Latest / The Breakfast Club / Do You Code Switch (Talk White)

Transcript

Do You Code Switch (Talk White) · The Breakfast Club

• 0:00
  Speaker 1: This is your week up Hall Breakfast Club to show
• 0:05
  Speaker 1: you love to hate from the East to the West Coast,
• 0:08
  Speaker 1: dj nd Angela, Ye, Charlomagne, the really show on the planet.
• 0:12
  Speaker 1: This is where I respect this show because this is
• 0:14
  Speaker 1: a voice of society. James in the game, guys are
• 0:17
  Speaker 1: the coveted morning show. What y'all earning inpacting the coach
• 0:21
  Speaker 1: went up in the morning and as day want to
• 0:23
  Speaker 1: hear that Breakfast the world's most dangerous morning show. Good
• 0:39
  Speaker 1: morning Usa. Hey yo yo, yo, yo yo. What's up? Angela, yee,
• 0:45
  Speaker 1: what's ups? And uh, Charlomagne, I'm sure he's running a
• 0:48
  Speaker 1: little late. But guess what day it is? Guess what
• 0:50
  Speaker 1: day it is? Yes, ha ha ha Wednesday Day. How
• 0:57
  Speaker 1: was your little trip? I was in Bermuda. It was
• 0:59
  Speaker 1: Fantasy I stick it with their heroes weekend festival so
• 1:02
  Speaker 1: they had juvee out there, carnival and all of that.
• 1:05
  Speaker 1: I was at my friends from high school, a whole
• 1:07
  Speaker 1: bunch of us, so we had a great time. Uh yeah,
• 1:10
  Speaker 1: it was. It was a lot of fun. Okay, I
• 1:13
  Speaker 1: know my voice is still a little raspie from it,
• 1:15
  Speaker 1: but that's good. That means you have a great time
• 1:16
  Speaker 1: from New York Bermuda's only like a two hour flight,
• 1:20
  Speaker 1: so you know it's a nice quick getaway. Okay, all right,
• 1:23
  Speaker 1: Well today is my son's Logan's graduation. He graduates middle
• 1:27
  Speaker 1: school today. So yesterday all he wanted was these for graduation.
• 1:31
  Speaker 1: He wanted to pay off White. Jordan's not easy. It
• 1:34
  Speaker 1: was that Virgil did. Virgils the one that owns off White.
• 1:37
  Speaker 1: He's also the one that's working for Louis Va time. Well,
• 1:39
  Speaker 1: he did a collaboration with Jordan, and my son has
• 1:42
  Speaker 1: been into these sneakers for like the last six months,
• 1:44
  Speaker 1: and that's all he wanted for graduation. The only problem
• 1:46
  Speaker 1: is when they came out they were like one hundred
• 1:48
  Speaker 1: and fifty dollars. Now they're like two thousand dollars. So
• 1:52
  Speaker 1: I've been trying to find you like it. No, I
• 1:54
  Speaker 1: don't have it and have five kids. So now I've
• 1:56
  Speaker 1: been trying to find somebody who's been trying to sell
• 1:58
  Speaker 1: it and not trying to make that much money off
• 1:59
  Speaker 1: of me. That's not doing your stop. I found a pair,
• 2:01
  Speaker 1: so he'll be happy today. I grab five hunting. That's good.
• 2:07
  Speaker 1: It's a good price. Final selling sneakers five hundred. You
• 2:10
  Speaker 1: should ask for more, you should have but they understood
• 2:13
  Speaker 1: what it was. I told him what it was and
• 2:14
  Speaker 1: they were just like I would let it slide. So
• 2:16
  Speaker 1: he'll he'll get those a little bit later. So I'm
• 2:18
  Speaker 1: excited for him. So today is graduation. So anyway, today
• 2:22
  Speaker 1: on the show, the cast of Sorry to Bother You
• 2:25
  Speaker 1: will be joining us, and that's Terry Crews, Amori Hardwick,
• 2:29
  Speaker 1: and Boots Riley, So we'll kick it with them a
• 2:31
  Speaker 1: little bit later. I haven't seen the movie. I've seen
• 2:33
  Speaker 1: like trailers and it's a little weird. Yeah, you know what.
• 2:35
  Speaker 1: So my friend Jennet is staying with me and she
• 2:38
  Speaker 1: actually went to go see it last night. What did
• 2:39
  Speaker 1: she say? And she told me it was a very
• 2:41
  Speaker 1: strange movie and if she was high, that's what I said,
• 2:44
  Speaker 1: I said, if I was high. She said it was
• 2:46
  Speaker 1: a great movie. But she said she feels like if
• 2:48
  Speaker 1: she was high, it would have been an even better experience.
• 2:51
  Speaker 1: Not that we're promoting people to get high to go
• 2:53
  Speaker 1: see this movie. It's a little weird movie. And we
• 2:56
  Speaker 1: got front pageans what we're talking about, you man, we
• 2:57
  Speaker 1: got to talk about these and I don't know if
• 2:59
  Speaker 1: you guys have been talking about this while I've been gone,
• 3:02
  Speaker 1: but over twenty three hundred kids separated from their parents
• 3:04
  Speaker 1: at the US Mexico border. And that's just in about
• 3:08
  Speaker 1: one month. Wow. Really sad. Sad. And I know we've
• 3:10
  Speaker 1: been talking about this before I left, and I always
• 3:13
  Speaker 1: feel like, um, it's just so important for us to
• 3:15
  Speaker 1: talk about immigration here in the United States and what's
• 3:18
  Speaker 1: going on underneath Donald Trump. All right, we'll get into
• 3:20
  Speaker 1: that when we come back. Keep a lot of this
• 3:21
  Speaker 1: to Breakfast Club, Good Morning in sports. New York Knicks
• 3:25
  Speaker 1: has just recently signed Lebron James. Don't get fake news.
• 3:29
  Speaker 1: That's that's naturue. I was hoping, like I'm praying on
• 3:31
  Speaker 1: that everyone that was true and say you throw that
• 3:34
  Speaker 1: out there, and the way you said, you throw it
• 3:36
  Speaker 1: out there, youdaw some positivity and the comebacks that they
• 3:38
  Speaker 1: weren't weren't. Was that positive for New York? Is it
• 3:41
  Speaker 1: positive for Lebron? I don't know, but exactly so that's natural. No,
• 3:45
  Speaker 1: that's that's natural. Anyway, Let's talk about some real news.
• 3:47
  Speaker 1: What's going on with Trump and this border, this Mexico border,
• 3:49
  Speaker 1: these kids, and I know we've been talking about this
• 3:51
  Speaker 1: up here, and here's the situation. Over twenty three hundred
• 3:54
  Speaker 1: kids have been separated from their parents at the US
• 3:56
  Speaker 1: Mexico border, and that's in the period of about one month.
• 4:00
  Speaker 1: That's under Donald Trump's zero tolerance policy, and they're saying
• 4:05
  Speaker 1: there's no clear system in place to reunite them. Now,
• 4:08
  Speaker 1: if you guys follow Michael Skolnick on Twitter, he posts
• 4:11
  Speaker 1: about this constantly. It has a lot of links to
• 4:13
  Speaker 1: articles in case you don't know exactly what's going on.
• 4:16
  Speaker 1: But immigrants who are arrested near the border are taking
• 4:18
  Speaker 1: to processing centers and they are trying to see if
• 4:22
  Speaker 1: some of them are granted asylum. It's a misdemeanor crime
• 4:24
  Speaker 1: of illegal entry, so a lot of times those immigrants
• 4:27
  Speaker 1: often plead guilty in group hearings. They get a sentence
• 4:30
  Speaker 1: of a few days in prison or time served, and
• 4:32
  Speaker 1: then they get quickly deported unless they have a credible
• 4:35
  Speaker 1: fare of returning to their home country. And I've been
• 4:37
  Speaker 1: watching videos of there's one nine year old kid. They
• 4:39
  Speaker 1: said the gangs told their family they had to leave
• 4:41
  Speaker 1: right away, so they left and came here and hasn't
• 4:44
  Speaker 1: seen his parents since. Now, everybody's been arguing about this.
• 4:48
  Speaker 1: Here is what Fox newses Laura Ingram had to say
• 4:51
  Speaker 1: about there's these immigrant child attention centers. Some of these
• 4:54
  Speaker 1: kids are five years old and younger that are being
• 4:56
  Speaker 1: separated from their parents. And there's been studies done that
• 4:59
  Speaker 1: show how trauma can happen to a child when they're
• 5:02
  Speaker 1: separated from their kids at such an early age. So,
• 5:04
  Speaker 1: since more illegal immigrants are rushing the border, more kids
• 5:08
  Speaker 1: are being separated from their parents and temporarily housed and
• 5:11
  Speaker 1: what are essentially summer camps, or as the San Diego
• 5:15
  Speaker 1: Union Tribune describe them today, is looking like basically boarding schools. Okay,
• 5:20
  Speaker 1: I don't know if they she saw the kids that
• 5:21
  Speaker 1: were it wasn't And yeah, so as you can see,
• 5:26
  Speaker 1: just very tone deaf what's going on now here. This
• 5:29
  Speaker 1: is what Michael Grim had to say about these kids
• 5:31
  Speaker 1: who are in these child detention centers, sitting in cages.
• 5:35
  Speaker 1: I think it's extremely unfortunate. But what people are forgetting
• 5:38
  Speaker 1: They just want to listen to those tapes. You know,
• 5:41
  Speaker 1: I can take it to any nursery and you're going
• 5:42
  Speaker 1: to hear the exact same things as as a mother
• 5:45
  Speaker 1: leaves to go to work and has to leave for
• 5:47
  Speaker 1: child at daycare. You're going to hear those same exact things.
• 5:50
  Speaker 1: So Michael Gramman needs to leave your kids in a
• 5:52
  Speaker 1: child detention center since it's a daycare. Who was the
• 5:54
  Speaker 1: compassion like this? Seems like people just don't care about
• 5:57
  Speaker 1: these kids. Now. Here's what Anne Coats had to say
• 6:00
  Speaker 1: on Fox News. And I would also say one other thing,
• 6:03
  Speaker 1: these child actors weeping and crying on all the other
• 6:05
  Speaker 1: networks twenty four to seven right now, do not fall
• 6:09
  Speaker 1: for it, mister president. She called them child actors. Them
• 6:11
  Speaker 1: child actors. The fact that these five year old, six
• 6:15
  Speaker 1: year olds, eight year olds, nine year olds are crying,
• 6:17
  Speaker 1: holding onto the gate because their parents are going they
• 6:19
  Speaker 1: don't know who to talk to. And I you know,
• 6:21
  Speaker 1: some of these kids aren't being united. And guess what
• 6:24
  Speaker 1: a lot of times when people come here and they're
• 6:25
  Speaker 1: trying to get asylum and maybe they are going to
• 6:27
  Speaker 1: get it, or they're going through the whole process and
• 6:29
  Speaker 1: they have no idea where their kids are. All right.
• 6:32
  Speaker 1: Here is what koy Lewandowski had to say about as
• 6:35
  Speaker 1: he was arguing on Fox News. Also, I mean, look,
• 6:38
  Speaker 1: I read today about a ten year old girl with
• 6:41
  Speaker 1: Down syndrome. Who was taken from her mother and put
• 6:43
  Speaker 1: in a cage. I read about a they just they
• 6:46
  Speaker 1: wan't want to a ten year old with down syndrome anything.
• 6:50
  Speaker 1: You worked, but the bottom line is very scaring you.
• 6:53
  Speaker 1: These people are crazy, man. There's no compassion. And this
• 6:55
  Speaker 1: is America, right, this is the land of the Free.
• 6:57
  Speaker 1: This is where we're supposed to care about people in
• 6:59
  Speaker 1: and take other people's problems and try to help them out, right,
• 7:02
  Speaker 1: That's that's America. A couple in California has raised over
• 7:05
  Speaker 1: four million dollars in Facebook fundraises for immigrant families, and
• 7:08
  Speaker 1: they are set to raise five million dollars in under
• 7:10
  Speaker 1: five days. That's in response to the zero tolerance policy
• 7:14
  Speaker 1: on immigration and the separation of thousands of kids from
• 7:16
  Speaker 1: their families at the borders. Charlotte and Dave Wilner they
• 7:19
  Speaker 1: started their fundraising campaign after seeing a two year old
• 7:22
  Speaker 1: girl crying as her mother, who was seeking asylum from Honduras,
• 7:26
  Speaker 1: was being searched and detained. And they additionally wanted to
• 7:29
  Speaker 1: raise fifteen hundred dollars to help cover the bond fees
• 7:31
  Speaker 1: for one person, but it just grew so much that
• 7:34
  Speaker 1: they raised over four million dollars. If you've ever been
• 7:36
  Speaker 1: to a kennel, and you'll see how they keep the
• 7:39
  Speaker 1: dogs all in chain in gates and you know, all
• 7:42
  Speaker 1: gated up in This section is the pit bulls, and
• 7:45
  Speaker 1: this section is the German shepherds. This section is the
• 7:47
  Speaker 1: little dogs. That's how that picture looked yesterday when I
• 7:50
  Speaker 1: seen it. Discover for anybody who thinks that it's okay
• 7:54
  Speaker 1: and it's illegal what these people are doing trying to
• 7:56
  Speaker 1: come to the country, and then doesn't see an issue
• 7:58
  Speaker 1: with this, then that's the real problem. I mean, it
• 8:01
  Speaker 1: is illegal, but yeah, some people that think some people
• 8:03
  Speaker 1: are taking us in humane, Yeah, but it's inhumane with
• 8:06
  Speaker 1: It's inhumane what they're doing too, the people that are
• 8:08
  Speaker 1: trying to get in here illegally. But I will say
• 8:10
  Speaker 1: it makes me one of the people got kids at all,
• 8:12
  Speaker 1: because how can you have kids and not have empathy
• 8:14
  Speaker 1: for other people's children, passion at all. And it's a misdemeanor.
• 8:18
  Speaker 1: So as some people just get sent right back, and
• 8:20
  Speaker 1: some people actually do get asylum and they're separated and
• 8:23
  Speaker 1: might never see their kids again. My goodness. All right,
• 8:25
  Speaker 1: Well last front page news, Charlemagne, you just got there.
