Latest / What's Your (Least) Favorite Scary Movie? / #154: Sleepaway Camp 3: Teenage Wasteland (1989)

Transcript

#154: Sleepaway Camp 3: Teenage Wasteland (1989) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello. What's your least favorite scary
• 0:08
  movie? So.
• 0:12
  You're underprivileged. Welcome to watch Your Least
• 0:17
  Scary Movie, the podcast where we talk about the good, the bad,
• 0:20
  the ugly and the absurd, and all of our favorite, least favorite
• 0:24
  scary movies. Because we believe every horror
• 0:26
  movie rightfully has its fan base, even.
• 0:28
  If we don't always get it. My name is Travis.
• 0:30
  My name is Jesse and we're kicking off a new month with
• 0:34
  just a silly, silly little theme.
• 0:37
  Because here at What's your least favorite scary movie?
• 0:40
  We believe that. Triples is best and triples does
• 0:44
  make it safe. Triples makes it safe.
• 0:46
  Yeah, that is right. We are covering exclusively. 3
• 0:50
  equals this month except for scream 6 which is 3 * 2, so it
• 0:55
  counts. Yes, we might also actually
• 0:58
  exclude the two here not to be from that as well.
• 1:01
  Yeah, I guess it depends, so. I haven't fully determined.
• 1:04
  You'll have to find something that is a third movie.
• 1:07
  I don't have to. I mean, if we were to play by
• 1:10
  those rules, there is 1/3 Bloody Camp Blood Bloody bloody Murder.
• 1:16
  Bloody Murder. Yeah, yeah, that's cuz it's the
• 1:17
  name of the game. But it's like a spin off.
• 1:19
  It's not like in Canon Bloody Murder 3.
• 1:24
  There's a chance that's. What I'm saying So there's a
• 1:26
  chance we'll see what happens when I look through it.
• 1:28
  Speaking of that, we'll just segue straight into
• 1:31
  announcements. The more I didn't say what maybe
• 1:33
  we're starting off with, we're starting off with sleep away
• 1:35
  camp three. Yeah.
• 1:37
  That's a strong ass start right there.
• 1:40
  It really is. So now I'll segue into
• 1:43
  announcements. Our Patreon bonus for June went
• 1:47
  up right at the final hour and it is our very first commentary,
• 1:50
  Track 2. None other than the original
• 1:54
  sleep Weekend. Perfect way for us to do this.
• 1:57
  Yes. So if you want to enjoy bonus
• 1:59
  episodes like that games, what genre is this movie?
• 2:03
  Various like, you know, discussions outside of our
• 2:07
  normal format. Also bonus episodes.
• 2:09
  If you want to do that, you can join our budget level tier on
• 2:13
  Patreon. Yeah, so.
• 2:15
  And you also get voting power in the monthly in our monthly
• 2:20
  schedule. And yeah, our Patreon vote was
• 2:23
  another tiebreaker this month, so yeah.
• 2:25
  We'll talk about that more when we get to it, Yeah.
• 2:28
  And our additional announcement is that to be or not to be will
• 2:33
  be this next, this upcoming weekend?
• 2:35
  Yeah, it'll be on Sunday, so. Coming at you fast.
• 2:38
  Yep. All right.
• 2:40
  Okay. All right, Travis.
• 2:42
  Poll results. Do we have poll results?
• 2:43
  We do Okay. So last week we talked about
• 2:47
  Scream or five Cream or Scream five, however you prefer to
• 2:51
  refer to it. And we wanted to know which
• 2:54
  would you rather watch? Would you rather watch The
• 2:56
  Babadook or would you rather watch Stab?
• 3:00
  So on Twitter, 21% of the people want The Babadook and 79% want
• 3:07
  Stab while on Instagram 37. Would prefer the babadook 63.
• 3:14
  Would prefer stab OK, I'm a stab guy.
• 3:18
  I think considering our ratio of watching Scream to watching The
• 3:24
  Babadook, I would say we would probably would both land on
• 3:27
  stab. Both good.
• 3:28
  Yeah, but I desperately want there to actually be a stab
• 3:34
  movie made. Which which line do I want to
• 3:38
  utter while shooting my childhood best friend who was
• 3:41
  double crossing me and trying to murder me?
• 3:44
  That's the question that I'm really asking myself.
• 3:46
  Uh. Huh.
• 3:49
  All right, Cool. Well, that one was pretty easy.
• 3:51
  All right, so all right, now let's actually get into Sleepway
• 3:53
  Camp 3. OK, sleepway.
• 3:55
  Camp three teenage. Wasteland.
• 4:00
  This movie actually released. August 4th, 1989 you were -, 3
• 4:06
  years old. Wow, that's crazy.
• 4:09
  We watched it on Tubi, but as of the beginning of this month you
• 4:13
  can also stream it on Pluto TV or you can rent it from Prime or
• 4:16
  Voodoo. This movie was directed by
• 4:20
  Michael A Simpson and there's some discrepancy between IMDb
• 4:25
  and Wikipedia. OK, so on IMDb the only care,
• 4:29
  the only writers. Are Michael Hitchcock and Robert
• 4:32
  Hiltzik the only two credited writers?
• 4:36
  However, on IMDb it says that they get writing credits because
• 4:40
  it's based on their characters, and Fritz Gordon is the writer
• 4:44
  for the script. Yeah, I remember.
• 4:47
  Yeah. Hiltzik, I don't think this was
• 4:50
  the direction he was gonna go in.
• 4:52
  There was like a whole thing with his planned sequels, and it
• 4:54
  was gonna be different. And I remember that.
• 4:56
  Yeah, so I I don't really know what's going on there.
• 4:59
  He there's no mention of a Fritz Gordon anywhere on IODB.
• 5:02
  That is weird. I can't remember what the credit
• 5:04
  said. I don't remember either.
• 5:06
  Music by James Oliverio. Special effects makeup by Bill
• 5:10
  Johnson Starring Pamela Springsteen as Angela Tracy
• 5:14
  Griffith is Marsha. Mark Oliver is Tony, Michael J
• 5:18
  Pollard is Herman, and Sandra Dorsey is Lily Travis.
• 5:25
  It's time for our favorite game. Yeah, budget or buck Ted.
• 5:31
  Well, Jesse, I think this game I'm gonna go with bug Ted
• 5:35
  because this is very clearly a low budget movie.
• 5:39
  Dude, do you wanna guess how low limbo rules?
• 5:42
  How low can you go? At Max 1,000,000 at minimum 250.
• 5:50
  Somewhere in between is 450. Wow.
• 5:53
  OK, cool. 1000. To be clear, dollars.
• 5:56
  To be clear, I couldn't find any additional box office
• 6:00
  information, just an estimated budget.
• 6:03
  That's unfortunate. It's currently sitting at a 5.0
• 6:05
  out of 10 on IMDb. Solid.
• 6:07
  That's good. I tried to see if there were any
• 6:13
  third entries into movies. We've covered a lot of movies
• 6:16
  from 1989. We have comparison.
• 6:19
  So I was trying to see if I could find any third movies.
• 6:22
  There were no thirds. 1989 was not a good year for thirds.
• 6:26
  So those. Franchises were rolling at that
• 6:28
  point. Yeah, they were either rolling
• 6:30
  or just starting. So I I have a bunch of seconds.
• 6:33
  OK, so I've got the fly 2. Oh, OK.
• 6:37
  Which released February 10th, 1989.
• 6:41
  Interestingly, couldn't find a budget for it, but I did find
• 6:45
  that the worldwide gross was 38.9 million.
• 6:48
  Interesting. That sounds like a whole
• 6:50
  interesting movie in general, because I know it's the special
• 6:53
  effects guy that directed it. OK And I it's about their child.
• 6:59
  Yes. Yeah.
• 7:01
  Martin Brundle, Yes. And Geena Davis did not reprise
• 7:06
  her role. She was asked to at the very
• 7:07
  beginning of it. I just saw that briefly, while I
• 7:09
  was, yeah, disinformation, yeah. OK, all right.
• 7:11
  I would watch it. The first one blew me away, so
• 7:13
  why not that? One and it is sitting at a 5.1
• 7:16
  out of 10. So. .1 Better than our current
• 7:20
  movie. 2nd Movie Chud 2. Should I?
• 7:25
  Wanna watch CHUD? So.
• 7:26
  Bad CHUD sounds like it's like the biggest trash series ever,
• 7:31
  and I'm here for it. Um.
• 7:34
  It released May 5th, 1989. OK Unknown.
• 7:38
  Budget unknown. Gross.
• 7:40
  But it's all whoa. Yeah, no matter what it is
• 7:43
  definitely. Uh, so is its IMDb score at a
• 7:46
  4.1? No.
• 7:48
  And then finally we have the stepfather 2.
• 7:51
  Hey. That released November 3rd, 1989
• 7:57
  budget of 1.5 million and a worldwide gross of 1.5 million.
• 8:01
  See, these are movies that didn't necessarily make their
• 8:04
  money at the box office. They were all banking on home
• 8:07
  video. Yep.
• 8:08
  And that's where they won. Because that's why these movies
• 8:10
  that don't have big box office numbers, you're like, how the
• 8:13
  fuck did they get all these sequels?
• 8:15
  It's because of that, yeah. And it has a 5.6 out of 10.
• 8:19
  So it's the winner. Yeah, it's the winner.
• 8:21
  Okay 5 for our current collection.
• 8:22
  So they're all okay. Never mind one of them is in
• 8:25
  four okay. So they're all pretty evenly
• 8:27
  rated at least. I have bad news for you.
• 8:32
  No taglines. 1 tagline, 1 tagline just one.
• 8:36
  Is it Angela's back? No.
• 8:38
  No. No.
• 8:39
  What is it? She's back to slash last year's
• 8:43
  record. That's not bad.
• 8:45
  Yeah. I like it.
• 8:48
  OK, I have some fun facts. OK, so the production for this
• 8:52
  movie began 3 days after after two had finished.
• 8:56
  Oh yeah, it shot from October 10th to October 31st, 1987.
• 9:02
  The final shot they filmed was actually.
• 9:06
  Where she run the very first scene where she runs down Maria
• 9:09
  with the garbage truck. Yeah, and that was filmed in
• 9:13
  downtown Atlanta, near the intersection of Mitchell St. and
• 9:15
  Forsyth St. Wow.
• 9:17
  OK. The rest the camp scenes were
• 9:19
  all filmed at a YMCA youth camp in Atlanta.
• 9:22
  So this is all filmed in Atlanta.
• 9:24
  Wow, That's impressive. I do.
• 9:26
  Yeah, I remember hearing that they filmed them back-to-back.
• 9:28
  Yes, to like, save on the budget.
• 9:30
  Yeah, it was like immediately back-to-back.
• 9:33
  Several sequences had to be trimmed for an R rating.
• 9:37
  Those deleted scenes were included on the 2002 DVD
• 9:41
  release. So I'm hoping this we're
• 9:43
  watching. I don't know.
• 9:46
  I think it's that scan at least cuz like what we've been
• 9:49
  getting, we've been getting the scans that screen factory
• 9:54
  released. This was the Anchor Bay DVD.
• 9:58
  So they would have. I don't know they would have.
• 10:01
  Usually when they do that, they buy the rights and they get like
• 10:04
  all the material and scan it themselves.
• 10:06
  But Anchor Bay, I'm sure either way, I think we're watching
• 10:09
  that. Let's see, Valerie Hartman, who
• 10:12
  played Ally in Part 2. Uh, huh.
• 10:15
  She was actually has a credit in this movie as well.
• 10:18
  She is a an assistant to the director and she's the raccoon
• 10:23
  Wrangler. Oh really?
• 10:24
  Yeah. Do you think she was actually
• 10:26
  qualified or like, get that raccoon?
• 10:29
  Well, it was a cute, teeny, tiny little raccoon.
• 10:31
  I like to imagine she just had a pet raccoon.
• 10:34
  And it was just like. She brought to set one day Yeah,
• 10:36
  can my raccoon. Be a movie, please.
• 10:38
  Yeah. And they're like, that'll be
• 10:39
  fun. Yeah, we'll, we'll make a scene
• 10:41
  out of it. Yeah, so Tony's gonna get scared
• 10:43
  and boom, cinematic gold. Exactly, exactly.
• 10:46
  That is crazy. I feel like.
• 10:48
  I noticed it looked like there were familiar faces like.
• 10:51
  I feel like they reused some people from like 2 in this.
• 10:55
  The one that I thought looked the most familiar, like looks
• 10:59
  and sounds, I just thought maybe she got a haircut, was the woman
• 11:03
  who plays Anita Bertrand. That's what I thought.
• 11:05
  She looks like the girl that like the.
• 11:07
  Very pocketed one, Yeah. Like she looks and sounds like
• 11:10
  her. I think maybe they used her for
• 11:11
  the flashback sequence. Maybe.
• 11:14
  But yeah. So I I didn't see any additional
• 11:20
  names that looked familiar. OK, but.
• 11:23
  I wouldn't be surprised since I looked through the part 2IMDB
• 11:27
  and then finally because they made so many jokes about how old
• 11:30
  she looked, I wanted to look up how old Pamela Springsteen
• 11:34
  actually was. She was 25 years old at the time
• 11:37
  of filming. She's.
• 11:38
  Only 25. So that means she was 25,
• 11:41
  playing a 22 year old, playing a 17 year old.
• 11:44
  OK, so she didn't. She looks older than that.
• 11:47
  She does. She does look a little bit older
• 11:49
  than that. That's not a bad thing either.
• 11:50
  I think she looks great. Sorry.
• 11:54
  It also is like fucking with me because we just watched No Hard
• 11:56
  Feelings and that whole. Yeah.
• 11:58
  So that movie is how like Jennifer Lawrence is our.
• 12:01
  Age. She turned 29 last year.
• 12:04
  I thought she was our age, so. No, that was the You were in the
• 12:08
  bathroom when this conversation happened.
• 12:11
  But she was like, yeah, I turned 29 last year in the movie a year
• 12:14
  ago. Yeah, I'm talking about like the
• 12:16
  actor I. Think she's our age?
