Latest / What's Your (Least) Favorite Scary Movie? / #290: The Texas Chainsaw Massacre: The Beginning (2006)

Transcript

#290: The Texas Chainsaw Massacre: The Beginning (2006) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello. What's your least favorite scary
• 0:08
  movie? Mama, hold Uncle Monty 'cause he
• 0:14
  ain't going to like this. Oh girl, what's your least
• 0:17
  favorite scary? Movie, The podcast where we talk
• 0:19
  about the good, the bad, the ugly and the absurd and all of
• 0:22
  her favorite. And the least favorite scary
• 0:24
  movies? Because we believe every horror
• 0:25
  movie rifely has its fan base. Even if we don't always get.
• 0:28
  It my name's Travis. And Jesse, and we're going back
• 0:31
  to Texas. Yeah, yeah, Texas.
• 0:34
  So we are talking about the Texas Chainsaw Massacre, the
• 0:38
  beginning. But before that, do we have poll
• 0:41
  results? We sure do.
• 0:43
  So last week we talked about Pearl, another Texas movie
• 0:47
  indeed. And we just wanted to ask
• 0:49
  everybody, does Pearl have The X Factor?
• 0:53
  Is she a star? So yeah, you guys say yeah.
• 0:58
  I mean 89% of people say yes, but 11% say no.
• 1:01
  I think that we may have had that one old judge man Yeah, be
• 1:05
  in the poll for. This week not you do not have
• 1:09
  The X Factor. She's not blonde.
• 1:10
  Yeah, I ain't blonde. I mean that that's The X Factor
• 1:14
  for that guy. You know, sometimes the solid
• 1:15
  is. Sometimes.
• 1:17
  All right, all right, so that's it.
• 1:18
  I guess we're going to go on to text Chainsaw Massacre.
• 1:20
  The Beginning. Yeah.
• 1:22
  Yeah. So it premiered October 6th,
• 1:25
  2006. We watched it on our DVD.
• 1:27
  We actually have the unrated version of it, so we watched
• 1:30
  that version, obviously. Some slight differences, yeah,
• 1:34
  it's not as drastic as the ruins, but there's some
• 1:37
  differences that we'll probably end up talking.
• 1:39
  About like Dean does, 20 push ups instead of 10.
• 1:42
  I mean, yeah, like that's pretty big, dude.
• 1:46
  I like the thing because we don't even see all of the push
• 1:48
  ups, we just hear the difference accounting.
• 1:50
  So that just means that they reshot the scene to say, 10 push
• 1:53
  ups. I just imagine like they pass
• 1:54
  the notes, like the studios, like 20 is a little too much.
• 1:58
  That's excessive. Come on guys, we're still going
• 2:01
  for family friendly here. If you don't own this, you can
• 2:05
  rent it on YouTube, Google TV, Prime, Apple TV or Fandink.
• 2:11
  Went home. Listen, I discovered Google TV
• 2:14
  was the thing this morning. I'm still processing it.
• 2:17
  Yeah. Written by Sheldon Turner and
• 2:19
  David J Show, directed by Jonathan Liebesman, music by
• 2:22
  Steve Jablonski, and special effects makeup by KNB.
• 2:27
  Buddies, Yeah. Yeah, Starring Jordana Brewster
• 2:31
  as Chrissy Taylor Hanley as Dean, Diora Baird as Bailey,
• 2:35
  Matt Bomer as Eric Arlie, Ernie as Uncle Charlie and then
• 2:40
  Sheriff Wheat, Andrew Bernarski as Thomas Hewitt, AKA
• 2:44
  Leatherface, and Marietta Marriage as like, Luda Mae.
• 2:47
  OK, yeah, that's quite a cast right there.
• 2:50
  Indeed it is I'm. Happy we have Mia.
• 2:52
  Yeah, it was actually really exciting to see her.
• 2:56
  While we're on the topic of Fast and Furious, the day that we're
• 2:59
  recording this is in fact Statham's and Helen Mirren's
• 3:03
  birthday, so we're going to have to celebrate appropriately.
• 3:06
  So go watch one of those movies. Yeah, watch one of the latter
• 3:09
  Fast and Furious movies. Probably 7.
• 3:11
  Probably 7. James One.
• 3:14
  OK, it's time for our favorite game.
• 3:17
  Budget or budget? I took a pause because you were
• 3:22
  drinking your coffee. Thank you.
• 3:24
  I am going to say bug Ted. OK, now I know you were like
• 3:29
  listening to some of the special features with me and you heard
• 3:32
  them say the first one was 9 million.
• 3:33
  So I see that's where your brain was going.
• 3:35
  But they got 16,000,000 for. Whoa, OK.
• 3:39
  I thought maybe they're like, you know what?
• 3:40
  We made such a big profit, let's just actually have our budget.
• 3:44
  Yeah. I guess usually the mindset for
• 3:46
  this type of thing. Not with Michael Bay.
• 3:48
  I'm glad they gave him more. Yeah, that's good.
• 3:50
  Opening box office of 19 million in a worldwide gross of 51
• 3:53
  million. Underperformed compared to the
• 3:55
  last. Yeah, current IMDb score is a
• 3:59
  5.8 out of 10. OK, now I kind of let you in on
• 4:03
  this beforehand, but our 3 movies from 2006, we've talked
• 4:07
  about every single one of them on the show.
• 4:08
  Good. So if you guys want to hear our
• 4:10
  opinions on any of these, you can.
• 4:13
  Some of them are very, very early episodes, like our old
• 4:16
  apartment episodes. Oh no, beware.
• 4:20
  But I do have a good theme for them all.
• 4:24
  It's a family affair. A family affair.
• 4:26
  So it's all family shit, yeah. OK.
• 4:28
  So the first one, way back when we were still in I think maybe
• 4:32
  even single digits of movies hatchet.
• 4:35
  Oh boy. Yeah, Hatchet was.
• 4:37
  Yeah, it was in the first tin. Yeah, so that actually it didn't
• 4:41
  have its wide release until 2009, but it premiered at the
• 4:43
  Tribeca Film Festival on April 27th, 2006.
• 4:47
  Cool. OK.
• 4:48
  It had a budget of 1.5 million and grossed 208,000.
• 4:53
  IMDb score 5.7 out of 10. I like, I like that series.
• 4:57
  Yeah, I love the hatchet movies. Honestly, the first one is my
• 5:00
  least favorite series. Yeah, we've talked about this.
• 5:04
  My opinion hasn't changed. The first one really blew me
• 5:06
  away, like I was really shocked. And then I mean the rest of
• 5:10
  them, it's really good. We need to, we need to cover the
• 5:13
  rest of them. We've taken too long.
• 5:14
  To bring them that I know, yeah. OK, second movie.
• 5:17
  It's all three. Yeah, yeah, baby.
• 5:21
  Wait. Oh yeah, Family is involved in
• 5:24
  that, huh? That was the that was the whole
• 5:26
  trap was we find out at the end like oh, their husband and wife.
• 5:29
  Yeah. That premiered October 27th,
• 5:34
  2006. Budget of 10 million worldwide
• 5:37
  gross of 164,000,000. IMDb 6.2 out of 10.
• 5:42
  Yeah, that's a really good one. I like them.
• 5:44
  And the third one, Black Christmas.
• 5:48
  Oh yeah man fuck yeah, I love that movie too.
• 5:51
  That released December 25th, 2006.
• 5:55
  Budget of 9 million worldwide gross of 21 million IODB 4.7.
• 6:01
  That's fucking rude. How 4.7 for that?
• 6:05
  A lot of people hate it. I don't understand why people
• 6:09
  hate that movie. I think people are just
• 6:11
  conditioned. To hate remakes.
• 6:12
  Sometimes, you know what I mean? I think you just have to embrace
• 6:14
  that one for what it is, yeah. I like the movie. 2006 fucking
• 6:18
  kicked ass. That's a good year for horror.
• 6:21
  OK, I got some tag lines. The one on the poster.
• 6:25
  Witness the birth of fear. Witness me.
• 6:28
  If you would like to hear it in German, it's later they gave
• 6:32
  birth to their angst. That me I can't repeat that.
• 6:41
  Every legend has a beginning. OK.
• 6:47
  The only thing more shocking than how it ended is how it all
• 6:50
  began. OK, Yeah, that's those are it.
• 6:55
  Those are our tag lights. Those are OK They're they're not
• 6:58
  anything special. Yeah, yeah, I especially because
• 7:03
  like they really leaned in on the birth thing, but like, the
• 7:09
  birth is even before the opening credits.
• 7:12
  Yeah, it's over then. He's just a grown man.
• 7:14
  To their credit, it was pretty upsetting.
• 7:16
  It was it. Was that may be the most
• 7:18
  upsetting part of this whole thing.
• 7:21
  It was, Yeah. OK, I've got some fun facts if
• 7:24
  you're ready. Very much.
• 7:26
  So the producers of the 2003 Texas Chainsaw Massacre remake,
• 7:30
  they're very happy with the remake.
• 7:31
  They didn't want to do another cuz they're like, we did what we
• 7:33
  set out to do. We're happy with it.
• 7:36
  But a lot of people kept asking about the family, saying the
• 7:38
  family seemed interesting. They want to know how things got
• 7:40
  to be a certain way. And it kind of got that bug in
• 7:43
  their head and they're like, what if we explore this?
• 7:45
  So, you know, they went to the company and they're like, hey,
• 7:48
  is there something here with this?
• 7:50
  Why are people always so fucking obsessed with the family?
• 7:54
  I get it kind of. I think it's I think it's the
• 7:58
  casting in this one specifically like Arlie Ermey and Marietta
• 8:01
  marriage. They're both really good.
• 8:04
  Yeah. Wait, wait, is that that's Mom,
• 8:06
  right? Yeah, yeah, yeah, I get it.
• 8:09
  But like, I don't know, you know what I mean?
• 8:11
  Yeah. Like, not enough to, like, ask
• 8:13
  for like a whole prequel, like, but tell me about the family,
• 8:15
  you know? Like I just don't understand
• 8:17
  that part. This the director for this one,
• 8:21
  Jonathan Liebesman. They actually had him on their
• 8:25
  shortlist to direct the 2003 movie, but he had already been
• 8:28
  contracted to direct Darkness Falls, which apparently he hated
• 8:32
  that experience so much he almost quit the business.
• 8:34
  Overheard that. Yeah.
• 8:36
  Michael Bay was a pretty cool guy for that right there.
• 8:39
  He's like, you know what? I want you to do this so you
• 8:41
  don't hate making movies anymore.
• 8:43
  I don't want to kill your passion.
• 8:44
  Yeah. So he came in, he did it.
• 8:47
  He actually he watched a lot of the O3 dailies to kind of like
• 8:50
  match the feeling of the of the last one cuz he wanted them to
• 8:53
  feel cohesive but he also didn't really copy it directly.
• 8:56
  So he tried to match the feeling but brought in his own style.
• 8:59
  Like he loves to shoot from a downward angle to make things
• 9:01
  more ominous. Yeah, that's very clear.
• 9:05
  Yeah, they wanted to cast like breakout stars, Jordana,
• 9:09
  Jordana. Jordana was the first one cast.
• 9:13
  They thought she would be good for that, like final character
• 9:15
  type of girl. Yeah, they cast Taylor Hanley
• 9:19
  like straight off of his audition.
• 9:21
  They just, they saw his audition.
• 9:22
  It blew them away. And they're like, all right,
• 9:24
  we're casting him. He was pretty solid.
• 9:27
  Yeah. And they they had such a hard
• 9:28
  time shooting casting Eric after that because they needed
• 9:31
  somebody who could be rootable, but also like, you know, was
• 9:35
  like this soldier boy at the same time, but also was looked
• 9:39
  related to Dean. So they had a little bit of a
• 9:43
  hard time in that one to cast that.
• 9:45
  They actually had a bunch of actors come in and read with
• 9:47
  Jordana to see what their chemistry would be like.
• 9:50
  That's important, too. Yeah, they used the same house,
• 9:54
  the same Hewitt house for this shoot, but they actually used a
• 9:57
  different basement cuz the basement wasn't working for
• 9:59
  them. They went to an empty cotton gin
• 10:01
  and then they had the set decorate it.
• 10:03
  Have you ever wondered or questioned yourself, they're in
• 10:07
  such a poor place? How did they afford a fucking
• 10:09
  mansion? They were not making that kind
• 10:12
  of money at the slaughterhouse. I don't know, it's, you know,
• 10:16
  like on House Hunters where it's like they're both part time
• 10:19
  workers and their budget's like $1,000,000 and it's like, OK.
• 10:23
  Yeah. That's them.
• 10:24
  That's just you. It's yeah.
• 10:26
  And who's going to collect the dead?
• 10:27
  Nobody fucking lives there. Speaking of set dressing, the
• 10:30
  meat plant was just like this empty building they found didn't
• 10:33
  even have walls, so they just made that.
• 10:35
  Yeah. Wow, that's impressive.
• 10:36
  Yeah, they had to make it. And they had to make it in like
• 10:38
  stages too, because they had to do it for the opening when the
• 10:41
  plant was still active and working, when they, you know,
• 10:43
  when Thomas is born. Then they had to make it for a
• 10:47
  few years later when it's. Condemned.
• 10:50
  Yeah, when it's condemned and then even a few more years after
• 10:53
  that, like they had to really kind of focus on like aging it
• 10:56
  quickly. That's impressive.
• 10:57
  They did a good job. Yeah, that was apparently that's
• 11:00
  where they put a lot of the set decorating into that and also
• 11:03
  into the house because they had those same considerations, like
• 11:05
  we can't have it looking exactly the same as it did in the last
• 11:07
  movie because that movie is 4 is set four years later.
• 11:11
  Yeah, so they, the director of photography, his name was Lucas.
• 11:17
  They called it Lucas Cam when they needed like tracking shots
• 11:20
  that weren't super steady, like they couldn't use the steady Cam
• 11:23
  for it, so it would look too clean.
