Latest / I Am All In with Scott Patterson / I Smell Pop Culture: Milli Vanilli
Transcript
- 0:00Speaker 1: I Am all in again. Oh, I guess you.
- 0:17Speaker 2: I Smell pop Culture with Eastern Allen and iHeartRadio podcast. Hey, everybody,
- 0:23Speaker 2: do you smell that? Do you smell what I'm smelling?
- 0:26Speaker 2: My name's Easton Allen. This is I smell pop culture.
- 0:29Speaker 2: That is what I'm smelling. Spoiler alert, I'm smelling pop
- 0:32Speaker 2: culture and you're smelling it too. This is the I
- 0:34Speaker 2: Am all In podcast where we celebrate Gilmore Girls. We
- 0:38Speaker 2: go to stars Hollow, we live amongst our favorite people
- 0:42Speaker 2: and on this show. If you're just joining us, if
- 0:47Speaker 2: you forgot to delete the episode before you hit play,
- 0:50Speaker 2: if you're waiting for the Scott episodes, you're waiting for
- 0:52Speaker 2: Gilmore Girls Gazette, thank you first of all for keeping
- 0:55Speaker 2: us around hitting play on that on that podcast app
- 0:58Speaker 2: so you know.
- 0:59Speaker 1: Also the good reviews.
- 1:01Speaker 2: I saw a couple of these come in, But I
- 1:03Speaker 2: just want to remind you again. If you're enjoying what
- 1:05Speaker 2: you're hearing, go to Apple, go to iTunes, tell them
- 1:08Speaker 2: that pop Culture with Easton is your favorite part of
- 1:11Speaker 2: this podcast, and leave five stars. We would appreciate it.
- 1:14Speaker 2: But here's what we do here. Here's what we do
- 1:16Speaker 2: on the show. We take the pop culture moments from
- 1:20Speaker 2: Gilmore Girls, and we go so deep. We dive into
- 1:23Speaker 2: them with both legs. We step into these pop culture moments.
- 1:28Speaker 2: We talk to the people that made them real. We
- 1:29Speaker 2: talk to the people behind these pop culture references and
- 1:33Speaker 2: Gilmore Girls. And that's what we're doing again this week.
- 1:34Speaker 2: This is a big one, everybody, This is a really
- 1:36Speaker 2: big one. We're going to season three, episode nineteen keg Max.
- 1:42Speaker 2: Remember that episode, Big House Party at Kyle's house. Lane's
- 1:46Speaker 2: band is performing, So they're at the house, they're getting
- 1:49Speaker 2: set up, they're setting up the drums, and Zach tells
- 1:54Speaker 2: Brian move back more because when I do my double
- 1:56Speaker 2: jump kick off the amp with slashing windmills, I'm going
- 1:59Speaker 2: to need more room. And Lane says, well, don't do
- 2:01Speaker 2: that then, and then Dave says, yeah, sounds a little
- 2:04Speaker 2: too Milli Vanilli Zach, So, if you don't know who
- 2:07Speaker 2: Milli Vanilli is, first of all, what's going on? What
- 2:12Speaker 2: is going on? Milli Vanilli. They're a pop duo Fab
- 2:16Speaker 2: mor Van and Rob pilattis in the late eighties, is
- 2:21Speaker 2: like nineteen eighty eight, they put.
- 2:23Speaker 1: Out an album.
- 2:24Speaker 2: They put out a single called Girl You know it's true,
- 2:27Speaker 2: huge hit, seven million albums. They sell just this massive,
- 2:32Speaker 2: massive hit. But there's one issue. Rob and Fab are
- 2:38Speaker 2: not the singers. You do not hear their voices on
- 2:41Speaker 2: that album. They were lip syncing, and Milli Vanilli kind
- 2:47Speaker 2: of became the poster boy for lack of a better term,
- 2:51Speaker 2: they became the example for lip syncing, for deception in music.
- 2:58Speaker 2: It was a it's one of the crazy things that's
- 3:00Speaker 2: ever happened. It's really insane that this how this all
- 3:04Speaker 2: went down. They used studio performers to record the album,
- 3:10Speaker 2: and then Rob and Fab became the visual representation of
- 3:16Speaker 2: Millie Vanilli. So they would record, they would perform, and
- 3:19Speaker 2: they'd have like a backing track that would play and
- 3:21Speaker 2: they would lip sync and they'd perform it visually. And they're
- 3:24Speaker 2: incredible dancers, incredible performers, truly like remarkable, and that's why
- 3:28Speaker 2: they got so big is because of their presence. But
- 3:31Speaker 2: then it all kind of came out that they held
- 3:34Speaker 2: this press conference they announced that you are not listening
- 3:38Speaker 2: to us when you look at Milli Vanilla, who you
- 3:40Speaker 2: know is Milli Vanilli. They're not singing on this album,
- 3:43Speaker 2: and it just became this whole scandal. Everything stopped. Arista
- 3:46Speaker 2: Records deleted the album. They deleted it from there from
- 3:50Speaker 2: their catalog. That's the biggest selling album of all time
- 3:53Speaker 2: to be deleted by a record label. They won the
- 3:56Speaker 2: Grammy for Best New Artists. They to give that Grammy back.
- 4:00Speaker 2: I think that's the only time the Grammys have rescinded
- 4:02Speaker 2: in an award.
- 4:04Speaker 1: It's really crazy.
- 4:06Speaker 2: We're going to talk to fab more Van, one of
- 4:09Speaker 2: the guys from Billy Vanilli, the surviving member uh, and
- 4:14Speaker 2: we're going to find out how this happened. How does
- 4:17Speaker 2: it get to this point? How like did they sign
- 4:20Speaker 2: on to lip sync today? Know what was going on?
- 4:23Speaker 2: How did it feel when everything came out? There's so
- 4:25Speaker 2: it's so wild. It's such an interesting story, and we're
- 4:28Speaker 2: going to get to the bottom of it. Fab is
- 4:30Speaker 2: in the waiting room right now. We're going to bring
- 4:32Speaker 2: him in. We're not going to make him wait any longer.
- 4:34Speaker 2: One of the greatest performers in all of pop culture history.
- 4:36Speaker 2: What is going on? Fab more Van, thank you so
- 4:38Speaker 2: much for doing this.
- 4:39Speaker 3: Pleasure to meet pleasure always a pleasure to to travel
- 4:43Speaker 3: down memory lane and do it in and now go
- 4:48Speaker 3: back in time and then bust and bleede, you know,
- 4:51Speaker 3: looking to what's going on in the future. You know,
- 4:54Speaker 3: I'm traveling is something very familiar with. So let's go.
- 4:58Speaker 2: I love it, and you know we'll get into this.
- 5:01Speaker 2: We have so much to talk about.
- 5:02Speaker 3: You.