• 12:17
  Yeah. Yeah.
• 12:18
  That's what I was singing. OK, yeah.
• 12:20
  No, I was trying to make a reference to the movie and you
• 12:22
  ruined it. Sorry, you've ranked it.
• 12:23
  Sorry, I was actually talking about her.
• 12:27
  Okay. Was that all for your fun facts?
• 12:30
  That's it for my fun facts. Okay.
• 12:31
  Cool. So we're ready to just go
• 12:33
  straight into it today. Okay.
• 12:35
  All right, Travis, what is your good for this movie?
• 12:40
  I think that this movie picks up exactly where, like, literally
• 12:45
  in. Just in the sense of like tone
• 12:47
  picks up where you left off with the last one, which was just
• 12:49
  pure fun in camp. It's not anything like the first
• 12:54
  sleepaway camp, but I think I love it because of that, I I
• 12:59
  don't know, I think it's a fun movie.
• 13:00
  I think it's really none of it's ever like actually well made in
• 13:07
  any way whatsoever and it just has that low budget charm to it
• 13:13
  that I don't know. I just find it endearing.
• 13:15
  Okay. And Angela's just like a fun
• 13:18
  character. And Pamela Springsteen is
• 13:20
  amazing. I love that she's the one that
• 13:22
  took over. Yeah.
• 13:23
  If we couldn't get Felissa, I'm glad that we have Pamela.
• 13:26
  Yeah. So yeah, yeah, it's just a fun
• 13:30
  time. I love watching this movie.
• 13:33
  I think this might have the best humor of the whole franchise,
• 13:38
  yeah. Right.
• 13:39
  There's just like, little things in the script that are just in
• 13:43
  there and they don't make a big deal out of it.
• 13:45
  They're just so fucking funny. Like my opening line about the
• 13:48
  like, so you're underprivileged. Like we don't like linger on
• 13:52
  that scene for very long. And it's one of my favorite
• 13:54
  movie lines of all time because it's just, it's so.
• 13:59
  Tone deaf. Yeah, but like, it's so on the
• 14:01
  nose for these types of things where like we bring together
• 14:04
  people from different walks of life and you do have those like.
• 14:09
  Clueless rich people that are just like, oh, so you're one of
• 14:12
  the poors? Yeah, like.
• 14:15
  It was kind of funny seeing them, like, actually make
• 14:17
  commentary on stuff like that. Yeah, for like such a silly
• 14:20
  movie. Yeah, exactly.
• 14:21
  And that's that's what I think this movie does really well, is
• 14:24
  it? It hits that kind of cause.
• 14:26
  Somebody involved in this movie has been in one of these types
• 14:31
  of programs before. Yeah.
• 14:35
  All right, Travis, That's your bad.
• 14:38
  Bad is I don't feel like. I don't feel like we get as good
• 14:46
  of like a character group as two cuz I feel like they all
• 14:50
  mattered a little bit more into and this one right here we get
• 14:55
  like a little bit of an Angela and interacting with like.
• 15:01
  The other kids, it's mostly her. Just like, getting straight to
• 15:03
  the killing. Yeah, like a lot of times when
• 15:05
  she's killing these people. Like, her whole thing is that
• 15:07
  she's got that moral holiness. Steward.
• 15:11
  Yeah, where she feels like she is the one that decides who
• 15:14
  deserves to die. I liked her justifications
• 15:17
  better in two than this one right here.
• 15:19
  But at the same time, it's all just like a vessel to have like
• 15:22
  ridiculous fun killings, which are still in this movie.
• 15:25
  But even the killings I feel like, aren't as good in three as
• 15:29
  they are in 2. It kind of feels, bear with me
• 15:32
  here, it kind of feels like Saw 3D, like where it's just like
• 15:38
  they're very tired, they've kind of lost track of what their
• 15:41
  morality is, what points they're trying to make, and they're kind
• 15:45
  of recycling old kills. Yes, I mean, keep in mind we
• 15:49
  actually watched this whole series except for this weekend,
• 15:53
  except for return. Yeah, I haven't watched it yet.
• 15:55
  Yet. The day is young.
• 15:57
  That's true. So it's all.
• 15:59
  It's so fresh in my mind, and I definitely feel like 2.
• 16:03
  It's better. I think you're right, though.
• 16:04
  Like, I feel like they were more fresh.
• 16:06
  And then like, immediately after finishing that, they did like
• 16:09
  three. Yeah, And it's just hitting the
• 16:11
  same beats over and over again. I guess they're not doing it
• 16:13
  with as much gusto. Well, and I do feel like Angela,
• 16:16
  like as a character, is more immediately pissed off at
• 16:19
  everything. Yeah, like she's more over.
• 16:21
  It yeah, she's so over it. This is like the first movie
• 16:24
  that it's not like. She is trans like.
• 16:30
  Yeah, they. That's a whole.
• 16:31
  Yeah, it's a whole. It's complicated.
• 16:35
  We talked about it on our first that our coverage of the first
• 16:39
  movie. And yeah, and I cited some
• 16:44
  articles by the wives Colangelo that shed their perspective on
• 16:48
  it and I think they're a little bit more qualified to speak on
• 16:50
  it. So if you want to go check that
• 16:53
  stuff out, but I. I do like that we just get to
• 16:57
  have gratuitous kills. And without any of the politics
• 17:04
  being involved. It it's smallest.
• 17:07
  I mean, I. Hate to call stuff like that
• 17:08
  politics, because it was like people's fucking lives, you know
• 17:11
  what I mean? Yeah, but like, because I have a
• 17:17
  very complex feeling about that, man.
• 17:19
  Like the whole twist, you know what I mean?
• 17:22
  Like. With part one.
• 17:24
  Yeah. And when you look at it from the
• 17:26
  lens of like part one, like because she was forced to live
• 17:28
  in a gender role that doesn't match what she truly felt.
• 17:33
  But then in Part 2, it's like Canon that she Yeah.
• 17:37
  So it's it's a very complicated thing and like I said, that's
• 17:40
  why I'm directing you to people that have a little bit more
• 17:43
  first hand, knowledge, experience, perspective.
• 17:48
  I feel like, yeah, the the movie, like the sequels here
• 17:51
  especially just kind of. Gloss over it a little bit, like
• 17:54
  they like mention it and they have some people hack, make some
• 17:57
  comments and not all of it's like, well, good I think stuff.
• 18:00
  But. Well, and in the second one and
• 18:01
  I said this last year when we covered it like it definitely
• 18:04
  feels like bratty teenagers that like have just heard their like
• 18:08
  conservative parents lines before and are repeating it.
• 18:13
  That's how it definitely came across in the second one.
• 18:17
  And I think it's because, like they they couldn't just
• 18:19
  completely ignore that that's how the first movie ended.
• 18:21
  They had to acknowledge it in some way, shape or form in the
• 18:24
  sequel. Yeah.
• 18:25
  And I think that's that's why they went the direction they did
• 18:27
  with it. This one is just kind of like
• 18:31
  it's. Just Angela.
• 18:32
  Yeah. It's just Angela.
• 18:33
  Yeah. And they are very upfront with
• 18:36
  how shitty they are. And this one, like, yeah.
• 18:38
  And two is like, yeah, maybe they're just braddy kids.
• 18:40
  And three, like the. Girl.
• 18:43
  Like, there's that one girl that's just, like, super racist.
• 18:46
  Yeah, that hard are, yeah. It's a lot of problematic
• 18:51
  dialogue, but it's on the nose, like, it's super like they're
• 18:54
  like, yeah, we know that she's bad.
• 18:56
  Yes, they are like fully acknowledging it.
• 18:59
  Yeah. My my bad for this is the
• 19:03
  effects are not. Not as good.
• 19:06
  Well, that's. Super great.
• 19:07
  Like, we get a couple of shots of like.
• 19:09
  When Peter has the firecracker up his nose, we get like a very
• 19:12
  quick shot of his face. Yeah, but most of the time we
• 19:15
  just have very runny. Like, I hesitate to even call it
• 19:19
  fake blood. It's so bad.
• 19:20
  Yeah, I think, yeah. That's one of the things about
• 19:23
  this one. It's not as fun as the two.
• 19:25
  It's still almost just as fun. But the kill is missing that.
• 19:29
  Like the special effects is something.
• 19:30
  It's like at the end of Part 2, she realized that she could kill
• 19:34
  Sean with a giant stick. And she was like, I'm just gonna
• 19:37
  do this for about half of the movie.
• 19:39
  Use a giant stick. We're in the woods.
• 19:40
  It's super convenient. Yeah, the.
• 19:42
  Stick makes a return. Yeah, the stick makes a return.
• 19:45
  This is sleepaway camp three. Rise of the Giant Stick.
• 19:49
  Like. It's crazy, man.
• 19:51
  The stick is overpowered. I.
• 19:55
  It must be like petrified wood or something.
• 19:57
  It doesn't splinter it There's. Nothing inside.
• 20:01
  Of. It there's no explanation.
• 20:04
  There's it's just it is it's just stick.
• 20:08
  There is one good kill though it's Arabs kill whenever she
• 20:13
  chops her head like her neck like you actually see it.
• 20:16
  And I could tell that they had to cut it a little bit.
• 20:18
  Maybe that's part of it. Maybe like cuz this is like
• 20:20
  around the time. Friday 13th Part Seven came now.
• 20:23
  Maybe this is when they were starting to really crack down on
• 20:25
  that stuff. No, this is the same year as
• 20:27
  Manhattan. Okay, It's the same thing then.
• 20:30
  Yeah, I mean, the same deal happened.
• 20:32
  Yeah, they have to cut down hard on that shit.
• 20:33
  Well, I mean, Lily. A lot of people like to talk
• 20:37
  about Sinister as having like the iconic, like, lawn mower
• 20:41
  kill. Do your horror homework people.
• 20:45
  This movie originated that shit. Well, actually, other movies
• 20:48
  might have before this one. But either way, this one is
• 20:50
  really well done in. This one too.
• 20:52
  It is. You feel the tension of it and
• 20:54
  honestly, they make this woman like the villains in this movie
• 20:58
  are. Mostly kind of relatable.
• 21:00
  Like, you know, people like this.
• 21:02
  Yeah, yeah. Like you don't relate to them.
• 21:04
  You just like they're familiar people.
• 21:06
  Yes. And then she's like, she's just
• 21:09
  so lazy and selfish and like the.
• 21:13
  Langle ears come after her. She's.
• 21:15
  Lazy. Yeah yeah the langle ears are
• 21:16
  gonna come after her cuz she doesn's she doesn't even
• 21:18
  scamper. Paul will be back.
• 21:22
  Sorry, that's an inside joke, is it?
• 21:25
  I don't know Paul from Sleepway camp.
• 21:26
  One is a lingle ear. He's not a lingle ear.
• 21:29
  He is. That's my theory.
• 21:31
  We watched. We watched the entire miniseries
• 21:34
  of the Lingle Ears last night. I'm still not sure about that
• 21:36
  guy. He freeze frames going.
• 21:38
  Yeah, that's not Lingle ear behavior.
• 21:42
  He's flying. He's got his teeth all over the
• 21:43
  place going. Yeah, that's a Lingle ear man,
• 21:46
  I'm telling you. What's your bat?
• 21:49
  What's your ugly Travis? Ugly for this I.
• 21:55
  I mean, I think like all of, like the hardcore stereotyping
• 21:58
  that they do and this is pretty bad, like down to like, you
• 22:02
  know, Riff being the guy. Like he's like he's black and he
• 22:05
  listens to rap and he's like violent.
• 22:06
  OK, cool. And then you got the other girl,
• 22:08
  like the Southern girl, that is like just very racist just for
• 22:12
  that fact, you know, I feel like they're just trying to cram all
• 22:17
  the stereotypes in there. Chicago snowboy.
• 22:19
  That's definitely like something to do with like, you know,
• 22:21
  cocaine, I'm sure. All he does is do graffiti
• 22:24
  because, you know, he's from Chicago.
• 22:26
  Oh my God, I don't even think about Snow Boy being cocaine.
• 22:30
  Yeah, that's no, that's definitely like his drug
• 22:33
  nickname Snow Boy. You know, just like things like
• 22:36
  that. Like it's really on the nose in
• 22:38
  this movie more than the others. I do like that they had like a
• 22:42
  diversity of the people like you had, like it wasn't all like a
• 22:48
  bunch of white rich kids and the rich group and a bunch of.
• 22:52
  People of color and the poor group.
• 22:54
  And they weren't all like bad behavior.
• 22:58
  Mmhmm. Kids in the poor group either.
• 23:00
  Yeah, they were like some of them were just good.
• 23:02
  Yeah, like Anita's just like she's just like, yeah, I'm poor
• 23:05
  cuz I live in Saw Tale Kentucky. Is she in the poor group?
• 23:09
  I thought she was. In the No, she was in the poor
• 23:10
  group. Ohh I thought she was in the
• 23:11
  rich group. Ohh OK.
• 23:13
  She was like, she's she's from Kentucky.
• 23:16
  She's the most reasonable person there.
• 23:20
  So she's representing us. Where we are okay, I thought
• 23:23
  you're saying that because she's from Kentucky, she's the most
• 23:25
  reasonable. And I was gonna make the jokes
• 23:26
  that we're not in any way, shape or form by No, no, they did.
• 23:30
  They did put good diversity in there.
• 23:32
  But I think that they did want everybody to be pretty, like we
• 23:38
  get a wide range of people that are.
• 23:42
  Deplorable in different ways because like, Peter's just like,
• 23:45
  he's got the firecrackers and that shit's dangerous and it's
• 23:48
  very like, it's very much like a spoiled mentality of like, oh, I
• 23:51
  like the firecrackers. It's funny to spook people with
• 23:54
  it and like, he could actually hurt somebody someday.
• 23:57
  Like, it's such a spoiled kid mentality.
• 23:59
  Yeah. So like, we've got, like, those
• 24:01
  good representations of the different kinds of bad that
• 24:03
  exist, so. OK, absurd.
• 24:10
  My absurd is the whole opening of this movie.