• 11:24
  So they had Lucas Cam so he'd be like running after the after.
• 11:27
  So, you know, a little bit herky jerky, but I.
• 11:30
  Noticed that I was like, you know what?
• 11:32
  I, I, I see this guy, I can tell this camera movement like I, I
• 11:36
  know what he's doing here. Yeah, Diera Baird said that the
• 11:40
  crowbar scene where she's like pulled out of the truck, that
• 11:43
  was her the most painful one. They shot that one a ton of
• 11:45
  times. Jordana said she got teased for
• 11:48
  her running form because she runs on a treadmill, so she's
• 11:51
  got like, good running form. And they said she was like
• 11:53
  Sherry, it's a fire and she needed to run bad.
• 11:58
  Watch Scream. Yeah, just do what's it does.
• 12:04
  They shot the push up scene like bits and pieces over about six
• 12:08
  or seven days. So it was actually like, what's
• 12:12
  his name? Taylor Hanley was actually
• 12:15
  getting more and more exhausted and tired and everything as they
• 12:17
  were going through the shoot. Wow.
• 12:19
  And having him do those. They did it over that many days.
• 12:21
  Yeah, they put a lot of thought. They're like, do we do 10?
• 12:23
  Do we do 20? What the fuck?
• 12:25
  So much is going on with the pushups, and they actually did
• 12:31
  wrap Matthew's Matt Bomer his face in Syrian rap.
• 12:34
  No fucking way. Yeah.
• 12:36
  That sounds uncomfortable. Yeah, he said that he was like
• 12:39
  doing a bunch of his own stunts. And he kept saying, like, I have
• 12:41
  to assume that these are all safe because, like, he was in
• 12:45
  the truck when it got dropped in the crash scene, and they
• 12:50
  wrapped his face and he's like, I'm actually claustrophobic.
• 12:52
  And our Laramie was like, yeah, no, it's actually kind of scary
• 12:54
  doing it because even if you leave a gap, that's going to
• 12:56
  disappear immediately. Yeah.
• 12:58
  Yeah, you. I mean, you don't fuck around
• 12:59
  with that, right? There, I'm just going to say, I
• 13:01
  don't think Matt Bomer was sag at that point because.
• 13:06
  Yeah, that was fucked up. I can't believe they actually
• 13:09
  did that to him. He seemed excited about it,
• 13:12
  though. He was like, well, it's a little
• 13:13
  scary, but I'm doing it. You know, I mean, I think it
• 13:16
  also just adds to like having Ermi do it like that guy Will.
• 13:19
  He sounded awesome in the behind the scenes stuff but like when
• 13:22
  he's in character he is fucking unhinged and terrifying.
• 13:25
  Yeah, well, and that's that was a lot of the crew, actually.
• 13:28
  It was like he just brings an energy to this that's almost
• 13:31
  frightening. Yeah, yeah.
• 13:33
  They also said the same thing about Andrew Bernarski.
• 13:36
  Like his presence is just so intimidating.
• 13:39
  You know when he puts on the mask he just his leather face.
• 13:42
  Is that the guy that played him in the last one too?
• 13:44
  OK. Yeah.
• 13:46
  So those are my fun facts. I ran out of space on the sheet.
• 13:49
  There's a lot more, like there were like two other featurettes
• 13:53
  I watched and I just didn't have any more space for him.
• 13:55
  Yeah. A lot of like how they did the
• 13:56
  effects on the things, which I guess we can talk a little bit
• 13:58
  about that when we get to those scenes.
• 14:00
  Yeah, yeah. I mean, it's always exciting
• 14:02
  listening to Greg and Nick's talk about how he made a
• 14:04
  prosthetic. He's a master of his craft.
• 14:06
  Yeah, absolutely. So I guess that gives us the the
• 14:11
  segue into talking about our good, bad, ugly and absurd.
• 14:14
  OK, cool. Well, so, OK, this movie isn't
• 14:19
  like I don't like as much as most people do.
• 14:21
  Like, you know, I, I, I, I think it's a solid one, but I think a
• 14:25
  lot of people put this one as like one of their top movies in
• 14:27
  the franchise. OK And it's just not like that
• 14:30
  for me. It's OK.
• 14:32
  Like it has some like really good depths.
• 14:34
  And I think it like it's really interesting.
• 14:37
  Like the the group that we follow.
• 14:39
  I like the idea of like it being like a group of like 2 guys that
• 14:41
  are going to be drafted and one of them is going to be a draft
• 14:44
  Dodger. You know, it adds like a little
• 14:46
  bit of like, I don't know, like drama.
• 14:49
  It makes a little bit interesting, you know, seeing
• 14:51
  like everything play out with these people here.
• 14:53
  But yeah, like, you know, like, I don't know, like it's just it,
• 14:57
  it, it's OK. You know, like it, it's not my
• 15:00
  favorite one in the franchise. Like it, it does a lot of
• 15:03
  things. Well, it's just, I don't like, I
• 15:07
  don't know, like I'll, I'll talk a little bit more about some of
• 15:09
  the stuff and the bad that I don't really care for.
• 15:11
  But like, I'm not not like I'm not mad when I watch this.
• 15:15
  It's just, you know, it could have been different.
• 15:18
  OK, I'm not like AI don't think it needed a prequel.
• 15:22
  It's all I'm trying to say. You know, it touched on things I
• 15:26
  didn't really think needed to be touched on.
• 15:29
  OK. So, OK, yeah.
• 15:31
  I liked this one. OK, I am gonna be very real with
• 15:38
  you all, which I've been real throughout this whole franchise
• 15:41
  that I can't tell these movies apart.
• 15:42
  I know I've seen this one, I know I have.
• 15:46
  But literally the only thing I remembered from this movie
• 15:49
  before watching it last night was that the two brothers were
• 15:54
  supposed to be going to Vietnam. One was planning to dodge his
• 15:58
  draft, and then the older one volunteered himself in place of
• 16:02
  his brother. Like when Sheriff Hoyt gets
• 16:05
  there. That's all I remembered about
• 16:07
  this movie. That's tricky too, because that
• 16:09
  can be easily confused with the first one, which like I think
• 16:12
  Dean looks a lot like one of the guys from the first one, like
• 16:18
  the the the 2003 one. Yeah, no.
• 16:20
  And that's that's part of why I get those two mixed up is
• 16:23
  because I'm thinking of like the blonde guy.
• 16:25
  Yeah, that's really what gets me with it.
• 16:28
  But I think I liked this better than the 2003.
• 16:31
  OK, so. You're there with a lot of other
• 16:33
  people on that one. I I guess I get it.
• 16:36
  OK. Why do you like this one more
• 16:37
  though? I well, you know, I've said last
• 16:41
  time that one of the problems that I had with the remake is
• 16:44
  that it wasn't really touching on it wasn't making any kind of
• 16:48
  a commentary, which is what was so like revolutionary about
• 16:52
  what? Not revolutionary, but so like.
• 16:54
  It's key. Yeah, key and long lasting about
• 16:57
  the 1973 Texas Chainsaw. So this one obviously was like
• 17:01
  talking about a few things at once because it's talking about
• 17:03
  the Vietnam War and the different reactions people were
• 17:06
  having to eat across the country.
• 17:08
  And it's also talking about, like, the death of a small town
• 17:10
  when a major business goes away, which is topical and
• 17:14
  unfortunately even now, Yeah, with, you know, the proposed
• 17:18
  Medicaid and Medicare cuts and how that's gonna affect a lot of
• 17:21
  our rural hospitals and just something that is weighing
• 17:25
  heavily on a lot of people right now.
• 17:27
  Yeah, I mean, that's just like the reality for a lot of small
• 17:29
  towns. Yeah.
• 17:30
  Yeah, where I come from, like if they shut down all of the mines,
• 17:33
  like that town's fucked. Yeah.
• 17:35
  Exactly. Like, unless they bring in
• 17:36
  something else like, yeah, that's really, that's the main
• 17:39
  money maker, that's the business, yeah.
• 17:41
  Yeah, exactly. So I think that's just, that's
• 17:43
  such a relevant topic even now. And I think that it's like it
• 17:47
  feels more to the heart of the franchise to have that that
• 17:51
  messaging in there. Yeah, I don't feel like a lot of
• 17:54
  them touch on like big social commentary, but I think some of
• 17:57
  the really good ones too, Yeah, like the first one did for sure.
• 18:00
  I don't think 2 did. No, not as much 3.
• 18:03
  No 3 didn't really touch on anything. 4 No.
• 18:09
  Listen, but I'm thinking back to the original because this was a
• 18:12
  prequel to the remake of the original.
• 18:13
  So that's what I'm. That's the linear.
• 18:16
  I get you, I get you. Progression in my head.
• 18:18
  I also I love pre a human face mask leather face you do.
• 18:25
  He looks like he is the bass player in a sick ass metal band.
• 18:30
  I would. Go watch that.
• 18:32
  He looks like he could be a character in like a fucking
• 18:34
  Mortal Kombat game or something. He's got like the face
• 18:37
  coverings. He'd be like one of the like
• 18:38
  alternate colored scorpions and sub zeros reptile Ermac.
• 18:43
  Except he's big, He's like Blanca, like huge.
• 18:46
  So that's like the character I would pick so.
• 18:49
  I want him in that rope with a. Different, I know that's not I
• 18:51
  know that's not more open with that, but.
• 18:52
  Blanca yeah. Fighting game shit.
• 18:55
  Yeah, yeah. But yeah, I don't know.
• 18:58
  I see. It's OK.
• 19:00
  It was a little bit too much. I got.
• 19:02
  I like the. I like when he puts on faces.
• 19:04
  You know he's a weather face. But I just like, and I told you
• 19:07
  last night, like this origin story for his killing spree in
• 19:10
  this timeline of The Texas Chainsaw, it was reminiscent for
• 19:15
  me of Russell Crowe in Unhinged. Like he just had a really
• 19:18
  fucking bad day and now he's a spree killer like.
• 19:23
  Yeah, yeah. And we all know how I feel about
• 19:26
  Unhinged. Yeah.
• 19:27
  You know, one of the things like they showed a lot of the the
• 19:31
  like renderings of potential faces.
• 19:33
  Yeah. And like how he could have
• 19:35
  looked. And I like some of the alternate
• 19:38
  ones that they didn't go with later or like better.
• 19:41
  I remember they said they didn't want to do it because they
• 19:43
  didn't want to cover up his whole face.
• 19:44
  They wanted to like have part of him there.
• 19:47
  But I think. It's important for when he like
• 19:49
  has that mask dawning moment though, and I think it's kind of
• 19:53
  sweet that he keeps the mask after Uncle Charlie tells him
• 19:56
  that he likes the way it looks. Oh man, I was going to, I'm
• 19:59
  going to talk about that in here in a little bit, but I don't.
• 20:03
  Oh yeah, OK, sure. And then one of my other really
• 20:06
  good points was Taylor Hanley was like 2223 or so when this
• 20:12
  was filming, but he really does look baby faced like an 18 year
• 20:15
  old who's just scared of being called to a war that he doesn't
• 20:18
  really believe in. Like you see him talking about
• 20:21
  it, I'm like, oh sweet child, you were in high school a month
• 20:23
  ago. I feel so bad for you.
• 20:25
  Man, that's a really dark thing, honestly.
• 20:27
  Like he's just talking about like, like this piece of paper
• 20:30
  because I got this piece of paper in the mail.
• 20:32
  Like I'm going to be not to die. It fucking sucks.
• 20:34
  And then he talks about his brother hearing him experience
• 20:37
  like flashbacks and all kinds of shit like that.
• 20:39
  And. Then his brother was re
• 20:41
  enlisting just to go with him so you'd feel safe.
• 20:43
  So sad just to stand on the. Rain, they touched a little bit
• 20:45
  on it too, but they're like, I mean, that's all he knows now.
• 20:47
  Like, you know, he wouldn't probably done that regardless
• 20:50
  honestly. But that also makes that such an
• 20:53
  such a good parallel to the Hewitt family.
• 20:55
  Yeah. Because this is what they know.
• 20:57
  This is them trying to take care of themselves.
• 21:00
  Yeah. I guess that's true.
• 21:01
  Yeah, OK, I guess I'm gonna let you hurt my feelings and tell me
• 21:05
  what you think is bad about this.
• 21:07
  Movie Well, you know what? You felt my feelings about
• 21:09
  plenty of these, so now it's time for the tables to turn
• 21:11
  here. OK, I'm not gonna hurt your
• 21:13
  feelings too bad. I don't hate this movie, OK?
• 21:15
  I just like there, like, I don't like it as much as most people.
• 21:18
  Like, I'm not gonna gush about it, but like, you know, like,
• 21:22
  OK, so first of all, like, I, I think that there's a little bit
• 21:25
  too much Leatherface in the beginning of this movie here.
• 21:27
  You know, like, I feel like you need to have the monster work in
• 21:30
  the shadows a bit. You don't need to familiarize
• 21:32
  yourself with them too much or else he doesn't become scary.
• 21:36
  And I feel like we get a little bit too much of the human side
• 21:40
  of him right out the gate. Hearing him get bullied and his
• 21:43
  mom and uncle standing up for him.
• 21:46
  Well, no, I don't care too much about that.
• 21:48
  But like just seeing him like in the house and he's just like
• 21:52
  kind of sulking in the corner when they're having dinner and
• 21:55
  shit, you know, like, I don't know, like that's not scary.
• 21:59
  Like you're you're trying to make him a little bit more
• 22:00
  sympathetic. And like, I like the way that
• 22:02
  they handled that in the original better when he's just
• 22:05
  like freaking the fuck out that like intruders keep coming into
• 22:07
  his house. That's more relatable to me.
• 22:09
  Like I like that. And that still makes him scary
• 22:12
  in this moment. He's just like, oh man, oh man.
• 22:14
  You know, I just, I don't need that.
