaker 2: It was like done in a way that I think
• 46:58
  Speaker 2: the movie is trying to be.
• 46:59
  Speaker 1: Like, yeah, you don't get boobies, but but you get
• 47:02
  Speaker 1: weird shit. Get cameltoe in here.
• 47:07
  Speaker 2: And yeah, there's like a cool kind of driving sequence.
• 47:11
  Speaker 2: There's car Chase Jason, which this one's a very cars
• 47:15
  Speaker 2: like Yeah, there's been cars and other ones and cars
• 47:18
  Speaker 2: is like exploding, but this was like multiple cars and
• 47:20
  Speaker 2: car chases. We've nursing car chase Jason.
• 47:23
  Speaker 1: But this but it's a cool shot because like the
• 47:26
  Speaker 1: you know, one of the cops like it calls on
• 47:30
  Speaker 1: to the sheriff and he's like, uh, it's an alpha
• 47:33
  Speaker 1: game of Beta one two my daughter's car. And then
• 47:39
  Speaker 1: they're like doing a chase. But then there's a part
• 47:41
  Speaker 1: where she like stops and swerves and the camera like
• 47:45
  Speaker 1: dollies into her face and then like it cuts to
• 47:48
  Speaker 1: him and he's holding the shotgun towards his daughter. It
• 47:50
  Speaker 1: was like a cool shot. It feels like yeah, he
• 47:54
  Speaker 1: was this was like, oh, this is going on the reel,
• 47:56
  Speaker 1: you know what I mean, Like the director was like,
• 47:58
  Speaker 1: this is sick, you know. Uh. The little girl, Nancy
• 48:09
  Speaker 1: comes into the room where Cissy's friend was is sleeping
• 48:13
  Speaker 1: and she brings in the machete that's like covered in
• 48:16
  Speaker 1: blood and she He's like, oh my god, what's happening.
• 48:20
  Speaker 1: And the girl's like Court must be fooling around or whatever.
• 48:25
  Speaker 5: I'm like, why would you so, why would you say
• 48:28
  Speaker 5: if a kid brought in a bloody machete. Yeah, dude,
• 48:32
  Speaker 5: you would be like Jesus Christ, come here, sweetheart, let's
• 48:35
  Speaker 5: get out of here.
• 48:35
  Speaker 1: Let's get out of Yeah. Like you wouldn't be like.
• 48:38
  Speaker 2: It's court, like I don't know, can't blood. You'd think
• 48:43
  Speaker 2: of you'd start thinking about the stories you heard and
• 48:46
  Speaker 2: you'd be like, oh my god.
• 48:48
  Speaker 1: And in the next scene where Megan, Sheriff, and Tommy
• 48:56
  Speaker 1: are all talking, obviously he's the sheriff is fucking pissed,
• 49:00
  Speaker 1: being like you're with this fucking crazy guy who might
• 49:03
  Speaker 1: be a fucking murderer. Dude. But he gets a call
• 49:06
  Speaker 1: that other people have died and like around the time
• 49:10
  Speaker 1: they died, and like you with me at that time, Dad,
• 49:14
  Speaker 1: I swear, And he's like, I still don't believe it's
• 49:19
  Speaker 1: the first time.
• 49:20
  Speaker 2: Though.
• 49:20
  Speaker 1: They kind of pause on him in a way that
• 49:23
  Speaker 1: he's like, hmm, maybe there is a Jason Yeah totally,
• 49:27
  Speaker 1: which is scary. Yeah, and it's kind of cool, but
• 49:31
  Speaker 1: it's like scary again in a sort of I like
• 49:35
  Speaker 1: when the Jason's become less real and they become horror
• 49:40
  Speaker 1: houses like rides, where it's like, oh, you know, it's
• 49:46
  Speaker 1: like spooky instead of scary. Yeah, Well, do you think
• 49:52
  Speaker 1: this one did that. Yeah, I think this one did
• 49:54
  Speaker 1: this really well, and especially with like the inclusion of
• 49:58
  Speaker 1: children in it. The inclusion of children definitely makes it
• 50:02
  Speaker 1: more little kid like. I would definitely like this sequel
• 50:05
  Speaker 1: as a kid, I would be like, Oh, this one's cool. Yeah, totally.
• 50:10
  Speaker 1: And this one. I remembered a lot of stuff from
• 50:13
  Speaker 1: this which I was like, Oh, that's so weird that
• 50:16
  Speaker 1: six is the best one. Do you want to admit
• 50:19
  Speaker 1: now formally on the podcast six episodes in that you
• 50:23
  Speaker 1: maybe weren't as like familiar with Jason as you thought.
• 50:28
  Speaker 1: I never claimed I was familiar. I've seen all of them.
• 50:32
  Speaker 1: I never was like, oh, man, like I know everything.
• 50:36
  Speaker 1: I was never like, like, you ken what I mean
• 50:39
  Speaker 1: to admit things? And it's like, admit what. I've never lied.
• 50:44
  Speaker 1: I'm just challenging you, dude. But about what with the
• 50:49
  Speaker 1: interest of the audience, Dude, I mean, dude, you don't know. Dude,
• 50:54
  Speaker 1: you don't know what I've been.
• 50:55
  Speaker 2: Through with the audience.
• 50:56
  Speaker 1: Yeah, the audience with the audience.
• 50:59
  Speaker 2: You haven't you have been through what I've been.
• 51:01
  Speaker 1: Through, dude, that's true. I mean the audience is so annoying.
• 51:04
  Speaker 1: I don't I don't know the friend of Missy I
• 51:11
  Speaker 1: forget her name. She looks a little bit like.
• 51:13
  Speaker 2: My friend Alex.
• 51:15
  Speaker 1: She looks like so many people I know, like so
• 51:18
  Speaker 1: many people.
• 51:21
  Speaker 2: Yeah, what about it? What about her?
• 51:23
  Speaker 1: She goes to try and call uh. She goes outside
• 51:26
  Speaker 1: and then gets a little scared and tries to call
• 51:28
  Speaker 1: on the phone, but the power of the phone lines
• 51:31
  Speaker 1: are dead, and Jason come like breaks through the fucking
• 51:35
  Speaker 1: door and just chops her body up and like just
• 51:40
  Speaker 1: the blood you see spray on the window, and then
• 51:42
  Speaker 1: he throws the body out the window. And it seems
• 51:45
  Speaker 1: like that was like, well, that's for the fans, you
• 51:48
  Speaker 1: know what I mean? Yeah, but I I like, yeah,
• 51:51
  Speaker 1: I don't know. I did.
• 51:52
  Speaker 2: I did miss After five times seeing a body thrown
• 51:56
  Speaker 2: into a window, I miss not seeing it this.
• 51:59
  Speaker 1: Time in like cool slow motion kind of way too.
• 52:02
  Speaker 1: They were, and also like filmed like this. I would
• 52:04
  Speaker 1: have liked to have seen it through this through Tom
• 52:06
  Speaker 1: McLachlan's eyes. Honestly, the the thing that slow motion throwing
• 52:13
  Speaker 1: somebody through a window does is give production value. That
• 52:16
  Speaker 1: was the only reason they were. It's like, it's slow motion,
• 52:20
  Speaker 1: this one didn't need, so it didn't need that because
• 52:22
  Speaker 1: it was like it was already hypered it up.
• 52:25
  Speaker 2: It looked, it looked. This one looked the best.
