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Transcript

Gunsmoke - "Line Trouble" (Old Time Radio, 1960) · Gunsmoke | Old Time Radio

• 0:00
  Speaker 1: For CBS Radio's Gunsmoke, Marion Clark supplied the script and
• 0:04
  Speaker 1: Norman McDonald served as producer and director. First heard June 26, 1960,
• 0:12
  Speaker 1: Line Trouble is episode 429 with William Conrad as Marshal
• 0:17
  Speaker 1: Matt Dillon and Parley Bear as Chester. Reports that a
• 0:22
  Speaker 1: newly installed telegraph line west of Dodge City has been
• 0:25
  Speaker 1: cut bring Dillon and Chester to Army soldiers repairing the
• 0:29
  Speaker 1: wire and holding a Kiowa man named Small Hawk. Dillon
• 0:34
  Speaker 1: knows Small Hawk is peaceable and takes responsibility for him
• 0:39
  Speaker 1: while he works to settle the misunderstanding and learn whether
• 0:42
  Speaker 1: the damaged line points to a larger cause. From Dodge City, Gunsmoke.
• 0:48
  Speaker 1: And now, our story begins.
• 1:02
  Speaker 2: Around Dodge City and in the territory on west, there's
• 1:05
  Speaker 2: just one way to handle the killers and the spoilers,
• 1:08
  Speaker 2: and that's with a U.S. Marshal and the smell of
• 1:10
  Speaker 2: gun smoke. Gun smoke. Gunsmoke, starring William Conrad. The story
• 1:34
  Speaker 2: of the violence that moved west with young America. And
• 1:38
  Speaker 2: the story of a man who moved with it.
• 1:40
  Speaker 3: I'm that man. Matt Dillon, United States Marshal. The first
• 1:45
  Speaker 3: man they look for and the last they want to meet.
• 1:49
  Speaker 3: It's a chancy job. And it makes a man watchful.
• 1:52
  Speaker 3: And a little lonely.
• 2:04
  Speaker 4: Barkeep.
• 2:07
  Speaker 3: Barkeep. What do you have?
• 2:11
  Speaker 5: I was told I'd find the marshal in this place.
• 2:14
  Speaker 3: Well, I... I don't rightly see him here now.
• 2:18
  Speaker 5: At his office, they said he'd be here.
• 2:20
  Speaker 4: Well, he ain't.
• 2:21
  Speaker 5: A man should be able to find the marshal.
• 2:24
  Speaker 3: Now, listen, mister, it ain't up to me.
• 2:27
  Speaker 4: Miss Kitty?
• 2:28
  Speaker 5: Yes, Sam?
• 2:31
  Speaker 3: This man's uncommon anxious to see the marshal.
• 2:33
  Speaker 4: You know where he is?
• 2:34
  Speaker 6: Well, no, Sam, I don't. Have you tried his office, mister?
• 2:37
  Speaker 5: Of course I've tried his office. They told me he
• 2:40
  Speaker 5: was headed here.
• 2:41
  Speaker 7: Well, he may be, but I haven't seen him until now.
• 2:45
  Speaker 6: Hey, Matt.
• 2:46
  Speaker 3: Ah, hello, Kitty.
• 2:47
  Speaker 5: Hey.
• 2:49
  Speaker 3: And, Marshal?
• 2:50
  Speaker 6: Matt, the man's waiting to see you.
• 2:51
  Speaker 3: Ah, is that so?
• 2:52
  Speaker 5: Are you the Marshal?
• 2:54
  Speaker 3: Yeah, I'm the Marshal, Matt Dillon.
• 2:55
  Speaker 5: My name is Foss, Marshal, Jasper Foss.
• 2:57
  Speaker 3: All right, Mr. Foss, what can I do for you?
• 3:00
  Speaker 5: I figured you'd ought to know about the telegraph line.
• 3:04
  Speaker 3: What telegraph line?
• 3:05
  Speaker 5: Why, the one just strung out west of town.
• 3:07
  Speaker 3: What about it?
• 3:08
  Speaker 5: Somebody's cut it, that's what about it.