• 8:28
  Speaker 1: Oh man, I overslept last night. I was at UM,
• 8:31
  Speaker 1: I was at well, you know, we got Boots Boots
• 8:34
  Speaker 1: Trille here today, Terry crew Hard, creator and director of
• 8:39
  Speaker 1: Sorry to Bother You. That's the movie that's coming out.
• 8:40
  Speaker 1: So I did July. I did a screening for them
• 8:43
  Speaker 1: last night with Lakeith Stanfield and Tessa Thompson, and then
• 8:45
  Speaker 1: we had a Q and A and I stayed up
• 8:47
  Speaker 1: too late. You really on Good Music's payroll? Bro got
• 8:51
  Speaker 1: another pair of yeasys on yas I don't know what
• 8:58
  Speaker 1: where'd you get it from? What I get them from?
• 9:01
  Speaker 1: If you got to ask a question with a question
• 9:03
  Speaker 1: that means you lying where I get them from? Yes?
• 9:06
  Speaker 1: I think I think I'm pretty sure Good Music. Oh
• 9:09
  Speaker 1: my goodness, this guy here, you gotta payn't I got
• 9:12
  Speaker 1: some leppards door? Oh you're box in the back? Then?
• 9:15
  Speaker 1: All right? All right? And then I guess I'm gonna
• 9:17
  Speaker 1: pay roll to Hey man, they're comfortable, dad. This is
• 9:20
  Speaker 1: a great dad, You great dad? You all right? Okay?
• 9:23
  Speaker 1: They get it off your chests. Eight on drink five
• 9:25
  Speaker 1: eight five one on five one. If you're upset, you
• 9:27
  Speaker 1: need to vent hit us up right now. Maybe you
• 9:29
  Speaker 1: had a bad night or you just need to vent,
• 9:31
  Speaker 1: or maybe you want to spread some positivity. Eight on
• 9:33
  Speaker 1: drink five eight five one on five one Get it
• 9:35
  Speaker 1: off your chest call us now is the breakfast club?
• 9:38
  Speaker 1: Good morning. You're time to get it off your chests.
• 9:42
  Speaker 1: Whether you're Man or blast, better have the same dry.
• 9:45
  Speaker 1: We want to hear from you on the breakfast Club. Hello.
• 9:48
  Speaker 1: Who's this Angel? Angel? Get it off your chests? Bro, Man,
• 9:52
  Speaker 1: I am a blast brother today. Okay, tell us about Angel?
• 9:56
  Speaker 1: What's up? You need to be blessed with the name
• 9:58
  Speaker 1: like Angel. My son about to be a year old.
• 10:01
  Speaker 1: I got my next one coming and about less than
• 10:04
  Speaker 1: a month. Everything's coming together, working hard, busting ass. Congratulations, man,
• 10:10
  Speaker 1: I appreciate it. Man, I gotta stay blasted. Everything's good
• 10:13
  Speaker 1: on this side. How about you guys? Oh man, I'm
• 10:16
  Speaker 1: blessed Black and Holly favorite sir. Enjoy them kids, they
• 10:18
  Speaker 1: grow fast. You please talk to me. I got a
• 10:23
  Speaker 1: I got a white brother right uh huh Man, he
• 10:25
  Speaker 1: did some mayonnaise ass and I couldn't explain to him
• 10:30
  Speaker 1: how man, what mayonnaise means? The way you can You
• 10:34
  Speaker 1: can't know what I mean. You can't explain to him
• 10:36
  Speaker 1: what mayonnaise means, yeah, it's more racist. But it's not, though,
• 10:41
  Speaker 1: because anybody can be mannais. That's right. Telling mayonnaise is
• 10:44
  Speaker 1: just a disgusting, nasty substance, and you don't ever want
• 10:48
  Speaker 1: to be mannais. Okay? All right? Brother? And Charlemagne just
• 10:50
  Speaker 1: pulled out a big jaw. That's right, man. You know
• 10:53
  Speaker 1: what I'm saying? That looks like what size is that?
• 10:55
  Speaker 1: This right here is a one gallon? A one gallon
• 10:58
  Speaker 1: with eight flew it down three point seventy eight leader
• 11:02
  Speaker 1: jar of Helmet's real manis okay? And I'm keeping it
• 11:05
  Speaker 1: here because I wanted to spoil, right, And when it
• 11:07
  Speaker 1: starts getting yellow and starts to steak, then y'all won't
• 11:09
  Speaker 1: understand what I mean when I say you kept the
• 11:11
  Speaker 1: minis out too long? Hello, Hey, what's up. I want
• 11:14
  Speaker 1: to make the point about the illegal immigrant good. I
• 11:16
  Speaker 1: want to see it. I want to see if everybody
• 11:18
  Speaker 1: has the same energy feeling bad about the kids, if
• 11:21
  Speaker 1: they say, hey, let's take this family of five and
• 11:24
  Speaker 1: stick them in your house, and then see if they
• 11:26
  Speaker 1: have that same energy. You know you so you think
• 11:29
  Speaker 1: it's okay to rip kids away from their parents. I
• 11:33
  Speaker 1: don't understand your point. It's not about if it's okay
• 11:35
  Speaker 1: or not. Lets so, why would you take a family
• 11:38
  Speaker 1: of five and put them in your house? I want
• 11:39
  Speaker 1: to hear what you're saying. In your house these kids
• 11:44
  Speaker 1: and they're taking them from their parents. So if you
• 11:45
  Speaker 1: want to keep this together with their parents, and they say,
• 11:48
  Speaker 1: all right, this is the solution, take their family and
• 11:51
  Speaker 1: you stick them in your house and you take care
• 11:53
  Speaker 1: of them until they're able to seek their aside the
• 11:55
  Speaker 1: more whatever it is. And let's see if people have
• 11:57
  Speaker 1: that fame energy, how about the family back? Why don't
• 12:00
  Speaker 1: you not separate them from their children? Well that I
• 12:03
  Speaker 1: don't know. That's their choice that they made, that's their choice.
• 12:06
  Speaker 1: Immigration problem. Oh my god, listen. If you're just not
• 12:10
  Speaker 1: a humane person and you think that this is okay
• 12:12
  Speaker 1: and your solution is will imagine if they were in
• 12:14
  Speaker 1: your house. That's just crazy to me. It's not imaginings.
• 12:18
  Speaker 1: If you would still do it, would you still have
• 12:20
  Speaker 1: that what is the point of that you're entited to? You?
• 12:23
  Speaker 1: You know what? Yes, I would take a family of
• 12:25
  Speaker 1: five with a two year old so that they wouldn't
• 12:27
  Speaker 1: be ripped away from their families and be torn apart
• 12:30
  Speaker 1: all right now, somebody gonna hold you that. Ye don't
• 12:33
  Speaker 1: be just throwing stuff out there if you know, if
• 12:34
  Speaker 1: you're not. I believe in humanity and helping other people
• 12:37
  Speaker 1: out and being a human being and not doing things
• 12:39
  Speaker 1: like that. I believe. I believe, and I think too,
• 12:42
  Speaker 1: and I believe there has to be another solution then
• 12:45
  Speaker 1: taking kids away from their parents. I agree wholeheartedly what
• 12:47
  Speaker 1: I would. If you're a family of five, a family
• 12:51
  Speaker 1: and five of legal immigrants, Angelie has a place for
• 12:53
  Speaker 1: you to stay. I mean, I don't even understand how
• 12:55
  Speaker 1: this could be a joke. I'm not saying it's a joke.
• 12:57
  Speaker 1: I'm just thinking that's something to think about. Absolutely, get
• 13:00
  Speaker 1: it off his chests. Eight hundred and five eight five
• 13:02
  Speaker 1: one oh five one. If you need to vent it
• 13:04
  Speaker 1: is up now. It's the breakfast club. Good morning, the
• 13:06
  Speaker 1: breakfast club. Isn't your time to get it off your chest.
• 13:10
  Speaker 1: Whether you're man black, than from you on the breakfast club.
• 13:15
  Speaker 1: But you got something on your mind? Hello, who's this baby? Hey? Mom?
• 13:21
  Speaker 1: I getting gonee chess um. I really I just uh,
• 13:25
  Speaker 1: my heart is broken right now, like my heart is broken.
• 13:28
  Speaker 1: These families that are fleeing their country. I'm saying I
• 13:31
  Speaker 1: was lucky enough to be just born three hours on
• 13:34
  Speaker 1: this side of the border, and my cousins weren't. No,
• 13:37
  Speaker 1: my cousins aren't. They're they're they're fleeing cartels. They're clean
• 13:42
  Speaker 1: drug cartels, like like they're barely able to to survive
• 13:46
  Speaker 1: over there, and they're just trying to get help. And
• 13:50
  Speaker 1: I wish I could help them. I wish I could
• 13:52
  Speaker 1: do something. I would feel like I'm like, I can't
• 13:54
  Speaker 1: do anything, and it just breaks my heart. It really
• 13:58
  Speaker 1: breaks my heart. As you know, I you can wish,
• 14:01
  Speaker 1: and you can pray, and you can hope, and and
• 14:04
  Speaker 1: it's just I feel like it's never going to change.
• 14:06
  Speaker 1: What do we have to do? Like, what do I have?
• 14:08
  Speaker 1: What can I do? I'm just I'm just here looking
• 14:11
  Speaker 1: and hearing and and I'm have you ever seen a
• 14:14
  Speaker 1: child being ripped from their mother's arms? Like I don't understand.
• 14:17
  Speaker 1: I just don't understand how even drug cartels have more
• 14:22
  Speaker 1: sometimes in some aspects, in some cases, because I could
• 14:25
  Speaker 1: just go on and on about stories of how even
• 14:28
  Speaker 1: they had more heart than our What you can do
• 14:31
  Speaker 1: right now, you can call you you could call your
• 14:32
  Speaker 1: reps at two two two two four three one two
• 14:34
  Speaker 1: one and tell them to end the separation of families.
• 14:36
  Speaker 1: Got the boarders, ask your sending it as the path
• 14:38
  Speaker 1: to keep families together, acting your house rep the path
• 14:41
  Speaker 1: to help separated children. Act. That's something you can do
• 14:44
  Speaker 1: immediately right now? Hello? Who's that? What a big chalkolate
• 14:47
  Speaker 1: the toe sucker house? Everybody? Goodness, I haven't spoke to you,
• 14:50
  Speaker 1: know what. Be nice to me and become on all right?
• 14:53
  Speaker 1: What nice? What's up? Brother? How you doing? I'm good,
• 14:55
  Speaker 1: but I'm good. I'm gonna play another game another round
• 14:57
  Speaker 1: of is it just me? Is that all right? Okay?
• 15:00
  Speaker 1: Get out? Is it just me? Or the Charlotta Magne
• 15:01
  Speaker 1: sound like Daffy Duck when he says that's despicable, that's
• 15:05
  Speaker 1: just Is it just me? Or Do's angel real butter
• 15:08
  Speaker 1: on the Bunyans when they hurt? Is it just me?
• 15:11
  Speaker 1: Or Zenvi's partner's hair played out? Envy's partner's hair played out?
• 15:16
  Speaker 1: What's that mean? I don't have a partner. I did
• 15:19
  Speaker 1: it for the oh. I thought he said your partner's hair.
• 15:23
  Speaker 1: I was like, give's hair? Got to do it? I
• 15:27
  Speaker 1: was like, I have a partner my hair. You have
• 15:29
  Speaker 1: bunyan ge. No, I don't have any bunions, but that's cool.
• 15:33
  Speaker 1: All right. Hello, who's this Nathan Bryan from Florence, South Carolina.
• 15:37
  Speaker 1: What's up, Broke Lawrence? What's happening to flow down? I
• 15:40
  Speaker 1: just wanted to call and talk to get some stuff
• 15:42
  Speaker 1: on my chest. Like, I just really feel like a
• 15:44
  Speaker 1: lot of a lot of black news um coverages is
• 15:48
  Speaker 1: not really giving us the truth on what's really going
• 15:50
  Speaker 1: on in the world. I just think a lot a
• 15:52
  Speaker 1: lot of these a lot of news companies are just
• 15:55
  Speaker 1: really giving us information based on a certain party, and
• 15:59
  Speaker 1: I think that's wrong. So what's really what's really going
• 16:01
  Speaker 1: on in the world? Brother tell us tell us on
• 16:03
  Speaker 1: behalf of the Africa African American delegation, what's going on
• 16:06
  Speaker 1: in the world. Well, just like I was just listening
• 16:08
  Speaker 1: to y'all and y'all was talking about the pictures and stuff.
• 16:12
  Speaker 1: But what they really not telling us is a lot
• 16:13
  Speaker 1: of them pictures came from twenty fourteen. They wasn't like
• 16:16
  Speaker 1: real recent. All the pictures is not new. And I
• 16:19
  Speaker 1: know I heard somebody say something about actors, and what
• 16:22
  Speaker 1: we really got to understand is they do have a
• 16:24
  Speaker 1: lot of stuff that's going on in that stage. Now,
• 16:26
  Speaker 1: I can't say the kids or whoever was actors, but
• 16:29
  Speaker 1: I know that's going on. You believe with and Coult
• 16:32
  Speaker 1: and Coat called the immigrant children child actors. That's what
• 16:34
  Speaker 1: you believe is going on. No, I can't say I
• 16:37
  Speaker 1: believe it, but I know what's going on. You know
• 16:39
  Speaker 1: what I'm saying. Um, I did some research. In two
• 16:41
  Speaker 1: thou twelve, they made it a law where they can
• 16:44
  Speaker 1: pass out on fake news. How you call? How do
• 16:47
  Speaker 1: you call? How you call him? And getting mad at
• 16:48
  Speaker 1: the news networks for reporting fake news, but then you
• 16:50
  Speaker 1: call up here reporting news and you don't know if
• 16:52
  Speaker 1: it's fake or not. You just talking. No, I'm telling
• 16:54
  Speaker 1: you it's real. Oh okay, you ask me about and culture.