- 5:02Speaker 2: You have one of the most fascinating stories of anyone
- 5:05Speaker 2: in music of all time. It's just everything you've done
- 5:09Speaker 2: and been through is so interesting to me. And do
- 5:15Speaker 2: you say time traveling? Like it's so interesting how music
- 5:18Speaker 2: can do that?
- 5:19Speaker 3: Right? Like it?
- 5:21Speaker 2: Yeah, it really can. And so many people listen to
- 5:25Speaker 2: Millie Vanilli and are brought back to such a specific
- 5:28Speaker 2: moment in time. But I want to go back to
- 5:31Speaker 2: the very beginning when you first met your collaborator, Rob plattis.
- 5:36Speaker 1: What was that like? When when did you guys meet?
- 5:38Speaker 1: Where did you meet? How that happen?
- 5:40Speaker 3: We met long time ago in Munich, Germany, in Bevaria,
- 5:44Speaker 3: That's where we met. And when we met, we were
- 5:48Speaker 3: there were not many black people there, so here you go.
- 5:52Speaker 3: You know, hip hop, the hip hop culture was rising.
- 5:55Speaker 3: He was a breakdancer. I used to do pop luck
- 5:58Speaker 3: but also was a trained answer and there lies I'll
- 6:03Speaker 3: come and interest. You know, hip hop graffiti, rap, breakdance,
- 6:09Speaker 3: pop in luck, you know, crush, grooven, hip hop movies
- 6:14Speaker 3: coming out at the same time, and we associated with
- 6:18Speaker 3: the culture very much and with each other because we
- 6:21Speaker 3: you know, we were black kids like in Europe and
- 6:25Speaker 3: this is how we just came together.
- 6:28Speaker 2: So like, was that like an instant thing when you
- 6:31Speaker 2: first met him, like like, oh, this is a guy
- 6:33Speaker 2: I'm going to work well with, where we're going to
- 6:34Speaker 2: be collaborators.
- 6:36Speaker 3: Not really wow, And I was very competitive, you know,
- 6:41Speaker 3: like I was on his turf and he was like,
- 6:44Speaker 3: who's bad, dude? Because I was there with two other
- 6:46Speaker 3: friends from Paris, and it was like, hmm, okay, you know,
- 6:51Speaker 3: what does he want to do with Are they leaving?
- 6:53Speaker 3: Are they staying? And you eventually we talked about it,
- 6:57Speaker 3: and you know, he was really trying to to connect essentially.
- 7:01Speaker 3: But you know, when you don't know people, you kind
- 7:04Speaker 3: of become stand offish at first, and sometimes those are
- 7:07Speaker 3: the best relationships because you're like, it's kind of like feisty,
- 7:11Speaker 3: it's like competitive. But then once once we started talking
- 7:15Speaker 3: to each other, we started to realize everything we have
- 7:18Speaker 3: in common. We loved music, and we had to come
- 7:21Speaker 3: and dream and together we said, hey, let's put your energy,
- 7:25Speaker 3: let's put my energy, and let's see what happens. And
- 7:28Speaker 3: then of course fireworks. You know, we went to a
- 7:31Speaker 3: place like Wow and beyond, which you know sometime when
- 7:35Speaker 3: you think about manifestation, you know, we surely manifested that
- 7:41Speaker 3: thing because I even I even drew the costumes one
- 7:47Speaker 3: Christmas and said this is what we're going to wear.
- 7:50Speaker 3: And then we found that envelope years later and it
- 7:54Speaker 3: was exactly what we were wearing because we were involved
- 7:57Speaker 3: in many aspects of what we were doing and from
- 8:00Speaker 3: from you know, the show performance to the clothing design,
- 8:05Speaker 3: with the costs and designers and all that stuff. So
- 8:08Speaker 3: I believe in manifestation and the fact that I'm still
- 8:11Speaker 3: here right now. You know, it's something that I've willed
- 8:15Speaker 3: and it was unsure, you know, call it blind faith.
- 8:19Speaker 3: And certain deeds are photogrounds for creativity. But I use
- 8:23Speaker 3: creativity and music to keep me afloat, you know, really
- 8:27Speaker 3: mentally physically. And that being said, I'm down traveler. That's
- 8:32Speaker 3: what I am. With music as my magic carpet.
- 8:38Speaker 1: I love it.
- 8:39Speaker 2: Wow that I mean, that manifestation story is incredible. So
- 8:44Speaker 2: you get approached by Frank Farian. Uh, yeah, the producer,
- 8:49Speaker 2: and when you sign with him originally, and and what
- 8:54Speaker 2: you're talking about like making records and recording. Were you
- 8:57Speaker 2: and Rob under the impression like Bill that you guys
- 9:00Speaker 2: would record and you recorded girl? You know it's true
- 9:03Speaker 2: you recorded the music. But so so take me through
- 9:07Speaker 2: those early moments.
- 9:09Speaker 3: I mean, you know, it's very simple. You know, you
- 9:12Speaker 3: have two young guys who have who've been working with
- 9:15Speaker 3: lower level producers in Munich, and you know, but we
- 9:20Speaker 3: were playing, we played a couple of games with live
- 9:22Speaker 3: musicians that we're working with Frank, and then Frank heard
- 9:27Speaker 3: about us, but we were known for performing and singing
- 9:30Speaker 3: and dancing at the clubs. So when he came and
- 9:34Speaker 3: went to his studio and looked at the gold records
- 9:36Speaker 3: on the wall, we were like, yoh, this is the
- 9:39Speaker 3: right place man. And since love was not something that
- 9:43Speaker 3: there was not a lot of love at home, and
- 9:46Speaker 3: and then you had Frank Farren his assistant Ingrid, we
- 9:49Speaker 3: were like, wow, this is the surrogate family we've been
- 9:52Speaker 3: looking for. So when the contract came on the table
- 9:56Speaker 3: and they gave us the last three page of the contract,
- 10:00Speaker 3: we didn't know that's not how it works. We felt like, okay,
- 10:03Speaker 3: you got some money right there, it's on the table.
- 10:07Speaker 3: We're gonna be able to eat. Okay. Contract. There was
- 10:11Speaker 3: not a lot of money before us. It was like okay,
- 10:13Speaker 3: to give us money. That means this is real. You
- 10:16Speaker 3: know this is there was no management now, atturning no protection.
- 10:21Speaker 3: Were like the Gold Records, blinded by the light like wow,
- 10:26Speaker 3: we're gonna make it. Started making movies in our mind
- 10:28Speaker 3: like yo, it's gonna be all right. So when you
- 10:31Speaker 3: go back home, you spend that money and you wait,
- 10:35Speaker 3: You're like, what's up? What are they gonna call? So
- 10:38Speaker 3: you call them, Oh you need money? Yeah, kind of
- 10:42Speaker 3: all right, what you need? We we need that. So
- 10:45Speaker 3: they sent it to you in months after months that
- 10:47Speaker 3: this ad adds up to a sum that there was
- 10:51Speaker 3: a lot for us. So now I know you're going
- 10:54Speaker 3: to the next question, what happened? Well, we walked into that.