• 24:13
  Like what? What sense does it make?
• 24:16
  She did all of this research like she knew that Maria was
• 24:21
  going to this camp. She makes a whole point of like
• 24:25
  trying to get like, matching hair and running her down,
• 24:29
  stealing her identity and all of that.
• 24:31
  And then she's surprised that Officer Whitmore is one of the
• 24:34
  counselors. Like, where did her research?
• 24:37
  And. I don't know.
• 24:38
  We'll get into that here shortly.
• 24:41
  I'm gonna save discussion. But that's my absurd.
• 24:43
  It's just so crazy how they open this movie.
• 24:46
  It's so weird. My absurd is that Jan actually
• 24:52
  wants that old man with his creepy Playboy Bunny dude.
• 24:58
  I know. That's the thing I remember.
• 25:01
  He's OK. Speaking of like, all the people
• 25:04
  here, you would. Probably agree with me that he's
• 25:07
  the worst actor on this movie, right?
• 25:09
  I don't think he's the worst actor, no.
• 25:11
  You don't think so? He just kind of phones it in
• 25:15
  hardcore. And I remember, I think it was
• 25:17
  when we watched the Dead Meat coverage of this episode.
• 25:21
  Apparently that guy's an award-winning actor.
• 25:25
  I. But this is the type of
• 25:27
  performance I expect from an awardwinning actor in a movie
• 25:30
  like this. I know, right?
• 25:31
  I mean, I think he understood what it was.
• 25:34
  I feel like half the scenes of him goofing off in the
• 25:36
  background wasn't in the script. I think he was just like they
• 25:39
  gave me if I'm gonna wear my Playboy Bunny belt buckle.
• 25:42
  But he is a creepy old man that's trying to hit up some
• 25:46
  young kids. Like I buy it.
• 25:49
  I guarantee you that's the only reason he did this movie.
• 25:51
  You know he will be. You will have a naked girl with
• 25:55
  you all over you. I wonder if that.
• 25:57
  Was like this is going to sound stupid because it's not really a
• 26:01
  stunt, but I wonder if it was a stunt person because her face
• 26:03
  was covered anytime that like he was touching her while she was
• 26:05
  naked I. Feel like I saw both of their
• 26:07
  faces pretty well during that scene.
• 26:10
  And I don't know. I don't know man.
• 26:13
  I mean it's anything is possible, but I think I saw both
• 26:16
  of them pretty clearly. Either way, I agree it is weird.
• 26:19
  I don't understand. It's the power.
• 26:22
  We we were talking about another movie, yeah, this weekend with
• 26:24
  the same deal. It's just the power.
• 26:27
  What movie was? That I have no idea.
• 26:28
  I can't remember. She wants the power.
• 26:31
  I don't. I don't remember either.
• 26:32
  OK, Oh, duh. It was the first sleepway camp.
• 26:35
  Oh, it was. Because we're like, why does she
• 26:37
  want to be with Mel? It's just a trope here.
• 26:39
  Yeah. Wow.
• 26:40
  OK. OK, all right.
• 26:42
  So then, all that said, what? What score do you get this
• 26:47
  movie? Overall, I still love this
• 26:49
  movie. I love it like, almost as much
• 26:51
  as I like to. OK, so I think I'm gonna give
• 26:54
  this like 8.25. 8.25. Yeah.
• 26:59
  And does it deserve any .25? No.
• 27:02
  I'm gonna give it a 7.75. 7.75 OK, yeah, so that makes the
• 27:07
  average 8. Yeah, it does.
• 27:10
  Thank you. Math in my head.
• 27:12
  Look at that you. Did that.
• 27:13
  I'm very proud of you. That was a good job.
• 27:14
  Thank you. OK.
• 27:16
  Are we ready? We're ready to do this.
• 27:18
  Yeah, let's do this. Okay.
• 27:20
  All right. So now let's talk about the
• 27:21
  opening. All right.
• 27:23
  So we get this girl waking up in her bed.
• 27:27
  Her name is Marie. Maria Nakastro.
• 27:30
  Maria Nakastro. She's got like, a little hotel,
• 27:33
  like. One of those lamps that comes
• 27:35
  out of the wall, yeah, on a little arm.
• 27:37
  They probably filling this in a hotel.
• 27:39
  Yeah, and her underwear is hanging on that like she had a
• 27:42
  one night stand with herself. Maybe she did.
• 27:46
  Who do we? Who will be the judge?
• 27:48
  And she gets up and immediately we see all the dysfunction in
• 27:51
  her family cuz they're like screaming at each other.
• 27:54
  She goes I'm going to camp and her mom's like I don't give a
• 27:57
  shit. Why are you still getting this
• 27:58
  house to begin with? Yeah, and we get her milkshake.
• 28:04
  Titty tattoos. Which look, it was a small
• 28:08
  chested lady myself. I'm not meaning this in any kind
• 28:11
  of a judgment, but there's not much milk to shake that.
• 28:14
  I thought it was kind of funny too.
• 28:16
  Honestly. Maybe that's part of the joke.
• 28:18
  I don't know either way. So she's walking down the street
• 28:24
  in the middle of a fucking city, populated, like a lot of action
• 28:28
  going. On here.
• 28:29
  Gigantic coal truck. I'm going to guess no trash
• 28:32
  Compact. Yeah, yeah, cuz as a garbage.
• 28:35
  Compactor. That's just y'all.
• 28:36
  Don't worry. That's just Travis's.
• 28:37
  Harlan by is coming out. He sees a big truck.
• 28:40
  It's a coal truck. So yeah, we see one just
• 28:45
  barreling down the road, and then she immediately senses that
• 28:49
  it's going for her. So what is her life?
• 28:52
  So we're like, anytime a giant truck is like barreling down the
• 28:55
  road, she's like like running down alleyways.
• 28:58
  This time she was right, though, and it ends up hitting her.
• 29:01
  How many times do you think she's run away from a garbage
• 29:04
  truck before? I don't know.
• 29:05
  But maybe she's like, because I've had moments like this
• 29:08
  before to like, you know what? I'm scared of it this time.
• 29:11
  Like, I'm just gonna not be scared of it.
• 29:12
  And then like, I go do it. And then the thing I'm scared of
• 29:15
  is there. I'm like, God, that's why I
• 29:16
  don't do this. Maybe it's like her own, like
• 29:18
  she's a defensive pedestrian and sort of like defensive driving.
• 29:21
  Like, she just assumes everybody's, like, gonna swerve
• 29:25
  onto the sidewalk. You know, I mean, she's like
• 29:27
  with. I don't know.
• 29:28
  She's with the youth, that is, the troubled youth, I guess.
• 29:33
  Yeah, she's one of the lower socioeconomic status.
• 29:37
  Yeah. So maybe that's like a thing,
• 29:38
  Like just like her situation is just trucks going.
• 29:42
  That's why. She's going on the like the
• 29:44
  wilderness. Yeah.
• 29:46
  So it hits her and then Angela gets out, puts her in the trash
• 29:50
  compactor, compacts that trash and waits for the bus and.
• 29:55
  It's not even a buzz, it's a van.
• 29:57
  Oh yeah, it's just a van. It's like a church van.
• 29:59
  Yeah, it is like a church van, yeah.
• 30:01
  But it says camp New Horizons on it now and.
• 30:04
  Then when it drives away like we got like magic, truth or dare
• 30:08
  graffiti on the wall, Yeah, but instead of saying truth or dare,
• 30:12
  it says Angela's back. I don't.
• 30:14
  Like it? It's cool.
• 30:15
  I can't believe. See that.
• 30:17
  Another thing that's part of the absurdity of this is that she
• 30:21
  didn't like. Yank her hair off of her head
• 30:23
  like she actually went and got a wig matching that exact thing.
• 30:27
  She did so much research and crazy and where she was going
• 30:31
  and when she would be going there and the route she would be
• 30:34
  taking. When they were shooting this, do
• 30:36
  you think that they ever question, like, did you do you
• 30:38
  think they thought people are not gonna understand what's
• 30:41
  happening here? Like we gotta have some sort of
• 30:43
  explanation, But the writer was like, no, no, no, that's fine.
• 30:47
  I mean, we don't come to these movies for rational explanation.
• 30:50
  We don't. Brilliant sets the.
• 30:52
  Phone perfectly because. It does.
• 30:54
  You know it's going to be crazy. You know exactly what this movie
• 30:56
  is. OK, Next we cut up to a news
• 30:59
  reporter describing Camp New Horizons.
• 31:03
  And here's the thing. My notes say Tony Richards,
• 31:07
  because that's how it's spelled in the closed captions.
• 31:10
  But on IMDb and the way it's pronounced out loud, it's Tony.
• 31:14
  Tony Yeah, I just thought that that's how you spelled it, but
• 31:17
  it's just pronounced. How?
• 31:18
  Just like people spell their names weird all the time.
• 31:20
  Maybe she's. Colony, Tony.
• 31:23
  Yeah, she's Southern. Well, it's like people all the
• 31:25
  time. They're like, is it Talia or
• 31:26
  Italia? And I was like, well, Once Upon
• 31:28
  a time that was Talia. But we're who we are and we're
• 31:30
  from where we're from. So everybody.
• 31:32
  Else calls it. I mean, every now and then
• 31:34
  you'll get the rear Talia, but yeah.
• 31:36
  Well, when you're abouts in Ohio, the Ohio thinks they're so
• 31:40
  far north. Yeah, Okay.
• 31:44
  So, yeah, everybody there is. They're basically doing the new
• 31:49
  story and introducing each of the new camp.
• 31:53
  Yeah, the owners of the camp are Herman and Lily, and they've
• 31:57
  taken it over and they're doing an experiment in sharing.
• 32:01
  And what they did was they took rich kids and poor kids.
• 32:04
  They set it a little bit more PR style, but that's really what
• 32:11
  they're doing. Yeah, trying to spin it.
• 32:12
  Yeah, they were just trying to get the camp rolling because.
• 32:16
  It's it's been having some bad times.
• 32:17
  Yeah, well The thing is too, like the whole, like, socio
• 32:21
  economic thing. Like it definitely like having
• 32:24
  more money is an advantage, 5000% never going to say it
• 32:28
  isn't. We're by no means rich now, but
• 32:31
  we don't have to question buying a Snickers bar like we did when
• 32:34
  we first graduated college. Exactly.
• 32:37
  And it makes a big difference just to not, like, constantly be
• 32:42
  worried about money. But being poor doesn't
• 32:45
  automatically mean that you're in a gang or that you fight
• 32:49
  people all the time. You know, I'd like to think that
• 32:53
  we're a bit like Anita, or we're just like, Yep, we're here cuz
• 32:56
  from Kentucky. Yeah, we're poor.
• 32:58
  That's why you chose to have us in a group like this.
• 33:01
  South El Gap, Kentucky. Yeah.
• 33:03
  That's where she's from. Wait, let me see.
• 33:05
  I wrote it down. Exactly.
• 33:06
  Yeah. Saw tail gap, Kentucky.
• 33:07
  Yeah, I don't know where that's at exactly.
• 33:10
  Let's look it up, shall we? Okay.
• 33:11
  Yeah, we got time. I was trying to remember where
• 33:14
  everybody. I wanted to write them all down,
• 33:17
  but I couldn't get that fast. I don't think it's real.
• 33:23
  It's also gap. Seriously.
• 33:24
  Yeah, because when you Google it, it just immediately goes to
• 33:27
  an. You know what, though?
• 33:29
  They did a good job because I've heard names like that.
• 33:32
  Before that's. Totally a Kentucky.
• 33:35
  Area. I know, like neither of us
• 33:37
  question. We're just like, yeah, that
• 33:38
  makes sense. We need to like make a place
• 33:40
  around here and call it Sawtail Gap and then people, the real
• 33:45
  people will get it. Let's.
• 33:47
  Be like, let's be like one of those HGTV shows and just name
• 33:51
  our property, even though it's too small to have any business
• 33:53
  being named. We'll just name this Sawtail
• 33:56
  Gap. I'm down.
• 33:57
  That sounds good to me. All right, sawtail gap right
• 33:59
  here. We're gonna get an arch for over
• 34:02
  our sidewalk and we're gonna put it right there.
• 34:05
  Yeah, like a sawtail. Yeah.
• 34:07
  Yeah, exactly. Yeah, it'll be wrought iron and
• 34:10
  then we'll have like a saw hanging from it, like on a
• 34:13
  little flat. Awesome.
• 34:14
  I love it. And then, if the weather's
• 34:16
  really bad, it also double s as a guillotine.
• 34:18
  Fantastic. I'm loving this idea.
• 34:20
  Yeah, this is. Angela, whatever.
• 34:24
  So during the whole news story here, Tawny.
• 34:29
  Starts to go into the history of the camp and this rubs Lily the
• 34:32
  wrong way. And I love the way she's like,
• 34:34
  you weren't supposed to talk about the.
• 34:36
  Murders like you almost feel bad for her for a minute, like she
• 34:42
  just seems so. Here she seems pure.
• 34:46
  Yeah, like. She's actually trying to do
• 34:48
  something well. But yeah, that quickly goes
• 34:50
  away. Yeah.
• 34:51
  I also want to point out Cindy, the racist girl from Georgia.
• 34:55
  Yeah, she. Sounds like that Vine.
• 35:00
  You know the with the girl. That's like, not to be racist,
• 35:03
  but. Oh, yeah, that's what she.
• 35:06
  Reminds me of because Marsha's like that Tony guy is cute and
• 35:09
  she goes, We do not endorse Cindy at all, by the way.
• 35:12
  I want to make that clear. Us repeating any of the bad
• 35:15
  things that in this movie is not an endorsement.
• 35:18
  Exactly, Yeah. It's just like played.
• 35:20
  So over the top, it's just kind of funny, yes.
• 35:22
  You know, it's one of those that, like, I have to want, like
• 35:24
  I have to hope that she was uncomfortable with.
• 35:27
  This. Oh God, I would hope so, Yeah,
• 35:29
  because she has some terrible lions here in the little bit.
