Latest / Xenomania / Countdown to Chaos: New Year’s Evil (1980) – Xenomania 53

Transcript

Countdown to Chaos: New Year’s Evil (1980) – Xenomania 53 · Xenomania

• 0:02
  No, be afraid.
• 0:06
  Be very afraid.
• 0:15
  Kearns: 25.
• 0:16
  Uh, ma actually no,
• 0:18
  Ryan: It should be better.
• 0:20
  Kearns: So
• 0:23
  Jon: We've had a stretch of about seven or eight years that
• 0:27
  have said, Hey, hold my beer.
• 0:30
  Kearns: Yeah, that's true.
• 0:32
  Ryan: Hold my case of beer.
• 0:34
  Kearns: remember in 2020 when somebody was like, uh, you know, there's
• 0:36
  this weird virus coming outta China.
• 0:39
  And I was like, yeah, you know, all the things you have
• 0:40
  to worry about more than that.
• 0:42
  Like, let me give you a, let me rattle off a list of everything
• 0:45
  that's wrong right now.
• 0:46
  And then that happened and I was like, I'm sorry, I was, that was wrong.
• 0:51
  Jon: did you include an incel husband going after his wife in your list?
• 0:59
  Kearns: did not,
• 1:01
  Ryan: no, that wasn't on my bucket list
• 1:03
  Jon: Well.
• 1:04
  Ryan: introduced it to us.
• 1:05
  Jon: It's in New Year's Evil.
• 1:08
  Ryan: Such a great concept, but I'm gonna say it, it lands, but it doesn't land
• 1:14
  Kearns: crash
• 1:16
  Ryan: the concept.
• 1:18
  Well, it, the concept's cool with the, you know, every murder happens at 12 o'clock,
• 1:23
  midnight across the United States.
• 1:25
  Brilliant concept, brilliant idea of like we follow in the killer and all
• 1:30
  that, and the mystery and the suspense.
• 1:32
  And then you have these horrible mosh pits for five minutes straight.
• 1:36
  I counted them 20 minutes of mosh pit action.
• 1:40
  That's not real mosh pit action.
• 1:43
  Jon: Yeah.
• 1:43
  Ryan: are
• 1:43
  Jon: In a movie that's under, in a movie that's under an hour and a
• 1:47
  half, that's a lot of, lot of moshing.
• 1:50
  Mm-hmm.
• 1:51
  Ryan: They could have made it a, like a Tales from the crypt episode.
• 1:55
  A
• 1:56
  Kearns: Definitely
• 1:57
  Ryan: oh.
• 1:57
  Yeah.
• 1:59
  Kearns: I mean,
• 2:01
  Jon: It definitely did.
• 2:02
  Kearns: it to be a big stinker, and it actually kind of rose above that a
• 2:05
  little bit for me, so I was like, that's
• 2:09
  Jon: Yeah.
• 2:10
  It's not big stinker.
• 2:11
  it's got some, cult status.
• 2:14
  It's, okay.
• 2:14
  Kearns: Yeah.
• 2:15
  New Year's evil, eh?
• 2:17
  Jon: It's okay.
• 2:18
  Kearns: to be on the poster
• 2:20
  Ryan: compared to the others.
• 2:21
  I mean, like Friday the 13th, um, I think Terror Train came
• 2:25
  out that year too, right?
• 2:27
  Jon: Mm-hmm.
• 2:28
  Ryan: I mean, you're comparing it to all those, I,
• 2:31
  Jon: Mm-hmm.
• 2:31
  Ryan: know, I, yeah, I mean, like, I didn't hear about
• 2:34
  this until John introduced it.
• 2:36
  I love the poster though, popping his head out of the calendar.
• 2:40
  Jon: Yeah.
• 2:41
  They, they create some cool aesthetics.
• 2:44
  They have an, okay story.
• 2:46
  They don't have much of an effects budget.
• 2:50
  They fall short in
• 2:52
  some of the character building, in some of the kills.
• 2:55
  It's, but it's okay.
• 2:58
  Kearns: Yeah, it was kind of
• 3:00
  Jon: that's the movie poster review.
• 3:02
  Kearns: Yeah,
• 3:06
  Makes it more perfect.
• 3:08
  But, um, do we have any notable actors in
• 3:10
  Jon: one's okay.
• 3:11
  well you found one.
• 3:13
  Kearns: I did Grant, uh, is it Grant Kramer, Mike Tobacco, please?
• 3:19
  Well,
• 3:19
  Ryan: Yep.
• 3:19
  Kearns: Mike Tobacco and Killer Clowns for Matter space.
• 3:21
  Actually, actually, he's Grant Kramer though.
• 3:23
  I don't even know his name in this movie.
• 3:28
  Jon: He's the son.
• 3:31
  Yep, he's the son Derek.
• 3:32
  And we get, Roz Kelly in the lead role who probably most notably is Fonzie's
• 3:40
  girlfriend on Happy Days Pinky Tuscadero.
• 3:43
  Ryan: Hey,
• 3:47
  Jon: But at the end of the day, the biggest claim to fame for this
• 3:50
  movie is the production company.
• 3:52
  That this is like one of the early Golden and Globus Canon films
• 3:58
  Kearns: Can you,
• 3:59
  Jon: when they took over a Canon
• 4:01
  Kearns: was
• 4:01
  Jon: s
• 4:01
  Kearns: can you give us a little bit more on that for people like me
• 4:04
  who have no idea what that means?
• 4:09
  Jon: You have no idea what it means, but I guarantee you've
• 4:12
  seen movies that they released.
• 4:16
  so Manam Golan and y Globus are movie producers, or one was a movie producer.
• 4:23
  In 79, they took over Cannon, which was, you know, it was cranking along
• 4:28
  with some, you know, low budget action.
• 4:30
  And they sort of stuck with the low budget action, mostly idea, you know, some
• 4:37
  horror, some other stuff thrown in there.
• 4:39
  And, you know, released B-level movies with some big name actors.
• 4:46
  Like they had missing an action.
• 4:48
  They had Delta Force
• 4:52
  Death Wish two, life Force Invasion, USA, they had Sylvester Stallone's
• 4:59
  alternative to Beverly Hills cops, since he couldn't, wasn't gonna get that role.
• 5:03
  He made Cobra.
• 5:05
  That was a Cannon movie.
• 5:06
  Um
• 5:07
  Kearns: imagery
• 5:09
  Jon: mm-hmm.
• 5:09
  Ryan: Yes,
• 5:12
  Jon: Yep.
• 5:13
  Yep.
• 5:14
  And that was his idea for Beverly Hills Cop.
• 5:16
  He didn't want it to be a, funny movie.
• 5:18
  He wanted it to be Cobra.
• 5:20
  Kearns: with Beverly Hills Cop too.
• 5:21
  The comedy versus the seriousness of it, like perfect through line.
• 5:27
  Sloan would've screwed that up
• 5:29
  Jon: Yeah.
• 5:30
  Kearns: my mom will shoot is
• 5:31
  Jon: Yeah.
• 5:32
  Kearns: Demolition Man has a lot of humor and it hits pretty well
• 5:38
  Ryan: the
• 5:38
  Jon: Mm-hmm.
• 5:40
  I mean, Canon also had over the top with Stallone, the arm wrestling movie.
• 5:49
  They had Texas Chainsaw Massacre too.
• 5:52
  Ryan: classic.
• 5:53
  Jon: They had a nice little, and then a whole mess load of martial arts movies.
• 5:56
  They had the Ninja trilogy, which is a lot of fun to watch and
• 6:00
  like they had a lot of really.
• 6:04
  Decent B level movies with, decent casts.
• 6:08
  And then, yeah, as the eighties went on, they sort of devolved into more of
• 6:12
  the sequels break two electric boogaloo.
• 6:16
  Um, they went to, uh, Superman for the Quest, for the Quest
• 6:23
  for plot, uh, piece rather.
• 6:25
  Um,
• 6:26
  Kearns: and Richard Pryor in that one and they couldn't get it together?
• 6:30
  Ryan: No,
• 6:30
  Jon: definitely Richard Pryor.
• 6:32
  It was definitely Richard Pryor.
• 6:33
  Ryan: Pryor's.
• 6:34
  The third one.
• 6:35
  He's the third one with the computer.
• 6:36
  Yep.
• 6:37
  And then the fourth one is
• 6:39
  Jon: remember the fourth one.
• 6:40
  Then
• 6:41
  Ryan: and John Fryer's nephew.
• 6:43
  And they create nuclear Man.
• 6:46
  I said that wrong.
• 6:48
  Not Gene Wilder.
• 6:48
  Gene Hackman.
• 6:49
  Wow.
• 6:50
  Kearns: saw
• 6:50
  Ryan: Gene Hackman.
• 6:50
  Kearns: Wilder.
• 6:51
  So Nuclear Man.
• 6:53
  Is that the one with the, other sun guy that Superman like
• 6:56
  kills by putting him in the sun?
• 6:58
  I I've seen that
• 7:00
  Ryan: Yes.
• 7:02
  The third one's got the bizarro where, uh, Christopher Reve
• 7:06
  has the five o'clock shadow,
• 7:09
  Kearns: I do remember that.
• 7:11
  Ryan: evil Superman.
• 7:12
  Kearns: lot of
• 7:14
  Jon: And then
• 7:15
  Ryan: But hold
• 7:16
  Jon: they made, they made a lot.
• 7:17
  They made a lot.
• 7:18
  Ryan: blood score.
• 7:19
  Kearns: Wait, they
• 7:20
  Jon: yep.
• 7:21
  Bloodsport.
• 7:21
  I was getting to one more.
• 7:23
  Yeah, one more of their big flops.
• 7:27
  Probably their biggest flop.