• 52:27
  Speaker 1: It's the best looking one so far, so far. And
• 52:31
  Speaker 1: then it cuts to Megan and she has a wild
• 52:34
  Speaker 1: idea to write down her plan while pretending to sketch
• 52:40
  Speaker 1: in front of Tommy who's in a cell and she,
• 52:46
  Speaker 1: I guess says, pretend to kiss me or pretend to
• 52:51
  Speaker 1: take my paper away. Do they have this plan? Yeah,
• 52:55
  Speaker 1: she writes it down and shows it to him, but
• 52:57
  Speaker 1: you don't see it in the frame. It's just like
• 53:00
  Speaker 1: you see some writing.
• 53:01
  Speaker 2: Okay, because because when when he was like molesting her,
• 53:06
  Speaker 2: it was it was done in such a way.
• 53:08
  Speaker 1: That didn't seem like part of the plan. No, it
• 53:12
  Speaker 1: definitely was like it seemed like she was surprised by
• 53:15
  Speaker 1: it but then kind of into it. Dude, But it
• 53:18
  Speaker 1: was weird they love So that's something that uh in
• 53:22
  Speaker 1: cel writers do, dude.
• 53:24
  Speaker 2: That's something that Friday loves doing. Is girls that kind
• 53:27
  Speaker 2: of want it but kind of don't want it loves
• 53:29
  Speaker 2: doing that.
• 53:31
  Speaker 1: The most feminist it's but it's like it seems like
• 53:36
  Speaker 1: it pretty gross it also, but it also is leveled
• 53:41
  Speaker 1: up in the weirdness because the cop that's there is
• 53:45
  Speaker 1: like possessive in a way that seems like they're dating exactly,
• 53:49
  Speaker 1: but it's like it doesn't seem like they were.
• 53:52
  Speaker 2: No, it also feels weird. It also feels like it's
• 53:55
  Speaker 2: like a weird pissing contest.
• 53:57
  Speaker 1: Yeah, the White Night defending. But then the gun comes back, dude,
• 54:02
  Speaker 1: because she takes out his laser gun and it's like
• 54:04
  Speaker 1: the laser in his face and he's like, it'll get
• 54:07
  Speaker 1: you right where the DoD is pointing, that's where it's
• 54:10
  Speaker 1: gonna shoot you.
• 54:12
  Speaker 2: And he's like says it to him in a dead
• 54:13
  Speaker 2: eyed cut. And Tommy says it to him in a
• 54:15
  Speaker 2: dead eyed way because he said it to him earlier.
• 54:20
  Speaker 2: So he's like, Oh, you're gonna die, dude, in the
• 54:25
  Speaker 2: same way you threatened me to. We'd like they're fucking
• 54:28
  Speaker 2: like threatening to kill Tommy. Outrageous dude, Yeah, dude, well
• 54:33
  Speaker 2: like just total abuse of power, at least at least.
• 54:36
  Speaker 1: With that, you could be like, well, Tommy is like
• 54:38
  Speaker 1: an assumed murderer, So like, aga is he I don't know.
• 54:45
  Speaker 1: I guess like they don't know yet, right, And the
• 54:48
  Speaker 1: sheriff is gone, and the sheriff is the swinging dick
• 54:50
  Speaker 1: of the town. And for some reason, Tommy's driving her
• 54:54
  Speaker 1: car now because he's the man. Yeah, he has to
• 54:58
  Speaker 1: get to drive the car. They're trying to drive back
• 55:00
  Speaker 1: to Crystal Lake, and fucking Jason walks in. This was
• 55:05
  Speaker 1: a cool shot where Jason fucking music video walks into
• 55:09
  Speaker 1: the cabin and all the children are there, the leaves
• 55:12
  Speaker 1: are blowing in there's a lake show. It was great. Yeah,
• 55:16
  Speaker 1: it does feel very eighties music video. Ah. And then
• 55:22
  Speaker 1: Jason sees the kid and it's like slowly zooming in
• 55:26
  Speaker 1: on her, and it's like it's kind of cool. I
• 55:29
  Speaker 1: like Jason interacting with kids. It's scary, but it's also
• 55:33
  Speaker 1: like kind of like, no, he's sad, he's a kid
• 55:37
  Speaker 1: at heart, well so is he Like yeah, but but
• 55:40
  Speaker 1: there is it does feel like there's a threat to
• 55:42
  Speaker 1: these kids one hundred percent. Yeah. It seems like it's
• 55:45
  Speaker 1: like no holds barred Jason.
• 55:47
  Speaker 2: He'd kid, yeah yeaheah, he's unhinged in a way that
• 55:51
  Speaker 2: like we we can't trust the Jason that we know
• 55:53
  Speaker 2: in love just by him being our anti hero dude.
• 55:56
  Speaker 1: Yeah. Because and then she starts praying, and I started
• 55:58
  Speaker 1: listening to the prayer, and it's that I pray the
• 56:00
  Speaker 1: Lord my soul to keep wait to play. It's scary
• 56:05
  Speaker 1: and weird, and I think kids can just repeat it
• 56:09
  Speaker 1: thinking like my parents told me about this. But when
• 56:11
  Speaker 1: I was listening to the words, I was like, this
• 56:13
  Speaker 1: is weird. This is weird and scary my soul to
• 56:16
  Speaker 1: take it's bizarre, My soul is bad.
• 56:19
  Speaker 2: That's basically kids saying my soul is read exactly. Yeah,
• 56:25
  Speaker 2: I mean it's kind of cool, Like it's cool for
• 56:29
  Speaker 2: a movie to despite it, like instead of showing a
• 56:33
  Speaker 2: little girl be scared in a way of like she's
• 56:35
  Speaker 2: just like screaming and kind of making a scared face
• 56:38
  Speaker 2: of like the trauma response of like, Okay, I'm gonna die,
• 56:41
  Speaker 2: so I better like, you know, like prepare for death
• 56:44
  Speaker 2: in the way that I've been taught to prepare for
• 56:46
  Speaker 2: death as like just like a fawn response, right like
• 56:49
  Speaker 2: I'm just gonna accept my fate right now because I
• 56:53
  Speaker 2: have to.
• 56:54
  Speaker 1: Jason hears something outside and it's the cops and man
• 56:59
  Speaker 1: when when fucking officer a Sheriff Garris goes to that room,
• 57:03
  Speaker 1: that's just like sprayed with blood. It's like that would
• 57:07
  Speaker 1: be that would be fucked. You would be like, oh
• 57:10
  Speaker 1: my god, oh my god.
• 57:12
  Speaker 2: Well I think this is where he face realizes that
• 57:14
  Speaker 2: it's not tough.
• 57:15
  Speaker 1: I love face realizing he does such good face realizing
• 57:19
  Speaker 1: he does this.
• 57:19
  Speaker 2: Guy's like actually pretty.
• 57:22
  Speaker 1: Yeah, Like he looks like a combination of young Verder
• 57:27
  Speaker 1: Hertzong and and Donald Sutherland. And he he brought it, dude,
• 57:34
  Speaker 1: I loved it. He did. He did bring it.
• 57:35
  Speaker 2: Yeah, I agree, and like in a way that like
• 57:39
  Speaker 2: I think seldom do Like Danny Mulroon's like this in
• 57:46
  Speaker 2: Jason movies, like really do anything of consequence?