• 35:32
  She's the one. She's from Dunwoody, GA, and I
• 35:34
  always mark that one down, too, because she's like you city kids
• 35:39
  have to learn what it's like in the country.
• 35:40
  I'm like, you're from fucking Dunwoody.
• 35:43
  That is a suburb of Atlanta. I was.
• 35:46
  About to say like I thought that that was from.
• 35:48
  Yeah, Area, we've been to Dunwoody because we've been to
• 35:51
  Atlanta, OK? Yeah.
• 35:53
  Tawny approaches Angela. She's like, you know what?
• 35:55
  Speaking of drugs. Yeah, so Tawny wants cocaine.
• 36:00
  Talking to the wrong person here.
• 36:02
  Yeah, she's like, you look older than everybody else here and I
• 36:05
  love this. I love that they don't like,
• 36:07
  even just lampshade it a single time.
• 36:11
  Like everybody was like, you look fucking old and she comes
• 36:14
  up with a different lie every time, too.
• 36:16
  She doesn't look that much older than the rest of them.
• 36:18
  Honestly, they all look about the same age.
• 36:21
  And she. And she's like, yeah, drugs.
• 36:24
  And then Tony was like, Ding, Ding, Ding.
• 36:26
  She's like, where can I score some coke?
• 36:27
  And she's like, there's a vending machine in the
• 36:29
  cafeteria, which, first of all, do you really think that Herman
• 36:33
  and Lily have gotten that thing, refilled her service at any
• 36:35
  time? No, no, There's something.
• 36:37
  And if they did, they'd probably put, like, RC Cola in it.
• 36:41
  Fucking RC. So Angela was like, you know
• 36:44
  what, Okay, sure. I'll go get you some real quick.
• 36:46
  And she goes into the kitchen and she mixes like bleach.
• 36:50
  Comet, comet. Yeah, this These two movies are
• 36:54
  fucking sponsored by Comet. Cuz it's Comet in the bathroom
• 36:57
  from the second one. That's right, that looks like a
• 37:00
  six pack, but it's actually just a lot of bleach.
• 37:03
  So she makes her like a little dime bag, gives it to Tiny, then
• 37:07
  tiny pieces out, and then immediately pulls over to do a
• 37:11
  little line. Yeah, and this kill is actually
• 37:14
  pretty good, because she snorts it and then you like the sound
• 37:17
  is just sizzling. Yeah, and her brain is just
• 37:20
  like, sizzling. This is her brain on drugs.
• 37:23
  Yeah, exactly. And, like, you know, her nose
• 37:26
  and she just dies. We also watched Scary Movie 2
• 37:28
  last night, so as soon as I said this is your brain on drugs, I
• 37:31
  heard shorties laugh in my head. Yeah.
• 37:36
  OK, yeah, so this is. She's like trying to climb out
• 37:39
  of her car, and so she, like, falls halfway and halfway out of
• 37:42
  her car. Like, yeah, every drunk college
• 37:45
  freshman that's gonna be. First party, everybody who's
• 37:48
  done coke for the first time. Yeah, I mean, you can do this
• 37:51
  drunk too it. Doesn't have to be Coke.
• 37:54
  Not fair enough, Okay. So now everybody's in the
• 37:59
  cafeteria group settling. Bobby is.
• 38:04
  He's the guy that asked about the privilege.
• 38:07
  And wait, hold on before we get in there.
• 38:09
  This is where we first see Peter with the firecrackers and he
• 38:11
  like throws one at Angela. And let me just say this is 4th
• 38:15
  of July weekend. Celebrate how you celebrate, be
• 38:17
  safe, whatever. I have a lifelong fear of
• 38:19
  fireworks and it's very valid cuz I was hit by one when I was
• 38:23
  a child and. Angela is reasonably not okay
• 38:28
  with a firework going off right by her and Herman.
• 38:32
  You know, the guy running the camp that's supposed to be
• 38:35
  running this experiment and sharing it was like, it's just a
• 38:39
  firecracker. You city brat should be used to
• 38:42
  it. He has a stupid little laugh
• 38:45
  like. They, yeah, he's like.
• 38:47
  Like he's got, like, a giggle. And then he, like, shrugs, and
• 38:50
  he pulls. Up.
• 38:50
  And then he pulls up his belt buckle and wiggles in his hand.
• 38:53
  I'm. Not afraid of fireworks?
• 38:55
  Come get me. And my opinion is definitely
• 38:58
  still works. Yes it does.
• 39:00
  Like he's gonna get string tighter or you can just lift it.
• 39:04
  Up. OK, so yeah, Then they go into
• 39:06
  the cafeteria. Bobby is like trying to sit down
• 39:08
  next to people and he's like, he is so fucking clueless and you
• 39:13
  feel bad for him until. He actually opens his mouth.
• 39:18
  I still. Feel like that's him being, like
• 39:19
  genuine. I don't feel like it's like
• 39:21
  there's anything like malicious intent with him.
• 39:23
  Yeah, but he's just so fucking clueless.
• 39:25
  He. Is, but that's like a product of
• 39:27
  like, you know his Raisin. Right.
• 39:28
  Yeah. But then when we, I don't care.
• 39:31
  No, I know. I mean, it doesn't make it any
• 39:32
  better, but I don't think that he's, like, genuinely trying to
• 39:34
  be a bad person. I don't think he's trying to be
• 39:36
  a bad person either. And when I say I don't care
• 39:38
  about the product that somebody's raising, I mean that
• 39:40
  like he's still intent versus impact.
• 39:42
  You know what I mean? He's still.
• 39:44
  Says things that ultimately end up being damaging, which we'll
• 39:48
  get to more later with the way he talks to Angela.
• 39:52
  OK, basically treats her like. I think that he's just never
• 39:55
  been around people like this before, so he's now learning to
• 39:59
  interact with other people. And nobody wants to interact
• 40:03
  with. Him.
• 40:03
  Yeah, exactly. Except for Angela, which?
• 40:06
  Yeah, she is who she is. She she wants everybody to enjoy
• 40:09
  camp. She's going to welcome people to
• 40:10
  sit with her. And yeah, exactly.
• 40:13
  So their plan is that they're all going to be split up into
• 40:17
  three groups for three days, and then the last two days they'll
• 40:22
  all come together and share their experiences.
• 40:26
  And the third counselor is going to be Officer Barney Whitmore.
• 40:31
  While he's in there giving his introduction, there's a fight
• 40:33
  between Tony and Riff, which Barney breaks up.
• 40:38
  Takes Riff, Switchblade. This is not Riff's only weapon.
• 40:42
  I know. But he does take risk, switch
• 40:46
  blood, and he threatens that anybody who's gonna be violent
• 40:48
  with one another will go to jail.
• 40:50
  Yeah, that thing escalated super, super quickly.
• 40:53
  Yeah. Can you turn down the music?
• 40:55
  Suck my Dick? And then it's just like a
• 40:57
  straight up brawl and he's like I'm.
• 40:58
  Gonna kill you. Well, let's not forget he also
• 41:00
  he was just like racial Sir as well.
• 41:02
  I wasn't gonna say, yeah, I know, but I'm just saying like,
• 41:04
  yes, It's very high tension. Coach tension, if you will.
• 41:09
  Tension, Yes. So they all have sweatshirts.
• 41:14
  That way they can all look alike.
• 41:16
  Yeah, and Jesse's got one of these shirts.
• 41:19
  No, I have New Horizons. No, I've got rolling hills.
• 41:22
  I've got, I've got Camp Airwick and I've got Camp rolling Hills.
• 41:26
  I need New Horizons. Yes.
• 41:27
  So they all go to the cabins to change and they find some
• 41:33
  graffiti. In the bathroom it says fuck
• 41:35
  Angela Baker, which I want to know who did that and when.
• 41:39
  I feel like it was like people that took over the camp during
• 41:41
  the offseason. But, like, who would?
• 41:43
  Who would take it over in the offseason and then immediately
• 41:45
  sell it? You know what I mean?
• 41:47
  Like, it's just confusing. I don't know.
• 41:49
  Yeah, it is kind of weird. And some of the girls are
• 41:51
  talking and they find out like the rich kids their parents paid
• 41:54
  like $3000 or something for them to be there, whereas like it's a
• 41:58
  government stipend for the poor kids.
• 42:00
  Yeah. I wonder what the sell was for
• 42:03
  that. Are they advertising me like a
• 42:05
  diverse group of people? I think it's supposed to be like
• 42:08
  a resume builder type thing. Definitely.
• 42:11
  And I'm sure that they have the camp classed as a nonprofit.
• 42:15
  And yeah, all of that. So let's see.
• 42:20
  Angela tries to avoid Barney during the registration.
• 42:25
  And when she gets over there, Barney is like, you look like
• 42:28
  you've been through a lot in 17 years and she's like, I have.
• 42:32
  I like how, he says. No offense, but you look like
• 42:34
  you've been through a while. Like, come on, like, how are you
• 42:36
  supposed to take that? Like you look super fucking old
• 42:39
  or something right now? Like, it's weird.
• 42:42
  And then they're splitting up into their groups and Snow Boy
• 42:48
  and spray painted. Bobby's map and Bobby cuz
• 42:52
  there's only goes he's pre painted my map.
• 42:54
  He goes he spray painted your map.
• 42:56
  Well at least he didn't graffiti the tree deer.
• 42:59
  Which he did. Yeah, several.
• 43:03
  Snow Boy is totally aimless with his graffiti.
• 43:06
  He's just taking a like a. Yellow spray paint and just
• 43:09
  doing like random shit not. Even like a good yellow spray
• 43:11
  paint? No like it's so like watered
• 43:14
  down and I'm sure it was probably cuz they couldn't use
• 43:16
  real spray paint on the actual trees.
• 43:18
  Yeah, definitely. But either way, like he's not
• 43:21
  even making anything, he's just making blobs.
• 43:23
  No, I think he's doing an onk. Onk.
• 43:30
  I think that's what it's called, cuz he's got an earring with
• 43:32
  that shape on it too. Really OK.
• 43:36
  Hold on, We're gonna do some more.
• 43:40
  Yeah, onks. Is he making those?
• 43:42
  Mmhmm. Representative Eternal life in
• 43:45
  Egypt, OK Created by Africans long ago.
• 43:48
  The Onk is said to be the first or original cross.
• 43:50
  Yeah, so that's what he was like, cuz I was like, is that
• 43:52
  what he's doing? And then I saw his earring and I
• 43:55
  was like, I think that is what he's actually doing.
• 43:56
  Wouldn't have pecked Snow Boy for an onk man, but here we are.
• 44:01
  We are making onks. They all split up.
• 44:03
  Barney is trying to be the cool counselor cuz they're setting up
• 44:06
  camp. And now he is.
• 44:09
  He's like, you know what guys? You know we're not supposed to
• 44:11
  do this. Yeah, cuz they're the whole
• 44:12
  thing is they're supposed to eat what they catch.
• 44:15
  Yeah, he was like, but tonight I wanna spoil you guys.
• 44:18
  I brought some leaners. Leaners.
• 44:21
  And Tony's like, yeah, you can break the law cuz you're a cop.
• 44:24
  Tony is not wrong. No, I like that he called him
• 44:27
  out. But I think it's hilarious How?
• 44:29
  Like it's like a whiplash. He gets, like, so serious.
• 44:31
  Like my son died. Whoa.
• 44:34
  OK. Not anything relevant to what I
• 44:37
  just said, but you know what? Cool.
• 44:38
  Like it's like whenever. Like.
• 44:40
  Tom down, Batman. Like guys.
• 44:42
  Like I had cancer guys. You know what?
• 44:44
  OK, sure. Yep, you're right.
• 44:45
  OK. We very lovingly and with a very
• 44:48
  dark sense of humor whenever Talia is begging for something
• 44:52
  and we give him. We call her a Little Miss.
• 44:54
  I survived cancer. And it always.
• 44:57
  Wins it always. She was spoiled before.
• 45:00
  It was 10 times worse now. Yes.
• 45:04
  Yeah. So he, like, tells them the
• 45:06
  history that his son died there last year.
• 45:09
  So his son, I can't remember the character's name.
• 45:11
  Sean. Sean.
• 45:12
  OK, yeah. So that was his dad.
• 45:15
  Which we knew canonically his dad was a cop.
• 45:17
  He did mention it, cuz he. Said he was supposed to be a
• 45:22
  camp. Arawak and his dad didn't have
• 45:24
  the money for it, and his dad was a cop that was involved in
• 45:27
  the murders. And it's so upsetting because
• 45:30
  there was always the potential for it to be Mustache Cop.
• 45:33
  I know, But this movie shoots it down.
• 45:35
  We don't get mustache. Cop Maybe he was just like, I
• 45:37
  won't wear the mustache again. Yeah, he's like, I refused and.
• 45:40
  People are still talking about that shit that happened 30 years
• 45:44
  ago. But yeah, he's a he's like I.
• 45:50
  Because he's like trying to give back to the community,
• 45:54
  specifically children, because he didn't get to spend time with
• 45:57
  his son. Yeah, he's wanting to make up
• 45:59
  for that. And then at one point they asked
• 46:05
  what Angela looks like and he's only got like, you know, she's
• 46:08
  five £515, brown eyes, brown hair.
• 46:13
  And they're like do you not have any pictures of her?
• 46:14
  And he goes, no, she wasn't very popular.
• 46:17
  To which I say I. Called bullshit too.
• 46:20
  I wrote a whole note about it. I'm like that's not adding.
• 46:23
  Yeah, because Emilio and. Tip patrol.
• 46:26
  Yeah, tip patrol, they took pictures of her.
• 46:29
  That was like the whole thing. When she comes in and sees their
• 46:32
  collection of naughty, nasty, illegal pictures because.
• 46:36
  One of them is hurt. Yeah, and they're like as
• 46:37
  Angela's picture in there. And she had fucking TC trying to
• 46:41
  like, hit on her the entire time.
• 46:43
  Yeah, well, hit on her or fire her.
• 46:45
  He was very hot and cold with Angela.
• 46:47
  Well, he was justifiably cold whenever, you know, he realized
• 46:51
  that she was not exactly cool and sending these people home
• 46:54
  without. Saying he's wrong.