• 7:30
  Um,
• 7:32
  they did make a movie called Ate too, but that's not the way I'm going.
• 7:37
  Ryan: Was it the sequel?
• 7:39
  Jon: Nope.
• 7:39
  It, they may have made the worst IP movie ever.
• 7:44
  They got their hands on an, an intellectual property and
• 7:48
  released Masters of the Universe
• 7:53
  the eighties.
• 7:54
  He-Man movie,
• 7:56
  Ryan: Franklin Angel couldn't even save it.
• 7:58
  Kearns: Masters of the universe, reeks
• 8:00
  Jon: they tried,
• 8:02
  Ryan: It does,
• 8:04
  Jon: it reeks
• 8:05
  Kearns: It reeks.
• 8:06
  Yeah, that's a good point.
• 8:09
  Ryan: but then when you compare 'em, would you take Masters of
• 8:11
  the Universe or Flash Gordon?
• 8:13
  Kearns: I find a little
• 8:14
  Jon: Flash Gordon.
• 8:15
  Kearns: No.
• 8:16
  Yeah.
• 8:16
  See John
• 8:18
  Jon: I love Flash Gordon in part 'cause of how amazing the use of
• 8:23
  color is in that, like every scene is.
• 8:26
  Just different colors.
• 8:27
  And you get the queen soundtrack and I like flash.
• 8:32
  And if you get that on 4K, those colors pop.
• 8:36
  Those colors pop so nice on 4K,
• 8:40
  Ryan: It's the red.
• 8:42
  red is
• 8:42
  Jon: it's the,
• 8:43
  Ryan: your
• 8:43
  Jon: it's the red.
• 8:45
  But then he gets to that place with, Timothy Dalton, and it's all greens and
• 8:49
  you know, like a, that nice bright green.
• 8:53
  And you get the reds when, they're in Ming's area, like,
• 8:59
  Ryan: Okay.
• 8:59
  Jon: yeah.
• 9:00
  And then, then that last scene with the poor, practical effects of
• 9:06
  the Hawkman flying in for attack.
• 9:09
  I love flash.
• 9:11
  I love that movie.
• 9:12
  I may have to watch that tomorrow.
• 9:13
  Kearns: not a bad
• 9:14
  Ryan: flesh,
• 9:16
  Kearns: back to New Year's evil.
• 9:17
  Real quick because we will talk about everything but this
• 9:20
  movie, if we're not careful.
• 9:21
  what is the plot of this movie?
• 9:25
  Listen,
• 9:27
  Jon: All right.
• 9:27
  Um,
• 9:29
  Kearns: There's a reason for that.
• 9:30
  All right, LA.
• 9:31
  Sorry, John.
• 9:34
  Jon: la New Year's Eve.
• 9:36
  Diane is hosting a, what they're calling a punk rock, new Year's, but then
• 9:42
  they alternately call it a new wave, new Year's, and the music is closer
• 9:47
  to New Wave than like what you would imagine punk sounded like at that point.
• 9:52
  Ryan: Yes, a hundred
• 9:54
  Jon: Um, so she's hosting, it's basically Dick Clark's rocking New Year's with.
• 10:01
  A woman hosting in some, some bands that no one would ever, ever heard of.
• 10:06
  Kearns: it's
• 10:07
  Jon: Mm-hmm.
• 10:08
  And
• 10:11
  Ryan: that's the name of the band who sings the
• 10:13
  Jon: yeah, yeah, yeah.
• 10:14
  Ryan: in the, I think in the beginning, right?
• 10:17
  Like on stage?
• 10:19
  Jon: Yes.
• 10:20
  Kearns: stuff?
• 10:20
  By the way?
• 10:21
  There's nothing.
• 10:22
  There's no
• 10:23
  Ryan: I did.
• 10:24
  Jon: never did.
• 10:25
  Kearns: way to find anything that they've ever done.
• 10:28
  Ryan: I had an r and b artist come up after I looked it up, it was like
• 10:32
  the song and then it's like all r and b and I'm like, what is this?
• 10:35
  And they're relating it to it.
• 10:38
  Jon: Mm-hmm.
• 10:42
  So, so Diane is hosting her New Year's Eve party, when she gets a phone call
• 10:47
  from a, guy with a voice modulator
• 10:49
  Ryan: Evil,
• 10:49
  Jon: who vows to kill at the stroke of midnight in each time zone.
• 10:56
  Ryan: is
• 10:57
  Awesome concept.
• 10:58
  Kearns: modulator a little bit because Wow.
• 11:02
  Ryan: Hello
• 11:03
  Kearns: It sounds like
• 11:03
  Ryan: kd.
• 11:05
  Kearns: the
• 11:05
  Ryan: evil.
• 11:07
  Kearns: that you have to use.
• 11:09
  Ryan: I thought I was watching.
• 11:10
  I thought I was
• 11:11
  Jon: it does,
• 11:12
  Ryan: I thought I was watching WBF on and it was ka.
• 11:15
  talk.
• 11:16
  I was like
• 11:17
  what are we doing here?
• 11:18
  Kearns: at all.
• 11:21
  Jon: but it's like a higher pitch though than like, than the normal
• 11:26
  sort of esophagal voice box thing.
• 11:30
  It's like a higher and like goofier sound even, you know, like this is,
• 11:38
  Kearns: That's actually a pretty good impression.
• 11:41
  Ryan: that is
• 11:42
  Jon: and then after his initial call, he begins killing and
• 11:48
  recording them and calling back and playing his tapes of the murders.
• 11:55
  Taunting Diane and the police officers until west coast Pacific.
• 12:01
  Time it, we near midnight and all secrets are revealed.
• 12:09
  Kearns: We get some BTK
• 12:11
  bit
• 12:11
  Ryan: Yeah.
• 12:12
  Kearns: was saying, there's a lot of
• 12:13
  Ryan: Yeah.
• 12:14
  Kearns: that just wasn't achieved whatsoever.
• 12:16
  Jon: Mm-hmm.
• 12:17
  Kearns: time to go into the areas they should have and stay there for a while.
• 12:21
  It's, yeah, I mean, that's a cool plot.
• 12:24
  cool
• 12:25
  Ryan: And
• 12:28
  Jon: Yeah.
• 12:29
  Ryan: say the first, the first kill real quick.
• 12:31
  It doesn't even happen at midnight, right?
• 12:34
  Like
• 12:34
  Kearns: I don't know.
• 12:35
  Jon: Yvonne.
• 12:38
  Ryan: Yeah.
• 12:39
  Jon: He,
• 12:39
  Ryan: Like he
• 12:40
  Jon: he.
• 12:42
  Killed, I think it's her manager, is Yvonne, her manager.
• 12:45
  I believe the way they talk about her later on, that she
• 12:49
  was keeping his money from him.
• 12:50
  And Spoiler
• 12:54
  Kearns: right?
• 12:54
  Like you're gonna go see New Year's Evil, I wonder if there are any listeners
• 12:59
  who are going out after we're doing the episodes and watching the movies and
• 13:02
  be like, those guys are way off base.
• 13:03
  That's like Oscar potential right there.
• 13:07
  Ryan: Uh, please write that in the comments.
• 13:09
  Please,
• 13:10
  Jon: I
• 13:11
  Ryan: please write that in the comments.
• 13:13
  But I mean, it just me off on the motif, you know,
• 13:18
  on the
• 13:19
  Jon: On his motive
• 13:20
  Ryan: Like his
• 13:21
  Jon: or the, oh, the motif.
• 13:22
  His motive,
• 13:23
  Ryan: his
• 13:24
  Jon: yeah.
• 13:25
  Kearns: and motive in the same
• 13:26
  Ryan: I
• 13:27
  Jon: Yeah.
• 13:27
  Kearns: gonna resist the
• 13:29
  Jon: I wasn't,
• 13:29
  wasn't sure.
• 13:31
  Kearns: A motive
• 13:33
  Ryan: the motive,
• 13:35
  motive,
• 13:36
  the motive,
• 13:37
  Jon: I mean.
• 13:37
  Ryan: he's doing it at midnight and then this is the one kill that's not
• 13:40
  on midnight, which is interesting though, 'cause it's more at like, it's
• 13:44
  not part of the plan, it's just bonus.
• 13:46
  So you kind of get a little bit more into the psych
• 13:48
  Jon: Mm-hmm.
• 13:49
  Ryan: which is
• 13:50
  Jon: Mm-hmm.
• 13:50
  Ryan: but it's like,
• 13:51
  Jon: Well,
• 13:51
  Ryan: it's just, it's a throw off.
• 13:53
  Jon: that's also the, death that may, you should realize very early on that this
• 14:00
  is more personal than a random lunatic calling into a show and killing people.
• 14:07
  They said that there's a personal connection.
• 14:10
  It hit the first target is someone close to Diane, and then you find out
• 14:15
  at the end that it is very personal.
• 14:18
  It's her husband.
• 14:20
  His final target is Diane.
• 14:22
  He's got some very incel like views on women.
• 14:30
  Ryan: Yeah, he
• 14:30
  Jon: It's kind of ahead of its time in that way.
• 14:32
  I mean,
• 14:33
  1980 was not.
• 14:37
  Ryan: Okay.
• 14:37
  Fair, on that
• 14:39
  Kearns: 1980
• 14:41
  Ryan: Polish Seltzer.
• 14:41
  Okay.
• 14:42
  Kearns: was, um, it wasn't as in your face
• 14:44
  Jon: No, it was.
• 14:46
  Kearns: who ran
• 14:47
  Jon: Mm-hmm.
• 14:56
  Yeah.
• 14:56
  Yeah, yeah.
• 14:57
  Like nine 1980s was more of an institu, institutionalized misogyny than
• 15:04
  we have now.
