Latest / Four Finger Discount (Simpsons Podcast) / Double, Double, Boy In Trouble (S20E03)

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Double, Double, Boy In Trouble (S20E03) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: Wouldn't it be hilarious if we switched places and lived
• 0:03
  Speaker 1: each other's lives for a while. I don't know. I'm
• 0:06
  Speaker 1: pretty attached to my family and.
• 0:08
  Speaker 2: Get out here, boy, I want to punish you before
• 0:11
  Speaker 2: I get drunk and merciful deal four finger discount.
• 0:16
  Speaker 3: Dude, Michael two four figure discount.
• 0:33
  Speaker 4: Where this week we are reviewing episode three of season twenty.
• 0:37
  Speaker 4: It is double double boy in trouble. I'm out, oh
• 0:40
  Speaker 4: and I am Guy.
• 0:41
  Speaker 2: A subscriber to the Daily Growl.
• 0:44
  Speaker 4: Oh, there goes trivia question number two.
• 0:46
  Speaker 2: I would say, it's the only paper that tells it
• 0:48
  Speaker 2: like it is. I know, right like it is.
• 0:51
  Speaker 4: We were walking into that I think I'm told us
• 0:53
  Speaker 4: in the podcast before we're walking in to meet the
• 0:55
  Speaker 4: old Jim Cummings, our man Jim coming from tw Nima
• 0:57
  Speaker 4: Jim Cummings. Oh, yes, walking into the So what was it?
• 1:00
  Speaker 4: Super and over and it was that guy at the front,
• 1:02
  Speaker 4: just talent talent as it is. Remember that that guy
• 1:06
  Speaker 4: just tell as it is, Mate.
• 1:08
  Speaker 2: That I think the person the person he was telling
• 1:10
  Speaker 2: it like it is too. It was kind of like
• 1:12
  Speaker 2: I wish you didn't like it is, or maybe tell
• 1:14
  Speaker 2: it like it is. To someone else because I'm not.
• 1:16
  Speaker 2: I don't want to hear it.
• 1:16
  Speaker 4: I'm dressed as gander, leave me alone.
• 1:22
  Speaker 2: I'm here to escape reality, not confronted. It turns out
• 1:25
  Speaker 2: they'll dresses a listen lady. Yeah, well listen. They were
• 1:30
  Speaker 2: just they were just there to do the listen lady line.
• 1:33
  Speaker 2: That was it. That's it?
• 1:34
  Speaker 4: Yes, all right, so yeah he double double boy in
• 1:36
  Speaker 4: trouble before we get into that though, doing all right,
• 1:39
  Speaker 4: doing all right. I mentioned to you yesterday, showed to
• 1:42
  Speaker 4: you my first team you order, is it tu?
• 1:45
  Speaker 2: How do you say it? You team?
• 1:48
  Speaker 4: I was gonna say temu or tem whatever it's called, right,
• 1:50
  Speaker 4: but botato, I've only took the plunge. I was like,
• 1:53
  Speaker 4: they keep they keep sending me messages like I'm just
• 1:55
  Speaker 4: going to I want to see whether this ship that
• 1:57
  Speaker 4: I'm seeing is actually good quality?
• 1:59
  Speaker 2: Right, yes? And and well I saw it. Yeah, it was,
• 2:03
  Speaker 2: It's fine fine. Yeah, it was like, you know.
• 2:07
  Speaker 4: Five hundred dollars with the stuff, and I was like,
• 2:08
  Speaker 4: it's not this stuff's not worth four hundred dollars. No, well,
• 2:12
  Speaker 4: how much did you pay for it? You paid like
• 2:14
  Speaker 4: I ended up paying sixty five dollars. Yes, And I
• 2:17
  Speaker 4: got three blankets, which the kids love. By the way,
• 2:20
  Speaker 4: so blankets I can vouch for the blankets. Have got
• 2:22
  Speaker 4: a Muppet show, a blanket, a Wazzles or Disney show
• 2:25
  Speaker 4: with Wazzles, and a Smurf's one.
• 2:27
  Speaker 2: Three blankets, one hundred sixty five dollars, smile on a
• 2:30
  Speaker 2: child's face, priceless, ten minutes of piercing quiet. It was good.
• 2:38
  Speaker 2: Risk of going up in flames. Yeah, bozzle book, So
• 2:41
  Speaker 2: it's funny.
• 2:42
  Speaker 4: Now, we watched an episode of I think it may
• 2:44
  Speaker 4: have been Monk right where no, no, it was House
• 2:47
  Speaker 4: and the kids were getting sick and they couldn't work
• 2:49
  Speaker 4: out why. It's because they bought something from this website
• 2:51
  Speaker 4: from like China and it was it was a T
• 2:53
  Speaker 4: shirt and they all they didn't wash before they wore it.
• 2:56
  Speaker 2: Now the blankets, I was like, she'ld on be washing
• 2:58
  Speaker 2: this first.
• 2:59
  Speaker 4: The upper show blankets good because it's got all the
• 3:01
  Speaker 4: Muppets on it. So now the kids were laying in
• 3:03
  Speaker 4: bed last night doing ice Spy, saying can you find Fozzy?
• 3:07
  Speaker 2: And I'm like, you know what, this gives pain for itself.
• 3:10
  Speaker 2: It's warm and entertaining. This is a multi purpose blanket.
• 3:14
  Speaker 2: You thought it was good for just one thing. No, no, no,
• 3:16
  Speaker 2: yeah it's good. I've got two bluetooth I what do
• 3:20
  Speaker 2: you call like headphones, but their iemasks for the plane.
• 3:24
  Speaker 2: You're not just getting your eyes covering. You're alto getting
• 3:26
  Speaker 2: some peaceful, you know, darkness. You're also getting your favorite
• 3:29
  Speaker 2: tunes pump directly into your ears or podcasts from the network. Yeah,
• 3:34
  Speaker 2: did I say no?
• 3:34
  Speaker 1: No?
• 3:35
  Speaker 2: Podcasts, tunes? Music these days? Be an idiot? Give it
• 3:39
  Speaker 2: the times, Grandpa District. You've just reminded me that I
• 3:41
  Speaker 2: actually need new headphones. I was out of my Do
• 3:44
  Speaker 2: you like some? No, I need very specific ones because
• 3:49
  Speaker 2: I was out of my walk yesterday, and I don't
• 3:52
  Speaker 2: like to use my phone and my earbuds when I'm
• 3:56
  Speaker 2: out walking, because like it's going to be cutting out
• 3:58
  Speaker 2: and all this kind of business. So surprised it cuts out.
• 4:00
  Speaker 2: Do you lose the reception or something to you with
• 4:01
  Speaker 2: your phone? I guess so. Yeah. I mean if I'm
• 4:04
  Speaker 2: listening to a podcast that's being streamed via my phone
• 4:06
  Speaker 2: and then going into my belt, it's like, this is
• 4:08
  Speaker 2: just too many connections that are relying on I don't know. Yeah,
• 4:13
  Speaker 2: I need wires.
• 4:14
  Speaker 4: I need to listen to your phone first, but I could.
• 4:18
  Speaker 2: Then then I just want new headphones.
• 4:22
  Speaker 4: All I'm saying, I want uses for Louise the Barbie
• 4:25
  Speaker 4: new headphones.
• 4:26
  Speaker 2: I'll get these because it's still Black Friday, cyber Mondays zone.
• 4:30
  Speaker 2: I think they're still on the cheap. It's got Black month, right,
• 4:32
  Speaker 2: I really should Honestly, it's just sales all year round.
• 4:35
  Speaker 4: Yeah, it's I mean, everything is always a sale now.
• 4:38
  Speaker 2: Because I mean we here in Australia have subscribed to
• 4:41
  Speaker 2: the whole Black Friday thing which used to be a
• 4:42
  Speaker 2: Thanksgiving thing, or was a Thanksgiving thing in America. But
• 4:45
  Speaker 2: before that we had our bunch of sales. Recently didn't
• 4:48
  Speaker 2: we feels like every shop's all financial year stuff.
• 4:50
  Speaker 4: It's always a twenty percent So everything's a sale now,
• 4:53
  Speaker 4: right because the up the rip seconds be forever on
• 4:55
  Speaker 4: a sale. I love the ones that say fifty percent
• 4:58
  Speaker 4: off in little your second item.
• 5:03
  Speaker 2: Listeners of any of the Four Fingered discann podcast know
• 5:06
  Speaker 2: that down I basically suckers. We will buy just a
• 5:09
  Speaker 2: band anything, but I don't know. We should be more
• 5:13
  Speaker 2: conscientious in our purchases, he says.
• 5:14
  Speaker 4: He looks around, haven't I've purchased this shit a long
• 5:17
  Speaker 4: time ago.
• 5:18
  Speaker 2: That's I don't want to be like a doom say
• 5:21
  Speaker 2: or anything like that. I was telling you about this
• 5:23
  Speaker 2: show I watched on Netflix on the weekend. Well buy now.
• 5:27
  Speaker 2: Anyone who has watched even a single podcast on a
• 5:30
  Speaker 2: single YouTube video on this finds it. Their algorithm is
• 5:33
  Speaker 2: just full of it. It's basically, don't be a sucker.
• 5:36
  Speaker 2: You know what these what these guys are doing to
• 5:38
  Speaker 2: you know, verty good? They're not good guys, know more.
• 5:40
  Speaker 2: Buy a new book, yeah pretty much. Yeah. Yeah, but
• 5:44
  Speaker 2: it was like, oh, yeah, you know that thing you
• 5:46
  Speaker 2: brought from Timu eighty bucks wather stuff, It's going to
• 5:48
  Speaker 2: end up in the gun and waterways something. It's pretty sad. Yeah,
• 5:52
  Speaker 2: it's just all shit. Yeah.
• 5:54
  Speaker 4: The blankets though, okay, oh yeah, the blanket's going anywhere
• 5:57
  Speaker 4: if you can just pay twenty bucks for a blank
• 5:59
  Speaker 4: or whatever. The full sized bedside like double bed, Yeah,
• 6:02
  Speaker 4: they're good.
• 6:03
  Speaker 2: I held in my hot little hands yesterday as I
• 6:05
  Speaker 2: was trying to leave, and Dan was like, no, hold
• 6:07
  Speaker 2: this blanket. Blanket. It was like fields, actually pretty, It's
• 6:10
  Speaker 2: actually really soft, isn't it It is? Yeah, I wholly
• 6:13
  Speaker 2: understand why the kids would be happy with it. Yes,
• 6:15
  Speaker 2: all right, so double double in Trouble.
• 6:19
  Speaker 4: I think this is another episode that has a really
• 6:21
  Speaker 4: good story within it. It just felt something just didn't
• 6:26
  Speaker 4: quite hit like it was. It was fine, but it
• 6:28
  Speaker 4: just felt like it's missing something.
• 6:32
  Speaker 2: Yeah, there were aspects of it I liked, certainly. I
• 6:35
  Speaker 2: think the thing was it felt like, yeah, this is
• 6:39
  Speaker 2: there should have been like the second or third time
• 6:41
  Speaker 2: we'd seen what do they call the the Wooster Fields
• 6:45
  Speaker 2: or fields. Yeah. I love the idea that there's Springfield Heights. Yeah,
• 6:48
  Speaker 2: I mean, yeah, that there's this yeah, posh suburb of Springfield.
• 6:52
  Speaker 4: It's first scene properly in when scenes of class struggle
• 6:57
  Speaker 4: on Springfield, when Mark gets the Shanel dress and she
• 6:58
  Speaker 4: goes to the country club.
• 7:00
  Speaker 2: Ok. Yeah, I mean, I don't know. I just liked
• 7:02
  Speaker 2: the idea that there is this sort of social strata
• 7:05
  Speaker 2: in Springfield. It's never really been played up all that much.
• 7:08
  Speaker 4: I guess I know it has been. There's an episode
• 7:10
  Speaker 4: where they built the wall between the rich and the poor.
• 7:12
  Speaker 2: Okay, well that's two episodes. Probably this is a lot
• 7:15
  Speaker 2: more of I thought about it. You probably I'm a
• 7:19
  Speaker 2: sucker for a good prince in the pauper story. So yeah,
• 7:21
  Speaker 2: I was very happy that this had this whole kind
• 7:23
  Speaker 2: of thing. I guess the feeling would have been better
• 7:26
  Speaker 2: if the maybe of the wooster Fields wooster Fields. Yes,
• 7:32
  Speaker 2: remember wasshter ship, great sauce? Good was your she soy sauce?
• 7:36
  Speaker 2: Don't like wash share she sauce for me? It's good.
• 7:39
  Speaker 4: You have to put in things when you're cooking hamburgers
• 7:41
  Speaker 4: or whatever. Oh yeah, just laughter that ship.
• 7:43
  Speaker 2: With that right. Oh you don't want to like spread
• 7:44
  Speaker 2: it like a steak or whatever. Yeah, I don't think
• 7:46
  Speaker 2: I've done that for a very long time. Very good
• 7:48
  Speaker 2: in a shepherd's pay.
• 7:50
  Speaker 4: Best sauce for a steak in the Canna three is
• 7:52
  Speaker 4: a combination of two ready one two three butter galy so,
• 7:57
  Speaker 4: I said creamy garlic, I said garlic butter. We okay,
• 8:01
  Speaker 4: I see chremea garlic and mushroom together at Parker Steakhouse.
• 8:04
  Speaker 4: I'm still going to park I haven't been there for
• 8:06
  Speaker 4: a long time because I went there last time I went.
• 8:08
  Speaker 4: This is a bit smaller and more expensive.
• 8:12
  Speaker 1: I know.
• 8:13
  Speaker 2: This is The show was rapidly disintegrated into dandeor guy
• 8:17
  Speaker 2: gribe about the cost of maving that's because we have
• 8:19
  Speaker 2: no money. That's true, by the way, like and subscribe.
• 8:24
  Speaker 2: I mean I took the Lovely Louise out for dinner
• 8:26
  Speaker 2: on Sunday night. She's like, can we go out with
• 8:28
  Speaker 2: Midside a weekend? Said the same thing? She goes you
• 8:31
  Speaker 2: know what it was.
• 8:33
  Speaker 4: It was like perfect timing. So the Simpsons were in
• 8:36
  Speaker 4: the background, like it was last Tuesday, Nila, we should
• 8:38
  Speaker 4: go out for dinner.
• 8:39
  Speaker 2: I was like, and no. Ship.
• 8:42
  Speaker 4: Within like two minutes of us, Nicola going all right,
• 8:44
  Speaker 4: I'll just cook something. The episode were having what's the
• 8:46
  Speaker 4: point going out anymore? Nicholas like that's becoming us And
• 8:51
  Speaker 4: I was like, oh no.
• 8:53
  Speaker 2: So we went out for dinner, but went down to
• 8:58
  Speaker 2: a very nice local pub bistro, which one clats it's
• 9:02
  Speaker 2: his arms, so he's arms. Okay, yes, I'm not having
• 9:05
  Speaker 2: a go with these guys. I mean, you know, cost
• 9:08
  Speaker 2: of going up all over the place, but one killo
• 9:09
  Speaker 2: sta should weigh a kilo. Lou had a very nice steak,
• 9:14
  Speaker 2: split a little thing of saganaki cheese, you.
• 9:16
  Speaker 4: Know, garlic bread or is that what's the second ady cheese?
• 9:19
  Speaker 2: What's that? That's it's like a loomy you put in
• 9:21
  Speaker 2: the fry pani, Okay, give it an ars.
• 9:23
  Speaker 4: We always have a cheesy garlic bread that we share.
• 9:26
  Speaker 2: NICs. Uh no, drinks, didn't have I didn't have a
• 9:29
  Speaker 2: glass of wine.
• 9:30
  Speaker 4: You need to because it's just too expansive without it.
• 9:34
  Speaker 2: Okay, we just had a perfectly nice meal. I'm like, oh,
• 9:38
  Speaker 2: I'll pick this one up by We had triple figures
• 9:42
  Speaker 2: really with just the food. With just the food, oh,
• 9:46
  Speaker 2: I mean we okay, we got sparkling water. That's just water.
• 9:49
  Speaker 2: They're bling bubbles into it. The only kids at the back.
• 9:56
  Speaker 2: I was going, okay, this would be around yeah, eighty
• 9:59
  Speaker 2: ninety bucks, sixty to seventies. Usually it was it was
• 10:02
  Speaker 2: a little more net. Yeah it was ok.
• 10:04
  Speaker 4: He drives down trip Oh my goodness. Yeah, I get
• 10:08
  Speaker 4: drives down dawns with confus when.
• 10:09
  Speaker 2: I never was a kid. Yeah, I'm very different. D
• 10:14
  Speaker 2: was like, was it market price or something? I got
• 10:17
  Speaker 2: the stake at market price more like market right, and
• 10:21
  Speaker 2: yeah said please don't come back to it different, don't
• 10:24
  Speaker 2: have to be closed.
• 10:24
  Speaker 4: Then there they're closed? Yeah, yeah, bad, like are those
• 10:29
  Speaker 4: guys speaking of the hill. It was the price of demand,
• 10:32
  Speaker 4: wasn't it or something like that.
• 10:33
  Speaker 2: Yeah, something like that, ye, yes, yeah, anyway about the
• 10:36
  Speaker 2: cost of living at the Hill.
• 10:37
  Speaker 4: If you haven't checked out our Patreon, excuse Speak of
• 10:40
  Speaker 4: the Hill podcast, make sure you do so. First season
• 10:41
  Speaker 4: available for free. If you want season two onwards, just
• 10:43
  Speaker 4: support us on Patreon.