- 10:59Speaker 3: True that was said perfectly. They were recording. I found
- 11:04Speaker 3: out later that they were recording. There were recording songs
- 11:08Speaker 3: with the original singers with Brad Awl and John Davis,
- 11:11Speaker 3: which I've been on stage with. We were working together
- 11:14Speaker 3: for about sixty seven years here in Europe and doing
- 11:18Speaker 3: shows together as a project called Faceman's Voice. So while
- 11:22Speaker 3: they were working on that, Frank was looking for guys
- 11:24Speaker 3: and that we fell into that. You know, we matched
- 11:28Speaker 3: perfectly his vision. And then when we were told like, hey,
- 11:32Speaker 3: you're not going to sing, We're like, well, no, thank you.
- 11:36Speaker 3: But we as naive young kids and Rob was two
- 11:40Speaker 3: years young older than me. It was my older brother
- 11:44Speaker 3: and speaking German, I mean I am in his home country.
- 11:47Speaker 3: I'm listening to what he tells me. When we signed
- 11:49Speaker 3: the contract, it was like, I said, it's cool because
- 11:52Speaker 3: it was in German. I don't I didn't read German,
- 11:55Speaker 3: so you know, I studied German for one year, but
- 11:58Speaker 3: that was it. So I turned to him, We're cool.
- 12:00Speaker 3: He's like, yeah, yeah, we're cool. So he was the lead.
- 12:03Speaker 3: And then when they came to him and told him
- 12:05Speaker 3: this was the plan, he got pissed off. Tried to
- 12:08Speaker 3: explain to me because it was so emotional, and I'm like,
- 12:11Speaker 3: we're not doing that. And then they came back and say, hey,
- 12:14Speaker 3: money's not free. You know. In a few words, I'm paraphrasing,
- 12:17Speaker 3: but that's pretty much what it was. Like, Yo, we
- 12:19Speaker 3: give you money, so it's up like oh really. So
- 12:25Speaker 3: the quickest way to repay them was really to like, okay,
- 12:28Speaker 3: we do one song. But we were signed with three
- 12:31Speaker 3: albums which we had no idea about options A single, one, two, three,
- 12:36Speaker 3: we don't know. So we thought we'd do this one
- 12:38Speaker 3: song and then we out. Yeah, but when we thought
- 12:42Speaker 3: we were out and never heard from them and get
- 12:45Speaker 3: that record that just shoots off up the charts and
- 12:49Speaker 3: then you're like, yo, that's that's us, but that's not us,
- 12:53Speaker 3: but yeah, but that's us. And then suddenly the phone
- 12:56Speaker 3: start ringing and like, well, you know, you go into
- 12:59Speaker 3: it apprehensive, not knowing that they got a plan. You know,
- 13:04Speaker 3: you stepped into a realm you're not familiar with. Stardom
- 13:08Speaker 3: is something that you don't know about, but it truly
- 13:12Speaker 3: is addictive. So once you step into that and certainly
- 13:15Speaker 3: you're at the focal point. And we never had problems
- 13:18Speaker 3: with ladies, yeah, never, of course, but when that came, yeah,
- 13:24Speaker 3: it was like wow. And then suddenly you were on
- 13:27Speaker 3: stage and you were living your dreams. It was half
- 13:30Speaker 3: a dream, was dreams slash nightmare. But at first it
- 13:34Speaker 3: was a dream comes true and we were we didn't
- 13:39Speaker 3: know what the hell to deal with it. So when
- 13:40Speaker 3: the second single came, it was like, okay, we want
- 13:43Speaker 3: to sing, No, you can't. And then that's what we
- 13:46Speaker 3: realized that, So what do you do? You you don't
- 13:53Speaker 3: know what to do, so you stay in hoping that
- 13:57Speaker 3: you might get another opportunity to jump off and do something.
- 14:02Speaker 3: But from the first album to the fourth single, we
- 14:07Speaker 3: had no idea where we were going, and there was
- 14:10Speaker 3: no protection, no support, no one to say, hey, I'll
- 14:13Speaker 3: protect you. There was nobody, you know, And I think
- 14:16Speaker 3: that's the movie shows that because we were bigger than life. Yeah,
- 14:24Speaker 3: and you know, when you're bigger in life, people tend
- 14:27Speaker 3: to believe that you're not really truly human even you know,
- 14:32Speaker 3: they think you're touchable. Life is beautiful. When we were
- 14:35Speaker 3: in a cage, it was a golden cage, but it
- 14:37Speaker 3: was still a cage. And also, yeah, it was a
- 14:43Speaker 3: tough one to navigate.
- 14:49Speaker 2: How did you How many times did you perform the
- 14:53Speaker 2: song live, like with the backing track, Like was that
- 14:57Speaker 2: were you performing a lot at that point or was
- 15:00Speaker 2: is it not that?
- 15:00Speaker 1: Yeah?
- 15:02Speaker 3: Yeah, man, we were we were just like a just
- 15:07Speaker 3: like a pilot. You know, you've got to make those hours.
- 15:10Speaker 3: We did those hours. Man, it was you know, we
- 15:13Speaker 3: did him and did it and did it. And then
- 15:14Speaker 3: we went from the MTV MTV tour to line and
- 15:21Speaker 3: you know, being at the head of our tour, you know,
- 15:24Speaker 3: and doing one hundred and seven cities in eight months,
- 15:27Speaker 3: thirty thousand people almostly. That was crazy. And I gained
- 15:32Speaker 3: a lot of experience as a result of doing all that. So,
- 15:36Speaker 3: you know, I felt like I had a dream. I
- 15:39Speaker 3: strayed away from the dream. I knew that, but I
- 15:43Speaker 3: was like, I want to stand there because I don't
- 15:47Speaker 3: know what else I can do, what else I'm going
- 15:49Speaker 3: to do?
- 15:50Speaker 2: I mean, anyone would have you know, when you're faced
- 15:52Speaker 2: with that, anyone would have done that, you know. And
- 15:56Speaker 2: the thing that's so interesting to me is that you
- 15:58Speaker 2: and Rob are skilled, incapable singers, like you got you know,
- 16:03Speaker 2: you're you are, You're incredible singers. So I must have
- 16:06Speaker 2: been so frustrating, especially to not be able to like, like,
- 16:09Speaker 2: this isn't our voice. We have voices and we can
- 16:12Speaker 2: show it off.
- 16:13Speaker 3: It was frustrating, and it was so frustrating that, you know,
- 16:17Speaker 3: Rob became dissillusioned with what was going on. Was how
- 16:22Speaker 3: it was going down. But also the rumors were coming,
- 16:28Speaker 3: the jokes would come in, and because of the secret
- 16:32Speaker 3: as first was very it was very light to carry.
