Latest / Black Men Can't Jump [In Hollywood] / The Gates

Transcript

The Gates · Black Men Can't Jump [In Hollywood]

• 0:07
  [SPEAKER_02]: Have you ever been in a gated community?
• 0:09
  [SPEAKER_02]: Like have you ever stepped inside?
• 0:11
  [SPEAKER_02]: Yes.
• 0:13
  [SPEAKER_00]: By night, local is very wealthy and he lives in an Atlanta gated community for most of my life.
• 0:20
  [SPEAKER_00]: Oh, wow.
• 0:21
  [SPEAKER_00]: What's so crazy about it is, is the gated community heat.
• 0:25
  [SPEAKER_00]: lives in now, when he first moved in, they were definitely the first black family on the Kota sack and on the street.
• 0:33
  [SPEAKER_00]: And I think they were, it's a massive place, this world show my age, but back in the 90s, left eye from TLC, famously burnt down like her boyfriend, it's like house in his fancy neighborhood.
• 0:47
  [SPEAKER_00]: I think
• 0:48
  [SPEAKER_00]: I think you played for Atlanta Falcons or something.
• 0:50
  [SPEAKER_00]: That is the neighborhood my uncle lives there like my uncle's backyard is a golf course.
• 0:56
  [SPEAKER_00]: I'll tell you this.
• 0:56
  [SPEAKER_01]: It actually doesn't show your age that you know that.
• 1:02
  [SPEAKER_00]: I was saying it was like, it's like, it's a good deal.
• 1:04
  [SPEAKER_01]: When you preface it with, this will show my age.
• 1:07
  [SPEAKER_01]: That's what showed you.
• 1:08
  [SPEAKER_00]: But you could, you know that just because your uncle lives, like you could just know that, you know?
• 1:13
  [SPEAKER_00]: I'm gonna say some people don't know TLC.
• 1:15
  [SPEAKER_00]: I've learned that people may not know TLC.
• 1:17
  [SPEAKER_00]: Yeah, they did.
• 1:17
  [SPEAKER_00]: Yes.
• 1:18
  [SPEAKER_00]: And things don't matter.
• 1:19
  [SPEAKER_00]: You know what I mean?
• 1:20
  [SPEAKER_02]: Yeah.
• 1:21
  [SPEAKER_02]: Adley passed away so young.
• 1:22
  [SPEAKER_02]: TLC.
• 1:23
  [SPEAKER_02]: Yeah, I mean TLC was super pop, super hot for like five years.
• 1:28
  [SPEAKER_02]: Yeah, and that's the 90s.
• 1:30
  [SPEAKER_02]: Yeah.
• 1:31
  [SPEAKER_01]: Yeah, yeah, no, again, I'm not saying that had on there or not dated those are not dated references.
• 1:39
  [SPEAKER_01]: I'm saying it doesn't, it doesn't, it doesn't, it doesn't, it doesn't, it doesn't, it doesn't.
• 1:44
  [SPEAKER_01]: He'll say it right now.
• 1:45
  [SPEAKER_01]: Right.
• 1:45
  [SPEAKER_00]: Right.
• 1:47
  [SPEAKER_00]: Manifact Scrubs, one of the most popular songs come out in 1999.
• 1:51
  [SPEAKER_01]: Yeah, but if somebody broke down and I'm pretty happy after that, sure, I loved I'm pretty.
• 1:57
  [SPEAKER_01]: I love to go ahead James.
• 1:59
  [SPEAKER_01]: No, no, it's fine.
• 1:59
  [SPEAKER_01]: I loved I'm pretty.
• 2:00
  [SPEAKER_01]: That was my shit right there.
• 2:02
  [SPEAKER_00]: I've been saying, basically, you've been here and I've always felt unsafe in that name.
• 2:06
  [SPEAKER_00]: It was like riding your bike around.
• 2:07
  [SPEAKER_00]: You were like, oh, I am.
• 2:09
  [SPEAKER_02]: Oh, so you actively, you did actively feel unsafe in it.
• 2:12
  [SPEAKER_00]: Oh, because yeah, I didn't grow up like that.
• 2:14
  [SPEAKER_00]: So my three cousins, they were,
• 2:17
  [SPEAKER_00]: Like the neighborhood they came to before this one, they were the black family in the neighborhood.
• 2:22
  [SPEAKER_00]: Like it was a thing.
• 2:23
  [SPEAKER_00]: They were the only black family.
• 2:24
  [SPEAKER_00]: And they went from that to this other neighborhood and so my cousin stayed grew up as the black kid.
• 2:29
  [SPEAKER_00]: Big grew up as like Mason Gooden in this movie.
• 2:31
  [SPEAKER_00]: Like, right.
• 2:32
  [SPEAKER_01]: So I'm just saying that you could have known this because everybody would have been telling them the last time black people lived here.
• 2:39
  [SPEAKER_01]: But yes, that's your favorite.
• 2:42
  [SPEAKER_00]: That's your favorite.
• 2:43
  [SPEAKER_01]: It just wouldn't have been a story.
• 2:46
  [SPEAKER_00]: You're right.
• 2:47
  [SPEAKER_00]: Yeah, I understand right, but it's so interesting to think about that because I'm like, that's, I had only grew up in a neighborhood full of black people.
• 2:53
  [SPEAKER_00]: So go into a place where I was like nothing but white kids.
• 2:57
  [SPEAKER_00]: Not even white kids.
• 2:58
  [SPEAKER_00]: It was just older rich white people.
• 3:00
  [SPEAKER_00]: It was weird.
• 3:01
  [SPEAKER_02]: Terracel, kidded community in Silver Lake.
• 3:03
  [SPEAKER_02]: You guys know that?
• 3:05
  [SPEAKER_02]: No.
• 3:06
  [SPEAKER_02]: I, and the only reason I know is because I live close by it.
• 3:11
  [SPEAKER_02]: And I remember I was walking up during the pandemic.
• 3:14
  [SPEAKER_02]: I think I was like walking up this huge hill.
• 3:16
  [SPEAKER_02]: And then I realized like, well, wait, I can't keep going because there's a gate here.
• 3:20
  [SPEAKER_02]: And I was like, what the heck?
• 3:21
  [SPEAKER_02]: Oh, this is a, we can get a community, just like, hidden here and still relate.
• 3:26
  [SPEAKER_02]: It's, I think, famous stuff happened there.
• 3:30
  [SPEAKER_02]: Whew.
• 3:30
  [SPEAKER_02]: Wow.
• 3:31
  [SPEAKER_02]: Apparently there's one hidden in the, those,
• 3:36
  [SPEAKER_01]: And wait, and so, and to in order to do that, you have to like, like, they, they have to get together and then do permits or like, what is it like, how does it sound like, I've never stepped into one, I have no clue.
• 3:49
  [SPEAKER_02]: I got all I, all I see is the gates.
• 3:52
  [SPEAKER_00]: That's pretty good.
• 3:53
  [SPEAKER_00]: I don't see break.
• 3:54
  [SPEAKER_00]: That's pretty good.
• 3:55
  [SPEAKER_00]: That was pretty good.
• 3:56
  [SPEAKER_00]: You know what I'm saying, Jay?
• 3:56
  [SPEAKER_00]: We have it.
• 3:57
  [SPEAKER_01]: No, we have it.
• 3:57
  [SPEAKER_01]: I don't know.
• 3:58
  [SPEAKER_01]: You know what I'm saying?
• 3:58
  [SPEAKER_00]: Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay, Jay,
• 4:14
  [SPEAKER_00]: Yeah, I'm baby.
• 4:16
  [SPEAKER_00]: Give it to me.
• 4:17
  [SPEAKER_00]: All right, okay, all right.
• 4:19
  [SPEAKER_00]: Yeah, I was a little bit.
• 4:22
  [SPEAKER_00]: OK, so you got to see what you're seeing with your own chest.
• 4:24
  [SPEAKER_00]: I feel like you're not on board, Dave.
• 4:25
  [SPEAKER_00]: You got to, you know, that was a good one.
• 4:28
  [SPEAKER_00]: Oh, I got a lot.
• 4:29
  [SPEAKER_01]: All right, it was good.
• 4:30
  [SPEAKER_01]: It was good.
• 4:31
  [SPEAKER_01]: Oh, yeah, you got it.
• 4:33
  [SPEAKER_01]: There you go.
• 4:34
  [SPEAKER_02]: There you go.
• 4:34
  [SPEAKER_02]: That was a good one.
• 4:35
  [SPEAKER_02]: All right, OK. Hey, let's start the show.
• 4:37
  [SPEAKER_00]: All right.
• 4:47
  [SPEAKER_02]: I mean, can't jump.
• 4:58
  [SPEAKER_02]: Welcome to black man can't jump in Hollywood.
• 5:01
  [SPEAKER_01]: Hollywood City.
• 5:02
  [SPEAKER_01]: Yeah, my rims, they gleam.
• 5:05
  [SPEAKER_01]: My shame.
• 5:07
  [SPEAKER_01]: All right, those are the lights on.
• 5:10
  [SPEAKER_01]: We're trying to steam, no, yes.
• 5:14
  [SPEAKER_01]: It was like that, but it was, that's a good thing, so.
• 5:18
  [SPEAKER_02]: Oh, to talk about cringe, bro.
• 5:21
  [SPEAKER_02]: Oh, man, that was tough.
• 5:23
  [SPEAKER_02]: Hey, why, why?
• 5:25
  [SPEAKER_02]: Okay.
• 5:27
  [SPEAKER_02]: For those of you listening to for the first time, welcome, welcome, welcome, thank you.
• 5:31
  [SPEAKER_02]: Yes.
• 5:31
  [SPEAKER_02]: So much for being here.
• 5:33
  [SPEAKER_02]: This is a film review podcast.
• 5:35
  [SPEAKER_02]: We review the films of leading black actors.
• 5:39
  [SPEAKER_02]: And we talk about them, the context of race and diversity in Hollywood.
• 5:43
  [SPEAKER_02]: Okay.
• 5:44
  [SPEAKER_02]: Yeah, yeah.
• 5:44
  [SPEAKER_02]: Now, three of us host this podcast, the voice that you're listening to now.
• 5:50
  [SPEAKER_02]: It is the lights can voice.
• 5:51
  [SPEAKER_00]: So this is, it is, do you talk to the cops for sure?
• 5:55
  [SPEAKER_02]: Yeah, that's, you ain't never, you ain't never gonna think it's the, it is the, so you know, this is the voice that's gonna try to, reason, you know, there's, they're gonna try to be, hey, hold on, I got this, I can, I'll just, hey, what's going on?
• 6:11
  [SPEAKER_00]: Yeah, that makes it, that makes it,
• 6:18
  [SPEAKER_00]: Honestly, this voice, I definitely would be more nervous than he was, but he was, I think my biggest voice.
• 6:24
  [SPEAKER_02]: He was strong.
• 6:25
  [SPEAKER_02]: He was strong.
• 6:26
  [SPEAKER_00]: He was nervous, but, you know, I'm not a lie.
• 6:29
  [SPEAKER_00]: This movie was just difficult to watch.
• 6:31
  [SPEAKER_00]: It was just fear-bait.
• 6:32
  [SPEAKER_00]: I think it was tough.
• 6:33
  [SPEAKER_00]: I get it.
• 6:34
  [SPEAKER_00]: I get it.
• 6:35
  [SPEAKER_00]: This voice is that of a person with locks, so I'm definitely.
• 6:40
  [SPEAKER_00]: Look, I'm hiding.
• 6:41
  [SPEAKER_00]: I'm like, I'm not even, bro, I'm fighting a tree and I'm climbing, I'm never coming down.
• 6:46
  [SPEAKER_00]: All right, I'm never coming out.
• 6:47
  [SPEAKER_00]: I'm never coming out.
• 6:48
  [SPEAKER_00]: I've never come out.
• 6:49
  [SPEAKER_01]: This is Dr. Avilla, get it.
• 6:51
  [SPEAKER_01]: And this voice, who would have got out the car and just walked before it even went into the gates, is James that they're there.
• 7:00
  [SPEAKER_02]: Mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm, mm,
• 7:09
  [SPEAKER_02]: Today, we are reviewing the film, The Gates.
• 7:12
  [SPEAKER_02]: This is a, oh, did it come out?
• 7:16
  [SPEAKER_02]: It came out this year.
• 7:17
  [SPEAKER_02]: Apparently it came out theaters.
• 7:19
  [SPEAKER_01]: Yeah, it looks like movie first, 13th.
• 7:21
  [SPEAKER_00]: Yeah, March 13th.
• 7:23
  [SPEAKER_01]: Oh, wow, didn't theaters.
• 7:25
  [SPEAKER_02]: Yeah, I didn't realize that.
• 7:27
  [SPEAKER_02]: Oh, but maybe it was select theaters.
• 7:31
  [SPEAKER_00]: That's been happening.
• 7:31
  [SPEAKER_00]: People have been like, please have been released in like small movies, and I'm like, you know what, that's pretty cool.
• 7:37
  [SPEAKER_02]: It is currently on Amazon though.
• 7:39
  [SPEAKER_02]: So if you want to check out the film that case, you can now watch it on Amazon.