• 10:45
  Speaker 2: It's one of the many shows we cover here, one
• 10:46
  Speaker 2: of the many pop culture items that we discussed a
• 10:50
  Speaker 2: great in great detail and a great depth.
• 10:53
  Speaker 4: Now, there was a comment at the end of this
• 10:55
  Speaker 4: episode right that made me go, let me think that
• 10:59
  Speaker 4: the riders of the Simpsons just obviously don't discuss what
• 11:02
  Speaker 4: they're doing in each other's episodes anymore, because how did
• 11:05
  Speaker 4: last week's episode Lost for Rizon end? They get back
• 11:08
  Speaker 4: from your pitch you and what happens in the house?
• 11:12
  Speaker 4: Bart plays a cool remember he's never leave again on something,
• 11:18
  Speaker 4: Never Leave Again. She's like, Ah, this episode ends with
• 11:20
  Speaker 4: I never thought i'd say this, but I missed you guys.
• 11:22
  Speaker 2: I'm like the last episode with missing them. Oh yeah,
• 11:27
  Speaker 2: that's right, it's all very much. There's there's no place
• 11:30
  Speaker 2: like home, There's no place like that. Oh that's listen. Now,
• 11:33
  Speaker 2: I've just had a I've just had a connective thought Okay,
• 11:36
  Speaker 2: well we'll talk about that in the moment the cash gag,
• 11:39
  Speaker 2: I'm assuming yeah, oh yeah, so oh you're looking at
• 11:42
  Speaker 2: me like, yeah, that's obvious.
• 11:43
  Speaker 4: No, no, no, no, As you were saying, I was like, oh, yeah,
• 11:47
  Speaker 4: so the story I was getting to at the start
• 11:49
  Speaker 4: that there's a good story here of the appreciate what
• 11:52
  Speaker 4: you've got.
• 11:52
  Speaker 2: Not what someone else has.
• 11:53
  Speaker 4: And that's not that can't be applied to everybody, obviously,
• 11:56
  Speaker 4: but a lot of the time, if you're wanting what
• 11:58
  Speaker 4: someone else has got, you will never be happy.
• 12:01
  Speaker 2: There is an old saying. It's been attributed to many people,
• 12:03
  Speaker 2: whether it's you know, Greek scholars or the Great Confucius.
• 12:07
  Speaker 2: What was it? Comparison is the thief of joy? Anything? Though?
• 12:12
  Speaker 4: Is with this story here? If so Simon, right, Simon
• 12:16
  Speaker 4: the kid Simon? Yeah, if Simon's siblings weren't trying to
• 12:19
  Speaker 4: kill him, wed bard have wanted to go home again?
• 12:22
  Speaker 2: No, he had it pretty good.
• 12:23
  Speaker 4: He had it pretty good. Yeah, so there is a story.
• 12:28
  Speaker 2: So they hamstring their own, they necapped their own.
• 12:32
  Speaker 4: Yes, so it's kind of like there's a message here,
• 12:34
  Speaker 4: but it's also the message was only working because he
• 12:37
  Speaker 4: had siblings that wanted to kill him the actual lifestyle,
• 12:41
  Speaker 4: but probably good enjoyed.
• 12:42
  Speaker 2: Yeahships in the pool and that's true. Yeah, he wasn't going,
• 12:45
  Speaker 2: oh this is kind of shallow or anything.
• 12:47
  Speaker 4: Like, which is what I thought the episode needed.
• 12:49
  Speaker 2: He needed it. He needed an understanding that he did
• 12:51
  Speaker 2: have it pretty good? Yeah, well good, but it needed
• 12:55
  Speaker 2: to show he thought were superficially good, lacked any real
• 13:00
  Speaker 2: substance or meaning.
• 13:01
  Speaker 4: Yeah, because it needed to have because Bart was sleeping
• 13:03
  Speaker 4: on the air hockey table, right or he was calling
• 13:06
  Speaker 4: from the hockey table, remember that you called Simon. There
• 13:08
  Speaker 4: needed to be a scene because they kept emphasizing the
• 13:10
  Speaker 4: tuck ins, right, the need to be a scene of Bart.
• 13:15
  Speaker 2: Very well done, Dan, though, good for you because all there.
• 13:18
  Speaker 4: Is one scene of him going because he could have
• 13:20
  Speaker 4: had the mother going you're old enough, you can tuck
• 13:22
  Speaker 4: yourself in good midnight and that's it.
• 13:24
  Speaker 2: What a fixer, What a fixer you are. You're just
• 13:28
  Speaker 2: solving problems because then the final scene means more. It does,
• 13:32
  Speaker 2: doesn't it. You fixed this episode? All right, we're done
• 13:36
  Speaker 2: and we're out and we're the and it's gone. My favorite.
• 13:42
  Speaker 4: Did you have any favorite moments from the episode, because
• 13:43
  Speaker 4: I've got here in my notes.
• 13:45
  Speaker 2: Nothing I had to struggle.
• 13:48
  Speaker 4: One of my favorite moments is also a Trivier question,
• 13:50
  Speaker 4: so I can't spoil it yet. Okay, then, but it
• 13:52
  Speaker 4: was more of a visual gag.
• 13:54
  Speaker 2: Okay. As I said at the start, I'm a sucker
• 13:57
  Speaker 2: for a good prince with the poor story, and this said,
• 14:00
  Speaker 2: anytime you've got that framework, I'm pretty happy.
• 14:03
  Speaker 4: So this was based was actually based on Tell me So.
• 14:06
  Speaker 4: The episode's plot is a parody of Daphne du Maurier's
• 14:09
  Speaker 4: ninety fifty seven novel of the Scapegoat, while Simon's horse
• 14:12
  Speaker 4: Shadow shadow Facts is named after Gandoff's horse from the
• 14:15
  Speaker 4: Lord of the Rings.
• 14:16
  Speaker 2: Sure Is.
• 14:16
  Speaker 4: The plot is also based on the eighteen eighty one
• 14:18
  Speaker 4: Yeah Prince de Pope, as you're saying, marked.
• 14:20
  Speaker 2: One, Yeah, yeah, I have never read or heard of
• 14:24
  Speaker 2: The Scapeguat. I know daphnein Demurrier. My sisters were very
• 14:27
  Speaker 2: big on Daphne to Murray. Would you like to know
• 14:28
  Speaker 2: the brief synopsis? Sure In a bar of France, a
• 14:32
  Speaker 2: lonely English academic on holiday meets his double, a French
• 14:35
  Speaker 2: aristocrat who gets him drunk, swaps identities, and disappears leaving
• 14:39
  Speaker 2: the Englishman to sort out the Frenchman's extensive financial and
• 14:41
  Speaker 2: family problems pretty good. The story has been the basis
• 14:44
  Speaker 2: of two films, one in nineteen fifty nine starring your
• 14:46
  Speaker 2: Man Alec Guinness and Betty Davis, and one in twenty
• 14:49
  Speaker 2: twenty twelve starring Matthew Reese. Oh called the Scapegoat.
• 14:54
  Speaker 4: Yeah, the Escapegoat of Ali Guinness nine to fifty nine?
• 14:57
  Speaker 2: Yeah, what about the Matthew Reese one? Okay, So that
• 15:00
  Speaker 2: guy's doing all right. He appears in a bunch of
• 15:02
  Speaker 2: good movies, and he's married to Kerry Russell. Wasn't he
• 15:04
  Speaker 2: that Brothers show? He wasn't Brothers and Sisters? And he
• 15:07
  Speaker 2: was the lead in the Americans for about six seasons.
• 15:10
  Speaker 4: Escapeo is a British film adaptation of the book The Drummers,
• 15:15
  Speaker 4: written and directed by Charles Sturage.
• 15:17
  Speaker 2: Do you know Charles Sturage? That name does ring a bell?
• 15:20
  Speaker 4: Charles Sturage, English director of Scream No Nothing really There
• 15:24
  Speaker 4: stars Matthew Reese as lookike characters John Standy and must
• 15:27
  Speaker 4: play two characters Justinny and Johnny Spence. It was broadcast
• 15:30
  Speaker 4: on Itubes. I directed TV then Yeah still maybe checking
• 15:35
  Speaker 4: out or he didn't know that Alginnis version either.
• 15:37
  Speaker 2: I did not. That's incredible, it is, because that's a
• 15:40
  Speaker 2: hell of it all star cast and Betty Davis.
• 15:44
  Speaker 4: So the pauper story, what is the basis for that story?
• 15:48
  Speaker 2: Oh, that's the thing. I mean, I'm not sure I've
• 15:51
  Speaker 2: actually ever read the Prince on the Poor, but the
• 15:53
  Speaker 2: upshot of it.
• 15:53
  Speaker 4: Is that it was the Prince in the port just
• 15:55
  Speaker 4: read in Wikipedia. No, no, I mean, but you know
• 15:58
  Speaker 4: it's kind of a it's kind of a trope. Yeah, okay, yeah, you've.
• 16:01
  Speaker 2: Got a rich well, it's usually a dude, a rich
• 16:04
  Speaker 2: dude and a poor dude who look alike and for
• 16:07
  Speaker 2: some reason they swap places. And this is nine year
• 16:10
  Speaker 2: olds yeah kid, yeah, yeah, yeah.
• 16:11
  Speaker 3: Yeah.
• 16:12
  Speaker 2: Does you say who wrote it? Mark Twain? As I said,
• 16:14
  Speaker 2: it is market Sorry I didn't hear the Mark Twain. Yeah,
• 16:16
  Speaker 2: Mark Twain. Yeah.
• 16:17
  Speaker 4: Pocket turns the ascension of nine year old Edward six
• 16:19
  Speaker 4: of England in fifteen forty seven, and his interactions would
• 16:22
  Speaker 4: look like Tom Canty, a London paper who lives with
• 16:24
  Speaker 4: his abusive alcoholic father. Similar stories.
• 16:27
  Speaker 2: Yeah, yeah, it's just a bit of invariably you've got
• 16:31
  Speaker 2: the message or that the grass is green. On the
• 16:33
  Speaker 2: other side, having said that it too good for Tom Canty, no,
• 16:38
  Speaker 2: I think I'm going to steer a prince, thank you
• 16:39
  Speaker 2: very much, And that's what they.
• 16:40
  Speaker 4: Had to sort of play out more in this episode
• 16:42
  Speaker 4: was yes, Homer was they've gone back to home of being.
• 16:44
  Speaker 2: A dick again. There was a lot of bad Homer
• 16:47
  Speaker 2: in this episode.
• 16:48
  Speaker 4: For the sake of just trying to emphasize his life.
• 16:51
  Speaker 4: He doesn't like his life back home because of Homer.
• 16:52
  Speaker 4: It's like, yeah, but he's got Marge there, and he doesn't.
• 16:55
  Speaker 4: He never he never misses March. That's the thing. He
• 16:58
  Speaker 4: never misses March until he says the you know what,
• 17:00
  Speaker 4: I never thought i'd miss you, guys. He never actually
• 17:02
  Speaker 4: misses Marge specifically, he never mentions he doesn't think of
• 17:05
  Speaker 4: it something that he misses with Lisa because like you,
• 17:07
  Speaker 4: Lisa says, but would have thrown me from the windo
• 17:09
  Speaker 4: or whatever. Right, there needs to be a scene with
• 17:11
  Speaker 4: the sister, the sibling doing something him going Lisa would
• 17:14
  Speaker 4: have done that with me, or Lisa would have said
• 17:15
  Speaker 4: something different, or.
• 17:17
  Speaker 2: Even oh, I would have liked poking fun at Lisa.
• 17:19
  Speaker 2: In this situation. Yeah. Yeah, a lot of inconsistency with
• 17:24
  Speaker 2: Marge as well. This episode I thought was like, you know,
• 17:26
  Speaker 2: sometimes she's really upset, really really angry, but then you know,
• 17:29
  Speaker 2: three seconds later, even doing the tucking, I understand they
• 17:32
  Speaker 2: need the tuck in, but at the same.
• 17:34
  Speaker 4: Time she's felt very much suppressed my rage. Everyone's happy.
• 17:39
  Speaker 2: Yeah, but then all the tucking seems incredibly sincere and heartfelt.
• 17:43
  Speaker 4: You're right, Yeah, the Marge scenes feel natural and they
• 17:47
  Speaker 4: actually work. I thought the Marge tucking in scenes were
• 17:50
  Speaker 4: really sweet.
• 17:50
  Speaker 2: Very sweet. Yeah. Yeah, but honestly, I mean the stuff
• 17:53
  Speaker 2: with home. My very first note about this episode is like,
• 17:56
  Speaker 2: when they're in the quickie, Mart, so over the top,
• 18:00
  Speaker 2: wasn't it. Well, it's a very specific, very premeditated threat. Yeah,
• 18:05
  Speaker 2: the whole cliche of Homer strangling Bart. Yeah, it's Homo
• 18:09
  Speaker 2: strangling Bar. But I mean it's really just a manifestation of, Oh,
• 18:13
  Speaker 2: this kid makes me so angry that I could throttle him. Okay,
• 18:16
  Speaker 2: you've got to. We'll do it literally just to show you.
• 18:18
  Speaker 2: But I mean it's essentially I'm frustrated with kid all
• 18:20
  Speaker 2: the time. I'd really like to do this, but I
• 18:22
  Speaker 2: want but whereas this is kind of like I'm angry
• 18:26
  Speaker 2: at you all the time, and goodness me, goodness me,
• 18:28
  Speaker 2: I could just take you into a dark corner and
• 18:32
  Speaker 2: mess you up.
• 18:32
  Speaker 4: Yeah, but Bart wasn't paying into good life either too.
• 18:36
  Speaker 4: It's like bash a shithead, but he hasn't been this
• 18:40
  Speaker 4: bar for a long time, and it's like, for the
• 18:42
  Speaker 4: sake of this story, right, he needs to be absolutely reckless.
• 18:45
  Speaker 2: Yeah, it's like you've gone back to season one or
• 18:48
  Speaker 2: season two bar and.
• 18:49
  Speaker 4: It's almost like they're going they're blaming his parents for
• 18:52
  Speaker 4: feeding him shit food as well, because even double down
• 18:55
  Speaker 4: on it when they get when Simon's having dinner and
• 18:57
  Speaker 4: then they're like taking it. But when Timon's having dinner,
• 18:59
  Speaker 4: she's like, well, you know, I made it with cheerios,
• 19:01
  Speaker 4: and I did this, and I did something full of sugar,
• 19:02
  Speaker 4: and you know, it's like, Marge, what is going on?
• 19:07
  Speaker 2: Yeah? Is it Bart's fault?
• 19:09
  Speaker 1: Is it not?
• 19:09
  Speaker 2: I don't know. It's again kind of all over the place.
• 19:13
  Speaker 4: There's a lot of inconsistencies, but a good story in there,
• 19:16
  Speaker 4: oh yeah, just not fleshed out enough.
• 19:19
  Speaker 2: That's it remains, as I said, a cliche or a
• 19:23
  Speaker 2: dry big for very good reasons, like, oh, it's a
• 19:26
  Speaker 2: story that always works, and this has a good underlying message,
• 19:29
  Speaker 2: and it's like, you know, be happy, not be happy
• 19:31
  Speaker 2: with what you've got, but recognize the good in what
• 19:34
  Speaker 2: you've got.
• 19:35
  Speaker 4: The best Homo threats for me, because as you said,
• 19:37
  Speaker 4: this was very specific, right, But when I've always thought
• 19:41
  Speaker 4: the best Homer threat was when he threatens Lisa and
• 19:43
  Speaker 4: he says, Lisa Tennant, stop playing your sax, but I.
• 19:45
  Speaker 2: Need to practice. He is, I'll practice you. You'll practice
• 19:48
  Speaker 2: me threat. But that's just your cliche that because how
• 19:51
  Speaker 2: many dads do that.
• 19:52
  Speaker 4: I'll practice you in a minute, I'll give you makes
• 19:56
  Speaker 4: notice of that, that's that's that's oh ship, I'll practice you.
• 20:01
  Speaker 4: It's like that doesn't make any sense. But you know,
• 20:03
  Speaker 4: so he's just yeah, constantly, that's a good Hamit threat.
• 20:06
  Speaker 4: But I'll beat you with those stick magazines.
• 20:08
  Speaker 2: It's like, that's not cool.
• 20:10
  Speaker 4: You actually heard that a supermarket ego. Oh by the way, guys,
• 20:16
  Speaker 4: at the end of this episode, we got the news
• 20:18
  Speaker 4: edition of what.
• 20:19
  Speaker 2: A Lord said that should we be doing this? I
• 20:26
  Speaker 2: mean I think what I know there are lords in
• 20:28
  Speaker 2: the world. They should be they should be recognized.
• 20:30
  Speaker 4: Yes, even if someone from the past or whatever, you'll
• 20:32
  Speaker 4: find someone. Okay, it's we're going to end each episode
• 20:36
  Speaker 4: with a bit of positivity.
• 20:37
  Speaker 2: What a lord. I like to think this episode, well,
• 20:39
  Speaker 2: every episode of and everything we do on the Far
• 20:41
  Speaker 2: Discount Network is positive. It's like sending someone home. Having
• 20:45
  Speaker 2: said that, we basically just spend twenty minutes saying everything
• 20:47
  Speaker 2: costs so much for these days, I have to take
• 20:49
  Speaker 2: the miss. Yes, those people are indeed heroes. You know
• 20:57
  Speaker 2: who else's heroes, your pals down there on Guy and all.