• 16:57
  Speaker 1: I've never seen that. I just heard y'all say that,
• 16:59
  Speaker 1: so I wouldn't know about that. Well, twenty three hundred
• 17:02
  Speaker 1: kids have been taken it. Twenty three hundred kids have
• 17:05
  Speaker 1: been taken from their families between May and June. All right,
• 17:08
  Speaker 1: Well they said xx Tincion still alive too, though, that's
• 17:11
  Speaker 1: the other thing going on. They didn't say that day.
• 17:13
  Speaker 1: So you know whatever, everybody living in their all little simulation.
• 17:15
  Speaker 1: All right, get it off your chests. Eight, don't drink
• 17:17
  Speaker 1: five eight five one oh five one. If you need
• 17:19
  Speaker 1: to vent, you can hit us up at anytime. You've
• 17:21
  Speaker 1: got rooms all the way. But yeah, we are going
• 17:22
  Speaker 1: to talk about xxx fantasticon. We'll give you an update
• 17:25
  Speaker 1: on what's going on. And fans did pay their final
• 17:28
  Speaker 1: respects at a visible will tell you what happened there.
• 17:30
  Speaker 1: All right, we'll get into all that when we come back.
• 17:32
  Speaker 1: Keeping locked this to Breakfast club. Good morning the Breakfast Club.
• 17:37
  Speaker 1: What do you push you? That's what you thought. The
• 17:42
  Speaker 1: beef's over. Let it go over. But we still got
• 17:44
  Speaker 1: to remind people that he holds this out. That's all
• 17:48
  Speaker 1: same way we remind Lebron that he's three and six
• 17:50
  Speaker 1: in NBA finals. You gotta remind Drake that he's won
• 17:53
  Speaker 1: and one in rap battles. Well, let's get to the rooms.
• 17:54
  Speaker 1: Let's talk x x X tenon right, Fantastion. It's about
• 18:07
  Speaker 1: Angela y on the Breakfast Club. But xxx ten Tassion's
• 18:12
  Speaker 1: music has been climbing the charts now. His music is
• 18:16
  Speaker 1: dominating on iTunes, on Amazon, on Spotify, everywhere. They said
• 18:20
  Speaker 1: his sad song from his latest album is the number
• 18:23
  Speaker 1: one song on iTunes, and also the song Changes from
• 18:27
  Speaker 1: that same album is number five. The album seventeen, which
• 18:30
  Speaker 1: came out in twenties seventeen, it's also in the top
• 18:32
  Speaker 1: ten at number five. Spotify also did an rip xxx
• 18:36
  Speaker 1: ten tasion banner and featured his playlist at the top
• 18:39
  Speaker 1: of its browser. People were mad at spot just took
• 18:42
  Speaker 1: his music off three weeks ago exactly. They said, if
• 18:44
  Speaker 1: he wasn't good enough to be in your issue when
• 18:45
  Speaker 1: he was alive, don't switch up now. I agree. Keep
• 18:48
  Speaker 1: that same energy and the words of the late great
• 18:50
  Speaker 1: Notorious Big who was also a gun down, You're nobody
• 18:53
  Speaker 1: until somebody kills you, all right. In the meantime, please
• 18:56
  Speaker 1: are offering a three thousand dollar reward for any tips
• 18:59
  Speaker 1: in the hopes will lead to the arrest of people
• 19:02
  Speaker 1: all day. Right, Yeah, just open up a Twitter account, Hey,
• 19:05
  Speaker 1: Broward County Police, just open up a Twitter account, Open
• 19:08
  Speaker 1: up on Instagram. I think y'all have a lead suspect.
• 19:10
  Speaker 1: Well right now they are saying that they think it
• 19:12
  Speaker 1: was a random shooting, a random killing, and his team
• 19:16
  Speaker 1: has issued a statement on his death. They said that
• 19:19
  Speaker 1: the xx Santason touched the lives of millions around the
• 19:22
  Speaker 1: globe and will forever reside in the hearts of countless
• 19:24
  Speaker 1: fans who listened to his music, attended his concerts, and
• 19:27
  Speaker 1: felt the glow of his uncontainable, undeniable and unique spirit.
• 19:31
  Speaker 1: By the way, only three thousand dollars, I know, I
• 19:33
  Speaker 1: thought that was really low. Three wrecks. They gotta get
• 19:37
  Speaker 1: the money from somewhere. What are you talking about. They
• 19:39
  Speaker 1: got to get the money to give it to somebody's
• 19:40
  Speaker 1: from from the sheriff's office. They don't have that much money.
• 19:43
  Speaker 1: They said a big thank you to our social media
• 19:45
  Speaker 1: community for the many tips we received regarding the death
• 19:47
  Speaker 1: of local rapper. The officers asking anyone with information to
• 19:51
  Speaker 1: contact homicide detectives Foster and John Criscio, and they gave
• 19:55
  Speaker 1: the numbers nine five, four, three, two, one four to
• 19:58
  Speaker 1: one zero. Probably like for forendics to come back from
• 20:02
  Speaker 1: the car and stuff. Yeah, that's what I'm because I
• 20:06
  Speaker 1: see your lead suspect now. According to Xxx Tantasion's lawyer,
• 20:09
  Speaker 1: he does think that the shooting was a random robbery, said,
• 20:12
  Speaker 1: I think he went to the bank before it happened.
• 20:14
  Speaker 1: I think the determination was that he wanted to buy
• 20:16
  Speaker 1: a motorcycle. But detectives aren't discounting any theory right now,
• 20:20
  Speaker 1: so they don't know exactly what happened. But cops believe
• 20:23
  Speaker 1: that it was a random shooting, and so does his lawyer.
• 20:25
  Speaker 1: And I don't know if that guy is the lead suspect,
• 20:27
  Speaker 1: but he definitely should be bought in for questioning after
• 20:29
  Speaker 1: what I saw on social and right in the meantime,
• 20:31
  Speaker 1: fans did pay a final respect to him at a
• 20:34
  Speaker 1: vigil as they were mourning him, and in honor of him,
• 20:39
  Speaker 1: dozens of fans actually came to the location outside of
• 20:42
  Speaker 1: the location Motorsports where they paid respects to him. They
• 20:45
  Speaker 1: bought flowers, photos, candles. Other people threw up the X
• 20:49
  Speaker 1: sign and they were coloring the sidewalk with notes, lyrics
• 20:51
  Speaker 1: and drawings. Now, his abuse accuser actually showed up. Geneva Iola,
• 20:57
  Speaker 1: the woman who accused him of abusing her while she
• 20:59
  Speaker 1: carried a child. She actually has broken her silence as well.
• 21:03
  Speaker 1: Listen to what she had to say. You know the
• 21:06
  Speaker 1: fact that they burned my bro like that's he disrespectable?
• 21:11
  Speaker 1: Like how can you guys do that? Run? Okay, how
• 21:14
  Speaker 1: many how much you guys hate me, Like, why would
• 21:17
  Speaker 1: you guys do that? Oh? When she bought stuff Todividual,
• 21:20
  Speaker 1: his fans set it on fire and they actually chased
• 21:23
  Speaker 1: her away. She posted, I want to scream at the
• 21:24
  Speaker 1: top of my lungs until I can't us then keep screaming.
• 21:29
  Speaker 1: I don't want to believe this. No one knows the
• 21:31
  Speaker 1: ish I feel for you. Yeah, why would you do
• 21:33
  Speaker 1: that to a victim of domestic violence? Right? And M
• 21:36
  Speaker 1: Cops did have to fire rubber bullets and tear gas
• 21:39
  Speaker 1: to disperse the crowd at his memorial. They said things
• 21:42
  Speaker 1: got really crazy. They were at least three hundred people
• 21:44
  Speaker 1: and they were filling a stretch of Melrose Avenue in LA.
• 21:48
  Speaker 1: Those fans that were there then got rowdy. They were
• 21:51
  Speaker 1: climbing on top of building roofs and swarming passing cars,
• 21:54
  Speaker 1: throwing rocks at nearby police, and so eventually there was
• 21:57
  Speaker 1: tear gas, pepper suet bullets, and rubber bullets to disperse everyone.
• 22:00
  Speaker 1: I mean, listen, I don't care how much you love
• 22:02
  Speaker 1: your favorite artists or your favorite athlete, your favorite celebrities.
• 22:04
  Speaker 1: Sometimes they're just dead wrong and something that they did
• 22:07
  Speaker 1: and you can still like them and acknowledge that they're wrong,
• 22:09
  Speaker 1: So don't take it out on the victim just because
• 22:12
  Speaker 1: that that man did something wrong when he was alive.
• 22:14
  Speaker 1: All right, Um, let's s scared for a second. A
• 22:17
  Speaker 1: coin is going to be launching a cryptocurrency called a coin.
• 22:21
  Speaker 1: You should have called it the black dollar. I actually
• 22:23
  Speaker 1: like a coin. That's pretty cute now, he said. I
• 22:26
  Speaker 1: think that blockchain and crypto could be the savior for
• 22:28
  Speaker 1: Africa in many ways because it brings the power back
• 22:31
  Speaker 1: to the people and brings the security back into the
• 22:33
  Speaker 1: currency system, and it also allows people to utilize it
• 22:36
  Speaker 1: in the ways where they can advance themselves and not
• 22:38
  Speaker 1: allow government to do those things that are keeping them down.
• 22:41
  Speaker 1: That's the only thing I don't understand that. And I'm
• 22:43
  Speaker 1: into business and finance and invested. I just never understand cryptocurrency.
• 22:47
  Speaker 1: How can you just create and says okay, I'm going
• 22:49
  Speaker 1: to create a coin, and what is the worth of it?
• 22:51
  Speaker 1: How do you get the worth of a coin, a
• 22:54
  Speaker 1: coin or whatever his name is, whatever you called it.
• 22:57
  Speaker 1: You know, how do you get the worth get my coin?
• 22:59
  Speaker 1: I don't know about you, but I know how to
• 23:00
  Speaker 1: get me an acorn. When you gonna get you get
• 23:02
  Speaker 1: me a car. I don't know, I don't how do you?
• 23:04
  Speaker 1: How do you like? What's the worth of it? Yeah,
• 23:06
  Speaker 1: something that you really would have to I'm gonna create
• 23:08
  Speaker 1: my own currency. And then just nobody went on the
• 23:10
  Speaker 1: cryptocurrency expert. What would your currency be called the beige dollar?
• 23:16
  Speaker 1: I put that point so it dropping a clues bomb
• 23:18
  Speaker 1: for Acon. All Acon ever is out here doing is
• 23:21
  Speaker 1: the work. When the last time Acon put out music
• 23:25
  Speaker 1: even featuring a damn That's why I respect it. Man
• 23:28
  Speaker 1: just started doing the work. Man's cryptocurrency will be available
• 23:31
  Speaker 1: for sailing two weeks. So I gotta buy money money,
• 23:35
  Speaker 1: That's what I said. How do you know? I'm over
• 23:38
  Speaker 1: for Sam. I'm not buying no damn money. I'm gonna
• 23:40
  Speaker 1: buying money a coin. All right. Somebody got explaining to me.
• 23:43
  Speaker 1: I'm just saying, I don't claim to be the highest
• 23:45
  Speaker 1: grade of we know, the country. Somebody explaining this to me.
• 23:47
  Speaker 1: All right, we'll get into that, all right, I manjla yee.
• 23:49
  Speaker 1: And that is your rumor report. All right, thank you,
• 23:51
  Speaker 1: miss ye. Now when we come back, we have the
• 23:54
  Speaker 1: cast of Sorry to buy to bother you. I did
• 23:56
  Speaker 1: a Q and A last night. For the cast. I'm
• 23:58
  Speaker 1: sorry to bother you. I mean, this isn't all of
• 24:00
  Speaker 1: the cast. We actually have the creator director, which is
• 24:03
  Speaker 1: Boots Riley, and we have Terry Crews and a Maria
• 24:06
  Speaker 1: Hartwood coming. But the round out the cast, the stars
• 24:08
  Speaker 1: mckith Stanfield and Tessa Thompson and my man Jermaine Fowler.
• 24:11
  Speaker 1: All right, well, I haven't seen it, but when I
• 24:13
  Speaker 1: looked at the trailer looked like I needed to be
• 24:15
  Speaker 1: high to watch it. I've seen it, and um, it's interesting.
• 24:19
  Speaker 1: You will definitely leave the movie theater asking yourself, what
• 24:22
  Speaker 1: the F did I just watch? Good Way or a
• 24:24
  Speaker 1: bad Way? Oh? I'm thinking a good way. Okay, I'm
• 24:26
  Speaker 1: thinking a good one. All right, we'll kick it with
• 24:28
  Speaker 1: them when we come back to Don't Move. It's the
• 24:29
  Speaker 1: Breakfast Club. Good morning morning. Everybody is DJ Envy, Angela Yee,
• 24:33
  Speaker 1: Charlomagne the guy. We all the Breakfast Club. We got
• 24:36
  Speaker 1: some special guests in the building. We have Boots Riley,
• 24:39
  Speaker 1: Good morning, what's up? Terry Crews, good morning, Hey, good morning,
• 24:42
  Speaker 1: and I'm Mario Hardway. Come on the guys, Morning up,
• 24:44
  Speaker 1: New York everything. They're all here promoting. Sorry to bother you.
• 24:48
  Speaker 1: I saw the film last week, Boots, and I need
• 24:51
  Speaker 1: to ask you one question. All right, did I watch
• 24:55
  Speaker 1: Some Crazy? Hopefully we don't give it away to spoilers,
• 24:58
  Speaker 1: but you saw Some Crazy. That's different thing the other
• 25:02
  Speaker 1: movies you've seen. I didn't, you know what threw me office.
• 25:05
  Speaker 1: I didn't realize it was science fiction because the trailer
• 25:08
  Speaker 1: didn't give me that cool. So as I'm watching it,
• 25:10
  Speaker 1: I'm like, all right, what the hell just happened? Give
• 25:12
  Speaker 1: us what the movie is about, because watching the trailer,
• 25:14
  Speaker 1: I've seen a little bit. But I don't want to
• 25:16
  Speaker 1: land with our give stuff away, so I let Boots. Yeah. Yeah,
• 25:18
  Speaker 1: Well so it's an absurdist, dark comedy with magical realism
• 25:22
  Speaker 1: and science fiction inspired by the world of telemarketing. Sorry
• 25:27
  Speaker 1: to bother you. You know it's funny. Me and Charlemagne
• 25:31
  Speaker 1: got into aug. I don't even if Charlomagne remember about
• 25:33
  Speaker 1: I said about two years ago. My first job was telemarketing,
• 25:37
  Speaker 1: and it was similar when I got there. Everybody in
• 25:40
  Speaker 1: there was making money but me. Because I was from
• 25:42
  Speaker 1: the hood time, I had to put a white voice.
