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Pop Culture Minisode (S6 E1 New and Improved Lorelai) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in.
• 0:04
  Speaker 2: All it's you.
• 0:16
  Speaker 3: I am all in with Scott Patterson and iHeartRadio Podcast.
• 0:20
  Speaker 1: Hey everybody, Scott Patterson, I am all in pop Culture,
• 0:23
  Speaker 1: Season six, Episode one, New and Improved, Lorelei, iHeart Radio
• 0:28
  Speaker 1: one eleven productions. I am here with my Intrepid crew.
• 0:31
  Speaker 1: Part of my Intrepid crew. Uh Tar sued and we
• 0:35
  Speaker 1: don't see her, but we do hear her.
• 0:38
  Speaker 3: I know my camera's broken.
• 0:40
  Speaker 1: She's in the cloud. She's coming. She's AI voice generated.
• 0:46
  Speaker 3: It's not even the real me.
• 0:48
  Speaker 1: It's not even the real Amy's sugarman.
• 0:49
  Speaker 3: I still laugh. I wish people knew like I get
• 0:53
  Speaker 3: in the best mood because the behind the scenes right
• 0:55
  Speaker 3: before we start is actually so funny. We talk about
• 0:58
  Speaker 3: like fifty things, everyone has technical problems, and then we're
• 1:02
  Speaker 3: just like, all right, let's just go.
• 1:04
  Speaker 4: It's like, let's just start.
• 1:08
  Speaker 3: Anyone that things were like an organized professional group is
• 1:13
  Speaker 3: so mistaken.
• 1:14
  Speaker 4: And you would think, like, after all this time, we'd
• 1:16
  Speaker 4: have like all the tech stuff figured out.
• 1:19
  Speaker 3: Scott's like, why is this cordal curly? Why is this
• 1:22
  Speaker 3: cordal curly?
• 1:23
  Speaker 4: Let me try and straight and do I sound good?
• 1:26
  Speaker 3: Do I sound good?
• 1:27
  Speaker 1: Whatever?
• 1:28
  Speaker 4: Scott's defense. He just he just went to canvas.
• 1:32
  Speaker 3: Yeah, he's got all new equipment.
• 1:34
  Speaker 1: I got this fancy new mic though this this mic
• 1:38
  Speaker 1: yeah sounds good. Yeah, and I'm and now we've got
• 1:41
  Speaker 1: using my own computer now. So yeah, Actually, your hackers
• 1:45
  Speaker 1: come on in. Oh you teen hackers in Europe and Australia,
• 1:51
  Speaker 1: go ahead the way.
• 1:53
  Speaker 3: I won't even talk about it right now because people
• 1:55
  Speaker 3: get so irritated when we side talk. But that Vegas
• 1:59
  Speaker 3: hacking was crazy.
• 2:01
  Speaker 4: Oh my, my dad was there the weekend it happened,
• 2:04
  Speaker 4: so he we had it. We have a condo in
• 2:07
  Speaker 4: Vegas and with all that flooding, the roof caved in.
• 2:10
  Speaker 3: Oh, so he had to go deal with it.
• 2:11
  Speaker 4: So we had to go deal with it. And he
• 2:12
  Speaker 4: was staying at I don't know which resort. It was
• 2:15
  Speaker 4: an MGM resort and he was there for one night
• 2:17
  Speaker 4: and he got a five hundred dollars charge for the
• 2:19
  Speaker 4: mini bar and he was like, he's like what in
• 2:22
  Speaker 4: the world. So we called and he's like, hey, this
• 2:23
  Speaker 4: is a mistake and they were like, no worries, like
• 2:25
  Speaker 4: we'll take care of it. And then that's when the
• 2:27
  Speaker 4: day of the the news came out that the hack.
• 2:30
  Speaker 3: Oh my gosh, yeah, bananas. Anyway, we digress. Don't write
• 2:35
  Speaker 3: us letters?
• 2:35
  Speaker 1: All right? Kids? You want to get you want to
• 2:37
  Speaker 1: you want to start digging into this?
• 2:39
  Speaker 3: Definitely you want me to start this. I'm not at
• 2:43
  Speaker 3: doing funky town.
• 2:45
  Speaker 1: Come on, man.
• 2:46
  Speaker 3: This was actually one of my favorite parts of the
• 2:48
  Speaker 3: episode because so Loralai rushes Luke out of the diner
• 2:51
  Speaker 3: to celebrate their engagement and lives to this, where are
• 2:53
  Speaker 3: we going to funky town? And then tell the best
• 2:57
  Speaker 3: part of it is the couple lines after when she's like,
• 3:00
  Speaker 3: was it the funky tone? Was it fun?
• 3:04
  Speaker 1: So?
• 3:04
  Speaker 3: Funky Down is a song by Lips Inc. And it
• 3:08
  Speaker 3: was released by Casablanca Records in March nineteen eighty. Laurelai
• 3:12
  Speaker 3: makes this reference because the lyrics of the song pine
• 3:15
  Speaker 3: for a metaphorical place that will keep me moving, keep
• 3:18
  Speaker 3: me grooven with some energy. I never I mean, I
• 3:21
  Speaker 3: just always think about won't you take me too? Funky?