• 21:00
  Speaker 4: So, I thought you're gonna go segue into our stone Cutters.
• 21:05
  Speaker 3: Here.
• 21:06
  Speaker 4: I'm I'm like, oh you cann do this sec Oh no,
• 21:08
  Speaker 4: he's talking about himself. I started with you, yes, all right,
• 21:22
  Speaker 4: starting with the sweet sweet cat g money. Thank you
• 21:23
  Speaker 4: Katy G with your one hundred dollar support, absolute champion,
• 21:26
  Speaker 4: thank you kt G. Yes, andrews s Zre Andrew, Andrew Andrew.
• 21:33
  Speaker 2: One of these days we'll get it right. If there's
• 21:35
  Speaker 2: gonna be there's gonna be an episode of full thing
• 21:37
  Speaker 2: it is. It's just so streamlined.
• 21:38
  Speaker 4: Yeah, fifty dollars support. Thank you so much mate for that.
• 21:41
  Speaker 4: Your two favorites.
• 21:42
  Speaker 2: Hey, oh Swanny Mixed One and U Zach, you can
• 21:46
  Speaker 2: do it. Through it. You can do it. Oh would
• 21:51
  Speaker 2: you get demonetized or whatever? You're sort of through Zach,
• 21:54
  Speaker 2: you can do it, brew it what we can demonetized?
• 21:56
  Speaker 2: I don't know.
• 21:57
  Speaker 4: I don't know how the internet works. Have you ever
• 21:59
  Speaker 4: listened to episode of the show. Oh yeah, the show
• 22:02
  Speaker 4: is filled with clips on the show. Oh yeah, so
• 22:04
  Speaker 4: while we can de out of times, you can do it.
• 22:06
  Speaker 2: Now, don't. I don't know who else are we liking?
• 22:10
  Speaker 2: Paul Warner, by the way, let's just say the names. Yes,
• 22:12
  Speaker 2: Zach Preuitt, Andrew mxwe Yes, Swanny mix One.
• 22:16
  Speaker 4: Paul Warner with his tweet old support. Thank you so much,
• 22:18
  Speaker 4: Paul Warner. Isabella Murphy is one to give these guys
• 22:20
  Speaker 4: their first cheps. Could we forgot them last week?
• 22:22
  Speaker 2: Yes?
• 22:23
  Speaker 4: Sure, Paul Warner and Isabella and everything, Thank you so
• 22:26
  Speaker 4: much for your support. Also the following Stonecutters, Jonathan Rossi,
• 22:28
  Speaker 4: Rah Beasley, Stephen Roberts, Shawn DVP Anderson, Timothy Burls, and
• 22:31
  Speaker 4: Andrew Davis, Ryan Dunlup, Kevin DA's a Planned Floodshen and Hofer,
• 22:35
  Speaker 4: Ballet winder Bank, Jack McFadden, Heath Apple, be Adrick McLeod,
• 22:38
  Speaker 4: Lewis Kavanagh, March eleven, at Reese Roberts, Jinger and Pickle, Preston, Murray,
• 22:41
  Speaker 4: t lea Enriquez, Jap Messado, Declan Phoenix, Brian McCoy, Josh Hallier,
• 22:45
  Speaker 4: Logan b James Sheppard, Joe Reading, Sac Dave Pretzels McNally,
• 22:48
  Speaker 4: Gavin Lane, Damie Miller and Charlie Joe.
• 22:50
  Speaker 2: We don't have the video on today and so he
• 22:52
  Speaker 2: can't see. Daniel did that all with his eyes closed.
• 22:53
  Speaker 2: It's incredible. Yes, he knows all of you and and
• 22:57
  Speaker 2: loves all.
• 22:57
  Speaker 4: Of you and backwards. I was never looking at the
• 22:59
  Speaker 4: screen and my eyes with That's right. We don't have
• 23:02
  Speaker 4: the video on, so you you have to take our
• 23:04
  Speaker 4: word that's what happened. Also take my word that these
• 23:07
  Speaker 4: people joined the four finger discount family. This month we
• 23:10
  Speaker 4: have Mark Lithe, Chris Booby, hill A Hasty Hasty, Mickrey
• 23:14
  Speaker 4: Right Hasty Rewrite, James Dunn, Markey, Mark Huge Ass who
• 23:18
  Speaker 4: upgraded from five dollars to eight dollars, Danny Read and
• 23:20
  Speaker 4: Flemish Giant now Flemish Sanders a big message which we
• 23:23
  Speaker 4: will read out at the end.
• 23:25
  Speaker 2: Of the show as well. Okay, then more positivity or yeah,
• 23:27
  Speaker 2: more positivity.
• 23:28
  Speaker 4: Basically, he's thanking us for doing the Lord's work, for
• 23:32
  Speaker 4: what the Lord the Lord's work, for doing these later
• 23:34
  Speaker 4: season episodes because he doesn't have to watch his lie
• 23:36
  Speaker 4: I'm so glad to what clips.
• 23:37
  Speaker 2: It's basically like watching the show whereout having to actually
• 23:39
  Speaker 2: watch it. One might say he was saying thank you
• 23:42
  Speaker 2: for being a friend.
• 23:44
  Speaker 3: He was.
• 23:44
  Speaker 4: Indeed, I did appreciate that. I always appreciated good Golden's Girl.
• 23:47
  Speaker 4: It's Andrew what's his name, Andrew Gold? And believe yeah,
• 23:50
  Speaker 4: what a song?
• 23:51
  Speaker 2: What thing? Synchronosy that Andrew Gold did the thing for
• 23:53
  Speaker 2: the Golden Girls. Yes, indeed you do.
• 23:55
  Speaker 4: And if you want to hear us talk about the
• 23:56
  Speaker 4: Golden Girls, you check it out on TV launch but
• 23:58
  Speaker 4: available and all of your podcast apps right now.
• 24:01
  Speaker 2: Indeed, we did one single episode on The Golden Girls.
• 24:03
  Speaker 2: We could do more.
• 24:04
  Speaker 4: We did two exclusive episodes of TV launch pot as well.
• 24:07
  Speaker 4: Whilst we take a mid season break. We did thirty
• 24:10
  Speaker 4: Rock and we've done Family Guys. If you want to
• 24:11
  Speaker 4: hear us talk about Family Guy, you can support us
• 24:14
  Speaker 4: on Patreon.
• 24:14
  Speaker 2: You want to hear us talking about family game. You
• 24:18
  Speaker 2: think you think that is bad, she'd hear us turkey
• 24:21
  Speaker 2: about it.
• 24:22
  Speaker 4: If you're a fan of everything we do here at
• 24:24
  Speaker 4: four Finger Discount, but you're kind of hearing these pesky ads,
• 24:27
  Speaker 4: then you'll absolutely love being a member of the fourth
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• 24:49
  Speaker 2: Com slash fourth Finger Discount.
• 24:51
  Speaker 4: All right, so let's get into our review of Not
• 24:53
  Speaker 4: the Prince in the Poor, but our review of Double
• 24:55
  Speaker 4: Double Boy in Trouble.
• 24:56
  Speaker 2: We could do that.
• 24:56
  Speaker 4: We could do some tribut we could do some tribua.
• 24:58
  Speaker 4: We did it out of order. Let's do trivia. Let's
• 24:59
  Speaker 4: go for it.
• 25:00
  Speaker 2: Next question, you there eating the paste. Let's go. Okay?
• 25:05
  Speaker 2: Should I go first? Yes? Okay. My first question to you,
• 25:10
  Speaker 2: there's a sign of mos that said a certain night
• 25:12
  Speaker 2: is ladies night. What night is ladies?
• 25:14
  Speaker 5: Not?
• 25:14
  Speaker 4: At mos Tuesdays Tuesday. Yeah, it's always been Tuesday. I
• 25:17
  Speaker 4: didn't say that, but yeah. So my first question for
• 25:21
  Speaker 4: you is one of my favorite moments. What is the
• 25:24
  Speaker 4: population of Aspen?
• 25:27
  Speaker 2: White? White? Who played at Woosterfield Arena? Where an artist
• 25:36
  Speaker 2: gets a name check? It was when Bart and Simon
• 25:39
  Speaker 2: first meet in the bathroom. Nah, got me, it's Bonnie Rate.
• 25:44
  Speaker 2: I have no idea who that is? A Country and
• 25:47
  Speaker 2: Western musician, same as the who sings the nine to
• 25:50
  Speaker 2: eleven songs? What would you do if you discovered your
• 25:54
  Speaker 2: identical twin in the bedroom?
• 25:57
  Speaker 4: Ladded to Heaven going down to South Park of euro
• 26:00
  Speaker 4: ifn't even know a south Park found check it out
• 26:02
  Speaker 4: because it was.
• 26:02
  Speaker 2: It's the season six of the show is awesome. It's
• 26:05
  Speaker 2: pretty darn good, I got to say. Is indeed?
• 26:07
  Speaker 4: Now, who are the two people not Fleetwood, Mac and
• 26:11
  Speaker 4: not mcaulay culkin. Who are the two other humans that
• 26:14
  Speaker 4: Bart seasons whilst he's driving.
• 26:15
  Speaker 2: It's McDreamy and McSteamy, the two hot doctors from the
• 26:19
  Speaker 2: inexplicably long running medical soap opera Gray's Anatomy. They're still
• 26:23
  Speaker 2: going right, still going Maybe it just Gray's not in
• 26:26
  Speaker 2: it anymore. H I'd never watched a single episode of
• 26:28
  Speaker 2: the show, would know who Gray is. Great, that's Meredith Gray, Okay.
• 26:32
  Speaker 2: I always just assumed Gray was dreamy or mixed him
• 26:35
  Speaker 2: whatever it is that guy. I was like, he seems
• 26:36
  Speaker 2: like the main star. But was he like the George Clinney. Yeah, yeah,
• 26:40
  Speaker 2: I mean yeah, the central character grays Anatomy was Meredith
• 26:44
  Speaker 2: Gray played by Ellen Pompeo or Popio, except she just
• 26:48
  Speaker 2: quit the show, like I quit the show. Resigned from
• 26:50
  Speaker 2: the show after maybe twenty seasons. I thought of finished
• 26:53
  Speaker 2: off the season like recently just finished right, No, No,
• 26:55
  Speaker 2: I'm still going, still going season twenty one right now. Yeah,
• 27:00
  Speaker 2: do a Graze Anatomy like TV launch.
• 27:01
  Speaker 4: But it's the tenth most popular program on all of
• 27:04
  Speaker 4: on demand television.
• 27:05
  Speaker 2: What we were what we were saying, but I don't
• 27:07
  Speaker 2: know if it was off the air. Yeah, shows like
• 27:10
  Speaker 2: this there are incredibly popular. Still. Yeah, nobody talks about
• 27:14
  Speaker 2: them or mean, people do talk about them, but they're
• 27:16
  Speaker 2: not like you know, on the front on the front
• 27:19
  Speaker 2: page of whatever media outlet you choose to frequent But
• 27:22
  Speaker 2: people are still watching them. People love them.
• 27:24
  Speaker 4: Has never been twenty first, twenty and four as currently
• 27:28
  Speaker 4: currently in a twenty first season. That's insane. Yeah, I
• 27:30
  Speaker 4: mean good for them, right.
• 27:31
  Speaker 2: What about them? Yeah? Good on them. What is the
• 27:35
  Speaker 2: blocked number price? The price to block a number? It
• 27:38
  Speaker 2: costs something the millhouse? Oh no, idea, it costs three
• 27:42
  Speaker 2: sixty five, three sixty five.
• 27:44
  Speaker 4: Oh yes, okay, I'll get you. Yeah, because you mean
• 27:47
  Speaker 4: like turn color idea off? Well, is what blocking means?
• 27:51
  Speaker 2: Barker's mill has to check that out? Yeah, blocked? That
• 27:53
  Speaker 2: costs three sixty five?
• 27:54
  Speaker 4: Yeah, okay, I thought I was confused there, I thought
• 27:57
  Speaker 4: when he said that, I thought, is this just some
• 27:59
  Speaker 4: old outdore thing where if you call him from this
• 28:01
  Speaker 4: area it's a minute or something.
• 28:03
  Speaker 2: I phrased that inelegantly. It's not your fault. It makes
• 28:05
  Speaker 2: perfect sense. All right.
• 28:06
  Speaker 4: Now, let's blame the episode. What do the hobos refer
• 28:09
  Speaker 4: to themselves? The shampedosapinos? Yes, in Aspen. You want to
• 28:15
  Speaker 4: hear us talk about Aspen?
• 28:16
  Speaker 2: Wow, we're really good at Uh? Did we already spread?
• 28:19
  Speaker 2: Just we just spread going down to South Park? But
• 28:21
  Speaker 2: we'll do it again with the what would you do?
• 28:23
  Speaker 2: What would you do? I think it was where were you?
• 28:27
  Speaker 2: Isn't it? Where were you? You and the world stuff turning. Yeah,
• 28:32
  Speaker 2: I should have listened to actually to that song.
• 28:34
  Speaker 4: It's Alan Jackson, right, el Jackson. But yeah, it makes
• 28:39
  Speaker 4: no sense to anyone but me because you told that
• 28:41
  Speaker 4: story about the country music festival.
• 28:43
  Speaker 2: I think you told on the podcast. I know. But
• 28:45
  Speaker 2: it's also a sound bug ben because Michael Jackson. Yeah, yeah,
• 28:49
  Speaker 2: everything I do has like multiple meanings. All right, Jackson,
• 28:56
  Speaker 2: I went to a country music festival and everyone's very,
• 28:58
  Speaker 2: very thrilled to see Alan Jackson.
• 28:59
  Speaker 4: I'm like, but let's get into a review, shall we?
• 29:01
  Speaker 4: Of Double Double every questions? I know, because you ruined
• 29:04
  Speaker 4: my first one, which was the Daily Grown.
• 29:06
  Speaker 2: Ah, that's a.
• 29:08
  Speaker 4: Great name, and your questions for me then I thought,
• 29:12
  Speaker 4: she is your favorite part of the show. You're also
• 29:14
  Speaker 4: eager to make sure you get all your questions out.
• 29:17
  Speaker 2: I don't have to. I have one more, but how
• 29:20
  Speaker 2: about we do it during the during the actual review.
• 29:23
  Speaker 2: That way we can get to the fireworks factory we can.
• 29:25
  Speaker 4: Indeed, so The original edit was October nineteenth, two thousand
• 29:28
  Speaker 4: and eight of Double Double Boy in Trouble. Kab F
• 29:31
  Speaker 4: one four was the production code written by Bill oden Court,
• 29:33
  Speaker 4: directed by Nancy Cruz. I did feel like this had
• 29:36
  Speaker 4: a woman's perspective when it came to the march scenes.
• 29:39
  Speaker 4: At least, I wouldn't have been surprise if Carolyn Emine
• 29:41
  Speaker 4: wrote this. She's just really good at those emotional beats.
• 29:44
  Speaker 4: I thought the scenes were. The tuckins were not emotional,
• 29:47
  Speaker 4: but they had heart to them.
• 29:49
  Speaker 2: It just emphasized that more. As someone who likes doing dishes,
• 29:52
  Speaker 2: I was a big fan of Marge's Scrubbing You song.
• 29:55
  Speaker 2: You've mentioned that recently. You loved on the dishes.
• 29:56
  Speaker 4: Yeah, I do, I said to Nilan the other day,
• 29:58
  Speaker 4: because Nick, this thing right we're doing the dishes is
• 30:01
  Speaker 4: she'll do them, but do you dry as you clean?
• 30:05
  Speaker 4: Nicolas stacked them up on the side.
• 30:07
  Speaker 2: And it let them dry. Let him here drivers for
• 30:12
  Speaker 2: a little while at least, because all it takes is
• 30:14
  Speaker 2: one kid to come around and try and take a
• 30:16
  Speaker 2: glass off and they all fall down. Well that's true.
• 30:18
  Speaker 2: I mean, I don't have to worry about this. The
• 30:19
  Speaker 2: only small creature that's gonna tip shit over at my
• 30:22
  Speaker 2: place is basically the cat.
• 30:23
  Speaker 4: Yeah, and he's done it and he will do it. Yes,
• 30:27
  Speaker 4: Joe Montana, I guess that is himself. We can I
• 30:31
  Speaker 4: give I guess it's a great name, Joe Montana?
• 30:34
  Speaker 2: What I mean? Did this his actual name? Do you
• 30:36
  Speaker 2: think his actual name is Joseph Montana?
• 30:38
  Speaker 4: Yeah, he's like he's that had the same name or something.
• 30:40
  Speaker 2: He's like a junior. Oh okay, pretty sure. See Dallas Cowboys,
• 30:43
  Speaker 2: forty nine Ers, San Francisco. Okay, interesting, I had to
• 30:49
  Speaker 2: think about that for a second. Played flight twenty years
• 30:52
  Speaker 2: or something with the forty nine Ers. Okay, I knew
• 30:54
  Speaker 2: it was some like iconic ish team. Yeah, they're all
• 30:58
  Speaker 2: iconic in their own.
• 30:59
  Speaker 4: Ways, but is is Joseph Clifford Montana junior?
• 31:02
  Speaker 2: Yeah?
• 31:03
  Speaker 4: Nickname Joe Cool and the comeback Kid the cover kids.
• 31:06
  Speaker 2: So good, isn't it? Oh my god? Because you've been good?