- 16:36Speaker 3: That's what I talked about. At first, it was like drink,
- 16:38Speaker 3: I'm through wow doing this. But then you start to realize, like, yo,
- 16:44Speaker 3: we're not only lying to the fans, which we adored
- 16:49Speaker 3: and love and did everything to give them like the
- 16:51Speaker 3: best of time, but we're lying to ourselves. So in
- 16:55Speaker 3: the end, when the party leaves, you know, you do
- 16:59Speaker 3: two things the same. You know, you go to bed,
- 17:03Speaker 3: brush your teeth, wash your face, and you look in
- 17:06Speaker 3: the mirror, you know, and that's like, m that ain't right.
- 17:11Speaker 3: You wake up in the morning and then you feel
- 17:14Speaker 3: the same that you felt before you went to bed,
- 17:18Speaker 3: and that was like the vicious circle. But once someone
- 17:21Speaker 3: knocked on the door, he showtime, or like yeah, we
- 17:24Speaker 3: gotta get ready, man, you gotta get on the bus.
- 17:26Speaker 3: Like you just clicking, and life was going so fast
- 17:29Speaker 3: that you you never had time to just slow down.
- 17:33Speaker 3: So you go on this roller coaster hoping that maybe
- 17:37Speaker 3: someone is going to save you. But then I look
- 17:39Speaker 3: at my bro and I'm like, I want to save him.
- 17:44Speaker 3: And I'm doing everything I can't, but it doesn't seem
- 17:48Speaker 3: like you want to be saved. Until I realized later
- 17:50Speaker 3: that you can't save nobody. They have to save themselves.
- 17:55Speaker 3: So when I kind of got that, you know, it's like, okay, well,
- 17:59Speaker 3: I guess it's time for me to take care of myself,
- 18:02Speaker 3: you know. Unfortunately, you know, Rob passed away, and that
- 18:07Speaker 3: was very traumatic because for a long time I felt
- 18:12Speaker 3: like I didn't do enough. You know, you're kind of
- 18:14Speaker 3: blaming yourself for for your bal you know, partying. You know,
- 18:19Speaker 3: it's like you're partying, but you're not even able to say,
- 18:23Speaker 3: hey man, it was great, you know, to just say
- 18:26Speaker 3: last words. And that's like the weirdest thing ever.
- 18:30Speaker 2: That must have been so difficult to process when that
- 18:33Speaker 2: when when Rob passed, And so in nineteen ninety, the article,
- 18:43Speaker 2: you know, you do the interview, the article comes out,
- 18:45Speaker 2: you do the press conference. Everything is kind of now
- 18:49Speaker 2: it's like out in the open. Everybody knows. I just
- 18:55Speaker 2: the like Arista deleting the album, giving back the Grammy.
- 18:59Speaker 2: It's it's so wild, it's so crazy that this happened.
- 19:04Speaker 3: You know, it's like it's hypocrisy at its finest. Yeah,
- 19:10Speaker 3: you know, that's it because they made they made a
- 19:16Speaker 3: lot of money. We're talking past three hundred four hundred
- 19:20Speaker 3: million dollars right that money was reinvested in other ventures.
- 19:27Speaker 3: And I'm not going to go too deep in there,
- 19:29Speaker 3: you know, but it's it's it's in a Wall Street journal.
- 19:32Speaker 3: All those things are written, you know when someone when
- 19:35Speaker 3: when a businessman makes money, extra amount of money, then
- 19:39Speaker 3: he's going to invest it in other ventures. That's what happens,
- 19:43Speaker 3: you know. But the fact that we were the last,
- 19:47Speaker 3: the small links, the smallest link in the chamber of
- 19:49Speaker 3: the most forward, you know, because we were the artist.
- 19:53Speaker 3: And then in the end it's like Robin fact were blamed.
- 19:57Speaker 3: We're blamed for everything. My problem, my issue that I
- 20:01Speaker 3: have still have today, you know, thanks to my emotional intelligence,
- 20:07Speaker 3: I've grown true generally is you go to school. You know,
- 20:12Speaker 3: you go to school, you do it, you make and
- 20:14Speaker 3: you do an Oh, there's an oath, and that oath
- 20:17Speaker 3: consists of you know, uh, investigating and partially each in
- 20:23Speaker 3: every character in the story. But that's not what happened. Certainly,
- 20:26Speaker 3: the label who made the money, everybody disappears and then
- 20:33Speaker 3: this press conference was it was bad, and sometimes I
- 20:36Speaker 3: tried to understand why. But I think that the labels
- 20:39Speaker 3: were so powerful, and the media and labels and everything
- 20:43Speaker 3: was in codes. So once the story was told and
- 20:47Speaker 3: entered you know, the four pipelines that were there back then.
- 20:51Speaker 3: Because now you've got social media, we're talking about a
- 20:53Speaker 3: whole different ecosystem. Right back then, it was just like,
- 20:58Speaker 3: once the story was written, it was oh she wrote,
- 21:00Speaker 3: and then it's like, okay, we can move on now.
- 21:02Speaker 3: And there was no way you could turn turn a
- 21:05Speaker 3: new leaf and try to say, hey, but listen, it's
- 21:09Speaker 3: too late, you know. So it was it was it
- 21:12Speaker 3: was that in a sense, was one of the most
- 21:14Speaker 3: difficult because you know, the truth was buried, the narrative
- 21:21Speaker 3: had been totally uh like, how can I say there
- 21:29Speaker 3: was nothing true about the narrative? You know, Robin fab
- 21:33Speaker 3: with the word responsible. They were responsible. They were they
- 21:36Speaker 3: planned it all. And then let me tell you, you know,
- 21:38Speaker 3: I still have a slight accent. Anyone can everyone can
- 21:44Speaker 3: notice I have an accent right back in the days,
- 21:50Speaker 3: you know, it was a lot thicker. The day we
- 21:54Speaker 3: came to New York and sat down with whoever in
- 21:58Speaker 3: that one room, and you know, the promotion department, radio department,
- 22:03Speaker 3: marketing department, publicity department, like old departments. You know, you
- 22:06Speaker 3: meet everybody and say hi, nice, nice to meet you,
- 22:10Speaker 3: and like really, you know, you hear that look numb before.
- 22:15Speaker 3: I know, early on, like oh yeah, you sound different.
- 22:20Speaker 3: You know. I remember being in a in a on
- 22:24Speaker 3: the road during that one hundred and SI City tour,
- 22:26Speaker 3: stopping at one of those you know, in the middle
- 22:28Speaker 3: of nowhere, going into like doing some food, and you know,
- 22:32Speaker 3: they're like, oh, what what kind of First we're talking
- 22:35Speaker 3: in German? What kind of language is that where you
- 22:38Speaker 3: guys from. Then me speaking, you're like, oh, you sound weird,
- 22:41Speaker 3: sounds strange, you know, and obviously we sounded different. You know,
- 22:47Speaker 3: how can how can anybody say that we had no idea?
- 22:52Speaker 3: Really you had no idea? All right, Dan, I don't
- 22:57Speaker 3: know what was I don't know, I don't know, you know.