• 15:05
  Kearns: Like me, I'm gonna go on a
• 15:09
  Jon: Yeah.
• 15:10
  Kearns: Nobody likes me.
• 15:12
  Jon: I haven't, I haven't showered in three weeks.
• 15:14
  No girls will date me.
• 15:16
  What's wrong with women?
• 15:17
  Kearns: because they suck.
• 15:19
  Jon: Nope.
• 15:20
  Ryan: I went
• 15:20
  Jon: Nope.
• 15:21
  Ryan: I went with Ernest, saves Christmas immediately.
• 15:23
  Ernest p Bullhorn.
• 15:24
  I'm sorry.
• 15:25
  I went total opposite.
• 15:27
  I was like, Vern.
• 15:27
  Vern.
• 15:29
  Kearns: But yeah, I mean the misogyny kick, uh, one thing they
• 15:31
  did have in the seventies and eighties though was misogyny.
• 15:34
  And, uh, this movie's got tons of it, but it's
• 15:37
  Ryan: Yep.
• 15:38
  Kearns: like a subcategory.
• 15:41
  Jon: Yeah.
• 15:42
  Yeah,
• 15:43
  Ryan: Oh,
• 15:44
  Jon: yeah,
• 15:47
  yeah.
• 15:48
  It's there.
• 15:49
  Ryan: it's like,
• 15:49
  Jon: It exists in the universe.
• 15:51
  Ryan: it's, it's a,
• 15:52
  Kearns: Sorry, Ryan.
• 15:53
  Ryan: yeah,
• 15:54
  Jon: Mm-hmm.
• 15:54
  Ryan: slash No, no, you're good.
• 15:55
  It's a decent slasher that, you know, it fits, it's the mold
• 15:59
  of why it's a Cole Classic.
• 16:01
  But I would say this would, I love to see a remake Yes.
• 16:05
  If done correctly with the, with utilizing the same concept, maybe changing a few
• 16:10
  things around, you know, throwing it out there, ladies and gentlemen, maybe
• 16:15
  like have someone else do the killing still make it the husband behind it.
• 16:21
  But he was like the puppet mess of the entire time.
• 16:23
  So that twist ending, we will talk about, can turn into the
• 16:28
  husband more It's a little dreary still, of course, as we'll talk.
• 16:33
  But, but that's how it should end.
• 16:35
  It shouldn't be like, 'cause like she's, I mean, she's cheating on her husband.
• 16:41
  She treats her son like shit and it No, I mean, not like shit, but she's like
• 16:45
  Jon: I mean,
• 16:46
  Ryan: him,
• 16:47
  Jon: yeah.
• 16:47
  She's not like openly having affairs.
• 16:50
  She's just very career driven and it's, made apparent near the
• 16:56
  end that she's the breadwinner.
• 16:58
  Ryan: Yeah.
• 16:59
  I mean, how she was like caressing her agent in that,
• 17:03
  Jon: Yeah.
• 17:04
  Like, I mean, she, she's definitely not like the most loving dotting wife,
• 17:11
  but she's, you know, she's thought she's making a living, you know, she's,
• 17:18
  yeah.
• 17:19
  And you know that, I think to this day, that's something that certain
• 17:25
  people have a hard time with.
• 17:27
  Kearns: Well, yeah,
• 17:28
  Jon: My wife makes more money than me.
• 17:30
  I know.
• 17:31
  That's perfect.
• 17:32
  May if you make enough more money than me, I don't have to go to work anymore.
• 17:36
  Kearns: At all.
• 17:37
  Just stay home and tidy up the place.
• 17:39
  But it is,
• 17:41
  Jon: Yeah, I can be.
• 17:42
  I can.
• 17:43
  I would be a great, stay at home Cat Dad.
• 17:48
  Kearns: be,
• 17:48
  Ryan: Mr. Mom, two.
• 17:50
  Kearns: him fighting
• 17:51
  Jon: Yeah,
• 17:52
  I could do that.
• 17:55
  Ryan: Come on.
• 17:56
  Jon: that movie.
• 17:57
  I love Michael Keaton though.
• 17:58
  So
• 17:59
  Kearns: That's true.
• 18:00
  Michael Keaton's another great eighties star
• 18:02
  Ryan: Multiplicity does come up once in a blue moon at work.
• 18:07
  Jon: Multiplicity comes up as often as I can work it in.
• 18:11
  Kearns: I think I said I like pizza, Steve, today because I was presented with
• 18:14
  Surprise Pizza today, which was wonderful.
• 18:17
  Jon: I think you did.
• 18:20
  I think,
• 18:20
  Kearns: I
• 18:21
  Jon: I think you may have,
• 18:22
  Ryan: I like pizza.
• 18:24
  Jon: so be, before we dive back into some of the more serious New
• 18:28
  Year's evil topics, how about a game
• 18:31
  Kearns: Oh yeah,
• 18:33
  Ryan: the last one of the year.
• 18:35
  Jon: the last game of the year?
• 18:36
  Kearns: last game of the year.
• 18:38
  Jon: I think we pretty much are too, but the last game of the year is real
• 18:43
  or fake holiday themed movie titles,
• 18:50
  Ryan: Ooh, okay.
• 18:51
  All horror
• 18:52
  Jon: right?
• 18:52
  Ryan: or are we going all over
• 18:53
  Jon: Yeah, no, they, they're all horror.
• 18:55
  Everything, on here is either a real horror movie or a horror movie I made up.
• 19:01
  Ryan: Alright.
• 19:03
  Ready for
• 19:04
  Jon: let's start,
• 19:04
  Kearns: I am
• 19:05
  Jon: let's start with, and I, I just, I, before we start, I wanna
• 19:10
  point out, this is the first one Allison didn't do well with,
• 19:16
  Ryan: What was her score?
• 19:18
  Jon: and she got about five.
• 19:19
  Kearns: there 10.
• 19:22
  Okay.
• 19:23
  Jon: 10.
• 19:24
  Ryan: Five outta 10.
• 19:25
  She's usually
• 19:25
  Jon: she,
• 19:26
  Ryan: outta
• 19:26
  Jon: she's usually running like, yeah.
• 19:29
  I mean, she also knows my, game, so it's usually very easy for her
• 19:34
  to hear what's me and what's not.
• 19:36
  So let's start number one, independence.
• 19:41
  Slay the sleepy town of Chestnut Grove Awakens once a year to host the biggest
• 19:49
  fireworks display in the region.
• 19:52
  Problem is three killers have escaped a mental institute and have carved a
• 19:58
  path of violence through the festivities
• 20:02
  Ryan: It's a really good log line.
• 20:04
  Kearns: or mental institute is my question.
• 20:08
  I.
• 20:09
  Ryan: Chestnuts
• 20:10
  Jon: tech.
• 20:10
  Ryan: me.
• 20:11
  Jon: Technically, I wrote institute and said institution,
• 20:14
  so it's really just, I can't read.
• 20:17
  Kearns: Mind
• 20:18
  Ryan: It's the chestnuts though.
• 20:20
  Kearns: mind games.
• 20:22
  It sounds a lot
• 20:23
  Ryan: Fake.
• 20:24
  Jon: Nah.
• 20:24
  Kearns: it sounds a lot like Uncle
• 20:27
  Ryan: Yeah.
• 20:29
  Uncle Sam with Devil's Rejects Fake.
• 20:32
  Jon: of you said fake already.
• 20:34
  So fake.
• 20:35
  Kearns: Mental Institute is messing me up boy.
• 20:38
  It is messing me up.
• 20:40
  I'm gonna go with
• 20:42
  Ryan: the institute.
• 20:43
  Kearns: because I don't think, yep.
• 20:46
  Jon: It's it's fake.
• 20:48
  Kearns: Institute.
• 20:51
  Ryan: It was Chestnut, the town of Chestnuts.
• 20:55
  Jon: Chestnut Grove.
• 20:57
  Kearns: What do you come up with?
• 20:57
  This shit.
• 20:59
  Ryan: Is, is Rourke there milking farm
• 21:03
  Jon: Yeah, the, that's where the milking farm is.
• 21:06
  It's alright.
• 21:07
  Yeah.
• 21:07
  They have a big clearing where they can, do fireworks.
• 21:12
  All right.
• 21:13
  Number two, carnage for Christmas.
• 21:19
  A true crime podcaster faces off with a ghost reenacting the
• 21:24
  murders of a historical killer.
• 21:28
  Kearns: hmm.
• 21:30
  Ryan: He likes history.
• 21:34
  Jon: I like podcasts too,
• 21:36
  Ryan: do.
• 21:36
  Kearns: And ghosts
• 21:38
  Jon: crime ones.
• 21:39
  Kearns: together.
• 21:41
  I'm going with real.
• 21:43
  Ryan: fake.
• 21:45
  Kearns: Yay.
• 21:46
  on the
• 21:46
  Jon: real.
• 21:47
  Ryan: Ah.
• 21:49
  All right.
• 21:49
  One for one.
• 21:52
  How?
• 21:52
  I gotta ask, how did they shoot that?
• 21:54
  Because I feel like that's like a POV style for some reason.
• 21:57
  Jon: No, but it's.
• 21:59
  It's pretty low budget.
• 22:00
  It's halfway decent, actually, surprisingly, I did not
• 22:03
  expect to enjoy it at all.
• 22:05
  And it was all right.
• 22:07
  Kearns: Okay.
• 22:08
  Jon: It was all right.
• 22:08
  And, you know, number three, boxing Day
• 22:16
  Kearns: Hmm.
• 22:17
  Jon: alone as the rest of Canada celebrates.
• 22:20
  Jimmy Fly Williams heads to the gym to get work in, only to be stalked
• 22:27
  by a vicious killer in headgear.