• 3:11
  Speaker 3: Well, how do you know?
• 3:12
  Speaker 5: I was riding past. That's all I know. About a
• 3:15
  Speaker 5: mile or a mile and a half out.
• 3:16
  Speaker 3: Did you see anybody?
• 3:17
  Speaker 5: Oh, nobody I could recognize. I seen a horse. I
• 3:21
  Speaker 5: tailed it in the distance. I couldn't tell no more
• 3:24
  Speaker 5: than that.
• 3:24
  Speaker 3: When was this?
• 3:25
  Speaker 5: Oh, an hour ago, maybe. I figured you'd want to
• 3:28
  Speaker 5: take a look around.
• 3:29
  Speaker 3: Yeah. Thanks, Mr.
• 3:30
  Speaker 6: Foss.
• 3:30
  Speaker 3: I guess I'd better.
• 3:43
  Speaker 6: Mr.
• 3:44
  Speaker 5: Dillon, you reckon that fellow knows what he was talking about?
• 3:47
  Speaker 3: Well, I don't know yet, Chester.
• 3:52
  Speaker 5: I swear we rode most of the mile already. There
• 3:55
  Speaker 5: ain't been no break.
• 3:57
  Speaker 3: I guess we can make it a little farther. Yeah, sure, Earl.
• 4:00
  Speaker 3: We can make it. We can make it, all right.
• 4:02
  Speaker 5: But I'm just wondering if it's worth all this cracking
• 4:04
  Speaker 5: around in the hot sun. You know, a man's brain
• 4:07
  Speaker 5: can get addled by too much, Earl. Yeah.
• 4:11
  Speaker 3: Sometimes it doesn't take too much sun. How's that? Never mind, Chester.
• 4:23
  Speaker 3: Look up there, the head of you.
• 4:25
  Speaker 5: Well, I do, sir. Looks like them army fellows are
• 4:29
  Speaker 5: out riding their cells.
• 4:32
  Speaker 3: So working on the line. All right, come on.
• 4:35
  Speaker 7: Morning.
• 4:36
  Speaker 8: Can you tell me where the lieutenant is?
• 4:38
  Speaker 3: Oh, I see him.
• 4:52
  Speaker 4: Ah, Lieutenant.
• 4:54
  Speaker 3: Are you having trouble with the line? Well, it's been cut.
• 5:01
  Speaker 6: Mr.
• 5:01
  Speaker 5: Dillon?
• 5:02
  Speaker 6: Yeah.
• 5:02
  Speaker 5: I can't hear.
• 5:04
  Speaker 3: Yeah, I see him. You holding that man for it, Lieutenant?
• 5:09
  Speaker 4: He's under guard.
• 5:10
  Speaker 3: Yeah, I see he is. You mind if I talk
• 5:11
  Speaker 3: to him? Well, he's my prisoner. Well, I'm the U.S.
• 5:15
  Speaker 3: Marshal from Dodge. Oh, well, in that case, I suppose
• 5:19
  Speaker 3: it wouldn't do any harm. No, I guess not. All right, Chester.
• 5:26
  Speaker 8: You hold my horse, huh? Yes, sir.
• 5:34
  Speaker 3: Hello, Small Hawk.
• 5:36
  Speaker 4: Small Hawk is dishonored before his old friend.
• 5:40
  Speaker 3: Sorry to see you like this.
• 5:42
  Speaker 4: The Marshal will have them set Small Hawk free.
• 5:45
  Speaker 3: I don't know if I can do that. Did you
• 5:50
  Speaker 3: cut the wire?
• 5:52
  Speaker 4: It was cut by my knife.
• 5:54
  Speaker 3: And they have a right to hold you.
• 5:56
  Speaker 4: They have no right to send a wire across the land.
• 5:58
  Speaker 3: Oh, why not? Wire doesn't hurt you.
• 6:02
  Speaker 4: It is bad magic. It carries bad sounds across the
• 6:06
  Speaker 4: land of my people.
• 6:08
  Speaker 3: It can be good magic, too, Smallhawk.