• 25:46
  Speaker 1: My name is Rashawn, so I had to change it
• 25:48
  Speaker 1: to Sean. Yeah. My last name is Casey, So I
• 25:50
  Speaker 1: we were selling fuels. I was like, all right, this
• 25:52
  Speaker 1: is Sean Casey. I'm calling from Pelco Fuel. How are
• 25:54
  Speaker 1: you doing wonderful? Yes, I can see if you're a
• 25:57
  Speaker 1: bunch of money on your home heating mule and you know,
• 26:00
  Speaker 1: and it worked. Yeah, And that's that's that's what Uh
• 26:03
  Speaker 1: Danny Glover's character tells to uh mckith is, uh, you know,
• 26:07
  Speaker 1: it's not only that you're sounding white, it's this idea
• 26:12
  Speaker 1: of what white is. Yeah, And I just I just
• 26:14
  Speaker 1: don't ever agree with coach switching because I don't ever
• 26:16
  Speaker 1: want to marginalize my blackness. I feel like my blackness
• 26:19
  Speaker 1: is great. Well, you know, you are in a position
• 26:22
  Speaker 1: where you don't have to like some people. I'm sure
• 26:26
  Speaker 1: you know if you would have told that to him, Yeah,
• 26:28
  Speaker 1: well you told that to him while he's at the job,
• 26:30
  Speaker 1: and it's like you could make more money or not.
• 26:33
  Speaker 1: You know, But he pretends to be Dominican. Sometimes I'm
• 26:35
  Speaker 1: not weird. It's weird with that guy. He think because
• 26:37
  Speaker 1: I wear white jeans, I'm Dominican. I'm not Dominican. Bro,
• 26:40
  Speaker 1: not Terry and Amory. Y'all been in the Hollywood for
• 26:43
  Speaker 1: a while. Have y'all ever had to coach witch? You
• 26:45
  Speaker 1: know what's interesting, I think it's sort of a I
• 26:47
  Speaker 1: guess there's a marriage between the two your your point
• 26:50
  Speaker 1: and Envy's point, because in reality, the character Ghost is
• 26:53
  Speaker 1: coach switching constantly, but without changing the voice. I think
• 26:56
  Speaker 1: more so that's what you mean that you don't want
• 26:58
  Speaker 1: to have to do. I think, you know, if you
• 27:00
  Speaker 1: think about it, President Obama's co switching. But again, his
• 27:03
  Speaker 1: voice and his diction and his articulation and the tonality
• 27:06
  Speaker 1: has basically remained the same. I would say, Sydney Portier,
• 27:09
  Speaker 1: Denzel Harbalafante the same. So Ghost code switched to me
• 27:12
  Speaker 1: in a very physical, physically adjusting to the environment type
• 27:16
  Speaker 1: of way. You can almost work every room because of
• 27:19
  Speaker 1: his IQ. So if co switching is your brain, then
• 27:22
  Speaker 1: I think we've all had to do it. But I've
• 27:24
  Speaker 1: never had to do what Boots has asked my character
• 27:27
  Speaker 1: and la Keith's character and Danny's character to do, and
• 27:30
  Speaker 1: in life, never with my voice. No, I've always just
• 27:33
  Speaker 1: been me. Um. It's kind of made me who I am,
• 27:37
  Speaker 1: made my career. Uh, it made me an activist right now,
• 27:41
  Speaker 1: which is kind of wild. Um. You know, because when
• 27:44
  Speaker 1: I look at I mean you look at Hollywood, you
• 27:46
  Speaker 1: look at you know what the whole thing is, what's
• 27:49
  Speaker 1: happening with me? Even with this whole me too thing,
• 27:51
  Speaker 1: I'm gonna bring it up because I really want to
• 27:53
  Speaker 1: talk about it. Um. The big, big deal is that
• 27:57
  Speaker 1: they want me to accept to myself that I'm less
• 28:00
  Speaker 1: than a human being. They literally want me to sign
• 28:02
  Speaker 1: off and say I am less than you. What you
• 28:05
  Speaker 1: did to me is okay, And it's not okay. It's
• 28:08
  Speaker 1: not okay to do that to anybody. In fact, you
• 28:11
  Speaker 1: get so. And this is what how happens in this
• 28:14
  Speaker 1: movie is it's addressed on a social level, it's addressed
• 28:17
  Speaker 1: on an economic level. These things are addressed politically. But
• 28:22
  Speaker 1: when you're talking about this whole thing is people are
• 28:25
  Speaker 1: trying to trick you into your into damaging your own
• 28:28
  Speaker 1: self image because if you do it to yourself, you
• 28:31
  Speaker 1: already in a cage. And the thing is that they
• 28:33
  Speaker 1: do that by spreading shame. They do that by spreading
• 28:36
  Speaker 1: these kind of things to make you feel the fact
• 28:38
  Speaker 1: that this man feels like I'm gonna just tell you
• 28:41
  Speaker 1: the rules you work anywhere you go to work. You
• 28:45
  Speaker 1: should not be molested. Whoever molested you should be fired.
• 28:50
  Speaker 1: If they don't think that, they're like, oh, man, are
• 28:53
  Speaker 1: you who? What kind of person are you to think
• 28:55
  Speaker 1: you're even worth saying something like every dime I spend
• 29:00
  Speaker 1: on my case actually is increasing my own self worth.
• 29:04
  Speaker 1: That's the whole thing. Now. One of the other things
• 29:06
  Speaker 1: is that I'm supposed to punch him out, because that's
• 29:09
  Speaker 1: the whole trope that we've been talking. I mean, here,
• 29:11
  Speaker 1: I am two hundred and forty pound black man, played
• 29:15
  Speaker 1: in the NFL. The whole thing the trope is, now
• 29:18
  Speaker 1: I'm a big, violent man. I'm supposed to just and
• 29:21
  Speaker 1: I ha'tn black men coming at me like, hey man,
• 29:23
  Speaker 1: you're supposed to go knock his head off. But the
• 29:26
  Speaker 1: thing is, and they're like, man, your career ain't even
• 29:28
  Speaker 1: all that for you to be, you know, letting your
• 29:31
  Speaker 1: bus get felt on and all this stuff and not
• 29:33
  Speaker 1: do nothing. But this is a thing. My family is
• 29:36
  Speaker 1: all that. And I had to look at the big
• 29:41
  Speaker 1: right and the most important thing. I know who I am.
• 29:43
  Speaker 1: I know I'm a father, I know I'm a husband,
• 29:47
  Speaker 1: I know who I am as a human being. I
• 29:50
  Speaker 1: know how much I'm worth and that affects everything. What
• 29:56
  Speaker 1: did your wife say in that moment, like because she
• 29:58
  Speaker 1: was with you act she did she said, just gonna
• 30:00
  Speaker 1: let him grab your listen. He was the one who
• 30:02
  Speaker 1: trained me, she said, first, three years earlier. See, you
• 30:06
  Speaker 1: gotta understand, y'all gotta look at the whole picture. A
• 30:08
  Speaker 1: lot of times to hold a picture. I hasn't been talk.
• 30:10
  Speaker 1: I'm knocked people out. There have been people who've been
• 30:12
  Speaker 1: knocked out, and a lot of people have seen the
• 30:16
  Speaker 1: wrong end of what I've done. And she pulled me
• 30:18
  Speaker 1: to the side, said you can't do it. She said,
• 30:20
  Speaker 1: we'll lose everything. Carry a different right now. That's coach.
• 30:26
  Speaker 1: By the way, that thing is, if somebody yells up
• 30:28
  Speaker 1: white guys up, comes up to me and yells that
• 30:30
  Speaker 1: man has called me a nigga, and the whole thing is, okay,
• 30:34
  Speaker 1: I'm supposed to hear that, I'm i supposed to smack him.
• 30:35
  Speaker 1: But the thing is, I would only get angry if
• 30:38
  Speaker 1: I really felt I wasn't it. But I'm not. Sometimes
• 30:41
  Speaker 1: you gotta show them that. But that's that's a show.
• 30:44
  Speaker 1: See but what you just said, that's a show. But
• 30:47
  Speaker 1: the thing is, it's like, somebody come up and called
• 30:49
  Speaker 1: me poor. I'm like, I'm not poor. I know I'm
• 30:52
  Speaker 1: not poor. How do we need to get angry? How
• 30:54
  Speaker 1: do you teach him not to do it again? How
• 30:55
  Speaker 1: do you teach that guy who grabbed your brother, the
• 30:57
  Speaker 1: white man that calls you not to do that again? First,
• 31:00
  Speaker 1: on what I'm doing right now a lawsuit. Straight up,
• 31:03
  Speaker 1: I didn't give up. I didn't give up my lawsuit.
• 31:05
  Speaker 1: I'm spending hundreds of thousands of dollars to defend myself,
• 31:10
  Speaker 1: to be the planiff. Because this is what you everybody
• 31:12
  Speaker 1: got to understand. If I hear him, I'd be in
• 31:15
  Speaker 1: court anyway. You understand, I'd be spending this money anyway.
• 31:19
  Speaker 1: That's what people don't understand. I would be straight up
• 31:22
  Speaker 1: the defendant because if I knocked him out, you think
• 31:25
  Speaker 1: they would have had any any would have not one
• 31:30
  Speaker 1: bit of mercy on me. So the whole point is,
• 31:32
  Speaker 1: now I flipped the script. They're like, he didn't do nothing, Well,
• 31:36
  Speaker 1: why are you even suing? Then? I'm going man, because
• 31:40
  Speaker 1: I'd be here anyway. This is money i'd be spending anyway.
• 31:43
  Speaker 1: All right, we got more with the cast. So sorry
• 31:44
  Speaker 1: to bother you, which is Terry Cruz and Marie Hardwick
• 31:47
  Speaker 1: and Boots Riley. So don't go anywhere. It's to breakfast
• 31:49
  Speaker 1: club in the morning, Charlomagne the guy. We are the
• 31:53
  Speaker 1: breakfast club. We have the cast of Sorry to Bother
• 31:55
  Speaker 1: You in the building is Terry Crews and Marie Hardwick
• 31:58
  Speaker 1: and Boots Riley. How do you feel when Russell Simmons
• 32:01
  Speaker 1: is said to drop it the whole Russell Simmons thing.
• 32:04
  Speaker 1: First of all, First of all, me and Russell don't
• 32:06
  Speaker 1: talk like that. Why are you emailing me? You see,
• 32:09
  Speaker 1: this is the thing everybody want to be. Now you're
• 32:11
  Speaker 1: my buddy, now you're my friend. But this is what
• 32:14
  Speaker 1: y'all don't know. A lot of people don't know. Russell
• 32:16
  Speaker 1: Hans with them guy, Russell Hans with Adam Vinnett, Russell
• 32:19
  Speaker 1: Haynes with Brett Ratner. I know what the whole thing is.
• 32:22
  Speaker 1: You cain't gas like me. I'm from Flint, Michigan. All
• 32:25
  Speaker 1: these casts men are well, you didn't mean it. I
• 32:26
  Speaker 1: didn't mean it like that. No, I know exactly what
• 32:29
  Speaker 1: you meant. And you calling me talking about give this
• 32:32
  Speaker 1: brother a pass. Nobody gets a pass, nobody, And I'm like,
• 32:36
  Speaker 1: why are you even emailing? Well, we don't hang out together.
• 32:39
  Speaker 1: We don't do nothing together. I don't know what you're
• 32:40
  Speaker 1: talking about, man. And so the fact is, and then
• 32:44
  Speaker 1: I saw it for what it was, and believe me,
• 32:46
  Speaker 1: when it first came out, I ignored it when he
• 32:48
  Speaker 1: he emailed me. At first I ignored. And then all
• 32:50
  Speaker 1: of a sudden, he's like, I got zero talents for
• 32:52
  Speaker 1: this thing. I'm like, wait a minute, you said you
• 32:54
  Speaker 1: guys zero talles, but you told me to get it
• 32:56
  Speaker 1: do the pass. When the dude to me, I said,
• 32:58
  Speaker 1: that's because a beauty just protect abuses. This culture protected,
• 33:03
  Speaker 1: they protect each other like that. And I'm like, I
• 33:05
  Speaker 1: have no no time sport. But this is the thing,
• 33:08
  Speaker 1: the thing that you served, it's also the thing you
• 33:10
  Speaker 1: gotta eat. That's the real deal. And if you serving it,
• 33:15
  Speaker 1: you one day it's gonna come back to you. And
• 33:17
  Speaker 1: whatever you want to do, you ain't getting away with
• 33:19
  Speaker 1: what you say, even if it's as you seen. You know,
• 33:26
  Speaker 1: people not mess with you because of this or you. Yeah, well,
• 33:31
  Speaker 1: first of all, I walk in and now the room
• 33:33
  Speaker 1: is split down the middle. It's cats like, oh man,
• 33:35
  Speaker 1: I gotta go this way out. That's good because I
• 33:37
  Speaker 1: would have never worked with you anyway. And I man,
• 33:39
  Speaker 1: look like I said, I am me. I've always been me.
• 33:42
  Speaker 1: I've all you know. It's it's weird because there have
• 33:45
  Speaker 1: been times when I do things and I wasn't blocking up.
• 33:47
  Speaker 1: There's things that times I've did stuff and they called
• 33:50
  Speaker 1: me or you selling out or you do Friday after
• 33:52
  Speaker 1: next and they're like, oh, man, now you down. But
• 33:55
  Speaker 1: I'm gonna wait a minute. I've always been just me
• 33:57
  Speaker 1: from the beginning, and always that's been Terry Crew, you know, guy.