• 3:25
  Speaker 1: Yeah? Man, that song doesn't get you move in your
• 3:29
  Speaker 1: battery powered laurel I telling Taylor that she and Luke
• 3:33
  Speaker 1: are engaged. Taylor, I thought there was a better chance
• 3:37
  Speaker 1: of all for the Beatles getting back together than you
• 3:40
  Speaker 1: two ever calming down long enough to get engaged. In
• 3:44
  Speaker 1: nineteen seventy McCartney Paul McCartney said in a press release
• 3:48
  Speaker 1: that he was no longer working with the group, which
• 3:50
  Speaker 1: sparked a widespread media reaction and worsened a tension between
• 3:54
  Speaker 1: him and his bandmates. Let's just call it what it is.
• 3:58
  Speaker 1: John Lennon Leal and you know at that time George
• 4:01
  Speaker 1: Harrison wanted out too. He couldn't because they weren't using
• 4:05
  Speaker 1: his songs.
• 4:06
  Speaker 3: You know this, didn't he write some of the best songs.
• 4:10
  Speaker 1: I think they rejected songs like my guitar gently weeps
• 4:13
  Speaker 1: and like really like massive songs. And they didn't. They
• 4:18
  Speaker 1: just dominated. John and Paul dominated the songwriting. Georgia had
• 4:21
  Speaker 1: enough anyway, legal disputes he got so well. Legal disputes
• 4:26
  Speaker 1: continued long after his announcement, and the disillusion was not
• 4:31
  Speaker 1: formalized until December twenty ninth, nineteen seventy four. After Lenin's
• 4:35
  Speaker 1: murder tragic murder in nineteen eighty I'll never forget that day.
• 4:39
  Speaker 1: The surviving members reunited for the Anthology project in nineteen
• 4:44
  Speaker 1: ninety four, using the unfinished Lenin demos Free as a
• 4:47
  Speaker 1: Bird and Real Love as the basis for new songs
• 4:50
  Speaker 1: recorded and released as the Beatles. Interesting, yeah, I mean
• 4:59
  Speaker 1: they were together. They were together since. I mean they
• 5:02
  Speaker 1: were together fourteen fifteen years since, like fifty five or
• 5:05
  Speaker 1: something like that.
• 5:08
  Speaker 3: I saw Paul McCartney live who did You Really? Yeah?
• 5:12
  Speaker 3: At my in Berkeley at the Football Stadium, and it
• 5:15
  Speaker 3: was rad. I'm not gonna lie. It was very rare.
• 5:17
  Speaker 3: You know.
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  Speaker 1: They made a demo tape for a record company after
• 5:22
  Speaker 1: I think after they'd played in Hamburg for a little while,
• 5:24
  Speaker 1: because they went to Hamburg all as like teenagers except
• 5:27
  Speaker 1: for I think Ringo was twenty and they were so
• 5:31
  Speaker 1: tight as a band. They went make this demo tape
• 5:33
  Speaker 1: I think in London and they didn't get the record deal.
• 5:36
  Speaker 1: And you should hear the demo tape. Oh my god,
• 5:38
  Speaker 1: it's fantastic.
• 5:39
  Speaker 3: Can you imagine the people to turn them down?
• 5:42
  Speaker 1: Oh god, can you imagine? Did they have jobs after that? Well?
• 5:45
  Speaker 1: Who knows? Tyr you want to grab one? Are you
• 5:50
  Speaker 1: busy producing a.
• 5:52
  Speaker 4: Little multitasking here today?
• 5:54
  Speaker 1: Let's do it all right?
• 5:56
  Speaker 4: So Luke is looking for alcohol to toast with. Luke
• 5:59
  Speaker 4: says nothing, no wine, no beer, no cooking Sherry. It's
• 6:02
  Speaker 4: like Dylan Thomas just blew through town. Dylan Thomas was
• 6:06
  Speaker 4: a Welsh poet and writer whose works include the poems
• 6:09
  Speaker 4: do Not Go Gentle Into That good Night and Death
• 6:13
  Speaker 4: Shall Have No Dominion, as well as the play for
• 6:15
  Speaker 4: Voices Under milk Wood, The Bikers in Town Wipe tailor Supply.
• 6:21
  Speaker 4: So Luke compares the bikers to Dylan Thomas because he
• 6:24
  Speaker 4: was an alcoholic.
• 6:26
  Speaker 1: Huh.
• 6:28
  Speaker 4: I wouldn't have got that one. I didn't get that one.
• 6:32
  Speaker 3: Rory asked how Laura Lai handled the news. You know
• 6:35
  Speaker 3: your mother, Rory. Everything's the end of the world, so
• 6:38
  Speaker 3: dramatic ladies and gentlemen. Lauraai Barrymore, which I actually did
• 6:42
  Speaker 3: laugh because I got this reference because it has to
• 6:44
  Speaker 3: do with It's not Drew Barrymore, it's actually her.
• 6:51
  Speaker 1: Father, I think also Lionel.
• 6:55
  Speaker 3: No her father, it's all the barrymorees. I think they
• 6:59
  Speaker 3: all kind of had drama. So this one might in
• 7:02
  Speaker 3: fact be referencing Drew, but when I took it, I
• 7:05
  Speaker 3: took it as the other Barrymore. But anyway, we'll talk about.