• 46:55
  Yeah, but before. And he was like, you know, it
• 46:57
  wasn't like she wasn't popular. Nobody socialized with her.
• 47:00
  Like there were people, like people actively tried to talk to
• 47:03
  her. And Molly loved her.
• 47:04
  Yeah, exactly. So bullshit there.
• 47:08
  But yeah, they're like, yeah, we don't know what she looks like,
• 47:10
  you know? She just kind of, like
• 47:11
  disappeared and that's that. She's a girl and that's all we
• 47:14
  know. So at Herman's camp, which is
• 47:17
  the one Angela's on, he keeps calling Jan Sweet Pea.
• 47:20
  Yeah, I got to the point where I just wrote her down as Sweet Pea
• 47:23
  the entire time. However, there is a season of
• 47:27
  Project Runway and one of the designer's name is Sweet Pea.
• 47:29
  And so, like every time he said Sweet Pea, I just heard Heidi
• 47:32
  Klum's voice in my head saying Sweet Pea.
• 47:35
  Sweetie. Sweetie.
• 47:37
  Yeah, So this is the group that Angela is part of?
• 47:40
  Yes. Yeah, she's got the guy that
• 47:42
  likes to explode. Shit, She's got Snow Boy and
• 47:45
  she's got Sweet Pea. Yes.
• 47:47
  So they're all gonna go. He has them go fish while Sweet
• 47:51
  Pea throws A temper tantrum. Cuz she doesn't want a fish.
• 47:54
  Yeah. And he's like, you don't have to
• 47:55
  fish if you don't want to. And then they like, headbut each
• 47:58
  other, like they're two kittens, yeah.
• 48:04
  They find Angela's. They found one of the masks from
• 48:07
  the previous year. Yeah.
• 48:09
  Where they had, like, tried to scare Angela.
• 48:11
  One of them was dressed as Freddy.
• 48:12
  One was dressed as Jason. Yeah.
• 48:13
  So they find the Jason mask in the lake and they're like, what
• 48:18
  day is it anyway? They're like the 14th.
• 48:20
  Yeah. Yeah.
• 48:21
  Saturday. Yeah, Saturday the 14th, Yeah.
• 48:23
  It was really fun. Little.
• 48:24
  So it could either be like a it could either be the mask from
• 48:27
  two or the mask from a Friday the 13th movie.
• 48:30
  Either or I love it. So they do more firecracker
• 48:35
  stuff, which upsets Angela and she runs away.
• 48:37
  I swear to God, I feel like this guy would have been an arsonist
• 48:40
  or something afterwards. Like, calm down.
• 48:45
  Yeah, cuz like and she's like, can you stop?
• 48:46
  He's like suck my Dick. He's just like so rude about it,
• 48:49
  like. Yeah, and like that's the type
• 48:51
  of thing that like. I would probably react worse
• 48:54
  than Angela if somebody was doing that near me like I.
• 48:56
  Would you would do something worse and kill her?
• 49:00
  Where she screams and runs away. I would probably react worse
• 49:04
  than that. I would probably have an actual
• 49:05
  painting attack. Yeah, for sure.
• 49:07
  Yeah. You've seen me do it.
• 49:08
  I mean, he's just like straight up flinging dynamite.
• 49:11
  Yeah, tiny bits of dynamite at you.
• 49:12
  It's terrifying. I mean, we've all seen, would
• 49:14
  you rather you know what happened to Ricky?
• 49:17
  That's true. I just think of that clip of the
• 49:18
  dog that grabs like, the firecrackers and like, it's just
• 49:21
  shooting it off while it's holding it and running around.
• 49:24
  No, no. Have you never seen that?
• 49:26
  We gotta watch that after this, OK?
• 49:30
  So she runs away because, you know, firecrackers.
• 49:34
  Yeah. When she gets back to their
• 49:35
  camp, she sees Herman and Jan in the tent and.
• 49:41
  Jan is very naked and Herman has several layers of clothes on.
• 49:45
  Yeah, he's like taking off his pants, which she has long Johns
• 49:48
  on underneath. I feel like it's probably not
• 49:50
  that cold out. It is fall time.
• 49:52
  Very clearly fall time, like all of the trees are turning colors
• 49:56
  right now. I like it.
• 49:57
  It looks nice. So she gets her handy dandy
• 50:02
  stick. The stick?
• 50:03
  Yep. And she.
• 50:06
  Beats them a lot. She ends up like skeering Herman
• 50:09
  through the mouth, and she beats Jan and then says that it's a
• 50:15
  good thing you're dead, because in a couple years your breasts
• 50:17
  would be sagging something terrible.
• 50:19
  Yeah, the sick man. It's so fucking overpowered.
• 50:24
  So afterwards, snow boy. And what's the other dude's
• 50:28
  name? Peter.
• 50:29
  Peter Yeah, I've said it like 5 Times Now.
• 50:31
  Sorry, there's just a lot of different people, a lot of
• 50:33
  different names here. They come back and they're happy
• 50:37
  that Herman's gone because they knew that Herman was fucking
• 50:40
  trash Anyways, She's like, yeah, he's probably up there trying
• 50:42
  to, like, have sex with her. Yeah, and then snow boy says
• 50:45
  party all night teenage my spy. Yeah, so he continues to start
• 50:50
  spray painting. Shit does it on Angela's tent,
• 50:53
  which pisses her off. Yeah, and she's just annoyed and
• 50:56
  she stomps away. Yeah.
• 50:57
  So we cut back over to Barney's camp and they're all talking
• 51:01
  about how good the burgers were. I know we.
• 51:03
  Established very clearly before those wieners did somebody like
• 51:08
  chop up the hot dog and to like mince meat and make patties out
• 51:12
  of. It.
• 51:13
  God, that's nasty. It is actually really gross.
• 51:19
  Yeah, Marsha needs to go to the latrine and he makes Barney,
• 51:23
  makes Tony go with her, which I understand the the thought, you
• 51:28
  know, buddy system out in the woods, but.
• 51:31
  She's gonna be pulling around her pants and doing her
• 51:34
  business. Yeah, I probably don't.
• 51:37
  Want a strange boy there with her?
• 51:39
  Well, are they walking back to the actual bathroom or are they
• 51:42
  walking? I feel like that's what's
• 51:43
  happening. I don't know.
• 51:44
  I don't know. Like she could just clearly,
• 51:46
  like, walk to like a tree, like just 20 feet out on her own.
• 51:50
  She doesn't need Tony there, yeah.
• 51:52
  It is weird. But this is where Valerie
• 51:54
  Hartman's raccoon wrangling comes in handy.
• 51:57
  Cuz they're yeah, cute little baby raccoon.
• 52:00
  No, it's so tiny, man. Little tiny baby like jumps out
• 52:03
  and gets Tony. He screams and yeah, Marsha just
• 52:07
  starts to give him shit over it. Then it cuts back to Herman's
• 52:12
  camp and Snowboy and Peter are sharing its in.
• 52:16
  They're sleeping with their heads out.
• 52:19
  It's stupid stargazing, man. I can see it, you know?
• 52:23
  I get it. But she sneaks up and she puts a
• 52:25
  firecracker in Peter's nose. Yeah, and somebody wakes up and
• 52:28
  then like sees it just in time for it to blow up in his face
• 52:32
  too, which doesn't kill him. It doesn't.
• 52:36
  It doesn't blow up in his face. I.
• 52:37
  Mean she I mean, he's like 2 inches from there, Like that's
• 52:40
  an explosion right in your face. It doesn't affect him though.
• 52:43
  What what ends up getting him is she bashes him with a stick.
• 52:46
  Oh, yeah, I was gonna say that. OK.
• 52:47
  I'm just saying like, it's in his face.
• 52:49
  Like, you know, getting up in your face type deal.
• 52:52
  And then she drags all of the bodies over to the tent, and
• 52:55
  Snowboy hadn't fully died yet. But when she lights on the fire,
• 52:58
  we he does die, yeah. And as she's watching it burn,
• 53:02
  she decides to roast some marshmallows.
• 53:04
  She's camping. That's good humor right there.
• 53:06
  Yeah, chuckle that that again last night.
• 53:09
  So the next morning we cut over to Lily's camp and she's just
• 53:13
  not act. I'm told she had her coffee in
• 53:15
  the morning. Are you almost done with it?
• 53:17
  Yeah, she's making Bobby make coffee.
• 53:19
  I'm like she's putting on her lipstick and reading her little
• 53:22
  cruise travel guy. Yeah, she's like, she's glamping
• 53:25
  while the other people are just doing all the work for her.
• 53:29
  Angela hikes out there and she says that Herman wants to wants
• 53:35
  her to swap with somebody. And Lily's like, he's always
• 53:38
  changing the rules. And she says that she's supposed
• 53:41
  to switch with Arab. Yeah, so she takes Arab, which
• 53:46
  we didn't even talk about this. We talked about this in Night of
• 53:48
  the Demons because it's the same actress, but we didn't talk
• 53:51
  about it in this because. When they said that they were
• 53:54
  gonna be breaking up into different camps, Snowboy asks do
• 53:57
  the guys get to sleep with the girls?
• 53:58
  And was like no. And he's like why not?
• 54:01
  And everyone goes cuz they're afraid, well fuck and I just
• 54:05
  will love her delivery of. That line, I love it too.
• 54:07
  It's great. She's not in a lot, but she
• 54:09
  makes an impression. She does.
• 54:12
  And while they're walking to the other site, she also says Angela
• 54:16
  looks really old. I forget what excuse she oh, she
• 54:19
  says Her town didn't have fluoride when she's growing.
• 54:21
  Up. OK, Yep, totally, totally get
• 54:25
  it. So she gets back to the camp and
• 54:29
  tells Arab she's like, where's everybody at?
• 54:32
  She's like, oh, yeah, well, one of the tents burned down.
• 54:34
  You know, there's been a party over here.
• 54:35
  So, yeah, in the area it's like all.
• 54:36
  Right. In this tent over here, so she
• 54:38
  goes to peek in there, finds the dead bodies.
• 54:41
  And as she is crawling back out of the tin, this is when Angela
• 54:45
  takes the axe and gets her right in the neck.
• 54:47
  Yep, it's probably the best kill in the movie.
• 54:49
  No, actually, I take that back. The lawnmowers.
• 54:51
  The best. Yeah, second best.
• 54:54
  Back at Lily's camp, they're talking about their favorite
• 54:57
  They're talking about their star signs, favorite colors, favorite
• 55:00
  movies. I got their favorite movies
• 55:01
  here. Okay so.
• 55:05
  Cindy's is she likes movies with really good acting, like Gone
• 55:08
  with the Wind or Care Bears. Yeah, so in this order, it's
• 55:11
  Angela's. Her favorite is ET.
• 55:13
  OK, Bobby. He likes the patriotic shit.
• 55:16
  The movies that make America look good, like Rambo 3I.
• 55:19
  Like how it's three because it's weekly Game 3.
• 55:21
  And he knows that it's that triple is his best.
• 55:24
  He does, Yeah, he does. He gets.
• 55:26
  It for all of his other flaws. Yeah.
• 55:28
  Cindy. Yeah, she likes the good acting.
• 55:30
  I think I got this right. I think she said Gone With the
• 55:32
  Wind and then also Care Bear movie.
• 55:35
  Yeah, and Riff is he likes them with tits and blood.
• 55:39
  Riff is our people. He is, yeah.
• 55:41
  He's speaking as. A.
• 55:42
  Work in. Here.
• 55:44
  And then I wrote Cindy is Racist White tears because she says Can
• 55:53
  you please turn off the music and.
• 55:57
  Griff is like, kind of annoyed, but it looks like he's gonna do
• 55:59
  it. And then she like, starts
• 56:01
  talking about how she hates rap and she makes some very pointed,
• 56:04
  yeah, racial remarks about it, and he gets understandably
• 56:08
  upset. And then she continues to
• 56:10
  escalate her language. And then when he becomes even
• 56:14
  more upset, she cries. Hence the white tears comment.
• 56:18
  And Lily is like riff, like she gets mad at riff.
• 56:22
  Yeah, I know. Yeah, that's unfair.
• 56:24
  Didn't even bother stopping Cindy's little tirade, but.
• 56:27
  Yeah, Yep. She definitely.
• 56:31
  Man, she sucks. Yeah, she's.
• 56:34
  We don't have her for much longer at least.
• 56:36
  That's true. Um, so Barney's like, answering
• 56:39
  more questions about Angela. This is kind of what we had
• 56:42
  talked about before. Yeah, you know, just don't know
• 56:44
  what she looks like. Nobody liked her, which is what?
• 56:46
  Would you do if you saw her killer?
• 56:49
  Killer, yeah. He in no way sounds that as
• 56:52
  country as we made him, he he doesn't belong in like a western
• 56:55
  or anything. Theater.
• 56:57
  So now they're playing the blindfold game Over at Lily's
• 57:00
  camp, Angela's paired up with Cindy.
• 57:03
  Riff is paired up with Bobby. And.
• 57:06
  I wanna see the riff, Bobby. You see him hearing?
• 57:10
  You get to see a glimpse of it here in a little bit, cuz
• 57:12
  there's like a crane shot and you see Riff and he's got Bobby
• 57:15
  tied up and he's got his headphones on, he's dancing, so
• 57:18
  his music in the background while Bobby's just kind of
• 57:20
  aimlessly walking. He's not being guided at all.
• 57:24
  So Angela is the one that gets tied up and Cindy has to get
• 57:27
  her, which she just kind of like pushes her through the woods for
• 57:30
  a little bit and then she's like, I gotta take a ciggy
• 57:32
  break. Yeah.
• 57:33
  Takes a single puff of the cigarette and then puts it out.
• 57:36
  She's rich. She doesn't care how much
• 57:38
  cigarettes cost. She's not even a fucking smoker
• 57:40
  at BET. She's like, this is what people
• 57:42
  do, right? They take like a single hit.
• 57:43
  For the cigarette and no discarded.
• 57:45
  Definitely new girls like this in high school that.
• 57:47
  They still because it was like. Cool and rebellious, yeah.