- 23:01Speaker 3: So you know, so that's that's how it went. And
- 23:04Speaker 3: you know, it's hard for me to watch part of
- 23:07Speaker 3: the documentary when it makes me cringe when I see
- 23:09Speaker 3: some of those executives, you know, paying a legion to
- 23:15Speaker 3: the old regime and still saying until the interview person
- 23:19Speaker 3: kind of like goes in and like, yo, listen, really
- 23:23Speaker 3: you didn't know, and then coming out. So imagine we're
- 23:27Speaker 3: talking about thirty years later. Now go back in time
- 23:32Speaker 3: and see what kind of allegiance they had with each other.
- 23:35Speaker 3: I understand you to be for your tuition for your
- 23:37Speaker 3: kids university school, you know, like mortgage car, I understand,
- 23:43Speaker 3: But thirty years later, give it up, Give it up,
- 23:46Speaker 3: tell the truth you knew and then you know you
- 23:51Speaker 3: knew to say it, but for some reason.
- 23:55Speaker 1: It was very.
- 23:55Speaker 3: Difficult to pull that. It was like pulling teeth side
- 23:58Speaker 3: of that side of them.
- 24:01Speaker 2: God, it's so frustrating. Fab more Van is with us
- 24:04Speaker 2: from Milli Vanilli. This is the I Smell Pop Culture Podcast.
- 24:07Speaker 2: We'll be right back after a second. Okay, everybody, It's
- 24:19Speaker 2: the ICE Smell Pop Culture Podcast. My name is Easton
- 24:22Speaker 2: Allen and we're hanging out with fab more Van from
- 24:24Speaker 2: Milli Vanilli. One of the greatest performers of all time,
- 24:29Speaker 2: I think just and I think yes, like just a
- 24:34Speaker 2: dominant force in in pop culture for decades now.
- 24:40Speaker 1: Something that really stood out to me.
- 24:42Speaker 2: I watched a lot of interviews of you and Rob
- 24:44Speaker 2: from from that time, and uh, there's an Arsenio Hall
- 24:48Speaker 2: interview you guys did afterwards when you were you were.
- 24:50Speaker 1: You know, the everything come out.
- 24:53Speaker 2: You guys have such an incredible attitude about what happened, because,
- 24:58Speaker 2: like I think a lot of artists if something if
- 25:00Speaker 2: they'd gone through something similar to what you guys had,
- 25:02Speaker 2: they would have retreated, never shown their face again. But
- 25:07Speaker 2: you guys have a you have a great sense of
- 25:08Speaker 2: humor about it. First of all, you're like making jokes
- 25:10Speaker 2: about it. You come back with just you're very open
- 25:14Speaker 2: about everything that happened. That interview specifically, I just really
- 25:17Speaker 2: got a feel for what you guys are like, and
- 25:19Speaker 2: I want to say that it's incredible attitude.
- 25:22Speaker 3: Thank you. You know. You know, the thing is that
- 25:26Speaker 3: you know, when you you know, you don't learn anything
- 25:30Speaker 3: when you go up, you know, because they keep you
- 25:32Speaker 3: on the road, your work, your work, work, work. You're young,
- 25:34Speaker 3: you don't really develop. But when you fall, you know,
- 25:39Speaker 3: there's such a thing as looking internally, looking back, you know,
- 25:46Speaker 3: and learning. You know, you learn and then you realize,
- 25:50Speaker 3: you know, and one of the things that I realized that,
- 25:52Speaker 3: you know, being humble is the best thing that can
- 25:55Speaker 3: happen to you because of course, we were like a
- 25:58Speaker 3: riding high. You know, everybody is like, you're the best,
- 26:01Speaker 3: and you know, eventually you're young, dude, you're going to
- 26:05Speaker 3: start to believe your own press. Very normal, you know,
- 26:10Speaker 3: but when I fail, it really just it woke me up.
- 26:14Speaker 3: And I'm glad because without the fall, I don't think
- 26:18Speaker 3: that I would have turned into what I am today.
- 26:20Speaker 3: So this, this was the beginning of what was truly becoming,
- 26:25Speaker 3: you know, and that is really becoming resilient in life
- 26:29Speaker 3: and understand that there are no problems. There are only solutions,
- 26:34Speaker 3: but you get to face that and sometimes learning the
- 26:36Speaker 3: hard way is the best way. So our attitude was like,
- 26:40Speaker 3: well listen, you know, there's you know, we told everyone
- 26:45Speaker 3: we take the blame. For sure, we can't take all
- 26:48Speaker 3: the blame, but we take the blame for what was done.
- 26:50Speaker 3: We were part of it, that's clear. We were part
- 26:53Speaker 3: of it, one hundred percent, and we recognize that. That
- 26:57Speaker 3: being said, we're here now and we want to make
- 27:02Speaker 3: the best out of what happened to us. It's very normal,
- 27:06Speaker 3: but for some reason, the media kind of flipped it
- 27:08Speaker 3: into making us look bad. So that's why our signior performances,
- 27:13Speaker 3: which one of my favorite you know. He promoted us
- 27:16Speaker 3: for thirty days and in the end, at the end
- 27:19Speaker 3: of thirty days, I believe that we killed it. Definitely
- 27:24Speaker 3: killed it. And if it would have had a real
- 27:27Speaker 3: label behind us, we're real finance and marketing, dollar and
- 27:32Speaker 3: radio promotion, we could have done some things. It was
- 27:35Speaker 3: kind of like nobody was interested anymore. Like it was like, uh,
- 27:40Speaker 3: it's it's weird, you know how why not we're singing?
- 27:43Speaker 3: Oh no, not interesting? You know.
- 27:46Speaker 2: So the Robin Fab album is so good by the way,
- 27:52Speaker 2: that song do I, Oh my god, I love that song.
- 27:55Speaker 1: Oh yeah, yeah.
- 27:57Speaker 3: That's a nice one. That's the one that's not you know.
- 27:59Speaker 3: We worked with a great team of producers and that
- 28:02Speaker 3: was one of my favorite time the aftermath I would
- 28:06Speaker 3: call it and to be sitting down with producers and
- 28:09Speaker 3: in the lab and a big studio and just you know,
- 28:12Speaker 3: being part of it. And oh when it changes harmony,
- 28:15Speaker 3: Oh what about? Like what about changing the drum pattern?
- 28:18Speaker 3: And that was for me so awesome that you know,
- 28:22Speaker 3: that was taken away from me from the beginning. So
- 28:24Speaker 3: finally I was able to truly live my dream, you know.
- 28:29Speaker 3: And unfortunately, during that period, Rub was addiction. Is that
- 28:36Speaker 3: taken the toe on him. So it was very difficult
- 28:38Speaker 3: for him to focus and he would disappear day at
- 28:41Speaker 3: a time. So we had to you know, the budget
- 28:45Speaker 3: was running out and we had to get that album done.