• 34:02
  Speaker 1: I saw people victim shaming you. Terry there like, oh,
• 34:05
  Speaker 1: Terry always got his shirt off and he always selecting
• 34:07
  Speaker 1: his ab So Terry's played gay roles before, as if
• 34:10
  Speaker 1: that justifies that man grabbing whatever. Man. Listen again, the arguments,
• 34:16
  Speaker 1: every dicula, that stuff is ridiculous. I'm just dealing with
• 34:18
  Speaker 1: the facts as they lay. You cannot do this to
• 34:23
  Speaker 1: anybody else, anybody, no one. And the problem is, this
• 34:26
  Speaker 1: is the thing. If you don't protect the women, it's
• 34:29
  Speaker 1: happening to you. They're coming after you. I'm trying to
• 34:31
  Speaker 1: tell you I was standing there and I'm going to
• 34:33
  Speaker 1: wait a minute. It's got to the point where they tricked.
• 34:36
  Speaker 1: Everybody didn't think it's part of the job. You're like, no,
• 34:39
  Speaker 1: it's not you, hey, man, it's part about being in Hollywood.
• 34:42
  Speaker 1: Commit it ain't. No, it ain't. No, it ain't. And
• 34:44
  Speaker 1: you know I would be the first one always saying no, no, no,
• 34:49
  Speaker 1: And I'm gonna tell you it's it's hot. It's just
• 34:52
  Speaker 1: about to hit. The music industry has been hitting. I
• 34:55
  Speaker 1: tell people all the time, this is not which hunt.
• 34:58
  Speaker 1: It's a fumigation. If you've been acting like this for
• 35:01
  Speaker 1: a long long time, I'm done. I grew up in
• 35:03
  Speaker 1: the culture, man, I grew up in pimp culture. I
• 35:05
  Speaker 1: know what it is. I know the mollusters. I know them.
• 35:08
  Speaker 1: You go to church there, then you go to the
• 35:10
  Speaker 1: hood day, then everywhere. I mean, I know these cats,
• 35:12
  Speaker 1: and they try to gas like you and make you
• 35:14
  Speaker 1: think you all out. You don't know what's going on. Man.
• 35:16
  Speaker 1: Look you in church, they try to turn you out.
• 35:18
  Speaker 1: You're on the street, they try to turn you out.
• 35:20
  Speaker 1: I've been up there. I've seen it, and I know it,
• 35:22
  Speaker 1: and I see and I see them casting. I remember
• 35:25
  Speaker 1: when I was fourteen and walking around. I'm in school
• 35:27
  Speaker 1: and a growing ass man like look at that ass.
• 35:29
  Speaker 1: I'm like, wait a minute, ain't you pimptie? Do you
• 35:33
  Speaker 1: look at that us? Yes? And I'm fourteen years old
• 35:36
  Speaker 1: and I'm like, no, I don't think he was talking
• 35:38
  Speaker 1: about he was talking about the girls. You know what
• 35:40
  Speaker 1: I'm saying, he's looking at he's looking at women. But
• 35:48
  Speaker 1: I putter, what I'm saying is I've seen these kind
• 35:51
  Speaker 1: of abuses and people feel like that's just part of
• 35:55
  Speaker 1: being a man. But it's got nothing to do with
• 35:57
  Speaker 1: being a man. Now, what made you guys take the
• 35:59
  Speaker 1: role in this field? Because watching the trailer, I only
• 36:01
  Speaker 1: seen a small part of it, but it seemed a
• 36:03
  Speaker 1: little like it seems like it's a little high. You
• 36:05
  Speaker 1: had to be a little high to watch, Like, you know,
• 36:09
  Speaker 1: I'm watching part of it and it's looking it's looking same,
• 36:11
  Speaker 1: and then all of a sudden, I said, a guy
• 36:12
  Speaker 1: with one eye come out and then a white guy
• 36:14
  Speaker 1: with a gun. So what made y'all do this film?
• 36:16
  Speaker 1: It was, you know, it was interest in na, it
• 36:19
  Speaker 1: was dope as hell listening the terry. Just break all
• 36:21
  Speaker 1: of that down. I'm like, this is a different interview
• 36:23
  Speaker 1: because I watched you an MV. I mean you and
• 36:25
  Speaker 1: Maine all the time. But in reality, the depth of
• 36:28
  Speaker 1: which we started this this interview, a lot of that
• 36:31
  Speaker 1: was the reason that I chose to do the movie
• 36:33
  Speaker 1: because underneath all of the stuff that you say you
• 36:35
  Speaker 1: might need some herb to really get through, underneath is
• 36:38
  Speaker 1: like a freaking incredibly detailed story about that which we
• 36:43
  Speaker 1: go through in this country as it retains, as Terry said,
• 36:46
  Speaker 1: social political, socioeconomic, gender realities. It just for me was
• 36:52
  Speaker 1: very it was. It was very clear. When I had
• 36:54
  Speaker 1: the first conversation with with Boots, this man told my right,
• 36:57
  Speaker 1: I was in Italy with the family finally vacan offer
• 36:59
  Speaker 1: promote in power with Curtis in Italy too, Yeah, yeah,
• 37:03
  Speaker 1: I wasn't. And he was in Oakland and he had
• 37:09
  Speaker 1: this conversation with me and me and he told me,
• 37:10
  Speaker 1: he said, you know old particularly your role, and we're
• 37:13
  Speaker 1: going to create this thing where there's no real name
• 37:15
  Speaker 1: to your to your character, me mister just mister. And
• 37:20
  Speaker 1: I thought, damn, that's different. And he brought up Tony
• 37:22
  Speaker 1: Morrison and her you know, figuring some of that out
• 37:24
  Speaker 1: through a book that she had written, and I thought
• 37:26
  Speaker 1: that was brilliant. And I thought, well, what do you
• 37:28
  Speaker 1: mean about my character sort of being this he said,
• 37:30
  Speaker 1: it's unidentifiable because he's still trying to he knows a lot.
• 37:34
  Speaker 1: I decided to do the one ipat with boots permission
• 37:38
  Speaker 1: because I think he's all seen, even though you think
• 37:40
  Speaker 1: he's only seen with one eye. So he's a guy
• 37:42
  Speaker 1: that's kind of in the midst of maybe being called
• 37:45
  Speaker 1: a set out, but at the same time he actually
• 37:47
  Speaker 1: knows what's going on. Next to Army's character, which represents
• 37:50
  Speaker 1: the man in America like no get here, this is
• 37:52
  Speaker 1: where you want to get to Terry's point, Hollywood's is
• 37:55
  Speaker 1: this is where you want to get and you might
• 37:56
  Speaker 1: go now. So the Keith's character is kind of going
• 37:59
  Speaker 1: against that and the fact that I could play this conduit,
• 38:01
  Speaker 1: this bridge between the two and not really be a sellout.
• 38:04
  Speaker 1: But actually we didn't want to had the information. That's
• 38:06
  Speaker 1: what specifically attracted me. But then the cast Danny Glover,
• 38:10
  Speaker 1: this Manding my left who I've known for seventeen years now,
• 38:14
  Speaker 1: Lakis Stanfield, one of our young great young actors, Tessa Thompson,
• 38:17
  Speaker 1: who I know forever. Once Boots said okay, oh here's
• 38:19
  Speaker 1: the cast. He didn't get through three people before I said,
• 38:22
  Speaker 1: man this is incredible. Do you think that in the
• 38:24
  Speaker 1: movie makes light of real life situations like racism. It's
• 38:27
  Speaker 1: not making light of it. What it does is it
• 38:30
  Speaker 1: makes things more ridiculous to show the contradiction clearer. And
• 38:36
  Speaker 1: that heightening of contradiction happens in two places. When we
• 38:40
  Speaker 1: analyze something, we show the contradictions to show how how
• 38:44
  Speaker 1: society functions. Like even if you're doing a college lecture,
• 38:47
  Speaker 1: you heighten things and exaggerate to show the show the contradiction.
• 38:52
  Speaker 1: That's exactly the same thing that's done with comedy. Man.
• 38:55
  Speaker 1: I always wonder if the people who are supposed to
• 38:58
  Speaker 1: receive the message in this film, which would video pressers,
• 39:01
  Speaker 1: the white people, do they received method. No, I'm not
• 39:05
  Speaker 1: making a you know, I'm not under the feeling that
• 39:10
  Speaker 1: the way that we make social change is we beg
• 39:13
  Speaker 1: oppressors to change. In my opinion, the way that you
• 39:17
  Speaker 1: make change is you force someone to have to choose
• 39:20
  Speaker 1: between you're gonna make less money or you're gonna make
• 39:23
  Speaker 1: no money. You know, and and uh So this film
• 39:28
  Speaker 1: is not about talking to someone with power and hoping
• 39:32
  Speaker 1: they see more. It's about talking to each other. All right,
• 39:36
  Speaker 1: we got more with the cast, I'm Sorry to bother you.
• 39:38
  Speaker 1: When we come back, keep a lock this to Breakfast
• 39:40
  Speaker 1: Club the Morning Horning. Everybody is DJ Envy, Angela Yee, Charlomagne,
• 39:44
  Speaker 1: the guy. We are the Breakfast Club. We have the cast.
• 39:47
  Speaker 1: I'm Sorry to bother you. A new flick that comes
• 39:49
  Speaker 1: out in July. Terry Cruz A, Maori Hardwick, Boots, Riley,
• 39:53
  Speaker 1: Vanessa Coffin. Do you ever get tired of that song?
• 39:55
  Speaker 1: Because that is such a classic scene from white chicks
• 39:58
  Speaker 1: picking lou down to faces passing them homemund never Never.
• 40:11
  Speaker 1: I don't understand people get tired of their own stuff.
• 40:13
  Speaker 1: I don't understand. I'm so tired. I'm no. I just
• 40:16
  Speaker 1: keep doing. But see the thing is, I never stopped working.
• 40:19
  Speaker 1: See when you have that and then you put everybody's
• 40:22
  Speaker 1: chriss on top of it. Did you put Brookly on
• 40:23
  Speaker 1: nine on top of it? And you put all these
• 40:25
  Speaker 1: other movies on you put Sorry to Bother on top?
• 40:27
  Speaker 1: I'm satisfied, you know what I mean. It's now. If
• 40:29
  Speaker 1: it's stopped there, I'd be tired of it. I got
• 40:32
  Speaker 1: your mark. Did you have a problem taking this role?
• 40:34
  Speaker 1: Since you are very much ghost to a lot of people,
• 40:36
  Speaker 1: and it's hard to see you in any other role
• 40:37
  Speaker 1: because every time I stay understand, I was like, they're
• 40:39
  Speaker 1: gonna go, yeah, he see my name. I'm like, you
• 40:41
  Speaker 1: don't even see the movie? I said, no, I said,
• 40:43
  Speaker 1: when I see they like, I mean, do you so
• 40:46
  Speaker 1: I'm always ghost to you, like I have inability as
• 40:49
  Speaker 1: an actor or I'm always ghost in your mind? See ghost?
• 40:51
  Speaker 1: Right now? You see? I should? I should? I just
• 41:05
  Speaker 1: do power for the rest of my career. Here's a thing,
• 41:10
  Speaker 1: but people don't. People don't give him as much credit
• 41:14
  Speaker 1: as an actor because he's so good in that good
• 41:17
  Speaker 1: and they think he's not acting right. And this man,
• 41:20
  Speaker 1: this man is a poet, he's you know man, I
• 41:22
  Speaker 1: mean he he might be buff and might knock you
• 41:26
  Speaker 1: out if you do something. But here's a hippie. You
• 41:30
  Speaker 1: know what I'm saying, Like, does he I feel? I
• 41:33
  Speaker 1: feel like, uh man, I'm an amalgamation of Terry Crews
• 41:37
  Speaker 1: and Lakeith Stanfield. Wow wow. But think about it if
• 41:41
  Speaker 1: I played a homosexual age victim married to Janet Jackson,
• 41:46
  Speaker 1: what Tyler Perry movie was that for Color Girls I played?
• 41:49
  Speaker 1: I mean, there's fifteen year career is just so funny.
• 41:52
  Speaker 1: People goes like guess, and it's like, it's pretty, it's
• 41:58
  Speaker 1: pretty fascinating. I never had any This movie is because, yeah,
• 42:04
  Speaker 1: I just because I've never had any. I mean, I
• 42:06
  Speaker 1: did shot Caller Radio, did Shot Call of season two
• 42:09
  Speaker 1: with John Bernthall, and it's funny. I call it. I'm
• 42:11
  Speaker 1: awarding in shot Caller. Then I don't know. It's just
• 42:14
  Speaker 1: one of those things where I have to remind everybody
• 42:17
  Speaker 1: but guy's an actor. So Patton Oswald did so. Patton
• 42:21
  Speaker 1: Oswald does his white voice. David Cross does Lakeith white voice.
• 42:25
  Speaker 1: And when Patton was in this doing it, he was like,
• 42:30
  Speaker 1: so this guy isn't gonna get mad at me. I
• 42:32
  Speaker 1: want to fight me. I'm like, well, first of all,
• 42:37
  Speaker 1: this it's film, yeah, second of all, but I want
• 42:42
  Speaker 1: to I want to say I want to say this
• 42:43
  Speaker 1: to uh. I want to say it to Nbus That right, No,
• 42:47
  Speaker 1: I asked, Charlemagne asked, I want to say that because
• 42:50
  Speaker 1: it's a lob. It's a lob. It's like Charlomagne just
• 42:52
  Speaker 1: gave me a Derek Fisher night. I don't remember what year,
• 42:55
  Speaker 1: but this is my opportunity to slam it home. Charlomagne
• 42:59
  Speaker 1: and envy Charlomagne for sure, because I find Charlomagne to
• 43:02
  Speaker 1: be the deep poet of the group. Charlemagne knows the
• 43:06
  Speaker 1: talentsable man. Charlemagne even knows that I'm doing music. He
• 43:09
  Speaker 1: knows that he knows it. So the lab is, oh,
• 43:13
  Speaker 1: you gotta keep strategically doing things that get you away
• 43:16
  Speaker 1: from ghosts. But it's scary or is it not scary?