• 57:49
  Like, no, Actually, their heart wasn't in it.
• 57:52
  Yeah. Yeah.
• 57:54
  So and then she plays a prank on Angela where she makes her think
• 57:57
  that there's a bug on her. But it's actually a teeny tiny.
• 58:00
  Yeah, that's a harmless little prank.
• 58:02
  Yeah, I thought it was fine, but it pisses Angela off, and now
• 58:05
  it's Cindy's turned to be blindfolded.
• 58:08
  Yeah. So Angela's like, are you a
• 58:10
  cheerleader? Yes.
• 58:13
  Are you a virgin? No.
• 58:15
  Do you do drugs? Doesn't everybody?
• 58:18
  She goes three strikes. And she hooks her up to a
• 58:21
  flagpole and pulls her up. Wait, what's the first strike
• 58:25
  for cheerleader? Was that supposed to be a bad
• 58:27
  thing about? Does she just not like?
• 58:28
  Cheerleaders. That's that's Cannon.
• 58:30
  OK. She says it in the second one,
• 58:33
  she said yeah, cuz when Molly is upset about Ally, she said.
• 58:36
  And Molly is like, well, Ally's a cheerleader and all the guys
• 58:39
  like her and she goes, so that probably means that she's got a
• 58:40
  bunch of venereal diseases. OK.
• 58:43
  Yeah. Yeah, no, Angela.
• 58:46
  We when we say she's got the moral high ground, it's in her
• 58:49
  own head, Yeah, she actually doesn't have the moral high
• 58:52
  ground. In her mind, yeah.
• 58:54
  Yeah, so she pulls her up the flagpole and then drops her.
• 59:00
  That's a pretty gnarly kill. Oh, I could too.
• 59:02
  That's inventive. So when she gets back to camp,
• 59:07
  she said Cindy's back at the main camp with a headache and
• 59:10
  Lily was like. Could you please go get her and
• 59:13
  take the trash up there while you're there?
• 59:15
  And then also you'll find some bug spray inside of the pantry
• 59:18
  if you could grab that while you're there.
• 59:20
  And while she's doing this, she's flipping over like the
• 59:22
  saddest little flank steak ever, Yeah.
• 59:25
  Yeah, she's cooking herself some steak.
• 59:28
  So Angela goes back there. She goes to the kitchen, grabs
• 59:31
  some keys. I'm not entirely sure where
• 59:33
  that's what that's for, but she starts having flashbacks to
• 59:38
  like. I think sleep late camp too, but
• 59:40
  it's also like not what we were. Able to see very embellished
• 59:44
  memory. It's when she gets counselor of
• 59:46
  the week and instead of like people sarcastically singing
• 59:50
  along with her, at least she gives this whole speech about
• 59:53
  how she knows what it's like to be bullied and she's just glad
• 59:55
  to be at camp where everybody's accepted and loved and they can
• 59:59
  all have a good time. Yeah.
• 1:00:00
  And then she starts like everybody's clapping her.
• 1:00:02
  She's like you. Like me.
• 1:00:03
  You really like me. Maybe this was all going on in
• 1:00:06
  her head. Yeah, too.
• 1:00:08
  I don't know. I like to think that this is
• 1:00:10
  like Angela's version of events. I think that makes the most
• 1:00:13
  sense. It's kind of if that's the case,
• 1:00:15
  it's interesting where we can actually get a glimpse of, like,
• 1:00:17
  how things are being perceived on her end.
• 1:00:20
  Yeah, Angela gets back to camp. She finds out that Lily had was
• 1:00:24
  making the steak for herself. Yeah.
• 1:00:25
  She painted. It all by herself?
• 1:00:27
  Yeah. She's allergic to fish, so the
• 1:00:31
  the kids have to go fish. So she ties her and Bobby
• 1:00:34
  together. It's another It's another team
• 1:00:36
  building game. Yeah, yeah.
• 1:00:37
  She ties them together so they have to go fish together.
• 1:00:40
  And while they're out there, Bobby's like, it's kind of hot
• 1:00:43
  being tied up with you. Like, that's really gross.
• 1:00:46
  And then he tries to kiss her and she's like, oh, no.
• 1:00:49
  And then she's like, oh, wait, I can kill him this way.
• 1:00:51
  Yeah. She's like, at least not right
• 1:00:52
  here. Yeah, meet me.
• 1:00:53
  Yeah, like at midnight or whatever.
• 1:00:55
  Meet me by the waterfall after The Social.
• 1:00:57
  Yeah, it's kind of like that. So afterwards she goes back to
• 1:01:03
  the camp, brings the fish back. They try and get riff to clean
• 1:01:07
  the fish since he wasn't doing anything, but he like pulls a
• 1:01:11
  gun on Angela. No.
• 1:01:12
  Well OK, so first what happens is Lily's like riff.
• 1:01:15
  I think you should clean it since they fit, since they
• 1:01:17
  caught all the fish and he goes no way and then bought.
• 1:01:20
  And then she goes, well Bobby, how about you just clean them
• 1:01:22
  and he goes, that's not fair. He never does anything.
• 1:01:24
  And Angela's like, I'll handle it cuz she's.
• 1:01:27
  Over these. Things Yeah, she's so upset
• 1:01:30
  already. And then when she goes in there,
• 1:01:31
  that's when he pulls a gun on her and she's like Bobby, clean
• 1:01:34
  the fish. Yeah, that's actually funny.
• 1:01:36
  I love the humor in that right there.
• 1:01:38
  Yeah, just storms off, okay. So now we get some Tony and
• 1:01:43
  Marsha bonding. Well, they're flirting a little
• 1:01:47
  bit. They've been playfully teasing
• 1:01:50
  each other and then they kiss. And then he said something about
• 1:01:54
  a condom. So I think they.
• 1:01:55
  Like, they have sex here? Definitely, yeah, yeah, she
• 1:01:58
  like, asked him. Just like, are you in a gang?
• 1:02:00
  He's like, well, yeah, everybody over there is in a gang.
• 1:02:02
  It's like, really? You don't strike me as a gang
• 1:02:05
  type of dude. Yeah.
• 1:02:07
  Maybe he's just, like, using it. Like, yeah, I'm in a gang.
• 1:02:10
  I'm totally in a gang. Like, I can live like a
• 1:02:12
  completely different life out here.
• 1:02:14
  She probably likes that. Yeah, I it's it is really hard
• 1:02:17
  to tell if he like actually isn't a gang.
• 1:02:20
  Cuz later on he does sound like I really wanna get out of it,
• 1:02:23
  but I'm at first it sounds like he's just saying it to like
• 1:02:26
  humor this rich white girl like Oh yeah, I'm dangerous.
• 1:02:29
  But you like dangerous guys, don't you?
• 1:02:31
  Yeah, hell yeah. So yeah, they have sex.
• 1:02:33
  Definitely. Angela gets Lily to play the
• 1:02:38
  blindfold game and. And Lily's like I am getting bed
• 1:02:43
  sores from sitting on this chair.
• 1:02:44
  I look bad and get out. Well, what?
• 1:02:48
  What was the reasoning for her to get her to actually agree to
• 1:02:50
  do this? I can't remember.
• 1:02:52
  She said that she needed to do something.
• 1:02:55
  I forget what it was. Oh, she wanted to wear a
• 1:02:56
  blindfold. She wanted to go check on Cindy
• 1:02:58
  anyway because she wanted to play.
• 1:02:59
  Angela specifically asked to play the blindfold game with OK,
• 1:03:02
  OK, so while they're walking and just like I saw some roaches and
• 1:03:05
  some rats that they can't before and all, he's like, yeah, it
• 1:03:08
  happened some places like that she goes, why do you bury your
• 1:03:10
  trash instead of having a trash service, She goes, oh, that
• 1:03:13
  stuff cost an arm and a leg and she goes, not really.
• 1:03:16
  And Lily's like, you don't even know with places like this, how
• 1:03:18
  much it costs. And she goes, so are you
• 1:03:20
  planning the trip? She goes, yeah, we're going to
• 1:03:22
  Europe. It's expensive, but as Herman
• 1:03:24
  saw us, we're worth it, so. Can you imagine that
• 1:03:26
  conversation? I can.
• 1:03:29
  Unfortunately, I can't imagine that.
• 1:03:31
  Conversation. Like doing it as he's raising
• 1:03:32
  his Playboy belt, We're worth it.
• 1:03:37
  So when they get to the camp, she pushes Lily into the garbage
• 1:03:41
  pit. And so he's burying her.
• 1:03:44
  And Lily's like there's rats in here.
• 1:03:47
  Yeah, she's singing the Happy Camper song too.
• 1:03:49
  Yeah, And then she's after she's got her buried, she takes the
• 1:03:53
  blindfold off and then she. Poops are on the nose and says
• 1:03:57
  your husband sleeps around my. God, just fucking digging it in.
• 1:04:02
  Savage. I think that's probably like the
• 1:04:03
  most savage line Angela has ever spoken out.
• 1:04:06
  I know. Right.
• 1:04:07
  Yeah, it's just her head above ground and then.
• 1:04:09
  Especially the little, the little nose.
• 1:04:11
  Boot. Yeah, God.
• 1:04:13
  And this right here, when you think about it, it's terrifying
• 1:04:15
  because then she goes and gets a lawn mower.
• 1:04:18
  And then. Just straight up fucking lifts
• 1:04:21
  it up that way. The blaze just.
• 1:04:23
  Yeah, it's not even gonna be like, oh, maybe it'll get caught
• 1:04:26
  on her hair and tangle it. Nope, it's gonna be straight on
• 1:04:29
  top of the head. It does a queen cut, I think,
• 1:04:32
  but like realistically that would just like it would get
• 1:04:34
  caught and it would like you would probably be alive while
• 1:04:37
  your face is just mangled until you get put out of your misery.
• 1:04:41
  It's nasty. Yeah.
• 1:04:43
  So at this point, Angela? Has met has gotten Bobby to meet
• 1:04:50
  her near the main camp. And then this is where he's like
• 1:04:55
  saying that he wants to be tied up but don't tell anyone because
• 1:04:58
  he wants to run for office someday.
• 1:04:59
  Yeah, girls like you are, are, you know, it's different for you
• 1:05:05
  than it is for me, which is just so fucking demeaning.
• 1:05:08
  And yeah. He's talking about riding a
• 1:05:10
  penthouse. Do you think he's actually ever
• 1:05:12
  fucked? No, this is.
• 1:05:14
  I don't think he ever has like he's.
• 1:05:16
  He's thought about he's tied himself up.
• 1:05:18
  I'm thinking this is probably what the keys before because
• 1:05:21
  she's in the Jeep now and she ties him up and then ties him
• 1:05:26
  around the tree and then hooks it to the Jeep and then drives
• 1:05:29
  off. Can I just say that this rope is
• 1:05:32
  a terrible flashback for me because it's the time where I
• 1:05:35
  broke the ceiling fixture and I was a kid.
• 1:05:38
  Huh. So we had little plastic nylon
• 1:05:41
  rope. I don't know what the purpose of
• 1:05:43
  it was, but it was and. I was a weird kid.
• 1:05:46
  I loved tying knots. I wasn't in like the Girl Scouts
• 1:05:49
  or anything. I just.
• 1:05:50
  I like knots. I remember hearing about this.
• 1:05:52
  Yeah, so I used to like I would hang string all around my room
• 1:05:54
  and tie my toys up from it. So weird, man.
• 1:05:58
  I know you could have been a little Bobby.
• 1:06:00
  But I had. I had this yellow like plastic
• 1:06:05
  rope that she ties Bobby up with.
• 1:06:08
  And at one point, because my parents had put like.
• 1:06:11
  A thing on the ceiling fan. So that way I could control the
• 1:06:14
  fan and the light. The little drawstrings, Yeah,
• 1:06:16
  they did it so that way I could reach it and I tied my rope onto
• 1:06:21
  the little dangling thing and I thought I was gonna be able to
• 1:06:23
  swing your cus. My God, Jesse, how old were you?
• 1:06:28
  I was. Let's see.
• 1:06:31
  Can you imagine? I like, obviously I have a very
• 1:06:34
  vivid memory of this. So I was like maybe four or
• 1:06:37
  five. I wasn't in my old room anymore.
• 1:06:39
  Caroline took that room. So Caroline had to have been on
• 1:06:42
  the way. Okay.
• 1:06:43
  So I'm gonna say I was like around 5:00.
• 1:06:44
  Just thinking of like a tiny little Jessie, just like going
• 1:06:47
  around in circles, Just kind of like not dead, but just limp
• 1:06:50
  because she's bored. But she can't get down.
• 1:06:54
  She's just like giving up. Instead, I broke the ceiling
• 1:06:57
  fixture. Had to explain to my parents.
• 1:07:00
  No, that's hilarious. I didn't learn shame from that
• 1:07:04
  instance either. No.
• 1:07:05
  She's tried us several times since we've been together.
• 1:07:07
  I just am surprised that it started so early.
• 1:07:12
  So yeah, he's torn in half. Not like you.
• 1:07:15
  I hope She goes back to camp, tosses A cassette to riff.
• 1:07:21
  Yeah. She, like, shoots it in the
• 1:07:23
  tent. Yeah.
• 1:07:24
  And I love the insult to injury that the last thing Riff had to
• 1:07:28
  hear was this terrible, like. Into a.
• 1:07:30
  Rap, yeah. If I can find a clip, I'm gonna
• 1:07:33
  put it in the episode right here.
• 1:07:34
  That way everybody can hear it. Angels are pretty.
• 1:07:38
  Angels can fly and here is an Angel that can make you die.
• 1:07:41
  You've got no style, got no flair.
• 1:07:44
  All you do is fight and swear. So say your prayers and make
• 1:07:48
  them ends. Cuz your life story is about to
• 1:07:51
  end and I love it. Like his face, he's like, what
• 1:07:55
  the fuck is this? And then she attacks him with a
• 1:07:58
  mallet. And then she takes tent stakes
• 1:08:01
  and is like staking his feet to the ground.
• 1:08:02
  And then she eventually stakes his head.