• 7:44
  [SPEAKER_02]: It stars Mason, gooding from 72 hours, which we just reviewed.
• 7:49
  [SPEAKER_02]: Yep.
• 7:50
  [SPEAKER_02]: As well as the screams franchise.
• 7:52
  [SPEAKER_02]: Al G Smith, we review just several of the movies.
• 7:55
  [SPEAKER_02]: He's been in.
• 7:55
  [SPEAKER_00]: He's also, that's wild.
• 7:57
  [SPEAKER_00]: He also was on season one before you.
• 8:00
  [SPEAKER_00]: He should have been treated much better, but
• 8:03
  [SPEAKER_00]: He was.
• 8:04
  [SPEAKER_02]: He was also in the hate you give.
• 8:06
  [SPEAKER_02]: Remember that?
• 8:06
  [SPEAKER_00]: Oh, yes.
• 8:07
  [SPEAKER_00]: Mantles.
• 8:07
  [SPEAKER_02]: That's the same thing.
• 8:09
  [SPEAKER_02]: Yes.
• 8:11
  [SPEAKER_02]: And then Keith powers.
• 8:13
  [SPEAKER_02]: I wasn't familiar with him.
• 8:15
  [SPEAKER_00]: So I know him as one of the most handsome men.
• 8:17
  [SPEAKER_00]: Like, I know he's dating another hand.
• 8:19
  [SPEAKER_00]: Let me sorry.
• 8:20
  [SPEAKER_00]: Another beautiful person.
• 8:22
  [SPEAKER_00]: Okay.
• 8:22
  [SPEAKER_00]: So I know he's been, I think he might have been, is he an all American?
• 8:26
  [SPEAKER_02]: Apparently he was in straight out of Compton, but I don't know.
• 8:28
  [SPEAKER_02]: Yeah.
• 8:30
  [SPEAKER_02]: I don't remember him and that all of that can.
• 8:33
  [SPEAKER_02]: He was in BET's, uh, the new edition story.
• 8:38
  [SPEAKER_00]: Okay, he was, he was in a movie, wait, where is it?
• 8:42
  [SPEAKER_00]: Yes, he was in a movie with, um, Gabrielle Union when she was like dating a younger man.
• 8:48
  [SPEAKER_00]: I was like, oh, yes, it was like a rom-com for like dating a young dude.
• 8:54
  [SPEAKER_02]: Yeah, and then apparently he was also in the tomorrow war, which I think is one of the worst movies that I've ever seen I don't even like freaking hate it.
• 9:03
  [SPEAKER_02]: I'm it's with what's his name one of the Chris's Chris.
• 9:07
  [SPEAKER_00]: Yeah, Chris.
• 9:09
  [SPEAKER_00]: Oh, Pratt.
• 9:10
  [SPEAKER_02]: Yeah, okay, and then all and then the late great James Vanderbeek last the late great.
• 9:18
  [SPEAKER_00]: Yes Great
• 9:20
  [SPEAKER_00]: I mean, listen, I, Dawson Creek, love Dawson, he played, he played Rocky, the Red Power Ranger and it's like, I'll never forget it, this, this, they were doing it back in like,
• 9:33
  [SPEAKER_00]: uh, the early 2010s like back, bootleg, bootleg, I don't know what they call him.
• 9:39
  [SPEAKER_00]: But it was like these people would make these like really fancy like stories.
• 9:43
  [SPEAKER_00]: They did like a heart-ranger one, which is like a gritty, power-ranger thing.
• 9:46
  [SPEAKER_00]: And he played like Billy, who joined the robots.
• 9:49
  [SPEAKER_00]: If you remember power-rangers, he was like a bag average.
• 9:51
  [SPEAKER_00]: He didn't know.
• 9:52
  [SPEAKER_00]: Right.
• 9:52
  [SPEAKER_01]: That's a good movie.
• 9:54
  [SPEAKER_01]: Power-rangers.
• 9:55
  [SPEAKER_01]: Power-rangers.
• 9:56
  [SPEAKER_00]: Power-rangers.
• 9:57
  [SPEAKER_00]: Yeah, yeah.
• 10:01
  [SPEAKER_01]: Then something wasn't publicly that it was him, but then the, but then yeah, there is some, there is some like potentially anti Democrat stuff on his side, which I remember people talking about, so yeah, this, let's see the box office for this, I don't, okay, yeah, it wasn't really in theaters because box office mojo says, I don't think this has a box office.
• 10:29
  [SPEAKER_00]: is no, I mean, if it was enough for a day.
• 10:32
  [SPEAKER_02]: Yeah, okay, it's not available.
• 10:33
  [SPEAKER_02]: So, right tomatoes, 48% of rotten tomatoes, 29% of popcorn meter.
• 10:42
  [SPEAKER_01]: Oh, interesting.
• 10:43
  [SPEAKER_02]: It's interesting to me.
• 10:46
  [SPEAKER_02]: So this is a movie about three friends who trying to get to a party, wind up getting stuck in a gated community where they witnessed a murder.
• 10:58
  [SPEAKER_02]: And then, well, fear and soos, I guess.
• 11:04
  [SPEAKER_02]: So a pretty simple premise.
• 11:06
  [SPEAKER_01]: Yeah.
• 11:09
  [SPEAKER_01]: She was just getting into a, she was just jumping into initial thoughts, right?
• 11:12
  [SPEAKER_02]: Yeah.
• 11:15
  [SPEAKER_00]: I don't know if I like, I watched this not too long ago and I'm not sure how I feel like I'm not like, I'm not sure I'll go first.
• 11:25
  [SPEAKER_00]: I think it can move me.
• 11:27
  [SPEAKER_00]: a spoiler alert.
• 11:28
  [SPEAKER_00]: I'm happy none of them die because I thought I was like I can't watch a movie where like I'm watching these black dudes.
• 11:33
  [SPEAKER_00]: I thought I thought I thought I'm dying me algae algae right that's the name yeah algae Smith.
• 11:40
  [SPEAKER_00]: I thought algae Smith was going to be a garner because like he was just to in this movie he was too black.
• 11:46
  [SPEAKER_00]: If you know what I mean you were just too black.
• 11:48
  [SPEAKER_00]: Some of the discussions they were having early on felt so heavy handed.
• 11:52
  [SPEAKER_00]: But
• 11:54
  [SPEAKER_00]: I mean, I don't know, bro.
• 11:55
  [SPEAKER_00]: Like, I would be terrified.
• 11:56
  [SPEAKER_00]: I was trapped in a white neighborhood as a grown man.
• 11:59
  [SPEAKER_00]: Like, I don't want it.
• 12:00
  [SPEAKER_00]: Even they were nice.
• 12:01
  [SPEAKER_00]: I would feel unsafe.
• 12:03
  [SPEAKER_00]: Like, I...
• 12:04
  [SPEAKER_00]: I mean, it was a good movie.
• 12:06
  [SPEAKER_00]: You know what I'm saying?
• 12:07
  [SPEAKER_00]: Like I thought Mason was acting his ass.
• 12:09
  [SPEAKER_00]: I thought everybody acted their ass off.
• 12:10
  [SPEAKER_00]: My buddy, Kyler is in this.
• 12:12
  [SPEAKER_00]: He plays, did not know he was in this movie.
• 12:14
  [SPEAKER_00]: He plays the cop.
• 12:17
  [SPEAKER_00]: What was a young cop?
• 12:18
  [SPEAKER_00]: With so funny is he plays the cop in this, but he's gonna movie right now.
• 12:23
  [SPEAKER_00]: Starting as one of the singers of Green Day.
• 12:25
  [SPEAKER_00]: So I only know him as like a blue-haired kid.
• 12:30
  [SPEAKER_01]: So it's been, it's insane.
• 12:34
  [SPEAKER_00]: I don't know, I think it's good.
• 12:36
  [SPEAKER_00]: I mean, hopefully when I hear you guys talk about it, I don't have to feel about it, but I just feel uncomfortable and like, yeah, I don't like it.
• 12:42
  [SPEAKER_00]: And also I felt weird once I looked up the director, I waited to the end, he's white, he wrote and directed it, and I'm like, I don't know how I feel about that.
• 12:49
  [SPEAKER_00]: I think he's mixed, actually.
• 12:52
  [SPEAKER_02]: Okay, I think he's very, what, oh, he's very light skin, but he's he is mixed.
• 12:55
  [SPEAKER_02]: Oh, okay.
• 12:55
  [SPEAKER_02]: Got it.
• 12:55
  [SPEAKER_02]: Got it.
• 12:56
  [SPEAKER_02]: Got it.
• 12:56
  [SPEAKER_02]: Got it.
• 12:56
  [SPEAKER_02]: Okay.
• 12:56
  [SPEAKER_02]: Yeah.
• 12:56
  [SPEAKER_02]: Oh, man.
• 12:57
  [SPEAKER_02]: I don't know.
• 12:57
  [SPEAKER_02]: I don't know.
• 12:58
  [SPEAKER_02]: I don't know.
• 12:58
  [SPEAKER_02]: I let you out.
• 12:59
  [SPEAKER_00]: I don't.
• 12:59
  [SPEAKER_00]: I don't.
• 12:59
  [SPEAKER_00]: I don't know.
• 12:59
  [SPEAKER_00]: I don't know.
• 13:00
  [SPEAKER_00]: I don't.
• 13:00
  [SPEAKER_00]: I don't.
• 13:00
  [SPEAKER_00]: I don't know.
• 13:01
  [SPEAKER_00]: I don't know.
• 13:01
  [SPEAKER_00]: I don't, I don't know.
• 13:01
  [SPEAKER_00]: I don't, I don't know.
• 13:02
  [SPEAKER_00]: I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't, I don't,
• 13:07
  [SPEAKER_00]: Yeah, I'm so sorry.
• 13:09
  [SPEAKER_00]: One last thing, also when people like James Vanderbeacon and him are really good at being like racism mean, it makes me very uncomfortable.
• 13:15
  [SPEAKER_00]: It's like, I need you to do it.
• 13:16
  [SPEAKER_00]: And if you say how hard it was for you to tap into this job, but it's in this part, like, I just don't like it.
• 13:22
  [SPEAKER_00]: I don't like it.
• 13:22
  [SPEAKER_00]: Not that, not that, not that.
• 13:25
  [SPEAKER_02]: Yeah, do you want me to go or do you want to go to you?
• 13:28
  [SPEAKER_02]: You can go go ahead.
• 13:30
  [SPEAKER_02]: Okay, so I think overall I did like this movie.
• 13:35
  [SPEAKER_02]: It wasn't comfortable to watch.
• 13:37
  [SPEAKER_02]: I think the movie did well at that, and at the same time, it makes it...
• 13:45
  [SPEAKER_02]: You know, the entertainment value is tricky, right?
• 13:51
  [SPEAKER_02]: It's not fun.
• 13:52
  [SPEAKER_02]: It's not fun.
• 13:54
  [SPEAKER_02]: It's not fun, but I have to admit, I really admire the way that it and old some pretty heavy themes and content and that it would be fun.
• 14:12
  [SPEAKER_02]: even though some of the dialogue could be a little clunky at times in the action and the events of the film, I felt like it was really the director writer, was really trying to not be like all one way or all the other way and was trying to show the complexity of this issue
• 14:43
  [SPEAKER_02]: if somebody was watching this with an open mind, they could learn something.
• 14:48
  [SPEAKER_02]: That being said, it's tough because you know, I think that
• 14:55
  [SPEAKER_02]: It's still a movie at the end of the day, and I am a glad spoiler alert that they had a happy ending.
• 15:02
  [SPEAKER_02]: And at the same time was like, would there really have been a happy ending?
• 15:06
  [SPEAKER_02]: I know!
• 15:08
  [SPEAKER_02]: So it's hard, because it's an impossible situation, you know.
• 15:12
  [SPEAKER_02]: And it's kind of why these kinds of movies...
• 15:16
  [SPEAKER_02]: they're just really hard to do.
• 15:17
  [SPEAKER_02]: And so yeah, I don't agree with this like 48% 29% certainly it's way too low, I think.
• 15:23
  [SPEAKER_02]: I really think this person.
• 15:26
  [SPEAKER_02]: like did a good job at like showing the like the two sides of this of the coin of like the person who is the black person who is like hey man like let's just trust law enforcement let's just like most most people are good people not all white people are racist like we don't have to like
• 15:48
  [SPEAKER_02]: like let's just like believe in like if you do good and you know, you're like say the right things and you fall the law, like everything will be okay, right?
• 15:59
  [SPEAKER_02]: And then you have that side.
• 16:00
  [SPEAKER_02]: And then you have the other person who's like, amen, I'm already my guard is already up like F you.
• 16:06
  [SPEAKER_02]: Like already has this like F you add it to you.
• 16:09
  [SPEAKER_02]: You know like ready to pop off at any second also ready to be like a let's just get out of here like screw this through that you know and then like kind of like not necessarily meeting in the middle but like both showing like.
• 16:22
  [SPEAKER_02]: how both of those situations can potentially get you into trouble.
• 16:27
  [SPEAKER_02]: And then also, I think reality of it to me, I don't even know if this is what the movie is trying to say, but it was like, I don't think there's anything, it's not like if you do something, if you do went this way or you went that way, it's like, no, you guys got caught.