• 7:08
  Speaker 1: Drew Wellore was that great Shakespearean actor or the grandfather
• 7:17
  Speaker 1: or the great grandfather. But yeah, they were yeah.
• 7:18
  Speaker 3: Oh yeah, that's the that's the grandfather. I think we
• 7:20
  Speaker 3: had to go through the family tree. But they might
• 7:23
  Speaker 3: have been referencing Drew Barrymore because she had sort of
• 7:28
  Speaker 3: that tumultuous, dramatic teenage years. So she was an et
• 7:34
  Speaker 3: as everybody knows, she was girty, and then she went
• 7:38
  Speaker 3: on to do more I think fire Starter, I can't
• 7:39
  Speaker 3: remember which came first, but then she had those rough
• 7:42
  Speaker 3: teenage years where she was kind of bad. And remember
• 7:44
  Speaker 3: she was like in clubs. She was at oh my god,
• 7:50
  Speaker 3: what's that big famous club that was in New York
• 7:52
  Speaker 3: something fifty.
• 7:53
  Speaker 1: Two of Studio fifty four, Studio.
• 7:55
  Speaker 3: Fifty more when she was like six years old. And
• 7:58
  Speaker 3: then remember she flash David Letterman. So anyway, it's in
• 8:02
  Speaker 3: references sort of to me, the Barrymore sort of family
• 8:05
  Speaker 3: and all the drama, which is ironic because through Barrymore
• 8:10
  Speaker 3: just recently got herself into a little hot water. I
• 8:13
  Speaker 3: was going to say with the strike, because she was
• 8:16
  Speaker 3: going to bring her show back. Then she apologized but
• 8:19
  Speaker 3: was still going to bring it back. Then people kind
• 8:22
  Speaker 3: of dragged her so much that now she didn't bring
• 8:24
  Speaker 3: it back.
• 8:25
  Speaker 4: I feel like her intentions were there though, because she
• 8:27
  Speaker 4: was saying, like her staff, you know, needs to get
• 8:29
  Speaker 4: paid and stuff like that. Wasn't that the main Yeah,
• 8:32
  Speaker 4: I think it's.
• 8:32
  Speaker 3: Tough because these people don't know what to do. It
• 8:35
  Speaker 3: seems like people are much happier with this decision.
• 8:37
  Speaker 1: I mean, you know, we were shooting on Sullivan's crossing,
• 8:41
  Speaker 1: but it's because it's Canadian show, right, and.
• 8:44
  Speaker 3: You have a waiver which people shouldn't know.
• 8:46
  Speaker 1: Well, sure, and they gave way. They give waivers to
• 8:49
  Speaker 1: a lot of productions that are foreign, right, but maybe
• 8:53
  Speaker 1: have one or two Americans in the cares the American strike, right,
• 8:58
  Speaker 1: if Chad and I struck, you know, if we went
• 9:01
  Speaker 1: on strike, this production would shut down.
• 9:04
  Speaker 3: And it's unstruck work because it's not right. It's not
• 9:07
  Speaker 3: a sag it's a Canadian.
• 9:10
  Speaker 1: Show correct, correct, But it would if we if we
• 9:13
  Speaker 1: went on strike, you know, that would put you know,
• 9:16
  Speaker 1: hundreds of Canadians out of work. But you want to
• 9:20
  Speaker 1: have solidarity, and then you know, it's just like walking
• 9:23
  Speaker 1: that fine line. What's what do you do?
• 9:25
  Speaker 3: That's exactly right? It's very kind of confusing what you're
• 9:28
  Speaker 3: supposed to do. I mean, luckily you guys are not
• 9:31
  Speaker 3: You've got you're good to do it. H Yeah, and
• 9:36
  Speaker 3: we will be watching it.
• 9:38
  Speaker 1: Yeah. But you know, to our brothers and sisters out there,
• 9:41
  Speaker 1: we support you one percent. Yeah.
• 9:45
  Speaker 3: It's tough. It's really tough. And it's going on a
• 9:48
  Speaker 3: really long time.
• 9:50
  Speaker 1: I mean, they have a fund where people you know,
• 9:52
  Speaker 1: have to stand in line for you know, hours to
• 9:55
  Speaker 1: get a couple hundred bucks worth of groceries. It's it's
• 9:58
  Speaker 1: in burbankers in the sweltering heat. It's really tough out there. Yeah,
• 10:04
  Speaker 1: and I hope we can get a fair deal. I
• 10:08
  Speaker 1: really do. It's really important for so many people, so
• 10:10
  Speaker 1: many creatives, you know, it really really is. So anyway,
• 10:16
  Speaker 1: well on to start.
• 10:17
  Speaker 4: I was gonna say, Amy, this one I just did.
• 10:21
  Speaker 3: I think this is Scott.
• 10:22
  Speaker 1: I want to do one story the intercom Emily would
• 10:26
  Speaker 1: just push a button away like Star Tracks. Star Trek
• 10:30
  Speaker 1: is an American science fiction media franchise created in the sixties.
• 10:34
  Speaker 1: The television series became a worldwide pop culture phenomenon and
• 10:38
  Speaker 1: expanded into various films, video games, novels, and comic books,
• 10:42
  Speaker 1: becoming one of the most recognizable and highest grossing media
• 10:45
  Speaker 1: franchise of all time. On on ship communications achieved via
• 10:52
  Speaker 1: communicator panels.