• 6:10
  Speaker 4: A white man makes no good magic for my people.
• 6:14
  Speaker 3: I wouldn't be too sure. White soldiers will shoot, Smallhawk?
• 6:19
  Speaker 3: I don't think you need worry about that. Yeah.
• 6:23
  Speaker 4: Small hawk, not afraid.
• 6:25
  Speaker 3: No, I know that. But just the same, I think
• 6:28
  Speaker 3: I'll ride along when I take you to the fort. Now,
• 6:40
  Speaker 3: this is an unusual request, Marshal Dillon. Yes, Colonel, I
• 6:44
  Speaker 3: know it is. But I think it might do some
• 6:45
  Speaker 3: good in our dealings with the Indians. I don't know.
• 6:49
  Speaker 3: The Army hasn't found it wise to be too lenient.
• 6:51
  Speaker 3: Are you not telling me that the Army believes the
• 6:53
  Speaker 3: only good Indian is a dead Indian? No, no, Marshal,
• 6:56
  Speaker 3: certainly not. But I know this man, Colonel. Small Hawk
• 7:00
  Speaker 3: is not a troublemaker. He cut the wire. He cut
• 7:03
  Speaker 3: it out of fear. It's been cut several times. Small
• 7:07
  Speaker 3: Hawk says he cut it only once, and I believe him. Well,
• 7:13
  Speaker 3: what do you want me to do? I'd like you
• 7:16
  Speaker 3: to release Small Hawk to me, Colonel Hooper. How can
• 7:19
  Speaker 3: I be sure he won't go right out and cut.
• 7:20
  Speaker 5: The wire again?
• 7:21
  Speaker 3: Because I'll be responsible for it. You have a lot
• 7:24
  Speaker 3: of confidence in this Indian, Marshal. Yes, I have. Well,
• 7:29
  Speaker 3: what do you base it on? Taking away his fear.
• 7:32
  Speaker 3: How do you propose to do that? I think I
• 7:34
  Speaker 3: can show him that the wire isn't bad magic. Then
• 7:37
  Speaker 3: he'll leave it alone.
• 7:40
  Speaker 5: All right, Marshal Dillon.
• 7:42
  Speaker 3: I'll release him to you. Thank you. But remember this.
• 7:45
  Speaker 3: We're all in for serious trouble if he touches that
• 7:47
  Speaker 3: wire again. Yeah. So is Small Hawk.
• 7:52
  Speaker 7: It's right down at the end of the block, Small Hawk.
• 8:09
  Speaker 4: Marshal is Small Hawk's friend.
• 8:11
  Speaker 3: Well, sure I am.
• 8:13
  Speaker 4: If it were not so, I would not walk with him.
• 8:15
  Speaker 3: I know that.
• 8:16
  Speaker 4: Small Hawk would not go to House of White Man's magic.
• 8:20
  Speaker 3: I want to show you it can be good magic,
• 8:22
  Speaker 3: Small Hawk. Now, here we are. Let's go in. Hank? Howdy, Marshal. Uh, Hank,
• 8:36
  Speaker 3: you got a man out at the Western Station to
• 8:38
  Speaker 3: take messages off a new line? Yeah, Marshal, sure we have.
• 8:42
  Speaker 3: Any way of getting a message to the Indian encampment
• 8:44
  Speaker 3: on the river?
• 8:45
  Speaker 5: Well, our man out there says there's usually a couple
• 8:48
  Speaker 5: of Braves standing around watching him. He could tell it
• 8:50
  Speaker 5: to them, I guess. Why?
• 8:52
  Speaker 3: Because my friend wants to send a telegram.
• 8:55
  Speaker 4: Small Hawk does not trust bad magic.
• 8:58
  Speaker 3: You trust me, don't you?
• 8:59
  Speaker 5: Yeah.
• 8:59
  Speaker 3: All right, then listen to me. Now, they took your
• 9:02
  Speaker 3: horse at the fort, didn't they?
• 9:03
  Speaker 4: Soldiers took horse? Yeah. So you got a long walk home.