• 16:41
  [SPEAKER_02]: in a bad situation, and if you are a black men who get caught in a bad situation, there's not really anything you can't do.
• 16:49
  [SPEAKER_02]: So all these people like, he should have done this, and he should have done that.
• 16:53
  [SPEAKER_02]: I think to me, this movie was trying to say, it doesn't matter.
• 16:58
  [SPEAKER_02]: If they did this way or that way, it wouldn't have mattered.
• 17:01
  [SPEAKER_02]: They would have been in a bad situation either way.
• 17:04
  [SPEAKER_02]: Like?
• 17:05
  [SPEAKER_02]: So I enjoyed that.
• 17:07
  [SPEAKER_02]: I also enjoyed, I really enjoyed, it's like, I actually really enjoyed James van if he's character in your right draw.
• 17:13
  [SPEAKER_02]: He was like, almost, do you get it being this race as like pastor, but like the way that he was weaponizing religion felt so familiar and also like so real.
• 17:25
  [SPEAKER_02]: I was like, oh my god, when he told that cop like, why don't you just pray, like you can do whatever you want,
• 17:35
  [SPEAKER_02]: Dude, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah, brah
• 17:59
  [SPEAKER_02]: Bro, that's real.
• 18:00
  [SPEAKER_02]: Yeah, and I will say I had to pause this movie several times because I, it was a little too much.
• 18:07
  [SPEAKER_02]: And even though, even though I wound up being okay, I was like, I was like, I'm not, I don't know where this movie's going and I'm very nervous.
• 18:14
  [SPEAKER_00]: When he, when I was you had to go with the, with the rapper and kids, what you didn't know that.
• 18:18
  [SPEAKER_00]: Yeah, I was like, bro, let this man lead us up.
• 18:22
  [SPEAKER_00]: But for me, sorry, James, you go, you go, you go.
• 18:27
  [SPEAKER_01]: Well, yeah, I just echo everybody's sentiments.
• 18:32
  [SPEAKER_01]: I, for the most part, enjoyed this movie.
• 18:34
  [SPEAKER_01]: I feel like it has a very strong act to specifically.
• 18:38
  [SPEAKER_01]: The set-ups really nice.
• 18:39
  [SPEAKER_01]: It's engaging.
• 18:41
  [SPEAKER_01]: Jerome mentioned that it's like that there's some kind of heavy head conversations in the beginning.
• 18:46
  [SPEAKER_01]: And I felt that a little bit, but
• 18:48
  [SPEAKER_01]: But it was like, it felt like the circumstances made since to have those conversations in a nice way.
• 18:54
  [SPEAKER_01]: The one thing that the one thing that I was like, I just don't even believe is that they went into the gate in the front of her split.
• 19:04
  [SPEAKER_01]: I just find it hard to even believe that they would do that, but I try to think about like kids and like what the stakes of the moment for them, like we got to get to this part and we got to get to our girls or whatever, and I give it a little bit of grace like it's pride.
• 19:22
  [SPEAKER_02]: It was the one dude who has pushed, because two of them didn't want to go away.
• 19:25
  [SPEAKER_02]: Exactly.
• 19:27
  [SPEAKER_01]: Exactly.
• 19:28
  [SPEAKER_01]: And then the happenstance of they're being someone with a gate key like at that exact moment.
• 19:35
  [SPEAKER_01]: It's like, okay, I think I have to let it go, you know, but I just want to assume you could just drive through and open on the other side and then it would open.
• 19:47
  [SPEAKER_02]: Yeah.
• 19:47
  [SPEAKER_01]: Yeah, exactly.
• 19:48
  [SPEAKER_01]: And that's what they do.
• 19:50
  [SPEAKER_00]: And that's what these gaze works.
• 19:52
  [SPEAKER_01]: Guess not.
• 19:53
  [SPEAKER_01]: And yeah, and the act three, I have a little bit of some of an issue with it in terms of just like the mechanics of it and how things work out, but yeah, I was I was on the edge of my seat, I was in a big struggle, I got fought at the at the rap sequence.
• 20:17
  [SPEAKER_01]: And yeah, I'm excited to talk about it more specifically.
• 20:19
  [SPEAKER_01]: When the movie started, cat was like, it's about Scientology, and I was like, I don't know why it would be more about Scientology than any other weird kind of culty thing.
• 20:29
  [SPEAKER_01]: But then the fact that it was revealed that the guys have passed are and he's trying to build.
• 20:33
  [SPEAKER_01]: He's trying to, it was like, oh, and it's sort of is about religious extremism in a way.
• 20:37
  [SPEAKER_01]: You know, so I thought it was crazy that she clicked and does that before the movie even really got going.
• 20:42
  [SPEAKER_01]: But yeah.
• 20:43
  [SPEAKER_00]: Also, I was like, they don't even have enough people to do the thing that he's trying to put us in, bro.
• 20:49
  [SPEAKER_01]: But apparently the influence is there.
• 20:51
  [SPEAKER_01]: I thought it was interesting how we learned through mostly through like some conversations, but then like through the internet, like what things were real and how far reaching things were, like I thought that was that stuff.
• 21:04
  [SPEAKER_02]: Yeah, because he didn't have a lot of people necessarily in the Kated community, but his past, pastorial reach was bigger than that coming in.
• 21:10
  [SPEAKER_00]: Right.
• 21:11
  [SPEAKER_00]: Right.
• 21:11
  [SPEAKER_00]: Yeah.
• 21:12
  [SPEAKER_00]: And his wife being like, yeah, right.
• 21:15
  [SPEAKER_00]: You know, I mean, we also get into it.
• 21:17
  [SPEAKER_00]: I mean, the opening, like, it happens quickly.
• 21:19
  [SPEAKER_00]: They pick him up, they pick up Mason very quick.
• 21:23
  [SPEAKER_02]: And we have the opening of him with blood on his face and a goodness hand.
• 21:27
  [SPEAKER_02]: Yeah, I love the race like that.
• 21:29
  [SPEAKER_02]: Saying like, we don't have to like, it's okay.
• 21:31
  [SPEAKER_02]: Like, we don't have to talk.
• 21:34
  [SPEAKER_00]: I love stuff like that and you can see like the cop-like flash notice I'm like freaking great But when they get in the car is so interesting because these conversations do happen We're like, you know, you have the one the friend who is up move into the suburbs You got the one friend who's at the league.
• 21:48
  [SPEAKER_00]: You got like the the car official not or whatever I will say with man
• 21:54
  [SPEAKER_00]: In my, in my younger years, I was definitely on these type of missions, okay?
• 22:00
  [SPEAKER_00]: And it's good about it.
• 22:01
  [SPEAKER_00]: It's, it's good about it.
• 22:02
  [SPEAKER_00]: Once you're on the mission, it is hard.
• 22:05
  [SPEAKER_00]: It is hard not to see it through what you don't know who's waiting for you.
• 22:09
  [SPEAKER_00]: So I'm ready to like eight man.
• 22:11
  [SPEAKER_00]: I got like my girl, she got friends like I'm a com.
• 22:13
  [SPEAKER_00]: I'm gonna be like, all right, but we're on the mission.
• 22:16
  [SPEAKER_00]: They had a video face time of all of the women who were waiting for them and all were bad.
• 22:22
  [SPEAKER_00]: And I was like, bro, you got to, you got to see this.
• 22:24
  [SPEAKER_01]: You got to see this.
• 22:25
  [SPEAKER_01]: Yeah.
• 22:26
  [SPEAKER_00]: Or any young man.
• 22:28
  [SPEAKER_00]: Yeah, man, you got to see it through.
• 22:30
  [SPEAKER_00]: I mean, I don't know if I'm taking a little detour.
• 22:32
  [SPEAKER_00]: I see a detour, I'll take the detour.
• 22:35
  [SPEAKER_01]: But I see a gate.
• 22:37
  [SPEAKER_01]: I'm turning it off.
• 22:41
  [SPEAKER_02]: We messed up the nice stuff.
• 22:42
  [SPEAKER_02]: All right, yeah, the night is over.
• 22:44
  [SPEAKER_00]: I don't think it's like, I don't know about taking a detour because the detour was in the woods.
• 22:47
  [SPEAKER_00]: And I'm gonna tell you this right now.
• 22:49
  [SPEAKER_00]: If the three of us was, we got kicked out of an Airbnb because nice edge James is doing long you can use black.
• 22:56
  [SPEAKER_01]: And that was the same city, the number of the, the, the, yes, the, I didn't come up to me, but there was a few, there are a few moments in this when they interact with people where I was like this exact thing is where I have felt like I don't belong here because of wherever it was that I was at and the, like when specifically when Mason tries to talk to the, to the guy at the party and the, and the guys like
• 23:21
  [SPEAKER_01]: It thinks he works there and he's like, sir, if you don't work here, I need to ask you to delete like that tone and energy.
• 23:26
  [SPEAKER_01]: I was getting PTSD watching that was like too much for me.
• 23:33
  [SPEAKER_00]: I've been pulled over, I remember one time, and I probably said this in the podcast this time they last.
• 23:36
  [SPEAKER_00]: But I remember my friend, Queen, is that was like, hey, we got to get pulled over, make sure Nate drives.
• 23:41
  [SPEAKER_00]: It's going to happen when you cross this bridge.
• 23:43
  [SPEAKER_00]: We were going like, Merleys to show us something.
• 23:45
  [SPEAKER_00]: We're like, the fuck?
• 23:46
  [SPEAKER_00]: He was like, no, a drink in the car.
• 23:48
  [SPEAKER_00]: If you do, book behind it.
• 23:50
  [SPEAKER_00]: And he even told us to seating a range.
• 23:51
  [SPEAKER_00]: He was like, Nate in the front, his son, Queen, who was like a tall license, basketball player.
• 23:55
  [SPEAKER_00]: Me, Aaron Ryan, he was like, and he'd sit in this order, Nate needs to drive.
• 24:00
  [SPEAKER_00]: Bro, we cost this bridge at like dusk.
• 24:02
  [SPEAKER_00]: And the thing about our friend, Nate, he dropped safe.
• 24:04
  [SPEAKER_00]: Two hands on the wheel.
• 24:05
  [SPEAKER_00]: He was the only one of us.
• 24:06
  [SPEAKER_00]: Two hands on the wheel.
• 24:07
  [SPEAKER_00]: We got pulled over.
• 24:08
  [SPEAKER_00]: I don't even know for what.
• 24:09
  [SPEAKER_00]: I don't even know for what, bro.
• 24:11
  [SPEAKER_00]: And it was like, it happened just like he said.
• 24:13
  [SPEAKER_00]: It was, it was, it was inside.
• 24:15
  [SPEAKER_00]: It was gonna do this.
• 24:16
  [SPEAKER_00]: I got pulled over in New York.
• 24:18
  [SPEAKER_00]: By the time this comes out a week ago, I had two of my friends in the car, two women, two of them in the color, the guy looks in the car and if I fail to get upset.
• 24:26
  [SPEAKER_00]: Like, and the thing is, and again, these are like very educated women.
• 24:30
  [SPEAKER_00]: So like, I'm trying to calm them down because they're like, why do we get put over?
• 24:33
  [SPEAKER_00]: And the cop doesn't have a good explanation.
• 24:35
  [SPEAKER_00]: Yeah, and like he just does it in some way.
• 24:38
  [SPEAKER_00]: So I just put me over.
• 24:39
  [SPEAKER_00]: Oh, you made a left and I put there's no turn signs He was like, well, you're supposed to go all the way down and come back around because it's got to go under the bridge.
• 24:45
  [SPEAKER_00]: I'm like, what the bridge is How to Street How to be talking about anything.
• 24:50
  [SPEAKER_00]: He got so pleasure.
• 24:51
  [SPEAKER_00]: He just walked away.
• 24:52
  [SPEAKER_00]: It came back with a ticket
• 24:53
  [SPEAKER_00]: with no price or anything, we got a call in and they'll tell you what it is.
• 24:57
  [SPEAKER_00]: I was like, what is this?
• 24:59
  [SPEAKER_00]: My man got so flustered, bro.
• 25:01
  [SPEAKER_00]: And I was like, y'all just out here, do a stuff.
• 25:03
  [SPEAKER_00]: And the fact that it was too hot, women of color in his car, I know made it worse.
• 25:06
  [SPEAKER_00]: I saw his face and it got, I'm gonna just leave catchers.
• 25:07
  [SPEAKER_00]: That's all cops are.
• 25:09
  [SPEAKER_00]: That's just, they're just, that's what they started on.
• 25:10
  [SPEAKER_00]: That's the thing, that's the thing, that's the thing, that's the thing, that's the thing, that's the thing, that's the thing, that's the thing, that's the thing, that's the thing, that's the thing, that's the thing, that's the thing, that's the thing, that's the thing, that's the thing, that's the thing, that's the thing, that's the
• 25:21
  [SPEAKER_02]: Yeah, this movie, I mean, that's the other thing.
• 25:23
  [SPEAKER_02]: So right before this whole, then getting into the get a community, they get pulled over in his neighborhood.
• 25:31
  [SPEAKER_02]: And the guy's like, what do you do it like?