• 10:54
  Speaker 3: On this it was legit. It was legit. It was
• 10:57
  Speaker 3: you know how they would talk to each other.
• 10:59
  Speaker 1: What a show?
• 11:00
  Speaker 3: Uh?
• 11:00
  Speaker 1: And sometimes to the use of video phones. Well offship,
• 11:04
  Speaker 1: the crew carried handheld communicators that flipped.
• 11:07
  Speaker 3: Those were pretty legit too. Wait did you watch Star Trek?
• 11:11
  Speaker 1: Oh? Sure everybody did.
• 11:12
  Speaker 3: Yeah, And did you watch did you watch any of
• 11:15
  Speaker 3: the other ones since, like Star Trek the Next Generation?
• 11:19
  Speaker 3: Like all the millions that there are now? I watched
• 11:21
  Speaker 3: Star Trek the Next Generation? Not really, and I watched
• 11:23
  Speaker 3: all the movies, and I watched the Chris Pine version
• 11:26
  Speaker 3: of the movies.
• 11:27
  Speaker 1: Yeah, I think I saw that one.
• 11:29
  Speaker 3: Yeah, I'm into this. I love Star Trek. They obviously
• 11:33
  Speaker 3: they use a lot of Star Trek pop culture references
• 11:35
  Speaker 3: on Gilmour Girls. There's definitely somebody that's a big fan
• 11:40
  Speaker 3: in the writing team, because.
• 11:42
  Speaker 1: I think it's I think it's Dan. Yeah. Between that,
• 11:45
  Speaker 1: I don't think Amy grew up a Trecky. I think
• 11:49
  Speaker 1: grew up a Trek.
• 11:50
  Speaker 4: I was gonna say, between that and Charlie and the
• 11:52
  Speaker 4: Chocolate Factory.
• 11:54
  Speaker 3: Yeah, there's a few that definitely Oh my gosh, the
• 11:57
  Speaker 3: irony is the next one.
• 11:59
  Speaker 4: Well, that's why I'll go on this one, ye. Paris
• 12:07
  Speaker 4: tells Rory she's meeting more of Doyle's family and he's
• 12:11
  Speaker 4: the tallest in his family. Paris says, yep, family get
• 12:14
  Speaker 4: together is like a Lollipop Guild convention. I have to
• 12:17
  Speaker 4: stop myself from asking how it's going at the Chocolate Factory.
• 12:21
  Speaker 4: Paris is referring to the movie The Wizard of Oz.
• 12:23
  Speaker 4: The Lollipop Guild was a group of munchkins in the
• 12:26
  Speaker 4: Munchkin Country who welcomed Dorothy Gail to Oz with song
• 12:32
  Speaker 4: and dance upon her arrival. The munchkins are very short.
• 12:36
  Speaker 4: Paris is referring to the nineteen sixty four novel Charlie
• 12:38
  Speaker 4: and the Chocolate Factory by Roald Dahl, which was adapted
• 12:41
  Speaker 4: into the films Willy Wonka the Chocolate Factory in nineteen
• 12:44
  Speaker 4: seventy one, as well as Charlie and the Chocolate Factory
• 12:47
  Speaker 4: in two thousand and five. In the film, Willy Wonka
• 12:49
  Speaker 4: has several oop balloompas working in the factory who are
• 12:52
  Speaker 4: very short, and Paris is comparing Doyle's family to the
• 12:55
  Speaker 4: umballumpas and the Munchkins. My goodness, and there's a new
• 12:58
  Speaker 4: there's a new one with Timothy Shallomey coming out.
• 13:02
  Speaker 1: Oh really, Yeah, that's great?
• 13:04
  Speaker 4: Is he he's Yonka Willie Wonka?
• 13:07
  Speaker 1: Yeah? Yeah, so he's the new Johnny Depp.
• 13:10
  Speaker 4: Yeah, basically, yeah. I feel like it's gonna be good.
• 13:14
  Speaker 4: Like I can see him in that character. I mean
• 13:16
  Speaker 4: him in the character.
• 13:18
  Speaker 3: I love the whole story, and there's parts that kind
• 13:20
  Speaker 3: of creep me out. Yeah, And I got that found
• 13:24
  Speaker 3: thing where I'm like, you know what I mean, I just.
• 13:27
  Speaker 4: Don't know if we need an I didn't know if
• 13:29
  Speaker 4: we need another out of picture of the movie.
• 13:36
  Speaker 3: Paris asks Rory if Rory wants to move in with
• 13:39
  Speaker 3: Paris and Doyle, Very, Bob, Carrol, Tedanalice minus Bob, Bob
• 13:45
  Speaker 3: and Carol and Ted and Alice were It was in
• 13:47
  Speaker 3: nineteen sixty nine American comedy drama, which I have never
• 13:51
  Speaker 3: heard of, really, Natal never I know, and I know
• 13:54
  Speaker 3: Natalie Wood and Robert Coulpe to me is from the
• 13:58
  Speaker 3: Greatest American Hero Think Elliott Gould, who is Ross and
• 14:03
  Speaker 3: Rachel's dad on Friends, and Diane Cannon, who is a
• 14:07
  Speaker 3: famous Lakers fan. Those are sort of my at least
• 14:09
  Speaker 3: I know all the players.