• 43:18
  Speaker 1: And I go Charlemagne, it can't be scary because if
• 43:22
  Speaker 1: I'm a novice, to Terry's point, then maybe it's scary
• 43:27
  Speaker 1: because my bread and butter is this thing. If I'm
• 43:29
  Speaker 1: Michael B. Jordan's age and I do ghosts, Oh, but
• 43:33
  Speaker 1: if I've done all these things preceding Ghosts, then God
• 43:36
  Speaker 1: bless Netflix, because you go back and go, oh, there
• 43:39
  Speaker 1: was a lot of before, God bless you. So now
• 43:42
  Speaker 1: that I've played ghost which is a beautiful testimony to
• 43:45
  Speaker 1: the security of Curtis fifty, Saint Jackson and going, I
• 43:49
  Speaker 1: think I know the right person for the part. He
• 43:51
  Speaker 1: could have picked the wrong person for the part right,
• 43:53
  Speaker 1: And I don't know if we have a show like that.
• 43:55
  Speaker 1: So for fifty to be that secure and to get
• 43:58
  Speaker 1: Courtney on board and to get stars behind end it.
• 44:00
  Speaker 1: Then it makes Charlemagne, it makes Boots, it makes Envy
• 44:04
  Speaker 1: and makes Terry go well even as his brother and
• 44:07
  Speaker 1: his friend. This was the right pick for this character.
• 44:10
  Speaker 1: Sometimes we can't not see him. But in reality, if
• 44:13
  Speaker 1: you're the right pick for whatever, Sydney Portier was the
• 44:16
  Speaker 1: right pick for four to five times being the right pick.
• 44:19
  Speaker 1: We don't really have an opportunity to celebrate Sydney as
• 44:23
  Speaker 1: a legend or or the icon that he is if
• 44:26
  Speaker 1: he didn't do very good all the other things that
• 44:28
  Speaker 1: he's done. So we all want the same thing. You know,
• 44:31
  Speaker 1: I'm major in journalism. I was in the world of
• 44:33
  Speaker 1: Envy and Charlemagne. That was my major. But I always
• 44:36
  Speaker 1: heard God saying, yeah, but your storyteller. So Charlemagne and
• 44:39
  Speaker 1: Envy are still limited as to the way they tell stories.
• 44:42
  Speaker 1: But Satellite, for example, has allowed y'all to be not
• 44:45
  Speaker 1: his limited you know what I mean? So I think
• 44:47
  Speaker 1: as ghost, if he's the journalist that's stuck within the
• 44:50
  Speaker 1: parameters of what we know him to be, then it
• 44:53
  Speaker 1: does tell on brown people as to how wide we
• 44:56
  Speaker 1: see and how wide we don't see. What's ironic about it?
• 45:00
  Speaker 1: It's ghost envy. It's wide, so you'd almost think it's
• 45:04
  Speaker 1: guy has to be a really wide actor because Ghost
• 45:07
  Speaker 1: is thirty five feet wide. So it's just that there's
• 45:10
  Speaker 1: so much with it. I think Boots makes a great
• 45:12
  Speaker 1: point by going, it's hard for folks to see all
• 45:14
  Speaker 1: the different ways that those getting too the basket. If
• 45:17
  Speaker 1: it's Analogs, analogous the basketball coming off the playoffs, if
• 45:20
  Speaker 1: he's Ghosts, because Ghost is getting to the hoops so
• 45:22
  Speaker 1: many different ways. It's the coat switching that Charlotta Maine's feet.
• 45:26
  Speaker 1: Remember when everybody thought the Finds. A dude that played
• 45:28
  Speaker 1: The Finds was like you start seeing them, You're like, oh,
• 45:33
  Speaker 1: you're like Missy and a lot of people Charlottage like Ghost.
• 45:36
  Speaker 1: Morning omorrow. You hear a lot of people going, I
• 45:38
  Speaker 1: like Ghost, and it tells on them. It's like, yeah,
• 45:41
  Speaker 1: you needed a guy seventy five feet wide to play
• 45:43
  Speaker 1: a guy thirty five foot wide. I'm gonna be honest
• 45:45
  Speaker 1: with you. If your friends are saying that and something's wrong, Okay,
• 45:49
  Speaker 1: I'm saying that, young social media world, you know what
• 45:53
  Speaker 1: I mean. Yeah, you wanted me to wrap you could
• 45:59
  Speaker 1: do that, all right. Listen to the shot Sonata from
• 46:04
  Speaker 1: Persona's nine Grider would apply to rock harder than the
• 46:07
  Speaker 1: second into Fighter. I do drink fire water, but I'm
• 46:10
  Speaker 1: like hire water and with slaughter, slaughter, slaughter your almada
• 46:13
  Speaker 1: and from your scholars that are Alma Mater, squaldars from
• 46:16
  Speaker 1: my squad to put your collar at your black and
• 46:17
  Speaker 1: white gallar? What cannon fighter for dollars both under Trump
• 46:21
  Speaker 1: and Obama. I don't remember the rest, but check this out.
• 46:26
  Speaker 1: Every guest is an abrupt one. Every cop is a
• 46:28
  Speaker 1: corrupt one without the cash up and trust fund. Every
• 46:32
  Speaker 1: guests one to plus one. I forget the rest in
• 46:36
  Speaker 1: this Director Williams Boots Man, Well, here's the thing I
• 46:44
  Speaker 1: would I would take I would take that as an insult,
• 46:47
  Speaker 1: but I couldn't. No, I mean just because people like
• 46:50
  Speaker 1: New York, thank you, thank you all man, Boots, but yeah,
• 46:58
  Speaker 1: I mean appreciated. Do the things that Cat Williams has
• 47:01
  Speaker 1: done for entertainment, then that'll be cool. On your way,
• 47:06
  Speaker 1: you know, we'll see. When's the movie come out? July
• 47:09
  Speaker 1: sixth and select theaters July thirteenth, everywhere July six go
• 47:13
  Speaker 1: check out. Sorry, and we appreciate you guys for joining us.
• 47:17
  Speaker 1: Thank you man, It's the Breakfast Club. Good morning, the
• 47:22
  Speaker 1: Breakfast Club. Morning. Everybody is d J, Envy, Angela Yee,
• 47:27
  Speaker 1: Charlomagne the guy. We all the Breakfast Club. Let's get
• 47:29
  Speaker 1: to rumors to talk, Doctor Dre. This is the rumor
• 47:36
  Speaker 1: report with Angela Yee on the Breakfast Club. So doctr
• 47:41
  Speaker 1: J is working on a Marvin Jay biopicks should be
• 47:44
  Speaker 1: pretty interesting now a lot of people have been trying
• 47:46
  Speaker 1: to do this in the past. The most recent was
• 47:49
  Speaker 1: Jamie Fox, who actually had landed the rights for a
• 47:51
  Speaker 1: limited series back in twenty sixteen, but there's been no
• 47:54
  Speaker 1: movement on that. So now it looks like doctor Dre
• 47:56
  Speaker 1: is going to be the person that's spearheading this. I
• 47:59
  Speaker 1: wonder if Ants can make another biopic about an artist
• 48:01
  Speaker 1: without being biased, because he can, because when you do biopics,
• 48:04
  Speaker 1: you have to do the good, the bad, and the
• 48:06
  Speaker 1: ugly of a person, and that's something that could be
• 48:08
  Speaker 1: hard to do if you are indeed a fan of
• 48:11
  Speaker 1: said person, it's not your friend. Well, I think the
• 48:14
  Speaker 1: most important thing is to work with like the family
• 48:16
  Speaker 1: and people that actually knew the person so that you
• 48:19
  Speaker 1: can get real inside information. So he can do that.
• 48:22
  Speaker 1: I think that's really helpful to have people that actually
• 48:25
  Speaker 1: knew the person or interacted with him tell their stories,
• 48:27
  Speaker 1: because that's something Drey didn't even do for himself, by
• 48:29
  Speaker 1: the way, and create out a company he didn't tell
• 48:30
  Speaker 1: the good de bat and the ugly. I do think
• 48:33
  Speaker 1: it's hardy to do it for yourself. He made himself
• 48:35
  Speaker 1: look like a full blown superhero and create out of
• 48:37
  Speaker 1: companies he did, but I guess he has other business
• 48:40
  Speaker 1: that he don't want some of that stuff to be
• 48:41
  Speaker 1: to recirculates. Even if you look at a movie like Notorious,
• 48:45
  Speaker 1: how Diddy was portrayed in that movie because he worked
• 48:47
  Speaker 1: on that. Also, that wasn't the good the bad and
• 48:49
  Speaker 1: that either No, it wasn't, but I mean it wasn't
• 48:52
  Speaker 1: really about Diddy though. Yeah, but he was a big
• 48:54
  Speaker 1: part of Biggie like getting discovered, and he was in
• 48:57
  Speaker 1: it a lot. So all right now let's talk about
• 49:00
  Speaker 1: Red Table Tuck. I know you guys loved that show.
• 49:02
  Speaker 1: Jay to Pickett Smith and her daughter and her mom. Well,
• 49:05
  Speaker 1: on Monday's episode, she had EJ. Johnson and Cookie Johnson
• 49:11
  Speaker 1: there and they talked about EJ first coming out about
• 49:14
  Speaker 1: his sexuality. Hawaii check Out what happened. The very next day,
• 49:20
  Speaker 1: he went to your room, you do it and just
• 49:24
  Speaker 1: was like, we're gonna get through this, and you know,
• 49:27
  Speaker 1: I just need time, and then we both just kind
• 49:30
  Speaker 1: of started crying a little bit. Then I moved to
• 49:33
  Speaker 1: New York to go to college, and when he came
• 49:35
  Speaker 1: back to visit, he picked me up for dinner and
• 49:37
  Speaker 1: he was like, you know, like if I have you're
• 49:39
  Speaker 1: here where we love you. I went, you know, I'm
• 49:41
  Speaker 1: just like whatever, I hug you dad and whatever. But
• 49:43
  Speaker 1: he hugged me so hard he almost like broke my back.
• 49:47
  Speaker 1: And at that point I was like, we're gonna be okay.
• 49:50
  Speaker 1: I love e J. Johnson. I've had the pleasure of
• 49:53
  Speaker 1: meeting EJ a couple of times. I saw EJ on Saturday.
• 49:55
  Speaker 1: I get excited when I see EJ. Okay excited. EJ
• 49:58
  Speaker 1: is six foot eight and chiseled. EJ will whip somebody's ass,
• 50:02
  Speaker 1: all right, Only whenever I see EJ. The only disappointment
• 50:05
  Speaker 1: I have he didn't like the best dressed he is.
• 50:08
  Speaker 1: But the only disappointment I have in the fact we
• 50:10
  Speaker 1: would never see him play basketball. We don't know if
• 50:13
  Speaker 1: EJ can play ball, and that you're not much joy
• 50:15
  Speaker 1: urban magic. Johnson has brought the people on that court.
• 50:17
  Speaker 1: We don't know if EJ has skills on that court.
• 50:20
  Speaker 1: I'm sure Eja. Here's EJ's mom, Cookie Johnson also talking
• 50:24
  Speaker 1: about that experience and how she felt like that conversation
• 50:28
  Speaker 1: had turned hurtful. We had to talk with dad and
• 50:31
  Speaker 1: that was a little tough. My husband is the kind
• 50:32
  Speaker 1: of person like he reacts quickly, so everything that came
• 50:36
  Speaker 1: to the top of his head, he just let it out.
• 50:38
  Speaker 1: And I was like, because it hurt my feelings. I
• 50:40
  Speaker 1: know what party hurt his feelings when he was saying,
• 50:42
  Speaker 1: you know, it's not what I wanted for my son,
• 50:45
  Speaker 1: and do you realize what you're saying because you know
• 50:47
  Speaker 1: the world is not gonna like that, and do you
• 50:49
  Speaker 1: want to live this life? So afterwards, you know, I
• 50:53
  Speaker 1: told him, I said, I thought that was a little tough.
• 50:55
  Speaker 1: You know, you know that wasn't right. Whatever. I'm glad EJ.
• 50:58
  Speaker 1: Johnson exists right. That man makes me happy when I
• 51:02
  Speaker 1: see him now. We talked about John Cena and Nikki Bella.
• 51:05
  Speaker 1: They were supposed to get married and then he wanted
• 51:08
  Speaker 1: to not have kids. He got a vasectomy and now
• 51:11
  Speaker 1: he's willing to reverse that procedure because he wants Nicky
• 51:13
  Speaker 1: Bella back so badly. They had split up and that
• 51:16
  Speaker 1: was because John Cena did not want to ever become
• 51:18
  Speaker 1: a parent, and now he's saying that he does want
• 51:20
  Speaker 1: to marry her once that relationship wants to. Marisey said,
• 51:22
  Speaker 1: I will give you a child, I will sacrifice, and
• 51:25
  Speaker 1: he will undo that for sectomy in order to get
• 51:27
  Speaker 1: his girl back. Pipe is just that easy, I can really, Okay,
• 51:32
  Speaker 1: So that's good for them all right. Lauren Hill, her
• 51:34
  Speaker 1: Miss Education tour is going down and starts July fifth
• 51:37
  Speaker 1: at Virginia Beach, and she's going to have a whole
• 51:40
  Speaker 1: lot of openers on that tour. She's celebrating the twentieth
• 51:42
  Speaker 1: anniversary of that legendary album, The Miseducation of Lauren Hill.
• 51:46
  Speaker 1: Some of the people that will be on that tour
• 51:47
  Speaker 1: include Nas and my A, my best Friend, Santy Gold, Asat,
• 51:51
  Speaker 1: Rocky sis A, Big Boy, de La Soul, Bust of Rhymes,
• 51:54
  Speaker 1: amongst others. So there'll be a whole lot of people
• 51:57
  Speaker 1: joining her as well. It was an amazing how Lauren
• 51:59
  Speaker 1: Hill has created a timeless body of work that she
• 52:02
  Speaker 1: has been eaten off for how many years now? It's
• 52:04
  Speaker 1: been twenty years, that's all. Yeah. If that album's a
• 52:07
  Speaker 1: classic album, I was ninety eight. Yeah, absolutely, because you
• 52:11
  Speaker 1: gotta think there was Fuji's albums first and then she
• 52:14
  Speaker 1: did Miss Education. So other people that will be joining
• 52:16
  Speaker 1: her till quality, Dave E's, Dave Chappelle, a whole lot
• 52:19
  Speaker 1: of things going on. So if you guys want to
• 52:21
  Speaker 1: go and see that classic album, make sure, yeah go
• 52:24
  Speaker 1: check out Lauren Hill. All right, I'm manage la yee
• 52:26
  Speaker 1: and that is your rumor report. All right, thank you,
• 52:28
  Speaker 1: miss Charle Yes, sir, who you're giving that? Donkey? Man,
• 52:31
  Speaker 1: I have to take it to my neck of the woods, Charleston,
• 52:34
  Speaker 1: South Carolina. I need a young brother named le Roy
• 52:36
  Speaker 1: Joe Small to come to the front of the congregation. Man.