• 1:08:04
  Yeah, I thought she was gonna burn him down, but now I think
• 1:08:07
  that he just had to be pinned to the ground and just, yeah,
• 1:08:10
  suffer like that, It's. Not good, no.
• 1:08:12
  She ends up putting a stake in his head.
• 1:08:14
  She does end it pretty quickly. Okay.
• 1:08:17
  So this is where Angela goes over to Barney's camp the next
• 1:08:20
  morning. And she was like, oh, yeah, I'm
• 1:08:22
  supposed to switch with Marsha. And everybody's like, oh, and
• 1:08:24
  Barney's like, cuz, Barney's only responsible adult here.
• 1:08:27
  He was like, all right, well, let me ask her, you over there
• 1:08:29
  so I can talk to Herman and make sure like, this is all above
• 1:08:33
  board. Yeah, he's actually supervising,
• 1:08:35
  which, yeah, nobody else has done so far.
• 1:08:38
  And while they're walking, Angela Falls.
• 1:08:41
  And hurts her ankles so they take her back to the main camp.
• 1:08:45
  And at first I thought maybe this was fake, but she literally
• 1:08:47
  does limp for the rest of the movie, so.
• 1:08:49
  Yeah, and it's like real cuz yeah, she starts like, it's
• 1:08:52
  almost like she's kind of testing him and he's passing all
• 1:08:55
  the tests. He's like a nice guy and she
• 1:08:57
  recognizes it and she's like, why can't they all be like you?
• 1:08:59
  And you would think that she would have spared him, but.
• 1:09:04
  She does insist. She's like, well, yeah, Lily had
• 1:09:07
  me go up here. She's actually Outback, you
• 1:09:09
  know, Marsha, if you wanna go check on her.
• 1:09:11
  Yeah, well, she was just basically telling him all of the
• 1:09:15
  bad things that the other two done.
• 1:09:16
  She was like, Herman sleeps at the campers, and Lily is so
• 1:09:19
  lazy. She hasn't gotten up since we
• 1:09:21
  got here. And Marsha's like, really?
• 1:09:23
  And she's like, yeah, you can go see her Outback.
• 1:09:25
  Which why didn't anybody think that was?
• 1:09:28
  Weird. And Marcia goes Barney Can I?
• 1:09:30
  And Barney's like, yeah, sure. Why?
• 1:09:32
  Why ask permission? Can I go?
• 1:09:34
  Can I just fucking go check on her, man?
• 1:09:37
  So weird. Yeah.
• 1:09:38
  So she goes out there and her headless body is now just
• 1:09:42
  sitting in a chair. That's what she would want.
• 1:09:44
  That is what she wanted. It's like totally lazy lounging
• 1:09:48
  and that freaks Marcia out so she runs back.
• 1:09:51
  In she say that it's unreasonable.
• 1:09:53
  Freaked her out. I don't know why.
• 1:09:56
  Well. I don't know Okay.
• 1:09:59
  So either way, she gets. I'm sorry, is that how you seen
• 1:10:01
  most of your headless bodies? Just as like.
• 1:10:04
  In the lounge, just chilling. Yeah, yeah, Okay.
• 1:10:07
  Yeah, it's normal. What posing would need to be to
• 1:10:10
  upset you? Like, sprawled out Okay.
• 1:10:14
  But she was casual. She like had like legs crossed
• 1:10:17
  and shit. Yeah, she was upright.
• 1:10:18
  I think she was even reading. Barney's call win.
• 1:10:23
  Angela's keeping her cool. And then they all realized that
• 1:10:26
  Angela was responsible. Yeah, Barney's saying Marsha
• 1:10:29
  run. So Marsha's running and he goes,
• 1:10:33
  how are you planning to kill me? Leeches acid to the face, burn
• 1:10:39
  me alive. He's like basically listing all
• 1:10:42
  of the ways that she was killing people in the past, maybe.
• 1:10:45
  Or are you going to chop off my head like he did my son?
• 1:10:49
  And she goes. Shoots Jeff, and then she shoots
• 1:10:52
  him. Yeah, it's so anti climactic
• 1:10:57
  because you think that this guy is gonna be the one to get her.
• 1:10:59
  But no, it's just like, no, he's just gonna get shot right here
• 1:11:02
  and he's dead. He's.
• 1:11:03
  Very art in the first terrifier movie.
• 1:11:06
  Yeah, it's just like. Yep, just with a gun.
• 1:11:09
  Yeah, just same thing. Yep.
• 1:11:11
  But before she does that, she does say like.
• 1:11:14
  You look just like your son when you're angry.
• 1:11:16
  No, that's dude. She's really good at, like
• 1:11:18
  rubbing it in right before death in this movie.
• 1:11:21
  So she hops in the Jeep, starts to go drive after Marsha, which
• 1:11:25
  she catches up and. Then we cut to Tony, Greg and
• 1:11:29
  Anita. Yeah, she she kidnaps Marsha.
• 1:11:31
  Mmhmm. Yeah.
• 1:11:32
  They're all sitting at the campfire and they're concerned,
• 1:11:35
  but they have built a good report with Barney over the past
• 1:11:38
  couple of days and they're like, well, Barney said that we need
• 1:11:40
  to stay here and they're like debating because, like, it's
• 1:11:42
  been way too long. So, like, do we need to go?
• 1:11:45
  Like, what do we do? And then that's when Angela pops
• 1:11:48
  up and she's like, he wants us to meet at the main camp.
• 1:11:52
  We're gonna do a trust game. So when they're there, she has
• 1:11:55
  them all tied up. And then she's like, do you see
• 1:11:58
  Barney? Do you see them over there?
• 1:12:00
  Over there. And then she cuts a rope and his
• 1:12:02
  body drops down. I like that.
• 1:12:04
  Yeah, this is what I would love to see Michael Myers do in a
• 1:12:07
  Halloween movie instead of leaving it to like, drop.
• 1:12:09
  And he doesn't get to see the reaction.
• 1:12:11
  Like we don't see him set an emotion.
• 1:12:13
  Like, I love Angela here. She's like, I want to know what
• 1:12:16
  it feels like, but I want to be actively engaged.
• 1:12:18
  In the yeah, you know what, I think that's I that put an image
• 1:12:23
  in my head because, well, Michael can't talk, but like, I
• 1:12:25
  like to see him, just like pointing.
• 1:12:26
  Just like HM, HM, HM. And she's like warp.
• 1:12:31
  And he's like. That's all right there.
• 1:12:34
  They're like the silent clap. So yeah, they they're all tied
• 1:12:40
  together and they she's having them guess which cabin she said.
• 1:12:45
  Marsha and. Yeah, they have two minutes.
• 1:12:47
  Yeah, and if they break the rule, she's gonna kill them.
• 1:12:50
  Yeah, she's gonna kill them anyways.
• 1:12:52
  Yeah, that's really what's gonna happen.
• 1:12:53
  And they take the 1st 15 seconds not thinking that she's serious,
• 1:12:56
  so she cuts Greg's face. That's when they go around
• 1:13:00
  hanging in the first two cabins, just various dead bodies.
• 1:13:03
  And then in the third one, Marsh is there.
• 1:13:05
  She's bound and gag, so she can't warn them that there's a
• 1:13:08
  trap and the ax, like this thing falls and the axes kill Greg and
• 1:13:15
  Anita. It's so crazy how perfect it
• 1:13:17
  was. Like it gets them both in the
• 1:13:19
  head and Tony's. Totally fine.
• 1:13:23
  Like, does she plan it that way? Is that how she drew it up?
• 1:13:26
  Like what? Why?
• 1:13:27
  I only have two axes right there.
• 1:13:29
  She said that those two were boring.
• 1:13:31
  She's like, congratulations, you guys survive.
• 1:13:33
  I'm leaving, by the way, all the phone lines are cut, but there's
• 1:13:35
  a payphone about 3 miles down the road.
• 1:13:38
  She's actually gonna let them go too.
• 1:13:39
  Yeah, it seems like it she. She's got her own set of rules.
• 1:13:44
  They followed the rules. They win.
• 1:13:46
  They did. Fuck though.
• 1:13:48
  She hates that shit. I know that.
• 1:13:49
  Yeah, I know that she said that Marsha reminds her of Molly.
• 1:13:52
  Yeah, and Molly didn't fuck. Canonically true.
• 1:13:55
  You're right. So she assumes Marsha's pure.
• 1:14:00
  But Marsha, on the other hand, she's not done yet.
• 1:14:03
  She chases after Angela. I love her in this moment.
• 1:14:06
  Yeah, it's cool. And she charges her and pulls
• 1:14:09
  her out of the Jeep. And then they have a whole
• 1:14:11
  wrestling match, like right there on the ground.
• 1:14:13
  And it ends with her actually stabbing Angela in the stomach.
• 1:14:17
  Yep. So they end up getting the cops.
• 1:14:22
  And they're just shown in the backseat of the cop car.
• 1:14:25
  And so I'm going. To move to Ohio, we'll get
• 1:14:28
  married, buy a house, and she's like.
• 1:14:31
  So fast. He's like, I love you and she's
• 1:14:34
  like, I have a boyfriend and he's like, oh, she goes, but you
• 1:14:39
  can still move to Ohio. You can visit.
• 1:14:42
  He's like, Oh yeah, I can. Which is weird.
• 1:14:45
  I'm like, whoa, so maybe Angela needs to, like, come back for
• 1:14:48
  these people because they're being, like, more shitty now.
• 1:14:51
  Just, like, hold on a second. I need to see something.
• 1:14:54
  Oh yeah. Oh God.
• 1:14:55
  I didn't realize how well that movie was The Graduate.
• 1:14:58
  That's the movie that ends where, like, he goes and gets
• 1:15:00
  the girl from the church in the middle of their wedding and then
• 1:15:01
  they're on the back of the bus. And they just kind.
• 1:15:03
  Of like, they're like, not sure what to do next.
• 1:15:06
  Yeah, it's kind of like that vibe with the two of them
• 1:15:08
  because they're just like saying in the back of the car and then
• 1:15:11
  they just kind of like stare forward.
• 1:15:13
  So I wonder if that's kind of a nod to the graduate?
• 1:15:16
  Maybe it could be I like. To think it is, but I tend to
• 1:15:20
  think a lot of things are nod to the graduates I.
• 1:15:21
  Just think, it's hilarious that Tony got so attached so fast.
• 1:15:25
  So we're engaged, right? Yeah.
• 1:15:28
  Are you pregnant? Yeah.
• 1:15:30
  So they're safe. And then it cuts to Angela in
• 1:15:34
  the back of an ambulance, and the cop is really urging the
• 1:15:37
  paramedic to just kill her. Cuz she sucks.
• 1:15:40
  She's killed so many people. Man, he ends up breaking the guy
• 1:15:43
  down. He's like, all right, sure,
• 1:15:44
  we'll kill her. So they start to, like, go for
• 1:15:48
  it. But then Angela pulls the
• 1:15:49
  Michael Myers in Halloween Four and then wakes up and then kills
• 1:15:53
  both of them. Yep, and the driver's like, hey,
• 1:15:57
  what's the Rockets back there? And she's like, taking care of
• 1:16:00
  business. There's so many people.
• 1:16:05
  Credits roll. Yeah, she did that too.
• 1:16:08
  Yeah. Yeah.
• 1:16:10
  And then that's it. That's the movie.
• 1:16:11
  Chris Roll. Yay.
• 1:16:14
  OK, Jesse. I'm bumping it up to Nate.
• 1:16:16
  Bumping I. Just fucking love this movie.
• 1:16:18
  I know. I fully recognize all of its
• 1:16:20
  shortcomings. But you know what?
• 1:16:21
  It's a comfort. It's fully a comfort movie.
• 1:16:23
  Yeah. Definitely.
• 1:16:24
  I mean, we put two on yesterday because it was storming and you
• 1:16:27
  were uncomfortable, yes. And it's it's a very fucking
• 1:16:30
  stressful weekend for me. Between all the storms and the
• 1:16:32
  fireworks. I'm I'm stressed, yeah?
• 1:16:35
  And what? Stressed.
• 1:16:36
  I am distressed. It's rough.
• 1:16:39
  But it provided comfort. It did.
• 1:16:41
  There is also, I remember my mom came to visit one weekend and
• 1:16:44
  she had never seen sleep the weekend, but she like had heard
• 1:16:47
  us mention Felissa Rose so many times.
• 1:16:49
  And we were like, you need to see the movie.
• 1:16:51
  So we watched it and then ended up putting on the second one
• 1:16:54
  because really it's not Felissa, but it's still it like and it's
• 1:16:57
  completely tonally different, but it's still insane.
• 1:16:59
  And she was like, this movie is insane.
• 1:17:00
  And then I think she and I were like, just up talking and the
• 1:17:02
  third one rolled in and we ended up basically marathoning the.
• 1:17:05
  He did all three. It's that night.
• 1:17:06
  I think so. Jesus.
• 1:17:08
  It's a fun time, man, Very. Good.
• 1:17:11
  Two and three are definitely good to watch back-to-back
• 1:17:13
  because I mean like they take place in the same place shot
• 1:17:17
  back-to-back. Just watch them back-to-back.
• 1:17:18
  Yeah, I'm keep in mind 8.25, so I think our total is 8.115. 125.
• 1:17:27
  Is it 125 dude? You were so close.
• 1:17:29
  You were so close. I'm so, I'm so proud of myself.
• 1:17:32
  Man, I'm gonna start letting you do some of the math.
• 1:17:34
  Nah, let's not get ahead of ourselves.
• 1:17:36
  OK. Talia Talia gives us an 8
• 1:17:40
  because she thinks it's great she slept even though she woke
• 1:17:45
  up late. Are you?
• 1:17:48
  Intentionally rhyming. She barked a little bit.
• 1:17:51
  She wanted to play. She wanted to play, yeah.
• 1:17:58
  She liked it, yeah. She did end up falling asleep.
• 1:18:00
  But then she was like having big dreams, like during the final
• 1:18:03
  chase scenes. Yeah.
• 1:18:05
  It got her. I think she lacked it.