• 14:10
  Speaker 1: Diane Cannon was one of the most dynamic and glamorous
• 14:15
  Speaker 1: actresses of her time.
• 14:17
  Speaker 3: Yeah, Elliott also was in Ocean's Eleven.
• 14:20
  Speaker 1: Yes, Elliot Cole was in at Elliott Goule was a
• 14:22
  Speaker 1: movie star in the sixties and seventies.
• 14:25
  Speaker 3: And Robert Colp was also.
• 14:26
  Speaker 1: In These were these were the biggest names of their day. Yeah,
• 14:31
  Speaker 1: what was the film.
• 14:33
  Speaker 3: What was that Bill Cosby show that he was in
• 14:35
  Speaker 3: with Robert Colp?
• 14:36
  Speaker 1: Oh sure that was, oh that detective thing?
• 14:39
  Speaker 3: Yeah, what was that called? It's not Yet Smart? It's
• 14:42
  Speaker 3: the other one?
• 14:43
  Speaker 1: Something with a spy in it. I spy, I spy.
• 14:47
  Speaker 3: Yeah, and then Natalie would obviously we know and then
• 14:54
  Speaker 3: which is still very kind of confused.
• 14:56
  Speaker 1: Yeah, Diane Cannon. I used to see her gym all
• 14:58
  Speaker 1: the time and no when I lived in La Yeah.
• 15:02
  Speaker 3: And okay, keep me honest, but I think Diane Cannon's
• 15:05
  Speaker 3: daughter m hmm, with Carrie Grant. Is that is that
• 15:09
  Speaker 3: possibly right, Jennifer Grant? That was on nine o two
• 15:12
  Speaker 3: on us.
• 15:12
  Speaker 1: That is correct.
• 15:13
  Speaker 3: Thank you for my facts, all right. Capturing the sexual
• 15:17
  Speaker 3: revolution of the late sixties, this comedy presents two married couples,
• 15:21
  Speaker 3: Bob and Carroll, and they're best friends, more traditional, Ted
• 15:24
  Speaker 3: and Alice, who are free thinking and are ready for
• 15:28
  Speaker 3: an open marriage, or so they think. Eventually, some latent
• 15:31
  Speaker 3: sexual tension and long buried desires among the four come
• 15:35
  Speaker 3: bubbling to the surface, or as making the joke that
• 15:37
  Speaker 3: her living with Doyle in Paris would feel like an
• 15:40
  Speaker 3: open relationship. Wait, this makes me want to watch Bob
• 15:43
  Speaker 3: and Carroll.
• 15:43
  Speaker 1: Oh no, it's classic film. It's good.
• 15:48
  Speaker 3: And I'm already wondering how it ends.
• 15:50
  Speaker 1: But yeah, we'll have to see you. That was in
• 15:52
  Speaker 1: the era of like partner swapping. Oh my god, wife
• 15:56
  Speaker 1: and husbands.
• 15:57
  Speaker 4: Do you remember that show wife Swap?
• 16:00
  Speaker 3: Yes?
• 16:01
  Speaker 1: Is that a recent show?
• 16:02
  Speaker 3: Yeah, it would be like, okay, this is what wife
• 16:05
  Speaker 3: swap would be if you and your wife switched places
• 16:09
  Speaker 3: with like, uh, Sally Struthers and her husband, I don't
• 16:13
  Speaker 3: know if she has a husband, and you would be
• 16:16
  Speaker 3: married to Sally Struthers just for a week, like no
• 16:18
  Speaker 3: funny business, but like you would have to just learn
• 16:20
  Speaker 3: to like kid and cook with Sally's strothers. So they'd
• 16:24
  Speaker 3: have celebrities doing it.
• 16:26
  Speaker 1: Yeah, but that's the the scrubbed up version of it. Yeah, it's.
• 16:35
  Speaker 4: Okay. So Kirk is talking about the old woman's the
• 16:39
  Speaker 4: old Woman's ring, Kirk says, old widow Mason thought she
• 16:42
  Speaker 4: was free to call O towards the end. Free to
• 16:45
  Speaker 4: Call It was a Mexican painter known for her many portraits,
• 16:47
  Speaker 4: self portraits, and works inspired by the nature and artifacts
• 16:51
  Speaker 4: of Mexico. Inspired by the country's popular culture, she employed
• 16:55
  Speaker 4: a native folk art style to explore questions of identity,
• 16:58
  Speaker 4: post host colonialism, gender, class, and race in Mexican society.
• 17:06
  Speaker 3: Hm.
• 17:07
  Speaker 1: Hm, anybody see that one?
• 17:09
  Speaker 3: I did not, but I familiar with Free to Call,
• 17:12
  Speaker 3: though I am very I miss that. This was that? No,
• 17:15
  Speaker 3: you know, was that the Palma Hyak did Salma Hiak?
• 17:18
  Speaker 1: Yeah, that's the one she fought for for twenty years
• 17:20
  Speaker 1: to get made or something. Yeah, I missed that one.
• 17:25
  Speaker 1: Or we're gonna have to, you know, let's let's do
• 17:28
  Speaker 1: a double feature. We'll do We'll do this one too.