• 22:18
  I also don't need to have an explanation for every fucking
• 22:20
  thing about the characters in this movie.
• 22:22
  I don't see them as explanations so much as like a little wink,
• 22:25
  wink, nudge, nudge, like, hey, we're calling this back to the
• 22:28
  2003 in the thing I know. Wanted to explain how every
• 22:32
  thing happened. I know that they said that, but
• 22:35
  that's, I don't see it as like a, oh, we know this is a big
• 22:38
  question for everybody. It's just like I, it's
• 22:42
  unnecessary. Like I get it, Like they do
• 22:45
  this. This is who they are.
• 22:46
  We don't need to know. Like, oh, and This is why he
• 22:48
  wears the face. This is how he washed his teeth.
• 22:50
  I enjoyed watching the guy with his legs.
• 22:53
  That one was one that I actually did care.
• 22:55
  For well, and that part was actually really important to
• 22:57
  understand the family dynamics because Luda Mae is a little bit
• 23:00
  more in control in this one. And she keeps telling that he's
• 23:02
  a dumb dumb. And I think this is him showing
• 23:05
  like, hey, I'm unhinged. We got Big Tommy on my side so I
• 23:10
  can cut off your legs too. Mama, I don't want to do that.
• 23:12
  Look, I OK, and I have things to say about that too.
• 23:16
  So like, I don't like how she's like one second condemning him
• 23:21
  and then one second playing along perfectly fine and like
• 23:24
  going along with it. She's like you, you brought
• 23:26
  these people here. This is a huge mistake.
• 23:28
  How could you do this? You're a fucking idiot.
• 23:29
  And then the next scene, she's over there like cleaning the
• 23:31
  girl, singing through like, oh it's OK baby, you know, like
• 23:34
  what the fuck? Because the tea lady was coming
• 23:37
  over, she needed to be clean for guests.
• 23:38
  But she's going along with it, you know, like she's like, this
• 23:42
  is the worst fucking idea ever. Here we go.
• 23:45
  Like, I'm just going to fucking do it.
• 23:47
  I'm going along with it. But then the next scene again,
• 23:49
  going to scold you again, this is fucking stupid.
• 23:52
  And then back to just like slipping right on into it.
• 23:55
  No problems whatsoever. It's just like she had control
• 23:59
  over him. There was not one part that like
• 24:02
  it suggested that she was afraid of him.
• 24:05
  The other dude, the uncle dude, he is.
• 24:08
  Terrified. Absolutely.
• 24:09
  And they made that clear. But she could have put her foot
• 24:12
  down a little bit harder. I think this is still like a
• 24:14
  traditional family here. They respect the matriarch of
• 24:17
  the house. And I think that if she would
• 24:19
  have like, really done something about it, like really let it be
• 24:23
  known that she was not happy with that, I think they would
• 24:25
  have maybe toned it down a bit, you know?
• 24:29
  OK. I just.
• 24:31
  It's just. Yeah.
• 24:32
  It. Yeah, that we've covered it.
• 24:36
  OK, that's my issues with the movie.
• 24:39
  Mine is that I understand we needed to have an inciting
• 24:42
  incident to them wrecking but really what was the point of the
• 24:46
  bikers? Cuz there's like a whole group
• 24:48
  of them and then all of a sudden it's just two and one of them's
• 24:51
  gonna rob but the other guy wants no part.
• 24:53
  I like I just. I think you needed more bodies.
• 24:55
  You need more people to kill. That was a.
• 24:57
  Yeah, it just, it could have been done a little better for
• 24:59
  me. Yeah, that's the one.
• 25:00
  That's the thing I've always tried to tell you, like that
• 25:03
  makes this movie different. It's like, OK, that's something
• 25:05
  that's different about this movie.
• 25:06
  Bikers so that this is the one with the bikers, but you never
• 25:09
  remember the. Bikers never did remember.
• 25:11
  Through like out most of the movie, at least two of them.
• 25:14
  One of them, yeah, one of them is there for most of the movie.
• 25:17
  Yeah, I don't know. I don't know.
• 25:21
  That's just, I think it's just a little bit, a little bit extra
• 25:24
  that didn't need to be there, OK?
• 25:26
  Or it could have been finessed a little bit better.
• 25:28
  OK, sure. OK.
• 25:29
  Like the only way they really kind of tied it in was like,
• 25:31
  soon this town's just going to be full of bikers and hippies.
• 25:35
  I don't even know, like, do they live there?
• 25:36
  Like they act like this town is like it's just like their sole
• 25:38
  population of them. Their jacket's at El Paso.
• 25:41
  On that. So they're just driving through.
• 25:42
  They're El Pasoing through do. You feel good about that?
• 25:46
  Yeah, yeah. Why do you?
• 25:48
  Feel good about it. OK, you ready to do ugly?
• 25:53
  Well, we get it right out the gate with that scene of Mama
• 25:59
  giving birth to Weatherface. And the boss is like, it's that
• 26:02
  fucking alcohol. I told you that's what happens
• 26:04
  when you drink. Like what?
• 26:06
  And then she just collapses and just like gives birth right
• 26:09
  there on the floor and everybody's just like mad about
• 26:12
  it it. Was such a quick birth.
• 26:13
  It really was, yeah. And yeah, I don't know.
• 26:16
  I just, I thought that that was really disgusting also.
• 26:21
  Yeah, like the whole thing about like, the town just being
• 26:24
  abandoned basically, and all these people having to like, no,
• 26:27
  no, no having to leave. Like, that's like really all
• 26:31
  everybody suggested, like, well, I mean, nobody else is going to
• 26:33
  be here. Like, everything's shut down.
• 26:35
  Like we just got to get the fuck out.
• 26:36
  Of here, Lou Temple says he's the only police officer left and
• 26:40
  he's leaving next week. He shouldn't have said that.
• 26:43
  He shouldn't have. That right there is like, well,
• 26:45
  OK, I guess if I kill you then nobody's going to stop me, you
• 26:48
  know? Yeah, on the other hand, and it
• 26:50
  does show that he's going to be missed somewhere.
• 26:53
  Yeah, I guess that's true. Yeah.
• 26:55
  Yeah, that's true. But people come looking for him.
• 26:57
  Probably not. But yeah, I agree with you.
• 27:00
  I think the town shutting down like that is not cool.
• 27:04
  Yeah. It's like it's ugly in a way
• 27:06
  that's just like dark, you know? Yeah.
• 27:10
  Also the poor little trash baby. I don't feel good about that
• 27:13
  either, baby. Do we think that he also put
• 27:16
  Mama in the dumpster cuz she died?
• 27:18
  Do we think that? I don't mean to be mean, but I
• 27:20
  don't think that they could have put her there.
• 27:23
  That's mean. It's just also realistic.
• 27:26
  But like, what did they? They got rid of the baby?
• 27:28
  What did they do with Mama first?
• 27:31
  Mama birthday. Well, were they eating people
• 27:34
  yet? I don't know, maybe they cut
• 27:37
  her. UP, I don't think the plant
• 27:38
  owners were into that. Maybe, probably not.
• 27:41
  I don't know. I don't know.
• 27:43
  They probably just like they could have just slept her there.
• 27:46
  That's why it's condemned. OK, what's your absurd?
• 27:51
  So one of them is that scene with Mama and her friend there,
• 27:58
  and they have Bailey tied to the table and they're just like
• 28:01
  having this really drawn out conversation about tea and
• 28:04
  chocolate. Iced tea.
• 28:06
  They're so excited about iced tea.
• 28:07
  And then the tea lady goes. You know what else is good?
• 28:11
  Iced coffee. It's the way that they're
• 28:12
  talking to you. Like, do you know what else is
• 28:16
  good? I love.
• 28:17
  That they just brought the tea lady back for this one scene.
• 28:20
  Do you think she's still pinned up to that or like did she ever
• 28:23
  get out? They built around her.
• 28:26
  Yeah. Also, I, I, I love that the
• 28:32
  sheriff is weirdly supportive of Leatherface.
• 28:36
  Like he is such a fucking bad person to everybody else.
• 28:40
  And he says all of these like scores and shit, but then like
• 28:43
  with Leatherface, like he's a little different.
• 28:45
  He's misunderstood. It's.
• 28:46
  Uncle entering which like I hate but there is a part of me that I
• 28:49
  was like if one of my nieces or nephews was getting picked on I
• 28:52
  feel like I'd be pretty mean. Yeah.
• 28:54
  I mean, they're being really mean to him and like they're,
• 28:57
  you know, they're saying really mean things to other face and
• 28:59
  they picked on him, you know, like he's being like he's kind
• 29:02
  of being the dad to him, really. And yeah, I just like it, you
• 29:06
  know, like when he puts the face and I was like, I like the face,
• 29:08
  yeah. Like most people were.
• 29:10
  Just most people he'd be like, that's fucking freaky dude,
• 29:12
  don't wear people's faces. But he's like, good for you,
• 29:15
  man. It took very like, listen,
• 29:18
  Thomas had the only life he'd ever known taken away from him
• 29:22
  with the plant shutting down. Yeah.
• 29:24
  Hoyt. It took nothing to push him over
• 29:27
  the edge. He was waiting for an excuse.
• 29:29
  Yeah, he really was. Yeah.
• 29:32
  And the last thing is when they cut off Uncle's legs.
• 29:37
  I love that they patch him up with meat.
• 29:40
  Yeah, I guess. Like the parchment paper?
• 29:42
  Yeah. Like, come on.
• 29:44
  Man butcher paper. Dude that's just so fucking
• 29:48
  disrespectful. I like that they just cut off
• 29:51
  his other leg to make him even. That's so that's even more
• 29:55
  disrespect right there. I can't believe he's like to
• 29:57
  balance balance like that. Man you could have balanced
• 30:01
  better with one leg. The actor, what Terrence Evans,
• 30:04
  I think his name is, he was in the little featurettes and he
• 30:06
  was, and he was like, I don't know, I think Monty was kind of
• 30:09
  a victim in all of this too. He didn't want any part of
• 30:11
  anything that was happening. I feel, you know, I kind of feel
• 30:14
  bad for him, honestly, Yeah. My absurd is the meat plant
• 30:20
  owner because he says such terrible things and he's like
• 30:23
  why are you upset? Like he tells the the woman when
• 30:26
  he's like, I can't be drinking on the jaw and he's like, oh,
• 30:28
  shit, she died in childbirth on my floor, which is super
• 30:32
  unsanitary for both aspects of things, both the meat and the
• 30:36
  the baby and mother. Yeah.
• 30:38
  And then also later, like he's just chewing out Thomas Hewitt
• 30:42
  saying, yeah, well, you're kind is going to die here in this
• 30:44
  town, blah, blah, blah. And then when Thomas attacks
• 30:48
  him, he goes, how is your friend?
• 30:50
  Which gave me big. How was your friend Mikey?
• 30:55
  And Danny Trejo was actually. His friend.
• 30:57
  Actually, his friend. Yeah, this guy was a piece of
• 30:59
  shit. Yeah.
• 31:02
  He he watched that movie. He's like, oh, I've got a
• 31:05
  perfect house. Yeah.
• 31:08
  So yeah, this, that was my main absurd was that plant owner like
• 31:11
  being like, I don't understand why we're not friends.
• 31:14
  Yeah, yeah, this is how I talk to my friends.
• 31:16
  I believe it is actually how he talks to his friends.
• 31:19
  It's like, you know what, dudes we RIP on each other, you know?
• 31:21
  What I mean? You, you come over here, you get
• 31:23
  born in my place. I RIP on you and tell you you're
• 31:25
  a piece of shit. You know I dumped you in a
• 31:28
  dumpster. Yeah.
• 31:29
  We go way. Back.
• 31:30
  Yeah, it's a little tit for tat all.
• 31:34
  Right. How would you rate this one?
• 31:36
  Like I said, I don't hate this movie and I still do recognize
• 31:39
  it as like, like it's actually an enjoyable experience.
• 31:42
  I don't hate it. It's just though, you know, I
• 31:44
  don't necessarily like it as much as most people.
• 31:47
  I'm going to give it like a 6 1/2.
• 31:49
  I'm going to give it an 8. OK, I think it's better than the
• 31:52
  last one. I don't stand by that one bit.
• 31:56
  I really do. The last one was way better.
• 32:00
  Our starting average is 7.25. OK, I can look at that.
• 32:04
  OK. All right.
• 32:07
  All right, We start off August 1939.
• 32:10
  We're at the slaughterhouse. There is a worker, her name is
• 32:14
  Sloan. She tells the boss she needs a
• 32:17
  bathroom break. And then she starts.
• 32:19
  She gasps her rosary. Her rosary.
• 32:22
  Yeah, I think that's what it's called, the Catholic bead thing.
• 32:26
  Oh yeah, you're talking about like a Potter for body or
• 32:29
  something. Like anything.
• 32:30
  There was anything called a rosary.
• 32:31
  In your neck region, Yeah. But yeah, then she just her
• 32:38
  water breaks, there's a lot of blood and the baby just right
• 32:42
  out on floor. It's got like a deformation on
• 32:45
  its face surely? Yeah, yeah, and I guess the
• 32:49
  owner didn't know what to do, wasn't planning to call it in
• 32:51
  because he dumps one or more bodies into the dumpster.
• 32:55
  You ever think that he do you think he knew that that was the
• 32:58
  baby that he threw in the dumpster whenever he comes to
• 33:02
  work at the plant later because he has like the facial
• 33:04
  deformation. Yeah, I feel like he has to
• 33:05
  know. I'm sure he does.
• 33:08
  Yeah, well, a random woman just comes by.
• 33:10
  It's not a random woman, that's a young Lou De Mae.
• 33:13
  OK, a young Lou de Mae is like doing a little dumpster diving
• 33:16
  on the side and she happens to symbol across.
• 33:20
  The old the old Paul Rudd Ave. to parenthood.