• 57:50
  Speaker 1: And he does, Yeah, totally because it's a combination of
• 57:53
  Speaker 1: a lot of things too. It's like, oh no, there
• 57:55
  Speaker 1: are kids here, and oh no, my daughter, you know.
• 57:58
  Speaker 2: And he is holding off from the kids.
• 58:01
  Speaker 1: Dude, he was so brave, he was. And it was like, yeah, brave,
• 58:08
  Speaker 1: you know, yeah, yeah, And I loved you laughed so
• 58:12
  Speaker 1: much of this where Jason pops out and throws an
• 58:15
  Speaker 1: arrow at another danty wall room, but he looks so
• 58:20
  Speaker 1: far away from him and he just gets him in
• 58:23
  Speaker 1: the head and he like falls into a boat and
• 58:26
  Speaker 1: it stays on him. For so long. It was great.
• 58:29
  Speaker 2: I mean, what what a cool choice, Like we've never
• 58:32
  Speaker 2: seen like Jason like send a torpedo into someone. Yeah,
• 58:38
  Speaker 2: I was, I was.
• 58:39
  Speaker 1: Here for it. Yeah for sure. Nancy scares one of
• 58:44
  Speaker 1: the douchebag cops and that cop starts shooting Jason, and
• 58:48
  Speaker 1: Jason bushes his head and then and then immediately the
• 58:53
  Speaker 1: sheriff finds Nancy as well, and he tells them all
• 58:56
  Speaker 1: just to jump under the bed. Leap, leap under the bed.
• 59:04
  Speaker 1: Several children fucking leaping under the bed.
• 59:08
  Speaker 2: Several children in several different shots at the same time,
• 59:12
  Speaker 2: looking as if they're diving into a pool of water,
• 59:15
  Speaker 2: but just kind of off camera like mid shot, like
• 59:19
  Speaker 2: they off camera dive onto like underneath the bed.
• 59:22
  Speaker 1: I guess, but I thought it was like that was
• 59:25
  Speaker 1: such a cool visual and it was so funny. It
• 59:30
  Speaker 1: was so funny to like have that be in the movie.
• 59:36
  Speaker 1: It wasn't a cough, It was a I snorted some
• 59:39
  Speaker 1: snot and it went into the But yeah, he like
• 59:44
  Speaker 1: the scene where the sheriff is like pointing the gun,
• 59:48
  Speaker 1: like the shotgun at Jason and Jason's just standing there
• 59:51
  Speaker 1: and it's just a wide shot. I was like this
• 59:54
  Speaker 1: is cool, this is awesome, this is scary. He is
• 59:57
  Speaker 1: a formidable foe. Yeah, and he's like being like a
• 1:00:00
  Speaker 1: tall looming man. Is like, wow, dude, this is like intense.
• 1:00:05
  Speaker 2: This Jason did a really good job of that. He
• 1:00:07
  Speaker 2: was he really was just yeah, ud, did you did
• 1:00:11
  Speaker 2: you like happen to catch who Jason was in this one?
• 1:00:17
  Speaker 1: He is I'm beginning to want to like have a
• 1:00:25
  Speaker 1: producer on the show, like have on a like in
• 1:00:29
  Speaker 1: the room when we're recording, like and like look look
• 1:00:32
  Speaker 1: ship up, like up, we need it. We need it.
• 1:00:36
  Speaker 2: We need a fact checker, Jamie, look that up.
• 1:00:38
  Speaker 1: We need a fact checker. We need someone who's gonna
• 1:00:41
  Speaker 1: help us with some how did you guess? Is someone
• 1:00:43
  Speaker 1: who can throw in a funny quip or comment every
• 1:00:46
  Speaker 1: now and then.
• 1:00:46
  Speaker 2: C J.
• 1:00:47
  Speaker 1: Graham is his name? Dude. That scene where he fucking
• 1:00:51
  Speaker 1: like shoots him and he like dives back up and
• 1:00:55
  Speaker 1: then he shoots him again and then he dives back
• 1:00:57
  Speaker 1: up again. I was like, this is great.
• 1:00:59
  Speaker 2: That was so funny. Yeah, and like he like shotgun,
• 1:01:02
  Speaker 2: he like terminator Shotgun shoots him like several times. It's
• 1:01:05
  Speaker 2: like a yeah totally and and he like spins and
• 1:01:10
  Speaker 2: comes alive in the same way. Yeah, every single time.
• 1:01:14
  Speaker 2: And it's kind of cool because, like the way that
• 1:01:17
  Speaker 2: was acted was very deliberate because because Jason never speaks,
• 1:01:23
  Speaker 2: we have to really always pay attention to like his movements,
• 1:01:27
  Speaker 2: and always the actors do such intentional movements with Jason,
• 1:01:31
  Speaker 2: and this one's no exception because like he doesn't do
• 1:01:35
  Speaker 2: the like slightly gets hurt Jason. This one when he
• 1:01:40
  Speaker 2: like he gets slightly stopped Jason. Yeah, it shows, yeah,
• 1:01:44
  Speaker 2: shows it like that he's inconvenience but not ever in
• 1:01:49
  Speaker 2: any pain.
• 1:01:50
  Speaker 1: Yeah, totally. It's very t one thousand. Yeah, Yeah, I
• 1:01:54
  Speaker 1: love it. Megan gets back to the kids, sees the
• 1:01:58
  Speaker 1: disgusting blood room and then the two kids make like
• 1:02:02
  Speaker 1: snarky comments and it's like, boy, we're definitely gonna die.
• 1:02:07
  Speaker 1: We're dog meet now.
• 1:02:09
  Speaker 2: Yeah, and there's like what did you want to be
• 1:02:12
  Speaker 2: when you grow up? To have such I know it's
• 1:02:15
  Speaker 2: a laugh line, but to have such a dark line
• 1:02:18
  Speaker 2: for a child who's like anticipating their own death is
• 1:02:22
  Speaker 2: like really really insane and kind of like a cool
• 1:02:27
  Speaker 2: bold choice by this movie. Yeah, totally, because it has
• 1:02:31
  Speaker 2: it has stakes despite being kind of silly.
• 1:02:34
  Speaker 1: It does. It does. Megan goes to the car and
• 1:02:41
  Speaker 1: Sissy's head falls out of the car, and there's that
• 1:02:44
  Speaker 1: overhead that overhead shot from the bottom teeth are jutted out.
• 1:02:52
  Speaker 1: But then we also get the reveal of what the
• 1:02:55
  Speaker 1: plan is, which I'm okay with. I'm okay with what
• 1:02:57
  Speaker 1: the plan is. I just figured it would be a
• 1:02:59
  Speaker 1: little little bit more like hoday, dewey, della.
• 1:03:04
  Speaker 3: Give me the power, I beg of you, sakuz and Tamla.
• 1:03:20
  Speaker 2: Yeah, amazing, yeah dude.
• 1:03:23
  Speaker 1: And then it cuts back to the sheriff fucking shooting.
• 1:03:34
  Speaker 1: That's twice, right, is that a I don't know.
• 1:03:38
  Speaker 2: I thought that was a probably a good thing. I
• 1:03:40
  Speaker 2: don't know.
• 1:03:41
  Speaker 1: You were I don't know, but I don't know.
• 1:03:43
  Speaker 2: I don't know either, Okay, okay, let's just keep going.