• 31:11
  Speaker 4: Like I guess what, I'm back one another championship and
• 31:14
  Speaker 4: come back kid by the way, Joe Cool here. That's
• 31:17
  Speaker 4: basically like what Jordan did. Jordan one three fucked off
• 31:21
  Speaker 4: to do space here and come back one another three
• 31:24
  Speaker 4: because he felt like it.
• 31:27
  Speaker 2: There was like some conspiracy theory going around that Jordan
• 31:32
  Speaker 2: was like busted for sports gambling or something and that's
• 31:35
  Speaker 2: why he went off to play baseball for a couple
• 31:36
  Speaker 2: of years. It's like, we can't have you in the league.
• 31:39
  Speaker 2: You know it's going to come out, you know, but
• 31:41
  Speaker 2: if you walk away with your own volition for a
• 31:43
  Speaker 2: little while, let the heat die down, then come back.
• 31:46
  Speaker 2: Give be the comeback kid. But you know it's getting
• 31:48
  Speaker 2: it's getting too hot.
• 31:49
  Speaker 4: I feel like they would have covered that in his
• 31:51
  Speaker 4: documentary if it was true.
• 31:53
  Speaker 2: Well, the last dance. I think the last dance was
• 31:55
  Speaker 2: very Michael Jordan's sort of sanctioned. I don't think he
• 31:58
  Speaker 2: would have I don't think he would have bothered him
• 32:00
  Speaker 2: with that. How to come out? Who can tell?
• 32:01
  Speaker 4: What I do like about the season twenty so far
• 32:04
  Speaker 4: so they've been giving us the full intro. I'm feeling
• 32:07
  Speaker 4: that maybe because in a few episodes we're losing it.
• 32:10
  Speaker 4: I enjoy this whilst you've got it because they go
• 32:12
  Speaker 4: HD soon.
• 32:13
  Speaker 2: Oh my gosh.
• 32:14
  Speaker 4: Yeah, So the original era of The Simpsons will officially
• 32:18
  Speaker 4: be over in a few more weeks. Here in four
• 32:20
  Speaker 4: figure discount we were doing the HD era. Wow, it's
• 32:23
  Speaker 4: look and feel different. It's gonna be strange.
• 32:25
  Speaker 2: Will the show be different? Well, Mitch is coming back.
• 32:31
  Speaker 2: It was fun. While at last.
• 32:35
  Speaker 4: The HD E actually stands for I've got a new
• 32:36
  Speaker 4: guy called Harry Dorman coming in.
• 32:41
  Speaker 2: Damn him. What's on the board.
• 32:44
  Speaker 4: So the chop World gag is there is no such
• 32:47
  Speaker 4: month as October.
• 32:48
  Speaker 2: I'm pretty sure there is.
• 32:49
  Speaker 4: If you asked the marketing teams, Oh, absolutely yeah, And
• 32:51
  Speaker 4: the couch gag was the one that you want to
• 32:53
  Speaker 4: talk about this, so go for it.
• 32:54
  Speaker 2: Well, yeah, it's a reverse Wizard of Oz in that
• 32:56
  Speaker 2: they're leaving color and they go to CPR when they
• 32:58
  Speaker 2: actually end up in oys. But it is all unified
• 33:01
  Speaker 2: theory of four finger discount strikes again because Wicked is
• 33:03
  Speaker 2: in cinemas right now, we could part one, one might say.
• 33:06
  Speaker 2: And also the Wizard of Oz was on TV the
• 33:08
  Speaker 2: other night and we talked about it on what did
• 33:12
  Speaker 2: we record the other day? Going down to South Buck.
• 33:14
  Speaker 4: So the episode kicks off of Homer shopping with Bart
• 33:16
  Speaker 4: and Maggie barsh just being reckless and naughty for the
• 33:19
  Speaker 4: sake of it being a little shit being a shithead. Indeed, Yeah,
• 33:22
  Speaker 4: it's going to the supermarket with a kid. It's just
• 33:25
  Speaker 4: a mixed bag mate.
• 33:26
  Speaker 2: It's lucky dip.
• 33:27
  Speaker 4: Sometimes I'll well behave sometimes they get it's usually by
• 33:30
  Speaker 4: the time you just say, there's fifteen arles and supermarket.
• 33:32
  Speaker 4: Right by the time we get to Aisle ten eleven,
• 33:35
  Speaker 4: they've had enough. Oh okay, Yeah, it's just and that's
• 33:37
  Speaker 4: when novel is worn off. And that's when the shitcause's
• 33:39
  Speaker 4: when they finish their lollipop. That's when the ship show starts.
• 33:43
  Speaker 4: And it's just I've just got two miles.
• 33:44
  Speaker 2: But yeah, you say when they finished their lollipop? Do
• 33:48
  Speaker 2: you mean they finished their lolly? Yes, you have to
• 33:52
  Speaker 2: listen to all of our podcasts. To understand why that Joe.
• 33:54
  Speaker 4: Ain't going to tell you have to find all the
• 33:55
  Speaker 4: other podcasts.
• 33:56
  Speaker 2: So listen to them all, maybe twice.
• 33:58
  Speaker 4: But then I poo offers home the last scratchy just
• 34:01
  Speaker 4: sort of make him a bit Have you looked last cutchy?
• 34:02
  Speaker 4: Sometimes lucky, sometimes it's not, but distraction no by threatening
• 34:05
  Speaker 4: to jump onto a trolley full of shallows marshmallows, so
• 34:09
  Speaker 4: Homer goes to stop him. Len He ends up buying
• 34:11
  Speaker 4: the scratchy and wins fifty thousand dollars. Now this party
• 34:13
  Speaker 4: simply was worth more than fifty thousand dollars just f yi.
• 34:16
  Speaker 2: Yeah, oh goodness it yeah, yeah, but you can't buy However,
• 34:19
  Speaker 2: many rooms he got for No.
• 34:22
  Speaker 4: They should have made something to striving onwe hundred and
• 34:23
  Speaker 4: fifty thousand or something crazy. But then Lenne would have
• 34:25
  Speaker 4: seemed like Antrue absolute dickhead, right, I mean he still
• 34:28
  Speaker 4: looks like a dickhead fifty kight on your friends, but
• 34:30
  Speaker 4: just a good guy. But yeah, so another ironic tale
• 34:33
  Speaker 4: of the quickie comic as a poop points out here,
• 34:35
  Speaker 4: which is the tale of the crypt I guess, so, yeah,
• 34:38
  Speaker 4: tail it looks like and covered, isn't it. I've never
• 34:42
  Speaker 4: revisited the film since I was a kid, but it
• 34:44
  Speaker 4: was also always one of those covers that those Tales
• 34:46
  Speaker 4: on the Dark Side was the film.
• 34:48
  Speaker 2: It looked creepy as shit.
• 34:50
  Speaker 4: It's not bad so that the one that has the
• 34:52
  Speaker 4: kid being threatened to be cooked in an oven as
• 34:54
  Speaker 4: like the through lines it's like a creep show. Nah,
• 34:58
  Speaker 4: I don't think it's creep It's like three stories, is
• 35:01
  Speaker 4: it is? And then there's like someone throw into cook
• 35:04
  Speaker 4: a child as like the bit in between each story, right.
• 35:07
  Speaker 2: I can't recall, Actually I do not tells the Dark
• 35:11
  Speaker 2: Side like eighty eight feels like an eighty nine er
• 35:14
  Speaker 2: maybe a ninety turns on dark side movie show it
• 35:18
  Speaker 2: was ninety Yeah, well done. It just sounds cool.
• 35:22
  Speaker 4: Oh your tails from the dark side, but he wins.
• 35:27
  Speaker 4: Lenny wins and points it out to Homer. Oh, well
• 35:29
  Speaker 4: you would have won this if you had have bought
• 35:30
  Speaker 4: the thing. So Home is furious. He says he cost
• 35:32
  Speaker 4: me twoentyre thousand dollars because he was going to do
• 35:34
  Speaker 4: better on the dogs. Yes, Marge, then unpacks or the
• 35:37
  Speaker 4: shopping it's been packed up and scratched up in a rage.
• 35:40
  Speaker 2: Well it's because I'm was very man at Bart who's
• 35:43
  Speaker 2: becoming what he calls her Dennis level menace.
• 35:45
  Speaker 4: Then Homer points out, well he costs two undred thousand dollars.
• 35:47
  Speaker 4: No longer okay with this is March No, and she
• 35:50
  Speaker 4: squeezes the turkey up. So presses her rage, squeeze it up,
• 35:52
  Speaker 4: feeds it to the dog. It expands in the dog.
• 35:55
  Speaker 4: Then Homer goes to Mo's where Lenny is buying all
• 35:57
  Speaker 4: the drinks and oh, actually, this is one of my
• 35:59
  Speaker 4: favorite moments class mohir oh.
• 36:01
  Speaker 5: Cheer up Home the drinks around Lennyn't you're pretty boo Joe?
• 36:05
  Speaker 2: Pay for it? My job.
• 36:06
  Speaker 5: I gotta check with Lenny on Dad Nope, Lucky Lenny's
• 36:10
  Speaker 5: buying all the drinks tonight.
• 36:11
  Speaker 2: Sorry, Homer, but here's a compromise. Why don't you bold
• 36:14
  Speaker 2: pay for the drink and tip?
• 36:18
  Speaker 4: And he says You're going to spend the remaining money
• 36:20
  Speaker 4: on a kick ass party for all his friends. I
• 36:21
  Speaker 4: thought Barney crying here.
• 36:23
  Speaker 2: Was really weird. Yeah, I'd go anywhere. It was just, ah,
• 36:27
  Speaker 2: that's just like, is this a reference to something?
• 36:29
  Speaker 4: It felt like that, didn't it? You know, this is
• 36:31
  Speaker 4: just all the time we go. This has to be something.
• 36:33
  Speaker 4: It's true, it's too odd.
• 36:35
  Speaker 2: Is there like iconic footage of some Beatles fan like
• 36:39
  Speaker 2: going wild for the Beatles at Shay Stadium or something?
• 36:43
  Speaker 2: It's not Maybe, yeah, it feels like it should be something,
• 36:46
  Speaker 2: but it's not instantly familiar enough that you're going to go.
• 36:50
  Speaker 2: They're paying tribute to this.
• 36:52
  Speaker 4: Yeah, the family are all leaving for Lenny's party. Meanwhile,
• 36:55
  Speaker 4: Bart is not dressed yet, not ready. He's instead of
• 36:57
  Speaker 4: aiming a water gunful of cat pee at Rod and Tide.
• 37:00
  Speaker 4: What was my was Marget the front looking for Bart?
• 37:02
  Speaker 4: Is that why she he ends up shooting her?
• 37:04
  Speaker 2: Yeah, that's a really good question, because Marge gets into
• 37:06
  Speaker 2: the Spi're all getting ready to go, yeah, and not
• 37:09
  Speaker 2: even ready to go read.
• 37:10
  Speaker 4: The lead, yes, and Bart just shoots her with what
• 37:12
  Speaker 4: was water this morning? And then now marches to wear
• 37:15
  Speaker 4: her backup dress as a result, and Nelon makes fun
• 37:18
  Speaker 4: of that shape and she says she's got makes it okay,
• 37:21
  Speaker 4: arms look fat in this dress. Newlson makes fun of her.
• 37:24
  Speaker 4: You feel self conscious haha, And Homer says he blames Marchie.
• 37:29
  Speaker 4: The reason he's like this because you had that sip
• 37:30
  Speaker 4: of alcohol when you were drunk. Marge's reaction to it
• 37:34
  Speaker 4: is very Marge, but Homer saying it's your fault. It's like,
• 37:37
  Speaker 4: how was just a dick from go to woe? Yeah,
• 37:40
  Speaker 4: this episode yeah, no good at all, which I think
• 37:44
  Speaker 4: stands out and brings an episode down. Oh yeah, because
• 37:46
  Speaker 4: you're paying so much attention to it. It's annoying in
• 37:48
  Speaker 4: a way. But Marge responded that ways that was unforgivable,
• 37:52
  Speaker 4: this little sip. I did like the animation of like
• 37:55
  Speaker 4: it hitting Bart and then like the spikes popping up
• 37:57
  Speaker 4: and whatnot.
• 37:58
  Speaker 2: Yeah, and you're gonna give it a damien omen music and.
• 38:00
  Speaker 4: Yeah, so then I'm glad you brought that up because
• 38:03
  Speaker 4: I knew it was something that music. What is it? Yeah,
• 38:06
  Speaker 4: the omen music. I like, I think I add something
• 38:08
  Speaker 4: to the I had a couple of things. But she
• 38:13
  Speaker 4: thinks that the bad behavior now is more than just
• 38:15
  Speaker 4: a phase. And then Bart is flicking Robert Cement onto
• 38:19
  Speaker 4: Lisa that he's been storing up his nose, and Homer
• 38:21
  Speaker 4: threats to drive him.
• 38:22
  Speaker 2: Into a tree, and I was like, this is so stupid.
• 38:25
  Speaker 2: Stop flicking boggers, Stop threatening to drive into trees. I'm like, what,
• 38:30
  Speaker 2: why are you threatened to drive into a tree. It's
• 38:32
  Speaker 2: just so it's not funny. I'll played Devil's advoct for
• 38:34
  Speaker 2: a moment and say, Okay, this is a weird, exaggerated
• 38:40
  Speaker 2: extrapolation of the threat your dad always made, like don't
• 38:43
  Speaker 2: make me turn this car around. I think that's that's
• 38:46
  Speaker 2: the only rationale that I can give you. It's like, okay, Well,
• 38:50
  Speaker 2: maybe they're like, well, what if your dad threatened to
• 38:52
  Speaker 2: drive into a tree instead of saying, oh, don't maybe
• 38:54
  Speaker 2: turn this car around, don't maybe drive into a tree.
• 38:56
  Speaker 4: Wouldn't that be funny? Maybe I think Classic would have
• 39:00
  Speaker 4: done what they exactly would have done here. They could
• 39:01
  Speaker 4: have had that line, I'll drive this into a tree.
• 39:04
  Speaker 4: Marge would have gone Home, I known, he goes, Marge,
• 39:06
  Speaker 4: you're ruin.
• 39:07
  Speaker 2: I'm not actually like that.
• 39:08
  Speaker 4: There would have been some joke like that or even
• 39:11
  Speaker 4: like he was going to drive into a tree. That's
• 39:13
  Speaker 4: that's that's that's what made it stupid. It wasn't just
• 39:15
  Speaker 4: a threat.
• 39:15
  Speaker 2: What are you going to do it that way? Then?
• 39:17
  Speaker 2: You know, spice up the visuals a bit, make it
• 39:18
  Speaker 2: into like a like a real battle of wills between
• 39:23
  Speaker 2: Homer and Barton, sort of go when you're driving cars
• 39:27
  Speaker 2: like chicken chicken, Yeah, yeah, close into the close up
• 39:29
  Speaker 2: on the eyes, close up on the knuckles on the
• 39:32
  Speaker 2: on the steering wheel, who's going to break first? All
• 39:34
  Speaker 2: that kind of stuff. I don't know. I think that
• 39:36
  Speaker 2: could be still be a stupid It was a stupid
• 39:38
  Speaker 2: bit of way to make this joke a little more
• 39:42
  Speaker 2: I don't give it a little more flavored sometance, Yeah,
• 39:44
  Speaker 2: a little more spice. It's just the fact that Home
• 39:45
  Speaker 2: I was willing to risk the lives of his family
• 39:48
  Speaker 2: because but was being yeah, yeah, there's a way to
• 39:52
  Speaker 2: make it. Homer being kind of a stubborn.
• 39:55
  Speaker 4: Speaking before thinking yes, opposed to driving driving and go
• 40:00
  Speaker 4: a tree and then avoiding it as opposed to being
• 40:02
  Speaker 4: like an angry, vindictive psycho, and then he could have
• 40:06
  Speaker 4: had and that's Lisa saying something like and that's why,
• 40:09
  Speaker 4: by the way, is because you never follow through with
• 40:10
  Speaker 4: your threats. And then Marshall said, what do you want
• 40:13
  Speaker 4: us a fault drive into a tree something like that.
• 40:15
  Speaker 2: All then home. It's kind of like, if you show
• 40:17
  Speaker 2: up my inconsistencies again, I'll drive right into this tree.
• 40:20
  Speaker 2: And then he tries, he starts to do it. Are
• 40:22
  Speaker 2: make it, make it funny, this is normally a comedy.
• 40:26
  Speaker 2: Make it feel like.
• 40:27
  Speaker 4: We're actually going, actually and genuinely fixing these episodes.
• 40:30
  Speaker 2: I think so.
• 40:31
  Speaker 4: And it has taken us five minutes each time.
• 40:36
  Speaker 2: You realize your pals Bill Oakley and Met Selmon and
• 40:39
  Speaker 2: just listening.
• 40:39
  Speaker 4: To this going Bill he threw the town in many
• 40:42
  Speaker 4: years before this one.
• 40:44
  Speaker 2: I was going to say, I won't jump to what
• 40:47
  Speaker 2: a lord, but yeah, Bill Oakley has now just got
• 40:49
  Speaker 2: a new second career. Is just sampling just over the
• 40:52
  Speaker 2: Steve Hans guy, Steve's Hams guy. He found something really
• 40:55
  Speaker 2: seemingly delicious the other day where he's like, oh, someone
• 40:59
  Speaker 2: sent me the yuzu from you send me from Japan,
• 41:04
  Speaker 2: the Yuzu seven spice dipping sauce for chicken mcnuggers. I'm like,
• 41:08
  Speaker 2: I loved yuzu flavor. That's fat. Oh my god, this
• 41:11
  Speaker 2: sounds so good.