• 33:24
  You know, okay, I was gonna say it worked for him, but it didn't
• 33:28
  really work out for him. I mean, he survived, but it
• 33:30
  wasn't a good time. Yeah, yeah, Well, she finds the
• 33:33
  baby man, brings it home, and yeah, we get the opening to the
• 33:38
  movie. We see some documentation, some
• 33:41
  pictures of weather face as a child and like age 6 to age 9.
• 33:45
  He's kind of, he's doing the Michael Myers remake, like
• 33:48
  covering up his face in the pictures, getting really into
• 33:51
  math making. I guess, yeah, a little bit,
• 33:54
  yeah, Yeah, OK. And we also hear, like, Uncle
• 34:00
  Charlie's voice overs in the opening credits to defending him
• 34:04
  and telling her, yeah, you, you're best for meat plant work,
• 34:07
  boy. Yeah, You know, he's a natural,
• 34:10
  honestly. And we see, Yeah.
• 34:12
  Later on, the plant's been condemned.
• 34:14
  It's July 1969. Boss is he's making them, making
• 34:19
  one of the workers there force Leatherface to leave because
• 34:21
  he's the only one sticking around.
• 34:23
  He refuses to leave the plant. Yeah, and they kick him out, but
• 34:26
  we know that it's not going to be a good time.
• 34:28
  No, just based on the energy stature.
• 34:32
  Then we caught 2 a couple by a pool.
• 34:34
  Oh, hey. Hi, Mia.
• 34:35
  Hi, Mia. Torretto.
• 34:36
  Yeah, yeah. What is this rainbow?
• 34:39
  When this guy comes out of the water like that, what movie is
• 34:42
  that from? He's he's imitating a movie
• 34:44
  there. I think he's just reliving his
• 34:48
  time in Vietnam. No, it's not a rainbow.
• 34:51
  That's a, that's a fucking war movie.
• 34:52
  I don't know. He's got a knife in the mouth.
• 34:53
  That's like coming out of the yeah.
• 34:56
  Yeah, but he's so Chrissy is taking him and his brother Dean
• 35:02
  to go enlist for the war. Yeah, driving down to Austin,
• 35:07
  they're all having like a little bit of like good time on this
• 35:09
  road trip to try and make the most of it before, you know, the
• 35:11
  two have to leave. Dean and Bailey are in their
• 35:15
  motel room with the door wide open, according to the extended
• 35:17
  scene. I was thinking about that like
• 35:19
  he's tied up to the bed and like I got to imagine like people at
• 35:22
  the motel walking by. Can you imagine making eye
• 35:24
  contact with the person while you're just tied up on the bed?
• 35:26
  Dude, that's a power move. Isn't power move?
• 35:29
  I feel like very well it depends on the level of icon.
• 35:31
  Like how your eye contact is. I just, I don't want that one
• 35:35
  weird person at the motel to like stop at the doorway and go,
• 35:37
  hey, it's like. You know, new your, new you
• 35:41
  where it's like, you know what a nod means, Yeah.
• 35:44
  Yeah, I'm not nodding in that situation.
• 35:46
  I'm like, nopin, get the fuck out of here.
• 35:49
  I'm glad she shuts the door and yeah, she's trying to like, have
• 35:52
  some sexy time with him, but his mind's not in that.
• 35:55
  Place right. Now he's thinking a little bit
• 35:56
  too much about, you know. Going off to war?
• 35:59
  Yeah, we're telling Eric that he's he's not wanting to go to
• 36:02
  war and he's going to be ditching and heading to Mexico
• 36:04
  instead. Yep, that is their plan.
• 36:08
  We cut back to the meat plant and Thomas is there and the
• 36:11
  owner is just being fucking rude to him.
• 36:13
  And then it's shocked when Thomas attacks him with a
• 36:16
  sledgehammer. With a sledgehammer.
• 36:18
  And then, like, he tries to call the cops, they can't get to it,
• 36:23
  and then he gets killed. And then the weather phase is
• 36:24
  like, and I'm taking the chainsaw too.
• 36:26
  Yeah, she's like fuck you. So we cut to the couples again.
• 36:30
  They're all in the Jeep. They're gonna have to stay there
• 36:32
  for the next two nights because there's not enough motels along
• 36:35
  the way from here to Austin. And as they're driving, they're
• 36:38
  attacked by a bunch of bikers. I think that this is a part of
• 36:42
  the unrated cut. I don't think this is in the
• 36:44
  theatrical. Which that makes at least a
• 36:46
  little bit more sense because we only see the other two bikers
• 36:48
  later. No, you see the rest of them in
• 36:51
  the back too when they're she's going to the bathroom.
• 36:54
  But they like, Boo her. Yeah, you know, Yeah.
• 36:56
  But yeah, they're like driving. They don't Boo her like Boo.
• 36:59
  They go Boo just for just for anybody who's men not falling
• 37:03
  along. That's a power move.
• 37:04
  Like somebody walks into the store and just go Boo, that
• 37:08
  would hurt. That is the thing that we'll do
• 37:11
  at work sometimes is like you do.
• 37:12
  People that walk into. Your office?
• 37:14
  No, we boot. Ohk, OK, that's different.
• 37:16
  Somebody comes out of the bathroom, we'll be like waiting
• 37:18
  there silently and we go poop. That's that's different.
• 37:22
  Yeah. Like the bikers?
• 37:22
  Are driving by, I don't know, I don't know why, but they're all
• 37:25
  just like fuck this Jeep and they start attacking it and then
• 37:28
  they just, you know, antagonize them and drive past yeah it.
• 37:32
  Was just for the shits and giggles of it.
• 37:33
  I guess we got Salute Temple. Yeah in real life is like one of
• 37:38
  the nicest people. I fucking love Lou Temple, man.
• 37:41
  Yeah, I like seeing him anytime he pops up.
• 37:43
  Your role. Yeah, you're like, I know that
• 37:44
  guy. We're fence.
• 37:45
  Yeah, he's a good guy. I threw.
• 37:46
  Axes with him, yeah, yeah. But yeah, he he goes over to the
• 37:50
  Hewitt house and he tells Uncle Charlie he's like, hey, found
• 37:55
  the one of the owners of Lee brothers meet dead in his office
• 37:59
  and it's your boy, It's your boy.
• 38:02
  So I'm just doing you a courtesy and also see if you want to come
• 38:05
  with me because I know he'll listen to you better.
• 38:08
  Two birds, one stone. And so Aunt Charlie comes with
• 38:10
  him. And it's not a great time
• 38:13
  because they do find Thomas. And the cop says, all right,
• 38:19
  hold on, I'll step out. I'll give you the signal.
• 38:23
  And so when he steps out and he tries to talk to Thomas, I mean,
• 38:26
  Charlie's not, he's not waiting around.
• 38:29
  He grabs. Oh, my God.
• 38:30
  OK. I remember started.
• 38:31
  I was like, what is that noise? This is a really.
• 38:35
  Scary moment for that to start up.
• 38:39
  He grabs the gun off at the dashboard and he comes out and
• 38:42
  shoots Hoyt, the original Hoyt, and then decides he's, you know,
• 38:46
  Thomas is gonna wear other people's faces.
• 38:49
  Charlie's just gonna wear their clothes.
• 38:50
  Yeah, he assumes their. Yeah, whole identity at that
• 38:53
  point. Yeah.
• 38:54
  I told him he's like, yeah, I'm gonna.
• 38:56
  I'm the only piece of law enforcement here and I'm moving
• 38:58
  to Michigan next week. So boom.
• 39:00
  All right. New sheriff in town.
• 39:01
  Yeah, and at. Dinner he serves the late Hoyt
• 39:08
  and says this is how we are going to survive here. 6
• 39:11
  generations of Hewitt's have lived and bled and sweated into
• 39:14
  the soil and it's not going to end with us, damn it.
• 39:18
  And Luda Mae is very concerned about this.
• 39:20
  They they were not. People eating family at this
• 39:23
  point, right they are now. Just fucking roll with it.
• 39:26
  Nobody. Has later we find out.
• 39:28
  Charlie has been a people eater, and apparently it's true, that
• 39:34
  storyline and it's Always Sunny, where once you get the taste of
• 39:37
  people, yeah, you just got to keep going.
• 39:40
  And we're tying it back to Rambo now, too.
• 39:43
  There we go. We are.
• 39:44
  But. Like I that was another thing.
• 39:46
  I didn't need to have that explained to me.
• 39:48
  Like they just fucking eat people Just let that be a thing.
• 39:51
  But then they're like, I, well, I started because I was a POW
• 39:54
  over in Korea and it's like, whatever, man, I don't need to
• 39:56
  know that. Just like you eat people just
• 39:59
  let that be. And she's not.
• 40:02
  Into it, but then like she's so into it the next scene.
• 40:05
  It's just so fucking weird. I don't know, I.
• 40:08
  Kind of like cuz it's not, I have a hard time kind of
• 40:13
  separating. And I don't mean like literally
• 40:16
  because I can separate the two franchises, but like when you
• 40:19
  get down to the bare bones of it, Texas Chainsaw and Wrong
• 40:22
  Turn. Oh yeah, have a lot of very
• 40:23
  similar vibes. And I get it with Wrong Turn.
• 40:27
  I kind of like that we're getting an explanation of like,
• 40:29
  OK, this family, what's their deal?
• 40:32
  Because they are. Not like deformed hillbillies,
• 40:37
  like, yeah, yeah. OK.
• 40:41
  So we need a little bit further explanation because these people
• 40:44
  were at one point and these folks would be.
• 40:47
  Rednecks. They're rednecks, yeah.
• 40:49
  They're yeah the wrong. Turn.
• 40:51
  They're hillbillies yeah. And I'm speaking very
• 40:54
  geographically with these terms. Yeah, you're, you're.
• 40:57
  Correct. Yeah.
• 40:59
  OK. So we cut to the our two couples
• 41:02
  asleep in their Jeep. The next day they wake up,
• 41:04
  they're driving along and they stop at the general store.
• 41:06
  It's Luda Maze, General Store and Slash Bar slash Bar.
• 41:10
  Apparently. Rich.
• 41:12
  Hell yeah. I.
• 41:14
  Any store that lets me have a beer while I'm shopping is my
• 41:16
  favorite store. I love it.
• 41:18
  Our annual trip to Whole Foods is my favorite for that reason.
• 41:20
  Yeah, and it's drunk and get Thanksgiving and.
• 41:23
  It's really smart because. You're not caring as much about
• 41:26
  how bad the prices are when you've got a really stout beer
• 41:28
  in your hands. It's true.
• 41:29
  More places. Need to do that?
• 41:31
  Yeah, it takes the sting out of a. $70 grocery bill for like 4
• 41:34
  items. Oh, absolutely, yeah.
• 41:36
  So they're just like going there to like head towards the
• 41:39
  bathroom and they get, I'd buy 2 bikers, which will be the two
• 41:43
  bikers that will be more the most important.
• 41:46
  Yeah. They go into the back and they
• 41:47
  see like the bikers that drove past and yes, yes, this is.
• 41:50
  Chrissy and Bailey and Chrissy's like, hey, I can tell
• 41:54
  something's going on with you and Dean, what's up?
• 41:56
  And Bailey tells her what their plan is.
• 41:58
  Meanwhile, outside, Eric and Dean are having a similar
• 42:02
  conversation, but a lot less supportive because Chrissy is
• 42:05
  like, yes, do you get out of here?
• 42:07
  Don't let him go if you can help it.
• 42:10
  This is just who Eric is, and I, I'm supporting him.
• 42:14
  Yeah, like he doesn't know any better.
• 42:16
  And or anything different. And Eric's outside just like
• 42:19
  kind of like, I think he's trying to pump him up.
• 42:21
  He's like, hoorah, brother. Yeah, we're going to war.
• 42:24
  He doesn't want his little brother to know that.
• 42:25
  He's scared, too, Yeah. He's putting on a brave face,
• 42:28
  yeah. Because he's just going back
• 42:29
  for. Him because he knows that Dean
• 42:30
  is really scared but Dean's like, I know that you didn't
• 42:33
  have a good time over there. I hear you screaming at night
• 42:35
  and crying about what you did to people.
• 42:37
  Why are you going back? He's like, I'm going back for
• 42:39
  you. But then they have to, like,
• 42:40
  hurry out of there because the bikers are freaking the girls
• 42:42
  out. So they are driving along.
• 42:46
  And, uh oh, the bikers are following them again.
• 42:48
  This time it's the lady biker. She's got a gun.
• 42:51
  She's telling them to pull over. They're freaking out.
• 42:53
  Oh, no. What do we do?
• 42:54
  And Eric's like, don't worry, I have a gun.
• 42:57
  So he goes to grab it. But he's distracted driving,
• 42:59
  which is bad news anywhere but especially in Texas, where cows
• 43:02
  can just, like, wander freely in the roads.
• 43:04
  And they obliterate this cow dude.
• 43:07
  Yeah. It was interesting seeing the
• 43:10
  cow constructed by the that special effects team.
• 43:14
  Yeah, filled with a bunch of shit and.
• 43:15
  Actually drove. Through it is impressive yeah
• 43:18
  yeah so they. Have a really bad wreck.
• 43:21
  Bailey has a piece of glass stuck in her stomach.
• 43:23
  Chrissy has been fully ejected. The biker lady is like, all
• 43:27
  right, cool, this is going to make it easier for me to rob you
• 43:29
  guys. And that's when Hoyt, the new
• 43:32
  Hoyt, pulls up and he just bam, bam, yeah, he's like.
• 43:37
  I don't have time for her. Yeah, she's like, all right.
• 43:39
  Yeah, I know. That you're a piece of shit.
• 43:41
  Because yeah, you've clearly. Yeah.
• 43:44
  So I mean, come on. Look at you.
• 43:46
  Yeah. Then he starts hassling the
• 43:50
  other three. As he does, he falls into this
• 43:54
  very quickly. And he as he's trying to get
• 43:57
  them all out of the car, he pulls the piece of glass out of
• 43:59
  Bailey's stomach. Ouch.