- 28:49Speaker 3: So I did pretty much all the leads majority your background.
- 28:54Speaker 3: So if you listen to the record, you notice that
- 28:56Speaker 3: on some song you hear rob and some of the
- 28:59Speaker 3: songs there's no way to be hurt, you know, And
- 29:01Speaker 3: that's what happened, you know, So ri ip God rest
- 29:07Speaker 3: you know, I help you rest good, and he's looking
- 29:10Speaker 3: from above and he's like, go dude, and clear clear
- 29:14Speaker 3: up my name. You know. My goal is being to
- 29:17Speaker 3: transform the name living in me into when you fall,
- 29:21Speaker 3: when you make mistakes or you fall, you can't stand
- 29:25Speaker 3: back up, reinvent yourself and move forward. You know this.
- 29:30Speaker 3: You have options, you have choices. It's just up to you.
- 29:33Speaker 3: You know. The problem is the issue is I'm in
- 29:35Speaker 3: my mistakes in front of the world, and that being said,
- 29:39Speaker 3: some people make the mistakes in the privacy of their
- 29:42Speaker 3: own home. So I guess it turned me into what
- 29:47Speaker 3: I am today. And hey, I got four kids with
- 29:52Speaker 3: the same woman, a partner Sasha so Loans in sent
- 29:59Speaker 3: Paris Twins. You know at the amazing you know, family
- 30:03Speaker 3: is a blessing, blessing. I love it.
- 30:05Speaker 2: It's it's I really hope everyone listening to this takes
- 30:09Speaker 2: that message that that is so incredible and powerful to
- 30:14Speaker 2: be able to use that example and and and share,
- 30:17Speaker 2: like when you go through something you make a bad decision.
- 30:21Speaker 2: In my opinion, you and Robert Victims here. I mean,
- 30:24Speaker 2: I know, I appreciate you guys taking responsible.
- 30:26Speaker 3: I'm not going to play I'm not going to play
- 30:28Speaker 3: the victim. I know responsibility, but it sure looks like
- 30:33Speaker 3: in quite like a duck.
- 30:35Speaker 1: Yeah, yes, exactly.
- 30:37Speaker 2: But the fact that you take responsibility for your role
- 30:40Speaker 2: in it and the way you rebuilt everything, it's so inspiring.
- 30:44Speaker 2: It's so incredible Today in twenty twenty five, I mean
- 30:49Speaker 2: the Milli Vanilli. There's a lot of songs in the Monsters,
- 30:53Speaker 2: uh Lyle and Eric Menendez showing Netflix. So how does
- 30:58Speaker 2: it I mean to look at like these songs are
- 31:00Speaker 2: training on TikTok. Now you have a whole new generation.
- 31:03Speaker 3: No, I know you know what this this? You know,
- 31:06Speaker 3: Ryan Murphy, thank you, Monsters, thank you. I forgot the
- 31:12Speaker 3: name of the actors. But those guys, Wow, what a job.
- 31:18Speaker 3: And you know what I found because you know, I
- 31:20Speaker 3: used to live close to where they used to live.
- 31:22Speaker 1: Oh yeah, in bel Air.
- 31:25Speaker 3: Yeah, they not far away, so you know, we used
- 31:28Speaker 3: to play football in U c La, so we weren't
- 31:31Speaker 3: there in their vicinity BECAUSEFM it was everywhere, so it
- 31:36Speaker 3: was hard to miss. But when they buried their mom,
- 31:39Speaker 3: that's in a movie. I thought it was in the movie.
- 31:42Speaker 3: I was like, oh, yeah, that's fiction. No, they use girl,
- 31:46Speaker 3: I'm going to miss you. At the funeral, I was like, wow,
- 31:51Speaker 3: that's wild, Like whoa you know. And now we're back
- 31:54Speaker 3: thirty years later almost like past. And then because of
- 31:58Speaker 3: a show like this one and my association with Men
- 32:02Speaker 3: and his brothers, certainly the kids that up because I
- 32:07Speaker 3: have a god daughter in La and Kailna and she
- 32:12Speaker 3: tells me in school, they all know, they all know
- 32:16Speaker 3: the song, they sing the songs. So I'm like, wow,
- 32:20Speaker 3: that's a trip. Because there was a time where milivinly
- 32:22Speaker 3: just went into disappeared, It went into a vacuum. And
- 32:27Speaker 3: then you know with the dark, you know, with the
- 32:30Speaker 3: movie with monsters, certainly it's back on all the music
- 32:34Speaker 3: platforms and it's it's raving up and people certainly are realizing, Man,
- 32:40Speaker 3: that was good stuff. That was a good time. So, hey,
- 32:44Speaker 3: music is life. Life is music. Music is also the
- 32:47Speaker 3: soundtrack of our lives. I am connected to everyone who
- 32:52Speaker 3: listened back in the days, and whoever is discovering it
- 32:56Speaker 3: and walks into our emotional shoes, they are connected to
- 33:02Speaker 3: now because the narrative is being rewritten properly, and you
- 33:06Speaker 3: realize that, hey, listen, they took advantage, they exploited us,
- 33:11Speaker 3: and we were thrown. Rob paid with his life as
- 33:14Speaker 3: a result of how it was handled. It could have
- 33:18Speaker 3: been handled differently. We could have and we were in
- 33:21Speaker 3: the process of starting another project with another entity, but
- 33:27Speaker 3: Frank Farren went to New York and told the world.
- 33:29Speaker 3: So when you did that, it was check mate. We
- 33:32Speaker 3: weren't pushing him. We were pushing him to end this relationship,
- 33:39Speaker 3: but we didn't count on the fact that he would
- 33:42Speaker 3: tell the world instead of saying, Okay, I'm done, we
- 33:47Speaker 3: can go to group. So we were hoping and work it,
- 33:50Speaker 3: you know, and maybe you have the Robin Felt album
- 33:53Speaker 3: they come out instead of nineteen ninety three, had it
- 33:56Speaker 3: come out like in nineteen ninety. That was the plan.
- 34:09Speaker 2: You can't dwell on this kind of thing, but I
- 34:10Speaker 2: can't help but wonder, like what would have happened if
- 34:14Speaker 2: Frank hadn't like gone public with everything, Like I wonder
- 34:17Speaker 2: what would the trajectory have been? Oh, well, you know
- 34:23Speaker 2: if the world hadn't found out Well.
- 34:26Speaker 3: The thing is, you know, on that tour I told
- 34:29Speaker 3: you about the one hundred and SEVENTYY tour. In the
- 34:31Speaker 3: eight month we had it, we put a studio in
- 34:34Speaker 3: the bus because we had about between forty and fifty
- 34:37Speaker 3: people working for us, so we had five buses and
- 34:41Speaker 3: we put a studio equipment in the back of the bus.
