Latest / Movie Meltdown / 197: Stay Away from the Pipe

Transcript

197: Stay Away from the Pipe · Movie Meltdown

• 0:03
  Speaker 1: Hey, Creeper fans out there.
• 0:07
  Speaker 2: This is Jonathan Breck, and you are listening to Movie Meltdown.
• 0:35
  Speaker 3: Good evening.
• 0:37
  Speaker 4: The following feature has been rated R by the Motion
• 0:40
  Speaker 4: Picture Association of America.
• 0:42
  Speaker 5: It is intended for mature audiences and parental discretion is advised.
• 0:47
  Speaker 6: Our nuclear reactor pumping out one million kilowatts of power.
• 1:17
  Speaker 7: What's up and welcome to Movie Meltdown.
• 1:19
  Speaker 1: I'm Brian.
• 1:20
  Speaker 3: I'm Lucy.
• 1:20
  Speaker 4: I'm Misty.
• 1:21
  Speaker 8: And I'm Jake.
• 1:47
  Speaker 1: And happy Halloween. This is the, what are we saying now?
• 1:52
  Speaker 1: Third annual Halloween? Fourth annual Halloween.
• 1:56
  Speaker 9: I don't know.
• 1:57
  Speaker 1: Let's see. Wait, we have to do the movies. I
• 1:59
  Speaker 1: think this is the fourth. We did Trick or Treat.
• 2:02
  Speaker 9: I love that movie.
• 2:03
  Speaker 1: We should do that one again. Halloween 3 and then
• 2:07
  Speaker 1: Trick or Treat. So, yes, this would be the fourth
• 2:10
  Speaker 1: annual Halloween extravaganza. I don't know. What do we want
• 2:14
  Speaker 1: to call this thing?
• 2:15
  Speaker 9: Hoopla. That's what I'm going with today.
• 2:17
  Speaker 6: A hootenanny.
• 2:18
  Speaker 9: A hootenanny.
• 2:20
  Speaker 1: And as you've already asked, it can't be a Halloween
• 2:22
  Speaker 1: episode without... Candy! I don't know if everyone will be happy.
• 2:26
  Speaker 1: I know a certain person won't.
• 2:28
  Speaker 5: Be, but.
• 2:29
  Speaker 1: Misty probably will be.
• 2:30
  Speaker 9: What's we got in?
• 2:32
  Speaker 1: That's probably for the best.
• 2:33
  Speaker 10: What is it? What is it?
• 2:34
  Speaker 8: What is it?
• 2:36
  Speaker 1: Candy corn.
• 2:36
  Speaker 9: Hells yeah, candy corn. Is there any mallard pumpkins?
• 2:40
  Speaker 1: No, because I didn't want those.
• 2:42
  Speaker 9: I love mallard pumpkins.
• 2:43
  Speaker 1: But wait, there's flavors.
• 2:45
  Speaker 9: Those are gross.
• 2:46
  Speaker 1: Caramel and apple and original recipe.
• 2:49
  Speaker 9: The caramel apple ones are gross, dude.
• 2:51
  Speaker 1: Too bad.
• 2:53
  Speaker 9: Here, hold this so I can open this.
• 2:56
  Speaker 2: So no candy corn Oreos for me?
• 2:59
  Speaker 1: I gave you the option to pick a candy that
• 3:02
  Speaker 1: was okay with your food sensibilities.
• 3:07
  Speaker 2: I'm just a crazy vegan people.
• 3:10
  Speaker 7: The candy corn Oreos don't taste like candy corn.
• 3:13
  Speaker 1: They're very disappointing. I was like, candy corn's like plastic anyway, right?
• 3:17
  Speaker 1: Wax at best. I don't know why they need to
• 3:21
  Speaker 1: use eggs to make plastic anyway.
• 3:24
  Speaker 9: These are not fantastic.
• 3:26
  Speaker 7: Wow.
• 3:27
  Speaker 2: Somebody gave me a recipe for vegan candy corn, which
• 3:29
  Speaker 2: seemed really complicated and a lot of effort to create
• 3:33
  Speaker 2: something that historically tastes terrible.
• 3:36
  Speaker 1: What the hell you say?
• 3:37
  Speaker 2: Even when done right.
• 3:38
  Speaker 9: Candy corn is fucking awesome. I love the mallard cream pumpkin.
• 3:43
  Speaker 9: Give me that goddamn microphone. Those are the reasons I
• 3:46
  Speaker 9: look forward to every year. That's why I keep on
• 3:48
  Speaker 9: going with my life. I love the little mallard cream...
• 3:50
  Speaker 9: You know the little pumpkins?
• 3:53
  Speaker 1: I was going to get them, but I wanted to
• 3:54
  Speaker 1: try the flavors. They come with the autumn mix. Yeah.
• 3:57
  Speaker 9: You can buy bags of that shit all by themselves.
• 3:59
  Speaker 9: Let me tell you, they're fucking little... little bites of
• 4:01
  Speaker 9: heaven if I wasn't an atheist they're fucking delicious they're
• 4:06
  Speaker 9: little they're like candy corn but like bigger and pumpkin
• 4:10
  Speaker 9: shaped and you can eat a whole pumpkin and you
• 4:12
  Speaker 9: can pretend you're a giant and be like I'm eating
• 4:14
  Speaker 9: a whole pumpkin I'm sure everybody does that I do
• 4:19
  Speaker 9: it's like part of me wants to like try to
• 4:20
  Speaker 9: carve one but I know that would be way too
• 4:22
  Speaker 9: fucking hard and I just give up and eat it
• 4:26
  Speaker 9: you're special I am special did you get original recipe
• 4:30
  Speaker 9: open no yeah They have a tear spot here.
• 4:33
  Speaker 7: Yeah.
• 4:34
  Speaker 9: No, you're doing it wrong.
• 4:35
  Speaker 1: Can't I just slash things with the blade?
• 4:37
  Speaker 10: No.
• 4:37
  Speaker 7: You're doing it wrong.
• 4:38
  Speaker 9: You've got to follow the rules.
• 4:40
  Speaker 1: I slashed that one too bad.
• 4:41
  Speaker 7: No, hijacking the.
• 4:43
  Speaker 9: You know what this towel's for.
• 4:45
  Speaker 4: What?
• 4:45
  Speaker 1: Oh, the.
• 4:47
  Speaker 6: Thanks.
• 4:48
  Speaker 1: This, too, is a Halloween tradition. Misty using her candy
• 4:51
  Speaker 1: corn to make teeth out of it.
• 4:54
  Speaker 2: Okay, that's actually kind of adorable.
• 4:56
  Speaker 9: Hold on, hold on. Do you have a variation?
• 4:59
  Speaker 1: The werewolf version.
• 5:01
  Speaker 9: Yep. Do you need the vampire option as well?
• 5:14
  Speaker 1: I'm having original recipe now.
• 5:15
  Speaker 9: What was your take on the other varieties?
• 5:18
  Speaker 5: I don't know.
• 5:19
  Speaker 1: They all taste like wax. What do you want?
• 5:21
  Speaker 5: I do not.
• 5:22
  Speaker 1: I like them, but it tastes like wax. And, Lucy,
• 5:28
  Speaker 1: you were supposed to bring your Gobstoppers, which I said
• 5:30
  Speaker 1: were not Halloween candy at all.
• 5:32
  Speaker 9: Okay, I.
• 5:32
  Speaker 2: Honestly, I didn't understand the concept. This is my first
• 5:36
  Speaker 2: Halloween show. I thought that the candy was for watching
• 5:39
  Speaker 2: the Halloween movie. That made sense to me. That was
• 5:41
  Speaker 2: a concept I could wrap my head around. I didn't know.
• 5:44
  Speaker 9: Do we do things logically?
• 5:46
  Speaker 1: Never on this show. So, yeah.
• 5:48
  Speaker 9: So you ate all your candy when you watched the movie?
• 5:50
  Speaker 2: Well, again, actually I failed in that capacity also. Instead,
• 5:54
  Speaker 2: I was like, actually maybe a glass of wine would
• 5:57
  Speaker 2: be better with this movie. And so I went that route.
• 5:59
  Speaker 5: Gosh.
• 6:01
  Speaker 2: No, it was just somebody that knew I had to
• 6:02
  Speaker 2: make it through Jeepers Creepers again.
• 6:03
  Speaker 9: Was it candy corn flavored wine? Did they make candy
• 6:06
  Speaker 9: corn flavored wine?
• 6:07
  Speaker 4: I would think they probably do at this point.
• 6:09
  Speaker 9: They made candy corn flavored Jones Soda, and that was nasty.
• 6:13
  Speaker 9: And I still have some in my cabinet from like,
• 6:14
  Speaker 9: how many years ago did.
• 6:15
  Speaker 3: You buy that?
• 6:16
  Speaker 1: I don't know, five, six, eight. I can't remember.
• 6:19
  Speaker 9: It's closer to eight or nine.
• 6:21
  Speaker 1: Probably.
• 6:21
  Speaker 9: Nasty.
• 6:24
  Speaker 1: I drank it. I still have one of those in
• 6:26
  Speaker 1: the can, and I still have a black cat licorice
• 6:29
  Speaker 1: version of it. Whatever that one was. I think they did.
• 6:32
  Speaker 1: I think that's what they titled that one. That was
• 6:35
  Speaker 1: pretty good if you like licorice, but I'm usually the
• 6:37
  Speaker 1: only one in the world that likes black licorice.
• 6:39
  Speaker 9: Because they're gross.
• 6:41
  Speaker 1: No, I'm right. It's awesome.
• 6:44
  Speaker 3: All right.
• 6:45
  Speaker 9: Yeah, the caramel apple is not very fantastic. I mean,
• 6:48
  Speaker 9: it's better than the caramel. The caramel's funky.
• 6:51
  Speaker 1: So, do you want to use this as an excuse
• 6:53
  Speaker 1: to discuss your favorite of Halloween activities, which is finding
• 6:57
  Speaker 1: Halloween-themed foods?
• 6:59
  Speaker 9: I guess we could discuss that. What was it this year?
• 7:01
  Speaker 9: Was it the Oreos? Is that what we're going to
• 7:03
  Speaker 9: talk about?
• 7:04
  Speaker 1: There's many things. Yeah, go for the Oreos if you're
• 7:07
  Speaker 1: up for it.
• 7:07
  Speaker 9: I was very disappointed.
• 7:08
  Speaker 1: You specialize in the specific foods for Halloween.
• 7:11
  Speaker 9: Well, we could talk about my favorite, which is the
• 7:13
  Speaker 9: caramel apple milkshakes that they have at Steak and Shake.
• 7:16
  Speaker 1: How many are you up to now?
• 7:18
  Speaker 9: I only have, what, five or six?
• 7:19
  Speaker 7: Yeah, we didn't go this week.
• 7:22
  Speaker 1: Last time I saw you, you were like, I've had
• 7:23
  Speaker 1: three this week.
• 7:25
  Speaker 9: That was the first week.
• 7:26
  Speaker 7: Well, we did go this week. Remember the.
• 7:28
  Speaker 1: We went on Saturday.
• 7:29
  Speaker 7: Yeah, the guy didn't get.
• 7:32
  Speaker 4: Our order in in time.
• 7:35
  Speaker 6: Asshole.
• 7:36
  Speaker 1: He forgot it.
• 7:37
  Speaker 4: And then he put whipped cream on it.
• 7:38
  Speaker 9: I specifically said no whipped cream, no cherry. But, I
• 7:42
  Speaker 9: don't know, was there something else?
• 7:44
  Speaker 2: Ooh.
• 7:46
  Speaker 9: I got Count Chocula cereal bars. I'm so excited.
• 7:51
  Speaker 1: I just saw the picture of it online. I'd eat those.
• 7:54
  Speaker 6: Oh, yeah.
• 7:54
  Speaker 9: Because I was very disappointed last year because they had
• 7:57
  Speaker 9: the Boo-Berry Fruit Roll-Ups. And then they had Franken-Berry Fruit Roll-Ups.
• 8:03
  Speaker 9: And I'm like, yeah, I kind of understand not making
• 8:05
  Speaker 9: a Count Chocolate Fruit Roll-Up because that would be just nasty.
• 8:08
  Speaker 1: Chocolate leather.
• 8:09
  Speaker 9: But they didn't do anything. But this year, they fucking
• 8:12
  Speaker 9: lived up to it. And they got some Count Chocolate
• 8:15
  Speaker 9: cereal balls. And I'm pretty damn excited about them cereal bars.
• 8:19
  Speaker 7: Yeah.
• 8:21
  Speaker 9: What else did I find that was awesome? The Oreos
• 8:24
  Speaker 9: were kind of disappointing. The Candy Corn Oreos. It did
• 8:28
  Speaker 9: not taste like candy corn.
• 8:30
  Speaker 7: They rank right up there with the birthday cake Oreos.
• 8:33
  Speaker 9: The birthday cake ones were just ass nasty, and I
• 8:35
  Speaker 9: didn't even finish that entire pack. They got thrown in
• 8:37
  Speaker 9: the garbage. I might make it through the candy corn ones.
• 8:40
  Speaker 7: I like the numinos better.
• 8:42
  Speaker 9: The numinos were nasty, too.
• 8:43
  Speaker 4: I like them.
• 8:44
  Speaker 9: You're weird.
• 8:44
  Speaker 7: I like Paul Newman.
• 8:45
  Speaker 9: I did too, but he still wore cookies.
• 8:47
  Speaker 7: I'll eat two or three bags of his cookies.
• 8:49
  Speaker 1: They were pretty good, actually. Yeah, I got his knockoff Oreos,
• 8:53
  Speaker 1: and I expected them to be kind of lame just
• 8:55
  Speaker 1: because they were knockoffs.
• 8:56
  Speaker 7: They don't have enough sugar in them.
• 8:58
  Speaker 1: No, they're pretty close to me.
• 9:00
  Speaker 9: No, they're nowhere near. If you like them so damn much,
• 9:02
  Speaker 9: why is there still two bags in the cabinet?
• 9:04
  Speaker 7: Because you know me. I forget there's food in there,
• 9:06
  Speaker 7: and I forget to eat.
• 9:08
  Speaker 1: I needed to be in sight. That whole out-of-sight thing
• 9:11
  Speaker 1: is true.
• 9:12
  Speaker 7: It's like, oh, shit, I don't have any. And then
• 9:14
  Speaker 7: I opened the cabinet, and I was like, oh, my God,
• 9:16
  Speaker 7: I've got this.
• 9:16
  Speaker 9: It's like peek-a-boo. Where'd Misty go?
• 9:19
  Speaker 2: Oh, there she is. That's exactly the opposite of how
• 9:21
  Speaker 2: my mind works. If there's something in the cabinet, that's
• 9:23
  Speaker 2: all I'm going to think about. It's like all of
• 9:25
  Speaker 2: a sudden I have x-ray vision, and I know it's there.
• 9:28
  Speaker 2: That's why I can't buy food to have in my house.
• 9:30
  Speaker 1: Well, there wasn't any there when I saw it. But,
• 9:35
  Speaker 1: let's see, what else? Yeah, I tried one of the
• 9:38
  Speaker 1: candy corn Oreos at Bo's drive-in party, which was pretty awesome.
• 9:41
  Speaker 1: Aren't they disappointing? Yeah, I was just kind of like, well,
• 9:44
  Speaker 1: first of all, it's one of the weird white vanilla cookies. Yeah,
• 9:48
  Speaker 1: that's never good. That's not a good option anyway. And
• 9:50
  Speaker 1: then I was just like, well, it's all right, but
• 9:52
  Speaker 1: it doesn't really taste like candy corn.
• 9:54
  Speaker 9: It's got the same colors on the inside. I mean,
• 9:57
  Speaker 9: the inside's got like the, well, it's got the yellow inside.
• 10:00
  Speaker 9: the orange. There's no white on the inside because it's
• 10:01
  Speaker 9: got like a white cookie.
• 10:02
  Speaker 1: But still, I was very disappointed. We have, yeah, we've
• 10:07
  Speaker 1: gone with candy corn on this option. So we have
• 10:10
  Speaker 1: original recipe. This one is caramel apple. And this one's
• 10:18
  Speaker 1: just caramel. Which is not bad, actually.
• 10:21
  Speaker 9: I was very disturbed by the caramel. I'm going to
• 10:24
  Speaker 9: eat this whole damn bag of candy corn.
• 10:26
  Speaker 1: It happens every year.
• 10:27
  Speaker 9: I was still eating my candy corn from last year.
• 10:29
  Speaker 9: I was so excited I found it in the back
• 10:31
  Speaker 9: of the cabinet. I was cleaning it out. And this
• 10:33
  Speaker 9: was like two weeks before they had Halloween candy in
• 10:36
  Speaker 9: the store. And I was cleaning out the cabinet. And
• 10:39
  Speaker 9: I was like, what the hell is this garbage? I
• 10:40
  Speaker 9: don't know. Something had expired. I'm like, I don't need this.
• 10:43
  Speaker 9: I was like, holy shit, I got candy corn back here.
• 10:46
  Speaker 2: Let's cut this bitch open.
• 10:49
  Speaker 1: Thank God it never goes bad because it's candy corn.
• 10:51
  Speaker 9: And it was the autumn mix, so it had the
• 10:53
  Speaker 9: mallard cream pumpkins, and I was hella excited. Happy dances
• 10:56
  Speaker 9: were done all around.
• 10:58
  Speaker 1: Well, what about the previously posted, if you're on our
• 11:01
  Speaker 1: Facebook page, which you should be anyway, yeah, I posted
• 11:04
  Speaker 1: on my page the Cadbury Halloween mix with green goo.
• 11:10
  Speaker 9: Those things are nasty.
• 11:11
  Speaker 1: Have you not seen those?
• 11:14
  Speaker 9: You know the Cadbury cream eggs, which are just disgusting
• 11:16
  Speaker 9: and creepy to begin with.
• 11:17
  Speaker 7: It's like somebody blew their snotty-ass nose inside of a
• 11:20
  Speaker 7: damn chocolate egg.
• 11:22
  Speaker 1: But I was like, if I'm going to bother to
• 11:23
  Speaker 1: take a picture of it and make fun of it,
• 11:25
  Speaker 1: I'm going to have to eat it. I'm not one
• 11:27
  Speaker 1: of those people that talks shit and then doesn't have
• 11:28
  Speaker 1: any idea what it is. I'm like, I'm going to
• 11:30
  Speaker 1: eat one. Yep. Well, I mean, it tastes like a
• 11:34
  Speaker 1: Cadbury cream egg. So those are, like, there's no middle
• 11:37
  Speaker 1: ground on that. You either love those in a weird,
• 11:40
  Speaker 1: weird way. Or you're kind of like, those are gross.
• 11:43
  Speaker 1: I don't want anything to do with them. I'm one
• 11:44
  Speaker 1: of the few that can just kind of eat it.
• 11:46
  Speaker 1: I can take them or leave them. And really, I'd
• 11:48
  Speaker 1: rather leave them because they're kind of gross. But like
• 11:50
  Speaker 1: every few years, I have to have one to remind
• 11:52
  Speaker 1: myself what those weird things taste like.
• 11:54
  Speaker 9: They're nasty.
• 11:55
  Speaker 1: So this was my excuse, the green slime inside. And
• 11:58
  Speaker 1: the green does not make it more appetizing, I'll say.
• 12:01
  Speaker 4: Yeah.
• 12:02
  Speaker 9: Yeah, I've never been a big fan of those.
• 12:05
  Speaker 1: And as somebody pointed out on the page, they're like,
• 12:08
  Speaker 1: it doesn't even make sense. It's an egg. Why the
• 12:10
  Speaker 1: hell is it at Halloween? So I still like my idea.
• 12:14
  Speaker 1: The tie-in should be only with the officially licensed alien
• 12:19
  Speaker 1: tie-in egg. And then it would be green. Then it
• 12:22
  Speaker 1: would make sense. And I still want some sort of... Actually,
• 12:25
  Speaker 1: we were going back and forth. I originally said sweet
• 12:27
  Speaker 1: tart as a little face hugger inside of every egg.
• 12:30
  Speaker 9: They would get wet and they'd get soggy. Okay.
• 12:32
  Speaker 1: Then Jay said gummy. I said it might eat away
• 12:36
  Speaker 1: at the gumminess. So the option someone else mentioned the
• 12:39
  Speaker 1: other day was it should be made out of M
• 12:42
  Speaker 1: & M stuff. It could have the hard shell to
• 12:44
  Speaker 1: protect it, and then you'd have chocolate inside. They win.
• 12:47
  Speaker 1: That's the way to go with it. It should be.
• 12:49
  Speaker 1: Whether or not you can get an officially licensed M
• 12:51
  Speaker 1: & M tie-in, I don't think you can. Probably not.
• 12:53
  Speaker 1: But you can do your knockoff M & M stuff.
• 12:55
  Speaker 9: Yeah.
• 12:56
  Speaker 1: That's the way it should go. Green goo. chocolate M
• 12:59
  Speaker 1: & M like facehugger.
• 13:00
  Speaker 9: I don't know. I think the gooey stuff inside would
• 13:03
  Speaker 9: eventually go through the layer of M & M.
• 13:04
  Speaker 1: Probably because it's not made to be ingested probably.
• 13:08
  Speaker 9: I do like the Cadbury mini eggs though. I ain't
• 13:10
  Speaker 9: gonna lie. I wish they'd bring those out for Halloween.
• 13:13
  Speaker 9: I'd eat the hell out of those. They'd have them
• 13:14
  Speaker 9: at Christmas.
• 13:15
  Speaker 1: It would make about as much sense.
• 13:17
  Speaker 9: Cadbury mini eggs are delicious.
• 13:19
  Speaker 1: Alright, any other Halloween food items? I thought we'd go
• 13:21
  Speaker 1: with our usual reminiscing about Halloween which usually means just
• 13:25
  Speaker 1: talking about food and candy.