• 1:03:53
  Speaker 1: Yeah. So the the the sheriff fucking tries to predator
• 1:03:58
  Speaker 1: Jason biping of a rock. Oh dude, I I love
• 1:04:03
  Speaker 1: I love that scene. It was and he keeps smashing
• 1:04:06
  Speaker 1: his face. I was like, this is great, this is more.
• 1:04:11
  Speaker 1: People should be doing this kind of ship. But then
• 1:04:14
  Speaker 1: Jason folds him backwards too, not even forwards. Oh man, Wow,
• 1:04:24
  Speaker 1: that was great, and but but did we get to
• 1:04:27
  Speaker 1: the plan. The plan that Tommy has is a little
• 1:04:30
  Speaker 1: bit of sane. It's getting him back, getting Jason back
• 1:04:34
  Speaker 1: to Crystal Lake. I guess where he was like born
• 1:04:37
  Speaker 1: or whatever.
• 1:04:38
  Speaker 2: No, no, specifically to where he died where. So that's
• 1:04:43
  Speaker 2: this is this is the this movie adding a lore
• 1:04:47
  Speaker 2: other Okay, hear me out. It's either that Tommy is
• 1:04:52
  Speaker 2: misunderstanding Jason's lore himself and doesn't know that Jason didn't
• 1:04:57
  Speaker 2: actually die when he drowned, or Jason drowned as a
• 1:05:02
  Speaker 2: child and is actually just inhabiting the bodies of various
• 1:05:09
  Speaker 2: different vagrants. Yeah, and then like becomes back. One of
• 1:05:14
  Speaker 2: those vagrants comes back to life. Now I don't know
• 1:05:16
  Speaker 2: if that's true, because that would explain maybe why there
• 1:05:18
  Speaker 2: was like a different child Jason that was in the water,
• 1:05:23
  Speaker 2: because that's never explained. It's so many years later. But
• 1:05:26
  Speaker 2: he's a child, and presumably he's survived and lived in
• 1:05:29
  Speaker 2: the woods. We don't know it does, We don't know.
• 1:05:31
  Speaker 1: I prefer a vagrant that survived.
• 1:05:35
  Speaker 2: But but is it a magically possessed vagrant.
• 1:05:39
  Speaker 1: No, he's got too much of a mushy head to
• 1:05:42
  Speaker 1: be He's got so many mushy heads, dude, but then
• 1:05:46
  Speaker 1: he's bald later. I don't know who Jason is, dude. Man,
• 1:05:52
  Speaker 1: But this scene where he like breaks through the door
• 1:05:55
  Speaker 1: of the children's cabin and then he hears Tommy outside
• 1:06:00
  Speaker 1: and then breaks through another door, I left it was great.
• 1:06:09
  Speaker 1: And he tries to mush Megan's head and Tommy's like, no,
• 1:06:13
  Speaker 1: you want me?
• 1:06:16
  Speaker 2: What It's like, yeah, you want me. And this is
• 1:06:19
  Speaker 2: like the kind of like implied magical connection between Tommy
• 1:06:24
  Speaker 2: and Jason, which, like I saw somebody, Like one of
• 1:06:29
  Speaker 2: the most popular googled like things about this movie is
• 1:06:32
  Speaker 2: Who's who's stronger, Tommy or Jason?
• 1:06:35
  Speaker 1: And I'm like, who's stronger?
• 1:06:39
  Speaker 2: But it's such a little kid way of asking something.
• 1:06:43
  Speaker 1: Who's stronger? Tommy, you're dude, but who's stronger? Do you
• 1:06:46
  Speaker 1: think they have different powers? Dude? Yeah, totally. And one
• 1:06:51
  Speaker 1: of the powers that Jason has is being able to
• 1:06:53
  Speaker 1: breathe underwater because he just to walk under heath. But
• 1:06:57
  Speaker 1: it's it's cool the determination and the like.
• 1:07:00
  Speaker 2: The terminators of it all.
• 1:07:02
  Speaker 1: Dude, Yeah, totally. It is very terminator.
• 1:07:04
  Speaker 2: It's very terminaminator.
• 1:07:07
  Speaker 1: And I doubt I don't doubt that they took a
• 1:07:09
  Speaker 1: lot of one Terminator like made a splash dude like
• 1:07:15
  Speaker 1: and this is and this is our Kyle Reeves, except
• 1:07:18
  Speaker 1: he's got the smarts not to put on a homeless
• 1:07:19
  Speaker 1: man's pants, and.
• 1:07:22
  Speaker 2: Well he kind of is the homeless man, right, Like.
• 1:07:24
  Speaker 1: That's true, Yeah, he is. He is a vagrant of
• 1:07:27
  Speaker 1: some kind. They're like, but like that's but this dude
• 1:07:29
  Speaker 1: doesn't have a smelly pants.
• 1:07:31
  Speaker 2: No, But that also would track if like if Tommy
• 1:07:34
  Speaker 2: lore is that Tommy becomes a vagrant because he's like
• 1:07:38
  Speaker 2: this like mentally ill guy that had this big trauma
• 1:07:42
  Speaker 2: and like just lives to kill Jason now or in
• 1:07:45
  Speaker 2: a forest or something.
• 1:07:46
  Speaker 1: I don't know. There's terminator lightning in this too.
• 1:07:48
  Speaker 2: There is terrmnador lightning in this. It's very it's representing
• 1:07:50
  Speaker 2: Terminator hard. But like if if your desire is to
• 1:07:55
  Speaker 2: just like it kind of like shows that Jason like
• 1:07:59
  Speaker 2: vagrants are obsessed with Jason, like his outsider quality attracts
• 1:08:04
  Speaker 2: other because it implies that in other movies that he's
• 1:08:06
  Speaker 2: like friends with vagrant because that guy's they find on
• 1:08:10
  Speaker 2: the road the other You're doomed. In part two, he's
• 1:08:12
  Speaker 2: like I've seen him.
• 1:08:14
  Speaker 1: He's kind of a weird guy and it's an eyeball
• 1:08:17
  Speaker 1: and he poked it at the screen. It's we would
• 1:08:20
  Speaker 1: see it in three days, right, So eyeball lord existed
• 1:08:23
  Speaker 1: then too? Yeah, totally, oh eyeballs before and Tommy is like,
• 1:08:28
  Speaker 1: come on, maggot head and we both we both were
• 1:08:32
  Speaker 1: like looking at each other. It was like, I mean,
• 1:08:34
  Speaker 1: he wouldn't say it. He wouldn't say it, dude. But
• 1:08:37
  Speaker 1: the idea is to rope Jason's head with a big.
• 1:08:42
  Speaker 6: Rock and the chin very like Acmees is very tunes
• 1:08:50
  Speaker 6: but you know, like it works.
• 1:08:53
  Speaker 1: It totally does. And the amount of times that that
• 1:08:56
  Speaker 1: Tommy touches the corpse head of Jason, I was like,
• 1:09:01
  Speaker 1: oh man, what would it feel like, dude, dude.
• 1:09:03
  Speaker 2: I I think it's like the consistency of a dolphin.
• 1:09:06
  Speaker 2: I think it feels it feels like the rubbery texture
• 1:09:10
  Speaker 2: of a dolphin. Yeah, I hope so dude, that like
• 1:09:15
  Speaker 2: because it doesn't look a little Yeah, he's very he's
• 1:09:20
  Speaker 2: very shiny, he and bloated. I think like it would
• 1:09:22
  Speaker 2: feel oh what if it was soft?