• 25:35
  [SPEAKER_02]: He's like, oh, here we go.
• 25:36
  [SPEAKER_02]: He's like, no, man, he's calm down.
• 25:38
  [SPEAKER_02]: And he's like, all right, why, like,
• 25:42
  [SPEAKER_02]: Where are you like, what are you guys doing?
• 25:44
  [SPEAKER_02]: And he's like, oh, I live right here.
• 25:45
  [SPEAKER_02]: He's like, no, you don't.
• 25:46
  [SPEAKER_02]: Like, I know who lives there.
• 25:48
  [SPEAKER_02]: And then Jason couldn't say, hey, officer, he knows this name, whatever.
• 25:52
  [SPEAKER_02]: Oh, hey, what's going on?
• 25:53
  [SPEAKER_02]: What's going on?
• 25:53
  [SPEAKER_02]: Oh, no, these are my friends.
• 25:54
  [SPEAKER_02]: They're just doing that.
• 25:55
  [SPEAKER_02]: Okay, why'd you lie to me?
• 25:57
  [SPEAKER_02]: You know?
• 25:57
  [SPEAKER_00]: And then when he said, why'd you stop me in the top graph quiet?
• 26:02
  [SPEAKER_00]: You like, why'd you stop me?
• 26:03
  [SPEAKER_00]: Yeah.
• 26:05
  [SPEAKER_01]: Well, this is this I and then he said the same BS that that cops said to you well, you're supposed to do such such then he walks me Yeah, yeah, there was always some little thing.
• 26:15
  [SPEAKER_02]: They can always say I'm a one-skating polar and they're like you don't they're like well, you didn't use your turn signal And I was like
• 26:23
  [SPEAKER_02]: My man, I'd use my turn signal when I'm in the driveway, like I use my turn signal, like when there's literally not a soul around and I'm turning into my own driveway, like I always use the turn signal, there's no chance I didn't use the turn signal.
• 26:42
  [SPEAKER_00]: This stuff like kills me because I'm like, y'all just, and again, I'm not trying to say all cops, I ain't trying to do all that, but I'm like, man, it is bad.
• 26:49
  [SPEAKER_00]: And the fact that us right now, as like grown men in 2026, are complaining about things that are derivative of what our parents complained about, what our grandparents complained about, what people complained about in like, 1820, it's just really, I don't know, I don't know.
• 27:04
  [SPEAKER_00]: In fact, there should be no fear about ending up,
• 27:09
  [SPEAKER_00]: If the world was good, I think the thing about this movie that many mad was, is that there is a fear of ending up in a white only community.
• 27:15
  [SPEAKER_00]: I don't like white only spaces.
• 27:17
  [SPEAKER_00]: I don't like them.
• 27:19
  [SPEAKER_00]: But for a camera's took me to a party, glassful for July, it was in the heels.
• 27:23
  [SPEAKER_00]: We showed up here the only black man at this party.
• 27:26
  [SPEAKER_00]: And it was a bunch of like rich kids, a bunch of CW kids, and I prior to the job before like every white kid is trying to impress us.
• 27:33
  [SPEAKER_00]: There are celebrities who won at one point goes, I'm just trying to make sure, yeah, yeah, I'm trying to make sure you have to think I'm cool.
• 27:40
  [SPEAKER_00]: It was so uncomfortable.
• 27:41
  [SPEAKER_00]: I'm like, yeah, if some, if one of us like further with the raw woman or like drink someone's drink, I'm like, there's no safety here.
• 27:49
  [SPEAKER_00]: Like there's none.
• 27:51
  [SPEAKER_02]: Yeah.
• 27:52
  [SPEAKER_00]: I don't know, man.
• 27:53
  [SPEAKER_00]: And it sucks to have that feeling as I'm pretty sure people feel that about women will feel that around all men.
• 27:57
  [SPEAKER_00]: And you know, I, I get it, but I'm like, it just.
• 28:02
  [SPEAKER_02]: Yeah, so they, they're trying to get to this place.
• 28:05
  [SPEAKER_02]: The highway is backed out.
• 28:06
  [SPEAKER_02]: We don't really know why Google tells them there's an alternate route.
• 28:10
  [SPEAKER_02]: If you go down this road, they're like, looking at the road, you know, they're like, I don't know, like one of them is like, I think it was algae, probably like that road.
• 28:17
  [SPEAKER_02]: Are you sure?
• 28:18
  [SPEAKER_00]: Yeah, I mean, I come on and we're fine.
• 28:19
  [SPEAKER_02]: Whatever, and drive through that, they get to the place.
• 28:22
  [SPEAKER_02]: There's a gate.
• 28:24
  [SPEAKER_02]: They're both like algae and mason are both like all right.
• 28:28
  [SPEAKER_02]: Well, that's a wrap.
• 28:30
  [SPEAKER_02]: Like we try it.
• 28:32
  [SPEAKER_00]: Yeah, no, no, man.
• 28:33
  [SPEAKER_00]: No, we got to try it.
• 28:34
  [SPEAKER_02]: We got to try to get through this as they're doing that a white woman in a red Corvette pulls up.
• 28:42
  [SPEAKER_02]: And then Mesa's like, oh, okay, hold on, I got this.
• 28:44
  [SPEAKER_02]: Hey, can you let, you know, we're, oh, we have a, and he lies by the way, too, which was so weird to me.
• 28:49
  [SPEAKER_02]: I was like, why don't you just say, like, the truth is better than this lie right now.
• 28:53
  [SPEAKER_02]: Like the truth is just, hey, we're trying to avoid traffic on the highway and just cut through here.
• 28:59
  [SPEAKER_02]: Anyway, you can just let us in.
• 29:00
  [SPEAKER_02]: We're literally just gonna drive right through.
• 29:02
  [SPEAKER_02]: I don't know why that is like the instead he's like, yeah, we have a friend in here and they didn't give us the gate code.
• 29:08
  [SPEAKER_02]: And so she gives, she has a clicker and she opens the gate.
• 29:13
  [SPEAKER_02]: No, she people are she's done that she's like, you guys want to go in there.
• 29:17
  [SPEAKER_02]: And I was like, oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
• 29:25
  [SPEAKER_02]: I was like, oh, she's right.
• 29:26
  [SPEAKER_02]: Don't go in there.
• 29:27
  [SPEAKER_02]: She's warning you right now, which also made me think like this community was much more nefarious than it was, but maybe the scarier part of this movie is that honestly nothing happens in this movie that is outlandish or crowsy or weird.
• 29:42
  [SPEAKER_00]: I think that's the thing is like, that's not what it like, that's not what I'm like.
• 29:46
  [SPEAKER_02]: I think that's, but it's like, I'm trying to think like, okay, why does get out work?
• 29:50
  [SPEAKER_02]: And at part of it, I think is because
• 29:53
  [SPEAKER_02]: It's like the fear of the stuff, but then it's overlaid with, you know, fantasy, right?
• 30:01
  [SPEAKER_02]: Like, is that somebody be able to put you in the sunken place and people like putting black, like white people's minds and side black people's bodies and that being obviously like there's,
• 30:11
  [SPEAKER_02]: You know, metaphor for that and all that stuff, but it's like, it's like stuff that's not actually can't actually happen.
• 30:16
  [SPEAKER_02]: Whereas this whole movie I was like, literally there's every single thing here feels right.
• 30:21
  [SPEAKER_02]: In fact, the only the things that don't feel right are just them getting out of it.
• 30:25
  [SPEAKER_02]: Yeah.
• 30:27
  [SPEAKER_00]: I also think great to your point.
• 30:28
  [SPEAKER_00]: To your point, I think that's why it has a lower rise to middle score.
• 30:31
  [SPEAKER_00]: That thing, so my theory is when you look at slave movies, when you think of, and when you're saying get out, I personally think why people can say, that's not us.
• 30:41
  [SPEAKER_00]: Like, that, wow, look how bad those were for us.
• 30:45
  [SPEAKER_00]: This movie, I almost did a post last night, but I didn't, because I just didn't feel like having to do it, but I was like, yo, this is how I feel when I meet some of my white friends family.
• 30:56
  [SPEAKER_00]: Like, truly, I don't care how woke they are.
• 30:59
  [SPEAKER_00]: Like, even also hanging with one of my friends, yesterday she helped me do a tape and something came up and she started talking about her southern family.
• 31:06
  [SPEAKER_00]: Like, she's mixed.
• 31:07
  [SPEAKER_00]: And she was like, the white half of my family always says, this, this and this and sometimes I can fight it, sometimes I don't have the energy to.
• 31:14
  [SPEAKER_00]: And I'm like, that shit exists right now.
• 31:16
  [SPEAKER_00]: And everything in this movie, bro, everything from, I'm not gonna lie to y'all.
• 31:21
  [SPEAKER_00]: James said he wouldn't go through
• 31:23
  [SPEAKER_00]: When they saw the gate, I went in and went through was that hot white woman opened that door.
• 31:28
  [SPEAKER_00]: Because there's no way.
• 31:29
  [SPEAKER_00]: It's like, well first I'm like, where you going?
• 31:32
  [SPEAKER_00]: Where are you going?
• 31:32
  [SPEAKER_00]: Yeah, right.
• 31:33
  [SPEAKER_00]: Why are you letting me listen.
• 31:35
  [SPEAKER_00]: I'm going to take this right now.
• 31:36
  [SPEAKER_00]: Yeah.
• 31:36
  [SPEAKER_00]: I don't see anyone doing it.
• 31:37
  [SPEAKER_00]: I ain't going down that hole with you.
• 31:39
  [SPEAKER_00]: I ain't doing it.
• 31:40
  [SPEAKER_00]: It's no way I'm doing it.
• 31:41
  [SPEAKER_00]: And no way.
• 31:43
  [SPEAKER_00]: Bro, there was, there was, I legit.
• 31:45
  [SPEAKER_00]: I should you not.
• 31:46
  [SPEAKER_00]: I tried to why we may ask me a bunch of questions.
• 31:49
  [SPEAKER_00]: I don't know why I have such a fear right now.
• 31:51
  [SPEAKER_00]: Oh, why would I ask me a bunch of questions at this festival yesterday?
• 31:54
  [SPEAKER_00]: But like with lingering and like walking around with me and I was like, Hey, look.
• 31:58
  [SPEAKER_00]: I don't know like her and her friend just and her friend never spoke.
• 32:01
  [SPEAKER_00]: I don't know what this is But this feels scary.
• 32:03
  [SPEAKER_00]: And I think I was like I gotta go to the bathroom and I ran off in the corner They're like one of y'all not talking one of y'all talking too much.
• 32:09
  [SPEAKER_00]: Y'all asking like random shit that I don't know But I don't work here bro.
• 32:14
  [SPEAKER_00]: No.
• 32:15
  [SPEAKER_00]: No, don't go in that don't go in there
• 32:18
  [SPEAKER_00]: Now you will walk up to the door.
• 32:19
  [SPEAKER_02]: So they go in, they try it, they go, they're like, all right, we're just trying up to the key.
• 32:24
  [SPEAKER_02]: And it'll open, it doesn't open, they're like, oh.
• 32:28
  [SPEAKER_02]: And then he's like, okay, we should just ask somebody.
• 32:30
  [SPEAKER_02]: And he's like, what you are, you're mine?
• 32:31
  [UNKNOWN]: Yo, wait, I'm the first, how'd you say?
• 32:32
  [SPEAKER_02]: What did the algae say?
• 32:33
  [SPEAKER_02]: The first, he's like, hey, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo,
• 32:42
  [SPEAKER_02]: Hey, we're trying to get less out of this game right now.
• 32:44
  [SPEAKER_00]: Quick, he was like, he was like, he was like, he was like, hey, hey, we'll meet, I need your clicker.
• 32:49
  [SPEAKER_01]: Give us your clicker, he should get this game.
• 32:51
  [SPEAKER_01]: I need that clicker, clicker, clicker, clicker, clicker, clicker.
• 32:56
  [SPEAKER_00]: So funny about that is that we might have helped them.
• 32:59
  [SPEAKER_00]: She probably wouldn't have, but she might have But I understand all of the frustration of like Gilbrow.
• 33:04
  [SPEAKER_00]: Mason almost was not acknowledging the fact that they were like three black dudes almost the whole time Which is so frustrating, but also out of you being like, hey, let me get your clicker is just playing it to the fear and now this woman is scared and you're stuck here in this neighborhood
• 33:20
  [SPEAKER_01]: It's so funny because Mason did say, you know, what are they going to want more than us being inside getting letting us out like we make sure we get out right so like Mason did he like knew that that would that we would be able to get out.
• 33:35
  [SPEAKER_01]: But then.
• 33:36
  [SPEAKER_01]: but then algae so mad that they couldn't just easily get out like he was so mad that they couldn't easily get out that he like no one watches out against that he's he's mad at yeah, but he's also mad at Mason being like just ask one of these white right.
• 33:51
  [SPEAKER_00]: He's like yeah, he's like yellow is not like what are you talking about he's like the cops just stop me before
• 33:57
  [SPEAKER_00]: Because I was black in his neighborhood, right?
• 33:59
  [SPEAKER_00]: It's all going to be.