• 13:27
  Speaker 9: Trying to think. Yeah, I don't got anything.
• 13:32
  Speaker 1: All right. Well, we can move on to our other
• 13:35
  Speaker 1: fun tie-in here. Not only is it our Halloween episode,
• 13:38
  Speaker 1: but this tie-in Halloween episode is coming to you live
• 13:42
  Speaker 1: from Scarefest. Technically, we're on the outskirts of Scarefest. We're
• 13:48
  Speaker 1: in our secret recording area. We're not going to tell
• 13:51
  Speaker 1: you where it is because we don't want anybody else
• 13:52
  Speaker 1: to steal it. We've used it two years now, and
• 13:55
  Speaker 1: so far, it's pretty awesome.
• 13:56
  Speaker 9: It's like our very own Batcave.
• 13:58
  Speaker 5: Yeah, yeah.
• 13:59
  Speaker 9: But with windows?
• 14:00
  Speaker 3: Shh, they don't know where.
• 14:02
  Speaker 1: They don't see us. They can't see us here.
• 14:04
  Speaker 3: We're hiding.
• 14:05
  Speaker 2: This year a table magically appeared, though.
• 14:07
  Speaker 1: Yeah, that's pretty handy. We kind of needed it. But
• 14:09
  Speaker 1: we didn't, yeah, last year we were hanging out on
• 14:10
  Speaker 1: the couch. So, yeah, it's a toss-up. But I like
• 14:13
  Speaker 1: the table. It's pretty handy, so. Do you want a
• 14:15
  Speaker 1: candy coin?
• 14:15
  Speaker 7: No, I don't like candy coins.
• 14:16
  Speaker 1: You're recording.
• 14:17
  Speaker 7: Whatever.
• 14:20
  Speaker 9: Okay.
• 14:20
  Speaker 1: So, let's see. Do you want to have a recap
• 14:23
  Speaker 1: of your scare fest so far today?
• 14:25
  Speaker 9: Carl was not in the fucking house.
• 14:27
  Speaker 1: I knew that was coming. I did see Carl.
• 14:30
  Speaker 9: Not in the fucking house.
• 14:30
  Speaker 1: He was not in the house.
• 14:31
  Speaker 9: He's tiny. I figured he'd be a little bit bigger
• 14:33
  Speaker 9: by now.
• 14:34
  Speaker 1: Yeah, it's a whole new season. I figured by now
• 14:36
  Speaker 1: he'd hit that weird, awkward teenage years.
• 14:38
  Speaker 2: The kid from Pet Sematary is not any bigger, so
• 14:40
  Speaker 2: why would he be?
• 14:41
  Speaker 5: Nice.
• 14:42
  Speaker 9: I didn't see him.
• 14:44
  Speaker 2: You might have looked over him.
• 14:46
  Speaker 9: Damn.
• 14:47
  Speaker 1: That was like a misty line. She's rubbing off on you.
• 14:50
  Speaker 1: It's really sad.
• 14:51
  Speaker 9: It's really sad because I've only met you like once.
• 14:56
  Speaker 1: So, let's see. What else have we done?
• 14:58
  Speaker 10: Wandered around.
• 14:59
  Speaker 1: I talked to lots of people.
• 15:01
  Speaker 9: I got free Skittles.
• 15:02
  Speaker 1: We can... That's your favorite part.
• 15:04
  Speaker 2: Again, candy.
• 15:05
  Speaker 1: It's all Halloween candy around here.
• 15:06
  Speaker 3: Two packages.
• 15:06
  Speaker 9: They were small ones, but they were still pretty good.
• 15:09
  Speaker 1: So, we can go through... I like Skittles. We don't
• 15:13
  Speaker 1: have Skittles.
• 15:14
  Speaker 9: There's no Halloween Skittles.
• 15:14
  Speaker 3: I know.
• 15:14
  Speaker 7: That's what sucks.
• 15:16
  Speaker 9: We're back to that guy. He seemed really nice. Maybe
• 15:18
  Speaker 9: he should do a little hand game with it. He'll
• 15:20
  Speaker 9: let you have some.
• 15:20
  Speaker 1: I don't want to do that. He wants too much
• 15:22
  Speaker 1: for his poster, too.
• 15:23
  Speaker 7: I ain't paying $ 250 for a goddamn poster for Rich.
• 15:26
  Speaker 1: I don't give a fuck if it's vintage or not.
• 15:28
  Speaker 1: If it's vintage, it sure does look new for vintage.
• 15:30
  Speaker 1: You need a reprint. That's what you need. Yeah, I know.
• 15:32
  Speaker 1: A $ 15 reprint.
• 15:33
  Speaker 7: That's what you need.
• 15:34
  Speaker 4: Get the hell.
• 15:37
  Speaker 3: Out of here.
• 15:37
  Speaker 1: So we can go through the rundown. I did actually
• 15:39
  Speaker 1: talk to a lot of cool people this weekend. I didn't.
• 15:43
  Speaker 1: You're antisocial.
• 15:44
  Speaker 9: I'll talk to you guys.
• 15:46
  Speaker 1: I'm surprised even that anymore.
• 15:47
  Speaker 9: And that one guy.
• 15:48
  Speaker 1: That one guy.
• 15:49
  Speaker 9: He gave me candy.
• 15:50
  Speaker 1: Yeah. You'll do just about anything for candy.
• 15:52
  Speaker 9: Damn, Skippy. They were Skittles, dude. It's not like he
• 15:56
  Speaker 9: was handing out fucking bubble gum or something. so let's
• 16:00
  Speaker 9: see those are the worst i'm sorry.
• 16:02
  Speaker 1: We we talked to a few i've got a few
• 16:03
  Speaker 1: that i can run through little little tiny we were
• 16:06
  Speaker 1: just sort of hitting people this year so we've got
• 16:08
  Speaker 1: a few that we're gonna come back to later um
• 16:12
  Speaker 1: yeah we're gonna come back to those later but of
• 16:14
  Speaker 1: the little snippets we've got here and there uh i
• 16:17
  Speaker 1: did talk to tony todd who's so awesome is awesome
• 16:21
  Speaker 1: and very cool and uh we're hoping to rope him
• 16:24
  Speaker 1: in for an episode down the line, because he is
• 16:26
  Speaker 1: really cool.
• 16:27
  Speaker 9: And he is not at all Ken Faree, even though
• 16:29
  Speaker 9: I keep getting him confused.
• 16:30
  Speaker 1: You are easily confused.
• 16:32
  Speaker 3: I am.
• 16:33
  Speaker 1: No, Tony Todd's awesome, and he's got the voice. Ken's
• 16:37
  Speaker 1: just crazy. But Tony Todd's voice is badass.
• 16:39
  Speaker 9: He traumatized me when I was a child.
• 16:41
  Speaker 1: Well, he should, because that movie's awesome.
• 16:43
  Speaker 9: I'm telling you, I totally made my grandma take down
• 16:45
  Speaker 9: all the mirrors in the bathroom because of Candyman. I
• 16:47
  Speaker 9: was petrified to go pee, so she had to take
• 16:50
  Speaker 9: the mirrors down. I love my grandma. She's awesome.
• 16:55
  Speaker 1: She is a sport to put up with you.
• 16:57
  Speaker 9: My grandma's the best.
• 16:58
  Speaker 1: That's pretty awesome. So yeah, Tony's got a couple of
• 17:01
  Speaker 1: things that he's working on. So we were going to
• 17:03
  Speaker 1: throw that out there and then let you guys hear
• 17:05
  Speaker 1: about what he's got in the works.
• 17:06
  Speaker 10: Oh, I love movies. That's why I do this. I
• 17:14
  Speaker 10: didn't just wake up and say, I want to make
• 17:16
  Speaker 10: a lot of money. No, I went, I got my
• 17:18
  Speaker 10: master's in theater and film studies. I mean, this is
• 17:21
  Speaker 10: my passion. And, you know, my first film was Splatoon.
• 17:24
  Speaker 10: So that entered really strong, and I've been working ever since.
• 17:29
  Speaker 10: I'll tell you about what's coming up, though.
• 17:31
  Speaker 1: Yeah, whatever you got coming?
• 17:32
  Speaker 10: We got Call of Duty Black Ops 2 coming, dropping
• 17:35
  Speaker 10: November 13th. I have a full character in that. I'm
• 17:38
  Speaker 10: the guy that sends everybody on the missions. And then
• 17:41
  Speaker 10: in January, there's a film called Sushi Girl. It's my
• 17:45
  Speaker 10: agent calling right now. Sushi Girl, which has Mark Hamill
• 17:48
  Speaker 10: in it.
• 17:50
  Speaker 1: But, yeah, actually we talked to Noah Hathaway last year,
• 17:53
  Speaker 1: and he was telling us about Sushi Girl.
• 17:55
  Speaker 10: The theatrical release on January 14th, or 4th, Phase 4.
• 17:59
  Speaker 10: I know your films. We're really happy about it. We
• 18:02
  Speaker 10: got a limited theatrical. So all the major cities, 12 cities,
• 18:07
  Speaker 10: I think. So it's going to be fantastic. You know,
• 18:10
  Speaker 10: and it's a good film. Noah is fantastic.
• 18:13
  Speaker 1: He's a good guy.
• 18:14
  Speaker 10: Good guy.
• 18:20
  Speaker 9: I'm going to sleep with him soon.
• 18:23
  Speaker 1: Okay, wait a minute. Whoa, this is a newsflash.
• 18:27
  Speaker 9: Dude, you were there. I got the pillowcase.
• 18:33
  Speaker 1: You're such a jerk.
• 18:35
  Speaker 9: I got a Battlestar Galactica pillowcase. And it's got Noah
• 18:39
  Speaker 9: Hathaway on it. Well, I bought it at the convention. Oh,
• 18:44
  Speaker 9: the flea market, dude.
• 18:45
  Speaker 1: The flea market. That's true.
• 18:47
  Speaker 9: So now that I've washed it like eight or ten times,
• 18:49
  Speaker 9: it might be deemed safe to actually use because I'm
• 18:51
  Speaker 9: like a mild germaphobe. So I'm like, I got to
• 18:54
  Speaker 9: wash it again.
• 18:55
  Speaker 1: You might just mount it on the wall. I don't know.
• 18:57
  Speaker 9: No, then I can't say that I slept with Noah Hathaway.
• 19:00
  Speaker 1: Are you going to take pictures and post them?
• 19:02
  Speaker 9: Jay's like, dude, you have to put a picture of
• 19:03
  Speaker 9: it and you have to say that and.
• 19:04
  Speaker 1: Tag Noah Hathaway. Tag him because he'll think it's awesome.
• 19:06
  Speaker 10: Yeah.
• 19:07
  Speaker 1: He's very cool. He is the coolest. It was cool
• 19:10
  Speaker 1: when we talked to Noah, and it was a nice
• 19:12
  Speaker 1: little tie-in because, yeah, we were hanging out with Tony
• 19:14
  Speaker 1: this weekend. Sushi girl. We've got to go find it now,
• 19:17
  Speaker 1: I guess. And let's see. Who else did we talk to?
• 19:22
  Speaker 9: Did you talk to E.T.
• 19:22
  Speaker 6: 's mom?
• 19:24
  Speaker 4: No.
• 19:24
  Speaker 9: Did you go pee with E.T.
• 19:24
  Speaker 6: 's mom? No.
• 19:26
  Speaker 1: Lucy had the chance. In this ongoing series of running
• 19:29
  Speaker 1: into celebrities in the bathroom, tell them about your exciting
• 19:33
  Speaker 1: almost opportunity.
• 19:35
  Speaker 2: It went a little like this. She was going into
• 19:38
  Speaker 2: the bathroom, and I said I could go in there too.
• 19:41
  Speaker 2: And that was pretty much the end of the story.
• 19:43
  Speaker 9: You could have been taking pictures over the stall, underneath
• 19:46
  Speaker 9: the stall.
• 19:46
  Speaker 2: We had so many opportunities for you to talk to her,
• 19:49
  Speaker 2: and you seem to think that she's harboring some sort
• 19:51
  Speaker 2: of personal vendetta and that it wasn't going to go over.
• 19:53
  Speaker 1: Well no I don't think she remembers me at all
• 19:56
  Speaker 1: but yeah I think last time I talked to her
• 19:57
  Speaker 1: she was just kind of annoyed which happens a lot.
• 20:01
  Speaker 2: It could have been a bad day this could have
• 20:03
  Speaker 2: been the magic day.
• 20:04
  Speaker 1: But we already asked her about a whole bunch of
• 20:05
  Speaker 1: stuff does she have like new stuff we need to
• 20:07
  Speaker 1: talk to her about Is there like a new Howling movie? Oh, wait,
• 20:10
  Speaker 1: there is. It's been five minutes. They've made another Howling movie.
• 20:14
  Speaker 9: It looks like it's going to be stupid.
• 20:15
  Speaker 1: I'm guessing she's not in that one, though, so it's
• 20:17
  Speaker 1: probably going to suck. Because her Howling movie is awesome.
• 20:21
  Speaker 9: And I know she's not E.T. 's mom, so I
• 20:22
  Speaker 9: don't want to get any hate mail saying.
• 20:24
  Speaker 1: She's not E.T.
• 20:25
  Speaker 9: 's mom.
• 20:26
  Speaker 1: That's a joke because we've made fun of people ever
• 20:28
  Speaker 1: since then because the last time we were here and
• 20:31
  Speaker 1: saw her, that was the passerby. Look, it's E.T.
• 20:34
  Speaker 9: 's mom. And I'm like, really? She gave birth to E.T.
• 20:37
  Speaker 1: I was like, I don't think you were watching the
• 20:39
  Speaker 1: movie real close. That's not how that went.
• 20:42
  Speaker 9: I mean, what is the one anybody calling? Oh, Misty's
• 20:45
  Speaker 9: an idiot. I get that anyways. But I don't want
• 20:48
  Speaker 9: to be called out for thinking that she was actually E.T.
• 20:50
  Speaker 8: 's mom.
• 20:50
  Speaker 1: And if the person passing by would have been, like,
• 20:53
  Speaker 1: geek savvy enough, technically they might have been making a
• 20:57
  Speaker 1: joke because I think that's how they refer to her
• 21:00
  Speaker 1: in Scream. Isn't that what the girl at the video
• 21:02
  Speaker 1: store says? What's the horror movie with E.T.
• 21:05
  Speaker 4: 's mom?
• 21:05
  Speaker 9: I don't remember.
• 21:06
  Speaker 1: So I think if they were cool enough, we would
• 21:08
  Speaker 1: have said, you know, oh, they were. But no, this
• 21:10
  Speaker 1: person just seemed like a yokel and they were just
• 21:12
  Speaker 1: kind of.
• 21:12
  Speaker 5: Yeah.
• 21:13
  Speaker 1: So we'll continue to make fun of them.
• 21:15
  Speaker 3: Somebody discovered our secret spot.
• 21:17
  Speaker 4: Get out.
• 21:18
  Speaker 9: They did, but they were very respectful about it.
• 21:20
  Speaker 11: They were very quiet.
• 21:21
  Speaker 1: They better be.
• 21:22
  Speaker 2: I think they might have been on route to a
• 21:23
  Speaker 2: secret spot.
• 21:25
  Speaker 1: Maybe we'll go see what they're up to later. So, yeah,
• 21:29
  Speaker 1: we talked to a few other people. I think most
• 21:31
  Speaker 1: of those we'll just save for future episodes. But the
• 21:34
  Speaker 1: one that I wanted to get to, mostly because he
• 21:36
  Speaker 1: was awesome, I did talk to Nicholas Vince, who, if
• 21:40
  Speaker 1: you know him, you know him from mostly Clive Barker's stuff,
• 21:44
  Speaker 1: if you're talking movies. He's in Hellraiser 1 and 2,
• 21:49
  Speaker 1: the good ones, and he's in Nightbreed. He's the chatterer.
• 21:53
  Speaker 1: In the Hellraiser movies. Yeah, so he's really cool, and
• 21:57
  Speaker 1: I was glad to get a chance to talk to him.
• 21:59
  Speaker 1: And he's got a lot of other stuff going on
• 22:02
  Speaker 1: now and since then. So we're going to talk to
• 22:03
  Speaker 1: him about the stuff he's got going on since this movie.
• 22:09
  Speaker 1: All right, so we're here with Nicholas Vince. So you're
• 22:12
  Speaker 1: in Nightbreed, and you're in both the first two Hellraiser movies.
• 22:16
  Speaker 1: I think we're going to cover those later down the
• 22:18
  Speaker 1: line on our show. But I guess, you know, you've
• 22:21
  Speaker 1: since then got a lot of other stuff going on.
• 22:23
  Speaker 1: So you are writing and you've done comics. So what?
• 22:26
  Speaker 6: Yes.
• 22:27
  Speaker 12: I mean, out of when we were doing Nightbreed, the
• 22:30
  Speaker 12: scene that's now gone back into the cabal cut where
• 22:34
  Speaker 12: Laurie and Bobby is singing in a nightclub. When we
• 22:38
  Speaker 12: filmed that, there were an awful lot of comics creators.
• 22:41
  Speaker 12: Neil Gaiman was there. John Bolton was there. And I
• 22:44
  Speaker 12: just kind of and I was there. hanging out with
• 22:47
  Speaker 12: these guys, and Clive introduced me. I started chatting to
• 22:50
  Speaker 12: them and got on really well with them. They were
• 22:53
  Speaker 12: bringing out the Hellraiser comics. Clive knew I wanted to
• 22:59
  Speaker 12: go into writing, so he gave me the name of
• 23:01
  Speaker 12: the guy, Dan Chichester, at Marvel, who was doing the
• 23:05
  Speaker 12: editing of Marvel Comics. I organized myself a trip and
• 23:08
  Speaker 12: just boldly walked into Marvel Comics. I can't believe I
• 23:11
  Speaker 12: did this. I just said, I'd like to see Dan Chichester.
• 23:15
  Speaker 12: My name's Nicholas Ferns. I'm kind of like, waiting for
• 23:17
  Speaker 12: 20 minutes, and suddenly this little intern came running out saying,
• 23:20
  Speaker 12: Dan's really sorry. He didn't recognize the name, but he's
• 23:23
  Speaker 12: really apologetic for keeping you waiting. And I'm thinking, I
• 23:25
  Speaker 12: didn't have an appointment. I just, you know, I'm just
• 23:28
  Speaker 12: doing my bold as brass thing. And just kind of
• 23:33
  Speaker 12: pitched the story to him that I'd written on the
• 23:35
  Speaker 12: plane on the way over.
• 23:37
  Speaker 1: Had you been writing before that?
• 23:40
  Speaker 12: Only for my own kind of benefit and, you know,
• 23:42
  Speaker 12: my own thing. I always wrote, I think, a lot
• 23:46
  Speaker 12: of teenagers find writing very helpful to kind of get
• 23:48
  Speaker 12: all the emotion out in your head therapeutic it's very
• 23:53
  Speaker 12: therapeutic and so on and Clive would always encourage me
• 23:58
  Speaker 12: to write as well so yeah and as I said
• 24:03
  Speaker 12: having been so closely involved with Hellraiser and then with
• 24:06
  Speaker 12: Nightbreed as well when Dan Chichester relinquished control of the
• 24:11
  Speaker 12: writing responsibilities on Nightbreed it was just great to be
• 24:15
  Speaker 12: able to go in and play with this wonderful mythos
• 24:17
  Speaker 12: for both the Hellraiser and the Nightbreed stuff. You know,
• 24:20
  Speaker 12: that was just a great deal of fun.
• 24:22
  Speaker 1: I actually, I didn't know until recently that you had written,
• 24:26
  Speaker 1: because I was a big fan of that series and
• 24:28
  Speaker 1: was actually reading as they came out. I was buying
• 24:31
  Speaker 1: those then. So it's, yeah. And now looking back going,
• 24:33
  Speaker 1: oh wait, he wrote, I have that issue. So, but yeah,
• 24:37
  Speaker 1: it's kind of interesting. And then is it something, you know, you,
• 24:41
  Speaker 1: did they give you an idea of where the story
• 24:44
  Speaker 1: was supposed to go? Because it seems like that series
• 24:46
  Speaker 1: in particular has so many, like, it didn't even run
• 24:49
  Speaker 1: for a huge amount of time, but it has so
• 24:50
  Speaker 1: many left turns where, like, the story will jump to
• 24:53
  Speaker 1: a different character altogether, or the artwork will massively change.
• 24:57
  Speaker 12: Yeah, no, so we had, when we were doing the
• 25:00
  Speaker 12: Nightbreed one, yeah, the Nightbreed comic, particularly, I mean, Dan
• 25:04
  Speaker 12: had taken it off in a very different direction with
• 25:07
  Speaker 12: a whole new set of characters that weren't featured in
• 25:09
  Speaker 12: the movie. It's fine. When I spoke to Clive about it,
• 25:12
  Speaker 12: he kind of liked the idea of what I wanted
• 25:14
  Speaker 12: to do, which was just take it as if we
• 25:17
  Speaker 12: were writing a sequel. Okay, what has happened to these guys?
• 25:20
  Speaker 12: You've got Kinski, you've got Peloquin, you've got these really,
• 25:23
  Speaker 12: really cool guys who are fun to play and write for.
• 25:30
  Speaker 12: And there's some wonderful themes about monsters and Midian and
• 25:35
  Speaker 12: the outcasts and so on. So I kind of wanted
• 25:38
  Speaker 12: to take it into that and just kind of work
• 25:42
  Speaker 12: with Clive and bounce ideas off him as to where
• 25:45
  Speaker 12: we wanted to go. Because Russell Charrington, who is the
• 25:48
  Speaker 12: director of the Cabal Cut, was saying that Clive had
• 25:52
  Speaker 12: already mapped out the next three books, the next three
• 25:55
  Speaker 12: movies for Nightbreak.