• 44:03
  Also, they do nothing to attempt.
• 44:05
  To stop her bleeding so tummy stabbed man horror movie.
• 44:08
  Roles. She's OK, yeah.
• 44:10
  And. Then he finds the half burnt
• 44:13
  draft card for Dean and he says which one of you is Dean?
• 44:16
  Eric says he's Dean because he can tell that Hoyt is trouble,
• 44:20
  so he's just trying to like cover for him.
• 44:22
  Meanwhile, Christy, like he's made eye contact with Christy
• 44:25
  who is in the grass and he's just like, yeah, don't get out
• 44:29
  here. Yeah, this is fucked up.
• 44:31
  So he puts them in the cop car and puts the body in the
• 44:34
  passenger seat and they're like, is this normal?
• 44:36
  Protocol. And he said this is somebody's
• 44:38
  family. Would you want your family
• 44:40
  shoved in the trunk of the car? That's a nice call back to the
• 44:43
  2003 meeting. Yeah.
• 44:44
  Yeah. Raises not in the back seat.
• 44:49
  Yeah. Chrissy climbs into the.
• 44:51
  Jeep because she's going to try and like follow them, but that
• 44:54
  Jeep is not running anymore. She was trying to get the gun.
• 44:57
  And she she's, like, fumbling around looking for it.
• 45:00
  And then the tow truck pulls up with Monty.
• 45:02
  Yeah. And he's like.
• 45:03
  All right, I'm going to rummage through the Jeep myself.
• 45:05
  So he ends up just kind of like finding the gun instead and
• 45:10
  pulls that out, and then he takes the truck and tows it
• 45:12
  back. Yep.
• 45:13
  And she is still hiding. In the back seat of it,
• 45:16
  meanwhile, in the cop car, they're talking about Vietnam,
• 45:19
  the war. Dean is just trying to kind of
• 45:22
  parrot the things that he's heard Eric say.
• 45:24
  He's trying to like feel like I think cuz like.
• 45:26
  I'm with Dean in this year. I think that he's suspicious
• 45:29
  that he knows that Dean isn't Dean.
• 45:32
  Yeah. Is Dean confusing?
• 45:34
  But you know, yeah, he's trying to suss them out there and then
• 45:39
  when they. Get to the Hewitt household.
• 45:42
  They're like, is this the station?
• 45:44
  Is this my mom's house? He gets out.
• 45:47
  And Dean is like, yo, he's definitely on to us.
• 45:50
  And Eric's like, Nah, stay the course.
• 45:52
  It's cool. Trust me, it's cool.
• 45:54
  Leatherface comes out, takes the biker's body, kind of freaks
• 45:57
  them out in the back seat because that's a big guy.
• 45:59
  He's a big boy. Chrissy arrives, and she's kind
• 46:03
  of sneaking around, looking around, almost gets peed on.
• 46:06
  That's gross. Yeah, I'm glad she didn't.
• 46:08
  Monty sees the brothers tied up in the barn because they're
• 46:14
  both, like, tied up by their wrists.
• 46:15
  They're like, can you help us? He is.
• 46:16
  I don't get involved in his affairs.
• 46:19
  He's terrified. Yeah, and then he walks into
• 46:22
  the. Kitchen and Bailey is on the
• 46:23
  ground tied to the kitchen table and she's like help me and he
• 46:27
  just and. Everybody's just watching along.
• 46:30
  With this shit, they're like, all right, this is our life now.
• 46:31
  We got people tied up around our house.
• 46:33
  I feel like if I went to one of our.
• 46:35
  Friend's house for tea, which first of all, what friend of
• 46:39
  mine are you? If you're trying to give me iced
• 46:41
  tea, that's gross. And I saw somebody tied up and
• 46:46
  be like, hey, can we talk for a second?
• 46:50
  Like what the fuck is happening here?
• 46:52
  Yeah, like best case. Scenario.
• 46:54
  This is a consensual sexual thing.
• 46:55
  It's not consensual with me. Yeah, I need to leave.
• 46:58
  Yeah. Worst case.
• 46:59
  Scenario. Something really bad's
• 47:01
  happening, Yeah. It's like, no, no, no.
• 47:04
  But us too. The tea lady, she's just.
• 47:07
  She just wants to have her tea. She just wants to talk about her
• 47:10
  tea. And sweet little Luda Mae.
• 47:13
  She is. She's that variety of woman that
• 47:15
  I say like thinks it's crazy to get an appetizer when she goes
• 47:18
  out to dinner. We're going to be a little wild.
• 47:20
  You know that type. Are we going to do it?
• 47:21
  And she's talking about how she drinks her breakfast tea at
• 47:25
  night. Live in dangerously this
• 47:31
  version. Of Luda Mae before she was like
• 47:33
  completely bought into the bullshit and she just wants to
• 47:36
  enjoy her iced beverages with her friend with a person tied
• 47:41
  beneath. Her listen, she's not fully
• 47:43
  bought. In I didn't say she wasn't
• 47:44
  personally bought in If you are doing that shit if.
• 47:46
  You were having that chill of a conversation about iced tea and
• 47:50
  ice all whatever, then yeah, with that person there.
• 47:53
  No, you're not. Like you're you're in.
• 47:56
  You're subscribed at that point he comes.
• 47:59
  Out to the barn and he wraps some Saran wrap around Eric's
• 48:02
  face. He is having a hard time
• 48:04
  breathing. He is not acting in this moment.
• 48:06
  Matt Bomer is actually about to be suffocated.
• 48:09
  I can't. I still cannot.
• 48:10
  Believe they actually did that too and that is bizarre I feel.
• 48:13
  Like, I would actually panic, but that would look like really
• 48:16
  good acting. So it's kind of like, yeah, I
• 48:20
  didn't. True.
• 48:21
  Cuz he said he's he's. A claustrophobic as well.
• 48:24
  So yeah, got us a nightmare. And then Dean's like, all right,
• 48:27
  fuck it, I'm Dean. I'm Dean.
• 48:28
  Yeah, he was covering for me. And then, yeah, yeah, he, like,
• 48:31
  stabs a little breathing hole through the mouth right there.
• 48:34
  And I was expecting him to show. Like a broken tooth or like cut
• 48:39
  tongue? Yeah, something.
• 48:40
  Yeah, he cut really aggressive. Yeah, yeah.
• 48:43
  So he unhooks Dean and tells him about his time in a Korea POW
• 48:50
  camp in 1952. Rations were very very thin and
• 48:55
  far between so they picked one person each week and Dean's
• 49:00
  like. To do what he.
• 49:00
  Goes, you know what, he goes. All right, So if you want to
• 49:04
  play Soulja Boy, we're going to play Soulja Boy.
• 49:06
  If you can drop and give me 20, I will let you walk out of here.
• 49:10
  Yep, so. He's struggling to do them and
• 49:13
  as he's doing them he's hitting him and like whipping him he's
• 49:16
  got. Like getting halfway.
• 49:18
  Yeah, and. Then he like if.
• 49:19
  He like hits him. Before he finishes his point,
• 49:21
  he's like, all right, that didn't count.
• 49:22
  Yeah. And I think, yeah, the fact that
• 49:25
  they took so much time filming this, like across the whole
• 49:28
  week, I think it definitely shows.
• 49:30
  And the acting, like he really is just getting completely worn
• 49:33
  out. I just can't believe they spent
• 49:35
  that. Long filming that scene.
• 49:36
  I don't think those were the only scenes.
• 49:37
  They were filming over those seven days, I'm sure, yeah.
• 49:40
  Yeah, but like, still, like, why not just knock that shit out And
• 49:43
  like, that's like that's, that's irresponsible.
• 49:46
  So I think they wanted him to look more and.
• 49:47
  More worn out maybe, I guess I don't know, I'm not.
• 49:49
  Yeah, maybe they they knew they know better than I do, I guess.
• 49:53
  And so he finally gets his 20. Done.
• 49:55
  And Hoyt jumps on his back and says you're free to go.
• 49:59
  And then he looks at arrogance, says bad.
• 50:01
  Doubt he'll be moving anytime soon.
• 50:04
  So Eric is, like evaluating the area.
• 50:07
  He sees that he can kind of get himself out of there.
• 50:10
  So he moves like a little piece behind him a little bit closer
• 50:13
  and then starts to kick, like the support beam base tattoo.
• 50:16
  And it breaks and he falls and he frees himself.
• 50:18
  Yeah. And he goes and gets Dean.
• 50:21
  Meanwhile, we have just had Bailey cleaned up and she's a
• 50:26
  weird. Extra guest.
• 50:28
  Underneath the table at the Tea Party and Chrissy has made her
• 50:32
  way back out to the road and she is flagging down.
• 50:34
  Help. She flags.
• 50:36
  Down the. The other biker, The boyfriend,
• 50:40
  I guess, of the woman who was shot.
• 50:43
  Yeah. And this guy?
• 50:44
  Like they still make him kind of like a, you know, a typical
• 50:48
  biker. But before he was he only stared
• 50:50
  at him when he drove by. He didn't participate in the
• 50:52
  fucking round. And he tried to tell his
• 50:53
  girlfriend, leave him be, leave him alone.
• 50:55
  And when she says? Your friend, your friend was
• 50:57
  with them. He she was shot.
• 50:59
  And he's like, show me where we're going, like he's ready.
• 51:03
  So she hops on the. Back they go no, and then they
• 51:06
  start they. Walk through the woods to get
• 51:07
  there. Well, yeah, but they they drive.
• 51:09
  A little bit too. Well, anyways, Eric runs into
• 51:13
  the house. Yeah, and he starts throwing
• 51:15
  rocks. 1st to get them distracted and so they're
• 51:19
  shouting for Hoyt to come help but Eric Bussen gets Bailey
• 51:23
  untied and then they shove the table and the tea lady to
• 51:26
  barricade the door and she's just yeah.
• 51:30
  I. Love tea lady, I'm.
• 51:31
  Sorry, I'm never mad when tea lady's on screen.
• 51:34
  Yeah. Yeah, OK.
• 51:35
  Yeah. That was a funny scene.
• 51:38
  Just. Like taking the whole table and
• 51:39
  her and just yeah, she's. Just.
• 51:44
  Like, yeah, so he frees Bailey and they.
• 51:49
  Yeah, she grabs the. Keys cuz she saw where Monty had
• 51:51
  put the tow truck keys. So she grabs the keys and she
• 51:54
  runs to the tow truck. Eric says I'm gonna go grab Dean
• 51:56
  and then we'll get out of here. She manages to get into the
• 51:58
  truck. She's trying to like.
• 52:00
  She doesn't know where Eric and Dean exactly are, but she's
• 52:02
  trying to find them. Yeah.
• 52:04
  That door. Is not latching shut which is
• 52:07
  really bad news for her because leather face is able to take a
• 52:10
  crowbar meat hook type thing and hook it into her and pull yeah
• 52:14
  they shot this so many times there are just so many shots of
• 52:17
  her falling into the crash pad yeah she said yeah and like I
• 52:21
  said she said this was definitely the most painful
• 52:23
  scene for her to shoot no doubt yeah I I.
• 52:25
  Believe that, so Hoyt finds Eric.
• 52:28
  Eric and Dean keeps running, but he ends up getting caught in a
• 52:30
  bear trap. So everybody's caught in their
• 52:32
  different ways. Yeah.
• 52:34
  Erica like confronts. The sheriff and he's like
• 52:37
  already do it, do it fucking shoot me like right in front of
• 52:39
  him. I'm surprised he didn't shoot
• 52:40
  him right. He wants to fuck with him.
• 52:42
  Yeah, cuz, he said you thought. I was a pussy.
• 52:44
  Wait until you get a hold of Thomas.
• 52:47
  See who you think is a pussy now the biker and Chrissy have
• 52:52
  arrived and yeah, they have been looking for this house for.
• 52:55
  Hours. Yeah, I wonder like what do you?
• 52:57
  Think they talked about. Do you think they spoke or do
• 52:59
  you think they just kind of walked around in silence?
• 53:01
  I think that one shot we. Had of them in the woods where
• 53:03
  he goes Are you sure we're going the right way and she goes yes I
• 53:07
  think that's all they said in that time this is just so
• 53:09
  awkward I. Think she tried to make small.
• 53:11
  Talk initially, and he made it very clear that he was not going
• 53:14
  to talk with her. El Paso, huh?
• 53:16
  And. He's like shut the fuck.
• 53:18
  Up. She's like, all right.
• 53:19
  Yep. Yep.
• 53:20
  So they get there and like you said, it's night.
• 53:22
  And he's like, all right, I'm gonna go in.
• 53:24
  And she's like, what about my friends?
• 53:25
  He goes, I don't give a shit. Yeah, you're on your own.
• 53:28
  Yeah. I don't know why she's surprised
• 53:30
  by that. Well, I know Billy.
• 53:32
  He's still. Kind of working in your favorite
• 53:34
  there? Yeah, he's gonna confront
• 53:35
  things. If nothing else, he's a
• 53:37
  distraction. Yeah, exactly.
• 53:38
  Yeah. So he like heads inside.
• 53:41
  She continues to just like do her own thing.
• 53:43
  She finds Dean in the bear. Trap and he's like you got to go
• 53:47
  for help and she goes there's no help to go for I got to go
• 53:49
  inside and get the other two there's one good thing about
• 53:51
  this like the. Hopelessness.
• 53:53
  Yeah, like helplessness because you really can't go to anybody.
• 53:56
  Yeah, in this town, there's like this.
• 53:57
  Just population them. We cut to Bailey.
• 54:00
  She is tied up on a bed by Hoyt. She's got like a bar behind her
• 54:03
  back, so she can't really move her arms around very much.
• 54:06
  It looks really uncomfortable, she said.
• 54:07
  It was really uncomfortable. They're.
• 54:11
  Like behind the scenes shots. Of like, her being actually
• 54:13
  like, tied up and then giving her like, water and oh, God,
• 54:16
  yeah, man, they went through it in this.