• 41:13
  Speaker 4: I struggle with watching people start like the fast food
• 41:17
  Speaker 4: eating thing. Right, when people eat food, it's kind of
• 41:19
  Speaker 4: weirdness in their car that's like biting a boot like
• 41:23
  Speaker 4: and I'm like, oh, this is kind of weird anyway.
• 41:25
  Speaker 4: But when you when you're starting to see them progressively
• 41:28
  Speaker 4: gain weight, You're like, I'm supporting weight gain here.
• 41:31
  Speaker 2: This isn't great. Well did we speak to Bill about this?
• 41:35
  Speaker 2: Have we ever spoken to or.
• 41:37
  Speaker 4: We did speak to Bill about seam ham society, which
• 41:39
  Speaker 4: is he's seeing he's got Yeah, I think yeah.
• 41:41
  Speaker 2: Was there asking like, doe you concerned about, you know,
• 41:45
  Speaker 2: becoming a big boy a big buy I'm keeping my
• 41:51
  Speaker 2: own things and now I'm not eating like this all
• 41:53
  Speaker 2: the time and I only have little bits and all
• 41:55
  Speaker 2: this kind of stuff. It's like, okay, well what do
• 41:56
  Speaker 2: you Bill? We love we love you, Bill, Yes, we
• 41:59
  Speaker 2: love what you but you know, be more steamed things
• 42:03
  Speaker 2: this hand things.
• 42:08
  Speaker 4: Anyway, So yeah, home has threatened to drive him to
• 42:10
  Speaker 4: the tree. Blah blah blah, oh stupidity. Right, the dinner
• 42:12
  Speaker 4: party now, and I'm like, this isn't the party I expected.
• 42:17
  Speaker 2: Party is not. This is meal. Well, this is an
• 42:20
  Speaker 2: event it is and look, you could be the Simpsons
• 42:25
  Speaker 2: writers could be very well saying that's the joke when
• 42:27
  Speaker 2: it's like, this isn't so much a cool party for
• 42:29
  Speaker 2: Lenny's friends. It's more like this is me, Lenny Big,
• 42:32
  Speaker 2: noting himself a bit doing the real I guess humble
• 42:34
  Speaker 2: brag of like thank you for being a friend. And
• 42:36
  Speaker 2: it's like, but really, you're just kind of like putting
• 42:38
  Speaker 2: up signs saying Lenny's great or you know, friending all
• 42:42
  Speaker 2: these different languages, but really the keyword is Lenny here.
• 42:45
  Speaker 4: It would have been nice to have had one of
• 42:46
  Speaker 4: the Golden Girls appear as a guest.
• 42:48
  Speaker 2: That's trick. Yeah you get yeah, Betty water room clan,
• 42:53
  Speaker 2: where's my money?
• 42:54
  Speaker 4: When you walk up to one of them, it's just
• 42:56
  Speaker 4: Betty sitting there saying thank you for being a friend
• 42:58
  Speaker 4: to Betty.
• 42:58
  Speaker 2: Betty are you yeah? Like they check didn't clear? Yeah,
• 43:04
  Speaker 2: something like that.
• 43:04
  Speaker 4: Yeah, But he sings the Golden Girls theme I mean,
• 43:07
  Speaker 4: I'm always a sucker for the Golden Girls theme, you are,
• 43:09
  Speaker 4: It always just makes me happy. Yeah, Barney is glad
• 43:12
  Speaker 4: that he's gets getting to take the centerpiece home. He's
• 43:14
  Speaker 4: gonna put on his mum's grave.
• 43:15
  Speaker 2: Mentions.
• 43:16
  Speaker 4: Gift bags here, which are I don't remember as a
• 43:19
  Speaker 4: kid going to a birthday party and never getting a
• 43:20
  Speaker 4: gift bag. But man, kids, these days it's a thing.
• 43:24
  Speaker 4: It is a party now, you judge. I think I
• 43:27
  Speaker 4: may have said it's judge a pub by how good
• 43:29
  Speaker 4: their party is. Kids, judge a party by how good
• 43:31
  Speaker 4: the party bag?
• 43:32
  Speaker 2: Take away? And there's no party bag. The kids are
• 43:35
  Speaker 2: not happy. That's so weird because I mean simply when
• 43:38
  Speaker 2: I was growing, occasionally you've got to take away bag,
• 43:41
  Speaker 2: but it was we didn't need all the lollies. Yeah.
• 43:45
  Speaker 2: Actually I don't remember actually ever get anyone. I don't
• 43:48
  Speaker 2: maybe it didn't happen all the time. It's just like
• 43:50
  Speaker 2: a bag. Now they're getting all this extra stuff, like Elliott,
• 43:54
  Speaker 2: like they presenting at the Oscars or something. They got
• 43:56
  Speaker 2: one from one of his friends school and had lego
• 43:58
  Speaker 2: in it. What a little lego?
• 43:59
  Speaker 3: Ki?
• 44:01
  Speaker 4: I was like, I said to you, spent on the
• 44:04
  Speaker 4: arey spent like twenty bucks in each one. I was like,
• 44:07
  Speaker 4: ach one the gift back what I don't spent much
• 44:11
  Speaker 4: of new kids president And I was.
• 44:12
  Speaker 2: Literally pulling the home alone face. I couldn't literally slapping
• 44:15
  Speaker 2: his hands to his cheek.
• 44:16
  Speaker 4: And this guy she would have had, he must have
• 44:18
  Speaker 4: spent twentyred bucks on gift bags. He's like, oh, I
• 44:20
  Speaker 4: just I love making a big event for the kids
• 44:22
  Speaker 4: and stuff. And I was like, how was the kid
• 44:23
  Speaker 4: of this day? This is it was her sixth party?
• 44:26
  Speaker 2: Na, no, no, I'm going to remember this then that
• 44:29
  Speaker 2: lego is going to go into landfill. Yeah, forget about it.
• 44:31
  Speaker 2: But it wasn't go you know, I'll be like, you
• 44:34
  Speaker 2: know what, you go to the party. You're got a party.
• 44:36
  Speaker 4: The party descended into madness though, and it was great
• 44:38
  Speaker 4: in a sense that the dad was just like a
• 44:40
  Speaker 4: big kid, right, So clearly it made sense why he
• 44:42
  Speaker 4: spent with money on the gift aggs.
• 44:43
  Speaker 2: But they had all this ship.
• 44:45
  Speaker 4: Organized that we're gonna bring it. We've paid to have
• 44:48
  Speaker 4: this scientist come and do a science show and all
• 44:50
  Speaker 4: this fucking and like like a petting zoo thing in
• 44:52
  Speaker 4: the back, blah blah, blah, what the fuck? And the
• 44:54
  Speaker 4: dad just brings out some NERF guns and a kid's
• 44:56
  Speaker 4: like no fud and all these kids it was no shit.
• 44:59
  Speaker 4: He had like twe NERF guns because he goes. I
• 45:01
  Speaker 4: went to like marketplace and this guy was just selling
• 45:03
  Speaker 4: those NERF guns I was born for like fifty bucks.
• 45:05
  Speaker 4: And the kids just shot NERF guns each other like
• 45:07
  Speaker 4: two hours, using like just shooting things around. And the
• 45:11
  Speaker 4: parents were backyard. We're getting shot with the nerves, and
• 45:13
  Speaker 4: someone were just like, I'm going in dad.
• 45:16
  Speaker 2: But you know that they think this dad might be
• 45:18
  Speaker 2: a secret genius though.
• 45:19
  Speaker 4: You know that, you know the chaos music of the
• 45:21
  Speaker 4: Simpsons when there's a riot, That was the reason that
• 45:24
  Speaker 4: was going in my head. And all these parents getting
• 45:25
  Speaker 4: shot with nerves and it's slowly all just gravitating towards indoors,
• 45:30
  Speaker 4: and the kids were just and the dad's out there
• 45:31
  Speaker 4: just going just shooting kids in their head and what
• 45:34
  Speaker 4: I'm just like, whatever, I have a great time to
• 45:37
  Speaker 4: hide in the cuby house, to hide mine in the shed.
• 45:39
  Speaker 4: They would just nerve there was nerves and they was
• 45:40
  Speaker 4: shooting them over the fence and see how high they
• 45:42
  Speaker 4: can get it. The guy's like, I don't care how
• 45:43
  Speaker 4: to pay fifty bucks for him. I'm like, if I
• 45:46
  Speaker 4: was a six year old, this seems like the ultimate party.
• 45:50
  Speaker 2: Then you also get the gift back. Yeah, I mean
• 45:52
  Speaker 2: this dad seems like real King of the Kids stuff. Yeah,
• 45:56
  Speaker 2: in a good in good ways and bad. Yeah, just
• 45:58
  Speaker 2: watch out for that van. What is not funny? Well,
• 46:06
  Speaker 2: can we even cem let's say it's not funny? CM molestation,
• 46:12
  Speaker 2: no child abduction? Your fullest day of the episode?
• 46:15
  Speaker 1: Oh?
• 46:15
  Speaker 2: I well, stations funny either.
• 46:19
  Speaker 4: Yes, I'm well aware. Just made a reference to an
• 46:22
  Speaker 4: episode that's true. I was like, because what is not funny?
• 46:26
  Speaker 4: CHARLT melestation?
• 46:27
  Speaker 2: Yes, answer, child rebduction is not funny either. Recently covered
• 46:35
  Speaker 2: on going down to sat Yes, indeed. Yeah, but I
• 46:37
  Speaker 2: mean it was a fun party in the sense that
• 46:39
  Speaker 2: I'm like, this is just chaos. It was just chaos.
• 46:43
  Speaker 2: But yeah, gift backs.
• 46:44
  Speaker 4: So but it goes through the gift bags and realize
• 46:46
  Speaker 4: that they all have robo vacuums in there. The Rumba
• 46:50
  Speaker 4: Nicola really wants a robo vacuum, and I'm just one
• 46:52
  Speaker 4: of those people that has to see them work before
• 46:55
  Speaker 4: I buy into it. We've got friends are like, oh, yeah,
• 46:57
  Speaker 4: they're great, and I'm like, are they? But how is
• 46:59
  Speaker 4: it going to their legs?
• 47:00
  Speaker 2: The chair? They must work, but I have to see
• 47:04
  Speaker 2: it work before I'll fully commit. I agree with you
• 47:06
  Speaker 2: on this. Yes, I recently bought a dice in the
• 47:09
  Speaker 2: vacuum clean which I'm very happy with. I like I
• 47:13
  Speaker 2: like hand washing dishes. I like doing the vacuuming myself.
• 47:16
  Speaker 2: I feel like I've done something, like I've earned my
• 47:19
  Speaker 2: clean house.
• 47:20
  Speaker 4: So then he opens the door or so who oppens?
• 47:24
  Speaker 4: I think maybe mid Lenny. Someone happens the door for
• 47:26
  Speaker 4: the for the party bags whatever.
• 47:27
  Speaker 2: He does because he wants to show off his gift back.
• 47:29
  Speaker 4: Yes, and all of the vacuums come out and they
• 47:31
  Speaker 4: go crazy. I did like some of the visual gags
• 47:33
  Speaker 4: he like sucking up Moleman and whatnot, going largest hair. Yeah,
• 47:36
  Speaker 4: this looked cool. Wigham ends up shooting them all though,
• 47:38
  Speaker 4: and he says they've been switched to is it malevolent
• 47:41
  Speaker 4: sentience or something something like that.
• 47:43
  Speaker 2: And then, by the way, one of my trivia questions
• 47:45
  Speaker 2: was what is the name brand of the the robot
• 47:48
  Speaker 2: vacuum cleaner? We just said it. I forgot it already.
• 47:50
  Speaker 2: What was it. I didn't say it, no, but well,
• 47:53
  Speaker 2: the best one known is known as a rumba actual brander.
• 47:56
  Speaker 2: I don't think they've got the actual or was it here?
• 47:58
  Speaker 2: They called it a vacuum bot a VECB you bought
• 48:00
  Speaker 2: all right?
• 48:01
  Speaker 4: If you're a fan of everything we do here at
• 48:03
  Speaker 4: four Finger Discount, but you're kind of hearing these pesky ads,
• 48:06
  Speaker 4: then you'll absolutely love being a member of the fourth
• 48:09
  Speaker 4: Finger Discount family on Patreon, where you not only get
• 48:11
  Speaker 4: access to over one hundred hours of bonus podcasts, but
• 48:14
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• 48:19
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• 48:22
  Speaker 2: And so much more.
• 48:23
  Speaker 4: So go ahead join the family today and support your
• 48:24
  Speaker 4: pals Guy and Dando for a little as one dollar
• 48:26
  Speaker 4: per month at patreon dot com slash fourth Finger Discount.
• 48:30
  Speaker 5: Oh, Bart, I've had it with you. I'm taking away
• 48:34
  Speaker 5: all your TV privileges. You already did that, okay, then
• 48:37
  Speaker 5: video games that too? No more non dice board games.
• 48:42
  Speaker 5: What you can't take my boulder dish?
• 48:44
  Speaker 1: I just did.
• 48:46
  Speaker 4: He's confused though here and this was where I was like,
• 48:49
  Speaker 4: you need to dove into this, right, But they just
• 48:51
  Speaker 4: threw this story out for a cheap visual gag, which
• 48:54
  Speaker 4: which word of the color and the N and n's
• 48:56
  Speaker 4: as opposed to EM and m's, which is funny because
• 48:59
  Speaker 4: Holly calls them and ends, but bartis confused, why am
• 49:03
  Speaker 4: I not?
• 49:03
  Speaker 2: I don't mean to be bad? Like why am I?
• 49:05
  Speaker 2: Why am I like this way?
• 49:07
  Speaker 4: And then just cuts to that because you're feeding yourself. Yeah,
• 49:10
  Speaker 4: so that could have been a story threat for saying
• 49:12
  Speaker 4: I don't mean to be this way.
• 49:13
  Speaker 2: I would have liked if they had started up until
• 49:16
  Speaker 2: this very moment that he's popping chocolate or drinking carbonated
• 49:19
  Speaker 2: beverages or whatever, or.
• 49:21
  Speaker 4: He could have been recording when he got to the
• 49:23
  Speaker 4: to the vacuum. It could have been a case of
• 49:25
  Speaker 4: him not going, well, this looks good, going oh, I
• 49:28
  Speaker 4: really should not do it, but the vacuum is saying,
• 49:30
  Speaker 4: come on, you turn us on, and he goes it
• 49:34
  Speaker 4: was the vacuums.
• 49:37
  Speaker 2: Or that there's even lollies in the gift bags that
• 49:40
  Speaker 2: he's come and he's getting more and more fired up
• 49:43
  Speaker 2: the more he does it.
• 49:43
  Speaker 4: Yes, but he wishes he had a different family. Q
• 49:46
  Speaker 4: Simon Worcesterfield. And then we also got the who is
• 49:49
  Speaker 4: exactly a picker of butar just with glasses and from
• 49:52
  Speaker 4: rich family. And then an older version arrives as well,
• 49:54
  Speaker 4: who has married a girl.
• 49:55
  Speaker 2: Looks very much like a millionhouse.
• 49:57
  Speaker 4: Yes, we come out for commercial and I both say
• 49:59
  Speaker 4: that their lives a great. They want to do the swap.
• 50:00
  Speaker 4: Blah blah blah blah. Homie wants to punish but tells
• 50:03
  Speaker 4: Barke get out. He wanted to punish you before I
• 50:05
  Speaker 4: get drunk and merciful. So they swap the info. Here again,
• 50:09
  Speaker 4: Homer just whatever. I'm just skimming past home and now
• 50:11
  Speaker 4: because it's just horrible in this episode we know is horrible. Yes,
• 50:14
  Speaker 4: I like that they swap the info. He's like, my
• 50:15
  Speaker 4: dad's name's home, my mum's name is mum. And then
• 50:18
  Speaker 4: the contrast is my butler's name is this, My horse's
• 50:20
  Speaker 4: name is this.
• 50:21
  Speaker 2: Yeah.
• 50:22
  Speaker 4: So he tells the driver as he's driving off in
• 50:24
  Speaker 4: the limo to laugh at which is Simon getting choked
• 50:27
  Speaker 4: by Homer because Homer is a bad father. He arrives
• 50:30
  Speaker 4: at the or he's driving past. It's all the McMansions, McDonald's,
• 50:34
  Speaker 4: dreamy McSteamy, Fleetwood, mac mcaulay, Colkenman I liked this little
• 50:38
  Speaker 4: piss take here because it happens a lot in these
• 50:40
  Speaker 4: kind of films.
• 50:40
  Speaker 2: Whatever your house, sir.
• 50:42
  Speaker 4: Although you already knew that, why did you introduce that?
• 50:45
  Speaker 4: Actually said this last time we watched an episode of
• 50:47
  Speaker 4: Monk season three, they go to Vegas, one of the
• 50:49
  Speaker 4: best episodes of the series so far. Right, yes, Monk
• 50:51
  Speaker 4: goes to Vegas, but they were walking into the casino
• 50:55
  Speaker 4: and it's now Sharon from two guys going a pizza play,
• 50:58
  Speaker 4: she's the new assistant, right, and she says it happens
• 51:01
  Speaker 4: in so many films or TV shows based on episode
• 51:04
  Speaker 4: in Las Vegas. Welcome to Vegas, mister Monk. And I'm like,
• 51:08
  Speaker 4: you've obviously arrived, checked into your hotel, done a few things.