• 25:56
  Speaker 1: So that's what I wasn't sure if it was having
• 25:59
  Speaker 1: issues technically or with financial, like the company was coming in.
• 26:03
  Speaker 1: Because it just took such strange turns.
• 26:04
  Speaker 12: Yeah, and I think because it also... You had one,
• 26:08
  Speaker 12: Dan Chichester was writing Nightbreed for a while. He kept
• 26:11
  Speaker 12: it going down one. Then you brought in other writers.
• 26:15
  Speaker 12: I think that was the interesting, because Nightbreed was supposed
• 26:18
  Speaker 12: to be like a more regular comic, whereas the Hellraisers
• 26:21
  Speaker 12: were definitely collections of short stories which other people had done.
• 26:27
  Speaker 12: So I think you had the same similarities. To create
• 26:30
  Speaker 12: a comic, you have to have people working. Either you're
• 26:33
  Speaker 12: going to have the same writer, the same artist producing it,
• 26:36
  Speaker 12: it's actually quite tough to produce that monthly and so on.
• 26:40
  Speaker 12: So they brought in kind of guest writers and so on,
• 26:42
  Speaker 12: which is kind of how I began.
• 26:45
  Speaker 1: But again, I really like that. Again, those are just
• 26:48
  Speaker 1: such great characters, so I think it did welcome following
• 26:51
  Speaker 1: them and seeing more of their stories. So yeah, I
• 26:54
  Speaker 1: love those. And then you've written a book?
• 26:57
  Speaker 12: I've written my first collection of short stories, What Monsters Do,
• 27:01
  Speaker 12: which I'm really excited about because it's just, saying that
• 27:06
  Speaker 12: I've now got my third five-star review on Amazon.co.uk. Nothing
• 27:10
  Speaker 12: on Amazon.com yet. I'm really interested to see what it's like. Americans,
• 27:13
  Speaker 12: I know you're out there. I know you've bought the book.
• 27:15
  Speaker 12: Let me know what you think. So I'm returning after
• 27:20
  Speaker 12: quite some time. I went away and I got myself
• 27:23
  Speaker 12: a real job for many years.
• 27:26
  Speaker 1: Those are no fun.
• 27:27
  Speaker 12: No, those are no fun. That all came to an
• 27:29
  Speaker 12: end earlier this year. And I felt great. Now I
• 27:33
  Speaker 12: have the chance to go back to doing what it
• 27:34
  Speaker 12: is I love. So it's been tremendously rewarding. And as
• 27:38
  Speaker 12: I say, getting some good reaction.
• 27:41
  Speaker 1: So is acting going to come back into play?
• 27:45
  Speaker 12: I don't... I suppose my answer is never say never.
• 27:49
  Speaker 12: I don't really see it happening. It's not what I
• 27:51
  Speaker 12: want to concentrate on. And one of the reasons I
• 27:53
  Speaker 12: left acting after doing Nightbreed was because I actually wanted
• 27:57
  Speaker 12: to go into writing. And I was writing about I
• 28:02
  Speaker 12: had my own series running for Marvel UK. Warheads were
• 28:06
  Speaker 12: on stage. I was contributing to the Hellraiser comics, the
• 28:08
  Speaker 12: Nightbreed comics. I was doing some other stuff here and there,
• 28:11
  Speaker 12: other bits and bobs. That kind of all came to
• 28:13
  Speaker 12: an end fairly suddenly. That's why I got into a
• 28:17
  Speaker 12: day job. Reality, you have to pay the rent at
• 28:21
  Speaker 12: the end of the month.
• 28:22
  Speaker 1: I don't like that.
• 28:23
  Speaker 12: No, no, no, I know. So I think it's, The
• 28:28
  Speaker 12: plan at the moment is I've got What Monsters Do.
• 28:30
  Speaker 12: I'm working on the next collection of short stories, which
• 28:32
  Speaker 12: should hopefully be out within the next month, probably the
• 28:36
  Speaker 12: beginning of November, if not before. I plan to do
• 28:39
  Speaker 12: another collection by the end of the year, May drift
• 28:42
  Speaker 12: into January. It just depends how we go. To be honest,
• 28:48
  Speaker 12: that's as far as I planned. I can see that
• 28:53
  Speaker 12: far ahead. I just want to see how those go.
• 28:55
  Speaker 12: how those short stories are received, and then think about, well,
• 28:58
  Speaker 12: is there anything else I want to do? And just
• 29:01
  Speaker 12: take it from there.
• 29:02
  Speaker 1: Definitely. What's the best way for people to find the book?
• 29:06
  Speaker 1: Should they go on Amazon?
• 29:07
  Speaker 4: Just go onto Amazon.
• 29:08
  Speaker 12: It's on all the Amazon sites,. co. uk,. fr,. com.
• 29:13
  Speaker 1: It's there.
• 29:14
  Speaker 12: Just put in What Monsters Do. It comes back. It's
• 29:19
  Speaker 12: available on paperback. It's available on Kindle. I'm working with
• 29:24
  Speaker 12: Smashwords at the moment to get it out onto iBooks
• 29:27
  Speaker 12: and Barnes & Noble and all that. But that's going
• 29:29
  Speaker 12: to take a few weeks for that process to work through.
• 29:32
  Speaker 12: And yes, eventually it'll be available in your local books,
• 29:35
  Speaker 12: order to order through your local box. But Amazon is
• 29:38
  Speaker 12: going to be the easiest way to do it.
• 29:39
  Speaker 1: At the moment definitely tell everybody to go check it out.
• 29:45
  Speaker 9: As far as the Hellraiser movies the first couple were
• 29:47
  Speaker 9: really good oh by the time I got to the
• 29:49
  Speaker 9: end it was just painful like Hellraiser 15 I've There's
• 29:53
  Speaker 9: another one, but it's not even got Doug Bradley in it.
• 29:54
  Speaker 1: Yeah, that new one. I looked at the box. I
• 29:56
  Speaker 1: was like, who is that? Why would you do a
• 29:58
  Speaker 1: Hellraiser movie without Doug Bradley? It's like doing a Nightmare
• 30:02
  Speaker 1: on Elm Street without Robert Englund.
• 30:04
  Speaker 6: Oh, wait.
• 30:05
  Speaker 9: Because that went over so well.
• 30:06
  Speaker 1: That was such a good idea. So, yeah, thank you
• 30:09
  Speaker 1: to Nicholas. He was awesome. And, yeah, he's really fun, too.
• 30:13
  Speaker 1: I'd like to get him and have him sit down
• 30:14
  Speaker 1: with us and talk movies sometime. So we'll get that
• 30:17
  Speaker 1: in the works, too, so.
• 30:20
  Speaker 9: All right.
• 30:21
  Speaker 1: Anything else you need to discuss in this Halloween retrospective
• 30:25
  Speaker 1: of this year?
• 30:27
  Speaker 9: I kind of wanted to punch that kid in the face.
• 30:29
  Speaker 1: Which kid?
• 30:30
  Speaker 9: Fucking Carl.
• 30:31
  Speaker 1: Carl didn't do it. I'm kind of wondering what his
• 30:34
  Speaker 1: experience is like at these, because it's become a running joke.
• 30:39
  Speaker 1: Stay in the house, Carl. Why aren't you in the
• 30:41
  Speaker 1: fucking house?
• 30:41
  Speaker 9: There's even a song about it. It's an awesome song,
• 30:44
  Speaker 9: by the way.
• 30:45
  Speaker 1: So it's like, I wonder what, because everybody else, it
• 30:48
  Speaker 1: can be in a kid. Like, all the adults, you know,
• 30:50
  Speaker 1: they can kind of handle it. But he's a little kid. Like,
• 30:52
  Speaker 1: being thrown in the middle of this, it's probably overwhelming anyway.
• 30:55
  Speaker 1: Then the fact that everybody there, within the context of
• 30:57
  Speaker 1: the show, kind of hates you. Like, you've gotten everybody
• 31:01
  Speaker 1: in trouble for many seasons now. Especially this last one.
• 31:05
  Speaker 1: He screwed up everything.
• 31:06
  Speaker 6: Yeah.
• 31:07
  Speaker 1: They all. Dale got killed because of you. I hope
• 31:10
  Speaker 1: you're happy, Carl.
• 31:10
  Speaker 9: Well, Dale was getting pretty annoying by then.
• 31:12
  Speaker 1: Yeah, Dale was kind of annoying.
• 31:13
  Speaker 9: Self-righteous little bastard.
• 31:15
  Speaker 1: I mean, you kind of needed him within the dynamic
• 31:18
  Speaker 1: of the show. He's the voice of reason, but it'll
• 31:20
  Speaker 1: be interesting this next season now that they've killed the
• 31:22
  Speaker 1: voice of reason.
• 31:23
  Speaker 9: Actually, I think that Daryl is the voice of reason.
• 31:26
  Speaker 9: He is the only logical and sane.
• 31:27
  Speaker 1: He's the voice of logic. That's the only difference.
• 31:31
  Speaker 9: I mean, seriously, I would trust Daryl to keep me
• 31:35
  Speaker 9: alive out of all those people. I don't trust any
• 31:36
  Speaker 9: of the rest of them.
• 31:37
  Speaker 1: That's true. Oh, no, I don't mind the sheriff.
• 31:41
  Speaker 9: Rick.
• 31:42
  Speaker 1: Rick's a cool dude.
• 31:43
  Speaker 4: I like Rick.
• 31:44
  Speaker 1: I'm sticking with Rick. And Daryl.
• 31:47
  Speaker 9: No, I'd take Daryl.
• 31:48
  Speaker 1: Well, Daryl, you know, you keep Daryl. They're hanging out together,
• 31:50
  Speaker 1: so you keep those two together. The rest of the people, whatever.
• 31:53
  Speaker 5: Yeah.
• 31:54
  Speaker 1: Especially, what's the mom's name? She's annoying.
• 31:58
  Speaker 2: Lori.
• 31:59
  Speaker 1: Lori needs to hurry up and get eaten or something.
• 32:01
  Speaker 1: She's annoying.
• 32:02
  Speaker 9: She needs to make sure Carl stays in the fucking house.
• 32:04
  Speaker 1: She's not doing a good mom job because she ain't
• 32:07
  Speaker 1: watching that kid at all.
• 32:08
  Speaker 9: No, she's not. But anyways, yeah, I mean, we've walked
• 32:12
  Speaker 9: around a couple times at the convention. It's been pretty fantastic.
• 32:14
  Speaker 9: I haven't actually punched anybody in the face yet.
• 32:18
  Speaker 1: That's always a danger at these with Misty.
• 32:21
  Speaker 9: I came pretty close, you know. I keep waiting for those, like,
• 32:24
  Speaker 9: jackass-y people, like the people that work for, like, the
• 32:26
  Speaker 9: haunted houses or whatever, and, like, the jump of people,
• 32:29
  Speaker 9: you know, and shit like that.
• 32:32
  Speaker 1: She was doing that, some idiot walking around screaming.
• 32:34
  Speaker 9: I saw like three or four of them doing it,
• 32:36
  Speaker 9: and I just kept waiting. I guess I don't look
• 32:38
  Speaker 9: inviting enough for that to happen.
• 32:40
  Speaker 1: They know you're going to punch them in the face.
• 32:42
  Speaker 9: Dude, for serious.
• 32:42
  Speaker 7: You've got to make eye contact with them.
• 32:47
  Speaker 9: I do, but it's usually a glare that warns of
• 32:50
  Speaker 9: the intent, you know.
• 32:51
  Speaker 1: The look of doom.
• 32:53
  Speaker 9: The look of, if you do that, I will punch you.
• 32:57
  Speaker 9: Think it through.
• 33:01
  Speaker 1: All right, so with that, I think we should take
• 33:03
  Speaker 1: a break here, and when we come back, we will
• 33:04
  Speaker 1: get into this week's movie.
• 33:06
  Speaker 9: Yay!
• 33:12
  Speaker 6: Trick-or-treat, trick-or-treat, trick-or-treat for Halloween. Better give a treat that's
• 33:18
  Speaker 6: good to eat if you want to keep life serene.
• 33:21
  Speaker 10: Trick-or-treat, trick-or-treat, trick-or-treat, trick-or-treat, trick-or-treat.
• 33:24
  Speaker 4: The whole night through.
• 33:26
  Speaker 6: Little scallow wags with fiendish gags can make it tough
• 33:30
  Speaker 6: on you.
• 33:30
  Speaker 5: So when goose and goblins by the score ring.
• 33:34
  Speaker 3: The bell on your front door, better.
• 33:36
  Speaker 1: Not be stingy or your.
• 33:38
  Speaker 5: Nightmares will come true. Attention, you will be buried free
• 33:45
  Speaker 5: if you die during the horror chamber of blood and gore.
• 33:53
  Speaker 5: Live on stage from Hollywood, California, see vampire people who
• 33:58
  Speaker 5: come into the audience seeking fresh, warm human blood, plus
• 34:02
  Speaker 5: Frankenstein in person, not on film. See the ethereal materialization
• 34:06
  Speaker 5: of Liz Taylor as Cleopatra. Free spirit photo of Liz
• 34:09
  Speaker 5: Taylor to the first 500 boys at the box office.
• 34:12
  Speaker 5: Free ID bracelets to all girls who can take the
• 34:15
  Speaker 5: shock of blood and gore. This is so terrifying that
• 34:18
  Speaker 5: the management is giving a free two-for-one pass to everyone
• 34:21
  Speaker 5: who does not run from the theater in fright. See
• 34:24
  Speaker 5: unbelievable terror on stage, not movies, every scene live. You
• 34:28
  Speaker 5: must see to believe. See the horror chamber of blood
• 34:32
  Speaker 5: and gore.
• 34:42
  Speaker 13: Hello, I'm Jim Cogan.
• 34:43
  Speaker 5: And I'm John Wisby.
• 34:44
  Speaker 13: And this is a promo for the Crash and Burn
• 34:47
  Speaker 13: movie podcast. Every episode, we pick a theme and review
• 34:52
  Speaker 13: three films each that we like, but fall within that theme.
• 34:57
  Speaker 13: And then we also take a classic B-movie or some
• 35:00
  Speaker 13: other film.
• 35:01
  Speaker 6: That's good for the wrong reasons for our so-bad-it's-great.
• 35:05
  Speaker 4: Slot, and we rip the piss out of it.
• 35:08
  Speaker 13: So that's the Crash and Burn Movie Podcast. Every fortnight,
• 35:11
  Speaker 13: you can pick it up at www.crashandburnmoviepodcast.co.uk. There you can
• 35:17
  Speaker 13: subscribe to the RSS feed. You can subscribe in iTunes.
• 35:21
  Speaker 13: You can stream or download the previous episodes. You can
• 35:24
  Speaker 13: like us on Facebook and follow us on Twitter.
• 35:28
  Speaker 1: That's the Crash and Burn Movie Podcast.
• 35:30
  Speaker 13: Www.crashandburnmoviepodcast.co.uk.
• 35:43
  Speaker 4: Tweaked Audio, your source for high-performance, noise-reducing earbuds. Available in
• 35:48
  Speaker 4: three styles and seven colors, durable and designed to sound
• 35:51
  Speaker 4: great for both music and those chatty podcasts, like the
• 35:55
  Speaker 4: one you're listening to now. Tweaked Audio earbuds come with
• 35:57
  Speaker 4: a one-year warranty, and now there's a special deal for
• 36:00
  Speaker 4: Movie Meltdown listeners. Just go to tweakedaudio.com, and when you
• 36:04
  Speaker 4: check out, enter the discount code MELTDOWN. Then you'll get
• 36:07
  Speaker 4: 33% off and free shipping. Creeped Audio. Sounds better.
• 36:29
  Speaker 12: Hi, this is Doug Bradley, pinhead from the Hellraiser Films.
• 36:32
  Speaker 12: You're listening to Movie Meltdown. You better keep listening to
• 36:35
  Speaker 12: Movie Meltdown or I will tear your soul apart.
• 36:47
  Speaker 4: It's time for Sofa Theater.
• 36:50
  Speaker 1: Turns out you're a tweeter.
• 36:52
  Speaker 8: Sofa Theater.
• 36:55
  Speaker 7: What the hell's his problem?
• 36:57
  Speaker 1: Just get out of his way, Jerry!
• 37:00
  Speaker 9: Let him pass you, Jerry!
• 37:01
  Speaker 1: Look at what he's doing!
• 37:12
  Speaker 6: You're on me!
• 37:12
  Speaker 8: Get off the road and let him pass you! He's nuts!
• 37:19
  Speaker 2: I know he's nuts! Pull over!
• 37:23
  Speaker 8: Pull over!
• 37:26
  Speaker 2: Let him fucking pass you!
• 37:27
  Speaker 3: I'm trying!
• 37:43
  Speaker 2: Jesus.
• 37:45
  Speaker 9: Shit.
• 37:46
  Speaker 2: What the hell was his problem?
• 37:49
  Speaker 7: My first guess, inbreeding!
• 37:57
  Speaker 8: I don't care what the weatherman says when the weatherman
• 37:59
  Speaker 8: says it's raining. You'll never hear me complaining. I'm certain
• 38:04
  Speaker 8: the sun will shine.
• 38:06
  Speaker 6: I don't care how the weathervane points when the weathervane
• 38:08
  Speaker 6: points to gloomy. You gotta be sunny to me when
• 38:12
  Speaker 6: your eyes look into mine.
• 38:14
  Speaker 8: Jeepers, creepers, where'd you get those creepers? Jeepers, creepers. Where'd
• 38:22
  Speaker 8: you get those eyes?
• 38:23
  Speaker 9: Gosh, y'all get up.
• 38:26
  Speaker 1: How'd you get.
• 38:27
  Speaker 5: So lit up?
• 38:28
  Speaker 4: Gosh, y'all get up.
• 38:30
  Speaker 10: How'd you get that size?
• 38:32
  Speaker 1: Golly gee. When you turn those heaters on.
• 38:37
  Speaker 8: Oh, it's me.
• 38:39
  Speaker 1: Got to put my heaters on. Jeepers, Jeepers.
• 38:44
  Speaker 8: All right, we are back.
• 38:55
  Speaker 1: And it is time for Movie Meltdown Sofa Theater. This
• 38:58
  Speaker 1: week's Sofa Theater feature is Jeepers Creepers. The year is 2001.
• 39:03
  Speaker 1: The director, the notorious Victor Sala, and the plot, according
• 39:08
  Speaker 1: to IMDb, A brother and sister driving home for spring
• 39:12
  Speaker 1: break encounter a flesh-eating creature in the isolated countryside that
• 39:16
  Speaker 1: is on the last day of its ritualistic eating spree. So,
• 39:21
  Speaker 1: with that, spoiler alert.
• 39:24
  Speaker 9: Is it supposed to be its last day? Because the
• 39:27
  Speaker 9: sequel is supposed to take place. four days later on
• 39:31
  Speaker 9: the last day of its reading.
• 39:33
  Speaker 1: You also realize this is IMDb, which is never really
• 39:36
  Speaker 1: accurate with their descriptions. So before we get into ours,
• 39:41
  Speaker 1: you know who else we saw today? Jonathan Brick, the Creeper.
• 39:46
  Speaker 9: Hells yes.
• 39:47
  Speaker 1: So we will open up the old vaults here. and
• 39:51
  Speaker 1: see what Jonathan has to say about his time with
• 39:55
  Speaker 1: the Creeper. I guess first off, what's the process like
• 40:01
  Speaker 1: going into the makeup?
• 40:03
  Speaker 10: Oh, my God.
• 40:04
  Speaker 1: That's a good question.
• 40:05
  Speaker 11: Well, most days of makeup takes about five hours. The
• 40:11
  Speaker 11: days when I have the open face, you know, with
• 40:13
  Speaker 11: the fingers moving, that takes about seven, substantially longer. So
• 40:19
  Speaker 11: the process is, and you can't sleep, you can't do
• 40:21
  Speaker 11: anything else, because it's kind of interactive. You kind of
• 40:23
  Speaker 11: have to help the makeup artist put it on you.
• 40:26
  Speaker 11: So I get to the set around 2 o'clock in
• 40:30
  Speaker 11: the afternoon and start.
• 40:32
  Speaker 1: The layering process.
• 40:33
  Speaker 11: And about five hours later, I'm done and ready to
• 40:36
  Speaker 11: get up, and it's getting dark, and I'm ready to shoot.
• 40:38
  Speaker 11: And I go to work for 10, 12 hours, and
• 40:41
  Speaker 11: it takes another hour to get it off.
• 40:42
  Speaker 1: It makes for a pretty long day. That's crazy. As
• 40:45
  Speaker 1: far as just.
• 40:48
  Speaker 1: Any stories from the shoot that you remember that are
• 40:50
  Speaker 1: really memorable?
• 40:51
  Speaker 11: Oh, you know, well, the first movie was just painful
• 40:55
  Speaker 11: to shoot because we were shooting it in August in Florida. Naturally,
• 40:59
  Speaker 11: the hottest place in the country, the hottest month of
• 41:01
  Speaker 11: the year, and I'm encased in latex, you know. So
• 41:05
  Speaker 11: the first one was just, I remember a lot of
• 41:06
  Speaker 11: pain on that one, you know. And I remember getting
• 41:10
  Speaker 11: bit by mosquitoes. The only part of my body that's
• 41:13
  Speaker 11: exposed is my eyes. and the inside of my nose
• 41:18
  Speaker 11: and the inside of my mouth. Well, in the first film,
• 41:22
  Speaker 11: on the extreme close-ups, I had to wear cataract contact lenses,
• 41:26
  Speaker 11: and they made me completely blind. So one particular night,
• 41:30
  Speaker 11: we're shooting out in the swamp, and I'm laying on
• 41:33
  Speaker 11: the ground, and the man-eater mosquitoes come in, but I
• 41:37
  Speaker 11: can't see anything. So I just hear them buzzing around.