• 1:18:07
  Zoe was on my lap, slashed the back of the couch.
• 1:18:10
  I found this remarkably fuzzy blanket at the Bed Bath and
• 1:18:15
  Beyond closing sale yesterday. Which.
• 1:18:18
  Is still going on, surprisingly. Yes, and it's so soft.
• 1:18:21
  And then all of the pets are immediately like, all right,
• 1:18:24
  best friend. So I know how to bribe small
• 1:18:27
  creatures to make them love me. But yeah, Zoe did watch as the
• 1:18:30
  short version of that. OK, so who did you relate to?
• 1:18:38
  Anita. Why?
• 1:18:41
  Because she was just poor. But she wasn't an asshole, it
• 1:18:44
  didn't seem like. OK, I'm going to relate to Riff
• 1:18:48
  because I like my movies with tits and blood.
• 1:18:51
  Yeah. Yeah, it's nice.
• 1:18:53
  And you do play your music too loud sometimes.
• 1:18:55
  I do. I don't just sending people with
• 1:18:58
  violence, though, but you know. All right, dream sequel.
• 1:19:05
  How would you want there to be a fourth one?
• 1:19:08
  There was a fourth one in development that never came to
• 1:19:11
  fruition and technically released, but it's like
• 1:19:13
  basically some new material with, like, quips of all the
• 1:19:17
  previous movies. Yeah, I like, let's see.
• 1:19:23
  I want to see Angela owning a camp.
• 1:19:25
  That's what I was thinking, too. That's the next step.
• 1:19:27
  Yeah. She's been a counselor.
• 1:19:28
  She's been a part of the camp two times.
• 1:19:30
  Let's see her own it. Or maybe.
• 1:19:32
  OK. All right.
• 1:19:34
  OK. It's like one of those camps
• 1:19:36
  that they send like juvenile delinquents to that actually
• 1:19:39
  like a. Reform.
• 1:19:40
  Yeah, like that are actually really terrible for the kids,
• 1:19:44
  you know, based on psychology and whatnot.
• 1:19:46
  But parents are like, I'm on my lift end, so they send their
• 1:19:50
  kids there. She would be perfect for that
• 1:19:52
  and she would definitely do one of those.
• 1:19:54
  I think that that's what she would do.
• 1:19:56
  I want to say that. OK, cool.
• 1:19:59
  All right. And I want it to be filmed like
• 1:20:01
  like a true TV or whatever documentary like, like Angela's
• 1:20:05
  Reform. Yeah, like Jesus Camp.
• 1:20:07
  Mmhmm. Or Babel Camp or whatever.
• 1:20:09
  Like that movie where I was like, yeah, it's actually kind
• 1:20:11
  of fucked up over here. Yeah.
• 1:20:13
  OK, dude, that would be awesome, actually.
• 1:20:16
  OK, new tagline. You can take the girl out of the
• 1:20:21
  camp, but you can't take the camp out of the girl.
• 1:20:25
  It's not bad, but it's a lot of words.
• 1:20:27
  Can we condense it? Girl Camp Camp girl.
• 1:20:31
  Yeah, you know what? I couldn't actually just like
• 1:20:33
  that Girl camp. Camp.
• 1:20:34
  No. That's a terrible tagline,
• 1:20:36
  Travis. I know.
• 1:20:38
  That's why I like it. I like the bad ones sometimes.
• 1:20:44
  Let's see. New Horizons, new victims.
• 1:20:54
  Angela's Crossing New Horizons. Okay.
• 1:20:58
  There we go. Yay, Animal Crossing, for those
• 1:21:05
  who aren't familiar with the Animal Crossing's New Horizons
• 1:21:08
  game. Okay.
• 1:21:11
  Cool. I like that.
• 1:21:12
  So, do you have an Internet review?
• 1:21:14
  For it, I do have an Internet review and I know firmly how we
• 1:21:18
  feel about it, so I wanted to find somebody who didn't like
• 1:21:20
  it, which remarkably wasn't difficult to do.
• 1:21:23
  This is a 2 out of 10 on the IMDb sleepaway camp.
• 1:21:27
  Three Teenage Wasteland was made back-to-back with the first
• 1:21:30
  sequel, but this time around the movie is even worse than the
• 1:21:33
  last movie and it tries twice as hard.
• 1:21:35
  I have expressed my feelings in the past about movies that tries
• 1:21:37
  you hard. Ones that try too hard to be
• 1:21:40
  funny, witty and over the top. When that happens, it never
• 1:21:43
  works. You can't force stuff like that.
• 1:21:45
  It always comes naturally. But when you force things like
• 1:21:47
  that it'll always come out looking like garbage.
• 1:21:49
  Sadly, I have yet to be proved wrong.
• 1:21:52
  Will I recommend this movie? No, not unless you're diehard
• 1:21:55
  fans of the sleepaway camp series.
• 1:21:56
  Maybe if they release this movie directly to video uncut, then
• 1:21:59
  maybe the gory set pieces would be enough to carry movie.
• 1:22:03
  Just carry movie. They wouldn't even do us that
• 1:22:06
  favor. I just like this movie very
• 1:22:08
  much. Here's the thing.
• 1:22:10
  You know I. Don't think this movie tries too
• 1:22:12
  hard. Yeah, I was thinking like, I
• 1:22:13
  don't think anybody would ever say it tries too hard.
• 1:22:14
  If anything, people would say it doesn't try hard enough.
• 1:22:17
  Yeah, and I get like the humor probably isn't to everybody's
• 1:22:20
  taste. But holy shit, this is exactly
• 1:22:22
  my sense of humor. Yeah, mine too.
• 1:22:24
  I you know like I I can definitely see it not landing
• 1:22:27
  well with other people but I want it.
• 1:22:30
  Yeah, like it's it's so self aware.
• 1:22:33
  It knows what it is. It knows that it's a horror
• 1:22:35
  movie. It's like making.
• 1:22:36
  Stupid jokes about the situation that they're in.
• 1:22:39
  I don't know. I like it because I can tell
• 1:22:41
  that they're having fun. Yeah, it's just a fun time.
• 1:22:44
  But I I again, I get entirely why nobody or somebody would not
• 1:22:49
  like this one. Exactly.
• 1:22:52
  OK, cool. Do you have any listener
• 1:22:54
  reviews, Travis? So yeah, I actually had one
• 1:22:58
  finally come in 44 minutes ago. Whoa.
• 1:23:02
  Yeah. So we'd already been recording.
• 1:23:04
  I know, yeah. And it.
• 1:23:09
  Is it on Instagram or Twitter? It's on Instagram.
• 1:23:11
  OK, yeah, our we didn't get any from Twitter this time.
• 1:23:14
  I'm gonna blame the new tweet rules for that one.
• 1:23:18
  Yeah, So yeah, this one actually came in from our buddy Michael
• 1:23:21
  Lee Howard. OK, so he wrote Oh my God,
• 1:23:24
  Sleepaway camp three was offensive, fun, cheesy, and
• 1:23:27
  ridiculous. Not sure I would have watched it
• 1:23:29
  by myself or by itself, but combined with all three, it is a
• 1:23:33
  fun trilogy. Absolutely I I get that like
• 1:23:36
  100% because like as a standalone I think 2 works
• 1:23:41
  better. You know what?
• 1:23:43
  No, I think. I kind of had this thought last
• 1:23:46
  night too. It almost feels like in the vein
• 1:23:48
  of like a trauma type movie. It does.
• 1:23:50
  It definitely has. That trauma, when he wrote
• 1:23:52
  Offensive. It was like trauma.
• 1:23:54
  Yeah. I.
• 1:23:55
  Mean a lot of those movies are offensive, but.
• 1:23:57
  Purposefully. Yeah, like in a fun way.
• 1:23:59
  Like they're made by good people, especially trauma, like
• 1:24:02
  old Kaufman. Yeah, like look at Toxic
• 1:24:04
  Avenger. That is like one of the most
• 1:24:06
  offensive movies ever. But got it so.
• 1:24:09
  It's so satirical about it. Yeah, exactly.
• 1:24:12
  And that's what this movie is, too, like, all of these
• 1:24:15
  terrible, terrible people saying terrible, terrible things.
• 1:24:18
  Poking fun and like making yes, comments about how shitty is.
• 1:24:21
  But The thing is, people like that do fully exist.
• 1:24:24
  Yeah, so. It's fun to see, you know them
• 1:24:29
  get their comeuppance in very over the top and comical ways.
• 1:24:34
  Also, like, even like the two that really didn't have much to
• 1:24:36
  say, Anita and Greg. She even kind of, like, has a
• 1:24:40
  joke about them just being too boring.
• 1:24:42
  Yeah. Yeah, it's funny, yeah.
• 1:24:45
  So yeah. All right, cool.
• 1:24:47
  Well, thanks for your your review, Michael.
• 1:24:49
  We appreciate it. Appreciate it always.
• 1:24:51
  And I love that he's always on the same page with us.
• 1:24:54
  Yeah, definitely. Yeah.
• 1:24:55
  So that's that's our reviews and I believe that is actually it
• 1:24:59
  for this week's episode. It is.
• 1:25:02
  So next week, well. First of all, we have to be or
• 1:25:04
  not to be this upcoming weekend. Yeah, so we.
• 1:25:06
  Look out for that. I I in my heart, I have a movie
• 1:25:10
  I've been wanting to do. It's not a third, but we'll see.
• 1:25:14
  We'll see what I end up finding. Yeah, when I go to look this
• 1:25:17
  weekend and then after that on the main.
• 1:25:20
  My page. Travis's Pick the the movie I
• 1:25:24
  always forget exists. That's right, y'all.
• 1:25:27
  We're getting some hooting and hollering.
• 1:25:29
  We're going for wrong. Turn three, baby.
• 1:25:31
  I fucking love it. I know that it.
• 1:25:36
  It's a it's a weird series, but I think we need to give it the
• 1:25:41
  proper love. If you're like me, no, this
• 1:25:45
  isn't the prequel, because I always think it is.
• 1:25:47
  Mentally. I always skip this movie.
• 1:25:49
  This is the one with the prisoners.
• 1:25:50
  Yes, the prisoners. It is not available for
• 1:25:53
  streaming anywhere right now. Oh.
• 1:25:55
  Man. But it is available for a cheap
• 1:25:57
  rental at 329 on Prime, Google Play and YouTube, or 399 on
• 1:26:03
  Voodoo. Let me give you all a little
• 1:26:05
  tip. Just go out to like you can buy
• 1:26:07
  the. Well, you buy the pack.
• 1:26:09
  Yeah, it's like a three pack at Walmart for like 5.
• 1:26:11
  Dollars since there's. Three.
• 1:26:12
  Yeah, that's what we're going to watch it on.
• 1:26:15
  So you can do that. You can hoot and holler at your
• 1:26:18
  heart's desire. Look, and one and two are
• 1:26:21
  legitimately good movies. So if you don't like 3, you
• 1:26:24
  know, at least instead of paying the rental fee, you're just
• 1:26:27
  getting like 2 good movies. But I'm going to make a case for
• 1:26:31
  three. I think the three.
• 1:26:34
  Has its place and we'll talk about that next week I.
• 1:26:36
  Don't hate it, I just always forget it exists.
• 1:26:38
  No, I there are problems with it.
• 1:26:40
  And I also did not like it whenever I first watched it.
• 1:26:43
  But we'll go into all this next week, OK?
• 1:26:47
  OK, We'll get into it. We'll hoot and holler.
• 1:26:49
  We'll holler. We'll hoot and holler at the
• 1:26:52
  same time. All all of that together.
• 1:26:54
  Would you like to hoot or would you like to holler?
• 1:26:56
  I'm more of a holler. OK, I will do the hooting.
• 1:26:59
  Yeah, I've come from the holler, actually.
• 1:27:01
  OK. So I'm the You're the blowfish.
• 1:27:04
  Okay, I guess. Blowfish.
• 1:27:06
  Yeah, yeah, Holler. Okay.
• 1:27:08
  Okay. So, yeah, go watch that if you
• 1:27:10
  can. If not, just you can listen to
• 1:27:12
  us talk about it. Yeah, but if you want some bonus
• 1:27:18
  content in the meantime, you can go over to our Patreon with our
• 1:27:22
  Cool Kid Club. Over there with Eric and Vivi
• 1:27:25
  have shaken us scared. Joe Freegatron.
• 1:27:28
  As is his full name, Michael and Amber, where we have things like
• 1:27:32
  our Super League Camp One commentary track, as well as
• 1:27:35
  other bonus episodes that we've done.
• 1:27:37
  Early access to our episodes. And all kinds of other little.
• 1:27:40
  Our show notes. And doodles whenever I do
• 1:27:43
  predoodles for the episode art. But if you can't support us like
• 1:27:48
  that if. You wanna support us but don't
• 1:27:50
  wanna do so financially? We get it.
• 1:27:52
  Yeah, you can just do it by rating and reviewing us.
• 1:27:55
  It makes a big difference. We really do actually get
• 1:27:58
  excited when we see how many reviews we have.
• 1:28:00
  It's been nice, especially on Spotify.
• 1:28:01
  We've had like a little bump on them and it was kind of cool.
• 1:28:04
  Yeah. So thanks for doing that you
• 1:28:06
  guys. We do appreciate that makes a
• 1:28:08
  difference to us and the system, so.
• 1:28:10
  In the meantime, you can find us on social media.
• 1:28:12
  We have our Twitter if you can see our tweets.
• 1:28:15
  Yeah, at least faith Pod. Our Instagram is least favorite
• 1:28:19
  Scary movie podcast. We have a website, What's your
• 1:28:22
  least favorite Scary movie.com? And that's it.
• 1:28:27
  Yeah. So that.
• 1:28:28
  Covers it all. We will see you guys next week
• 1:28:30
  or this weekend actually, with our to beater not to be, yeah.
• 1:28:32
  All right. Bye, bye.
• 1:28:48
  Zoe Zoe really wants to be a part of this.
• 1:28:51
  Chill the fuck out. It is nowhere near food time.
• 1:28:54
  No, not even. Close 45.
• 1:29:00
  OK.