• 22:31
  Ryan: Hmm.
• 22:32
  Kearns: Ugh.
• 22:35
  Ryan: I know this one's a tough one.
• 22:37
  Kearns: I don't know.
• 22:40
  Ryan: I feel like there's a horror movie called Boxing Day too, but
• 22:42
  I don't think that's the premise.
• 22:44
  I.
• 22:46
  Kearns: Killer in headgear.
• 22:47
  It's too Tse for John.
• 22:49
  It feels like too.
• 22:50
  It feels too, I don't know, plain, which was, I
• 22:57
  ball here.
• 23:01
  Ryan: yeah.
• 23:02
  what I'm gonna
• 23:05
  trifecta?
• 23:06
  I'm gonna go fake.
• 23:07
  Kearns: go fake on this one, actually.
• 23:11
  Jon: This one is fake.
• 23:13
  Kearns: Aw,
• 23:15
  Ryan: Okay.
• 23:15
  Jon: That is fake.
• 23:16
  Ryan: if you said real.
• 23:18
  Jon: That is fake.
• 23:19
  If this were a real movie, it would've been, we would've done it already.
• 23:23
  If this were a real movie, we would've done it already.
• 23:27
  Ryan: right after April.
• 23:28
  Fool's Day, boxing Day.
• 23:31
  Jon: Number four, new Year, new You.
• 23:39
  The latest workout craze is making the Nation Fitter drink Your plankton
• 23:45
  shake 20 minutes of cardio, and you're guaranteed to lose 20 pounds in six weeks.
• 23:53
  But the cost is devastating.
• 23:58
  Ryan: You said plankton?
• 23:59
  Kearns: or something.
• 24:00
  It's a
• 24:01
  Ryan: Yeah, plankton.
• 24:04
  Hmm.
• 24:04
  Jon: Planktons a superfood.
• 24:05
  Kearns: whales can't be
• 24:07
  Jon: You ever seen a fat whale?
• 24:11
  Kearns: I
• 24:11
  Ryan: Well,
• 24:12
  Kearns: like that's
• 24:13
  Ryan: star Trek four.
• 24:16
  Jon: Have you ever seen a fat whale?
• 24:19
  It's not baited.
• 24:19
  It's a legitimate question.
• 24:21
  I've never seen a fat whale.
• 24:22
  Ryan: they're big
• 24:23
  Kearns: used to use all of their fat for oil.
• 24:28
  Jon: All right, fair enough.
• 24:29
  They have blubber, but they're not fat.
• 24:32
  Like,
• 24:33
  Kearns: They're in the proper format.
• 24:35
  Jon: they live a lot longer than we do usually.
• 24:37
  So
• 24:38
  Ryan: percent.
• 24:38
  Jon: we kill
• 24:39
  Kearns: lot longer.
• 24:41
  Ryan: It's a hard one.
• 24:42
  Kearns: I think I'm gonna go real on this one.
• 24:45
  I really don't want to though.
• 24:47
  I really don't want to
• 24:49
  Ryan: You know what?
• 24:51
  Hmm?
• 24:53
  This is a hard one.
• 24:55
  I'm gonna go fake.
• 24:58
  Jon: fake.
• 24:59
  Ryan: It's real.
• 25:01
  Is that what
• 25:01
  Jon: It's fake, fake, fake, fake, fake, fake, fake, fake, fake.
• 25:06
  Kearns: faked
• 25:06
  Ryan: oh.
• 25:07
  Kearns: fake.
• 25:07
  Fake.
• 25:09
  Jon: Yeah.
• 25:10
  Ryan: This is, this is like, I'm like in it to win it,
• 25:13
  but this is a hard one, John.
• 25:15
  Like I'm nervous what you have planned for next year.
• 25:20
  'cause Yeah, I don't, I
• 25:24
  Jon: I'm already thinking about 'em.
• 25:25
  number five, founder's Day in the lead up to a mayoral election.
• 25:32
  The small town of Fairwood is rocked by a series of killings.
• 25:38
  The mast killer begins to target the candidates and their staffs.
• 25:42
  I.
• 25:46
  Ryan: Uncle Sam reelected.
• 25:50
  I'm gonna go real.
• 25:52
  Kearns: and their stabs
• 25:57
  fake.
• 26:00
  Ryan: You just pulled
• 26:01
  Jon: It is real.
• 26:02
  Ryan: I was, okay,
• 26:03
  Jon: It's real.
• 26:03
  I didn't even think about, fair Wooden stabs when I wrote this description down.
• 26:09
  Ryan: When he said that,
• 26:11
  was like, oh man, I messed up.
• 26:13
  Kearns: where I feel like there's breadcrumbs.
• 26:14
  I'm gonna stop going down those paths.
• 26:17
  Jon: Number six.
• 26:19
  All the creatures were stirring an awkward first date ends in a movie
• 26:25
  theater showing a horror anthology.
• 26:28
  The stories featuring ghosts and other creepy creatures leave
• 26:34
  the couple shaken and terrified.
• 26:40
  Kearns: What was the name?
• 26:44
  Was
• 26:44
  Ryan: Yeah,
• 26:45
  Jon: All the creatures were stirring.
• 26:47
  All the creatures were stirring.
• 26:50
  That's the name of the movie and now I'm stuck in the voice.
• 26:54
  Ryan: It's a good title.
• 26:57
  Evil.
• 27:03
  It's a good title.
• 27:05
  can see the monsters coming out from the screen, just
• 27:08
  frantic people dying everywhere.
• 27:10
  It's like, welcome to dairy somewhat.
• 27:13
  I'm gonna go fake.
• 27:17
  Jon: That one's real,
• 27:18
  Kearns: Yay.
• 27:19
  And I'm
• 27:20
  Jon: real, real, real.
• 27:23
  Ryan: Okay.
• 27:24
  Jon: It's four three,
• 27:25
  Ryan: what do you call it?
• 27:25
  Do they come out of the, the screen?
• 27:27
  I have to ask.
• 27:28
  Jon: It's just an anthology.
• 27:29
  It's them sitting in the theater.
• 27:31
  but number seven is gonna throw you guys.
• 27:35
  Number seven, Easter.
• 27:37
  Bloody Easter.
• 27:40
  An Easter weekend is celebration is ruined by a Jackalope, and
• 27:46
  his group of evil buddies.
• 27:50
  One woman stands between her town and The Bloody Destruction
• 27:54
  brought by the Jackalope.
• 27:58
  Kearns: There's a
• 28:00
  Jon: that description.
• 28:01
  Ryan: 20.
• 28:01
  Kearns: There's a lot of Jackalope there.
• 28:03
  We missed
• 28:04
  Jon: I love that description.
• 28:06
  Kearns: Jackalope though.
• 28:06
  We didn't hear got cut off.
• 28:09
  So we don't know what
• 28:10
  Jon: Oh, really?
• 28:12
  Kearns: so I got,
• 28:14
  Jon: All right.
• 28:15
  Easter, bloody Easter.
• 28:18
  An Easter weekend celebration is ruined by a Jackalope and his group of evil bunnies.
• 28:27
  Kearns: He is a group of, he's a gang.
• 28:30
  What
• 28:31
  Ryan: It's a
• 28:32
  Jon: has a gag of evil
• 28:34
  Kearns: the Jackalope in it.
• 28:36
  Yeah.
• 28:37
  Those are good
• 28:38
  Ryan: yes.
• 28:39
  Kearns: We didn't know what we had.
• 28:42
  The
• 28:43
  Ryan: we didn't.
• 28:45
  o'clock Fox five Stewart.
• 28:49
  We just watched a movie called Christmas Buddy Christmas too.
• 28:53
  Kearns: the jackalope too.
• 28:53
  I'm gonna go with fake.
• 28:57
  Ryan: I'm gonna go with him.
• 28:57
  Fake.
• 29:00
  Jon: I'm sorry.
• 29:01
  That one's real.
• 29:02
  Ryan: What a twist.
• 29:04
  What a twist.
• 29:04
  Kearns: real.
• 29:05
  I just didn't think it was possible.
• 29:10
  Jon: It's so bad too.
• 29:11
  Ryan: Is it like a
• 29:12
  Jon: All right.
• 29:13
  Ryan: It's a rip off.
• 29:14
  Jon: I mean, it's a giant killer, jackalope and some evil bunnies.
• 29:19
  Kearns: like they plot of blackburns, wendigo but instead of wendigo, it's a
• 29:24
  jackalope that drives you insane in the forests and like drags, off your mates
• 29:30
  and then they return all messed up.
• 29:32
  should do that.
• 29:35
  We will
• 29:36
  Ryan: Sold.
• 29:36
  Kearns: to make
• 29:37
  Jon: I'm in
• 29:38
  Kearns: Tens of
• 29:39
  Jon: tens, tens of dollars.
• 29:43
  Tens,
• 29:43
  Ryan: got this.
• 29:45
  Jon: okay.
• 29:46
  Number eight, ashes Wednesday.
• 29:52
  On one of the holiest days of the Christian calendar, a defrocked
• 29:57
  priest roams the streets of Manhattan, armed with a flame thrower,
• 30:03
  punishing any sinner he meets.
• 30:06
  Ryan: this to be real.
• 30:08
  I really do want this to be real.
• 30:09
  If it's not,
• 30:13
  does he have an Irish accent that makes it 10 times better?
• 30:17
  Jon: Yes.
• 30:18
  And he is drunk.
• 30:21
  Yes.
• 30:22
  And he's drunk.
• 30:24
  Ryan: This is a hard one.
• 30:25
  'cause this, this can't happen,
• 30:30
  especially in New York.
• 30:33
  Kearns: I already know my answer, but I'm gonna wait for Ryan to say his first.
• 30:39
  Ryan: Hmm.