• 51:12
  Speaker 4: You're walking half, you're half in the casino, you're in
• 51:15
  Speaker 4: there while you now just all of a sudden go
• 51:17
  Speaker 4: welcome to Vegas, mister Monks. Like it's caused the opening
• 51:19
  Speaker 4: scene of the episode. Yeah, it's like it's it's stupid,
• 51:22
  Speaker 4: but it's totty much this. Well, here's here's your house, sir.
• 51:25
  Speaker 4: Old that you already knew that.
• 51:27
  Speaker 2: I think I've said it before. Were the normal I
• 51:30
  Speaker 2: don't know if they've given a name to the cliche.
• 51:32
  Speaker 2: But you hear a lot as as you know, Bob,
• 51:36
  Speaker 2: when someone's got to deliver expositions you come back from
• 51:39
  Speaker 2: a commercial break, Yeah, or in movies, you know when
• 51:43
  Speaker 2: I think I remember it most from like you know
• 51:45
  Speaker 2: that one The Day After Tomorrow where I don't remember
• 51:48
  Speaker 2: anything about that movie. In some of the shit cgi Wolves, Yeah,
• 51:52
  Speaker 2: insane weather is just destroying the planet. Yeah, but there's
• 51:56
  Speaker 2: someone in you know, the main us weather sort of
• 52:00
  Speaker 2: control players going Dennis Quait is the hero and he's
• 52:02
  Speaker 2: saying so and so and so and.
• 52:04
  Speaker 4: So, and his boss goes, yeah, we all know that.
• 52:08
  Speaker 4: At least you're anowledging it. At least you're acknowledging it
• 52:10
  Speaker 4: when to at least turn it into a joke. Yeah,
• 52:12
  Speaker 4: it was just Simpsons often do.
• 52:14
  Speaker 2: Yeah. Well, I don't think they were doing it as
• 52:15
  Speaker 2: a joke. In the DA Aftermorrow. I think it's just like, oh, well,
• 52:19
  Speaker 2: you've got to have a reason why this guy is
• 52:21
  Speaker 2: saying it all, you know, acknowledge that the people in
• 52:22
  Speaker 2: the room know this, even though we don't know what.
• 52:24
  Speaker 4: Yeah, we all know that now. But this is how No,
• 52:28
  Speaker 4: I'm getting old, but checks out these various rooms. The
• 52:31
  Speaker 4: best room is the one that he didn't like.
• 52:32
  Speaker 2: The library. I was like, what a palace. I know,
• 52:36
  Speaker 2: it's like I would live it here, it looks it
• 52:39
  Speaker 2: looks unbelievable really to go Why because it would be quiet?
• 52:43
  Speaker 2: Oh peace, piece of what book were imagine? Just having
• 52:49
  Speaker 2: a library you can just go to and never be bothered.
• 52:53
  Speaker 2: So nice. It's just tough life.
• 52:59
  Speaker 4: Sorry, everything's great, yes, but just piecing quiet you don't
• 53:02
  Speaker 4: appreciate until you make kids. So he's going to his
• 53:07
  Speaker 4: bedroom now he's got like I think the ceiling is
• 53:09
  Speaker 4: from Saddam's pallace. He's racing car bed is actually a
• 53:12
  Speaker 4: racing car. And then Joe Montana is actually in the
• 53:17
  Speaker 4: going to say Joe Montana, Joe Montana is actually in
• 53:20
  Speaker 4: the painting.
• 53:21
  Speaker 2: It's actually because they give what a million dollars to
• 53:23
  Speaker 2: not to day.
• 53:24
  Speaker 4: Yeah, every single day that he does it.
• 53:26
  Speaker 1: Yeah.
• 53:26
  Speaker 2: So then he calls Millhouse and said he's going to
• 53:29
  Speaker 2: be sending a car. It's the thing.
• 53:31
  Speaker 4: Do we actually see Millhouse at the mansion.
• 53:34
  Speaker 2: I think we do, don't we does? Because that's it.
• 53:38
  Speaker 2: He gets a mad crush on the.
• 53:40
  Speaker 4: On the sister, well on both on both. Yes, that's right. Yeah, okay,
• 53:43
  Speaker 4: I guess we do get it. Yeah, I just forgot
• 53:45
  Speaker 4: we forget it.
• 53:46
  Speaker 2: What are their names again? I didn't say the names.
• 53:49
  Speaker 2: I do, but they're really sort of offbeat rich names.
• 53:52
  Speaker 4: I will look it up here because our listeners out
• 53:55
  Speaker 4: there who aren't going to bother watching the episode and
• 53:57
  Speaker 4: will want us to tell them all the little detail.
• 54:00
  Speaker 2: Yeah. Who was our pal who just before said I'm
• 54:03
  Speaker 2: not really watching season twenty, but you guys are doing
• 54:05
  Speaker 2: the lord's work. He would be a Stonecutter of ours,
• 54:08
  Speaker 2: and we know that Stonecutter's name. I sure do. Stonecutter's
• 54:11
  Speaker 2: name would be one Flemish giant. Oh that's right.
• 54:15
  Speaker 4: Flemish siblings are Devon Worsterfield and Quenley Wisterfield.
• 54:20
  Speaker 2: That's right. Apparently he has a grand uncle Cracker. He's
• 54:23
  Speaker 2: a Cracker executive great grand aunt by marriage Nana Sophie.
• 54:27
  Speaker 2: So must come back.
• 54:28
  Speaker 4: Well the first cousin once removed Luanne van Holton. Oh
• 54:32
  Speaker 4: wait ah, so canon, So he turns out he's related
• 54:36
  Speaker 4: to interesting first cousin once removed in law. Oh so
• 54:40
  Speaker 4: he's Lewan's cousin. Oh so this kid spoiler turns out
• 54:44
  Speaker 4: to be Millhouse's second cousin.
• 54:47
  Speaker 2: Guys were well ahead of us. Hasn't even been in.
• 54:49
  Speaker 4: This one episode, though he's made one episode appearance that
• 54:53
  Speaker 4: was not revealed here, right, No, so there you go.
• 54:56
  Speaker 4: I'm just trying to work out how that could be.
• 54:59
  Speaker 4: How could it be canon on Simpson's Wiki that Millhouse
• 55:03
  Speaker 4: is his second cousin but he only appears in this episode.
• 55:06
  Speaker 2: Do you think that the person putting you the Simpsons
• 55:09
  Speaker 2: wiki is just writing their own fan fiction at this stage?
• 55:13
  Speaker 2: Why not? Because don't forget Dano. We've been fixing episodes
• 55:20
  Speaker 2: left right. We're not making them cannon. But you know,
• 55:23
  Speaker 2: maybe this person putting together this entry of the Simpson's Wiki,
• 55:27
  Speaker 2: it's like spice U up a little bit, a little
• 55:30
  Speaker 2: uh bab with a speel.
• 55:34
  Speaker 4: They hit it with the spice wheezel your canon whizzle.
• 55:40
  Speaker 2: Millhouse second cousin, Well you're really Millhouse's shout to Pamela Hayden.
• 55:45
  Speaker 2: By the way, what a lady retired from the show?
• 55:48
  Speaker 4: Millhouse has a lot of cousins apparently, Well, he was
• 55:51
  Speaker 4: from the from the what's it called the home the
• 55:53
  Speaker 4: home Country?
• 55:53
  Speaker 2: What's it called the home country? The Old Country? The
• 55:56
  Speaker 2: Old Country maybe the Old country, and that sounds like
• 55:58
  Speaker 2: something to say, if you if you're at yeah, the
• 56:00
  Speaker 2: old country, in the Old Country. Yeah, but yeah, okay,
• 56:03
  Speaker 2: were there you go?
• 56:04
  Speaker 4: Apparently they are second cousins according to Simpson's wiki.
• 56:08
  Speaker 2: Who knew the person the person who wrote since this
• 56:12
  Speaker 2: wiki did none of us, no one else did.
• 56:16
  Speaker 4: Yeah, because apparently Louanne van Houghten is his actual cousin.
• 56:19
  Speaker 2: Okay, whatever, I myself, I'm not tied up in canon.
• 56:23
  Speaker 4: So now Simon is not enjoying the unhappy food that
• 56:26
  Speaker 4: Marge is dished up to him. He's used to eating
• 56:27
  Speaker 4: healthy food. I was eating it, just being horrible, spinning
• 56:30
  Speaker 4: all over and talking with his mouthful.
• 56:32
  Speaker 2: M So I worked at you. We got your memo
• 56:35
  Speaker 2: saying everyone's getting new chairs.
• 56:38
  Speaker 1: Father, could you talk?
• 56:39
  Speaker 2: Love you?
• 56:40
  Speaker 4: You bet naturally, I've fow my old chairman reductor right away,
• 56:45
  Speaker 4: he said, no, that was the new chair.
• 56:47
  Speaker 2: That man was two months old. Don't know. I'm setting
• 56:50
  Speaker 2: on an orange crete. I never felt you.
• 56:52
  Speaker 1: He stopped spinning food on me. Keep your meal in
• 56:56
  Speaker 1: your mouth, you semi literate spew monkey.
• 56:58
  Speaker 2: Jet jet boy. You're going your bed without topper.
• 57:02
  Speaker 1: That was an odd thing for Bite to say, maybe
• 57:04
  Speaker 1: he's going through.
• 57:06
  Speaker 2: Certain changes, dead boy, think jampaign to put him to
• 57:09
  Speaker 2: four years of puberty. Forget it.
• 57:12
  Speaker 4: Honestly, there's not one good version of home so far.
• 57:14
  Speaker 2: There's there's no redeeming features in this so far. And
• 57:17
  Speaker 2: also except the he tries to save him. Yeah, I
• 57:19
  Speaker 2: think they missed a bit where everyone in the Simpsons
• 57:22
  Speaker 2: family should be enjoying this food. Yeah, this seemingly delicious
• 57:26
  Speaker 2: soun and meal, even if it's not very healthy or
• 57:28
  Speaker 2: anything like that, but it feels like every other member
• 57:32
  Speaker 2: of the family should be having fun or enjoying it.
• 57:34
  Speaker 2: But just to heighten the difference between Simon and the
• 57:38
  Speaker 2: rest of the Simpsons. But no, they don't really do that.
• 57:41
  Speaker 4: It just felt like there was not enough thought put
• 57:44
  Speaker 4: into which is something I've said three times so far
• 57:46
  Speaker 4: this season.
• 57:48
  Speaker 2: And guess what we're three episodes.
• 57:49
  Speaker 4: Yes, Milhouse is now having dinner with Bart. He slips
• 57:52
  Speaker 4: up corning Bart in front of the butler button then leaves.
• 57:55
  Speaker 4: The first Miss Simon and the half brother and the
• 57:57
  Speaker 4: half sister arrive and they're beautiful, just the girl not
• 58:01
  Speaker 4: the guy as well, and then they hate him because
• 58:04
  Speaker 4: he's blocking their full inheritance, and Millhouse reveals he has
• 58:07
  Speaker 4: a crush on the new sister, and that's it for
• 58:09
  Speaker 4: mill House.
• 58:09
  Speaker 2: That's it.
• 58:10
  Speaker 4: Yeah, Homer is now fighting over the paper chew toy
• 58:13
  Speaker 4: with the dog with a bit of a commentary on
• 58:15
  Speaker 4: the war here tell them as it is, and then
• 58:18
  Speaker 4: some of them having a phone call.
• 58:21
  Speaker 1: This place is insane tonight. I got sent to bed
• 58:24
  Speaker 1: without dinner. Ah, yeah, well what's up with your brother
• 58:27
  Speaker 1: and sister? They're jealous because my father left their mother
• 58:31
  Speaker 1: to be with my mother. Janie, you lost me, Well,
• 58:34
  Speaker 1: gotta go enjoy the Upperlaura middle class.
• 58:40
  Speaker 2: Margin comes in and brings him a pizza, which I
• 58:41
  Speaker 2: thought was so at a character. This felt weird.
• 58:44
  Speaker 4: This used to be Homer being the one bringing the
• 58:46
  Speaker 4: stuff to the bear because it was like, don't tell
• 58:48
  Speaker 4: your mum, there's a little bonding moment between the kids.
• 58:51
  Speaker 4: Marg just brings a pepperoni pizza to bed and covers
• 58:53
  Speaker 4: it and picks it up. It was nice, but it
• 58:55
  Speaker 4: was the opposite.
• 58:57
  Speaker 2: Of It was so much of a immediate gearshift from
• 59:01
  Speaker 2: Bart's acting up.
• 59:02
  Speaker 4: He didn't need his dinner, so why are you bring
• 59:04
  Speaker 4: him a pizza in bed?
• 59:05
  Speaker 2: Yeah?
• 59:05
  Speaker 4: Because The best version of that is when Bart was
• 59:07
  Speaker 4: being naughty. He's like, when he's in the bed, she
• 59:10
  Speaker 4: goes you going to bed without dinner. I'm Stubb and
• 59:12
  Speaker 4: hopefully I'm a coming believe. So that's the dynamic. That's
• 59:17
  Speaker 4: what the dynamic used to be. Now home despises his children,
• 59:21
  Speaker 4: or in this episode anyway, despises his children and Marge
• 59:24
  Speaker 4: is the one. It's almost like, as we're getting to
• 59:27
  Speaker 4: that territory now where Harry Sheer pointed it out, I've
• 59:30
  Speaker 4: set it before they pick. They write jokes and assign
• 59:33
  Speaker 4: it to a character.
• 59:34
  Speaker 2: Yeah, the gags are not specifically designed two characters. They
• 59:36
  Speaker 2: are just gags. Gags. The idea of those quotation marks.
• 59:42
  Speaker 2: Dania just did the biggest set of air quotes you've
• 59:44
  Speaker 2: ever seen in and God didn't like the look at
• 59:47
  Speaker 2: them that bekind scary. Yes they were indeed.
• 59:50
  Speaker 4: So yeah, much has brought the pizza and someone's there like,
• 59:53
  Speaker 4: oh wait, you know what I can I can get
• 59:55
  Speaker 4: used to this.
• 59:55
  Speaker 2: This, this is this is nice.
• 59:56
  Speaker 4: So in his life he likes the rich lifestyle in
• 59:59
  Speaker 4: the sense that all the he gets everything he wants,
• 1:00:02
  Speaker 4: but here he's getting love.
• 1:00:04
  Speaker 2: It feels like there are just gaps all the way through.
• 1:00:07
  Speaker 4: It's like we need this, We need to see Simon
• 1:00:09
  Speaker 4: not getting any love from his parents, not mistreated, just just.
• 1:00:13
  Speaker 2: Their cold or even show like the long dinner table
• 1:00:17
  Speaker 2: and they're just not there, like there's this place where
• 1:00:20
  Speaker 2: is father? Yeah there are place settings, but you know
• 1:00:23
  Speaker 2: they're just not there. Yeah. The other thing is, I
• 1:00:26
  Speaker 2: don't know it. I think it might be a bit
• 1:00:28
  Speaker 2: of a trope. When you've got some poor person who
• 1:00:31
  Speaker 2: has ended up in a rich situation, it's usually the
• 1:00:35
  Speaker 2: butler or the help who recognizes, oh, you don't belong here,
• 1:00:39
  Speaker 2: but you've got good character and I'm going to look
• 1:00:41
  Speaker 2: out for you.
• 1:00:42
  Speaker 4: And in the nineties it was always the same guy
• 1:00:44
  Speaker 4: playing the butler. It's the new from Jamunji, the dad
• 1:00:47
  Speaker 4: from jam He is a great butler.
• 1:00:50
  Speaker 2: Yeah, I mean I'm thinking of trading places, okay, where
• 1:00:54
  Speaker 2: Eddie Murphy takes over Dan Aykroyd's life and he's got Coleman.
• 1:00:57
  Speaker 2: The butler played that. Dan Elliott and Dala Mellick realized like, oh,
• 1:01:01
  Speaker 2: this guy's actually treating me like an equals. He's a
• 1:01:03
  Speaker 2: person of good character. I'm gonna look out for him. Yeah.
• 1:01:06
  Speaker 2: It would have been nice to just throw a little
• 1:01:08
  Speaker 2: bit of that into this. I don't know exactly how,
• 1:01:11
  Speaker 2: but as I said, yeah, it just feels like like
• 1:01:14
  Speaker 2: this is a this is a dumb metaphor. But run
• 1:01:17
  Speaker 2: with me. Picture of blanket. Picture a blanket, blanket pure
• 1:01:22
  Speaker 2: on your boar from Tate. Oh, this seems reaverly good.
• 1:01:26
  Speaker 2: You hold it up to the light and it's like, oh,
• 1:01:28
  Speaker 2: there's a bunch of tiny little holes in this. This
• 1:01:30
  Speaker 2: is not bad. This is a quality merge, except oh,
• 1:01:32
  Speaker 2: it's got hole here here, here, here, and here. It's like,
• 1:01:34
  Speaker 2: this could be easily fixed. They could have been easily
• 1:01:37
  Speaker 2: fixed up the factory. Yeah, and that's what this feels like.
• 1:01:39
  Speaker 4: I think they spent too long leading up to the swap.
• 1:01:44
  Speaker 4: Oh yeah, that could have happened right at the start,
• 1:01:46
  Speaker 4: because you didn't use any of the opening acts to
• 1:01:49
  Speaker 4: to justify why.