• 9:08
  Speaker 4: Small Hawk will walk with his head high.
• 9:10
  Speaker 3: Yeah, but it would be even higher if you were
• 9:12
  Speaker 3: on horseback. Now, what if the wire carried word to
• 9:15
  Speaker 3: your son to bring you a horse?
• 9:18
  Speaker 4: There is that magic in the wire?
• 9:20
  Speaker 3: Yeah, there's that magic.
• 9:22
  Speaker 4: Small Hawk will see if horse comes.
• 9:24
  Speaker 3: Oh, that's fair enough. Now, you tell me your son's name.
• 9:27
  Speaker 4: Brown Wing.
• 9:29
  Speaker 3: All right, Hank, you tell your man to get a
• 9:30
  Speaker 3: message to Brown Wing to bring a horse to the
• 9:33
  Speaker 3: road port just outside Dodge. Tell him his father will
• 9:36
  Speaker 3: be waiting. All right, Marshal, there's just one thing. Yeah,
• 9:40
  Speaker 3: what's that? Who's going to pay for it, you or
• 9:43
  Speaker 3: the Indians? The government ought to pay for it.
• 9:46
  Speaker 5: Now, Marshal, that kind of money ain't easy to collect.
• 9:48
  Speaker 3: Yeah, I know that better than you. All right, I'll
• 9:51
  Speaker 3: pay for it, Hank. Come on, small heart. We'd better
• 9:54
  Speaker 3: get you started out to meet your horse.
• 9:56
  Speaker 8: Thanks for the beer, Matt.
• 10:17
  Speaker 3: That's all right, Kitty. I think you're worth buying a
• 10:20
  Speaker 3: beer for once in a while.
• 10:23
  Speaker 6: I'm surprised you have to order it like us ordinary people.
• 10:27
  Speaker 5: Oh?
• 10:27
  Speaker 3: Because what does that mean?
• 10:29
  Speaker 6: Why, from what Chester's been telling me, you've been working
• 10:32
  Speaker 6: magic tricks with the telegraph line.
• 10:35
  Speaker 5: Oh.
• 10:36
  Speaker 3: Chester thinks that's pretty funny, does he?
• 10:39
  Speaker 6: No, it's not exactly funny, Matt.
• 10:42
  Speaker 1: He was really pretty impressed.
• 10:44
  Speaker 6: Oh.
• 10:45
  Speaker 3: Well, I hope it worked, that's all.
• 10:47
  Speaker 6: I'm surprised you could talk that starchy colonel into letting
• 10:50
  Speaker 6: Small Hawk go.
• 10:51
  Speaker 3: Oh, you know the colonel?
• 10:53
  Speaker 6: No, I met him once. I never figured him to
• 10:56
  Speaker 6: give anybody any kind of.
• 10:57
  Speaker 4: Chance, much less an Indian.
• 11:00
  Speaker 3: Maybe he wants to be able to say, I told
• 11:03
  Speaker 3: you so. He'd enjoy that.
• 11:05
  Speaker 6: I know that much.
• 11:06
  Speaker 5: Oh, hello, Marshal.
• 11:08
  Speaker 3: How are you, boss?
• 11:10
  Speaker 5: Found I was right about that wire, didn't you?
• 11:14
  Speaker 4: Yeah?
• 11:15
  Speaker 3: Yeah, you were right.
• 11:17
  Speaker 5: I've been wanting to talk to you about that.
• 11:20
  Speaker 8: I'll see you later.
• 11:20
  Speaker 3: No, there's no need for you to leave, Kitty.
• 11:22
  Speaker 6: I want to see Sam.
• 11:23
  Speaker 3: Oh, all right. Well, uh, what's on your mind today, Mr.
• 11:30
  Speaker 4: Forrest?
• 11:30
  Speaker 5: Well, I just wanted to tell you you ought to
• 11:33
  Speaker 5: be keeping an eye on things. Oh?
• 11:37
  Speaker 3: What happens to be my job?