• 1:09:25
  Speaker 1: Though? Probably if it's like if like you totally it
• 1:09:30
  Speaker 1: totally is soft. That's why the mask like like sings
• 1:09:35
  Speaker 1: into I mean, and then like Tommy fucking lights the
• 1:09:43
  Speaker 1: water on fire and Jason fucking pops out like od fire.
• 1:09:48
  Speaker 2: Well, yeah, so he puts his plan is to put
• 1:09:51
  Speaker 2: a circle of gasoline around around the boat, and then
• 1:09:57
  Speaker 2: he lights the gas on fire and it perfectly surrounds
• 1:10:01
  Speaker 2: the boat. Yeah, and then Jason starts bubbling and he
• 1:10:05
  Speaker 2: like like poos out at the top and he They're like,
• 1:10:09
  Speaker 2: but he's smoke.
• 1:10:10
  Speaker 1: They're trying to pull each other in. And then Jason
• 1:10:13
  Speaker 1: jumps out and smashes the boat in the middle, taking
• 1:10:17
  Speaker 1: Tommy with him. But why does that scene.
• 1:10:19
  Speaker 2: Take so long of him punching Jason.
• 1:10:21
  Speaker 1: It was it was like too long. And then Jason
• 1:10:25
  Speaker 1: tries to mush his head underwater.
• 1:10:27
  Speaker 2: No, but somehow the chain goes around Jason's neck as
• 1:10:31
  Speaker 2: they're like.
• 1:10:32
  Speaker 1: Growing under well, he he gets it around his successfully.
• 1:10:35
  Speaker 1: But then Jason jumps out and breaks the boat and
• 1:10:38
  Speaker 1: then that's why the rock falls into and pulls Jason down.
• 1:10:42
  Speaker 1: And then and then he tries tries drown Tommy, and
• 1:10:47
  Speaker 1: Tommy's body floats the top and like bubbles out, and
• 1:10:51
  Speaker 1: then the kids are like is he okay, or no,
• 1:10:55
  Speaker 1: did he get killed?
• 1:10:57
  Speaker 2: Yeah, you could have gotten yourself killed. And then she
• 1:11:00
  Speaker 2: fucking goes out to swim over to grab Tommy. And
• 1:11:06
  Speaker 2: as she grabs Tommy, Jason's like it's pretty shallow and
• 1:11:09
  Speaker 2: Jason's like pretty close and he just grabs her leg
• 1:11:12
  Speaker 2: and it's cool. It's cool, and he holds her and
• 1:11:16
  Speaker 2: she also tries to like get up and pull the
• 1:11:19
  Speaker 2: like rip chord of.
• 1:11:20
  Speaker 1: The motor of the boat and then uses the fan
• 1:11:25
  Speaker 1: to like grind up his corpse. Hel She totally does
• 1:11:30
  Speaker 1: slices and she totally drank some of that water that
• 1:11:33
  Speaker 1: his body did.
• 1:11:34
  Speaker 2: What she totally drank like the water the way it
• 1:11:37
  Speaker 2: like browns in a way that you know that the
• 1:11:40
  Speaker 2: gush is soft, because like if it's like pieced up.
• 1:11:43
  Speaker 1: Then it like will be like like it'll be kind
• 1:11:46
  Speaker 1: of like.
• 1:11:48
  Speaker 2: Like ashes, but it's just like dusty because oh my god,
• 1:11:53
  Speaker 2: he's just like dusty, old fucking dead guy.
• 1:11:56
  Speaker 1: It's gross, Yeah, but it's awesome. It was a good scene.
• 1:12:00
  Speaker 1: Enjoyed it, Yeah, yeah. She she brings him back to
• 1:12:08
  Speaker 1: he he like gets chopped up, and then you you
• 1:12:11
  Speaker 1: assume he's like stopped moving or whatever. And then she
• 1:12:16
  Speaker 1: pulls Tommy's heavy body. The slide so easily pulls this
• 1:12:22
  Speaker 1: guy on the sure and he gushes a little bit
• 1:12:27
  Speaker 1: of water out.
• 1:12:28
  Speaker 2: Yeah, you know the scene that always I always think
• 1:12:31
  Speaker 2: about whenever somebody gets rescued in this way, they like
• 1:12:35
  Speaker 2: drown and drank a bunch of water and then somebody
• 1:12:37
  Speaker 2: like blows into their mouths and they barf it up.
• 1:12:40
  Speaker 2: It always makes me think of Honey, I shrunk the kids.
• 1:12:42
  Speaker 1: Oh yeah, yeah, totally totally. And this kid who's dead
• 1:12:49
  Speaker 1: eyed looking at them, I don't know if you noticed them,
• 1:12:51
  Speaker 1: but he looked like the kid from Back to the
• 1:12:52
  Speaker 1: Future Part three. He was pointing at his penis like
• 1:12:56
  Speaker 1: where he set it out his bottom jaw, and he's
• 1:12:59
  Speaker 1: just like standing and it's like, you know what, a
• 1:13:01
  Speaker 1: kid doesn't know he's being looked at, and he's just
• 1:13:04
  Speaker 1: being himself. It's great where it's like you don't know
• 1:13:10
  Speaker 1: how how stupid you look, But I love it. I
• 1:13:13
  Speaker 1: love that.
• 1:13:13
  Speaker 2: It's the best.
• 1:13:14
  Speaker 1: It's it's like when you're the the way anyone looks
• 1:13:17
  Speaker 1: when they don't think someone's looking at them. I think
• 1:13:19
  Speaker 1: it's the best. That's that's sort of what I like.
• 1:13:22
  Speaker 2: About sometimes when people are very.
• 1:13:27
  Speaker 1: That's what I love about TikTok. That's what I love
• 1:13:29
  Speaker 1: about Instagram. All social medias have this that movies just
• 1:13:33
  Speaker 1: can't because unless you're like a non actor, unless you're
• 1:13:36
  Speaker 1: like a seventies movie dude. Sometimes yeah, seventies movies, but
• 1:13:39
  Speaker 1: non actors are in particular are the best at this.
• 1:13:43
  Speaker 7: But then we get like it's it's like, oh, we
• 1:13:47
  Speaker 7: were saved. It's all goodson, it's all good.
• 1:13:52
  Speaker 1: It's all weird.
• 1:13:53
  Speaker 7: We're saved. Don't worry. My calming voice will keep you safe.
• 1:13:59
  Speaker 7: And like we just fade into the next day and Jason,
• 1:14:05
  Speaker 7: we fade back into the water and Jason just hanging
• 1:14:10
  Speaker 7: there underneath and he cuts to his eyeball and.
• 1:14:14
  Speaker 1: It's still awake. He's alive, and then cut to black.
• 1:14:20
  Speaker 2: Yeah, I mean it was amazing.
• 1:14:24
  Speaker 1: It was a pretty fucking awesome movie. I gotta say,
• 1:14:27
  Speaker 1: of the Tobby arc, I think this one is my favorite. So, like, yeah,
• 1:14:31
  Speaker 1: it's Tommy the next one too. In part seven Tommy,
• 1:14:36
  Speaker 1: but he stayed alive. He did stay alive, he did survive.