• 1:01:50
  Speaker 2: But would want to do this swap? Although to put
• 1:01:52
  Speaker 2: myself into the head of someone at the in the
• 1:01:54
  Speaker 2: Simpsons Rider's room of this stage, to put my head
• 1:01:55
  Speaker 2: into Bill Odenkirk's head, be like, yeah, but we need
• 1:02:00
  Speaker 2: to establish that things are tense between that Bart's acting
• 1:02:04
  Speaker 2: up acting. I'm even more so than usual. So yeah,
• 1:02:08
  Speaker 2: we're gonna have to devote a little time to that.
• 1:02:09
  Speaker 2: But it's seed planning. It's going to pay off later.
• 1:02:11
  Speaker 2: It's like, but it doesn't really for me. It doesn't
• 1:02:13
  Speaker 2: planted too many seeds and there's not a big enough crop.
• 1:02:16
  Speaker 4: It doesn't make sense though, in the sense that Marge
• 1:02:18
  Speaker 4: and Homer had had enough with Bart's naughty behavior and
• 1:02:21
  Speaker 4: now it's just suddenly not being naughty, and none of
• 1:02:23
  Speaker 4: them seem aware of what's going on.
• 1:02:25
  Speaker 2: But even then he's not. It's not enough of the
• 1:02:27
  Speaker 2: gearshift of like Bart was bad and now he's good.
• 1:02:30
  Speaker 2: It's like Bart was bad and now he's a snob
• 1:02:32
  Speaker 2: and he's not even like, Oh, mother and father, I'm
• 1:02:36
  Speaker 2: so glad that we're all having dinner together, how wonderful.
• 1:02:38
  Speaker 2: It's more like, oh, you're a vile, vulgarian. You're spitting
• 1:02:42
  Speaker 2: food in my face. Is like, you sp monkey. Yeah,
• 1:02:44
  Speaker 2: it's like even Homer not recognizing that. It feels kind
• 1:02:48
  Speaker 2: of dumb and weir. No one recognized except I mean
• 1:02:51
  Speaker 2: I understand why. Yeah, ah, so it's it's no the
• 1:02:57
  Speaker 2: nitpicks are all valid. Yeah, we're picking sermon, and it's
• 1:03:00
  Speaker 2: here like a kid with a.
• 1:03:02
  Speaker 4: Oh we got the first message the other day. It
• 1:03:03
  Speaker 4: was like, it's the headlights is spread at school and
• 1:03:06
  Speaker 4: I'm like, oh, it's the no, now my heads is
• 1:03:08
  Speaker 4: You're thinking about it like it's three weeks to go
• 1:03:10
  Speaker 4: under school. You we nearly go through it, and it's like,
• 1:03:14
  Speaker 4: what are knits?
• 1:03:16
  Speaker 2: Let me tell you. Have you have you see a
• 1:03:18
  Speaker 2: close up of them?
• 1:03:19
  Speaker 4: You're like, these things look terrifying when when you zoom
• 1:03:21
  Speaker 4: in on them, like there's little creatures in your head.
• 1:03:24
  Speaker 2: Oh, all insects are terrifying. You're zooming closure. Have you
• 1:03:26
  Speaker 2: ever seen the picture like the six hundred times magnification
• 1:03:29
  Speaker 2: of like an ant's face. It looks like the motherfucker
• 1:03:31
  Speaker 2: wants to kill me. Oh, let's sleeve it fine, I'll
• 1:03:34
  Speaker 2: google it. So six hundred times. I'm pretty sure its
• 1:03:36
  Speaker 2: six hundred times, just like just microscope microscopic close up.
• 1:03:41
  Speaker 2: I know, right, that looks like crampus. Yeah, that's an
• 1:03:46
  Speaker 2: ant's face. Look and it's like I want to kill you.
• 1:03:51
  Speaker 2: No way. Are they its eyes or just antlers? I
• 1:03:54
  Speaker 2: don't know. Let's put in the show notes. Yeah, that's scary.
• 1:03:58
  Speaker 4: That is a perfect you need to make an ant
• 1:04:01
  Speaker 4: horror movie and that is the face of the cover.
• 1:04:05
  Speaker 2: There have been giant ant movies, I mean the whole Yeah.
• 1:04:09
  Speaker 4: Don't remind me of the poor giant ant from How Honey,
• 1:04:11
  Speaker 4: I Shunt the Kids still hurts me to this day.
• 1:04:14
  Speaker 2: I don't really remember. We will talk about.
• 1:04:15
  Speaker 4: The faster moment Honey Shun the kids is when the
• 1:04:19
  Speaker 4: kids gets shrunk. Obviously, they're in the backyard or whatever
• 1:04:21
  Speaker 4: it is, the front yard, and they become friends with
• 1:04:23
  Speaker 4: this ant, and this ant risk its life when a
• 1:04:27
  Speaker 4: scorpion comes around and fends off the scorpy, and the
• 1:04:29
  Speaker 4: scorpion kills the ant and it dies in their arms,
• 1:04:32
  Speaker 4: and it's like.
• 1:04:32
  Speaker 2: My goodness, oh shit, holy moly, why am I crying
• 1:04:35
  Speaker 2: over an ant?
• 1:04:37
  Speaker 4: So we had children of the nineties, the three fuck
• 1:04:40
  Speaker 4: you moments when kids movies were willing to make you cry.
• 1:04:44
  Speaker 4: It was the ant dying, Honey, I Shunt the kids,
• 1:04:47
  Speaker 4: Littlefoot's mum dying in the land before Time, and then
• 1:04:51
  Speaker 4: Fussa being killed by scar. Did you have any members
• 1:04:54
  Speaker 4: of that when you were a kid? Oh gosh, deaths
• 1:04:57
  Speaker 4: or moments and movies that stuck with you and you're
• 1:04:59
  Speaker 4: like you just never forgotten to the point where you'd
• 1:05:01
  Speaker 4: rewatch the movie and you'd almost want to fast forward
• 1:05:03
  Speaker 4: that part.
• 1:05:04
  Speaker 2: Yeah, there were certainly some traumatic things like that. I
• 1:05:06
  Speaker 2: think the main one for eighties kids. And look, I'm
• 1:05:11
  Speaker 2: saying this is necessarily one of my favorite movies. But yeah,
• 1:05:14
  Speaker 2: what is it. What's the name of the horse in
• 1:05:15
  Speaker 2: the Never Ending Story? Oh? Yeah, don't make it through
• 1:05:17
  Speaker 2: the swamp.
• 1:05:18
  Speaker 4: No, but at least it survives at the end. Well yeah,
• 1:05:20
  Speaker 4: but still when it goes and you're like, they're killing.
• 1:05:23
  Speaker 2: The horse, cool bloom? Oh man, kids, movies used to
• 1:05:28
  Speaker 2: be cold blooded. Yeah, they're just like, don't worry, kids,
• 1:05:31
  Speaker 2: everything's fun because we've got to make a chequel watching
• 1:05:37
  Speaker 2: above men because you know, because we live many Yeah,
• 1:05:45
  Speaker 2: your money.
• 1:05:46
  Speaker 4: Is that one create adorable characters, that three profit. What's
• 1:05:50
  Speaker 4: step two?
• 1:05:50
  Speaker 2: Don't kill, don't kill? We sold the whole underpants anyway.
• 1:05:57
  Speaker 4: So yes, So going back, So Bart's now at the
• 1:05:58
  Speaker 4: fancy party, which is looks like a rap video before
• 1:06:01
  Speaker 4: the rappers show up the siblings and lock him in.
• 1:06:03
  Speaker 4: What are these things called. It's not a grave but mausoleum, mausoleum. Okay,
• 1:06:07
  Speaker 4: because they said the bodies turned to licorice. After a while,
• 1:06:11
  Speaker 4: I did like that. I was something to think that
• 1:06:12
  Speaker 4: they're not going to not blaying his liquorice story. So
• 1:06:14
  Speaker 4: Smith's ends up letting him out and then Burns becomes
• 1:06:19
  Speaker 4: friends with me basically because he has a bigger fortune
• 1:06:22
  Speaker 4: or he has a bigger fortune. He thinks that hears
• 1:06:23
  Speaker 4: Simon and he says he was once the youngest. Now
• 1:06:26
  Speaker 4: they don't outwardly say this, and they don't even.
• 1:06:29
  Speaker 2: Really imply it. But killed all his siblings.
• 1:06:33
  Speaker 4: Yeah, but they don't make a punchine or any sort
• 1:06:35
  Speaker 4: of reference. They thought this, they're going there, and then
• 1:06:38
  Speaker 4: they don't do it. Yeah, but I thought it as well,
• 1:06:41
  Speaker 4: So I mean you thought it as well. Oh yeah, Well,
• 1:06:44
  Speaker 4: it just seems like that's where they were going, and they.
• 1:06:46
  Speaker 2: Maybe it's a master stroke on the part of the
• 1:06:49
  Speaker 2: part of the creatives that it's like, oh, did he.
• 1:06:52
  Speaker 4: Kill them because he's going watching out for them. They
• 1:06:55
  Speaker 4: didn't say I should know because I did it, But
• 1:06:57
  Speaker 4: he doesn't actually say that he did it.
• 1:06:59
  Speaker 2: I wonder if they did make it more obvious, if
• 1:07:03
  Speaker 2: you know, he sort of slipped up and said, yes,
• 1:07:05
  Speaker 2: I wonder how I killed or I mean I wonder
• 1:07:07
  Speaker 2: who killed all those people? If you, if Snyder, fuckers
• 1:07:09
  Speaker 2: like you, and I would go thanks for telegraphing your punches. Yeah, Daniel,
• 1:07:15
  Speaker 2: I could fix this in five minutes. But then burns.
• 1:07:21
  Speaker 4: They're making pathetic again with the sea saucing. I wish
• 1:07:23
  Speaker 4: I would have stopped with these silly gags that stop
• 1:07:25
  Speaker 4: making pathetic, making them frightening.
• 1:07:26
  Speaker 2: Again, make them scary. It make him a scary end face. Yes, exactly.
• 1:07:31
  Speaker 1: So.
• 1:07:32
  Speaker 4: Grandpa then is telling stories to Simon about shooting Buffalo's
• 1:07:36
  Speaker 4: and someone's actually listening. He's like, oh shit, now an
• 1:07:38
  Speaker 4: ending for this story. List is confused. What didn't listen
• 1:07:40
  Speaker 4: to his stories? And I was, Oh, it's the war
• 1:07:42
  Speaker 4: to end all wars. PEPSI continued challenging Coke. I thought
• 1:07:46
  Speaker 4: Pepsi cokes to outseales PEPs But Pepsi's.
• 1:07:49
  Speaker 2: Up there now when it comes to oh, it's very
• 1:07:51
  Speaker 2: much a duopoly now it feels like it doesn't it. Yeah,
• 1:07:53
  Speaker 2: I don't. PEPs is not going anywhere. It's not like R. C. Colon,
• 1:07:58
  Speaker 2: Jolt Color.
• 1:07:59
  Speaker 4: Lai Coler, Yeah, whatever, Yeah, I tried that about six
• 1:08:03
  Speaker 4: months ago. I thought, you know what, fuck you? Cole
• 1:08:05
  Speaker 4: was just gonna get the cheat one. I was like,
• 1:08:07
  Speaker 4: oh no, if the kids wouldn'tdrink it, the kids like
• 1:08:13
  Speaker 4: this doesn't taste like PEPSI. Lisa then wants Bart back.
• 1:08:20
  Speaker 4: She what's the old butt back?
• 1:08:22
  Speaker 2: Right?
• 1:08:22
  Speaker 4: So she slaps him. He doesn't do anything about it.
• 1:08:24
  Speaker 4: The old butt would have thrown me out the window. Okay,
• 1:08:26
  Speaker 4: So now she knows something has to be done well.
• 1:08:28
  Speaker 2: And also the fact that yeah, Simon is using terms
• 1:08:30
  Speaker 2: like defenestrate.
• 1:08:31
  Speaker 4: Exactly, but is packing these bags And did you know
• 1:08:34
  Speaker 4: if you packed the fish take it. I had a
• 1:08:36
  Speaker 4: little mini blinking in there.
• 1:08:37
  Speaker 2: I didn't know fish. Yeah. I think I was just
• 1:08:39
  Speaker 2: too disturbed by the whole putting. You know, there are
• 1:08:43
  Speaker 2: certain things that's irrational, just like, oh god, that's really
• 1:08:46
  Speaker 2: given me the weirds. Yeah, putting a fish tank in
• 1:08:49
  Speaker 2: the in the suitcase and trying to close it. I
• 1:08:51
  Speaker 2: was like, ah, I don't like that. It's poor fish. Poor.
• 1:08:56
  Speaker 2: I don't know, just yeah, there are certain things that
• 1:08:58
  Speaker 2: just give you the nails down a chalkboard feeling, and
• 1:09:01
  Speaker 2: oh yeah, for some reason, that was it.
• 1:09:03
  Speaker 4: Everyone has there there's something there's something, Yeah, whine is
• 1:09:07
  Speaker 4: toenails or pens being clipped the sound the clip they clicking,
• 1:09:12
  Speaker 4: cutting too close to the and getting the little on
• 1:09:14
  Speaker 4: other things at the head dubs hailes not fun at all.
• 1:09:19
  Speaker 4: But they come to him and say, oh, you must
• 1:09:21
  Speaker 4: be packing for a trip to.
• 1:09:24
  Speaker 2: We have a skate trip.
• 1:09:25
  Speaker 4: Now you remembers, Oh, mister Burns said that they'd be
• 1:09:27
  Speaker 4: be a skate trip, but they'd get me.
• 1:09:29
  Speaker 5: Scrubbing you is easy because you've been pre rented.
• 1:09:35
  Speaker 1: And when you're covered with goul, that's when I'm scrubbing you.
• 1:09:43
  Speaker 1: Scrub up up, scrub up a pump man ark. Okay,
• 1:09:48
  Speaker 1: something to tell you. I don't like the look of
• 1:09:51
  Speaker 1: those air quotes. So now Barge is on his way
• 1:09:54
  Speaker 1: to Aspen. They're going to try to kill him.
• 1:09:56
  Speaker 2: Thank you future Bart for traveling back through time to warn.
• 1:10:01
  Speaker 4: Thank your future Bart for traveling back in time to
• 1:10:02
  Speaker 4: warn us. Other than that, that's fine, that that's the
• 1:10:05
  Speaker 4: appreciate silly Homer. You know it's not mean, it's not
• 1:10:08
  Speaker 4: mean spirited, and from the rest of the episode home
• 1:10:09
  Speaker 4: is actually good. They jumps off the so they arrive
• 1:10:12
  Speaker 4: in Aspen. The Champagno's blah blah blah. You also think
• 1:10:16
  Speaker 4: you're not just call the police in Aspen. So the
• 1:10:22
  Speaker 4: siblings are now they pushed Bart down the hill and
• 1:10:25
  Speaker 4: then she offers the other brother a potato.
• 1:10:27
  Speaker 2: Yes, which is a call back to early We didn't
• 1:10:29
  Speaker 2: really sort of allude to it, but yeah, most of
• 1:10:31
  Speaker 2: the Burns's siblings died from poisoned potatoes exactly.
• 1:10:36
  Speaker 4: Homer then jumps off the ski lift to say, Bart,
• 1:10:39
  Speaker 4: come on, gravity used to be cool. What are we
• 1:10:41
  Speaker 4: doing here? And they turn into a snowball. They go
• 1:10:43
  Speaker 4: down the hill and been the hot in the hot tub,
• 1:10:45
  Speaker 4: and then they get kick out because they're not members
• 1:10:47
  Speaker 4: of the clubs. They go back to a snowball again,
• 1:10:49
  Speaker 4: and the episode just ends very abruptly. So Simon just
• 1:10:52
  Speaker 4: gets back into his car. He realizes, you know what,
• 1:10:55
  Speaker 4: I'm going to enjoy having a Sunday. What in the
• 1:10:57
  Speaker 4: back of my car he with the butler did he.
• 1:10:59
  Speaker 2: Sort of give somebody came like, oh oh miss the
• 1:11:01
  Speaker 2: simple pleasures of life with the Simpson And then he's like,
• 1:11:03
  Speaker 2: but he's got the fanciest sunday. Yeah, the gold lif
• 1:11:07
  Speaker 2: I can understand. The Diamond Sharts is just gonna do
• 1:11:09
  Speaker 2: rig heavy on your inside.
• 1:11:10
  Speaker 4: I think it would have been better if he had
• 1:11:12
  Speaker 4: to go, I ner, if I can give up this,
• 1:11:15
  Speaker 4: mom Mum will call him Marge mum or whatever, and
• 1:11:17
  Speaker 4: then have the window come down saying sir your sunday.
• 1:11:20
  Speaker 2: Oh wait, yes, and yeah exactly.
• 1:11:23
  Speaker 4: That would have been a better way to do that
• 1:11:24
  Speaker 4: in my opinion, But Homer wants to go after them.
• 1:11:26
  Speaker 4: Don't leave you with them again, bad father once again.
• 1:11:30
  Speaker 4: And I never thought i'd say this, but I missed
• 1:11:31
  Speaker 4: you guys, which was.
• 1:11:33
  Speaker 2: Like, I'm pretty sure last what you missed them.