• 30:40
  I'm gonna go fake.
• 30:41
  Kearns: 'cause you would relish the opportunity to say defrocked.
• 30:45
  The defrocked was like, you just, oh, your joy
• 30:51
  Jon: It's fake.
• 30:52
  Yeah.
• 30:52
  That one's fake.
• 30:54
  Ryan: That.
• 30:54
  Can we make that movie next after the Jackalope,
• 30:57
  Kearns: a
• 30:58
  Jon: Absolutely.
• 31:00
  Ryan: Liam Neeson as the priest?
• 31:02
  Kearns: Four
• 31:03
  Jon: Yeah.
• 31:04
  Ryan: Yes.
• 31:07
  Jon: All right.
• 31:09
  I think Kerns is gonna like number nine.
• 31:11
  We may have to add it to the list next year.
• 31:14
  Kearns: Real
• 31:16
  Jon: nine,
• 31:18
  Ryan: hmm.
• 31:19
  Jon: earth Day.
• 31:22
  Ryan: Earth Day.
• 31:23
  Jon: The world.
• 31:24
  The world Awakes on April 22nd to find gigantic Eldridge horrors
• 31:30
  have taken over as they slept.
• 31:33
  Now, Charlie and Tara Lovecraft are the only ones who can stop
• 31:40
  the horrors that have arisen from their grandfather's words.
• 31:48
  Ryan: There's so many tells, but you don't know.
• 31:51
  I don't have any.
• 31:51
  Kearns: too racist to procreate?
• 31:56
  Jon: I mean, it's a movie.
• 31:59
  They make up kids for everybody.
• 32:01
  Kearns: That's true.
• 32:03
  I thought so.
• 32:03
  A fact you would've already known.
• 32:04
  So it doesn't factor into me saying real or fake.
• 32:06
  Ryan: he's trying to bring you in here.
• 32:09
  If it's a fake, it could be real.
• 32:12
  Kearns: feel like I would've seen this movie.
• 32:15
  If I knew about it though,
• 32:17
  on
• 32:17
  Ryan: Could be
• 32:17
  Kearns: year and stuff like that.
• 32:19
  I don't know if it's, easily accessible.
• 32:24
  Ryan: 1976.
• 32:25
  Kearns: Damn.
• 32:27
  Ryan: No, I'm joking.
• 32:28
  Jon: I didn't, give a year.
• 32:30
  Kearns: Which is fine.
• 32:31
  You don't give a year for any of them.
• 32:32
  I'm not gonna pry.
• 32:33
  Ryan: Fake.
• 32:35
  Kearns: it's fake.
• 32:39
  Jon: It is fake.
• 32:41
  Kearns: Yeah.
• 32:43
  Ryan: All right.
• 32:43
  Jon: might be, this might be the one of the fakes that I want to be the most real.
• 32:49
  Kearns: Yeah.
• 32:50
  Jon: I want that one to be real more than any of the other ones.
• 32:54
  Kearns: Like I've rewatched the movie monsters probably three or four times.
• 32:57
  Just 'cause you don't get enough Kullu esque Goodness.
• 33:00
  In this world, monsters is very, very limited.
• 33:04
  Jon: Mm-hmm.
• 33:05
  Kearns: good movie.
• 33:06
  It's not great, but it's good.
• 33:08
  Jon: Yeah.
• 33:09
  Yeah.
• 33:09
  It's all right.
• 33:09
  It's not bad.
• 33:10
  It's not bad.
• 33:11
  Dark continent was not great.
• 33:14
  Ryan: what about the lighthouse?
• 33:17
  Jon: Well,
• 33:18
  Ryan: lighthouse.
• 33:19
  Jon: monsters.
• 33:20
  Kearns: was not good.
• 33:21
  like it?
• 33:22
  No, it's an action The
• 33:24
  of what
• 33:24
  Jon: Yeah.
• 33:24
  Kearns: after the spread.
• 33:25
  And Monsters is a cool concept because like that's compelling stuff.
• 33:30
  They're over the wall, they're walking by the Texaco.
• 33:32
  It's neat.
• 33:34
  and you see
• 33:35
  kill, like they're not just cute little big things.
• 33:37
  They're 90 meters tall too, is a, they're kaiju.
• 33:42
  but yeah, dark
• 33:43
  Ryan: that is totally,
• 33:45
  Kearns: the lighthouse is a masterpiece.
• 33:47
  Way better than monsters was.
• 33:49
  Ryan: loved it.
• 33:49
  And you know.
• 33:50
  The vibes of Lovecraft and especially Kullu vibes are like very, very hidden.
• 33:56
  And it's like the tales from like Willem Defoe's character.
• 34:00
  haven't, I haven't seen it in a long while.
• 34:02
  Last time I saw it, I was in, oh, I was in love with it.
• 34:05
  Jada fell asleep.
• 34:06
  was like,
• 34:07
  like, we watched it in the afternoon.
• 34:11
  Kearns: I, anytime between one and
• 34:13
  Ryan: Oh man,
• 34:15
  Jon: Nap time.
• 34:16
  Yeah.
• 34:17
  Kearns: asleep into a movie around that time.
• 34:18
  Jon: Three 30 to five 30.
• 34:20
  And that's mine.
• 34:21
  Ryan: I can't, if I do, I'm out for the count.
• 34:24
  I'll waking up in the morning.
• 34:25
  I literally, while watching New Year's Evil, I literally fell
• 34:27
  asleep 15 minutes before the end.
• 34:29
  Woke up at 3 33 and I was like, oh my God, it's over.
• 34:32
  It's only gotta be 11 o'clock.
• 34:33
  Nope, three o'clock in the morning.
• 34:35
  It's like, damnit.
• 34:38
  Jon: Yep.
• 34:39
  Yep.
• 34:40
  All right.
• 34:40
  We have one more.
• 34:42
  Ryan: One more for the ear.
• 34:44
  Jon: Yep.
• 34:45
  Kerns is down.
• 34:46
  One here.
• 34:47
  Ryan: Oh,
• 34:48
  Kearns: tie.
• 34:51
  Ryan: you gotta do an air bud.
• 34:53
  Jon: All right.
• 34:55
  Number 10,
• 34:58
  Tawny Panic.
• 35:02
  Groundhogs Day brings floods of tourists to a sleepy Pennsylvania town.
• 35:09
  But little do they know the celebration will turn to a buffet as
• 35:13
  dozens of groundhogs converge in an effort to free their brother Phil,
• 35:23
  Ryan: Phil, you love
• 35:25
  Jon: amongst Tony, Phil.
• 35:26
  Ryan: You love animal.
• 35:27
  Animal
• 35:28
  Jon: That's the actual Groundhog's name Phil Poni.
• 35:32
  Phil is the actual groundhog.
• 35:34
  Kearns: the other one, Pete,
• 35:38
  Jon: I think they all died and they just keep re recycling other groundhogs 'cause
• 35:43
  Ryan: this is Phil.
• 35:43
  Kearns: it and it died.
• 35:45
  Jon: yeah.
• 35:46
  Ryan: Yep.
• 35:49
  Horrible.
• 35:50
  Kearns: Live
• 35:51
  Ryan: We had a cold winter.
• 35:52
  Kearns: I was his name.
• 35:54
  Ryan: The shadow's gone.
• 35:55
  What?
• 35:56
  Kearns: Other groundhog name was Land Beaver.
• 35:59
  No, no.
• 36:00
  This is not what we're doing.
• 36:04
  Ryan: We're not looking up ground hos.
• 36:06
  You know what?
• 36:06
  I'm gonna take a chance and say real, say real.
• 36:11
  Kearns: Um, I
• 36:12
  Jon: right.
• 36:12
  You say real.
• 36:14
  Kearns: I have to
• 36:16
  Jon: It is fake.
• 36:17
  Unfortunately it's fake.
• 36:20
  As much as I want this one to be real so badly and there was a
• 36:24
  super huge tell if you were paying attention when I was reading that one.
• 36:28
  'cause I almost lost it.
• 36:31
  I got, yeah, I, got to buffet and I almost lost it.
• 36:36
  I struggled through that, the last half of that sentence.
• 36:39
  Kearns: a more John like description than the other ones that you've,
• 36:42
  uh, you did for this round.
• 36:43
  So at least all we came out tied.
• 36:46
  back from the
• 36:48
  Jon: Yeah.
• 36:49
  Ryan: the year.
• 36:51
  Jon: Six, six.
• 36:52
  Ryan: Those were hard.
• 36:53
  Kearns: evil goes.
• 36:54
  Jon: There were,
• 36:56
  Kearns: I think we're done talking about New
• 36:58
  Jon: yeah, I mean, we're, pretty much done.
• 37:00
  I mean, it turns out Richard is the killer, Diane's husband.
• 37:05
  he tries to kill her in the elevator.
• 37:07
  Ryan: Which is a
• 37:08
  Jon: Police Stu.
• 37:09
  Yeah.
• 37:10
  I mean, it's, it's an all right twist.
• 37:12
  if you knew what he looked like, they're not hiding it at all throughout the movie.
• 37:16
  'cause he's at no point in any real disguise until he needs to sneak in.
• 37:23
  Ryan: and I I like that though.
• 37:24
  Well, he uses the disguise for the bar.
• 37:27
  like
• 37:28
  Jon: I mean,
• 37:28
  Ryan: chameleon and
• 37:30
  Jon: he,
• 37:30
  Ryan: really like to know
• 37:31
  Jon: he puts on, he puts the, he puts on the fakest mustache in movie history.
• 37:39
  Ryan: that looked real, sir, that looked better than mine.
• 37:43
  At one point.
• 37:46
  Kearns: Fighting.
• 37:47
  Jon: I'll stop wearing fake mustache.