• 34:00
  [SPEAKER_02]: And so then, and then Mesa's like, all right, I'll do it, and he gets out, and there's two guys running by and he's like, hey, and they just like keep running by, which, yes, I get that too.
• 34:10
  [SPEAKER_01]: Yeah, and that's the thing, it's like, it's like,
• 34:14
  [SPEAKER_02]: Nobody of this neighborhood, it treats them like human beings because they're afraid of them.
• 34:19
  [SPEAKER_02]: But this is the thing that I think and like look, there's like one side of it is like, I think the way that I can understand is like, if I am a woman walking,
• 34:29
  [SPEAKER_02]: I want to be tonight and there's a man, you know, I'm going to be a failure of that guy because I don't know what happened to men historically, they're the ones that are right.
• 34:37
  [SPEAKER_02]: Yeah.
• 34:38
  [SPEAKER_02]: Yeah.
• 34:38
  [SPEAKER_02]: So at the same time, the thing that I think, and I don't know if we said this before, but like people.
• 34:47
  [SPEAKER_02]: when it's dealing with cops, black people, police, and black men in particular.
• 34:52
  [SPEAKER_02]: Black men are not allowed to be afraid.
• 34:54
  [SPEAKER_02]: It's like, they're afraid too.
• 34:56
  [SPEAKER_02]: Like, we're, we can be afraid, but we can't be afraid.
• 35:00
  [SPEAKER_02]: You know what I mean?
• 35:00
  [SPEAKER_02]: That's the thing.
• 35:01
  [SPEAKER_02]: It was like, the police were like, oh, well, I was afraid that that's something was gonna happen.
• 35:04
  [SPEAKER_02]: So I had a shoot, and it was like, whoa, what if they were afraid of you?
• 35:07
  [SPEAKER_02]: So then they might raise their voice or be like on the defensive like algae like that's what I'm saying like you're not allowed to be like Black men are not allowed to be afraid You can't be anything bro.
• 35:18
  [SPEAKER_00]: You can't be afraid.
• 35:19
  [SPEAKER_00]: You can't be moral.
• 35:20
  [SPEAKER_00]: I only watched a video.
• 35:21
  [SPEAKER_00]: Okay, this what I'm gonna say is gonna sound very funny I'm just trying to point out the neat neat none of us could do it
• 35:27
  [SPEAKER_00]: This, this white dude was walking in the neighborhood barefoot.
• 35:31
  [SPEAKER_00]: I guess it's in Florida.
• 35:32
  [SPEAKER_00]: He's in like a tank top and some shorts a cop pulls up on him says something to the cop like says like now it's an argument happening.
• 35:40
  [SPEAKER_00]: This fat white dude is in the cow's face playing at him.
• 35:43
  [SPEAKER_00]: The cop is playing at him.
• 35:45
  [SPEAKER_00]: The dude grabs the cop's tays or it tays the cop.
• 35:48
  [SPEAKER_00]: Okay, and they're like runs off, but he's barefoot and he's kind of heavy set.
• 35:51
  [SPEAKER_00]: So he barely gets away But the thing is when the cops finally chase him down They still do not they don't even taste this man.
• 35:59
  [SPEAKER_00]: They don't taste him.
• 36:00
  [SPEAKER_00]: He has taste a cop It'll I think at one point do I mean I need to rewatch the video I'm pretty sure that like four cops kind of hunt them down.
• 36:09
  [SPEAKER_00]: I know all four don't have their guns out But I know I can 100% say if anything one of them.
• 36:13
  [SPEAKER_00]: What I'm a lady and I'm like
• 36:16
  [SPEAKER_00]: But in fact, anyone of us can have a traffic stop and that traffic stop can lead to death, which is one of the major reasons and one of the major ways black men do die when it comes to police and encounters is a fucking basic traffic stop.
• 36:27
  [SPEAKER_00]: Sometimes from a stop sound.
• 36:29
  [SPEAKER_00]: It's like this movie is too real where I think like it can't get a good review because it's saying who the bad guy is blatantly.
• 36:36
  [SPEAKER_00]: It's just like straight up,
• 36:38
  [SPEAKER_00]: these white people are bad.
• 36:40
  [SPEAKER_00]: Just like sometimes you see these movies when female directors are doing it and it's like the bad guys and the movies are just men and it's like do so like what a fuck there's movie this movie sucks because they're pointing out their experience as a woman where this movie is like alien black dudes ain't safe
• 36:55
  [SPEAKER_00]: It is like, oh, look, they did this wrong.
• 36:56
  [SPEAKER_00]: They did this wrong it.
• 36:57
  [SPEAKER_00]: Literally right now, let's not listen.
• 36:59
  [SPEAKER_00]: I'll say, Nolan Wells, who we still do not have what who happened to him instead of news reports coming up out, hey, what the fuck is up with these kids?
• 37:09
  [SPEAKER_00]: What the fuck is up with this judge?
• 37:11
  [SPEAKER_00]: What is happening with these news things?
• 37:13
  [SPEAKER_00]: Why did they cut their phones off?
• 37:14
  [SPEAKER_00]: You know where Ports came over the last two weeks that Nolan Wells' mom has had like troubles before.
• 37:21
  [SPEAKER_00]: Nolan's mom, Nolan's mom wasn't there.
• 37:24
  [SPEAKER_00]: Nolan's mom didn't commit a crime, but now I'm listening to y'all now talk about like her history where like no one has talked about the history of any of these white boys or their family.
• 37:34
  [SPEAKER_00]: Right.
• 37:35
  [SPEAKER_00]: That is the world we live in.
• 37:36
  [SPEAKER_00]: I don't want to have kids so bad and it kills me because I'm like if I have a black son, what the fuck do you do?
• 37:41
  [SPEAKER_00]: Uh, anyway, sorry.
• 37:43
  [SPEAKER_00]: That's my, that's my, that's mine.
• 37:44
  [SPEAKER_00]: We still don't know.
• 37:45
  [SPEAKER_00]: Right.
• 37:45
  [SPEAKER_02]: Do you still don't know what happens to this boy?
• 37:48
  [SPEAKER_00]: Yeah.
• 37:50
  [SPEAKER_00]: So who's gonna niggas about the star screen, whatever?
• 37:53
  [SPEAKER_02]: And then, of course, the worst thing happens, which is that as they're walking around, trying to talk to people, everybody's scared, there's like a little kid who's like, tells them to get off the porch and then he's like, Dad, you wouldn't listen to me.
• 38:06
  [SPEAKER_02]: That was probably the most comedic moment of the... Yeah, I know, like, I know, son, here we go.
• 38:11
  [SPEAKER_01]: Okay, it's the beginning of the shot.
• 38:15
  [UNKNOWN]: Okay.
• 38:15
  [UNKNOWN]: What the?
• 38:20
  [SPEAKER_02]: Oh, and that, but they, they witnessed a murder.
• 38:23
  [SPEAKER_02]: They witnessed, or, or, yeah, they, what they think is a murder.
• 38:27
  [SPEAKER_02]: They see the incident, a big arguing with the woman who let them in, she pushes her, he hits her head, blood, pool of blood coming out of her head, then he looks up.
• 38:40
  [SPEAKER_02]: He sees them.
• 38:41
  [SPEAKER_02]: He grabs his gun, chases after them.
• 38:45
  [SPEAKER_02]: And then you're like, oh, no, like, this is the worst possible situation they can have to leave it.
• 38:50
  [SPEAKER_00]: Also, why did you give you a sad chick a clicker?
• 38:54
  [SPEAKER_02]: So she could come in without, like, buzzing in her.
• 38:57
  [SPEAKER_00]: No, no, no, no, break it, break it, break it, break it, listen, I don't have no sad chicks.
• 39:00
  [SPEAKER_00]: I don't.
• 39:01
  [SPEAKER_00]: But I'm gonna tell you this, I'm not going to give a sad chick a key to my house.
• 39:06
  [SPEAKER_00]: He got a whole wife, he's in a gated neighborhood.
• 39:08
  [SPEAKER_00]: He's a pastor.
• 39:09
  [SPEAKER_00]: You gave your son, and you gave her, she riding in a bright, red sports car.
• 39:14
  [SPEAKER_02]: I know, it's maybe the most.
• 39:18
  [SPEAKER_00]: You are bad at this sir.
• 39:20
  [SPEAKER_00]: You are bad.
• 39:21
  [SPEAKER_00]: Like why she adds her house?
• 39:23
  [SPEAKER_00]: Like this is crazy.
• 39:27
  [SPEAKER_02]: What happened?
• 39:28
  [SPEAKER_02]: What do you think we never actually find out what their argument was about?
• 39:31
  [SPEAKER_00]: I think it probably was, because he said later on, he was like, have you ever had a woman of...
• 39:35
  [SPEAKER_00]: Try to remember your life?
• 39:36
  [SPEAKER_00]: I think he probably did that live.
• 39:37
  [SPEAKER_00]: I'm gonna leave my wife and be with you, and she probably called him out on it.
• 39:40
  [SPEAKER_00]: And then he was like, and is she probably threatened?
• 39:42
  [SPEAKER_00]: I'm like, yo, I'mma just tell her.
• 39:43
  [SPEAKER_00]: I'mma tell her, yeah.
• 39:44
  [SPEAKER_00]: Like, I'mma tell her.
• 39:45
  [SPEAKER_00]: And at that point, that is the... You know,
• 39:49
  [SPEAKER_00]: The end all be all because you know or she would it mean I don't want to say is this crazy But like she would it came back.
• 39:54
  [SPEAKER_02]: I was like I'm pregnant I don't think she was she was drinking this welcome, but I'm like, you know, whatever that threat was I don't see she might right, but yeah, I think especially I think the most logical thing He says she was gonna choose gonna tell hit her or everybody, you know I'm gonna tell everybody and Hey, many a passer that's how they that hey aster at my church
• 40:19
  [SPEAKER_02]: What happened?
• 40:19
  [SPEAKER_02]: I mean, yeah, I watched that video.
• 40:22
  [SPEAKER_00]: He was in the streets, right?
• 40:23
  [SPEAKER_00]: Yeah, he was in the streets.
• 40:25
  [SPEAKER_00]: He was in the streets.
• 40:26
  [SPEAKER_02]: That's somebody, somebody was like, somebody who found it was like, hey, no, no, no, James, what the?
• 40:31
  [SPEAKER_00]: James, brace, brace, but also this is the thing.
• 40:35
  [SPEAKER_00]: This is the thing, passes, and I, and I, and I do mean this other compliment, passes, and it goes to be that handsome.
• 40:39
  [SPEAKER_00]: Like, they're just not, like, they're not.
• 40:41
  [SPEAKER_00]: Like, I want to brace shirts like two or three times.
• 40:43
  [SPEAKER_00]: And this dude was too cool, bro.
• 40:45
  [SPEAKER_00]: Like he was too cool, like that's saying, again, I'm not saying he needed to be on a track, but I'm like, I'm looking at this brother.
• 40:50
  [SPEAKER_00]: Like, but he was being too cool also at the same time.
• 40:54
  [SPEAKER_01]: But he was too cool.
• 40:55
  [SPEAKER_00]: Then he had, because I watched a documentary on Hulu.
• 40:58
  [SPEAKER_00]: Then he had like a young, like, was a nurse, or maybe he said it.
• 41:02
  [SPEAKER_00]: And like, yeah, the baby said it.
• 41:05
  [SPEAKER_02]: That was, that was really bad.
• 41:07
  [SPEAKER_02]: Why did you get that?
• 41:07
  [SPEAKER_02]: The babysitter was somebody else was another pastor's wife.
• 41:11
  [SPEAKER_01]: Oh, I didn't know that part.
• 41:13
  [SPEAKER_01]: Yeah.
• 41:16
  [SPEAKER_00]: Okay, so this is a document or maybe fiance at the time, but yeah, because she was like a young baby So she just was an attractive person who was babysitting his kids and it was somebody from the church Yeah, it was somebody from church, and I was like, listen, man, you know It was an relationship with somebody else Oh my god From the church Hey Still together Yeah
• 41:41
  [SPEAKER_01]: password is why, but this is a moment because Jesus, you know what I'm saying, but yeah, this was this was this was those moments to where I was almost like, man, I don't think I buy this because the the argument is happening inside, but they're still going towards the door, but but then I was like, but who else are they going to go to?
• 42:01
  [SPEAKER_01]: Yeah, they can't let them in like like this this the person that let them in It's a man.
• 42:05
  [SPEAKER_01]: Yeah, it makes the most sense probably to let them out at this point after having these other times Of being turned away so it's it's for as much as like you would think they would walk away There's probably no one else who would have helped them right exactly no.
• 42:18
  [SPEAKER_02]: I think that makes the most Make sure she let me in.
• 42:21
  [SPEAKER_02]: Can you let us out?
• 42:23
  [SPEAKER_00]: Grace and he cut this movie off a couple of times.
• 42:25
  [SPEAKER_00]: I cut the movie off the moment
• 42:27
  [SPEAKER_00]: Jamie's better to be good looks up at that door.
• 42:30
  [SPEAKER_00]: I was like, I can't, because I kept being like, I can't remember that place once.
• 42:35
  [SPEAKER_00]: I like, they're not going to kill Mason.