• 52:39
  Speaker 1: Always remember in life, preparation is key, le Roy. If
• 52:42
  Speaker 1: you stay ready, you don't got to get ready. Okay,
• 52:44
  Speaker 1: you know most Leroy is a little crazy. That is
• 52:46
  Speaker 1: a fact, all right. For Bruce le Roy, he was amazing.
• 52:49
  Speaker 1: We'll get into he was a fake person. We'll get into.
• 52:51
  Speaker 1: Donkey to day up next. Keep a lot to the
• 52:53
  Speaker 1: breakless locomotives. I was going to Donkey a Donkey breakfast club. Yes,
• 53:13
  Speaker 1: don't here today for Wednesday, June twenty if goes to
• 53:16
  Speaker 1: a twenty year old man named Leroy Joe Small. Now
• 53:18
  Speaker 1: Leroy is from my neck of the woods, South Carolina,
• 53:21
  Speaker 1: the low Country, North Charleston, to be exact, dropped one
• 53:23
  Speaker 1: of clues bombs for the eight four three. Damn it,
• 53:26
  Speaker 1: let me tell you something. Man, with all the heavy
• 53:28
  Speaker 1: stuff going on in the world, sometimes you just have
• 53:30
  Speaker 1: to take a break and go seek out a laugh
• 53:31
  Speaker 1: just to keep from crying. And Leroy Joe Small has
• 53:34
  Speaker 1: created some comedy for me to smarn and see. I
• 53:36
  Speaker 1: always say life is a movie. Some of us are
• 53:39
  Speaker 1: living a drama. Some of us are living a tragedy.
• 53:41
  Speaker 1: Some of us are living a romantic film. Some of
• 53:43
  Speaker 1: us an action thrillers, some of us are crime films.
• 53:46
  Speaker 1: Some of us just a full blown comedy. Okay, if
• 53:49
  Speaker 1: you are living a great life, you will probably have
• 53:50
  Speaker 1: a mixture of all those different film genres and in
• 53:53
  Speaker 1: your existence. But Leroy Small has provided us one of
• 53:55
  Speaker 1: the greatest comedic scenes I've heard about in a long time.
• 53:58
  Speaker 1: See Leroy. On Tuesday was charged with failure to stop
• 54:01
  Speaker 1: for blue lights, simple offense, right okay. A lot of
• 54:04
  Speaker 1: people have led police on high speed chases before, a
• 54:06
  Speaker 1: lot of people have hit the gas to shake the police.
• 54:09
  Speaker 1: Right now, let me fake the scene. And shortly after
• 54:11
  Speaker 1: midnight in North Charleston, Okay, police were in the area
• 54:14
  Speaker 1: of King and Romney Street when they stopped the car
• 54:16
  Speaker 1: for a traffic violation. One of the officers said he
• 54:18
  Speaker 1: saw the passenger of the car making movements toward the
• 54:22
  Speaker 1: rear passenger seats. Round of applause to the North Charleston
• 54:24
  Speaker 1: police for not shooting and killing this foolish young man
• 54:27
  Speaker 1: who clearly has not gotten the mimmle to not make
• 54:29
  Speaker 1: any sudden moves around police officers in this climate now,
• 54:32
  Speaker 1: according to a report, when the officer asked the passenger
• 54:35
  Speaker 1: and the driver to get out, this happened a North
• 54:38
  Speaker 1: Charleston man facing the chargers to night after police say
• 54:41
  Speaker 1: he tried to speed away from officers one thing though
• 54:44
  Speaker 1: his car was in park. Twenty year old Leroy Small
• 54:47
  Speaker 1: was arrested and charged with failure to stop the blue lights.
• 54:50
  Speaker 1: Police say just after midnight, officers pulled them over for
• 54:53
  Speaker 1: a traffic stop. When they asked them to get out
• 54:56
  Speaker 1: officers say small looked directly at them, then pressed out
• 55:00
  Speaker 1: on the gas pedal again. The car was in part,
• 55:02
  Speaker 1: police say. Smallest then put the car and drive and
• 55:05
  Speaker 1: then drove down King Street. He was eventually stopped at
• 55:08
  Speaker 1: clementson Sprul Avenue is. According to police, it was given
• 55:11
  Speaker 1: a ten thousand dollars bond. Bro this is like the
• 55:14
  Speaker 1: road run, a yelling beat beat before he runs off,
• 55:16
  Speaker 1: but forgetting he had no legs. Okay. This is like
• 55:19
  Speaker 1: shooting a jump shot and turning around, throwing your hands
• 55:21
  Speaker 1: in the air like it went in and not even
• 55:22
  Speaker 1: realizing that you shot an airball. This is like performing
• 55:25
  Speaker 1: on stage and then running the stage dive and nobody
• 55:27
  Speaker 1: catches you and your ass just hits the floor. What
• 55:30
  Speaker 1: it's so interesting about this situation is that he just
• 55:33
  Speaker 1: knew he was about to be out. The fact he
• 55:35
  Speaker 1: looked the cop dead in his eye it's a telltale
• 55:37
  Speaker 1: sign that he thought he had one up on the
• 55:39
  Speaker 1: police and he was about to get away, but his
• 55:42
  Speaker 1: dumb ass forgot to move that gear shift from P
• 55:45
  Speaker 1: to D. Southwest Airlines I have your new commercial right here.
• 55:49
  Speaker 1: Courtesy at Leroy Joe Smaller, North Chawton, South Carolina. This
• 55:52
  Speaker 1: scene is it? Let's hear it. The officers pulled them
• 55:54
  Speaker 1: over for a traffic stop. When they asked him to
• 55:57
  Speaker 1: get out, officers say, Small looked directly after them, then
• 56:00
  Speaker 1: pressed down on the gas pedal again. The car was
• 56:04
  Speaker 1: in part don't want to get away? Some donkey to
• 56:07
  Speaker 1: days you saw themselves. Please give Leroy Joe Small the
• 56:10
  Speaker 1: sweet signs in the Hamletones fleee oh no you are
• 56:14
  Speaker 1: do gee, oh the do gee oh the day Ye
• 56:29
  Speaker 1: come on North Charleston. You sounded like Florida. Yeah, well
• 56:32
  Speaker 1: that didn't work out all right, Well Charlottagne, thank you
• 56:34
  Speaker 1: so much for that donkey of the day. Yes, and
• 56:37
  Speaker 1: you gotta ask you coming up next right, that's right.
• 56:39
  Speaker 1: Today it's hump day, so you know it's time for asky.
• 56:41
  Speaker 1: So if you have any advice that you might need
• 56:43
  Speaker 1: to get, make sure you call me up one A
• 56:44
  Speaker 1: one hundred and five and five one oh five one
• 56:46
  Speaker 1: and I will help you out. Yep, it's the world
• 56:48
  Speaker 1: most Dangerous morning show to Breakfast Club. Yes, what's up?
• 56:50
  Speaker 1: I'm angela. Ye, it is the Breakfast Club and it's
• 56:52
  Speaker 1: time for ask ye. Now we are going to be
• 56:55
  Speaker 1: taking your cause and I'll give some advice out from
• 56:57
  Speaker 1: my own experiences and for that I seen and what
• 56:59
  Speaker 1: I know. Right now, we have Desiree on the line.
• 57:02
  Speaker 1: What's up, Desiree? Hey, how are you doing good? How
• 57:05
  Speaker 1: are you ye? I just want to say I love
• 57:07
  Speaker 1: you guys. I love the best this club. Okay, thank you.
• 57:09
  Speaker 1: I appreciate you. Desiree. What's your question this morning? I
• 57:13
  Speaker 1: want to know how do you like, not make a
• 57:16
  Speaker 1: man mature but see things your way? Like I want
• 57:19
  Speaker 1: to move to Atlanta and become a lawyer, but my
• 57:22
  Speaker 1: boyfriend is like in this thing where well we gotta
• 57:26
  Speaker 1: kick out. I mean, I understand, we gotta tick out down,
• 57:28
  Speaker 1: but he's like, well, we gotta do this because we
• 57:30
  Speaker 1: gotta do that. But I'm like, we don't really have
• 57:32
  Speaker 1: much time to doing this and doing all that. We
• 57:33
  Speaker 1: need to get ourself together right now and go ahead
• 57:35
  Speaker 1: to move. But he's not. I don't feel like he's
• 57:37
  Speaker 1: really with the move like he's but he's not gonna
• 57:41
  Speaker 1: move to better He's gonna move to party yoursel So
• 57:44
  Speaker 1: you feel like he's just not mature enough. Right now.
• 57:47
  Speaker 1: You have things that you want to do for your
• 57:49
  Speaker 1: career and for yourself for your life and he's not
• 57:51
  Speaker 1: on the same page. Yeah, well, desire, how old are you?
• 57:55
  Speaker 1: I'm twenty five okay, yeah, twenty five years old. Um,
• 57:59
  Speaker 1: And sometimes it it's hard for people to be on
• 58:01
  Speaker 1: the same page when you're in a relationship, and you know,
• 58:03
  Speaker 1: women we do tent to mature a lot faster than men, right,
• 58:06
  Speaker 1: and get it together a lot quicker. I want to
• 58:08
  Speaker 1: say this though, because sometimes I feel like my boyfriend's
• 58:10
  Speaker 1: extremely immature as well in certain ways, and sometimes he
• 58:14
  Speaker 1: does step up to the plate. But I do feel
• 58:17
  Speaker 1: like if there's things that you're really passionate about and
• 58:19
  Speaker 1: that you want to pursue in life, you should make
• 58:21
  Speaker 1: sure that you do those things or you'll have resentment
• 58:23
  Speaker 1: for it. Now, if he decides that he wants to
• 58:26
  Speaker 1: come along and grow up and join you and figure
• 58:30
  Speaker 1: it out, then that's great. If he decides he doesn't
• 58:32
  Speaker 1: want to you when you guys have a long distance
• 58:34
  Speaker 1: relationship while you're pursuing your dreams and your goals, then
• 58:37
  Speaker 1: that could potentially work out also. Or maybe you guys
• 58:40
  Speaker 1: just won't end up being on the same page at all.
• 58:42
  Speaker 1: But I do feel like it's a mistake not to
• 58:45
  Speaker 1: pursue your dreams and the things that you're passionate about. Right,
• 58:48
  Speaker 1: I feel like because I already I already dropped like
• 58:50
  Speaker 1: a card you when I got pretty with my fun
• 58:52
  Speaker 1: and I want to go back now. I want to
• 58:53
  Speaker 1: go back to something more serious so people would take
• 58:55
  Speaker 1: me more serious. And he went to court and he
• 58:58
  Speaker 1: was like, yeah, you could do that. You gotta debate
• 59:00
  Speaker 1: on you could do that. I'm like, yeah, I know
• 59:01
  Speaker 1: I could do that, So what what can I tell
• 59:04
  Speaker 1: him to, like, you know, get him going? Like you
• 59:06
  Speaker 1: need to think that something you need to do, right,
• 59:09
  Speaker 1: and that's hard for people that aren't as self motivated
• 59:11
  Speaker 1: as you are. And maybe you need to give him
• 59:14
  Speaker 1: like that same motivation that he gave you, because he
• 59:16
  Speaker 1: did obviously, um like you just said, support you and
• 59:19
  Speaker 1: actually encourage you to do something that maybe you didn't
• 59:22
  Speaker 1: have the confidence, and maybe he doesn't have the confidence, right,
• 59:24
  Speaker 1: so maybe you maybe you need to brainstorm with him
• 59:27
  Speaker 1: and tell him what you think he's great at and
• 59:29
  Speaker 1: give him that confidence as well. Right right, right, all right,
• 59:33
  Speaker 1: well good luck and again, like you guys could still
• 59:35
  Speaker 1: have a long distance relationship and see how that works.
• 59:38
  Speaker 1: But if there's something that you. I don't think I'm
• 59:40
  Speaker 1: good with the long distance thing. I need to know
• 59:41
  Speaker 1: what you're doing. I can't go like, I'm not type
• 59:44
  Speaker 1: of person like if I don't, if I don't know
• 59:46
  Speaker 1: what you're doing, I'm gonna be mad because I don't
• 59:48
  Speaker 1: know what you're doing. It's sad to say, but right
• 59:51
  Speaker 1: if you don't tech me back, I'm like, oh, who
• 59:53
  Speaker 1: are you're texting? You're not techting me like I'm not tying.
• 59:55
  Speaker 1: You may need to work on that as well. If
• 59:58
  Speaker 1: somebody okay, you may need to know. That's something you
• 1:00:00
  Speaker 1: got to work on within yourself because if he hasn't
• 1:00:02
  Speaker 1: given you any reason to feel that way, you can't
• 1:00:04
  Speaker 1: jump to conclusions all the time. That's not good for
• 1:00:07
  Speaker 1: a relationship either. So work on some things within yourself.