• 1:11:35
  Speaker 4: But anyway, Marge and tucks bart in and he says
• 1:11:37
  Speaker 4: this is the life, which was a sweet ending. It's
• 1:11:39
  Speaker 4: just this needed to be more of the story. Yes,
• 1:11:42
  Speaker 4: the tuckings needed to be more emphasized by getting no
• 1:11:46
  Speaker 4: tuck in by the we even see the parents do
• 1:11:50
  Speaker 4: that's the thing.
• 1:11:51
  Speaker 2: Yeah, so you needed to ramp up the role of
• 1:11:54
  Speaker 2: the butler a bit more, all this kind of business.
• 1:11:56
  Speaker 2: But now they were like five or six good bits
• 1:12:00
  Speaker 2: in this, and they're sort of enough to string the
• 1:12:03
  Speaker 2: rest of the episode around and build a bit of
• 1:12:05
  Speaker 2: a great something solid, but they just don't make the
• 1:12:08
  Speaker 2: most of it.
• 1:12:09
  Speaker 4: But needed to see that, you know, home is a
• 1:12:13
  Speaker 4: deck and he choked and whatnot, but getting absolutely nothing
• 1:12:16
  Speaker 4: from the parents from his dad, and he's go, oh
• 1:12:19
  Speaker 4: great either, like maybe, like you know, it could be
• 1:12:23
  Speaker 4: he could act upright at that rich place and the
• 1:12:27
  Speaker 4: parents don't give a shit.
• 1:12:28
  Speaker 2: Right, I need boundaries.
• 1:12:31
  Speaker 4: He's like, ah, well, I'm not even getting reactions.
• 1:12:33
  Speaker 2: Isn't fun? Yeah? Yeah?
• 1:12:34
  Speaker 4: And then he goalies, Oh wait, I am the problem
• 1:12:36
  Speaker 4: because I'm doing it for a reaction anyway.
• 1:12:38
  Speaker 2: Good lord, we've made this episode like eight times better.
• 1:12:42
  Speaker 2: What do we learn bomb? All right? What did you
• 1:12:44
  Speaker 2: learn from episode?
• 1:12:45
  Speaker 4: Mister Davis that if I'm going to beat someone silly
• 1:12:50
  Speaker 4: with a magazine, I think ladies magazine that's full of advertisements,
• 1:12:54
  Speaker 4: do it in the blind spot of the security camera. Yes,
• 1:12:57
  Speaker 4: I learned to never trust your siblings, especially they give
• 1:12:59
  Speaker 4: you a Oh. If you're a fan of everything we
• 1:13:04
  Speaker 4: do here at Fourth Finger Discount, but you're tired of
• 1:13:07
  Speaker 4: hearing these pesky ads, then you'll absolutely love being a
• 1:13:10
  Speaker 4: member of the fourth Finger Discount family on Patreon, where
• 1:13:12
  Speaker 4: you not only get access to over one hundred hours
• 1:13:15
  Speaker 4: of bonus podcast, but you also get access to this
• 1:13:18
  Speaker 4: show early and add free every single week, as well
• 1:13:20
  Speaker 4: as access to our exclusive Facebook and discord communities, and
• 1:13:24
  Speaker 4: so much more. So go ahead join the family today
• 1:13:26
  Speaker 4: and support your pals Guy and Dando for a little
• 1:13:28
  Speaker 4: as one dollar per month at patreon dot com slash
• 1:13:30
  Speaker 4: fourth finger discount.
• 1:13:32
  Speaker 2: From day forward, your names will be It.
• 1:13:35
  Speaker 4: Is the Guy Davis New Name Championship. He currently stands
• 1:13:39
  Speaker 4: at this In first position, we have yeah me, yeah it.
• 1:13:45
  Speaker 2: He's on six points.
• 1:13:47
  Speaker 4: In second position we have Steve Roberts and Chris Clark
• 1:13:50
  Speaker 4: both on two points, and in third position Zach Wood
• 1:13:52
  Speaker 4: and Carl Muldoon on one point.
• 1:13:55
  Speaker 2: I just can't get enough Dando's bluesy voice. Alright, what
• 1:14:00
  Speaker 2: are the names for this week? We have a lot
• 1:14:02
  Speaker 2: of good new names. This was tough. I wrote down
• 1:14:06
  Speaker 2: at least seven that could have got points, but not sorry,
• 1:14:10
  Speaker 2: you're not all going to get points or no one
• 1:14:12
  Speaker 2: mentions not even that. That just makes people feel bad.
• 1:14:15
  Speaker 2: Who gets the one point? One point goes too because
• 1:14:18
  Speaker 2: there's in house fighting, like what men? You kidding me?
• 1:14:22
  Speaker 2: What a non lord? One point goes to don't pull gangers?
• 1:14:30
  Speaker 4: Oh, the old classic dough. That will be Adam Woolhouse
• 1:14:34
  Speaker 4: with his first point of the season.
• 1:14:35
  Speaker 2: World On, Adam, Welcome to the Woolhouse. He's got plenty
• 1:14:39
  Speaker 2: of new names. How about that? Just came up with it? Really, wow,
• 1:14:46
  Speaker 2: it's not like it shows. Two points goes to son
• 1:14:50
  Speaker 2: of a Switch.
• 1:14:51
  Speaker 4: That is Shannon Dowdell Shannon Dodaal Dowdy. Yes, that was
• 1:14:55
  Speaker 4: the first points for Shannon on the board this year,
• 1:14:58
  Speaker 4: so that means Shannon is also now on two points.
• 1:15:01
  Speaker 2: Yeah, well done, Shannon. Three points goes to lock Stock
• 1:15:06
  Speaker 2: and two Yellow Rascals. His name is Brian, Oh.
• 1:15:14
  Speaker 4: You pull Jared Homby no points this week, Brian Hughes.
• 1:15:17
  Speaker 4: Brian Hughes are the three points. Hugh's Yeah from downtown.
• 1:15:21
  Speaker 4: So Brian, Brian, Who's well done? So it was the
• 1:15:23
  Speaker 4: name again once again?
• 1:15:24
  Speaker 1: Was it?
• 1:15:25
  Speaker 2: His name is Brian?
• 1:15:26
  Speaker 1: No?
• 1:15:26
  Speaker 2: No that his new name is lux Duck and yes,
• 1:15:30
  Speaker 2: Lustock and too Little Rascals, too Yellow, luck Stocking, too
• 1:15:34
  Speaker 2: yellow Rascles. Good name, it's pretty good. The three points. Yes,
• 1:15:37
  Speaker 2: so were others that could have got points? Yeah, we're
• 1:15:40
  Speaker 2: not going to mention them, not notably. But when I
• 1:15:44
  Speaker 2: say that, just I'm talking about you guys. Yes, I'm
• 1:15:47
  Speaker 2: talking about you specifically.
• 1:15:48
  Speaker 4: So Jared Hornby still in first position now in six points,
• 1:15:51
  Speaker 4: but Brian Hughes on three points in second position. Outright,
• 1:15:55
  Speaker 4: we have Steve Roberts, Chris Clark, and Shannon Dowd or
• 1:15:58
  Speaker 4: on two points in third and in four Zach Wood,
• 1:16:00
  Speaker 4: Carl Muldoon, Carl and Adam Woolhouse all on one point.
• 1:16:04
  Speaker 2: With three episodes in to season twenty and it's anybody's race.
• 1:16:09
  Speaker 2: How many episodes this season? Is it back to twenty two?
• 1:16:11
  Speaker 2: Now that's a good question.
• 1:16:12
  Speaker 4: Let's have a look, Simpsons, ask the Internet. Season twenty
• 1:16:17
  Speaker 4: has twenty one episodes. The finale is called coming to
• 1:16:21
  Speaker 4: Home America. Oh, there you go, speaking of Eddie Murphy.
• 1:16:24
  Speaker 4: He's coming to America, isn't he that?
• 1:16:25
  Speaker 2: That is? Yes?
• 1:16:26
  Speaker 4: Is that the one we pretends he's blind? Is that
• 1:16:29
  Speaker 4: coming to America?
• 1:16:30
  Speaker 2: No places? And here where his guy? That's funny. Okay,
• 1:16:34
  Speaker 2: what I can see it's a miracle.
• 1:16:39
  Speaker 4: Eddie Murphy needs prime. I would say, what a lord.
• 1:16:42
  Speaker 2: Some might say that what a lord? And now take
• 1:16:45
  Speaker 2: it away. I don't know if this person's especially well.
• 1:16:47
  Speaker 2: They're not in the news just at the moment. They
• 1:16:49
  Speaker 2: will be soon because a movie of this is going
• 1:16:52
  Speaker 2: to be talked about on the movie Guide with Molten
• 1:16:55
  Speaker 2: and Davis. Um, let me try and remember exactly the
• 1:16:58
  Speaker 2: schedule that Danno put. If you're a patient of four
• 1:17:00
  Speaker 2: figure discount, don't remember Dan, I can just do it.
• 1:17:03
  Speaker 4: It's going to be available next week on the Movie
• 1:17:05
  Speaker 4: Guy Patreon channel. You want to get access to Hearing
• 1:17:07
  Speaker 4: Guy and then to talk about Galaxy Quest starring Tim Allen.
• 1:17:12
  Speaker 2: So I would call what a lord? Now some people
• 1:17:16
  Speaker 2: mean be saying Tim Allen, why exactly? And but then
• 1:17:20
  Speaker 2: like this dude's got staying power. I mean Home Improvement
• 1:17:24
  Speaker 2: went for goodness knows how long have you?
• 1:17:25
  Speaker 4: Eight seasons? For eight seasons and it could have kept going.
• 1:17:28
  Speaker 4: But he's like, I'm out. I've got a buzz Light
• 1:17:30
  Speaker 4: of your money.
• 1:17:30
  Speaker 2: Because you know why, because he's voicing one of the
• 1:17:34
  Speaker 2: main characters and one of the most popular animated franchises
• 1:17:36
  Speaker 2: of the late twentieth and early twenty first century. Yeah,
• 1:17:39
  Speaker 2: talking about Toy Story. He's the voice of buzz Light. Yeh. Yeah. Indeed,
• 1:17:42
  Speaker 2: not only that, he's started to do others. Well, you know,
• 1:17:45
  Speaker 2: in the wake of Home Improvement did other sitcoms. Not
• 1:17:48
  Speaker 2: many people here would maybe no Last Man Standing, but
• 1:17:50
  Speaker 2: that's gone for something like seven years or went for something.
• 1:17:52
  Speaker 2: Oh no, I went for longer than that, went for longer.
• 1:17:54
  Speaker 2: He got Likeck Revived, didn't it? I think?
• 1:17:57
  Speaker 4: So I was looking at these other films that weren't
• 1:17:59
  Speaker 4: as popular. Had the Shaggy Dog Jungle to Jungle Joe,
• 1:18:02
  Speaker 4: Somebody Joe Somebody's Terrible? Christopher Crank's though very popular. Yes, indeed,
• 1:18:08
  Speaker 4: So I'm just gonna go to what was the show
• 1:18:10
  Speaker 4: Last Man Standing? Yeah, but where's the new one he's got?
• 1:18:12
  Speaker 4: I wanted Shifting Gears?
• 1:18:13
  Speaker 2: Shifting Gears, that's right, you know, in a shock to
• 1:18:18
  Speaker 2: people who have watched a timil and said, come, he's
• 1:18:20
  Speaker 2: a man who's sort of out of sync with the times,
• 1:18:23
  Speaker 2: and he's got younger people in his love were saying,
• 1:18:25
  Speaker 2: why did you get with the times? Old man? He's like,
• 1:18:29
  Speaker 2: but I make more money and Step three profit. But
• 1:18:36
  Speaker 2: I haven't we mentioned Galaxy Quest. I mean, he's the
• 1:18:38
  Speaker 2: lead of a movie that is pretty much universally beloved.
• 1:18:41
  Speaker 2: Have you ever met anyone said you know what sucks
• 1:18:44
  Speaker 2: this Galaxy Quest? You know, you probably haven't met them,
• 1:18:46
  Speaker 2: or you've done at social they've not seen it. If
• 1:18:49
  Speaker 2: you've got like, you haven't seen it. Basically, I watched it.
• 1:18:51
  Speaker 2: I couldn't I need to for the first lot two
• 1:18:53
  Speaker 2: years ago, right, as well as one of these films
• 1:18:55
  Speaker 2: where I'm like, ah, I'll get to I get to it,
• 1:18:56
  Speaker 2: and I watched it. I was like, this pit was
• 1:18:57
  Speaker 2: made for me? Why did I not get to this?
• 1:18:59
  Speaker 2: This was literally made for me? This movie that you know,
• 1:19:02
  Speaker 2: he's got the odd role where he's sort of taken
• 1:19:04
  Speaker 2: a middle more of a dramatic turn. I mentioned the
• 1:19:06
  Speaker 2: Dan earlier, the movie called Red Belt, written directed by
• 1:19:09
  Speaker 2: David Namontt, and he's sort of playing this uh semi
• 1:19:14
  Speaker 2: washed up action movie star who gets into a fight
• 1:19:16
  Speaker 2: at a bar one night because people are always like
• 1:19:18
  Speaker 2: trying to step to him. He's really good, and he
• 1:19:21
  Speaker 2: may not be playing a character too far removed from misself,
• 1:19:23
  Speaker 2: but it's like, dude, you're more versatile than people are
• 1:19:26
  Speaker 2: giving you credit for. You know, you've got big hits,
• 1:19:29
  Speaker 2: You've got critically acclaimed movies. Why are people giving you
• 1:19:33
  Speaker 2: more respect? So, yeah, there's a whole thing about snitch
• 1:19:36
  Speaker 2: on your mates because he didn't want to do your
• 1:19:38
  Speaker 2: full time in prison.
• 1:19:39
  Speaker 4: But yeah, you look at his his mog shot, it
• 1:19:43
  Speaker 4: is like he looks like the snitch.
• 1:19:47
  Speaker 2: Yeah. At the same time, he also looks like a
• 1:19:50
  Speaker 2: roadie for the Doobie Brothers or something he does. Yeah, yeah, definite.
• 1:19:54
  Speaker 2: But you know what, I occasionally we go against the grain.
• 1:19:56
  Speaker 2: I will go against popular opinion, going yes, so I'm
• 1:19:59
  Speaker 2: gonna Tim Allen the Lord.
• 1:20:01
  Speaker 4: And I've always enjoyed Home Improvement. As I was saying
• 1:20:03
  Speaker 4: to you, off the air, is one of those shows
• 1:20:04
  Speaker 4: where you may not like it, but you cannot deny
• 1:20:06
  Speaker 4: the fact that it is basic, simple sitcom premise that
• 1:20:09
  Speaker 4: just works.
• 1:20:10
  Speaker 2: Oh yeah, yeah. It is the mac and Cheese of sitcoms. Yeah,
• 1:20:13
  Speaker 2: it's enjoyable stuff. Yeah.
• 1:20:14
  Speaker 4: So it says he's shifting gears. Premiere is in January.
• 1:20:16
  Speaker 4: I'm looking forward to it. I'm looking forward to see
• 1:20:18
  Speaker 4: because I missed sitcoms. Now this is going to be
• 1:20:20
  Speaker 4: a classic sitcom in front of an audience. I am
• 1:20:22
  Speaker 4: all about it because hopefully tim Alie can revive sitcoms again.
• 1:20:26
  Speaker 2: I'm not putting it past him to me though, Yeah,
• 1:20:29
  Speaker 2: so Tim Allen is what a Lord? What a Lord? Indeed?
• 1:20:32
  Speaker 2: All right.
• 1:20:32
  Speaker 4: That is our review of Double Double Boy in Trouble.
• 1:20:34
  Speaker 4: I hope you guys enjoyed it. Next of us said,
• 1:20:36
  Speaker 4: I've forfigured discount season twenty. Ooh, it's tree House of
• 1:20:39
  Speaker 4: Horror nineteen.
• 1:20:40
  Speaker 2: That's right. When I saw that come up on the
• 1:20:43
  Speaker 2: Disney Plus service, which I know how I watched this
• 1:20:45
  Speaker 2: episode of The Simpsons, I was like, hey, we usually
• 1:20:48
  Speaker 2: do this a little earlier, but I'm sure there's a
• 1:20:50
  Speaker 2: reason that a Treehouse of Horror is a little later
• 1:20:52
  Speaker 2: in the game.
• 1:20:53
  Speaker 4: It's always about episode four or five now because because
• 1:20:56
  Speaker 4: what happened was it used to premiere around the end
• 1:20:59
  Speaker 4: of a hall in time, so they started with it.
• 1:21:01
  Speaker 4: But now since like a few years ago, they have
• 1:21:05
  Speaker 4: been in September, so they want to train.
• 1:21:07
  Speaker 2: And make an insta about Helen. Okay, Yessten, so that
• 1:21:11
  Speaker 2: explains why. Thank you for the explanation.
• 1:21:14
  Speaker 4: Yes, all right, So yeah, there'll be Treasafara nineteen will
• 1:21:17
  Speaker 4: be the next episode of four Finger Discount don't forget
• 1:21:20
  Speaker 4: to Please continue to rate and review us on Apple
• 1:21:22
  Speaker 4: podcast Spotify, where you do final this show, check out
• 1:21:24
  Speaker 4: the movie guide with Malton and Davis if you haven't
• 1:21:27
  Speaker 4: done so yet, and all the other shows we offer
• 1:21:29
  Speaker 4: for free. But mister Davis, any final words for those
• 1:21:31
  Speaker 4: incredible listeners out there, Well, not so much for the listeners,
• 1:21:34
  Speaker 4: but Dando, can I offer you a potato s