• 42:37
  [SPEAKER_00]: Like, I figure the basketball, or the athlete make your hair, but I was like, I don't know you about to get it, bro.
• 42:42
  [SPEAKER_00]: He's too, he's too outspoken.
• 42:43
  [SPEAKER_00]: He's going to get it.
• 42:44
  [SPEAKER_00]: I was scared for this man at the entire world.
• 42:46
  [SPEAKER_02]: Yeah.
• 42:46
  [SPEAKER_02]: Well, also, it was kind of like, I was like, okay, so not only are you locked in this place where this dude saw you, and he's trying to murder you.
• 42:53
  [SPEAKER_02]: You also now,
• 42:55
  [SPEAKER_02]: like the cops are going to believe that you killed this, this, that's what I thought.
• 42:59
  [SPEAKER_02]: Which I kept thinking was going to happen.
• 43:00
  [SPEAKER_02]: But he just never, that's just not how he wanted to play it.
• 43:04
  [SPEAKER_02]: Which honestly, now that I look back at him, like James Raderby did have their, like, it was,
• 43:11
  [SPEAKER_02]: somewhat of a smart play to be like, let me just talk to them and be like, hey, you just leave mind your business and you'll get out of here and I'll get out of here and then we ain't have to deal with that.
• 43:22
  [SPEAKER_00]: Never have to deal with us.
• 43:24
  [SPEAKER_00]: You never got to talk.
• 43:25
  [SPEAKER_00]: We never have to like associate.
• 43:28
  [SPEAKER_02]: Right.
• 43:29
  [SPEAKER_02]: But
• 43:30
  [SPEAKER_02]: In the, they get, yeah, so there's other guy that kind of like takes them in, they're like, hey, we wouldn't miss the murder, they're like, they said all this stuff and then he just casually takes out a gun.
• 43:44
  [SPEAKER_01]: You know, I got this, just so you know, I'm not gonna ask you.
• 43:48
  [SPEAKER_00]: He felt like the most uncomfortable to me because he was one of the ones that you think you can go to for help and it's like, right, you still see me.
• 43:55
  [SPEAKER_00]: Like you're a slightly better than everyone.
• 43:57
  [SPEAKER_00]: Like, even yes, because Jay, I really appreciate him because of the race.
• 44:02
  [SPEAKER_00]: He didn't trust him because they just saw me kill this.
• 44:04
  [SPEAKER_00]: My side.
• 44:07
  [SPEAKER_01]: Yeah, but he was certainly using their race against him at every chance.
• 44:12
  [SPEAKER_01]: Yeah.
• 44:13
  [SPEAKER_01]: Yeah.
• 44:14
  [SPEAKER_01]: Yeah.
• 44:14
  [SPEAKER_02]: Well, you're going to say you appreciate it.
• 44:16
  [SPEAKER_02]: I appreciate it.
• 44:17
  [SPEAKER_02]: The algae saying, yes.
• 44:20
  [SPEAKER_02]: Later on.
• 44:21
  [SPEAKER_02]: Yeah.
• 44:21
  [SPEAKER_02]: He was like, dude.
• 44:23
  [SPEAKER_02]: We related in every way to that man, me with the cars, him with football, you with like you're upbringing, like all of us related to him in every way, and he still didn't trust us, like didn't believe us, like, so real.
• 44:36
  [SPEAKER_02]: What are you going to do?
• 44:37
  [SPEAKER_02]: Oh, so real.
• 44:39
  [SPEAKER_02]: And he was like, yeah, but that's his friend, and it's like dude.
• 44:41
  [SPEAKER_02]: Dude, Jesus, Louise, like bro.
• 44:47
  [SPEAKER_02]: What is it going to take for you to drop this?
• 44:50
  [SPEAKER_00]: Yo, that's so tough.
• 44:52
  [SPEAKER_00]: I was like, you know what I mean?
• 44:55
  [SPEAKER_01]: What did it even take?
• 44:56
  [SPEAKER_01]: Did he ever, I mean, it took a lot of attention?
• 44:59
  [SPEAKER_00]: No, no, did he ever, yes.
• 45:01
  [SPEAKER_02]: Yes, yeah, I think technically at the end of the movie we're supposed to get a little because he says, I'm going to talk to my lawyers.
• 45:07
  [SPEAKER_01]: I was like, yeah, yeah, yeah, yeah.
• 45:10
  [SPEAKER_01]: Okay, and not these other cops that I don't know.
• 45:13
  [SPEAKER_02]: I think that's what that was there for.
• 45:16
  [SPEAKER_02]: But to be like, yes, he's learned a little too.
• 45:19
  [SPEAKER_02]: Yeah, he also did have a gun out at some point.
• 45:21
  [SPEAKER_02]: It was like, I don't know, like, uh, but I think he's, but then we realized he wanted to wait for other cops to get there.
• 45:28
  [SPEAKER_02]: Yeah, which, which is insane.
• 45:30
  [SPEAKER_02]: You could not, yeah.
• 45:31
  [SPEAKER_02]: And it was like, and you're gonna have a gun.
• 45:33
  [SPEAKER_01]: I mean, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
• 45:44
  [SPEAKER_01]: And you think you're gonna get out of this situation?
• 45:47
  [SPEAKER_01]: There's a dead woman in your car.
• 45:50
  [SPEAKER_01]: There's a woman in your car.
• 45:51
  [SPEAKER_00]: I didn't even see that part.
• 45:53
  [SPEAKER_00]: I didn't see that.
• 45:54
  [SPEAKER_00]: I knew.
• 45:55
  [SPEAKER_00]: When they really get the car, I was like, Oh, that's weird, but yeah, I didn't think he that was pretty good.
• 46:00
  [SPEAKER_00]: Okay, okay.
• 46:00
  [SPEAKER_02]: Well, I didn't think about it either because I first, I was like, man, where did he put this body?
• 46:04
  [SPEAKER_02]: But then when they were doing the car chase, I was like, oh, shoot.
• 46:09
  [SPEAKER_00]: Yeah.
• 46:11
  [SPEAKER_00]: This body and her car.
• 46:12
  [SPEAKER_00]: I didn't even think about it.
• 46:13
  [SPEAKER_00]: I'm gonna say this.
• 46:14
  [SPEAKER_00]: The most uncomfortable, you know, I think it's okay to say I was like, when they go to this party, this party.
• 46:19
  [SPEAKER_02]: And then only like they had the part, and again,
• 46:21
  [SPEAKER_02]: Man, everybody's checking.
• 46:22
  [SPEAKER_02]: Everybody's looking at my brother.
• 46:24
  [SPEAKER_00]: It is, it is.
• 46:25
  [SPEAKER_00]: I can tell you experience.
• 46:27
  [SPEAKER_00]: Okay.
• 46:27
  [SPEAKER_00]: I bless cam.
• 46:28
  [SPEAKER_00]: He is so much better than that.
• 46:29
  [SPEAKER_00]: And those situations to me, I felt so uncomfortable.
• 46:31
  [SPEAKER_00]: And like when those hip hop dress and wide dudes walked up to my man as he was going to the bathroom.
• 46:39
  [SPEAKER_00]: Oh my god.
• 46:40
  [SPEAKER_00]: I like to fear.
• 46:41
  [SPEAKER_00]: I was like, man, I don't want to see this kid get jump.
• 46:42
  [SPEAKER_00]: I was like, I don't want to see it.
• 46:44
  [SPEAKER_00]: I don't want to see it.
• 46:45
  [SPEAKER_00]: But they just want him to like wrap and then the fact that he did your rap.
• 46:48
  [SPEAKER_00]: He just saying I was like, this is okay.
• 46:50
  [SPEAKER_02]: But what about that part where he's like, he's like, well, I don't really know how to rap.
• 46:54
  [SPEAKER_02]: So he stands up and then they all stood up.
• 46:56
  [SPEAKER_02]: I was like, it was weird.
• 46:57
  [SPEAKER_02]: And why y'all standing up?
• 46:58
  [SPEAKER_02]: See, I did tell him like, what's the up out of jump?
• 47:00
  [SPEAKER_02]: It was crazy.
• 47:01
  [SPEAKER_02]: Why y'all standing up?
• 47:02
  [SPEAKER_00]: Yeah, other that part was crazy.
• 47:05
  [SPEAKER_00]: Also at one point, I'll kept thinking for the other guy, I was like, please do not have sex with this white woman.
• 47:10
  [SPEAKER_00]: I was like, like, I was like, the one who's being nice to him, I was like, she's super nice.
• 47:16
  [SPEAKER_02]: I knew what he was about.
• 47:17
  [SPEAKER_02]: Oh, I know.
• 47:17
  [SPEAKER_02]: Right.
• 47:17
  [SPEAKER_02]: Right.
• 47:18
  [SPEAKER_00]: Yeah.
• 47:18
  [SPEAKER_00]: I was like, she's super nice, but please don't say for her because she's in deep with this other dude who looks like a big problem.
• 47:26
  [SPEAKER_02]: I know.
• 47:27
  [SPEAKER_02]: I know, when she was like, oh, I'm here because I want that studio time.
• 47:30
  [SPEAKER_02]: I was like, oh, you can't trust her.
• 47:32
  [SPEAKER_02]: That's all right, man.
• 47:33
  [SPEAKER_02]: She wants something.
• 47:34
  [SPEAKER_02]: She will sell you down the road.
• 47:36
  [SPEAKER_02]: She don't know you.
• 47:37
  [SPEAKER_00]: Don't like, Lily, I won't.
• 47:38
  [SPEAKER_00]: You will throw you under the, when she's like, when he's like, you know, bros before her was whatever, and she says, please don't leave me.
• 47:45
  [SPEAKER_00]: I was like, oh, you're in it.
• 47:47
  [SPEAKER_00]: I was like, like, I look, I don't know about what a person.
• 47:55
  [SPEAKER_00]: I know what he punched me.
• 47:58
  [SPEAKER_00]: Yeah.
• 47:59
  [SPEAKER_02]: What do you got?
• 47:59
  [SPEAKER_02]: He punched me?
• 48:00
  [SPEAKER_02]: No.
• 48:01
  [SPEAKER_01]: It was my most more scared about the fact that he punched this guy than anything.
• 48:05
  [SPEAKER_01]: Same.
• 48:06
  [SPEAKER_01]: Same.
• 48:06
  [SPEAKER_01]: Yeah.
• 48:07
  [SPEAKER_01]: It was like this.
• 48:08
  [SPEAKER_01]: I was like, now you're... That's a salt.
• 48:10
  [SPEAKER_01]: You were salt?
• 48:11
  [SPEAKER_01]: Yeah.
• 48:11
  [SPEAKER_01]: You saw somebody in their own home.
• 48:14
  [SPEAKER_01]: Yeah.
• 48:16
  [SPEAKER_00]: But this movie was so, I will say this direction to this movie, John Burrow, whatever, the weight, the pacing of this movie was perfect because they basically were from un-couple scenario, the un-couple scenario, and he had little breathing moments of it.
• 48:30
  [SPEAKER_00]: Like, for instance, you know, when that character started talking to the girl in the cow, which when algae was talking to like the hip-hop white boys,
• 48:38
  [SPEAKER_00]: When the white woman, I mean, sorry, when the black woman shows, yeah, and she's like, hey, wait here.
• 48:43
  [SPEAKER_02]: And I was, I mean, she's like, uh, I know, like, I know, man, I don't know.
• 48:47
  [SPEAKER_02]: She about to get a gun to you in her house.
• 48:49
  [SPEAKER_00]: Like, and why is she, she's the only black person we've seen.
• 48:53
  [SPEAKER_02]: Oh, when she said, when she told the cops, are you under threat?
• 48:56
  [SPEAKER_02]: Yes, I was like, you got to be kidding me.
• 49:00
  [SPEAKER_00]: So upset.
• 49:01
  [SPEAKER_00]: I will say that part of me the most is when, I mean, it was a bunch.
• 49:05
  [SPEAKER_00]: But when he before this, when he was at the restaurant, and they tried to give him to be a server, I told you how that happened to me at a very, yeah, with a big director, right there.
• 49:13
  [SPEAKER_00]: In my heart, I'm like, how don't people do that?
• 49:15
  [SPEAKER_00]: Like, did they just, like, what?
• 49:17
  [SPEAKER_00]: Like, this is soon.
• 49:18
  [SPEAKER_00]: So now I told you, I do that to people now, how does that?
• 49:21
  [SPEAKER_00]: I did the other day.
• 49:22
  [SPEAKER_00]: I did when I was an ally.
• 49:23
  [SPEAKER_01]: I went to, I went to, I just go up to random people and I go up to random works somewhere.
• 49:28
  [SPEAKER_00]: Go up to a random white person would be like, hey, do you know, do you know what this is?
• 49:32
  [SPEAKER_00]: If they were anything closer to color, I do it all the time.
• 49:35
  [SPEAKER_00]: I did it, I did it, I'm not going, I just I did it in Walgreens in California now that I hey can I get a drink?
• 49:41
  [SPEAKER_02]: I don't even like, I'm sorry you're wearing white, so they're wearing white too.
• 49:44
  [SPEAKER_00]: I do it all the time.
• 49:45
  [SPEAKER_00]: I want you wearing the same color doll.