• 41:41
  Speaker 11: I know they're buzzing around my face, and then I
• 41:43
  Speaker 11: start to feel them. They're so bloodthirsty. They're biting the
• 41:46
  Speaker 11: inside of my eyelids because that's the only thing they
• 41:49
  Speaker 11: can get to.
• 41:50
  Speaker 4: It was just brutal.
• 41:51
  Speaker 11: Anyway, that wasn't a fun story. It's a painful story,
• 41:53
  Speaker 11: but nevertheless, there it is.
• 41:59
  Speaker 9: Mosquitoes are assholes.
• 42:00
  Speaker 1: Yeah, pretty much. Mosquitoes. Nobody likes them.
• 42:04
  Speaker 9: I'd put them in faces if they were big enough.
• 42:06
  Speaker 9: I'm really glad they're not big enough because that would
• 42:08
  Speaker 9: be frightening.
• 42:10
  Speaker 1: Mansquito. That's the movie for you.
• 42:12
  Speaker 9: I love the hell out of Mansquito. It's got corn
• 42:14
  Speaker 9: nemics on it. Shut up and screw you guys.
• 42:16
  Speaker 1: Oh, but that was not. That was Jonathan. So thank
• 42:19
  Speaker 1: you to Jonathan for hanging out momentarily and giving us
• 42:22
  Speaker 1: his little rundown on Jeepers Creepers. So we've gotten his
• 42:25
  Speaker 1: take on it. Where would you guys like to begin?
• 42:29
  Speaker 9: How excited were you, boyfriend, when you first heard we
• 42:30
  Speaker 9: were going to watch this movie?
• 42:32
  Speaker 7: Oh, I was tons of excited.
• 42:34
  Speaker 1: I kind of knew that when we picked it.
• 42:36
  Speaker 7: I hated this movie when I saw it in the theater.
• 42:39
  Speaker 7: And it's not so much the movie itself, um, It's
• 42:45
  Speaker 7: just that kid. I want to punch that kid in
• 42:48
  Speaker 7: the face. I want to punch both of him and
• 42:50
  Speaker 7: his sister in the face.
• 42:51
  Speaker 1: Justin Law.
• 42:52
  Speaker 9: She's not as bad.
• 42:53
  Speaker 7: She's, yeah, I mean, she's... Her voice starts grating on
• 42:56
  Speaker 7: my fucking nerves like knives after a while, and I
• 42:59
  Speaker 7: want her to shut the fuck.
• 43:00
  Speaker 9: Up, too.
• 43:02
  Speaker 1: She's got an interesting style. I thought I wasn't going
• 43:04
  Speaker 1: to like her, but as you get into it, I
• 43:06
  Speaker 1: think you just get used to it, I guess. I
• 43:08
  Speaker 1: don't know.
• 43:09
  Speaker 7: There's too much yelling and too much not knowing what
• 43:11
  Speaker 7: the hell's going on and too much panicking and... Too
• 43:13
  Speaker 7: much falling apart, and it just drives me up the wall.
• 43:17
  Speaker 7: Other than that, I mean, the demon itself was pretty cool.
• 43:22
  Speaker 7: I liked that. Still was kind of confused, the fact
• 43:25
  Speaker 7: that if he could fly, why is he driving around
• 43:27
  Speaker 7: in an old truck?
• 43:29
  Speaker 1: Because it makes that creepy.
• 43:31
  Speaker 7: Well, yeah, that, and if he's a demon, he must
• 43:33
  Speaker 7: be some kind of hot-riding demon, because he's definitely souped
• 43:37
  Speaker 7: that truck up. It kind of reminded me a little
• 43:38
  Speaker 7: bit of Duel, in a way, but.
• 43:40
  Speaker 1: That's what I was thinking as I watched it, and
• 43:42
  Speaker 1: I think the director even said, like, when he shot it,
• 43:44
  Speaker 1: he didn't realize it, but he was watching the dailies back,
• 43:47
  Speaker 1: and he's like, oh, my God, I'm making Duel. Yeah,
• 43:49
  Speaker 1: pretty much.
• 43:50
  Speaker 9: I think the main reason for the truck was they
• 43:52
  Speaker 9: explained it in the movie that he had to scare them.
• 43:55
  Speaker 9: He had to terrify them, and that was part of
• 43:57
  Speaker 9: the way that he would terrify them so that he
• 43:59
  Speaker 9: could smell them.
• 44:01
  Speaker 7: Yeah, because flying down on them out of the middle
• 44:05
  Speaker 7: of nowhere is not going to scare them near as
• 44:06
  Speaker 7: much as an old dirty truck.
• 44:08
  Speaker 9: It might confuse them.
• 44:10
  Speaker 7: He ain't the fucking tooth fairy. It's not like he's going, oh,
• 44:14
  Speaker 7: look at that guy. I wonder what he's here for.
• 44:16
  Speaker 2: He also needed something to which he could affix his
• 44:19
  Speaker 2: clever vanity plate.
• 44:20
  Speaker 7: Oh, yes, that's right. He had vanity plates made. So
• 44:23
  Speaker 7: apparently he stood in line at the DMV and paid
• 44:25
  Speaker 7: his extra $ 30 for his vanity plate. It was a
• 44:28
  Speaker 7: good thing nobody else had that plate already taken.
• 44:31
  Speaker 1: He just went to the flea market and got one
• 44:33
  Speaker 1: of those fake ones made up.
• 44:34
  Speaker 9: He can do most of that shit online now, so
• 44:36
  Speaker 9: maybe he's got an internet and he does it at home.
• 44:39
  Speaker 1: I would think that guy's got internet at the church.
• 44:41
  Speaker 7: Well, Eyeball Eater was taken, so he had to go
• 44:43
  Speaker 7: for the beaten, whatever, license plate.
• 44:49
  Speaker 1: I think that... Again, I think that's one of the things.
• 44:52
  Speaker 1: There's a lot of things that work in this, and
• 44:53
  Speaker 1: then there's things that don't. And I think the truck
• 44:55
  Speaker 1: part kind of works. Again, it's very reminiscent of Duel,
• 44:58
  Speaker 1: but maybe it's just because that really is a creepy truck.
• 45:03
  Speaker 1: And it does look kind of badass. And they did
• 45:06
  Speaker 1: actually shoot it slamming into that car. And they said
• 45:09
  Speaker 1: it tore the hell out of it.
• 45:10
  Speaker 2: And I did like the way that it first appeared
• 45:12
  Speaker 2: in the film, too. I thought the introduction of the
• 45:14
  Speaker 2: truck through the back window was pretty effective. It was
• 45:18
  Speaker 2: sort of like that scene in Bird's.
• 45:20
  Speaker 5: Yeah.
• 45:21
  Speaker 2: Or the sigh of evil, whichever you wish.
• 45:23
  Speaker 1: It came out of nowhere. I do like that the,
• 45:26
  Speaker 1: because they never really went into that, that the motorhome
• 45:29
  Speaker 1: behind them just got the hell out of the way,
• 45:31
  Speaker 1: just turned off because, like, they knew to steer clear
• 45:35
  Speaker 1: of that. So, I mean, maybe it is one of
• 45:37
  Speaker 1: those that everybody around there just kind of knows, stay
• 45:39
  Speaker 1: away from that truck.
• 45:41
  Speaker 9: Oh, no. I was kind of aggravated that the bitch
• 45:42
  Speaker 9: couldn't drive her own car properly.
• 45:44
  Speaker 7: Yeah, I don't buy the fact that she would own
• 45:46
  Speaker 7: that car because she's too much of a ditz. She
• 45:49
  Speaker 7: can't drive her own damn car. She can't drive a
• 45:51
  Speaker 7: stick shift, much less own that car.
• 45:53
  Speaker 1: Maybe Mr. Pollack's eye got it for her.
• 45:55
  Speaker 4: I don't know.
• 45:56
  Speaker 7: I don't buy that either.
• 45:57
  Speaker 2: I liked that underdeveloped character that somehow also, like that
• 46:02
  Speaker 2: scene where he says, Where there's like, what happened between you?
• 46:04
  Speaker 2: What did he do? And then he says, beating you?
• 46:07
  Speaker 2: And then she gets all quiet and you're like, oh wait,
• 46:09
  Speaker 2: is this going to go someplace? And then it never
• 46:10
  Speaker 2: goes anywhere ever.
• 46:12
  Speaker 1: It was one of those, I think they were talking about,
• 46:14
  Speaker 1: she was working that kind of stuff in. She was
• 46:17
  Speaker 1: talking about how much personal research she did as to
• 46:21
  Speaker 1: how damaged this character was all on her own before
• 46:24
  Speaker 1: this story starts. Some of which, I guess, has to
• 46:26
  Speaker 1: do with Pali Sai potentially, possibly beating her. I don't know,
• 46:30
  Speaker 1: but Is.
• 46:32
  Speaker 9: It going to be the spinoff movie? Is it going
• 46:33
  Speaker 9: to be the prequel, the Poli-Sci beating Trish movie?
• 46:38
  Speaker 1: This doesn't sound good at all. I don't like this movie.
• 46:42
  Speaker 9: It'll end with the Creeper eating them.
• 46:44
  Speaker 8: What's he doing?
• 46:45
  Speaker 3: What the hell is that? What the hell was he doing?
• 47:07
  Speaker 3: He dumped something down that pipe. Wrapped in a sheet.
• 47:12
  Speaker 14: Wrapped and roped in a sheet?
• 47:14
  Speaker 3: Wrapped and roped in a sheet with red stains on it.
• 47:18
  Speaker 2: Just get us out of here.
• 47:20
  Speaker 7: Grab my cell phone.
• 47:21
  Speaker 9: Where?
• 47:21
  Speaker 14: It's in the gym bag. jesus oh you gotta be
• 47:36
  Speaker 14: kidding me.
• 47:39
  Speaker 1: If we're doing stuff that works and stuff that i
• 47:41
  Speaker 1: think was probably one of the most effective scenes in
• 47:45
  Speaker 1: the movie is just that shot as they drive by
• 47:48
  Speaker 1: with him throwing stuff like when he stops and looks
• 47:51
  Speaker 1: at him is that creepy moment of oh shit it's
• 47:55
  Speaker 1: kind of that same feeling you get when you're watching
• 47:57
  Speaker 1: the the the special Bigfoot film, and Bigfoot, for that second,
• 48:01
  Speaker 1: stops and looks at you. You know, he could just
• 48:04
  Speaker 1: be walking by, but when he stops and looks at you,
• 48:06
  Speaker 1: you're like, oh, shit. I think he saw me. You
• 48:08
  Speaker 1: kind of get that with the Creeper. You're watching him,
• 48:11
  Speaker 1: you're watching him, and it's that very end part where
• 48:13
  Speaker 1: he stops and just looks dead at him. I don't know.
• 48:16
  Speaker 1: It's effective. I mean, I would wave.
• 48:18
  Speaker 2: It's okay, dude.
• 48:19
  Speaker 1: We didn't see anything.
• 48:20
  Speaker 7: Didn't see nothing.
• 48:21
  Speaker 1: Keep dumping bodies. I mean, whatever.
• 48:23
  Speaker 9: I knew it would piss me off.
• 48:26
  Speaker 4: What?
• 48:26
  Speaker 9: Let's go look in the pipe.
• 48:28
  Speaker 8: Yeah.
• 48:29
  Speaker 9: Let's go have a little look-see.
• 48:30
  Speaker 1: Well, my problem before that was, what church has a
• 48:33
  Speaker 1: giant pipe running down the front? Like, what is that
• 48:36
  Speaker 1: pipe in any practical, other than a place to dump
• 48:39
  Speaker 1: your bodies?
• 48:39
  Speaker 9: Maybe the creeper installed it himself.
• 48:41
  Speaker 1: Maybe he installed it.
• 48:42
  Speaker 9: Maybe he was doing some home modifications.
• 48:43
  Speaker 1: But again, why would you put a giant pipe? Lucy
• 48:46
  Speaker 1: wants to talk.
• 48:46
  Speaker 9: Hold on.
• 48:48
  Speaker 1: I'm finished. Am I bringing the rest of this point up?
• 48:51
  Speaker 1: I was trying to finish mine and hand it to her. So,
• 48:54
  Speaker 1: but why would you put a giant, but like if
• 48:56
  Speaker 1: he's dumping bodies there, isn't it really obvious where you
• 48:58
  Speaker 1: would be dumping the bodies? This giant pipe you install?
• 49:01
  Speaker 7: No, it's for drainage.
• 49:02
  Speaker 1: Drainage. I didn't see any like.
• 49:05
  Speaker 7: It's like three or four feet off the ground.
• 49:06
  Speaker 1: I didn't see gutters running to it. I don't know
• 49:08
  Speaker 1: about this.
• 49:08
  Speaker 7: It floods in that area.
• 49:10
  Speaker 1: It's Florida.
• 49:11
  Speaker 7: It's swampy.
• 49:12
  Speaker 1: I don't know. I thought that was just weird. It's
• 49:14
  Speaker 1: effective for that second, but then if you stop and
• 49:16
  Speaker 1: think about it, it makes no damn sense.
• 49:17
  Speaker 2: Are you handing it to me now?
• 49:19
  Speaker 9: I still.
• 49:20
  Speaker 2: I've already forgotten what I was going to say. Thank you, Misty.
• 49:23
  Speaker 2: I appreciate you having my back. But speaking to the pipe,
• 49:26
  Speaker 2: I didn't understand how all of the bodies had such
• 49:29
  Speaker 2: rolling capacity. Like, he went down it, and he just
• 49:32
  Speaker 2: went thud on his back, and you could see him
• 49:34
  Speaker 2: from the top. I don't understand why it just wouldn't
• 49:36
  Speaker 2: have piled up bodies.
• 49:37
  Speaker 7: Well, they were bundled up, you see.
• 49:39
  Speaker 2: Oh, for maximum rolling?
• 49:40
  Speaker 7: Yeah, when you're rolling down a hill, they were bundled up.
• 49:43
  Speaker 7: Their arms were on the side, so there's not a
• 49:44
  Speaker 7: lot of flailing.
• 49:45
  Speaker 2: Okay. Then actually, no, I'm really cool with the movie.
• 49:47
  Speaker 2: It seems like a really realistic depiction of life in
• 49:49
  Speaker 2: the South.
• 49:50
  Speaker 9: Well, the guy was still alive when he was wrapped up.
• 49:52
  Speaker 9: Maybe he inched his way over there.
• 49:53
  Speaker 1: But there were other bodies, too. He pushed them.
• 49:56
  Speaker 9: They all rolled.
• 49:57
  Speaker 1: I'm picturing him doing a little inchworm thing across the floor.
• 50:01
  Speaker 1: It's kind of fun.
• 50:01
  Speaker 7: Either that, or it's like that perpetual motion thing with
• 50:04
  Speaker 7: the balls, because one of them slides down and hits
• 50:08
  Speaker 7: the whole row of them, and then that last one
• 50:09
  Speaker 7: kind of rolls off, you know, and as they come down.
• 50:12
  Speaker 6: They shoot.
• 50:13
  Speaker 7: You know, and It's like a trick shot.
• 50:15
  Speaker 1: It's like croquet?
• 50:16
  Speaker 7: Yeah, it's like croquet.
• 50:18
  Speaker 2: Yeah, it kind of bothered me, like, speaking to that
• 50:20
  Speaker 2: part where you're like, why are they doing this? And
• 50:22
  Speaker 2: then they were like, no, it's okay, because we're going
• 50:24
  Speaker 2: to have this metacinematic moment where we're going to say, hey,
• 50:27
  Speaker 2: we hate it when characters do this in a movie,
• 50:29
  Speaker 2: and then we'll acknowledge that we're aware of it, and
• 50:31
  Speaker 2: then it'll be okay. And it's just like, no, it's
• 50:33
  Speaker 2: still not okay.
• 50:35
  Speaker 1: That part killed me. The mentioning, I mean, there's so
• 50:38
  Speaker 1: few movies that can do that. I'm like, you're not Scream.
• 50:41
  Speaker 1: You can't, like, there's only a few movies that it
• 50:43
  Speaker 1: can acknowledge, this is what happens in movies, and we're
• 50:46
  Speaker 1: in a movie, you know? There's a few that can
• 50:49
  Speaker 1: structure it that it doesn't seem very forced, and that
• 50:52
  Speaker 1: one seemed very forced.
• 50:53
  Speaker 8: Yeah.
• 50:53
  Speaker 7: I would have punched him in the face.
• 50:55
  Speaker 11: Stupid ass.
• 50:56
  Speaker 7: I want to look back at that. What the fuck's
• 50:57
  Speaker 7: wrong with you? You would have got left there. You
• 51:02
  Speaker 7: were walking home.
• 51:05
  Speaker 2: And for him to want to go back, like, I
• 51:06
  Speaker 2: felt like that was something they could, like, if he'd
• 51:08
  Speaker 2: been like, I think I saw that body move or something.
• 51:10
  Speaker 2: But no, it's just like, what if it's a lie? Yeah.
• 51:15
  Speaker 1: He doesn't seem super heroic. I don't know why this
• 51:17
  Speaker 1: moment he decided to be.
• 51:19
  Speaker 7: What if it was you? I wouldn't be in that situation.
• 51:22
  Speaker 7: So fuck you. Don't try to play that.
• 51:23
  Speaker 1: I'd hope somebody goes for the police at this point.
• 51:25
  Speaker 1: That's what I would have said.
• 51:27
  Speaker 9: I'm like, well, let's just keep on going. We'll get
• 51:28
  Speaker 9: to the police. Because I mean, bye. not going to
• 51:32
  Speaker 9: the police first, and going investigating, they fucked the entire
• 51:35
  Speaker 9: thing up.
• 51:35
  Speaker 6: Yeah.
• 51:36
  Speaker 9: Spoiler alert, because by the time they told the police,
• 51:38
  Speaker 9: the guy already knew they were there, and he.
• 51:41
  Speaker 7: Burned the place down.
• 51:42
  Speaker 9: Yeah, I was going to say... Exposed of evidence, but
• 51:46
  Speaker 9: you done gave them the whole thing.
• 51:47
  Speaker 1: Well, we already threw out the spoiler. It's 2001, and
• 51:51
  Speaker 1: you should have seen this.
• 51:52
  Speaker 9: Yeah, I'm sorry, but if it's 2001 and you haven't
• 51:54
  Speaker 9: seen it yet and you're worried about spoiler alerts, then.
• 51:57
  Speaker 2: Yeah, and then they got that poor cop killed who
• 52:01
  Speaker 2: may or may not have been a romantic interest in
• 52:04
  Speaker 2: another strange subplot that started and went nowhere.
• 52:07
  Speaker 7: Because she kind of liked him? No, he looked like
• 52:09
  Speaker 7: a strip of cop.
• 52:11
  Speaker 1: Well, then when you get that moment of, I think
• 52:15
  Speaker 1: we should go back. I think we should see. At
• 52:18
  Speaker 1: that point, I kind of went, does anybody else hear
• 52:20
  Speaker 1: the Scooby-Doo theme kicking in? It just seemed like these
• 52:24
  Speaker 1: kids are going to go investigate a mystery. I was
• 52:26
  Speaker 1: just like, what?
• 52:31
  Speaker 2: Were there rats in that?
• 52:33
  Speaker 1: Anyway, never mind. I mean, how did they give that, like,
• 52:36
  Speaker 1: seven-foot jump? Two more rats?
• 52:39
  Speaker 2: Ladder rats?
• 52:39
  Speaker 9: They had a ladder.
• 52:40
  Speaker 7: No, they constructed a ladder.
• 52:42
  Speaker 1: Out of dead bodies?
• 52:43
  Speaker 7: Well, no, you saw all that crap that was laying
• 52:44
  Speaker 7: around in there, like bottles and jars and stuff and sticks.
• 52:48
  Speaker 7: They made a ladder.
• 52:49
  Speaker 9: They MacGyvered that shit?
• 52:52
  Speaker 1: Rats are pretty ingenious.
• 52:53
  Speaker 7: They're very ingenious.
• 52:56
  Speaker 11: They're rats.
• 52:58
  Speaker 1: So then, okay, he ends up down there because he's
• 53:01
  Speaker 1: freaking out and he's kicking his feet like he's a
• 53:03
  Speaker 1: little girl. and slides down there.
• 53:06
  Speaker 9: That's the thing.
• 53:06
  Speaker 1: I was like, okay, you made them go back. You
• 53:09
  Speaker 1: climbed in the pipe. You made her hold your feet
• 53:11
  Speaker 1: while you climbed in the pipe.
• 53:13
  Speaker 9: And then you flailed like a bitch.
• 53:14
  Speaker 1: You flailed like a bitch, fall down there, and then
• 53:16
  Speaker 1: yell at her for dropping you.
• 53:18
  Speaker 2: Okay, I actually did like that moment. And no, just
• 53:21
  Speaker 2: in terms of brother-sister dynamics, I actually kind of liked
• 53:24
  Speaker 2: all the stuff that happened.
• 53:25
  Speaker 9: At that point, I was like, oh my God, I'm
• 53:26
  Speaker 9: so fucking glad I don't have a brother because I
• 53:28
  Speaker 9: would fucking kill him by now because they seem really
• 53:30
  Speaker 9: fucking obnoxious.
• 53:31
  Speaker 1: That part was probably realistic just because it sort of
• 53:34
  Speaker 1: had that, you know, brother-sister interaction. They did have that. Like,
• 53:39
  Speaker 1: it was annoying in that first 20 minutes when they
• 53:42
  Speaker 1: set that up, but they set up pretty realistically. Like,
• 53:44
  Speaker 1: they really did kind of seem like they could have
• 53:47
  Speaker 1: been brother and sister, and they did annoy each other
• 53:49
  Speaker 1: pretty convincingly.
• 53:50
  Speaker 9: They annoyed me.