• 1:14:39
  Speaker 2: Yeah, it's kind of cool. Also, it breaks some of
• 1:14:42
  Speaker 2: the tropes of the final people like she's not the
• 1:14:45
  Speaker 2: main final girl.
• 1:14:46
  Speaker 1: No, they're kind of a little it becomes a little kids. Yeah,
• 1:14:51
  Speaker 1: the character, it becomes a little bit more. Freddy Freddy
• 1:14:55
  Speaker 1: did this too, because Kincaid and fucking what's her name
• 1:14:59
  Speaker 1: joe not joe Kirsten, Kirsten, Joey doesn't survive. What's the
• 1:15:03
  Speaker 1: other kid survives too? There's another guy, Joey. Yeah, Joey,
• 1:15:06
  Speaker 1: Yeah yeah, Joey Yeah, yeah, dude.
• 1:15:08
  Speaker 2: When they show up and when they show up and
• 1:15:11
  Speaker 2: it's Kinkaid and Joey in part four, but they recast Kirsten.
• 1:15:16
  Speaker 2: It made it weird and made it.
• 1:15:18
  Speaker 1: So weird because they're like, hey, Kirsten, but that's why,
• 1:15:21
  Speaker 1: that's what yeah, and it's like, what that's not her?
• 1:15:26
  Speaker 1: And Joey being like.
• 1:15:30
  Speaker 2: Talking Joey also was weird because like we didn't have
• 1:15:34
  Speaker 2: talking Joey like.
• 1:15:36
  Speaker 1: In part three. Yeah. So I feel like, man, Freddy
• 1:15:41
  Speaker 1: Freddy so good, dude. I gotta say, I'm gonna give
• 1:15:45
  Speaker 1: this in terms of Jason's so far, Jason's I think
• 1:15:51
  Speaker 1: I think I think it's just yeah right, but right
• 1:15:58
  Speaker 1: now it's yeah. He did an amazing job. The body
• 1:16:03
  Speaker 1: acting was good, The gushy face was good people gushing
• 1:16:08
  Speaker 1: other people's face. We got a little taste of like
• 1:16:11
  Speaker 1: meat face, like gross, mushy Jason, well underneath Frankensteining, he's
• 1:16:20
  Speaker 1: so gross underneath, like so gnarly, like he's just got
• 1:16:25
  Speaker 1: like fucking ship coming out of his face. He was
• 1:16:31
  Speaker 1: like calm, cool, collected. I really honest, I gotta say
• 1:16:38
  Speaker 1: this is ten out of ten Jason's. Yeah.
• 1:16:40
  Speaker 2: I haven't seen I haven't seen like a Jason as
• 1:16:44
  Speaker 2: good as this guy. And and it's because they lean
• 1:16:48
  Speaker 2: into so much. They take some like interesting swings that
• 1:16:51
  Speaker 2: I've wanted the Jason movies to take.
• 1:16:54
  Speaker 1: Like in part four when he falls on the machine,
• 1:16:59
  Speaker 1: to me, that was like the start of the like
• 1:17:05
  Speaker 1: wild ship that's gonna happen. I know.
• 1:17:07
  Speaker 2: But the only thing that I will kind of begrudge
• 1:17:09
  Speaker 2: this movie a little bit is is it continues the
• 1:17:13
  Speaker 2: I'm a little disappointed that we've so far. Maybe we're
• 1:17:17
  Speaker 2: out of gor Jason. Yeah, I And I don't know
• 1:17:20
  Speaker 2: how I feel about that.
• 1:17:21
  Speaker 1: I like Gor Jason. I miss Gor Jason. Eighties could
• 1:17:26
  Speaker 1: have still just been Gor Jason. Why did it have
• 1:17:30
  Speaker 1: to change? Yeah, it's true, it's true. Just Freddy's gory.
• 1:17:34
  Speaker 1: This had gore, This had way, this had way more
• 1:17:37
  Speaker 1: gore than more than Part five. But it'll get it'll come.
• 1:17:40
  Speaker 2: Back, Okay, it'll come Because it was it was kind
• 1:17:42
  Speaker 2: of concerning, dude, it was a little bit kind of
• 1:17:45
  Speaker 2: cutting away from things.
• 1:17:46
  Speaker 1: Yeah, they did cut away from a lot of things.
• 1:17:48
  Speaker 1: But it felt also like maybe you're getting into that
• 1:17:51
  Speaker 1: point where it's like it's for kids.
• 1:17:54
  Speaker 2: We know it's for kids.
• 1:17:55
  Speaker 1: It's so for.
• 1:17:56
  Speaker 8: Kids, all right, No, I mean, you're gonna get sick, Edu,
• 1:18:07
  Speaker 8: it's just gonna have you.
• 1:18:08
  Speaker 1: Want you want. It's my fault that you didn't say
• 1:18:14
  Speaker 1: to me. I'm kind of feeling a little safe if
• 1:18:17
  Speaker 1: you'd said that. I never said. I never I don't
• 1:18:19
  Speaker 1: feel sick, though I feel. What I feel is scratchy
• 1:18:22
  Speaker 1: in the back of my nose, which could be what's
• 1:18:27
  Speaker 1: it called. It's like often a sign of allergies for me. Okay,
• 1:18:31
  Speaker 1: all right, but also who knows, I could have COVID? Dude,
• 1:18:35
  Speaker 1: what I don't want to get I don't want to
• 1:18:37
  Speaker 1: get COVID. I know why, Because you think you're gonna
• 1:18:38
  Speaker 1: get blood clots? Is that why?
• 1:18:40
  Speaker 8: I mean?
• 1:18:42
  Speaker 1: I don't think you are. But I already have high
• 1:18:45
  Speaker 1: blood pressure. It's kind of a comorbidity. Like, I mean,
• 1:18:49
  Speaker 1: it's bad for your heart. That's what I'm scared about anyway.
• 1:18:51
  Speaker 1: I mean, you smoke weed all the time, so that's
• 1:18:54
  Speaker 1: that's bad for your heart too. Okay, if you really
• 1:18:57
  Speaker 1: gave a funck about your heart, you wouldn't be doing
• 1:19:01
  Speaker 1: you know those people.
• 1:19:02
  Speaker 2: Yeah, I do. It's a type of narcissism, is it.
• 1:19:06
  Speaker 1: Yeah, really, Yeah.
• 1:19:07
  Speaker 2: It's a it's a narcissistic trait. Oh yeah, to be
• 1:19:11
  Speaker 2: like concern for others. It's like a concern trolling. It's
• 1:19:15
  Speaker 2: it's it's a way of being right instead.
• 1:19:17
  Speaker 1: Of being that's that's totally fair.
• 1:19:20
  Speaker 2: It's like, hey, you're fucking this.
• 1:19:24
  Speaker 1: I told you not to do this.
• 1:19:26
  Speaker 2: In fact, I always told you not to do everything.
• 1:19:29
  Speaker 1: Yeah, totally, I'm right.
• 1:19:31
  Speaker 2: It's a way of controlling people because then you're like
• 1:19:35
  Speaker 2: kind of like.
• 1:19:37
  Speaker 1: But no.
• 1:19:38
  Speaker 2: But and also like you're you're taking a moral high
• 1:19:40
  Speaker 2: ground so that like you are more right about things
• 1:19:44
  Speaker 2: than they are, and it kind of just makes that
• 1:19:46
  Speaker 2: a part of the dynamic.