• 11:38
  Speaker 5: Well, sometimes doing a good job ain't enough, Marshal. Sometimes
• 11:43
  Speaker 5: a man can get fooled, even so.
• 11:44
  Speaker 3: Is that so? Yes, sir.
• 11:47
  Speaker 5: Now, I done a good job. All my life I
• 11:50
  Speaker 5: done a good job, but it weren't enough. You gotta
• 11:52
  Speaker 5: remember that now. It weren't enough.
• 11:54
  Speaker 3: What happened to you?
• 11:55
  Speaker 5: Why, they let me go, Marshal Dillon. Said I wasn't
• 11:58
  Speaker 5: good enough no more.
• 12:00
  Speaker 3: Said I was too old.
• 12:01
  Speaker 5: Put in some young greenhorn that won't even know as
• 12:04
  Speaker 5: much as I've already forgot.
• 12:06
  Speaker 6: Uh-huh.
• 12:07
  Speaker 5: They just turned me out overnight like I was an old,
• 12:10
  Speaker 5: broke-down horse.
• 12:12
  Speaker 3: I'm sorry about that, Mr. Close. Well, they had.
• 12:15
  Speaker 5: No right to do a thing like that. I'm a
• 12:17
  Speaker 5: better man than that young fella, Marshal Dillon. And I'm
• 12:20
  Speaker 5: going to show him about, too.
• 12:21
  Speaker 3: Yeah, you do that, Mr. Voss. Well, I ain't going
• 12:26
  Speaker 3: to be getting back to the office.
• 12:27
  Speaker 5: Oh, yeah, you go tend to your job, Marshal. And
• 12:30
  Speaker 5: watch out for that Indian.
• 12:32
  Speaker 3: Oh, you leave that to me, huh? Don't you worry
• 12:35
  Speaker 3: about it?
• 12:35
  Speaker 5: Oh, I ain't worrying about him, Marshal Dillon. No, not
• 12:39
  Speaker 5: at all. A seven or a three, Matt. You gotta
• 12:53
  Speaker 5: come up with a seven or a three. Yeah.
• 12:54
  Speaker 6: Yeah.
• 12:56
  Speaker 3: Well, let me see here, Matt.
• 12:59
  Speaker 6: Um.
• 13:00
  Speaker 5: Good. You have to go to the boneyard.
• 13:02
  Speaker 3: Yeah.
• 13:02
  Speaker 5: Go ahead.
• 13:03
  Speaker 4: Draw.
• 13:04
  Speaker 3: All right. I'm drawing, Doc.
• 13:06
  Speaker 5: Go right ahead. Take another. Oh, I must say, Matthew,
• 13:09
  Speaker 5: you don't play dominoes any better than you play checkers.
• 13:12
  Speaker 3: You're talking pretty big for a man who just won
• 13:14
  Speaker 3: his first game this week.
• 13:15
  Speaker 5: Well, it's not whether I win or not, Matt. It's
• 13:17
  Speaker 5: just that I make the moves better.
• 13:20
  Speaker 3: I hope you don't figure like that about your patients.
• 13:23
  Speaker 3: About my patients? Well, it doesn't matter whether you cure
• 13:25
  Speaker 3: them or not. So you make a few moves.
• 13:27
  Speaker 5: Oh, don't you worry about my patients. I'll take care
• 13:30
  Speaker 5: of them. Oh, how's your Indian getting along?
• 13:33
  Speaker 3: Oh, fine, I guess. I think I finally got it
• 13:35
  Speaker 3: through his head that the telegraph wire wasn't strung up
• 13:38
  Speaker 3: there just to work some black magic. You were lucky. Yeah, Doc,
• 13:42
  Speaker 3: I guess I was. But Small Hawk is mighty pleased. Oh,
• 13:45
  Speaker 3: you've seen him? No, but he had the agent out
• 13:47
  Speaker 3: at the other end send me a message back.
• 13:49
  Speaker 5: Oh, is that so? What did he say?
• 13:51
  Speaker 3: Just one word.
• 13:52
  Speaker 6: Good.