• 49:47
  [SPEAKER_00]: I got a steel man, I want you wearing the same color.
• 49:50
  [SPEAKER_00]: I do it all the time.
• 49:51
  [SPEAKER_00]: I need to feel this uncomfortability.
• 49:52
  [SPEAKER_00]: The quality.
• 49:54
  [SPEAKER_00]: Mm-hmm.
• 49:54
  [SPEAKER_00]: Mm-hmm.
• 49:56
  [SPEAKER_02]: Sorry.
• 49:56
  [SPEAKER_02]: I just assumed you worked here.
• 49:57
  [SPEAKER_00]: Oh, yeah.
• 49:58
  [SPEAKER_00]: Oh my god.
• 49:59
  [SPEAKER_00]: Sorry.
• 50:00
  [SPEAKER_00]: My boyfriend was like, why do you do that?
• 50:03
  [SPEAKER_00]: I was like, uh, I was like, because it's happening to me so much when I'm not worn anything close to it.
• 50:09
  [SPEAKER_00]: I will find like, and I'm in a grocery store and say someone is having like, I don't know, a SpongeBob T-shirt, but it's like a 40-50-year-old woman or man.
• 50:18
  [SPEAKER_00]: I'm like, hey, do you know where I can find the Campbell soup?
• 50:21
  [SPEAKER_00]: Do you know what the soup is?
• 50:23
  [SPEAKER_00]: I do like, hey, I have no soup at all.
• 50:27
  [SPEAKER_02]: You know what it's super like that this is your act of rebellion.
• 50:30
  [SPEAKER_00]: It is this little yeah that and I don't move out of the way Like if it's if we know you can't move out the way you can't be working if I don't see you attempt like I was like about There was walking I was standing behind one of y'all to give room, but if I'm looking at people in front of me and they're not moving
• 50:46
  [SPEAKER_00]: And they just stay assuming I'm a stand in the dirt.
• 50:48
  [SPEAKER_00]: So they go up as me.
• 50:49
  [SPEAKER_00]: Bro, you can show that shit.
• 50:50
  [SPEAKER_00]: I'm going straight.
• 50:51
  [SPEAKER_00]: Yeah, no, I don't know what it is.
• 50:52
  [SPEAKER_00]: I'm not standing here.
• 50:53
  [SPEAKER_00]: Why don't people don't get out the way?
• 50:54
  [SPEAKER_01]: That's fine.
• 50:55
  [SPEAKER_01]: Never get out the way.
• 50:57
  [SPEAKER_01]: They don't get out the way.
• 50:58
  [SPEAKER_01]: And if you not get out the way, you're not getting out the way.
• 51:01
  [SPEAKER_01]: No, I'm out of the way.
• 51:01
  [SPEAKER_00]: If you're not getting out the way, I'm not getting out the way.
• 51:04
  [SPEAKER_00]: No way, bro.
• 51:05
  [SPEAKER_00]: No way.
• 51:05
  [SPEAKER_00]: Anywho, that, you know, no way.
• 51:08
  [SPEAKER_00]: We thought it's not where it showed the pass.
• 51:10
  [SPEAKER_00]: I'm going to just start checking it with.
• 51:16
  [SPEAKER_02]: Oh, man.
• 51:17
  [SPEAKER_02]: Yeah, and they split them off.
• 51:18
  [SPEAKER_02]: I mean, all this was great.
• 51:19
  [SPEAKER_02]: It was like you him in the him in the studio You know the other dude with the white girl Mason with the black woman.
• 51:27
  [SPEAKER_01]: I tell you something else I don't care if I got to go to the bathroom or whatever.
• 51:30
  [SPEAKER_01]: I'm not walking away from nobody if I'm if we in No way You come with me to the man out of the door.
• 51:39
  [SPEAKER_01]: The white girl coming to she go
• 51:42
  [SPEAKER_01]: We all together.
• 51:43
  [SPEAKER_01]: We now never got by myself nowhere.
• 51:46
  [SPEAKER_01]: That was crazy.
• 51:47
  [SPEAKER_01]: Walking down a highway by himself.
• 51:52
  [SPEAKER_02]: Yeah, but then of course Mason, you know, and it's like, hey, I'll like complies with the officer.
• 51:58
  [SPEAKER_02]: You know, goes with them.
• 52:00
  [SPEAKER_02]: He's in the cop car.
• 52:01
  [SPEAKER_02]: They see him in the cop car.
• 52:10
  [SPEAKER_02]: to, I don't know, I mean, they didn't even have a plan.
• 52:13
  [SPEAKER_02]: They were just like, we got to follow it and make sure he's okay.
• 52:16
  [SPEAKER_02]: You know, James Vanderbib has his whole speech here to Mason Gooden about like why he's doing this.
• 52:22
  [SPEAKER_02]: It's so crazy like how many times James was like, hey, this is like those are the kinds of people we're trying to like protect our community from he's just like straight up about it.
• 52:32
  [SPEAKER_01]: And they were all like, mm-hmm, mm-hmm.
• 52:34
  [SPEAKER_02]: Yes, right, yes.
• 52:36
  [SPEAKER_02]: Indeed.
• 52:37
  [SPEAKER_02]: At least they were real.
• 52:38
  [SPEAKER_02]: Indeed, indeed.
• 52:39
  [SPEAKER_02]: But the other dude is kind of suspecting because he finds a chain that has the guy's real name and he looked him up at the internet and he's like, oh, he told me his real name like that's weird.
• 52:47
  [SPEAKER_02]: If he's lying, why would he lie about all this other stuff, but like tell me his real name and
• 52:52
  [SPEAKER_02]: Yeah, so what what was it at the it's so, you know, in the end, there's like a Mexican stand-off that fence and this cop lines up getting killed because he doesn't trust Mason good in which we saw that coming, I guess.
• 53:05
  [SPEAKER_02]: And then this other dude gets killed too.
• 53:07
  [SPEAKER_02]: But they they wind up getting out of there and the
• 53:12
  [SPEAKER_02]: than James fans.
• 53:13
  [SPEAKER_02]: Yes, this was somehow good to me.
• 53:15
  [SPEAKER_01]: He's ready to be just just into the way.
• 53:18
  [SPEAKER_01]: Like this whole sort of sequence of like him.
• 53:21
  [SPEAKER_01]: Now, just kind of holding guns up to them, but not quite doing anything about it.
• 53:26
  [SPEAKER_01]: And then like, and then after they hit him with the car, he just runs away.
• 53:29
  [SPEAKER_01]: Instead of grabbing his gun and trying to like, there's, I don't know.
• 53:33
  [SPEAKER_01]: Like now I'm like, no, I'm not sort of like what is happening.
• 53:38
  [SPEAKER_01]: I know.
• 53:39
  [SPEAKER_01]: Well, I was kind of like, what was his, what was the rest of his plan exactly and yeah, which seemed like I guess get away until he had one more thing up his sleeve.
• 53:50
  [SPEAKER_02]: And I approached his holding his family hostage.
• 53:53
  [SPEAKER_01]: Yes.
• 53:55
  [SPEAKER_01]: And I, the next thing that I like really like in the movie, and this is Skipping ahead a little bit, but when he gets out, when Ben be gets out of their house, and waiting at his car is the other cop from before.
• 54:14
  [SPEAKER_01]: And now James Vanderbeek is the outsider interacting with the cop.
• 54:18
  [SPEAKER_01]: I was like, why, I really like this.
• 54:20
  [SPEAKER_01]: Like, I like, I like,
• 54:23
  [SPEAKER_02]: the role reversal that was happening there for as much as like I'd I think that act three is strange you know well it was also like algae called the cops like he this whole time he kept being like oh we're gonna call my crew we're gonna you know we're gonna get we're gonna get the backup we're gonna get the boys in and instead he winds up calling the cops who had a former relationship with him and
• 54:48
  [SPEAKER_02]: does that can that be helpful at times?
• 54:50
  [SPEAKER_02]: Yes, of course, it's unfortunate that they need to because how many times are you going to know the caught like know a cop who rolls up like almost never, right, even if you live in a small community, he says I'm saved him that night because he wouldn't even know that he wouldn't even know that cop.
• 55:10
  [SPEAKER_02]: And then, of course, he tries to shoot the cop, which is great death wish.
• 55:14
  [SPEAKER_00]: Yeah, that was, I think he knew a death point.
• 55:16
  [SPEAKER_00]: He's like, I can't go to jail.
• 55:17
  [SPEAKER_02]: Yeah, yeah, yeah, I can't get out of this.
• 55:18
  [SPEAKER_00]: Yeah, I got that.
• 55:20
  [SPEAKER_00]: I think he's like, it is only worth out.
• 55:21
  [SPEAKER_00]: Yeah, that's true.
• 55:23
  [SPEAKER_00]: Yeah, that's true.
• 55:25
  [SPEAKER_00]: Also, whole time.
• 55:27
  [SPEAKER_00]: There was one little joke, this is such a funny thing.
• 55:30
  [SPEAKER_00]: We're, sorry, I mean, what is this character's name?
• 55:33
  [SPEAKER_00]: What is the third actor's name again?
• 55:36
  [SPEAKER_00]: Keith?
• 55:36
  [SPEAKER_01]: Sure, I don't know.
• 55:37
  [SPEAKER_01]: I don't know.
• 55:38
  [SPEAKER_01]: That's his name, but I don't remember.
• 55:40
  [SPEAKER_00]: Whatever Keith's character's name is, basically they've mentioned a few times that, in Mason, Mitch is it when he gets mad at him.
• 55:47
  [SPEAKER_00]: They keep his own every woman, but keeps calling like his sister in particular like his wife or whatever.
• 55:52
  [SPEAKER_00]: And then, like they showed his sister at the end, I'm like, listen.
• 55:56
  [SPEAKER_00]: He ain't wrong though.
• 55:56
  [SPEAKER_00]: I'm like, this is like, save me, save me, save me.
• 55:59
  [SPEAKER_00]: Please, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save me, save
• 56:19
  [SPEAKER_00]: story was like six one and like actually do know it's like a great and I was like damn okay you think I was you think I'm tall and now I'm where you see how tall I was I don't think you're tall no no break break break break if you think I'm tall and now break which is sort of sort of you just and if you want the way this story to be perceived is that you were tall then.
• 56:40
  [SPEAKER_00]: That I now no longer understand what you mean by shit when I'm saying things is if y'all Look at me and go, hey, dry you you got some hide on you broke Yasha to see me did that again.
• 56:53
  [SPEAKER_01]: It's a totally different frame of reference.
• 56:56
  [SPEAKER_01]: If you are I don't know what you say.
• 56:59
  [SPEAKER_01]: I don't know what you say.
• 57:01
  [SPEAKER_01]: I don't know what I'm saying.
• 57:02
  [SPEAKER_00]: No, I don't know what you say I think it's a time for the cause
• 57:11
  [SPEAKER_02]: We were a review of films not based on how much we liked it, but whether or not I helped the cause of leading black actors in Hollywood, we feel like it fully helps the cause.
• 57:19
  [SPEAKER_02]: We give it up like this.
• 57:20
  [SPEAKER_02]: If it's someone helps the cause, we give it a white palm.
• 57:22
  [SPEAKER_02]: If it doesn't help the cause at all, we don't give it anything.
• 57:25
  [SPEAKER_02]: So on the count of three, well, rays are ratings for the gates.
• 57:28
  [SPEAKER_02]: Hmm.
• 57:30
  [SPEAKER_02]: Okay.
• 57:32
  [SPEAKER_02]: One, two, three.
• 57:35
  [SPEAKER_00]: Black bees.
• 57:37
  [SPEAKER_01]: Yeah, I got two black fists, but I was holding up three.
• 57:41
  [SPEAKER_01]: One for each of the one for each of the main cast.
• 57:44
  [SPEAKER_01]: So I was holding, I gave it three black fists.
• 57:46
  [SPEAKER_01]: How do you do that with three?
• 57:48
  [SPEAKER_01]: How do you do that with three?
• 57:49
  [SPEAKER_01]: I give it three because I put it because it's her way here.
• 57:51
  [SPEAKER_01]: Here we go.
• 57:52
  [SPEAKER_01]: Boom three.
• 57:52
  [SPEAKER_01]: There it is.
• 57:53
  [SPEAKER_01]: Three.
• 57:53
  [SPEAKER_01]: I got the, I got the, I got the, you put a Thanos, you put a Thanos, you put a Thanos, you put a Thanos,
• 58:01
  [SPEAKER_01]: I got the three, that's the right thing.
• 58:03
  [SPEAKER_02]: And this bottle opener, yeah, James.
• 58:05
  [SPEAKER_02]: Yeah, I mean, we had to give a black fist, you know?
• 58:08
  [SPEAKER_02]: Yeah, I think all the actors were really good in this.
• 58:10
  [SPEAKER_02]: Like, I think this, you know, and look, it's on Amazon.
• 58:15
  [SPEAKER_02]: I think people are watching it.
• 58:18
  [SPEAKER_02]: It may not have like a great, uh, rotten tomato score.
• 58:22
  [SPEAKER_02]: But I think people who did watch it can see like these guys had,
• 58:27
  [SPEAKER_02]: Parisma, the acting chops, the carry this film.