• 53:51
  Speaker 1: Well, yeah, they were convincingly. They were annoying the audience
• 53:54
  Speaker 1: as well as the downside, I guess, but it did
• 53:56
  Speaker 1: come off convincingly. So how about the birds?
• 54:02
  Speaker 9: Fucking birds. I hate birds.
• 54:04
  Speaker 1: But they were laughing birds.
• 54:06
  Speaker 6: I like crows.
• 54:07
  Speaker 3: They're okay.
• 54:08
  Speaker 1: They were laughing at you.
• 54:09
  Speaker 7: I just don't like mocking birds that sit above the
• 54:11
  Speaker 7: tree and shit on my car.
• 54:13
  Speaker 4: Old fucking bastards.
• 54:16
  Speaker 3: Oh, Lord.
• 54:17
  Speaker 9: Apparently indestructible, too, because little BBs don't take them out.
• 54:20
  Speaker 7: I'm going to start breaking out the gun next.
• 54:23
  Speaker 2: I like the birds, but not as near as much
• 54:24
  Speaker 2: as I like the cats. The cats were my favorite
• 54:26
  Speaker 2: of the whole film.
• 54:27
  Speaker 1: Oh, yeah, the cats. And Crazy Cat Lady.
• 54:29
  Speaker 5: Yeah.
• 54:29
  Speaker 1: Eileen Brenner.
• 54:31
  Speaker 9: Beautiful.
• 54:32
  Speaker 1: Yeah, that's almost a name. They sort of got a
• 54:35
  Speaker 1: recognizable actress to come in and be Crazy Old Cat Lady.
• 54:39
  Speaker 2: Yeah, and I like that you could just recognize her
• 54:40
  Speaker 2: from her voice, too.
• 54:42
  Speaker 1: Yeah, pretty much. So we get the villain in this
• 54:47
  Speaker 1: is almost like three stages. He's like the... evil truck
• 54:51
  Speaker 1: for a while and then he becomes sort of like
• 54:53
  Speaker 1: crazy serial killer dude in the middle section there so
• 54:56
  Speaker 1: it's like i don't know what were your thoughts in
• 54:58
  Speaker 1: that that middle area where he's just sort of a
• 55:00
  Speaker 1: crazy killer guy that we assume.
• 55:03
  Speaker 7: He's too crazy to be a serial killer.
• 55:06
  Speaker 1: He's got a whole little workshop down there and a
• 55:09
  Speaker 1: hell of a lot of dead body.
• 55:11
  Speaker 7: Yeah he's too crazy he needs to be more subtle
• 55:14
  Speaker 7: he needs to be mowing people's.
• 55:15
  Speaker 1: Yards like our serial killer yeah You'll have to go
• 55:20
  Speaker 1: back a few episodes to hear that one. If you're
• 55:21
  Speaker 1: not familiar with that, yeah, there's a whole backstory there.
• 55:25
  Speaker 1: Go back to the Wonderfest episode.
• 55:27
  Speaker 9: I don't know. I guess it crosses over into that.
• 55:32
  Speaker 9: I guess because I like things that are kind of believable.
• 55:36
  Speaker 9: to some degree and I guess it's more scary to
• 55:39
  Speaker 9: me when it's just you're out driving and somebody just
• 55:41
  Speaker 9: some crazy guy is coming after you and you know
• 55:44
  Speaker 9: they're just insane and then you cross over into that
• 55:46
  Speaker 9: oh it's some mythical being.
• 55:48
  Speaker 7: Yeah it's not scary to me because I know I
• 55:50
  Speaker 7: can just put a bullet in their head and it'll.
• 55:51
  Speaker 1: Be over with but I think again I think that's
• 55:54
  Speaker 1: why that shot at the beginning works so good because
• 55:56
  Speaker 1: you get that shot of him looking at you And
• 55:58
  Speaker 1: then he just immediately gets in the truck and you've
• 56:00
  Speaker 1: seen that truck. It's like, he's going to catch you.
• 56:02
  Speaker 1: It's like, what the fuck do you do now? It's like,
• 56:05
  Speaker 1: it is an effective moment.
• 56:06
  Speaker 9: That's something that could happen to you. You know, you
• 56:09
  Speaker 9: could get chased by a serial killer. You're not going
• 56:11
  Speaker 9: to get chased by some face eaten wing man.
• 56:15
  Speaker 1: You don't know.
• 56:15
  Speaker 9: I'm pretty sure. Yeah.
• 56:17
  Speaker 2: It did kind of feel like they were like sort
• 56:19
  Speaker 2: of shooting it as they wrote it. Like, okay, here, well,
• 56:22
  Speaker 2: we wrote this or, okay.
• 56:24
  Speaker 9: Yeah.
• 56:25
  Speaker 2: More to the point. Um, like, it's like, they were like, okay,
• 56:27
  Speaker 2: well now we'll just run over him a lot. Well, wait,
• 56:29
  Speaker 2: but he has to come back. They can't come back
• 56:30
  Speaker 2: from that. Well, what if he's like a mystical creature? Like,
• 56:33
  Speaker 2: I don't know. I just felt, I don't know.
• 56:36
  Speaker 9: Were they, were they winging it?
• 56:37
  Speaker 1: Oh, lame.
• 56:40
  Speaker 2: He had already shown his wings at that point.
• 56:44
  Speaker 1: They, that, I mean, some of that is true. Cause
• 56:46
  Speaker 1: I was watching where a bell was ringing. That's a
• 56:52
  Speaker 1: different holiday special.
• 56:53
  Speaker 9: Clients did not end well.
• 56:56
  Speaker 1: So I think they had actually, I saw that he
• 56:59
  Speaker 1: did bring up that is a little bit true because
• 57:01
  Speaker 1: I think in the original way they wrote it, you
• 57:03
  Speaker 1: weren't supposed to see him in his true form, wings
• 57:06
  Speaker 1: and all until the last scene. And then they did
• 57:09
  Speaker 1: the full makeup for it and the director... I'm like, oh, shit,
• 57:13
  Speaker 1: we already had it on there. Well, no, he saw
• 57:15
  Speaker 1: it and really liked it. He was like, oh, that's cool.
• 57:16
  Speaker 1: I don't want to wait until the end. I want
• 57:19
  Speaker 1: you to be able to see the monster throughout the movie.
• 57:21
  Speaker 1: So they did sort of adjust it in there a
• 57:24
  Speaker 1: lot sooner into the plot than originally planned. I know that. Well,
• 57:27
  Speaker 1: the monster was good.
• 57:28
  Speaker 7: I liked the effects on that part. I mean, he
• 57:30
  Speaker 7: looked scary. He looked good, either as crazy serial killer
• 57:36
  Speaker 7: guy in a trench coat.
• 57:38
  Speaker 9: Or.
• 57:39
  Speaker 7: wing demon creature whatever it is he's playing you know
• 57:43
  Speaker 7: either way the the effects on it looked good um.
• 57:46
  Speaker 1: That's one thing i'll give i mean it as it
• 57:48
  Speaker 1: goes on i don't know there are sort of plot
• 57:50
  Speaker 1: issues but just for creature design like i really have
• 57:54
  Speaker 1: to give him credit for coming up with a pretty
• 57:56
  Speaker 1: cool creature and doing a great makeup job.
• 57:58
  Speaker 7: Pretty original at that yeah i mean after a while
• 58:01
  Speaker 7: you just start hitting on the same characters that sort
• 58:03
  Speaker 7: of like well, that's just this character, except for he's
• 58:06
  Speaker 7: got a horn here.
• 58:07
  Speaker 1: Yeah, I mean.
• 58:08
  Speaker 7: Oh, that's not a horn.
• 58:10
  Speaker 1: The face looks a little closer to some other ones,
• 58:12
  Speaker 1: but the body is pretty cool. Yeah, it's a little predator-y,
• 58:15
  Speaker 1: and it's... There's a couple others. What was the Wishmaster guy?
• 58:19
  Speaker 1: Because his face sort of, he sort of looked like
• 58:21
  Speaker 1: that too. But then he had the face thing. Yeah.
• 58:24
  Speaker 4: You're like, what?
• 58:25
  Speaker 1: You get into the body and it's sort of like reptilian,
• 58:28
  Speaker 1: but then he has giant bat wings and he's a
• 58:30
  Speaker 1: gargoyle or whatever the hell he is. Armored, but a demon.
• 58:33
  Speaker 7: And he's just kind of like, but then he works
• 58:35
  Speaker 7: on cars and, you know, and he does plumbing, you know.
• 58:38
  Speaker 6: Yeah.
• 58:40
  Speaker 1: He's a multi-talented creature.
• 58:41
  Speaker 9: He does sewing.
• 58:42
  Speaker 7: Yeah, and he sews.
• 58:44
  Speaker 1: He is a sewer.
• 58:45
  Speaker 7: And he does taxidermy, too, as well.
• 58:47
  Speaker 1: He is very damn talented. Gotta give him credit for it.
• 58:50
  Speaker 9: He is a man of many skills. A demon of
• 58:53
  Speaker 9: many skills?
• 58:53
  Speaker 7: A man demon.
• 58:54
  Speaker 10: A D-man.
• 58:55
  Speaker 9: If it was a female, would it be a D-woman?
• 58:59
  Speaker 4: No, I don't know.
• 59:01
  Speaker 1: I don't know. I'm not sure what it is, though.
• 59:04
  Speaker 1: I remember when we watched... Where was it? Because I
• 59:06
  Speaker 1: remember watching this when it first came out. Was it
• 59:09
  Speaker 1: on VHS or where did we end up seeing it
• 59:11
  Speaker 1: that first time because we need to have a sidebar
• 59:19
  Speaker 1: on the tiger.
• 59:19
  Speaker 9: Guy there's this guy walking around first i thought he
• 59:22
  Speaker 9: was like had his shirt open and then he was
• 59:24
  Speaker 9: like really kind of hairy but like it was like
• 59:26
  Speaker 9: like stripes closer You could tell it was a huge
• 59:29
  Speaker 9: tiger face on his shirt and not wearing it ironically.
• 59:32
  Speaker 1: That's my thing. I was like, if he was wearing
• 59:33
  Speaker 1: that ironically, it would be... I would want to punch
• 59:36
  Speaker 1: the guy in the face.
• 59:37
  Speaker 5: But.
• 59:37
  Speaker 9: Oh, that cunt just let the door open.
• 59:42
  Speaker 1: But yeah, the fact that this dude did not seem
• 59:44
  Speaker 1: like he knew what was going on at all. So
• 59:47
  Speaker 1: I guess it makes it okay. If you want to
• 59:48
  Speaker 1: just wear that for the sake of wearing that, I
• 59:50
  Speaker 1: guess it's all right. If you're wearing it because you
• 59:53
  Speaker 1: think you're cool, you're a hipster douche and I don't
• 59:55
  Speaker 1: like it.
• 59:55
  Speaker 9: He's pretty jealous, you know.
• 59:57
  Speaker 1: We should all get one. This guy legitimately thought, that
• 1:00:00
  Speaker 1: was a cool shirt. I'm going to put this on.
• 1:00:01
  Speaker 9: I'm going to wear it all at the same time.
• 1:00:03
  Speaker 9: He had one of those guts that kind of accentuated
• 1:00:06
  Speaker 9: the tiger's nose. 3D tiger?
• 1:00:12
  Speaker 1: It's the scariest Halloween costume you've seen all year.
• 1:00:14
  Speaker 9: It's pretty awesome. Anyways, back to what we were talking about.
• 1:00:20
  Speaker 1: I don't know. I remember seeing it the first time
• 1:00:23
  Speaker 1: and really kind of liking this movie. In re-watching it,
• 1:00:26
  Speaker 1: it seems a lot cheesier. Like, it has effective moments,
• 1:00:29
  Speaker 1: but I don't know. What was your thoughts on re-watching it?
• 1:00:33
  Speaker 9: I guess I had kind of the same feeling. I
• 1:00:35
  Speaker 9: didn't hate it the first time, so I didn't hate
• 1:00:37
  Speaker 9: it this time, I guess. I mean, I was still
• 1:00:39
  Speaker 9: annoyed by... Justin Long's character, and I severely was glad
• 1:00:43
  Speaker 9: when he died. I'm sorry if I just ruined it
• 1:00:45
  Speaker 9: for anybody out there, but whatever.
• 1:00:47
  Speaker 1: They already threw out the spot.
• 1:00:48
  Speaker 9: I know, but I'm sorry.
• 1:00:49
  Speaker 1: It's their own fault.
• 1:00:50
  Speaker 9: I know it is their own fault, and damn you
• 1:00:52
  Speaker 9: all for making me apologize. But, I mean, I felt,
• 1:00:55
  Speaker 9: I guess, the same as I did before. I mean,
• 1:00:57
  Speaker 9: it was a good concept. I mean, at least not
• 1:01:00
  Speaker 9: really original, because it's like so many parts of so
• 1:01:03
  Speaker 9: many other movies kind of thrown together.
• 1:01:05
  Speaker 3: Yeah.
• 1:01:06
  Speaker 9: Trying to act like it's original, but I mean, it's still,
• 1:01:09
  Speaker 9: I like those kind of movies, so it's still, it's
• 1:01:10
  Speaker 9: not like I'm complaining or anything, but.
• 1:01:13
  Speaker 7: That was a little bit, I was a little bit
• 1:01:15
  Speaker 7: more able to sit through the movie and not be
• 1:01:18
  Speaker 7: as annoyed, because I think the first time I saw it,
• 1:01:20
  Speaker 7: I saw it in the theater and I was just
• 1:01:21
  Speaker 7: completely annoyed at the kid.
• 1:01:25
  Speaker 1: Just in love.
• 1:01:25
  Speaker 7: And the fact they couldn't drive and the fact that
• 1:01:27
  Speaker 7: they were panicking constantly and I was just like, I
• 1:01:31
  Speaker 7: wanted to choke both of them.
• 1:01:32
  Speaker 1: That's how most people would respond.
• 1:01:34
  Speaker 7: But then I just, On this one, I tried to
• 1:01:37
  Speaker 7: watch it for the movie and not get too caught
• 1:01:39
  Speaker 7: up in getting aggravated at stuff.
• 1:01:43
  Speaker 9: I didn't like that his name was Derry. Are you
• 1:01:46
  Speaker 9: a fucking milk product? What is Derry? I know it's
• 1:01:49
  Speaker 9: short for Darius, but still.
• 1:01:50
  Speaker 1: Daryl.
• 1:01:51
  Speaker 9: No, it's Darius.
• 1:01:52
  Speaker 1: It's on his underwear. Okay. Jesus. I didn't look at
• 1:01:55
  Speaker 1: his underwear. Sorry.
• 1:01:56
  Speaker 2: I liked that moment, actually. That was a funny moment
• 1:01:58
  Speaker 2: when it was, in fact, pink.
• 1:01:59
  Speaker 9: And now he knows my name. And now he knows
• 1:02:01
  Speaker 9: my name.
• 1:02:04
  Speaker 2: Yeah, I don't hate Justin Long. And actually, when this
• 1:02:08
  Speaker 2: film came out.
• 1:02:09
  Speaker 9: I don't hate him either, except for this movie.
• 1:02:11
  Speaker 7: Well, there were a lot of people that liked him
• 1:02:13
  Speaker 7: when he came out.
• 1:02:14
  Speaker 4: And that's fine.
• 1:02:14
  Speaker 11: I understand.
• 1:02:15
  Speaker 7: He was in some other... I guess he had some
• 1:02:17
  Speaker 7: other acting roles. I don't know what it was. Like, okay,
• 1:02:21
  Speaker 7: he was in Galaxy Quest.
• 1:02:23
  Speaker 9: Yeah.
• 1:02:23
  Speaker 7: He was a good character in Galaxy Quest. I didn't
• 1:02:25
  Speaker 7: want to punch him in the face. But this one,
• 1:02:27
  Speaker 7: for some reason, maybe he reminds me too much of
• 1:02:29
  Speaker 7: maybe somebody else that I know that I just want
• 1:02:31
  Speaker 7: to punch in the face.
• 1:02:32
  Speaker 1: He's pretty likable as a person. But, yeah, in this,
• 1:02:35
  Speaker 1: I mean, he is like that whiny kid brother that
• 1:02:37
  Speaker 1: everybody's annoyed by. So, I mean, I guess it's effective,
• 1:02:40
  Speaker 1: but at the same time it works a little too
• 1:02:42
  Speaker 1: well and you are genuinely annoyed with him.
• 1:02:44
  Speaker 2: When I first saw it, I saw it in the
• 1:02:46
  Speaker 2: theater as well, and I think I remember actually liking it.
• 1:02:49
  Speaker 2: I think I remember being surprised at how much I
• 1:02:51
  Speaker 2: liked it, and I think what was missing this time
• 1:02:53
  Speaker 2: was the theatrical experience. I think it was so much
• 1:02:55
  Speaker 2: informed by the people screaming at the screen that when
• 1:02:59
  Speaker 2: you didn't step up to the plate and have that
• 1:03:01
  Speaker 2: reaction last night, it was disappointing.
• 1:03:03
  Speaker 1: I was busy going to sleep, like most movies I watched.
• 1:03:06
  Speaker 9: It wasn't even wrong turn.
• 1:03:09
  Speaker 1: I'll go to sleep on any movie. I don't care.
• 1:03:11
  Speaker 1: It took multiple viewings. I made it through. That's usually
• 1:03:14
  Speaker 1: my strategy.
• 1:03:14
  Speaker 9: Did you ever actually make it through Wrong Turn, though?
• 1:03:16
  Speaker 3: No.
• 1:03:17
  Speaker 1: I'm saving that. We need to do a whole episode
• 1:03:19
  Speaker 1: on that one.
• 1:03:20
  Speaker 9: So you can sleep through it? I love that movie.
• 1:03:21
  Speaker 9: You can get a good nap in.
• 1:03:23
  Speaker 1: So you wanted me to scream a lot, is what
• 1:03:25
  Speaker 1: you're saying.
• 1:03:25
  Speaker 11: Yeah.
• 1:03:26
  Speaker 1: I don't know what to tell you.
• 1:03:28
  Speaker 2: Or just say, don't go in there.
• 1:03:29
  Speaker 7: Actually, you need my mom for that one because my
• 1:03:31
  Speaker 7: mom's really good about the whole, she's the little Asian
• 1:03:34
  Speaker 7: woman that watches the movies and is like, don't go
• 1:03:36
  Speaker 7: in there. That person's going to kill you.
• 1:03:38
  Speaker 1: You're going to get stupid.
• 1:03:39
  Speaker 9: You're going to get killed.
• 1:03:39
  Speaker 1: You're going to get killed.
• 1:03:40
  Speaker 9: Oh, he got to walk.
• 1:03:41
  Speaker 7: Yeah, that's what I'm saying.
• 1:03:43
  Speaker 9: Oh, it's in the water. Yeah.
• 1:03:45
  Speaker 1: These are different movies. I don't care.
• 1:03:48
  Speaker 7: Is she going to go out with him? Look at him.
• 1:03:50
  Speaker 9: She shouldn't go out with him.
• 1:03:51
  Speaker 1: He's a bad guy.
• 1:03:52
  Speaker 7: She doesn't know that.
• 1:03:53
  Speaker 9: Why are you pointing at me? I'm not a bad guy.
• 1:03:54
  Speaker 7: No, I'm just saying.
• 1:03:56
  Speaker 1: Well, this one would be like, Don't go in the pipe.
• 1:03:58
  Speaker 1: Why is he going in the pipe?
• 1:03:59
  Speaker 6: Yeah.
• 1:03:59
  Speaker 1: Don't go in the pipe. Oh, Lord. So, I don't know.
• 1:04:04
  Speaker 1: Maybe that was part of it, was the whole, I
• 1:04:06
  Speaker 1: don't know. I also think there's been a lot built
• 1:04:09
  Speaker 1: up over the years, and he's turned into a legitimate
• 1:04:12
  Speaker 1: movie monster now. Like, you really, again, we just took
• 1:04:15
  Speaker 1: our picture with him at the convention here. So, it's like.
• 1:04:18
  Speaker 9: Not actually him, just some guy in a car.
• 1:04:20
  Speaker 1: But in general, it's like you see people dress up
• 1:04:22
  Speaker 1: as characters.
• 1:04:23
  Speaker 9: I don't want anybody to get their hopes up that
• 1:04:24
  Speaker 9: the Creeper was here.
• 1:04:25
  Speaker 1: Well, the Creeper was here. But we didn't get a
• 1:04:28
  Speaker 1: picture with him.
• 1:04:29
  Speaker 9: We got a picture with some guy in a Creeper costume.
• 1:04:31
  Speaker 1: It's not Jonathan Breck.
• 1:04:33
  Speaker 9: In the costume.
• 1:04:34
  Speaker 1: But we did talk to Jonathan Breck. But it's not
• 1:04:36
  Speaker 1: the guy in the costume, which I just thought it
• 1:04:38
  Speaker 1: was fun that there was a guy dressed up as
• 1:04:40
  Speaker 1: the Creeper.
• 1:04:41
  Speaker 2: And it's not the actual Creeper because it hasn't been
• 1:04:43
  Speaker 2: 23 years or whatever.
• 1:04:44
  Speaker 9: It has not been 23 years.
• 1:04:45
  Speaker 1: Or two days or four days later from sequel time.
• 1:04:48
  Speaker 9: Because the second movie was recorded, what, 2003, 2004 maybe?
• 1:04:52
  Speaker 1: That is not 23 years later on the 23rd play.
• 1:04:56
  Speaker 9: Because the next one is supposed to take place right
• 1:05:00
  Speaker 9: after the first one. So it's like four days later.
• 1:05:03
  Speaker 9: That's supposed to be the last day.
• 1:05:04
  Speaker 1: Well, then wouldn't that be the... 2003 is Jeepers Creepers 2.
• 1:05:08
  Speaker 9: They're making a third one. 19th day.