• 54:18
  Movie. Well, Matt Bomer was.
• 54:19
  Actually tied to that table too. Yeah, I don't like that.
• 54:22
  Yeah, that guy for a claustrophobic.
• 54:25
  Guy, he went through some shit. Yeah, he's dedicated.
• 54:27
  Man, Yeah, so Biker manages to get inside.
• 54:33
  He's got an actual name, but it's never said out loud, so I'm
• 54:35
  not going to bother you to say it out loud.
• 54:36
  Yeah, I can't remember what. It was.
• 54:38
  I can't remember if. It's Lee if that was the
• 54:40
  character's name or the actor's name.
• 54:42
  But Lee is one of the names associated with this man.
• 54:46
  OK. Yeah, like she, she, Chrissy
• 54:51
  enters through the window. She's like, she goes inside to
• 54:53
  try and rescue people. And while this is happening, the
• 54:57
  biker kind of sneaks around the corner and confronts the uncle.
• 55:02
  Yeah, Monty. And he shoots his leg, shoots
• 55:04
  him right in the knee. He's like, yeah.
• 55:05
  Where the fuck are they? Yeah.
• 55:07
  And I told her I. Was like, I felt kind of like
• 55:08
  caught to The Time Machine where I was just, like waiting the
• 55:10
  whole time. With this movie, I was like,
• 55:12
  what's gonna happen? When's he gonna lose him?
• 55:14
  Like Lou, like Chew, Like yeah. Yeah.
• 55:18
  Hoyt comes in and he's like, what did I tell you?
• 55:24
  About playing with guns. And he's like blaming it on him.
• 55:27
  And then the biker just like knocks his cap off and just
• 55:29
  holds a gun to his head. He says take me to the girl.
• 55:32
  And Hoyt, understandably, takes him to Bailey.
• 55:36
  Yeah, that's the only alive girl he has.
• 55:38
  And when the biker's like, that's not her.
• 55:40
  And he goes, oh, you don't want to see the other one.
• 55:42
  Oh yeah, I love that. Bit of back and he's like oh
• 55:44
  shit, you don't want to see the other girl.
• 55:46
  Yeah. And that's something that they
• 55:47
  were. Saying that, like, as scary as
• 55:48
  his character is, the actor army brings just a sense of Comic
• 55:54
  Relief almost to he honestly does.
• 55:56
  He's got some. Funny moments the.
• 55:59
  Duality of his character is very interesting and very well
• 56:02
  performed. Yeah, so.
• 56:06
  Hoyt is calling for Leatherface, and that's when Chrissy is
• 56:08
  managing to sneak down into the basement.
• 56:10
  This is interesting. So they did that sliding steel
• 56:12
  door because it's meant to mirror like the slaughterhouse
• 56:15
  shoot when the cows come out. Oh really?
• 56:17
  It's that same kind of slaughter like sliding metal door?
• 56:20
  Huh, I didn't know that. No, but that's that's where the.
• 56:23
  Iconic sliding door comes from interesting yeah she's.
• 56:26
  Like down there next to it. And Leatherface is so distracted
• 56:29
  and, like one track mind, he just walks right past her.
• 56:32
  Yeah. So she goes into the basement
• 56:34
  and finds Eric. He has been flayed.
• 56:37
  God, yeah, like the. Skin from his arm is missing and
• 56:41
  he. Says, is my arm OK?
• 56:42
  I can't feel it. I'm very cold.
• 56:45
  These are bad. These are bad things to hear.
• 56:48
  Yep. Those are signs you're dying.
• 56:49
  Yeah. And.
• 56:50
  So they have their heartfelt moment.
• 56:52
  He is almost dead. Leather face comes down and
• 56:54
  finishes the killing because he's got a blood lust.
• 56:56
  Because what happened is when Hoyt called him upstairs, he
• 57:01
  threw the biker onto his chainsaw.
• 57:05
  He just, Yeah, he like. Hit him and he happened to land
• 57:07
  right on the chainsaw, which why was the chainsaw there?
• 57:09
  Why was it not in leather faces? Where?
• 57:11
  I don't know. Yeah.
• 57:12
  But the main point that we're getting at is that in this
• 57:17
  timeline, canonically, the bikers, the first chainsaw kill,
• 57:21
  Yeah, cuz he pulls, pulls it, starts it up, and it cuts them
• 57:24
  in half. Yeah, yeah.
• 57:26
  It's pretty cool, yeah. So yeah, he is feeling himself.
• 57:32
  He's feeling that moment. He's like, I'm gonna go kill
• 57:34
  this other guy downstairs. Oh I like this chance off thing.
• 57:36
  Yeah, it's kind of cool. So he goes in and he kills.
• 57:38
  Them as Chrissy is like hiding and watching and scared and then
• 57:43
  he cuts off Eric's face slash scalp because they make a whole
• 57:48
  mess that like fits over him completely.
• 57:50
  And I like how he's like trying to measure his face, like he's
• 57:53
  like grabbing and he's like, yeah.
• 57:54
  And then he like holds it up to his own face.
• 57:55
  He's like, I think I can make this work.
• 57:57
  This is about right, Yeah. Like eyeball this shit right
• 58:00
  here. Yeah.
• 58:01
  He's never. Done this before?
• 58:02
  Yeah. First time.
• 58:03
  It's like when you're trying to like measure.
• 58:04
  How far apart something needs to be.
• 58:05
  And you're like, OK, this far apart.
• 58:07
  And then we're going to go over here and it's this far apart and
• 58:09
  you're just like using your fingers and like it's about
• 58:10
  this, not this long, honestly, what we're seeing here and this
• 58:13
  is. The origin, like he had this
• 58:14
  passion of like doing me and now he's like, you know what?
• 58:16
  I think I'm going to be a crafts guy now.
• 58:18
  Yeah, yeah, I'm going to make shit.
• 58:20
  He's like I was forced. Into an early retirement.
• 58:22
  I need a hobby to keep me keep me focused.
• 58:25
  Say you go downhill if you. Don't find that thing for
• 58:27
  yourself, yeah? He's too young.
• 58:29
  He's only like 30. Yeah, he's, he's in his fucking
• 58:32
  primary. Yeah, yeah, he's going to find
• 58:34
  a. Hobby so.
• 58:35
  Yeah. Chrissy goes back upstairs and
• 58:38
  she is about to leave when she hears Bailey screaming and she's
• 58:41
  like, it would be a lot. Easier to just leave.
• 58:44
  But I'll go try and help help her.
• 58:47
  Yep. So she.
• 58:48
  Heads back and she heads upstairs and she sees the family
• 58:52
  up there and they're. They're discussing what they're
• 58:55
  going to do with Uncle Monty here.
• 58:57
  Yeah. And this is where Luda Mae.
• 58:58
  Is telling Hoyt like I knew that you doing this sheriff nonsense
• 59:01
  is gonna be trouble. Look what happened to Monty.
• 59:03
  He's like, listen, I got a plan. Thomas, You come here.
• 59:06
  I like your face. Yeah, I like that new face.
• 59:08
  That looks good. Look at sharp, buddy.
• 59:11
  He's like, all right. There's no way for us to fix
• 59:13
  this. We don't even have cops in this
• 59:16
  town besides me. Obviously we don't have a
• 59:18
  hospital, there are no towns. Anywhere else in this country,
• 59:22
  yes, we are abandoned, so he says, Mama.
• 59:26
  Hold Uncle Monty and she's like, why?
• 59:27
  And he goes cuz he's not going to like this.
• 59:29
  And again, she is horrified but just follows along.
• 59:32
  Yep. And Thomas cuts off his leg,
• 59:36
  Nick's the other one. And Hoyt says, well, that's just
• 59:40
  sloppy work. We got to even this up.
• 59:43
  And so he cuts off the other one and he's like, all right,
• 59:45
  bandage him up. And that's when they put the
• 59:46
  butcher paper on there. Yep.
• 59:49
  And so. Chrissy is trying to untie
• 59:52
  Bailey, and Bailey stops fighting.
• 59:54
  She goes, they know you're here 'cause Hoy has snuck up behind
• 59:56
  her. He's like, oh, I guess we can.
• 59:58
  Make another plate for dinner, I'll ask mom about it.
• 1:00:01
  So here we go. We had a dinner scene.
• 1:00:04
  God damn. It could do without these, man.
• 1:00:06
  Yeah, I do. It's.
• 1:00:08
  Never interesting. Chrissy is a little feisty.
• 1:00:10
  She is insulting them, trying to get some gabs in.
• 1:00:13
  Yeah, asking them if they only fucked.
• 1:00:15
  The attractive cousins, Yeah. Don't like the stereotype.
• 1:00:18
  Yeah, still, you know, whatever. It's the thing.
• 1:00:22
  Mom is just sitting there cutting Bailey's hair.
• 1:00:25
  Yeah. Just for fun, just for.
• 1:00:27
  Fun Dean is there. May or may not be alive, Mama
• 1:00:30
  says. Yeah, Mama says she's says he's
• 1:00:32
  dead. Bailey's teeth have been knocked
• 1:00:34
  out at some point as well, so there's just a lot going on.
• 1:00:40
  Leatherface comes in cuts, Bailey's throat.
• 1:00:42
  They made this prosthetic. Normally with a neck prosthetic,
• 1:00:45
  they make it pretty thin because you know if your neck is thick,
• 1:00:48
  it's kind of noticeable. But they shot it from certain
• 1:00:51
  angles. That way it wouldn't look extra
• 1:00:52
  thick. But when you got the cut, it
• 1:00:54
  would like show the depth of the cut.
• 1:00:56
  It was a pretty effective. One, yeah.
• 1:00:59
  Yes, she bleeds out and then. Leatherface sticks Chrissy and
• 1:01:02
  carries her to the basement. She managed to grab like a
• 1:01:04
  screwdriver. Or something on the table and
• 1:01:06
  she stabs him as they're walking and then she runs and does what
• 1:01:11
  you do when you are escaping. A Texas Chainsaw mask for dinner
• 1:01:14
  scene. You go through the window.
• 1:01:17
  How many? Times do you think they have to
• 1:01:19
  replace those fucking windows? Why do they?
• 1:01:20
  Why do they keep replacing the? Windows just Yeah, just where
• 1:01:24
  are they? Getting the glass.
• 1:01:25
  Like, well, they're well. Honestly, OK, it does hurt and
• 1:01:29
  it does maybe slow them down. So if you leave it like purely
• 1:01:32
  open like well, we're just giving them an easy out at this
• 1:01:34
  point. Also if you.
• 1:01:35
  Put plywood up there that can't burst through that as easily.
• 1:01:40
  You need natural white man. Come on.
• 1:01:42
  They're not like, I mean, they're DeGeneres, but they're
• 1:01:44
  not that bad. Yeah, Thomas, it's very
• 1:01:47
  important. As part of his treatment plan is
• 1:01:48
  that he gets plenty of vitamin D.
• 1:01:49
  He's got it. He needs it for his skin.
• 1:01:51
  Exactly. I mean, it's already.
• 1:01:52
  In a not good place, so Leatherface.
• 1:01:56
  Follows her. Dean actually manages to come
• 1:02:00
  too, and he gets himself loose. He runs, he attacks, Hoyt just
• 1:02:05
  bashes his fucking face against like, give me 20 son.
• 1:02:08
  Yeah, smashes. His face 20.
• 1:02:10
  Times and we see his teeth fall out.
• 1:02:12
  So those are the missing teeth in the last one the chase leads
• 1:02:17
  to. The slaughterhouse, of course,
• 1:02:20
  as it does. And it takes.
• 1:02:21
  As it always does, yeah. Chrissy takes.
• 1:02:24
  The boss's keys, she finds them inside there.
• 1:02:27
  Yeah, the phone is dead, but she.
• 1:02:28
  Was like, well, at least I can find a way out.
• 1:02:31
  She is hiding because Leatherface is approached.
• 1:02:33
  He's very easy to hear. Because of the chainsaw.
• 1:02:36
  Yeah. And the bigness.
• 1:02:38
  Yeah. Yeah.
• 1:02:39
  And she's hiding and then he's getting close, almost finds her.
• 1:02:42
  And then we hear Dean yelling for Chrissy, which is
• 1:02:45
  distraction. So she.
• 1:02:46
  Jumps up, she stabs him. He comes out.
• 1:02:48
  Leatherface with an axe. But of course Leatherface is
• 1:02:52
  going to get the last laugh with that chainsaws right through
• 1:02:55
  them. Holds them up and then tosses
• 1:02:57
  them to the side. Yep.
• 1:02:59
  So while. This is happening.
• 1:03:01
  Chrissy runs, she manages to sneak out to a car and she
• 1:03:07
  drives. Yep.
• 1:03:09
  And she drives. As she's driving, she sees a cop
• 1:03:11
  has pulled somebody over and she's like, perfect, here we go.
• 1:03:15
  This is. Exactly what I needed.
• 1:03:16
  And somehow leather faces in the back seat of this car.
• 1:03:19
  How did he get so how did that? Happen.
• 1:03:21
  How did he do? So silent.
• 1:03:22
  How did he? Hide.
• 1:03:23
  He's a massive human. Yes, I.
• 1:03:26
  Agree with all of these. I wish that one of the alternate
• 1:03:29
  endings or the extended endings had shown him like Sneak.
• 1:03:33
  Yeah, I would have like to have seen that.
• 1:03:34
  Because there's like one ending where?
• 1:03:36
  It just shows that he catches her at the car and then it cuts
• 1:03:38
  to over the next few years, the people go missing and calling
• 1:03:42
  the cops and we see like their car graveyard growing.
• 1:03:45
  But all the other endings are with him in the back seat.
• 1:03:49
  And we never really get a good explanation as to how are we
• 1:03:51
  going to talk about the rest of the endings here in a.
• 1:03:52
  Little bit. I mean because one.