• 37:48
  This is Ryan.
• 37:52
  Ryan: That was real, sir. It was
• 37:54
  Jon: Oh, okay.
• 37:55
  Cops stop him.
• 37:56
  He runs to the top of the building.
• 37:59
  There's a shootout.
• 38:00
  He jumps.
• 38:01
  He crashes to the ground dead.
• 38:03
  And the first person to his body is his son, Derrick.
• 38:08
  And we close the movie with Diane being loaded into an ambulance
• 38:13
  driven by a masked Derrick
• 38:17
  Ryan: is a good ending.
• 38:18
  Kearns: in Killer Clowns from Outerspace and the rest is history.
• 38:23
  Hooray.
• 38:25
  all right.
• 38:25
  Ryan: Yes.
• 38:27
  Jon: Hurricane.
• 38:29
  It's fine.
• 38:29
  Kearns: It's like, uh, mid shelf.
• 38:32
  Mid shelf, anything.
• 38:35
  Ryan: Three outta
• 38:36
  Jon: Mm-hmm.
• 38:38
  Yeah.
• 38:40
  Yeah, yeah.
• 38:42
  It's a,
• 38:45
  it's it,
• 38:46
  Ryan: thought you'd be happy with that one.
• 38:48
  Kearns: that you've given threes to.
• 38:49
  Then you gotta compare this to those.
• 38:51
  Ryan: What?
• 38:56
  Listen.
• 38:56
  Jon: I love when you guys argue about the ratings
• 38:59
  Ryan: All right.
• 38:59
  2.75.
• 39:00
  Kearns: I mean, I, I would like to go lower.
• 39:03
  Jon: and then I,
• 39:04
  Kearns: 1.5.
• 39:06
  Jon: it's a movie that goes up about a half a point.
• 39:09
  If you watch it with a group of people and you're doing some things,
• 39:16
  Ryan: Yeah.
• 39:17
  Jon: And you know, you're just making fun of it while you watch it.
• 39:20
  When you watch it by yourself, it's less fun.
• 39:23
  Kearns: then it's fine.
• 39:24
  Exactly.
• 39:26
  Ryan: Yes.
• 39:27
  Jon: Mm-hmm.
• 39:28
  I can go about 2.75.
• 39:30
  I could, you know, I could argue a three because it meets my expectation, but 2.75
• 39:36
  Kearns: and a three from the very, very generous Romanian judge over here, Ryan.
• 39:43
  All
• 39:43
  Ryan: I have to be.
• 39:43
  Kearns: guys.
• 39:45
  All right.
• 39:45
  We have a special treat for you tonight.
• 39:47
  we're all going to do top fives, but it's a little bit different.
• 39:51
  Anybody wanna tell 'em what it is?
• 39:53
  Jon: Well, I have two top five for you guys.
• 39:55
  The first one is my top five horror movies of 2025, which I believe
• 40:01
  you've all both done as well.
• 40:04
  And then I have a top five movies.
• 40:06
  I exposed you guys to.
• 40:07
  Ryan: Yep.
• 40:08
  I got that.
• 40:08
  Ready too.
• 40:09
  Kearns: did, this year on the podcast.
• 40:13
  Yeah,
• 40:14
  Jon: I like it.
• 40:15
  Ryan: Word.
• 40:15
  Kearns: like, more
• 40:16
  Jon: I like it.
• 40:17
  So let's start with that
• 40:18
  Kearns: liked doing the best is more, more appropriate.
• 40:21
  Jon: Mm-hmm.
• 40:22
  Kearns: you wanna start with
• 40:23
  Jon: Okay.
• 40:24
  Ryan: Okay.
• 40:26
  Jon: Yeah.
• 40:26
  Let's start with the one we all did and then I'll hit we'll
• 40:28
  head with the best of 2025 and
• 40:31
  Kearns: dokie.
• 40:32
  Cool.
• 40:34
  Put me
• 40:35
  Ryan: Alright.
• 40:36
  currents you never Yeah, I was gonna say, we always do the top fives
• 40:40
  and you're always special guests in these and 'cause like you pop up
• 40:43
  with the books, you go first tonight.
• 40:45
  Kearns: My All right.
• 40:47
  Number five.
• 40:48
  Alligator.
• 40:48
  was a lot of fun to record.
• 40:50
  It was a lot of fun to rewatch.
• 40:52
  and it's a good movie.
• 40:54
  just a, a great time watching the animatronics come together for that film.
• 40:57
  hearing John talking about how that thing was hell bent, that thing was
• 41:00
  a missile to the, was it the mayor?
• 41:03
  He ended up getting in that one scene.
• 41:06
  Ryan: I'm
• 41:07
  Jon: Yep.
• 41:08
  Yep.
• 41:08
  Kearns: He tears apart the car.
• 41:10
  Um,
• 41:11
  Jon: I'm eating you.
• 41:12
  Kearns: it a lot.
• 41:14
  this one was tough 'cause I changed number four about six times and it
• 41:19
  was between Fright Night and this movie and I, I kept coming back and
• 41:23
  forth and I eventually landed on Barbarian we had a chuckle fest for
• 41:28
  Ryan: Yeah.
• 41:29
  Kearns: we were,
• 41:31
  Ryan: Yeah, we did.
• 41:32
  Jon: Yeah, we did.
• 41:33
  Kearns: as well.
• 41:34
  'cause we talked a lot about, the essay aspect and we got serious in
• 41:38
  the show for like, the first time that was something I enjoyed that we didn't
• 41:42
  really plan on doing, but it's sort of our personalities to take it seriously.
• 41:46
  So I was like, oh cool.
• 41:47
  that's number four.
• 41:48
  Uh,
• 41:49
  Ryan: Yeah.
• 41:51
  Kearns: 'cause we
• 41:52
  Ryan: Yeah.
• 41:53
  Kearns: Um, I
• 41:53
  Ryan: it.
• 41:54
  Kearns: more about Night Breed from that episode than I did I ever known before,
• 42:01
  Jon: And I have a three plus hour cut of that movie because we did that episode.
• 42:05
  Kearns: I learned that that exists from you.
• 42:08
  , Ryan: Live watch Patreon.
• 42:09
  Let's do it.
• 42:10
  Kearns: and then I did, um,
• 42:12
  Ryan: Pork and pines.
• 42:13
  Kearns: battery.
• 42:16
  The battery was way
• 42:18
  I
• 42:18
  Ryan: good.
• 42:18
  Kearns: didn't know about it.
• 42:20
  I was like, okay, this movie's completely new to me.
• 42:23
  And it was a great watch, really well done.
• 42:26
  And it was fun picking that apart.
• 42:29
  never seen that happen to a zombie before.
• 42:31
  So, you know, it kind of ruined me a little bit as well,
• 42:34
  if you guys know, you know.
• 42:36
  Jon: Mm-hmm.
• 42:37
  Kearns: and then giant chicken.
• 42:40
  Giant Chicken anime segues, and just this little movie that could outta
• 42:44
  Hong Kong Zombie Biology is my number one for this year, just because
• 42:48
  it was just way too much of it.
• 42:50
  It came
• 42:50
  Jon: Yes.
• 42:51
  Kearns: for me.
• 42:51
  I was watching it in my basement, like while I was on a treadmill.
• 42:54
  I was like, what is, what did they, this can't be the right movie.
• 42:58
  I think I bought it too.
• 43:00
  It was just a great time.
• 43:01
  Great.
• 43:01
  Hang.
• 43:02
  If you haven't seen Zombie Biology, you
• 43:04
  it
• 43:04
  Jon: Yep.
• 43:07
  Ryan: It's an
• 43:07
  Jon: Yep.
• 43:07
  Ryan: in a basket attacking everyone.
• 43:09
  Kearns: so
• 43:10
  Ryan: Alright.
• 43:12
  Kearns: All
• 43:13
  Jon: Love that one.
• 43:14
  Kearns: try
• 43:15
  Ryan: That was awesome.
• 43:18
  Oh, is
• 43:18
  Jon: I like it.
• 43:19
  Ryan: that a warning?
• 43:20
  All right, I'll be quick.
• 43:21
  Kearns: of you.
• 43:21
  Brian May fall asleep.
• 43:28
  Ryan: well, we're gonna, gonna start off with number five and number five, um,
• 43:33
  for the Exposed is, first off, I wanna say thank you, John, for exposing me
• 43:38
  to more films that I've never heard of.
• 43:40
  And, um, you know, it, it means a lot for me as a film guy to be introduced to this.
• 43:47
  So, I appreciate you doing this and appreciate you both for this podcast.
• 43:50
  So I wanna say thank you to both of you actually.
• 43:53
  Jon: That's probably my favorite part of doing this is just getting
• 43:59
  you guys to watch movies you probably wouldn't have found.
• 44:02
  Kearns: kind of see that you get joy out of it.
• 44:05
  Sometimes it's maniacal joy, but joy nonetheless.
• 44:09
  yeah, I, I echo the
• 44:11
  for
• 44:11
  Ryan: Well,
• 44:12
  Kearns: Brian.
• 44:13
  All right, now start
• 44:14
  Ryan: don't worry, we're gonna watch bring her back next year.
• 44:20
  Jon: Yeah.
• 44:20
  Ryan: All right, so we're, I actually changed something just
• 44:23
  right now, so I'll work that in.
• 44:25
  But number five, we're gonna start off with the battery.
• 44:30
  was, it was phenomenal just how it was, how the Jeremy Gardner writes
• 44:35
  it, directs it, and you know the scene in the car, you know, and just
• 44:40
  the emotion and just everything.
• 44:43
  That was a classic.
• 44:44
  And it shows that it doesn't, A horror movie doesn't have to be gory, it just has
• 44:48
  to have emotion and that unnerving feeling and that, oh shit, just great film.