• 17:33
  Speaker 3: The next one I did not miss, although in hindsight
• 17:36
  Speaker 3: I kind of wish I had.
• 17:37
  Speaker 1: Yeah, I think you're I think is it mean?
• 17:41
  Speaker 3: I think Paris Helen Ali that Rory can't quit Yale
• 17:45
  Speaker 3: it's logan that Christopher Atkins want to be is the
• 17:48
  Speaker 3: reason she's suddenly Blue lagooning it right out of here.
• 17:51
  Speaker 3: So this made me laugh because there is something kind
• 17:54
  Speaker 3: of Christopher Atkins about Matt Zugree. So if you're young,
• 18:00
  Speaker 3: you might not be as familiar with Christopher Atkins. If
• 18:02
  Speaker 3: you're my age, you definitely had a crush on him.
• 18:04
  Speaker 3: So Christopher Atkins is an American actor. He had this
• 18:07
  Speaker 3: blonde hair and he starred in nineteen eighties The Blue
• 18:13
  Speaker 3: Lagoon with Brookshields. At the time, every teenager was like
• 18:17
  Speaker 3: watching this movie, But after watching the Brookshields documentary, I'm
• 18:21
  Speaker 3: like it was creepy, Like it was not appropriate. Blue
• 18:25
  Speaker 3: Lagoon is about two children who are shipwrecked on a
• 18:28
  Speaker 3: tropical island in the South Pacific with no adults to
• 18:31
  Speaker 3: guide them. The two make a simple life together, unaware
• 18:34
  Speaker 3: that sexual maturity will eventually intervene, Like they eventually have
• 18:37
  Speaker 3: a baby together, and like were they cousins, Like I
• 18:40
  Speaker 3: don't know, I don't want to speak incorrectly, but can
• 18:42
  Speaker 3: someone Like it was a little much and they were
• 18:45
  Speaker 3: like way too young to be Like I don't know.
• 18:47
  Speaker 3: The whole thing now looking back, I'm like, why did
• 18:49
  Speaker 3: I watch this? Paris is making the blue Lagoon reference
• 18:52
  Speaker 3: as Rory and Logan stole the yacht. He thinks they
• 18:54
  Speaker 3: want to run off together and have their own life
• 18:56
  Speaker 3: and no one to intervene. I'm not even sure if
• 18:59
  Speaker 3: that's right, like quite on the nose there, but I
• 19:02
  Speaker 3: don't know. Watch the Brookshields documentary.
• 19:05
  Speaker 1: Mm hmmmuh okay, Paris telling Laurel I that Rory can't
• 19:13
  Speaker 1: quit Yale. Paris. I need her to be at Yale.
• 19:16
  Speaker 1: Rory has been my only real competition since she showed
• 19:19
  Speaker 1: up at Chilton. She is the only one who ever
• 19:22
  Speaker 1: challenged me. She's a pace car. She's Bjorn Borg. Bjorn
• 19:25
  Speaker 1: Borg is a Swedish former number one tennis player between
• 19:29
  Speaker 1: seventy four and eighty one. Nineteen seventy four nineteen eighty
• 19:32
  Speaker 1: well he became the first man in the Open era
• 19:34
  Speaker 1: to win eleven Grand Slam single titles, with six at
• 19:37
  Speaker 1: the French Open and five consecutively at.
• 19:41
  Speaker 3: Did he wear Fela or no? Who were yes?
• 19:44
  Speaker 1: Yes? And a headband and a long brown Paris and
• 19:47
  Speaker 1: he just stayed on the baseline and just hit it back.
• 19:49
  Speaker 3: Was he did he have the big competition with Connor's
• 19:52
  Speaker 3: Jimmy Connor.
• 19:52
  Speaker 1: No, he well, yeah, but it was really McEnroe.
• 19:55
  Speaker 3: It was Macenroe. O.
• 19:56
  Speaker 1: It was mac and they had epic battles and tennis,
• 20:00
  Speaker 1: so it was it was so the Borg and McEnroe
• 20:05
  Speaker 1: finals in Wimbledon the US Open were classic.
• 20:10
  Speaker 3: In our text. So we obviously have like a group
• 20:13
  Speaker 3: text with all of us, and lately every time text
• 20:16
  Speaker 3: Scott something like can you do one o'clock and instead
• 20:19
  Speaker 3: of a thumbs up, he sends us a tennis ball?
• 20:22
  Speaker 4: Is it tennis or is it like.
• 20:27
  Speaker 3: A tennis ball?
• 20:28
  Speaker 1: Because I'm trying to express through emojis, how how happy
• 20:33
  Speaker 1: the text made me, Like, I'm so happy I could
• 20:37
  Speaker 1: play badminton.
• 20:38
  Speaker 4: I honestly thought that like you were gonna send like
• 20:40
  Speaker 4: a tappy face and then accidentally hit like the emoji.
• 20:43
  Speaker 1: Next, my manager's trying to schedule a call with me today.
• 20:48
  Speaker 1: You know, she's in California, and yeah, so she says,
• 20:51
  Speaker 1: how's uh, I'm gonna call you at like one o'clock.
• 20:53
  Speaker 1: We got to talk about some things. So I sent her.