• 1:03:54
  Of them has to family. From yeah the the 2003 movie.
• 1:03:58
  That's the one I was talking about.
• 1:04:00
  Yeah, which I thought that was cool, like.
• 1:04:02
  OK, well Next up is that family and they take her hostage and
• 1:04:06
  you know, I kind of wish that we had gotten the.
• 1:04:07
  Ending we got plus that instead of the instead of the voice over
• 1:04:12
  narration I kind of like watched that I kind of liked watching
• 1:04:15
  that build up of the graveyard and everything it was
• 1:04:18
  interesting they were talking about this they're.
• 1:04:19
  Like well they shot like 3 different ones and one of them
• 1:04:22
  all, instead of the chainsaw he has like a knife and like well
• 1:04:24
  what if like he just like guts are there and they're like, I
• 1:04:27
  don't know, just with everyone you think is best and like well
• 1:04:29
  you got to go with a chainsaw because it's the Texas chainsaw.
• 1:04:32
  Massacre and this. Movie was already kind of
• 1:04:33
  lacking chainsaw. The beginning math.
• 1:04:36
  So yeah, he kills her. And every single ending, she
• 1:04:39
  dies because this is the origin story.
• 1:04:41
  We can't have her surviving. She also hits the cop and the
• 1:04:45
  person he pulled over, and then he just walks slowly away.
• 1:04:48
  Yeah. And.
• 1:04:50
  We get the voice over and it's like and from 1969 to 19. 73 The
• 1:04:54
  Hewitt family murdered at least 33 people across Texas, one of
• 1:04:59
  the largest killing spree is in history that came to be known as
• 1:05:04
  the Texas Chainsaw Massacre. Can you imagine?
• 1:05:06
  Imagine driving down. That road and like all of a
• 1:05:09
  sudden your headlights find this massive man covered in blood
• 1:05:12
  with a chainsaw. It is pure dark out.
• 1:05:15
  There he walks into pure blackness.
• 1:05:17
  Out there, this is like one of those.
• 1:05:19
  Like the creepy YouTube videos we watch where they talk about
• 1:05:22
  like, Oh yeah, this person was driving alone at night and then
• 1:05:24
  they came across something on the road and yeah, dash Cam.
• 1:05:27
  Oh. My God, that's what we need.
• 1:05:28
  And. Like whatever new Texas chainsaw
• 1:05:31
  dash Cam? Yes.
• 1:05:32
  Hell yeah. Let's do this.
• 1:05:33
  All right. So yeah, I think that's.
• 1:05:35
  Overall, I think that's what some of the Texas Chainsaw
• 1:05:38
  needs. It's just like.
• 1:05:40
  Shake up the formula a little bit.
• 1:05:42
  So the. Most recent one, yes.
• 1:05:46
  But I'd like we need more of that throughout, kind of like,
• 1:05:49
  again, got to go back to wrong turn, like different ways that
• 1:05:52
  people wind up here. And it doesn't always start off
• 1:05:55
  like the chain of events aren't always kicked off the same way.
• 1:05:57
  We don't always have a dinner scene.
• 1:05:58
  Like we need to mix it up. I agree.
• 1:06:00
  Yeah, so, but not in the way that we will with Leatherface.
• 1:06:06
  I'm excited for the next one. Yeah, which will be a little.
• 1:06:09
  Bit different. What do you?
• 1:06:10
  Think of yeah, yes, I'm very excited about that one.
• 1:06:14
  But yeah, so overall, I really like this movie.
• 1:06:18
  I think it's well done. I think it's interesting.
• 1:06:22
  There's more depth and nuance to the characters in this.
• 1:06:24
  Yeah, and I'm keeping it at an 8.
• 1:06:28
  I think it's a solid 1. And I might start countering
• 1:06:32
  some of your Texas Chainsaw suggestions with this one.
• 1:06:34
  Now that I remember what happens in it.
• 1:06:36
  I'll always stick you up on that.
• 1:06:37
  OK, like I I don't hate this movie.
• 1:06:39
  It's just, I think I guess a horror movie.
• 1:06:42
  It's good. I like it.
• 1:06:43
  But like, as a Texas Chainsaw movie, not so much.
• 1:06:47
  I mean, you know, like, again, like I was saying, like it it
• 1:06:49
  kind of does lack the chainsaw part.
• 1:06:51
  Like, we're going to show how he gets it, but he's not going to
• 1:06:54
  use it that much. You know what I mean?
• 1:06:56
  It takes a long time for him to finally bust that thing out.
• 1:06:58
  Yeah. And it's mostly the the Sheriff
• 1:07:03
  show. Yeah.
• 1:07:04
  This time around, the Weather Face doesn't really have a whole
• 1:07:06
  lot to do. I don't know, Like, it's OK.
• 1:07:09
  Like, you know, I got, I have a good time watching it.
• 1:07:12
  It's just I don't love it. Holden is the.
• 1:07:15
  Biker's name. I just remembered Holden.
• 1:07:17
  Holden. There we go, I'm keeping.
• 1:07:19
  Mine at 6 1/2. OK, so you want more?
• 1:07:22
  Chainsaw. You want more Chainsaw I?
• 1:07:24
  Don't need everything to be explained.
• 1:07:26
  And yeah, I just wanted to be more of a Texas Chainsaw movie,
• 1:07:30
  OK? You know, like, I like
• 1:07:32
  Leatherface. Like, I wanted to see
• 1:07:34
  Leatherface have it's time to shine.
• 1:07:36
  Well, Talia. Didn't especially love the way
• 1:07:38
  this opened up. Talia's a big fan of cows.
• 1:07:41
  She has been embraced by the cows.
• 1:07:43
  She is one of them. She did not like that.
• 1:07:45
  We started off with the slaughterhouse scene.
• 1:07:47
  So she immediately wanted to go outside and when she came back
• 1:07:50
  in she was like anxiety licking Travis.
• 1:07:53
  She fell asleep. So she's not having a great
• 1:07:55
  time. I think she's.
• 1:07:56
  Going to give this A5. Yeah, it's just it was stressful
• 1:07:59
  for her five because she if she. Were them, she would just keep
• 1:08:02
  drive. Yeah, exactly.
• 1:08:05
  Sounds like drive. Exactly.
• 1:08:07
  Yeah. Who is Zoe?
• 1:08:09
  'S ultimate warrior. Let's see.
• 1:08:15
  That's tough. I think.
• 1:08:18
  Man, we can't do Leatherface again, can we?
• 1:08:22
  Have we done Leatherface for her?
• 1:08:25
  I think. Last time we did somebody else
• 1:08:28
  in the 2003 one, I think, I think we gave her the possum.
• 1:08:33
  In the 2003 one, we might have given her the pause.
• 1:08:36
  Yeah, I think she kind of relates to the sheriff's whole
• 1:08:41
  thing of like, you gotta do what you gotta do to eat.
• 1:08:43
  And she does like to bite. She does like to bite.
• 1:08:46
  Yeah, all. Right.
• 1:08:48
  Wait. Wait, wait.
• 1:08:50
  OK. All right, now, who did you
• 1:08:52
  relate to? Oh boy.
• 1:08:55
  This is tricky. It's like I said, I've got that
• 1:08:57
  like protection, that sense of protection over our nieces and
• 1:09:01
  nephews, but I'm not a cannibal. So well you can relate to
• 1:09:05
  certain. Aspects of the character, not
• 1:09:07
  the whole thing I guess, but I think.
• 1:09:10
  I'd also need to man. This is hard.
• 1:09:15
  I think I'm. Just going to relate to tea
• 1:09:16
  lady. Like I just want to enjoy my
• 1:09:18
  nice beverages and not get pulled into my friend's family
• 1:09:22
  drama. Yeah, that's that's all I.
• 1:09:25
  That's all I. Want.
• 1:09:25
  I think that's fair. Just like ignore.
• 1:09:27
  The shit that's happening right there, I'm really good at
• 1:09:31
  compartmentalizing. I think I related to Dean's.
• 1:09:34
  Whole thing, like, the whole, like I, I've, I'm lucky to have
• 1:09:39
  not lived in a time where drafting was the thing that I
• 1:09:43
  would have had to have gone through.
• 1:09:46
  But like, if that would have happened to me, I don't know if
• 1:09:50
  I would have handled that any better than he did.
• 1:09:52
  You know, like, I don't want to go to war.
• 1:09:54
  Yeah, I'm not. Like I'm not.
• 1:09:57
  Into that whole thing. Maybe Mexico sounds pretty good,
• 1:10:01
  you know? Yeah.
• 1:10:02
  Like, I don't know, like it. It's a it's an interesting
• 1:10:05
  thing. It's a scary.
• 1:10:07
  Thing to be. Called for that, Yeah, it really
• 1:10:10
  isn't after like abandoned. Everything.
• 1:10:12
  Yeah. Yeah.
• 1:10:13
  Terrifying. All right, so we don't.
• 1:10:15
  Do dream sequel for these? No, but we do need to come up
• 1:10:19
  with an alternate title. So clearly The Biker 1 doesn't
• 1:10:23
  do. Anything for you Yeah the biker
• 1:10:25
  1 does not work for me and I've. Tried to say the draft.
• 1:10:27
  Dodger one, but that's still I always think that it's the. 2003
• 1:10:31
  one because I get the two blonde boys mixed up.
• 1:10:33
  So what's the thing about this movie?
• 1:10:34
  That stood out the most you dumpster baby.
• 1:10:38
  What's that? No.
• 1:10:39
  OK. This is iced coffee.
• 1:10:42
  Listen, I'm going to do a 2 for. One alternate title slash
• 1:10:46
  tagline. Thomas Hewitt's No Good, Awful,
• 1:10:50
  Very Bad Day. That is all of them.
• 1:10:53
  But this is like the. Original really bad day for him
• 1:10:55
  that turns him into a killer. This is this is his Russell
• 1:10:59
  Crowe moment. This is his Chroman.
• 1:11:03
  OK, whoa. We gotta work that in there.
• 1:11:06
  Like it's gotta be like Russell Crowe, the Russell Crowe 1.
• 1:11:14
  We'll just say it's the Russell Crowe one, the Russell Crowe one
• 1:11:17
  whenever you put. Up the like visual aid at the
• 1:11:20
  end of our series like and this one's called the Russell Crowe 1
• 1:11:25
  people that. Haven't been listening to.
• 1:11:26
  This you're going to be like, what the fuck is Russell Crowe
• 1:11:29
  for anybody else that. Just further muddies like the
• 1:11:33
  whole thing but for you, you're not doing this for other people
• 1:11:36
  we're. Doing this for me it clears it
• 1:11:37
  up for you in. Some weird way, but would that
• 1:11:40
  actually work for you though? The Russell Crowe one?
• 1:11:42
  Listen, the more neurons that. You can get to connect to
• 1:11:45
  something helps with memory, like you have to have multiple
• 1:11:48
  ways of remembering a certain fact figure, moment, things like
• 1:11:52
  that. So if we can tie Russell Crowe
• 1:11:54
  into this, yes it will help my brain psychology bitch.
• 1:11:57
  Can I also say the Lou Temple one?
• 1:11:58
  Too. Yes, because he's like,
• 1:12:00
  definitely not in any of the other ones.
• 1:12:02
  He's only in this one. Hold on.
• 1:12:05
  Yeah. Temple of.
• 1:12:06
  The Crow. There we go, Temple of the.
• 1:12:08
  Crow There's a good movie title right there.
• 1:12:11
  I want to watch that. And it's got to star Lou Temple
• 1:12:14
  and Russell Crowe, and they just improvised the whole thing.
• 1:12:17
  Let's just make that the Tag 1 Temple.
• 1:12:18
  Of the crow. That doesn't make any sense,
• 1:12:22
  but. He listened to the episode.
• 1:12:24
  He'll get it. Yeah.
• 1:12:25
  Listen. Whatever.
• 1:12:27
  I don't know what tagline Travis is going to pick between Temple
• 1:12:29
  of the Crow and Thomas Hugh. It's no good, awful, very bad
• 1:12:33
  day that it. It'll be a tough one.
• 1:12:35
  Yeah, whatever he ends up. Putting on the artwork this
• 1:12:38
  week, I'll. I'll have to fill that one out
• 1:12:39
  with my. Heart.
• 1:12:40
  Yeah, he's, he's going to have to.
• 1:12:42
  Feel it deep in his heart. Temple of the Crow.
• 1:12:46
  I could just be the subtitle. For this movie too.
• 1:12:50
  OK. WWDD What would Vin Diesel do?
• 1:12:54
  What would Don do? There is an OV in what I'm.
• 1:12:57
  Saying I don't know why I'm hearing that.
• 1:12:59
  Well, OK, so clearly this sum is personal because this family, it
• 1:13:03
  is family then he is in there that.
• 1:13:05
  Could not have happened to. A better movie and better
• 1:13:07
  character. Having Mia there, his own baby
• 1:13:10
  sister, yes. So OK, I've got.
• 1:13:12
  Head. Cannon here.
• 1:13:13
  OK, Takes place like further back in time.
• 1:13:15
  This is Mom. It's Reno, Mia took after Mama
• 1:13:19
  hard. So this is Mama, Yes, This is
• 1:13:22
  why cuz we've never. Seen Mama in the franchise yet?
• 1:13:24
  Never. So this is gonna be a whole new
• 1:13:26
  thing. It's Mama to read them.
• 1:13:28
  So yeah. She's.
• 1:13:29
  There she finds out why Dom and. Jacob, don't talk to.
• 1:13:34
  Mama anymore, even though they don't talk to each other,
• 1:13:36
  neither of them talks to Mama either.
• 1:13:38
  Yeah. And she gets trapped.
• 1:13:41
  And Dom's like, this is my mom, this extrapersonal double
• 1:13:44
  family. And he gets the gang together,
• 1:13:48
  and they have to fight the bikers first, which is great
• 1:13:51
  because Letty has switched over to a motorcycle.