• 13:54
  Speaker 5: Well, the telegraph company isn't going to make much money
• 13:56
  Speaker 5: out of him at that rate.
• 13:57
  Speaker 3: Yeah, maybe not, but it'll save them money having him
• 13:59
  Speaker 3: leave their lines alone.
• 14:00
  Speaker 6: Mr.
• 14:01
  Speaker 3: Dillon? Oh, hold on.
• 14:03
  Speaker 5: Yes, Chester?
• 14:04
  Speaker 3: Lots of trouble.
• 14:05
  Speaker 5: Mr. Dillon, you know that fellow Ted Creel?
• 14:07
  Speaker 3: Yeah, I know him. What's he done? Well, he ain't
• 14:10
  Speaker 3: done nothing, Mr. Dillon.
• 14:11
  Speaker 5: He just come in from out west of town.
• 14:13
  Speaker 3: Well, no law against that. Well, of course not, Mr.
• 14:16
  Speaker 5: Dillon, but he told me he seen a troop of
• 14:18
  Speaker 5: cowboys from the fort.
• 14:19
  Speaker 3: What about it?
• 14:21
  Speaker 5: They had an Indian with him, all tied up like
• 14:23
  Speaker 5: he was a prisoner.
• 14:24
  Speaker 6: Oh.
• 14:25
  Speaker 3: Did Creel know who he was?
• 14:27
  Speaker 5: He thought he was that fellow Smallhawk, Mr. Jones.
• 14:29
  Speaker 3: Yeah, I was afraid he might... All right, Chester, get
• 14:33
  Speaker 3: the horses.
• 14:34
  Speaker 5: Yes, sir. Sounds like your magic might not have worked
• 14:40
  Speaker 5: after all, man.
• 14:43
  Speaker 3: Yeah, Doc, it does. This is very regrettable, Marshal. Yeah.
• 15:00
  Speaker 3: My superiors will want a full explanation. I'd like one, too. Well,
• 15:04
  Speaker 3: you might. You gave me a word you'd be responsible
• 15:07
  Speaker 3: for that Indian. My word still goes, Colonel. A little
• 15:11
  Speaker 3: late now.
• 15:12
  Speaker 4: You're not sure he cut your wire this time.
• 15:15
  Speaker 3: My men picked him up right near the break. I'd
• 15:17
  Speaker 3: still like to know what he has to say. He's
• 15:20
  Speaker 3: right in here. Guard.
• 15:22
  Speaker 5: Yes, sir.
• 15:23
  Speaker 3: The Marshal has permission to see the prisoner. Yes, sir.
• 15:26
  Speaker 4: I'll be in my office when you're finished.
• 15:27
  Speaker 3: Thank you, Colonel.
• 15:37
  Speaker 4: Well, Smallhawk, it is, as I said, bad magic that
• 15:43
  Speaker 4: you cut the wire. The Marshal will believe.
• 15:48
  Speaker 3: We've never doubted each other, Smallhawk.
• 15:50
  Speaker 4: The Marshal speaks true.
• 15:51
  Speaker 3: All right. Now, how about the wire?
• 15:54
  Speaker 4: Small Hawk did not cut it.
• 15:57
  Speaker 3: Did any of your tribesmen cut it?
• 15:59
  Speaker 4: The braves of my tribe believe the good magic of
• 16:01
  Speaker 4: the wire, as the Marshal taught us.
• 16:04
  Speaker 3: Then you're telling me that no Indian had anything to
• 16:06
  Speaker 3: do with this latest break.
• 16:08
  Speaker 4: That is what Small Hawk says. You believe?
• 16:15
  Speaker 3: Yes, I believe.
• 16:16
  Speaker 4: The marshal will release me?
• 16:19
  Speaker 3: I can't do it this time, Small Hawk. At least
• 16:21
  Speaker 3: not yet. But I'll tell you something. If there's any
• 16:23
  Speaker 3: way of tracking down the man who did cut that wire,
• 16:26
  Speaker 3: you'll be out of here soon.
• 16:46
  Speaker 5: I'll tell you something, Mr.
• 16:47
  Speaker 6: Jones.