• 20:56
  Speaker 1: I sent her a badminton racket and a shuttle, and
• 21:01
  Speaker 1: she she types back, She goes I have no idea
• 21:04
  Speaker 1: what this means, but I'll try you around.
• 21:07
  Speaker 3: I'm going to just every time in our group text
• 21:09
  Speaker 3: now when there's something instead of putting like thumbs up,
• 21:11
  Speaker 3: I'm just gonna literally send the randomnest emoji I can find,
• 21:15
  Speaker 3: like a sandwich and.
• 21:16
  Speaker 1: Yes, that's that's what you do. That's what you do anyway.
• 21:19
  Speaker 1: Bjorn Borg was coined as unbeatable and was a fierce component,
• 21:26
  Speaker 1: you mean, competitor. He was a fierce component in the
• 21:29
  Speaker 1: in the wheels of the engine of professional tennis. He was,
• 21:34
  Speaker 1: you know, maybe the the crankshaft. I don't know, but
• 21:39
  Speaker 1: he apparently. The rumor is he was in such great shape.
• 21:43
  Speaker 1: His heart rate was around forty beats per minute. Oh wow, yeah, impressive.
• 21:49
  Speaker 1: Oh yeah. He just used to wear people down. He
• 21:51
  Speaker 1: never got tired. Yes, the unbeatable Swede. I like it.
• 22:02
  Speaker 4: Rosemary's talking about her bad haircut. Rosemary says it was
• 22:05
  Speaker 4: a tragic haircut. It was apocalyptic highlights. I looked like
• 22:09
  Speaker 4: a Tim Burton character.
• 22:11
  Speaker 3: So.
• 22:12
  Speaker 4: Tim Burton is an American filmmaker, animator, and artists. He's
• 22:15
  Speaker 4: known for the gothic fantasy and horror films such as Beetlejuice,
• 22:18
  Speaker 4: Edward Scissorhands, and The Nightmare for Christmas. His characters are
• 22:22
  Speaker 4: defined by the exaggerated features long frizzled hair, baggy eyes,
• 22:27
  Speaker 4: gaggly limbs, etc. And didn't he do the Charlie and
• 22:31
  Speaker 4: the Chocolate Factory with Johnny Depp?
• 22:33
  Speaker 1: I'm sure he did. He's done all those things, hasn't he. Yeah,
• 22:36
  Speaker 1: he's done a lot of yea great movies.
• 22:38
  Speaker 4: I do you like Tim Burton?
• 22:40
  Speaker 1: A visionary? A true visionary?
• 22:43
  Speaker 3: Amy Michelle complaining about the sweaty biker another like literally
• 22:50
  Speaker 3: just relatable for me. I have no intention of catching
• 22:54
  Speaker 3: jocket on my forearm because mister breaking Away over there
• 22:58
  Speaker 3: can't shower before I invade my den's face. Breaking Away
• 23:02
  Speaker 3: is a nineteen seventy nine American film that follows a
• 23:04
  Speaker 3: group of four male teenagers in Bloomington, Indiana, who have
• 23:07
  Speaker 3: recently graduated from high school. Dennis Christopher, Dennis Quaid, Daniel Stern,
• 23:12
  Speaker 3: Jackie Earl Haley, Barbara Barry, Paul Dooley, and Robin Douglas
• 23:17
  Speaker 3: all starred in the film. The main character, Dave, played
• 23:19
  Speaker 3: by Dennis Christopher, is obsessed with competitive bicycle racing. The
• 23:23
  Speaker 3: four friends face opposition from all corners as they decide
• 23:26
  Speaker 3: to make Dave's dreams come true in the university's annual
• 23:30
  Speaker 3: bicycle endurance race.
• 23:31
  Speaker 1: Wasn't he That wasn't the lead character. He was obsessed
• 23:35
  Speaker 1: with being Italian. I never saw this movie ever breaking Away.
• 23:40
  Speaker 1: It's like he saw it like he would He would
• 23:43
  Speaker 1: speak in Italian maybe, but I don't know, but he
• 23:48
  Speaker 1: had an Italian accent. He wanted to be a great
• 23:50
  Speaker 1: Italian biker.
• 23:51
  Speaker 3: To watch this movie too, there's so many like.
• 23:54
  Speaker 1: Ram Well, that's a great but I think that maybe
• 23:57
  Speaker 1: it was a different movie. Okay. Michelle answers the door
• 24:04
  Speaker 1: at Loralized House. Michelle, I am here and not at
• 24:07
  Speaker 1: the Dragonfly, in which I theoretically run when I am
• 24:10
  Speaker 1: not busy answering phones like Benson. Benson is an American
• 24:15
  Speaker 1: television sitcom that originally aired on ABC from nineteen seventy
• 24:18
  Speaker 1: nine to nineteen eighty six. The show stars Robert Gillome
• 24:21
  Speaker 1: in the title role of Benson Dubois, the head of
• 24:25
  Speaker 1: the household for Governor Eugene.
• 24:29
  Speaker 3: X, but in the run of the series, he went
• 24:33
  Speaker 3: from that to being Lieutenant Governor. What Yeah, Benson In
• 24:39
  Speaker 3: the show Benson. He started out as the head of
• 24:43
  Speaker 3: household affairs. Then he became state budget director and eventually
• 24:47
  Speaker 3: became Lieutenant governor.