• 44:55
  my number four, it's alligator.
• 44:59
  I love alligator.
• 45:01
  yeah, this is like you guys kept talking to me about it.
• 45:04
  And then when I finally watched it, I. just in love with it.
• 45:08
  It's a great creature film.
• 45:09
  Just the buildup.
• 45:11
  Um, got, oh God, Robert Forster, or Forster, as I've said his
• 45:16
  name before, he's just fan.
• 45:18
  He's phenomenal and it's just, he kills it.
• 45:21
  Watch Jackie Brown too.
• 45:23
  I'm gonna throw that in number three.
• 45:27
  So this was hard 'cause this is where I get to the nitty gritty
• 45:31
  and my number three is frailty.
• 45:34
  guys.
• 45:35
  You guys, yeah.
• 45:36
  You guys talked about it.
• 45:39
  Yeah.
• 45:39
  It just phenomenal.
• 45:41
  Again, it hits you and you're like, crap, what am I watching here?
• 45:45
  And it's like, more people need to be watching this film, especially 'cause
• 45:49
  it's so good and it's so underrated.
• 45:50
  I feel.
• 45:52
  Jon: I had forgotten.
• 45:53
  That was one you hadn't seen?
• 45:54
  Ryan: were gonna say, I'm sorry.
• 45:56
  Jon: No, I, I just, that I had forgotten that that was one you hadn't seen.
• 46:00
  Kearns: a few surprise
• 46:02
  Ryan: I'm gonna give you.
• 46:03
  Kearns: these 52 episodes, 53 now, I guess, um, over this year I was surprised
• 46:10
  Ryan hadn't seen them yet, because I know that he's, as I almost as prolific
• 46:13
  a watcher of, these movies as you are.
• 46:17
  Bye.
• 46:19
  Ryan: I feel like I've gotten so much mainstream.
• 46:22
  And then it's like you dig through an archive and it's like you kind
• 46:26
  of get to a certain surface and then this is when other people come in and
• 46:31
  they help you dig and you find more.
• 46:33
  And goes with this film.
• 46:36
  And we did this recently and I love it.
• 46:39
  And it's Christmas, bloody Christmas.
• 46:42
  That film will be watched.
• 46:43
  Oh yeah.
• 46:44
  Every year.
• 46:44
  Christmas time.
• 46:45
  I'm gonna watch that.
• 46:46
  'cause I, I love it.
• 46:48
  Joe beos, his writing, the style, the character building, it's just awesome.
• 46:54
  And again, character.
• 46:57
  I'm not gonna fight John for her love, but you know, just an awesome character.
• 47:02
  She gets messed up at the end and I just wanna see a sequel with her.
• 47:06
  Like having two fingers going haywire.
• 47:09
  Bruce Campbell in there.
• 47:10
  Let's have some fun.
• 47:12
  And my number one Battle Royal,
• 47:17
  I love that
• 47:19
  Jon: Yes.
• 47:20
  Ryan: I wanna read the manga.
• 47:22
  I wanna read the book like I Am Hooked.
• 47:25
  Not only because it's Tarantino's favorite, it's just, it's well done.
• 47:29
  And Suzanne Summers, you know, you stole, this idea, shouting
• 47:35
  Jon: No, she stole the AB roller.
• 47:36
  Suzanne Collins.
• 47:39
  Ryan: Suzanne Collins.
• 47:40
  Sorry you two.
• 47:41
  Summers.
• 47:42
  Summers.
• 47:47
  But those are my top five exposed and I wanna say
• 47:50
  Jon: All right.
• 47:52
  Oh, absolutely, man.
• 47:54
  I, love how similar our lists have wound up being be like, so my top five movies,
• 48:04
  I got to expose you guys to number five.
• 48:08
  We go back to episode four.
• 48:10
  Kearns: Wow,
• 48:12
  Jon: I, I just, I loved giving, I loved giving you, showing you guys like just
• 48:19
  this bizarre vision of a zombie apocalypse and just how ridiculous that movie gets.
• 48:29
  Ryan: Oh God, yes.
• 48:31
  Kearns: like they do character building, and there's an actual
• 48:34
  Jon: yeah,
• 48:35
  yeah, it's so well done.
• 48:37
  my number four is a very Ryan specific one.
• 48:40
  We go to episode 39 and alligator.
• 48:44
  Ryan: Yes.
• 48:45
  Jon: I, I, I was stunned that you hadn't seen it, especially with how
• 48:49
  much it used to be on tv and to give you to, for you to watch that and
• 48:56
  enjoy it was like, that was, awesome.
• 48:59
  Ryan: It's just, it's so good.
• 49:01
  The alligator, just eating the kid in the pool and spoiler.
• 49:05
  Um, just,
• 49:07
  uh, it's just so good.
• 49:08
  Kearns: yeah, like that, that
• 49:11
  Jon: Yeah.
• 49:14
  Yeah.
• 49:15
  Ryan: Child's play.
• 49:16
  Bring her back.
• 49:18
  Jon: Mm-hmm.
• 49:20
  Kearns: You're just
• 49:20
  Jon: Yep.
• 49:21
  Kearns: What does
• 49:22
  Ryan: Well,
• 49:22
  Jon: You're gonna,
• 49:26
  Hey, it's any opportunity to work, bring her back in.
• 49:32
  Yeah.
• 49:32
  Yeah.
• 49:34
  my number three is episode 18 and the beaten to zombie the battery.
• 49:43
  That, that's another, another one.
• 49:45
  That's so, so small.
• 49:49
  People don't find that on their own.
• 49:51
  Ryan: No, it's sad.
• 49:52
  Jon: It's something you just stumble on.
• 49:55
  Like, I went through a period where I watched almost every
• 49:58
  zombie movie that came out, and that's when I found the battery.
• 50:00
  Kearns: blown away by what you'd stumbled upon.
• 50:05
  Jon: Especially in context of a lot of the other stuff that I saw during that period.
• 50:11
  Oh man, in the wake of the Walking Dead, they released
• 50:15
  anything with a dead guy in it.
• 50:17
  Ryan: a hundred percent.
• 50:18
  They were just writing the, you know, that's when you write the
• 50:21
  money train and then when you see a Romero zombie film, you're like, oh,
• 50:26
  this is what it's supposed to be.
• 50:27
  Okay.
• 50:28
  Jon: Yeah.
• 50:29
  When you see someone who know who's not trying to rip off something
• 50:32
  that's insanely popular, you see how good the, that genre can be done.
• 50:39
  So we'll go to number two now, and the surprise ending in episode
• 50:44
  30 of Angela and Sleepaway Camp.
• 50:48
  Kearns: Sleepaway Camp would make either of your list.
• 50:50
  'cause it almost got on mine.
• 50:52
  Jon: Mm-hmm.
• 50:54
  It wa it was in our, it wa that was in our little run of dongs that we
• 50:59
  had, like late spring, early summer.
• 51:02
  Ryan: 28 years later, it was the,
• 51:05
  Jon: Mm-hmm.
• 51:06
  Ryan: summer.
• 51:07
  The summer of
• 51:08
  Jon: There was a, there's a top five dongs that I did like, there was,
• 51:12
  we, we were, we were a, a pecker joke show for a long time there.
• 51:20
  Ryan: We were
• 51:22
  no recurs.
• 51:23
  Jon: Not at all.
• 51:24
  Not at all.
• 51:25
  No re regrets.
• 51:26
  And my number one, Ryan's number one episode 50 Battle Royal.
• 51:31
  Ryan: Yes.
• 51:33
  Jon: Yeah.
• 51:34
  And, and I, I, I hope a whole bunch of other people discover battle royale
• 51:38
  and realize you've fallen for an inferior version in the Hunger Games.
• 51:45
  Ryan: percent agreed.
• 51:47
  Kearns: Collins and all she's
• 51:50
  Jon: Mm-hmm.
• 51:52
  Ryan: there's a severed head with a grenade in it.
• 51:55
  How can can't beat that.
• 51:58
  Jon: Yeah.
• 51:58
  Ryan: Sorry.
• 51:59
  Kearns: I guess that's our
• 52:00
  Oh
• 52:01
  Jon: Yeah.
• 52:01
  Kearns: have another top five?
• 52:03
  another top
• 52:04
  Ryan: we got,
• 52:04
  Jon: Now
• 52:05
  Ryan: yeah, I got one too.
• 52:08
  Jon: go ahead, Ryan.
• 52:08
  Ryan: Yeah.
• 52:09
  Oh, we, we both did top five of 2025 and I went the horror route.
• 52:14
  Um,
• 52:15
  Jon: Mm-hmm.
• 52:16
  I went, I went only horror.
• 52:17
  Also,
• 52:17
  Ryan: yeah, it was hard 'cause there were some films, but.
• 52:22
  It was hard.
• 52:24
  Very hard, and
• 52:25
  Jon: it was hard to get it to five.
• 52:27
  Ryan: yes, agreed.
• 52:28
  But, know, to keep on with this dong talk, my number five is 28 years later.
• 52:34
  we saw it together.
• 52:36
  I did like it, you know, it connects very well.
• 52:39
  I am excited for the bone temple.
• 52:41
  seems like it's gonna be a really good follow up.
• 52:45
  stay tuned for that episode.
• 52:46
  We'll probably do the same thing.
• 52:47
  We did more Dons than that, but it, it was just well crafted and especially
• 52:53
  years later, after the original film and the sequel, it, holds up my number four.
• 53:00
  You gotta, you know, you gotta run, have your hands out like
• 53:03
  this, and that's weapons.
• 53:05
  movie was so good.
• 53:07
  I enjoyed it very, very much.
• 53:08
  A lot of memorable scenes.