• 16:47
  Speaker 3: Yeah? What's that, Chester?
• 16:50
  Speaker 5: That folks back in Dodge was wondering whether it was
• 16:53
  Speaker 5: worth it stringing that line way out west here when
• 16:55
  Speaker 5: it first went up, and I'm about to agree with it.
• 16:59
  Speaker 3: I don't know. Of course, there's been a lot of trouble, but...
• 17:02
  Speaker 3: There sure has.
• 17:04
  Speaker 5: Now, with all this cutting going on, it looks like
• 17:06
  Speaker 5: we've got Indian trouble all over again.
• 17:09
  Speaker 3: Oh, maybe not. Right over there looks like the place.
• 17:39
  Speaker 5: I think there sure has been a lot of horses
• 17:40
  Speaker 5: around here.
• 17:41
  Speaker 3: I hope they haven't trampled all the tracks. Looks like
• 17:44
  Speaker 3: they tried. Uh-huh.
• 17:51
  Speaker 5: You finding anything, Mr.
• 17:53
  Speaker 4: Dillon?
• 17:54
  Speaker 3: I can't be sure yet. This might be a lead. Uh-huh.
• 18:07
  Speaker 3: Looks like this might be something, Chester.
• 18:09
  Speaker 5: There ain't much to choose from in all them tracks.
• 18:11
  Speaker 3: Yeah, but these seem to lead out by themselves, though.
• 18:15
  Speaker 3: Let's follow them for a while, huh?
• 18:17
  Speaker 5: Well, them tracks don't look like they was made by
• 18:19
  Speaker 5: no Indian pony, Mr. Dillon.
• 18:21
  Speaker 3: No, Chester, they don't. All right, come on.
• 18:32
  Speaker 5: Mr. Dillon?
• 18:33
  Speaker 6: Uh-huh?
• 18:34
  Speaker 5: They're just going across the country aimless-like.
• 18:37
  Speaker 3: Not quite. How's that? I don't know if you can see,
• 18:40
  Speaker 3: we're a lot closer to Dodge than we were back
• 18:43
  Speaker 3: there at the telegraph line.
• 18:45
  Speaker 5: Well, that's right. I guess you're right. Them tracks didn't
• 18:48
  Speaker 5: start off to Dodge, though, did they?
• 18:50
  Speaker 6: No.
• 18:51
  Speaker 5: Like somebody was laying a false trail on purpose?
• 18:55
  Speaker 3: Yeah, that's the way it looks to me, Chester. Wait
• 19:01
  Speaker 3: a minute, look. They're heading off toward that shack over there.
• 19:05
  Speaker 6: Yeah.
• 19:05
  Speaker 4: Yeah.
• 19:20
  Speaker 5: It don't look like much of a place to live,
• 19:22
  Speaker 5: half fallen down that way. Reckon anybody's here, Mr.
• 19:25
  Speaker 3: Jones? I don't know, but we'll find out.
• 19:27
  Speaker 4: Well, there's no Well, there's no need.
• 19:50
  Speaker 3: For pounding, Marshal. Hello, Mr.
• 19:52
  Speaker 4: Foss.
• 19:53
  Speaker 3: Didn't know you lived out here. Oh, uh, this is
• 19:56
  Speaker 3: Chester Proudfoot. Glad to meet you, Mr.
• 19:58
  Speaker 6: Foss.
• 19:59
  Speaker 5: Proudfoot. What brings you out this way, Marshal?
• 20:03
  Speaker 3: That's that telegraph line you're so interested in.
• 20:06
  Speaker 5: I'm glad to see you're on the job. Oh, not
• 20:09
  Speaker 5: that it'll do you any good. I was always on
• 20:11
  Speaker 5: the job myself, I remember that.
• 20:13
  Speaker 3: Yeah, you told me. I, uh, see you've been out
• 20:17
  Speaker 3: looking it over out there.
• 20:19
  Speaker 5: Looking what over?
• 20:20
  Speaker 3: The line.
• 20:21
  Speaker 5: What makes you say that?