• 1:05:10
  Speaker 1: They're supposed to be. He said when I talked to him,
• 1:05:14
  Speaker 1: it was with MGM, and MGM got all screwed up,
• 1:05:16
  Speaker 1: so that totally derailed Jeepers Creepers 3, but it was
• 1:05:20
  Speaker 1: still in the works is the last I heard.
• 1:05:21
  Speaker 9: I'm already aggravated Jeepers Creepers 3 because of the Wikipedia
• 1:05:24
  Speaker 9: description of it. Because in the third one, it's about Trish.
• 1:05:29
  Speaker 9: Apparently the girl comes back, and she's still playing Trish.
• 1:05:31
  Speaker 9: And apparently she has her son, who she has named
• 1:05:34
  Speaker 9: after her brother. And his name is Alan. Alan S.
• 1:05:40
  Speaker 9: I'm like, Alan S. Darius?
• 1:05:43
  Speaker 1: Darius. See the S?
• 1:05:47
  Speaker 7: Quite a stretch on that one.
• 1:05:49
  Speaker 9: I was like, what the fuck?
• 1:05:51
  Speaker 7: But is he 23 years old?
• 1:05:54
  Speaker 1: Then it would almost make sense.
• 1:05:56
  Speaker 7: Or maybe 21.
• 1:05:57
  Speaker 1: Maybe they're skipping that two never happened.
• 1:05:59
  Speaker 9: It's got the hunters that were in the second one.
• 1:06:01
  Speaker 9: Maybe they're hunting it while it sleeps.
• 1:06:03
  Speaker 1: That's the best time to get it.
• 1:06:05
  Speaker 9: I never see it coming.
• 1:06:06
  Speaker 1: That's true.
• 1:06:07
  Speaker 4: What hunters?
• 1:06:08
  Speaker 9: That are from the second one. Ray Weiss.
• 1:06:10
  Speaker 1: I didn't watch it.
• 1:06:11
  Speaker 7: He was a farmer in the first one.
• 1:06:12
  Speaker 1: I didn't watch the second one. It was stupid.
• 1:06:14
  Speaker 9: Don't watch it.
• 1:06:14
  Speaker 4: I'm not going to.
• 1:06:16
  Speaker 1: I have not heard good things. I don't even remember
• 1:06:17
  Speaker 1: watching the second one.
• 1:06:18
  Speaker 3: I remember.
• 1:06:18
  Speaker 9: We watched it. Yeah, the second one was lame. It
• 1:06:21
  Speaker 9: had a bunch of high school basketball kids.
• 1:06:23
  Speaker 8: Don't look at me. I didn't watch it.
• 1:06:25
  Speaker 9: On a bus.
• 1:06:26
  Speaker 1: God.
• 1:06:26
  Speaker 9: And it was picking them off in the bus.
• 1:06:28
  Speaker 1: Maybe I just blocked it out.
• 1:06:29
  Speaker 9: It was stupid. But it had Ray Weiss, and I
• 1:06:30
  Speaker 9: love me some Ray Weiss. Because Ray Weiss is awesome.
• 1:06:32
  Speaker 6: So is Ray Weiss.
• 1:06:35
  Speaker 1: I do think what's different about it.
• 1:06:36
  Speaker 9: You look like you don't believe me that very well.
• 1:06:38
  Speaker 2: You're just like, no, he's not.
• 1:06:42
  Speaker 1: What I think's different, I mean, usually with these kind
• 1:06:44
  Speaker 1: of things, it's like everything takes place with just like
• 1:06:47
  Speaker 1: the kids and even if it's just like a serial killer,
• 1:06:50
  Speaker 1: it's always like the serial killer and the victim and they...
• 1:06:52
  Speaker 1: like try to bring the police in and it never
• 1:06:54
  Speaker 1: works out or they can't get to them or the
• 1:06:55
  Speaker 1: police don't believe them or like this one, it's just
• 1:06:58
  Speaker 1: like cops versus creeper. Like it's right there. Like they
• 1:07:01
  Speaker 1: don't hide it. They all see the monster. They're fighting
• 1:07:04
  Speaker 1: the monster. They're shooting the monster. Like it's, it's different than,
• 1:07:07
  Speaker 1: I don't know. That is kind of different than most
• 1:07:09
  Speaker 1: movies of this type.
• 1:07:10
  Speaker 9: That one part pissed me off. They were all standing there.
• 1:07:13
  Speaker 9: They all had their flashlights. None of them could fucking
• 1:07:15
  Speaker 9: manage to point the damn light at the monster. It's like,
• 1:07:18
  Speaker 9: they're all like, Well, it's.
• 1:07:19
  Speaker 1: The same people that try to hold your flashlight when
• 1:07:21
  Speaker 1: you're working on the car.
• 1:07:22
  Speaker 2: No, no, over, no.
• 1:07:24
  Speaker 1: Damn it, I'll just do it myself.
• 1:07:25
  Speaker 9: But there's like ten fucking police officers, and they're all
• 1:07:27
  Speaker 9: standing around, and none of them can let their.
• 1:07:29
  Speaker 7: There's light shining everywhere.
• 1:07:31
  Speaker 9: But even when the monster is there eating their friend,
• 1:07:35
  Speaker 9: he's relatively stationary for however long it takes you to
• 1:07:38
  Speaker 9: eat a heart. I don't know.
• 1:07:40
  Speaker 1: Oh, I can tell you.
• 1:07:41
  Speaker 9: Anyways, they're there, and it's like they're shining it at
• 1:07:43
  Speaker 9: the guy's feet or something.
• 1:07:45
  Speaker 2: It's retarded.
• 1:07:46
  Speaker 7: Well, at that point, he's just some guy wearing some
• 1:07:49
  Speaker 7: whacked-out body armor.
• 1:07:50
  Speaker 2: On meth.
• 1:07:51
  Speaker 7: On meth.
• 1:07:53
  Speaker 9: I don't know.
• 1:07:53
  Speaker 1: I mean, there are several. That's one of those, again,
• 1:07:56
  Speaker 1: later on when they're like, they also, like, after that
• 1:08:00
  Speaker 1: first time, they still come back and go, it's not
• 1:08:02
  Speaker 1: like watching a movie. How many times can you make
• 1:08:05
  Speaker 1: this self-referential horror movie comment? Like, it's bad enough the
• 1:08:10
  Speaker 1: first time. You can't keep coming back to it.
• 1:08:12
  Speaker 9: Yes, you can.
• 1:08:13
  Speaker 1: They proved it.
• 1:08:13
  Speaker 7: They do.
• 1:08:14
  Speaker 2: All right.
• 1:08:15
  Speaker 1: I don't know. They just need to get over that
• 1:08:18
  Speaker 1: and stop putting those in there. Only certain movies can
• 1:08:21
  Speaker 1: pull that off.
• 1:08:22
  Speaker 15: I need you to listen and not talk, okay?
• 1:08:25
  Speaker 5: Truth be, I'd be lying if I said I knew
• 1:08:27
  Speaker 5: that telling you this would.
• 1:08:28
  Speaker 6: Do any good.
• 1:08:29
  Speaker 3: Any good?
• 1:08:31
  Speaker 7: What does that mean?
• 1:08:33
  Speaker 9: Every 23rd spring, for 23 days, it.
• 1:08:34
  Speaker 3: Gets to eat.
• 1:08:49
  Speaker 9: You know what it eats, and don't you make me
• 1:08:50
  Speaker 9: tell you. You think I like having this in my head?
• 1:08:56
  Speaker 6: Well, I don't.
• 1:08:58
  Speaker 7: I don't like knowing this.
• 1:08:59
  Speaker 9: And not knowing it. why I do.
• 1:09:01
  Speaker 11: You said it eats?
• 1:09:05
  Speaker 9: Only certain things.
• 1:09:10
  Speaker 8: From certain people.
• 1:09:11
  Speaker 3: Just get away from her, Darian.
• 1:09:12
  Speaker 9: It eats lungs so it can breathe.
• 1:09:18
  Speaker 8: And eyes.
• 1:09:19
  Speaker 15: So I can see. It all becomes a part of it.
• 1:09:26
  Speaker 15: Whatever it eats becomes.
• 1:09:28
  Speaker 9: A part of it.
• 1:09:29
  Speaker 3: I don't know.
• 1:09:30
  Speaker 1: What were your thoughts on the whole wrap-up as it
• 1:09:32
  Speaker 1: goes into the backstory and the cop fights and all
• 1:09:36
  Speaker 1: of that stuff? Which wrap-up?
• 1:09:39
  Speaker 7: Towards the end of it?
• 1:09:40
  Speaker 5: Yeah.
• 1:09:41
  Speaker 1: As he becomes more of the mythical creature that they're battling.
• 1:09:45
  Speaker 11: I don't know.
• 1:09:46
  Speaker 7: The part where he flies off, I kind of I
• 1:09:49
  Speaker 7: was kind of thinking about the Wizard of Oz when
• 1:09:52
  Speaker 7: the flying monkeys kidnapped Dorothy and her little feet are
• 1:09:55
  Speaker 7: like dangling down. I expected to see, yeah, I expected
• 1:09:58
  Speaker 7: to see his little feet dangling down, but they weren't.
• 1:10:02
  Speaker 1: When he's in the full mode, he is sort of
• 1:10:03
  Speaker 1: like kind of Harryhausen, which I think is what they
• 1:10:06
  Speaker 1: were legitimately going for was sort of some of his
• 1:10:09
  Speaker 1: old monsters kind of jammed into one big thing, but.
• 1:10:12
  Speaker 1: It looks good. Again, I like the creature design. It's just,
• 1:10:15
  Speaker 1: I don't know. There's something a little off about the,
• 1:10:17
  Speaker 1: I mean, is it just kind of silly by.
• 1:10:20
  Speaker 9: The end of it?
• 1:10:21
  Speaker 2: I was a little confused. I felt like they had
• 1:10:23
  Speaker 2: an open head shot. I didn't know why we spent
• 1:10:25
  Speaker 2: so much time with the girl pleading, take me, take me,
• 1:10:28
  Speaker 2: and we didn't just shoot the monster in the head.
• 1:10:29
  Speaker 1: Exactly. Or why they do the whole take me, but
• 1:10:33
  Speaker 1: that doesn't come into play. I don't know.
• 1:10:36
  Speaker 7: He doesn't want her.
• 1:10:37
  Speaker 1: Is it just supposed to show what a great sister
• 1:10:39
  Speaker 1: she is?
• 1:10:40
  Speaker 4: Well, yeah.
• 1:10:41
  Speaker 1: A sacrifice.
• 1:10:42
  Speaker 2: Are we also working under the assumption that the monster
• 1:10:44
  Speaker 2: can speak English? That he's... He can understand and is rational.
• 1:10:49
  Speaker 2: I guess he does.
• 1:10:50
  Speaker 1: Have a vanity plate.
• 1:10:52
  Speaker 7: He's got a vanity plate, so he knows how to...
• 1:10:54
  Speaker 7: He's got to know how to speak English, otherwise he
• 1:10:56
  Speaker 7: would have to go to the... Yeah, he's got to
• 1:10:58
  Speaker 7: fill out forms, and he's got to go to the
• 1:10:59
  Speaker 7: Spanish line. He's like, no hable espanol.
• 1:11:03
  Speaker 9: Yeah, and I was trying.
• 1:11:04
  Speaker 2: The whole time I was wondering if he was, in fact,
• 1:11:06
  Speaker 2: blind and needed the eyes because he was blind, and
• 1:11:08
  Speaker 2: that would make sense as to how he was so
• 1:11:10
  Speaker 2: ineffective as a murderer, how he lands on the wrong car, and.
• 1:11:13
  Speaker 1: And his bat wings.
• 1:11:14
  Speaker 7: But he did get him in the hole.
• 1:11:16
  Speaker 1: Well, yeah, he usually uses his sonar. And his sense
• 1:11:20
  Speaker 1: of smell.
• 1:11:20
  Speaker 7: And his sense of smell, yeah.
• 1:11:22
  Speaker 1: He smells stuff a lot.
• 1:11:24
  Speaker 2: So now he's going to have, like, sad, dopey, Justin Long, like,
• 1:11:26
  Speaker 2: longing eyes.
• 1:11:27
  Speaker 3: Yeah.
• 1:11:28
  Speaker 9: Yes, kind of dopey and dumb looking.
• 1:11:31
  Speaker 1: And trying to sell you an apple.
• 1:11:35
  Speaker 9: But it's like, if all of his, most of his
• 1:11:36
  Speaker 9: equipment seems to be down in this hole, right? When
• 1:11:39
  Speaker 9: he threw the body down the chute, he was already
• 1:11:41
  Speaker 9: stitched back up, right?
• 1:11:43
  Speaker 1: So what's he doing, like, on the.
• 1:11:44
  Speaker 7: No, see, I think he's got multiple hideouts because, you know,
• 1:11:48
  Speaker 7: he goes.
• 1:11:48
  Speaker 1: Because they went to the other one at the end. Yeah,
• 1:11:50
  Speaker 1: he went to the other one.
• 1:11:51
  Speaker 9: No, it was the new one because he done fucked
• 1:11:52
  Speaker 9: up his last one.
• 1:11:52
  Speaker 5: I don't know.
• 1:11:53
  Speaker 2: I don't know.
• 1:11:53
  Speaker 7: He had his record player there, so it could have
• 1:11:57
  Speaker 7: been his main... Was there other bodies laying around?
• 1:12:00
  Speaker 1: I don't know. There wasn't much of a... Maybe that
• 1:12:03
  Speaker 1: was the main workshop that we went to at the end,
• 1:12:05
  Speaker 1: and this was just the drop-off point so they could, like,
• 1:12:08
  Speaker 1: stick him on the wall, his stucco going on. Yeah,
• 1:12:11
  Speaker 1: he's got different areas.
• 1:12:12
  Speaker 9: Yeah.
• 1:12:15
  Speaker 1: I mean, that part's creepy. I guess it has to be.
• 1:12:17
  Speaker 1: It's pretty gross, but I don't know.
• 1:12:21
  Speaker 9: I'm sorry.
• 1:12:21
  Speaker 5: Go ahead. Yeah.
• 1:12:23
  Speaker 6: No, it wasn't good.
• 1:12:25
  Speaker 2: I was just going to bring up the psychic lady
• 1:12:26
  Speaker 2: and how we feel about the psychic lady. I like
• 1:12:28
  Speaker 2: the psychic lady. I thought she was awesome.
• 1:12:30
  Speaker 9: I'd be her friend.
• 1:12:31
  Speaker 2: I liked her too. And I liked the phone call scene.
• 1:12:35
  Speaker 2: I thought that was legitimately creepy in like a Robert
• 1:12:38
  Speaker 2: Blake kind of way.
• 1:12:40
  Speaker 1: Yeah, okay. I'll give you that.
• 1:12:41
  Speaker 9: I don't know.
• 1:12:42
  Speaker 1: That's another weird addition to it that I'm like, you
• 1:12:45
  Speaker 1: could have done that whole story without her. So it
• 1:12:48
  Speaker 1: does seem like it. Because it comes in so far
• 1:12:51
  Speaker 1: in that it's like an afterthought of, oh, and then
• 1:12:53
  Speaker 1: we can work this character in.
• 1:12:54
  Speaker 7: Yeah, it just kind of goes nowhere.
• 1:12:56
  Speaker 1: Yeah, I mean, she's there, but it's not really essential. Like,
• 1:12:59
  Speaker 1: all those things still would have happened had she not
• 1:13:01
  Speaker 1: had visions of them happening or whatever happened. It's like,
• 1:13:04
  Speaker 1: she's just witness to it all.
• 1:13:07
  Speaker 7: Yeah, I don't like the way he treated her on
• 1:13:08
  Speaker 7: the phone. Because, I mean, she was trying to give
• 1:13:10
  Speaker 7: him information, and he's spazzing out, and he's telling her,
• 1:13:12
  Speaker 7: you know. The little sister was being a real cunt. Yeah,
• 1:13:15
  Speaker 7: the sister was being stupid. She was trying to listen
• 1:13:16
  Speaker 7: on the phone, and. Yeah, I want her at the
• 1:13:20
  Speaker 7: police station, but either way.
• 1:13:22
  Speaker 9: But she is trying to help you. You need to
• 1:13:25
  Speaker 9: simmer your ass down.
• 1:13:26
  Speaker 2: I enjoyed how sort of tragic and ineffective she was.
• 1:13:30
  Speaker 2: I think if there had been a movie just about her,
• 1:13:32
  Speaker 2: I would have liked it more.
• 1:13:33
  Speaker 1: Yeah, I mean, that's the thing. I think she's actually
• 1:13:36
  Speaker 1: an entertaining character, but it seems kind of weird the
• 1:13:39
  Speaker 1: way they jam it into this structure. It's like she
• 1:13:41
  Speaker 1: doesn't really have to be there. Nothing really even happens
• 1:13:45
  Speaker 1: to her as it goes. I mean, she's sort of
• 1:13:46
  Speaker 1: left aside. So she's just there to sort of see
• 1:13:49
  Speaker 1: everything and be like, oh, well, I saw this in
• 1:13:51
  Speaker 1: my visions, and now I'm here to witness it again.
• 1:13:54
  Speaker 2: Remember the scene that already happened? I knew that, too.
• 1:13:56
  Speaker 1: I can't really do anything about it, though.
• 1:13:58
  Speaker 9: But was her vision wrong, or was she just throwing
• 1:14:01
  Speaker 9: them off? Because she said that it was going to, well,
• 1:14:03
  Speaker 9: it seemed like she implied that it was going to
• 1:14:04
  Speaker 9: be the sister, right?
• 1:14:07
  Speaker 2: I don't think she knew.
• 1:14:08
  Speaker 7: Well, she said the visions weren't always correct.
• 1:14:10
  Speaker 2: I think they were always correct.
• 1:14:12
  Speaker 1: Or maybe, oh, who knows.
• 1:14:13
  Speaker 9: When they asked who it was, she looked at the
• 1:14:15
  Speaker 9: sister kind of like in a, oh, you are fucked
• 1:14:17
  Speaker 9: kind of way.
• 1:14:18
  Speaker 1: Well, and she still is, I guess. Maybe she's just like,
• 1:14:21
  Speaker 1: you're the one that's going to be left behind. You're
• 1:14:23
  Speaker 1: the one that's going to have to live with all
• 1:14:24
  Speaker 1: this later. He'll be dead soon.
• 1:14:26
  Speaker 7: I don't know.
• 1:14:28
  Speaker 9: I mean, I liked the crazy old lady. She walked
• 1:14:30
  Speaker 9: kind of funny, but, you know, he doesn't, I guess,
• 1:14:32
  Speaker 9: when you're crazy.
• 1:14:34
  Speaker 7: She kind of walks like Crazy June.
• 1:14:36
  Speaker 9: Can Crazy June.
• 1:14:37
  Speaker 2: See the future?
• 1:14:38
  Speaker 9: Does she have visions? If we talk to her, would
• 1:14:40
  Speaker 9: she tell us?
• 1:14:40
  Speaker 7: You know what? I'm not going to talk to her.
• 1:14:42
  Speaker 9: Do you think she knew about the serial.
• 1:14:45
  Speaker 1: Killer?
• 1:14:47
  Speaker 8: No.
• 1:14:48
  Speaker 4: She wasn't.
• 1:14:51
  Speaker 1: Okay, so what's our wrap up on this thing? What's
• 1:14:53
  Speaker 1: your final take on the Jeeper Creeper?
• 1:14:55
  Speaker 9: I was glad the brother died because he was a
• 1:14:57
  Speaker 9: real pain in the ass and he had it coming
• 1:14:58
  Speaker 9: because he was a nosy little bastard who should have
• 1:15:00
  Speaker 9: just goddamn hit out of the pipe in the first place.
• 1:15:02
  Speaker 7: Exactly. That's what you get. That's exactly what you get.
• 1:15:06
  Speaker 7: You wanted to go back and be nosy and find
• 1:15:08
  Speaker 7: out what was going on and you got made into
• 1:15:10
  Speaker 7: a skin mask, so There you go. With no eyes.
• 1:15:16
  Speaker 9: Yay. The moral of this story, kids, stay away from
• 1:15:21
  Speaker 9: the pipe.
• 1:15:21
  Speaker 3: Yeah.
• 1:15:22
  Speaker 7: And don't go poking into serial killers' businesses.
• 1:15:24
  Speaker 9: Yeah, mind your own damn business.
• 1:15:26
  Speaker 7: Mind your own damn business.
• 1:15:28
  Speaker 1: You speak from experience.
• 1:15:29
  Speaker 7: Exactly. I knew better.
• 1:15:30
  Speaker 2: The moral of this story, stay away from the pipe,
• 1:15:32
  Speaker 2: has so many applications. Like, that's so fantastic as a
• 1:15:35
  Speaker 2: story's moral.
• 1:15:37
  Speaker 1: That works on, yeah, a lot of levels.
• 1:15:39
  Speaker 9: I was trying to cover all my bases on that.
• 1:15:41
  Speaker 6: Yeah.
• 1:15:43
  Speaker 2: Talking to you, Edward Furlong.
• 1:15:47
  Speaker 1: Oh, wow.
• 1:15:49
  Speaker 9: Oh, Edward Furlong.
• 1:15:50
  Speaker 2: I just wanted to take it back there and make
• 1:15:52
  Speaker 2: sure he's never able to be on the show.
• 1:15:54
  Speaker 7: I don't think he ever will be.
• 1:15:57
  Speaker 1: Oh, the things we say.
• 1:15:58
  Speaker 9: He's so greasy. If they wrapped him in a sheet,
• 1:16:02
  Speaker 9: like if the Jeeper Creeper guy had caught him, can
• 1:16:05
  Speaker 9: you imagine how weighed down it would have been with
• 1:16:07
  Speaker 9: oil and nacho cheese?
• 1:16:09
  Speaker 7: Well, he would have slid down the pipe easier. He
• 1:16:12
  Speaker 7: would have rolled forever.