• 1:00:10
  Speaker 1: But just make sure you pursue your dreams and hopefully
• 1:00:12
  Speaker 1: he'll be up for the challenge and support your men
• 1:00:14
  Speaker 1: and encourage him as well. I do that. Thank you
• 1:00:17
  Speaker 1: so much, Thank you so much. Guys. All right, let's
• 1:00:19
  Speaker 1: ask ye one one hundred and five and five one
• 1:00:21
  Speaker 1: or five one call us up. Let me know if
• 1:00:23
  Speaker 1: you need some advice. What's up? Its antelo ye and
• 1:00:25
  Speaker 1: we are in the middle of ask ye where you
• 1:00:27
  Speaker 1: can call me up and ask me for advice about
• 1:00:29
  Speaker 1: absolutely anything. No judgment zone. Right now, we got anonymous
• 1:00:33
  Speaker 1: on the line with your question. So I a hittory
• 1:00:37
  Speaker 1: of rating showed up boy like for my egg for instance,
• 1:00:43
  Speaker 1: he looks good at first when we first started dating,
• 1:00:46
  Speaker 1: we had a job and everything. But when I started
• 1:00:49
  Speaker 1: working getting a better job. Within the si month of
• 1:00:52
  Speaker 1: us bating, I had moved up, started getting a federal job,
• 1:00:56
  Speaker 1: really good money. At an age of twenty one. I'm
• 1:01:00
  Speaker 1: gonna playing my own deal. Good for you. He don't
• 1:01:03
  Speaker 1: want to serve for his job fast boards. Now that
• 1:01:06
  Speaker 1: was back in February, but now I'm single. I knew
• 1:01:10
  Speaker 1: his way for myself. But every guy that puts my way,
• 1:01:13
  Speaker 1: he's don't. He don't have nothing gonna for him. So
• 1:01:16
  Speaker 1: they got a job, but like all they see, Oh
• 1:01:19
  Speaker 1: I can do for myself, maybe she's gonna do for
• 1:01:21
  Speaker 1: me too, you know, right, So I deal. But the
• 1:01:23
  Speaker 1: guy that I deal with on the side decently, he
• 1:01:27
  Speaker 1: got a job, he makes money, got a good job,
• 1:01:32
  Speaker 1: just cash that at Beaver. But when I talk about
• 1:01:35
  Speaker 1: settling down with anybody or anything, he ain't talking about
• 1:01:38
  Speaker 1: it now that he's talking about it. I'm not a
• 1:01:41
  Speaker 1: prospect life what So you've been messing with this guy,
• 1:01:44
  Speaker 1: sleeping with him and everything, But y'all just have a
• 1:01:46
  Speaker 1: casual relationship and he doesn't want to settle down with you.
• 1:01:50
  Speaker 1: But he does want to settle down. Yeah, we talk
• 1:01:54
  Speaker 1: about any everything. We basically have three fomes together everything.
• 1:02:00
  Speaker 1: But I'm not a prospect for you. But we could
• 1:02:02
  Speaker 1: do everything else together. Well, yeah, maybe that's what the
• 1:02:05
  Speaker 1: problem is. The problem is that you're giving him everything
• 1:02:07
  Speaker 1: that he wants, and so he doesn't feel like it's
• 1:02:09
  Speaker 1: a challenge in any way at all. You're having three
• 1:02:12
  Speaker 1: sims with him. He's kind of looking at you. It's
• 1:02:13
  Speaker 1: just a good time girl, and he's being very honest.
• 1:02:17
  Speaker 1: But he's being very honest with you about it. So
• 1:02:18
  Speaker 1: what are you doing to change that? I think? I say,
• 1:02:22
  Speaker 1: we've talked about being together, and I always tell him
• 1:02:25
  Speaker 1: like I would see us being together, but I don't
• 1:02:28
  Speaker 1: want to lose the friendship that we already have because
• 1:02:31
  Speaker 1: I connection is very strong. Like I talked to him
• 1:02:33
  Speaker 1: about the guys that I deal, where he talks to
• 1:02:35
  Speaker 1: me about the girls he's dealing. But at the same
• 1:02:37
  Speaker 1: time if we wanted so, as he could. But on
• 1:02:40
  Speaker 1: my end, I just don't want to lose the friendship
• 1:02:42
  Speaker 1: that we've already, the bond that we've built, and I
• 1:02:45
  Speaker 1: feel like a relationship with the story day. You know
• 1:02:48
  Speaker 1: what's interesting, I've heard guys say that they couldn't be
• 1:02:51
  Speaker 1: with a girl that they've had three sims with. They
• 1:02:52
  Speaker 1: can't picture that person being their wife. And maybe he's
• 1:02:55
  Speaker 1: one of those kinds of guys. Some guys love it,
• 1:02:57
  Speaker 1: and some guys feel like, well, that's not wife material.
• 1:03:00
  Speaker 1: And it really would be up to you to um
• 1:03:02
  Speaker 1: if you pull back on giving him everything that he
• 1:03:05
  Speaker 1: wants and giving him access to you and access to
• 1:03:07
  Speaker 1: you in the bedroom, and access to being your best
• 1:03:09
  Speaker 1: friend and access to everything with no host barred without
• 1:03:12
  Speaker 1: him having to commit. That's what it is. He don't
• 1:03:15
  Speaker 1: feel like he has to be with you because he
• 1:03:17
  Speaker 1: has everything he wants from you. Anyway, he probably feels
• 1:03:20
  Speaker 1: like he could get married to somebody and still be
• 1:03:21
  Speaker 1: with you if he wanted to. Stuff like that, right,
• 1:03:25
  Speaker 1: because you haven't put any boundaries on things, because you're
• 1:03:28
  Speaker 1: just allowing him to do whatever he wants. Everything's on
• 1:03:30
  Speaker 1: his time, and all you're doing is whatever he pleases.
• 1:03:33
  Speaker 1: So if you still want to be friends with him,
• 1:03:35
  Speaker 1: then you need to cut doing all those things out.
• 1:03:37
  Speaker 1: The only way he'll miss something is if he doesn't
• 1:03:39
  Speaker 1: have it. All right, thank you, all right, and I
• 1:03:45
  Speaker 1: list service, Charlmagne. I listen to idiots. I love all y'all. Indy,
• 1:03:52
  Speaker 1: y'all need a show, so oh yeah, they get they
• 1:03:54
  Speaker 1: have a show coming to Bravo. So don't you worry.
• 1:03:57
  Speaker 1: I don't be watching me. So yeah, but thank you,
• 1:04:00
  Speaker 1: thank you, ann appreciate you. That's asking. You can call
• 1:04:03
  Speaker 1: us every every what time we do this eight o'clock,
• 1:04:06
  Speaker 1: It depends on when come on, Charlomagne. We know we
• 1:04:10
  Speaker 1: just ran out the room, but that doesn't mean we
• 1:04:12
  Speaker 1: don't know how to do this every day for the
• 1:04:13
  Speaker 1: past seven year. Whenever we tell you to call for asking,
• 1:04:15
  Speaker 1: you just call. Okay, one five and five, one oh
• 1:04:18
  Speaker 1: five one. We got rumor report coming up here. Yes,
• 1:04:21
  Speaker 1: we'll be talking about vaginas. I know that's exciting. Yes,
• 1:04:24
  Speaker 1: it always is a pleasure to talk about vaginas. All right,
• 1:04:26
  Speaker 1: Calm down, Charlomagne. Um, we're talking about boot booms. When
• 1:04:30
  Speaker 1: we come back. It's listen. Oh, Goshu reports report breakfast
• 1:04:41
  Speaker 1: club Fritzy Teague and recently posted herself actually getting up
• 1:04:44
  Speaker 1: a j show. What is that? Well, but it's a
• 1:04:49
  Speaker 1: vaginal steaming. So she was wearing a face mask and
• 1:04:51
  Speaker 1: she had a heating pad and it was a spy moment.
• 1:04:54
  Speaker 1: She put up mask, heat pad, vagina steam. No, I
• 1:04:57
  Speaker 1: don't know if any of this works, but it can't hurt, right,
• 1:04:59
  Speaker 1: So a lot of people have been talking about this
• 1:05:01
  Speaker 1: vagina steaming. You're baking your poem poem a little bit. Yeah,
• 1:05:04
  Speaker 1: basically you kind of little grill poem cover over a
• 1:05:07
  Speaker 1: steamed blend of dried herbs, grow that fish, including mugwork,
• 1:05:11
  Speaker 1: and that can help you manage PMS symptoms, uter and cramping,
• 1:05:14
  Speaker 1: fertility and menopause symptoms as well. So a lot of
• 1:05:18
  Speaker 1: spies actually do vagina steaming, but according to health experts,
• 1:05:21
  Speaker 1: there is no real benefits too. To be honest with you,
• 1:05:23
  Speaker 1: it sounds like it's no real benefits. That's all mine, treas.
• 1:05:26
  Speaker 1: It sounds like a hot shower. I'm gonna steam your
• 1:05:27
  Speaker 1: vagina exactly. I'm a steam your vagina and tell you
• 1:05:29
  Speaker 1: that it does all these things for you, like a
• 1:05:31
  Speaker 1: warm shower. Yes, one expert actually says that overheating can
• 1:05:34
  Speaker 1: promote an overgrowth of unhealthy bugs and yeast infections. And
• 1:05:38
  Speaker 1: they did say that after having a baby, your vagina
• 1:05:41
  Speaker 1: undergoes profound change just to prepare for birth, but also
• 1:05:44
  Speaker 1: to help it heal afterward, and steaming won't change that.
• 1:05:46
  Speaker 1: And in no way can the steam get to your
• 1:05:48
  Speaker 1: uterus or other pelvic pelvic organ What if you got
• 1:05:51
  Speaker 1: a really bad yeast infection and you steam it a lot,
• 1:05:53
  Speaker 1: and then one day a loafer bridge just comes out
• 1:05:55
  Speaker 1: of your vagina. That doesn't work like a bunch of
• 1:05:59
  Speaker 1: yeast roll all right. Well. Jada Pinkett Smith, also on
• 1:06:03
  Speaker 1: Red Table Talk, was actually talking about things that she
• 1:06:06
  Speaker 1: had to do for her vagina. She said she underwent
• 1:06:09
  Speaker 1: this treatment a vaginal rejuvenation, after suffering from bladder problems.
• 1:06:13
  Speaker 1: Check it out. I can't definitely feel that. I mean,
• 1:06:17
  Speaker 1: when I tell you that I have manui is like
• 1:06:19
  Speaker 1: a sixteen year old. I'm not kidding. So it's a
• 1:06:23
  Speaker 1: technique where they introduce heat which stimulates cellular turnover, which
• 1:06:26
  Speaker 1: makes you feel younger again. It gets you tight, get
• 1:06:29
  Speaker 1: you nice. Yeah, but at least say the vagina is eighteen.
• 1:06:31
  Speaker 1: At least make the vagina of age. Don't say the
• 1:06:33
  Speaker 1: vagina feel like a sixteen year old. My god, Yeah,
• 1:06:36
  Speaker 1: that sounds pretty Come on, man, say eighteen next time? Yes,
• 1:06:40
  Speaker 1: all right. Michael Jackson, there's a Michael Jackson musical that's
• 1:06:43
  Speaker 1: going to be coming to Broadway. Are you excited about that?
• 1:06:45
  Speaker 1: That's going to be happening in twenty twenty. Right now,
• 1:06:48
  Speaker 1: it's untitled, but they're gonna actually have that on Broadway.
• 1:06:52
  Speaker 1: I think I would go check that out. No, Michael
• 1:06:54
  Speaker 1: Jackson musical coming in my way. I don't have to
• 1:06:58
  Speaker 1: wait to review see if it's good, all right. And
• 1:07:01
  Speaker 1: Farrell is teaming with Blackish creator Kenya Barris. He's going
• 1:07:04
  Speaker 1: to be doing a musical about Juneteenth, which is the
• 1:07:07
  Speaker 1: holiday that celebrates the abolition of slavery. So Kenya Barris
• 1:07:11
  Speaker 1: is going to do this like an opera slash musical,
• 1:07:14
  Speaker 1: and Farrell is going to write, compose, and produce the music.
• 1:07:17
  Speaker 1: So yeah, there you go. That's all your different musicals.
• 1:07:21
  Speaker 1: Are you interested in that? No? No, I'm happy for them,
• 1:07:24
  Speaker 1: but I'm not interested, all right. And in other news,
• 1:07:28
  Speaker 1: black China is single again. According to her, I guess
• 1:07:31
  Speaker 1: former boyfriend, ex boyfriend why being almighty j He posted
• 1:07:34
  Speaker 1: black China and I and he added her are no
• 1:07:37
  Speaker 1: longer together, so we don't know what could have potentially happened,
• 1:07:39
  Speaker 1: but now they are split up. She's thirty years old,
• 1:07:42
  Speaker 1: he's eighteen years old. So the two of them, I guess,
• 1:07:44
  Speaker 1: are back on the black. He was young, right, he's
• 1:07:46
  Speaker 1: like I just said, he's eighteen eighteen. I would like
• 1:07:49
  Speaker 1: to add to that. I would be interested in the
• 1:07:50
  Speaker 1: Kenya Barras June Team thing. I just don't know if
• 1:07:52
  Speaker 1: I want to see in the musical. You know what
• 1:07:54
  Speaker 1: I'm saying. With Farrell doing all the music, I don't
• 1:07:57
  Speaker 1: know if I want to see that in the musical.
• 1:07:58
  Speaker 1: I don't know, like a b because you know, if
• 1:08:01
  Speaker 1: you know what Junie Team fits June teams when you
• 1:08:04
  Speaker 1: know when all the slaves were free from from Texas
• 1:08:07
  Speaker 1: and the Confederate South, if I'm not mistaken, and it's
• 1:08:11
  Speaker 1: just like I can just imagine how that'll be, like
• 1:08:14
  Speaker 1: you know what I mean, just a bunch of it'll
• 1:08:15
  Speaker 1: be like a bunch of happy free I'm free slave songs,
• 1:08:18
  Speaker 1: like I know what it's going to be. Yeah, I mean,
• 1:08:20
  Speaker 1: I'm eventually happens much of slave singing. I'm happy, you know, man,
• 1:08:26
  Speaker 1: you know that's what it's gonna be. I don't think so, huh.
• 1:08:30
  Speaker 1: I'll give it a chance. All right. I'm Angela Yee
• 1:08:32
  Speaker 1: and that is your rumor report. All right, thank you,
• 1:08:35
  Speaker 1: miss Yee. Now I shout out to revote. We'll see
• 1:08:37
  Speaker 1: you guys tomorrow. Everybody else to People's Choice Mixes Up Next,
• 1:08:41
  Speaker 1: get your requested at DJ Envy and I'll get your
• 1:08:44
  Speaker 1: joints for us to Breakfast Club. Good morning,