• 20:23
  Speaker 3: Well, we followed your tracks here. My tracks? You want
• 20:27
  Speaker 3: to tell me how you happened to be out there?
• 20:30
  Speaker 5: I told you the other day. I was riding past.
• 20:33
  Speaker 3: You were talking about the other break in the line
• 20:34
  Speaker 3: that day, Mr.
• 20:35
  Speaker 4: Foss.
• 20:35
  Speaker 3: This one was a mile or so away. Are you
• 20:38
  Speaker 3: sure about that? Yeah, I'm sure.
• 20:41
  Speaker 5: Well, I'll tell you, Marshal, it... It's only right that
• 20:44
  Speaker 5: I've been keeping track of that line.
• 20:45
  Speaker 3: Oh, how's that?
• 20:47
  Speaker 5: That I was near 25 years sending messages out over
• 20:50
  Speaker 5: lines just like them. I got an interest in them,
• 20:53
  Speaker 5: you might say.
• 20:54
  Speaker 3: That's what your job was, sending messages?
• 20:57
  Speaker 5: I had a mighty nice touch on the key. A
• 21:00
  Speaker 5: mighty nice touch. These greenhorns can come close to it.
• 21:04
  Speaker 3: The telegraph people were the ones who took away your
• 21:06
  Speaker 3: job then.
• 21:07
  Speaker 5: Them was the ones, all right. A man with a
• 21:10
  Speaker 5: touch like mine.
• 21:11
  Speaker 3: I guess you would have an interest in the line, Mr. Foss.
• 21:14
  Speaker 3: You might even have an interest in seeing that it
• 21:16
  Speaker 3: didn't go through. Well, now, Marshal, I.
• 21:18
  Speaker 5: Don't even know what you're talking about.
• 21:20
  Speaker 3: I think you've been cutting that wire right regular. I
• 21:22
  Speaker 3: think you figured it was a way to get back
• 21:24
  Speaker 3: at the people who cost you your job.
• 21:26
  Speaker 5: Now, you hold on a minute, Marshal. What about that Indian?
• 21:30
  Speaker 5: He was the one that cut it. He said so.
• 21:32
  Speaker 3: He cut it once, Mr. Foss, and he admitted it.
• 21:34
  Speaker 3: But you did it the other times, didn't you? I said,
• 21:39
  Speaker 3: didn't you? You know, don't you, Marshal? Yeah. Yeah, I know. Well,
• 21:48
  Speaker 3: I figured it'd be all right.
• 21:50
  Speaker 5: We already had the Indian.
• 21:53
  Speaker 3: It wouldn't matter anymore. It mattered to the Indian.
• 21:56
  Speaker 5: I guess you're right. Will you be taking me in, Marshal?
• 22:01
  Speaker 3: Yeah. A man has to do his job.
• 22:04
  Speaker 5: I always believed in a man doing his job.
• 22:07
  Speaker 3: But, Marshal.
• 22:09
  Speaker 5: Climbing around them lines and all.
• 22:11
  Speaker 3: Yeah, Mr.
• 22:11
  Speaker 6: Horst.
• 22:12
  Speaker 5: I showed him I wasn't so old, didn't I?
• 22:17
  Speaker 3: Yeah, you showed him. All right, sign him up a horse, Chester.
• 22:22
  Speaker 3: Let's get back to town.
• 22:45
  Speaker 2: Gunsmoke. Produced and directed in Hollywood by Norman McDonald, stars
• 22:50
  Speaker 2: William Conrad as Matt Dillon, U.S.
• 22:53
  Speaker 5: Marshal.
• 22:54
  Speaker 2: The story was specially written for Gunsmoke by Marion Clark,
• 22:57
  Speaker 2: with editorial supervision by John Meston. Carly Bear is Chester,
• 23:01
  Speaker 2: Howard McNair is Doc, and Georgia Ellis is Kitty.
• 23:05
  Speaker 1: Our visit to Dodge City concludes with Gunsmoke Line Trouble.
• 23:09
  Speaker 1: Follow Gunsmoke for more classic broadcasts.