• 1:16:14
  Speaker 2: I did not mean for that to go here. I
• 1:16:18
  Speaker 2: was just going to make a casual reference to his
• 1:16:20
  Speaker 2: drug use.
• 1:16:21
  Speaker 1: Oh no, you opened the door.
• 1:16:22
  Speaker 7: And you know the creeper, all his embalming stuff probably
• 1:16:29
  Speaker 7: wouldn't have stuck to his oily skin anyways either.
• 1:16:31
  Speaker 9: It would not have.
• 1:16:34
  Speaker 1: I think he's already preserved.
• 1:16:35
  Speaker 9: He's got his own layer of wax.
• 1:16:38
  Speaker 10: Yeah.
• 1:16:39
  Speaker 9: And foam.
• 1:16:41
  Speaker 1: All right, so does that round out Jeepers Creepers?
• 1:16:44
  Speaker 9: Stay away from the bike. Seriously, dude, who the fuck
• 1:16:47
  Speaker 9: does that? Oh, he's throwing dead bodies in there. Let's
• 1:16:50
  Speaker 9: go look.
• 1:16:50
  Speaker 5: Yeah, exactly.
• 1:16:52
  Speaker 9: You know?
• 1:16:52
  Speaker 1: That's what happens in every episode of Scooby-Doo.
• 1:16:54
  Speaker 9: I forgot to talk about how annoyed I was at
• 1:16:56
  Speaker 9: that one scene with the sister when she's leaning up
• 1:16:58
  Speaker 9: against the car, and this fucking truck sneaks up on her.
• 1:17:01
  Speaker 1: Yeah, because she's not paying attention.
• 1:17:02
  Speaker 7: That's your job, is to watch to see if the
• 1:17:04
  Speaker 7: truck's going to come back.
• 1:17:05
  Speaker 4: What do you do?
• 1:17:06
  Speaker 9: First of all, it's coming. I can hear it. And
• 1:17:08
  Speaker 9: she's just leaning, and then she turns around and she
• 1:17:10
  Speaker 9: looks at it, And she keeps looking at it. And
• 1:17:13
  Speaker 9: she fucking stares at it for a good like 30 seconds.
• 1:17:15
  Speaker 9: I'm like, bitch, what are you doing?
• 1:17:16
  Speaker 1: And then she freaks out and runs away.
• 1:17:17
  Speaker 7: Yeah, and then it dawns on her.
• 1:17:19
  Speaker 2: See, I almost feel like those moments were all calculated
• 1:17:22
  Speaker 2: for that theatrical experience.
• 1:17:24
  Speaker 9: I don't know.
• 1:17:25
  Speaker 1: It's right there.
• 1:17:26
  Speaker 3: It's coming.
• 1:17:26
  Speaker 1: You stupid bitch.
• 1:17:28
  Speaker 9: Yeah.
• 1:17:29
  Speaker 1: It kind of works. I mean, we all were thinking that.
• 1:17:32
  Speaker 1: Turn around, Mitch.
• 1:17:33
  Speaker 3: Turn around.
• 1:17:33
  Speaker 9: But even when she does turn around, she's blatantly staring
• 1:17:36
  Speaker 9: at it. Oh, what is this? Is this a truck?
• 1:17:39
  Speaker 9: Is this a truck that's trying to kill us? Help
• 1:17:40
  Speaker 9: me sit and stare at it for a few minutes longer.
• 1:17:42
  Speaker 9: I want to make sure. I want to make sure.
• 1:17:43
  Speaker 9: I want to make eye contact first.
• 1:17:46
  Speaker 1: She was totally watching for that truck. the other direction.
• 1:17:49
  Speaker 1: I mean, you didn't say it looked both ways before
• 1:17:51
  Speaker 1: crossing the street.
• 1:17:52
  Speaker 7: Pull your car right out onto the edge of the
• 1:17:54
  Speaker 7: road where he could see it.
• 1:17:55
  Speaker 2: And isn't that the direction the truck had gone in originally? Like,
• 1:17:58
  Speaker 2: shouldn't she be expecting it to come back from that direction?
• 1:18:00
  Speaker 9: Well, she wasn't just looking for the truck. She was
• 1:18:02
  Speaker 9: looking for any passerbys.
• 1:18:04
  Speaker 1: In one direction.
• 1:18:05
  Speaker 7: In one direction.
• 1:18:06
  Speaker 9: I don't know if she was smart about it. I'm
• 1:18:08
  Speaker 9: just saying. She had nice hair. She did.
• 1:18:13
  Speaker 2: She was lovely, too.
• 1:18:14
  Speaker 9: She was real cute. She had a real cute body.
• 1:18:15
  Speaker 9: I wish I had like that, but she was dumb.
• 1:18:19
  Speaker 9: she was smarter than her brother.
• 1:18:21
  Speaker 1: That's true that's why she made it yeah and.
• 1:18:23
  Speaker 9: What the fuck was that cell phone it.
• 1:18:26
  Speaker 1: Was not 2001 yeah what did your cell phone look
• 1:18:28
  Speaker 1: like in 2001 i didn't have a cell phone i
• 1:18:32
  Speaker 1: might have it that i was still pretty late to the.
• 1:18:34
  Speaker 7: Game on the old no i was probably told 2002
• 1:18:37
  Speaker 7: maybe i think i got a cell phone maybe three
• 1:18:40
  Speaker 7: it was a nokia.
• 1:18:42
  Speaker 1: Mine was too it's pretty fancy.
• 1:18:44
  Speaker 9: You had it until like last year?
• 1:18:45
  Speaker 1: Yeah, pretty much.
• 1:18:46
  Speaker 9: Or last month?
• 1:18:47
  Speaker 1: Pretty much. I've still got mine.
• 1:18:48
  Speaker 10: It's in a box.
• 1:18:49
  Speaker 7: Because I don't throw anything away.
• 1:18:51
  Speaker 9: You don't. But yeah, I was just, there was a
• 1:18:54
  Speaker 9: lot of moments where I was just yelling at the TV.
• 1:18:56
  Speaker 1: So from that angle it works.
• 1:18:59
  Speaker 9: We didn't watch it until like midnight. So I was
• 1:19:01
  Speaker 9: like half asleep too. Yeah.
• 1:19:02
  Speaker 1: So I was like, ah, you're.
• 1:19:04
  Speaker 7: Yeah, we were very low on patience at that point.
• 1:19:06
  Speaker 9: Yeah.
• 1:19:07
  Speaker 1: And I think that might be part of it. I
• 1:19:09
  Speaker 1: think by the end, I just get kind of impatient
• 1:19:11
  Speaker 1: with it. I'm like, oh, hurry up and kill him now.
• 1:19:13
  Speaker 1: Because the first half seems really effective to me. And
• 1:19:15
  Speaker 1: then by the end, I was like, what the hell
• 1:19:17
  Speaker 1: is going on now?
• 1:19:17
  Speaker 7: Yeah, it's like, if you don't kill him now, I'm
• 1:19:19
  Speaker 7: going to come in the TV and kill him.
• 1:19:20
  Speaker 1: So I don't know. I think the first half works
• 1:19:22
  Speaker 1: really well and is really tense and it is kind
• 1:19:24
  Speaker 1: of creepy. And then by the end, I'm just like, oh,
• 1:19:26
  Speaker 1: hurry up and shoot him or something.
• 1:19:27
  Speaker 6: God.
• 1:19:28
  Speaker 12: I don't know.
• 1:19:29
  Speaker 1: I get impatient by the end of the movie.
• 1:19:31
  Speaker 9: Especially this movie. I liked it. I mean, it was okay.
• 1:19:35
  Speaker 7: You know, I sometimes kind of wonder, too. What if
• 1:19:39
  Speaker 7: the sister just shot her brother in the head at
• 1:19:41
  Speaker 7: that point? Because she knows he's going to die, you know?
• 1:19:46
  Speaker 7: She knows he's probably going to die a horrible death,
• 1:19:47
  Speaker 7: and you're going to save him from dying. I think
• 1:19:50
  Speaker 7: that would kind of spoil his plans as far as, like,
• 1:19:52
  Speaker 7: you know.
• 1:19:52
  Speaker 9: Maybe he would have came after her.
• 1:19:54
  Speaker 1: Yeah, big deal. Would he? Because he picked somebody real specific.
• 1:19:56
  Speaker 1: He's got that whole sin thing. He's going. He has
• 1:19:59
  Speaker 1: to start over. Maybe he didn't like this. No, no, no, no.
• 1:20:03
  Speaker 1: It's not that.
• 1:20:04
  Speaker 7: I think he wanted something very specific and he didn't
• 1:20:07
  Speaker 7: find it in her just because, I don't know, maybe
• 1:20:10
  Speaker 7: she was not as whiny.
• 1:20:11
  Speaker 1: As he was.
• 1:20:13
  Speaker 5: You know?
• 1:20:13
  Speaker 1: She wasn't as scared.
• 1:20:15
  Speaker 7: Yeah, she wasn't as scared. He would have tried to
• 1:20:17
  Speaker 7: find somebody else to scare. But I think it would
• 1:20:19
  Speaker 7: have been a, Kind of a funny moment if she
• 1:20:22
  Speaker 7: just shot him in the head and looked at him
• 1:20:23
  Speaker 7: and said, now what?
• 1:20:24
  Speaker 1: Now what are you going to do? You just get
• 1:20:25
  Speaker 1: the creeper looking at it. Come on! I totally picked
• 1:20:29
  Speaker 1: this guy out.
• 1:20:30
  Speaker 8: He looked yummy.
• 1:20:32
  Speaker 2: Yeah, I was confused, yeah, by the ethical motivations of
• 1:20:36
  Speaker 2: the creeper as well. It seemed like sometimes he would
• 1:20:37
  Speaker 2: sort of... kill without discrimination, and then other times he'd
• 1:20:40
  Speaker 2: be like, I will spare you because you do not
• 1:20:42
  Speaker 2: have Justin Long's eyes.
• 1:20:44
  Speaker 1: Yeah, well, I mean, just often those cops, like in
• 1:20:47
  Speaker 1: the car, the cop, he just beheads that cop for
• 1:20:49
  Speaker 1: no good reason.
• 1:20:50
  Speaker 9: And he at least took them with him. What about
• 1:20:53
  Speaker 9: the cat lady?
• 1:20:55
  Speaker 1: He just tossed her aside.
• 1:20:56
  Speaker 7: Yeah, he tossed her aside and flew off.
• 1:20:59
  Speaker 9: And what are the consequences of that? Because now who's
• 1:21:01
  Speaker 9: going to feed her cats? They're going to eat her.
• 1:21:03
  Speaker 1: Oh, they're totally going to eat her.
• 1:21:05
  Speaker 4: Oh, that and run away.
• 1:21:05
  Speaker 9: It's cat chaos.
• 1:21:08
  Speaker 7: It's a catastrophe.
• 1:21:11
  Speaker 9: See, I got wing in it.
• 1:21:14
  Speaker 1: If you're keeping score at home of the horrible jokes.
• 1:21:17
  Speaker 1: Which one was worse?
• 1:21:19
  Speaker 9: I think catastrophe was worse.
• 1:21:21
  Speaker 1: It's a little hammier.
• 1:21:23
  Speaker 9: But I mean, seriously. What if that old lady had family?
• 1:21:28
  Speaker 7: She didn't have any family.
• 1:21:29
  Speaker 1: Do you really worry about the family in any of
• 1:21:30
  Speaker 1: these horror movies?
• 1:21:31
  Speaker 9: I'm worried about how they're going to have to react
• 1:21:34
  Speaker 9: when they find out that Nana was eaten by a
• 1:21:36
  Speaker 9: horde of cats.
• 1:21:38
  Speaker 2: I'm pretty sure Nana has cats instead of a family.
• 1:21:41
  Speaker 1: That could explain it, really. That's usually what happens. I've
• 1:21:43
  Speaker 1: got a friend. You know Sean?
• 1:21:44
  Speaker 7: You don't know Sean. He bought a house, and the
• 1:21:48
  Speaker 7: guy that died in the house, he shot himself in
• 1:21:53
  Speaker 7: the face. He committed suicide. And the cat, he had
• 1:21:56
  Speaker 7: a cat up there. It ate his face.
• 1:21:59
  Speaker 10: Yep.
• 1:21:59
  Speaker 7: And then the cat died next to him. And then
• 1:22:01
  Speaker 7: he bought the apartment. It was actually a house apartment.
• 1:22:04
  Speaker 7: And he left the tape outline of the man, and
• 1:22:07
  Speaker 7: I I think there was a tape outline of the cat, too,
• 1:22:10
  Speaker 7: but I don't know if that was completely true. But
• 1:22:12
  Speaker 7: he left that on the floor.
• 1:22:14
  Speaker 1: Did the cat, like, lead poisoning?
• 1:22:18
  Speaker 7: Well, there was only so much it could eat.
• 1:22:19
  Speaker 1: That's what I was going to say. Did he eventually
• 1:22:20
  Speaker 1: starve to death?
• 1:22:21
  Speaker 7: Yeah, he eventually starved to death.
• 1:22:22
  Speaker 1: I forgot how many. I was like, otherwise, why the
• 1:22:24
  Speaker 1: hell did the cat die?
• 1:22:25
  Speaker 7: Well, he rented the building. He rented the shop downstairs.
• 1:22:29
  Speaker 7: The owner of the building lived upstairs. He died, was
• 1:22:34
  Speaker 7: upstairs in the apartment for I don't know how many months.
• 1:22:36
  Speaker 10: Wow.
• 1:22:37
  Speaker 7: And he just kept on shoving the lease money through
• 1:22:42
  Speaker 7: the mail slot and eventually kind of was like, okay,
• 1:22:45
  Speaker 7: we haven't seen this guy in like two or three months.
• 1:22:48
  Speaker 7: And then they finally got the cops to go out
• 1:22:49
  Speaker 7: there and check it out.
• 1:22:50
  Speaker 9: Maybe they're like, oh, I got my money back.
• 1:22:52
  Speaker 7: Yeah, me too.
• 1:22:54
  Speaker 1: Free rent. Exactly.
• 1:22:58
  Speaker 7: He ended up living up there, which I didn't understand.
• 1:23:00
  Speaker 1: Yeah, that's kind of creepy.
• 1:23:01
  Speaker 7: Apparently the place was haunted too.
• 1:23:02
  Speaker 4: By a cat?
• 1:23:04
  Speaker 1: No, by that guy.
• 1:23:05
  Speaker 7: And the cat.
• 1:23:05
  Speaker 1: And the cat, yeah.
• 1:23:06
  Speaker 7: Yeah, he told me he saw the cat and the guy.
• 1:23:09
  Speaker 1: This is fitting, then. Creepy, haunted stories for Halloween.
• 1:23:13
  Speaker 8: Yeah.
• 1:23:14
  Speaker 1: Dead cat haunting the apartment.
• 1:23:19
  Speaker 9: Mm-hmm.
• 1:23:22
  Speaker 1: Anything else on Jeepers Creepers?
• 1:23:29
  Speaker 10: No.
• 1:23:29
  Speaker 9: No.
• 1:23:38
  Speaker 2: There's no better ending to this episode than that.
• 1:23:41
  Speaker 9: Please tell me you got that.
• 1:23:43
  Speaker 1: I think it came through just fine.
• 1:23:46
  Speaker 9: We really can't top that. Not even if we tried.
• 1:23:51
  Speaker 6: Oh, wow.
• 1:23:54
  Speaker 2: And we're in a basement and that was a creepy song.
• 1:23:56
  Speaker 11: Yeah, yeah.
• 1:23:57
  Speaker 1: Actually, I like the creepy song at the end of
• 1:23:59
  Speaker 1: Creepish Creep. Not the Creeper song. I like the one
• 1:24:03
  Speaker 1: they play.
• 1:24:03
  Speaker 6: At the end.
• 1:24:04
  Speaker 9: And then we were like, is there anything after this?
• 1:24:05
  Speaker 1: Yeah. I think we need to go out on that one,
• 1:24:07
  Speaker 1: so we'll go with that.
• 1:24:08
  Speaker 9: I don't remember what the song was.
• 1:24:11
  Speaker 1: Anything else on your Halloween fun? Do you have any
• 1:24:14
  Speaker 1: fun Halloween wishes for people?
• 1:24:16
  Speaker 6: I don't know.
• 1:24:17
  Speaker 7: I'm going to go try to hang out at her
• 1:24:19
  Speaker 7: cousin's house for Halloween.
• 1:24:21
  Speaker 9: Yeah, he's like now BFFs with my cousin. It's ridiculous.
• 1:24:26
  Speaker 1: They're going to sit around and.
• 1:24:27
  Speaker 9: Play with each other's hair.
• 1:24:27
  Speaker 7: He's got a freaking sonic phaser.
• 1:24:29
  Speaker 3: Yeah.
• 1:24:32
  Speaker 9: And he has a starbird.
• 1:24:34
  Speaker 1: Yeah, he's got a starbird, too.
• 1:24:35
  Speaker 9: He gets into starbird fights.
• 1:24:36
  Speaker 3: Oh, hell yeah.
• 1:24:36
  Speaker 1: Starbird fights. Me and him have a starbird fight. What's
• 1:24:38
  Speaker 1: the appeal for Halloween, though? What's the plan for Halloween?
• 1:24:41
  Speaker 7: Well, if he gets pumpkins, he's supposed to put a
• 1:24:43
  Speaker 7: bunch of pumpkins out. Usually he does his house up.
• 1:24:47
  Speaker 1: Pretty big. Fantastically.
• 1:24:48
  Speaker 7: Fantastically for Halloween. How many trick-or-treaters did he say he
• 1:24:51
  Speaker 7: had last year?
• 1:24:51
  Speaker 9: I think around 150 to 200, which we get three.
• 1:24:55
  Speaker 1: He's that house in the neighborhood.
• 1:24:56
  Speaker 5: Yeah.
• 1:24:57
  Speaker 7: So it's like figures, you know, I become friends with
• 1:24:59
  Speaker 7: him and this is the year he decides to maybe
• 1:25:02
  Speaker 7: not do anything.
• 1:25:04
  Speaker 5: Nice.
• 1:25:05
  Speaker 9: I was like, no, you can't do that.
• 1:25:07
  Speaker 1: You need to do it.
• 1:25:08
  Speaker 3: For us.
• 1:25:09
  Speaker 6: Yeah.
• 1:25:10
  Speaker 7: Yeah.
• 1:25:11
  Speaker 1: Do you have fun Halloween plans, Lucy?
• 1:25:14
  Speaker 3: Um, No.
• 1:25:15
  Speaker 2: I now have a Halloween costume. Halloween costumes are something
• 1:25:18
  Speaker 2: that I struggled with for many years. And I went
• 1:25:20
  Speaker 2: to a friend's dress-up party, not Halloween-related, but just costume attire,
• 1:25:25
  Speaker 2: and I went as Adam Ant.
• 1:25:27
  Speaker 9: I saw pictures. Those were fantastic.
• 1:25:28
  Speaker 1: Oh, thank you very much. That was very excellent.
• 1:25:30
  Speaker 2: Let me tell you a story about that. Well, I
• 1:25:32
  Speaker 2: appreciate that, and hopefully that will lend to the veracity
• 1:25:35
  Speaker 2: of my plight, because I went to that, and nobody
• 1:25:37
  Speaker 2: knew who I was.
• 1:25:39
  Speaker 1: We're also old, by the way.
• 1:25:41
  Speaker 2: That's the thing. It was, like, a bunch of, like,
• 1:25:42
  Speaker 2: early 20s, 20-something people. And nobody had any idea who
• 1:25:48
  Speaker 2: Adam Ant was. And I even had brought, in case,
• 1:25:51
  Speaker 2: I mean, I thought my costume was pretty good. In
• 1:25:53
  Speaker 2: case I was delusioned and it wasn't and it was terrible,
• 1:25:56
  Speaker 2: I had, like, I have an old, like, Adam Ant pin.
• 1:25:59
  Speaker 2: And I brought that and I affixed that to my
• 1:26:01
  Speaker 2: Adam Ant jacket. And so if somebody had to ask,
• 1:26:04
  Speaker 2: who are you, then I could show them the pin
• 1:26:06
  Speaker 2: that has a picture of Adam Ant with the words
• 1:26:07
  Speaker 2: next to it, Adam Ant.
• 1:26:09
  Speaker 9: Yeah.
• 1:26:10
  Speaker 2: People would ask, I would show them the pin, and
• 1:26:12
  Speaker 2: they would still look blankly at that, see the name
• 1:26:14
  Speaker 2: Adam Ant, nothing.
• 1:26:17
  Speaker 9: Nothing.
• 1:26:17
  Speaker 7: Is he an ant?
• 1:26:20
  Speaker 2: So, from now on, I accepted this as a challenge. So,
• 1:26:24
  Speaker 2: my job in life now, I'm on an educative mission
• 1:26:27
  Speaker 2: to inform future generations....
• 1:26:31
  Speaker 4: The existence?
• 1:26:32
  Speaker 2: Of the existence, and more importantly, greatness of Adam Ant. So, every...
• 1:26:35
  Speaker 2: I thought for.
• 1:26:36
  Speaker 9: A second you might try to have another.
• 1:26:39
  Speaker 9: Icon. You're going to go as cameo.
• 1:26:44
  Speaker 2: But I'm going to have an Adamant. Yeah, that would
• 1:26:45
  Speaker 2: be amazing.
• 1:26:46
  Speaker 1: Trick's finding the codpiece. What do you mean you.
• 1:26:49
  Speaker 9: Don't know who this is?
• 1:26:52
  Speaker 1: Check out my codpiece. What do you mean you don't know?
• 1:26:54
  Speaker 9: I know, right?
• 1:26:57
  Speaker 2: So every year now, Adamant, but the challenge is to
• 1:26:59
  Speaker 2: have it be a different Adamant outfit. No repeats of jackets.