• 1:13:53
  Canonically, yes. So she manages to impress the
• 1:13:58
  bikers so much by kicking some ass.
• 1:14:00
  This is also the beginning. Of her getting the bike thing OK
• 1:14:05
  like they're like. They ride.
• 1:14:06
  And then they're like, she's like, we need another vehicle
• 1:14:09
  and they're like to take a bike knocks out one of the bikers.
• 1:14:11
  Takes their bikes, the bikers respect them.
• 1:14:13
  Leave them alone after that. So they're like, OK, we want no
• 1:14:15
  part of family. Yes, they family, family,
• 1:14:19
  family. Family, family.
• 1:14:21
  You know what we just did? Made $10 billion.
• 1:14:24
  Boom. Yeah.
• 1:14:28
  We're getting weird. Yeah, I guess.
• 1:14:30
  And then? Yeah, they like.
• 1:14:32
  They sneak in and then they they.
• 1:14:35
  Get the cars to work. Yeah, they get the cars, they
• 1:14:37
  get the tow. Truck to work.
• 1:14:39
  The fact that the door is not shutting is not a problem at
• 1:14:41
  all. They're able to swing in after
• 1:14:44
  Bailey gets split out, they swing in.
• 1:14:46
  They get the tow truck. They having the door that
• 1:14:48
  doesn't. Close properly makes it a lot
• 1:14:51
  easier to get on top of a moving vehicle Exactly yeah, that's how
• 1:14:54
  you got to do it yeah yeah. So they're you're.
• 1:14:56
  Able to stop like the whole dinner scene and everything from
• 1:14:59
  happening cuz they just drive through the house.
• 1:15:02
  Yeah, through the window. They do it reverse.
• 1:15:04
  Instead of going through the window out of the house, they go
• 1:15:06
  through the window into the house to rescue.
• 1:15:09
  Yeah, yeah, yeah. And then they pick a.
• 1:15:10
  Mama Trello and they. Drive off into the sunset.
• 1:15:12
  Yeah, Mama, Trello is gonna. Break good instead of break bad.
• 1:15:17
  Yeah, and. The Hewitt's have their own BBQ.
• 1:15:21
  There's like a juxtaposition here.
• 1:15:23
  They have their BBQ with some human flesh, and then meanwhile
• 1:15:26
  the Toritos are having their BBQ with their Coronas.
• 1:15:29
  Yeah, and Mama. Looks a little like freaked out
• 1:15:33
  by like cow meat instead of human meat.
• 1:15:35
  Yeah, OK. OK, we did it all right.
• 1:15:37
  Now we can do a review. All righty OK, I'm glad I picked
• 1:15:43
  this one after hearing some of your thoughts.
• 1:15:46
  So this is a one point O I'm not going to read the whole thing,
• 1:15:50
  but I'm going to pick up this little part.
• 1:15:52
  The contradictions in this are appalling.
• 1:15:54
  For instance, leather faces one bad mother.
• 1:15:56
  He's huge, he's powerful. List one guy up off the ground
• 1:15:59
  impaled on a chainsaw and he causes the ground to shake when
• 1:16:02
  he walks, yet he hides in a car. He can't be seen by a passing
• 1:16:06
  vehicle and his stealth like nature allows for a very stupid
• 1:16:09
  and very gory finale that perhaps gives this it's wretched
• 1:16:11
  fraud, the only genuine feeling of originality it deserves.
• 1:16:15
  It's original in this, but it's also very, very stupid.
• 1:16:18
  This movie is fairly pointless. Wait, wasn't the actual sheriff?
• 1:16:21
  Well, there's a shocker. Gee, could a man in a dead town
• 1:16:24
  be pretending to be a sheriff? Or that leather face has birth
• 1:16:28
  defects? Or that his mother gave birth to
• 1:16:30
  him on the floor of the slaughterhouse as she was dying?
• 1:16:33
  Yeah, this was 1 grotesque scene.
• 1:16:34
  I can't even imagine someone being proud of producing that
• 1:16:37
  scene, let alone choosing to keep it in the movie.
• 1:16:40
  And he found a home away from home in the confines of a
• 1:16:42
  slaughterhouse. I'm of course off on a tangent
• 1:16:44
  here, but literally, there's nothing in this movie.
• 1:16:47
  Nothing at all. Simply put, this is a rehashing
• 1:16:49
  of the remade Texas Chainsaw Massacre repackage is a
• 1:16:52
  beginning chapter that simply was not needed.
• 1:16:54
  If you want to see a Leatherface, do yourself a favor
• 1:16:56
  and watch the DVD of the remake. It makes more sense than paying
• 1:16:58
  money to go to the theater and watch the same movie for an
• 1:17:01
  inflated price. Yeah, I get that.
• 1:17:03
  Yeah, I mean. I get what they were trying to
• 1:17:05
  do and try and make like a continuation, but I mean, it
• 1:17:07
  really was just like, and here's more of that, you know, they
• 1:17:11
  didn't really do much different except they just, I don't, I
• 1:17:15
  feel like Weatherface was a better presence than the 2003
• 1:17:18
  one, than the 2006 one. I'm still not.
• 1:17:22
  Mad about him just having to like watching him become
• 1:17:25
  unhinged. Like I get your point.
• 1:17:27
  Like you don't need the origin story.
• 1:17:29
  Like you're happy with just living in the universe as it is
• 1:17:32
  and accepting it as it is. I like that, I thought.
• 1:17:34
  That that was more effective, like without having to see
• 1:17:37
  things play out, like just have it like be understood like and
• 1:17:40
  let your head fill in the rest. I think that that's I think
• 1:17:45
  that's more effective. OK.
• 1:17:47
  Personally, did we have any listener?
• 1:17:49
  Reviews pop up. Let me check we.
• 1:17:51
  Didn't by the time I was checking originally, but I
• 1:17:54
  posted this kind of weight last night.
• 1:17:56
  Oh, we've our poll has changed. We've had 82% of people saying
• 1:18:02
  Pearl has X Factor and 18% now station doesn't.
• 1:18:06
  Yeah, All right, so nothing there.
• 1:18:10
  No, we don't got any. Don't got any?
• 1:18:12
  Don't got any. OK, Don't got none.
• 1:18:14
  Hold up. This is Travis here by.
• 1:18:17
  Himself, I am reading a review that we received after the
• 1:18:21
  recording. Unfortunately, I don't have
• 1:18:23
  Jesse here with me at the moment to read this along with me, but
• 1:18:26
  I figured I'd go ahead throw in this little review.
• 1:18:29
  That way we have something here for the listener reviews.
• 1:18:31
  So thank you for sending this in.
• 1:18:33
  This one came in from Mernie. I hope I am saying that name
• 1:18:39
  right. If I have been saying that name
• 1:18:41
  wrong this entire time please let me know because I I don't
• 1:18:44
  want to be wrong about that. She says not as good as the 2003
• 1:18:48
  remake but still decent and I agree.
• 1:18:51
  That's exactly what I've been saying the entire episode.
• 1:18:54
  It's it's OK. It's not the worst one.
• 1:18:57
  It's by far not the worst one. It's one of the better ones.
• 1:19:02
  It's one of the gooder ones I'll call Gooder.
• 1:19:04
  It's it's gooder than the other ones.
• 1:19:06
  But yeah, I just, it doesn't really do it for me like it does
• 1:19:10
  for other people, man. Like I the 2003 one just beats
• 1:19:14
  it by a lot. And it's really hard not to draw
• 1:19:16
  comparisons between the two when they're pretty similar movies of
• 1:19:20
  overall. So.
• 1:19:21
  All right, well, thanks for sending that in.
• 1:19:23
  I wanted to get this in here. All right, now let's send it
• 1:19:26
  back to the normal recording. I guess that's it.
• 1:19:30
  For this next week, Travis's birthday week.
• 1:19:35
  That's right. Which means it's gonna be his
• 1:19:36
  movie. I don't know if you know what it
• 1:19:39
  is yet and you're ready to reveal, or if you want it to be
• 1:19:41
  a surprise when we post the schedule later.
• 1:19:44
  I think I know what it is. What is it I've been going over
• 1:19:47
  in my head? I believe that it is going to be
• 1:19:53
  the strangers. OK.
• 1:19:55
  OK, that's a very good one, cuz I love that movie.
• 1:19:58
  Yeah, that's so good. Yeah.
• 1:20:00
  That's actually funny because my mom and I were talking, she
• 1:20:04
  still hasn't seen like Eating because I described it so much
• 1:20:08
  in the episode about how tense it makes me and she thinks The
• 1:20:11
  Strangers is one of the scariest movies she's ever seen.
• 1:20:14
  Like it's really fucking good, man.
• 1:20:15
  Yeah, it's like that tension and she.
• 1:20:17
  Was just like, I'm just ready for it to be over already and I
• 1:20:19
  get that feeling from it. I can watch the strangers a
• 1:20:22
  little bit more easily than like Eden, but not much more easily.
• 1:20:24
  A lot of times on Travis wants to watch the strangers.
• 1:20:26
  I'm like, but what if we watch pray at night and I rarely get
• 1:20:29
  to watch the. Strangers.
• 1:20:30
  Because Jesse never really feels it.
• 1:20:32
  It is. That's the whole point.
• 1:20:34
  That's why it's good. And then Dennis Reynolds.
• 1:20:36
  Is there for some reason even better?
• 1:20:38
  That's icing. On the cake right there.
• 1:20:41
  OK, so. Watch the Strangers.
• 1:20:44
  Let's see, we're streaming well. It'll be a different month.
• 1:20:47
  Oh, yeah, you're right. Yeah, OK.
• 1:20:48
  Never mind though. Yeah, just.
• 1:20:50
  Keep an eye out for it. Yeah, I'm sure it'll be
• 1:20:52
  somewhere. It usually is.
• 1:20:54
  And of course, obviously we were talking about the.
• 1:20:55
  Original Yeah here. Not Chapter 1 or pray at night.
• 1:20:58
  Yeah, Chapter 2's coming out later this year.
• 1:21:00
  Yeah, true. I'm excited for them.
• 1:21:02
  Yeah, I think they had to do extensive.
• 1:21:03
  Reshoots. Yeah.
• 1:21:05
  So supposed to come out last year.
• 1:21:07
  All three of them were supposed to come.
• 1:21:09
  Out last year, yeah. So I'm interested to see what
• 1:21:12
  they end up doing with it. But me too.
• 1:21:13
  OK, in the meantime, this is, this is it, this is it for the
• 1:21:18
  month. We've done our Tubi, we've done
• 1:21:19
  our Patreon bonus. So just sit tight and wait for
• 1:21:23
  the August schedule to release. Obviously our budget, dear
• 1:21:26
  bubbies. Be ready to vote soon.
• 1:21:30
  We'll have the sticker for this. One in your mailbox very soon
• 1:21:33
  also that and we have. We have our confetti this time.
• 1:21:36
  Don't worry, I know it wasn't there last time.
• 1:21:40
  We miscalculated when we needed to order it, we really did.
• 1:21:45
  So sorry for that right there. It's new.
• 1:21:46
  It's new confetti it. Is which I know is exciting to
• 1:21:49
  some of you. We try and switch it up every
• 1:21:50
  time, yes. You'd be surprised the.
• 1:21:52
  Amount of oogie boogie confetti that exists.
• 1:21:56
  I just want Annie Wilkes on it. Oogie.
• 1:22:00
  Boogie, Don't worry guys, we got some oogie Boogie for you in the
• 1:22:05
  in the envelope this month. Okay, Speaking of our patrons,
• 1:22:08
  we'd like. To thank all of our bubbies, we
• 1:22:11
  have Joe Freakatron, as is his. Name.
• 1:22:13
  Amber, Michael, Lord, Zombie, Tyler, Chad, Johnny and Jason.
• 1:22:17
  Yeah, thank. You guys so much for being
• 1:22:20
  patrons. We really support.
• 1:22:22
  We really appreciate all. We really support you support.
• 1:22:25
  Yeah, we, we, honestly. Do it it means a whole lot to us
• 1:22:28
  and it makes a huge difference It's how we get the Oogie boogie
• 1:22:32
  for the envelopes and things like that.
• 1:22:34
  So thank you guys for doing that Why did I say it?
• 1:22:37
  Would you I? Don't know, but I'm really happy
• 1:22:38
  you. Did so, yeah.
• 1:22:40
  Thanks everybody for, you know, being here.
• 1:22:42
  If you are unable to be a patron, we totally get it and we
• 1:22:45
  understand. But you can help us in all kinds
• 1:22:47
  of other ways that are not me. Yeah.
• 1:22:50
  No, no money. You can do no money down.
• 1:22:53
  You can rate US the highest you can on whatever platform you
• 1:22:56
  listen on .4 out of .5. Point Please listen to our are.
• 1:22:59
  You scared episode for reference on that rating system.
• 1:23:02
  My favorite ever. Yeah, it was hilarious.
• 1:23:05
  You can also share episodes just like, let people know you like
• 1:23:11
  our show, you know, kind of spread the word show like that
• 1:23:13
  Just. Yeah, word of mouth is always
• 1:23:15
  good and just being around and being like participating in
• 1:23:19
  shit. We really appreciate that.
• 1:23:21
  It means a lot for us in the show.
• 1:23:23
  So thank you guys for doing that.
• 1:23:24
  If you want to find us online, you can find us on our socials.
• 1:23:28
  We have our Instagram and Threads.
• 1:23:30
  Least favorite skater movie podcast or Blue Sky is at least
• 1:23:33
  Faith Pod and we have a website. What's your least favorite?
• 1:23:36
  Skatermovie.com, that has all the shit that you need.
• 1:23:39
  So yeah, I think that's gonna be it for this month.
• 1:23:41
  Sounds about correct, yeah. Thanks everybody for sticking.
• 1:23:44
  Around and we will see you next week with the strangers.
• 1:23:47
  Until then, bye. end this.
• 1:24:02
  And yeah, didn't it?