- 34:44Speaker 3: And then we would be working after the show, making
- 34:48Speaker 3: some music, experimenting the process that started. You know, we
- 34:52Speaker 3: had the band, We're like, okay, we don't do something,
- 34:55Speaker 3: you know, and so you know, the musicians would come
- 34:57Speaker 3: on board, would work, stop, you go back to your bus,
- 35:01Speaker 3: go to sleep, and I was kind of like a
- 35:03Speaker 3: routine and I loved it. That was like, Wow, that's
- 35:08Speaker 3: the life I always wanted. But you know it was
- 35:11Speaker 3: weird because we were performing in front of thousands but
- 35:15Speaker 3: not singing, and then you're in the back of the
- 35:18Speaker 3: bus making music and I'm like, oh, I wish I
- 35:20Speaker 3: could share tonight. I wish I could share that tonight
- 35:23Speaker 3: at the gig, but you can't. Yeah, it's true. Was
- 35:28Speaker 3: it was crazy, but you know, until now, I've only
- 35:33Speaker 3: you know, I told the story. You know, it's been
- 35:35Speaker 3: a dog, it's been a movie, it's been interviews. But
- 35:38Speaker 3: with the book, and it's titled you know it's true.
- 35:45Speaker 3: So people can go and register a you know, it's
- 35:47Speaker 3: through dot com and then we'll keep you posted with
- 35:50Speaker 3: the schedule. It's going to be an audio book as well.
- 35:53Speaker 3: And you know, finally I can, I can share everything
- 36:00Speaker 3: and they don't know what to expect. And that's the
- 36:05Speaker 3: beauty with this book, you know. But it had to
- 36:07Speaker 3: be done also for me. I had to free myself
- 36:10Speaker 3: from from many things, you know, because you don't go
- 36:13Speaker 3: through something like this, and and you don't, you don't
- 36:18Speaker 3: walk away intact. You know you will be you will
- 36:21Speaker 3: when you crash, you crash and burn. But I'm lucky
- 36:24Speaker 3: it didn burn to crisp and I was able to
- 36:27Speaker 3: rise from my ashes and and move on. I'm not
- 36:30Speaker 3: I'm not saying I'm the phoenix. I'm just saying I
- 36:33Speaker 3: was able to rise above and fly away from the
- 36:36Speaker 3: madness and everything that was holding me down. Because you know,
- 36:41Speaker 3: people can be mean on the wreay down the jokes,
- 36:45Speaker 3: the bullying and what it feels like. But after a while,
- 36:50Speaker 3: when you acquire emotional intelligence and realize that it's not
- 36:53Speaker 3: about you, people have issues and you know you trigger
- 36:57Speaker 3: something to them because people don't have to be so mean.
- 37:00Speaker 3: I didn't kill nobody. We didn't kiel nobody, you know,
- 37:04Speaker 3: and some people have done way worse. Oh yeah that
- 37:08Speaker 3: were treated that were treated. Yeah, that is bad, really
- 37:12Speaker 3: damn Like why us, you know, And I'm still to
- 37:15Speaker 3: this day wondering like what was the reason behind behind that?
- 37:21Speaker 3: Like why.
- 37:23Speaker 2: It's it's I know, it's so frustrating to think about.
- 37:28Speaker 2: But you know, you talk about the movie girl, you know,
- 37:30Speaker 2: it's true, it's streaming on Peacock. What was it like,
- 37:35Speaker 2: how involved were you in the process of that movie
- 37:38Speaker 2: being made and what was like seeing your life be
- 37:40Speaker 2: turned to a movie.
- 37:41Speaker 3: Well, well, I was. I was a consultant, you know,
- 37:44Speaker 3: and you know I I I felt like, just like
- 37:48Speaker 3: the documentary, when they came to me, I said, hey,
- 37:52Speaker 3: they said, we want to tell you a story. But
- 37:54Speaker 3: I knew that there were many other people that they
- 37:56Speaker 3: were going to talk to. I sound cool with that.
- 37:59Speaker 3: You go ahead, because I know it's going to line
- 38:01Speaker 3: up perfectly. I let him do it. I was a
- 38:04Speaker 3: consultant in the movie, same thing. They talked to a
- 38:06Speaker 3: lot of people. The guy who didn't summon fore Hoofa
- 38:09Speaker 3: was a fan, met me when he was eighteen years
- 38:11Speaker 3: old in Pim's where we were kind of discovered, and
- 38:16Speaker 3: he never forgot that image. He soaked it in like
- 38:19Speaker 3: a sponge. And the job is incredible, you know. But
- 38:25Speaker 3: I felt like he was passionate, and you know you
- 38:28Speaker 3: can you can fight passion, you know. And that's why
- 38:31Speaker 3: I'm saying I'm still here because of my passion for music,
- 38:36Speaker 3: my hunger for music, and music being a medium through
- 38:39Speaker 3: which I can express myself. Most so when the movie,
- 38:43Speaker 3: when when I saw the actors, I was like, oh,
- 38:45Speaker 3: that looked good. I didn't full I didn't fully see
- 38:48Speaker 3: them in full gear, but at the end because I
- 38:52Speaker 3: watched a movie on the computer at first, and I
- 38:55Speaker 3: watched it at a premiere because I didn't want to
- 38:58Speaker 3: it's too close to too home, you know. So when
- 39:01Speaker 3: I watched it at the premiere. Everyone was laughing at
- 39:04Speaker 3: the same time. Everyone moved in their chair when it
- 39:10Speaker 3: became uncomfortable you know, in the movie and it's a
- 39:12Speaker 3: little awkward, like people stopped to move and you know,
- 39:16Speaker 3: some people cry, and it was on cute. I was like, wow,
- 39:20Speaker 3: they all react in the same way, whether it was
- 39:23Speaker 3: in Bavaria with different type of people to browl in
- 39:27Speaker 3: and I felt like, I think and it made me
- 39:31Speaker 3: a few times my throat kind of like got tight.
- 39:35Speaker 3: And I watched I watched Elon and t John and
- 39:38Speaker 3: they really reincarnated Robin the fab They really embodied us
- 39:44Speaker 3: and the dynamic between the two characters. It was. It
- 39:47Speaker 3: was very interesting to watch. And Tessa, my partner, she
- 39:52Speaker 3: she knocked. He was like, wow, looks like you there.
- 39:56Speaker 3: I was like, yes, it looked crazy right man, Like wow,
- 40:00Speaker 3: you know, the makeup, the eyebrows, like the pitness of
- 40:03Speaker 3: the hair, the jacket, and you know, I'm really happy
- 40:07Speaker 3: that when I after the movie, people were sharing and
- 40:11Speaker 3: then you go to the stage, I'm glad that I
- 40:13Speaker 3: didn't have to go with the cane or you know
- 40:16Speaker 3: like slow pos you know slow, you know, like you
- 40:19Speaker 3: know seventy year old. A seventy year old now like
- 40:24Speaker 3: finally my story was still thank you. I'm still glad
- 40:28Speaker 3: that I'm still you know, vital, and I'm coming to
- 40:33Speaker 3: America more and more. You know. I was in Canada,
- 40:36Speaker 3: did a tour for like, I did a two week tour.