• 1:19:47
  Speaker 1: Yeah. Absolutely. But yeah, And in terms of the movie,
• 1:19:51
  Speaker 1: I really enjoyed it. I just had such a good
• 1:19:53
  Speaker 1: time in a way that like in the last one,
• 1:19:56
  Speaker 1: I didn't really have that good a time. Yeah, I
• 1:19:58
  Speaker 1: was like a little bit like, uh, Tommy's kind of like,
• 1:20:03
  Speaker 1: I mean, he's jacked, He's jacked. But that was about it.
• 1:20:07
  Speaker 1: He felt a little bit like Joey to me in
• 1:20:10
  Speaker 1: the last movie. Ye oh man, he was so jacked though,
• 1:20:13
  Speaker 1: he was so jacked. Yeah, And like also I did
• 1:20:17
  Speaker 1: like the fact that it felt a little bit like
• 1:20:19
  Speaker 1: Joey from Kink. It was like a little bit weird.
• 1:20:24
  Speaker 1: This felt a little bit. This felt like it should have.
• 1:20:30
  Speaker 1: This made more sense to me him as Tommy. This
• 1:20:34
  Speaker 1: guy is canonically Tommy.
• 1:20:36
  Speaker 2: I would say, this guy is canonically Tommy. And like,
• 1:20:38
  Speaker 2: because we have that middle jump, it's more of a believable,
• 1:20:41
  Speaker 2: like we don't have a consistent Tommy. So yeah, we
• 1:20:43
  Speaker 2: do get we get we do get essential MILLENNI of
• 1:20:45
  Speaker 2: Them's voice in this in a Memory, I.
• 1:20:50
  Speaker 1: Love that, dude, I love it too. It was so cool.
• 1:20:53
  Speaker 1: It was very cool.
• 1:20:54
  Speaker 2: Tommy lore so far. I think like Tommy was exactly
• 1:20:57
  Speaker 2: the infusion that this series needed. It needed a Nancy,
• 1:21:02
  Speaker 2: it needed a proxy, you know, because we do have Jason,
• 1:21:05
  Speaker 2: and we love Jason. We want Jason to succeed, but
• 1:21:08
  Speaker 2: we need someone to.
• 1:21:09
  Speaker 1: Like parallel his story a little bit. And I'm glad
• 1:21:12
  Speaker 1: that this movie, that these movies have done that me too.
• 1:21:15
  Speaker 1: I agree, it's for the betterment of the series. And like,
• 1:21:19
  Speaker 1: I'm also realizing more and more that there's no one
• 1:21:23
  Speaker 1: good one of Jason. It's it's about the lare. Yeah,
• 1:21:28
  Speaker 1: it's true.
• 1:21:29
  Speaker 2: It's about the excitement of like unpacking it, seeing how
• 1:21:33
  Speaker 2: other people are going to unpack it and expand on.
• 1:21:36
  Speaker 1: I will say, though, the part of the problem is
• 1:21:39
  Speaker 1: that there's an expansion in the lore of Freddy that
• 1:21:45
  Speaker 1: every single filmmaker that does get involved makes it more creative. Yeah,
• 1:21:50
  Speaker 1: Whereas this Tommy Jenkins had the same sort of problem,
• 1:21:53
  Speaker 1: whereas like there and they try and backlorify things in
• 1:21:57
  Speaker 1: ways that are like, let's make this make sense with
• 1:22:00
  Speaker 1: the lore, whereas this is like, well, how did he
• 1:22:03
  Speaker 1: come back? In the fourth one, he's not dead, he's
• 1:22:08
  Speaker 1: just not dead, but this time he's dead, yeah, and dead.
• 1:22:11
  Speaker 2: And buried and they decided that at some point he
• 1:22:14
  Speaker 2: got buried, he got buried, yeah, and stayed buried, Yeah, exactly.
• 1:22:17
  Speaker 1: And then now like lightning brought him back, which I'm
• 1:22:20
  Speaker 1: okay with but it's not creative. Well I didn't know
• 1:22:23
  Speaker 1: you did anything creative. Well, I don't let people dance
• 1:22:28
  Speaker 1: the way I do. Oh man, what definitely funks that way?
• 1:22:34
  Speaker 1: That a rhythmic kind of like jarring, like definitely shooting
• 1:22:40
  Speaker 1: Jolty at some points, at other points just not doing
• 1:22:43
  Speaker 1: anything because he's just convulsing. It's amazing, dude, I love
• 1:22:47
  Speaker 1: But but to me, the best dance is is fucking
• 1:22:50
  Speaker 1: Part five? Dude, when when when the girl the punk
• 1:22:57
  Speaker 1: girl but like the coolest robot I've ever seen, with
• 1:23:05
  Speaker 1: very slopey shoulders but still very jagged motions. It's kind
• 1:23:09
  Speaker 1: of amazing, dude. Practicing her dance moves, she was like,
• 1:23:13
  Speaker 1: leave me alone, Leave me alone, fucking practicing dance moves. No,
• 1:23:18
  Speaker 1: I don't want to fuck. She seemed autistic. She seemed like,
• 1:23:21
  Speaker 1: do you think to a person who was like dedicated
• 1:23:24
  Speaker 1: to very specific things and didn't want to be bothered
• 1:23:27
  Speaker 1: at all?
• 1:23:27
  Speaker 2: Maybe, but probably do you think that like.
• 1:23:32
  Speaker 1: She was an influence on some of the teens in
• 1:23:36
  Speaker 1: Freddy Part three because that was made after this one,
• 1:23:40
  Speaker 1: And do you think this is the like laws the
• 1:23:42
  Speaker 1: laws influence of each other maybe. I hope so, because
• 1:23:46
  Speaker 1: you have to think of like you know, apparently the
• 1:23:49
  Speaker 1: there's a lot that's kind of like there's side Lore
• 1:23:53
  Speaker 1: to Jason where like it ties all of the worlds together,
• 1:23:59
  Speaker 1: which of Freddy and Jason and Mike Myers all being
• 1:24:03
  Speaker 1: in the same universe. Oh interesting, And there's like mental
• 1:24:07
  Speaker 1: hospital low in all of them, and he's been in
• 1:24:10
  Speaker 1: all of the mental hospitals of the different I can't
• 1:24:13
  Speaker 1: wait for the mental hospital Lore. Yeah, what do you mean, Well,
• 1:24:17
  Speaker 1: there's more No, just like in mental hospitals is different
• 1:24:22
  Speaker 1: than like, well we're going to go to a like
• 1:24:25
  Speaker 1: a camp or whatever, you know, to be out of
• 1:24:28
  Speaker 1: a mental hospital. It's like there is more mental I'm
• 1:24:31
  Speaker 1: pretty sure there's more mental hospital. Or well, let's there's
• 1:24:33
  Speaker 1: the hospital Lore.
• 1:24:35
  Speaker 8: I know that.
• 1:24:35
  Speaker 2: Let's let's see the heart the heart.
• 1:24:38
  Speaker 1: Oh yeah, yeah, that's what I'm thinking of for sure. Yeah.
• 1:24:43
  Speaker 1: I mean, I'm excited to see where this series goes.