• 58:29
  [SPEAKER_01]: It's mostly them, you know, and yeah, if you want, like, if you want a non-escapism horror thriller, if you want to, this is, oh, non-escapism.
• 58:42
  [SPEAKER_02]: I got you.
• 58:43
  [SPEAKER_02]: Yeah.
• 58:43
  [SPEAKER_01]: Yeah.
• 58:45
  [SPEAKER_01]: If you want one, that is just, if you want full immersion to the audience.
• 58:50
  [SPEAKER_02]: The problems of real of today.
• 58:54
  [SPEAKER_02]: One that will, that just,
• 58:57
  [SPEAKER_02]: If you're anxiety, that you already have.
• 59:02
  [SPEAKER_02]: Oh, man.
• 59:03
  [SPEAKER_02]: The thing is though, it is, I was like, truly when they like, I, I really had no idea what this movie was at all.
• 59:10
  [SPEAKER_02]: Like I didn't know what the premise of it even was.
• 59:12
  [SPEAKER_00]: I know.
• 59:13
  [SPEAKER_00]: Yeah.
• 59:13
  [SPEAKER_02]: So when they pulled up to the gate and I was like, Oh, shoot, this is about to get it.
• 59:17
  [SPEAKER_02]: This is about them getting trapped in it.
• 59:19
  [SPEAKER_02]: Like that's, I was unrealized.
• 59:20
  [SPEAKER_02]: I was like, Oh, my God, this movie is about them getting to a kid at the community.
• 59:23
  [SPEAKER_02]: That's so scary.
• 59:25
  [SPEAKER_02]: Oh, so scary.
• 59:27
  [SPEAKER_02]: I was like, oh, my God, what a scary movie.
• 59:32
  [SPEAKER_00]: What a simple freaking premise and it's so scary.
• 59:35
  [SPEAKER_02]: Oh my goodness.
• 59:36
  [SPEAKER_02]: I was like, yeah, that's scary and dude I'm telling you when she said you want to go in there.
• 59:41
  [SPEAKER_02]: I was like, I don't think I've ever heard something scary
• 59:46
  [SPEAKER_02]: I don't think that's the scare, they always have that dude in the gas station side of the road, be careful, don't go down that road.
• 59:56
  [SPEAKER_02]: There's always that character, but this was the scariest one of those characters I've ever seen of.
• 1:00:03
  [SPEAKER_02]: you sure you want to.
• 1:00:05
  [SPEAKER_01]: She sure he might think it's like there.
• 1:00:07
  [SPEAKER_01]: She was like, I know they ain't got no friends in there, but also my man in there and he ain't shit.
• 1:00:11
  [SPEAKER_01]: I'll let you in.
• 1:00:11
  [SPEAKER_01]: Yeah, I'll let you in.
• 1:00:13
  [SPEAKER_01]: That's what her stuff text was, but this, but we fill in so much more just by hearing your say that.
• 1:00:19
  [SPEAKER_02]: Yeah.
• 1:00:20
  [SPEAKER_02]: Yeah.
• 1:00:21
  [SPEAKER_02]: All right.
• 1:00:22
  [SPEAKER_02]: Well, thank you guys so much for listening to follow us at Blackman podcast on Instagram.
• 1:00:30
  [SPEAKER_02]: James been doing cut and up some Instagram reels for us.
• 1:00:33
  [SPEAKER_02]: So thank you James.
• 1:00:33
  [SPEAKER_02]: Thank you James.
• 1:00:34
  [SPEAKER_02]: Thank you James.
• 1:00:34
  [SPEAKER_01]: And it reels out there.
• 1:00:35
  [SPEAKER_01]: You know, you know, they fall a share find in the clips and then up.
• 1:00:39
  [SPEAKER_01]: Yes.
• 1:00:39
  [SPEAKER_01]: Yes.
• 1:00:40
  [SPEAKER_01]: Team works.
• 1:00:41
  [SPEAKER_00]: You know, people don't need a brazed term is a normal term.
• 1:00:45
  [SPEAKER_00]: I don't agree.
• 1:00:51
  [SPEAKER_00]: Wait, I just said everyone have a catch phrase.
• 1:00:53
  [SPEAKER_00]: That is braised catch phrase.
• 1:00:54
  [SPEAKER_00]: Catch phrase.
• 1:00:55
  [SPEAKER_00]: Yeah.
• 1:00:56
  [SPEAKER_02]: Don't yuck my yam.
• 1:00:57
  [SPEAKER_01]: Um, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh uh, uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh uh
• 1:01:18
  [SPEAKER_01]: I don't like it.
• 1:01:19
  [SPEAKER_01]: Wait, did that really happen?
• 1:01:20
  [SPEAKER_01]: That really happened.
• 1:01:21
  [SPEAKER_01]: That really happened.
• 1:01:22
  [SPEAKER_01]: That's been a day or two ago.
• 1:01:24
  [SPEAKER_01]: And it was something that she, I can't remember what it is.
• 1:01:27
  [SPEAKER_01]: But she and Kat.
• 1:01:28
  [SPEAKER_01]: That's wild.
• 1:01:28
  [SPEAKER_02]: That she's using that phrase in the correct, and then the almost correct capacity are.
• 1:01:32
  [SPEAKER_01]: Yes.
• 1:01:35
  [SPEAKER_02]: Yeah, blackmail podcasts that come as our website where you'll find linked to our patreon and red circle, uh, we do a new movie every other week we work we're starting to do non black lead films.
• 1:01:58
  [SPEAKER_02]: Sequels, this is actually my last time.
• 1:02:00
  [SPEAKER_01]: This episode comes out, we will have been picked.
• 1:02:03
  [SPEAKER_01]: And Rush Hour 2 is probably going to be the winner.
• 1:02:05
  [SPEAKER_01]: It's probably Rush Hour 2, yeah.
• 1:02:07
  [SPEAKER_02]: And then you can follow me, www.jombraylock.com is my website at jombraylock on Instagram.
• 1:02:13
  [SPEAKER_02]: And on my website, you'll find links to my shows with the dance club remakes.
• 1:02:18
  [SPEAKER_02]: We're now on Mondays at 530pm.
• 1:02:21
  [SPEAKER_01]: So every Monday, is that every Monday?
• 1:02:24
  [SPEAKER_02]: Every Monday, every Monday at 530pm for the next three months.
• 1:02:28
  [SPEAKER_02]: Oh, wow.
• 1:02:29
  [SPEAKER_01]: Let's go.
• 1:02:30
  [SPEAKER_01]: OK.
• 1:02:30
  [SPEAKER_01]: I'm going to have to come through.
• 1:02:32
  [SPEAKER_02]: Monday's easier.
• 1:02:33
  [SPEAKER_02]: But you all got it.
• 1:02:34
  [SPEAKER_01]: You can follow me at James.
• 1:02:35
  [SPEAKER_01]: They're comedy.
• 1:02:36
  [SPEAKER_01]: James, they're comedy.
• 1:02:37
  [SPEAKER_01]: That's karma.
• 1:02:39
  [SPEAKER_01]: And for comics, rule of three, ink.com and also, you know, Aladdin is in store, stitches and stores, but the the release states are getting, are getting fuzzy.
• 1:02:51
  [SPEAKER_01]: You got to let that one.
• 1:02:52
  [SPEAKER_01]: Yeah, yeah, he just couldn't that's not it's not that they're fuzzy to me.
• 1:02:56
  [SPEAKER_01]: They're fuzzy on the on the like actual release side like it just keeps they just keep shifting.
• 1:03:01
  [SPEAKER_01]: But several issues of stitch and Aladdin are in active production.
• 1:03:05
  [SPEAKER_01]: So they should be they should be oblige.
• 1:03:08
  [SPEAKER_01]: So, you know what I mean, go to your comic shop, go to your local comic shop, put those items on your pool list so that, you know, you'll just, you'll just get them, you'll just get them when they come out, you don't even have to, you don't have to know when they're coming, you just go and you check and you see, do I have anything and it might be there to my night, you don't even have to, you know, I'm saying, because I don't, I don't know when they're coming, but they, but they in the work.
• 1:03:29
  [SPEAKER_00]: That was real.
• 1:03:29
  [SPEAKER_00]: You can follow me at Dr. Milligan on Twitter and Instagram.
• 1:03:32
  [SPEAKER_00]: You can check out some Smosh videos that I've directed.
• 1:03:35
  [SPEAKER_00]: Your last episode is a bit city.
• 1:03:37
  [SPEAKER_00]: My smarty pants is finally come out.
• 1:03:40
  [SPEAKER_00]: starring Jonathan Braelog, even though he was going to be in it.
• 1:03:46
  [SPEAKER_01]: I said this when you said it was happening.
• 1:03:48
  [SPEAKER_02]: It's not even.
• 1:03:50
  [SPEAKER_01]: They got a listen at dropout at smarty pants y'all got to get braille on the next season.
• 1:03:56
  [SPEAKER_02]: So that he like it because because the wage eras shaded braille for nothing.
• 1:04:02
  [SPEAKER_02]: We're supposed to be him.
• 1:04:05
  [SPEAKER_00]: No boy was funny about it at no point that I say it you make it like don't bring a lot.
• 1:04:10
  [SPEAKER_00]: I love you said because one of the guys knew me and I was like,
• 1:04:13
  [SPEAKER_00]: I was like, oh, you know, I think he mentioned rings like, oh, again, break tall as hell.
• 1:04:17
  [SPEAKER_00]: And when I saw those looks, he was just all one of them.
• 1:04:21
  [SPEAKER_00]: All right.
• 1:04:21
  [SPEAKER_01]: Well, well, well, well, we got to go, we got to go for the graphic designer.
• 1:04:26
  [SPEAKER_01]: Yes, you got to get the clip back.
• 1:04:29
  [SPEAKER_00]: You got to get the clip back.
• 1:04:30
  [SPEAKER_00]: That's just crazy.
• 1:04:32
  [SPEAKER_00]: Oh, if you're in Los Angeles,
• 1:04:34
  [SPEAKER_00]: Please come out to Holly Shorts on Thursday, August 22nd at 2.30.
• 1:04:40
  [SPEAKER_00]: I filmed my co-star co-roco-directed, the ticket is playing in the comedy 2 block.
• 1:04:45
  [SPEAKER_00]: It should be really, really fun.
• 1:04:47
  [SPEAKER_00]: I think I'm doing a stand-up on the 1T yet.
• 1:04:51
  [SPEAKER_00]: Um, if this comes up in, um, at no boys allowed, um, I will be a token mail in that show.
• 1:04:57
  [SPEAKER_00]: And that is it for now, uh, Oh, wait.
• 1:05:00
  [SPEAKER_01]: I have to wait.
• 1:05:01
  [SPEAKER_01]: I have to, uh, I will be in Montana.
• 1:05:05
  [SPEAKER_01]: What?
• 1:05:05
  [SPEAKER_01]: Anybody listening is in Montana?
• 1:05:07
  [SPEAKER_01]: Can I do something Montana listeners?
• 1:05:10
  [SPEAKER_01]: If we got any, if we have any listeners, Max bread is out there and he asked me to do a show.
• 1:05:13
  [SPEAKER_01]: I'm doing a show on Wednesday the 26th.
• 1:05:18
  [SPEAKER_01]: In Montana last best last best comedy in Boseman.
• 1:05:21
  [SPEAKER_01]: So if anybody if there it happens to be any listeners in Boseman This is my this is my please come see that show.
• 1:05:28
  [SPEAKER_01]: All right.
• 1:05:28
  [SPEAKER_02]: Hey, don't get a no gate situation Oh snap they got there.
• 1:05:33
  [SPEAKER_01]: I'll get out there.
• 1:05:34
  [SPEAKER_01]: I'll get my 10 Montana man dang dude.
• 1:05:36
  [SPEAKER_02]: That's open country man
• 1:05:43
  [SPEAKER_02]: I think they still got the wild west laws out there.
• 1:05:44
  [SPEAKER_00]: I think they still got the wild west laws out there.
• 1:05:47
  [SPEAKER_00]: I think they still got the wild west laws out there.
• 1:05:49
  [SPEAKER_00]: I think they still got the wild west laws out there.
• 1:05:50
  [SPEAKER_00]: I think they still got the wild west laws out there.
• 1:05:51
  [SPEAKER_00]: I think they still got the wild west laws out there.
• 1:05:53
  [SPEAKER_02]: I think they still got the wild west laws out there.
• 1:05:54
  [SPEAKER_02]: I think they still got the wild west laws out there.
• 1:05:56
  [SPEAKER_02]: I think they still got the wild west laws out there.
• 1:05:57
  [SPEAKER_02]: I think they still got the wild west laws out there.
• 1:05:59
  [UNKNOWN]: I think they still got the wild west laws out there.
• 1:06:00
  [UNKNOWN]: I think they still got the wild west laws out there.
• 1:06:02
  [UNKNOWN]: I think they still got the wild west laws out there.
• 1:06:03
  [UNKNOWN]: I think they still got the wild west laws out there.
• 1:06:04
  [UNKNOWN]: I think they still got the wild west laws out there.
• 1:06:06
  [UNKNOWN]: I think they still got the wild west laws out there.