• 24:50
  Speaker 2: And I watched this show back then, in the show,
• 24:53
  Speaker 2: in the show, Yeah, Robert Gillome went on to do
• 24:57
  Speaker 2: sport He was in Sports Night, which was such a
• 25:00
  Speaker 2: good shows, an Aaron Sorkin show before.
• 25:05
  Speaker 3: West Wing, and it was really good, really good.
• 25:08
  Speaker 1: Yeah, I read for that. I remember Sports Night. I
• 25:11
  Speaker 1: read for that, did you. Yeah, everybody read for these things.
• 25:16
  Speaker 1: Everybody read for him. Yeah, Robert, are you want to
• 25:22
  Speaker 1: finish the things I could tell you that I read
• 25:24
  Speaker 1: for you wouldn't believe.
• 25:25
  Speaker 3: Oh my god. Yeah, I wish you would have gotten
• 25:27
  Speaker 3: Sports Night. Sorry not to be an ass, but.
• 25:31
  Speaker 1: Well I do too. At the time, I really wanted it.
• 25:33
  Speaker 3: You could have been on West Wing if you got
• 25:34
  Speaker 3: Sports Night, because a lot of the Sports Night people
• 25:37
  Speaker 3: he then brought back for West Wing.
• 25:39
  Speaker 1: I read from Modern Family too. I didn't get that one.
• 25:42
  Speaker 3: Who were you supposed to be.
• 25:43
  Speaker 1: The lead guy? The husband?
• 25:46
  Speaker 4: Oh, Tyberrell Tybrew?
• 25:48
  Speaker 3: Yes, so you're going to be married to Julie Bowen.
• 25:51
  Speaker 1: Well, I mean I didn't get the role, did I? Well?
• 25:55
  Speaker 3: Oh, my god, that would be a funny show, just
• 25:56
  Speaker 3: all the parts I never got.
• 25:58
  Speaker 1: Oh my god, exactly, boy, I tell you, that would
• 26:01
  Speaker 1: be a much longer show than the than the show
• 26:04
  Speaker 1: that the parts that I did get, Oh my god, longer.
• 26:12
  Speaker 3: But you'll always have Saw.
• 26:21
  Speaker 1: I did not read for that. I was I was
• 26:23
  Speaker 1: die in Saw.
• 26:24
  Speaker 3: Just tell me, did you die and Saw?
• 26:26
  Speaker 1: Oh?
• 26:26
  Speaker 3: Yeah, okay, I'm gonna have to watch it. I always
• 26:29
  Speaker 3: end up watching Saw one again. You know it's coming back.
• 26:31
  Speaker 3: There's gonna be a new Saw.
• 26:34
  Speaker 1: Yeah.
• 26:35
  Speaker 3: Those movies are the scariest breaking movies.
• 26:40
  Speaker 1: Truly, tell you. I tell you, make sure you watch
• 26:44
  Speaker 1: those films before you have a meal.
• 26:48
  Speaker 3: First. I actually had a panic attack. It was so scary.
• 26:53
  Speaker 3: I was like, this is so uncomfortable.
• 26:56
  Speaker 4: They're all like, all right, and then we have one more.
• 27:01
  Speaker 4: You do it, Tara, Okay. Lorelai drops off the rest
• 27:05
  Speaker 4: of Rory's stuff. Lorlai says, The Scorpion and the Frog,
• 27:08
  Speaker 4: it's an old tale. The Scorpion and the Frog is
• 27:11
  Speaker 4: an animal fable that teaches that vicious people cannot resist
• 27:14
  Speaker 4: hurting others, even when it is not in their own interests.
• 27:18
  Speaker 4: This fable seems to have emerged in Russia in the
• 27:20
  Speaker 4: early twentieth century.
• 27:22
  Speaker 3: Hmm, man, all right, kids, great stuff, guys, that.
• 27:29
  Speaker 1: Is gonna do it.
• 27:30
  Speaker 3: It was a good one, really good. I'm only jumping
• 27:34
  Speaker 3: off because I have a meeting. Talk to y'all later.
• 27:36
  Speaker 1: Okay, nice talking to you, Bye bye anyway, that's gonna
• 27:40
  Speaker 1: wrap it up. Here for pop culture for season six episodes,
• 27:44
  Speaker 1: Oh no, Episode one new and improved Loralai Uh, thank
• 27:50
  Speaker 1: you everybody. Thank you Amy, who just had to click
• 27:52
  Speaker 1: off because she has a big important meeting with big
• 27:54
  Speaker 1: important people and big important building somewhere in a big
• 27:57
  Speaker 1: important city. Ah Tarasuit, thank you so much. You're also
• 28:01
  Speaker 1: producing this episode, so man, you got your work cut
• 28:03
  Speaker 1: out for you. Don't show. Oh my gosh. Thanks everybody,
• 28:09
  Speaker 1: best fans on the planet. Keep those cards and letters coming,
• 28:13
  Speaker 1: and remember we and I am all In.
• 28:18
  Speaker 5: Stay safe everyone, everybody, and
• 28:48
  Speaker 1: Also again, follow us on Instagram at I Am all
• 28:52
  Speaker 1: In podcast and email us at Gilmore at iHeartRadio dot com.