- 40:38Speaker 3: We did about eight shows. It went very well. I'm
- 40:42Speaker 3: going to Columbia. I'm going to Miami at the hard
- 40:47Speaker 3: Rock in Hollywood, Miami, you know, the seventeenth. I believe so.
- 40:54Speaker 3: And I've been touring in Europe for some time, but
- 40:58Speaker 3: it was slow. It was, you know, not sortay with
- 41:02Speaker 3: little shows, more shows, more shows, more shows are down.
- 41:05Speaker 3: Everything that's happening, it's taking place now. The phone is ringing.
- 41:08Speaker 3: Now people are like, oh, we would like to are
- 41:12Speaker 3: you going to do the hits? Of course, you know,
- 41:14Speaker 3: so I perform. I have a band as well. But
- 41:16Speaker 3: COVID kind of like halted everything that was happening. But
- 41:23Speaker 3: it's okay. My twins came and went back to the
- 41:26Speaker 3: drawing board and uh, step bast step again. We had
- 41:29Speaker 3: to rebuild, you know. So I'm glad I'm still here.
- 41:32Speaker 3: The best is yet to come. I've also I don't
- 41:35Speaker 3: know if you know that because I wanted to. I
- 41:38Speaker 3: wanted to send you that, but I think I forgot
- 41:40Speaker 3: it was so busy. I wanted to send you, Girn
- 41:43Speaker 3: who is true the remix that I did for Sony
- 41:46Speaker 3: Music and blame it on the Rain Acoustic. I think
- 41:49Speaker 3: you should play that for your audience.
- 41:51Speaker 1: Yes, definitely.
- 41:53Speaker 3: I think you get to take a look at that.
- 41:56Speaker 3: You know, if you if you need to get your
- 41:58Speaker 3: hands on it, just ask my team and my team
- 42:00Speaker 3: will send it to you. But you can't go straight
- 42:02Speaker 3: to any music platform fab More van Boom on old
- 42:07Speaker 3: platform fab More Evan go check it out and then
- 42:10Speaker 3: you'd be the judge. I flipped it too. That's a surprise.
- 42:14Speaker 1: Oh my god.
- 42:15Speaker 2: So it's blame it all the Rain Acoustic. You got
- 42:17Speaker 2: to hear a girl you know it's true FABS remix.
- 42:20Speaker 2: It's uh, you got everyone listening listen to it right now.
- 42:24Speaker 2: But before I let you go, this is so this
- 42:26Speaker 2: is a Gilmore Girls podcast. And the reference that Milli
- 42:30Speaker 2: Vanilli has in the show, I think it's really is
- 42:33Speaker 2: really cool because it's you know, if you hear about
- 42:36Speaker 2: a show like talking about Millie Vanilli or something like that,
- 42:38Speaker 2: you're gonna assume it's like a lip syncing thing. But
- 42:41Speaker 2: in Gilmore Girls, there's a band performing and a guy
- 42:44Speaker 2: is talking about like, Oh, you're gonna need to make
- 42:46Speaker 2: room because I'm gonna do a jump off the amp
- 42:48Speaker 2: and do a kick here, and then another band member
- 42:50Speaker 2: says that sends a little too Milli Vanilly for me.
- 42:53Speaker 2: So it's like million Vanilli are great performers. They put
- 42:57Speaker 2: on a great show, and that's that's like the reference there.
- 43:01Speaker 2: And I think that's incredible thing because that's that's what
- 43:04Speaker 2: we love, boy Millie Vanille.
- 43:05Speaker 3: But let me tell you, you know, you as an artist,
- 43:07Speaker 3: you have to study the game. You have study the
- 43:09Speaker 3: ones who came before you. So I have a story
- 43:11Speaker 3: for you. You know the kick, The kick you know
- 43:15Speaker 3: came from I saw David ly Rough and I was
- 43:18Speaker 3: a big fan of any Allen and I was like, wow,
- 43:22Speaker 3: that looks cool. It was a dancer. So it's like
- 43:23Speaker 3: no issues for me, boom, So I kept put it
- 43:27Speaker 3: on my show until I met David in La at
- 43:35Speaker 3: the Rocks Bay. It was like, I love you guys.
- 43:38Speaker 3: I love the way you move. I was like, yeah, well,
- 43:43Speaker 3: I think you had something to do with that, you know,
- 43:45Speaker 3: so that that was that was for me. I was
- 43:48Speaker 3: super cool to to run into him, you know. So
- 43:51Speaker 3: I ran into a lot of people in Hollywood, but
- 43:53Speaker 3: David was was a guy that had so much power
- 43:57Speaker 3: on stage and the music was amazing. So yeah, those
- 44:01Speaker 3: are the things, you know, you study the greats, and
- 44:04Speaker 3: that's what I'll keep on doing. And eventually I hope
- 44:08Speaker 3: that my music can have the same the same type
- 44:11Speaker 3: of effect on people that are taking and listen to
- 44:15Speaker 3: what I do. So to be continued, dot dot It's
- 44:19Speaker 3: just the beginning, though, watch.
- 44:23Speaker 2: So much more to come from fab More Event. Thank
- 44:25Speaker 2: you so much for doing this. You're the coolest guy
- 44:28Speaker 2: in the world. We appreciate this so much and thank
- 44:30Speaker 2: you again. Everybody be on the lookout for you know,
- 44:33Speaker 2: it's true. The fab More Event story, the autobiography coming soon.
- 44:36Speaker 3: Thank you that coming. You know it's true. Dot Com.
- 44:40Speaker 1: You know it's true, dot Com, write it down. Thanks again, man,
- 44:43Speaker 1: Thank you the beginning of time.
- 44:44Speaker 3: It was great to talk to you and to you know,
- 44:47Speaker 3: I know that people are listening right now, and my
- 44:51Speaker 3: last thing I'd like to add is listen to yourself
- 44:55Speaker 3: and it's never too late. As long as you keep
- 44:59Speaker 3: on focusing making sure that your health mental, physical is
- 45:03Speaker 3: in balance, you can achieve anything. Just believe in yourself
- 45:07Speaker 3: and listen to the noise. Put the noise to zero
- 45:11Speaker 3: and then listen to yourself. Manifest, meditate and do what
- 45:16Speaker 3: you've got to do for yourself.
- 45:17Speaker 1: I love it.
- 45:18Speaker 2: Thank you so much, FIB, You're the absolute best. I
- 45:20Speaker 2: hope it's a great rest of your night.
- 45:21Speaker 3: With pleasure loving team.
- 45:51Speaker 1: Hey, everybody, don't forget.
- 45:52Speaker 2: Follow us on Instagram at I Am all In podcast
- 45:56Speaker 2: and email us at Gilmore at iHeart radio dot com.