• 1:24:45
  Speaker 1: It's kind of like I'm my expectations are just that
• 1:24:50
  Speaker 1: I get to find out more about what's going on,
• 1:24:53
  Speaker 1: and it's I'm very thirsty for law. It's like such
• 1:24:56
  Speaker 1: slight Lore additions, but like now it's kind of like
• 1:25:00
  Speaker 1: the subtleties that become interesting about Jason, you know, like
• 1:25:04
  Speaker 1: I are you? Are you? It seems like you've made
• 1:25:07
  Speaker 1: a turn. Why do you get you keep you keep
• 1:25:10
  Speaker 1: telling me that case is like, well, he doesn't seem exciting.
• 1:25:13
  Speaker 1: It's like I'm excited for these movies. I'm I'm getting.
• 1:25:16
  Speaker 1: I gave the movie an eight. I'm getting the movie
• 1:25:18
  Speaker 1: and eight. Yeah, this one, I'm giving the movie an
• 1:25:20
  Speaker 1: I would give it an A too, I'm giving it
• 1:25:22
  Speaker 1: an eight.
• 1:25:24
  Speaker 2: Jason's is ten.
• 1:25:25
  Speaker 1: Absolutely, Oh yeah, I think it's totally ten.
• 1:25:27
  Speaker 2: I think it's I think maybe this is the best
• 1:25:30
  Speaker 2: Jason we've seen.
• 1:25:30
  Speaker 1: This is the best Jason Part six, the best one.
• 1:25:34
  Speaker 1: But we we get Caine Hotter next, which is why
• 1:25:37
  Speaker 1: I want to get like, who was this Jason? Do
• 1:25:39
  Speaker 1: you know? Yes? No? That is that a drop in there? Yeah? CJ.
• 1:25:49
  Speaker 1: Graham is the guy. He's a stunt actor. I have
• 1:25:52
  Speaker 1: other I never was able to find the video where
• 1:25:56
  Speaker 1: he records. He kept it up for a really long time,
• 1:25:58
  Speaker 1: but it was like a Patreon ask for money video,
• 1:26:00
  Speaker 1: and I think.
• 1:26:01
  Speaker 2: He took it down. But it's like like I remember
• 1:26:05
  Speaker 2: it was like the thing that was like amazing about
• 1:26:08
  Speaker 2: it is like some of you may know me from
• 1:26:11
  Speaker 2: my like obviously, all of your fans know you from
• 1:26:14
  Speaker 2: Mayda Parade or Go Radio. Those were your two bands
• 1:26:17
  Speaker 2: that were very famous and did really well.
• 1:26:19
  Speaker 1: Some of you may know me from Made a Parade
• 1:26:21
  Speaker 1: to Go Radio, and some of you may not know
• 1:26:23
  Speaker 1: me at all, But by now I'm just Jason anyway.
• 1:26:28
  Speaker 2: Yeah, I have some other drops in there. He sounded
• 1:26:31
  Speaker 2: more like what I'm doing right now in that video
• 1:26:34
  Speaker 2: than he does in the drops that I have. But
• 1:26:36
  Speaker 2: the drops I have are still good.
• 1:26:38
  Speaker 1: It's just him doing casually interview where he's like a
• 1:26:40
  Speaker 1: little more California. He's just a little more like that. Yeah,
• 1:26:49
  Speaker 1: I'm excited to see where it goes. I'm excited to
• 1:26:54
  Speaker 1: see where it goes. I know, like there's got to
• 1:26:59
  Speaker 1: be more good ones, right, Like it's not I don't know,
• 1:27:02
  Speaker 1: are we gonna like do just like one more good
• 1:27:04
  Speaker 1: one and then it's all bad ones? I hope not.
• 1:27:07
  Speaker 1: I mean, I really like Jason X and I really
• 1:27:09
  Speaker 1: liked the remake, okay, and I'm really excited for those two. Okay,
• 1:27:13
  Speaker 1: the remake is like what twenty ten, Yeah, something like that,
• 1:27:17
  Speaker 1: nine or something like that, Okay, interesting, I'm pretty excited.
• 1:27:21
  Speaker 1: It was good. I've seen it since it.
• 1:27:23
  Speaker 2: Came Combines one through three.
• 1:27:25
  Speaker 1: Yeah, and it's cool.
• 1:27:26
  Speaker 2: I mean I would be interested in seeing I mean,
• 1:27:28
  Speaker 2: I'm gonna be interested in covering it.
• 1:27:30
  Speaker 1: And from what I remember, he had one of the
• 1:27:33
  Speaker 1: best body like I looks.
• 1:27:36
  Speaker 2: Doesn't he isn't he very new metal Jason Like no, it's.
• 1:27:40
  Speaker 1: Like very like football player playing him Jason scary, like
• 1:27:45
  Speaker 1: scary because if a man did this, you would be terrified.
• 1:27:50
  Speaker 1: It would just be like, yeah, it would be like
• 1:27:53
  Speaker 1: a wrestler, like a cane hotter, but not lurchy running
• 1:27:57
  Speaker 1: at you.
• 1:27:58
  Speaker 3: You know.
• 1:28:00
  Speaker 2: Well yeah, follow us that Thirsty for more percents on Instagram,
• 1:28:04
  Speaker 2: more Thirsty on Twitter. Guys, please, if you're not listening
• 1:28:07
  Speaker 2: to us on Patreon, then what are you even doing.
• 1:28:09
  Speaker 2: We've got so many great fucking extra features there. Join us,
• 1:28:13
  Speaker 2: like yeah, like you know, you pay a little bit
• 1:28:16
  Speaker 2: sometimes we go dark on the main series. Now, we've
• 1:28:20
  Speaker 2: been releasing the Jason's Like sequentially for the month of October,
• 1:28:24
  Speaker 2: hoping to get some folks in come come join the
• 1:28:27
  Speaker 2: Patreon because we'll release more regularly on there. And it's
• 1:28:31
  Speaker 2: nice that it's like a smaller tight knit community. It's
• 1:28:34
  Speaker 2: you know, we'd make like it's like not that much money,
• 1:28:37
  Speaker 2: you know, but it's it's nice to be all in
• 1:28:40
  Speaker 2: one place.
• 1:28:41
  Speaker 1: You know.
• 1:28:41
  Speaker 2: It's like it's like a dollar fifty or something to
• 1:28:44
  Speaker 2: fucking joint. I know, just hang out.
• 1:28:45
  Speaker 1: Can just like come come, It'll be It's good.
• 1:28:49
  Speaker 2: It's worth it.
• 1:28:50
  Speaker 1: It's worth it because you're supporting a show you like
• 1:28:52
  Speaker 1: and we love doing this.
• 1:28:54
  Speaker 2: And I was just thinking about it, dude, like this
• 1:28:57
  Speaker 2: show is like I think this has been the most
• 1:29:02
  Speaker 2: fun time this like for me this run, because I
• 1:29:06
  Speaker 2: don't have any expectations. I'm not like I'm like whatever,
• 1:29:09
  Speaker 2: I'm trying. I'm promoting it.
• 1:29:11
  Speaker 1: I'm like putting it out there, but I'm not like
• 1:29:13
  Speaker 1: doing like videos and you know, like but like I
• 1:29:17
  Speaker 1: feel like, you know, we're having a good time coming
• 1:29:20
  Speaker 1: up with some cool lord and shit and doing these
• 1:29:23
  Speaker 1: movies still like the new jokes. Dude, Yeah, totally totally
• 1:29:29
  Speaker 1: you know what I mean, See you next week.