• 1:27:04
  Speaker 1: Or When you get to his weird movie roles, let
• 1:27:06
  Speaker 1: us know and we can tie it into the episode.
• 1:27:09
  Speaker 2: Oh, I like that.
• 1:27:10
  Speaker 1: He's got a fine acting career there. We need to
• 1:27:13
  Speaker 1: work that in.
• 1:27:13
  Speaker 2: And I'm going to be seeing him in Pontiac, Michigan
• 1:27:16
  Speaker 2: in two weeks.
• 1:27:17
  Speaker 1: Not playing, just stalking his house.
• 1:27:19
  Speaker 9: How many variations are there? How many years have you
• 1:27:22
  Speaker 9: got this planned out for you?
• 1:27:23
  Speaker 2: I don't think it always has to be a different look.
• 1:27:25
  Speaker 2: Just a different outfit.
• 1:27:27
  Speaker 1: He probably had a lot of outfits.
• 1:27:29
  Speaker 2: It could be Prince Charming for a lot of years
• 1:27:30
  Speaker 2: because that's my favorite.
• 1:27:31
  Speaker 9: It's like Liberace.
• 1:27:34
  Speaker 1: He had a lot of outfits. He had a lot
• 1:27:35
  Speaker 1: of outfits. And they were all badass. And a lot
• 1:27:37
  Speaker 1: of rings.
• 1:27:38
  Speaker 9: And capes.
• 1:27:39
  Speaker 1: And was awesome at Halloween.
• 1:27:41
  Speaker 9: Yes.
• 1:27:41
  Speaker 1: It was one of the other shows I listened to,
• 1:27:44
  Speaker 1: and it was a guy that grew up in L.A.,
• 1:27:47
  Speaker 1: and he said growing up, we would go out trick-or-treating,
• 1:27:50
  Speaker 1: and there were only certain places you could go, but
• 1:27:52
  Speaker 1: he said, if you would go to Liberace's house, he
• 1:27:55
  Speaker 1: would answer the door. Like, Liberace would come to the door, fur, rings,
• 1:28:00
  Speaker 1: you know, the whole deal, and give kids candy and
• 1:28:04
  Speaker 1: stand there and talk to them. And I'm like, that
• 1:28:05
  Speaker 1: is so awesome. One more reason Liberace is badass.
• 1:28:09
  Speaker 2: Speaking of that, is this true, this rumor that has
• 1:28:11
  Speaker 2: circulated that Johnny Depp went as the pirate to his
• 1:28:16
  Speaker 2: mom's house and handed out candy in Kentucky? Have you
• 1:28:19
  Speaker 2: heard this?
• 1:28:20
  Speaker 1: No, but that's hilarious if it is true. I haven't
• 1:28:22
  Speaker 1: heard that either.
• 1:28:23
  Speaker 2: I think it might actually be true.
• 1:28:25
  Speaker 4: It could be.
• 1:28:26
  Speaker 7: I don't know, though, because I used to work with
• 1:28:28
  Speaker 7: his cousin, and they said that they hadn't seen him since,
• 1:28:33
  Speaker 7: I think he said early family reunions, that he just
• 1:28:35
  Speaker 7: doesn't usually... If he comes back, he comes back to
• 1:28:38
  Speaker 7: visit family, and it's very brief. and gone doesn't like
• 1:28:41
  Speaker 7: i don't have any association with kentucky.
• 1:28:43
  Speaker 1: I've seen the people in that neighborhood i don't blame
• 1:28:45
  Speaker 1: him Well, yeah, I do.
• 1:28:46
  Speaker 2: Know that he bought his mom a house slash farm
• 1:28:49
  Speaker 2: right next to the airport just so he could land
• 1:28:51
  Speaker 2: in the airport and then go to her house and
• 1:28:53
  Speaker 2: then just jump back on a plane. But I do
• 1:28:54
  Speaker 2: know that my friend is now defunct. There was a
• 1:28:57
  Speaker 2: restaurant called The Melodian in Lexington that was fantastic. And
• 1:29:01
  Speaker 2: my friend was at the bar with this sort of
• 1:29:03
  Speaker 2: unkempt fellow for a few hours just shooting the shit.
• 1:29:06
  Speaker 2: And the guy gets up to leave and the bartender,
• 1:29:09
  Speaker 2: I think we know where this is going, says, what
• 1:29:11
  Speaker 2: were you talking to Johnny Depp about for three hours?
• 1:29:13
  Speaker 2: And my friend just had no idea. He just thought
• 1:29:15
  Speaker 2: he was some weird dude, and they were just having
• 1:29:17
  Speaker 2: a weird dude conversation at the bar.
• 1:29:19
  Speaker 1: Those are all still true. He is a weird dude,
• 1:29:21
  Speaker 1: and I'm sure he has many weird dude conversations.
• 1:29:25
  Speaker 9: I forgot, we do have awesome plans for Halloween.
• 1:29:28
  Speaker 4: We did.
• 1:29:28
  Speaker 9: We're going to Coney Island, bitch.
• 1:29:30
  Speaker 1: Oh, yeah.
• 1:29:30
  Speaker 6: That's right.
• 1:29:31
  Speaker 7: I forgot about that.
• 1:29:32
  Speaker 9: How do you forget about going to Coney Island?
• 1:29:33
  Speaker 1: You guys both suck because I don't get to go.
• 1:29:35
  Speaker 9: Yeah. Because they're having their big Halloween spectacular at Coney Island,
• 1:29:38
  Speaker 9: and I want to go ride the cyclone, and I'm
• 1:29:40
  Speaker 9: like super-duper.
• 1:29:40
  Speaker 2: Excited, and I'm like, I have always wanted to go there.
• 1:29:43
  Speaker 1: Me too.
• 1:29:45
  Speaker 9: Everybody does, you know.
• 1:29:47
  Speaker 1: You guys suck.
• 1:29:47
  Speaker 4: Yeah, we're going.
• 1:29:48
  Speaker 9: We're going to Coney Island, and there's going to be
• 1:29:50
  Speaker 9: like haunted houses and mazes and everything, and everybody's got costumes,
• 1:29:53
  Speaker 9: which I'm kind of leery about.
• 1:29:54
  Speaker 3: Yeah.
• 1:29:55
  Speaker 9: I'm leery about haunted houses and that kind of thing
• 1:29:57
  Speaker 9: because I don't like people jumping out and touching me.
• 1:30:00
  Speaker 9: I don't like people touching me or close contact or
• 1:30:03
  Speaker 9: just in close proximity trying to shock me. I hate
• 1:30:06
  Speaker 9: being startled. I hate that shit.
• 1:30:09
  Speaker 2: I can imagine that would be hell on earth for
• 1:30:10
  Speaker 2: you then.
• 1:30:11
  Speaker 9: I like the idea.
• 1:30:12
  Speaker 7: It's hell to try to keep me from punching somebody.
• 1:30:15
  Speaker 1: Yeah, that's why I hate those.
• 1:30:18
  Speaker 7: My first reaction is I'm going to kick somebody in
• 1:30:20
  Speaker 7: the face.
• 1:30:20
  Speaker 1: Yeah, it's like you can't expect people to do that
• 1:30:22
  Speaker 1: and not have their normal reaction, which is I want
• 1:30:24
  Speaker 1: to punch you in the face.
• 1:30:25
  Speaker 9: I wonder if they, like, there goes Chris Sarandon. But
• 1:30:28
  Speaker 9: I wonder if they, like, if they, like, look at
• 1:30:30
  Speaker 9: people and, like, judge. He just walked by. And, like, judge, like,
• 1:30:33
  Speaker 9: all right, this person will be good to jump at.
• 1:30:34
  Speaker 9: They probably can't kick my ass.
• 1:30:36
  Speaker 1: You know?
• 1:30:37
  Speaker 9: This person looks like a weakling. I want to get
• 1:30:40
  Speaker 9: them because even if they decide to swing, I can
• 1:30:42
  Speaker 9: take them.
• 1:30:43
  Speaker 1: Anybody I know who's worked at Halloween shows or haunted
• 1:30:46
  Speaker 1: houses or whatever, they do, like, they spot, and it's
• 1:30:48
  Speaker 1: always the girls, they're always, which girl is going to
• 1:30:51
  Speaker 1: scream her head off? So you can sit there and
• 1:30:54
  Speaker 1: pick it out and, You just look angry, so they
• 1:30:56
  Speaker 1: don't want to go with you. Which is the girl
• 1:30:58
  Speaker 1: they're going to freak out?
• 1:31:00
  Speaker 7: Yeah, because what happens when you startle me?
• 1:31:01
  Speaker 9: Dude, there's been, I don't know how many times that
• 1:31:05
  Speaker 9: he's almost punched me in the face.
• 1:31:08
  Speaker 1: Beating you?
• 1:31:08
  Speaker 5: Yes.
• 1:31:10
  Speaker 6: Tying.
• 1:31:11
  Speaker 9: I think it was just the other night. I was
• 1:31:13
  Speaker 9: walking down the hall, and he was walking down the
• 1:31:15
  Speaker 9: opposite direction of the hall, but he was looking this way,
• 1:31:17
  Speaker 9: so he was walking directly at me.
• 1:31:18
  Speaker 7: Because I thought you were in the computer room.
• 1:31:20
  Speaker 9: So I'm walking this way, and I'm walking, and he's like,
• 1:31:23
  Speaker 9: I'm like, boyfriend, boyfriend, and he's just like, and I'm
• 1:31:25
  Speaker 9: just like.
• 1:31:27
  Speaker 1: That was an arm pulled back that you didn't hear
• 1:31:28
  Speaker 1: at home.
• 1:31:29
  Speaker 9: Yeah, I can do it again. That's what it looked like.
• 1:31:31
  Speaker 9: But anyways, I'm like, I'm going to apologize for almost
• 1:31:35
  Speaker 9: thinking about hitting me.
• 1:31:37
  Speaker 7: You know, threat assessment. I had to look and make
• 1:31:40
  Speaker 7: sure it wasn't.
• 1:31:41
  Speaker 9: You can hear me. I'm your girlfriend. You should know
• 1:31:43
  Speaker 9: my voice by now.
• 1:31:44
  Speaker 7: But it takes a while for that to reach my brain.
• 1:31:46
  Speaker 7: The first thing that reaches into my brain is I'm
• 1:31:48
  Speaker 7: going to kill you. Who are you? Oh, oh, oh, oh,
• 1:31:51
  Speaker 7: it's girlfriend.
• 1:31:51
  Speaker 9: Maybe you should look where you're walking.
• 1:31:55
  Speaker 1: Think about punching her. You better apologize.
• 1:31:57
  Speaker 9: Dude, seriously. If I have dreams where he's mean to me,
• 1:32:02
  Speaker 9: I make him apologize.
• 1:32:03
  Speaker 1: That's true, I'm sure.
• 1:32:04
  Speaker 9: Because he's wonderful and I love him.
• 1:32:09
  Speaker 1: All right.
• 1:32:10
  Speaker 2: Did we just segue into our Valentine's Day episode?
• 1:32:12
  Speaker 1: Well, I was thinking what a great Halloween story. Domestic violence.
• 1:32:16
  Speaker 3: Yay!
• 1:32:17
  Speaker 9: He didn't actually hit me. Not in any way do I.
• 1:32:20
  Speaker 1: Condone domestic violence. This is, yeah.
• 1:32:23
  Speaker 9: Unless the bitch really deserves it.
• 1:32:27
  Speaker 1: I give up. We're going home.
• 1:32:29
  Speaker 8: All right.
• 1:32:31
  Speaker 1: We do want to say thank you to the Scarefest people.
• 1:32:33
  Speaker 1: This has been an awesome weekend once again. And I
• 1:32:37
  Speaker 1: really like the way they set things up. Yesterday was
• 1:32:40
  Speaker 1: really cool and made things very easy to get in
• 1:32:43
  Speaker 1: there and talk to people.
• 1:32:43
  Speaker 9: I do feel sorry for them. Who?
• 1:32:46
  Speaker 1: Oh, yeah. They had some bad, and none of which
• 1:32:50
  Speaker 1: were their fault. They had some bad last-minute complications with illness,
• 1:32:55
  Speaker 1: cancellations from some of the bigger celebrities. From the biggest celebrities.
• 1:33:00
  Speaker 4: Several of them.
• 1:33:01
  Speaker 2: But they did really roll with it. And I got
• 1:33:03
  Speaker 2: to say, that Patti Starr is maybe the most adorable
• 1:33:06
  Speaker 2: person that ever lived.
• 1:33:07
  Speaker 1: I saw her yesterday. She kind of is.
• 1:33:08
  Speaker 9: Yeah. And they were very upfront with the whole thing.
• 1:33:10
  Speaker 9: There wasn't any kind of, they were very.
• 1:33:12
  Speaker 7: Yeah, they weren't like, last minute when you got here,
• 1:33:14
  Speaker 7: they were like, oh, by the way.
• 1:33:15
  Speaker 6: Totally, yeah.
• 1:33:16
  Speaker 9: Like, as soon as they found out, it's like they
• 1:33:17
  Speaker 9: were passing along information.
• 1:33:19
  Speaker 1: And they passed the note from Malcolm McDowell, who was like, look,
• 1:33:23
  Speaker 1: my eye's falling apart. I'm sorry, I can't be there.
• 1:33:26
  Speaker 1: So they immediately forwarded that to everybody. So that, yeah,
• 1:33:29
  Speaker 1: they handled it very well.
• 1:33:31
  Speaker 9: I didn't see a lot of negative feedback about the
• 1:33:33
  Speaker 9: whole thing, but I didn't.
• 1:33:34
  Speaker 1: No, I mean, all of it is not their fault.
• 1:33:37
  Speaker 1: It's how these conventions go. You've got to deal with it.
• 1:33:39
  Speaker 9: They should have just wheeled Malcolm McDowell's cripple ass in
• 1:33:41
  Speaker 9: here in his upside-down chair.
• 1:33:43
  Speaker 1: He's got to lay down for weekends.
• 1:33:44
  Speaker 9: He's already facing down.
• 1:33:47
  Speaker 1: Just sign shit while you're there. You're facing the table.
• 1:33:50
  Speaker 1: We'll just slide pictures underneath your face.
• 1:33:52
  Speaker 7: Exactly.
• 1:33:52
  Speaker 2: If he can do it with his eyes closed, he's
• 1:33:53
  Speaker 2: done it a million times.
• 1:33:55
  Speaker 1: We can pry your eyes open if you want.
• 1:33:57
  Speaker 4: Just one.
• 1:33:58
  Speaker 7: Turn it off.
• 1:34:00
  Speaker 1: Yeah, it's still.
• 1:34:00
  Speaker 7: Just from getting old. Because that's a boxing injury, too.
• 1:34:07
  Speaker 7: I almost had that problem.
• 1:34:09
  Speaker 2: It just happens. It's something that you can have a
• 1:34:12
  Speaker 2: genetic predisposition toward. It happened to my mom. She doesn't box,
• 1:34:15
  Speaker 2: as far as I know.
• 1:34:17
  Speaker 1: As far as you know.
• 1:34:19
  Speaker 9: Only on special occasions.
• 1:34:21
  Speaker 1: Lucy talks back.
• 1:34:24
  Speaker 7: So my eyesight isn't that great out of my left eye.
• 1:34:26
  Speaker 9: Your eyesight isn't that great out of either eye.
• 1:34:29
  Speaker 7: Well, yeah, it's not that great out of either eye.
• 1:34:31
  Speaker 7: But it's actually worse out of the left eye. But
• 1:34:34
  Speaker 7: I think at one point we had talked about, I
• 1:34:38
  Speaker 7: might have talked to my eye doctor, and he was
• 1:34:39
  Speaker 7: thinking that I was starting to get that detached retina crap.
• 1:34:46
  Speaker 1: I think it's just when you pry your eyes open
• 1:34:47
  Speaker 1: and they make you watch scary, horrific scenes for hours
• 1:34:51
  Speaker 1: on end. So, yeah, thank you to Scarefest. They were
• 1:34:54
  Speaker 1: very cool and helped us out this week as well.
• 1:34:56
  Speaker 9: It was a fantastic convention, and I would always recommend it.
• 1:34:59
  Speaker 1: Yep, definitely. Come and check it out there at thescarefest.com.
• 1:35:03
  Speaker 1: Plan for next year. Otherwise, yeah, thank you to everybody
• 1:35:08
  Speaker 1: we talked to. Specifically, this episode, we talked to Tony
• 1:35:11
  Speaker 1: and Nicholas and Jonathan. So thanks for everybody for putting
• 1:35:15
  Speaker 1: up with me. And otherwise, any fun Halloween wishes?
• 1:35:18
  Speaker 9: Happy Halloween. Don't die.
• 1:35:22
  Speaker 1: Stay away from the pipe.
• 1:35:23
  Speaker 2: In summary, stay away from the pipe.
• 1:35:27
  Speaker 1: Otherwise, that about does it. We will return next week
• 1:35:29
  Speaker 1: for more Halloween fun, I'm assuming. So we will see
• 1:35:32
  Speaker 1: you then. Same geek time, same geek feed. Thanks for listening.
• 1:35:35
  Speaker 9: Bye.
• 1:35:36
  Speaker 6: Children, have you ever met the bogeyman before? No, of
• 1:35:41
  Speaker 6: course you haven't, for you're much too good, I'm sure.
• 1:35:45
  Speaker 6: Don't you be afraid of him if he should visit you.
• 1:35:49
  Speaker 6: He's a great big coward, so I'll tell you what
• 1:35:52
  Speaker 6: to do.
• 1:35:53
  Speaker 7: Hush, hush, hush.
• 1:35:55
  Speaker 6: Here comes the bogeyman. Don't let him come too close
• 1:35:58
  Speaker 6: to you. He'll catch you if he can. Just pretend
• 1:36:03
  Speaker 6: that you're a crocodile. And you will find that bogeyman
• 1:36:07
  Speaker 6: will run away a mile. Say shoo-shoo and stick him
• 1:36:12
  Speaker 6: with a pin. Bogeyman will very nearly jump out of
• 1:36:16
  Speaker 6: his skin. Say, buzz, buzz, just like the wasp that stings.
• 1:36:21
  Speaker 6: Bogeyman will think you are an elephant with wings.
• 1:36:26
  Speaker 1: Hush, hush, hush, here comes the bogeyman.
• 1:36:34
  Speaker 6: Tell him you've got soldiers in your bed, for he
• 1:36:38
  Speaker 6: will never guess that they are only made of lead. Say, hush, hush,
• 1:36:52
  Speaker 6: he'll think that you're asleep. If you make a lovely
• 1:36:55
  Speaker 6: snore away, he'll softly creep. Sing this tune, you children
• 1:37:01
  Speaker 6: one and all. Bogeyman will run away, he'll think it's
• 1:37:05
  Speaker 6: Henry Hall. When the shadows of the evening creep across
• 1:37:09
  Speaker 6: the sky, and your mommy comes upstairs to sing a lullaby,
• 1:37:14
  Speaker 6: Tell her that the bogeyman no longer frightens you. Uncle
• 1:37:18
  Speaker 6: Henry's very kindly told you what to do.
• 1:37:22
  Speaker 8: Hush, hush, hush.
• 1:37:24
  Speaker 6: Here comes the bogeyman. Don't let him come too close
• 1:37:27
  Speaker 6: to you. He'll catch you.
• 1:37:29
  Speaker 1: If he can.
• 1:37:30
  Speaker 6: Just pretend your teddy bear's a dog. Then shout out,
• 1:37:35
  Speaker 6: fetch him, teddy. And he'll hop off like a frog. Hey, meow,
• 1:37:48
  Speaker 6: pretend that you're a cat. He'll think you may scratch
• 1:37:52
  Speaker 6: and that will make him fall down flat. Just pretend
• 1:37:56
  Speaker 6: he isn't really there. You will find that Bogeyman will
• 1:38:01
  Speaker 6: finish him thinner.
• 1:38:02
  Speaker 8: Hey, meow, pretend that you're a cat.
• 1:38:12
  Speaker 7: Bye, and quit passing out those stupid peanut butter candies.
• 1:38:23
  Speaker 9: Peanut butter kisses?
• 1:38:24
  Speaker 7: Those black and yellow abominations. Black and orange. I hate
• 1:38:29
  Speaker 7: those things.
• 1:38:29
  Speaker 1: I like peanut butter kisses.
• 1:38:30
  Speaker 7: Nah, you would.
• 1:38:32
  Speaker 8: Nice.
• 1:38:33
  Speaker 9: They're like wrapped in this like waxy paper that's like either.
• 1:38:36
  Speaker 2: Black or orange.
• 1:38:37
  Speaker 7: That's all oil and grease stained.
• 1:38:39
  Speaker 1: That's all it is. It's evil and that's why I
• 1:38:42
  Speaker 1: like it. They could give you a toothbrush. Just be
• 1:38:45
  Speaker 1: glad you got that.
• 1:38:47
  Speaker 7: Those are always the ones that my parents were convinced had.
• 1:38:49
  Speaker 7: razor blades and needles in them, which is fine.
• 1:38:51
  Speaker 1: They could have ate those. They're too small for them.
• 1:38:54
  Speaker 1: I just figured they have a core of weird, creepy
• 1:38:56
  Speaker 1: peanut butter.
• 1:38:57
  Speaker 7: Pass out more of the sweet tarts and.
• 1:39:00
  Speaker 9: You don't go trick-or-treating, so who cares?
• 1:39:06
  Speaker 1: The end.
• 1:39:07
  Speaker 4: This episode is a production of Movie Meltdown, produced and
• 1:39:10
  Speaker 4: edited by The Oddity Studios, with opening music performed by
• 1:39:13
  Speaker 4: The Empires. For more on how to sponsor or support
• 1:39:16
  Speaker 4: the show, Email producer at movie meltdown.com.
• 1:39:19
  Speaker 7: Talk hard.