• 53:10
  I like how Zach Craiger Does what he did with Barbarian.
• 53:15
  He focuses on one character and then it crosses over with the other character.
• 53:19
  great piecing check out the episode too, especially with 28 years later too.
• 53:25
  Like, check 'em out.
• 53:27
  That leads to number three, and we haven't covered it, but,
• 53:31
  um, would love to Is Sinners.
• 53:33
  it was really good.
• 53:34
  I like the buildup, the story.
• 53:37
  Ryan Coogler kills it.
• 53:39
  Michael B. Jordan kills it.
• 53:41
  It's a really good watch.
• 53:42
  It's a different
• 53:43
  Jon: Mm-hmm.
• 53:44
  Ryan: vampires and the idea of having these two brothers.
• 53:50
  different parts of like, I guess you can say the mafia, the Irish mob, the Chicago
• 53:55
  Italian mob, and then uniting to create the speakeasy and South is awesome.
• 54:01
  But then with the vampires in the mix, it's, it's a nice little twist, which
• 54:05
  goes to my number two, the Long Walk.
• 54:08
  We covered this too.
• 54:11
  I loved it.
• 54:12
  It was phenomenal.
• 54:12
  Kept me on the edge of my seat.
• 54:14
  Um, nothing bad to say.
• 54:16
  It was just a phenomenal, phenomenal movie.
• 54:19
  And number one is Gamo del Toros, Frankenstein, or Guillermo.
• 54:25
  Kearns: too.
• 54:28
  Jon: Killer Mo.
• 54:30
  Ryan: okay, so actually Jada did say, why is En Nosferatu on there?
• 54:34
  And I said, that came out in 2024.
• 54:37
  Jon: It's technically the 2024.
• 54:39
  Ryan: And that's our first episode.
• 54:40
  Watch it.
• 54:41
  Enjoy it.
• 54:42
  We're animated at that point.
• 54:44
  Jon: Yeah.
• 54:46
  Ryan: That is my
• 54:47
  Jon: Yeah.
• 54:47
  Ryan: Um, it was, it was hard.
• 54:48
  I had toxic avenger.
• 54:50
  I had the monkey, I had E two five Forest Road clowning, a
• 54:55
  Jon: Mm-hmm.
• 54:57
  Ryan: It was
• 54:58
  Jon: the, it was a good year for horror.
• 55:03
  So my top five horror of 2025, I'm gonna start with an honorable mention,
• 55:09
  which I almost never do, but I feel like this one is going to crack the top five
• 55:15
  when the whole story's done, and that's 28 years later, I think it ends on a
• 55:20
  little bit of an awkward note because
• 55:22
  Ryan: yeah.
• 55:24
  Jon: it's meant to set up another part.
• 55:27
  So I want to see how that vision completes, but I think this
• 55:32
  probably climbs higher over time.
• 55:34
  Number five for me is the missing kids.
• 55:37
  It's weapons.
• 55:38
  Ryan: Word.
• 55:38
  Jon: mean, you get three really awesome roles with a weird ant, a scapegoated
• 55:46
  teacher, and a determined father.
• 55:48
  And like you get little bits of unexpected levity like Weapons works.
• 55:55
  number four is one we haven't done yet, but I'm, I'm gonna get it on our calendar.
• 56:00
  It's called Dangerous Animals.
• 56:03
  Ryan: I've heard of that.
• 56:05
  Jon: It's a, interesting twist on the serial killer horror.
• 56:09
  in that we have a serial killer who is offing and disposing of
• 56:14
  his victims in a very unique way.
• 56:17
  He's feeding them to sharks.
• 56:19
  Kearns: bad
• 56:19
  Ryan: Okay.
• 56:20
  I
• 56:21
  Jon: Mm-hmm.
• 56:21
  Ryan: that.
• 56:23
  Jon: It is tense like, you can really get sucked in and being as
• 56:28
  most of it's set on a boat, it's so isolating, it's so well done.
• 56:35
  Definitely recommend Dangerous Animals.
• 56:37
  And my top three is the same movies as as Ryan, but in a different order.
• 56:42
  Number three is the Long Walk.
• 56:45
  This is,
• 56:47
  Ryan: Okay.
• 56:47
  Jon: this is, mist level anticipation for me as far as an
• 56:51
  adaptation from a, a King story.
• 56:54
  Like the Mist and the Long Walk were the two i I longed
• 56:57
  for from the day I read them.
• 56:59
  And then seeing a vision of the Long Walk brought to life that's different
• 57:05
  enough, but still really good.
• 57:07
  My number two is Frankenstein, and it's only number two because
• 57:11
  it's not a true horror for me.
• 57:15
  And it's here.
• 57:16
  Here's where this, my little horror ranking stuff will get weird.
• 57:20
  Franken Frankenstein right now without seeing a couple of things sits at the
• 57:25
  top of my number one movies of 2025.
• 57:29
  But I think my number one is a more effective horror movie.
• 57:34
  And I mean, we talked so much about Frankenstein.
• 57:37
  I don't think there's a whole lot more to say in this short form,
• 57:41
  but I, it is just beautiful.
• 57:44
  It's emotional, it's so well done.
• 57:47
  which means my number one is sinners because they, to me, it's,
• 57:52
  it's a, it's a true horror movie.
• 57:55
  It, I mean, you get the twin brothers opening a juke joint that lasts one
• 58:00
  night before being overrun by initially.
• 58:04
  Uh, Klansman vampires and it like, it's just, it's such so well done.
• 58:11
  Coler nails it.
• 58:12
  Jordan nails it like this is thinner.
• 58:15
  The sinners is very worthy of the praise it gets.
• 58:22
  And that's my five.
• 58:23
  Ryan: that,
• 58:24
  we were very close with all our lists for the first
• 58:28
  Jon: Yeah,
• 58:29
  Ryan: Like we're spot
• 58:30
  Jon: I mean, for me, with horror movies this year, there's a clear one and two,
• 58:36
  Kearns: Yeah.
• 58:38
  Jon: whichever order you put them in.
• 58:40
  If you put, if you think Frankenstein is enough of a horror movie for you and
• 58:44
  you put it, number one, I can't argue with that, but one and two sinners in
• 58:49
  Frankenstein I think almost has to be.
• 58:52
  Ryan: Yeah, I feel like the only reason why I put Sinners in three was it, it
• 58:57
  wasn't 'cause of, like, I consider it very who, but I feel like the long walk
• 59:03
  at number two for me is just because of like, you're on your edge of your seat.
• 59:06
  And that for me is like that who of like slowing down and like anyone can die.
• 59:11
  And that dystopia and that feeling of like, you're forced
• 59:15
  to do this with Frankenstein.
• 59:17
  It's coming from like that universal style, not the black and white,
• 59:22
  but like, that the, the pacing.
• 59:24
  It was like slow, but it was that, that right pacing where it's like
• 59:29
  you can sense the trouble and it's just acted correctly with the music.
• 59:33
  And as the horror intertwines it's like a, a painter just painting
• 59:37
  Jon: Mm-hmm.
• 59:38
  Mm-hmm.
• 59:38
  Ryan: that's how I felt with it.
• 59:40
  Jon: Yeah.
• 59:40
  I, I, yeah.
• 59:41
  And the thing with sinners is like, you, you know, you were saying about the long
• 59:47
  walkin, like anybody can go at any time.
• 59:49
  Sinners does not hold back.
• 59:51
  There Are, characters in that movie that you think will survive?
• 59:54
  Who are gone?
• 59:55
  Ryan: especially the ending.
• 59:57
  I thought the old guy was gonna get it and
• 1:00:00
  Jon: Yeah.
• 1:00:02
  Ryan: he doesn't.
• 1:00:02
  And but it's like, I agree because anyone can go in that movie and that's
• 1:00:07
  what makes it more enjoyable, especially
• 1:00:09
  Jon: Mm-hmm.
• 1:00:10
  Ryan: who are expecting the expected.
• 1:00:12
  And then once you twist it, it's like,
• 1:00:15
  Kearns: Well,
• 1:00:15
  Ryan: wait a minute,
• 1:00:16
  Kearns: long year and this episode's gonna be longer than that.
• 1:00:18
  So we're gonna wrap up everybody.
• 1:00:20
  But Expedition 33 won nine awards at the Game Awards, and we're gonna
• 1:00:26
  see if Frankenstein cleans up.
• 1:00:27
  I got a feeling sinners might win a couple things at the um, golden
• 1:00:31
  Globes and stuff too, though.
• 1:00:32
  I don't know if it'll do well at
• 1:00:34
  Ryan: a good year for horror.
• 1:00:37
  Jon: I think by the time we're back we'll have, Oscar nominees to rant about two.
• 1:00:42
  Ryan: yeah.
• 1:00:43
  I think Frankenstein's enough
• 1:00:45
  Kearns: gotta.
• 1:00:46
  Gotta see.
• 1:00:46
  It's been,
• 1:00:48
  Jon: we'll see.
• 1:00:48
  We'll see.
• 1:00:48
  Hopefully.
• 1:00:49
  Kearns: for different, smaller ones, but we'll see what, what it looks like
• 1:00:54
  didn't
• 1:00:54
  Jon: Mm-hmm.
• 1:00:55
  Kearns: much love, which isn't a good sign.
• 1:00:58
  So we'll see how it goes.
• 1:01:00
  Ryan: that's not good.
• 1:01:02
  Jon: Yeah, we'll see.
• 1:01:04
  Kearns: happy 2025.
• 1:01:06
  Happy 20,
• 1:01:08
  Ryan: 2026
• 1:01:11
  Jon: Happy New Year.
• 1:01:12
  It's been a fun ride with you guys this year.
• 1:01:14
  Ryan: and get ready for more fun next year.
• 1:01:17
  I.